#i love little collectibles | Explore Tumblr posts and blogs

lemoniiiiiii · 1 month ago

Text

bed chem (short n' sweet)

(colin zabel x fem!reader) your internship just got more interesting...

warnings / content: not really proofread, age gap (reader is 20-22, colin's like 32-34), swearing, perv!reader tbh, NSFW - masturbation (toys) + fingering (fem receiving), p in v

(this fic is a part of my short n' sweet collection!) a/n: every time i listen to this song i think of colin like he's just so... AHHHHHHHHHH i've literally had this idea since the album came out! tried to incorporate as many lyrics as i could idk how well i did tho!

the easttown police department wasn’t exactly a hub of thrilling action. that was probably a good thing for the town, but for you, it made the days of your internship drag endlessly. stuck behind a desk, processing minor domestic disputes and petty incidents, the hours stretched out. you couldn’t help but wish that, just once, you’d be allowed to join an officer out in the field. to witness a slice of the town's life up close instead of through dry reports. but no, you were stuck in the back office, relying on your imagination to fill in the blanks while you typed up incident after incident.

on this particular afternoon, you were making your way down the hallway with a precariously high stack of files balanced in your arms. you could feel the papers shift, hear the quiet rustle of their movement as they started to slide. panic gripped you briefly—this was going to be embarrassing. you were already imagining the cascade of documents scattering across the floor, how you’d have to drop to your knees and scramble to gather them up, probably while everyone watched. just as the stack tilted dangerously to one side, a hand swooped in, catching the top section before it could tumble.

"here, lemme help you with that," a man said, accompanied by a friendly smile. a smile too relaxed, too bright for this quiet, indifferent corner of pennsylvania.

grateful, you gestured toward your desk a few feet away. "thanks," you mumbled, trying not to sound too embarrassed as you placed the files down with a sigh of relief. he set the rescued papers down beside yours, glancing at you with a foreign look. like he actually saw you as a person instead of the intern that does the shit no one else wants to do.

"you doin' okay?" he asked. his concern seemed genuine, which again, took you a second to process.

"yeah! yeah, i'm good!" you responded, a little too enthusiastically perhaps, as you straightened the files in a futile effort to regain your composure. "thank you."

the man chuckled softly. "you know, sometimes it’s easier just to take the two trips." he shot you a wink that made your pulse quicken. "speakin' from experience," he added, leaning a little closer as if sharing a secret. "when i was in your shoes, i had to learn the hard way."

the chief called him over and, after a charismatic "duty calls" farewell, he walked off. you sat down at your desk, face hurting from the corners of your mouth being lifted for so long, but you couldn't bring them down.

you buried your face into your arms, letting your forehead rest against the cool surface of the desk for a few minutes. if anyone saw the flush creeping up your cheeks, you’d never hear the end of it. you took a deep breath, trying to shake off the feeling, willing yourself to get back to work. but the more you tried to focus, the more impossible it became.

why? because guess whose office was in clear view of your desk? mare's. and guess who was now in mare's office quite adorably rehearsing a conversation with himself?

yeah... you were done for.

the man's lips moved slightly as if he was practicing lines for a play, his brow furrowed in concentration, and every so often, he’d run a hand through his neatly cropped hair, or shake his head in disapproval, looking entirely too charming for his own good.

you needed to find out who he was right away. what was he there to talk to mare about? was he a detective? why couldn't you stop thinking about him pinning you against a wall?

unable to live with the mystery you pushed yourself up from your chair and marched over to the nearest officer, your pulse still racing. "hey—uh, hello." you cleared your throat, trying to sound casual despite the warmth still lingering in your cheeks. "who’s the cute guy in mare’s office? you know, uh.."

wide brown eyes, chiseled jawline..

"navy jacket- big briefcase."

the officer looked up, raising an eyebrow at your blunt description before glancing toward the office. "county guy chief brought in to help with the katie bailey case," he replied nonchalantly. "last name's zabel if i remember right."

you nodded, pretending like that was enough to satisfy your curiosity, but then another officer nearby chimed in with a smirk. "that’s him? poor guy’s gonna be in for it."

they quickly devolved into their own conversation, talking shop and completely forgetting you were even standing there. under normal circumstances, their dismissal might’ve bugged you, but you had bigger priorities now.

back at your desk, you grabbed your phone and opened up a browser, your fingers flying across the screen. within moments, you’d found him. detective colin zabel of delaware county. recently praised for solving a cold case involving a missing 10-year-old girl—a feat that had earned him respect in the force and beyond.

you couldn’t help but grin. of course he was the hero detective. it made perfect sense. but now that you knew who he was, it didn’t make the butterflies in your stomach any easier to ignore.

when mare had finally arrived, you watched the awkward interaction between the two of them. colin outstretched his hand only for her to disregard his formalities. you saw it coming, but it didn't make it any less painful to observe.

you waited until she had left (which wasn't very long) to discreetly travel over to the office. the door was open so you knocked on the frame.

"it's not personal. she's got a lot going on" you said with an understanding smile.

at the sound of your voice, colin turned around, giving a deflated chuckle towards your remark. "you er- saw that whole thing?"

"my desk is right there" you said, pointing, the two stacks of files barely touched. "sorry i kinda.. visually eavesdropped"

"no worries-" colin briefly smiled at your humorous confession then looked away. "uhhhhhh- did you need somethin'?"

"just wanted to introduce myself" you said, extending your hand out. "i'm y/n"

when he firmly took yours in his, your eyes couldn't help but flicker down and notice the veins that decorated them. a thought crossed your mind about where they might show up on other parts of his body.

"that's a pretty name"

you looked up from the grip your two hands were intertwined in, colin's attentive dark eyes on you.

"thank you.." you said softly, pulling away. shit, why were you out of breath? "uhm- i read about that... that case you solved? amazing work"

"oh- that was- i'm not-" he scratched the back of his head, trying to find words to minimize the accomplishment. you didn't know what was more attractive—hearing him stumble over his words or his humility. "we brought her home you know? that's what matters"

you nodded earnestly in response. "100%... well let me know if you need anythin'. i know people here can be a bit closed off but it's not all that bad."

"yeah thanks... nice to know i got a friend already" he smiled.

a friend... for now.

seeing as he was always in the back of your mind, and you couldn't care less about filling out reports, daydreaming about colin became your favorite past time. and every smile, every corny joke he greeted you with only fueled your crush.

it wasn't long before you noticed he had his eyes on mare, but the way he stared at you while you spoke about your criminology major... crossing his built arms, leaning forward on his desk to show you he was really listening. the way he'd routinely check on you and stop by your desk to chat....

for god's sake he started to get you coffee every morning.

there had to be something there... right? something more between you than mere camaraderie.

you definitely thought so. and thought about it often.. in bed.

eyes closed, you pictured colin's body hovering over yours. you could discern his toned figure from the form fitted button-ups he wore.. he'd have absolutely no problem picking you up and turning you over, manhandling you... though he probably wouldn't. he's too sweet for that. so sweet... and yet no ring? colin seemed like the type of man who should've had a wife and 2 kids by now...

maybe you could be the one to give that to him.

not now of course.

one day though.

still thinking of him you reached down into your panties, playing with your delicate folds in the caring manner you imagined him to have.

"so beautiful" he'd whisper, pumping two slick digits in and out of you at a sensual pace.

gasping moans escaped from your mouth as your fingers moved faster, the squelching sound of your fluids filling the room.

"that's it... god, i love how y'sound..."

belt unbuckled, he'd pull down his pants and boxers in one swift motion revealing his hard cock ready to drive into you. from underneath your bed you grab your dildo—oversized and veiny as colin would be and removed your now-soaked underwear.

he'd smile against your lips as he slotted himself between your legs, your body accommodating as he entered. after he'd ask (quite endearningly) if you're okay, you'd quickly nod, giving him permission to continue.

you try to imagine the expression of lust on his face... the sound of his deep groans in your ear as you fucked yourself gently, attempting to emulate your bodies rocking together in synced movement, the riveting sensation of the veins against your walls sending shockwaves through your body.

"fuck... oh my god" you panted, feeling the heat build up in your core. you were close.

"let go, i've got you... taking me like this, you're doing so well... makin' me feel so good..."

you increase the pace at which you pummel the dildo into your quivering cunt, eyes rolling back as you reach your climax, your body left trembling.

with colin, your sure you'd probably both arrive at the same time.

but for now you just had to live with unsatisfaction of not feeling his warm release coating your insides.

the next morning the chief had called you into his office.

a grin spread on your face as the he detailed the new program the department was implementing, how you'd finally be able to shadow an officer like you'd hoped when you first applied for the internship.

"any officer you have a preference to be paired with?"

you turned your head and caught colin's gaze through the office window. he was deep in conversation with mare, but when he noticed you, he gave a small wave. you smiled back, feeling a slight flutter.

"yeah, i’ve got someone in mind."

extra note: part two coming (hopefully soon!) it'll be based off the song "busy woman"!

tags (ask to be added or removed anytime!): @fear-is-truth @juliamaximoff @jazz-berry @violetsghosts @quickreider @tiffysdeath @honeymoon8

#honestly writing this was kinda funny i love making reader a little unhinged #this has been a wip for like a month and a half #this is a very self serving write #colin zabel #mare of easttown #colin zabel smut #colin zabel x reader #evan peters #evan peters smut #evan peters fandom #evan peters x reader #evan peters fanfic #lem's short n' sweet collection

282 notes · View notes

eyrieofsynapses · 11 months ago

Text

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

#aurora comic #aurora webcomic #comicaurora #art analysis #...I hope those are the right tags???#new fandom new tagging practices to learn ig #much thanks for something to read while I try to rest my wrists. carpal tunnel BAD. (ignore that I wrote this I've got braces ok it's fine)#anyway! I HAVE. MANY MORE THOUGHTS. ON THE STORY ITSELF. THIS LOVELY STORY #also a collection of reactions to a chunk of the comic before I hit the point where I was too busy reading to write anything down #idk how to format those tho #...yeet them into one post...???#eh I usually don't go off this much these days but this seems like a smaller tight-knit fandom so... might as well help build it?#and I have a little more time thanks to break so #oh yes also shoutout to my insanely awesome professor for teaching me all the technical stuff from this he is LOVELY #made an incredibly complex program into something comprehensible <3 #synapse talks

776 notes · View notes