#i love miracle paint
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I AM ON A MISSION TO HIT EVERY SINGLE PERSON IN THE TUMBLR TPC COMMUNITY WITH A BANJO
if YOURE in the tumblr tpc community and would like to be hit with a banjo comment on this whimsical little post
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gingermintpepper · 2 months ago
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As usual I read your tags always and so you said Apollo did not ask for resurrection of Asclepius and Hyacinthus so i just wanted to share this. About Asclepius death I read it on theoi.com, that earlier authors don't make him resurrect as a god but that's a later development mentioned only by Roman authors like Cicero, Hyginus and Ovid. But still Apollo has a role in Ovid's version
Ovid, Fasti 6. 735 ff (trans.Boyle) (Roman poetry C1st B.C. to C1st A.D.) : Clymenus [Haides] and Clotho resent the threads of life respun and death's royal rights diminished. Jove [Zeus] feared the precedent and aimed his thunderbolt at the man who employed excessive art. Phoebus [Apollon], you whined. He is a god; smile at your father, who, for your sake, undoes his prohibitions [i.e. when he obtains immortality for Asklepios].
So here it is actually because of Apollo the decision was taken to resurrect him as god. And with Hyacinthus, I don't think I've read about Artemis playing the primary role. I know in Sparta there was a picture of Artemis, Athena and Aphrodite carrying Hyacinthus and his sister to heaven.
This is not on theoi.com but I saw on Tumblr it's from Dionysiaca by Nonnus
Second, my lord Oiagros wove a winding lay, as the father of Orpheus who has the Muse his boon companion. Only a couple of verses he sang, a ditty of Phoibos, clearspoken in few words after some Amyclaian style: Apollo brought to life again his longhaired Hyacinthos: Staphylos will be made to live for aye by Dionysos.
So since he is singing inspired by amyclean stories it probably means in that place it was believed Apollo was the one to bring back his lover to life.
Apollo as god of order was very important so i think it shows how special these people (and admetus too) were to him that he decided to go against the order for them 🥺
ANON!! Shakes you like a bottle of ramune!! BELOVED ANON!!!!! I'm littering your face with kisses, I'm anointing you with olive oil and honey - you absolutely made my night with this because, not only did I get the pure serotonin shot of having someone interact with my tags (yippee, wahoo!!) I also got to have that wonderful feeling of "oh wow, have I misunderstood something that was integral to my understanding of this myth/figure this whole time or is this a case of interpretational differences?" which is imo vital for my aims and interests as someone who enjoys mythological content and literature.
I'll preface my response with this: Hyacinthus is by far the hardest of these to get accounts for because his revival itself, as you very astutely point out, is generally accounted for in painting/ritual format which muddies the waters on who interceded for what. I wasn't actually familiar with that passage from the Argonautica - and certainly didn't remember it so thank you very much for bringing it to my attention!
That said, what I've come to understand, both about Hyacinthus and about Asclepius is that in the accounts of their deaths, Apollo's position is startlingly clear.
For Hyacinthus, it is established time and again that Apollo would have sacrificed everything for him - his status, his power, his very own immortality and divinity. Ovid writes that Apollo would have installed him as a god if only he had the time:
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(Ovid. Metamorphoses. Book X. trans. Johnston)
Many other writers too speak of how Apollo abandoned his lyre and his seat at Delphi to spend his days with Hyacinthus, but they also all agree that when it came to his death - he was powerless. Ovid gives that graphic account of Apollo's desperation as he tries all his healing arts to save him to no avail:
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(Ovid, Metamorphoses Book X. Apollo me boy, methinks him dead. trans Johnston)
Bion, in one of his fragments, writes that Apollo was "dumb" upon seeing Hyacinthus' agony:
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(Bion, The Bucolic Poets. Fragment XI. trans Edmonds)
Even Nonnus in the Dionysiaca speaks constantly of Apollo's helplessness in the face of Hyacinthus' fate where he writes that the god still shivers if a westward wind blows upon an iris:
and when Zephyros breathed through the flowery garden, Apollo turned a quick eye upon his young darling, his yearning never satisfied; if he saw the plant beaten by the breezes, he remembered the quoit, and trembled for fear the wind, so jealous once about the boy, might hate him even in a leaf...
(Nonnus, Dionysiaca, Book 3. trans Rouse)
And the point here is just that - Apollo, at least as far as I've read, cannot avert someone's death. He simply can't. Once they're already dead - once Fate has cut their string - all Apollo's power is gone and he can do nothing no matter how much he wants to. And this is, as far as I know, supported with the accounts of Asclepius as well!
Since you specifically brought up Ovid's account, I'll also stick only to Ovid's account but in Metamorphoses when we get Ovid's version of Coronis' demise, he writes that Apollo intensely and immediately regrets slaughtering Coronis. He regrets it so intensely that he, like he does with Hyacinthus, does his best to resuscitate her:
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(Ovid, Metamorphoses Book Two. Apollo's regret)
And like Hyacinthus, when it becomes clear that what has happened cannot be undone, Apollo wails:
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(Ovid, Metamorphoses Book Two. Apollo wept.)
Unlike his mother, Asclepius in her womb had not yet died and so, with the last of Apollo's strength, he does manage, at least, to save him.
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(Ovid, Metamorphoses Book Two. Apollo puts the 'tearing out' in Asclepius.)
But it goes further than even that because Ocyrhoe, Chiron's daughter, a prophetess who unduly gained the ability to directly proclaim the secrets of the Fates, upon seeing the baby Asclepius, immediately prophesies his glory, his inevitable death and then his fated ascension:
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(Ovid. Metamorphoses, Book Two. Ocyrhoe's prophecy. trans Johnston)
Before she too succumbs to her hubris and is transformed by the Fates into a horse so she can no longer speak secrets that aren't hers to share.
These things ultimately are important because it establishes two very important things: 1) Apollo can't do anything in the face of the ultimate Fate of mortals, which is, of course, death and 2) even when Apollo is Actively Devastated, regretful, yearning, mournful, guilty or some unholy combination of all of the above, when someone is dead, he accepts that they are gone. Even if he is devastated by it, even if he'll cry all the rest of his days about it - if they're dead? Apollo lets them go. In Fasti, when Zeus brings Asclepius back, he does not say Apollo asked him to - Zeus, or well, in this case Jove, brings Asclepius back because he wants Apollo to stop being mad at him.
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(Ovid, Fasti VI. Apollo please come home your father misses you. trans. A.S Kline)
Even Boyle's translation which you used above in your findings hints that Zeus made Asclepius a god because he wanted Apollo to stop grieving. (i.e 'smile at your father', 'for your sake [he] undoes his prohibitions')
And like, Apollo was deeply upset by Asclepius' death - apart from killing the Cyclops in anger, in book 4 of the Argonautica, Apollonius writes that the Celts believe the stream of Eridanus to be the tears Apollo shed over the death of Asclepius when he left for Hyperborea after being chastised by Zeus for killing his Cyclops:
But the Celts have attached this story to them, that these are the tears of Leto's son, Apollo, that are borne along by the eddies, the countless tears that he shed aforetime when he came to the sacred race of the Hyperboreans and left shining heaven at the chiding of his father, being in wrath concerning his son whom divine Coronis bare in bright Lacereia at the mouth of Amyrus.
It all paints a very clear picture to me. Apollo did not ask for either of them to be brought back. Though bringing them back certainly pleased and delighted him, they are actions of other gods who are moved by Apollo's grief and mourning and seek to mollify him. Him not asking doesn't mean he didn't want them back which I think is a very important distinction by the by, but it simply means that Apollo knows the natural order of things and, even if it hurts, he isn't going to press his luck about it.
Which, of course, brings us to Admetus. And I'm really not going to overcomplicate this, Admetus is different because, very vitally, Admetus is not dead. Apollo can't do a thing once Fate has been carried out and Death has claimed a mortal but you know what he absolutely can do? Bargain like hell with the Fates before that point of inevitability. And that's what he does, ultimately for Admetus and Alcestis. He sought to prolong Admetus' life, not revive him from death or absolve him from death altogether and even after getting the Fates drunk, he's still only able to organise a sacrifice - a life for a life - something completely contingent on whether some other mortal would be willing to die in Admetus' place and not at all controllable by Apollo's own power.
All of these things, I think come back to that point you made - that Apollo's place as a god of order is very important and therefore these people are very special to him if it means he's willing to go against that order but, I also wish to challenge that opinion if you'd let me. Apollo's place as a god of order is very important and therefore, I would argue, that it is even more important that it is shown that he does not break the divine order, especially for the people that mean the most to him. The original context of my comments which started this conversation were on this lovely, lovely post by @hyacinthusmemorial which contemplated upon Asclepius from the perspective of an Emergency Medical personnel and included, in their tags, the very poignant lines "there's something about Apollo letting go when Asclepius couldn't that eats my heart away" and "you do what you can, you do your best, but you don't ever reach too far" and I think that's perfectly embodied with the Apollo-Asclepius dichotomy. Apollo grieves. He wails, he cries, he does his best each and every time to save that which is precious to him but he does not curse their nature, he does not resent that they are human and ultimately, he accepts that that which is mortal must inevitably die. There is nothing that so saliently proves that those who uphold rules are also their most staunch followers - if Apollo wants to delight in his place as Fate's mouthpiece, he cannot undo Fate. And, if even the god of healing and order himself cannot undo death, what right does Asclepius, mortal as he is, talented as he is, have to disrespect it?
The beauty of these stories isn't that Apollo loved them enough to bring them back. The beauty is that Apollo loved them enough to let them go.
#this is such a long ass post oh my god#ginger answers asks#This totally got away from me but I AM PASSIONATE ABOUT THIS AAAA#Anon beloved anon I hope you don't take this as me shutting you down or anything because that really isn't what I'm trying to do#I'm definitely going to dig more into the exactness of 'who petitioned for Hyacinthus to be revived actually?"#I always stuck to the belief that it was Artemis because of the depictions of his revival + his procession is usually devoid of Apollo#I know some renaissance paintings have him and Apollo reuniting but that's usually In The Heavens y'know#I genuinely couldn't think of any accounts that have Apollo Asking for anyone to be revived#Apollo does intercede sometimes but that's usually for immortals like Prometheus#Or even when he's left to preside over Zagreus' revival and repair in orphic tradition#Concerning Asclepius there's like a ton to talk about tbh#There's the fact that in some writings (in quite a lot actually) the reason Asclepius was killed wasn't necessarily that he brought someone#back - it was that he accepted money for it#Pindar wrote about it and Plato talks about how if Asclepius really did accept gold for a miracle then he was never a son of Apollo#It's a whole thing really#I think it's very important that it's Asclepius in his mortal folly that tests the boundaries of life and death tbh#The romanticisation of going to any length to bring back a loved one is nice and all#But sometimes the kindest and most lovely thing you can do for someone is to accept it#Just accept that they're gone - accept that there was nothing that could be done and even if the grief is heavy - keep living#Maybe we won't all get our lost loves back#But there are definitely always more people worth loving if you just live long enough to find them#apollo#asclepius#zeus#admetus#greek mythology#ovid#oh my god so much ovid#hyacinthus#coronis
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averlym · 1 year ago
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no one would notice if i ever vanished // if bodies could sustain // this never-ending army // like blood pumping through a vein
(click for better resolution!)
:OOO hello. anyway since these are all posters i'd have in an ideal world or smth and i'd like to store the high res versions somewhere,,, here's the google drive folder for them? hehe ''
close up!
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#adamandi#vincent aurelius lin#i'm back with the posters! or smth! idk!!#i'm maybe just a bit obsessed with vincent. such a Character.#where can i run is sustaining me single-handedly through this exam season (<- has cried thrice in the last two days; alas; but moving on)#my stress response was that in a fit of apathy i shut myself down from academia and stopped to paint this#six hours total? on this funky little thing! had to push myself to finish the magnifying glass but!! looks so cool. i'm impressed with my e#fun fact: all the shades are hand-coloured. aka everything is digitally hand painted hooray!! i havent painted for a long time (ish)#smth about this musical makes me want to paint. it's very lovely that way#it's also a miracle i haven't gotten carpal tunnel or any wrist injuries so far... i'm a lucky person! hooray#i had so many thoughts to ramble about and now i don't recall any of them.#-! about this piece: inspired specifically by that one line that i doodled in the margins of a math practice last night#the diagonal slant was very. thinky. the rendering and angle were kinda contradictory to do but it's fineeee (draft was diff. pov)#i liked the red abstraction. and the way that people (misc) gave same vibes as red blood cells.#green for vincent because contrasting colour!! considered a spotlight that was more obv bc. again theatre lighting is so cool. but that was#a bit too literal? i think. so just fun little highlights. no one look at the accuracy of anything here though.. shadows do Not do this#also like hehehe lin. forest. forest of people. i really liked thinking about that. hehehe#i didn't know the font to use!! or quote!! so i slapped on the name of the musical and called it a day... the blank one is in the google-#-folder if you want to add your own stuff :') also also i wasn't sure about cropping at all. so again high res in google drive link#which is under the keep-reading sign! kind of a choose your own adventure because i'm lazy :3#ajhshdhfhfhfhf i think i've been fuelled by the tags under each post so far. so intensely. so very nice.#also when the cast or creators drop fun facts... serotonin right there.. they're all so nice waaagh it's so cool that they like my stuff ><#<laughs> really grateful that the whole fandom's so sweet <3 thank you for your support TvT#alright!! off to mess about with chemistry. jiayou me.#oh yes. a post script about the cropping crisis: i wasn't sure how small i wanted to make him. in proportion to the crowd. so if you see it#on mobile ig it's tiny and on laptop it kind of makes sense ...
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icebarefoxy · 2 years ago
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I Watched the Mysterious Flower Animated Music Video and there was this one animated scene where Randall just kicks water at Hershel but it lasts for 0.5 seconds so you’ll probably miss it unless you’re me
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kristsingto · 9 months ago
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airoarts · 2 years ago
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[image description: Digital art of a post-Miracle Mask Randall Ascot and Hershel Layton in a romantic embrace. Randall, with his hair down and no glasses, is grinning and tilting Hershel's hat backwards to lean into his face, and Hershel is smiling back, holding him around the waist. End ID]
the professor layton franchise is back from the dead so we as a society need to bring back layton yaoi.
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thedrotter · 7 months ago
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today my computer has felt in a pranksty mood ! it felt funny and goofy and decided to not let me save anything and when i tried to open my file it said it was corrupted or didnt exist...☺️☺️ hours... of work...☺️☺️ and just a few days ago it deleted multiple hours of work on another file ! ☺️☺️
dear computer🩷 i will put you in the microwave throw you at a wall and crush you
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sanchoyoscribbles · 1 year ago
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🍬☄️cosmic candy girl ✨💫
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bpdmizuena · 11 months ago
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why is he so bisexual looking
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oli-draw · 2 years ago
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day twenty:helping children
summary:Lom had a cousin come for the new year and she was 19 years younger and that's how the New Year's Agency was closed for evil, and the child does not want to spoil the holiday and for one thing about the magical New Year's miracle, which both children and adults should believe so that she does not forget, she does not want to. So, Lom asked Christopher Bonifatievich and Fuchs to help him and they agreed. Yes, Fuchs and Lomu had to sweat with the child while Vrungel was late, but he came on time and what do you think the girl did? Of course I hugged him, happiness was that it would melt the cold heart of an evil person
The main moral in this art:We must always help people, do good for them and help them. Children are also no exception: children with serious illnesses, without parents and family, they also need help. Give them gifts, sweets and happiness they especially need. I believe that there are people who don't give a damn about children
P. S. A did not have time to draw a quick drawing with a rabbit Fuchs and a deer Lom, but soon it will be. If you like
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zorrxchicle · 2 years ago
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cariños, guess who just watched all of Bound!!!
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helluvapoison · 9 months ago
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imagine leaving lipstick marks on lucifer
18+
ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʕ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ•̫͡•ʕ•̫͡•ʔ•̫͡•ʔ
imagine harmlessly kissing his cheek before he heads out to a meeting. you pull back and laugh to yourself. lucifer looks at you dreamily but when your giggles don’t cease he gets nervous
“what? do i have something on my face?”
“yes, actually.” you sigh out a final bubble of laughter, scanning your vanity for a wipe to clean his cheek
lucifer’s breathe hitched when he peeped in the mirror. whipping around, he snatches your hands thus stopping your hunt. his eyes are wild, he’s literally bouncing with excitement
“gimme more,” he breathes
“luci, you were supposed to leave already!”
“please? pretty please with a cherry on top? one more and-and i’ll go. yeah, just one more.” he sounded like he was trying to convince himself more than you
“you, lucifer, the king of hell,” you stepped closer and closer until he stumbled back into your vanity. he completely forgot he was holding onto you. “are gonna go to a meeting covered in lipstick?”
lucifer whined, a heavy blush erupting across his face. his fingers tightened and he swallowed thickly on nothing
“covered?” he peeped
“oh you poor thing,” you hummed, “you can’t think about anything else, can you?”
you slid your leg between his and felt the answer. with a moan, lucifer’s head dropped back but you were quick to catch and cradle it. his hat fell and rolled off the vanity onto the floor. nosing his exposed neck had him trembling in anticipation
“please?” he slurred
“this isn’t responsible, ducky.” you replied, pulling his bow tie loose and adding it to the ground’s collection
“no,” lucifer agreed breathlessly
he pathetically gripped your shirt, trying desperately not to grind against your leg
“but it’s what you want?”
you were already unbuttoning his shirt with one, adept hand
“yes.”
even though lucifer knew it was coming, his body jolted when you kissed his neck. he was always so sensitive, so responsive, so good
you gifted him loving bruises that would later peak out of his collar, and in return he sang for you. his moans and whimpers were your favorite to hear and he never failed to give you what you wanted. lucifer couldn’t stop himself from rutting against your leg as you painted him in a shade that was undeniably you
after successfully transferring the lipstick onto lucifer, you retreated. gods did he whine when you did. you pulled his hair to force his gaze towards the mirror
“look how pretty you are,” you purred in his ear, gently planting a kiss there too
out of the corner of his eye, lucifer could see the collar you gave him. it damn near drove him over the edge. his dick was painfully hard, it was a miracle he didn’t cream his pants
“gonna go to that meeting?” you teased sweetly
lucifer shook his head like you’d asked something ludicrous, “nuh-uh.”
“good,” turning his head back to you, you presented the tube of lipstick, “i wanna get messy.”
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zikazizzz · 5 months ago
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This work was painted for the birthday of Undertale ( That miracle has been joying and inspiring millions of people for 8 years)
I am madly in love with this fandom and I am very grateful to it for all the emotions that I have experienced and still do to this day.
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lirotation · 7 months ago
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Mortal Astarion X F! Human Tav. Ummm, angst.👀
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For decades, this manor offered him a place to call home in the truest sense. 
The hallway was a sacred gallery, adorned with paintings that were not mere canvases, but tangible echoes of their life together. Each brushstroke, lovingly rendered by her hand, captured the essence of cherished memories.
Whenever he opened the door at the end of the hallway, he was greeted by the radiant smile of his beloved, and the hearth beckoned him to surrender to its comforting embrace. Yet, it was the vast window next to it that held the greatest significance. The tender caress of sunlight danced across his skin as he lost himself in the pages of a book beside her. It was here, bathed in the golden rays, that he could truly revel in the miracle she had bestowed upon him – the cure to his vampiric curse, a gift of life, a reminder of the depths of her love and the power it held to transcend even the most insurmountable of boundaries.
Here at home, he had found everything his heart desired.
But nothing is ever truly perfect. Life simply doesn't work that way.  Even the mightiest of fortresses cannot withstand the relentless march of time.
He thought he was ready for it, but not like this.
Never like this.
_________
The poem cited is "When You Are Old" BY W.B. Yeats. One of my favorites.❤️
Alright, thanks for reading the second installment of my "this did not really happen to my couple". After delving into the mortality of my Tav, Amaara, I found myself confronting a fear more profound than death itself – the fear of morbidity, of life's vibrancy fading before its inevitable end. So I decided to yank my CP around this theme. Self-indulgence at its finest.😊
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imaginejolls · 1 year ago
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appreciate my funky nails that match a dress i'm wearing tomorrow to a Riverdale/1950s inspired party i'm hosting!
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zephyrine-tale-archived · 1 year ago
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@the-frostiest-of-flakes this is what you get for saying you dont anything about prsk >:)
List of true Project Sekai facts for non-fans
(technically spoilers but out of context and funny. please add on)
-a character can see ghosts. this is never elaborated on
-all main characters can teleport to a separate dimension based on their psyches and also hatsune miku is in there
-a girl imagines her female friend kissing her and gets so flustered those around her are concerned
-a song very explicitly about having sex with men, originally sung by all women, is covered by all men
-actually correct me if I'm wrong I can't think of a single love song that is covered by an m/f pairing
-a character causes explosions at school near daily
-a character is sad her friends don't go to the same school as her so her solution is to sprint across the entire city and break into their school to hang out. she does this frequently
-a group gets stranded on a deserted island
-hatsune miku stops a suicide attempt
-a highschooler makes a borderline if not outright sapient robotic replica of his childhood friend. nobody considers this a particularly world shattering achievement of ai
-the robot was created to help with social anxiety/stage fright
-the robot has rocket launchers
-the robot has a job as a theme park performer and gets a salary
-a characters family member is dead and it takes her three years to find out
-a character has a body guard dressed in a full mascot costume at all times follow her around
-a character got into fights with professional wrestlers on tv as a middle schooler/high schooler (not sure the exact age)
-there's official sonic collaboration costumes
-fuck is said three times and it's all by members of the theme park troupe that performs for children
-catgirl hatsune miku almost impales a man without realizing it
-sometimes miku is a catgirl
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