#i love how i just have to put your tags together now

[pepperf]

Genuinely can't decide if the writers intended the Five and Lila relationship to be toxic, or if that's just their idea of romance - just like Rochester, Heathcliff, Darcy, and that dude from Twilight, right???

Okay, let's have a readmore. Note tags, ppl, and curate your experience.

Lila has a relatively sensible approach to relationships, which is consistent, despite her somewhat Machiavellian approach to getting what she wants out of them - she put Diego in his place about having realistic expectations back in s3. She's pretty clear about who she is and where her lines are drawn, and is "weirdly self-actualised", according to Klaus. And Five - romantically inexperienced, thinks everyone should do what he says at all times - tries to impose his notion of How This Should Go onto her, from nearly the start of their brief romance, but leaning hard into it once it starts going sour - which also checks out: he was alone for 45 years and his previous relationship was all in his head, giving him full control, so that's what he's used to. But I couldn't tell if they genuinely intended to show it as him being incredibly selfish in prioritising his feelings over her wishes, or if they honestly thought it was romantic. I mean, the barbed wire-style bracelet is a little on the nose, and there's some symbolism that I'll get into in a sec. Truthfully, I'm not inclined to give them the benefit of the doubt - I think SB at least thought it was hot, judging by what he's said about identifying with Five, and about how he finally gets to have a romance. This seems to have been his pet project for the season, blergh.

It's that tedious old misogynist chestnut, that all women secretly want A Man to take control. It's frustrating, because they already established that Lila likes to be in charge, she wants to be free to make her own choices, she'd already had twenty-plus years of being told what to think and do. And yet she has to remind Five, who really ought to know her better by now, "You do not get to decide what I do with my life!" It's also very disconnected from reality. It's not actually fun or sexy to be gaslighted, to be lied to by some insecure asshole who thinks they know better about what's good for you, that they have a right to stick their nose into your personal relationships or keep you away from your kids. Not cool, Five, not cool. He's lucky she didn't kick him in the nuts on the way out. But another reason I think they didn't do this consciously is that Five doesn't seem to realise his assholery - there's no hint that he's regretting anything other than being dumped.

Lila was trapped for seven years in an intense, claustrophobic situation with Five - and if they'd continued to exist, she could have worked through the feelings that come out of that. Like Ritu said, of course there's going to be love there: they've spent seven years together, on the run. If nothing else, it would be a matter of survival - either you find a way to get along, or you kill each other. And they went in with a fair amount in common already (although being adopted by the Handler at age four is not at all the same as being recruited by her at age fifty-something). So I'm annoyed that Lila's whole arc this season is one of frustration about having to be the grown up in her relationship, taking a break to reassess, going off to do something a bit crazy and fun - and promptly getting stranded with someone considerably less emotionally competent.

Okay, I'm being somewhat harsh - Lila unexpectedly getting the timeout she wanted could've been a decent storyline, she could have some time to reflect, live the child-free life without consequences, and have some adventures (she actively enjoys danger!). And she and Five got to bond, that had lots of interesting potential, especially with their complicated history. But it tipped over from being a potential opportunity into an immensely over the top punishment for her impulsivity, and took them so far from where they'd started that there's a total emotional disconnect with the main story. Which is a fucking weird choice for one episode in such a short season, ngl.

And then, ugh, she's right back to dealing with the apocalypse, visibly thrown by a Diego who has unexpectedly thought about what she said and is trying to be a better husband, and dealing with a Five who has decided to get territorial. It's deeply uncomfortable, Five is gearing up to start trouble, so wrapped up in his own hurt feelings that he's functionally useless for the actual problem in front of them - leaving Lila to deal with the mess he creates, and then leverage said feelings to get him to put on his big boy pants and help. She still reaches out to him in the end, I think she knows him well enough by this point to understand what makes him tick...and she's having to be the sensible one up to the end of her existence. Can't she have someone who's willing to meet her halfway? The reflecting that Diego did, him making a start on making amends (given that it was only a few hours for him, that's about as much as they could squeeze in) was basically just wasted. They start to reconnect at the end, and mutually apologise for the damage they've done - but that's all they get, and it's a travesty.

Personally I think the whole storyline should have been cut, but if - if - they really felt it added something, they could have given it some time in the real world, see how this shaky new romance holds up against a serious relationship that's been massively fractured. In a different show, that might have been a fine story. But they don't do that. Whatever she might have wanted, Lila doesn't get time to even think about her choices. She gets to stop existing. (Or they could just have not gone there in the first place, god I hate love triangle plotlines, they do no favours for anyone involved!)

Given a continued existence in which to do so, I'm sure Five would have moved on pretty quickly. It's his first romance with a real person, he feels it intensely - but once the dust settled, he'd see that they were in very different emotional places (she wanted to get back to her family, the break from reality is way overdue to end - and he wanted to stay in their little bubble and leave all that behind). The actual romance part was actually pretty brief, and lacking in any deep communication - as Lila says, it wasn't real. They're playing house in an attempt to feel normal - in a greenhouse (a fragile structure, not a real home), eating strawberries (a treat more than real sustenance), like children...hey, maybe I'm wrong and the writers DID intend to do that, bc that's some choice visual metaphors. And they're playing roles: all their normal antagonism - what made them so fun and sparky in previous seasons, and even during the earlier part of their adventure! - disappears. Lila is a chameleon, taking on a character is her happy place - and this was how Five kept himself going, last time he was in this situation, so he's slipping back into that method of survival (although he's not as good as she is at separating reality from fiction). So while all that is totally understandable, it's insubstantial. If Five had the space to do some self-reflection, or if one of his more rational siblings (Luther maybe, or...um...or a friend, if he can make one...or maybe that dude in the Losers Department at the CIA...) sat down with him and explained that you need to treat a partner as an equal, maybe he could do better next time - or double down and keep being an asshole, that's also a strong possibility.

idk - I still don't honestly think the show intended it that way, unfortunately. I think they shoehorned the characters into the scenes they wanted, regardless of sense or even plot requirement. There are a LOT of badly-explained or badly-thought out moments in this season, and this whole mess just adds to the incoherency. Or maybe it's just a consequence of TV - you get multiple creative people involved, and the reasoning gets muddied, especially over time. Maybe it was SB's intention from the start, but he didn't inform the actors until the final season, so they've been playing it straight.

This show has an...interesting tendency to do something that you think is totally unacceptable and just gloss over it at the time, and then address it next season (like Luther apologising to Viktor), as if the writers all brought it up in their respective therapy sessions during the break, and worked through the issues - so maybe if they'd had another season, they would have gone into all that. Maybe. But we're clearly not going to get that, and they're all gone from existence so I can't headcanon that in this universe, they eventually sort it out. So I'm putting it down to one thing:

Break out the dodgy facial hair (I see you're ahead of me, Five) and let's get kicking babies!

[alixmarauders]

Why Try | poly! marauders x fem! reader

tag list: @staarflowerr @lonely-nerd-sodaholic @hcqwxrtss123 @call-me-mishi @sxmnc

part 1, part 2, part 3, part 4

You were late, as always. This time, though, the reason behind it made you smile like a fool: last night you stayed up late with the guys, laughing and cuddling each other.

So, now you were rushing through the halls, barely making it in time for your Transfiguration class. You rushed to the door, which was already close, and opened it abruptly

“Mrs. L/N, you’re late.” McGonagall stared you down. “And I won’t comment on that strange looking mark on your neck. Take a seat”

Everybody looked at you, snickering, while Sirius blowed you a kiss, indicating the vacant seat next to you.

“Why is everybody laughing? And what strange mark was she referring to?”

“Love, didn’t you look in the mirror this morning?” You shook your head. “Let’s say that now everybody knows you’re ours”

You widened your eyes, pulling out of your bag a little mirror: the three hickeys adorned your neck.

“This is a mess, you know that? What would everybody think? And-“ He put a finger in your lips.

You played with the hem of the Gryffindor jersey, a little smile playing on your cheeks. James and Sirius had a quidditch match against Ravenclaw in about forty minutes, you were waiting for Remus to pick you up to go watch it together.

Hearing three knocks on your dorm room, you ran to open: there stood Remus, a bouquet of tulips in one hand.

“Love, you look amazing in our colours” You smiled up at him. “May I have a kiss?”

Your heart fluttered, somehow him asking for consent made you even more hot and bothered. Not giving him a verbal response, you just got on your tippy toes and kissed him softly, while his free arm wrapped around your waist.

“You don’t even know how happy it makes me that I can just kiss you whenever I want” He showered you in sweet kisses all over your face, making you giggle. “My sweet, sweet girl”

At this point, your ears were burning and you were pretty sure that if he kept kissing you, you would have miss the match. “Okay loverboy, we should really get going”

He laughed, patting your bum, heading with you to the Gryffindor-Ravenclaw game. Technically you should have cheered for your house, but you didn’t have that many friends on the Ravenclaw team, and you just wanted to make your boyfriends feel appreciated.

Once on the Quidditch pitch, Remus brought you to the Gryffindor’s lockers.

“James! Sirius! Look I have a surprise!”

You heard what sounded like someone being slammed on the lockers, then they came into view.

Sirius stared at you, a grin slowly making his way on his face. “Look what we have here, wearing our colours”

You nodded. “This is technically James’ jersey, but I wrote your name under his name, so I’m technically cheering for the both of you”

James picked you up, spinning you around, while you giggled furiously. “Our girl, always so considerate. We love you, you know that, right?”

Sirius picked you from James’ arms, kissing you softly on your lips, making you melt, while Remus was watching the scene unfold from behind you, a grin plastered on his face.

“We have to go now” Sirius pecked your lips. “After the game we’ll shower and then we’ll go on a date together”

“And if I don’t want to?”

James smirked. “You’ll still be there, either if you want to or not. You’re stuck with us love, that’s a shame isn’t it?”

“Not really” You mumbled, suppressing a smile, and they cooed at you. Once the players kissed you, they took off for the pitch, while you went back to your seats with Remus.

Gryffindor won, and you couldn’t have been more happy. As you rushed down the bleachers, your excitement died down, seeing Aurora dangerously close to James, her hand on his pec.

“… We could share a drink, you know? We’d have such a great time together” Your first instinct was to run, but you refrained: you had learned your lesson, plus now you were in officially dating, everyone knew about this, you had every right to lash out.

Swallowing down your nervousness, you came behind up behind her, tapping her shoulder, James smirked at you. “Excuse me, are you asking out my boyfriend?” They both widened your eyes, Remus smiling proudly at you and fist bumping James.

“What… He’s not-“

James hugged you from behind, his head nestling in your shoulder juncture. “I am, thank you very much. Claimed and everything, so I’d take a step back if I were you. Plus, I wanted to tell you that I actually don’t give a shit about her brother being a shit to her, I pity him, not understanding how lucky he is to have such an incredible sister. Now, I would really like for you to go away, so I can spend time with my girlfriend, thank you very much”. He turned you around, ignoring your protests, making out with you right in front of her.

You tried to keep up with him, but you couldn’t help but feel guilty about the white lie you told them. Once you stopped kissing, Remus and Sirius were by your side, too. You were about to start talking, but they preceded you. “Love, she talked a lot of shit about you, but if you didn’t want to tell us about your brother we understand. The only thing is, why did you want to keep our relationship a secret, then?” Sirius was looking kind of hurt, and your heart wept.

“It’s not you I’m ashamed of, I can assure you. I was ashamed of myself, as I told you I didn’t understand how could you choose me, of all the pretty girls there are here at Hogwarts, I didn’t want to be made fun of, you know?”

Remus hugged you tighly as you were about to start crying. “Sht, love, we understand, don’t go wasting your tears on this, please. Everything’s alright, we’re not mad, we’re glad you talked to us about it.”

As you allowed them to cuddle you, you smiled: being honest wasn’t that bad, after all.

this is rushed and not proofread, but I had to finish this serie and so that's it <3 hope you enjoyed it, sending you lots of kisses

[ahollowgrave]

pinching her cheeks

[lightbulb-warning]

so has anyone figured out WHY there is the Need To Share our Artworks™ or is it just the vibes and our Soul apparently

[demigod-of-the-agni]

Spider-Man India, but... where from India?

A SUPER long post featuring talks of: cultural identity, characterisation, the caste system, and what makes Spider-Man Spider-Man.

I’m prefacing this by saying that I am a second-generation immigrant. I was born in Australia, but my cultural background is from South India. My experiences with what it means to be “Indian” is going to be very different from the experiences of those who are born and brought up in India.

If you, reader, want to add anything, please reblog and add your thoughts. This is meant to be a post open for discussion — the more interaction we get, the better we become aware of these nuances.

So I made this poll asking folks to pick a region of India where I would draw Pavitr Prabhakar in their cultural wear. This idea had been on my mind for a long while now, as I had been inspired by Annie Hazarika’s Northeastern Spidey artwork in the wake of ATSV’s release, but never got the time to actually do it until now. I wanted to get a little interactive and made the poll so I could have people choose which of the different regions — North, Northeast, Central, East, West, South — to do first.

The outcome was not what I expected. As you can see, out of 83 votes:

THE RESULTS

South India takes up almost half of all votes (44.6%), followed by Northeast and Central (both 14.5%) and then East (13.3%). In all my life growing up, support towards or even just the awareness of South India was pretty low. Despite this being a very contained poll, why would nearly half of all voters pick South India in favour of other popular choices like Central or North India?

Then I thought about the layout of the poll: Title, Options, Context.

Title: "Tell us who you want to see…"

Options: North, Northeast, Central, East, West, South

Context: I want to make art of the boy again

At first I thought: ah geez. this is my fault. I didn't make the poll clear enough. do they think I want them to figure out where Pavitr came from? That's not what I wanted, maybe I should have added the context before the options.

Then I thought: ah geez. is it my fault for people not reading the entire damn thing before clicking a button? That's pretty stupid.

But regardless, the thought did prompt a line of thinking I know many of us desi folk have been considering since Spider-Man India was first conceived — or, at least, since the announcement that he was going to appear in ATSV. Hell, even I thought of it:

Where did Spider-Man India come from?

FROM A CULTURALLY DIVERSE INDIA

As we know, India is so culturally diverse, and no doubt ATSV creators had to take that into account. Because the ORIGINAL Spider-Man India came from Mumbai — most likely because Mumbai and Manhattan both started with the same letter.

But going beyond that, it’s also because Mumbai is one of the most recognisable cities in India - it’s also known as Bombay. It’s where Bollywood films are shot. It’s where superstar Hindi actors and actresses show up. Mumbai is synonymous with India in that regard, because the easiest way Western countries can interact with Indian culture is through BOLLYWOOD, through HINDI FILMS, through MUMBAI. Suddenly, India is Mumbai, India is a Hindi-only country, India is just this isolated thing we see through an infinitely narrow lens.

We’ve gotten a little better in recent years, but boy I will tell you how uncomfortable I’ve gotten when people (yes, even desi people) come up to me and tell me, Oh, you’re Indian right? Can you speak Hindi? Why don’t you speak Hindi? You’re not Indian if you don’t speak Hindi, that’s India’s national language!

I have been — still am — so afraid of telling people that I don’t speak Hindi, that I’m Tamil, that I don’t care that Hindi is India’s “national” language (it’s an administrative language, Kavin, get your fucking facts right). It’s weird, it’s isolating, and it has made me feel like I wasn’t “Indian” enough to be accepted into the group of “Indian” people.

So I am thankful that ATSV went out of their way to integrate as much variety of Indian culture into the Mumbattan sequence. Maybe that way, the younger generation of desi folk won’t feel so isolated, and that younger Western people will be more open to learning about all these cultural differences within such a vast country.

BUT WHAT DOES THIS HAVE TO DO WITH SPIDER-MAN INDIA?

Everything, actually. There’s a thing called supremacy. You might have heard of it. We all engaged with it at some point, and if you are Indian, no matter where you live, it is inescapable.

It happens the moment you are born — who your family is, where you are born, the language you speak, the colour of your skin; these will be bound to you for life, and it is nigh impossible to break down the stereotypes associated with them.

Certain ethnic groups will be more favourable than others (Centrals, and thus their cultures, will always be favoured over than Souths, as an example) and the same can be said for social groups (Brahmins are more likely to secure influential roles in politics or other areas like priesthood, while the lowers castes, especially Dalits, aren’t even given the decency of respect). Don’t even get me started on colourism, where obviously those of fairer skin will win the lottery while those of darker skin aren’t given the time of day. It’s even worse when morality ties into it — “lighter skinned Indians, like Brahmins, embody good qualities like justice and wisdom”, “dark skinned Indians are cunning and poor, they are untrustworthy”. It’s fucking nuts.

This means, of course, you have a billion people trying to make themselves heard in a system that tries to crush everyone who is not privileged. It only makes sense that people want to elevate themselves and break free from a society that refuses to acknowledge them. These frustrations manifest outwardly, like in protests, but other times — most times — it goes unheard, quietly shaping your way of life, your way of thinking. It becomes a fundamental part of you, and it can go unacknowledged for generations.

So when you have a character like Pavitr Prabhakar enter the scene, people immediately latch onto him and start asking questions many Western audiences don’t even consider. Who is he? What food does he eat? What does he do on Fridays? What’s his family like, his community? All these questions pop up, because, amidst all this turmoil going on in the background, you want a mainstream popular character to be like you, who knows your way of life so intimately, that he may as well be a part of your community.

BUT THAT'S THE THING — HE'S FICTIONAL

I am guilty of this. In fact, I’ve flaunted in numerous posts how I think he’s the perfect Tamil boy, how he dances bharatanatyam, how he does all these Tamil things that no one will understand except myself. All these niche things that only I, and maybe a few others, will understand.

I’ve seen other people do it, too. I’ve seen people geek out over his dark brown skin, his kalari dhoti, how he fights so effortlessly in the kalaripayattu martial arts style. I’ve seen people write him as Malayali, as Hindi, as every kind of Indian person imaginable.

I’ve also seen him be written where he’s subjected to typical Indian and broader Asian stereotypes. You know the ones I’m so fond of calling out. The thing is, I’ve seen so much of Pavitr being presented in so many different ways, and I worry how the rest of the desi folk will take it. 

You finally have a character who could be you, but now he’s someone else’s plaything. Your entire life is shaped by what you can and can’t do simply because you were born to an Indian family, and here’s the one person who could represent you now at the mercy of someone else’s whims. He’s off living a life that is so distant from yours, you can hardly recognise him.

It shouldn’t hurt as much as it does, yeah? But, again, you’re looking at it from that infinitely narrow lens Westerners use to look at India from Bollywood.

AND PAVITR PRABHAKAR DOESN'T LIVE IN INDIA

He lives in Mumbattan. He lives in a made-up, fictional world that doesn’t follow the way of life of our world. He lives in a city where Mumbai and Manhattan got fucking squashed together. There are so many memes about colonialism right there. Mumbattan isn’t real! Spider-Man India isn’t real!! He’s just a dude!! The logic of our world doesn’t apply to him!!!

“But his surname originates from ______” okay but does that matter?

“But he’s wearing a kalari dhoti so surely he’s ______” okay but does that matter?

“But his skin colour is darker so he must be ______” okay but does that matter?

“But he lives in Mumbai so he must be ______” okay but does that matter?

I sound insensitive and brash and annoying and it looks like I’m yapping just for the sake of riling you up, so direct that little burst of anger you got there at me, and keep reading.

Listen. I’m going to ask you a question that I’ve asked myself a million times over. I want you to answer honestly. I want you to ask this question to yourself and answer honestly:

Are you trying to convince me on who Pavitr Prabhakar should be?

... but why shouldn't i?

I’ll tell you this again — I did the same thing. You’re not at fault for this, but I want you to just...have a little think over. Just a little moment of self-reflection, to think about why you are so intent on boxing this guy.

It took me a while to reorganise my thinking and how to best approach a character like Pavitr, so I will give you all the time you need as well as a little springboard to focus your thoughts on.

SPIDER-MAN (INDIA) IS JUST A MASK

“What I like about the costume is that anybody reading Spider-Man in any part of the world can imagine that they themselves are under the costume. And that’s a good thing.”

Stan Lee said that. Remember how he was so intent on making sure that everybody got the idea that Spider-Man as an entity is fundamentally broken without Peter Parker there to put on the suit and save the day? That ultimately it was the person beneath the mask, no matter who they were, that mattered most?

Spider-Man India is no less different. You can argue with me that Peter Parker!Spidey is supposed to represent working class struggles in the face of leering corporate entities who endanger the regular folk like us, and so Pavitr Prabhakar should also function the same way. Pavitr should also be a working class guy of this specific social standing fighting people of this other social standing.

But that takes away the authenticity of Spider-Man India. Looking at him through the Peter Parker lens forces you to look at him through the Western lens, and it significantly lessens what you can do with the character — suddenly, it’s a fight to be heard, to be seen, to be recognised. It’s yelling over each other that Pavitr Prabhakar is this ethnicity, is that caste, this or that, this or that, this or that.

There’s a reason why he’s called Spider-Man India, infuriatingly vague as it is. And that’s the point — the vagueness of his identity fulfils Lee’s purpose for a character that could theoretically be embodied by anyone. If he had been called “Spider-Man Mumbai”, you cut out a majority of the population (and in capitalist terms, you cut out a good chunk of the market).

And in the case of Spider-Man India? Whew — you’ve got about a billion people imagining a billion different versions of him.

Whoever you are, whatever you see in Pavitr, that is what is personal to you, and there is nothing wrong with that, and I will not fault you for it. I will not fault you for saying Pavitr is from Central due to the origins of his last name. I also will not fault you for saying Pavitr is from South due to him practising kalaripayattu. I also will not fault you for saying he is not Hindu. I also will not fault you for saying he is a particular ethnicity without any proof.

What I will fault you for is trying to convince me and the others around you that Pavitr Prabhakar should be this particular ethnicity/have this cultural background because of some specific reason. I literally don’t care and it is fundamentally going against his character, going against the “anyone can wear the mask” sentiment of Spider-Man. By doing this, you are strengthening the walls that first divided us. You’re feeding the stratification and segmentation of our cultures — something that is actually not present in the fictional world of Mumbattan.

Like I said before: Mumbattan isn’t real, so the divides between ethnicities and cultural backgrounds are practically nonexistent. The best thing is that it is visually there for all to see. My favourite piece of evidence is this:

It’s a marquee for a cinema in the Mumbattan sequence, in the “Quick tour: this is where the traffic is” section. It has four titles; the first two are written in Hindi. The third title is written in Bengali*, and the fourth title is written in Tamil. You go to Mumbai and you won’t see a single shred of Bengali nor Tamil there, much less any other language that's not common in Maharashtra (Western India). Seeing this for the first time, you know what went through my head?

Wow, the numerous cultures of India are so intermingled here in Mumbattan! Everyone and everything is welcome!

I was happy, not just because of Tamil representation, but because of the fact that the plethora of Indian cultures are showcased coexisting in such a short sequence. This is India embracing all the little parts that make up its grander identity. This scene literally opened my eyes seeing such beauty in all the diverse cultures thriving together. In a place where language and cultural backgrounds blend so easily, each one complementing one another.

It is so easy to believe that, from this colourful palette of a setting, Pavitr Prabhakar truly is Spider-Man India, no matter where he comes from.

It’s easy to believe that Pavitr can come from any part of India, and I won’t call you out if the origin you have for him is different from the origin I have. You don’t need to stake out territory and stand your ground — you’re entitled to that opinion, and I respect it. In fact, I encourage it!!!

Because there’s only so much you can show in a ten minute segment of a film about a country that has such a vast history and even greater number of cultures. I want to see all of it — I want him to be a Malayali boy, a Hindi boy, a Bengali boy, a Telugu boy, an Urdu boy, whatever!! I want you to write him or draw him immersed in your culture, so that I can see the beauty of your background, the wonderful little things that make your culture unique and different from mine!

And, as many friends have said, it’s so common for Indian folks to be migrating around within our own country. A person with a Maharashtrian surname might end up living in Punjab, and no one really minds that. I’m actually from Karnataka, my family speaks Kannada, but somewhere down the line my ancestors moved to Tamil Nadu and settled down and lived very fulfilling lives. So I don’t actually have the “pure Tamil” upbringing, contrary to popular belief; I’ve gotten a mix of both Kannada and Tamil lifestyles, and it’s made my life that much richer. 

So it’s common for people to “not” look like their surname, if that’s what you’re really afraid about. In fact, it just adds to that layer of nuance, that even despite these rigid identities between ethnicities we as Indian people still intermingle with one another, bringing slivers of our cultures to share with others. Pavitr could just as well have been born in one state and moved around the country, and he happens to live in Mumbattan now. It’s entirely possible and there’s nothing to disprove that.

We don’t need to clamber over one another declaring that only one ethnicity is the “right” ethnicity, because, again, you will be looking at Pavitr and the rest of India in that narrow Western lens — a country with such rich cultural variety reduced to a homogenous restrictive way of life.

THE POLL: REINTERPRETED

This whole thing started because I was wondering why my little poll was so skewed — I thought people assumed I was asking them where he came from, then paired his physical appearance with the most logical options available. I thought it was my fault, that I had somehow influenced this outcome without knowing.

Truth is, I will never really know. But I will be thankful for it, because it gave me the opportunity to finally broach this topic, something that many of us desi folk are hesitant to talk about. I hope you have learned something from this, whether you are desi or a casual Spider-Man fan or someone who just so happened to stumble upon this. 

So just…be a little more open. Recognise that India, like many many countries and nations, is made up of a plethora of smaller cultures. And remember, if you’re trying to convince Pavitr that he’s a particular ethnicity, he’s going to wave his hand at you and say, “Ha, me? No, I’m one of the people that live here in the best Indian city! I’m Spider-Man India, dost!”

(Regardless, he still considers you a friend, because to him, the people matter more to him than you trying to box him into something he’s not.)

*Note: thank you dear anon for letting me know that the third title was Bengali, twas my mistake for literally completely forgetting

[backslashdelta]

How To Gif: Glass Shatter Effect

By popular demand (ie, 7 people who voted in this poll), here is a tutorial on how to do the glass shatter effect I used to create the first gif in this set.

I use Photoshop CC 2015 (yes I know it's old) for my gifmaking, but you should be able to apply everything to newer versions of Photoshop. For this tutorial I'll be assuming you know the gifmaking basics, but if not, I would recommend this tutorial, which is the process I use to make gifs. Note that this particular process involves saving all of the frames, importing those frames into Photoshop, and then using an action to convert to a smart object.

Keep reading below the cut to learn how to do this effect!

Before I could start making this gif, I needed three things; the two scenes that I wanted to use, and a video of the glass shattering effect. I already knew the scenes I wanted, so then I took to YouTube to find a video which I can't for the life of me find again (edit: thanks to add1ctedt0you in the replies for linking this video!), but it looked like this:

Something like this is what you want. Ideally the green part would be entirely white, but as long as there are two clearly different colours you can usually work with it.

This looks a lot slower than the gif that I made, but that's not because of the frame rate - which is exactly the same above as in the final gif - it's just because there are extra frames in this slower one that I cut out. In the video I used, the glass shattering happened very slowly. I didn't want that, so I ended up skipping several frames when I loaded the frames into Photoshop before using my gifmaking action. I just did this by manually selecting one frame, skipping the next several before selecting another frame, and repeating this until I had selected 60 frames.

After using my gif action, I had a smart object of the glass shatter effect that looked like this:

That's a much better speed! It still wasn't quite where I needed it to be though. I needed this in black and white, so I slapped a hue/saturation adjustment on the smart object and set the saturation all the way down to -100.

Okay great, I could start putting the gif together now.

First, I made a copy of the glass shatter smart object, because I'll need that later. Then, I pulled in frames from the scene that I wanted to appear in the hole after the glass shatters, and I used those to create a new smart object with my gif action (we'll call it Scene-bg). I pulled Scene-bg into the same window as the glass shatter objects. Then I created a new smart object by combining one of the glass shatter objects with Scene-bg, which I did by selecting both layers right clicking, and selecting "Convert to Smart Object".

I renamed this smart object to Shatter-fg. I opened it by clicking on the little icon next to the layer name in the layers window here:

The most important thing here is that the shatter effect object should be the top layer, and I set the mode to "lighten". This will make sure that the lightest colour of either this layer and the layer behind it is displayed; that means that anywhere that's white in our shatter animation will still show up, but anywhere that's black we'll see what's in the layer(s) behind it.

Then I threw some adjustment layers between them to get the colouring I wanted. I used a curves layer, a hue/saturation layer, and I also added text with an outer glow layer effect. Here's what the layer order looked like and the settings I used for each layer:

After this process, Shatter-fg looked like this:

Okay nice, this is starting to look like something! I saved this and went back to the main file with the other glass shatter object.

I needed to invert that other glass shatter object. There's a weird quirk with the version of Photoshop that I use where it doesn't like it when I apply specifically an invert adjustment to a smart object (it appears correctly when editing, but not on export) so I did this by creating a new smart object which included a separate invert layer, but if you have a newer version of Photoshop you can probably just apply the invert adjustment directly. Just note that you'll need to do one of these options; it won't work if you add a separate adjustment layer in the main file, it needs to be applied specifically to the smart object (which we'll now be calling Shatter-bg). It looked like this after I inverted it:

Once that's done, I made sure Shatter-fg was the layer directly above Shatter-bg, and set the mode of Shatter-fg to "darken" and Shatter-bg to "lighten". Since Shatter-fg is set to darken, it will be visible only when it is darker than the layer behind it. By setting Shatter-bg to lighten, I've guaranteed that the layer behind it will always be lighter (ie, white) in the places we want Shatter-fg to be visible, and will be black otherwise. Once I update those settings, this is what the gif looked like:

This is all there is to the glass shatter effect itself. Next I pulled in frames from the second scene to fill in the black areas. This layer needed to go below both glass shatter layers, so that it only shows through where the black. Then I added adjustment layers and some text. I used curves, hue/saturation, and vibrance adjustment layers, and I also added the "archer" text below the glass shatter layers so that it would be hidden to reveal the "prey" text. The other text I added above all of the layers, since I wanted this to be visible all the time. Here is the layer order and all of the settings I used for each of the layers:

I also grouped Shatter-bg and Shatter-fg and shifted them on the timeline so there would be some time to see the background gif before the shatter effect starts.

And that's all! Then it''s just a matter of exporting the finished product:

This is the first gifmaking tutorial I've ever made, so I hope I was able to be reasonably coherent and helpful! I'd love to hear if you make anything by following these steps, or even if you just feel like you've learned something reading through this. And if you have any outstanding questions, feel free to reply or send me an ask and I'd be happy to answer!

[spidvrbatz]

Green Lantern Comfort Board - Gift

x - x - x

x - x - x

x - x - x

I'm so excited to gift this to you @nothaljordan !!! i have another one for u as well but that'll prolly be tmrw night!! I hope you like it T-T n that I characterized ur dad the right way

(as always, look in tags for hc's 🥳)

[hauntingblue]

making a collection

making another collection with a threatening aura

[destinyandcoins]

bruh idk what's the damage on all those spiteful writers who have to have a twist ending and change shit at the last minute when people guess what's going on. when someone speculates about an upcoming twist or catches on to what I've been doing I light up like the fucking vegas strip at dusk

[redflannelsheets]

.

[sarah-sandwich-writes]

HOLD ON WAIT UP HOLD THE PHONE

I KNOW I WAS GONE FOR A FEW MONTHS THERE BUT HAS BLUE LIKE DON'T FORGET ABOUT ME ALWAYS BEEN A PART OF A SERIES OR IS THAT A NEW DEVELOPMENT???

I FEEL LIKE ITS CHRISTMAS ALL OVER AGAIN FUCK Y E A H

Okay so

I...

have been cooking

by which I mean illusions of grandeur and

schemes

And I have not been forthcoming lol Everyone kind of disappeared all at the same time so I kind of stopped talking about what I'm doing but I have been biding my time, quietly putting mechanisms into motion and plotting and occasionally cackling over my cauldron.

I finished the first draft of Blue like don't forget about me and didn't like it so I cut out all the sci-fi fantasy stuff (bye bye aliens farewell superpowers) and in November wrote a new first draft that's all contemporary romance babeee and I'm so in love with it I'm turning it into a little 3-part (possibly 4 if I can't control myself) series.

The original childhood years have been split off into a prequel novella called Red like my bleeding heart in your hand. Then Blue like don't forget about me will take place 20 years later. Nash works at Cherished Hope Nursing Home

“And what is it you do? At the nursing home, I mean.” I wipe shit off of old people. And Teddy’s a hockey player. What’s Luke, an underwear model? He shouldn’t have come.

Teddy comes back to town for a funeral and

Teddy looks at him for the first time in twenty years and every ounce of warmth leaves his expression. Message received. He should not have come.

OKAY SO AND THEN the next book will be Jo's POV and is called Violet like these delights. and MAYBE there will be a 4th from Luke's POV bc he gets to live this time by the grace of god (me) but it'll depend on how Violet goes (its current state is mostly vibes and a single overarching theme so, stand by).

Red needs a clean-up round of edits to snip out the few little threads that connected it to OG blue. And rewritten blue is basically done. I've done the major revisions and am about to start line edits and after those are done I'm sending it out to beta readers (lmk if you're interested).

There are concise actual summaries in my pinned post btw lol

WHICH REMINDS ME

The series title is Wildflowers of Deliverance. Which I'm extremely proud of. Did you notice did you notice how each title incorporates a wildflower did you did you? and the town they grew up in where Nash and Teddy first met is called Deliverance!!! It's okay I know I'm a genius.

And this brings us to the meal okay? because like I said I've been Cooking™ quietly but steadily for a few months now. ANd what have I been cooking? PLOTS and PLANS

I've decided on a pen name: Sarah B. Elisa

I've created a(nother) side blog for it that will be exclusively centered on my og writing and geared more toward readers rather than writers like this blog is: @sarahbe-writing

I'm going to create a website (as soon as I convince myself to spend money)

and a newsletter (as soon as I convince myself to spend money and do work)

I'm still waffling between trad publishing and DIY. I really like all my hats and it would be a shame to have to share them but oh my god I don't want to do all the marketing but trad pub seems hit or miss on how well they market you so I might get half of my hats taken away and still have to do the marketing bullshit UGH

anyway

OH YEAH and the OG draft I wrote for Blue? I'm going to spin it back to its OG OG roots [parkner, naturally--Return of The childhood friends to estranged almost lovers to super-powered rivals to reluctant allies to friends to lovers finally wip!!! AKA: We Were Gods (we were kids)] and that will fix all the things that went wrong and I didn't like 😌 so it's basically like double Christmas I think

[whimsicalcotton]

.

[queenangella]

.

[majimassqueaktoy]

Some fans: Oh Majima canonically had sex with someone other than *insert either Makoto or Kiryu depending on the person's preferred ship*? better hate Mirei for existing!

It's kinda ridiculous.

Honestly I don't have beef if people don't like her because sometimes you just simply don't like a character and that's fine, I'm not here to tell anyone who they should or shouldn't like but yeah we are playing a game about gang members who do immoral shit pretty frequently... let me enjoy a character who was a bit morally grey and a woman... Also you hit the nail on the head tbh, I think if she had been someone else's ex she wouldn't be nearly as divisive but because she was Majima's ex, well... 😬

[teja-has-puppet-autism]

mmmm

[adelheidvonschicksal]

The Love and Deepspace Boys Trying to Get You to Sleep ⋆｡°✩

Tags: Fluff, teasing, needy boys, mild sexual content, gender neutral reader (I had to re-write so please let me know if I messed up.)

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

Xavier is surprisingly softer than you expected when you first met him on your mission together. He’s an incredibly powerful hunter but possesses a quiet and gentle, almost oblivious, aura when navigating everyday life, like a ghost floating through the space he takes up. It should also be understood that this very nature of his makes him affectionate, so much so, that he won’t unwrap his arms around your waist and stop pressing his head to your shoulder as you sit at the kitchen bar, typing on your laptop.

“Are you planning on staying up later than the stars?” he mumbles.

There’s a gentle yawn against your skin from the sluggish man, highlighting just how long he’s been trying to coax you into going to bed.

“I wanted to finish this report for work.”

“The report will be there tomorrow,” he says. You swat away his hand that reaches for the power button on the laptop causing him to pout. He grumbles. “You should go to bed. Otherwise, I can’t sleep.”

Smiling to yourself, you decide to tease him. “Oh, so you’re really trying to get me to go to bed for your own benefit?”

“Well, you can’t very well expect me to do it by myself anymore.” Xavier nuzzles his head into the slope of your neck, cuddling you. “It’s your responsibility since you ruined my sleeping habits.”

“Ruined?”

“Ramshackled,” he repeats quietly, causing you to giggle. With an airy sigh, he presses his weight into you more. “How do you expect me to sleep when I can’t hold you?”

Defeated, you save your work and close the laptop. You swivel in your chair, enough to meet his eye, and cup a hand to his cheek. It never stops being endearing to you how he cutely closes his eyes and angles his head to snuggle your palm.

“Alright, alright, you don’t have to beg.”

His eyes flutter open, and the smile on his face grows as he wraps his fingers around yours. Carefully, he pulls on your hand to bring it up enough to begin to lace your wrist with affectionate kisses, tracing your pulse.

“I thought you enjoyed my begging.”

“That’s different.”

“It isn’t,” Xavier mutters into your skin, pressing another light kiss.

“It is.”

“So, you're resolute about that position?” he questions “innocently”. There’s something mischievous about the glint in those arctic eyes, which makes your face warm. You find yourself breaking eye contact, or else you’d lose it.

“Yes.”

Xavier chuckles then begins to lead his kisses down your arm. “In that case, care to explain the difference in detail, love?”

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

“Sleep.”

“But—”

“Sleep.”

Zayne narrows his eyes at you from his side of the bed. You can’t blame him for being a little annoyed right now but the movie you put on to fall asleep was much better than you expected; and instead of falling asleep, you were more awake than ever at a very late one in the morning.

“I’m almost done with the movie,” you tell him, hoping he’ll cut you a little slack this one time.

“Everyone dies at the end of their own stupidity,” he bluntly states and grabs the remote. The television turns off with an overly loud click, and you pout. “Now, sleep.”

Crossing your arms over your chest, you huff. “You’re the worst.”

“I’m fine with that title if it gets you to rest,” he explains with a smooth yawn. “Poor sleep habits lead to bad decision-making later. You’re more likely to develop high blood pressure, and with your heart in particular—”

“I get it. I get it,” you say, wanting to be spared the lecture. Zayne is a good person and a better doctor, but you wish he didn’t worry about you so much just because you might have a little big heart problem. Sighing, you squiggle onto your back and pull the sheets up to your collar, kicking them a little childishly in the process (totally not to let him know that you were not pleased with his spoiling). “I hope you’re proud of yourself.”

“Very.”

Zayne turns over onto his side, away from you, and you frown at the loneliness. Softly, you poke him in the back, once, then twice then a third time before you finally get a hum in response.

“Am I really not getting a good night kiss?”

“Do you need one to sleep?” he asks, his voice deeper from the lack of sleep, urging you to convince him to kiss you even more.

“Duh,” you explain. Slowly, he turns back over to look at you, propping himself up on one arm with a look that says “Is that so” as you continue to ramble. It makes you a little flustered when he watches you so intently. He’s always had this silent dominance that makes you obedient, but you could get what you want from him just as easily with the exact opposite strategy. Cutely, you puff your bottom lip out at him. “There has to be some health benefit to it. Kissing makes people all happy. Happy is good, right?”

It takes a second for him to take in what you say, those smokey eyes closing in on you with thought before he climbs over you. He places both hands at your sides and quickly boxes in your upper thighs with his knees.

“You’re thinking of dopamine,” he says.

“Huh?”

“That makes you “all happy”,” he explains and presses a deep kiss to your lips, leaving you thoughtless and breathless all at once. He moves to your jaw, and you begin to squirm from the pressure of his impassioned lips.

“And Serotonin.”

Another kiss, lower.

“Oxytocin.”

He’s at your shoulder when he starts to nip your skin, and one of his hands moves to ski up the back of your thigh.

“Reduced cortisol.”

Flustered, you grip his arms.

“Zayne, stop, it tickles,” you whine, but it’s the last thing you actually want as he readjusts his position and hovers above you.

His usually neat hair is messier and his breathing a little heavier judging by how his chest laboriously rises and falls. Groaning, you bite your bottom lip as he knowingly leans in and whispers,

“You need it to help you sleep, isn’t that what you said?”

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

“Why don’t you just say you don’t love me anymore?”

You look up from your phone screen at the sudden accusation. You’re resting on the couch, your back propped up by the armrest and legs splayed out on the other cushion while Rafayel looks down at you with crossed arms and a less-than-pleased scowl on his face. You’re entirely confused as to what you could’ve done to make him think something like that.

“Huh?”

“You’ve been playing video games for what—the last two hours?” he says, uncrossing his arms to grab your phone. It’s too late to warn him as he glances at the screen, clicking a few times. “What are you playing anyway? An…otome? Sheesh, go ahead and say you want me gone. Come on, tell me you actually hate me.”

Holding in your smile, you shake your head and affectionately roll your eyes. It takes an enormous amount of effort to not laugh as he continues to rant. “So, it’s one of those things. I thought I was actually in trouble.”

And by those things, you mean his dramatics.

“Hush, my complaints are perfectly legitimate,” he demands as he pushes your legs aside and sits on the couch. Leaning over, he flashes the screen at you to show the evidence he has that you’re completely unfair, unfaithful, and downright mean. “What’s this game giving you that I’m not? Are my dashing good looks and even better personality not enough? Is that it?”

Gently, you take the phone from his hand and set it down on the end table. “You’re plenty, perfect even.”

He scoffs and refuses to look at you. “Apparently not. Don’t you ever think about anyone else? What if I want to cuddle with you one day but you’re too busy to notice because you’re playing silly games?”

Ah, there it is. His real want. You never know why he can never just come out and say it.

“Rafayel, do you want me to come to bed and cuddle with you?”

“Want is a strong word,” he remarks but you can see his resolve (can you call it that when he planned to give in all along?) crumbling as he slowly turns back to meet your gaze, “but I wouldn’t be opposed to it. Not that you deserve it or care.”

Humming, you sit up, wrap your arms around his shoulders, and pull him down onto you. Lovingly, you snuggle him, stopping to only take in how red his neck and ears start to get when you squeeze him and start to stroke through his hair. You’re not sure if Lumerians can blow happy bubbles like he claims, but he definitely hums and relaxes his entire body weight to lay on top of you like he wants to sink into your skin.

Teasingly, you coo at him. “You’re so needy.”

“I’d rather say you humans aren’t needy enough,” he fires back as he wraps an arm around your waist and kisses the corner of your lips. “Ah, the sweet taste of victory.”

Giving out a gentle and short laugh, you lightly tap his back. “Go to sleep.”

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───