#i liked that but i also like having 1 brush i use for sketching and not being able to find it in the sea of brushes

[neolxzr]

i knew you'd come back (i never had any doubt)

[triglycercule]

ok erm. halloween animation meme lowkey postponed until next year (because i know damn well i'll need a whole year to finish this with my motivation 💀) because i have another much more invigorating and fresh idea that i wanna draw for the mtt. inspired by these 3 fuckass monkeys

[hippiichi]

first ever procreate painting!!!

[duskerot]

local guy draws from a reference for once and it actually turns out well . more shocking news to come

[hellothisisangle]

Hello, my name is Angle!

(Personal links)

And I’m on a BG3 kick right now, drawing my character Cae. Other than that, I doodle things and dumb comics or whatever else sparks the neurons. Also *cough* I do NSFW on Patreon

Use (#Cae lore) for background stuff

Cae’s Records are journal entries pre-tadpole (updating)

Crescendo follows a “cannon” retelling of my partner and I’s co-op run in Act 1 (finished)

FAQ

Program/Brushes: Procreate/Sketching Derwent

Process Videos: YouTube.com/@hellothisisangle

Is TDIAHM coming back: Yes, eventually, when I have time to work on it! Thanks for being patient!

Do you take commissions: I am always accepting inquiries, but that means I’m always working through a queue. If you send me a commission email, know that I’ll respond as soon as possible. Comm info here

If you’d like to support me and see all the caliente 🌶️ nsfw, join on Patreon. It super helps so I can devote time to creating more stuff, thank you so much!

[bweirdart]

#mARTch 2024

text version (with more info!) under the readmore! please check it out if you're confused about anything <3

F.A.Q

do i have to draw every day? no!!!! there are skippable days built into the event, please use them whenever you need them! i really don't want anyone getting a wrist injury!

can you share my art? yep! i try to share entries to @bweirdevents daily during the event!! the tags can get busy tho so i might miss some posts OTL sorry

what are the tags? #mARTch is the main tag, but this year you might find posts in #mARTch2024 too!

wait, i'm confused about a prompt... full breakdown of all the prompts below ↓ with helpful hints if you're stuck!

_____

INTRO WEEK

this week is all about your artistic identity ... technically, you don't have to draw anything new this week if you have some art that already fits. the starter days are:

1 ⭐ self portrait who are you? it doesn't have to be you IRL .. if you feel more comfortable drawing a fursona or mascot, that's fine too! if you don't wanna draw, you can also just share old self portraits today and talk about why you drew yourself that way!

2 🤍 inspirations see how this day doesn't have a star? that means it's optional and you don't have to do it at all! but if you really wanna- tell us all about what inspires you to create art! this could be anything from the people that inspire you, the shows you like, the pins on your big messy pinterest board, or concepts that you're drawn to! you can draw something about it, talk about it, or just post your inspirations! anything is fine

3 ⭐ fav thing to draw what do you like drawing most? backgrounds? animals? one specific animal? bust of your oc facing left? cars? the same anime boy over and over and over? no judgement!! show us :)

_____

STUDY WEEK

this is the week we actually start drawing from reference! polished art is not required at all, quick sketch studies are fine! please don't burn yourself out

4 🤍 plant

5 🤍 body

6 ⭐ animal

7 🤍 object

8 🤍 food

9 🤍 face

10 ⭐ hand

these ones are pretty self explanatory! you can do them as realistic studies, or adapt them into your own art style, it's all fine! you can reference from your own photos or from resources on the web.. have fun!

_____

COLOUR WEEK

this is the week for playing with palettes and working on your colour theory skills! if you're really struggling with these ones, don't worry about drawing scenes or characters, you can just have fun splashing colours around on an abstract canvas!

11 🤍 RGB a set or primary colours typically used in digital/screen art - red, green and blue!

12 🤍 CMYK a set of primary colours typically used in traditional/print art - cyan, magenta, yellow ... and key (black!)

for both of these days ↑ you can add in black and white. and feel free to combine the two days into one, if you're struggling with a three-colour palette! use all six!

13 ⭐ WARM COLOURS the warm side of the colour wheel, reds oranges and yellows!

14 🤍 MONOCHROME monochrome doesn't mean black and white ... it means one colour! that can be any colour at all- shades of red, shades of purple, shades of green .. or yeah, grey if you really want!

15 🤍 COMPLIMENTARY complimentary colours are the ones opposite each other on the colour wheel! they're kinda married

16 🤍 YOUR FAV COLOURS pick any palette that works for you! where's your comfort zone? what looks nice to you? what colour combos do you always go back to?

17 ⭐ COOL COLOURS the cool side of the colour wheel, purples, blues and greens!

_____

CREATIVITY WEEK

this week is all about vibes! try to create something that matches the mood of the prompt .. they're vague on purpose! don't overthink it, just draw from the heart!

18 🤍 SMALL you could draw something that's really small, like an ant .. or draw on a canvas that's really small .. or use a really small brush .. get creative with it!

19 🤍 DANGER try to capture the adrenaline .. the rush .. the fear that you associate with the word danger!

20 ⭐ SOFT soft colours, soft textures, soft vibes ... whatever makes you comfy!

21 🤍 MIDNIGHT darkness and secrecy .. spooky witchy vibes .. the tranquility of a forest at night .. the fun of a late-night party .. there's lots of ways you can take this!

22 🤍 POWER what does this word make you think about? superpowers? control and oppression? literal electrical power? something else?

23 🤍 CHILL chill as in calm? or chill as in cold? who knows .. it's up to YOU!

24 ⭐ LOUD try to draw something that feels LOUD! BRASH! IN YOUR FACE! how can you convey sound through art?

_____

FUN + GAMES WEEK

this week is just for enjoying yourself! take it easy and have fun! also .. another reminder! there are skippable prompts! if you're tired and struggling to get to the finish line, please don't hesitate to skip a day!!! or multiple days!! as many as you need!!!

25 🤍 TRY A NEW ART STYLE copy the art style of a show you like, ask a friend if you can try their style, draw the eyes a new way, develop a totally new style on the spot... whatever you want!

26 🤍 DRAW WITH YOUR NON-DOMINANT HAND righties, draw with your left! lefties, draw with your right! ambidextrous nation ... our time to show off!

27 ⭐ DRAW WITH YOUR EYES CLOSED don't peek! try to draw something without looking! if you really want, you can colour it with your eyes open after you draw the lines/sketch with your eyes closed... but please try not to cheat with the actual drawing part!

28 🤍 RE-DRAW SOMETHING OLD find some old artwork you like, or something you feel like you can do better on now, and give it another go!

29 🤍 RE-DRAW A MEME find a silly picture on the internet to redraw .. do you have any in-jokes with your besties?

30 🤍 DRAW A GIFT FOR A FRIEND create something for someone you love <3

31 ⭐ FREE CHOICE final day! you can draw anything you want today! show off your skills! draw something you've been meaning to draw! whatever!

_____

please refrain from reblogging this post after march ends - next year's prompts will be different, thank you! if you have any additional questions, don't hesitate to shoot me an ask!

[inzuinzudesu]

Please zoom in to see small Kakashi! 😭 He kinda disappeared 😭😭😭

Text translation: "Infinite Tsukuyomi" (無限月読)

Drew these in mid-July - when I started doing digital again actually 🤔

Took inspo from the Balut - a street food in my country; I hear a lot of people are grossed out by it?? Don't know if this is controversial, but I personally love the dish. Essentially grew up with it after all!

Wanted to draw something that feels a bit creepy but still has a sense of mysticality to it???

Meh, don't know if the feeling got across or not

I thought since Halloween is coming up, might as well post this haha

About the process of drawing these!

These were very fun to draw! I messed around a lot with photoshop to achieve this glowy dusty effect?? From the brushes to the blending options, and maaan the filter gallery 😭😭 Such fun tools to play with.

The main brush I used to achieve the dusty effect is called "KYLE Bonus Chunky Charcoal", in the Kyle Dry Media brush set. If you can, I recommend checking it out! There are definitely other ways to achieve this sort of effect, though. You can probably just use some sort of scatter texture brush and it'd work just fine. Studying is all about trying things out, right? This is like my first experiment with this type of effect, and I was happy at the time. Now looking back, these could most definitely turn out better, no? I really went overboard with just the effect and forgot everything else. The blood and the plate looks horrible man. If you look closely, you can see the sketch lines haha! I got lazy!

Also, for Obito's pose, I relied heavily on a reference I found on pinterest 😭 I wish I'd changed the pose more tbh, it looks really boring.

And I gotta say, these just look underwhelming in this smaller size. Like reaaaaaally underwhelming. Would love to show you the big version, but oh well! 😭😭😭

Brain vomit time!

I love the prospect (??? is that the right word) of Obito being all god-like and powerful after Tsukuyomi, having control over everybody's dream worlds?? And like he jumps from dream to dream, but stops at Kakashi's and picks it apart???? Observing and tormenting Kakashi with his childhood form that has both sharingan???????

Kakashi would probably be confused with Obito's appearance at first, asking questions like "What are you up to this time, Obito?", but then wouldn't receive any answers??? Like little man would just stare at him creepily, and Kakashi would push this to the back of his mind for a while???

Umm below is the technical stuff, I guess??

My headcanon is that the time span in the dream world is the same as the real world. Meaning, 30 years in the dream world feel incredibly real, with no gap of memories. It's essentially a different timeline. Whether this makes sense or not, who knows haha!

Let's talk about the dream events and how they affect Kakashi! Due to Sakumo and team Minato still living, this Kakashi probably wouldn't be as lax nor sad as in canon?? The relationships and personalities would be different huh???? I'm having a headache thinking about this, so let's just say that: 1. Sakumo lived because the villagers weren't as harsh, but the animosity still remained. Kakashi still developed this obsession with rules, but he doesn't blame his dad as much. 2. Kannabi happened, Kakashi was given the sharingan, along with Obito's ninja way. Team Minato thought that Obito died for a while, but Obito is 'rescued' by Madara, same as canon. 3. Rin would still be targeted by Madara, but Obito came in time to help with the situation, blocking Kakashi's chidori from connecting with Rin's chest, but also knocking Kakashi away. Then, a Mist enemy took advantage of the situation to attack Kakashi, injuring him gravely, to the point where everybody thought he died. With this, Obito activated his Mangekyou and exploded on the Mist enemies, killing them all. Meanwhile, Rin tried to heal Kakashi, just barely saving him. As Obito had dealt with the enemies, there was no need to rush back to the village, and the Sanbi wouldn't be released till then. And so, they waited for Minato to come and help with Rin's seal. (About Obito's Mangekyou activating with Kakashi's death - would that be too far-fetched? My reasoning is that Obito would think that it was his fault Kakashi died, because it was Obito who knocked Kakashi away into the enemy, no?) 4. Because there's no one to become 'Madara' now that Obito came back to the village, Naruto is born, Minato and Kushina live.

5. The Uchiha massacre doesn't happen.

(Everything is incredibly convenient, because I don't have the brain power to make it otherwise, please help 😭😭) -> In conclusion, this Kakashi resembles the Kakashi of the real world, but less depressed and self-destructive??? He loves his living comrades. My man still has a massive obsession (more like crush lol) with Obito by the way, just like in canon. He just doesn't show it.

-> About Obito of the dream world (I'mma call him Dreambito), he is all sunshine and brightness, but he exhibits some dark thoughts and deep rage from time to time due to the residual effects of Madara's seal on his heart. The seal has been removed though. And he has this obsession with Kakashi's safety, as he almost pushed him to his death once, albeit accidentally.

-> I was debating whether to just start this dream world at the point where Obito got crushed, or to start it at the beginning of Kakashi's life. In the end, I went with the latter, cuz ya know, I like the idea of Kakashi living through a whole life all over again, just to finally come to the realization that it's all a dream. Does that make any sense at all??

Obito (child form - 13) first appears in front of Kakashi at the start of the Naruto series, when Kakashi has officially become the teacher of team 7. (Let's not change this okay, my brain would fry haha I'm not gonna deny that the idea of Obito and Kakashi becoming co-teachers of team 7 isn't incredibly fun though)

After the first encounter with this child Obito, Kakashi begins to have flashes of memories from the real world, and he hallucinates about people's deaths - mostly about the members of team Minato. This young Obito is always in the corner of his vision, most of the time silent, sometimes saying things like "You trash" to Kakashi whenever he encounters Rin, who is whole and grown up in this world.

Kakashi exhibits more destructive behaviors as this goes on, the line between the dream events and the real events slowly blurring. He takes more dangerous solo missions out of the village, and shows strong signs of PTSD, just like in canon.

The two Obitos would contrast each other?? Like Dreambito would be all concerned with Kakashi's decline in health (both mental and physical) and goes to confront and comfort him, many times over because that's how it is with them??? Dreambito might even move in with Kakashi, being the obsessive and protective Uchiha that he is. Meanwhile young Obito would be an absolute asshole, saying all these horrible things to poison Kakashi's mind haha

At this point, Dreambito'd be in the last stage on the journey of becoming Hokage, gaining the all the trust from the Uchiha clan, the village elders and the villagers as a whole. I don't know about Rin, though? Should she be romantically involved with Dreambito or no? Would Kakashi dream that??

I think Kakashi's dream would somewhat focus more on Dreambito being happy and satisfied, to be honest. I know there's Sakumo and team Minato as a whole, but as a degenerate shipper, I love the obsession between them🥺

I don't think Obito would directly interfere with what Kakashi is dreaming about, i.e. changing Dreambito's behavior, or like the political situation of the villages (?). But he would most definitely insert himself in Kakashi's psyche, no? Mess it up real good.

Kakashi would slowly realize that he is living a dream world, after all the flashes of memories that Obito generates in his mind. He would most definitely deny it at first though, I think? And then it would reach a point where Kakashi remembers everything from the real world, but he has also lived through 30 something years of the dream world, meaning he'd be in his 60s?? Does that make sense or no?

And so, while Kakashi now knows that everything is a dream, his feelings for everybody in the dream are real. If that's the case, is it really that important anymore that he escapes the Tsukuyomi? Can this dream world really be called fake at this point? Is there even anything in the real world for him to return to?

What's to say 'the real world' isn't a dream at this point?

-> Kakashi would completely close in on himself after this. He still does things that he would normally do, but it'd be all an act. He would feel completely isolated.

-> Dreambito would notice and confront him again, now that they live in the same house??? Kakashi would like say everything is fine and try to act more convincingly, but Dreambito would still know something's wrong????

-> Obito is observing from afar, who knows what his motivation is at this point.

Because this is Kakashi's dream world, I suppose he would have the power to change this world to his will, now that he's aware? This is like a lucid dream situation???

The people in the dream have their own will up until this point, but Kakashi can somewhat change their behavior if he really wants to, whether it's subconsciously or not??? Example: He can probably will Dreambito to kiss him or something lol

So on and so forth!

Man, I'm having waaay too much fun imagining the pain. There are probably like a thousand things that doesn't make sense haha! I do wonder how this sort of storyline should end though, does anybody have any ideas? Personally, I prefer slow burn with a (sort of) happy ending, but ya know, angst all the way is good too! I can't write, but I love thinking about all the things that could happen 😭😭 English isn't my first language, so this might have felt weird to read at some point haha

If anybody wants to develop this, please feel free to do so! And if you've read this far, thank you for reading this absolute brain vomit of mine! I love to yap, as you can tell haha Have a good day!

[tgcg]

ms paint. you know her. u used her age 8 to make loads of rainbow ovals all over the canvas and then scramble it with selection tool. now u will know her true powers with my handyrandy tips under the readmore. some will be pretty basic and others are very special.

this post has 8 cool trix to learn for you. enjoy and i may do another in the future if i remember/learn more stuff

some of it might be common knowledge. but its got some deep cuts. all tips have gifs to show process easily.

🙂 enjoy and i hope this encourages you to fuck around in mspaint more

soundtrack for this post (loop it while you learn for advanced learning experience)

TIP 1) the right click trick

left and right mouse click correspond to col1 and col2 respectively, which u can see in the top bar. this applies to all brushes and the fill tool like above. when using shapes col2 will be the fill colour (if you have solid fill selected). right clicking with shape maker will reverse the colours use on the shape.

TIP 2) right click eraser

this one is extremely helpful for lineart or add shading. the eraser always uses col2. so your eraser can technically be any colour. but here's where you get powers: right clicking with eraser will only erase onto col1, with col2.

TIP 3) transparent selection change a guy destination

the beloved transparent selection tool works based on what is selected as col2. so long as you have the correct colour as col2 you can make any image transparent and put it on top of anything else. and yes this works with photo bg as you can see.

TIP 4) the gradience

this one is a little more complex. you want to start off with any canvas size, and make as many diagonal coloured bands as you want. (protip: holding down shift makes a perfectly diagonal line with line tool)

then you need to resize the canvas to a width of 1px (make sure you resize by pixels, and do not maintain aspect ratio). then resize again back to its original width (or a different width i cant stop you). you will have your lovely gradience.

TIP 5) superimposter

so. you got a cool gradient and wanna put a guy on it. heres what i do:

i open a 2nd mspaint with same canvas size and draw whatever i want on there. i then pick a completely unrelated colour to my entire piece, and set that as the bg. you could use white, pink, geen, whatever you want as long as it doesnt appear somewhere else in ur drawing. copy the guy.

go back to your gradient tab. ensure that col2 is set as that bg colour you picked (lilac for me). have "transparent selection" enabled. paste your guy in. cue fanfare

TIP 6) advanced superimposter

the great thing about this method is u can put multiple gradients in multiple areas of the image. this is where it gets all japanese printmaking type of shit. ukiyo-esque

all you need to do is make another canvas with a new gradient, ensure col2 is set as the colour you want to replace, then paste your original piece onto the new gradient. now my guy has a soft fade. you can do this as much as you want. (you could even make a canvas with a texture or photo and paste your drawing onto there)

TIP 7) "sketch layer"

so as you now know, col2 is what is removed when you click "transparent selection". which means you can also remove any instance of a colour from ur drawing. which means you can have a unique colour for sketch layer and remove it from the drawing later. i admittedly dont do this but it is a great trick to have.

now combine this with lowering your dpi for smoother lines. may seem obvious but it helps. its like a free stabiliser whenever u want.

TIP 8) rainbow art

now this is where you can get dizzee rascal "bonkers". check out my small and shitty rainbow trick. you can select anything and hold down shift, then drag with left mouse, to turn that selection into its own brush. i even did it with a guy. and you can of course do this with a photo as well.

🙂well that it for now. hope you liked it thanks for reading now back to your regularly scheduled tgcg programming

[jolalibrary]

5. pepper red

frankie morales x f!reader | chapter five of do me yourself

summary: a meet-cute in a hardware store? impossible, out of the question. except, that's exactly what happens. a need for screws leads you to a broad-shouldered, brown-eyed man who you're sure is about to change your day, never mind your life.

wordcount: 2.5k chapter warnings: [see masterlist for series warnings] SMUT. p in v. dirty talk/mutual appreciation. minor competency. frankie is pretty, thick and sexy. frankie calls you 'rainy' (paint-related from chp.1) no other descriptions or name used. you wear a date outfit but not specified. no use of y/n. an: if this was a sitcom episode, it wouldn't be allowed to be aired and also, i passed my exam, wahoo.

prev chapter | series masterlist

For some reason, it doesn’t surprise you that his bedroom is forest green. Or, that it’s accented by strong whites and similar dark woods as the living room. All earthy tones, him.

In the same way, it doesn’t surprise you that his skin is soft, all smooth as your fingers brush over his skin when you lift his t-shirt from his frame.

Because he looks as good as he did in those videos you’d watched over and over. Getting the chance to see if the silver scars were tricks of the light or stories he hadn’t shared. Your fingers discovered it was the latter.

“God, you look good, Frankie.”

He snorts, before sliding a thumb under your jaw, forcing you to confront big, doe brown eyes. Ones that you’d fall into if you could, especially as they pause, stare from one eye to the next, likely to see if there’s a lie there—a slither of untruth to your confession.

There isn’t.

A thing you ensure sits at the forefront, a silent plea for him to believe you. You suppose he must do when his mouth slides back over yours. Tongue pressing at your lower lip, seeking entry that you happily allow.

You lose yourself in it, him. How good it feels to have his lips on yours again. To have the added feel of purposeful and intentional fingers taking their sweet time to slide your outfit from you.

Because his hands trail over as much as they can. Doing so as though he’s busy carving a memory of you in his mind, making you real. A thing you won’t admit you’re doing too, too busy committing the way he feels, as you run your hands across his shoulders. Feel the expanse of them, the width, wondering—as his tongue swirls a shape on your neck—if yoga will really help you fit his broadness between your thighs.

Frankie must notice you’re drifting, thinking, because his mouth finds yours. A thing which cements you to the moment. Kissing you slowly, deliberately—a hint of mint amongst the drink he’d provided and you smirk, smiling against him.

Because he’s eaten a TicTac.

It mixes, fighting to refresh as though you hadn’t eaten and consumed the same fast food. But the act, the way his lips slide against yours, makes that joke melt as quickly as it appeared, because he’s completing his mission: the one to leave you breathless.

Tangling your fingers in his hair, you choose to pull him closer, deepening the kiss. Tongue sliding back behind his teeth as a soft moan escapes him; swallowed by your own as his hands grip your hips, pulling you flush against him. The feel of him, hard and ready against you sends a thrill of anticipation darting through you.

It’s easy, simple, to allow the rhythm of your bodies to become a language all of its own. A two-way conversation being sketched out and written in sighs and moans, punctuated by the occasional gasp. A symphony of desire.

And then you make things shift. Change the tempo when your hand descends between the two of you. Feeling him, grasping his cock, taking note of the way he inhales at the feel of your fingers. For a moment, his mouth hovers over yours—both open, just breathing. His palms flat to your side—as you hold him, feel his cock twitch in your hand. Moving, slowly—almost torturously, but it’s actually with precision.

He’s so hard, thick. Your fingers tighten their hold, wrist moving more, palm sliding up and down as you taste the way he says fuck.

“Bed,” he groans, almost through gritted teeth.

Smirking, you bite his lower lip. Light. Not piercing or enough to leave an indent. “In a minute.”

And it leaves his tongue again. Fuck.

Fuck. Fuck. Fuck, baby.

All you can think about is how good he sounds, looks—feels. His head tipped back, neck elongated—lips parting as each expletive lasts longer than the four letters that make it up. It’s cliché to say it’s never been like this, but a truth that personal isn’t always easy to confess.

“Not waited to do this right with you to come before you have, Rainy.”

His fingers, those calloused ones attached to those hard-working hands, wrap around your wrist. Light, but determined.

“Oh, Butterscotch,” you tease, mouth close to his. “You been thinking about this?”

He smirks, just as he clasps his other hand to your side—tugging, yanking you flush. Feeling him, all of him, as you’re guided, moved, backs of your legs meeting the well-made bed you’re about to mess up and ruin.

“Since the moment I heard you laugh.”

Your body falls back, the sheets cool, smooth, pressing against your bare spine, before his body comes up—caging you. Nudging your thighs apart with his knee.

“Just kept thinking, bet you make other pretty noises too.”

Lips parting, you knot your fingers in the curls at the base of his neck, letting his lips slide into his cheek. That dimple appearing. The one which tries to hide under wiry hair and shyness, but is deeper than ever now, nothing held back or hidden.

And you can’t help but watch, completely transfixed by the light from the lamp he'd flicked on. The one lighting up his face, making him appear golden, ethereal. Able to discern each of the shades that make up his eyes, the flecks within them, the different browns that make a colour you dream and think of constantly, but you’re not sure has any other name than Frankie.

“Can I touch you, baby?”

You find you can only nod.

Words failing, falling, simply replaced by a gasp as he slides them between your partly spread thighs—feeling it, how wet you are. How slick and desperate you are to have him. A mess, all for him, by him. It likely ruined the underwear you’d left on his floor and dampened the sheets under you.

“This all for me?”

The rasp of his voice only makes you ache more for him. Hips desperate to shift so his fingers do more than trace and tease, but plunge and curl.

“Yes,” you moan.

It's like he knows you. A thought that bubbles and bursts when your fingers grasp at his sheets, his two fingers feel so much different than your own; Than the toys you own that are shoved in protective bags inside your sock drawer. His seek, aiming to find that spot inside you, stretches you, making your toes curl and your knuckles ache from how tight they hold the sheets.

And he’s talking. A sea of things that you half-catch and miss the rest. That you look good, feel good, that he wants to watch you come apart before he even thinks about giving you his cock.

Words almost leave your mouth, but you’re barely present.

More electric than person; more liquid than solid. So fucking close already you can feel the tremors in your thighs from not rutting yourself against his hand when the base of his palm presses flat to your swollen nerves.

“Fuck, Frankie—”

“Do you like it when I talk, baby?” his voice becomes an anchor. Keeping you here, not allowing you to float too far as you nod, crinkled pillows sounding as you do. “I think you do. I think you like hearing how hard you make me, how much I think about you in this bedroom, in the shower—at work—“

You’re arching. Barely clinging to the present as your feet flatten to root you, to grip to reality as your ears ring and pleasure does more thrum, but builds and builds—all compressing, hot, closer to liquid fire.

“—look at me, baby.”

And you do.

Lids flipping open as you’re met with nothing but desire, lust and need. It pushes you, suddenly freefalling. Your throat aching, scratched with the syllables of his name as you dig fingers into his curls and curl your body as much against him as possible as he works you through it. Him coaxing, mouth on your collarbone as he licks and lathes as you moan, and pant.

It’s then you look at him again.

Bathed in a sandy glow, sweat peppered on his chest, glinting and glittering as you find his eyes on you, taking you in as you catch your breath.

He’s so handsome, beautiful. In a way that ruined you before, that made you think of nothing but him, which now devastates you—in a way you only want him to do over and over.

It’s easier to kiss him than say it.

To trace the words over his mouth as he hums, as the vibration tickles across your lips before you’re manoeuvring him. Only paused in doing so as he dragged his lips down your neck, the sound of a drawer opening, closing, hearing a wrapper crinkle.

It’s a blink and you’ll miss it moment when your hand snatches it from him, placing it between your teeth, trying as they do so easily in movies to lightly rip it over with your teeth. You struggle. Suddenly nervous about piercing it, mind in overdrive because what—

"Easy, baby. I've got it," he growls into your ear, taking it from you, opening it more with ease than you'd managed.

And it makes you crash your mouth back to his. Etching more things to his mouth, smudging them over his tongue. How much you want this, want him.

It’s why you’re grateful that Frankie moves with ease until he’s on his back and you’re on top of him. A hand finds a home on your back, once the empty wrapper is discarded, fingers spreading out, flowing warmth into your bones. Then the other begins aiding, lining himself up as the head presses against your opening.

When you take as much of him as you can, fingers soothing your hip at the stretch, the hiss drawn from your lips at the light sting, before your forehead meets his. It's a moment before you move again. His words are there, guiding, before the room is flooded with a moan that's unearthed from your soul. One that is almost smothered in his own, a groan that makes heat flood your ears and a smile grace your mouth.

“So good for me, feel so good—“

“Can take more,” you interrupt, breathless. Slowly moving again, lifting up before sliding back down his cock—walls welcoming him, stretching, taking him to the hilt. “Y’feel good, Frankie.”

“Yeah?”

Nodding, you roll your hips slowly, torturously if anything. Still sensitive. Little gasps escape as you begin to find a rhythm, one that makes his teeth bite down on his lip.

Taking his hand, pulling it to your breast, wrapping around it as he cups it—as his groan stains the air between the two of you—you draw an O with your hips, feel that heat in your stomach.

“I like your hands, Frankie.”

A line appears, deep between his two brows. A look of shock, surprise—awe—spreads over his face like a sunny day suddenly appearing in a storm. Before, it’s slipping away, hiding, wriggling away to some depth of him you wish to call back.

“I like your voice, your smile—fuck, oh my god—and-and I like your thighs, and your…”

You continue, babbling, rambling as his hands find your hips, steadying, moving you, thrusting up into you as little spots appear in your vision, as your own voice becomes distant and easily forgettable.

But the look on his face is anything but the latter.

He’s spellbound, utterly captivated—appearing as though if his mind was a camera, he’d have filled up several memory cards with what he was trying to capture.

And it feels good.

A wanting so bad that it almost makes you snap there and then, more so as the head of his cock kisses that part of you once again, a whine coated in both a gasp and a moan—

“Put your hands on the headboard, baby.”

And you do, assisted by him moving you with him sheathed inside of you before palm after palm is placed. The fabric underneath is soft, almost like velvet—leaving marks of your touch behind in its wake as you feel his mouth on the underside of your breast.

“You look good like this,” he continues, mouth pressing kisses to your skin, “But then, you always do.”

Your eyes snap to his, finding nothing but hunger paddling in brown. You don't fight the heat that flares out to the last few places pleasure hasn’t touched. Where only compliments and adoration can kiss and warm.

Then he says your name.

Not baby, not Rainy, but the one you’d handed him in that paint aisle and set yourself on a course for unravelling. A thing you don’t regret, but rather wish had happened sooner.

Your name rasped in that deep way that echoes through the room long after the last letter is spoken, digging deep into your soul as it unlocks something. It makes every sound amplified; the rustle of sheets, the creak of the bed, the sound of skin meeting skin.

“Let me hear you, baby,” cuts through, slicing,

And you do.

Your whine shifts into a sob, almost choking on it as it snaps—as pleasure rips through you and drowns you in waves. There’s nothing but white, a much louder ringer, and the distant knowledge that you’re spraying his name across the room as your hips stutter and he thrusts up into you, twitching, fucking breathless from it.

His hands, large and holding tight, keep you rooted—slowly hearing him groaning, grunting, low hisses of your name and how good you feel tight around his cock.

His fingers dig into your skin when he follows you. When his eyes clench, and his mouth parts around your name, lighting it up, making it seem as special as he makes you feel.

You collapse fully against him, thighs still shaking, little tremors in your muscles as your fingers brush back his damp curls from his forehead. A smile easy to find, to let slide over your mouth as you kiss him.

The light from the lamp drapes over you—still sticky, a mess between your thighs as you kiss him again, bodies flush. More gentle, a light lick across his bottom lip as you feel him grin, hands roaming over your body, tracing the curve of your waist, the slope of your back

He murmurs your name, palm sliding up your cheek, tip of his nose brushing against yours. “Should clean you up.”

“Hmm…”

His thumb swipes, hearing him swallow as your eyes open and find his already on you. “Don’t go.”

"To clean up?"

"Tonight."

Biting your lip, you try to fight it—less a smile and more a grin. “Okay. I won’t.”

And his lips capture yours once more. A thing you relax into—easily. Just like you keep finding so effortless to do with him.

next chapter ->

[papiliomame]

Road to 3D- Sam Manson (Part 2):

Character Modeling

Part 1: Model Sheet

Welcome to the second and final part of this project. Since people have asked how I do my models, I decided to make a write-up on how I approach these things using the example of a model of Sam Manson. The first part focused on how I make a model sheet fo a 3d model the second part focus just on the modeling. There are many more things about how to create a fully realized 3d character that I could make whole other chapters for, like UV unwrapping, texturing, shading and rigging, but I don't have enough knowledge past the fundamentals on these topics that could warrant their own seperate posts.

Additional stuff before I continue:

I use Blender for all my model

This not a beginners guide or something similar, it would be helpful to already know the general workflow of a modeling, how to use Blender and know different terminology like edgeflow, retopology etc.

If you are a beginner and want to learn more about character modeling I recommend the videoseries "Modeling for Animation" by Dikko on Youtube

Maybe I make some reference some tricks from this videoseries

That's it, let's go!

My first step is always the block-out phase. The block-out phase is what the construction lines and the first sketch in a drawing are. I align the frontview and sideview from the model sheet I made in part 1 with the z-axis (the blue line in the images above) and roughly shape out the forms with primitive forms. For this I mostly use a cube with a subdivide modifier.

Having a modelsheet without the clothes obscuring the body makes it much easier the get the form right. The block-out phase is one of the most important steps, if it looks good than I have practically half the work done. This is also a good opportunity to practice anatomy.

After this stage I continue with the head. First of all, don't forget to add the mirror modifier so I just need to model half of the model. There are different methods to approach modeling the head, like sculpt the head first, retopologize and than bake all the deatails onto the retopologized head. I actually prefer to polymodel the head especially when I have a good model sheet. I practially trace the lineart from the model sheet by extruding vertices, once from the frontview and once from the sideview. The most important points are the form of the eyes, the mouth, the form of the face and the jawline. The head block-out is used as an anchor point for the shrinkwrap modifier so that the traced forms actually look like they belong to a 3d form and not 2d lines floating space. From this point on it's just connecting everything, pull and push vertices so it looks like a 3d head and make sure the edgeflow is good. (It's also helpful to know how the planes of the head look like) After that I add the eyelashes, eyebrow, eyes and the ears, now it looks like something!

Now comes the hair. For the hair I used the "curve trick" like mentioned in the video series I recommended. Here is a tip to save time: I choose some edges from the head, duplicate and seperate it from the mesh. I convert this seperated line into a curve and choose a beziercircle as a bevel geometry. This is now the perfect foundation to model the hair further. One thing I needed a long time to notice: To get the beziercircle to a perfect square or in this case a triangle lower the Resolution U to 1 in the shape options. Now I just convert the curves into a mesh and add details and the head is done!

With the head finished I continue with the body. Remember how I wrote with a good block-out half of the work ist finished? Well, for this step I practically just use the smooth brush in sculpt mode and smooth everything out so everything looks connected. Then I retopologize the body and that's it. Well, ok there is a little bit more to it: Before smoothing things out I join the block-out part to a single mesh and remesh it with the remash modifier expept for the hands. I prefer to polymodel the hands seperatly without worrying about the rest of the body because they are difficult to model. I reattach them later. Speaking of reattaching, I make sure that the connection points have the same number of vertices while I retopologize/polymodel. To ensure that, I often use the following trick visualized with a simple example ( which is also described in the video series):

I want to reduce the amount of edges at the bottom of this plane, for this I merge 3 vertices from the middle into 1 vertice seen in the left image. After that I can select the blue marked edges from the center image and dissolve them. The result, which you can see on the right, is a nice clean edgeflow with a reduction in the number of edges.

After modeling every part I attach them together and I have a finished bodymesh the work with.

Now onto the clothes, for this I use the model sheet with clothes as reference. Having a retopologized body makes it easier to model simple stuff like e.g. Sam's shirt. On the left image the marked faces of the the bodymesh already looks like a shirt. I just need to duplicate and seperate this area, clean it up a little and the shirt is basically finished. The more complex stuff like the boots I need to polymodel around the bodymesh.

With that the modeling part is done! Now comes the things I said above: uv unwrapping, texture painting, rigging and shading. These are whole other topics I cannot go deeper because I'm still learning how to do these things but I hope my little write-up about how I appoach character modeling was enough to learn one thing or two.

Thank you for your time and thank for reading!

[allmyocsarebritish]

A passion for exploration

(Known in my notes as ahkaeology)

Pairing: Ahkmenrah X reader

Warnings(?): Grave robbing

A/N: okay okay I know it's really odd that a wednesday blog is now posting for natm but I went down a rabbit hole and I'm afraid I lost the entrance. History nerd has shown through well and truly :')

Also my first multi part fic :D

Title is courtesy of my mate Abi using AI

Ch 1

Grave robbing

Was desecrating the tombs of these once honoured, omnipotent kings of Egypt really something you were willing to do? Had the circumstances preceding the grave robbery been less bleak, the answer would have undoubtedly been an definitive no. These rulers commanded the uptmost respect in life, and here you were, excavating the only memory that remained. There wasn't a day that went by during your expedition in which guilt did not infiltrate your mind, suffocating your conscience and depriving you of any sleep, even before you came close to finding an ancient tomb. But it wasn't like you had any other choice.

Pushing down your gnawing feelings of dread, you trekked on through the Egyptian desert. Rough sand brushed against your lower legs beneath your simple, calf-length skirt, chafing at the skin. You were the only one of the troupe resigned to walking, as the youngest and the lowest class. Astride camels, the two men had a better view of the surrounding plains, though the blank, barren flats stretched on long beyond the horizon.

"The valley of the kings shan't be too far from this place" called Lord Carnarvon, map still in hand.

You held back a scoff, rolling your eyes as you knew he wasn't looking at you. If only he would admit none of you knew where you were going. The only clue you were given was that the gold rich landmark was announced by a grand pyramid at the end of a hollowed valley consisting of a multitude of others. What a shame that this was the Egyptian desert.

Filled with pyramids.

Days and days stretched on of travel, and eventually, you stopped counting the sunrises, resigning to the fact that this would only stop when the valley was found, however long that took.

As with most great things, the discovery of the valley occurred at a time when you least expected. You had taken advantage of a small oasis, resting for a few hours and permitting the camels an indulgent drink. Howard Carter dozed beside you, hat pulled low over his face, in order to shield his resting eyes from the blazing fire of the sun. Carnarvon had taken his liberty and ran off, or so you had hoped. No, in fact he was continuing the investigation alone and on foot, clutching a worn, shoddy map, which was twinged a grimey brown with years of filth accumulated around the edges of the paper. He never strayed far, though attempted to work out his bearings, using the wind or some pretentious bullshit you never bothered listening to. No, you were perfectly content drawing in the sand with a stick you had found and claimed an hour or so prior.

You were more than unimpressed when the sketches you had so tediously etched into the sand were scattered by Carnarvon sprinting back to the small camp. Jolted awake, Carter sat up sharply, alarm etched across his features.

"Blimey, good sir! You gave me quite the fright!" He exclaimed as you nodded in agreement.

"Are you alright?" You asked, though your eyes may have given away your disinterest (had either man been paying an ounce of attention).

"Shh!" Carnarvon interrupted your pleasant concern, to which you rolled your eyes and began attempting to recover your drawings. "Carter, good sir! I dare say I've found it. I've discovered the pyramid!"

A bold statement, and not the first time either. No, twice prior you had been dragged into the colossal ancient skyscrapers, only to find they were far from your true destination. Empty of any treasure or historical worth beyond the buildings themselves, you continued on, fruitless. Grand structures were quite an obvious goldmine, and previous grave robbers had left the tombs void of, well, anything.

Though of course, it was more than worth it to explore this fresh discovery, not taking any chances.

Time was of the essence, or so you were told. Camels saddled up in record time, you were hoisted up from your seat on the floor by Carter, borderline dragged up.

"Come, young Y/N, you heard his lordship. We may have found the Valley. Hurry on, now" his words were gentle, still treating you as he had done in your childhood, despite the fact you were now 19. It was something that you both appreciated and hated simultaneously. Howard was kind to you, much more so than Lord Carnarvon, who cared as little for you as you did for him. The mutual disinterested made for some long, awkward silences, and many threats to leave you in an unknown grave.

Still dragging you by the arm, Carter began to untie his camel, before finally letting go of you. The rush was honestly needless, you had been expeditioning for months at the least, what harm would a few mere minutes cause? But the men were adamant, and there was no arguing, especially not from a useless child as yourself.

"Can I at least keep my stick?"

Recieving no reply from Carnarvon and an incredulous stare from Carter, you concluded the answer was yes.

The journey from the oasis to the pyramid was shorter than anticipated, though still rather long. Another day passed, spent entirely wandering through the desert. Exhaustion washed over your entire body, and it was a war every minute to keep your eyes open. But, alas, you must continue, and eventually your trek drew to a close as with further examination, it became clear this pyramid was not what you were searching for.

Disappointment and rage filled Carnarvon upon the realisation that this was, in fact, not the Valley of the Gates of the Kings, but rather a singular, sandy pyramid. "Why, there must be some mistake!" He complained impetuantly, always one to shift blame elsewhere. You exchanged a look with Carter, who for once was willing to admit the incompetence of the troupe's leader. After all, what were the chances that a random pyramid would mark the infamous, esteemed valley?

From a distance it appeared mighty, though in fact that was more than likely a mirage caused by the monochromatic nature if the desert. Upon further examination, however, the pyramid was far from the grandeur anticipated by Carnarvon and Carter. Huge gashes and rifts in the brickwork jumped out from metres away. Crumbling brickwork was cratered, resembling a sponge with many holes, as dusty gravel avalanched down the sides of the architecture at every other interval. Overall it was worn and aged, therefore more likely to be looted and barren.

"I do say it's worth taking a look around, my lord." You spoke, addressing him clearly. Carnarvon waved his hand dismissively, wishing you out of his presence.

"Yes, yes. Go ahead child." Did you expect that? No. Did you need to be told twice? Also no. A small grin gracing your features, you took off into the pyramid.

Racing across the gravely surface of the desert, the sand provided a slight level of resistance. Nevertheless, you persevered onwards, stride refusing to falter. Basking in the glorious heat of the warm Egyptian sun's rays casting down on your face, you closed your eyes as you ran, chin tilted upwards. Naturally, this obscured your vision, rendering you blind, and therefore leading you to miss the gaping hole in the ground.

A short squeala of surprise passed your lips as you suddenly found yourself unexpectedly falling through the earth. The drop was rather long, and you landed in a heap on the floor of the dugout with a large thud. You weren't aware of how long you were unconscious, but judging by the severe lack of any source of light, sunset had passed. Pain shot through your body, coarsing through your veins and ricocheting off each of your bones in turn. Head pounding, you groaned slightly, trying to work out what in the hell just happened to you.

Darkness continued to fill the room, prompting you to fish within one of your pockets, pulling out a match and striking it aflame. The hidden chamber was large, that much you could tell even despite the dim lighting. Blinking twice as you began to, very slightly, register your surroundings, you noticed the sheer obscurity of this interior. You'd heard of the saying 'paintings that seemed to follow you around the room', but this gave a new meaning to those words.

No, wait.

Those paintings were moving, and not metaphorically. Eyes widening, you began to notice everything in the tomb writhing like a cluster of cobras. Onyx black cats prowled upon shelves, worn linen bandages slowly unfurling from being bound around each of their limbs. Animated drawings of men, deities and horses alike moved naturally, as though it were a perfectly normal occurrence. Shabti servants, the colour of oxidised copper and ranging from 5-30cm tall formed an army scattered throughout the tomb. Then, slowly, as though delaying the inevitable, your eyes trained upon it.

The sarcophagus.

Shuffling away rapidly, your back hit the decrepit wall of the hidden grave. The embodiment of terror plastered over your face, you watched in horror as the coffin began to violently shake. Your blood ran cold as bangs from the inside began to echo across the acoustic chamber. The rusted hinges were worn and flimsy, and the bolts began to unscrew from their holdings. Padlocks had become frail with ages and popped open, one almost smacking you square in the forehead, to which you responded with a short yelp. For a moment, all movement ceased, as though whatever was inside had begun to listen to the intruder in their grave. You took liberty of the fleeting moment, and began to craft a way out. The quiet was short lived, however, as, with one final, mighty heave, the final lock was broken.

The sarcophagus had been opened.

Your breath caught in your throat, the air thick and suffocating as you watched a wrapped hand emerge from the tomb. The coffin lid was ajar, though it didn't take much pushing to be removed almost entirely. Almost at once, the creatures residing in the grave marched forward, crowding their newly awoken master. Hidden in the shadows, you froze, hoping to remain unseen and ignored, and thus leaving unscathed. Soon enough Carter and Carnarvon were bound to find you?

Right?

A huge open grave couldn't be subtle, you only missed it as you eyes were closed. A stupid decision really, and you mentally cursed yourself.

You remained rooted to the spot on the freezing floor, as the reanimated corpse continued to rise from its grave. Surely this was an affect of your concussion; for all you knew this was just an unconscious dream. Besides, with all the travel in the desert, dehydration had undoubtedly left you delirious. It was at that split second of slight relaxation (if you could call it that) in which you spied the piles of treasure sloping at every corner of the tomb. What could you say - you were a grave robber. Carnarvon would be so proud - if you returned alive that was.

It began to claw at the ancient, frayed linen covering its face, causing your heart to race: it thumped so hard you swore you'd be given away. Praying you didn't go into cardiac arrest, you continued staring bug-eyed as the bandages unfurled in front of you, like the dramatic unveiling of an innovative new invention. Closing your eyes for the second time that day, you winced, raising your arms to shield your face from the horrors you were undoubtedly about to witness. Bile rose in your throat as your mouth drew dry. Images of rancid, rotting flesh peeling off bones flashed through your mind, prompting your whole body to tremble.

'I'm just delirious. Any moment now I'll open my eyes to be met with a chamber of riches.' You thought to yourself. Awoken mummies were the stuff of fairytales, and despite what Carnarvon and Carter believed, you were most certainly not a child.

Your internal monologue was cut short however, interrupted by the gentlest of touches placed on your arm. It prompted you to flinch away instantaneously, a soft whimper escaping. Eyes shooting open, you came face to face with the pharoah himself. And he was not what you had anticipated.

He wasn't the scary mummy you were expecting, he was a teenage kid.

Kind, cerulean eyes rimmed with a smoky black eyeliner stared into your own, azure oceans plagued with concern. Concern for you. Such a colour must have been pricelessly rare, sapphires amongst stones.

His golden, tanned hand had felt cold and lifeless against your arm, yet the heat it had radiated was electrifying, continuing to shoot jolts throughout your entire body. His skin was soft and smooth, betraying the fact that this royal had almost certainly never worked a day in his life.

Slightly unruly brown curls and a toned slender figure - he was actually rather cute.

"Are you alright? You seem a little... Lost?" He queried, to which you seemed unable to form a response.

"I- what.. who? What's going on?" You managed, stumbling over your words as your voice cracked slightly.

He gave a small smile, clearly sympathetic of your utter confusion, before gesturing at a golden tablet, as though that were supposed to help you in any way. Noting your expression of utter bewilderment, the undead Pharaoh elaborated.

"That's my tablet, blessed by Khonsu himself. It holds the power to awake the dead at night," he gestures to himself and the cats, who stared at you, blinking and unsure whether it would be safe for them to approach. Then, he pointed to the paintings in the walls and dragged his finger towards the mass of shabti dolls, both of which watched you with the same confusion. "Along with anything else resembling a life form that finds it's way into the presence of the tablet."

"Right." You answered, holding your head and still in shock.

"You needn't be afraid, you know. I'm not going to hurt you."

"Thank you, that is a relief." You swallowed thickly.

He hummed in response, smiling with an amused frown at the fact you feared him.

"So, who exactly are you?" You asked after a short yet not uncomfortable silence.

His lavish outfit betrayed the royal status he claimed in life, only accentuated by the Red Crown, or Deshret supporting a golden snake - the symbol of monarchy- resting atop his sarcophagus. Around his neck fastened a Usekh collar, adorned with teal and umber jewels and beads, and topped with golden accents. Sleeves of cloth draped over his arms, the fibres of the fabric woven with pure gold. The metallic shine of the element was evident in the chromatic sheen of the cape resting over the Pharoah's shoulders. At his waist there hung a Shendyt kilt, fastened with a cloth belt, also elaborately decorated. Beautiful gold jewellery decorated his figure, your eyes drawn in particular to the stunning gold bracelet cuffs he supported on either wrist, encrusted with gemstones, potentially aquamarine or topaz. Once again your attention was drawn to his face.

"I am Ahkmenrah, fourth king of the fourth king. And you are...?"

Stunned into silence for a moment by the regality of the ancient king before you, you blinked and paused briefly before answering.

"Y/N. Y/N L/N."

"So, Y/N, what are you doing in my grave?" Ahkmenrah asked you, barely trying to surpress an amused smile. Your cheeks flushed as you tried to form a lie. This ruler seemed nice, and regardless, you couldn't exactly tell him you were intent on raiding his tomb for riches.

"It was an accident. Really, it was. I was running, and, well, I wasn't exactly looking where I was going."

"Clearly." He smirked. "Why were you in the desert though? Forgive me if I'm mistaken, but you don't appear to be Egyptian."

"What? Oh, no I'm not. I'm English. I came out in an expedition with two other men; Lord Carnarvon and Carter. They're archaeologists." You winced at the manufactured truth. It wasn't entirely a lie, that was what the men claimed to be. Though all your troupe really planned to accomplish was glorified tomb-raiding, a fact that made you sick.

"And they left you here?" Ahkmenrah questioned incredulously, unable to fathom why on earth they would abandon you like this.

"Well, no. Not exactly. They allowed me to go check out the pyramid about 10 yards south, but, as o said, I fell down a hole." You blushed again, this time due to your own stupidity and clumsiness. This was not how to earn the respect of an esteemed king.

Ahkmenrah frowned. "So how long have you been down here?"

"Uh. I don't actually know, I was unconscious for a short time. Or possibly a long time, that I'm not sure of either."

Concern once again crossed the young Pharoah's face. "You poor thing! Are you alright? You're not concussed, are you?"

"Probably." You shrugged, further alarming him.

The next few hours were spent talking to Ahk, discussing everything from the legal affairs of ancient Egypt to the cats that accompanied him in his tomb. Over the course of the night, the two of you had grown closer, both in terms of friendship and literal distance. Most of the other inhabitants of the grave had deemed you safe, returning to their regular routine, and the most curious of the mummified cats, an (aptly) Egyptian mau apparently named Tivali, had become rather taken to you. Eventually, the exhaustion of the day had caught up with you, and you slumped against Ahk's shoulder. Revelling in his presence, contentment washed over you as, for the first time on your quest, you relaxed, finally at ease. Perhaps it was delirium, but in your sleepy state you swore you felt his fingertips grace against your cheek, the ghost of his lips pressing gently against your temple.

"Sleep well, my dear."

[thedawner]

7/27/2024 Edit: I forgot to add some additional info for the brush settings! It should all be good now.

🔥🪥It's done! Here's a new Sai 2 brush pack. It has brushes for lining, painting, sketching and some tone ones too!

Also, if you'd like more assets/brush settings to try out, I recommend getting these packs too:

[blackboard-monitor]

how i've finished inktober every year for eight years and counting

Every time I mention around other artists that I finish inktober every year (meaning I draw and ink 31 drawings, one every day in October), I get questions like "how???", so I figured I'd make a post about it on the off chance it's helpful to someone. Please note that all my advice is based on my personal experience and you're a different person so what works for me may not work for you, and you can do whatever you want forever.

What it boils down to for me is two basic rules: 1) keep it simple and 2) manage your expectations.

Tools

Paper/sketchbook

I started my first inktober in my journal at the time, and because I'm neurotic like that, I've had to do every subsequent inktober in whatever journal I was using at that point.

The benefit of this is that each journal has had a page size of A5 or smaller, which can be tricky when trying to get in a lot of detail, but on the other hand forces you to limit the size of your drawings to a pretty managable size.

Paper type can also be important! Last year in 2023, my journal was a Moleskine sketchbook (image 1), which was actually designed to handle some degree of wet media, which was a game-changer for me as an ink wash enjoyer. Don't get me wrong, I've been using ink washes in most of my previous journals as well, but inking is a lot nicer when your paper isn't constantly buckling (image 2) or pilling and the ink isn't bleeding all over the place, inclunding through the page (image 3). Pages that stay flat instead of buckling are also a lot easier to scan or photograph, if like me you want to post your art online.

In short, my inktober paper recommendation is to use a sketchbook no larger than A5, and go for one with nice, thick paper if you intend to use wet media.

Sketching

I sketch everything with a single 6H pencil that I got from my brother in 2019. Because the lead is so hard, it allows me to scribble to my heart's content without the sketch getting too dark or hard to erase. Sometimes I'll refine the sketch with a HB mechanical pencil, which shows up really nicely on top of the 6H lines, but I may skip that step if I'm feeling lazy or the first sketch is clean enough.

Inking

I've used a variety of art supplies in my inktober drawings. For the most part I've always stuck to greyscale, with the exception of a couple of red or gold accents some years.

My main inktober tools are a set of Micron fineliners in various sizes, and liquid India ink, which I use with a dip pen and with brushes. I usually mix up a mid-tone ink wash in a small bottle, and use that throughout the month.

Fineliners pros: portable, require minimal setup, can use on the sofa or in bed or wherever Fineliners cons: creating texture and filling large areas is a lot more time-consuming. In 2021 I did inktober exclusively in fineliner because I was tired and couldn't be bothered to deal with liquid ink, but I ended up spending more time than maybe ever on the drawings because it took so long to add texture with pens.

Ink pros: you can achieve small details with a dip pen as well as quick texture and fill in large areas with a brush and ink washes Ink cons: can be messy (protip from 2022 Liekki, don't spill ink water all over your laptop), usually you have to sit at a table of some kind, you need to wash your brushes and dip pens, if your paper isn't designed for wet media, it'll buckle or bleed

Pick your inking tools and techniques based on how much time you have!

Prompts/ideas/subject matter

I've always stuck to the "official" prompt list, because it brings me joy to scroll through the tag of the day on instagram and see how others interpreted the same prompt. Or, rather, it used to bring me joy to do this, until instagram's enshittification stole our ability to look at tags. Maybe I'll have some luck with that on Cara going forward; here's hoping.

As for ideas, sometimes they come easy, sometimes it's like pulling teeth and I have to enlist all my friends to brainstorm with me (sorry, y'all). When in doubt, draw the first thing that comes to mind when you read the prompt; don't overthink it (like I often do). I like to try to come up with a less obvious interpretation of a prompt, but this is also where I often get stuck and have to harass my loved ones for ideas. Sometimes it helps to relate the prompt to a tv show/book/etc. you're into; I've done quite a bit of inktober fanart, as well as art of various DnD cahracters from games I've played/DM'd. If all else fails, just look at what everyone else is drawing that day.

Time management

Be realistic about how much time you have in a day to work on inktober, and then set your expectations accordingly. If you only have an hour, stick to a size and level of detail that you can realistically finish in an hour. I've done some very quick scribbles in my years of inktober when I've been busy that day.

My personal philosophy is that I try not to plan too much ahead; I don't do any sketching until day of, and ideally I don't try to come up with ideas for a prompt or at least decide on an idea until the day before at the earliest. Containing each drawing in one day helps me have realistic expectations of what's doable. This does mean drawing late into the night sometimes after procrastinating or struggling to find an idea all day, but it's what works for me.

If your goal is to complete inktober, it's better to do a small shitty drawing in ten minutes than to fall behing by starting something way too ambitious that you'll never be able to finish in a day.

Secret third rule!

Accept the fact that you aren't going to be happy with every drawing.

Inktober was created as an exercise to practice inking. Think of your drawings as sketches, not finished masterpieces. Some of them will be bad, at least in your own eyes. Sometimes you'll put a lot of effort into something that just doesn't work out. For example:

To quote Joe Hills, doing the same thing over and over again and expecting different results is the definition of practice. So you fucked up today's drawing. Tomorrow is a new day – that's the beauty of inktober. "Ever tried, ever failed. No matter. Try again. Fail again. Fail better." (Samuel Beckett) Progress isn't linear, either; some years are consistently mediocre, other years it's all over the place with a couple bangers and a couple really shitty ones.

Every inktober I've made drawings I love,

drawings I'm indifferent to,

and drawings that straight up suck.

And I'm at peace with that.

Thanks for reading what turned into a pretty long post, and I hope some of it was helpful. Happy inktobering!

[ravewing]

can you do a style tutorial?? dude there's geniunally nobody else who draws like you, your art is so poetic and divine, it's inspiring

WAAA THANK YOU ANON OH MY DAYS ??? genuinely this is one of the nicest compliments ive ever received on my art omga what .

im not very good at explaining things but eem ill try !!

i feel like one of the biggest things is the sort of sketchy/messy vibe .. i use a super tiny brush ('digital brush' on ibis (its a premade lol) on size 1-2) and kind of scribble scrabble sometimes .. i also dont do lineart, i cant be bothered to do allat so i just clean up my sketch using an eraser !

i also stay away from using curves and instead try to use as many straight edges as possible if that makes sense .. also arbitrary lines in the drawing are a must . i think thats one of my fav parts of drawing :)

when it comes to coloring and rendering, i start by adding a darker, slightly more saturated color for shading, then blend it out with a midtone, do thr same for lighting, and then i add details !!

ive also been told that my usage of warmer tones is recognizable, and i achieve that by playing around with the 'color balance' filter on ibis until im happy with the results

for shading, i use a dark color (anywhere between blue and red, depending on the character and environment) for shading and a light yellowy color for lighting on an overlay layer ! then (also on overlay) i use those colors to add more arbitrary lines and scribbles

here i kind of tried to break down my sketching process, idk if it makes sense or not tho😓

my current artstyle is the result of six or so years of constant drawing and growing and experimenting !! experimenting with your artstyle is a huge factor in allowing it to evolve as well as for you to find what works the best .

referencing/figuring out how specific artists that you like achieve their artstyles is super good for experimenting !! in 2021 i was a huge fan of bellasaurus and animatedwings, so i referenced their art a lot, picked out what i liked, and incorporated it into my own style :)

i didnt include humans in this because im not very confident when drawing them and still have to heavily reference things lol .. maybe another day

overall just have fun and go with whatever feels right ! below ill attach some of my art pieces broken down if you want to use them as a reference

[demigoddessqueens]

*boops the mic* so how do I do this ask thing? 😆

Okay anyway so hello! I have a request 🥺 vox machina headcanons for what creative/artistic/domestic hobby they would do for fun with their s/o. Thank youuu! ✨

Btw I've always loved your writing for vm! I'm so glad I found them because I am eating them up after my long days. My bedtime stories <33

Testing, testing, 1-2-3 🎤 I can hear you!! 😄

Awwww!! Thanks for your request nonnie!! This is such a cute ask and I’m glad you like my writing so much like that 🥹💕

Masterlist 11

Keyleth

She took you to Zephrah to show you where she came from and the heritage she’s proud of, taking you around to admire the beautiful scenery and enjoy a date in one of the more homey taverns

Vex’ahlia

Trinket was in need of a bath and a TLC spa day so you and Vex were on duty to tend to the friendly bear. Brushing out and decorating the fur with pink ribbons was just humor on her part.

Or you two are out practicing archery but Vex just uses it as an excuse to be more up close and personal to “help you with your aim”

Pike

While shopping out in the markets, you came across some cheesier than usual books. Of course you just had to buy them, and now you and Pike spend as much down time as you can to laugh at how ridiculous and indulgent they are

Grog

He had seen you dancing before as part of the numerous schemes to get Vox Machina money, so of course learning how to dance was just an excuse to get close to you

OR there was a boxing match that could get the group more gold and he had to show off when you were watching

Percy

He likes his “alone, quiet” time in the workshop, but having you with him is also refreshing. There’s a genuine interest to yiur demeanor when you’re admiring his new invention sketches

Vax’ildan

All about that quality time baby! Any setting that’s intimate for you both is just perfect for him; filled with kisses, cuddles, adoration, just anything that leaves you a melted puddle of affection

Scanlan

Either you’re spending time together helping him compose songs or you two are going to a local concert that’s nearby. Either way, Scanlan likes it when he sees that bit of whimsy to your attitude when you’re singing along

[syaolaurant]

I couldn't sleep last night my head hurts 🥲 (no I'm not stressed just drank too much milk tea yesterday haha...BUT I LOVE MILK TEA DAMN IT!)

So here you are my watercolor process for "Sun Light" as promised ~~

1 - Sketches: This is already the clean sketch. Before that I need to take in-game screenshots ⬇️⬇️ & brainstorm the characters and their poses in a separate sketchbook. I mostly use colored mechanical pencils for clean sketches because don't smudge much compared to graphite ones.

2 - Color the base: I started with painting a base color layer, using wet-on-wet technique and mixed a generous amount of water with yellow for the large area, light blue for the serpent and green for Seb & Omi uniform. Here I also use less paint for the sun light area. 3 - Use more color on darker areas: When painting I always try to think how the light source interacts with the characters and objects, and use thicker/darker color on areas that not exposed to the light. I have to wait for the first layer to be completely dry, and from now I use wet-on-dry technique otherwise the color will be blended everywhere.

4 - Add more layers: Here I just added more layers, with intense colors for details, pattern and shadows. I think the basic of watercolor is "applying layers" (sounds like digital but kinda different haha).

Step 4: finish all the details and lines.

5 - Line works : Once I am finished with the color I moved on to lining. I used my 0.5 brush with black color for the window (since the frame is also black in game) and other details with matching color but darker tone.

6 - Finishing touch: Here I'm almost done with everything, for the finishing touch I decided to add more highlights using white watercolor (white gel pen is also ok) on small areas where the light touches the characters.

.

I think I'll have to make another painting process sharing since this was done in a rush and the photos I took were terrible 😭😭 If anyone have any tips please feel free to share I WOULD BE VERY HAPPY TO KNOW oh and my ask box is still open 😭❤️❤️