#i love how we got to know more about sydney this season

[lives-in-midgard]

Cozy Day

Pairing: Bucky Barnes x reader

Summary: It's a rainy autumn day, so you and Bucky decide to have a cozy day at home.

Word Count: 630

A/N: Hey. This is my first autumn inspired fanfic and I hope you like it!

Divider made by the lovely @sydneys-graphics

Masterlist

After you woke up in Bucky’s arms and cuddled for a while you had breakfast together. Then Bucky decided to take a shower while you changed into comfortable clothes. A few minutes later you were standing in front of the window and looked outside.

It’s autumn. The leaves on the trees started changing colors a while ago. It got cold outside and started to rain. You didn’t know how long you stood there admiring this beautiful season, but it must have been a while because you suddenly heard footsteps behind you. When you turned around and saw Bucky, you had a soft smile on your face. Bucky returned that smile as he walked closer to you. When he stood next to you, he kissed your cheek gently and then reached for your hand. He rubbed a few soft circles on the back of your hand, and you couldn’t hide your smile because you were so happy. You looked outside again for a moment and then back to Bucky.

“What are you thinking, doll?” He asked in a warm tone.

“It’s a perfect day.” You said with a smile, but Bucky looked confused.

“Hmm, I’m not sure about that, doll.” Bucky said and you chuckled.

“Babe, you didn’t let me finish. I wanted to say that it’s a perfect day to have a cozy day at home. A perfect day to make ourselves comfortable and read a book or watch a movie.” You explained and Bucky’s gaze softened.

“You’re right that sounds like a perfect day.” Bucky said and then laid his hand on your cheek and pulled you into a soft kiss.

“With what would you like to start?” Bucky asked after you pulled away from the kiss.

“Let’s make us a tea and read for a bit.”

“How about I make us some tea while you look for a book to read.” Bucky said and you nodded with a smile. You went to your bookshelf. It took you a few minutes to decide which one you would like to read next, but then you found the one. And for Bucky you took the book that he started reading a while ago and is on his bedside table. When you came back to the living room, you saw Bucky putting the teacups on the table and now lighting up some candles. He also put a soft blanket on the couch. As you walked closer Bucky turned around.

“I hope you like this.” Bucky said. Then you put the books on the table and hugged him. Bucky wrapped his arms around you and gave you a kiss on the forehead.

“Bucky, I love it. And I love you.” You said and Bucky smiled at you with so much love.

“I love you too.” He said as he tucked a piece of hair behind your ear. Then you made yourself comfortable on the couch next to Bucky and started reading. You enjoy sitting beside Bucky and reading. Sometimes you had to chuckle because Bucky mumbled something when there was something in the book that he didn’t like.

After a while you laid your book down and so did Bucky. Then you decided to cuddle and watch a movie. After the movie ended, you were both hungry and Bucky had the idea of ordering some takeout from your favorite restaurant.

At the end of the day, you were lying in bed cuddling Bucky. Just like you did when the day started. You had such a great, cozy day together and enjoyed it very much.

“Doll, you were right. It was the perfect day.” Bucky confessed as he held you close.

“I’m glad you enjoyed it, babe.”

“Maybe we could do that more often.” Bucky suggested and you smiled.

“Yeah, we could definitely do that.”

Taglist:

@marvelogic | @eviebuggg | @buckys-wintersoldier | @nicoline1998enilocin | @kandis-mom | @sergeantbarnessdoll | @noellez-best-life23 | @beaubbdoll | @sgtgarricks | @ratchildspartan | @scott-loki-barnes |  @mrs-bucky-barnes-73 |

@mrsbuckybarnes1917 | @brnesblogposts

[josru]

a little rant:

If you need to understand one thing about the Bear subreddit, here it is.

It's not a supportive place for women, let alone black women/women of colour. (Not surprising, as reddit is male and white dominated.) Sydney gets mad hate for daring to be apart of the main relationship in the show (that is now defunct), something that the writers wrote for her? Regardless if you see Sydcarmy as romantic or not. The whole point of the Bear is their partnership.

And yet the Bear fandom on reddit loves to diminish her role, and act as if Sydney is an uppity black woman who needs to be rid of. They act like it's surprising that people want to talk about her or like her. And they also think Sydcarmy is mad overrated and implausible. They bring it up constantly because it pisses them off that a sizeable portion of us love it.

Probably because Sydney is an actual character we can relate to and root for. But oh no, men don't like that because that means she isn't a perfect little white fantasy, and she has actual problems and ideas and speaks on them, and she's BLACK, god forbid!! And they could never have empathy for someone who wasn't themselves. Sydney is annoying to them because it reminds them they don't care about other people.

It's barely a place for white women too, because they only like you if you're a gf/therapist/not your own person. A flat, 2-D image with no problems. They don't care about Jess or Claire, they just want to fuck them. Even in this post, the respect of relatability and empathy is given to Richie in the title, because he finally "got some", despite the picture being of Jess. Like, great, guys, you diminished a woman (a PERSON) to being a "win" for a man, because that's all that matters, right? Whether or not a woman is a fuckable prize?

Even the writing of the show actually just pushes the whole "if women = gf, = only gf, nothing else" trope. So in a weird way, I guess I know where they're getting it from, but I expected more from adult men? My bad.

Women deserve to be more than someone's fantasy!! I am sick and tired of this misogynistic drivel. I also think it's fucked up how much of these dudes on reddit love Richie this much. Like, we get it, you think he's a self-help sigma alpha chad king now. Just keep ignoring the problems he keeps creating, how irritating he can be sometimes, as well as the fact that men picking up their lives will always have way more support than female characters. Richie is not some underdog character lol. The narrative of the show has made it clear he is very beloved and will have a nice, sweet arc.

Unlike Sydney, and Marcus, and apparently maybe even Tina. But yes, keep talking about how your white male character is the underdog who is being sooo mistreated and finally got something he deserved, even though in actuality, Syd and every other POC got treated like shit this season. It's like they swapped them, the real main characters, and made them the underdogs/tertiary while Richie has become so important. But it's key to reddit's white male victim complex that Richie is finally getting "good treatment" when he never suffered being completely ignored by the writers at all, and he was never at risk of that either.

[thoughtfulchaos773]

Syd and Carmy communication 2

You know how I wrote endlessly about the table scene. Well, its the same thing with this scene in 3x09.

I recall some critiques about the table scene. It was that we couldn't see Carmy and Sydney's faces clearly. However, the camera work was meticulous, with a very smooth close-up shot as we got closer to Sydney and Camy without realizing it. Perfection!

But for this scene when Carmy and Syd have a chance to talk- they take on showing Carmy and Sydney closely. So we the audience could pay attention. In episode 3 of season 3, Marcus mentions unspoken communication during his mother's eulogy. The camera pointedly shows Carmy and Syd, and throughout the season, we see them subtly noticing each other. Sydney notices that Carmy writes in the margin, and Carmy notices that Sydney has a Coca-Cola every shift. Carmy also notices that Sydney is tired. There are cues that they see each other but are not saying what needs to be said.

But I love the scene from 3x09 because it portrays unspoken communication and shows how frustrating it can be. Carmy has been contemplating what he wants to say for some time. He avoids eye contact as he gathers his thoughts, with a hint of sadness present.

We're anticipating a real talk.

He slows down, and Syd is holding on, just like us, as he grows silent. The close ups! Sydney furrowing her brows and confused as ever.

Carmy was so fucking depressing this season.

Anyway he looks like what he wants to say is so heavy.

He settles on "I don't want it to be so hard to keep up with me", instead of revealing his thoughts with Sydney. Ugh!

The most hurtful part of this interaction is seeing Sydney looking so open and hopeful, expecting to have a conversation about their relationship. It's as if all the issues of the past month and the job offer from Chef Shapiro would disappear if Carmy just talks to her and they work on their relationship.

Carmy becomes quiet, withdraws, and looks up at Sydney. He gives a tiny nod as if telling her, "That's all I can do for now. You understand, right? Let's save it for later." It's like he's asking for understanding. (Sidebar: I'm not saying I'm agreeing or feeling for him, but that's what it seems like for now.)

It's why Syd says, "Got it. Great," because they do pay attention to each other. There's an unspoken connection, and although we didn't see it much this season, it was there.

When she looks down, she feels Carmy still staring.

Can't believe I'm feeling for this man! He just looks so sad that he can't talk about all that he wants to tell her right now. Then he looks away and withdraws completely.

But I'm also really frustrated for Sydney! Say what you need to say, Carmy. To be fair, she pushes her own talk to Carmy for later. This scene was so frustrating, but I loved the acting and cinematography - the close shots that make us pay attention to their expressions. But it's a different close-up from the ones with Claire. This is subtle and is more about focusing on Sydney and Carmy.

She gives it one more try before she leaves she turns to him- still hoping- still waiting.

But they settle for saying goodnight, and Carmy mentally disappears and gets fixated on his work.

Carmy misses his chance, and he's running out of time with Sydney.

I hope it's not too late.

[nolita-fairytale]

don't you worry, there's still time | chef luca x fem!reader, feat. marcus brooks

summary: after losing his mother, marcus searches for joy and stillness in copenhagen. you and luca, who are more than happy to host, decide to take a big next step in your relationship. a oneshot from the world of 'burn your life down.'

warnings: fluff, light angst, grief, death, light smut, second person pov, swearing, danish inaccuracies, off-canon connection to the storyline of the bear.

word count: 5.8k

listen to: the playlist

a/n: wow, i missed this world! who is ready for the reveal of chef's restaurant name?! while i don't think i have the bandwidth to write another full series (nor a linear story to tell) i'm thinking of creating a second part to 'burn your life down' where we just get to drop in and see what they're up to. thoughts??

chef luca masterlist | full masterlist

After a tumultuous holiday season, it doesn’t take long for Sydney to realize that her friend is in need of a little help. A reprieve, she so kindly explained to both Marcus and Carmy when she’d proposed the idea. 

It was Sydney this time, who called Luca, knowing that she and Carmy would have to find something to do with Marcus. It wasn’t fair – that he’d lost his mom just before Thanksgiving – and they both agreed that Marcus needed to get out of dodge. Quick to act, Carmy set up a few stages in NYC for a week or so, which, while seemed to inspire Marcus, seemed to only plunge him further into a slump come Christmas. “I don’t know. I think we gotta send him on some kinda… eat, pray, love trip. The guy can only sulk on my couch for so long before I consider jumping out of the window,” Sydney says, her attempt to lighten the mood with humor still genuine. “It’s getting sad, Carm. Like… real fuckin’ sad.”

“You’re right. Uh… what about Copenhagen?” Carmy pitches with a shrug, because he knows what all consuming grief feels like. 

“Again?” she asks, uncertain of whether it’s the best choice that they could make. 

“Yeah,” Carmy shrugs in response. “Think he got a lot of it last time. Could be good for him to go back to somewhere familiar… work with Luca again. You don’t think it’s a-?”

“No I do! I just-,” Sydney hesitates, though she knows her business partner makes a good point. “Familiarity will be good for him. To be around people he can trust.”

“You want me to uh-,” Carmy begins to offer, figuring he’ll make the call. 

“Probably best if I explain the situation. Just ‘cause, you know, I know more of what’s going on… just send me his info and I’ll call later,” Sydney interjects. 

Carmy agrees with a curt nod before adding in:

“Uh… okay yeah. Yeah.”

*

You get plenty of time to prepare for Marcus’ visit, performing all kinds of fancy footwork to arrange a proper visit – a week’s worth of time spent staging and living in Copenhagen. When Luca finds out that the prolific houseboat, a chef retreat of sorts that’s always been an option for lodging, is booked for the week and a half that Marcus plans on visiting, you offer up your place without hesitation. 

The arrangement goes as follows: while Marcus stays at yours at no cost, you’ll stay with Luca for the duration of the time. 

This is how you find yourself at the massive Ikea on Dybbølsbro on a Saturday morning with Luca, in search of a set of fresh bed linens intended for guests. 

“I really should host more. And Astrid said she and Lina were planning a trip out here so… why not kill two birds with one stone?” you’d reasoned to your boyfriend, making a strong case for why you and Luca should make this little shopping trip. 

“What do you think of the blue?” Luca asks you, as you run your hand over a set of the display sheets, checking for softness. 

“Don’t know if the blue is what I’m going for. I was thinking of something warmer. Maybe a yellow or… I don’t know. I’ve kind of been into that trendy rust color as of late,” you reply with a shrug, moving onto the warmer colors. 

Luca chuckles and with a small shake of his head, he clarifies his previous questions with:

“No, I meant for me.”

“What do you mean?” you ask him curiously, his comment pulling all of your focus as you search his face for answers. “You just got new bedding.” 

And expensive ones too. 

But as your eyes follow his gaze, you realize that he’s not talking about sheets, focused on the XL Twin-sized duvets just above where the sheets messily fall along the shelf. 

“I was thinking…” Luca trails off, checking in with you before he continues, with “... maybe it’s time I get two duvets… you know… for us.” He takes a beat, and a step towards you, and you know you’ll never stand a chance against his boyish charm as one side of his mouth turns up into a smile. 

You’re no stranger to the Scandinavian duvet method – two twin duvets for one king sized bed – but it sounds like Luca’s suggestion is about way more than buying an extra duvet on this trip. 

“I want you to feel at home… at my place."

“I do,” you reply, almost instantly, a warmth spreading through your belly as you take a step towards him. 

“But I mean really… feel like it’s your home. Because it is. It could be. You know… if you want it to be,” Luca continues, this time with more insistence, a look of hopefulness in his deep blue eyes. 

“Are you… are you asking me to move in with you?” you manage to get out, your heart skipping a beat. 

“Why not? We could use this week to try it out,” he suggests so casually that you practically have to do a double take. “See how it goes while Marcus stays at your place?”

“Yeah I-... that sounds like a good plan, yeah,” you stammer out, the grin on your face undeniable as you nod enthusiastically in the middle of a goddamn furniture store. 

“Besides,” Luca says, clearing his throat as his tone changes to one that’s much more playful. “You’re an absolute blanket hog and a repeat offender at that.” Luca winks your way as you roll your eyes with a laugh in response. “This could prevent some of our silly little quarrels, don’t you think, love?” 

“Uh huh,” you sound, your face skeptical as you look his way again. “Preventative measures. Sure, babe.”

Luca chuckles before leaning down to press a chaste kiss to your lips, right then and there, in the Ikea bed linen section, the place you’ll now forever think of as the place your boyfriend asked you to move in with him.

Connection

When Marcus arrives in Copenhagen, you’ve arranged your home with the most comfort in mind, having already packed a week’s worth of things and left for Luca’s. You can only imagine what he must be going through, deciding that something like that – losing your mother – though inevitable, is your goddamn worst nightmare. 

“Marcus, 

Enjoy your stay and please reach out if you need anything. I can’t wait to meet you!”

…is the note that you leave him, along with a few morning pastries you picked up from your favorite baggeri across the street, and your number scribbled down at the bottom of the notepad. 

As Marcus arrives, his eyes drawn immediately to your note and gift, Marcus smiles to himself, noticing that you left a very nice looking bottle of wine on the counter as well. He’s moved by your generosity, considering you’ve never met, and the fact that you’re willing to take so much care, extend this much kindness to a stranger, causes a wave of softness to wash over him. 

Maybe, just maybe, he can find softness again – the last few months riddled with pain, grief, and numbness to get through the days. 

While he came here to work, encouraged by his friends that a change of scenery may do his broken heart some good, it’s the first time Marcus has had a chance to be still. His feelings of grief sit heavier here and it catches him off guard, uncertain that he’s quite ready to sit with them yet. He pushes aside the thought, focusing on exploring your home and unpacking his bags. Marcus knows how to stay busy – he’s become an expert at it by now – reminding himself that he’s got work at 5 am sharp tomorrow.

*

“A little too much, chef. Take it down by about 15 grams,” Luca directs, his voice even and sure as he inspects the balls of dough that Marcus currently shapes. 

“Yes, chef,” Marcus nods in understanding, plopping the ball of dough back on the scale to adjust the measurement. 

The two of them work like this for the rest of the morning, Luca treading carefully while keeping things professional, while Marcus buries himself in the work – something that feels good, safe, right. 

He’s missed this. While Marcus has one chef he works with directly at the restaurant, he’s the expert – the head patissier. He misses being surrounded by excellence, getting to be a student of someone who is just as driven, if not more, and inspired. It’s good, quiet, calm, yet there’s a focus and intensity in Luca’s kitchen that feels like a breath of fresh air. 

His stage trip to New York has been more of a mess than beneficial. Maybe it had been the chaos of the city, or the chaos of the chefs he was working with. Maybe it was the fact that Marcus, though hungry for a distraction, hadn’t quite been ready to walk directly into the line of fire yet.

As Marcus’ practiced hands move with the dough, there’s a newfound confidence in the way that he works that's not lost on Luca. Luca watches his friend carefully, pride swelling in his chest as his mentee makes the adjustment with ease and diligence.

“Can I join you?” Luca asks, gesturing towards Marcus' workstation. 

“‘Course, chef,” Marcus replies, his response short yet reverent. 

As Luca joins him, finding a space to the right of Marcus, he busies his hands with rolling each perfectly measured ball of dough into mini boules, ready to proof. The two of them work quietly, side by side, the air between them heavy with words unsaid. He can feel it – the weight that lays so heavily on Marcus' heart – but Luca doesn’t want to bring it up, uninterested in forcing the conversation. Especially about something so painful, something he knows that Marcus has barely begun working through. 

“Thanks, again. For uh… you know… letting me come work,” Marcus begins, momentarily checking in with Luca to gauge a reaction. 

“‘Course,” Luca replies, his answer instantaneous. “You’re welcome here any time, mate.” 

“Yeah?” Marcus asks, stealing a glance in Luca’s direction.

“Yeah,” Luca responds with a certain nod. 

“And uh… shit. I can’t thank your girlfriend enough for letting me crash at her place,” Marcus adds, as he works through his discomfort and overwhelm from the wave of feelings that begin to bubble up in his chest.

“You can thank her yourself on Saturday,” Luca brings up, excited over the fact that Marcus will not only be meeting his girlfriend, but staging at her restaurant too. “She’s really looking forward to meeting you.” 

Marcus nods slowly, his hands the only steady thing about him as he continues to focus on his work. 

“I just mean-, well, she didn’t have to-. ‘S not like either of you owed it to me or anything and I-. You guys just really came through…” Marcus trails off, wanting to make his gratitude clear. It means more to him that he can articulate so instead he settles for, “So thank you. Again.”

Luca shrugs with an aplomb about him as he returns with, “We got you, mate.” He pauses before continuing, fully aware that Marcus isn’t quite comfortable with the feelings that have presented themself in this moment. “And the way I see it, I wouldn’t have met her if it weren’t for you – for our conversation the last time you were here – so we really do owe you for it.”

This time Luca makes an effort to check in with Marcus, gauging his emotional capacity as he concludes with:

“But that’s not what any of this is about: debts, who owes who what. We were both more than happy to host you. That’s what mates are for.”

It’s not till the end of the next shift that it hits him, and Marcus finds himself sitting outside of the restaurant on a bench across the street. He’s not sure whether it’s the jet lag or the exhaustion of the 5 am start time in another time zone, but it hits him all at once, like a ton of bricks. Suddenly consumed with the feelings that he’s been trying his best to avoid, all he can do is pause, completely caught off guard by the strength of them. 

Quietly, Luca joins him, having spotted him on his way home, rerouting himself in Marcus’ direction instead. 

All he can think of are the words you’ve asked him, and he you, time and time again – the ones that cut right to the core of you each and every time – that show you how much he cares. 

“How’s your heart?” Luca asks Marcus, after a few minutes of sitting on the bench together in silence. 

And how is his heart? 

He’s not sure how to answer, considering it’s been a while since he’s really had a chance to check in, the crippling reality of this great loss is too much to bear alone. 

His heart is broken, shattered into an infinite amount of pieces. 

He, and his heart will never be the same again and he doesn’t know where or how he’ll ever put it back together. 

His heart is… lost, in desperate need of finding a soft place to land. 

Marcus takes a while to answer, racking his brain for any semblance of a cohesive answer. 

He waits. And then he waits. 

Until finally, he can answer. 

“I uh… don’t know. But I’m hoping this trip will help me figure that out.”

Creativity 

“do you remember the 21st night of september? love was changin' the minds of pretenders while chasin' the clouds away.” (earth, wind, and fire.)

Everything about the way you run your kitchen feels different than what he’s used to. 

It’s sure as hell different from his last stage trip to New York, Marcus thinks to himself.

With Carmy and Syd, working with them, there’s a buzz of chaos that runs underneath even the most organized and efficient service. It’s something integral to what they have, gives an edge to The Bear that seems to make it hum in all the right ways. Even with Luca, who comes from fine dining and Michelin-starred restaurants, there’s a quiet and determined focus – an intensity to his work – even without the undercurrent of chaos. 

But this. But you. 

Your kitchen somehow teeters the line of organized chaos and reckless play so well that Marcus understands why this works – why it’s efficient. 

Still, he watches as you and your staff dance – no, literally dance – around each other to the highly recognizable Earth, Wind, and Fire tune. Mathilde sings along while chopping chives for the brothy mushroom grain bowl, while, mid-phrase, manages to yell out a short command to a line cook in Danish. Out of the corner of his eye, Marcus catches Jesper working the dining room, while you finish plating two more dishes, ready to be walked out. 

It’s as if you find focus in the center of all the noise, somewhere between the electric energy between you, Mathilde, and your staff, and the feel-good vibes and homeyness of the restaurant that you’ve created. 

You had been more than welcoming when Marcus had walked through the doors of your restaurant, Kokuore, mere hours ago. You’d given him the tour, shown him which station he’d be working this evening, then warmly introduced him to your entire team before family meal started. Marcus can’t stop moving, too afraid to be still in fear of falling apart in the presence of how comforting you’ve been. 

And this? Your kitchen. It’s all joy, connection, and artistry. 

It’s not hard for him to see why Luca fell in love with you. 

“Marcus, feel free to take a break,” he hears you say, as you nod towards the dining room through the open kitchen. 

As Marcus follows your gesture, he notices that Luca’s arrived, remembering something about a standing Saturday date. 

“You sure, chef?” Marcus asks, looking to you for approval. 

“Positive,” you nod, reassuringly.

Marcus nods in return to confirm, before taking his apron off and making his way over to the dining room where Luca is exchanging a few words with Jesper. 

“Wassup, chef,” he greets his mentor. 

“You know, you can call me Luca,” Luca reminds him with a crooked smile. “At least when we’re off the clock.”

Marcus chuckles, “Uh… yeah alright. That’s gonna take some getting used to.” 

Luca chuckles in return, before Jesper shows them to his table, mentioning something about Americans being so afraid of fluidity. 

“She’s brilliant isn’t she?” Luca asks, in reference to you as his eyes catch yours from across the room. 

“Nah for real. Like… mad scientist vibes,” Marcus concurs with a smile. “She can throw down for sure.” He pauses as they sit down at Luca’s table. “So you come every Saturday night, huh?”

“When I can, yeah, which is… most Saturdays,” Luca replies honestly, before beginning to list why he’s kept up this routine. “But it’s nice. Keeps me inspired. I get to see my girl, walk her home at night which makes me feel better.” Luca leans back in his chair this time, crossing his arms over his chest. “And I never mind helping close down at the end of the night.”

Marcus hums in response before one of the waitstaff comes to their table, with a glass of wine in hand, on the house. They chat for a little longer before Marcus returns to the kitchen, his excitement for what you’re doing here filling him to the brim. 

As dinner service comes to an end, Marcus can’t help but notice the chemistry and how unique it is as you all work together in perfect harmony. There’s a warmth to it, something different, and he begins to understand why the name of the restaurant comes from the word, heart. 

Luca is quick to get up from his table, quickly finishing his glass of wine as he offers to help close down. The music volume goes from underscoring the buzz of a busy night of service, to the main attraction, as a motown throwbacks playlist begins to blare from the speakers. You all work quickly and efficiently, eager to close down, get home, and begin your weekends, but it’s when an old Otis Redding track that Luca decides to put a pause on the progress. 

“Dance with me, my love,” he says, offering his hand out to you as a huge gesture that earns a few looks and giggles from some of your staff. 

“Luca,” you begin to protest, looking around. 

“You can take three minutes,” he offers, exchanging a look with you this time. 

You nod, taking his hand as you agree with, “Okay.”

And as Luca wraps you up in his arms, engaging you in a slow dance to Otis Redding’s “That’s How Strong my Love is,” you chuckle, relaxing into him.

“Oh, get a room, you two!” Jesper calls out after you, teasingly. 

“She pretends – always puts up a fight – as if they don’t do this every single week,” Mathilde adds, as an explanation to Marcus. 

“Every week?” Marcus asks, a little surprised by both you and Luca’s willingness to pause and revel in a moment with each other, instead of just pushing through. 

“Yeah. Romantics, they are,” Jesper chimes in. 

Marcus smiles to himself. It’s a reminder of slowness – something he hasn’t let himself experience in a long time – and for just a moment, he lets himself settle into the feeling. 

*

You don’t even mind that you woke up an hour before your alarm the moment you feel Luca’s arms wrapped around you, and his lips against your soft skin. The low rumble of his voice resonates across your shoulders, sending chills down your spine as you arch into his hands, his arms wrapped around you. 

“I know we’re only a few days in… of our little trial,” Luca begins, the bass of his voice reverberating through your shoulder blade.

“Our living together trial?” you clarify with your ask, letting out a gasp as he nibbles on your shoulder gently. 

“Yeah. Just wonderin’ where your mind’s at,” Luca murmurs, his eager hands beginning to explore underneath the oversized shirt you put on before bed last night. 

“Well… I really like this,” you reply, the sound that comes out of your mouth somewhere between a giggle and a moan. 

“Hmmmm?” Luca sounds, innocently. 

“This… Waking up to you thing.”

“Oh yeah?” 

“Mhm.”

Luca’s name escapes your lips as his fingers gently begin to play with your nipples, his erection hard against your back as you begin to grind your hips back against. 

“And the access to round the clock sex is really a bonus,” you sigh, blissfully. 

“Oh yeah?” he asks you again, a large tatted hand slipping between your legs. 

“Yeah… I’d even be… interested in leaning into that part… right now,” you hiss in reply to his touch. “Considering you’re distracting me with sex.”

“Hmmmmm. ‘S not just it, love. Have I told you how grateful I am for what you’ve done for Marcus?” Luca asks, his mouth back on your neck. He presses your body against him, your back to his chest as he rocks his hips against yours. 

“Luca!” you protest, unable to focus on the conversation. 

“It’s your kindness. Your heart… I’m in awe of it,” he continues to praise you as the two of you begin to set a rhythm between your bodies. 

It’s all heat, and soft sighs of pleasure, and foreplay.

“Well, I know a little something about what he’s going through,” you answer breathlessly. You begin to impatiently push the hem of your shirt higher so that you can give Luca more access to your body. 

“That’s why I love you,” Luca murmurs into your skin, his hands all over you, his focus unbroken and your mind beginning to go blank. His hands are tearing your shirt over your head as he continues to praise you. “Your heart, the way you share it.”

“You helped me get there, baby,” you gasp, turning your head so that you can kiss your boyfriend. 

Instead of answering, Luca nods knowingly, before crashing his lips into yours. His mouth on yours feels like heaven, and you can’t believe that you ever fought your feelings for him. 

“Ah fuck it. Let’s do it. Let’s move in together,” you surrender to him, lost in the moment. 

“Yeah?” Luca pauses, pulling away, as if almost can’t believe what he’s hearing. 

“Yeah. I mean it, baby,” you nod, catching his gaze, certain in the way you answer. “I wanna wake up to you every morning.”

“Me too, my love,” Luca grins, before pressing his lips to yours again. “Now will you please let me fuck you, darling?”

“Fuck yes.”

Luca spends the next hour showing you just how grateful he is for you, while you in return, spend the next hour showing him just how sure you are about this decision. 

And you are sure. If mornings like this are a constant for the rest of your life, you think you’ll die a happy woman. 

You’ve found a home in him, and he, you. He’s the person you want to come home to at the end of the day. He’s the man that puts a smile on your face every single time he gets on his soapbox about how Beyonce is the performer of your lifetimes, and he is unequivocally the best, most unexpected thing in your life. 

Luca Davies, in almost a year of knowing him, and eight months of getting to love him, has somehow become your favorite person. 

By the time you and Luca are both showered and decent-for-company, you’ve begun your mise en place for brunch, completely content with the fact that you’re running a little behind schedule (and in all fairness, the sex was worth it – it’s always worth it). The smell of bacon sizzling away on your carbon steel fry pan fills the entire apartment, and you’re glad that Luca opened a window earlier. It’s not exactly window weather yet, but the air ventilation is a must when it comes to smoked meats.

While you play catch up with your brunch plan, Luca’s busy welcoming Marcus in, pouring him a cup of coffee using the extensive ten-step pour over he’s been fixated on ever since he purchased it, while they chat here and there about what else he’s explored in Denmark. 

“Been too busy working, to be honest but… I don’t know. I might wander around today… see what kind of stuff I can get into,” Marcus answers frankly with a shrug. 

“Ah, mate. We just had a walk at the Frederiksberg Gardens. Definitely something I’d recommend checking out,” Luca suggests, his eyes lighting up with excitement as he mentions it. 

Luca continues moving through his list of recommendations, Marcus chiming in with places and things he did the last time he was here, excited to spend a few days exploring the city instead of just working. 

“Wanderin’ around. I dunno. There’s something about it. ‘S good for the spirit, you know?” Luca concludes. 

“Yeah,” Marcus nods in agreement, before turning his attention over to the French toast you’re working on. “Okay, I see you. What is that? Mascarpone?”

“Yeah, good eye. It’s just something new I’m working on: a mascarpone stuffed french toast. We’re actually talking about extending our hours… maybe doing weekend brunch,” you answer thoroughly, as you dip the stuffed pieces of bread into their egg batter, pre-cook. 

“For real? That’s sick,” Marcus compliments, watching you carefully. “I mean… shit. You could have a whole brunch spot.”

“What do you mean?” you ask, looking up from your cutting board. 

“A Brunch spot,” Marcus repeats, simply, the excitement in his eyes at the new idea, evident. “Yeah, you know. Luca could do the morning pastries. You work your magic on the rest of the menu.”

“That’s a novel idea! What do you think, my love?” Luca asks, intrigue in his voice as he searches your face for a reaction. 

“I-,” you begin, looking from Luca to Marcus, then back to Luca again. “I… never thought about it like that.” You take a beat, eyeing Luca carefully. “We’ve never talked about going into business together.”

Marcus shrugs, before picking up his coffee mug, “Yo, it’s just a thought. I think you two would be unstoppable together.”

“Unstoppable, eh?” Luca asks, his eyes locked with yours. 

You only hum in response, raising a quirked eyebrow in Luca’s direction before adding:

“It’s certainly one hell of an idea, Marcus.”

Kokuore

Monday afternoon, you find yourself at your restaurant with Marcus Brooks, on a day off. 

“I might need a little extra help with something tomorrow. We’re closed tomorrow, but I want to get ahead on this special I’m working on. Could use the help of a pastry chef. What do you say?” you’d proposed to him, over one more espresso before he left. 

To Luca’s dismay, (“ you silly Americans just can’t enjoy a day of doing nothing,” he’d teased the two of you) Marcus had given you an unwavering yes, reassuring you that he was down to learn everything he possibly could from you, especially while he was here. 

And it’s true. You do need the help. But should he want someone to talk to – someone who gets it, even just a little bit – you want to offer him the space and the opportunity to do so.

“As a patissier, do you get tasked with pasta? At The Bear?” you ask Marcus, as you pleat a dumpling in hand with a speed that only comes with practice. 

“Nah,” Marcus sounds, his focus on the dumpling he’s pleating too. His concentration on getting the pleats right is reverent and unbroken, even as he answers your question. “Our head chef, Carmy, he uh… he comes from an Italian American family so when we’ve done a stuffed pasta… he usually takes the lead on that.” 

You nod in understanding, placing the dumpling you’ve just finished down on the full-sized sheet pan. The two of you sit across from each other, having pushed a few dining tables together as a makeshift workstation. 

“Think Luca’ll take over this kinda stuff when you guys open a restaurant together?” Marcus asks, lightheartedly pushing his agenda from yesterday. 

You laugh in response, your hands working quickly on yet another dumpling. 

“For someone with no skin in the game, you’re really insistent on this idea,” you tease him in return. 

“Don’t tell me you’ve never thought about it,” Marcus pushes right back, his tone still light. 

“I…” you sigh, trailing off as you pause your work for a moment. “You know, we just said we’d move in together. That and a restaurant? Feels fast.” 

“Oh shit.”

“Yeah.”

“Like… a few hours before you came over for brunch,” you elaborate, earning a whistle from Marcus. The two of you exchange a look, and a laugh, as you pick up another dumpling wrapper that you and Marcus rolled out together earlier. 

“It’s a good idea though,” you add, stealing a glance his way so that he knows that you’re serious. 

“Well, when you two inevitably do open a restaurant… I want ten percent,” Marcus jokes, earning another laugh from you. 

“Deal,” you agree with him. 

You and Marcus work like this, exchanging a few words, the conversation light, underscored by a softer acoustic soundtrack from one of your Spotify radio stations.

“So how’d you learn to cook like this?” Marcus asks you curiously. 

“Uh…” you hesitate, treading carefully as you realize this conversation could open a can of worms. 

“I don’t know how much Luca’s told you about me… but I was married… before him,” you begin, cautiously. “And… well, I learned a lot of this… a lot of traditional Japanese cooking from my mother-in-law.”

“Yeah?”

“Yeah. These are her dumplings actually – her recipe. She passed away last Fall and… well, it was important to me to celebrate her – to celebrate her life – by creating a few dishes for her,” you continue, and it’s as if all of the air has been sucked out of the room. “We’re bringing this one back as a special this month but um… yeah. I’m… still very much grieving and… it helps me remember her. Cooking her food helps me feel close to her, you know?”

“Yeah,” Marcus sighs, his heart heavy as he exhales. 

He waits a beat. 

And then another, having paused his work as he watches you pleat, head down, with expert hands. 

The silence between you and Marcus is full, heavy, connected by shared experience. You wait for Marcus to say something, and when he doesn’t, you decide to continue. 

“This restaurant… has so much of my heart in it: it’s got my love for Italian food from growing up in my best friend’s family’s restaurant, and it’s got my love for her – for Aiko – and everything she taught me,” you begin to explain. “And lately… it’s got a fresh perspective… inspired by the love I have with Luca, I think. Well, I know. Inspired by him… how this place brought us together.”

“The name itself is… totally made up, but means a lot to me. The Japanese word for heart is, kokoro, and the Italian word for heart is, cuore. Somehow an homage to my past… and was… Prophetic in so many ways too.” 

As Marcus listens, Luca’s previous question lingers in his head:

How’s your heart?

At the time he didn’t know how to answer, and after five days in Copenhagen – after five days of doing what he loves in a place that he loves – his heart is somehow so full, yet so broken all at once. He’s filled with deep sorrow and with the spark of creativity all at the same time, and he’s just not sure how to hold all of this feeling inside of him. 

Marcus waits a beat, opens his mouth, then lets the words fall out. 

“It’s evident. In your food,” is all he manages to say. “It’s got soul. It’s got heart. I-, it’s inspiring. That’s for sure.” 

“I made a dish. For Michael,” Marcus adds, his eyes on the dumpling he works on, but the guard on his heart beginning to fall away. “He was uh… well, he was the old owner of the restaurant, called The Beef back then. Carmy took over after he died. Felt right to honor him and his life, you know? When we reopened as The Bear.”

“Food is… it’s our art, you know?” you agree. “Sometimes it’s the only way I know how to express myself and… sometimes it’s just the thing that makes sense.”

“Yeah.”

A beat. 

“Maybe one day I can make one for my mom,” Marcus says, his voice stuck in his throat as he admits, “I don’t know if I’m ready yet. But I think… I think I’d like to eventually.” 

“Of course,” you reassure him gently. “You don’t have to be ready now. You don’t have to be ready ever. But when you are, your art will always be there.” 

“Thanks,” Marcus nods solemnly. 

You get up this time, realizing the sheet pan is full, and ready to be placed on the baker’s rack. As you return to the table with a new empty sheet pan, lined with parchment paper, Marcus finally asks you, his eyes soft, the heartbreak in them present. 

“How’d you get through? You know. Losing her? Your mother-in-law?” 

You return to your chair with a heavy sigh. 

“I’ll let you know when I do,” you answer, letting up a soft chuckle. “It helps to have good people and… from what Luca’s told me, you do. But… I had to let ‘em in, let ‘em help me. Let ‘em love me. And in all honesty, most days I’m still just… taking it day by day.” 

“Yeah, I-. I do. I got some really good people. Back home,” Marcus drags out slowly. 

“Then that’s all that matters. Your people and your heart. The rest… you just-,” you start. 

“Take day by day?” Marcus interjects, pausing to catch your eyes. 

You and Marcus exchange a knowing look, the recognition of each others’ pain is met with empathy. 

“Yeah. I think that's all we can do.”

By the end of your work session with Marcus, you’re ready to head home so that you can spend the rest of the day with Luca. 

“What’re you gonna do with the rest of your day?” you ask Marcus, curiously. 

With a sigh, and then a shrug, and a heart that feels just a little lighter, he answers with:

“Think I might wander around a bit. Someone once told me it’s good for the spirit.”

[blueaprondelight]

honestly, i need the bear to get syd and carmy together in season 4 because i feel like its the right time.

cue another mae rant (with my guess on how they’d write sydcarm getting together or whatever the fuck their ship name is)

like, rewatching season 3, its clear why they didn’t put them together to me and i can appreciate that!

carmen was struggling with what happened with claire, richie, hell even sydney herself. he let his priorities get shifted - and i think after the table scene, that became clear. but he couldn’t admit it until he was fully by himself-

which, can we just appreciate the freezer scene? like carmen needed to be completely alone. not “alone” with people always able to be around him, but truly alone to realize what was happening. listening to the chaos outside maybe helped as well, as it forced him to admit he was helpless in more than one way.

but, back to my point: they weren’t good in season 3. respect!

but season 4?? this could be THEIR season. here’s how i imagine they’d get them together:

syd tells carm about the job offer she got. she tells him it wasn’t a poaching but it’s an opportunity.

he’d ask if she’s thinking of taking it. but her response isn’t what he thinks: no. “should i be?” — a reference to everything he’d done that season with the constant fighting with richie, the obvious tension in their workplace, the nonnegotiables that made things harder. it was clear when she had to tell him to calm down that she was tired.

that keeps him up that night. should she be thinking of it?

and he can’t say she shouldn’t be. he’d been awful to her - as a boss / co-worker / mentor but also as a friend. it was clear with the table scene (IT ALWAYS GOES BACK TO THAT), he at least somewhat realized bringing claire into the big decisions instead of sydney was a mistake. HE ADMITTED THAT!!

he knows it’s a good opportunity, he knows it could be what she wants— but then, he slowly realizes. he wasn’t upset at the idea of her taking the job. he was scared at the idea of losing her completely. her taking the job didn’t guarantee she’d stay in his life- why should she?

and another question: would he react if it was anyone else telling him this? like nat saying she got another opportunity instead of being the project manager / whatever her other role is there that i cant think of the name of (co-runner, idfk)

and like a goddamn freight train, it hits him and runs him over. he wouldn’t because they aren’t syd. they aren’t the person he goes to for everything- the one he’s scared of disappointing the most.

it would be a slow realization over the course of an episode before at the end, he comes to learn that, one way or another - whether it be her talking about leaving or some big fight that he feels fucking terrible for-

he is in love with her.

now as for syd, i dunno how they’d write that. i think in season 3 with claire and carmy’s storyline, we saw her be jealous. maybe jealous over how close they were, maybe jealous over him picking her.

i’ll come up with something for her and get back to yall. k thanks thats it bye

[prettystary]

Alright, bear with me here (pun intended) as I dive into my thoughts/predictions on The Bear Season 4.

With the way Season 3 ended, plus the promos we’ve seen so far, I think we’re in for a major shift. We all know Carmy is still mentally trapped in that freezer, which has created a massive disconnect between him and everyone else. But something I haven’t seen discussed as much is how everything he’s doing is rooted in proving to *Sydney* that he’s a good enough chef to be her partner—ironically, something she never doubted in the first place.

From the start, Sydney has believed in Carmy’s talent. He made her favorite meal, which is why she wanted to work with him in Season 1. It’s also why she lied about being a regular—she didn’t want to reveal just how much she admired his cooking.

And then there’s the fact that lies were what brought them together in the first place-*her lie when they first met, and his lie about the alergy to be able to make the dish* A perfect bit of foreshadowing for their ongoing communication struggles.

Carmy, (not knowing that he’s her favorite chef), has only fueled his feelings of inadequacy after being trapped in the freezer and leaving Sydney to handle Friends & Family without him. Instead of embracing the future he was building with *The Bear* and working alongside Sydney, he got caught up in his past—what Claire represents.

So in Season 3, he goes into overdrive, trying to overcompensate by chasing a Michelin star—something he never even cared about before—just to convince Sydney to stay and sign the partnership agreement. But in trying to prove himself, he’s actually pushed her away. Completely.

She’s about to leave.

And I think she actually will. We have the alleyway leaks and the promo clips that suggest she quits after arguing with Carmy. In one of the promos, Carmy is holding her apron over his shoulder, staring toward the sidewalk, which feels like a pretty clear indicator.

Now, I’m trying to place *when* this happens in relation to Tiff’s wedding. If Sydney is Richie’s plus one, I could totally see her going before or after quitting. But a part of me really thinks she’s going to be *Carmy’s* plus one, which would place the wedding before she leaves.

At first, I assumed Richie invited her, but then I realized—why wouldn’t he take Sugar instead? If the wedding happens shortly after she gives birth, that could explain it. But then it hit me: Tiff was definitely who invited Donna, meaning she also probably invited Sugar and Carmy. If Carmy is at the wedding (which I could see them hiding in the promos), it makes perfect sense for *him* to take Sydney.

(Also, I love the idea of Richie taking Tina as his plus one. That would be so sweet. And i would love for her to be included in that)

One moment that really stands out in the promos is the hug between Richie and Sydney, where they’re in their wedding outfits. Maybe Richie is anxious, and Sydney steps outside to talk to him, which ends with her revealing that she’s leaving. That would definitely be a big enough moment to justify the hug.

And then there’s Donna and Sydney’s conversation—huge. Donna says, "Sometimes, your work family is closer to you than your family family." Sydney responds, "Sometimes I feel like your work family is like part of your family family."

That difference is subtle, but it’s important. Donna doesn't struggle with putting people above her family, seeing love as something that has to be earned. Sydney, on the other hand, loves more fully/openly, fighting for those she loves even if she makes herself sick in the process. For her it's easy to see those she loves being valuable, just like family.

I can’t wait to see how that scene plays out.

Now, I’m a little wary of Luca coming back—not in a bad way, but because I really liked his small, contained role as a mentor to Marcus. Then his presence at Ever’s funeral worked because it highlighted the contrast between his dynamic with Carmy and Sydney’s dynamic with Carm. Luca saw Carmy as a rival, someone to admire but also compete with. Sydney, though, wants to be Carmys partner—equals, side by side, pushing each other to be better.

But with him back, I’m wondering—is he Sydney’s replacement? Are there major changes happening at The Bear? Either way, I’m excited to see him and Marcus interact again.

Carmy definitely got a reality check in the finale, between his talk with Chef Terry and his boss. But is it too little, too late? After everything he put Sydney through, she’s leaving one way or another, and his reaction is probably not going to be great. He said, *"I wouldn't even wanna do it without you,"* and this is when things are really going to start falling into place for him.

His relationship with Claire was *heavily* romanticized this season, which was jarring considering how much it drained him in Season 2. Just the thought of her gave him panic attacks, but now? He’s romanticizing his past all over again, and it’s jeopardizing his future. Again.

That leaked argument between them seems to be about the whole "Carmy said he’s in love with you" thing that the Faks pulled. If that’s the case, it could finally put an end to that storyline. Also, it doesn’t seem like Claire’s actress has been involved in recent filming, so maybe she won’t have a big role this season? Fingers crossed.

I could go on forever, but I’ll stop here. I have a strong feeling *The Bear* won’t end up being full fine dining—it’ll probably land somewhere more relaxed, something reminiscent of *The Beef* but still refined. *A fusion.* And hopefully, that reflects where Carmy and the crew end up emotionally, too.

Oh, and obviously-SydCarmy canon.

[jelestes]

My completely sane and hinged rant after rewatching the second season of The Bear 😍

• Carmy/Claire

OMG I want to like Claire so badly but her character is so fucking annoying and that’s putting my whole sydcarmy shipper personality aside, she adds nothing to the plot/show, nothing to Carmy’s growth as a character (not that she should be responsible for that, but as a part of his subplot she doesn’t do much), no new perspectives, nothing. She has nothing you can hold on to she’s just kinda there. Her personality is bland and she’s pushy but at least she’s nice i’ll give her that! All that being said, Molly Gordon (the actress) did a great job!

• Natalie

Natalie isn’t talked about enough and it makes me so angry because she’s such a fascinating character like what was ep6??? that girl needs a fucking hug. As a woman with mommy issues I get Nat on so many levels (like, my mom also has threatened to blown her brains out in front of me so many times lmao) we only got a glimpse to what her life was/is like and I was already bawling my eyes out can’t imagine what they have in store for the next seasons. Also kudos to Abby Elliot (the actress) for the amazing job, we got to see so many sides of Nat it was so refreshing. (Ps: LOVE her relationship with Syd, omg)

• Tina

I remember hating Tina the first two episodes but man how much do I love her now. Her character just warms my heart, love LOVE that they made her a sous.

• Richie

I love cousin so fucking much. That’s pretty much it. As a twenty something struggling to find my passion and my path in general his plot in the second season really hit me, also his growth as a character in general was so nice to see, the way he realized he had to change to love himself not tiff or anyone else, that was really really cool.

• Richie/Natalie

Now call me absolutely insane but why do I feel there’s a tension between them? the whole soda thing when she says she’s pregnant (there’s a parallel to when Tiff was pregnant in 3.06), when he apologizes (it doesn’t feel he’s just apologizing for something in the present), idk there’s been a tension there since season one and I think it might be addressed in season 3? idk I might be delusional but I can’t be the only one seeing it.

• Carmy/Syd

* sighs * BECAUSE IF I SEE SOMEONE CALL THAT SHIT PLATONIC ONE MORE TIME I-

Can someone rationally explain to me why is Sydney the only person who can calm Carmy down during a panic attack? How is this shit platonic be so fr right now!!!! Why was Sydney over explaining herself when she told Carmy she doesn’t feel jealous of Claire? Try to explain this to me. You can’t because saying this is platonic sound fucking stupid SPECIALLY after the table scene.

IMO, they both know it and they both refuse to acknowledge it but specially carmy. I feel like they gonna have a fall out on s3 so they can finally start building this in the right direction.

That’s pretty much it, thank you for coming to my ThebearTalk! I’ll be insufferable for the next few weeks <3

[endlesslyhyperfixating]

Oh, Carmy, Carmy, Carmy. The man who can turn a beef sandwich into a Michelin-worthy masterpiece but can't seem to manage his own mental health. Season three of *The Bear* has been a rollercoaster of culinary highs and personal lows, with Carmy spiraling into the very chaos he once sought to escape. But then, in the season three finale, enter Chef Terry—Andrea Terry, if you will—a beacon of wisdom in a sea of culinary turmoil.

As Ever's doors prepare to close, Chef Terry imparts a nugget of wisdom to Carmy: "You have no idea what you're doing, and therefore, you're invincible." At first glance, it might sound like a chef's version of a pep talk gone awry. But let's break it down, shall we?

Throughout the season, Carmy has been haunted by the ghost of Chef David Fields, his former mentor who believed in the "tough love" — or realistically more like abusive — approach to culinary excellence. Fields' methods left Carmy with ulcers, panic attacks, nightmares, trauma doomed to be repeated in an abusive cycle, and a fun memory of the chefs general disdain for black pepper. In contrast, Chef Terry embodies a nurturing spirit, emphasizing the importance of people over perfection. Her mantra, "Every Second Counts," isn't about relentless pressure; it's about cherishing the moments and the people who make them meaningful. The BACKSTORY of her famous mantra is even tender and born in sweetness and family, a start difference to what was Carmy's experience with Chef Fields.

By telling Carmy he's invincible because he doesn't have it all figured out, Chef Terry is giving him permission to embrace uncertainty. She's encouraging him to let go of the need for control and perfection, to trust his instincts, and to lead with empathy rather than fear. This is the antithesis of the Carmy we've seen in season three—a man so consumed by the pursuit of excellence that he alienates those around him, and begins to lose himself in the middle of his unprocessed trauma through the only thing he knows which is working the human away.

"The more people I cut out, the quieter my life got"

Okay, my self isolating king!

But lets take, for instance, his interactions with Sydney. Instead of fostering a collaborative environment, as he often claims this season, Carmy often undermines her, believing his way is the only way. It's not how it starts in season two and the beginning of season three however, where they work shopped the menu together (despite his changing it everyday [🙄])This dynamic leads to tension and missed opportunities for growth. Chef Terry's advice serves as a wake-up call for him: it's okay not to have all the answers. In fact, embracing the unknown can lead to unexpected brilliance.

Richie has done to understand and he's tried to embrace in his own personal journey, and that difference in character is also what's keeping their divide all season, their serious lack of communication causing a strain in their relationship. But the strains present because they do truly love each other(this is a rant for another day)

I digress, this season concludes with a cliffhanger—Carmy's reaction to a seemingly mixed review from the Chicago Tribune—it's clear that change is on the horizon. Chef Terry's words are a catalyst for Carmy's evolution. They signal a shift from a leader driven by fear and perfectionism to one who leads with heart and humility. This transformation is essential for the survival and success of The Bear.

Not only chef Terry's words, but I believe and hope that when he finds out about SYDNEYS OFFER from Shapiro.

Ooph, oh boy that'll be a wake up call.

In essence, Chef Terry's parting words are a gift—a reminder that vulnerability and imperfection are not weaknesses but strengths. For Carmy, embracing this philosophy could be the key to unlocking not only his potential but also the true essence of what it means to be a chef.

Terry's vulnerability and tenderness is similar to Sydney's all throughout the series, especially season three(even referring back to the first episode when she encourages him to call Richie to make things right between them. The relationship that matters. Not Claire.)

If and (hopefully) when Carm finds out about Sydneys potential leaving, this will be a real pushing point for him to out into action Terry's words, realize that his control and repeated cycle of everything he's been through needs to change.

Just as Syd expressed early on in season one, The a bear became the very thing she wanted to escape from. People yelling and pushing, the constant chaos of what their industry is. And she and Carm both knew and still know that it can be different.

And Sydney has that opportunity with Shapiro, but Carmy will totally freak without her to enact that change.

Phew.

Anyways, I can't wait to see the post-review chaos, and hopefully some real growth on Carmy's end.

Season four, anyone?

[vamp-rin]

okay i wrote this whole rant about rowan and i dont think it was appreciated enough with the couple of people i sent it to (i was ignored) so. feast. i should also mention this was sent to people who have listened to a very minimal amount of chnt so mhm yeah you know (im losing it)

okay so so so i usually dont do much but just fawn over rowan (RIGHTFULLY SO) but i have to give my baby boy some actual love so i have to yap about his backstory

so, in episode three, sydney talks over the intercom about how rowan has developed something that makes it so the sky gives him visions. and that he is currently curled into a ball in the corner of the nurses office sobbing. (can i hug him chnt season two rowan and i become canon). the agent log in the description talks about him developing "celestial powers"? which i think is very interesting

we don't see much of his powers explained, but what we do get is that the sky gives him visions of meteorological events, most of them being stuff like the camp burning down n shit. because of this, he has a fucking panic attack every time he looks at the sky. sounds like hell.

in a mediation session between juniper and him, he talks about "90% of the time i can feel myself having a panic attack because of the fucking sky." i have listened to that episode so many times i have it memorized. moving on. he also talks about how no one seems to care or even check in on him during these or because of these.

in a later episode, sydney talks about how they added nightmare powder to the bonfire smoke. what a genius fucking idea???? /sar. he talks about how if you are prone/sensitive to terror, its best to stay inside for the day. he also talks about how rowan is in such a state that he cant do anything throughout the day. when i tell you my heart hurt.

i saw this on the fandom wiki (which is not a good source of knowledge. they have juniper listed as a former member of the backstreet boys.) and it said that sydney got him a hat to help with the visions.

this leaves a lot of things questioned. how can he get rid of the powers? is there anything or anyway at all to avoid them or lessen the visions?

and i have more to say about his focus song. venetian blind man. venetian blinds are the type of blinds that flip closed, which is a reference to him being afraid of the sky, so he stays indoors and closes the blinds so the sky "cant see him" as he says. theres also the lines "he says, 'oh whoa, it's only an omen / oh whoa, stay in the moment.'" which i really like in terms of him trying to ground himself from the breakdowns caused by the sky.

theres also a verse whatever thing in that song that goes "lord knows i've said awful things round this house" and a bit more (I HATE HOW I CANT REMEMBER IT), which is curious. what awful things has he said? was it to someone? or was it to the sky, which in turn cursed him with those powers?

ive been meaning to do a full analysis of venetian blind man sometime, so uuhhh yeah let me know if yall wanna see that

[formyloveoflove]

Characters I Would've Liked to See More than the Faks in S3

I learned too fak'ing much about that family in S3. I loved the Faks in S2. Their increased screentime felt like an over-compensation. Much of the comedy that I loved in S1 came from the staff interactions. The feeling of an ensemble was truly missed for me.

But without further ado and in no particular order-

1. Marcus

Marcus Brooks, I am so sorry that the writers didn't give your story the necessary space it truly needed. You were the only child of a single mother, and you watched her die. I wish we could've seen more of your grief. The little glimpses we saw - your eulogy speech, the way you were inspired to make a dish to honor her, and your thinking about legacy - were so beautiful, but it felt like it had no place to breathe.

The glossing over this tragic loss, the fumbling of showcasing Black Catholic influences (sidenote: did you know that Chicago is home to the biggest African American Catholic population), and the diminishing of his grief were some lows of the season. I would've loved to see more of Marcus dealing with the loss of a parent because no matter how "prepared" you are, that shit will knock you off your feet.

2. Sweeps

If we needed a break from the melancholy of the main plot, I would've loved to see Mr. Gary “Sweeps” Woods go to wine school. It could've been in clips, similar to Tina going to culinary school in S2. Some comedic slip-ups, or maybe somebody else recognized him from his baseball days, or maybe he messed around and got too drunk. Better yet: he and some fellow sommelier get drunk. We've seen this character for three seasons, and we barely see him.

I did enjoy his monologue in Legacy and thought it was very fitting.

3. Manny and Angel

I remember seeing them for a split second in the 30-minute montage S3 E3 "Doors." They are truly the unsung heroes, and it would be good to see them for some comic relief. Maybe they're pranksters? Maybe they could've been the reason the teaspoons and forks were missing. Or maybe they could've been tasked with counting how many come through.

What's their dynamic? What are their personalities? Three seasons, and they feel like cameos.

4. Thee Adamus

One of the things that I wanted from S3 was some more Sydney's mom, and while I was delighted to see she has her mom as her lock screen, I wanted more. I love Syd's dynamic with her Dad whose unyielding support can come off a little worrisome to his baby girl. But Dreamer! Daughter x Practical! Father hits close to home for me. And the Adamus have a healthier relationship with loss and grief, and I want to know more about that process.

When I say more of the Adamus, I mean I want to see why and how Sydney became Sydney. I wanted to see their family dynamics. Why does Syd like to cook? Why is Syd avoidant?

Plus, this was a season about mothers, goshdarnit. More mother content, please.

5. Ebra

Ebra is so funny to me. Like I'm begging on my knees for more Ebra content. He's so cryptic and genuine in a way that only older Black men sharing snapshots of their trauma are. In S1, he's very attentive when it comes to the younger staff members, like when he was sensitive to Marcus gaining confidence in his skills and when he read Sydney's review for the whole kitchen to see.

One of my critiques of S2 was that they just let Ebra fall by the waistside. They didn't fully commit to his journey to accepting change as an older professional. This season, we barely got him at all. I would've had him at least show up to Syd's party. Maybe even via Facetime with the camera all up his nose because he doesn't understand the mechanics just yet.

[ciaomarie]

#NoStruggleLove

This JUST popped into my brain, and I got MAD, lol. In S3, Chris and Joana BETTER NOT make Sydney, Carmy's therapist and/or mother. I don't want her to "earn" his love by doing emotional labor. Yes, she bore too much during the renovation, but that was for HER dream as well. So far, she's been really good about maintaining her boundaries. She shares her emotions and backstory when she feels comfortable. She also allows Carmy to share his, while not burdening herself with his trauma. She holds him accountable and doesn't baby him, nor does she literally or metaphorically give him coochie. In short, she's not playing wifey with this messy man. It would be so easy to bc look at HIM.

I appreciate that so far their dynamic is actually pretty healthy. Yes, they hit a couple patches, but Carmy corrected himself quickly after the Brigade and the Review. In S2 he just didn't know how to juggle the restaurant and a love life. At the end of that season he realized that the partnership with Sydney and the restaurant matters more to him, albeit he took it too far in the freezer meltdown.

In the scene above we see CARMY initiating this conversation and offering Sydney emotional support and commitment, practically giving marital vows (eek!). In S10 before he got trapped in the freezer he helped her stay on expo and got Marcus away from her. There was his momentary lapse over the 7 Fishes getting cold (was that after he thought he saw his old EC?), but again he corrected quickly. Oh, why, oh why, didn't he call the freezer guy?!?! That first night could've been a glorious bonding event for him with Sydney and The Bear as a whole. But alas, we need the drama. Anyways, when he goes into Michelin Star mode in S3 I HOPE that Sydney doesn't bare the brunt of it. If she plays the long-suffering work wife, I'm going to be PISSED!! They like doing that to women generally and particularly women of color.

[thoughtfulchaos773]

2x09 table scene

Okay so...it's a slow season at work, which means more rewatches and you guys dealing with my frequent posts.

I have yet to really talk about the table scene.

Carmy was definitely making love to Sydney emotionally and mentally under this table. He got her to open up and tore down the barriers she put up. It was a full-on courtship we were watching and you can tell by the looks he was giving her how he truly feels about Syd.

"I'm sure she's great"

"She is.."

There was this moment when Carmy said Claire was great, Syd asks, "Yeah?" and there's this pause Syd holds a breath and Carmy is no longer focused on his side of the table but his eyes are on Syd, holding her gaze.

After this Claire is no longer mentioned in this conversation and the focus is on Syd.

Now I think unconsciously Carmy was talking about the woman in front of him scaring the shit of him because of how great Syd is. Because he says his girl that's a friend is great but later on, he's telling Syd how she makes him better, how he couldn't do this without her...

When he asked Syd what she was afraid of, I couldn't get over how gentle that was. As always, with Syd- he could stop focusing and internalizing things within and could focus on someone else, and it felt easy. It was a give and take.

Also, Carmy did such a great job being there for Syd in this scene. I know we should be mad at Carmy for leaving Syd. But he opened up first, then Syd opened up, and he took it from there and gave her the space to be vulnerable.

"I won't let you." We had 3 moments where he confirmed he wouldn't let Syd fail- the first was saying "I won't let you," The headshake, and the "I got that thing I wanna give you.". So even when he reassured Syd during the table fix, he still took more time affirming to her he wouldn't let her fail by giving her the jacket.

I think someone mentioned the "You're not alone" moment, it's like he took an inhale in before he gave her a nod. I swear this was when Carmy was really falling for Syd.

JAWS you gotta stop or keep giving us unconscious communication if you don't mean it.

[media-thots]

Finished season 3 of The Bear. This season felt harder, and I don’t mean that as a criticism, but I think that was a feeling the showrunner wanted the audience to be left with and it was achieved, at least for me. 

Carm blew up his life at the end of season 2 and this season is the repercussions of that, how it affects him personally and how it affects his team around him. This is the most tense Carm’s and Syd’s relationship has ever been, he and Richie can’t speak to each other without actual hurt underpinning it, and Carm has barely been a mentor to the rest of the chefs like he has been in the past. The whole season we’ve been shown how Carm’s past is on his mind and how what was sown in his past is growing now, how his experience at the Empire with that asshole chef is dragging him down now, how he is unfortunately emulating that horrible chef with his own team. For Carm, it has been a season of reflection on his past and a slow reconsidering of what he wants, what he dreams of. Cooking is his thing, it’s something that let him connect to Michael and it's something that helped Carm distinguish himself as someone truly skilled and talented, but as noticed last season, he also seems to seek these high-level kitchens because it gives him a rush of stress that feels normal to him because of what his childhood was like. But also last season Carm got to discover peace and love with Claire, he got to see a calmer life outside of that high-level stress and he liked it. When Claire understandably left, Carm couldn’t deal with it so he went back to what he knew, intense perfection that causes high stress. He can’t think about anything else because he has to think about getting that star and the only way he knows how to get a star is to replicate the environment at the Empire, under that asshole. By the end of the season, with the Ever shutting down and his old mentor readjusting her priorities, Carm has reached the point of his reflection where I think he’s reached an inner crossroads; does he choose a path of peace, represented by Claire, or does he choose a path of intense perfectionist stress, represented by the asshole. And in a way, I think whichever path he picks also represents the type of person Carm would evolve into. 

However, Carm has spent so much time inward, that he’s been blind to his business partner and friend, Sydney. She’s fully aware that he’s going through it, and she’s not his therapist so she’s not opening that Pandora's box of trauma, especially considering she’s got her own shit to deal with, but Carm isn’t seeing how this affects her. Last season, they had a set menu that was both of theirs but now the menu belongs to Carm only and it changes daily, if Sydney tries to set it even within his bounds Carm ignores it. The restaurant was supposed to be both of theirs, but from the initial reviews that Syd was looking at, even she can tell everyone is considering this project as purely Carm’s, and that hurts because it’s like she’s invisible to the larger cooking world when this was supposed to be her introduction. And she doesn't even get the work environment she wanted. It seems like most nights, Carm isn’t speaking to his team respectfully (often being an asshole) and Syd can occasionally reign him back in but she’s not his babysitter, he’s putting more work on her plate by losing control of his emotions. We saw how during the party at her place, Syd has a panic attack similar to how the asshole caused panic attacks for Carm, being at The Bear isn’t good for her. Carm is so focused on his trauma, that he can’t see that he’s making an unfulfilling if not outright awful working environment for her, it’s not even on his radar that Syd might want to leave, and it’s going to bite him in the ass no matter what Syd decides to do. 

I think this season was so hard because they actually took their time to depict what stress, depression, and trauma can do to a person and their relationships after a blow-up-your-life moment like Carm had. And even with all that, Carm had to go through that this season, I don’t think he’s going to be a perfect person at the start of next season, but he imploded in on himself and exploded at everyone else that opening night, it was going to take time to recover back to a semblance of the person he was and try to heal toward becoming a better one. It would be nice if Carm had paid more attention to Syd and tried to mend his relationship to Richie, but if he’d done that in the first couple episodes then that night would have had no impact. Carm needed to be awful, and sour, and a general asshole or it would’ve meant nothing, and now the growth he will hopefully be on will mean something. As hard as it was, this season was good.

[beauspot]

Dismantling of the Family and Destruction of Fandom Trust.

Season 3 of The Bear did something different than previous seasons and it felt...much more final this time.

Carmy and Richie are at odds the entire season and it never really lets up. Sydney and Carmy don't have one meaningful conversation this entire season. Marcus loses his mother. And everyone is growing apart.

The season has so much going on and yet at the same time, nothing really happens in season 3

While in season 2 The Bear seeks to strip its kitchen to bare bones and build it from the ground up, Season 3 tries to break its main characters down. This involves not only tearing apart their relationships, but who they are as people. Normally, I love this type of season as breaking characters down because almost always it results in entertaining drama and growth ie. Succession or Bojack Horseman

But this season starts with the crew not communicating and ends with them not communicating, the restaurant is in the same precarious position at the start as it is at the end. One thing that was nice to see was Sydney coming into her own, learning to run her kitchen with patience and strength, but while that is happening Carmy is ripping into everyone around him and this culminates in Sydney having a panic attack at the end of the season, but there’s no respite for her. She’s torn between staying with her new chosen, toxic, family or moving on to better things for herself and she can’t decide.

Highlights of the season were episode 6 and episode 8 which were the Tina and Nat centered episodes. We get to know more about Tina and where her mind is at, along with her past. In Ice Chips we get moments of reconciliation. I also really loved seeing Luca back and his overexcited puppy energy contrasted to how cool he was last season was *chefs kiss* no pun intended.

The Bear is likely closing within the next two seasons and I don't know if it will be renewed especially with this trend of ending shows super fucking early for fear of dragging it out. It would be a waste because there's still stories to tell so to have it end with everyone probably leaving as the restaurant collapses. To leave the show there is insane to me and dumb, but i’m not running it so what do I know?

I personally did not like this season and have no interest in rewatching it at this moment, though I’m sure I will at some point.

Personally I have let go of Syd and Carmy becoming romantically involved in the canon. It's sad, but clearly the writers (one in particular) have dug in their heels and nothing will change their minds so, fuck it. You guys got what you wanted, congrats! Feel free to leave your thoughts below.

[sueheesblog]

I'm rewatching The Bear...... And Lord Syd really walked into fire the same day she started working at The Beef. T being a pain, the loud music, and Richie being loud like Mickey. I got some boring opinions. Let me rant n be delulu 😂🤣🤣😍

Richie saying that The Beef didn't have money problems until after Carmy showed up😬😬😱😱😱..... Knowing what I know about season 3, I see a pattern of Carmy trying to change things too fast, too soon. The Beef been running for 25 years, which means something was going right for it to last that long (we know some d.rugs money was involved lol). Richie confessed about selling from the back a few times lol.

Anyways, I say all of that to say, I think Syd was the only one who walked into Carmy's life with a plan. Carmy saw that n respected her for it. Everyone else was going with a flow that was no longer sustainable (this includes Claire). Yes, she and Carmy had a past, (well to be honest they don't even have a past. They never dated or hangout in HS) it's more like a fantasy. People grow n change..... n love interest can also change. I don't think Carmy like Claire the way he did bk then. It's life!

Carmy was happy he found someone who shared his passion, yes he wanted a business with Mikey..... but I honestly think Carmy wanted it for himself too. He's only wanted 2 things The Bear with his brother and Syd (yes, Syd). He was willing to make a complete stranger help him run his family business after 1 - 2 weeks of observing her. He made that decision with no outside influence (his family). HE WANTED SYDNEY and that want slowly turned into NEEDING HER. I'm not talking on a romantic level of want/need, but business wise she will always be his first option.

The romantic level, based on my opinion started flickering when the mere thought of her calmed him. Now, he's probably too naive to notice that he has developed romantic feelings for her and its pushing to the surface. The mere thought of her brought him peace and steady the tsunami in his mind. That is a leave of intimacy that is top tier. She touched him mentally. Carmy n Syd's conversation in the beginning of Season 2 are soo charged that they don't have to touch to sell the audience a romantic story. This is because their way of intimacy is through food, thats how they express themselves to each other. It's like talking about the menus n stuff is foreplay. It was also funny to see Carmy gave Syd the best orgasm of her life and then take it back. (This was when he said her braised short ribs was tremendous, and then decided to take it back). She like, no sir, we ain't doing that cause I'm still on cloud nine trying to come down. 😂🤣😂🤣

Carmy suspected this and he didn't want to entertained Claire (gave her the wrong number). Now, she's all tangled up in Carmy n Syd's weird mind fuck with food..... Syd feeling jealous is kinda vaild (hear me out). It's valid because all the time they spent together being mentally intimate through food...... those feelings were reciprocated. So, CARMY out here cheating on Syd.... giving all the focus she deserved and EARNED to Claire. Like, Syd should packed his shit up and put him out!

BUT, at the end of season 3 they stopped connecting through their food. It's like when married couple is so far apart that sex/intimacy longer plays a role in the relationship or it took the back burner. Days or weeks would pass and they wouldn't touch each other...... This is what Carmy n Syd are facing. Their relationship is so disconnected that intimacy is no longer on the table.

Let's see if they get a divorce or make up.

[the-french-laundry]

The Problem with Claire Bear (and how to fix it in S4 without making Clairmy endgame)

This critic is focusing on the writing and is not meant to be an attack against the actress in any way! Also this is my personal opinion.

I must confess, that i am relatively new to the fandom, but 'the Bear' has a chokehold on me for a couple of weeks now. The way it has so many different characters and tries to explore their personalities, their shortcomings, their problems and anxiety, hooked me from the start and i loved to see how they developed over the three Seasons, we have now. But then there's Claire. And she just doesn't work at all.

The number thing and Claire accepting anything

When she first appeared in the supermarket and had that talk with Carmen Berzatto, i couldn't shake off the feeling that this whole scene was very awkward and almost non-human. Of course, we know that Carmen can be socially awkward and seeing his old childhood friend, which he ghosted, is a weird situation for a lot of people. Given his own difficulties to deal with situations like that, it makes sense why he gave her a fake number. I know, she asked multiple times if it is okay, but the whole number thing is a clear sign that he is either avoiding contact, because he doesn't feel ready enough to deal with a past relationship or that, deep down, he doesn't actually want it and uses it as an excuse so that he doesn't have to say it out loud.

Seriously, if i would've been Claire, that would be a RED FLAG for me and i'd stop trying to force any contact. But the script wanted a romance, so it literally made Claire an all forgiving person. She just takes Carmen's bullshit and never truly questions it or tries to make him question those things. She always reassures him, that he's doing good and all, which is supportive and cute, but it doesn't help Carmy's broken personality in any way. It never questions, it never tackles his character to move past this. And in the end, it doesn't help Claire too because this relationship feels very one-sided. She's always there for him, tries to keep the contact, supports him, confesses her love first (even though if it was via voicemail), but Carmy isn't able to give it back to Claire in any form.

Claire got no personality

This is very obvious, but it needs to be said. The script gave Claire nothing to create an interesting or engaging personality. After i finished Season 3 i did a small recap in my head and all i could say about her is: She was Carmy's girlfriend and she is working as a doctor. That's all. And it made me bonkers somehow, because 'The Bear' has so many well-written female characters - Sydney, Tina, Natalie, Donna, Chef Terry. Even Jessica and Tiff, without having much screentime, had more developed character traits that made them stand out. But the script is not able to give Claire something that would make her more than just Carmy's forced relationship!? We rarely see, why she even has this crush on him - maybe due to their childhood friendship, any special moments they'd shared in the past before they met again at the supermarket? No, nothing and i think this is sad. Because with all that, Claire becomes a character, that can be easily written out of the script, without leaving a hole in the story.

Carmen would still have his New York David Fields trauma, mixed with the death of his brother Michael, he would still pressure himself. The rest could be easily explained through the dynamic he has with Sydney and the team - the fear of letting them down, of being not good enough, of not deserving happiness at all etc.

An environment of forcing it

Now it gets a little bit personal. When i was younger, i had a best friend, whom i really liked - but just as a friend. At one point however he started to have feelings for me and asked, if we shouldn't just try and see where it gets, which i didn't want out of fear that it might ruin our friendship. A lot of friends we both known at that time, told me multiple times that we would be such a great match, that he really cares for me and we would be cute together. It gaslighted me into the believe that, well... maybe i should just try. Also because i didn't want to disappoint my best friend. In the end, it was a mess and it ruined our friendship. But why am i telling this story? Because Carmy's and Claire's relationship kind of reminds me of that.

The people around Carmy are constantly talking about Claire, about her being a saint and that she is good for him, that they totally match and that he has a crush on her (e.g. in the conversation with Richie and Michael during the Christmas episode). Yet it never really feels like Carmen loves her deeply enough to make a long-term relationship work. He cares for her and likes her, that much is clear, but i feels forced, whenever they share moments together - not from Claire's side, but from Carmy's side. As if he always has to reassure himself, that he indeed loves Claire. And my theory about his flashbacks of their time together, is that it is more because of his own guilt. He never wanted to hurt Claire and he understands that what he said was deeply painful to her. Confessing that to himself is hard and an apology is needed. But i don't think it would be good if they straight up reset their whole relationship.

What can S4 do to save this mess?

The apology is a big thing that is in fact needed. To jump over his own shadow and to find piece for himself and for Claire, Carmen needs to apologize to her. By talking about what happen and recognizing how bad he'd treated her during the walk-in freezer incident, he also gives her the chance to close that case for herself, so that she doesn't think it was her own fault and therefore she can move on with her life. But it would also make sense that Carmen reflects if he really loves her as deep as he thought he would. In my opinion, the script didn't give us enough to undermine the argument that he does. So looking at that, it would be great to see how he confesses to her, how he'd always thought they were meant to be, but in the end his feelings were not enough for that to happen, that he got carried away by the expectations of those around him and his own anxiety. And maybe we learn, that Claire experienced something similar to that, realizing that they could've been great friends but weren't meant to be more.

Even though i don't like the character of Claire, given the fact that she is in the series now, it would only be fair to close her character arc with an apology and a wholesome conclusion for both her and Carmy before they part ways.

-

Thanks for coming to my short TED Talk. Feel free to tell me your thoughts or add the things i might've missed.