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relicsongmel · 4 days ago

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Iris, Miles, and their mutual "secret"

The Ace Attorney fandom is no stranger to discussions of homoerotic subtext in the game's script—pretty much everyone who's spent more than five seconds here will be able to tell you that. Screenshots of lines that imply romantic tension between same-gender characters are all over the place, to the point that many fans are drawn to the series purely by its reputation as "the gay lawyer game." Some scenes are more well-known than others, but one I find brought up fairly regularly is this conversation between Miles and Iris:

This is optional dialogue that can be triggered by presenting incorrect evidence on Iris' Psyche-Lock during the Investigation portion of Bridge to the Turnabout. The argument here is that the "secret" Iris is referring to is the same as her own: that being, a romantic interest in Phoenix Wright. Which is definitely hilarious when you consider that Iris has known Miles for less than a day and she's already reading him for filth (granted, she could have been clued in by the similarly infamous "indispensable friend" line, and she's also exceptionally good at reading people despite Miles thinking otherwise). As a Narumitsu shipper myself I am not immune to enjoying that interpretation; however, I feel like there's a lot of nuance in this scene that isn't often addressed by the fandom at large. Which is unfortunate because watering it down to just Iris calling out Miles for being the gayass he is (to be fair. she's not wrong) does a MASSIVE disservice to both of their characters, and I'll explain why.

My bone to pick with the usual analysis of this scene is mostly centered around the larger conversation to be had regarding the treatment of female characters in fandom spaces. All too often they tend to play second fiddle to the male characters, and a similar principle holds true for ships with their canonical male love interests: mostly ignored in favor of the the more popular M/M ship(s). At best these women are sidelined, at worse they are flattened into wingmen for the boys (as is frequently the case with many AA girls and Narumitsu, Iris included), and at the absolute worst they are demonized for their perceived "competition" with whatever gay ship is most popular and therefore the Only Valid One for the male characters involved (as exemplified by some very "passionate" fans that I generally try to avoid interacting with). Whenever this scene gets brought up, the focus is almost always exclusively on Miles and what the interaction says about his relationship with Phoenix; Iris is only relevant insofar as she's the one initiating Miles' Homosexual Moment™—you could replace her with almost any other character and there'd be a similar level of neglect for their role in the interaction. Only very rarely will you see attention given to what Iris' question about Miles' secret means when she is the one asking it, and what it can tell us about her relationship with Miles/what she thinks of him, and vice versa (absolutely wild how even Miles himself is often flanderized despite being the fandom's golden child). It's all too characteristic of the systemic misogyny that has plagued fandom since its inception, which is deeply frustrating to me as someone who adores Iris as much as I do (if that wasn't obvious by now). So that said, let's dive deeper into what I think the missing link is here: namely, the Iris-Miles dynamic as it pertains to their relation to Phoenix.

Iris and Miles is one of my favorite relationships to explore in the whole series—but as I've described above, unfortunately a lot of people get it wrong in my opinion. Discussion about the two is frequently centered around Narumitsu Love Drama—which is a conversation worth having, don't get me wrong—but the elements at play there aren't always represented the way I envision them, which again, is frustrating. Take the idea of potential jealousy, for instance: it's pretty standard love triangle fare that can be (and often is) quickly turned into demonization when it's used in a shipping context, character assassination be damned (re: Narumitsu fanfic authors that project their personal dislike of Feenris onto Miles via his jealousy of Iris and/or how they tend to portray Iris unfavorably). However, it's not inherently a bad thing to explore: personally, I do believe that there is mutual jealousy between the two of them. Miles might not have the full context of Iris' history when this conversation takes place, but he's emotionally intelligent enough to pick up on what Iris means to Phoenix, and vice versa. And him being a jealous hoe about it isn't out of the question when you consider that he's a bit of a loner by nature and doesn't have many close friends or outlets for socialization outside of his job. The crucial element that's sometimes missed, though, is that Miles not only lacks the self-awareness to realize he's a jealous hoe...he's also a self-sabotaging jealous hoe.

And the same can be said for Iris, who is similarly introverted and doesn't often leave her home at Hazakura Temple.

The whole reason Miles is peering into Iris' heart in the first place can be found in this exchange, after he breaks her Psyche-Lock:

Miles uses the Magatama in order to gain the answers he needs to bring the truth to light and get Iris acquitted, and he does so for the express purpose of reuniting her with Phoenix so they can find closure—in fact, he reiterates this to her multiple times. He obviously recognizes how Phoenix is suffering from what happened between them (I'd argue he sympathizes with Iris' plight as well) and has resolved to do what he can to help him heal, but there's no reason for him to be so insistent that she rectify things with Phoenix when it does nothing but harm his own chances with him. Unless, of course...that's the whole point.

To convince Iris to reveal her secret so he doesn't have to face his own, because he thinks himself undeserving.

And Iris, noticing this because she empathizes with that feeling of unworthiness, calls him out on it in an almost uncharacteristically forward manner when she asks him what he's hiding.

Takes one to know one, indeed.

Iris highly respects Miles for taking on her defense despite the risk to his job as a prosecutor. She's willing to trust him after hearing he's a friend of Phoenix, hearing him out and letting him reason with her. She still keeps her cards close to her chest in some regards, but she's more honest with him than she's been with anyone else in her life apart from her sister. She sees his commitment to the truth and how it starkly contrasts with how she's lived her life to this point, and thinks that this is the type of partner Phoenix deserves—not someone like her, who only knows how to survive using lies and deception. She sees so much strength in him but still recognizes the insecurity lurking beneath his tenacity, which is why when he falters in his logic, she takes a leap of faith and gives him one last chance to examine his reasons for pushing the burden of his unspoken affections onto her, as if to say: "Look in the mirror. Is this really for me? Or is it for you? Do you really seek the truth for its own sake, or do you merely hope to find one truth so you might run from another?"

Her question to Miles is a gamble—a coin flip of self-sacrifice. If she loses and he presses on, she has to face the secret within her heart she's been suppressing for five years. But if she wins and he gives in to the truth in his, she has to live the rest of her life watching it unfold and knowing she threw away her chance to finally stop living in fear of her own love.

Either way, there's no escaping heartache for her anymore.

Miles and Iris both want what's best for Phoenix and prioritize their vision of his feelings over their own. However, they are also both deeply emotionally repressed people who find difficulty in being direct with their feelings, and are predisposed to self-sabotage due to childhood trauma. These tendencies may manifest in different ways for both of them, but the fact remains that such people would likely not compete for a person's affection in the traditional sense, which is exactly what we see with how Iris and Miles deflect their feelings for Phoenix. These selfless, lovestruck idiots toss that man around like a game of hot-potato because their mutual self-hatred for the ways they've harmed him has rendered them terrified of the reality of what he means to them, and desperate to find a way out of admitting to it. It's the most compelling explanation I can think of for why the usually unassuming Iris makes such a bold judgment about what Miles might be keeping locked away, and why Miles goes to such lengths to make sure she talks to Phoenix and tells him the truth—his agreement to defend her was conditional on that exact promise. They go through this whole song-and-dance of playing wingman to ignore their own feelings while still trying to bring Phoenix the happiness they think he deserves—and then they wonder why seeing Phoenix give the other one attention burns them up inside.

Because they’re dumb. And I love them.

TL;DR the Iris Psyche-Lock scene in BttT is so much more than just "haha Miles gay" and I wish people talked about it more. Also Iris and Miles are way more similar than they appear at first glance and if I think about it for too long it makes me physically ill thank you for coming to my TED talk

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copypasteking · 6 months ago

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Ok, I don't usually post about these kinds of things, but I think I want to briefly talk about the new Overwatch hero because I've barely seen anyone talk about it yet.

So this is Juno, the newest addition to the Overwatch 2 roster, we currently don't know much about her. Now, don't get me wrong, I think the design is appealing enough, pretty cute even - in a vacuum (hehe), it would be fine. However... if you've been following the development of Overwatch at all and seen the other heroes, especially the female characters, you may see why this design is frustrating to me.

Why yes, it's another conventionally attractive young woman in a skin tight suit, despite being some sort of astronaut. Damn, must be some amazing future tech that allows people to wear space suits that look like body paint and yet still provide protection against radiation, vacuum and extreme temperatures. One could argue that this isn't her full suit and she is just wearing this in-game because combat, but come on. I want to add that having a body like this isn't bad, of course, it's more so the fact that the women in this game are rarely allowed different proportions or facial features.

And yea, I wasn't kidding when I said skin tight.. Certainly she also has movement animations with gratuitous hip-swaying to accompany this certified Blizzard-Moment™ of a design. The animations are cool, but this combo left me stunned when I watched the trailer haha.

The sexualisation part isn't the only thing that bothered me, of course. I actually liked this concept art much more - it provided a bit of bulk and visual interest while still retaining that sleekness that they wanted to have in there.

But for some reason, they stripped her of this, leaving it almost a bit under-designed, especially for Overwatch 2 standards.

All of this is just my opinion, and I want to emphasize that I don't fully hate the design. I'm just lamenting what could have been and the fact that, for a new hero, they just made cute Overwatch girl number 12 again. In the end, they want to market to straight gamer boys so eh, it is what it is.

#overwatch #overwatch 2 #overwatch juno #thanks for hearing me out I had to get this off my chest #creepy marketing guy strikes again ig #also please don't get me wrong I also love women #but Overwatch is so weird about them sometimes #female armor #juno overwatch

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beekeeperspicnic · 6 months ago

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Having a celebratory "the game is 80% cast now" pizza! It's kind of just the lead roles left.

I want to wait until everything is 100% definite and signed off and official before making any proper announcements, but here's some fun...

**Provisional** Beekeeper's Picnic cast vagueposting:

One member of the cast was in the Granada Sherlock Holmes series

One member of the cast was in The Sandman

Two members of the cast played siblings in a podcast I like.

A ridiculous percentage of the cast have been in Doctor Who in some form, but they are mostly British actors so I guess that's to be expected.

My official opinion as a Mycroft Fan™ is that our Mycroft is the best Mycroft ever, but I guess I am biased.

They're all so good. SO good. Aaaa. So good.

#game dev #vagueposting #food

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felassan · 1 month ago

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Some more DA:TV and related snippets from Sylvia Feketekuty, Part 2. rest of post under a cut due to length and spoilers. [Post One, Post Three]

The dev team really wanted to deliver on Emmrich's romance [source]

Sylvia Feketekuty has now left BioWare so there are likely some things she can't answer now "just because I can't look them up with certainty anymore" [source]

When Emmrich is first introduced, he has a skull helmet. Why does it never ever appear for the next 40-100 hours? "The helmet does indeed look wicked! I believe it actually shows up on his shelf in the Lighthouse eventually. (If I had been a smarter writer I would've asked if we could have it appear again, that one's on me.)" [source]

User: "In another post you mentioned shops in Nevarra City near the Necropolis. How far IS Nevarra City itself is from the Necropolis? Do only senior MWs get to go?" / Sylvia: "I'm reluctant to say what the distance is since I never defined it in game so it's Unknown™. But I imagine they can either walk or take a carriage, depending. Also I never imagined junior MWers are forbidden from going into town or such. It could be they have set hours and times where they're allowed. But got to get all those chores done first..." [source, two]

On the DA:I goat scene ([link]) - "The GOAT! God bless them, that was a delight." [source]

Brian J. Audette, on [this thread] - ""Better late than never" addendum to this thread. I just noticed that Isle of the Gods' writer Sylvia is on here now and I'd be remiss not to tag her in this thread. I can't say enough wonderful things about having worked with Sylvia on this mission." [source] / Sylvia: "Thanks Brian! You tackled an absolutely jam-packed mission with aplomb." [source]

Jo Berry: "Thank you for everything and everything else, on both Veilguard and Inquisition. Sunlight on your road, wherever it goes." [source] / Sylvia: "Thank YOU for all your writing Jo. Seriously, you were a godsend on Veilguard and DAI both." [source]

Trick Weekes: "It's been fantastic working with you, Sylvia, and I know you're going to crush it with whatever you do next. Thank you for finally letting me make you "the person who has to do journals so Trick doesn't" on one of our projects." [source] / Sylvia: "Thank you Trick! I'll miss working with you. It was an honour to finally be given the awesome responsibility of the journal system that still haunts my dreams." [source]

John Epler: "sylvia did you see i told the world Emmrich sleeps standing up like a horse" [source] / Sylvia: "It's days later but: yes. Yes I did." [source]

User: "As someone who also has a truly debilitating fear of death, Emmrich is so special to me. It’s the first time I’ve ever seen it represented in such a clear and concise way." / Sylvia: "Thanks, definitely felt that fear myself. I really wanted to express it clearly and was hoping would resonate with others." [source]

User: "Do you have any thoughts or opinions on what nickname Emmrich might have gotten from Varric if he'd ever gotten one?" / Sylvia: "Oh man that's a good question, but ultimately since I didn't write Varric, that must remain a mystery. Nicknames can only be bestowed. ("Bones" like someone suggested below is funny though.)" [source]

User: "If Emmrich's hobby is alchemy/plants, Vorgoth's is art, and Audric's is architecture... what's Myrna's? (Next to Emmrich, she's my favorite Watcher - sorry Vorgoth!)" / Sylvia: "Myrna has a one off line, you may not have heard it yet, where she talks to Vorgoth about getting tickets to the Sword of Drakon.* She enjoys a night out at the theater, whether it's a play or an opera. *(I think that's the play I named, I hope I'm recalling my own line haha.) It's a bit indulgent of me, but I chose Sword of Drakon because it was one of the plays I made up for a series of codices in DAI about Orlesian theater. I had a lot of fun with these and wanted to give them life once more. [link]" [source, two]

User: "During Rook’s disappearance in the prison, how did Emmrich react? Considering their intense romance, did he fall into depression, or did he show a more vulnerable side? Could his fear of death have influenced the situation? In the immortal romance💀, Emmrich promises that nothing will separate them, not in this world or any other. How likely is that? Would he go to great lengths for Rook, even crossing boundaries? Or, at some point, would he accept Rook's death?" / Sylvia: "1) Very strongly! I think it's a bit more interesting if I leave details to your imaginations, but Emmrich feels things deeply and probably had some sleepless nights. 2) So this I can't say much on even though it's a juicy topic. The truth is, I wouldn't even know unless I was actually sitting down to write it. Again, Emmrich feels things very passionately, but this is the kind of scenario where I might want the player's choices to have an effect." [source, two]

User: "Any chance that color scheme [of Emmrich's coat] was based off the corpse flower?" / Sylvia: "I couldn't find anything on the colour scheme and the corpse flower. Afraid this one's a mystery to me." [source]

User: "I'm really curious if there's a Nevarrese language? We have Orlesian, Antivan, Tevene, Qunlat..." / Sylvia: "I wondered that myself, especially given its ancient ties with Tevinter and also Orlais which would certainly have affected the languages of power and influence. Could also have roots with the Planasene. We never talked about one though, as far as I know, so the answer remains...unknown. 💀 (I did introduce tomb-script, the language you see etched into stone in the Necropolis, but I thought of it as more of a specialist's language for occult and magical things specifically.) (If we did define a Nevarran language in some corner of the lore, now I'm going to feel embarrassed, but I don't BELIEVE we did.)" [source, two, three]

User: "I wanted to ask if you have anything you can share about MW grave dowry jewellery - is it the sort of thing they keep on at all times? Also, would Emmrich like jewellery gifts or give them to Rook?" / Sylvia: "I figured it would be something they wear most of the time, or at least in public. You don't want to be without your grave-gold if you pass away! Emmrich would love to get jewellery, especially if it marked a special occasion like his other pieces do! He'd also probably like to gift Rook a piece of grave gold himself, though he knows a non-MW Rook might look at that part askance." [source, two]

User: "Question: how much if anything can you tell us about the circumstances surrounding the emergence of Emmrich's magic and him going to the Mourn Watch? In my mind, his parents' death could certainly be a catalyst for the emergence of mage powers, but I'm so curious why the butcher's boy goes to what seems the equivalent of Nevarran Harvard instead of a regular Circle unless he immediately demonstrated outstanding ability?" / Sylvia: So timeline wise, I think his magic manifested after he was taken in. This part isn't canon, so much as a background thought I had that maybe the spirits of the Necropolis nudged the MW to scoop up this future corpse-whisperer. It seems like a kind of place ripe for that sort of omen. That said, it could've also been a kindhearted Watcher who saw how shattered and alone this young boy was, and thought an upbringing in the Grand Necropolis would be the better place to deal with his grief. It's the kind of thing I want to leave open unless someone goes back one day to fill it out!" [source, two]

User: "what’s the overall Mourn Watch opinion on the whole Weekend at King Markus’s the other Mortalitasi are pulling? I can’t blame Emmrich for not wanting to be involved with that political mess!" / Sylvia: "No clue what you're talking about. King Markus is in the finest of health!!!!! ahahahahaha (To my mind Emmrich's response indicates a tension between the orders, but that they're going along with the polite fiction to avoid a mess. I can't say what the future holds though.)" [source]

User: "Ah, one last note: whoever decided “DA liches are immortal protectors and not always evil?” Chef’s kiss. It’s all I’ve ever wanted!" / Sylvia: "Thanks again! It was in Emmrich's first draft. The other writers and editors gave me good feeback on lichdom and the philosophy behind it especially" [source]

User: "I'm an ICU nurse, and that is imagined to confer a comfort with mortality. Suffice to say Emmrich has been a huge comfort to see." / Sylvia: "Thanks so much. I really wanted him to struggle with it while also engaging with it, because it's something I find hard as well. And I hoped it would find purchase with players." [source]

User: "If you’re willing, can you share a bit about the other orders within the Mortalitasi? Is there a rivalry with the Tevinter Imperium?" / Sylvia: I'm afraid I don't have much, sorry. I left the other Mortalitasi orders a big open canvas in case we wanted to invent more some day. (We've mentioned the palace Mortalitasi are separate from the Mourn Watch, so there's one. As you probably caught, Emmrich's not a fan of theirs.) Is there a rivalry with the Tevinter Imperium? I can't really point to anything in the game talking about that, so I hesitate to call it canon. But to my mind it would be very natural and also very funny. So if that ever manifests, I approve." [source, two]

User: "was any of Emmrich's design or personality modeled on British actor David Niven? I think there is resemblance just wondering if that was intentional." / Sylvia: "Oh I love David Niven. But the more direct actor influence for me was Peter Cushing in a few old Hammer Horror films." [source]

User: "just wanted to say thank you for creating the character of Josephine in Inq!! Helped me learn some stuff about myself when I was younger and meant a lot." / Sylvia: "Thank you so much on all counts! I'm glad the lovely Lady Montilyet was there for you (and enormous credit to her actor, Allegra Clark. She absolutely nailed Josephine, straight away.)" [source]

User, on Emmrich: "He mentions he thought he would marry - is that permitted for Mortalitasi when it wasn't for regular Circle mages? Can they now raise their own children?" / Sylvia: Mortalitasi have a lot of power. I imagine the Nevarran Chantry might grant them permission to marry outside the Circle more regularly than in places where mages are given less respect. (Mages can also marry within Circles, so no permission needed in those cases.) The same might be true for mages raising mage-born children in Nevarra, but I say that with less certainty. I think that's a topic I would've wanted to discuss with the rest of the narrative team." [source, two]

User: "is there a particular reason why emmrich is always wearing a glove on one hand?" / Sylvia: "I like to think it's mostly because he works a lot with his hands. The glove seems useful if he has to, say, grip a rough outcrop of rock when traversing the Necropolis, or deal with a bitey corpse." [source]

User, on Emmrich: "On my 1st run I played a trans Rook and romanced him. It felt incredible how he was so accepting of Rook's identity, and in return she could support him as he did a transition of his own as well. Beautiful mirroring!" / Sylvia: "Thanks very much! If those scenes worked, it's thanks to some people at work who kindly gave feedback that helped get the tone right." [source]

User: "I've been wanting to thank you for writing Luck in the Gardens for 4 years. Hollix was the first time I ever saw a non-binary character given a real voice." / Sylvia: "I loved writing Hollix in that story, they were a treat, and I'm glad they meant a lot to you. (And a shout out to a nb friend who gave me some good feedback on the character, I don't think the story would've been as clear without their help.)" [source]

User: "I was curious about Audric from TN, and if he originally was planned to have an appearance in veilguard, and what he's up to now" / Sylvia: "Love Audric, but I never planned to bring him into VG. I'm not AGAINST it, but I didn't want the short stories to feel like required reading for the game, and I liked where his arc ended in DatDM. That said, I dropped in a few references to Audric to let people know he's around and well. And I imagine he's doing what he loves: being a force of order, in the library. (And reading books during the more quiet hours below.)" [source, two]

User: "As a consumer of (and probably future creator of) so called "erotic" fanficfion, I'm wondering how you feel about the fact that fans make it about a character you created?" / Sylvia: "No issues with it whatsoever. We put sex and romance into the game itself, after all. I think people use fan art and fanfiction to extend their time with a story they've grown fond of, or to figure things out. So it feels like a natural extension of that." [source]

User: "Maybe one day my rook will join the mw!" / Sylvia: "Well, the Grand Necropolis is always eager for more company...🪦👻" [source]

User: "did the flame eternal (short story) come first or the flame eternal (quest)? i’ve been wondering if the quest was named after the story or vice versa" / Sylvia: "I wrote the scene first, the short story came after. But I named the quest AFTER the short story had come out, so I'd say the quest is named for the story because I liked the callback." [source]

User: "1.I know John answered already that Emmrich sleeps like a horse but is there really no bed for this man? 2.How would he react to a bouquet made for him?" / Sylvia: "1. Unknown. Perhaps he brings out pillows and a blanket for the slab in his room (after scrubbing it, of course!) Perhaps he goes home to an elaborate silk-covered bed in his Necropolis apartments. Or the horse thing. (TBH: I never decided myself, so I've leaned into impish mystery). 2. Emmrich would be absolutely delighted and flattered by being presented with a flower bouquet." [source, two]

User: "I hope it's okay to pop here but it might interest you to know a lot of us have been headcanoning that he has a secret bedroom behind one of his bookshelves! It seemed to line up with his sensibilities somewhat." / Sylvia: "That would honestly be great. Pull out the right book and snooze time." [source]

User, on the cemetery date: "This makes me feel like Mourn Watchers include the dead in important personal milestones/events and, if so, I love that so much. Like they want to share these events and the joy/love/excitement/etc. with those who have passed (and perhaps linger.)" / Sylvia: "That's absolutely how I thought of it too." [source]

User: "was there any game/book/show/film that inspired the Mourn Watch and Emmrich? When I saw them in the preview content, I got reminded of the Locked Tomb series by Tamsyn Muir and playing through the game cemented those vibes." / Sylvia: "I hadn't read any Locked Tomb when writing Emmrich, I think we must both just have impeccable taste. (I actually tried to stay away from contemporary stuff on necromancy when writing him, out of a superstitious fear I'd be unduly influenced. I do want to talk about influences later though!)" [source]

User, on Josie: "Do you think she’s open to having kids/adopting with the Inquisitor? Lord Ontranto and Yvette are so ahead!" / Sylvia: "I think that falls firmly within the category of what you imagine she and your Inquisitor's romance looks like, which means: absolutely, if that's where you imagine life would take them." [source]

User: "Emmrich, his story & everything surrounding him absolutely played a huge part in helping to lift me up & connecting me with new friends online" / Sylvia: "Thank you! And I'm very glad to hear Emmrich and his fellow Watchers helped you out when you needed it. He'd be pleased to know so himself." [source]

User: "Was it ever considered for him to appear in the game?" / Sylvia: "(short answer is no, but I wanted to let people know Audric's doing well.)" [source]

User: "I enjoyed your short stories in Tevinter Nights. Emmrich mentioned working out in the morning. What does his morning routine look like, and what kind of exercise does he do?" / Sylvia: "Thanks so much! Those stories have a special place in my heart, so that's especially nice to hear. On exercise: He likes a brisk stroll, and does morning stretches, and for something more strenuous, he likes to go swimming. Why? It's a workout where you don't have to worry about sweating. That just seemed to align with his fastidiousness in a funny way to me. (I also imagine exploring the Necropolis keeps him active, climbing all those stairs and crumbling ledges and the outsized walls of hallowed tombs, etc.)" [source, two]

User: "Harding will turn to a MW Rook who's been talking nerdy necro shop with Emmrich, and goes (paraphrasing), "You're so different when you're talking about this stuff than you are when you hang out with us!" and I loved that" / Sylvia: "Yes indeed! And thanks. I really wanted a beat where you realize MW Rook has learned to swap between being a fancy nerd and talking a bit more like "regular" people in Thedas. It seemed like a fun trait for that background." [source]

Sylvia, on how she came to BioWare: "No formal training. The closest to practice I had was running tabletop RPGs for friends, which actually helped me a lot with understanding the different kind of RPG players out there and what people want out of a story. And honestly: I just kept applying, over and over. That was my main virtue. I was rejected the first couple times I applied to BW. And rightly, I think, I wasn't ready and practicing in between really helped me become a stronger writer." [source, two]

Some more on this topic ^ from Sylvia: "To be honest: mostly luck, some perseverance, and then writing skills, in that order. I was rejected at least twice from BW before I got in, and I think they were right to do so. I wasn't ready yet. The third round someone I knew passed on my sample to a writer there, I did two more rounds of samples while taking feedback and revising over the next month. And then I was lucky enough they liked it enough to interview me. I wish I had better advice than perseverance. I think having a small, completed game, even something text based or a mod, isn't bad either. Even if it's short, it shows you finished it. But: my entry was over 15 years ago now, and to be honest I'm not sure what BW's applicant process are anymore. I don't want to be discouraging though. I would say keep applying, and make friends with like minded people who also want to make games, and best of luck." [source, two, three, four]

User: "I've been wondering something about Mourn Watch Rook's background - their bio says they were found as a baby + raised by the MW, and they reference it in-game, but then they also say they were a street kid and left their old life behind to join the MW to Taash. I'm just curious how one - being raised by the MW - lead to the other - street kid era. I just hc'd it as a euphemism for my Rook's party girl phase lol but it did leave me a little confused." / Sylvia: "This is a case of the background changing slightly over time, and me not squaring it in time with dialogue. In my mind: MW IS found by the Mourn Watch, raised by them, and work for them. But MW Rook also had period(s?) growing up where they explored Nevarra city, to explain why they're more. street savvy and worldly than your typical Watchers who never leave the city. I've seen people noting some discrepancies, and in a perfect world I would've caught those lines in time to smooth them out to encompass the whole story. But perhaps your Rook gives slightly different answers to different people for their own, mysterious reasons! (Or, in reality, it's writer error.)" [source, two, three] "Anyhow, I encourage any head canons that help square these discrepancies" [source]

User: "I romanced him on a Rook that I perceived as about 42ish and my running interpretation of the lines acknowledging her being young were either Emmrich not realizing how old she is, a running bit between them, or some cute form of flattery to not remind her of her own age haha" / Sylvia: "That's adorable, I love it" [source]

User: "1. What would Josie's ideal date be? 2. Could adopted kids be heir of the Montilyet estate or would it go to Yvette? 3. What does Josie think of the Crows?" / Sylvia: "1. I think she'd try to structure something, but the Inquisitor taking her away from her strictly scheduled routine to relax would actually be better for her. A picnic in a garden, a stroll around a lake followed by a meal in a quiet little restaurant. Something with a soft evening. 2. I don't think I ever said so in the game, but to my mind Josephine had some nieces and nephews in line to be heir. If she adopted a child and thought they'd be a better candidate, they could absolutely inherit the estate. (And of course, she could bequeath money or personal effects as she liked.) 3. She thinks of them as a necessity in Antiva, and that it's important to appease them. There's probably highly placed Crows she would get along with. But she'd never be comfortable with them. At the end of the day they're contract killers, and she's no lover of violence. (If I actually DID mention who Josephine had lined up to inherit the estate after her, but just forgot, I will ask for mercy because the game came out over 10 years ago.)" [source, two, three, four]

User: "Would you ever consider making a playlist on spotify of the sort of music you could picture Emmerich listening to? Or perhaps sharing any of the music you listened to while writing Emmrich?" / Sylvia: "I actually have an itunes playlist of what I listened to when writing Emmrich on my old computer. If I dig it out, I'll post a screenshot! (A lot of ambient stuff, probably unsurprisingly)" [source]

User: "I utterly, completely adore the way Josephine was written, she's such a wonderful and complex character. Her history as a bard, her ruthlessness, her kindness and sweet nature and how CUTE her romance is." / Sylvia: "Lady Montilyet herself would be flattered to hear you liked it." [source]

User, on Sylvia's comment about Peter Cushing being a go-to for what Emmrich would be like: "This makes me so unbelievably happy given my love for Peter Cushing 😭 my love for Emmrich was inevitable." / Sylvia: "I want to talk a little more about it later but Cushing was such a wonderful actor. Wish we'd had him around even longer." [source]

User, on death and working in death care: "In the end, it’s always about memory." / Sylvia: "That's so true. We want to be remembered, or to have something that lets people know even a little about who we are. (It's why I'm glad newspapers still print obituaries, you can read about the most amazing lives.)" [source]

User: "I was starting to think the game was reading my mind and tailoring to me once he said his favorite color was lilac, and I was given the option to say darker purple." / Sylvia: "I'm glad you enjoyed Emmrich and his romance. And that the bit about colours worked for you, I was trying to think of what would be something fun there, and purple is one of my favorites too. (Fine taste!)" [source]

User: "“Down Among the Dead Men” is one of my favorite chapters from Tevinter Nights. I loved Audric and I was so happy when Myrna mentioned him in Veilguard! Was there any chance he might’ve appeared in game?" / Sylvia: "basically I didn't plan it, but I wanted to let TN readers know Audric is living well" [source]

User: "If Hezenkoss was also you ALL of that was a sheer stroke of brilliance!" / Sylvia: "Thank you! Hezenkoss was me, so glad you liked her. She was a blast to write. Oh my god, I meant to write Hezenkoss was one of my favorites not "me". (I think I snipped out something and consequentially sound like a maniac in that post above. SORRY. She is not me, I wish I had that kind of confidence.)" [source, two]

User, on behalf of their friend: "Well, spontaneously I'd be interested if she can say any more about Emmrich's past romances. Was there someone really serious among them, or all just fun and casual? I'm also curious how the whole mage training works in Nevarra. Are some trained from the start by the Mourn Watch or does everyone go to the Mortalitasi equivalent of a Circle first?" / Sylvia: "1. I think there was probably a mix of more serious romances and more casual ones over Emmrich's life. The serious ones just never panned out. (Until Rook, if you're romancing him.) 2. I pictured the MW taking in promising members from other circles, but I left their selection criteria vague on purpose, in case we needed to define it later. Of course, there's also exceptions. We've seen they take in some orphans or foundlings (MW Rook and Emmrich, for example) when fate, chance, or pity allows it. (I had an idea spirits might sometimes nudge MWers to take in someone, but that's not in the game, so it remains, I suppose now, my own head canon.)" [source, two, three, four]

User: "Emmrich is every bit the warm and kind academic that I looked up to in my undergrad/postgrad days, and I have taken time in the game just to wander the Grand Necropolis and take everything in." / Sylvia: "My pleasure, and thanks very much for saying so. (Props to all my teammates, it took a lot of people to bring those characters and places to life, and they were all so enthusiastic about our weird gothy corner of Thedas.)" [source]

User, on Emmrich's dream: "One of few cases where writers don't go for "actually immortality is lame" lesson to appease the audience for whom immortality is unattainable. Refreshing to have a character who wants to live forever, can do it, and it isn't treated as a mistake. One of the boldest bits of writing in the game." / Sylvia: "Thanks Mary - that was one of my aims, because so many times in stories, immortality is a fool's errand. I wanted it to have its rules, and its price, but not something disastrous or out of reach." [source]

User: "The MW as a whole was beautifully done and the way they handle life and death was deeply healing and aided tremendously in my own personal journey with grief." / Sylvia: "I'm very glad meeting Emmrich and the Watchers helped even a little, that means a lot to hear." [source]

User: "Amazing work in veilguard and inquisition honestly and the flame eternal was such a fun read! Unless it’s been answered before my query is where do the Mourn watchers live/sleep? Is it a case of they live in the higher parts of the Necropolis or do they live in the city and commute?" / Sylvia: "Flame Eternal was a fun one, hadn't written a story that short before but I enjoyed introducing Johanna and Emmrich's dynamic back in their good old days... As to your question, there's one line of banter between Emmrich and Neve that talks about this (so, very easy to miss.) The Mourn Watchers live and sleep in the upper (safer) levels of the Necropolis." [source, two]

User: "does mortal!Emmrich return to the Necropolis or spend more time in the world first? He plays detective with Neve & camps in Ferelden with Harding feels like he’d want to experience more of the world before returning home." / Sylvia: "Impossible for me to say what the future will hold with certainty, but I think Emmrich's enjoying exploring the world too much to go back to living in the Necropolis full time just yet. He'd certainly want to keep visiting regularly, but there's so much more to see." [source]

Sylvia: "The Watchers have a special place in my heart." [source]

User: "I just wanted to say how much I love Emmrich" / Sylvia: "Thank you very much! I'm so glad to hear you enjoyed getting to know him." [source]

at this point tumblr stopped letting me add to this post !

#dragon age: the veilguard #dragon age the veilguard spoilers #dragon age: dreadwolf #dragon age 4 #the dread wolf rises #da4 #dragon age #bioware #video games #long post #longpost #lgbtq #dragon age: tevinter nights

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ohnoitstbskyen · 7 months ago

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Oh no. Sir I believe I'm going to need you to explain that Dragon Age 2 opinion, that is a BLAZING hot take

I really don't think it is. Although of course all of this is personal opinion, not some sort of divine proclamation on high about which video games people are allowed to prefer, so take please it in the spirit it is offered.

Origins is a worldbuilding walking tour as much about explaining its own in-universe lore and fantasy history as it is about either its characters or the actual story that is happening in the game. It's a cool world! With some great lore! But also it is built entirely around Generic Fantasy Plot Structure #1 and never particularly seems interested in innovating, or surprising the player. On top of which, a lot of its setting and lore is pretty weakly sketched and doesn't really get developed into something either visually or narratively compelling until it gets built out in later games.

And while Inquisition has some genuinely fantastic characters, everything else about the game suffers very badly from the plague of BioWare Magic™, i.e. the production was an absolute mess up until the last minute when five hundred extremely overworked and underpaid creative geniuses somehow managed to wring a functional experience out of the trainwreck. It was made with fucking Frostbite of all things, jesus christ, it's holding together with spit and duct tape.

Now, Dragon Age 2 shares a bunch of the problems of Origins and Inquisition. It too bears the hallmarks of "our executives couldn't plan a healthy game production cycle if their lives depended on it" with a lot of unfinished content, half-assed sidequests and a truly frustrating over-reliance on a combat system that isn't half as engaging to use as it needed to be.

But Dragon Age 2 also has something neither of its siblings could ever even hope to match: an actual compelling protagonist.

Like, listen, I know people adore their headcanons about their Wardens and Inquisitors, and it has made for some truly amazing fanworks, but Hawke is literally the only actual character out of all of them. Hawke has conflicts, problems, needs and drives that actually inform and push the story forward, they have a family and a history and a reason to give a sh** about the central conflict of the narrative.

In Origins and Inquisition both, your character becomes the main character of the story entirely because of fate and random chance. You are the Chosen One and you are the only one who can Save The World because you're the last of the super special elite fantasy Hero Squad, or because you got some green magic stuck in your hand by being in the wrong place at the wrong time. Because the character is a complete blank slate onto which the player is expected to project themselves, random chance and circumstance are the only tools the plot can use to position them as main characters. There is no character to drive them to it.

In Dragon Age 2, Hawke becomes the champion because they're trying to build a new life for their family in Kirkwall, and end up embroiled in the chaos and politics that befall the city as a natural consequence of living in it and dealing with the conditions of it. Hawke and their family's needs and wants drive their actions, and push them to engage in endeavors that influence the course of history. They have agency (in the conceit of the narrative, at least) over how their life turns out, they make choices that have consequences, rather than being dictated into the position of Main Character by a literal looming apocalypse that permits no other course of action.

And I'm not about to sit here and claim that Dragon Age 2's story is perfect or that every character is a masterpiece or that every plotline is amazing. No, there's plenty of scuff and jank and things that have aged poorly and unresolved plot threads and all the rest of it.

And I am definitely not forgetting the godsdamned DLC where BioWare threw it all overboard by inventing a Special Bloodline Plot where oops it turns out Hawke actually IS a special chosen one specially chosen by a special fate to have a special role in Saving The World because they're special because of fate and destiny and blah blah, I still think that was phenomenally stupid (especially when Corypheus wasn't even Hawke's goddamn main villain to deal with what was any of this supposed to add to their character ffs BioWare)

But even with all its problems, the simple fact that Hawke is a character you can give a shit about independent of your own projection as a player - the fact that Hawke isn't just an empty bland blank slate with no personality, no traits, no wants or needs or drives - that has made Dragon Age 2 infinitely more memorable to me than either Origins and Inquisition. I think about it to this day. I think about Hawke to this day. I care about what happens to the character in a way that I just simply could never bring myself to do with either my Wardens or my Inquisitors.

#tb answers #dragon age #dragon age origins #DA:O #dragon age 2 #dragon age inquisition #DA:I

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carlyraejepsans · 7 months ago

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UTY!Flowey, "lore" and how to criticize a fan prequel without being an insufferable pedantic, a guide by Biscia.

(for my muskless fellows, here's a transcript of my thread on Undertale Yellow that I posted on Twitter. enjoy!)

There's this really frustrating attitude in fan spaces i like to call "lorepilling" where people are substantially more concerned with encyclopedic knowledge of details & minutiae (so called "lore") in place of full-text thematic/narrative analysis as if the two are mutually interchangeable.

It's especially common in large franchises and story heavy videogames, and it's like... Are You Treating This Piece Of Art Like A Trivia Battle Or Are You Treating It Like A Story

This is coming from a person who is also deeply autistic about UTDR trivia btw, I'm just saying that when it comes to transformative *stories*, depending on the impact it has on character, themes, and narrative structure... lore is expendable.

Ultimately this is why most of the UTY criticism i see (on twitter specifically) falls flat. What does it matter if "lore" means Flowey couldn't chronologically be there when the justice human fell, as long as the game narratively justified his presence in the story in a compelling way?

The real criticism, in the end, is that it didn't.

He's a plot central, main cast character from the canon returning in a cast of mostly OCs and what does he have to show for it? An admittedly sick boss battle in 1/3 endings, sure but... not much else. He has no significant "presence" in the story, no tie, interaction, or even just... an opinion on the rest of the cast. Which is a huge miss when Flowey's meta role is to be Thee completionist player mirror. He's the OG lorepilled UT fan! He's an opinionated little shit!

This isn't to say that UTY *didn't* engage w/ his metanarrative. When me and @a-town-called-hometown first started playing the game (we were both skeptical of Flowey's inclusion), he immediately said "It would be really cool if they made it so this has been going on for a while and Clover has no idea". Which is precisely what the game did in the neutral ending, and what I will openly say was the most well written & well executed part of this game's story...

...a part we almost didn't see, because the pacifist ending disappointed us so much we lost all will to replay.

To put it in the words of my friend Mel @clowwwnbytes, there's a deafening hollowness to UTY Flowey's motivations & core principles where his guilt towards Chara—and resulting black and white thinking—should be. You're telling me Mr Kill-or-be-killed, "sacrificing yourself to do the right thing is stupid", would stand there after 1000s of failed attempts to make Clover survive, look on as they make the same mistake Asriel he did, and fondly call them friend? Cue the guitar, roll the credits?

He would lose it. Oh my god he would lose his goddamn mind, he would throw the nastiest temper tantrum in the world. Are you serious? How dare you. How DARE you. All this effort, all my patience, and you just let yourself DIE for a few worthless idiots? I should've let you ROT!

*clears throat* sorry got a bit too into character. as i was saying.

I can understand a UT prequel wanting to distance itself from the canon Chara storyline in order to form its own identity, but then turning around and choosing Insane About Chara The Character™ for a sidekick is... far from optimal. In the end, Flowey comes across as underutilized and inconsistent, with a whole lot of wasted potential.

This is an issue I have with UTY's character writing (original AND returning) and story structure as a whole. Lots of inconsistent character arcs, tonal dissonance, overuse of situational sadness... it's an amateurish work, after all, and you can feel it. There's no shame in that.

(Though, there ARE some issues that i take more seriously with its writing, especially when it comes to its two main female characters—Ceroba's lack of narrative agency and depth borders on misogynistic writing imo. But that's a topic for another day)

Over all, UTY was an incredible piece of collaborative transformative work, with gorgeous art and a genuinely incredible OST, which... would have benefited from more experienced writers. But hey, you can only ever learn by trying!

For all it could've been a better story, it certainly did not fail to entertain: both when my friend was playing it, and after in our many discussions of its writing, its faults and how it could've been improved (royal scientist!ceroba character fix you will always be famous. to ME!)

I'm sure this project served as an incredible source of experience for the developers: as individual creators AND as a team. I look forward to their future projects!

but also if i have to see another person say UTY is better than Undertale i might turn into The Jonker.

end of the essay! really couldn't stand any of the pedantic ""criticism"" I'd seen of this fangame so far, so i had to say my piece as someone more versed in analysis. happy to elaborate on anything in the replies or in my inbox!

#undertale #undertale yellow #uty #flowey #mywriting #metanalysis

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lizzybeeee · 2 months ago

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The Lucanis vs Illario story would have had greater emotional depth/intrigue if the writers didn't water down how fucked up the Crows are as an organization.

Just some thoughts about how, out of all the side villains, Illario had some great potential to be a really interesting/tragic character in my opinion.

TL;DR: Zevran Aranai has a knife with Caterina's name on it for good reason and Lucanis/Illario need therapy...or whatever the Thedas equivalent is called...talking to Rook, I dunno

Going into DATV as a new player, or even as a returning one, the whitewashing of the Crows has a lot of the potential complexities of that life simply ignored or barely touched upon. The entire 'Illario vs Lucanis' boils down to: Illario seething in the shadows about Lucanis being the 'best boy'™ of the family while Illario is an after thought - which he is.

Let's be real, Illario is not subtle and immediately comes across as the Scar to Lucanis' 'Mufasa'. It's a questline with a very straightforward villain who has pretty lackluster motivations from what info we're provided - being 'I want power and to be the First Talon'. The game does very little explore what motivations he may have beyond being jealous of Lucanis/wanting more power.

However, if you play the quest line knowing what previous games have set up about the Crows - about how cutthroat and brutal the life is behind the glamour - then you can see that the entire Lucanis vs Illario conflict has amazing potential to be a dramatic tragedy.

We've seen how the life of Crow can affect Zevran - someone who was sold into the life through child-slavery. How interesting would it be to see how the life of a Crow can affect someone who was born into it? It's pretty clear in-game that Caterina intends for her grandchildren to carry on the family tradition - despite the fact that this 'family tradition' has likely led to the deaths of most of her grandchildren and however many children she had.

If there's banter about how Illario's/Lucanis' parents/cousins died specifically I haven't heard it, but the impression I got in-game was that it was likely linked to the Crows/politics in some way? Feel free to correct me! Still majorly fucked up that she pushes her grandsons into this life regardless!

Lucanis/Illario's situation was not like Zevran's - who was sold into the Crow's through slavery, with no one to speak up for him. Caterina was a woman who had power, who knew what the life of a Crow meant, and who still pushed those she 'loved' into it because is consolidated her place in the system. For all the Crows talk of 'family' Caterina doesn't seem to give a shit about them unless if they're contributing to the family business in some way - not to mention the whole 'you fail and we kill you' clause of being a Crow in the first place.

In the 'Wigmaker Job' from Tevinter Nights Lucanis talks about how Caterina hit him [also Illario] with her cane for mistakes and had him spend days without food/water. How he used to hate her but now 'realizes' that it was her way of ensuring he survived the life of being an Antivan Crow. Did it end up protecting them? It likely pushed them both to refine their skills out of fear. It's likely that simply by association with her they would be targets and thus needed to know how to take care of themselves and fight.

But why have him as a Crow in the first place? Why not simply train them well to defend themselves? You can't deny that she doesn't benefit from having her grandchildren in the family business - intentionally wanting Lucanis to take over her position as First Talon. The Antivan Crows are a force to be reckoned with and being one brings a whole lot of power in Antiva - being part of the elite of that group even more so.

If the game showed us the ugly reality of the Crows - the brutality of the lifestyle and how cutthroat the organization is, it could have really added some depth to Illario's betrayal - having it be more than "I want more power/respect" to "this is the result of what you taught me was valuable in life."

Warden: "Do you actually enjoy being an assassin?" Zevran: "And why not? There are many things to enjoy about being a Crow in Antiva. You are respected. You are feared. The authorities go out of their way to overlook your trespasses. Even the rewards are nothing to turn your nose up at."

Illario, bitter about Caterina favoring Lucanis - resentful of the fact that she has already decided that Lucanis will be her successor, being offered power by the Venatori (at the expense of the Crows) and accepting because why not? How different is it from what the Crows do? Isn't power and status the whole point of working yourself up in the Crows? Getting into a relationship with Zara because why not? Isn't sex part of the allure of being a Crow? Why can't he have this? Why shouldn't he have this?

Rook: "When we met, it didn't seem like Illario and Caterina were close." Lucanis: "It was hard to be close to her. Even for me. And...I was her favorite."

Why would he have connections to his family? Why should he? Caterina certainly never seemed to value 'family' beyond what they could do for her and their family legacy. Most of his family is already dead, and of those that remain the only parental figure he has obviously favors Lucanis. We don't have a lot of evidence in-game to show that Illario ever really cared for Lucanis, but the prequel story 'The Wake' and Lucanis' own banter imply that they were practically brothers, best friends. Perhaps he did care and then ceased to at some point, perhaps he didn't at all, or perhaps he accepted that an early death for them both was inevitable like everyone else in their family. Dead now or later - what was the difference? At least if Illario sells him out now to the Venatori then he'll get something from it instead of another dead family member to bury.

It's the tragic result of raising a child in an environment where he was taught and experienced the need for self-preservation at all costs. Constantly threatened, punished, and made well aware of that fact that his life was an expendable commodity. Then, when things in the world went to shit he picked the only option that made sense to him. To save himself.

The irony of the potential fall of the Crows, the fall of House Dellamorte, coming at the hands of one of their own - not because he had a change of heart but because he was taught too well by them. The Crows view those that fail them as disposable, someone to be discarded - if the Crows fail Illario, what is to stop him from applying that mindset to them?

But this would require the writers to acknowledge how messed up the Crows are and we can't do that to our 'Noble Freedom Fighters'™. They'll also need to address Zevran's existence and what lore was established in past games...and we can't have that either lmao.

#the moment he opened his snake mouth I knew lmao #having played the first three games I can see it as a tragedy #but without playing those games? with what information datv provides us? he's just a 'power-hungry cousin'#which is kind of boring? all the side villains in this game are really goofy tbh #really could have been such a cool story if they added more depth to it - otherwise Illario is just 'villain of the week'#Lucanis blink twice if you need help #so upset my Rook toasted to him becoming First Talon - ew gross #and Jacobus becoming a crow? being a 'good' thing? gtfo #i know Caterina didn't know where he was until recently - but the way she talks about it is so casual? “here's where he is - go get him”#it took Rook one boat ride to get there and break him out! you're one of the heads of an assassin guild!#have your assassins assassin!!!#this game is afraid of moral complexity in the same way that Cullen was afraid of female mages in DAO #Just fucking running away at the first sign of something deeper lmao #thanks to thewardenisonthecase for filling my 'for you' page with stuff about Lucanis and making me think about this all lmao #datv spoilers #datv critical #dragon age the veilguard #veilguard critical

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theamberplumbob · 5 months ago

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My Thoughts on Inzoi

I figured since my post about the whole Inzoi terms of service debacle blew up in a way that I never would have predicted, I should probably give a more nuanced explanation of my stance on the game and the discourse around it in general.

First off, I will just say right off the bat that I am not a fan of Inzoi, and unless some very big changes are made to the game, I am not interested in playing it.

I also want to make clear that my dislike of Inzoi is NOT motivated by any sort of love or loyalty to EA or The Sims. If there's one good thing to come out of Inzoi its breaking the monopoly that EA has over the life sim genera and giving The Sims competition. I also want to say that I despise EA for what it has done to the Sims franchise, and while I have played an absurd amount of hours in The Sims 4, I think it is objectively a bad product.

My biggest problem with Inzoi, first and foremost, is it's the use of AI. Inzoi allows players to use generative AI to make custom textures, designs, and paintings within the game. You may not agree with me on this but I am fully of the opinion that real artists should have been hired and paid to create all of the textures/paintings/designs for this game. Allowing players to upload their own photos and videos is one thing, but Krafton, a multi billion dollar company, chose to not support real, professional artists so they could save what is essentially pennies to them. All this results in, frankly, ugly and uncanny looking generated designs plastered all over the furniture and decor. For this reason alone I do not support Inzoi, but there's so much more to it than that.

There's also the fact that we have no idea how their AI is trained. Krafton apparently has an "AI Ethics Committee," but we have no clue what their actual code of ethics are. While it's bad faith to assume, they could be using stolen artwork for their AI. It is also very likely that whatever images you upload into the game, as well as any use of their facial scanning feature, could also be used as material to train their AI. This could lead to all sorts of ethical and legal issues I don't even know where to begin.

Secondly, I have to say, looking at the early access footage from youtubers and everything else I've heard about the game, it feels like its only going to repeat most of TS4's mistakes. In youtuber NotMalcolm's most recent video he discusses Inzoi's overly sanitized approach to various aspects of life, most notably that you can't try for a baby unless you are already married (source). Just like TS4, Inzoi is appealing to a younger demographic and sanding down the rougher aspects of life in order to cater to them. I fear that Krafton is likely taking it a step further and not only watering down the game for the sake of potential child players, but also using them as an excuse to enforcing extremely traditional values on its players. I have no interest in playing a life sim that only allows me to play out a single, socially acceptable way of living.

It also, like TS4, feels like a Young Adult Wish Fulfillment Sim™. The gameplay looks shallow, and it feels like it exists more to make aesthetic screenshots than it does to be an actual game.

I think when people say that Inzoi is missing the "quirky weirdness" of the Sims, what they actually mean is that Inzoi is devoid of personality. One thing that stuck out to me immediately is that the animations are so stiff, robotic, and lifeless. Again, everything is made to be ~*Aesthetic*~ with no regard to an actual sense of identity or personality.

I know people will say that its only in early access, but given how close public early access is to release, I highly doubt any significant changes are going to be made to improve what will be given to us when the time comes.

On a similar note, there's the fact that Krafton has never made a game before now that hasn't been riddled with micro transactions. I personally predict that Inzoi's monetization strategy will be just as, if not more predatory than TS4's is. The fact that we are drawing so close to public early access and have not heard a single word on their method of monetization speaks volumes. I simply do not trust it.

Now, of course, I need to elaborate on the whole Terms of Service Situation. I understand fully that Krafton's terms of service is industry standard and not too dissimilar to EAs, however, this post highlights that whats really concerning about Krafton's ToS is how difficult and confusing it is for players to access and review it. I find it understandable that Krafton's proud use of AI makes people a lot more nervous as to what their data could potentially be used for, and are going to be a lot more weary of Inzoi's ToS. Though I understand that it is only speculation, many have made the assumption that Krafton may use user's personal data to train AI.

I did not expect my post on the subject to make so much traction, and I now regret how impulsively I made the post. I feel I've contributed to fear mongering, even though I feel my concerns at the time were valid and I felt like people had the right to know. I could have done more research and given more of an explanation for what my concerns were instead of basically saying "Yikes..." and leaving it at that.

I was also told through an anonymous ask that the auto accepting of the ToS on closing the game was a bug that had apparently been fixed the first day the character creation trial was available. I of course cannot verify this myself, but I will take them on good faith.

I would also like to touch on two other talking points that have been very prevalent in the Inzoi discourse:

Diversity - I think this links back to my previous point about the game's goal of being as ~*aesthetic*~ (and marketable) as possible at the detriment of everything else. The game is clearly catering to a very specific, very pale and thin standard of Korean beauty, and I think that everything that doesn't conform to that standard was sidelined as a result. I will be fair and say that the Inzoi team still has ample opportunity to fix this and add more options over time. TS4 was also severely lacking on release, but over the years has made great strides in regards to representation. However I would have hoped that Inzoi, a game planning to release in early access in 2024, would do a lot better than a game that was initially released in 2014.

Partnership with Curseforge - I've seen many people accuse critics of Inzoi's partnership with Curseforge of being hypocritical, since TS4 also has a partnership with them. Of course, one would have to ignore the massive, community wide boycott of Curseforge, and the pressure the community has put on CC creators to stop using the platform for that claim to hold any water. I also think there is a notable difference in EA choosing to partner with Curseforge before the Israel/Palestine conflict began, and Krafton actively choosing to partner with Curseforge now, during an active genocide taking place, in which Curseforge's parent company, Overwolf, actively advocates for and donates to those committing said genocide.

In conclusion, there are a lot of valid reasons to not like/be suspicious of Inzoi. Of course I can't tell you what to do or what games you play, nor can I force you to agree with me, but don't be so quick to write off or demonize those who are simply trying to raise awareness or drawing boundaries regarding Inzoi and those who choose to make content with it.

I also encourage you to consider the points I've made and maybe think twice before investing yourself in yet another game that will very likely exploit your attachment to it in the very same way that EA and the Sims has. You need to make them deserve your time and money, which is why I'm encouraging you to advocate for a better and more ethical game.

You deserve better. We all do.

#inzoi #inzoi character studio #inzoi character creator #inzoi discourse #ts4 #the sims 4 #sims 4 #my stuff

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whorbidmore · 10 months ago

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okay, so, I've fallen victim to the leon kennedy brainrot steadily overtaking me, following me from Tumblr to Pinterest, to Instagram and even the absolutely fucking dreaded application of TikTok. I don't even use it that often??? and the algorithm is just like 'wow, yeah, this little fuckers gay as hell send in the 40 year old meow meow!!' and having watched Death Island fairly recently, I'm gonna have my opinions on what this dude would be like. Cus my brain loves to rationalize shit and think ab 'what if this mf was someone real?' so... fuck it.

Leon Soft Kennedy Headcanons

SFW

accidentally bigoted. - im sorry but let's be so fucking real here. he's a 40 something year old man who spent the majority of his life in either the military, a police training academy in the 90's, or otherwise working under the U.S Federal System with minimal/no time between missions to unpack absolutely everything he's got going on... the guys gonna have some problematic tendencies. Obviously that doesn't mean he means any of that or is incapable of change, etc. etc., but I know for damn certain this dude would laugh a little at Bill Burr's borderline to blatantly misogynistic material and has probably chuckled unironically at the attack helicopter jokes. But, he's not a complete dick, and would definitely become more critical of those kinds of jokes if it's pointed out to him.

honest to God, Dad Without Kids™ - it's not simply enough for me to leave it at 'but it's the vibes!!' so, I'm gonna break this shit down. Leon is absolutely Gen X incarnate. I can fucking guarantee you that on his off days he accidentally ends up dressing as an undercover cop; I'm talking cargo shorts, light blue button up, those fucking standard issue boots cus "they're perfectly good shoes" and those stupid ass sunglasses... you know the ones I'm talking about. Let's say you're living with him, right? And you're... you, and you wanna watch something on TV. This dude would strain himself getting up like a turtle fallen backwards on its shell, stand up, walk right in front of the TV screen and stand there with his hands on his hips. It doesn't matter that he had to piss, he needs to get a better look of what's happening! Does those really loud, obnoxious coughs and sneezes, absolutely blows his back out doing one at least five times a year.

Only watches British Reality TV - Considering he's canonically a film buff, I'll say that this is purely for whatever he gravitates towards on general streaming services. I honestly don't see him being the type to regularly tune in to standard American cable TV, or only does so under specific circumstances like American Ninja Warrior or maybe Forged in Fire if there's absolutely nothing else. It's not something that's exclusive to Americans, — I'm from New Zealand and I do this too, — but Leon absolutely falls into the category of watching British Reality and Game shows purely because of the accents. I'm talking Jeremy Kyle, The Big Fat Quiz of Everything, Taskmaster, The Great British Bake Off and so on and so forth. It doesn't matter that baking isn't his forté or a passion of his, if Josephine curdles her buttercream by over mixing, his hands are in his hair in utter disappointment. 100% tries to mimic their accents too. We all do it, don't lie.

Has... very dated music tastes - I don't know if you could guess, but the last paragraph included me calling myself out and name dropping some shows I watch anyway or grew up watching, and I'm just saying that this is gonna be no different. If anything? This'll be worse! Since I'm very passionate about the music I listen to and have the inability to keep my interests separated from the other, of course my love of particular bands will bleed over into my interpretation of Leon's character! Anyway, all that for me to say that Leon fucking LOVES 90's grunge musicians, specifically Pearl Jam and Soundgarden, as well as early nu metal bands like Korn (their dubstep phase did not happen.), TOOL, and Rage Against the Machine — and no, he unfortunately doesn't see the irony of him being a fed and listening to Rage, — but would also have a soft spot for psych rock, post-punk and shoegaze. My man's definitely laid awake at night, sobbing without expression as he struggles to accept that Ada never really wanted him like he wanted her while listening to fucking Slowdive. My hottest take here is that he doesn't really listen to Deftones. Like he'll occasionally blast My Own Summer, Change, Bored or Rosemary, but anything outside of those? He just didn't listen to 'em. My second hottest take is that he does NOT like Slipknot, which kind of pains me 'cus I do, but I fucking bet you this dude would actually adopt one piece of "Gen Z lingo" or whatever just call them cringe. Though admittedly he would've been jamming the fuck out to Psychosocial and The Devil in I when they came out. Went off the deep end in Vendetta, obviously, and drunk-cried himself to sleep on the couch listening to Linkin Park.

Very confusing spending habits - On one hand, we all understand that Leon came from money, — he was implied to have been born into a mob family from my understanding? And I doubt he'd ever really had to worry about being fully, irrevocably broke, — but I'm sure that growing up in the U.S Foster Care System made him at least a little more cautious of where his money comes from, where it's going, what he's spending it on, etc. So, on the one hand, he's apprehensive to spend recklessly, particularly on perishables. But also, if he can drop over $100,000USD on a motorcycle that got absolutely fucking cheese grated into the road, and spend a perceived, metric fuck ton of money on designer leather jackets and massive watches, it's gonna be hard for me to call him 'financially conscious'. On one hand, he gets apprehensive on spending more money than he needs to on food since he's "just gonna shit it out later", but if he sees a cool watch or a nice suit in a shop window? Money's suddenly not an issue! Not because he's materialistic, but because the one thing he really maintains a sense of control over in his life are his possessions and the way he dresses. The D.S.O can call him in for another months long mission whenever they please, and all he can realistically do is allow the government to tug on his leash and put him where he's needed. He may as well spend their money on things he wants!

Gets out... enough? But also, not really? - So, personally I've pegged Leon as more of an introverted person, — amateurly typed his MBTI as possibly ISFJ? — so he doesn't really feel the need to go out and meet new people or really hang out with anyone. If somebody invites him out? Sure, he'll go. Otherwise, it rarely occurs to him to meet up with friends or colleagues at a cafe or anywhere. I think he'd prefer to just go there alone, mostly for the sake of having somebody else cook for him as opposed to actively seeking out the atmosphere. It's pure convience in his mind. And remember when I said in the beginning about him accidentally being at least a little misogynistic? Yeah, that was me trying to say that he regularly tries to hit on younger waitresses. Not because he actually wants anything to do with them, but simply because it's an ego boost. He likes that he can make girls half his age blush or offer him their numbers, because it tells him that he's still desirable, and ultimately, that gives him the power to reject them politely and go about the rest of his day. If they don't reject him first, of course. Admittedly, Leon's audacity towards women peaked during Infinite Darkness.

Since I'm planning on posting more NSFW headcanons for this guy, — and more NSFW kinds of posts, — here is the obligatory Minors DNI attachment. For your own safety, I don't care if what I have to say is tame so far, you can hold it off I promise.

#leon kennedy x reader #leon kennedy #leon kennedy fanfic #resident evil #resident evil leon #leon kennedy headcanons #babyfangs.txt #fangsfic #idk man im literally talking out my ass on all this 💀

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yerimbrit · 3 months ago

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[flufftober day 17, wc: 975] - carnival : enchanted (or not)

AS A WITCH, the witchery related attractions at carnivals made by non-witches are a sort of entertainment to you. some witches and wizards take offense to it, since there are several misconceptions that come along with the booths.

for one: witches aren’t green. you don’t know where that piece of information came from, but that one, at least, makes you queasy. you don’t know what you would do if you suddenly turned green; it would also probably scare everyone off. with this in mind, you fail to hold in your giggles when you stop by the witches and witchcraft booth at the carnival minji not-so-subtly invited you to.

(“so, there’s this carnival coming up…”

“yeah? the one on the 17th? what about it?”

“um. just saying.”

“we can go if you want to, you know.”

“really?”

“really.”)

minji’s staring at the cauldron that is currently overflowing with fog from a fog machine, enthralled by the display. there’s someone in an exaggerated witch costume, green skin and big hat and all, stirring the pot with some generic witch laugh sound effect playing from a jbl speaker.

she turns to you with sparkles in her eyes, not saying anything.

“what?” you smile, “say, do you think i’d look cute with green skin?”

the girl thinks for a second before shrugging. “i think you look cute either way.”

“you’re an angel. imagine if hanni had green skin.”

your girlfriend makes a face, and you have to stifle your giggle because she looks so unamused. “she’d look more like a generic witch than you do. thanks for ruining my perception of her, i won’t be able to unsee it.”

“you two, young couple flirting over there!” the witch calls, beckoning you over with her hand. she sounds suspiciously like hyein. you and minji share a look, scoffing playfully at the remark she added, before strolling over to the cauldron.

the witch (or hyein, you confirm it’s her after she accidentally adds an ‘-unnie’ at the end of addressing you again) waves a hand over the cauldron, and the sound effect of the laughter plays again, making you snort and nudge minji. “this was you a few months ago, except you failed.”

“can you stop bringing that up?” she whines, having flashbacks of the failed love potion. despite getting what she wanted in the end anyway, you still tease her for it to this day. “i didn’t need the potion in the end, anyway.”

“close your eyes, lovebirds,” witch™ whispers, and the both of you oblige. there’s a beat of shuffling and the sound of something being moved, and then you’re allowed to open your eyes again. “some candy apples for you.”

well, if the general public’s opinion of witches was that they give random couples they see, free candy apples, then you’re all the more happy to be one of those couples, especially at the way minji has this goofy smile on her face after she takes the first bite. thanks, hyein.

after leaving the booth, you walk around the carnival a while longer. there’s several game booths (which minji tried dozens of times to win at ring toss to win you a black cat plush wearing a witch hat, which you hug to your chest with your left hand, the right one holding minji’s hand) and some rides, although you’re skipping those tonight after eating some suspicious pie at another booth. keep this hush-hush, but you did hex the person who gave it to you with a spell that causes them to cough out frogs for the rest of the night.

upon approaching a strength test game (you know, with the hammer and the meter) you’re met with danielle, who fails to scare the both of you, and haerin, who gives a small nod. the werewolf is wearing fake wolf ears (which is weird because she could’ve just had her real ones out) and the vampire is wearing a black and red vampire-esque coat. very funny. you should’ve showed up with your witch hat and broom, too.

danielle insists on winning you and minji a prize from the game, and then marches over to the attendant to pay for a single play. the guy looks terrified by her booming energy.

“watch,” you point at the werewolf, “she’s gonna break it.”

danielle turns around, scowling in jest, before pointing at the three of you and winking. and, well, as expected, she breaks the stick of the hammer in half just as it makes contact with the large puck. minji has to hold onto you, shoulders shaking with laughter while haerin snickers but averts her eyes, a silent ‘i don’t know her’ written all over her face and in her posture.

you grin, “i told you.”

the attendant is so afraid of the werewolf’s (he probably doesn’t know about that fact) strength that you guys get a prize anyway, although you’re not quite sure whether it’s because of her strength, or because he was scared of her. either way, a win in your book. and a brown bear with glasses makes its way into minji’s arms.

danielle and haerin leave, something about seeing some security guard mutter something into their walkie-talkie while staring directly at them, and you and minji decide to leave as well.

“i feel like this is going to happen every time we go someplace like this,” you beam, swinging your intertwined hands back and forth.

minji chuckles in amusement, “but at least we had fun, right? i really liked the fairy place.”

your head whips to her, gasping, “you prefer fairies over witches? witches are totally cooler than fairies, i’ll have you know! no offense, wonyoung,” you think of your best friend who’s also at the carnival, “she has super-hearing.”

she panics, shaking her head vehemently, “when did i ever say that!?”

you’re definitely coming back next year.

flufftober masterlist!

a/n : nod emoji

#newjeans x reader #girl group imagines #girl group x reader #kim minji #kim minji x reader #kim minji newjeans #minji x reader #newjeans imagines #flufftober #flufftober2024 #an's flufftober!

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