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#i like that they are different from the manga/anime designs
magicalgirloftheday · 2 years
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✧・゚:*Today’s magical girls of the afternoon are: Neo Policegirl from Way of the Househusband (drama version)!✧・゚:*
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lumilasi · 9 days
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IDK, since I've gotten back to my OG fandom (writing vise mainly) I had this urge to do an AU version of at least my main gal Avane for it. (Well her and one couple I have, bc one of those boys already has Bleach arrancar in their DNA lol)
She's not reallly meant to be in the canonical universe/timeline though, I don't really have the desire to place her anywhere in the main story. This'd probably either be an alternate verse, or sometime in the far future from the manga storyline. Also I ran outta motivation with the Shikai activation explanation, so its just a sketchy mess with no shading lmao
Random note: "Canonical" Ava is technically a Latina, or part Latina part European to be exact. Technically, because she doesn't actually have ANY ties to human world; its just that when she visits there, people basically see her as having that kind of background in the story. (I'm not good at showing ethnic features with my cartoony/comic-booky style yet to be fair, so its more in-story thing, rather than necessarily currently clearly visible from her design...OTL)
Also, I figured since in Bleach all shinigami seem to be Japanese, Ava would have to be, at least partially. I also gave her single-colored hair bc I noticed in the manga characters don't seem to have multicolored hair a whole lot? I still kept her iconic flowerbud hairbun, its kind of a central detail of her design.
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I actually much prefer a lot of how studio VOLN is handling Blue Exorcist over A-1, I know not a popular opinion in areas and get the places people say looks off but the vibes and heart is so good? also there is a lot of amazing shots and imo calling Rin "ugly" in it is an exaggeration to me, there's some wonky shots but there's also SO MANY he looks great! I think sometimes people forget that A-1 had equally bad shots and design choices like I think a lot are looking at the older seasons through rose colored glasses personally! not to mention they ruined a lot of scenes and how they changed them/adjusted them in their adaption that to me affected characterization and making some of the cast look almost dumb in a situation the manga version shows was more serious and dire!
ultimately my view has been: I'd rather an adaption feel like the heart is in the right place and the characters feel like themselves vs everything being pretty all the time and would rather deal with a few wonky shots of characters over a bad representation of a story and characters I love! visuals are not the only thing that matters to me ever
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mushroomjar · 1 year
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Sorry but you are not going to convince me to watch the Tokyo Mew Mew reboot
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shoheiakagi · 1 year
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i’m sorry but the difference is mind boggling
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soutsuji · 4 months
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I do also often worry that I'M vastly mischaracterizing Tsujimura and that I'm just dead wrong about everything about her and she's absolutely nothing like what I think she is. Because I mean...I do tend to completely disregard all the times she's been turned into a blushy, quirky, tsundere-type mess in canon because I feel like the reason that happens to her SO OFTEN is because Asagiri has a habit of like...not taking his female characters seriously? And this is ESPECIALLY noticeable in the Gaiden manga where Tsujimura is pretty much always put in Situations. But like, does me focusing more on the glimpses of anger and revenge (and the exhaustion she should definitely have considering where this woman works) we see from her mostly in the novel mean I'm also misunderstanding/rewriting her whole character? By disregarding the bits where it seems to me that she's turned into a sort of narrative joke, am I also erasing core facets of her character? Have I just created a whole new character in her place? Have I strayed too far from the source material?
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“The Ambiguously Brown Character™”- The Attachment to Eurocentric Beauty Standards
“maybe im petty but i wish people knew how to draw like different nose shapes. Sometimes I’ll see a character I like but im like that is not what their nose would look like.” @the-eldritch-it-gay
You’ve seen them before. The one character that has brown skin… And everything else about them is… an enigma. They’re not supposed to be white! You know that much… right? You can see what the designated white characters look like, so at least it’s not that. You could claim them as Black, if you want, and sometimes creators even demand that this character is Black. Depending on the quality, you’re either like “no, what the fuck is this” or you’re like “okay they’re cool, we’ll take them”. Representation is important. But… There’s a pit in your stomach that wonders… Are they really? Are they really supposed to be Black, is this really representation, or did the creators just toss a brown person in so all the Brown™ people could “have something”, so that they would look like they cared about “diversity” on their art resume?
Examples
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Theseus, in my opinion, looks like a white man with a tan. Dionysus looks a little better with the similar skin tone, due to his purple hair coloration. Apparently people do think that at least Dionysus is a man of color. What’s interesting about both of these characters, is that they’re only about two desaturated browns lighter than Patroclus, a character in the game that we’re supposed to believe is Black (whom, in my opinion, also looks like a brown bucket tool character. I’m still claiming him, he’s my guy. But his design should have been more explicitly Black). Theseus and Patroclus are the two darkest-skinned dead humans in the first game. So… what was I supposed to think about these two? Was I supposed to think they are really dark white people, due to the thin textures of their hair? Are they men of color? Are Theseus and Patroclus supposed to be ashy because they’re dead, is Dionysus ashy because he’s dehydrated from wine? Why don’t the white dead people look off color? Hades was entirely too striking a game in use of color for the browns to look like… this.
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Noe and Hibana are interesting. It was complete coincidence, the purple hair and eyes thing btw. Hibana is interesting because Ogun is an unambiguously Black character in Fire Force, and there are at least three other unambiguously Black characters in Soul Eater as well. So we know the mangaka knows how to draw Black people in their style! So… was this on purpose? Is this another of those ‘tanned anime girls with titties’ meant for shounen fan service? I’ve claimed Noe (Case Study of Vanitas) because Black French people exist and France has stolen so much from us already, but it is never actually specified what Noe is. He’s just the One Singular Brown Guy in this show, with regular, untextured anime hair. Are there more brown people in the manga? Is this explained? Because we know who is supposed to be white! If anyone else wants to claim Noe, they absolutely can, because we have no idea what he’s supposed to be. Hot Chocolate thinks he’s Indian, and I’m not going to argue that because… who knows! He very well could be!
My very first lesson addressed this, albeit lightly! There’s a reason that I said that if you gained nothing else from me, that’s what I want you to walk away with. Now that I’m on stronger footing with this blog, I can really get into the nitty gritty of what that really means.
Obligatory disclaimer: we are not a monolith!* As of 2015, it has been researched that African populations have the highest genetic variation on Earth*, with a lot of that genetic diversity in sub-Saharan Africa alone. This means that YES, there very well can and will be Black people with naturally thinner textures of hair, blonde, light brown, and red hair, straight, narrow noses, monotone lips, and lighter skin that comes more often with white people. There are enough genetic combinations within African peoples and of the African diaspora that I’m sure there are plenty of people that look the way people seem to want Black people in art to look, if those genes so express within them.
*as a scientist, I will say: while these papers seem fairly legit and I looked at many related articles and their sources, take Nature with a grain of salt. Though their vetting process has become much better, you can and should always do further reading on your own!
Here’s the thing: the possibility is not the issue here!
The first issue: I don’t have to teach anyone how to draw those features on Black people! It is evident, from the professional and fan art I’ve seen, y’all already know how to draw the features deemed highly by Eurocentric beauty standards. Those features are excessively focused on and promoted as part of “good art”.
The second issue here is that the average artist drawing a poorly done Black person is not considering things like genetic diversity when they draw them (and if they are, it’s usually as an excuse post-confrontation. Yes, I have seen it.) These creators are not designing these characters with the intent of them being Black with those features, they are designing “Black” people with features that they deem most aesthetic and are most comfortable with drawing.
And why do they deem those features most aesthetic? We’ve circled back to the point of this lesson!
Eurocentric Beauty Standards
Definition: beauty standards as defined through a white, western cultural lens, including but not limited to: straight, blonde hair, light eyes, pale skin, high cheekbones, narrow noses, thinness. It’s a way that white western people want other white western people to look to be considered classically attractive… and then enforced that on everyone else.
It affects people of color worldwide. Anyone that has ever had to deal with European colonization or imperialism has to deal with the interjection of Eurocentric beauty standards.
Examples
-Black women, standing at the intersection of Blackness and womanhood, especially deal with the constant pressure of Eurocentric beauty standards, being consistently told to hate ourselves due to our own ethnic features. It’s incredibly damaging to your self-esteem growing up; my mom told me that until I went natural at 17, I was determined to look ‘like a white girl’ because I thought it would make me beautiful, and it hurt her. And as for me, it was a stunning realization that at 17 that I had never really seen my own natural curl pattern before. My hair was in ponytails and such as a child, but as a teenager, growing into my identity, I had always wanted straight hair. I was in love with my coily texture, I couldn’t believe that I’d never seen it. An entire part of my own body, gone unknown, because I wanted to fit a beauty standard I would never reach.
-Kenneth and Mamie Clark: The “Doll” Studies: Black children- age 3-7 were shown white and Black doll babies, and were asked a series of ‘positive’ and ‘negative’ identification questions. Even by that young an age, most of the Black children associated things like beauty, kindness, and positivity… with the white dolls.
-“The Golden Ratio”: a survey was done in Britain (oh boy, here we go) to determine what people felt was the ‘most beautiful’ face, and apparently it all came down to “symmetry”. “International blueprints of beauty” they claimed, were applied, as humans “naturally seek symmetry”. In 2015, according to ye olde Daily Mail, this was the most beautiful woman. You'll never guess:
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(It’s not even her natural hair color!)
-Another “research study” using E-FIT (Electronic Facial Identification Technique -- a facial recognition software used to create criminal profiles based on eyewitness descriptions; no WAY that THAT could get problematic!!) to determine what 100 people thought was the “most archetypal face of beauty”.
They came up with a figure similar to Kendall Jenner as the female option.
(Guys, we’re never getting out of here at this rate.)
-We’ve spoken about discrimination against Black hair before, and how natural hairstyles will be deemed less professional or appropriate for school, regardless of the brilliant mind that sits underneath it, and even the history of Black women having to cover their hair so as to “not steal the desire of white men” and ruin the status of white women.
Appropriation:
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I try to have nuance on the Kardashians, but I have never liked Kylie, and it’s not because she’s not allowed to do what she wants with her body. I watched the world claim that she was so beautiful, that her kits were why her lips looked “so good”. Everyone wanted to have “full, plump lips” like the ones Kylie BOUGHT. But Black women’s full lips have been treated horrifically since racism was invented. In 2016 I watched racists dogpile and mock Ugandan model Aamito Lagum for her naturally full lips in her MAC campaign, after saying in just 2015 that Kylie’s lips were “top fashion and everyone wants them”. And she lied (not that we didn’t all know that)! She appropriated a look, and she lied about it to move product. And people who had no right to forgive her did so, and everyone moved on to make her a billionaire. Because full lips looked good… as long as they weren’t on a Black woman. I can’t even have my own lips, but she was rewarded with an industry for appropriation. No, I’m not getting over that.
I could go on, but I won’t. So what are some ways to address the existence of Eurocentric beauty standards potentially biasing our creation?
First thing: LET’S TRASH THE IDEA THAT BROWN SKIN AUTOMATICALLY MEANS BLACK.
Black people are not stupid, and we do have expectations. Splashing brown paint on your otherwise white character does not mean I’ll automatically think they’re Black. I’m going to look. When I see brown people in real life, I can usually tell when they don’t look like me. I don’t look at a South Asian similar to or darker than my shade and say “they’re Black”. Blackness is not just skin color, it’s an entire identity and sociological construct. Yes, you can tell us apart.
Acknowledge when you’re holding a bias:
For example: “Tall, dark, and handsome.” What did you picture? You must understand that different people had different ideas of what this meant, versus who it was actually meant to be. Because on its surface, that description includes tall Black men with dark brown eyes and dark hair! We’ve talked about this in lesson 3! Whoever came up with this phrase didn’t mean skin though, they meant hair and eyes- they meant white brunettes. Even in this, it was only meant to include whiteness. And we were all supposed to assume that, be damned anything else.
Part of that is knowing what things do and don’t fall under the category. They were listed off earlier: straight and wavy hair, blonde hair, colorful eyes, thin noses, high cheekbones, double eyelid with round eyes that “show youth and innocence”. People have been going the “aquiline nose” route lately to claim more diversity in nose shape but like… even that isn’t always going to be the case. Every Black person is not going to have an aquiline nose. It is not the “middle ground” of diversity. Draw us with some round noses. We look fine.
Often ignored (in depictions of Black people): afro/coily hair and natural styles, large, round noses, full faces, brown eyes, full figures that aren’t oversexualized, body fat. One of the characters from Craig of the Creek that makes me so happy is Nicole, Craig’s mother. When I look at her design, I see my own mother. I see a Black woman that… actually looks like Black mothers I know. It made me happy and comfortable.
White folk, you even do it to yourselves! I mentioned to a friend once that a good chunk of stories in our fandom with the blonde/brunette white character dynamic read like an Aryan fantasy: the blonde character will be treated like a god on high, the most beautiful of humanity, and then you’ll get to the brunette and it’s “my meek, mousy brown hair, my dull, brown eyes like dirt, and my tanned skin with freckles; no one would ever notice someone plain, nerdy, and unimportant like me until him” lmao like excuse me? Author, you okay there pal? Do you need a hug, lmao? I can’t take it seriously anymore. If y'all are being this mean to each OTHER about not hitting Eurocentric beauty standards, y'all are certainly not being nice or respectful about people of color- who never can- in your content! (and no, exoticizing Blackness is not respectful.) You should look out for how often this happens, and catch yourself when you’re doing it.
Creating with Intent (and the lack thereof!)
(This is so important I made the header larger)
You have to actually consider and reference REAL Black people when you’re drawing Black people. That seems like such an obvious thing, and yet it must not be, because these sorts of arts/the techniques used in them still happen.
For example:
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credit to my friend @devilatelier; I asked for the worst Black art ever and he heeded the call!
I abhor art like this, and art that does varying versions of this. To the pit of my soul, hatred. I will not share your work if I catch even a whiff of it. Why? Because people know that this isn’t what we look like! If you get on the computer and type in “Black man with short hair”, option A is not even remotely on the first page. You’ll get nonblack men that show up, thanks to Google’s algorithm (another conversation), but the Black men don’t look like A. If you get on the computer and type “Black man with long hair”, you’ll even get Black men with all textures and styles of hair, including straight! And they still don’t look like B. Go ahead, I’ll pause- go type it in and see what you get. Have you ever seen a Black person that looks like these images? Be honest with yourself. Why do you let them slide, if you haven’t?
Why This Matters
So it’s not about the actual Black people in their lives that they’ve seen, that makes artists draw characters like this, nor a dedication to accuracy. Because if you were looking at us at all, you wouldn’t draw this. And yet, people draw it, and post it proudly. So there must not be any shame behind it, or they at least are comfortable enough with their target audience to think it’s presentable! That begs the question- who is your target audience, and do you include Black people in it?
It’s how people like Jen Zee can have a successful career at Supergiant despite drawing dark skinned people the way she does. It’s because studios recognize when their target audiences are not perturbed by, and therefore will still buy, their product. If poorly drawn Black people does not perturb audiences enough to affect the almighty dollar- or, in fanart situations, the value of popularity- then there’s no motivation to stop doing it! Who cares about the value and the demeaning of Black fans, right?
Think about it like this. You remember how everyone bullied the Sonic studio and they scrapped their entire reel? People do not get that much up in arms in solidarity about the antiblack treatment and depiction of Black characters. It’s how you end up with Wyll Ravengard on the drop of BG3. Because Larian could have stood on business, had some integrity, and said “this is a character we are going to develop, because there will be fans that look like Wyll, and deserve to receive our best efforts at inclusion.”
But instead, Larian said “this is what our majority fanbase wants, and apparently it is not a well-developed Black character” and released that game as it was. To rousing success. That was a choice. The antiblackness of both the fans and the studio, via their lack of concern about Black gamers, was involved in making that decision. We have to let go of the idea that antiblack racism is incidental, and not a part of the process- and that includes in character design.
I cannot tell you how much it shrivels my heart inside when I see a “Black” character with wavy hair. One, because I know the artist’s first thought was not to have a Black character with wavy hair, but because they draw white people with that hair and thought it was transferrable. Two, because if you wanted the aesthetic of hair down to the back… Locs could have worked! The same shape would be there! You can style locs in any way, and it would be fine! Even if you wanted them to have thinner hair, fine, but… I can see where the intent (and the lack thereof) is. We can see when you aren’t even trying for us!
I asked Angel how he felt about creating the “white man with the brown bucket” images, curious about how he felt given that he is more than capable of drawing Black people. His response was noteworthy, and consistent with my hypothesis:
“Thinking about it, these two drawings have been the most difficult thing I’ve had to draw, period. And it’s the first time I’ve actually felt nauseous during the drawing process from start to finish. I constantly felt like I was fighting off the part of myself that knew better, telling me that this is wrong. It felt like a betrayal, knowing what Black people actually look like and still choosing to be disrespectful. Especially because I worked on the first two and immersed myself in references and also Black youtubers, researching Black hairstyles. It felt like a betrayal to all of that to call these two (deliberately poorly drawn) characters Black, because they’re not. None of the Black people I found during my research (both photo references and videos) looked like these. at all. It felt cheap, it felt lazy. Creatively lazy in the way that you just take a white person and paint-bucket them brown and call it a day. In the way it makes you feel no pull to change what you do, or learn something new. Kinda like a thought terminating cliche. Unlike the first two, I used no references for them, but I mostly based them off of actual designs I’ve seen in fandoms, both fanmade and not.”
Conclusion
So what I want us to consider for now is: if we know that’s not what Black people look like, but so many people are willing to do and/or accept it without any mental dissonance… how much do they care? Why is this allowed to ‘pass’, if we recognize that it is not accurate, unless we think what we are being presented with is acceptable? Or at least, not worth fighting over? Why not? Why do you not think that this Black character deserves to be unambiguously Black? And why does that ‘better’ way to exist always come back to whiteness?
We’re going to get into this, as well as more into the other, more overt and equally harmful manifestation of these beliefs in the next lesson on Whitewashing! But I want you to simmer on this part, first.
When you draw a character that you want to be Black, not only should you keep in mind your intent of how you’re going to draw them, but it also means putting in the work to make sure you’re doing so. You do not put pen to paper and “accidentally” draw a white man lol, it came from somewhere- let’s shatter that connection that views white features as superior, as 'ideal for attention grabbing', so we can create better. Because remember, it is the thought that counts, but the action that delivers!
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cheswirls · 2 years
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waaaaaaaaaaaaaaaaahaha ok i gave tokrev s2 one chance and i am at my limit
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mrskokushibo · 3 months
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Wrong?
Muzan x fem!reader x Yoriichi
Warnings: Smut, rough sex, dub con, threesome, watching corn, very NSFW, 18+. Modern AU. 7k words.
Summary: Your boyfriend Muzan is a star, and you love being his girl. But the man has needs that you have been neglecting for a while. Tonight will start a chain of events that will have you asking yourself if sex and love in a relationship truly should be inseparable?
A/N: I loved creating this storyline. This is a request from a friend. The only thing she asked for was Muzan's girlfriend falling for Yoriichi. It's one of my favourite stories to write - I got to spread my creative wings.
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Masterlist
The club was full tonight, hosting the release party for a new book by one of the most prominent writers in the city. The venue was an old factory building, stylishly renovated with a mixture of white rendered walls, exposed brick, and steel structure, decorated with an eclectic and carefully curated selection of furniture ranging from sleek Scandinavian design armchairs to rococo sofas and chandeliers.
A place that quickly became a favourite with the cultural circles of the city. It was also the home of a popular nightclub on the weekends as well as the venue of choice for a society hosting slightly, well, different types of events, namely invitation-only orgies, that your boyfriend and subsequently yourself were always invited to, but had to decline due to your unwillingness to participate in anything like that.
Tonight’s event was the kind you gladly accompanied him to. As always on such occasions, your boyfriend Muzan Kibutsuji was one of the guests of honour. He was a young star writer, specialising in dark horror and fantasy, having sold over a million copies of his first novel at the tender age of twenty-three. Now, five years later and with another few million books sold, he was among the literary elites. He also had a background in acting, although there was a veil of mystery as to what type of movies, he was in.
You too were a writer and the two of you met at a seminar hosted by your favourite Japanese superstar novelist. Well, you would be lying to yourself if you thought you actually were a professional writer, more of an aspiring writer, really. Your studies and work took up most of your time, so the only writing you did was manga and anime fanfiction. Yes, you felt very inadequate at these parties, but you quickly adjusted to assuming the role of the supportive and devoted girlfriend of the literary star.
And tonight, was no different. You wore a brand new, figure-hugging little black dress and high-heeled thigh-high leather boots. Simple, but sexy. For the last half hour, you were standing idly sipping your champagne, while Muzan was involved in a heated debate with some older, seemingly unimpressed author and his artist friends. You were a little tipsy and were hugging Muzans arm all the while he was busy talking.
He was such a hottie, you thought, you saw the envious looks on the faces of his female colleagues every time he brought you with him to any event. Yes, you could consider yourself lucky. His looks were striking, as he was essentially an albino, meaning his eyes were red and his hair white and wavy, but he always coloured it black. The monochromatic colour combination together with his masculine yet defined and delicate features gave him an exotic and almost out-of-earthly aura. His muscular arms were covered with intricate black gothic tattoos (he had tattoos in other, more intimate places too) and he sported a tongue piercing. His style was a bit steampunk blended with hard rock, he looked good in suits and ripped jeans alike. And he stood almost six feet tall.
The boredom of just standing around was slowly leaving room for thoughts other than literature, you were getting a little horny, to be completely honest with yourself. You were into your third glass of champagne and were slightly tipsy, the ambient rhythmic music, warm dimmed lighting, and the buzz of people talking were putting you into a pleasant lull, making your senses pliable and receptive to new impressions.
Out of nowhere, you started to imagine what it would be like when an orgy is hosted here… the throaty moans and high-pitched squealing of female pleasure mixed with the deep raspy grunts of the men, loud screams of people climaxing and the wet, squelching pounding of flesh against flesh. You could picture naked bodies, bodies in provocative lingerie, illuminated and glossy in the warm light of the chandeliers. It is almost as if you now suddenly were curious about it…
And that is when you noticed him. That other man. He was standing in the middle of the room deep in a conversation with a group of young people. His appearance stood out in the crowd, he was very tall, probably well over six feet, maybe six feet three, with an athletic build. His hair was long and black, tied in a ponytail with cascades of shorter bangs framing his face. Red highlights illuminated his layered hair. He was dressed in tight black jeans and an equally tight black t-shirt, and was wearing long earrings with what looked like the rising sun. There was a strange red mark on his left temple, a birthmark maybe? You could not help it, but you found yourself staring at his bulging biceps every time he lifted his beer to his lips. You were amused with how boredom brought out such primitive instincts in you. You were interrupted by Muzan who nudged you gently,
‘Would you like another drink?’ 
‘Yes, please’ you replied.
He walked away to the bar while texting someone and smirking. He came back with drinks only to find a new group of colleagues taking his attention. So… you proceeded with your little dirty pastime. Suddenly, the man looked in your direction, a dark maroon gaze piercing straight through you. You froze, and at the same time, a familiar heat was starting to spread in your belly. Wetness was pooling between your legs and you were thanking yourself for wearing panties tonight.
He looked away again, but then his gaze was constantly seeking yours for the rest of the evening. When it was time for you and Muzan to leave, while walking past the group with the gorgeous object of your attention, he suddenly looked you up and down and gave you the most lust-filled gaze you could imagine. You were so stunned you kept on staring at him, your head turning back in his direction while you were leaving the room.
The ride home proceeded in awkward silence; you have never seen Muzan in such a strange mood. When you entered the penthouse, you slouched on the sofa and closed your eyes. You were a little tired from all the impressions, especially that specific one… You opened your eyes feeling the presence of your boyfriend. He was standing in front of you holding handcuffs. ‘Move to the armchair’ he commanded in a deep, raspy whisper, the way he almost hissed the words sent a chill down your spine. ‘What now?’ you thought puzzled.
‘I saw what you were doing all night. You were staring at that man like a shameless slut.’
His words were true, you were indeed staring, but so what, this came from the man who suggested attending orgies in the past.
Perplexed, you retaliated: ‘Am I not allowed to look at people anymore?’
‘Oh, my love, you were not just looking, you were eye-fucking him. Do you think I cannot tell the difference?’
You swallowed and obediently moved to the armchair.
He placed your arms on the rests and slowly cuffed each of them to the furniture. Then he picked up the remote and turned on the projector. What was instantaneously visualized on the screen went straight to your sex. It was a close-up of a man and a woman fucking, with loud, obscene moans serving as the soundtrack. The camera started slowly to move away from the copulating pair and the back of the male came into full view, intricate tattoos spreading over his back like a veil of black lace and long, wavy white hair snaking down his neck and shoulders while his hips were rhythmically moving back and forth to slam his dick into the woman. When the camera moved to show the front of him your heart nearly stopped, the red pupils staring intently at the woman he was railing, that face…. It was Muzan. So that was the acting career he was so mysterious about.
In the meantime, Muzan was in the kitchen part of the open-plan living space, texting someone. You were both completely silent while the sounds of sex were filling the space. A few moments later and a pair of now completely soaking wet panties, the doorbell rang. Muzan walked over to open it. His face was adorned with a mischievous smile as he glanced your way. What happened next was something you did not expect and that started an unstoppable chain of events.
The person Muzan let in the apartment was a woman, a petite blond with hair all the way down to her round ass, dressed in a sleeveless skin-tight latex dress, that showed off her large (most presumably) fake silicone breasts. A real little sex kitten. Muzan led her to the sofa and sat down spreading his legs so that she could kneel between them.
He parted her pouting pink lips with his index finger and slid it deep into her mouth while she released a throaty moan, he then pulled the finger out stroking her bottom lip, only to pump the finger back into her mouth even deeper this time while rotating it. His other hand slid down her dress off her breasts and started slowly caressing them, making her moan even harder. He was pinching her nipples, making her perfect little body arch in pleasure, and looking even hotter. All the while her small manicured hands were stroking his crotch and after her back arched from overstimulation, she unzipped his pants and gently pulled out his now fully erect, hard cock. She was stroking it gently and licking the sensitive tip.
Eventually, she sank her head down on the full length, stretching her shiny, pink lips, gagging a little, and continuing to bob her head up and down on his thick length. His dick was large, so that most of the time she was only getting half of it in her mouth with the rest of the shaft treated to a pumping motion by her delicate hands. He threw his head back; you could tell he was close. Her moans were getting louder too and a few moments later he grabbed her by her ponytail and the back of her head and shoved her down into his groin while bucking his hips upwards. The woman gagged heavily, the sound wet and sloppy. He climaxed.
Once he was finished, he let her head go and she slowly pulled away, gasping for air, with spit and cum connecting her mouth to his penis. She looked him in the eye with a submissive almost grateful look. He was still stroking her breasts, while she was licking up all the cum from her lips and sucking his cock clean. And then, just like that she adjusted her clothes, got up, threw him a little kiss, and walked out of the apartment. The porno on the screen was playing all the while this was happening adding to the already surreal and loaded atmosphere.
You were too stunned to even think, let alone say anything. ‘What the fuck did you just witness?’
Without a word Muzan got up from the sofa and walked up to you, his dick still hanging out of his pants. He knelt in front of you and put his hands on your soft thighs, slowly kneading them up towards your crotch. His hands were getting closer and closer to your wet lips and finally they reached your soaked g-string. Muzan started rubbing you through the wet fabric with two fingers.
‘Fuck you are wet. Such a whore you are, getting wet from watching other people fuck. You are a dirty little kitten, aren’t you?’
You were too ashamed to answer, ashamed that something so wrong and apparently hurtful aroused you. You should have been turning your head away, yelling at him, crying even. But all you did was watch… and get wet.
‘You see, my love, when people get jealous, they sometimes stop thinking, they do stupid things. Do you think, what I did was stupid? Hm? But, you know, I got jealous, very jealous. And when you have been such a prude with me for so long, never wanting to do the things I thought we should do and then go drooling after other men, what do you think I should have done?’ His voice was raspy and menacing, but also filled with lust.
Muzan’s fingers were now slowly spreading your labia and rubbing up and down between your slick-soaked folds. You were so wet, his actions created small squelching sounds. He added another finger and slowly worked his way into your dripping pussy, crooking a finger and pumping in with small circular movements that made your muscles clench around him. He then spread your labia and moved in to lick you between your legs. His was giving you long and slow, gentle licks all the way on the very inside of your labia, you could feel the metal of his tongue piercing leaving a streak of extra pressure and thus enhanced sensation on the thin strips of flesh it was touching.
Gradually, he started to increase the force with which he was working his tongue on you. Wherever the piercing pressed on your sensitive flesh, it was exerting extra pressure on your nerves. When he finally reached your clitoris and started circling around it and occasionally skilfully flicking his tongue so that the piercing would hit the sensitive nub, your thighs were sent into convulsions of pleasure. You were starting to edge, your climax so close yet his actions not decisive enough to grant you release. Your legs were shaking uncontrollably, while he was flicking his tongue over your clit while all the while pumping his fingers into your pussy. You were so close; you were drooling and tears started to form in your eyes.
‘Muzan, please let me come, I’m so close’ you were moaning and squealing and when you thought he was increasing his pace, he suddenly pulled away and started uncuffing you.
‘Go down on all four for me doll.’
 You did what he asked you to, as you were so greedy to come. You now had the porno in full view in front of you and there he was on the screen fucking two women now, one riding his face and the other his dick. Watching that made you so fucking aroused. It was wrong, but you could not help reacting to it in the way you did. You felt like an animal, driven only by instinct at this point.
Without a word, he spread your ass cheeks and aligned his hard tip at your entrance, and soon his thick girth was pumping in and out of your pussy, wet, sloppy, indecent sounds of the two of you fucking on top of the vulgar sounds coming from the porno were filling the otherwise so elegant and relaxing space of your shared apartment. He was thrusting so hard that with every move you were being sent forwards with so much force that eventually your whole upper body was flat on the soft rug with him pressing down your back with his hand. He increased the pressure, supporting himself almost fully on you, and leaned down to whisper in your ear.
‘I will now come inside you my little whore, I will breed you, because you are my very own whore, I bet you would like to carry my little brat, would you?’
With that he increased the pace and strength of his thrusts, you were clenching around him, desperate to come. His hips and lower abdomen were now pressed flush to your round soft ass and you could eventually feel his lower abs contract indicating his release. His orgasm must have been a big one as he growled while pushing himself in you and releasing a huge load of cum into your fluttering insides.
‘Fuck you were good, kitten. I will sleep so well now.’
He pulled out, stood up and grabbed the remote to turn off the movie, and left for the bathroom. You were left high and dry, or so you thought anyway…
When you entered the bedroom Muzan was seated in the chair lounge next to the lit fireplace and opposite of your shared bed, fully dressed sipping on a glass of single malt whisky. The flame was making his eyes look almost devilish.
‘Here you are. I think you do deserve to come after all, we do not want you to lose sleep, do we?’
There was something so menacing in his voice, something that was hitting all the submissive notes in your entire being.
‘Undress for me, doll’
Without hesitation, you started to take your clothes off.
‘All of it, now!’ He commanded.
You did as you were told.
‘Now. Lay down on the bed so I can see between your legs. Play with yourself for me, make yourself come.’
There was nothing else to do, but to obey and you already felt like you were in a trance, as if nothing of this was real. You laid down and started to flick your nipple and got your imagination ready, and the fantasy that was helping you get off involved the tall man from the party, your only invisible act of defiance against your boyfriend. You imagined him seated on a sofa at the party, with everyone watching while you came up to him and straddled him shamelessly. What followed made you move your hand down between your legs and masturbate. Your fingers were doing their skilled and experienced work and very soon you came. Your orgasm was intense, with waves of pleasure causing your body to arch and convulse, you released a small scream and when the waves of pleasure finally flowed away, you were just lying there, limp with soaking wet fingers and pussy. You licked your fingers dry and closed your eyes.
A harsh yank to your chin shook you out of your bliss. You opened your eyes and the only thing in your line of sight was Muzan’s cock.
‘Open your mouth for me now, sweetheart’
The gentle words were in such stark contrast to what he was about to do because as soon as you opened your mouth, he grabbed you by your neck and shoved himself fully into your mouth, making you gag. He stayed like this for a few seconds, savouring how deep inside your throat his dick was seated, and rotated his hips a little. Then he slowly pulled out, only to slam himself into you again, and again and again, until you were a gagging, drooling mess with tears and mascara running down your cheeks. He pulled out, drool connecting your mouth to his dick, and lifted your head up by yanking you up at your ponytail.
‘I think this is a good look for you, isn’t it, doll? My submissive little kitten, so sweet and obedient. ‘
He shoved himself in you again and this time kept on going until you could feel his muscles spasm and the warm, salty liquid filled your mouth and throat. He pumped into you a few extra times before pulling out. You swallowed most of the cum, but there was still some left on his cock.
‘Clean me up.’
You licked his dick clean and he lifted your head by the chin, so very gently now.
‘Hm, we will both sleep well after this, won’t we?’
And he placed the gentlest of kisses on your lips and went into the bathroom to clean himself up. You followed suit, but you knew you would most likely not sleep all too well, still trying to come to terms with what he has done in front of you with that woman, as well as trying to grasp how in the hell was it your fault. Was he really the jealous type?
The following day began with Muzan getting up and making you both coffees. He behaved as if last night did not happen, something that confused and infuriated you even more. Since it was your day off, you decided to head over to the gym to clear your head and hopefully figure out your next move. Both you and Muzan frequented the same gym in the neighbourhood, the gym was large, but with a relaxed atmosphere. There was also a martial arts dojo in conjunction with it that Muzan went to occasionally, but you never showed any interest in.
As soon as you entered the gym, you nearly froze in your steps. There, next to the reception desk was the man from the party, chatting casually with one of the personal trainers. You stalling in your movement caught his attention and he looked straight at you and waved. As if hypnotised you started slowly walking toward him and finally stopped in front of the man. He was so tall, you had to tilt your head up to look at his face.
‘Hi,’ you blurted out.
‘I didn’t know you went to this gym?’
You kept on rambling as if the two of you were already introduced. He looked at you with slight amusement.
‘Yes, I do, and I believe I saw you at the party last night, yes?’
‘Yes.’ You nodded like the idiot you were. For every minute feeling more and more awkward.
‘Well, I guess we should have a proper introduction then. My name is Yoriichi’. He stretched out his hand.
‘Y/n’ you said with overdriven courage as you placed your hand in his large one for a courteous handshake.
‘Excuse me, boss, can you please sign this?’ the two of you were interrupted by an employee of the gym coming up to Yoriichi with some papers. You looked at him and asked surprised.
‘Oh, you work here?’
‘Yes, actually I kind of happen to own the place’ he answered shyly, scratching his head and blushing a little.
While he was busy flipping through the pages you could not help yourself but eye him off discretely and what you saw was waking up the most basic instincts in you. He was wearing cotton tracksuit pants and a singlet in a thin functional material, that showed off his huge toned arms. The outline of his pecs and abs were visible through the thin fabric, you also noted he had powerful, strong thighs, as the fabric of the track pants was stretched at the thickest part of his thigh muscles. You could not help to throw a glance at his shapely glutes and strong hips. When you thought about it, he really had the appearance of some ancient warrior, a samurai maybe. You swallowed quietly, an action he caught you in the middle of.
‘Well, I am done here. I will be taking the rest of the afternoon off today, so I guess I will see you around sometime?’ He spoke.
You just could not let him disappear like this. You gathered your courage and asked
‘Would you have time for a quick coffee then? I changed my mind and will work out later today.’
He studied you for a moment and answered.
‘Why not, actually? I do have the whole day to myself. There is a good café nearby’
You nodded and the two of you started walking out of the gym, him courteously opening the door for you. Luckily, the café really was nearby. You were enjoying your coffee and the casual conversation, but when your fingers met when reaching out for napkins, the two of you went silent almost simultaneously. The truth was that all through the friendly, harmless exchange you were imagining fucking Yoriichi, riding his cock, and touching him in a way that was anything but just friendly. The look in his maroon eyes was starting to reveal something more as well now.
And maybe he could pick up on your feelings because the tension between the two of you was becoming palpable. You were soaking wet between your legs and your breathing was becoming heavy, your arousal was powerful: the contraction of the muscles of your vagina started to feel more and more like a rope being tightly twisted into a knot, and this sensation was now spreading up to your cervix making your insides feel like they were on fire.
He sucked in his lips before finally speaking up.
‘You know, I live just around the corner if you would like to have … some lunch with me.’
As if in a trance you answered
‘Yes, I would like that’
But you already knew what you really would like and sensed that this was something he would like as well…
As soon as you stepped into the elevator, he came closer to you and kissed your lips. Very lightly at first, but as soon as he felt you reciprocate the action, he drew you closer to him and the kiss became deeper, with tongues swirling deep in each other’s mouths. He was holding his hips away from yours for now, most likely due to an increasing hard-on, he was a gentleman after all, and did not want to impose that soon.
His hands were caressing your back and your body started tingling in pleasure. He was so big, you felt cradled and sheltered, and his warm smell was like a feast for your senses. The elevator reached his floor and he led you into his apartment. It was a bright and beautiful space, cradled in light from the large windows, decorated in oriental, presumably Japanese fashion, with tatamis, low large futon like sofas, beautiful prints of Sakura trees and diverse martial arts weaponry adorning the walls.
He closed the door behind him and swiftly had you up against the nearest wall. He lifted you by your buttocks and you wrapped your legs around his hips. All the while you were entangled in a passionate kiss. He lifted you up and started walking toward the bedroom. When he sat you down on the bed, you began to remove each other’s clothes. His body was even more magnificent naked, and the cock looked… huge. Almost uncomfortably huge.
Yoriichi started crawling on the bed and on top of you, his large body towering over you and making you gasp. His warmth, his smell, it was all so close to you and all you wanted was to drown in him, let him devour you and fuck you senseless. He lowered his hips so they were flush with yours between your legs and started rubbing your wet folds and clit. You were moaning in pleasure. With the other hand, he started massaging your breasts and playing with your hard nipples. You were arching your body and moaning shamelessly.
‘Please fuck me, I want to feel you inside me.’
He did not hesitate to fulfill your plea. Aligning the tip of his cock with the entrance to your sopping-wet pussy, he started to enter you.
He was big, almost too big for your small body to take. Slowly and steadily, he was prying his way into you. Every nerve in your core was pulsing, welcoming this new intruder with increasing wetness and spasming muscles. Your pussy was clenching on him so hard that he was quietly groaning while pushing on into you. He finally bottomed out and lifted himself off you slightly to meet your gaze. His gorgeous maroon eyes now clouded in pleasure, he said softly,
‘I will start moving now, do you feel ready?’
Did you ever… ‘Of course,’ was all you could say in a weak voice.
Slowly, at a languid pace, he began to rhythmically pump into you, his hips hitting yours every time he was bottoming out. You have never been this stretched out in your life, his girthy, long cock literally moulding your velvet walls to its shape, hitting your cervix with every slow pump. You were starting to edge, with the sensitive spots deep inside you being stimulated nearly constantly now. He kept on going like this for a while making your eyes roll to the back of your head and drool running down the side of your mouth.
‘Yoriichi, can you go a little faster? I am about to come’ you moaned out to him, as you could not control yourself any longer. The knot inside you running all the way from your opening to the tip of your cervix, was about to burst.
He picked up the pace and soon enough you were slowly dissolving into your climax, your whole body shaking and spasming from the intense pleasure you were gifted. You were so wet now, your cum seeping down your thighs onto Yoriichi. He shuffled himself up slightly and put you in a mating press. His cock was even deeper inside you, he started chasing his own release. His pace increased and soon it was ruthless and fast, abusing your cervix and every overstimulated spot deep inside you. You could feel his heavy balls slam into you with every powerful thrust. The man had the stamina of a god and went on in this unforgiving tempo for quite a while.
Gradually, his thrusts were getting sloppy and when he finally came, filling you up with his warm semen, he bottomed out deep inside you, his hips pushing you up toward the headrest of the bed and staying like this for a couple of seconds. He then pumped into you a few times, following the movement of his spasming abdomen muscles. When he stopped, he sank his head, still hovering over you supported on stretched-out straight arms. Sweat was running down his chest. He slowly rolled over on his back, taking you with him in an embrace that placed you laying down straight on top of him.
And that is when you noticed a presence in the room. You turned your head around towards the doorway and to your shock and surprise you saw your boyfriend stand there, leaning on the door frame with arms crossed and head tilted backwards in a brattish manner. His hair was out and cascading down his shoulder in black ringlets.
‘I hope I am not interrupting. Do you mind if I join in?’ He asked with a smirk. You instantly wondered how long he was there watching you and Yoriichi fucking.
‘Please do, unless y/n has some objections?’ Yoriichi said and tilted your head up to look at him. ‘Are you ok with this, y/n? ‘
‘I guess I don’t mind’ You did not really know what to say, your sex seemingly dictating your choices for you since last night.
‘Good, this will be fun.’ Muzan said and started to get undressed.
In the meantime, Yoriichi moved to his side and let you down on the soft mattress, so that you were on your side facing him. With an already erect dick bobbing in front of him, Muzan walked over to where you and Yoriichi were and crawled into bed to lie down behind you. He kissed and licked your neck, you could feel the metal of the piercing dragging on your soft skin, and grabbed one of your breasts, squeezing it gently, eliciting a quiet moan from your lips. He then leaned into your ear and with a deep, soft whisper asked:
‘How did you like him, doll? Was he big enough for you?’
He kept on kissing your neck and dragging the pierced tongue along it and massaging your body with his hand while pressing his erect cock in your soft ass. Yoriichi at the very same time started kissing your mouth and rubbing your breasts.
You did not think it was at this stage possible to get more aroused, but you did. Your pussy was aching so badly now, all you wanted was for the men to give it to you. Rough, fast however they wished to fuck you. You wanted to feel full, the craving growing for every minute making your insides burn with need. The sensation of both these attractive men being so close to you, their hands touching every part of your body, was making you feral, totally wild with anticipation. Seeing and feeling the athletic, tall, and big Yoriichi, with his smooth and glossy skin and your exotic-looking, tattoo-covered and pierced boyfriend so close to your own body was a sensation that was driving you crazy. It was almost as you were a goddess worshipped at the altar of lust.
‘How do you think we should proceed?’ Muzan asked Yoriichi in a playful tone.
‘Hmm, where we are is good, no offense, but I am the bigger one here, so I think it is best if you go in the backway’ Yoriichi answered.
Muzan sighed and smirked. ‘Good point, do you happen to have lube around here?’ Yoriichi stretched an arm behind him to reach under the bed and pulled out a bottle of anal lube.
‘You dirty fuck, this looks like you have been having some fun’ Muzan noted as the bottle was only half full.’ Yoriichi did not answer to that but his smile said it all.
While Yoriichi was working on your pussy and breasts, Muzan poured a fair bit of lube on your opening and started to massage your puckering hole. Slowly and gently, the sensation was so different from anything you ever experience before, but so delicious at the same time. He slowly pushed in a finger and was circling it gently. A second finger came in and he was scissoring them inside you. Yoriichi was now lining himself up to enter you again. His hard tip rubbing between your folds as Muzan added another finger and was whispering sweet, honey-glazed words in your ears in order to get you relaxed.
‘Be a good kitten for me now, such a gorgeous little obedient doll, I will spread that tight little ass for you and you will beg me for more’
The sweetness in his voice was almost demeaning. He kept on pumping his fingers in you, but you just could not relax.
‘Baby, I can’t do it. Not today. Can we do something else?’
Muzan pulled out his fingers out of you and nodded at Yoriichi
‘Well, doll, in such case you will have to take that huge dick of his down your throat, because I want to be in one of your holes, no matter what.’
You shifted to all four and Yoriichi knelt in front of you offering you his cock. You started licking the leaking tip and pumping the shaft with your small hand, barely getting a proper grip. In the meantime, Muzan positioned himself behind you and all of a sudden slammed his dick into you. This propelled you forward and you almost speared yourself on Yoriichi’s cock, swallowing nearly the entire length. He groaned from the sensation and you gagged heavily. Once the two of you adjusted positions so that you could comfortably work on his dick, Muzan started moving his hips into you again. You worked with the rhythm he was setting as there was no use trying to stay still and resisting his movement from pushing you forward. Every time his hips slammed into you, you sank your mouth over Yoriichi’s cock and you continued like this for a good while.
Your mouth and throat were stretched almost to the brink of discomfort from the huge girth and length. The pleasure you felt from Muzan repeatedly hitting your g-spot was making you moan louder and louder and your moans were sending vibrations through Yoriichi’s dick making it twitch and grow.
‘I’m going to come soon’ he groaned.
He pulled out of you, gave his cock a few pumps and unloaded the content of his balls in your face, warm cum spraying into your open mouth and down your chin and throat. Neither you nor Muzan were far off from your orgasms either. It took a few more fast thrusts from him to make your knot burst and you reaching your release. And a few more thrusts later and Muzan was spraying his cum into your still fluttering walls. The amount of pleasure you experience this afternoon was overwhelming and you collapsed exhausted, but utterly satisfied on the mattress.
Yoriichi got up and came back with a few towels. He helped you clean up your face and handed a towel to Muzan who then cleaned you and yourself up. Yoriichi was the first one to go to the bathroom and have a shower and after him, it was Muzan’s turn. Once the two men were decent again, Yoriichi informed you that they would prepare lunch so that you would have some time to yourself to recover and relax. You spent half an hour in the bedroom and went out to them, still in a complete state of confusion.
‘Hi there. I hope you are hungry.’ Yoriichi said.
‘I seem to have cooked too much pasta, but hey, we need the energy’ he grinned broadly. ‘By the way, I think you owe your lovely girlfriend an explanation’ he said turning to Muzan.
‘Yes, you are right. It is about time to clarify the situation. Sorry to have confused you and sorry for the bit with Amber, I might have gone a bit too far there. You know when I got up to get the drinks at the party? I noticed that you were eyeing off Yoriichi for a while, and out of the blue, and boredom, I came up with a wicked little plan. Something to shake you up and make you more, adventurous. I really wanted to get you out of your shell. So, I texted him quickly what I had in mind and off we went. I am storyteller, after all.’
You turned to Yoriichi, slightly disappointed
‘So… you were not really attracted to me, hey? It was just a game?’
Yoriichi responded ‘Oh no, not at all. Muzan showed me picturess of you many times before and I must say I was envious of him being with someone so smart, kind, and attractive. So, when he suggested this, the idea went straight to my dick.’
Muzan now continued: ‘Amber, that girl, by the way, is a porn actress and married to a friend of mine. They own an adult movie production company together and I have known them both for a while. But back to the story. As I said, I wanted you to see that there is so much more to life than being a prude, that sex is one of the most indulgent pleasures gifted upon mankind and not immersing ourselves fully in that gift is, well, a sin in my eyes.'
'I do believe that deep emotional love, a connection of souls runs deeper than any physical connection ever can. We are all animals and sex is dirty and amazing at the same time, the ultimate tool to express love, yes, but love can exist without it if you know what I mean. I will love you forever, for all eternity. I believe we are soulmates and we are connected and will always be drawn to each other in every world we are born into. Even if we never have sex again, I want you to be mine and mine only. When you want kids and a house with a white picket fence or whatever dream you may have, we will do it, of course. But for now, while we still are young let us indulge in what this carnal world has to offer. I want you to lose all restraints, and fulfill all your desires. When I saw you looking at our glorious friend here, I knew that if that is what you are into, I will make sure you get what you desire.’
When Muzan finally went quiet, it was Yoriichi’s turn to speak and he suddenly went serious.
‘I have known Muzan for a long time, but our friendship blossomed after my wife died. He was there for me all the way through my lowest. And believe me, it was an epic low. She was pregnant with what was to be our first child when she died in a car crash. Some drunken asshole drove into her car on the highway. My beloved wife and I started the gym and later the martial arts dojo together. These were our passions and I will never love anyone like I loved her ever again. All I have left is the gym and dojo and they are like babies to me. I am no monk and need sex, a lot of it, but only for recreation.’
All the time Yoriichi was speaking, Muzan held his arm around your back, his embrace tightening when Yoriichi mentioned the tragic story of his marriage.
‘Well, enough of the seriousness. Let us eat’ Yoriichi interrupted himself now.
You could not help to notice, that he was not the best of cooks, the pasta was slightly overcooked and the sauce too salty, but it was a sweet gesture of him to cook for his friends and by the way you were starving after everything that was happening for the past twenty-four hours. The wine he served with lunch was on the other hand fantastic and after a couple of glasses, the warm, fuzzy feeling of slowly getting tipsy was putting you in a relaxed state.
Looking at the two amazing men, you now started to understand what your boyfriend was talking about and wanted for you all the way. The normal scenario would involve you having to choose one of them, there would be drama, heart-brake and the euphoria of new love would eventually dim by the negative effects of it all. Thanks to Muzan’s approach, however, you never needed to choose now. The love the two of you shared was just as he described, transcending space and time. But the basic, carnal desire you felt for Yoriichi was also real. Being able to have it all, and more… was indeed the best you could ever wish for. Assured in this new discovery, you closed your eyes and let yourself daydream now finally receptive to visualise desires without any more restraints…
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Tagging: @doumadono @muzanbloodgalore @muzansfangs @horror4themasses @cursetopia2 @anarcho-satanism
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comicaurora · 4 months
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hi red!! i'm doing an analysis of sun wukong's (and journey to the west in general's) impact on modern culture for my world mythology final, and for some reason i'm having a hard time finding sources. is there anything you can recommend?
The fact that Journey to the West has contributed an enormous number of tropes to modern media is very clear when the media in question is examined, but I don't know of a specific secondary source that's already done that analysis for you. However, this IS a very good excuse for you to plow through a metric buttload of shonen manga, since the lineage is basically Sun Wukong -> Son Goku -> like a solid third of all shonen action heroes written in the last forty years.
Dragon Ball kicks things off:
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Started in 1984 and almost unquestionably the most influential manga ever made. Its first arc features the weird super-strong monkey-kid Son Goku - which is just the japanese pronunciation of the characters of Sun Wukong's name - meeting up with a wacky crew of thinly-veiled expys of the Journey to the West crew, with teen inventor Bulma filling the role of Tripitaka, Oolong the pig-man filling Zhu Bajie's role and Yamcha the desert-based bandit as Sha Wujing.
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Hijinks ensue, and while the story drifts pretty far from Journey to the West's original plot, it actually stays pretty solidly referential in weirdly unexpected ways. Several the villains of the week are JttW references, and even the later appearance of three more Saiyans lines up with the surprise reveal of three more Wukong-like mystical apes in the original story.
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The connection between Dragon Ball and JttW is very unsubtle and a frequent reference in the chapter covers and supplemental art.
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Not every subsequent JttW reference is the result of Dragon Ball popularizing it or anything, since it was already enormously popular, but I think it's pretty hard to extricate Dragon Ball's influence on anime and manga from the original influence of Journey to the West itself.
One way that a distinction can be drawn is in the differences in characterization between Goku and Sun Wukong himself. A lot of the next generation of shonen protagonists were kind of Goku-alikes - pure-hearted dumbasses who only care for the three Fs: Food, Fighting and Friendship.
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But the original characterization of Sun Wukong is not really all that similar. He's a trickster, sure, but he's far from a young, friendship-motivated goober. He's profoundly intelligent, pretty much the most well-educated entity on the planet, and routinely brings up that he's centuries older than most of his peers. The Goku-alikes from the later decades of shonen anime are tellingly far-removed from that original characterization. So you get characters based on Goku's cheerful idiocy, but it's just a small subset of the broader influence of Journey to the West on the space of literature.
In general, Journey to the West frequently shows up in very small, bite-sized tropes in other stories. It's less "this is wholly based on Journey to the West" and more "oh, I know where they maybe got this idea/aesthetic/power/weapon/villain of the week from." There are way too many to list, but some of the ones that tend to jump out at me are-
Sneaky characters with monkey motifs:
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Tricksy, highly mobile characters who fight with a staff:
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Characters afflicted with a magical restraint artifact that allows a much weaker character to stop them from misbehaving:
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Specific esoteric weapons, eg. magical fans, rakes, gourds, namedropping The Sword of Seven Stars, etc.
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Villains with prominent ox or pig design motifs:
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Characters whose primary combat strat is just making Shitloads Of Disposable Copies Of Themselves:
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Honestly it just keeps going like this. It's kinda everywhere. Finding the JttW in things is my favorite conspiracy theory rabbit hole because it's 100% harmless and more often than not completely correct.
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bug-slappy · 12 days
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sharing my opinion here about serizawas design inconsistencies over time (spoilers for mp100 ending) i feel like in each new rendition of serizawa weve seen in official art ever since the start of S3 something feels off in a different way with every new merch release
lets start here ⬇ serizawa looks like,, himself. accurate to how hes drawn since his first anime appearance
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⬇⬇⬇ and then slowly,,, things start to look off. his jawline is slowly getting slimmer, his eyes look wider (same with mobs too)
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AND DONT EVEN GET ME STARTED ON THESE. especially the one on the right my god. who is that
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every new promo art that comes out just feels very careless. I think you could say so for all the characters (mobs giant eyes, reigens waist getting skinnier/pointier features. the PROMO art of dimple that was literally FULLY TRACED OFF OF A TEMU PIRATE HALLOWEEN COSTUME. they all look bad here)
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it just feels a little depressing how little they seem to care anymore, like theyre just trying to pump out merch without bothering to use a character reference.
i notice the changes the most with serizawa. every promo art looks like theyre playing a game of telephone. each version of him is based on the last, instead of his initial design (shown below)
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at the end of S2, when reigen cuts serizawas hair, he still looks like himself. they did a great job of showing "how serizawa would look underneath his moustache and big hair". In S3 it feels like they've lost that mentality completely. like he's no longer based off of his original design, but an entirely new reference of his salary man look. some comparisons between S3 vs S2 and OVA down below
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I find that the line weight in S3 is much heavier and unfocused. but what bothers me most of all is that... Serizawa looks different in nearly every scene... as if they're undecided on what he should look like. the shape of his nose and jaw, his hair all change depending on the episode entirely.
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The art style change for S3 was meant to be "more accurate to the manga", but I find that it had the opposite effect. especially how serizawas and ritsus eye shapes changed. ritsus large pupils and serizawas more almond shaped eyes were more reflective of their manga designs there are plenty of inconsistences in S1 and 2, but they're clearly done with purpose to reflect on ONEs art style (my beloved). I feel like the thinner lines allow more room for detail and extreme facial expressions that truly hold a candle to ONEs insane talent for capturing emotions.
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these ^^^ compared to..
erm.. this.. ⬇
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just felt very underwhelming... and serizawa certainly does mellow out once he starts working at S&S, but that doesn't mean that there's less opportunity for detailed expressions !!
the yokai fight scene was beautifully made i have no qualms.. but the amount of serizawa lore and dialogue in the manga that got cut from the anime just made him look like a cardboard cut out standing behind everyone. lots of funny and interesting moments cut to make room for the moefication of serizawa katsuya..
I feel like there's a lot of important moments that were cut, (reigen "i hope i can become a partner like that" arataka, serizawa "ive had a similar experience myself" katsuya )
or sad, intense scenes that were made lighthearted (the body improvement club trying to help mob, mob and ??? dialogue being cut, reigen removing his shoes in the final arc made to be meant for better grip rather than... his passively suicidal tendencies )
i think the people at bones are very talented dont get me wrong, i just felt like S3 could have been adapted better. this keeps me up at night its like 1am :) anywhosies thank you for listening to my ted talk i love you
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tornioduva · 8 months
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Dungeon meshi and body proportions
Ok, i'm feeling the rush i got from binging the manga this last week is starting to fade away, i'll be back to being a normal person soon i think. at least, that is before i find a new something for me to dive into uhuh.
Before that happens, i want to praise Ryoko Kui for one last think. The design of the characters!
For years i've expressed (maybe not so much online) my hate towards the "anime style", this homogenization of traits and beauty standards to an artificial degree, and the mass spread and consumption of it. yes, trends exist for a reason, this is not the first nor the last art current to be popular and i'm not the first detractor of one in history. I do think there is something uniquely harmful in this one though, and that is why i'm able to find the energy to be such a pretentious dipshit about it. That is a discussion for another day though.
All this to say that going through Dungeon Meshi and seiing these characters, plus (and in a way because of it) all the additional sketches of the daydream hour bonus sections, was such a breath of fresh air! (at least for what concerns japanese exported stories)
All i could say and praise in regard to character designs in general is perfectly expressed in this video, which i recommend you to watch if you want to hear my opinions (and the video author's too, uhuh):
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I want to leave you though with at least one specific praise for me: Falin.
i've seen countless time people (online) just not understanding how people's body work, how much differences there can be and how proportions do distribute and affect the body. in anime I see a lot of short and tall people (mostly women girls) that share the same proportions despite their actual height, and that often leads to think "yeah, she is short" and than she's tall when around someone, or (most often) the contrary. same lenght of limbs, same head to body proportions, and little details like this.
Falin you can tell at a glance she is a tall woman before she's around anyone, even when she is standing near her brother who is taller than her.
Kui did her homework in studying bodies and variations, and, whether consciously or not, she differentiated her in body in subtle but fundamental ways: her head being slightly smaller than her body, the neck being fairly long, and her having somewhat broader shoulders.
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I accept that there might be an element of suggestion at play here, considering also how she is dressed most of the time, but I really do think there is a direct effort at differentiation here.
This is the first time in a long time (in a series like this at least) where i've seen a woman carrying herself around others and the space around here kind of like a person like me, tall, would; at first i didn't think much of it, but then i saw her near other characters and....i don't know, i felt a warm, joyful feeling, seeing that i was right in recognizing that trait and being right.
I was especially happy in seeing her next to marcille. not so much for the height difference, but for how different they were in proportions and mannerism. A lesser manga i fear would have used marcille's body type and way of moving and interacting as the default for most other girls, but here she was uniquely herself!
Now, i could've used more extreme exemples to show how this author rocks in body types representations (while aknowledging there could've been even more diversification still), given there are far larger, taller and stranger women, but to me, nailing the little, most subtle details in such a chirurgical manner shows a greater level of mastery and comprehension. As such, Falin left me with a deeper fascination than most other characters.
Sorry for this wall of text, but i needed to let my happy thoughts go, so that i could be free again uhuh.
Feel free to tell me that i'm wrong, or that i should just accept anime media as is. i'm just really happy Dungeon meshi exists as is and i want Ryoko Kui to keep refining her craft, and drawing beautiful women and dwarves.
Plus, this was very much a stream of consciousness, i didn't go into technical details about what i think conveyed what i described, but if someone is interested, or does not get what i'm saying (while expressing it in a curious and gentle way, i won't respond to spiteful assholes), i'll be happy to make a follow up post in which i try to dissect this! For example, i didn't reread the whole manga to find examples of her, i just went to the wiki uhuh. in a follow up post maybe i'll try to go through chapters and pick more specific examples of her.
Anyway, have a good day!
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delphoxqueen · 6 months
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The Osomatsu-San Iceberg 2.0!
(Click More For Full Explanation)
*- Take Caution When Researching
Tier 1-
Osomatsu-Kun- A Comedy Manga by Fujio Akatsuka which ran from 1962 to 1969 which followed a group of sextuplet (a multiple birth of six children) brothers. It was later adapted into two anime, one by Studio Zero in 1966 and another by Studio Pierrot in 1988 as well as spin-off by Studio Pierrot in 2015 titled “Osomatsu-San” which follows the sextuplets in their 20-somethings as NEETS.
Fourth-Wall Breaks- Osomatsu-San has multiple moments where the characters will break the fourth wall, such as in the first episode where the characters try to be a “proper anime”, or worship Fujio Akatsuka like a god.
Visual Distinguishers- The Matsuno Brothers have multiple visual distinguishers so the audience can more easily tell the brothers apart. Examples include: Signature Color, Hairstyles, and Facial Expressions. The brothers were given different colors supposedly because the character designer couldn’t tell the difference between them.
Parodies + References- The anime makes dozens of parodies and references to other anime/popular media such as Attack on Titan, Saw, Demon Slayer, Naruto, and Sailor Moon. The anime’s extreme popularity in Japan also led to other anime to parody and reference Osomatsu-San including The Disastrous Life of Saiki K, Love Rice, and JoJo’s Bizarre Adventure. Osomatsu-San has too many references to other anime and there’s too many references to Osomatsu-San from other media, so I just included it as one entry.
NEET- A common acronym in Japan which stands for Not in Education, Employment, or Training, but also includes anyone who is not engaged in housework, unemployed, not seeking work, and not in any school or work-related training.
F6- The F6 are the idealized version of the Matsuno brothers that parody pretty-boy anime. The “F” in F6 stands for Fujio, as in Fujio Akatsuka, the creator of the original manga. In the first episode, their first appearance, Ichimatsu transforms into a hybrid stylization of the 2015 anime and the 1966 anime, but in the season finale they are seen alongside the Matsuno brothers, implying they are separate characters.
___Matsu Boys and Girls- The fan term for each of the six brothers, based on Karamatsu’s line calling his fans his “Karamatsu girls and boys”.
Banned 1st Episode- The 1st episode of the anime was banned in Japan due to copyright law, as Japan has no clause for parody and has a more strict interpretation of fair use. It was never confirmed which company filed a copyright infringement against Osomatsu-San, but there is a theory that the Attack on Titan parody was the main culprit. The episode has still not been released on physical media and all streaming services do not carry the first episode, instead beginning the series on the second episode.
The Osomatsu-San Movie- Released on March 15th 2019, the movie follows the brothers traveling back in time to meet their high school selves and to resolve one of the brothers’ biggest regrets.
Collab Ad Campaigns- Osomatsu-San has collaborated with dozens of other brands on merchandise/advertisement campaigns. Many of these collaborations have created special events and merchandise for Osomatsu-San. Examples include: Ministop, Sweets Paradise, Dohtonbori Okonomiyaki, and Sanrio.
Akatsuka’s 80th- Osomatsu-San was created in honor of Fujio Akatsuka’s 80th Birthday and death, having died at 72 in 2008.
Todomatsu Face Meme- In the episode “Todomatsu and the 5 Demons” Todomatsu makes a face at his brothers for talking to the Sutabaa baristas, which has become a meme that has even spread outside the Osomatsu-San fandom.
Tier 2-
Homura-Chan is a Porn Actress- Although nothing is stated outright, it is heavily implied in her first episode appearance that she is a porn actress as Osomatsu finds a porn movie and seems surprised by the cover before going on to have a conversation with Jyushimatsu which Jyushi ultimately avoids.
Karamatsu Wears Contacts- A fun fact that few in the fandom seem to remember is that Karamatsu wears contact lenses. Although he (and all the Matsuno Brothers) have brown eyes, he wears brown contacts, but the presumed reason he wears contacts is because circle contacts (mainly worn by cosplayers and Japanese teen girls) make eyes look bigger and cuter- which is why Osomatsu insults him for wearing them.
Episode 3.5- Also titled “Episode 3.5: Virgin Heroes”, an episode was created to be put on home media releases to replace the 1st episode due to the ban. It is chronologically after Episode 3 but before Episode 4 and has two segments. The first segment features the F6 in a parody commercial, with the second focusing on Choromatsu seeing a group of college kids having a barbecue and being visited by the Cherry Boys (the other five Matsuno brothers in Power-Ranger parody outfits)
BLMatsu- A fandom term for incest ships involving the Matsuno brothers romantically or sexually. BL stands for Boys Love, which is a popular anime and manga term for gay male pairings typically aimed at women. Common ships include OsoChoro and KaraIchi.
Broken Heart Tongue- A small detail in the series is that whenever Jyushimatsu is depicted smiling, his tongue is in the shape of a heart, but in the episode “Jyushimatsu’s Girlfriend” when Jyushimatsu is crying at Chibita’s Oden stand, his tongue is a broken heart.
Matsus Unknown Age- The brothers’ age has never been specified in the Osomatsu-San anime. They are said to “not be older than 24 or 25” and that their parents have been married 24 years and they were born soon after, so they have been assumed to be around 24 but it has never been confirmed.
Girlymatsus not Related- A common misconception in the fandom is that the Girlymatsus are sisters, or the earlier fan theory in Season 1 that they are the Matsuno brothers in drag- but the Girlymatsus were later confirmed just to be friends.
An Anecdote With Horses- An exclusive episode made in collaboration with the Japan Racing Association (JRA) which aired on December 16th, 2016 which featured skits of the Matsuno brothers racing horses.
English Dub Production Issues- After Viz Media acquired the rights to Osomatsu-San, it came out in September 2020 that the English Dub of Osomatsu-San was delayed to be reworked as well as having to replace Christopher Niosi (Choromatsu’s original VA) with Sean Chiplock, due to abuse allegations which Christopher later confessed to.
4th ED is the only ED without stop-motion- While the majority of the Osomatsu-San ending themes feature stop-motion using a variety of items such as toys, clothing, and food; the 4th ending (the second ending of the second season) uses slow-motion footage of paint being dumped onto busts of the Matsuno brothers.
Pine Tree- The kanji for “Matsu” translates to Pine Tree, which is why the pine tree symbol is so frequent in the show’s iconography, such as in the title and on the brothers’ sweaters.
The Hipipo Tribe and The Glistening Fruit- The first of two movies released to celebrate the sixth anniversary of the anime, which features the brothers journeying to find a fruit which grants wishes before encountering the Hipipo Tribe.
Hatabou’s Meat- In the episode “Tell Us, Hatabou”, Hatabou sells meat out of a variety of vendors, but when the brothers ask what kind of meat it is he refuses to answer. Earlier in the episode his employees try to boot him from the company, which leads to his new business venture, implying that the meat is of his former employees though it is never stated outright within the show.
The Soul’s Takoyaki Party and The Legendary Sleepover Party- The second of the two movies released to celebrate the sixth anniversary of the anime, which features the brothers hosting a takoyaki (grilled dough balls with octopus inside with a variety of toppings) party which turns into a sleepover.
Hair Color Change- In the original series Osomatsu-Kun, both the 60s and 80s, the brothers had brown hair but in Osomatsu-San they are depicted with black hair.
Tier 3-
May 24th- The Birthday of the Matsuno Brothers.
Fandubs- Due to the long development time and many delays of the official English Dub, there are multiple fandom dubs of the anime.
Fan Vocaloids- The Osomatsu-San fandom has many popular fan vocaloid covers, some of the most well-known including Matryoshka, Normie Eradication Committee, Rolling Girl, and LOVE 1000%.
Hesokuri Wars/Tabimatsu- Also known as “Osomatsu-San Hesokuri Wars -Battle of the NEETS-“ is tower-defense style strategy mobile game that was released in Japan in 2016 and later being released in English in 2017, before being shut down on October 2nd of 2022 to make way for Tabimatsu. Players would choose a team of 10 characters to fight through stages, with dozens of exclusive events and character variations being released. Many popular AUs in the fandom were inspired by sets released for Hesokuri Wars.
Each Brother’s Name Meaning- Osomatsu translates to lame, or Osoi which means slow- referring to him being the most “basic” of the brothers and lazy. Kara can mean emptiness, referring to his narcissism and chasing his brothers’ approval. Choroi translates to simple, referring to his more average personality. Ichimatsumuyo means checkered pattern (along the lines of a Go board). Jyushimatsu translates to society finch, which are known to be kind like Jyushi. Todomatsu meaning Manchurian fir or “finally”, as “finally” was his catchphrase in the original 60s anime.
Jyushimatsu’s Catchphrase Change- In the first season Jyushimatsu’s main catchphrase was “Muscle Muscle, Hustle Hustle” but in season two and onwards, it was changed more to “Booeh.” There wasn’t any explanation given by the show staff as to why it was changed.
Letter’s Contents- The entire letter Choromatsu had written in “Letter” was never revealed, with only one or two lines spoken by Choromatsu at the beginning of the skit describing what he’d written before later modifying it, leading fans to speculate exactly what was written.
Brothers are pure evil- At the end of the episode “Godmatsu”, in order to defeat Godmatsu the brothers combine their darkness to create Akamatsu. Once Godmatsu is defeated, they absorb only Akamatsu back into themselves, therefore only being made of their evil self. This possibly explains their more violent nature after this point in the series.
AOP Breakup- AOP is an idol group that formed in 2012 under the agency Nikkei Entertainment. The group created multiple songs for the anime, including the theme songs “Zenryoku Batankyu wa Yoiko Dake”, “Hanamaru Pippi wa Yoiko Dake”, “Maboroshi Wink”, and “nice to NEET You!” On December 14th, 2020 the band stated they would be ceasing activities before disbanding in 2021.
Sakurai Drama- Takahiro Sakurai is the original VA for Osomatsu who admitted in 2022 to having cheated on his wife for 10 years, planning to eventually marry his affair partner. Due to this scandal, Osomatsu-San content has been delayed for the past two years.
Religionmatsu- A popular AU which depicts the Matsu brothers as gods, devils, angels, and clergymen. One of the few AUs which was created by the fandom and not inspired by a Hesokuri Wars set.
Sickfics- A fanfiction genre in which one character cares for another who is sick. These fanfics are particularly popular in the Osomatsu-San fandom because of the episode “We Caught a Cold” in which all of the brothers catch a cold and each have a moment to care for the others.
Matsuno Family Dependents- A “wallpaper simulator” type mobile game where the player collects variants of the Matsu brothers and raises them.
Dekapanman- A Parody of Anpanman in which Dekapan dresses up as a hero that gives items from pants to children which was significantly censored due to the controversy and copyright infringement caused by the parody.
Shueisha Manga- Beginning in 2016, a manga series was released alongside the anime. Published by Shueisha in the magazine You from 2016 to 2018 then Cookie from 2018 to 2020 with 10 volumes of stories not featured in the anime.
Only Child Theory- Theory that states that Osomatsu is an Only child with a personality disorder that causes him to develop different personalities that are “his brothers”. As the first known sextuplets to have been born and all survive were born in 1974, many years after the original 60s anime aired. The skit “Sanematsu” is often used as proof for this theory.
Tier 4-
Stage Shows- “Osomatsu-San on Stage: SIX MEN’S SHOW TIME” is a musical adaptation of the original anime, with three seasons matching the anime and having been released on home media.
Episode 10 Controversy- There are some reports of Episode 10 causing controversy upon release for having characters transition to women for personal gain. (Though I will admit, in my research I could not find any comments/posts accusing the show of being transphobic. The only slight criticism I could find was of the ending being too harsh towards Chibita and Iyami’s actions and the episode’s pacing being too slow. I am not claiming that the controversy does or does not exist, or that the episode is or isn’t offensive, I just could not find any evidence in my research of people taking offense to it.)
More Than 6 Brothers- Theory that there are more than 6 brothers as in some scenes in the anime and some promotional material it appears that there’s more than 6 brothers. Though there are episodes in the anime in which another brother is accepted into the group or created such as Godmatsu or Akamatsu.
Where is Orange Matsu?- The brothers all fit the primary (Red- Osomatsu, Yellow- Jyushimatsu, Blue- Karamatsu) and secondary (Green- Choromatsu, Purple- Ichimatsu) colors with the exception of orange as Todomatsu’s main color is pink. This has led some to theorize that there is a secret orange brother. The show creators stated that they made Todomatsu’s color pink to make his style more feminine and youthful, as well as to show that he’s intentionally trying to not fit in with his brothers by not following the same pattern.
Pazzmatsu- AKA Puzzlematsu is a match-3-tiles puzzle mobile game released in Japan in 2016 which continued until April 2018 when it was rebooted as “New Pazzmatsu”.
Doramatsu- A series of audio drama CDs that include unique stories that did not appear in the anime.
Matsus Stay Dead After S2- In the finale of Season 2, the brothers die from a plane crash and are sent to hell for their numerous misdeeds. This theory posits that the brothers stayed dead after the end of season two and that season three is their personal hell. This is a joke theory to explain season three’s shift in focus.
Osomatsu-San the Live-Action Movie- A Live-Action movie with a unique story based on Osomatsu-San with members of the J-Pop group Snow Man playing the Matsu brothers.
Brothers can’t be told apart in 1st promo- In the first promotional image released for the anime, the brothers’ personalities and visual distinguishers hadn’t been ironed out yet so long-time fans of the series noticed that it’s near impossible to distinguish which brother is which in the image. The only brother that is able to be identified is the center brother holding Karamatsu’s signature glasses.
Osomatsu-Kun Grows Up- Technically Osomatsu-San is an alternate universe to the original Osomatsu-Kun series canon, as in 1993 a beer ad was published showing what the Matsu brothers became when they reached adulthood. Osomatsu becomes a salaryman, Karamatsu marries a grocer’s daughter and helps with the family business, Choromatsu becomes a policeman, Ichimatsu marries and becomes a CEO, Jyushimatsu becomes a doctor, and Todomatsu works in a fish market.
Light Novels- Osomatsu-San has spawned a handful of Light Novels and short stories with plots not included in the anime. Examples include: Osomatsu-San the Beforematsu and Aftermatsu, VS Kochikame, and Shut Up Osomatsu.
April Fools- To celebrate April Fools, Osomatsu-San has released multiple fake announcements and fake Tabimatsu sets. This includes the 2015 announcement that the series would be releasing a new Osomatsu-Kun project, the 2017 announcement that a live-action adaptation starring the Byplayers would replace the anime, and the 2019 Tabimatsu set with a Irasutoya art style.
Yamano to Matsuno- The last name of the family was originally Yamano but was changed to Matsuno last minute as Yamano was considered a more “generic” last name.
Tier 5-
Date or Work- Also known as “Osomatsu-San the Game” is an adventure game released in Japan in 2017 for the PSVita. The story has you play as a heroine who gets calls and texts from the brothers asking for advice on their quest to get a job.
Karamatsu is Bisexual- In the first Osomatsu-San movie Karamatsu says “Sorry to keep you waiting, Karamatsu girls and boys!” Also in a drama CD Karamatsu reads off a love poem that he wrote to a male convenience store worker named Kumada Youji. It’s still debated whether the drama CD is canon to the anime and if the line in the movie was just referring to his fans in a non-romantic or sexual sense.
Recycled Scripts- Some of the episodes such as “Iyami, Alone in the Wind”, “ESP Kitty”, and ”The Life of Chibita’s Flower” were based off of chapters of Osomatsu-Kun modified to fit the series. Some skits from Season 3 were also based off of Doramatsu tracks.
Do Matsu’s Smoke?- A topic of debate in the Western fandom, Karamatsu is shown to smoke in multiple episodes and Osomatsu has been shown to be surrounded by cigarette boxes previously but it hasn’t been stated whether the other four brothers smoke.
Brothers had freckles- In the original Akatsuka designs for the brothers, they were designed to have freckles on their cheeks as well as other different facial features. These were changed to make the faces look more cute and easier to draw.
Ichi’s Personality given to Todomatsu- Ichimatsu’s Personality was going to be more snarky and rude than his current more doom and gloom. His characterization was instead given to Todomatsu by Miyu Irino’s suggestion, thinking that the youngest brother being catty would be funnier.
Life-Sized Statues- For the 2016 Summer Wonder Festival, the company Figurex 3D printed life-size statues of the six brothers, with smaller versions of the figures being sold at the event as well. While some have reappeared at Osomatsu-San events, such as the Ichimatsu figure, some have not been seen since their original showcase; this has led fans to search for the statues current locations. There is a link to buy one of the statues from one of the Japanese websites that first reported the event, but the link is now dead and leads to an error page.
Osomatsu-Kun Video Game- AKA “Osomatsu-Kun: Nonsense Theater” is a platforming video game released for the Sega Mega Drive in 1988 based on the original Osomatsu-Kun manga to promote the upcoming anime. The game only had a total of three levels with confusing level design and bad controls that caused it to gain an infamous reputation. It has recently gained a cult following as a kusoge (a Japanese video game that is celebrated for its awful quality.)
Cheaper by the Dozen- The manga was originally loosely based on the TV Show “Cheaper By the Dozen” (an American film from 1950 about a couple and their 12 children) with there being 12 children, but Akatsuka found it too hard to fit 12 characters in a single panel so he decided to cut the amount in half. Eventually changing it to be identical sextuplet brothers.
Denki Mystery- A popular AU that started as a Hesokuri Wars set. As opposed to other Hesokuri Wars sets, Denki Mystery had an entire storyline based on mystery novels, David Lynch films, and Japanese horror.
Iyami + Dekapan Made By Akatsuka’s Assistant- Both the characters Iyami and Dekapan were created by Fujio Akatsuka’s Assistant and later added to the manga.
Rice balls are Govt plants/Destroy NEETS Theory- Theory that the Riceballs were created by the government to reform NEETs to be functioning members of society.
Tier 6-
Six Same Faces #3 Song in Japan- On the week of December 28th, 2015 the song SIX SAME FACES ~今夜は最高!!!!!!~ (the first ending song of the first season) reached #3 on the Billboard Hot 100 in Japan, following the album’s release on December 16th, 2015.
Clone Theory- Theory that states that the brothers were cloned from Osomatsu. (I will admit I cannot find my previous evidence of this theory, if anyone does have proof of someone creating this theory or evidence for the theory please let me know.)
Sheeh Was a Real Trend- Iyami’s catchphrase/punchline used to be a cultural meme when Osomatsu-Kun was big in Japan. Famous figures to imitate Iyami include Godzilla and John Lenon from The Beatles.
VR Game- A virtual reality game collab that ran in Anime Plaza Machida and Adore’s Sunshine Store from 2017 to 2018 in which the player would hang out with the Matsu brothers in the bathhouse. It was later released theatrically as “Movies in VR!” in 2018 with “Evangelion: Another Impact”.
Fesmatsu- To celebrate each season’s release, a festival was thrown which would feature live action skits performed by the voice cast.
Todo is the hardest to animate- According to some of the animators who worked on the first season of the anime, Todomatsu was the hardest to animate of the six brothers because of his more feminine and youthful mannerisms.
Pachinko Games- Pachinko (an arcade gambling game) Games made in collaboration with Osomatsu-San, typically reusing animation from the anime though some have original animation exclusive to particular pachinko games. Examples include: Pachislot: Osomatsu-San, Pachislot: Osomatsu-San ~The Surprise~, & CR Osomatsu-San THE Drum.
Korean Dub Censorship- Due to South Korea’s strict censorship laws, Osomatsu-San was heavily censored by completely removing shots or scenes that featured characters being nude or wearing swimsuits. Some of the ridiculous censoring goes to the point where if a character is wearing a bikini, the entire screen will be cropped to only show their chin and up. Any scenes including nudity, swearing, violence, and sexual references were cut from airing or censored to hell and back (which to be fair is 99% of Osomatsu-San.)
Browser Games- Games that were available through Yahoo, some which were ported to AU SmartPass in the Osomatsu-San NEET Collection. Some examples include: Quiz Battle, Pleasing Totoko-Chan, & Osomatsu-SAN’s Black Factory.
Love Letter Board Game- A board game which players play as the brothers trying to woo Totoko-Chan.
*Matsuno Official Sex Toys- In collaboration with Kanojo Toys, a Japanese adult toy manufacturer, two dildos replicating Ichimatsu’s and Jyushimatsu’s canon lengths were released. The items were meant to be gag gifts but sold better than expected. The official website mocking Jyushimatsu’s girth and Ichimatsu’s length. “Hand massagers” of the other four brothers were also released. I hope y’all like this iceberg because now I’m being aggressively marketed at Japanese sex toys for researching everything on here.
S3E10 Aired on Crunchyroll before Japan- The tenth episode of the third season of the anime was delayed from airing as the channel was broadcasting the TV Tokyo Live 2020 U.S. Women’s Open which had previously been delayed due to rain. Though due to an error, the episode was released on time on streaming platforms early.
Tier 7-
Dmatsu-San- An internet series animated with Flash that aired on NTT DoComo to tie in with season 2 of the anime. The series includes 12 episodes, each at a minute’s length. Each episode features one of the sextuplets interacting with either Totoko or Iyami.
# of Dayons- In the episode “Let’s Get a Job” the brothers work in a factory that is revealed to be creating Dayons or clones of Dayon- as well as in the episode “Dayon Tribe” it’s shown that there’s an entire society living within Dayon’s stomach. This has led fans to question how many Dayons there are in the world of the anime, or if every appearance of Dayon is a different Dayon.
Sheeh-Wave- An internet radio series with the VA for Iyami interviewing other voice actors in character as Iyami. Having two seasons with the first airing from 2015 to 2016 and the second airing from 2017 to 2018 broadcast on Animate.TV.
*PASH Reveals Matsunos fetishes- In a magazine interview with the VAs for the Matsu brothers, each of their VAs had to guess their character’s fetish. Osomatsu- Boobs, Karamatsu- “As long as there’s love”, Choromatsu- “I won’t say” or humiliation as said in a Drama CD, Ichimatsu- Paw pads, Jyushimatsu- “Eh?”, Todomatsu- legs and bellybutton wrinkles.
2 Withheld Skits- 2 skits that were removed after the Dekapanman apology. Presumably parodies of other Japanese children’s media, but no information about what they were have been released.
The Red String of Fate Lost Fan Song- A fan vocaloid that was released on YouTube and Niconico Douga that featured a thumbnail with the sextuplets laying in a circle with a red string connecting them together. The red string wraps around Osomatsu’s finger and forms a heart in Todomatsu’s hands. The song had the brothers sing about their connection together before bursting into tears at the song’s climax. The video has been taken down since 2020 and is now lost media.
*Fetishmatsu- The part of the Osomatsu-San community that creates fetish media featuring Osomatsu-San characters. Please take caution when researching further, because I’m not messing up my search history any further.
*Live-Action Matsu Porn- Osomatsu-San being such a popular series, multiple live-action porn videos featuring the Osomatsu-San characters (mainly featuring Karamatsu & Ichimatsu). Examples include: Karamatsu Maturbates for You, IchiKara Hajimeyo!, and Ichimatsu Spanks It.
*Amputee Karamatsu- An infamous piece of fetishmatsu art that depicts Karamatsu with his legs cut off.
Osomatsu-Sanpo- A Pokemon-GO style game where players would find and catch different variations of the sextuplets through AR on their mobile device. It only ran from February to September 2017.
Swimsuit Hesokuri Set- An unreleased Hesokuri set which has the Matsu brothers wearing pretty plain-looking one-piece bathing suits. Possibly used for testing out game mechanics in updates.
What Does Sheeh Mean?- Iyami’s catchphrase which he will scream out when surprised. When asked what the phrase meant, Fujio Akatsuka never answered, leaving the phrase a mystery to this day.
*IchiKara Endurance Battle- An infamous doujinshi piss fic with Ichimatsu and Karamatsu having an “endurance battle.” Please take caution when researching further.
*Periodmatsu- An image of a Matsu brother drawn in period blood on someone’s thigh posted by the account “Periodmatsu”. It is debated whether the image was faked or real. Often confused for Period Drama Osomatsu-San, an episode from the second season of the anime.
*Banana Milky Way (Meiboku)- An infamous beastiality doujinshi with Ichimatsu and the tiger from S1E10.
*Assault Machine Gun- An infamous 2016 doujinshi by Tellmin in which the Matsu brothers are sexually assaulted and r*ped for not being able to pay their debts to Chibita.
Rejected Bathhouse Quiz Short- A rejected skit from “Christmas Osomatsu-San”. Airing only at the 2017 Spring Nationwide Invitational Screening Festival alongside clips of each Matsu brother depending on which room you entered. Now considered to be lost media.
*Todokaras- An infamous member of the fandom that scammed their fans/followers, groomed minors, promoted beastiality, abused animals, and claimed victimhood. This is just *some* of their behavior. Please take caution when researching further.
Thank you all for all of your support and patience, if you have any questions I will try to answer to the best of my ability!
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yumeka-sxf · 1 year
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My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 1
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I finished reading through my copy of the English version of the SxF manga guidebook "EYES ONLY." There's tons of fantastic information about the series, but I wanted to share my thoughts/commentary on parts that were the most interesting to me. Since there's so much content to cover, I'll be dividing it into a few different posts. Also, rather than go in the order of the book's sections, I decided to group the content based on topic. This first post will cover Endo's comments about the characters individually, as well as information about Garden.
Endo's Q&As and comments about the characters
Loid:
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I like that Endo provides a reason for why Loid wears a WISE logo pin as it's something more than one fan of the series has questioned! And I totally agree with Lin about his "lack of distinctive features." Compared to so many other anime characters, especially shonen main characters, Loid's design is so plain, particularly in his hair and clothes. At least in his spy outfit he has a gun to make him a little flashier, but when he's in his casual clothes, he literally just looks like "some guy," haha. But that also makes sense for his character.
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I love how Endo gave specific numbers for comparing Loid and Yor's strength (Yor: 10, Loid: 6-7)
Anya:
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I did notice what Endo is talking about how Anya's design changed over time. But that can be said for all the characters really, and it's definitely not uncommon for manga-ka's styles to evolve as they get a better feel for their characters and world.
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He mentions the classical language thing that was also brought up in chapter 42. Definitely makes me think that will somehow tie into her backstory.
Speaking of Anya's backstory, there was this little excerpt about the researchers at the lab. So one thing we can say for sure about her past is that she was not treated well there at all (which has been hinted at in the series).
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Endo also discussed the origin of Anya's pink hair (namely, there really isn't any origin, lol).
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Yor:
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Interesting that he spent the most time designing Yor, and also about the origin of her stilettoes. And his apology to the cosplayers for that bonus feature about Yor's hair, haha.
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I had to chuckle when he said they can't measure her strength because she keeps breaking the instruments! Also the fact that she hasn't learned how to make a single successful meal since the stew…Endo is such a savage sometimes, lol. But keep in mind that this book was originally published over a year ago, and obviously we know from recent chapters that her cooking is improving. I also like that he mentions that she has left witnesses to her work, like in Extra Mission 2. I wonder if that will be a bigger plot point somewhere down the line.
Like Anya having pink hair, Endo expresses some regret about making Yor an assassin (but his laugh makes it clear he's not terribly hung up about it!)
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Bond:
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I know some people are bothered by the fact that Yor is Bond's least favorite. But I think Bond's (initial) dislike for her originated from the chapter where he assumes he would have died from her cooking. Also the fact that Anya put the idea in his head that she would "murder" him if he did something she didn't like, like shun her food (which is obviously heavily exaggerated). But again, this book was published over a year ago, and the most recent chapter revealed that he definitely doesn't dislike her even if she's not his favorite. It's perfectly normal for pets to have family members they prefer over others for whatever reason.
Franky:
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I love that Franky does charity work. I hope we'll see that in a future chapter.
Fiona:
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It's interesting that he ranks Fiona's combat ability so low, especially when you consider what she did to Wheeler in the recent arc. But to me, that wasn't so much a display of combat prowess as it was totally raw, uninhibited willpower.
Yuri:
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I love his blunt answer about whether Yuri has other interests besides Yor. Also intriguing that he mentions Nightfall when discussing Yuri's combat ability…maybe those two will meet eventually?
Information about Garden
Since Garden is still such a mysterious entity in the SxF universe, I tried to gather everything about them that the book mentions.
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It's interesting that Yor sees Shopkeeper as her mentor since he taught her survival skills in her youth. The book also raises the question about how Yor found Garden in the first place…maybe something Endo will expand on in the future?
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So the information Franky gives us about Garden is exaggerated? Gah, that just makes them even more mysterious!
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The above was a cool bit of trivia...so it seems like the secret police might know more about Garden than WISE. Perhaps Yuri will find out about Yor's real identity before Twilight?
Continue to Part 2 ->
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pancake-breakfast · 3 months
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Sorry it took me so long to get these notes up. Between internet issues and pure busy-ness, it's been rough. But here they are! The notes from AX Day 1's Trigun Stampede panel! Now with images! (Sorry for Chilchuck's head in most of them. He's awfully tall for a half-foot.)
Trigun Stampede presented by Toho Animation, Studio Orange, and Crunchyroll
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The guests for this panel were Yoshihiro Watanabe (producer at Orange) and Katsuhiro Takei (producer at Toho animation), with Steve Liu from Crunchyroll hosting. (They had a translator as well, but Watanabe promptly stole her job.)
One other thing I'm going to note before we get started is that this was Takei's first time talking about all this in front of an audience since Episode 12 aired. He kept looking out at the practically full auditorium (the panel was held in one of the ballrooms, so easily one of the biggest rooms at the venue) and seeing all the fans and cosplayers and just grinning from ear to ear. He was clearly very exited.
Introduction
They started off by playing a quick video recapping Season 1. (It really made me want to watch the show on a big screen. It looks great even on a projector!) After the video, Liu started in on the interview questions. Please don't take anything below as a direct quote unless it's in quotation marks; I'm not that fast with my notes, so I'm mostly paraphrasing and relying on my memory, either of which could include my own misinterpretation or just be flat-out wrong.
The first question was, how do you feel about the future of the series?
Watanabe said their passion (for creating more of the series) was burning within them.
Takei noted that when the show was initially announced at AX some years back, they were very nervous about it since they were remaking a well-known and well-loved title, but today, looking out at all the fans, he felt a lot more confident.
Behind the Scenes of Trigun Stampede
They then showed some concept art from the famed Trigun Bible. This included what Watanabe called "Vash's projection of Rem." Seems like they came up with this design before coming up with Vash's dark design.
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They also shared some concept art of what most people assume to be spiky-haired Vash...
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...but which Watanabe quickly noted is actually Vash in Episode 1. You know, when he's hanging upside-down. Takei added that Muto, the director, was a bit mischievous and had a tendency to lie to the staff about when certain designs would appear in the series. He apparently hid a handful of Easter eggs and foreshadowing (like Vash having spikier hair) throughout the series.
They also had some concept art of Knives and of Vash's wing.
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They then showed some concept art for some friends all y'all might recognize if you read the manga....
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...but in case you didn't, I'll identify the characters below:
Top Row: Vash the Stampede, Millions Knives, Meryl Stryfe, Roberto Deniro (the blank one), Legato Bluesummers
Bottom Row: Monev the Gale, Dominique the Cyclops, Leonof the Puppet-Master, E.G. the Mine, Nicholas the Punisher, Midvalley the Hornfreak, Hoppered the Gauntlet, Rai-Dei the Blade (his name doesn't actually look like Rai-Dei here, though, so they may be calling him something different or they may just be subbing in kanji; it's too small for me to tell), Grey the Ninelives, Livio the Double Fang, Zazie the Beast, Elendira the Crimsonnail
If you're sitting there thinking, "Aww, they came up with all these designs but we saw so few of them!" then I have news for you! Watanabe said we should be keeping an eye out for more of these folks in the next part.
Favorite Scenes
Next, Liu asked both of the guests about their favorite scenes, and before they got into talking about them, we were shown a video not just of the final scene, but the storyboard, the rough cut version, and the version used for dubbing, all on one screen.
Takei answered first, and he chose the scene from episode 1 where Vash goes up against Chuck Lee, a.k.a. the military policeman from July.
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(The audience kept laughing at Vash's wonderfully goofy face in the storyboard.)
When asked why he loved that scene, Takei noted that everything they wanted to accomplish in Trigun Stampede was encapsulated in it. In the manga and '98, Vash is more funny and tough (although "a good-looking guy"), and here in Stampede, he's rather more wimpy (although "still a good-looking guy"). This scene is a good blend of both sides of Vash.
It also showcases a "good action scene," which he clarified by noting there aren't many anime where so much drama and emotion is centered around one bullet. Takei also noted (though it's hard to convey to you all via still images) that Muto trusted his animators to improve on the storyboards. He's not as strict as some other directors and didn't want them to feel confined to stick to it too closely, but rather wanted them to enhance what was storyboarded out as they felt was appropriate.
Which leads to Watanabe's choice for favorite scene: the one where Vash is running through his shattered memories toward Rem and finally breaks free of Knives' prison and yeets Knives himself out. (Alas, Watanabe did not, in fact, use the word "yeet.")
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Watanabe said he chose this scene because he loved the details that the team added to it after the storyboarding. The storyboard just had Vash running, but they added all these subtle movements and emotion that created a much stronger impact. When the completed scene was presented in Studio Orange, all who saw it were in awe.
Upcoming Trigun Stampede Merch
First up, as many of you already know, we have the Special Edition DVD/Blu-Ray set, which is currently available via preorder on Crunchyroll.
Second up is a new Vash figure! So new they haven't finished coloring it yet, BUT they did note this will be Black Vash (a.k.a. Grape Juice Vash) from Ep. 12. Takei is particularly excited about this because he always wanted to get the Black Vash figure from back in the day, but wasn't able to, and now he's gonna be able to get his own Stampede version. This figure is actually designed by the same person who designed the Vash figures for the manga back in the day. Interestingly, after they picked him but before they met to collaborate on designs, he came up with the current design for the figure. This worked out exceedingly well, since the design Orange wanted for the figure was basically the same thing.
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Also, this Vash figure will soon have a Wolfwood companion figure. Because you can't have just one of them. The Wolfwood figure is still being designed, so alas, no images of it yet.
There's also been a restock of the orders for the clothes collaboration they had with SuperGroupies before, so a bunch of that stuff will be available again soon. They're also adding a new item to the lineup, and that's a black version of the Vash jacket. (I checked their website and it looks like they might also be adding a Livio EoM jacket. Hot.)
Preview Stuff for the Next Season
Ok, first and foremost, I'm gonna note there was NO TRAILER SHOWN, so let's crush those hopes now lest they linger and lead to disappointment. What they DID show was this:
First, a preview image of the characters for the upcoming season....
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TBH, the only difference I really noticed is Knives' hair seems fluffier, but new art is always nice! Also, this one looks like a win for foot, ankle, and/or hand fetishists.
Second, we got a lovely video thanks from Nightow himself!
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(He said he wanted to be there, but unfortunately there wasn't a strong enough headwind for him to run to the con. And for the curious, he's wearing a Guillermo del Toro shirt.)
Nightow being a fan of Stampede and overjoyed that so many people love his story isn't new. (Wonderful, but not new.) What IS new is he drew this nice little piece of art for us all.
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He said this was his first time drawing Stampede Wolfwood. He had to get them to send him 3D images of the Punisher to be able to get it right, but he enjoyed making it! He said "it felt old and new at the same time." He can't believe next year will be the series' 30th anniversary. (Congrats, OG fans. Now we can all feel old together.)
The third thing they released was this.
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Given the amount of trouble I've had posting this, I'm sure plenty of you already know that the next season/final chapter is going to be called Trigun Stargaze. Liu asked Takei about this title, and Takei said something like, "I don't know what this is about. Trigun Stargaze? What's that? This is news to me." He then (after noting he had just been joking) launched into what little he could tell us about the upcoming season.
He said he can't talk about the reason for the specific title, but that manga readers can probably make some good guesses.
Trigun Stargaze will take place 2 1/2 years after Stampede. They want to keep in mind the original concept behind Stampede, that being that because the previous Trigun stories have been so amazing, what they create needs to be amazing, too. He said they're proud of what they've made so far. It went beyond your imagination. He hopes Stargaze will go beyond your imagination, too.
Cosplayer Highlight
They decided to call all the cosplayers up to the space in front of the stage next. There were SO MANY COSPLAYERS!! Foolishly, I didn't take a panorama.
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Costumes included '98 and Stampede versions of Vash, Wolfwood, and Meryl, as well as a handful of Millys (Millies?), not one but TWO groups doing Barbie & Ken-styled Vash and Wolfwood (the Barbie Vashes shouted, "Hi, Barbie!" at each other when everyone went to sit back down), an old-school Legato, a Zazie, and a group fully cross-playing the characters (with Meryl and Milly being male while Vash and Wolfwood were female; they did NOT change the costumes for any of the characters).
Liu handed out prizes to a few of them (they didn't have nearly enough prizes for all of them), and then they had all the cosplayers bunch up and face the stage and the guests turn around and took a picture of everyone. (If anyone has a link to the picture anywhere, let me know and I'll add it here. No, you can't see me in it; I'm much too far over to the side.)
Guests' Closing Thoughts
They were actually running early on the panel, so Liu opened it up to any additional comments either of the guests would like to make.
Takei still seemed overwhelmed by all the cosplayers (like I said, he spent the whole panel grinning from ear to ear at the audience), and he noted he had been worried about the Stampede characters being accepted by the fans. This was his first time seeing all the cosplayers, and he said that made him "feel safe."
Watanabe said he loved looking at the "multiverse" of Trigun. It had these previous iterations, and now it has Stampede, and the fans have both adopted it and adapted it, blending the different versions together and even adding their own things, and he really appreciates that. Takei added that while they created Trigun Stampede, if in 50 or 100 years, a new Trigun series is made, that would be great.
The animation for Stargaze is in process. Watanabe said he just recently saw some of it (a clip of only a few seconds that he, of course, couldn't show us) and it blew him away.
Both Watanabe and Takei are fans of the manga and the original series, and Takei said he's really wanted this series to happen, so he hopes we all look forward to it, too.
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More in depth analysis about the Spy x Family Manga Cover Chairs and Bonus Artworks (Or me just overthinking Endo’s decisions in everything and as always long post, please bear with me)
So I wanted to talk about something that I noticed about the various designer chairs that is featured on all manga covers.
Endo did say that he thought about how each chair matches the personality of the character, regarding it’s style, design or the color.
But I like to talk about something different about the chairs-it’s size or the seating capacity and how it reflects the characters relationship with others or their views about relationships. Also, I’m going to share something significant about the comedic bonus arts that also feature the chairs.
This focus mainly about Loid, Yor and Anya‘s Chair (including Fiona’s Chair) and the bonus illustrations that came with it.
Volume 1-Loid’s Chair: Le Corbusier LC2
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There are two versions of this chair in the manga/anime, the love seat and the one seater. Loid is seated in the one seater chair in this cover, it means no one can sit there with him that reflects how reluctant he was in letting other people in his life. He wasn’t open for relationships (You can notice that those who are like him, intelligence assets; Franky, Fiona, Handler all sit in one seating capacity chair).
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The bonus artwork was Anya sitting on the chair copying his pose. She’s the most fitting person to be in this seat because she can see through Loid’s mind, she basically knows who he really is and she likes him for that. Anya was fond of spies and she was excited about being part of his mission.
Volume 2-Anya’s Chair: Marshmallow Sofa
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Anya’s chair has a large seating capacity and she was sitting at the middle, waiting for the empty spots on her both sides to be occupied. This depicts Anya’s anticipation for forming relationship with other people, about her wanting parents, a family, to be there for her.
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The bonus artwork was drunk Yor lying face flat on Anya’s chair. This artwork, for me, reflects Yor’s unwavering affection for Anya and Anya’s appreciation of Yor. Even drunk, she’s determined to protect her, as if she was her real daughter as seen during the castle chapter. She is fond of Anya.
Volume 3-Yor’s Chair: La Chaise (Featuring Fiona’s Heart Cone Chair)
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This is the chair I wanted to talk about and I have to use Fiona’s Chair for this analysis for Endo said that Fiona is designed to be Yor’s contrast and we can clearly see it in their chairs.
The seating capacity of Yor and Fiona’s chair greatly differ. Yor’s chair was big, Endo pointed how it didn’t even fit the cover, and even though Fiona’s chair is big too, she’s the only person who could sit in it. Other people can fit Yor’s chair but not with Fiona. I analyze this as Yor being open to genuine relationships and selfless while Fiona being closed off and selfish.
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We know Yor’s motivation for being an assassin was for Yuri, for the sake of other people, and what is Fiona’s motivation? Clearly it was mainly for Twilight to marry her, love her and it was evidently show with all that stuff hiding behind her chair. I’m sure she experienced a lot of traumatic stuff that led to her being a spy but I don’t see other praise worthy and selfless motivations from her that was aside Twilight���s affection. Don’t get me wrong, she’s an interesting character and she isn't a bad person but I’m not really a fan of her personality just like I don’t like Yuri’s obsession with her sister.
In Yor however, she has nothing under or behind her chair. Just that blood that wasn’t even behind or below her chair. She wasn’t faking anything about her personality. It’s true that she accepted her marriage to preserve her assassin job but she genuinely wanted to marry Loid because he was the one who acknowledged her selflessness and that was enough for her to completely entrust her life to him. She welcomed Loid and Anya to her life because her longing for a companion to share her life with is as big as the size of her chair.
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The bonus art in Volume 3 was Loid sitting on her chair. Despite the comedic set up of these illustrations, I think the people who tend to sit on the chair on the bonus arts were the ones who gets the person on the cover the most.
That is why Anya is in Loid’s (Because she can read his mind) Why Yor is in Anya's (Because Yor lost her parents at a young age too and she knows how to care for Anya because she did that to Yuri) and why Loid is in Yor’s chair (Because Loid understood her self sacrifice because he too, is the same as her) Also why Anya and Bond are in the bonus of Volume 4 because the two of them get each other, being both experimented on.
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I also have some analysis about Volume 5-12 and the bonus artworks as well, but I might post them in another time since I haven't seen the translated bonus artworks in Becky and Emile and Ewen's Volumes.
But let me know if this analysis makes sense to you.
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