#i love doing things for people !! i love love love doing acts of service and adult parallel play and small physical affection

[xx-reverie-xx]

🖤Sevika HCs🖤

just random sevika hcs. broken up into categories for general, romantic, and nsfw headcanons respectively.

i didn’t try very hard while writing this, so my writing is probably subpar here but…yolo.

men dni. minors dni. men dni. minors dni.

safe for enby lesbians. ♥️

general

* raging butch lesbian 🧡🤍🩷.

* her place is messy but in an organized chaos sort of way.

* she smells like cigar smoke (in a good way), leather, and peppery mahogany.

* collects bottle caps. i can’t explain it, i just have a feeling she would!!

* has very, very cool, gay aunt vibes!!!

* actually an excellent cook.

* her carabiner is on the left side. she keeps the basics on it, so just her keys and one or two old key chains she has.

* in a modern au she would be into classic cars and the process of restoring them. her dream car is a 1970 mustang boss.

* on the topic of vehicles i can see her as a biker too. like, imagine seeing her taking off that helmet … swoon! imagine being her backpack … SWOON AGAIN!!!

romantic

* loves hugging you from behind

* if you’re with her at the last drop, she has her arm around you constantly. if it’s not that, she’s having you sit on her lap.

* this woman is a capital F Flirt. will talk you up one side and down the other like it’s nothing. if you’re just someone she happens to lock eyes with at the bar, you guys could go back and forth with flirting and banter.

* BUT if you and sev have been together for a bit flirting can get her flustered from time to time. you know *just* what to say to her to make her short circuit a little bit. no one can get under her skin the way you can. /pos

* calls you baby. if you’re a femme, she calls you her femme.

* surprisingly soft lips.

* kissing her feels like a dream.

* sevika prefers a partner who can take care of themselves. after all, she’s a busy woman and she can’t always come to your rescue.

* her giving love language is acts is service. need something fixed? in classic butch fashion, she’s absolutely got you covered. do you drink coffee or tea in the morning? she’s got a cup ready for you in the morning, *just* the way you like it. she’ll do anything for you when she’s got the time.

* her receiving love language? words of affirmation. she likes to know that you think she’s *good*. that she’s doing a good job and that you see that.

* would be so fucking whipped for you. you’re on her mind all the time. smiles when little things make her think of you. memorizes every little detail about you every chance she gets.

* she doesn’t have a type. like, at all.

nsfw

* stone top. there. i said it.

* nipple piercings 🙈.

* oh, she is eating that thang. this woman is a munch. she would know just how to lick or suck you to make you come before you know it. it’s a very personalized experience.

* she learns you inside and out. knows every. little. thing that makes you tick.

* vocal. like, as in, she talks. she’s dirty about it too. all “oh, yeah? you like that baby?”, “be good for me, i know you can take it” or “i know what’s good for you, now fucking take it”. she talks you through it every time.

* has a collection of straps. different strokes for different folks, am i right?

* touching on one of her receiving love languages being words of affirmation …

* she loves to be praised.

* it’s something she would never explicitly ask you to do. it’s a subtle thing.

* it’s in the way she short circuits when you tell her how good she’s doing, how good she makes you feel. you can tell she likes that, knowing that she is good for you, in the way her hands tremble or her hips stutter or, if she’s going down on you, the way her eyes go soft.

* she will fuck you senseless and then be so, so sweet on you after. makes sure you’re taken care of, that there’s something for you to drink, has towels ready for you incase you don’t feel like showering for a while after you finish. seriously, it’s like two different people.

okay thats it. i am obsessed with this woman and just wanted to share some headcanons i had for her while i finish up a fic i’m trying to write🎠.

cant believe my first writing here was some random hcs but whatever!!!

requests currently open for multiple fandoms, including arcane :).

dividers by cafekitsune

[goingmerryfics]

Hello, could you please do mihawk, benn, Rayleigh and shanks x f reader who is a lot younger? (like early 20s)

Younger S/O - Shanks, Mihawk

Content: female reader, age gap, younger (but not minor ofc) s/o

Notes* Hey! So I tried a few times to write for Rayleigh and Benn, but I just don’t know their characters like that- so here's the two I know I can do! I apologize for it being a little shorter than normal, I opened up requests and then immediately got cursed with writer's block again

Shanks

Shanks definitely does not look his age, so when you’d spotted him at the bar all those years ago, you had no reservations about flirting with him

He was totally into it, too. A young, pretty girl showing interest in him? Hell yes

At first, it was a simple fling. But then Shanks continued to return to your island again and again, seeking you out over and over until it wasn’t just coincidence anymore

You two became a couple, but on the low. Shanks didn’t need any idiot bandits, pirate or marines targeting you to get back at him

In the beginning of your relationship with him, he was very careful about the power dynamic between you two

He was a powerful man and an older one at that, so he makes extra sure that during the time you two spend together, he takes care of you very well

Of course, that doesn’t mean he doesn’t tease you!

Around the crew or people he feels can take a joke, he calls you his sugar baby

You hate his dumb jokes, but you love him, and he loves you

Mihawk

Mihawk is the type of man that he doesn’t care who you are or where you come from

Age would not factor into his views of his wife. If he loves you, he loves you

While he’s not always the type to show that outright with words or constant physical affection, he prefers to show it with acts of service

Respect is his top priority as well- doesn’t matter the age. You will be respected and regarded highly as his wife

He’s a protector, but sometimes overly so. That’s where the age gap gets him- he often assumes that you need help or company with anything from household chores to a walk on the island (but to be fair, the island can be dangerous

He also likes to use old slang, which sometimes leaves you baffled as to its meaning

It’s actually pretty funny having to ask him what the hell he’s talking about when he says things like, “A bird in the hand is worth two in the bush”

It’s one of the rare moments when you can watch him laugh, because the sheer confusion on your face amuses him

He gives you your own space in the castle as well. He values his own solitude at times, so he’s sure you want yours at times, too

[wishesofeternity]

I have a lot of mixed feelings about Arcane Season 2, especially after Act 1.

I enjoyed the season and there was a great deal I loved about it. The animation, in particular, was spectacular. But I had a lot of issues about its pacing, characterization and key narrative choices.

(Spoilers)

Why does the finale of a show that's supposed to be about two sisters revolve around two men? Why were all of its other female characters also sidelined to focus on them? Why was Sky fridged yet again?

Vi had no proper arc or goal across this season and was very inconsistently written. Jinx had comparatively more consistency but still had major issues. Their relationship, as mentioned above, was also not handled properly or given adequate attention.

Vi and Caitlyn's relationship was a mess in almost every way, I'm sorry.

Mel and Ekko were both almost entirely sidelined after Act 1 (and the Firelights barely played any role at all?)

The way they handled Viktor's terminal illness, specifically how Jayce spoke about it, was fucked up

The socio-political conflict between Piltover and Zaun was almost completely swept under the rug by bringing in a new Big Bad and common enemy for them to "unite" against. Piltover's oppression of Zaun was also massively minimized after Act 1 and ignored altogether; after defeating Noxus, there is no reason not to believe that they would go back to the status quo of inequality and martial law. Sevika getting a seat on the council (still Piltover's council) is mere lip service with no discussion on what that actually entailed, or what they planned to do in the future. Zaun is still not free. I've seen people try to justify this by claiming that "that was the point, it's meant to show that things are imperfect" but the fact of the matter is that there is no indication that the show wanted to make this point at all (and if they did, it was very badly done). They should have addressed the oppression of Zaun directly, which they never did. What they instead did was actively downplay it on far too many occasions.

There were some plot points I personally disagreed with, like their decision to bring Vander back, but those are personal grievances that I could have made peace with if they were written well. Unfortunately, they weren't.

A lot of these problems stem from pacing, tbh. The show also introduced far too many plot threads last minute without resolving anything properly. If they had three seasons, or even a longer second season, maybe they could have committed to addressing what they had previously set up. But it doesn't seem to have been their priority in the first place, so 🤷🏻‍♀️

Also, the way the fandom is relentlessly attacking anyone who dares to critique/criticize this season is pathetic and needs to stop.

[prettyshinnythings]

Resurrection.

pairings: Sauron x Reader, Adar x reader

Warnings: This is for readers 18+. This chapter contains smut. Please do not read if you're under 18. Idk if this is something I'm going to continue. It's just an idea that I had, but if people like it and want to read more I would love to continue it!

This is my first fic on this blog.

Chapter 1:

465 F.A.

The shadows of our bodies danced along the ceiling of his chambers in the candlelight, each movement reflected on the stone. I can’t help but watch in a heated haze as he thrusts his cock deep inside my needy sex. The sounds of our labored breathing fill the air around us. My focus is purely on the way he feels inside of me. 

This was hardly the first time that he’d had me like this, but this was the first time we’d been safe enough to act on our desires without the fear of repercussions from the lord we served. 

Morgoth had fallen and in the wake of his defeat, we were finally free. His servant held me tightly as he continued pounding into me, rolling his hips and delving deeper into me. I’m overstimulated by the warmth of his bare body and his lips that are latched onto my neck. A moan escapes me as I pull on his ginger locks. 

“Mairon…”

I gasp, my body getting closer to a release with his every movement. He chuckles darkly at how small and breathless I sound, stopping his assault on my neck to pull back to look at me. 

“... Please, I do not think I can handle much more.”

Meekly, my hands move from his hair to cup his face. His smirk grows the longer he looks down at me, watching how intoxicated I am by him. Amused by how my body was always so ready for whatever torture he sent my way. As if my body was made for his. 

“My poor sweetling, have I exhausted you?”

My lips part, my eyes wide as he watches me in quiet satisfaction. As if he’d never seen me at his mercy before. I whimper, my back arching into him as my body threatens to spill over the edge. Another chuckle escapes him as he watches the desperation overtake my face. 

“Go on my love, cum for me.” 

He rasps the words as his hips roll with one final thrust forward, my body unable to last a second longer. My lips find his as I cum, my walls fluttering around him. He kisses me back with as much passion as I give him, cumming with me with one final thrust. For a moment neither of us speaks, we just breathe together, our bodies settling as we lay together. With a final twitch of cock, he pulls out of me and lays next to me in the bed.

He lies on his side as he stares at me as if I’m the most magnificent thing he’s ever seen. His fingers trailed up my stomach, slowly moving up and down my bare body. I feel his eyes roam over every curve of my body. There was a time when I felt insecure under his gaze when I felt as if I wasn’t worthy of such an affectionate stare. Especially with the scars along my body, the deep dark marks that traveled over my chest and stomach. The places where Morgoth had tortured me in my years in his service. There was a time when I didn’t let Mairon see my scars, but after we started seeing each other it became impossible to hide from him.

 Not when he wanted to have every single inch of me. 

“My coronation will be tonight and I want to introduce you as my queen.”

His words are sweet, but I do not know how the Uruks would receive it. They did not respect me. A simple messenger who warmed Sauron’s bed. Surely I was not a suitable option. 

“Mairon, I do not think anyone would find me to be a suitable option for you.”

A quiet rage enters his eyes when I say this. Not because I have upset him, but because he knows that I am right. His brow furrows, as his eyes focus on my body once more, his hand never ceasing its movement along my skin. 

“I will kill anyone who dares to question my choice. (y/n), you are the only one I want. The only one I will ever want. I am yours and you are mine. Nothing will change that.” 

When he says this I feel my eyes begin to water. Emotion overtakes me before I have the chance to conceal it. He was the only one I had ever been with. The only person I loved and trusted above all else. I would follow him everywhere. 

“You are the only one I will ever want too. I am bound to you for the rest of my life.”

The words catch in my throat as I say them, but the tenderness draws him in closer to me, his body pulling mine in against him. The warmth of his body makes me feel safe and secure. In this bed, I feel as if I am home. 

“Only blood can bind my love…”

He murmurs lightly as he kisses the side of my head. I feel my eyes flutter closed when he says this. His proximity is intoxicating as always. 

“... Would you bind yourself to me?” 

He asks, his voice light. As if speaking any louder would scare me away from his question. He knew the answer without me saying a word. But before I can say anything another voice enters the room. 

“My lord…”

Adar’s voice sounds from across the room. My body is exposed for him to see, but I lay there unmoving. Wrapped in my lover’s arms. 

“... I have Morgoth’s crown. It has been resized and is ready for your coronation tonight. Would you like me to put in the great hall?”

Mairon’s eyes remain trained on me as his smirk grows. He’d been as ready for Morgoth’s fall as I had been. Under his rule, we had both suffered greatly and now it was a chance for us to start fresh. 

“Yes. I will meet you in there to discuss arrangements in a moment.” 

His tone is short when he speaks. A dismissive tone that Adar knows too well. That he has been excused. It’s only once we are alone once more that he speaks again, his lips finding the side of my head once more.  

“After my coronation, everything will change. I will make you my queen and I will be your king. Together we will bring peace to Middle Earth.” 

I let his promise hang in the air as I hold onto him. I knew that with him as my lord things would finally get better.

They had to…

… Right? 

–

1500 S.A.

I awaken with a jolt of panic, gasping for air as if I’ve been held beneath water. For a moment I forget where I am as the dream I’d awoken from slowly begins to fade. Light streams inside the tent, touching the foot of my makeshift bed. I feel the unease engulf me as I try desperately to breathe normally once more. 

“Bad dream?”

The soothing voice of my companion roots me in reality as I force myself to meet his gaze. Adar’s eyes look at me with great worry, his brow furrowed as he sits down on the bed next to me. Without speaking, his hands reach for mine, the pads of his fingers are rough against my fair skin. 

“It felt so real.”

I whimper through shaken breaths and forming tears. The dream had felt so real. Like a long-forgotten memory. I felt every emotion, every touch, every gasp, and every kiss. I felt the man from my dream as if he’d been there with me. And the loss of that realness shook me far deeper than it should have. At my side Adar sighs, pulling me from underneath the covers of our bed and guiding me to straddle his lap. His hands find my face as his eyes lock with mine. 

“You’re here now (y/n). That dream cannot hurt you anymore. I am here and I’ve got you.” 

His words are a kindness that I desperately needed. I give him a feeble nod before leaning in to press my lips to his. As if his kiss could take away the void the dream had put inside my heart. 

Adar had taken me in and had always taken care of me after a group of men had murdered my elven parents and destroyed my childhood home. He had become my home in a time of great darkness and I owed him my life. 

I would do anything for him and he knew it. 

The kiss deepens as his hands find my long dark black curls, entangling his fingers in the strands as I draw my body in closer to his. I feel him groan against my lips, his desire for more matching mine. 

“As much as I want to continue this…”

He growled against my lips, his breathing as ragged as mine. 

“... I do need your help with something else. And I’m afraid it cannot wait.”

At his words, I pull back to look at him. His eyes glazed over with wanton desire. Whatever he wanted me to do better be worth stopping us from continuing. 

“What do you need me to do?”

I ask, my breathing still uneven. The early sensation of the void slowly started to creep back in. Adar looks at me and gives me a small smile before tucking some of my hair behind my ear. There is an adoration in his eyes that makes me feel worthy of him. 

“The king of the Southlands turned himself in. He claims that he has news on Sauron’s resurgence. So far he hasn’t been forthcoming with what he knows. I was thinking he might prefer a prettier face to confide in.”

The mention of Sauron causes a chill to move up my spine. Sauron had been before my time, but I’d still grown up hearing the stories. The horrors he brought to Middle Earth and the bloodshed that he left in his wake. The very one Adar hated above all else.

“I can try to get him to talk to me, but I make no promises that I’ll be successful.”

My eagerness to please him causes his smile to grow as he presses his lips back to mine. This kiss is nothing more than a quick peck but the desire that had brewed between the two of us moments ago still lingered. He clenches his jaw as he looks down at me, our lips mere inches from each other. He is torn between what he wants to do and what he needs to do. 

“I have faith that you’ll be more than a little successful (y/n)...”

He pauses, his hands slowly moving from my hair to my torso. He holds my body in place as his hips buck up to grind his hardened member against me. I feel the shutter move through me as he smirks at the way my body desperately wants him. 

“... And once you’ve finished doing your part, I promise to reward you.”

I cannot help the smile that forms on my lips as he gives my bottom a playful squeeze. A giggle falls from my lips, a sound that makes him smile too. A sweet smile, one that left no indication of the dark things he’d done in his past. One that he reserved only for me in the privacy of our tent.

“Wear the dress I gifted you for your birthday. That dress could make any prisoner confess their darkest sins.”

I feel my cheeks redden at his words, my hands playfully smacking his chest.

“What works for you doesn’t necessarily work for everyone my dear Adar.” 

He shakes his head in an amused protest before allowing me to move off of his lap to ready myself for his prisoner king. He watches me closely while I move around the tent to gather everything I need. I couldn’t explain the way it made me feel to be under his gaze, but he always watched me in quiet fascination. 

Like I was an anomaly come to life. 

Like there was something about me that he knew that I didn’t have any knowledge of. 

Something that gave him deep satisfaction. 

[jeonscatalyst]

Jungkook didn’t say anything about Jin’s album publicly but I don’t see anyone questioning his love for Jin. He literally didn’t say a word about Tae’s album last year either but I don’t see anyone questioning his love for him yet people want to question the one he spent the entire solo era hyping, literally keeping up with all his songs and purposely going live to watch him

becsuse jimin is the one he is supposedly dating. that's why it's different when it comes to jimin. and want to know why we don't question jimin? because jimin has congratulated jk SO MUCH before. I mean he posted jks damn BB #1 to his instagram feed and I am only going to name that one thing but we all know how much jimin has gone out of his way to publicly acknowledge jks achievements that dates back to years ago. sue us for wanting the same in return for him 🤷‍♀️

I find it hilarious how we can't say or question anything about jk without you guys bringing up jimin when we all know jimin is on a different level of emotional availability and affection than anyone else in the group, why compare when they can't compete? at least you admitted jhope is jimin's jimin. first time I see a jikooker say that and rightfully so, jhope is the only person that returns the somewhat same energy that jimin gives him so cheers

Anon,

You lack reading comprehension don’t you? Didn’t you clearly see me say it isn’t very much in Jk’s nature to do stuff like that as far as we know, yet Jimin is still the highest person he congratulates or Hypes publicly. What? You want Jk to behave exactly like Jimin before you acknowledge that he does something for Jimin? Even if that is your angle, you still don’t have a point because Jk has always been very supportive of Jimin. Go through all the years and you would see at least one video of Jk singing each and everyone of Jimin’s songs, publicly supporting him which is something he doesn’t really do for others.

Anon, listen, I didn’t give birth to you and the likes of you so it’s really not my job or responsibility to educate you on how life works. Human beings are different and show their love and affection in different ways. For Jimin, words of affirmation come very easy to him but not Jk. Jk is more of an acts of service person and if you paid any attention to the things Jimin has said about Jungkook through out the years, you would have known just how much Jungkook encourages and congratulates, and honestly supports Jimin.

Problem with some of you is that you like eye service. You think it isn’t genuine if someone doesn’t stand on a podium and yells how much he likes or loves something. You think that people always have to scream at the top of their lungs about how much they love people or care about them before you believe they do but life doesn’t work that way.

No argument you are coming up with holds water because Jimin is still the highest person Jungkook publicly supports and hypes even though he really isn’t one to do all that anyway. Let’s end this argument here because I feel like I am arguing with a 4 year old. It is 2024, and we still have to spend this much time defending jikook’s bond? Jesus!

[raayllum]

What Is Up With Terry :: the Thread of Necessity

Intro

Terry is an interesting character in a lot of ways. He's unflappably kind and optimistic, accepting even to a fault, and he's an elf with no issue with dark magic yet doesn't seek out its use for himself. He's a non-traditional antagonist for starters, he's trans without being overly sanitized, and he most notably provides a sounding board for more overtly 'evil' characters like Viren in season four and Claudia in seasons five and six. Most of this is in service of Claudia's goals, with Terry not having many of his own goals outside of his support of Claudia and Viren; this is, mind you, not too dissimilar from Soren with Ezran in arc 2 as well, or even Amaya with Janai.

I also think he's a very important in a character in a lot of ways, for the ease with which he explores and exemplifies

You can love / support Viren and Claudia and that doesn't make you a 'bad person' in the show

You can be okay with dark magic without changing your mind and that doesn't make you a bad person either

You can kill someone in TDP and that doesn't automatically make you a bad person either

We know all of this is true (and will likely continue to be true) as we know in S7 there is an episode about Terry related to him still having a "true and pure heart," which is about as classical "good guy protagonist" speak as you can get. In those lenses, I think Terry was a fantastic choice in introducing a new character to not only contrast against Claudia and Viren, but also in terms of getting us to be more sympathetic towards them (particularly Viren) than we might've been inclined towards in arc 1.

That said, I think the most important thread that Terry carries is that he is a character who truly and wholly does whatever is necessary for his cause, nothing more, nothing less.

But what does that mean, tangibly, within TDP's narrative? Well, let's talk about it:

Necessity

The concept of necessity—I needed to do this, or I have to do this (even though I don't want to)—is one that has been central to TDP for a while. We see this characters who cite a lack of agency ("He was going to take Claudia's life, I had no choice" / "Every step I took, I took because I had to" / "I'm sorry. I have to do this") throughout the show, both dark mages and not, particularly Rayla, Soren, and Callum.

And in return for perceived necessity, as Harrow states, "I have done terrible things. I thought they were necessary. Now I don't know." We increasingly see people justify, or struggle to justify, worse and worse actions. Claudia's mindset has become very transactional, for example ("He saved you, and now we have to save Aaravos" / "It's a mistake! I saved you! You owe me your life!"). Generally speaking, the show treats these things labelled as necessary as unnecessary (hence the regret they experience, and even Terry disagreeing more adamantly than he ever has before).

This is, of course, because 4x09 and 6x09 together very clearly spells out what is important for Terry to believe something is necessary: it must be done entirely out of love, no more and no less.

I've seen you do a lot of awful things, dark magic things, but I always believed in you because you had a reason [saving your dad]. But what you just did, the way you tricked that Moonshadow elf? It was just cruel.

Maybe it started out as a story of love, but along the way it got twisted. [...] He isn't doing anything for love. He's doing it out of revenge.

To Terry, you do what you have to do but go no further; you don't give into anger, you don't give into revenge. You act entirely out of love, and keep acting out of love and let it temper you. This is why Terry resonates, I think, and seeks guidance from Viren after the mage's initial assessment of what's been happening, emotionally:

This is similar in practice to why Viren (and Claudia to a lesser extent) are characters with such fraught paths. Not only because of their dark magic use, but because of their denial. Viren violates Lissa's safety and trust to save Soren, but then blames Soren for it; Claudia heals Soren and brings back Viren, and doesn't understand why fixing things physically wasn't enough. "I had no choice" for them means "I have no accountability," and that's why they kept spiralling deeper till Viren broke out of it. He atones then not by swearing off dark magic (although it helps) but by taking full agency in the choice to do dark magic and in what manner (not sacrificing his family again) and without a desire for ego, which was his biggest character flaw in a lot of ways.

The reason I bring this up is to provide a contrast for Terry in a few ways, such as

Terry always being very emotionally open, rather than repressing or offloading blame onto other people

Mandates that he had no choice (4x03, 4x04) but to kill Ibis verbally, but is also aware that it very much was

Is able to accept that this was a choice and move on

Terry does what he believes is necessary. He feels things about it. He doesn't go further into outright self destruction, and he doesn't escalate to what harm is deemed unnecessary. That doesn't mean Terry's levelheadedness can't be a flaw (he absolutely should have told Claudia to give up magic in 6x04) or that what he believes is necessary always is / that his choices are perfect (they're not), but that in his contrast to Claudia and Viren, he continually provides that contrast. He can be held at sword point by Rayla, a total aggressive stranger, and still recognize that withholding her family from her is what he deems as unnecessary cruelty (but more on that later).

For now I want to talk about patterns, specifically two that he engages in with Claudia.

Patterns

The first pattern is unsurprising, perhaps, given that Claudia-Rayla have continually had parallels, given that:

1) Claudia keeps leaving him

This is, of course, most obvious in 6x01 when Claudia states her intention to do so, or even in 6x09 wherein Aaravos literally lifts her away from Terry:

But we also see it earlier on with even the choices Claudia makes in her mission. Terry is a passive person, much like how Claudia at her core is ("Tell me what to do" + 90% of interactions with Viren that aren't about saving him), and therefore Claudia leads the way, and Terry is happy to let her.

He never really considers that he might be a core part of her truth, and that she wants more active advice (see the way Rayla counsels Callum about his dark magic use, comparatively, in 6x03, or nudges him forwards elsewhere throughout the seasons). While Terry isn't wrong to encourage Claudia to think staunchly for herself, and in fact she very much should, it does leave her more vulnerable to the next first person willing to tell her what to do: Aaravos.

We also see Terry's passivity go even further back to one of his first episodes, as well as in the S5 finale.

Each entry in the pattern is a little different.

4x03: Claudia leaves / goes in alone and fails at her mission. Terry follows and saves her by killing Ibis at great cost to his personal emotional state.

5x09: Claudia leaves / goes in alone and fails at her mission. She goes further into Aaravos' clutches (the ocean here metaphorically) and returns of her own accord.

6x01: Claudia succeeds at bringing back her father but cannot make him stay. She leaves on her own in an attempt to break her family's cycle of abandonment without realizing how she's continually perpetuating it, but returns in a devastated and dejected state.

6x09: Claudia succeeds at her mission of freeing Aaravos, and the Startouch elf takes her literally into his clutches and away from Terry.

Each time it is her choice to leave, with only 4x03 firmly having Terry following without her returning by her own merit. Whereas Claudia plays out her family's cycle of abandonment with all its members—her mother, her brother, and finally her father—Terry plays it out with just Claudia, over and over again. This doesn't mean their relationship is bad or that some of these times are unreasonable—Terry is willing and supportive to let her go in 4x03 and 5x09 much the way Callum is supportive of Rayla in 4x09, 6x05, and 6x09—but it is a pattern that has then taken on a negative slant in S6 and will likely to continue to worsen in S7 before it gets better either in the season or beyond.

Then, we have the pattern of how

2) Claudia gradually stops listening to him.

This is probably more interwoven with the thread of necessity than the previous pattern, since as stated before, sometimes when Terry is letting Claudia go off on her own while it's imperfect in the narrative, it makes sense within their dynamic / resources. Like as previously mentioned, too, Terry is more often correct than he is wrong about the next moves people should make. He's right that Claudia will need help in 4x03, he's right that they should go look for her in 4x07, he's right that she needs rest in 5x02, and right to be wary and against Aaravos in 6x09.

In the beginning, Claudia listens to him.

But as the seasons go on, this gradually changes with twice back to back in 5x06.

T: It won't chase us anymore, you won. It's trapped. Please. C: You're right. It won't follow us. But not because it's trapped.

Season six is arguably the season where Claudia listens to him the least despite Terry reaffirming her agency most directly (6x04) as she ignores or doesn't listen to every reservation he has.

T: It's him. It's your Dad. C: Then I have to... T: No! Please! Please don't... I don't think you should see him like this. C: I have to! I came all this way to see him one last time. I need him to show me the right path. T: This won't give you answers. Only anger. Only pain. I'm so sorry. He's gone. He is gone.

And Terry, who does things only that are necessary, only out of love, would know the difference: unlike Rayla, or Claudia, or numerous other characters arguably in the show, he always has, particularly when given broader context the way he is in 6x09 (which hasn't always been true in his relationship with Claudia, either).

None of this is to say that Claudia is a Bad Partner or that your partner should always listen to you, either, because neither of those things are true in life or in TDP. Healthy couples in TDP disagree all the time in both healthy and unhealthy ways. Rayla left Callum when he explicitly made her promise not to, and Callum did dark magic to save her twice despite 100% knowing it's not what she wold've wanted.

But the first thing I want to address is the difference between Claudia leaving out of grief and trying to feel in control after losing everyone but her boyfriend, and Rayla leaving out of grief and trying to feel in control after losing everyone but her boyfriend because they are wildly different for one main reason.

Rayla left in the middle of the night while Callum was sleeping because "you’ll wake up and try to stop me… from doing what I know I have to do. Leaving. But I can’t let you stop me, Callum. No matter how much I want to. [...] And if you said even one word to me, I wouldn’t be—couldn’t be. If I stay even until your eyes open and you yawn your silly morning yawn, I’ll break" (TDP reflections, Dear Callum).

Terry, meanwhile, is actively begging and pleading with Claudia, and he is still abandoned. Granted, Claudia seemingly comes back within a day or two, not two years, so that does mitigate things, but the fact remains that Rayla thought she wouldn't be able to leave to protect Callum if she even heard him speak a word or yawn, and Claudia was able to leave to protect herself while having a full on conversation. Ouch.

Nor does this completely absolve Terry of the one time Claudia straight up asks him to tell her what to do, or what he thinks she should do, Terry doesn't (6x04). He's not wrong that she needs to choose the way and figure out what she needs, but him emphasizing that he can't tell her what to do and then immediately accepting her premises that Viren can and should tell her what to do is something that's already bitten both of them in the ass.

Terry also only asks Claudia to listen to him, really listen, and to tell her what she should do when he thinks it's absolutely necessary.

This is also one of the reasons why she and Terry are suited to each other. Both value and respond to necessity, scaffolding everything else on top of what needs to be done or doesn't need to be done. What's risky about this mutual understanding is the potential for it to stop being so mutual if they start to have different views on what's necessary. And as we see in 6x09, that's happening more and more. What is going to continue happen when Claudia keeps viewing Aaravos' actions as necessary, and Terry doesn't?

Questioning

So Terry is, presumably, going to increasingly be wary and against Aaravos. What is that going to look like?

We have a decent idea, honestly. As stated / noted before, Terry actually pushes back against Claudia fairly often. He's just rather gentle about it, and usually is trying to prioritize her wellbeing (or someone else's) when she isn't. Examples include:

4x09 over the coins / being cruel

5x01 ("You'd think if dark magic does this to a person they might not do it")

5x02 over resting

5x06 over attacking the dragon

5x06 over killing the dragon

6x01 over her leaving

6x04 with telling her what to do

6x08 over seeing Viren's corpse

6x09 in helping / freeing Aaravos

However, we're also yet to see him be angry in his questioning or when pushing back, which is what I think would be most interesting to see change (think the moment where Iroh finally yells at Zuko beneath Lake Laogai). His pushback with Claudia has gotten more and more consistent as well as more dire throughout the seasons, and just like how Viren and Claudia eventually disagreed and split up, I think Terry and Claudia will too. How permanent that split will be, I think, is up to her (I could see parallels happening between Soren and Terry teaming up to try and bring her home, with Ezran and Rayla doing the same for a brother-partner tag team Callum duo), but I do think that Terry's testament of "I love you, I will never leave you" is apt foreshadowing to see what it would take for him to break his promise, and do just that.

To what he knows needs to be done, even if that means walking away.

Misc. Season Thoughts

Terry also has some interesting things that don't fall under the necessity umbrella that I wanted to talk about as well. One of those things is

TERRY AND IDENTITY

This isn't to say I think Terry actively has an identity arc in seasons 4 through 6 the way other characters (Callum, Rayla, Viren) are, but that Terry like most of the main cast is linked to arc 2's continual increased emphasis on identity and choosing your own identity. This is true particularly in 4x01, which opens after the intro with Callum running through / clarifying his titles (or identity roles) and concludes with Viren and Terry being introduced to one another. Terry gives details on his name ("[Terrestrius] is a bit traditional, but my friends call me Terry") and then asks for clarification on what he can call Viren.

Later on in S5 and S6, we see Soren and Rayla respectively see through the 'monstrous' / threat of others by reaffirming their similarities ("I know what this is like. I know how you feel" / "This storm isn't your rage, it's your grief. I know how you feel") and bestowing agency through naming conventions. Rayla identifies the monster isn't a monster but a pet, and more than that, gives Esmeray back her name. Elmer does the same when he overthrows Finnegrin and Soren likewise affirms it: "We literally didn't [defeat him]. Elmer did."

Why is this relevant? Well, in an arc that's all about emphasizing over and over again to see other people's personhood by using their name(s), recognizing that you have a choice, and choosing who you want to be...

So often queer characters in media are regulated to their queerness being happenstance (i.e. they fulfil a certain story role regardless and just happen to also be queer) or it's all their character gets to be (a "figuring out queerness and/or a coming out" arc). One of the reasons I myself (as a queer and trans person) has always deeply appreciated Terry as a queer character, specifically as a trans character, is precisely the way that his transness is interwoven with TDP's broader themes of chosen identity, self-actualization, and knowing / name motifs. In having these themes and ideas for multiple cis characters, Terry's interplay gets to be enhanced by his trans identity and simultaneously let him enhance the thematic explorations the series has going on, and I think that's pretty cool. Identity is one of the main themes of s4, and for Terry as well, so it's nice to see the ways that's reflected.

I expect season 7 to challenge his identity further ("I'm going to be strong enough to do whatever I need to do and still have feelings") if forcing him to confront who he wants to be, who Claudia is becoming, and who he thinks they can still be together. In a lot of ways I'm expecting S7 to be a sister season to S4 thematically even as S7 builds on S5/S6 in terms of plot and character arcs, since S7 seems geared to be about identity directly even more than S4 was (and much more than S5 or S6 were).

TERRY AND COMMUNICATION

If season four is about identity, season five has a strong emphasis on communication. This is, again, likewise true for Terry, as he encourages Claudia to communicate in various ways across the course of the season.

The situation is urgent, and you're worried I'm not treating it that way.

Terry consistently having clear communication is also something that puts him in direct contrast to Aaravos, who is a master manipulator and very careful liar-not-liar in his own way. Terry is always open and while thoughtful does not really bottle things up; he communicates clearly with other people and is comfortable doing so, and is very good at validating others as well. Whenever he does push against Claudia, he always clearly explains why he's doing so or why he disagrees but leaves the choice of what to do next in making amends or carrying on up to her. Aaravos, meanwhile, continually withholds or omits information, and presents things in certain ways in order to get, well, his way.

I don't have as much to say for season six, given that Terry is only in about half the season (6x01, 6x03, 6x04, 6x08, 6x09) and one of those is entirely silent. I'd say his main idea in s6, like s4 with identity and s5 with communication, would be the theme of Questioning (scaffolded under 'supportive'). He's supportive of Viren and Claudia's searches for meaning alongside his own increase questioning of what they and Aaravos are doing and why. I'll be curious to see what his main character beat may be in s7 going forward.

Conclusion

There's more I could talk about with Terry (Viren dreaming in 5x03 of chasing after Claudia only for her not to listen, only for Terry to live out that worst fear in 6x01 directly, for example) but I think for now these are the main things I wanted to discuss without going further into speculation than I already have. I hope this maybe brought a new perspective or appreciation for Terry as a character and for his arc in the show so far! As always, thank you for reading and I hope you enjoy.

[saintsenara]

For unhinged and deranged ships: Snape/Bellatrix.

thank you very much for the ask, anon!

i adore these two haters, and not just in a "toxic situationship which leaves dozens dead" way.

because - as the most delusional snapemort defender in history, who would also defend bellamort with my life - i think it's inherently plausible that snape spends his period as a death eater during the first war feeling profoundly jealous of bellatrix.

after all, she's the dark lord's favourite - and voldemort isn't exactly shy about this being known [she wouldn't run around yapping about he "calls me his most loyal, his most faithful" if she had even the slightest feeling that voldemort would murder her for leaking his pillow talk] - which means that, if you go in for the idea that he's sleeping with her, i think you can argue that he also permits her some degree of public physical affection. i don't think they're holding hands during acts of terrorism, or anything like that, but i do think that bellatrix is summoned away from group settings to join voldemort, everyone knows what they're about to get up to, and the dark lord doesn't care.

snape - in contrast - is kept as a pretty clandestine part of voldemort's operation. karkaroff can't think of anything specific to credibly accuse him of, sirius isn't fully convinced he could have been a death eater, and so on.

and this makes sense - it's clear that snape gets taken on by voldemort in a back-of-house role [to be a spy he can eventually place at hogwarts, and very probably originally to brew for him], and is peripheral to the more public-facing, combat side of voldemort's terror. which means that any time he spends with the dark lord is probably one-on-one - and any affection he receives from voldemort during these sessions [and look, i ship it...] is similarly private.

but it's also clear in canon that this order only continues for a few months after bellatrix gets out of azkaban, before things start to shift and she finds herself having to be the jealous one.

from the start of half-blood prince onwards, snape usurps bellatrix in voldemort's public favour [no matter what he's like with either in private]. and we know that she's not thrilled about this - not least because she's correctly worked out that snape's not trustworthy and voldemort's only response is to tell her to wind her neck in.

and we also know that snape fucking loves how annoyed she is - he's having the time of his life roasting her when she cockblocks narcissa by stomping around his front room [the line about "endless reminiscences of how unpleasant azkaban is"... a third-degree burn, i fear] - and that all of snape's best pairings feature that "we literally cannot stop hurling insults at each other, i will not rest until i've told them this next zinger, i am incapable of letting anything go" dynamic.

textbook enemies-to-enemies-who-fuck.

where this turns into enemies-to-lovers... is that both snape and bellatrix are clearly profoundly lonely people. and not only that, but profoundly lonely in strikingly similar ways - above all in that they're in love with someone who doesn't want them in the way they'd like to be wanted. i don't think bellatrix loses anything of her character - her cruelty, her temper, her resilience - if we also imagine her as a bit of a hopeless romantic [her joy at voldemort complimenting her - "no higher pleasure... that means a great deal, bellatrix, coming from you" - which vanishes when he turns it into an insult is but one example] who would jump at the chance to be mrs riddle. snape's unrequited love is well known.

neither of them seem to have friendships in which they're the priority - snape is close to lucius malfoy, but the relationship is nonetheless transactional; bellatrix clearly adores her sister, but she's secondary in narcissa's concerns to her husband and son. they live their lives in service to men who regard it as their duty to sacrifice themselves for their cause - snape with dumbledore, who may like him, but who also thinks of him primarily as a tool to bring about voldemort's defeat; bellatrix with voldemort, who considers her to have done the bare minimum in terms of loyalty to him by enduring fourteen years in azkaban [even though he also thinks this places her above all her fellow death eaters, who didn't even do that]. they both have experience of imprisonment - snape metaphorically, trapped in the school he doesn't seem to have particularly enjoyed and the childhood home he thought he'd escaped; bellatrix literally. they're both voldemort's exceptions in terms of the demographics of the death eaters - snape on account of his social class; bellatrix on account of her gender - which means that they depend entirely on maintaining the dark lord's goodwill and are peripheral to the elite male social group which makes up the rest of the inner circle.

and these similarities mean that they have a pretty high chance of being able to understand each other, comfort each other, and help each other move beyond their isolation...

until voldemort gets jealous, that is.

[frvmewxrk]

i’m in my analysing good omens era and i was just thinking at how aziraphale’s and crowley’s love languages are a big part of the reason it took them so long to figure out their reciprocated love.

when you’re a demon, an unforgivable creature, you don’t deserve to hear that you’re loved. demons don’t go around telling each other nice things, what they do if they want to show it, is acts of services.

a demon wouldn’t tell you you’re good, but they would cover up your duties for you and say that it’s so you owe them a favour which they will never claim, they wouldn’t say they love you but they would linger on your doorstep for a bit too long and steal your scarf as an excuse to meet you again.

and that’s what crowley does, he keeps aziraphale company and he makes him try food, he says that it’s to tempt him when it’s just an excuse to see the angel happy, he saves you from death situations and says that it’s because your substitute would be more of a bother than you are.

crowley never tells aziraphale anything, and that’s his way of showing him he loves him.

but when you’re an angel, doing nice things for each other is the norm, it’s the way to show the universe that you’re Good.

angels don’t go around giving each other’s things or doing your work for you, because that should be what you would do to anyone. if an angel gives you money, it’s not because they love you, it’s because they’re a good selfless person.

aziraphale does that countless times, he gives people his stuff, he never asks for money, he uses more miracles than necessary even if it means that he’ll get a reprimand just so he can help strangers on the street. acts of services for an angel are just intertwined in their essence.

so the only way to actually show it is to talk. if an angel loves someone, they have to tell them, if they love someone they tell them that they’re good and that they’re worth it. aziraphale positively lights up any time someone compliments him, because that’s what he needs to know that he’s loved.

so aziraphale tells crowley he’s good even if he knows that will make crowley skittish, aziraphale tells crowley that he always comes to save him to praise him for his caring, he tells crowley that he needs him and that’s the most loving words he could say, because what does an ethereal creature capable of anything need from anyone? their love, probably.

but they don’t understand each other.

crowley uses acts of service and aziraphale takes it as his way to show his forbidden goodness to the world, aziraphale uses words of affirmation and crowley thinks that’s his way of feeling better about himself for consorting with a demon.

why is 1941 and crowley saving his books so important for their relationship? because i think that’s when aziraphale realised the truth, crowley had already done his “good” act, he had already proved as he did countless times that he is not the usual demon and he’s actually nice, but saving something just because he knows aziraphale cares about that, and giving no excuse for his action, that’s something else.

it was the first act done, in aziraphale’s eyes, for no reason other than love.

aziraphale then tells him that he could do something for him in return, people interpret it as sexual (which i find very funny, mind you) but i think it’s just aziraphale’s way of telling crowley that he can also show him his love through acts, if that’s what crowley wants, he can save him back if that will mean crowley will realise that he loves him too.

and that’s why i also think that crowley is not very sure about the love being reciprocated, because he never had the realisation that aziraphale is always around him and telling him nice things because that’s how he can show his love.

and it is even worsened in the end, because if crowley knew, he would have waited for him.

it can be seen as a selfish act on crowley’s part, wanting your lover to put you over saving the universe, but i think it’s because crowley doesn’t know what aziraphale is doing. he can’t know that aziraphale is actually disregarding all of his feelings for the greater good, because crowley doesn’t know about these feelings.

what he thinks is that what he always thought was true, his angel doesn’t love him back and he chose heaven over him.

if they actually talked, it would’ve been resolved.

but the problem is that they don’t talk, they cling to their love and beliefs and they think that the other has finally caught up, and they are so convinced that they know everything of each other that they don’t find the need to do it.

[webanglikethat]

things ram and devi have done and said without even saying they’re in love / being in a relationship because they drive me insane:

Ram defied orders from the LITERAL goddess because he didn’t want Devi to die, thus ignoring his duties

-> like …. he willingly let another woman DIE in Devi’s place and !!!! this act had been committed five years ago, when the affection between the two had BARELY begun blossoming

-> “Why bother when the goddess herself allows you to decide people’s fate?” had been Devi’s question to him, but little did she know, he already defied every rule for her, going against literal fate

he saved Devi during the arson, putting her before his own BROTHER

he went after Devi when she took off on an horse during the attack, and carried her in his arms back to safety (which he realllyy didn’t have to do 🤭)

it’s revealed he would purposefully change his route to catch a glimpse of Devi

-> Ram’s wishful desire was to see her at every service; just hoping to catch her smile along the hallowed halls where once they met

he “noticed an unfamiliar feeling rising inside him” when he met her again

Ram always found an excuse to touch Deviya — holding her hand to lead her somewhere, brushing his fingers over her cheek to calm her, cupping her face, putting a hand on her waist, trapping her against the wall, his finger on her lips, holding her hands tighter as if it could heal her holding her waist as she straddled him

he said he “missed her smiling at him”

he kissed her neck (quite literally marking her) while thinking of how De Clare would react, not realizing the jealousy that was growing in his heart at the thought of losing her to him

-> which he then said (in season 2) he’d do it on her wedding day too !!

-> in the same episode he tried to pretend he doesn’t care about their engagement 💀, mission failed my dude 🤭

“That. The way he felt when she was near him. The reason he always looked for her in the crowd and couldn’t stop teasing her”

ram always thought of marriage as a transaction, a duty to be fulfilled, something he simply had to do. and love? love wasn’t a necessary equation. that’s what his family line looked like — alliances, partnership, all devoid of tenderness. but Deviya awakened something in Ram — and for the first time, he was confused and lost

“It’s ironic that even with all the knowledge and wisdom of the world at my disposal, I still can’t figure this out on my own. I’m almost thirty, and for all of my life I have denied myself what I wanted because the greater good was more important. And in all this time… no one has ever been able to enchant me as much as…”

Ram talked Devi through her anger at the reception so she wouldn’t make a mistake in front of her guests and lose the position she had so long worked for (he helps her see the bigger picture)

Ram told her their connection wasn’t for nothing. they were fated for a reason

the less often he saw her, the more he wanted to see her

-> and if she didn’t came, he would wait for her

he noticed everything she did — be it the way she shifted from foot to foot when she was nervous or how she looked at him in fear (from the subtlest of things to the most obvious, he noticed it always)

he teased her about how much she liked him but then said:

“such a rakhasi cannot possibly die. I need her”

admitting, even if it was meant as a tease, that he could no longer exist in a world in which her presence didn’t fill his heart’s pages

he comforted her on the day of her death, quickly realizing that:

“/ wish this had happened to me instead... hasn't she been dealt enough pain already, in her life?”

“when Ram realized how sincere his desire to take all Deviya's troubles for himself was, it quickly became clear that their secret relationship had taken on a new meaning … growing into something profound”.

what started as a perhaps meaningless, fleeting, teasing affair quickly turned into something more — something he couldn’t put a name to, but he could feel encompassing his body every single second

he could no longer pretend it was just for fun or a distraction

so he finally mustered up the courage to ask Devi to be with him (but not officially 😔) even if it was in secret — for he would rather have her in secret, than lose her be it to death or another man. 

noticing how distressed she was, he closed his eyes and then slowly began kissing her fingers. Devi noticed that his eyelashes were trembling. “he’s nervous as well, but once again he tries to reassure me first, even though he could use some support himself."

he always put her before himself, over and over again. this isn’t something he was taught, like I mentioned before. for him, marriage or love was based on children, mutual respect and the husband’s views. yet he interminably put himself in the background, just to help Devi shine

“they kissed each other gently and yet desperately at the same time, as only doomed lovers can kiss.”

“he was with her right at that moment. sharing her pain and fear... would that have been possible if what they had was fleeting? he always chose her, no matter what.”

Ram: “I'll be with you. no matter what.” Devi: “I know”

he fought for her, allowing her to escape

and her thoughts led to him, even as she bled out

“the very thought of losing him was unbearable. and just as things were beginning to blossom between them.” “dying would be a little easier if you were holding my hand right now”

"I'm with him in my thoughts, heart, and soul." // "even if it doesn't make any real sense, it does for me. l feel calmer this way."

being away from her, when she was in a coma, made Ram feel like he was dying too // the thought of losing him (as she actively died) felt even worse than death

-> his biggest dream was being able to touch her again, to gaze into her eyes, to see his affection being mirrored in hers. to hear her laughter again was all he could hope for

they risked MULTIPLE times to be caught just to bask in each other’s presence — even if it was only for a few moments because the risk was worth it — they are worth it to each other

his face “instantly lost colour” when she mentioned her wedding

he tried pretending it didn’t hurt him — that he could accept it, that he could have a part of her and let it be enough, but they both knew the truth

so she laid out her future: her married to De Clare, visiting India from time to time, meeting Ram’s wife — but not him because he would still remain a coward who couldn’t voice what he wanted

so he finally let his feelings free and kissed her, marking her neck (in the middle of the hall where everyone could’ve caught them)

he touched her under the table — at dinner, where again, anyone could’ve seen them !!!

the moment Devi’s smile faded, Ram noticed immediately and shifted his tone, asking softly, “is something wrong?” -> he is SO attuned to her emotions, so skilled at noticing even the slightest change — which is especially important since Ram isn’t portrayed as someone who does this for just anyone

they know each other well enough to play off each other’s words without malice — their banter is so much fun (especially on passion route)

he fingers her in the library 🤭 he’s SO careful with her even though it’s obvious they’re both overwhelmed by the connection — he’s letting her set the pace and the fact that Ram doesn't push, but instead allows her to slowly move at her own pace, amplifies her vulnerability and makes her every move feel more significant. she’s still confused on what she wants and he lets her explore it on her own, and she knows he will wait for her

he wanted to dance with her despite not knowing how to — and in front of everyone too !! he was ready to embarrass himself for her

-> he is so caught up in her that he’s willing to push past his own comfort zone, even if it means embarrassing himself a little; as long as he can witness her smile

now she is the one who takes the power and kisses him, marking HIS neck — and so they imagine each other naked, finally taking the next step and ….

he finally admits it to himself.

He wanted to finally understand what it meant to connect with the woman he loved with all his heart.

Ram Doobay is in love with Deviya Sharma.

[augustameretrix]

you know what i kinda do like the "i'm the dirt under your fingernails" image on its own and had it been deployed in an overall clearer and cohesive script for caitvi in s2 i would have absolutely loved it

some dont like it because it implies vi is a mere stain on caits person, evoking her own experience in regards to the dehumanization zaunites are systemically subject to in order to prop up top siders. on the other hand ive seen other people who, like me, like the line say: "oh its not that. what it means is that not only is vi going to be there whenever cait will do the good but hard work ("blisters and bedrock") but that by always being there shes putting an onus on cait to show up and actually do it". and while i dont disagree with literally any of that, i also dont think that cancels out the first, more literal interpretation of the line, but i kinda like that?

because as sad as it is, vi has made service and self-deprecation her lifestyle - her circumstances may have beaten it into her, but she has fully accepted it and embodied it. moreover shes shown to be perfectly aware of the deep-seated power imbalances between piltover and zaun as well as how that affects her relationship to cait (s1 act 1 and s1 act 3; s2 act 1 respectively - how id LOVED to see a proper argument between them in s2 act 2 or 3 goddammit): since nothing on that front has been dealt with because of the convenient noxus invasion/glorious evolution double whammy which once again resulted in zaunites being used as cannon fodder in exchange for one (1) lousy seat at the city council vi has no reason to pretend like things aren't the way they've always been. the disparity - both in the city and in her and caits entaglement - is still there, and vi is saying "the inequality it's there and it's fine that it is there for now because you are going to fix it with me" (implying vi will never let cait pull the kind of shit she pulled in s2 act 2 again i wish they'd spelled... something! out).

so it is kinda both the meanings at the same time there: cait has a moral and political duty to get her hands dirty and the dirt is vi because as a child of zaun she is what cait works on and for. vi is caits reminder of what she shoots for, her other, better eye if you will. cait does what she does because she freely chooses to do it, and she has the power and resources to put to good use. vi's sense of duty on the other hand comes from her and her family's lived experience, and long before meeting cait (s1 act 1) she had decided to be the good use. now she gets to be it with cait, and it is absolutely grueling work. they both know it, that's why cait asks vi if she's still in it, and after a moment's consideration vi can't help but smile, and there's a bit of bitterness and a bit of almost content resignation in it. so cait, who came in looking for reassurance, now makes room for vi to snuggle under her chin: reassurance she got, but in that subsequent close-up, among all the things she could be possibly thinking, there might be - finally - the realization of what all of it has cost vi.

again i wished the caivi and class inequality storylines had been handled more and more carefully in s2, but even when it's not at its best there's lot to say about arcane...

[gwenyundreiko]

I need to scream about Arcane S2 (spoilers for the whole season)

Alright, it's been 2 days since I've watched the end of Arcane, and I'm still in a bad mood over it, so I am going to scream into the void about it, and hopefully it will allow me to move on.

I do not like the second season of Arcane.

Season 1 ? Absolute banger, still love it. I love it even more after recently watching it a second time in preparation for season 2.

Season 2 though ? ... I will not go into the details (because I feel like I would need to rewatch it again to be more accurate, and I don't want to do that), so I am just going to write about how I feel about it now that it is over.

Season 2 has left me deeply unsatisfied, to say the least. I think this feeling comes from the fact that most characters' arcs look like they were either cut short, or didn't really go anywhere. This makes the entire story feel pointless; an undeniable marvel of aesthetics and animation put in service of nothing.

I could talk about a lot of the main cast, but I'll only talk about Vi, her relationship with Caitlyn, and the Zaun vs Pilltover theme.

First off : Vi, the character who fought tooth and nails for those she loved and always tried to do the right thing. Accepting responsibility for everyone who looked up to her... and got nothing for it in the end but pain. From the start of the serie, she is set up to be one of the protagonists, along with her sister and Caitlyn. Yet the story feels pervert in the way it insists to both :make Vi suffer without giving her any sort of confort or moment to express her feelings ; and make all of her actions be pointless.

In episode 8, when she says "I always make the wrong choice and lose everyone", we have to admit that from a narrative point of view, she is absolutely right. For the first time, Vi is self pitying. She's shown as vulnerable, doubtful, almost sounding like she's giving up by saying that all she ever does is useless or worse. This is incredibly out of character for her, and yet the story proves her right. Nothing she does matters in any meaningful way. She doesn't even contribute to the final battle : she gets stranded in the defence of the artillery tower (which turned out not to be a key asset in the battle), then go 1v2 Warwick with Jinx, and Jinx ends up sacrificing herself to kill it, but only AFTER the battle is over and all the narrative tension has calmed down. (Sidenote : yes yes I know it is hinted that Jinx is still alive, but still. Let's agree that it's in bad taste for a suicidal character's triumphant moment to be a reckless act of self sacrifice, independently of the outcome.)

Vi gets mistreated throughout the whole storry and gets nothing in the end despite her bravery and efforts. No matter how hard she fought, she still ends up separated from her sister and she still loses Vander. The only thing she gets in the end is a girlfriend with whom she basically had no tender moment since their breakup, making Vi feel like a rescue dog at Caitlyn's house, but let's talk about her relationship with Caitlyn in more depth.

I'll say this first : I love the sex scene. It's tender and passionate. It's a bit awkward, but in such a relatable way that it only makes the moment sweeter. It does an excellent job at showing us how the characters feel about each other. Taken on its own, it's perfect. Two people that love each other so much they just need to have each other right here, right now... I just wish their relationship around it was more fleshed out.

From what we get to see on screen, they get a really messy break up in episode 3, and then never interact again until crossing paths at the commune. In the meantime, Caitlyn has allied herself with Ambessa, declared martial law on Zaun and is oppressing it with the full extent of her legitimate violence... but upon seeing Vi again, she instantly switches side to go against Ambessa with a rushed plan.

We get absolutely no other insight into their emotions or thoughts at this moment. No scene to show that despite their conflicts and standing on opposite sides, there is still tenderness and affection between the two of them that could hint at them getting back together. Instead, Vi calls her a petname once, and it's done, no further convincing needed. (Sidenote again : this makes Caitlyn look impulsive and irrational, when everything that comes before shows us that she is smart, collected and patient. Here, she instantly abandons everything she was previously fighting for, even at the risk of putting her entire city in danger. This includes abandonning her vandetta against Jinx, which is the reason why they split up in the first place, but this isn't adressed between Vi and Cait ever again either.)

After that, Vi holds her accountable for her actions for the time of 1 dialogue.

Then they barely interact again until the jailcell scene. Hell, once the battle starts, I don't think the two of them interact AT ALL until the epilogue.

The lack of substance in the portrayal of their relationship makes this sweet and tender sex scene feel like a spur of the moment thing. An almost self-destructive action from Vi trying to scrape at any possible source of confort after being cut out by her sister. A good thing happening for the wrong reasons. (Mind you, a hate sex scene would have worked wonders in my opinion, but that's not what we got.)

So yeah, given all of that, I'm struggling to see how Vi ending up with Caitlyn is supposed to be a meaningful and happy resolution to her story, when this relationship is barely shown on screen during season 2.

Finally, let's talk about the Zaun vs Piltover situation : it goes nowhere.

An entire 5 acts showing us that Piltover treats Zaun like shit, turning it into a ghetto and leaving it to rot in its own misery . The promo campaign for season 2 teased us a revolution... and in the end, we barely see any change. The way the story resolves implies that now that Zaun and Pilltover have triumphed over a shared ennemy, they grieve together and make peace because they have learned that war comes at too high a cost, and Zaun gets to be represented by ONE councilor.

I'm sorry but either the show tried something and missed, or the show was just incredibly shallow from the beginning. This conflict was set up from the first second of the show by having the main characters be orphaned by cops in a popular uprising which only looks more and more justified as we learn more about Zaun. That is to say that Topside doesn't care about Zaunites. From what we can tell, Heimerdinger has been leading the city for 300 years, and he discovers just now that Zaun has problems ?? Piltover prides itself for being the city of progress and equality, while exploiting the misery of the people that are LITERRALY BENEATH THEM. It's the final shot of THE FIRST SCENE IN THE SHOW, the topside people are sitting ON TOP of Zaun, reaping the benefits while throwing their wastes at them.

I think there's no better illustration for how Piltover considers Zaun than the scene where Jayce announces to the Council that Silco has demanded independance. All the councilors lose their shit. They are OUTRAGED by the demand. Clearly, Piltover considers Zaun its property. People to exploit, whose need and misery they can ignore, and ultimately, a problem to be solved through the police by having them arrested/beaten up/killed.

So either the show was indeed trying to tell a story about class struggle and oppression, and failed to deliver a satisfying conclusion; or the show was only interested in the appearance and flavor of class struggle only as a vessel for the cliché of "the cycle of violence". Which hmm, yeah it's 2024. I don't think anyone needs me to write an entire section about the necessity of fighting for human rights and resisting oppression.

I could have talked about how pitfighter Vi was 60% of the promo for Season 2, and yet was done and gone in a minute, which was also what we got with the promo, or how a French animation studio decided to call an independant, pacifist and egalitarian community " The Commune" (if you know you know); I could have also talked about Jinx's character, and how the show portrays her self healing from her devouring guilt, but I'll stop rambling here. I hate that I have wrote this, because I don't want to spread negativity. I'd rather spend this kind of energy on things I love.

The thing is, I really really wish I enjoyed Arcane season 2, because season 1 means a lot to me. Vi's character awakened something in me. It is representation I never knew I needed and it changed me. I know this sounds silly. It's only a fictionnal story after all, but it helped me grow into a better and more hopeful person. In the end, I just feel like season 2 went too far too fast, and left me behind to try and pick up the pieces of my expectations. If you've made it this far, I sincerely thank you, and I hope you have a beautiful rest of the day.

[kassandras-one-braincell]

Ranting into the void about Act 3 because I loved it, but episode 9 needed to be two episodes.

Ekko's arc and involvement in the finale was flawless. Phenomenal. Episode 7 was some of the best cinema I've ever had the pleasure of watching, and definitely the best execution of time travel I've ever seen. The 4 seconds limit was a lovely nod to the game.

I was not expecting Heimerdinger to die. Didn't think that was an option. Rip Donger :(

Jayce and Viktor's entire journey was fucking incredible. The whole Glorious Evolution trajectory was so good, but the war against the Evolved needed to span over two episodes. Going from plotting to conclusion in a single episode wasn't the right call. But beginning to end, Jayce has remained one of my favourites, and his conclusion felt right.

I'm overjoyed that Mel got a full arc, and there's no doubt that Riot's next show (if there will be one) will heavily involve Noxus. She's so beautiful. I'm gay. My only complaint is that the Black Rose's involvement felt a bit hasty, and I personally might have struggled to follow the end and Ambessa's death if I didn't have good knowledge of LoL lore and the Vision's intentions. Nonetheless, I'd be ecstatic if Mel made an appearance in any future developments.

Loved the Orianna cameo in the end, especially since she's the only living remnant of the Glorious Evolution. And honestly, I'm fine with Singed's war crimes having a lack of consequence. He played both sides with selfish intent, loyal to his daughter and nobody else.

Sevika being used quite heavily in the marketing of the final act, only to have about 20 seconds of screentime, was unfortunate. Especially since her character is a metaphor for Zaun. If the last act was a bit more fleshed-out, and if she rallied a few more people to beat up the Evolved (maybe with some of the chem barons' henchmen), her arc would have been more opaque. But hey, 4th arm's the charm. Her getting a seat on the council was necessary for a future of a joint city-state.

Maddie betraying Caitlyn wasn't much of a surprise, but it was satisfying to watch unfurl. I thought her proximity to Caitlyn beyond being sexual partners was a bit off. Mel deflecting her bullet was amazing.

Caitlyn was a consistently interesting character. Her leadership skills and flaws made her a joy to watch. The ending with her at the Kiramman computer-like thingy was lovely, because it hinted that Jinx never really died along with the outro shot of the blimp. I just wish the evolution of her relationship with Vi went a bit smoother. Them fucking in the middle of a prison cell after a suicidal Jinx disappeared in front of Vi felt like lazy writing/fan-service, honestly, and I say this as a lesbian. I would have loved a bit more humanity.

Don't have much to say about Vi. Really glad she finally, after how many years, got a short moment to grieve Vander and Powder. But another episode was needed. She got lost in the sauce, which is my only major grievance about the show, because everything began with her and Powder.

Jinx, comparatively, got a satisfying ending. Powder got something of a rebirth, and the hints that she slipped away into the ventilation system and escaped Piltover/Zaun on a blimp gave her justice. Ekko doing all he could to stop her from killing herself wouldn't have achieved much if her arc concluded with her death. Her cutting her hair to resemble Vi's weird mullet nearly made me throw up from joy and sadness. She was the perfect tragedy.

Overall, I'm happy with the conclusion, except for how Vi's character was handled. The show as a whole maintains its status as the best fucking thing I've ever watched. I really hope that if Riot does decide to expand their cinematic universe into another show, they learn from their pacing errors with the Arcane finale. Because Piltover and Zaun are tiny regions in a massive universe, and they got this masterpiece in their honour. Noxus has so much potential. I think the crow at the end and the Black Rose's intertwinement is hinting at this quite heavily. Fingers crossed.

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[littledashdraws]

[sketch] day of devotion xander

[thefabledpheasant]

Let me know your thoughts/reasoning in the tags!

[hiddencircus]

radio im gonna take a guess and assume your love language is gift giving

OKAY. WHATEVER. MAYBE