#i know this is my own personal interpretation of the ship

[curlytsunamiart]

a confrontation between miquella and messmer in the shadow keep throne room

[lunarsilver]

How will you meet your next partner?

I've got a new deck and so I had to use it! Here's a short Lenormand reading.

REMEMBER

I’m not a doctor, a psychiatrist, a therapist nor a psychologist. Divination will never replace meetings with them.

It’s a general reading, so not everything will resonate.

If you can’t choose between two piles, probably both of them have some messages for you. You can also not identify with any of them, and that’s okay, too.

Readings can help you make a decision, but they shouldn’t be the main reason for making it.

1 ~ 2 ~ 3

4 ~ 5 ~ 6

PILE 1

Key - Anchor - Moon - Snake - Stork

Openness for stability grounds one’s feelings and evokes the desire to start anew.

With the Moon in the center, the main themes of this reading are predictably your fears and feelings. It’s more about your mindset than anything else. I feel like people here either had only short or casual relationships, or never dated. You’ll meet your next partner when you’ll be open to the possibility of starting a new cycle and want something durable and secure. This suggests it will be a long-term relationship. 

PILE 2

Fish - Book - Heart - Woman - Sun

Wealth of knowledge makes the heart of a woman happy.

With the Heart in the center, the theme of this reading is, of course, love. We’re talking here about a romantic relationship. The Woman represents either you (if you are a girl/feminine) or your next partner. A lot of happiness comes from being well-read and well-informed. You’ll meet your next partner thanks to the abundance of your knowledge. Education is pretty important here.

PILE 3

Key - Cross - Ship - Crossroads - Bear

Liberation from rules and ideologies starts the journey of discovering the path to one’s own power.

Freedom. I have this word in my head while looking at the cards. With the Ship in the center, the theme of your reading is exploring your choices. After setting boundaries with a leader figure and making the painful choice between your responsibilities to this figure and your own freedom, you’ll start to choose what you think is right for you. That’s how you’ll meet your next partner - by becoming independent.

PILE 4

Bouquet - Owls - Mice - Anchor - Snake

(In the deck I use, there are two cards with the number 12 - Owls and Birds. I choose to interpret Birds more as gossip, anxiety and communication between a group of people, while Owls as more private, serious or intimate communication).

Flattering flirt weakens the fundamentals of desire. 

Sooo, do I have people here who are currently in a relationship but feel like it is crumbling and start to think about finding another one? If so, someone will go after you while you’re still in this relationship, which even further will weaken your desire for your current partner, and you’ll get into a new relationship. You know, pile four, better come clean with your current partner as soon as possible and don’t drag it more than it’s needed.

If you’re single, I think you’ll have some situationship that will lead nowhere. Like, it’ll start so nice, some flirting and maybe even some deep conversations, but there are skeletons in the closet of that person; or maybe they’re just all talk, no action. You’ll meet your next partner after this situationship ends.

PILE 5

Sun - Ship - Mountain - Tower - Coffin

A happy journey is slowed down by an obstacle of dealing with one’s ego/loss/loneliness.

Just saying, I find it pretty interesting how mirroring cards have the same signs - Sun and Coffin are Diamonds (Earth), Ship and Tower are Spades (Air) and Mountain is a club (Fire).

The theme of your reading is overcoming an obstacle - only after dealing with it will you be able to meet your next partner. You were going through life smoothly, but here it is - a problem. I’m not sure which meaning of the Tower will fit you, but you’re either too arrogant and have to work on your character (most likely someone will call you out on this), you’ll lose something or someone, and only after grieving and moving on you’ll meet your next partner, or on the way to meeting your partner stands the need to be more social.

PILE 6

Garden - Anchor - House - Fish - Dog

Well-known social conventions value devotion.

With the House in the middle, the theme of your reading is tradition. You’ll meet your next partner the old-fashioned way, maybe at some party or through your family. This relationship will be approved by most people around you. You and your next partner will start out as friends, and from there, loyalty and support will grow. This will be most likely a long-term relationship, maybe even marriage.

[the-music-maniac]

This is one that ended up way longer than I would've liked but the brainrot has reached concerning levels.

Brief mentions of sephgen, sephgeal, sephzack, multishipping, spoilers for crisis core, rebirth etc. etc.

I've begun realizing the longer I traverse the various pages of FF7 fanworks that when I say I ship Sefikura, the romantic/sexual aspects of it don't matter as much to me as the emotional catharsis of it. And I say this because I feel like sefikura is often used to explore one specific type of fantasy/smut/kink etc. There's a portion of people who like the ship because they like exploring how fucked up it is for post-nibelheim Seph to try to make Cloud into a puppet - this is usually (not always) accompanied by size difference kink, sub Cloud dom Seph, etc. And while I personally despise that characterization common in that interpretation of the ship, it's still valid, cause y'all should be able to explore your own fanfics however you want. An "Ew. Oh well, none of my business." kind of deal.

I would like to make it known though, that as a Sephiroth fan I kind of hate domroth. Block me if you must, we can just agree to disagree lol.

My interest in Sefikura stems mostly from Sephiroth. I'm gonna shamelessly admit here that while I love Cloud as a character, he doesn't intrigue me as much as Sephiroth does. And I know I'm biased cause he's my favourite, but I get easily stuck on characters who were abuse victims that became villains because they gave into their demons, characters who managed to stay kind, up until they were so beaten down they snapped, characters who I think have redemption potential, even if it wouldn't be easy to do. Which can be the case with Seph both pre- and post- Nibelheim.

Post-nibelheim is a LOT harder to write convincingly, seeing as how he actually did fuck up like. Everything. And his victims don't have to forgive him. Not Cloud either, even though I am writing a post about sefikura. The redemption is more about personal improvement, rather than forgiveness. But it's really interesting because a Sephiroth that even has a chance at redemption post insanity, is one who is a mix of before and after. He still has all that rage inside him from how he was treated by humanity, still has visions of annihilation and delusions of grandeur in his head, but he also remembers that he used to love, that he used to have companionship, scarce as it was, and cared for the well being of the soldiers he lead, etc. How does he get to that point in the first place, and how does he deal with it after? With the warring that is likely occurring from those two sides, the festering resentment of knowing he was given so much less than he should've been, knowing that he had a human mother, but since he IS closer in capability to a god than a human, does he think he's a monster because of his heritage still or because he gave in? Does it even matter at this point, what he is? And what will he do, now that he has a portion of his humanity back (however that occurred) and isn't just purely Jenova? How does he deal with knowing that even in the depths of insanity, he still just didn't want to be alone? And of course the turmoil on Cloud and Co's side, usually some flavour of, okay so repeatedly killing him isn't working, I'm tired of fighting him every couple of years, I still have the responsibility of making sure he doesn't fuck everything up again, and of course the hatred they understandably feel for the shit Sephiroth has done. And as Sephiroth kind of fights to recover some semblance of identity and understanding of himself (without destroying anything), watching that occur and knowing objectively that your enemy didn't deserve what he got when he was a child, that a part of what occurred was after he was pushed to that degree - even if you subjectively can't make yourself feel it at the beginning. And then as the story progresses and characters undergo development, Cloud likely wrestling with the fact that he actually is starting to understand Sephiroth's predicament, realizing Seph can be so very human at times. And dealing with the worst sin/betrayal of all, enjoying his company for his company's sake. A Sephiroth that gets through that and finds some semblance of contentment is meaningful because it would take a mind-boggling amount of hardship and work to get there. And tbh here's where the bias comes in - it's what I would say is a happy ending for everyone. I know people would disagree, a lot would say Cloud and Co getting rid of Seph is good riddance, why should he get a chance, why should they have to deal with him, etc. hence why I acknowledge this is biased - but a happy ending to me is one where everyone else gets to stop fighting Seph and move on with their lives and Sephiroth actually gets to live the life he wanted when he was a child. I won't ever be entirely satisfied with FF7 canon for this reason (true of any tragedy). Nothing that happened to him pre-insanity was fair. So. Catharsis.

As for "redemption" of pre-nibelheim Seph, I read time travel fix-its when it comes to sefikura cause I find it more interesting. For anything pre-insanity that involves canon divergence without time travel, sephgeal, sephgen, sephzack, shipping, platonic or poly makes more sense to me, cause those three are positioned better to help Sephiroth in a meaningful way. Also I personally do think Cloud is a little too young for that then (even if I'm also convinced he 100% had a celeb crush on Seph. Which is also not what Sephiroth needs at that point).

So, for sefikura, pre-nibelheim redemption usually involves Cloud getting yeeted back in time, either by the planet or by choice, to stop things before any of it happens. Cloud usually believes he has to kill Sephiroth, so he'd likely be in close proximity. So how would he deal with seeing, first hand, all the ways that Sephiroth was isolated and dehumanized in Shinra? Cloud still hates him at this point, for good reason. So he's here, witnessing not only Sephiroth being a kind/decent (awkward) human being, but also the lab visits, Hojo being Hojo, being paraded around for propaganda, the effect the "betrayal" of the other firsts likely had, Sephiroth being straight up depressed and malnourished and overworked, hearing whatever lies were fed to control him when he knows the truth. How does he deal with the moral repercussions of killing a technically innocent man? Especially when he realizes that a little support and compassion could've changed the outcome entirely? And Sephiroth on the other hand, now stuck with this persistent stranger that doesn't treat him like either an emotionless weapon or a legend, but some secret third thing (is he trying to kill him???? Can't tell, mixed signals are happening). Cloud would also likely help take Sephiroth's mind off things by virtue of existing - not because Sephiroth particularly cares about Cloud at the beginning (why would he, they're strangers) but because Cloud is fucking weird. Not a soldier, still mako enhanced, angry/aggressive at him in particular and seemingly frustrated about it, history that doesn't match up to current behaviours, etc. Hell, Shinra would likely even order Seph to keep an eye on Cloud. Meanwhile Cloud is desperately fucking with the timeline to ensure everything ends up differently, and accidentally becomes some sort of support for Sephiroth in the process. Because while everyone else was so fooled by the propaganda surrounding their hero, leaving him alone to his own devices (despair and depression), Cloud knows that his attention should be on Seph right now. And I don't think he's the type to just leave things alone out of spite if Seph where to, for example, stumble out of the lab, half delirious from Mako, because of one of Hojo's whims. There's also the question of whether Cloud would know to help with Angeal or Genesis' degradation, which could help either clear up some misunderstandings between Seph and his friends, or just ensure that Seph doesn't lose them at all in the first place.

And if Sephiroth were to find out/be told the truth, about his mother, or about the future, HOW is he gonna react to that???? Knowing that okay, so my heritage isn't actually that of a monster, I have human DNA, but ended up snapping and trying to destroy the world anyways - once again, what does it mean to be a monster, and is he one already, if he hasn't even done all of it yet, technically? In this timeline he's likely closer to Zack, maybe close to Cloud, potentially has met Aerith, maybe Genesis and Angeal are still alive, so he's more tethered by a support system, so how would that change his viewpoints? Would he feel guilty? Does that send him into a worse depression?

Sefikura just tends to give me emotional catharsis when it's written like that, because it gives Sephiroth the opportunity to mourn what he should've had, and gives him a fighting chance to change it. It's someone else being shown the decades of neglect, how deep the hypocrisy of Shinra actually went, the systemic abuse, acknowledging all of the bullshit Sephiroth went through before Nibelheim. It's him breaking out of other's expectations of him, Jenova, or Hojo or whoever else, and getting his childhood wish to just be normal. Like Angeal said (quoted loveless I think) "and what do angels dream of?" "Angels dream of becoming human."

This is also why I find very little enjoyment in reading domroth sefikura. Sephiroth isn't someone who reminds me of that type of personality, before he went crazy. He seems like a very awkward, calm and even sometimes soft dude in his downtime. He's literally just some guy. We don't see a lot of his personality because he was trained (tortured) into believing anything other than perfect control is weakness and failure. I don't think he would have any sexual experience. I think he's depressed, and exhausted and alone and is just very good at hiding it. I don't think he even wants or needs sexual intimacy necessarily, so much as he needs someone to feel safe around.

Anyways. This is. Way too long now. Goodbye.

[le-panda-chocovore]

Kinda meta but. Satosugu on both ends.

[ ID in ALT ]

Let me elaborate.

Teenagers SatoSugu is the cutest thing ever. They're the only one who are able to catch up with the other. They're the strongest together. They are pieces of a puzzle that fit perfectly. They complete each other, they understand each other, they help each other and more importantly, they love each other. No one else can follow the path of Gojo Satoru and makes him feel human other than Suguru. No one else can bring a genuine smile on Geto Suguru's face and makes his life worth living fully other than Satoru. They're the epitome of young exorcists.

Adults Satosugu are the messiest divorced couple ever. Satoru cannot love without consuming entirely the person. Suguru cannot be saved because he's already gone too far. They are soulmates and cannot live without the other. They have been separated for years. They cannot kill each other, they cannot be with each other. They never forgot the other. Their breakup happened eons ago and they still consider the other as their one and only. And they make it everyone else's problem. Because Satoru wasn't able to burn Suguru's body, the Shibuya Incident happened. Because Suguru's memories of Satoru were so strong, Kenjaku was able to make his plan and seal the strongest sorcerer. Every one of their choices and words and actions was just an I love you so fucking loud that it doomed the universe to destruction.

[diroxide]

Fun little late birthday picture I did for @dragonitepaw ! She loves metagala so why not draw a pic of her favorite ship?

[seawing-vibes]

Some sillay doodles!! Qinterwatcher + trans jade-winglet doodles <3 I tend to do these silly (very off model & probably real out of character) jade winglet doodles as warm ups & cool downs after bigger drawings !! They’re fun to do

[infizero]

listen i was guilty of this once upon a time too but dawg ppl GOTTA stop calling any platonic dynamic they like “siblings” without any precedence 

[blluespirit]

one thing i really really really hope is that the netflix show doesn't fall down the rabbit hole of trying to make all the ships fit in and work. atla was SO GOOD but the one downfall to me was the ships. I felt like it really took away from the main story sometimes and the chemistry Wasn't Great.

I'm happy for them to explore different relationships, but I just hate when shows feel like they have to adjust for the most popular ship on the internet. It's almost always worse off for doing that.

i thought all the pairing off at the end of the show was very weak and honestly quite disappointing... and I just hope that netflix doesn't get bogged down in the pressure of pairing off characters.

[horsemage]

I think we should bring back basic etiquette lessons such as shutting the fuck up when you’re watching a movie in a group that is not exclusively your friend group 🙂

[kutyaharapas]

tweets like this are so funny to me and i see them pop up from time to time like yes they are not canon. they are better off being that way. love on earth

[phantomrose96]

Anyway Mouthwashing spoilers

I'm turning Curly over in my head for the narrative punishment he's put through. Like you could you COULD interpret him as a pure victim, framed for Jimmy's crime and forced to suffer in skinless silence while his assailant gets to assume his role but it's more than that, to me. It's not just Jimmy bad Curly good. It's Curly's enablement of Jimmy that sets all of this in motion and, now, how will you take Responsibility, Curly?

It's Curly's "I've known Jimmy a long time. He'll listen to me." It's Curly's brand of leadership that hinges more on being seen as a good leader than on actually taking action. Because being seen as a good leader requires everyone to like him and that's more important to him than actually protecting Anya from Jimmy.

You could say "Jimmy just had everyone fooled into thinking he was a decent guy" except no you can't, because Anya hid the gun from him knowing Jimmy may go ballistic learning she's pregnant with his baby. And she hides the gun because Curly wouldn't. "Why do they have locks on medbay and the cockpit but not in the sleeping quarters?" Anya asks to Curly. Curly knows Jimmy raped Anya but his brand of I Need To Be Liked leadership asserts that Jimmy deserves a seat at the table of this solution. Curly won't do anything. He won't do anything even when he says he'd do anything.

And this is even after Jimmy tore into Curly with left-field accusations about the crew being laid off being something Curly wanted. All the evidence we have says the whole crew is being let go, Curly along with everyone, but Jimmy turns on him and makes it out like Curly wanted this and Curly is the enemy to everyone else on the ship. Curly won't stand up for himself. He won't shut Jimmy down. Swansea holds onto the axe because when locked up the axe requires the Captain to unlock, and maybe Swansea recognizes he's on a ship with a Captain who would not use the axe on the man who needs it.

Curly never wanted anything bad to happen. He never tried to hurt anyone. He never crashed the ship. But he's the one person who could have shut Jimmy down for every horrible sign and action along the way and he didn't he didn't he didn't he didn't. And the very first time he tries to intervene is when it's too little too late. HE gets eviscerated. He gets all his skin burned off. Because of what Jimmy did, but because of what Curly allowed.

And now his chance to act as Captain is gone. His chance to do right is gone. Jimmy is captain now and everyone who knows he's a monster is no longer capable of acting against him. And now skinless voiceless eternally watching, Curly has to lie in his own blood and bear witness to what Jimmy is doing, to everything he enabled. At Jimmy's mercy now like all the others, who physically beats him now and who is there to stand up for Curly? Enable. Enable enable enable.

[moldy-flowers]

NOOOOOOOOOOO

Tsunade: Fully believes in Narutos abilities and has full faith he will be a great Hokage, the best, even.

Konoha public: "Hey what if we made Naruto the sixth Hokage :3"

Tsunade: "what the FUCK are you talking about I watched him cry over a picture of Sasuke yesterday he is NOT prepared for that yet make Kakashi do it"

[sickotheclown]

I played Mouthwashing, and I have thoughts, but any time I go to post something I start to realize my "hot take" is probably a super normal interpretation. I just keep seeing really extreme opposite takes about one character in particular but I think a lot of the people making those takes are actually young people who don't have a ton of life experience and actual children who probably should have never been exposed to a game with very adult themes

Against my better judgment, I'm going to say my thoughts anyway:

Curly is just a normal guy. That's kind of the whole point of the game. He could be a stand-in for your well-meaning friend or your boss or your uncle or even YOU. Especially if you're a cis man, but anyone is capable of falling into the trap of "I know him and he wouldn't do that" or "Are you really going to ruin a man's life over one mistake?" Curly is a cautionary tale of what can happen if you ignore the warning signs because thinking someone you've known a long time and are friendly with is capable of something terrible or incapable of change is difficult.

Similarly I think the idea that Jimmy is a Narcisit or trying to diagnose him with one of the spooky scary mental illnesses, aside from being weird and rude to people with mental illness, also misses the point. Jimmy is also a normal type of guy, that's part of the horror. Many men feel disenfranchised with their own life and try to seek power over others to get a sense of control. Not all of them have done things as bad as the things Jimmy does and has done but ultimately he too is a cautionary tale of what happens when you refuse to take responsibility for your own actions and the ways you've hurt other people.

Most people have not been sexually assaulted. The average person may understand what Anya is going through but might not relate to her, which is a good thing to be clear. I can't claim I know exactly what it's like to be in her shoes. I've never been raped but I have been sexually assaulted. He was a normal guy. That's the worst thing about it. Men don't often think of themselves as capable of doing things, and even when it happens, they convince themselves they haven't

I think that there is intentionality behind the two protagonists. You inhabit their shoes as a way of the developers saying under different circumstances this could be you. You're not immune to justifying your own actions. You're not immune to justifying the actions of others. You are capable of ruining people's lives in ways you can't even imagine

Obviously all that being said I'm not in anyway excusing the actions of Jimmy or implying that litterally every man is like on the brink of SAing someone at all times simply that we are all influenced by society and our society often excuses the actions of awful men which enables people to fall into their worst desires

As a final note I'll just say to the "Curly is actually and abuse victim pre crash" crowd. I think that interpretation shows a misunderstanding of power dynamics. Curly is the captain of the ship. He has power over Jimmy. That's the main reason Jimmy resents him so much. A big part of the game is Curly not realizing fully what Jimmy is capable of until it affects him. That dream sequence of him walking past all of the warning signs until its no longer possible to ignore them is pretty blatant imo.

[generalsmemories]

To raise a child

✧ jing yuan x gn!reader ft. yanqing (platonic)

✧ based on the asks: 3 requests asking for a family fic with jing yuan and yanqing

✧ synopsis: raising a child is always hard, even when you're a long life species with a lot of experiences.

✧ contents: established relationship, fluff, found family trope (a.k.a my one weakness with every media), yanqing & reader have a slight rocky start, mentions of other characters, sentences in italics are readers thoughts.

✧ a/n: i'm not gonna chuck angst into a found family trope unless i feel particulary miserable, they just gonna have a good ole time being parents to a yanqing from when he was a wee babie to the lieutenant he is today - also a lot of this is my own interpretation SINCE I DON'T GET A CRUMB ON HOW THE HELL THIS MAN FOUND MY BABY. not beta-ed like usual i'm sorry.

The first time you were told about Yanqing's existence was when you were not onboard Luofu, which honestly made the first meeting between the two of you a lot worse.

"... Pardon, he found what now while I'm away?" you stare bewildreded at the messenger before you while clutching the letter Jing Yuan had written to you - you can practically hear his easy-going voice resound in your head through the words before you.

"What do you mean he suddenly picked up a whole child?!"

Safe to say that the Luofu were turned upside down by the time you came back to the ship. Rumours spread amongst the citizens, gossip between the storytellers and the newsboard retelling the latest news and constantly updating on any new "information" they had gotten.

To say you got stopped at every corner before you even stepped foot back in land was an understatement. You practically had a crowd waiting for you - it was only by the assistance of Yukong that you had managed to worm yourself out of the crowd and hightail home.

Maybe it's because Jing Yuan knew you would come home first, or maybe it's because he was aware that you had a lot of questions for him. Which was why you had gotten a text prior to landing with the single message of:

"Decided to take the day off today <3"

Safe to say he was left on read.

"Jing Yuan, what has gotten into you-" are the first words that leaves your mouth when you slam your entrance doors open, only for your eyes to widen when Jing Yuan is already waiting for you at the foyer. Hands behind his back and sporting his signature smile, but your gaze isn't at your lover before you.

Rather it was on the smaller child that was hiding behind his legs, he was by no means scared of your sudden appearance you noticed. Rather, he was sizing you up and down with a fierce gaze, almost like a lion cub who had just found its first prey.

The glare made your previous anger and confusion fade into a more surprised shock, rendering you speechless on how to proceed further. Jing Yuan steps in after seeing your anger dissipate upon seeing the fierce boy, raising a hand to ruffle Yanqing's hair before he directs his gaze back to you who is still staring at Yanqing in mild surprise.

"He's a feisty one isn't he?" is what he utters softly, and it's the slight exhaustion in his voice that causes you to let your guard down and put aside your confusion and need for answers aside.

Right now there's a young child before you, a child that you don't know the lineage of - but a child that Jing Yuan himself had picked up and stood his ground against public opinion for.

And Jing Yuan didn't do things without reason.

But you're well aware that he's also the kind to not tell you much as to why he had done a few decisions. As futile as you know it is, you would still try to get something out of him later. But for now, you would have to try to give a better impression of yourself to this kid who you're pretty sure sees you as anything, but a person with good intentions.

... What do you say to a child that is currently holding animosity towards you?

Seeing your distraught face makes Jing Yuan let out a chuckle, glancing down at Yanqing who is still staring fiercly at you, "They're not someone you should be on guard with. That's my spouse, they're just surprised by your sudden arrival is all, Yanqing."

So his name is Yanqing.

The reassurance from Jing Yuan makes the young boy relax a bit, but you can still tell he's very much on guard against you, "... I'm Yanqing," he mutters quietly.

The two of you seem to have a long way to go from the first encounter.

"... What were you thinking?" you question the moment Jing Yuan slides the door to your bedroom shut, you had spent the majority of the afternoon cleaning up a spare room for Yanqing to sleep in after the meeting while the two had headed out to prepare the paperwork for Yanqing to be offcially be recgonized as a Cloud Knight.

"... I saw potential?" he tries, but with one glance at your direction and being faced with your quirked eyebrow makes him let out a sigh instead, reaching a hand behind his head to pull the red ribbon tying his hair back.

He doesn't say anything as he makes his way over to you. Neither does he utter a word when he lets his entire weight fall on top of your own, the noise of surprise you let out making him chuckle, rubbing his face onto neck, "W-Wait, hold on. There's a literal child in this house now, what are you-"

"Dear, what are you thinking?" Jing Yuan snorts before you finish your sentence, wrapping his arms around your waist before flipping himself over so that you're laying on top of him, "Our schedule clashed together too much that it's been 2 years since I last saw you? And when I meet you again you looked like you were going to pull my head off of my own body, this is quite frankly the first instance where I get you all to myself," he explains, raising an eyebrow at your gradually reddening face, "Whatever you were imagining is beyond me, darling."

"... Shut up and tell me the truth already," you murmur before burying your face in his chest, lifting a closed fist to lightly hit his arm when you feel his chest rumble with his constrained laughter.

"I didn't lie when I said I saw potential. Despite his young age, Yanqing is quite gifted with the sword," he starts after a brief silence, fingers drumming along the spine of your back, "But it would be more accurate to say I'm preparing the future generation?" he muses out loud, sounding unsure himself which makes let out a chuckle, "Wow, I'm sure lady Fu Xuan would be delighted by the news of your possible retirement."

"I'm afraid I'll have to disappoint our Master Diviner for another few decades unfortunately. She's still far too young to take up the mantle of the general."

You hum, raising your head up from his chest to make eye contact, Jing Yuan directing his gaze from staring up at the ceiling to instead stare at you as well, "Next time you're thinking of picking up a kid, give me a heads up? Or else you're going to end up on the news again like today with the headlines of you committing infidelity."

He laughs, hoisting you further up his body to peck your lips, "Please, I won't be picking up another child anytime soon. But maybe I need to show the citizens that I only have eyes for one person if they were swayed this easily by the apperance of one child."

"... Please don't say something that embarassing in front of Yanqing."

"See, you're already being a great parental figure."

Great parental figure my ass.

Is what's currently running through your mind as you're once again, left alone with Jing Yuan's prodigal apprentince. it's been a few months after Yanqing's first arrival, and the relationship between the two of you seem to still be threading on thin ice.

Your relationship with the young prodigy hasn't gotten worse, but it has in no way improved either. Whenever Jing Yuan is not present amongst the three of you, Yanqing becomes extra reserved and takes extra caution to not bother you - which makes any attempt to even talk to him 10 times harder than it has to be.

Yanqing is out in the garden, brushing the fallen leaves into a neat pile while you're sitting by the living room table doing paperwork. And yet, ever since Jing Yuan had stepped out for some urgent business, the two of you haven't even spoken a single word to each other.

Yanqing was at an age where you didn't need to give him constant attention, but with the way you two had started on the wrong foot it felt a lot harder trying to get closer to him - mostly because the boy himself tries to not be a burden on you, which in a way has become a burden.

Not to mention, Jing Yuan spends the most time with him training him personally - so the time you spend with Yanqing is close to nothing compared to your lover.

The odds are truly against you at the moment.

At this point, the new paper scroll that you had rolled out were becoming useless with how long you had pressed the ink filled brush on it's surface, the gradual circle of ink stained paper growing with each passing minute.

Topics you can talk about.. Jing Yuan mentioned he was great with a sword, but it's been ages since I've held a sword myself till the point he's probably better than me...

Were you always this awkward with children?

Glancing at the clock, you notice it's almost time for your meetup with master Gongshu over at the Artisanship Commission. So with a reluctant sigh, you glance down at the paper scroll before you - that has long been ruined before you put the brush away and roll the scroll back up.

"... Yanqing I'm about to head to out to the Artisanship Commission, can you..." your voice dies down when you see the boy whip his head around the moment you mention the Commission. And although he tries to hide it, you would be a fool to not notice the sparkle in his eyes at the mention of where you are going.

"... Do you want to join?" you end up asking instead.

You've never seen his facial expression change so much in just a few seconds. First you could tell he wanted to agree, but then you're pretty sure he managed to figure out why you were going and didn't want to be a burden, but still wanted to go. You soon saw hope come back to his eyes, presumably remembering that you personally asked, but you saw the same hope dwindle down when he probably thought that you asked just to include him.

The sight made you laugh, "... A child is a child after all, no matter where they are," you whisper quietly to yourself, "You won't be a bother, Yanqing. And wouldn't it be better for you to look around the Luofu a bit? I'm pretty sure Jing Yuan has only brought you to the Cloud Knights training area after all, we can even stop by Cloudbreath Sleeves to take your measurements so that you can get some tailor-made clothes and not Jing Yuan's old clothes."

That seemed to be the only reassurance he needed.

You're pretty sure Yanqing hasn't noticed that your meeting with master Gongshu ended 15 minutes ago. Neither has he seemed to realize that the two of you have spent the next 15 minutes just observing his every reaction to the swords on display.

His eyes seemed particulary glued to an iridescent blue sword with a black handle, master Gongzhu giving a low whistle beside you, "He's got a good eye."

You roll your eyes, "Send me the invoice later," you reply back before stepping towards the awestruck boy, "Why not bring it home with us?" you ask, Yanqing jumping slightly in surprise, his head turning around with widened eyes, "I can't possibly ask that of you, I can just save up-"

"You're staring at it like it's your first love, Yanqing," you chuckle, reaching out to grab the handle, twirling it around before reaching for the scabbard right underneath where it was displayed - sliding the sword inside.

"Consider it a gift, for future endeavours."

He blinks, taking the scabbard from your hands, staring at the intricate design weaved into the metal - and you notice the faint tears forming at the corners of his eyes before the boy leaps into your arms to give you a hug, "I swear I'll treasure it, thank you!"

Perhaps too shocked by the sudden hug, you fail to realize that master Gongshu had quickly snapped a picture of the scene and sending it to a certain general.

Qingzu had to stop the very same general from storming away from the Divine of Foresight to head to the Artisanship Commission the very next minute.

"... Well the two of you seem to have gotten a lot closer these past few months," Jing Yuan comments the moment he noticed the position you were currently in. You merely glared halfheartedly at him, but Jing Yuan made no effort to help you - instead walking over to bend down to peck your forehead, careful to not wake the child asleep on top of you.

"I told him to head home before me since I still had affairs to tend to, didn't think he would immediately collapse on top of you and doze off," Jing Yuan remarks with a laugh.

You had one hand supporting Yanqing weight on top of you so that he doesn't topple over, so you decide to use your other hand to reach over and flick Jing Yuan on the forhead - a flick he moved away from with a smirk, "He just dozed off mid-talk too. He was talking about your recent spar match before he just fell asleep," you say, "And to think he vehemently denied not needing a nap after a training session because he's not a child."

Jing Yuan lets out another laugh at that, effortlessly wrangling Yanqing away from your hold and hoisting him up in his arms without manaing to wake him up, "Well if you treat him like an adult, he'll show the temperament of a child as well."

"You should try to get some rest as well, dear. We can just order something from Aurum Alley later," Jing Yuan suggests, to which you merely nod to, standing up to stretch your limbs, "Join me then, I'm sure our dozing general is quite tired too."

"My, what an alluring offer. Can I assume that there's something more-"

"Don't push your luck."

here's the 3 requests that wanted a family fic - i actually struggled a bit with how to do this, but alas - i just know future me will conjure something up again so have this as a teaser HAHA

[avelera]

I actually really love Mel/Jayce/Viktor as well as Jayce//Viktor and I actually think the show has a couple scenes that lend to a poly interpretation of the three of them (Mel and Jayce both literally handling Viktor’s crutch between them while talking about how much they care for him, hello?? The subtext writes itself) but I found myself staying focused on just Jayce/Viktor at first because it’s a bit simpler to write and because as much as I LOVE the implied moments of their intellectual, ambiguously romantic threesome, I’d need more of Mel and Viktor interacting to really close the loop for shipping it in my mind. As it is, it feels a bit more “This is Mel’s boyfriend, Jayce, and Jayce’s boyfriend Viktor” that Mel still cares about and respects mostly from afar.

I also think that Viktor and Jayce kind of left their relationship at “we’re partners in every sense of the word, why define it further?” And that definition maybe included romantic and sexual moments (at least for fic writer purposes lol) but the fear of losing the amazing working relationship they had, which is so rare in the academic world, kept them from seriously “defining” it as anything official on the person front, which allowed Jayce to take up with Mel without it being “cheating”.

Throw into that the rapid advancement of Viktor’s illness and I can easily see a scenario where Viktor didn’t force the issue and indeed, was happy to see that Jayce had someone else who loved him in his life, knowing he didn’t have much time left and it would take a miracle to save his own life. Basically, I don’t see Viktor as jealous of Mel as a person, even if he was wary / resigned towards Jayce’s political career and would have rather have had him in the lab more often.

There was a happy medium there, I think, where Jayce was happily balanced between the two of them without jealousy from either that the accelerating events of S1 basically prohibited as the crises began to unfold, forcing Jayce into the conflict with Zaun, and Zaun had always been a point of miscommunication and later tension between Viktor and Jayce. An inevitable one I think, since Jayce couldn’t possibly know what it was like to grow up there, and in the course of their work it probably only rarely came up and so wasn’t daily addressed until the crisis made it an ugly conflict between them.

Anyway, I’m mostly just rambling as I think my way through how I write Jayce and Viktor in the fic I’m finishing up. But mostly I wanted to make the point that I see Jayce’s relationship with Mel as real and important and not “getting in the way” of his relationship with Viktor indeed, Viktor and Mel at least seem mature enough to navigate a poly relationship and Jayce has a lot of love to give (he loves SO MUCH guys I’m emotional about it, he’s just a good kid who ended up in a shitty complex situation that went way over his head. Bro didn’t even know if his school OFFERED military history, he was such an easy target and this is why STEM kids need an introduction to liberal arts I swear).

I don’t think S2 is headed towards any sort of unambiguous happy ending for the three of them but there’s definitely a happy AU in my heart where the three of them make it work and are better together than just two out of the pair.

[stardustizuku]

Unfortunately I came across a very strange and misinformed video about Black Butler.

It’s not good. Don’t watch it. Unless you wanna ruin your day, in which case have fun.

Despite it all, I watched it. What left me wondering, however, was how off the mark the person who made the video was on, well, everything.

From their insistence that the Book of Circus Arc theme or point is non existent, to reading Ciel’s character so badly they genuinely thought the Green Witch Arc did nothing for his character development.

While baffled, it also made me think on how someone could read Black Butler so badly.

Sure, you can say that there’s no real way to read or interpret something “in the wrong way” but interpreting The Hunger Games as a pure battle-royale action story would make you believe it’s bad.

“Why are we focusing so much on how the capitol preps them?” Or “Why isn’t Katniss winning everything?” Or “I wanna know more about the rebellion” All questions that miss the actual point of the story - which is criticizing (not solving or ignoring) the way that media distracts us from violence via spectacle.

The same thing applies here. While there is no “right” way to consume media, there’s things that the author makes clear they wanna focus when creating a story. Things that, if you understand, make the story you’re reading actually make sense.

And in Black Butler there’s three things that you have to understand to properly get what Yana is saying.

Sebastian is the protagonist

Ciel and Sebastian’s relationship IS the story.

And that relationship is, fundamentally, a positive one.

A quicker version of it would be:

Black Butler is a love story from the POV of Sebastian, and you have to ship it to get it

- but that’s not entirely true.

You can still look at it as a complex but ultimately positive rship and get in broad strokes of what it’s conveying. It doesn’t have to be romantic. Although, it helps much more than a platonic framing.

(That said, interpreting their rship as father and son, still isn’t the best way to go about it. Mostly because by its very nature of “soul consuming” their relationship is extremely sexually charged. And hey, if you’re into that I don’t judge. However, if you’re desperately trying to interpret their rship as NOT romantic to the point you fall back on heteronormative patriarchal ideals of nuclear familiar as framing device, I don’t think this interpretation bodes with you)

Now, having all that ground work:

Why do I say these are the key components to understand BB?

Okay so, first,

1. Sebastian is the Main Character. The protagonist.

There’s a lot of people who wanna argue against it, claiming he’s either the villain or the antagonist. Both wrong.

He does not function as an antagonist. Even if, and an emphasis on if, you consider Ciel to the protagonist, Sebastian isn’t a narrative antagonist.

If you wanna go back to Creative Writing 101, be my guest. An antagonist is directly defined by the protagonist. It’s the opposing force. If the protagonist wants A, the antagonist wants to stop them from getting A.

Sebastian’s catchphrase is “Yes, my Lord”. He never opposes Ciel, in fact quite the contrary. By the mere fact they’ve created contract, it means that they’ve both agreed in the inevitable outcome.

People want to frame Sebastian as the villain, because Ciel having his soul taken by a demon, would be a BAD END in the context of their moral compass. They see Ciel as a frail victim of abuse, who’s being tricked by Sebastian, who wants Ciel’s soul.

Which is an. Interpretation. A bad one. But still one.

The narrative (and whether the narrative fits your personal moral compass and lack of critical thinking is irrelevant) treats Ciel as an agent in his own destiny. The abuse he suffered was the moment in which he had no control. It’s only after he meets Sebastian that he can rid of both his guilt and his despair, and do what he wants.

In this case though, it’s revenge.

The famous “Asthma” scene shows this. If Ciel is taken back to his past, he becomes helpless. Swarmed with pain and memories that make it so that he can’t even react. Sebastian is his saving grace. If Ciel didn’t have him, and the power he wields to rebuilt what’s broken, he would crumble once more.

If Ciel has a panic attack, because of all the pain he has, Sebastian picks him up and says “you are not a helpless child anymore, you are not a victim anymore, you have the power to do anything. So, what do you wanna do?”

Ciel’s answer is to kill them.

A proper analogy would be to say that, if Sebastian offers a gun, Ciel pulls the trigger. They are both at fault. Sebastian, strictly speaking, is not here to directly cause Ciel’s downfall, but as a tool Ciel uses to plunge into the abyss.

If, again if, you were to frame Ciel as a protagonist, Sebastian falls closer to the “Voice of reason” character. Not a literal voice of reason, but a literary one. If you have a protagonist and an antagonist exchanging ideals, the Voice of Reason serves to engage with the protagonist on their own ideals.

That said, Ciel isn’t the protagonist. The story quickly falls apart if you interpret it as such.

Things such as Ciel’s character arc being…shall I say odd?

It’s not that his character arc isn’t there, but it’s never lineal. His goals stay the same, the only thing that happens is that we start to peel back the “why”s of his goals. Throughout the series it’s never about Ciel understanding himself better, he knows who he is, he knows what he wants, he knows why he wants it. He doesn’t ever need to uncover these, but simply remember them. Because it’s always about the audience understanding Ciel.

He knows he wants revenge.

In the Circus Arc: He knows that he needs Sebastian because without him, the pain of the abuse he suffered would be too much to bear. But WE are introduced to it.

In the Book of Atlantis: He knows that with this new lease he does not want happiness and peace, he wants revenge. The one being told this is the audience.

In Green Witch Arc: He knows that their revenge isn’t for his family, the real Ciel or guilt. It’s because he wants it. He’s angry, he’s upset, and this is entirely for him. The one being told this is the audience.

Except. Not really. The one either discovering or remembering these key moments - is always Sebastian.

Sebastian is the one who reassures him that he now holds the power of a demon to override the pain. Sebastian is the one who remembers that to override that pain, Ciel wants revenge. And Sebastian is the one who discovers that that revenge isn’t built out of grief or guilt, but for himself.

We are witnessing it all, through the eyes of Sebastian.

This is why we have an extremely vague idea of who Ciel is, Sebastian does not have the whole picture.

If you haven’t been reading this manga with your eyes closed, you’ll realize we have a better grasp at Sebastian’s character than that of Ciel. We get a lot of insight on how he thinks and what he values through light hearted dialogue he has with the servants. You even see the character development in these little interactions.

Think about how when he first arrived to the mansion he magically created food with no regards to taste, but when he meets Bard he states that food is created to see whoever will eat it, smile.

That is character development, more than you will be able to see from Ciel.

Because Ciel’s character, while not static, doesn’t go from point A to point B. Mostly, cause it doesn’t need to. He went through that when he lost the real Ciel and got Sebastian. Everything we are watching is the falling out.

Now, given the fact that I’ve told you that it makes more sense for Sebastian to be the protagonist/main character, and that he 100% isn’t either a villain or antagonist in ANY of the interpretations you can get:

Do you believe me?

If you don’t, you’ll probably believe Yana herself.

This is from the first Volume, where Yana herself describes the process of making Black Butler. The primary idea behind the creation of BB was a butler as a “hero”.

If you go back to the introductory chapter, you notice that Ciel is barely mentioned. He’s simply the one to give Sebastian impossible tasks and standards that Sebastian must find how to overcome.

Ciel is properly introduced until the NEXT chapter. The second chapter has this formula too, introducing Lizzie as a problem to overcome. Although, to Sebastian the best way to “get rid of the problem” is simply to indulge her.

The issue here being that the problem isn’t as simple as a business meeting but something directly tied to Ciel and Ciel’s past. Each time that Sebastian has to solve a problem, it chips away at Ciel. While with Lizzie he shows a persona, once he’s alone with Sebastian he acknowledges the toll it took on him. It serves to build Ciel as Sebastian’s master, and how some problems aren’t as simple as discarding a tablecloth.

The third and the fourth, are a unified narrative, with a similar premise to the first chapter. Ciel gets kidnapped and Sebastian must find a way to retrieve him without raising suspicions.

If the first chapter is to set up what Sebastian must do as a butler, the third and the fourth serve to set up what he must do as a demon.

The entirety of the volume, and up to Book of Circus Arc, is about how Sebastian tries to follow the increasingly absurd orders that Ciel has - it is not about Ciel trying to solve them.

That’s how they work, we follow Sebastian for the most part, because he’s the one having to come up with the solutions.

If anything, in early Kuro, where the emphasis was more on a slice of life conflict, Ciel is the antagonist. He’s the one creating problems for Sebastian to solve.

What’s more, in the second volume, the very first chapter is one from Sebastian’s POV. So far, we hadn’t gotten an entire chapter from Ciel’s POV. In fact, I would find it hard to point to a single chapter where Ciel is the POV throughout. The reveal of real Ciel and the flashback is the closest contender.

But once we move past early Kuro, and into Book of Circus, this set up changes.

It’s fairly easy to assume that Ciel is the main character, because from this point on the conflict of the plot sorta surrounded him. We spend a lot of time with him and with his story. The enemies start being people directly tied to Ciel and Ciel’s trauma. Rarely, if at all, we get to see Sebastian before he met Ciel.The framing device for the story, is Ciel.

This is where point 2 gets intertwined.

2.- Sebastian and Ciel’s relationship IS the story.

The story begins at the point where Sebastian and Ciel met. Who Ciel was before he met Sebastian, informs why he’s the way he is when he does. You have to know all he went through to understand why he’s a brat, why he lashes out. However Sebastian’s past doesn’t matter…because Sebastian himself doesn’t care much for who he was, before he was “Sebastian”. That’s also part of the narrative.

Unlike Ciel, he doesn’t seem opposed to revealing information from before the contract. He talks about how pets from where he is from are gross, he talks about how he knows how to dance because of other places he’s been to, and alludes to the life he's lived before.

Just that, to him, they're footnotes.

He makes allusions to a very bland, uninteresting life, up to the point he meets Ciel.

That’s why we don’t know more about his past.

As for why we focus on Ciel’s story…okay maybe we need Creative Writing lessons 102

I studied Dramaturgy for about 3 to 4 years. And something you notice is how play-writing is the quintessential story telling. It’s making it work with the bare bones of a story.

Some other mediums have more finesse, more depth, or more spectacle - all amazing things that work for whatever they’re created for. But understanding a play, how and why it works, helps understand the fundamentals of any derivative story telling medium.

Particularly, conflict.

Conflict is dialogue and dialogue can take many forms. A story, in its essence, is a dialogue between two opposing ideas.

Take Batman, for example, who embodies the ideas of justice and order. On his own, he’s not a well rounded character.

If you ONLY present him, in a vaccum with nothing else, you don’t have a character. You have a list of characteristics that you’re supposed to know.

You only know who he is when you have dialogue with another character.

I say Dialogue, but it doesn’t necessarily mean spoken language at one another. Dialogue can mean fist fighting, playing tabletop games, talking to other people about the other, or even just a competition. The idea is to simply to compare and contrast both ideas.

If you want an example on how tabletop games serve as dialogue, watch the video “Well, Someone Had to Explain the Liar’s Dice Scene” by Lord Ravecraft

Another example, were we to retake Batman, you have him fight Joker. Who’s the embodiment of chaos and randomness.

In the following picture, you get far more information than the one previously shown. While the Joke fights with daggers and fake guns, Batman only uses his fists. He doesn’t use the tricks that Joker does. His serious demeanor, contrasted with Joker’s glee at the dangerous situation. The fact that Batman has a deathly grip on Joker’s shirt, while the Joker doesn’t, which shows a desperation to catch him.

You are being shown, through a dialogue, who Batman is.

It’s so much easier and much more effective to explore a character through another character.

This is the reason why Shonen has a tendency to make incredibly good gay ships. If you want to explore Naruto’s personality, and his feelings of inferiority, you HAVE to have him interact with Sasuke.

If you wanna understand Hinata’s passion for volleyball, you have him enjoy himself the most with the only other crazy motherfucker who’s as obsessed with volleyball - Kageyama.

And I think that originally, Yana had this problem.

Sebastian was the protagonist, but she had little room to develop him as a character in the confines of the manor, dealing with random enemies.

She likely tried to create Grell as someone of the same stature as Sebastian. Someone who could be this other person to engage dialogue with and show or allude to his past a bit more.

The problem being that Sebastian didn’t care for his past. Or really, engaging with anyone. He sees everyone as below him, but when confronted with Grell who isn’t below him, he doesn’t wanna talk to her.

So you’re stuck in conundrum.

How do you have dialogue with a character, that as a character trait, doesn’t really wanna have dialogue?

Well, Grell also solves the problem. Because only the moment she gets him to start any semblance of a dialogue - is questioning why he’s serving Ciel.

And this is the moment when it’s perfectly cemented that the focus of the story is their relationship.

Why is Sebastian here? Why does he stay? What did he see in Ciel that made him want this extremely convoluted contract?

THATS the dialogue.

THATS the conversation we’re having in Black Butler.

We need to know Ciel because understanding who he is, let’s us know WHY /Sebastian/ is here.

Then slowly, with the introduction with the Undertaker, we find out Sebastian’s conflict.

Which is…

He’s scared of losing Ciel. It becomes apparent with the constant imagery of the Undertaker taking away Ciel and at some point even obtaining r!Ciel’s body, that he’s worried it might happen.

But he can only be worried that Ciel might be taken away if he wants to stay near Ciel.

And that’s his character arc.

Realizing that he actually likes Ciel, cares for him and the role he plays a butler that he doesn’t want this to end.

In the first chapters, he doesn’t feel a need to protect Ciel anymore than what’s strictly necessary. Just don’t die, that’s about as deep as his involvement in chapter 4 gets.

But by the Green Witch Arc, he feels a need to protect Ciel from ANY harm.

This is why I also said

3.- Their relationship is fundamentally a positive one.

In broad strokes, Sebastian to Ciel is the person who allows him to survive. He’s not worried about giving up his soul since he’s already dead. While Ciel to Sebastian, is someone who’s making him have fun. He’s slowly becoming more and more attached to Ciel and the life he has with Ciel.

Their relationship is not that of just a predator and prey, but also of master and pet.

In the terms that Black Butler itself would call: Sebastian is a wild wolf acting like a collared dog.

Ciel is aware that the wild beast will eat him at the end of the day, but if he clings hard to leash for now, he might just be able to have Sebastian maul his abusers.

Sebastian as a dog, currently finds that he enjoys being a chained dog.

(This is demonstrated in the Green Witch arc where he quite literally says, he doesn’t wanna be a wild beast and prefers to be a butler)

And much like the actual DOG Sebastian, Ciel constantly interprets his attempts to get close and protect him, as an act of aggression.

This push and pull of Ciel’s perception of Sebastian and Sebastian’s true motives is what feeds the story.

And the briefs interludes were that isn’t the case (what other people call the “plot”, but I would refer to as the connective tissue) such as Sullivan and Wolfram, the other servant’s past, the grim reapers and the like, serve as a parallel to Ciel and Sebastian relationship. Either to signify how they care for each other, highlight their weaknesses or fears, or explore how they feel.

It’s no surprise that Sullivan and Wolfram are parallels to Ciel and Sebastian. A sheltered sickly child who seeks the protection of a cold hearted machine that only knew how to kill, but who eventually found he cared for her genuinely.

Undertaker and Claudia’s relationship being heavily paralleled with them, even though we aren’t 109% sure what they had but heavily implied it was a romantic attraction from the undead supernatural creature and a Phantomhive.

Everything is a parallel.

That’s why, like the approach of the terrible original video, is flawed.

Trying to interpret Black Butler as action scene after action scene, with mystery after mystery with the only connective tissue being the mystery of who burned down the mansion - is missing the trees for the forest.

That’s not the point.

And if you’re too much of a prude to engage with gothic horror in its gothic horror game, I see little point as to why you even bother to engage with it at all.

A lot of people, including the person who create the video, simply refuse to acknowledge Black Butler IS the story of Sebastian and Ciel as a close and positive relationship, romantically and sexually charged. The reason for it being that they’re “put off” by it.

Part of me wonders how much that is genuinely true, and how much is just performative outrage. It’s like ignoring the fact that Cersei and Jami are in an incestous relationship and try to frame it as “platonic love”, because the idea of it is THAT off putting.

But regardless of that, if you don’t like the fact that it’s as canon as canon can get, I would reccomend you don’t engage with the story at all.

As I’ve explained, the entirety of the series is about them. If you refuse to see Sebastian and Ciel as, at the very least, a duo that cares deeply for the other - you aren’t reading Black Butler.

I have no idea what you’re reading.Perhaps your own biases and subconscious stigma with British aesthetic. At that point, watch the fucking British Royalty Gossip Magazine. You’d find more substance there.

Just don’t be like the person in the video, please? Don’t play dumb. Don’t ignore the fact that Yana is a Shotacon, don’t ignore the fact Sebastian is a hero, don’t ignore the fact that the entirety of the story is based on Sebastian and Ciel’s dynamic.

Because if you do, you are ashamed. You are ashamed of what this story is about. You don’t wanna engage with the text, you want to engage with yourself. You wanna project into Ciel whatever traumas and experiences you have, for the sake a vanity project, where you come out as the morally superior.

You don’t wanna talk about Black Butler, you wanna talk about how good YOU are. How you “don’t sin” by watching it “without all the gross unholy stuff”.

Which is the exact opposite of what BB is about.

So, if you don’t want to, save us all the humiliation fetish and leave.