#i left 10 off

[rustbeltjessie]

Tagged by @amortaldothapproach, with whom I apparently have a lot of musical overlap!

Not entirely sure I did this right, but in any case, here.

Tagging @belialjones @sandovers @annihilate-this-week @neoretrobibliomartini-x @thechillseekr @maeganbobaegan - but don’t feel obligated, and if I didn’t tag you and you’d like to play, please do!

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[thatqueerbat]

catching up on docs streams, and he's talking about religion/spirituality and how it guides people's beliefs etc. he mentions how (generally) people like to be outraged by things [that dont affect them], like who other people are, and then immediately says 'if you're lgbtq you'll know what im talking about'

and i absolutely do. and its so wild to me how he just. drops that in. then starts talking about how it shouldn't matter who you are, how you can still do be incredibly religious and respect queer people, that the most important thing is that your beliefs don't hurt other people. how you should respect pronouns, that being 'indoctrinated' into being queer isn't a thing.

all whilst he's mining for diamonds using a freaking mega tunnel bore. like its any other conversation you might have

which it certainly is, for me. but a 40 something cishet man? not your standard casual conversation topic, not usually. and even though i already knew he was a supportive guy, hearing a conversation like this outside of an explicitly queer space, unprompted by a queer person. just solidifies what kind of person he is. and gives me faith that even outside of queer specific spaces, important conversations are happening, its not just us protesting and yelling into the wind, no one giving a shit. and its happening in some pretty unexpected places. which id say is pretty neat. its nice to have some hope for a change.

(all that to say, this is a docm77 stan household)

[ineed-to-sleep]

So I've had this wip sitting in my folders for months now and decided to ressurect it to satiate the urge to draw these two again

[zabiume]

orihime's confession to ichigo evoking the idea of time ["five lifefimes"] vs ichigo's pre-confession evoking the idea of time ["can you make time for me?"]...something about ichigo wanting orihime's time and orihime promising five lifetimes worth of it...something about both of them seeing time spent together as the biggest luxury life could give them...that they had ten whole years between the yhwach battle and the next time we saw them...ten years where they didn't battle anything and didn't rush off to risk their lives, just sat around and spent time together, talking about nothing and everything. and both of them valuing that so much because all they've ever wanted is the other person's...time

[deoidesign]

Sketching

[min-xie]

help i cant stop drawing fem neuvillette

[flowerakatsuka]

dude, why does every goofy ass kara skit make me more attracted to him?

[puppyeared]

learning abt friendship decay and "not reaching out to your friends for months at a time unprompted is not neurotypical behaviour" has me feeling a certain way

[wolvieshairypussy]

I made the X-men in picrew! It's by @crowesn 💙

[animalcrossingshowdown]

or alternatively add something in the tags/comments. I didn't include "couldn't change skin colour until the fifth mainline game" because that would deservedly sweep

[hurricanek8art]

Okay SO I've never Bad Batch posted beyond reblogs but there's two episodes left and I'm going insane so my big giant theory for why the finale is titled The Cavalry Has Arrived with a sprinkle of Tech is Alive Yes I Am Delusional:

Tonight's episode is going to end with the Batch, Omega's gang, and CX-2 all colliding in one of the hallways.

Big Western faceoff, tumbleweed, yadda yadda y'know.

Right before the shooting starts, CX-2 tells them their escape plan through whatever hallway they're planning is strategically ill-advised, because *insert tactical explanation here*

Hunter: "Oh yeah? What, you trying to help us or something? No thanks."

CX-2: "It was worth the attempt. It's not as if we've ever followed orders anyway."

BIG PAUSE, CLOSE UP MONTAGE OF EVERYONE AS THE WORDS SINK IN

Omega: "...Tech?!"

Tech: *removes helmet to reveal it's him* "Well, I thought it was obvious. Shall we liberate some clones together, then?"

SMASH CUT, ROLL CREDITS, THE CALVARY HAS ARRIVED BECAUSE THE *ENTIRE* BATCH IS TOGETHER AGAIN AND THEY'RE GONNA SAVE THE CLONES.

end conspiracy theory rant. 🥴

[booasaur]

Special Ops: Lioness - 1x07

[nyxi-pixie]

if your ship has never said anything unbelievably suggestive to each other that the mainstream audience somehow can ignore like it didnt happen or sound like that then are they even your ship?

[doctorbunny]

Amane's birthday flower tweet

(tweet links here)

Happy Birthday to everyone born today. Today is also Amane Momose from #MILGRAM's birthday. Her birth flower is Passiflora caerulea (tokeisou/Blue Passion Flower). The name "Passion flower" [tl note: passion as in "the passion/suffering of Christ, not enthusiasm] was used by Christian missionaries, it comes from the stamen's resemblence to the Crucifixion of Christ, with the 10 petals representing 10 Apostles. The passion flower's hanakotoba are "Faith", "Sacred Love" as well as "Religious fervour". Just so you know, this is simply an annecdote about the flower, it's not directly related to Amane's origins. Hanatokoba is purely allegorical. Simply put, just because the blue passion flower has this kind of backstory and hanakotoba, it doesn't mean Amane's religion is the same. Just added this supplement in case this is the first time you've had a run in with the Hanakotoba Guy and found it hard to understand. [Note: 花言葉おじさん Hanakotoba ojisan aka Hanakotoba Guy/Old Man Hanakotoba/Mr Hanakotoba is Yamanaka's nickname for himself when he does these things, he also used the term in Mikoto's birthday tweet]

本日お誕生日の方おめでとうございます。 #ミルグラム では桃瀬遍の誕生日でもあります。 誕生花はトケイソウ。十字架にかけられたキリストに似た雄しべと10人の使徒に見える花弁から別名「受難の花」と呼ばれ、キリスト教の布教に利用されました。花言葉は『信仰』『聖なる愛』そして『宗教的熱情』。 ちなみにこの花に関してのエピソードなだけで、本人の出自とは直接関係ありません。花言葉はあくまで寓意です。 噛み砕いてわかりやすく言うと、トケイソウってお花にそういうエピソードと花言葉があるってだけでアマネの信教がそうだって話じゃないよってことね。花言葉おじさんと邂逅するのが初めてだとわかりづらいだろうなと思って補足。

[wasyno]

🇺🇸🦅🦅🦅💥💥