#i know this is a rare ship that most people might not like

[therealmylesmorales]

Dating Loser!Vi Headcannons

A lot of this was thought about with the homie @ficsonpost-its, kind of a way for us to cope with the ending of Arcane 🙃

And I never cared enough to follow the plot so this is a college!au where everyone is alive and (maybe) happy

Warnings: Vi herself is kind of a warning, masc4masc couple if it matters, maybe suggestive at some parts, some parts with Jayce are inspired by “the blind leading the blind” stuff one tictok

She met you through Ekko. You were his (adoptive, biological wtfever shut up) sister and safe to say, she was borderline obsessed with you. But, she didn’t know how to approach you at first. Her very obvious crush on you was noticed by both Ekko and Jinx so they took it upon themselves to help her out.

To get some extra money, she works at her dad’s bar, The Last Drop. She’s a bouncer and whenever she’s around, people tend to behave themselves. It was a normal night until Vi saw you chatting up a storm to Vander and she immediately started to panic. But it all seemed to go on well, seeing how the night ended with your number in her pocket.

Vi can count all of the friends she has on one hand, one of them being her sister. So safe to say, when she admitted that she somehow has a girlfriend, none of them believed her. Jayce even called her a liar until she pulled up pictures.

Vi was out one day when she bought you both matching boxers. She cherishes them like it’s her most prized possession, next to you and the brass knuckles Vander gave her.

“Vi, what are these?”

”Batman boxers!”

You couldn’t help but match her wide smile. “Why Batman?”

”Cause he’s a fucking goat.”

Vi will full on body slam or suplex you, carefully, on the nearest couch or bed whenever you seem to be minding your business. The first few times caught you by surprise but now, it’s almost a daily occurrence that you look forward to.

Vi’s fashion taste is something you admire; from the ripped jeans to the cropped muscle shirts that she cut herself, you have nothing but good things to say about her clothes. However, in the comfort of her own home, she never wears a shirt. It’s even rare to find her in her sports bra while she’s lounging around.

“It’s nine in the morning, why are your tits out?”

”Are you complaining?”

”Of course not. But Jayce is coming over so he might.”

You can hear her groaning the entire time but she’ll do it.

Speaking of Jayce, it’s never a good idea to leave them alone for too long or else something would happen. Separately, they’re geniuses but together…those brain cells are nonexistent.

“Vi, it’s been fourteen hours, where the hell were you?”

”Oh, I was getting that tattoo I told you about.”

”For fourteen hours?”

”Yeah, Jayce was with me and he thought it was a good idea to get it done in one sitting. He even got something!”

Needless to say, both you, Mel and Viktor always expect something to go wrong with those two. (Have we lost the art of a good poly-ship? Jayce has two hand so just kiss and shut up)

Do not EVER call her Violet, she’ll think you are upset with her and will probably tweak out and cry. The only acceptable names to call her are Vi, obviously, or ‘Pretty Girl.’ You were only a few months into your relationship when you called her that, she spent like 5 minutes in straight silence not really sure how to react; something you did notice was that her face was as red as her hair.

Vi will also lay her complete body weight on top of you when you lay down; it's one of her favorite ways of cuddling. (For my gamer!readers) Especially if you’re playing a game, you will wrap your arms around her with the controller laying on her back. The both of you will stay there for hours.

“Motherfucker.”

”Die again, cupcake?” She muttered into your chest.

“Radahn is ass.”

A little something extra for my black!readers that love Vi 🫶🏾

Say you can’t find your bonnet. You looked all up and down the apartment, pretty much flipping it over but it was still nowhere to be found. And seeing how it was your favorite, you were a little upset that it was gone. Until Vi came out of the bathroom, said bonnet on her head, giving you a small smile, completely unaware of what she was doing.

[usafphantom2]

#TomcatTuesday

#TomcatTails

First Night Launch Off the Boat

It was 1993 and I’d just graduated from the VF-124 Gunfighters at NAS Miramar. VF-124 was the RAG or Readiness Air Group back then, more recently called the FRS or Fleet Replacement Squadron now and was the F-14 training squadron. It had been an eventful January as I’d been assigned to the VF-24 Renegades, part of Carrier Air Group (CAG) 9 onboard USS NIMITZ (CVN-68) but still had some RAG Tactics hops to finish. Flying with VF-124 during the day doing a few 2 versus or 4 versus unknown syllabus hops (some good stories there!) and doing Field Carrier Landing Practice (FCLP) hops at night with VF=24. We were heading out on cruise on the 1st February so we had to get worked up and ready.

After a quick Carrier Qualification in VF-24, we were off on my first Western Pacific (WESTPAC) cruise, destined for places like Hong Kong, Singapore, Dubai, and more. The picture in this post is me on this first cruise. I was never much of a shutterbug so photos of me on the job are rare! Note here I’m standing by the trusty AIM-54C Phoenix missile mounted on the belly of the Tomcat. At this stage in the F-14’s life, she was just getting into the air-to-mud mission so was very much still a primary air-to-air platform so we’d be doing most of the fighter stuff for this cruise. Standard combat load at that time was “2/2/2” which translated to 2 x AIM-9 Sidewinder 2 x AIM-7 Sparrow, and 2 x AIM-54 Phoenix (I think I got that order right….been a while!)

As we start our trek west, cruise begins. My first. I’d gotten carrier landings in the T-2 Buckeye and A-4 Skyhawk (both day only), had done CQ in VF-124 in the Tomcat (day and night), and had just recently re-qualified in VF-24 (day and night) so it’s not like I was TOTALLY unfamiliar with night landings. But mentally you have to factor in that this is the first REAL night flight from the boat on cruise. Up until that time, every CQ evolution was a training environment. All the movement, people, ships, deck crews, fuel, etc. were all focused on YOU to get you up to speed. Now was different. We were headed west. We’re not near a divert field. This was real. I liken it to the difference between banging golf balls with your driver at the range and teeing off on the #1 at Augusta during the Masters. Same movement, same club, same ball…..but VERY different.

Also, this was a bit ago and the focus on the Nuggets (new guys) was intense. They flew the sh*t out of you off the boat. Every day, every night. The worse the conditions, the more Nuggets they’d launch. Trial by fire, m’fer. Every flight was an opportunity to learn something, and since Nuggets didn’t know sh*t, launch ‘em!! It might still be like that......dunno.

My first scheduled cruise night flight is with the Maintenance Officer (an O4, Lieutenant Commander, senior RIO) “Butch”. I can’t recall the mission but likely just a night AIC (Air Intercept Control) flight against another fighter, with probably 12 or 14 other airplanes scheduled to launch. The brief went pretty well, but I’m just focused on getting back the ship without (a) shining my ass or (b) killing myself and Butch. True Fighter Guys will know that of those two, (a) is WAY worse than (b). “I’d rather die than look bad” was an oft repeated phrase. I did note during the brief that the metro guys (meteorological dudes or “weather guessers”) said that the weather would include “some clouds and rain”. Of note, the ship can actually avoid weather, we just didn’t that night. Thanks, ship.

So Butch and I suit up and head for the roof. Our ready room on NIMITZ was “Ready 8” all the way at the back of the ship so that’s where the jets were always parked (Tomcats on the back of the boat because there’s more room). He pops the hatch and HOLY SH*T that wind is blowing hard……and DAMN that’s a lot of rain…..blowing sideways. Gulp.

We crouch down against the wind and rain, climb up to the flight deck, spot our plane and start the preflight. Once done (and soaking wet) we both climb in and I notice that in addition to the high winds and driving sideways rain, we have a LOT of movement of the flight deck through the heavy seas. Great. Dark, rainy, windy, and pitching deck. Sidebar – during a carrier landing, if everything is perfectly steady and you’re perfectly on glide slop and on speed, your tailhook misses the back of the ship by 11 feet 7 inches. Well, tonight the deck is moving probably 10-15 deck up and down. You do the math.

So the canopy finally closes out the wind and rain and we get power on the jet. Butch is in full “encouragement mode” at this point because he knows I’m his ride home (back where the food is, as we say) and he’s GOT to keep me pumped up. “THIS IS F**KING AWESOME MAN!!!”, he shouts. I ask him if he really thinks we’re going and he’s like “Oh yean, man! This is gonna be GREAT!!”

I’m skeptical. There’s no WAY they’d launch us in these conditions.

THESE are the thoughts that we stupid Nuggets think. Silly Nugget.

Jet is started, final checks are done, and we signal to the yellow shirt (aircraft directors wear yellow shirts, more colors for different jobs….purple for fuel, brown for Plane Captain, white for medical/final checker, etc.). I’m still skeptical they’re going to send us. “Butch, you really think they’re gonna send us?”

“Oh yeah, man! We goin’ FLYIN! You can’t BUY training like this!”. That’s because know one is dumb enough to try and sell it, to be honest.

I look over and sure enough the director gives the signal to remove chocks and chains and signals for us to pull forward. Gulp again. While the rain is still hitting the cockpit from the side and the deck is doing its little dance, we make our way to Cat 3 (3 of 4 catapults on the boat). The director then passes me to the director on the CAT who stands in front of the jet, guiding me into the shuttle (hunk of steel connected to the catapult system below decks that will fling us off the boat, accelerating from 0 to 150 in 1.4 seconds).

He calls for wings out, flaps down and then we're turned over to the launch officer. He calls for full power, then full afterburner. I do my control wipe out, finally convinced that yes, we’re probably doing this. Everything looks good, so I turn on the external lights (off until that point) indicating I’m ready for launch and………BOOM, off we go into the blackness.

Throttle out of afterburner, gear up, flaps up and start the climb out going into the clouds at about 500 feet. Butch is doing his RIO thing and we keep climbing through the goo (clouds). We eventually break out of the clouds at around 26,000 feet and gosh it’s a beautiful night up here. Big, shiny moon, pretty stars. Down stairs? Not so much, but really nice way up here. Butch calls back to the ship and tells them that we broke out at 26K and the boat comes back with “Roger that, launch is canceled. Turn left 180 and we’ll start vectors for recovery”.

What? Launch canceled? Butch now teaches me about the idea of “the sacrificial Tomcat”. If the weather is not so good, shoot a Tomcat off the boat to go investigate the weather. It’s dual crewed and has LOTS of gas, so what could possibly go wrong, right? F**k.

So now we gotta get home back to the boat. That’s where the food is, and that’s where your stuff is, and there’s really no place else to go. We get vectors to final while dumping gas to get down to max trap weight. The maximum landing weight for the Tomcat was 54,000 pounds and a landing is called a “trap”, hence “max trap”. Empty weight is about 45,000 pounds and you carried 20,000 pounds of gas so we had to dump quite a bit.

Vectors complete, we wind up behind the boat at about 2 miles and are on glide slope coming down the chute. Another tidbit; everyone on the boat knows they launched the sacrificial Tomcat AND they know who’s in the jet….a Nugget. So all eyes are going to be on the ships TV that broadcasts every landing from a camera that’s recessed into the flight deck and looks right up the glide slope at the approaching aircraft. To say The Nugget Night Trap in Shitty Weather Show is popular is an understatement. It’s Must See TV.

Great.

Things actually went pretty well. I was always a good instrument flyer (looking only at the cockpit instruments), and for landing you lined up crosshairs on your screen so that they formed a perfect plus sign +. Drift left and the vertical needle moves to the right to tell you to come back right. Go low, and the horizontal needle goes up to tell you to add power to get back up on glide slope. Pretty straight forward, right?

By about a mile out, Butch is doing the soothing voice “loooookin good, bud……little high……there ya go…..loooooking gooood.” For me, that’s actually kind of helpful and it validates that I’m not completely out to lunch. The problem is that eventually you have to come off instruments and actually look at the ship to land. At about mile out and 500 feet, the ship is finally visible. At three-quarter mile, Butch calls the ball: “Two-oh-two, Tomcat ball, five-oh”, which translates to “I’m Jet # 202, we’re in a Tomcat and can see the visual landing aide/ball, and we have 5,000 pounds of gas). This is when I start my “transition scan” where you gently look up to make sure the boat is actually there, come back in one more time to verify the needles are centered and everything looks good, then come back out for the last time to start flying glide slope (“meatball”), centerline (“lineup”) speed (“angle of attack”) all the way to touch down.

This is NOT a picture I’d seen much and I had DEFINITELY never landed on a pitching deck.

“Gee, what do you know, you can actually SEE the deck moving waaaay down and then waaaay back up and HOLY SH*T WHY AM I LOOKING AT THE DECK GET BACK TO MEATBALL, LINEUP, ANGLE OF ATTACK!!!!!!!!!!!!!!!”.

If you look at the deck while landing (“deck spotters”), there’s a better than average chance you’ll hit the back of the ship because it’s moving away from you at 20mph. That's not good.

Some lineup corrections, a couple “little power” calls from the LSO (Landing Signal Officer) and a couple more “looooking goods” from Butch and we cross the ramp (didn’t hit it, thank you), land in the wires and trap, going to full power in the wires in case we’d missed them all (“boltered”). Whew!!! Wings back, flaps up, and follow the director to parking. We shut down and Butch is again back to “That was AWESOME, MAN!!” He was likely just happy to be alive. And so was I after my first night launch on cruise.

And for the Naval Aviators out there, Paddles gave me a Fair Deuce.

DISCLAIMER - any inaccuracies in technical details are due soley to poor memory and being old.

@RSE_VB via X

[insanelollypop]

I wanted to draw another ship I have so have april x karai.

I hate how the romance is in 2012 so have some lesbians. Raph is their biggest supporter followed by surprisingly casey jones. I feel like casey would see just how happy april is and not care and join in with raph on hyping them up and apologizing for his past behavior. Donnie on the other hand is heart broken and gets angry about the relationship intill raph quite literally slaps some sense into him. I'm sorry for all those donnie loves out there but Dislike how he was portrayed in the show. If they didn't make half his character just a april simp then I would've liked him. Leo sides with donnie at first cause you know donnies his little brother but after a fight with raph and april he starts seeing it from their point of view. Mikey doesn't care at all

[musical-chick-13]

I bring a real "Doctor x River OTP" vibe that a bunch of the DW fandom doesn't really like.

[tanaor]

Want simple tips to heavily improve your skills with character voice??

(📝Note: character voice is the way you convey your character's personality though their pov or dialogue when you write. No two characters speak the same📝)

I speak from experience when I say character voice is hard to get right. Characters, like people, have lots of layers that affect the way they see the world around them and how they interact with other characters. That's why character voice is so important in stories, and why if you write it in a compelling and effective way it will hook people into your story. I hope you learn something new in this post!!

When writing character voice, there's a list of things that you should take into account:

Where are they from? Their past and what they've lived plays a huge part in character voice. Maybe your character grew by the ocean, and so they compare things from the present to the beach, the rocks or the sea itself. You will rarely read about a sailor that is an expert in pants and compares scents to flowers. They might, instead, talk about how a house smells like the wet wood of a ship.

Think about how their personality shapes their language. If they are insecure, they might end most of their sentences with "isn't it?" or "right?" and ask a lot of questions, whereas if you have a confident character, you might find them saying things like "we should do this" or "that will be fun" instead.

What their "lense" is. This is more of an ethic aspect of the character. What have they learn it's okay, and what do they find uncomfortable? Would they find it gross if their friend left laundry on the floor?

Give them special traits (both for dialogue and narration). Maybe character A quotes a lot when they narrate and uses long paragraphs, or maybe B speaks about their past a lot and uses popular sayings. Personally, one character of mine has the tendency to repeat himself when he speaks, as in "yeah, yeah, I'll do it" or "no, no, no. Never" because he is really enthusiastic, and it fits really well with his character.

Pay attention to how they would talk about themselves. Maybe your character doesn't like people to know they're sad because it makes them feel vulnerable, so they will just say they feel annoyed or don't want to talk in that moment. This also means that they will not tell the reader something they are not comfortable saying in the first place.

How is their education? Education is also very important in this context. Did they went to university and have a rich vocabulary and structured sentences, or where they rised in a little farm far from town? You can also play with both a bit: maybe your character did go to university, but maybe they also came from a low income family, and characteristic of both things merge when they talk. Example: long, structured, sentences but a simple and sight forward vocabulary.

That's all for now and happy writing!!

Other tips for writers: previous | next

[miraculouslbcnreactions]

Pick One: Magical Girl Show or Rom-com. You cannot be both.

Early in season four we get the episode Gang of Secrets. An episode that ends with Marinette outing her secret identity to Alya. A touching moment that sparked outrage across the fandom because it meant that Marinette had made the choice to reveal her identity to her best friend while keeping her hero partner in the dark.

This choice spat in the face of the exceptions that many fans had for the series. Thousands of pre-season-four fanfics feature moments where Ladybug and Chat Noir promise each other that they'll be the first to know each other's identities. After the Alya reveal, scores of fanfics were written to salt on Marinette's choice to tell the "wrong" person.

Most of these fics feature a betrayed Chat Noir quitting or otherwise punishing Ladybug for breaking their promise to be each other's first, thereby destroying his faith in their partnership. But that promise was never made on screen. It only existed in the realms of fanfic and, when Chat Noir finally found out in canon, his reaction was largely neutral. He never once blamed Ladybug for her choice or pushed for a reveal or even asked for the right to tell one of his friends.

So what happened here? Why did the fans have such wildly unrealistic expectations of canon? Were their expectations even unrealistic or did canon betray them? The answer to that is not as straight forward as you might think because it all comes back to one of Miraculous' many, many, many writing problems: Miraculous is trying to be both a Magical Girl Show and a romantic comedy, but those are not genres that mesh. You can only be one (or you can be a third thing that we'll get to at the end as it's the easiest way to fix this mess, but I want to mostly focus on where the anger is coming from and why the writing is to blame.)

To discuss this mismatch, we're going to do something that breaks my heart and talk about some of Origins flaws. While I love that episode and unironically refer to it as the best writing the show ever gave us, it's not perfect and its flaws are all focused around trying to set up both genres. Do note that I'm going to use a lot of gender binary language here as magical girl shows have a strong focus on gender segregation and rarely if ever acknowledge gender diversity.

Let's Talk Magical Girls

Magical girl shows are shows that center on young women and their friendships. While male love interests are often present in these shows, the boys tend to take a backseat and function primarily as arm candy while the girls save the day and carry the narrative.

A great example of this is the show Winx Club. This show features a large cast of teenage girls who save the magical universe from various threats with their magical powers. Each girl has a love interest, but the boys are usually off doing their own thing and only occasionally show up for a date or to give the girls a ride on their cool bikes or magical spaceship. I don't even think that we see the guys fight or, if we do, it's a rare thing. They are not there to save the day. They are there to be shipping fodder.

Like most magical girl shows, Winx Club starts with the main character making friends with one of the girls who will eventually become part of her magical girl squad. This brings us back to Miraculous.

Did you ever find it weird that Origins implies that Marinette has no friends? She doesn't even have a backbone until new girl Alya shows up to become Marinette's First Real Friend:

Marinette: I so wish I can handle Chloé the way you do. Alya: You mean the way Majestia does it. She says all that is necessary for the triumph of evil is that good people do nothing. (pointing at Chloé) Well, that girl over there is evil, and we are the good people. We can't let her get away with it.

This is a bizarre opening because Miraculous is not about Marinette making friends or learning to stand up for herself. If you skipped Origins and just watched the rest of the show, then you'd have no clue that Marinette wasn't close with her classmates before this year. You also wouldn't know that Alya was new in town and you definitely wouldn't know that Marinette had never stood up to Chloé before this year. So why is this here? Why waste screen time setting up elements that aren't actually important to canon?

Miraculous did it for the same reason that Winx Club did it: magical girl shows traditionally start with the main character making friends with at least one of her eventual female teammates because Magical Girl shows are all about the girls and their relationships. The boys are just arm candy.

But Miraculous isn't a magical girl show. The writers have explicitly stated that it's a rom-com and romantic comedies aren't about female friendship. They might have female friendships in them, but that's not where the focus is. The focus of a rom-com is on the romance and Origins is very clearly all about the romance.

Origins as a Rom-com

Origins has a lot on its plate. It has to establish the villain's motivation for the first time, show us how the heroes got their miraculous, show us how the heroes first met on both sides of the mask, show us how they met their respective best friends, and show us how the heroes dealt with their first akuma. It would be perfectly understandable if this 40 minute two-parter didn't do anything with the romance. They have a full show to give us that!

In spite of this, Origins has some incredibly touching moments for both Ladynoir and Adrienette because romance is the heart of Miraculous. It is the main focus of the show. The driving motivation for both of our leads and the majority of the show's episodes. To tell the story of how their journey started without at least one of them falling in love would feel wrong. That's why we see both of them fall in love!

First we get Chat Noir giving his heart to his bold and brilliant lady, then we get Marinette's heart being stolen by the shy sweet boy who never once thought to blame her for her snap judgement of his character. We even get a touching moment where Chat Noir inspires his lady to accept her role and be Ladybug, leading her to boldly face their enemy and call him out:

Roger: I have a new plan, unlike you! Move aside and let the pros do their thing. You've already failed once! Ladybug: …He's right, you know. If I'd captured Stoneheart's akuma the first time around, none of this would have happened! I knew I wasn't the right one for this job… Cat Noir: No. He's wrong, because without you, she'd no longer be here. (they look at Chloe) And because without us, they won't make it, and we'll prove that to 'em. Trust me on this. Okay? Ladybug: Okay.

I love this moment, but it does lose a little of its power when you remember that we had an Alya-driven variation of this exact same thing five minutes prior:

Alya: HELP!! (Marinette suddenly gets filled with courage. She gets the case out of Alya's bag and puts on the Miraculous. Then, Tikki appears, happy to see Marinette again.) Tikki:(raising her arms) Mmmm! Marinette: I think I need Ladybug! Tikki: I knew you'd come around! Marinette: Well, I'm still not sure I'm up for this, but Alya's in danger. I can't sit back and do nothing.

This scene initially confused me because - if Miraculous is a rom-com - then why would you make Alya the reason that Marinette became Ladybug? Why wouldn't you have Chat Noir be the one in danger so that Marinette chose to fight because of her love interest and then encourage that bond with the later scene of him encouraging her? Why split the focus like this? Why give Alya so much attention?

In case you haven't figured it out, it's because Origins is trying to establish two different genres of show. Two genres that will continue to fight for the rest of the series (or at least the first five seasons).

Magical Girls Vs Rom-com

Why is Alya the one to shake off the nightmare dust and inspire the others during the season five finale? Why is Alya the one that Marinette trusts with all of her plans while Chat Noir is kept in the dark? Why does Alya and Marinette's friendship get so much more focus than Adrien and Nino's? Why was Alya the only temp hero who got upgraded to full time hero?

It's because Alya is Marinette's second in command in a magical girl show and magical girl shows focus on female friendships while the boys are just there to be cute and support the girls.

Why do most of Marinette's talks with Alya focus on Adrien? Why is Chat Noir the only other full time holder of a Miraculous for the first three seasons and then again for the final season? Why do Marinette's friends become more and more obsessed with Adrienentte as the show goes on? Why is the love square's identity reveal given so much more narrative weight than any other identity reveal?

It's because Miraculous is a rom-com and the love square is our end game couple, so of course the story focuses on their relationship above all else!

Are you starting to see the problem?

Circling back to our original question: no, it was not unreasonable for the fans to expect that the Alya reveal would have massive negative consequences for Ladynoir. That is what should happen in a rom-com and Miraculous is mainly written like a rom-com. But the writers are also trying to write a magical girl show and, in a magical girl show, Alya and Marinette's friendship should be the most important relationship in the show, so it makes perfect sense that the show treats the Alya reveal as perfectly fine because the Alya reveal was written from the magical girl show perspective.

When it comes to Miraculous, if you ever feel like a writing choice makes no sense for genre A, re-frame it as a thing from genre B and it suddenly makes perfect sense which is fascinatingly terrible writing! It's no wonder there are people who hate the Alya reveal and people who will defend it with their life. It all depends on which genre elements you've picked up on and clung to. Neither side is right, they've both been set up to have perfectly valid expectations. Whether those expectations are valid for a given episode is entirely up to the mercurial whims of the writers!

How Do We Fix This Mess

At this point, I don't think that we can, the show is too far gone, but if someone gave me the power to change one element of Miraculous, that element would be this: scrap both the magical girl stuff and the rom-com stuff and turn Miraculous into a team show where the friendships transcend gender.

At this point, I've written over a quarter of a million words of fanfic focused on these characters (the brain rot is real) and one thing I've discovered is that it is damn near impossible to keep Adrien and Alya from becoming friends. They're both new to their school while Marinette and Nino have gone to the same school for at least a few years. Alya and Adrien are both obsessed with Ladybug plus Adrien is a natural hype man who loves to support his friends and Alya loves to talk about her blog. Alya is dating Adrien's best friend. On top of that, Alya, Adrien, Nino, and Marinette are all in the same class, meaning that they pretty much have to be spending time together five days a week unless French school don't give kids a chance to socialize or do group projects. If so, then judging them for the first issue, but super jealous of the latter.

Given all of that, why in the world is does it feel like Alya is Marinette's close friend while Adrien is just some guy who goes to Alya's school? Along similar lines, while canon Marinette barely talks to Nino, I've found that Marinette and Nino tend to get along smashingly, especially if you embrace the fact that they have to have known each other for at least a few years.

If you embrace this wider friendship dynamic and scrap the girl squad, replacing it with Alya, Adrien, Marinette, and Nino, then the fight for narrative importance quickly goes away. It's no longer a question of is this episode trying to be a magical girl show or a rom-com? Instead, the question is: which element of the friend group is getting focused on today? The romance or the friendship?

A lot of hero shows do this and do it well. I think that one of the most well known examples is Teen Titans. That show has five main characters and the focus is usually on their friendships, but there is a very clear running romantic tension between the characters Robin and Starfire with several episodes giving a good deal of focus to their romance. I'd say that this element really starts in the show's the 19th episode - Date with Destiny - and it all culminates in the movie that capstones the series: Trouble in Tokyo. The character Beast Boy also gets a romance arc and, while it's more short lived, it's further evidence that you can have strong romances and strong friendships in the same show and even the same episode. You just have to own the fact that boys and girls can be friends with each other, a very logical thing to embrace when your show has decided to have a diverse cast of heroes instead of imposing arbitrary gender limitations on its magical powers.

I couldn't figure out a way to work this into the main essay, but it's relevant so I wanted to quickly point it out and give you more to think about re Origins. Have you ever found it weird how Origins gives both Adrien AND Marinette the "I've never had friends before" backstory and yet wider canon acts like Marinette has this strong amazing friend group while Adrien doesn't seem to care about making friends and instead focuses all his energy on romance? Why give both the protagonist and the supposed deuteragonist this kind of origin if it's not going to be a major element of the show? It makes so much more sense to only give one of them this backstory and then focus that person's character arc on learning about friendship.

[plaguedocboi]

We all love the beach, right? I sure do. Where the sea meets the land is a magical place. It is the overlap of two very different worlds; our sunny, sandy, beautiful home and the alien waves that beckon you into the inhospitable wilderness of the ocean. When crossing that foam-fringed boundary, one must remember that you are no longer in your world. You are entering the sea, and the sea is vast and dark and dangerous. It is more untamed than the wildest jungle and full of creatures that can kill you in a hundred different gruesome ways. Every wave whispers to you that you do not belong here, you may only visit for a brief time if you want to leave with your life. Hold tight to the warm sunlit sand that fringes the barrier of this place, or you may never see it again. Welcome to the beach. Enter at your own risk.

1. Tamarama beach, Australia

This is know as both the smallest and the most dangerous beach in NSW. There is a permanent rip current that runs along the rocky northern shore, but at any given time there could be more hidden in the surf. Large waves break just a little ways offshore, posing a hazard to swimmers but an attraction for surfers. Although there are rarely deaths here, lifeguards have to rescue multiple people a day. Interestingly, this beach is only around sometimes! Occasionally all the sand will wash away and all that’s left is a rocky outcrop. There’s no way to be certain when the beach will come back or how big it will be or what it might look like. I guess it never gets boring to visit.

2. Isle of Ré, France

This island is not the only place you can go to see square waves, but it is one of the places most famous for this strange phenomenon. This is called a cross sea, and occurs when two opposing wave patterns intersect. Although this is certainly a tourist attraction, it is best to observe from a distance, as cross seas can be very dangerous to both ships and swimmers. Cross seas can cause powerful rip currents and walls of water up to 10 feet high, rolling ships and dragging people underwater. (As a side note, my mother thought I had made up cross seas as a freaky supernatural event in my book. Unfortunately, I did not.)

3. Dumas Beach, India

This is supposedly one of the most haunted places in India. Although this beach is full of tourists during the daytime, no one remains after dark, for fear that they will become the next ghost to wander the sand. Apparently, this beach was once used as a burial ground, and said to be black due to the human ashes mixed in. At night, people report hearing voices and seeing apparitions, and even dogs behave strangely once the sun goes down. There have also been multiple unexplained disappearances and at least one recorded death. Whether you believe in ghosts or not, there definitely seems to be something eerie happening on this beach.

4. Morecambe Bay, UK

This is an interesting one, as it’s not technically the water that’s dangerous. The ground is. This estuary features extreme tides, with the water level dropping and rising up to 32 feet twice a day. This exposes an expanse of mud flats and channels which are composed of loose, wet material that can absolutely suck you in and trap you. If this happens when the tide is coming in, it can quickly turn deadly. This has happened many times going back through history, including one incident in 2004 where 23 people died. Yes, all at the same time. No, I don’t want to delve into that incident too deeply in this list as it’s extremely horrifying and tragic. Feel free to research it yourself.

5. Monastery Beach, Oregon

This has earned its nickname “mortuary beach” by being extremely dangerous. Over 30 people have died here, including people who weren’t even in the water. In 2015, a woman walking along the beach was dragged in by a wave and drowned. The beach has multiple factors that make it so deadly, including a steep drop off, unpredictable waves, and strong undertows. This beach isn’t even safe to walk on. I um. Don’t like that.

6. Hanakapiai Beach, Hawaii

Despite its beauty, this Hawaiian beach is not recommended for swimming except for expert surfers. During the summer, this beach is a popular place for hiking, sunbathing and sightseeing, but during the winter the sand is washed away and the waves crash against the cliffs directly. Even in the relatively safe summer months, this beach has no barrier reef to break up the strong waves and powerful currents, which leads to a dangerous situation where swimmers can quickly be swept out into the open ocean and drown. At least 30 people have died here, and 15 of the bodies have never been recovered.

7. Lake Michigan. Just, all of it.

Despite all the Great Lakes being somewhat terrifying, Michigan takes the title of the most dangerous lake in the country. Yearly, Lake Michigan has more drownings than all four other Great Lakes combined. The reason that Michigan is especially hazardous is that, well, it’s kind of weirdly shaped. Thanks to its 300+ miles of uninterrupted parallel shorelines running north-south, it forms huge waves and strong riptides and long shore currents. It is also a question of numbers; Lake Michigan has more public beaches and large population centers than the other Great Lakes. All in all, a recipe for disaster.

8. Playa Zipolite, Mexico

This is also called the “beach of the dead”, so it’s inclusion on this list seems pretty self-explanatory. These waters have strong undercurrents that rotate in a circular pattern, either pushing you into shore or pulling you out to sea. There is a pervasive rumor that 50 people drown at this beach a year, although this is… somewhat exaggerated. In fact, very few people drown at this beach these days, as it has actually gotten less dangerous over the years. There used to be a steep drop-off that would catch people by surprise, but due to several severe storms in the early 2000s, the beach has eroded back and now gently slopes down instead. Although very few people die at this beach nowadays, multiple rescues are performed every day due to the dangerous currents.

9. Cyclops, Australia

This is a particular type of wave that forms off the coast of Esperance, Australia, as the sea floor rapidly goes from deep, open water to a very very shallow reef. It is… unsettling. The longer I look at it, the weirder it gets. It’s like an ai generated image. I couldn’t even pick one picture of it so I made you a collage.

It is considered one of the most dangerous surf spots in the world, and can only be accessed by boat. To quote pacific surf dot com, “the reason the wave is dangerous is because it does not act like any other wave in the world. It engulfs itself due to the massive change in the ocean floor when the wave rolls up.”

10. Nazare, Portugal

This area of Portugal is home to some of the biggest waves in the world. Just offshore is an underwater canyon, plunging down to 16,000 ft deep. This allows large, fast deep-water waves to move into shore unimpeded, and when they hit the shallows close to shore all the water gets suddenly pushed up, resulting in waves up to 80 ft tall. I think the picture speaks for itself in this case. Probably best to not get in the water if you see that shit.

That was fun, wasn’t it? Before I go, let me end this on a different note than the rest of my lists; some actual advice for if you should you ever decide to visit these beaches (or any beach, really). Rip currents are incredibly strong (believe me, I know) but very narrow currents that run perpendicular to shore. To get out of a rip current, swim parallel to shore. Trying to fight the current will just tire you out and eventually leave you exhausted and way the fuck out in the ocean, which is typically when you die. Swimming parallel to shore will get you out of the current, and once you’re free you can swim back in at your leisure. And, just in general, never fight the sea. The sea will win.

[lilacs-stars]

moon + tides

this is part 1, read part 2 here! pairing: james hook x fem!reader (requested) SUMMARY: you, ariel's daughter, find yourself in a strange relationship with the one and only infamous pirate captain, who's absolutely obsessed with you GENRE: yandere, a bit of angst, some comforting fluff here and there, especially at the end CW: a few mentions of violence, someone walking a plank, mentions of drowning, some suggestive material, nothing too graphic though WC: 4.2k

A/N: this req was really fun to write! I might have gotten a bit carried away, heh...this part includes the backstory of how you two got together and the first part of the req, and the second part will include the rest of it. hope you guys enjoy reading this cause I definitely put some hard work into it lol. also please give me feedback and suggestions, I'd really like to know your thoughts!

If you could go back, would you change what happened?

This is something that you often ask yourself. 

You think about that fateful day frequently. It was the summer before your first year at Merlin Academy. You had finally convinced your parents, the famed mermaid Ariel and her Prince Eric, to let you go for a swim unsupervised. Being half-mermaid, half-human allowed you to transform back and forth at will. And although life on land was pretty good, your heart always ached to go back to the sea, to feel the cold, salty water as it engulfs you. To race along the reefs, tail swishing back and forth, allowing you to reach speeds far past what your human form can do. To leisurely swim amongst the many species of fish and plants that created the world of the ocean. To go back home.

Your parents had already gone over the rules with you hundreds of time, to the point where you could recite each one of them word for word: “Don’t go past the boundaries,” “Don’t approach any animals you don’t know,” “Don’t go so deep where you can’t see any light,” “Come out at the first sign of bad weather,” and, most importantly, “Do not, under any circumstances, interact with any humans.”

Your mother may be renowned for rescuing a stranger from the unrelenting grasps of the sea—if she hadn’t, you wouldn’t even be here right now—but that was a very rare case. Far more often than not, mermaid interactions with humans out on the waters ended up in the mermaid being tortured, held hostage, or even killed.

You knew the rules by heart, and yet, maybe it was because of your young age, you still broke them. You weren’t really aware of your actions in the moment; one second, you were swimming alongside a pod of dolphins, racing against the currents. The next, you heard loud voices and realized that almost directly above you, yet still a good few dozen meters away, was some sort of ship.

You had ducked down next to a big sponge, peering up apprehensively. It was at that moment you realized that you were far outside of the boundaries set for you by your parents. You should have turned back, should have swam back home, but there was something about the ship, something that intrigued you so much it forced you to stay in place.

A few moments passed, and seeing as there was no commotion, you let your curiosity get the better of you. After all, that ship shouldn’t even have been out there. Slowly, you crept closer and closer to the surface, making sure to remain in the shadows. The noises were becoming clearer; you could make out people’s voices now. But they still weren’t sharp enough for you to understand what they were saying.

Finally, you took the risk and poked your head out of the water near the rear of the ship. The sight before you elicited a sharp gasp, and made you wish you had just gone back when you still had the chance. 

Extended from the side of the ship was a long, wooden plank. Standing on one side of it (the safe end), was a man, gagged, blindfolded, and bound. He looked to be no older than forty, with a scraggly beard and ripped clothes.

A pirate.

Another figure emerged, walking to the edge of the deck. Your reflexes caused you to duck down quickly, so only your eyes were barely above the water. This figure was much younger, with dark brown hair parted neatly and angular features twisted into a wicked smile. He donned a maroon blazer that covered a white shirt with an upturned collar. Something in his left hand shined brilliantly under the sun’s bright rays.

The younger figure laughed, but not in the way one would laugh at a funny joke. He unsheathed a cutlass from his side, using it to poke the back of the man on the plank. 

“You see, Mr. Jones? This is what happens when you cross the most feared pirate captain in all the lands!” the young figure roared as he yanked off the older man’s blindfold, revealing to him his fate. The fear and panic that spread across the man’s face has been forever etched into your mind, even to this day.

You heard the man beg and plea for mercy, watched as every move he made caused the plank to sway even more violently. The pirate captain simply laughed, his crew along with him. Finally, when you suppose he tired of hearing the man grovel, you watched in terror as the captain gave the man a good kick in the back, finally sending him over the edge.

Suddenly, it was like the world was spinning in slow motion. The man plummeting off the wooden platform, falling, falling, falling. His screams muffled by the cloth around his mouth. Then, all too soon, he made contact with the water with a loud splash. 

He sank quickly, devoured by the ocean’s waters within the blink of an eye. Your young, distraught face watched as a few bubbles rose to the surface. Then nothing. All that remained of the man’s existence, all there was to give proof that he had ever even been there, were a few ripples in the water.

That was it.

You were frozen in shock. How–what–why? Your brain could barely string together a comprehensive sentence. All you were sure of was the feeling inside you. You couldn’t quite put it into words, could barely even understand it. But it made your tail ache to move, made you feel as if you simply couldn’t stay in one place any longer.

You dove beneath the surface, frantically swimming towards the direction where you saw the man go under. You kept looking around, searching, but to no avail. You decided to dive deeper, swimming lower and lower until the water around you was near pitch-black. You were growing more and more panicked by the second, because every second you wasted was another second the man grew closer to death.

Finally, you caught a glimpse of movement out of the corner of your eye. Hope flaring, you darted towards it, the figure becoming clearer the closer you got.

It was him.

You reached out and grabbed him by the collar of his shirt to prevent him from sinking farther. His eyes were shut and he wasn’t breathing, but you could still hear a heartbeat. There was still time left.

Wrapping your arms around him, you started the difficult journey back to land. Thankfully, you knew of a small island not too far from here. Swimming with the added weight of a fully grown man was incredibly difficult, especially for a young mermaid, but you persisted. After all, this was his life on the line.

You swam as hard as fast as you could, and thankfully, by some blessing from the heavens, found a warm water current going the direction you were. You let it carry you, the rushing stream multiplying your efforts. Finally, after what seemed like hours but must have only been a couple of minutes, you reached the island.

Letting the wave wash you up on shore, you settled the man down on the soft sand the first chance you got. You rolled him to his front, which was quite the endeavor itself. His heartbeat had grown more shallow, but it was still there. There was still hope.

Using the skills your mother had taught you, you started to nurse the man back to health using your melodic voice. Ever since you were young, she had explained to you the gift bestowed upon mermaids, the power of healing through song. She taught you to sing before you could walk, and it was the one thing that you were sure you could do right.

As you sang your strange and melodious tune, it finally occurred to you that you were breaking the most sacred of rules. Not only were you interacting with a stranger, you were coaxing him back to life. Like mother, like daughter, you thought. I suppose healing strangers who were drowning at sea runs in my blood.

The only caveat to your healing powers is that it takes quite some time to have its full effects. You don’t know how long you sat on the beach, but it had been quite some time. You probably would have been there for much longer had it not been for the boom voice that sounded behind you, waking you from your trance of song.

“Well, I’ll be. If it isn’t a mermaid.”

You practically jumped out of your fins as you turned around, startled beyond words. There, towering above you, was the evil pirate captain you saw earlier. He was even younger than you had previously thought. In fact, he couldn’t be much older than you. You wondered for a fleeting moment how a kid like that could command an entire ship full of grown—and scary-looking—men, but decided you have bigger matters at hand to worry about.

A few members of his crew lurked behind the captain, and you could see a small lifeboat docked to the ground near the coastline. Further beyond that, his ship swayed in the ocean waves, dark against the bright horizon.

You followed the pirate’s gaze down to your tail, which was still out. You silently cursed yourself for forgetting to transform back into your human form, being too distracted by saving the man to pay attention to your own safety.

You wanted to yell at the cruel pirate for trying to kill this man. No matter who he was, what he had done, he didn’t deserve to die. At least not like that. But the words got caught in your throat, so while a war raged inside your mind, you were completely quiet on the outside, simply staring up at the man with wide doe eyes.

“You have a lovely voice,” the man said, with a tone that you wouldn’t quite imagine a killer using. He must have overheard me sing earlier, you thought to yourself. “Tell me, little mermaid, who taught you to sing?”

“M-my mother,” you replied weakly, your voice far more meager and small than you wanted it to be. You were still staring up at him, afraid of what he’d do to you.

“Your mother? Well, that’s quite interesting.” The captain raised his left hand to scratch at his chin, which is when you realized that it wasn’t a hand at all. Instead of a hand was a curved metal hook, with a sharp point gleaming at the end. So that must be the shiny thing I saw earlier, you thought.

“Oh, where are my manners?” laughed the pirate abruptly. “My name is Captain James Hook, leader of the Jolly Roger. And you are?”

You blinked, almost forgetting your own name. If it were a less tense moment than this, you would have laughed at the fact that his name is rather befitting for him. “Y/N,” you respond.

“Y/N…Now, where have I heard that name before?” He tapped his chin with his hook again.

“Sir, that’s the name of Princess Ariel’s daughter,” one of the big, meaty pirates behind him answered in a gruff voice.

“That’s right!” Hook exclaimed. “You’re the mermaid’s daughter. You know, rumor has it you’ll be joining me at Merlin’s Academy in the fall, is that right?”

For some reason, your voice seemed to not work anymore, so you settled for nodding. Join him? you pondered. You didn’t know that he was also a student at the school you were planning to attend.

Hook started pacing along the beach, arms crossed with his hooked hand extended, deep in thought. You watched him, fear growing by the second. A sly smirk spread across his face, which only served to fuel the flames of your worry. 

“You know, you directly defied my command by saving that man,” he started. Slowly. Deliberately. Choosing every word precisely and carefully, like a shark circling its prey. “Do you even know why I made him walk the plank?” You shook your head no, the panic in you reaching record heights.

“That man”—he vaguely gestures towards the unconscious body laying on the beach with his hook—“stole an entire week’s worth of rations from my ship. An entire week’s worth of food and rum for an entire crew. Had he gotten away with it, we likely would have starved to death out at sea. Does he seem so innocent now, little mermaid? So worth saving?”

Again, you shook your head no. Although you agreed he definitely wasn’t an innocent man, you still didn’t see making him walk the plank a justifiable punishment. Despite your thoughts, you kept your mouth shut. Angering the captain further was not going to do you any good.

“Now, if anyone else had done something like this, I wouldn’t hesitate to cut their head right off,” Hook said menacingly, and with a swish, unsheathed his sword once again. You flinched—hard—and scrambled to back away from him. 

Hook took note of this, and, sheathing his sword, crouched down to get on the same level as you. “But don’t worry, little mermaid. I won’t hurt you. You see, you’ve piqued my interest. Plus, it would do me no favors to have a little girl’s blood on my hands.”

You let out a breath you hadn’t even realized you were holding. So he’s not going to kill me, right?

“But, alas, you can’t leave unpunished, now, can you?” he added. Your eyes grew impossibly wider, your entire body shaking in fear. This was it. He was going to kill you, or do something equally worse.

“I demand”—you already felt a tear slip down your cheek—“that you write to me for the remainder of the summer.”

Wait, what?

“W-write?” you asked in disbelief. “As in…”

“Letters,” Hook finished for you. “Write me letters. I’ll give you the mailing address of the Jolly Roger. Write me everyday, and I’ll promise I’ll write you back whenever we dock. How does that sound?”

“O-okay,” you reply, still taken aback by the peculiar, and far more lenient than you’d expected, request. That was all you had to do? Write letters? As punishment for saving the life of someone he’d ordered to die? You must be dreaming.

“Oh, and,” Hook said, voice lowered as he leaned in close to you, until he was just a hair’s breadth away from your ear. You could feel his warm breath on your skin, his alluring scent of salty winds and something richer, deeper, filling your lungs. “I look forward to seeing you in the fall. Don’t forget me, my little mermaid.”

With that, he stood up, smoothing out the lines on his pants. “You wouldn’t happen to need a ride back home, would you, love?”

You shook your head no, too terrified of him changing his mind to spend another moment in his presence. You glanced back at the man lying behind you, still unconscious. “W-what about him? What will you do with him?” you managed to choke out, somehow finding your voice again.

Hook pondered this for a long minute, before finally answering, “He can live.” You let out a shaky breath. “But only because of you, little mermaid. And only this time. You go against my wishes again, and trust me, your punishment will be far more severe.”

And with that, he went back to his ship and sailed away.

You still muse about that day, thinking how different things would have been if you had changed just one little thing.

You kept your promise of writing him letters, too afraid to know what would happen when you had to inevitably face him in the fall to break it. At first, they started out simple. Ordinary recounts of your day, your favorite things, what you liked to do. As the weeks passed, you started writing more personal letters. How you felt about certain things or certain people, including your parents. You never spoke a word of that fateful day to them, knowing that you’d be grounded for life and forbidden from swimming ever again if they caught even a whiff of the danger you had put yourself in. 

Hook kept his promise, too. He wrote you back, although it was far less frequent than your letters. Even though he kept his responses short and concise, you always ended up hearing his voice in your head as you read his notes. You soon found yourself checking your mailbox daily, even getting to know the mailman rather well. The rush of dopamine you got every time you opened it to find a letter awaiting you was unmatched; you would always run upstairs to your room, lock the door, and pour over the note. Reading every line, every word over and over again, committing them to memory. 

You don’t know why you enjoyed these little letters so much. Maybe it was the thrill of having a secret that no one else knew of, or the absence of your usual loneliness every time you were reminded that somewhere out there, across the seas, was someone awaiting your letters, reading them, and writing back to you. Whatever it was, your heart started to form an emotional attachment to him without you even realizing it. 

Unbeknownst to you, that had been his exact plan all along.

It’s safe to say that once you started school at Merlin Academy, Hook’s—or James’s, as he insisted on you calling him—grip on you only grew. Things started out pretty normal: light conversations in class and stolen looks exchanged across the hall, mostly initiated by him. After the first few weeks passed, things between you two only grew. Secret meetings during lunch hours, rendezvous after school, and small gifts exchanged between the two of you. From there, it became brushing your hands together whenever you passed by each other, soft pecks on the cheek or forehead where there were prying eyes, and more passionate kisses when the two of you finally found time to be alone.

Truth be told, you don’t really know what you two are now. Normally, you would consider two people that partake in such actions to be courting, and you kind of assume you are. But James has never said anything about a relationship to you, and in all honesty, you’re too afraid to ask him. You feel terribly confused at his intentions towards you; on the one hand, he approaches you every day without fail, even if you try to ignore him or when your schedules don’t match up. Somehow, he always finds a way. On the other hand, he never asked you to be his lover, never even vaguely mentioned anything of the sorts. So, you decided, with a heavy heart, to not be too confident and consider yourself his partner. And unfortunately, that meant that he wasn’t yours, either.

Really, you never meant to grow so involved with the bastard pirate that threatened to kill you on the beach that day. But for some strange reason, instead of treating you coldly like he did everyone else, especially the other hero kids, he was softer with you. Considerate, even. You had half-expected him to want nothing to do with you after your first few interactions, but he kept seeking you out. You often opened your locker to a note inside, or entered your dorm to find a letter slipped beneath the door.

Today was one of those days. You had gotten a note telling you to wait for him in your usual place in the evening, after classes. So here you are, waiting, staring at the water fountain in the courtyard. You’ve always been transfixed by the way the water spurts out the center and splashes all around. It seems that whenever you’re alone with your thoughts, they always end up back to that fateful day you met James, and everything that’s happened since.

“Wait for me long, my little mermaid?” a deep voice whispers in your ear from behind. You jump only a little, far more used to James sneaking up on you now than you used to be. For some reason, it seems he loves to startle you by wrapping his arms around your waist and pulling you in close from behind, or speaking softly in your ear.

You twirl around, a delighted expression on your face, although you try to mask it with a feigned annoyance. “And if I say I did?”

“Well then, I’d have to find a way to make it up to you then, wouldn’t I, darling?” he purrs, using his hook to spin you around in his arms so you’re face-to-face. His lips make his way to yours, pulling you in for a slow, sensual kiss. You wrap your arms around his neck, bringing his head closer to yours, not able to get enough of his touch. 

The feeling of his skin against yours ignites something in you, and you find your mouth opening to give him more access as a soft whimper escapes your lips. One hand reaches into his hair, tugging at it gently from the base of his head, while the other one trails down the front of his shirt.

James leans into you even further, your bodies flush against each other now, as he deepens the kiss. You find yourself leaning against the edge of the water fountain, the cool sprinkles providing a welcomed contrast to your heating-up bodies.

Once you’ve completely lost your breath, you pull away just slightly, a love-drunk smile on your face. “You had a request for me?” you whisper, panting, eyes full of adoration for the man you were interlocked with. 

James breaks into a grin. A genuine one, not one of the smirks he flashes to uphold his patented suave demeanor. “Ah, yes, how could I forget, my love?”

He pulls further away to give you two enough room to breathe, yet keeping his good hand on the small of your back. “I was reminded today that it's been quite some time since I’ve heard your voice, my little mermaid.”

You give a little smile, deciding to mess with him a bit. “Whatever do you mean? You hear my voice every day. I mean, you’re even hearing it right now.”

James cocks his head to the side and raises a single eyebrow, clearly aware of your antics. “Your other voice, love.”

You giggle. “Fine, all right. Only for you,” you say, giving him a peck on the nose. 

You sit down on the ledge of the fountain, turning back to stare at the water again. Although it has been a long time since you stretched your tail and went for a swim, simply seeing the rushing water soothes you. It isn’t quite like being immersed in it, but it still gives you some semblance of comfort. 

You reach into the pool at the bottom, letting the cool water rush along your fingertips as you inhale a deep breath. Through your mermaid abilities, your voice twists into an otherworldly song, filling the space with a mellifluous sound. 

James takes a place on the ledge next to you, reaching into the water to hold your submerged hand. You don’t really feel it, too transfixed on the rushing waves. You don’t see the way James gazes at you, like you’re his entire world. The softness, the tenderness in his eyes, which he reserves for you only. He looks at you not as if you’re his sun, something too bright to ever stare directly at, something violent and explosive and harmful, but as if you’re his moon. 

As if you’re the figure he watches every night before he closes his eyes, and the one he wishes to see again when he wakes up. As if you’re the only thing he notices every time the darkness envelops him, your presence never falling off the pedestal he places it on in his mind. Never losing its worth. He looks at you, your soft glow and mesmerizing shimmer, as if you’re the only thing filling up the night sky. The stars and constellations pale in comparison to you, especially on your best nights, when you shine so magnificently. 

You are the moon, and he is the tide of the ocean, constantly being pulled in by you. Never being able to escape the grasp you have on him, the grasp you are so blissfully unaware of. He stares at you in awe and wonder, bathing in your gorgeous light, so close yet always so far away. Sitting all alone against the dark backdrop of the evening sky, waiting for him to come back to you. And without reason, you always disappear. Always leaving him wanting more, waiting till the moment he can bathe in your presence again. 

As you sing, the tide gets pulled in by the gravity of the moon. Your lyrical voice bounces off the stone walls, surrounding you both, just as the moonlight surrounds the waves on that mystical night. 

But the moonlight is only a reflection of the sun’s glow, is it not? When daylight comes, the moon will pull away from the waves, its absence in the sky all but forgotten in the sun’s presence. And as dawn breaks, so too will the pull between the moon and ocean. 

on to part 2! ->

leave a comment if you want to be added to the taglist!

do not plagiarize, translate, remake, or copy my works, including my writing and images, in any way.

[raven-at-the-writing-desk]

Im an ace simp unashamedly and i need to share this little detail of heartslabyul's birthday boy card that someone probably mentioned alr somewhere. In all the boys' groovy illustrations theres always someone else with them. Riddle has cater and trey, Trey has cater. Cater has ace and Deuce has someone in the corner (i cant tell who)

EXCEPT ACE???? BRO'S JUST STARING INTO THE CAMERA WITH THAT SILLY LITTLE BLUSH LIKE BRO YOU LOOKING AT ME???? WHAT ARE YOU TRYNNA TELL ME TWST????

cbjsvsjsjcks Where did all the Ace simps suddenly spawn from… I feel like I’ve been meeting a lot of them lately (not necessarily through this blog, but also in other discussion circles) 😂

Yes, the Birthday Boy series tends to generally showcase at least one other character in the Groovies. For Heartslabyul: Cater and Trey appear in Riddle’s, Trey appears in Cater’s, and I believe it’s Ace in Deuce’s.

That isn’t Trey because Trey wears gloves in his dorm uniform, and nor can it be Riddle because his dorm uniform looks entirely different than the standard one. That leaves us with Cater and Ace. By process of elimination and using context clues, it’s most likely Ace. Cater already appeared in two other Birthday Boy Groovies. Additionally, Deuce has a voice line where he says Ace gifted him a jack-in-the-box—and while the Groovy doesn’t depict that item, Deuce is reacting similarly shocked upon opening it. Ace has also explained (I think in a Halloween event or vignette??) that it is possible to pull off a simple trick of flashing lights and sounds using magic. He tends to use his skills for childish things like little pranks and sleights, and has the personality to be inclined towards those things too. All the circumstantial evidence points to Ace.

Anyway, I feel like Ace is one of those characters you commonly see getting shipped with Yuu because of how he is presented in official content (and especially the main story). Him and Malleus seem to be the Big Two on that regard. That’s what my observation has always been, at least.

It’s rare that TWST will put out these “looking directly at you” illustrations, and even when they do, it’s not always aimed at Yuu if you look at the context the vignettes provide. For example, the Jade Outdoor Wear Groovy has him looking back and offering a hand… but it’s not for Yuu, it’s for Cater; Floyd’s Beans Camo Groovy had him looking soft and cute… and that gaze is aimed at Epel while Floyd talks about how he wants to take on strong opponents. Ace’s Birthday Boy Groovy exists in defiance of that pattern!

I think it’s funny that his dynamic with Yuu can so easily feed into that trope of the BFF that’s crushing hard but is too afraid to fully commit, so he always frames advances/flirting/playful teasing as “just jokes” to test the waters. It almost feels like Ace was tailor-made for this 😂 It sets up a lot the potential for something as simple as a look seeming longing. I can definitely understand how someone might see that Groovy and think it’s romantic. I don’t think most people make that kind of expression while using the thumb to brush away crumbs and staring into the camera 💀 Bro would 100% catch you and then go, “I know, I know, I look so cool that you just can’t get enough of me. Well, today’s my special day so I’m feeling extra nice. Feel free to stare at me aaaaaall you like, Prefect.” And then maybe joke that you could have him all to yourself if you asked—

You Ace yumes out there must be thankful for this food www

[im-subtextsexual]

I’m glad so many people picked up on the vibes between Eloise and Cressida. Not a ship I ever considered before, but the tension was palpable. I’ve been a Queer Eloise truther since reading the books. Her portrayal on the show only made it more obvious in my mind. I didn’t think the writers would ever go there, but the set up is just so explicit, now I’m not sure. I don’t think they’d actually make Eloise / Cressida canon, but I do think they’re testing the waters for wlw Eloise. And it makes perfect sense. 

First off, the character is queer (I’ll hold off from labeling her a lesbian outright, because there’s definitely room for other identities like bi, demi, ace…. etc.) Even in the books. I legitimately think Julia Quinn accidentally wrote a sapphic character and then didn’t know what to do with her. So what we got is “To Sir Phillip, With Love”, widely considered to be one of the worst in the series. Believe me, if there’s any story that could stand to deviate from the books, it’s this one. And the story could so easily be adapted to a wlw romance, it would be a wasted opportunity not to do it. Like… the story would be better if they tweaked it to fit a queer canon. AND it could be done in a historically accurate way to shut up the naysayers that “a lesbian storyline wouldn’t fit in this universe.” How? Allow me to explain.

*SPOILERS FOR BRIDGERTON SERIES BOOK 5*

In the book, Eloise strikes up a correspondence with Sir Phillip Crane. Yes, THAT Phillip, the one currently married to Marina from season 1&2. Marina kills herself because she can’t stand to be married to Phillip and deal with their children in the wake of her lover / his brother’s death. His initial interest in Eloise is to find a mother for his children. She is intrigued by his intelligence and decides she doesn't want to be alone, but isn’t necessarily eager to marry or have a family. Due to romance novel shenanigans, she runs away to Phillip's house and is forced to marry him. Even as they grow to kind of love each other, it's far from some grand romance. It’s the very definition of “settling”. The most interesting part is the narrative structure of their story being told through letters in the beginning. We could keep all that, but make it gay. 

*Imagine*

Eloise meets some dapper gentlemen new to the marriage mart. We’ll call him Emmett. Very little is known about Emmett and his family as they keep largely to themselves at their estate in the countryside. The only thing that’s widely known is the family suffered a tragic accident where the man of the house and his oldest daughter died, leaving his son (the other twin) to take on the responsibility of rank and title very early. Emmet is making a rare appearance in London to find a wife (there are rumors of stipulations in his inheritance requiring a match). ALL the debutantes are fawning over him because he’s mysterious and extraordinarily good-looking. One might even say “pretty”… To everyone’s great surprise the season’s most eligible bachelor takes a special interest in Eloise after overhearing her talking about her disdain for the social convention of marriage, and how she would only consider it if it were an in-name-only, marriage of convenience. Emmett strikes up a conversation with Eloise and she is taken by his humor, wit and shockingly deep empathy for the limitations society puts on women. They continue to gravitate to each other through the first few events of the season, but Emmett has to return home suddenly because of a family emergency. Eloise is shocked to find herself disappointed, but they promise to write. Cue the correspondence romance.

Eloise grows more and more smitten with Emmett every letter she receives, but still has the same reservations about marriage especially when she thinks of the intimacy a relationship like that would require. When Emmett hints that he may want more than friendship, Eloise's feelings get the better of her and she goes to visit Emmett unannounced. He is shocked to see her, but let's her stay and she gets to know his mother and two younger sisters. The Bridgertons go looking for Eloise, worried something has happened to her. When she is found to have been staying for days in an unwed man's home without a chaperone, the potential scandal causes Anthony to force Eloise and Emmett to marry. Surprisingly, Emmett actually agrees so Eloise does too (all of this is essentially what happens in the book).

Eloise confesses to Emmett that she's nervous/resistant to physical intimacy, but he assures her they never have to be together that way. In fact, he would prefer the marriage of convenience they always talked about. Eloise is relieved until their kiss at the wedding sparks an attraction she wasn't expecting. They spend the first month or so of their marriage sleeping in separate rooms, enjoying each other's company, and letting the tension build. One night, Eloise's control and curiosity finally snaps and she goes to Emmett's room to initiate a physical relationship. She catches Emmett off guard in his sleeping clothes which makes it VERY clear... Emmett is a woman (cliffhanger of episode 4, and where we deviate from book canon to make it queer).

After the initial shock, Eloise allows her new "husband" to explain. Emmett is really Emma, the daughter believed to have died in a carriage accident with her father so many years ago. It was her twin brother that actually died, but since there were no other male heirs, Emma's family fortune would have gone to a distant uncle who is cruel and abusive. To save them of that fate, Emma's mother conspired with the local coroner to make it look like Emma was the one who died, so "Emmett" could inherit everything. Emma has been living as Emmett ever since, successfully keeping up the deception by keeping a low profile in society. The only reason Emma came to London that year is because her uncle died, and a cousin had come around asking questions hoping to inherit. She thought getting married would help secure her identity as Emmett and the cousin would back off. At first Eloise is outraged. She feels betrayed by Emma's duplicity, and is terrified if any of this ever got out everyone they know would be ruined forever. She agrees to keep the secret to save her family's reputation, but shuns Emma. Eventually, Emma (already aware that she's in love with Eloise) attempts to make amends and Eloise is charmed enough that she relaxes back into the relationship they had before the Big Reveal. The only problem is the attraction is still there, even more so now that Eloise knows the truth. Things come to a head, and they go at it Bridgerton style.

Emma and Eloise live happily in a true marriage for a bit until Cressida and Penelope come for a visit. They both find out about Emma, but are sworn to secrecy. Pen easily swears her loyalty (having already suspected Eloise), but Cressida is sickened. In a rage, she threatens to out them all, and storms back to London. Eloise follows her and begs Cressida to keep the secret, and tries to explain why the "wrong" feelings she has for Emma are very right for her. To Eloise's surprise, Cressida isn't upset about what she's doing with Emma, but who she's doing it with. She didn't know what they're doing was an option; that she was an option. Cressida confesses that if she'd known a life with Eloise was a choice she could make, it's the life she would have chosen. Eloise lets Cressida down easy by explaining they didn't have that choice. Everyone in the ton knows who they are. The only reason her relationship with Emma works is because of the ruse that allows Emma to be Emmett. Cressida takes this in stride, and vows to keep the secret, but her mother overhears and causes the biggest scandal London Society has ever seen.

The Bridgertons and a few friends (like Lady Danbury) are as understanding as possible, but the rest of the ton is rabid. Things escalate to the point where Emma and Eloise have to appear before the Queen. Emma pleads her case about pretending to save her family, and insists that Eloise didn't know until well after they were married so she's innocent. Eloise can't help herself and gets on her soapbox about the way society limits women, and that the Queen should understand their plight. Shockingly, she does. She annuls their "marriage" (because they didn't consummate anything... RIGHT?!) but she agrees to let Emma control her family's estate until one of her sisters produces a male heir. After that, she and Eloise will receive a pension from the Crown so they can live independently (the real Queen Charlotte actually did this for suspected historical sapphic couple The Ladies of Llangollen). Since Emma and Eloise would never be able to find husbands now, they decide that they'll just be two spinsters growing old together in their house in the countryside. You know... just two gal pals. No one believes that shit, but they rarely interact with the ton, so they're largely left alone to live as they please.

Happy ending, close to canon, historically accurate, and super gay. It's not that hard. You're welcome.

[angel-sweets666]

Purple n orange

shinbaku x fem!reader

Two boys and a girl are in a poly relationship. One day bakugo and shinso come home with ruined moods from the god awful day they had.

Warnings: swearing and bakugos temper tantrums

a/n do I know this ship is the most unlikely ship known to man? Yes. Do I love these two boys and think they’d make a great pair for a poly relationship? Yep. I MEAN THEY JUST SEEM LIKE IT COULD WORK, MAYBE. MAYBEEES🤔🤔

Bakugo slammed open the door to your shared home, the force of it rattling the walls. You jumped, startled by the sudden noise. "Woke up on the wrong side of the bed today, huh, Katsu?" you grinned, trying to lighten the mood.

He snapped his head toward you so quickly that you thought he might have given himself whiplash. "I wish Deku would wake up on the wrong side of the road!" he exclaimed, stomping his feet angrily. His face was flushed with rage, his eyes practically blazing.

Shinso followed behind him, looking more annoyed than angry. His shoulders were slumped, and he let out a heavy sigh as he closed the door more gently behind him.

"What's wrong, love?" you asked Shinso, your voice soft and soothing. He crawled into your arms, seeking comfort, and laid his head on your chest.

"I risk my life out there, and those people don't appreciate me," he pouted, his bottom lip jutting out slightly in a rare show of vulnerability.

Bakugo's rage flared even more at Shinso's words. "Hah? They’re just pieces of shit! I'LL BLOW THEM U—"

"I'm begging you to learn what an inside voice is," you interrupted, giving Bakugo a stern look.

He huffed, crossing his arms and pacing the room like a caged animal. "It pisses me off, alright? We put everything on the line, and they don't give a damn!"

You nodded, understanding his frustration. "I know, Katsu. It's not fair, but blowing up the house won't help."

Shinso snuggled closer, his breathing starting to even out as he relaxed in your embrace. "You're right. It just feels like no matter what we do, it's never enough for them," he said, his voice muffled against your chest.

You stroked his hair gently, trying to provide some comfort. "You both do so much. Sometimes people don't see that, but it doesn't make your efforts any less valuable."

Bakugo stopped pacing and looked at you, his anger slowly dissipating. He walked over and sat down beside you and Shinso, his presence comforting in its own way. "Tch, you're too good to us," he muttered, a hint of gratitude in his voice.

“I’m amazing I know” you said with a cocky grin, wrapping your legs around shinso as you seemed pleased with yourself.

You made a disgusted face as you took a sniff at Shinso's hair. "Katsuki, come here," you called, waving Bakugo over. He looked at you curiously but yelped in surprise as you grabbed a handful of his hair, pulling him close to take a sniff as well.

"Okay, so you two stink like pure fucking ass," you declared, your nose wrinkling in disgust. "I'm begging you on my knees to have a shower. A bath. Even some deodorant. SOMETHING. Did a villain shit on you or something!?"

Bakugo's eyebrows furrowed, his expression shifting from confusion to irritation. "HAH?! YOU'RE THE ONE WHO STINKS LIKE ASS," he retorted, stomping his foot like a petulant child.

Shinso groaned as he sat up, rubbing his temples. "I have a headache," he muttered, clearly not in the mood for Bakugo's antics. He stood up, still looking like he wanted a cuddle but preferably from someone who wouldn’t say he stinks like ass.

With a weary sigh, Shinso walked into Bakugo's arms, surprising the blonde who blushed deeply at the unexpected closeness. Bakugo hesitated for a moment before wrapping his arms around Shinso, a soft, almost tender gesture. He took a tentative sniff and grimaced.

"Okay, we do stink like shit," Bakugo admitted, his voice quieter now.

You couldn't help but chuckle at the sight of them. "See? Now, go take a shower, both of you. You'll feel a lot better.

[talesfromlissom]

Hello!!! Your inbox looked loney :). Spare HC's for Optimus, Megatron, Smokescreen and Arcee for a bot!reader who's bigger than them? 😀😀

Reader whose taller than OP, Megs, Smokes and Arcee // TFP || Could be seen as either romantic or platonic

WARNINGS/TAGS - None, enjoy :)

A/N - I go feral when someone makes the reader bigger/stronger than the character they’re shipped with. Guys, give me big af and buff readers; cmon!!!

MEGATRON

He will try to fight you, like 100%. It doesn’t matter if you’re even more loyal to the Decepticon cause than Soundwave. He will try to fight you and won’t stop until he wins. What’s worst is if you let him win, he’ll demand a rematch. 

He thinks your size is excellent for virtually everything except that people will sometimes mistake you for the leader of the Decepticons (if you’re nearby) instead of him. This is primarily the rare, isolated species that the Decepticons stumble across when they travel the galaxy that know nothing of the war. 

If you want to mess with him, put his stuff in high places. Depending on your relationship, he might use you for spare parts, beat the shit out of you, or just begrudgingly ask you to get the object off of the high shelf. 

If you’re strong enough and can pick him up, he’ll be the angriest mech in the galaxy (he already is, but even more so). He’ll flail around, swear at you, and everyone will be shitting bricks and looking away from your ass whopping. Scruffing him like a kitten will guarantee this, but again, depending on how close you are, he might become a grumbling idiot. 

He might ask you to mass displace to feel better about himself sometimes because he’s an asshole

Laughs when your forehead or frame gets stuck/hits doorframes before doing the same thing probably 5 minutes later because he’s also tall 

OPTIMUS PRIME

The shared pain of being tall af is the first thing he thinks of before being wholly weirded out

The only person taller than him on Earth is Megatron, but Megatron also turns into a jet, so he isn’t sure if that counts. 

He most likely gives you a map of the base, marking off doorways and other entrances that are either too big or too small. He’s a big bot and has this map on hand at all times in his own data banks. Its most likely pulled up in the many, many tabs on his HUD. 

Don’t scruff him either. He doesn’t have much plating on the back of his neck, and his back is extremely sensitive due to it mostly being kibble, wiring, and being hit in his back way too many times for comfort. Picking him up regardless will most likely just prompt him to ask you to put him down before he threatens cleaning duty for the next month if you don’t. 

He won’t put you on cleaning duty don’t worry 

If you tease him about it he’ll tell Ratchet and then Ratchet will put you on cleaning duty. Beware the doctor. 

ARCEE

everyone is taller than her, so she doesn’t really care. Is having to crane her neck to look up at you annoying? Yes. 

Imagine that meme of the police officer having to stand on his car to flip the taller person off; that’s her to you on some days. 

Don’t pick her up either; she’ll stab you; she absolutely hates that. She’s like an angry chihuahua when that happens.

She’s less likely to fight you if you are helping her. Sometimes, she likes to use you as a perch to climb onto things or just to be high up. Sometimes, she also likes to sit on your shoulders to pretend she’s tall. 

She’ll probably use you for shelter during rain, snow, etc. 

She claims she does it with everyone and you’re not special (you are) 

SMOKESCREEN

He’ll also perch on you like Arcee, but it's for silly reasons rather than a tactical advantage. 

If you have audio fins or something along those lines, he’ll grab those and pretend to use them like joysticks. Indulging him will encourage this behavior; do not fall for it. 

He likes to feel tall and will ask a lot of questions about what it's like to be tall, which is ironic given that he technically is of average height. 

Failing to answer these questions will result in more. 

Honestly, he’ll also hide underneath your frame while it's raining. He hates the rain because it gets mud all over his paint and undercarriage. It's annoying to clean out, and you’re the perfect umbrella, in his opinion. 

He can and will laugh at you for banging your head on doorways before he walks into the wall right next to you or trips over something. 

WORD COUNT - 686

✧ Other Links & Support

✧ Ask box

✧ Rules 

✧ Masterlist

[felassan]

Snippets. 🐺💜

For Game Informer’s July 17th DA:TV article, "BioWare On Returning To The Dragon Age Series, 10 Years After Inquisition", the article is still titled as such on its own page, but it looks like on the GI DA:TV Hub page its listing was updated to "Dragon Age: The Veilguard Is 'Respectful And Referential' To Previous Games Without Making Them Mandatory"

[previous comment for context - Brenon: "we do have "decision saves" before big choice moments, but there are still a bunch that depend on a whole mess of stuff you've done earler...so yeah...RIP"]. Derek on this: "Choice and consequence, baby." [source]

[context: DA official Twitter's news about what's coming in August] Derek: "Buckle up!" [source]

Bryony Corrigan (Rook) on the strike: "I care a lot about this game! @/dragonage. Gutted we are unable to speak more about the game for now but absolutely in solidarity with actors in the US. I hope @/EquityUK are also fighting for better protection against AI clauses in the UK too…!" [source]

Matt Rhodes recently wrote to his mailing list that "The project I’ve been working on for many years is nearing completion. In my rare free moments, I’ve been starting to organize concept art to start posting after the game ships." [source] So it sounds like DA:TV is nearing completion and that he will be posting DA:TV concept art that he created after release. [This] is the link to his website where you can view his art, including some existing DA:TV and previous DA game concept art. If you click the envelope symbol on this page, that's how you can subscribe to the mailing list

from Community Councilmember Ladyinsanity - Lucanis x Rook apparently might be an "angst pairing" and there's maybe another one of these in the game also...? 👀 [source]

A user mentioned that they aren't keen on the word "roadmap". Michael Gamble explained: "all it means is a list of cool things you can expect to see us showing." [source]

Bellara's family name Lutare wasn't recently changed as some users wondered, it was Lutare at least a year ago during development. It seems it was just mis-printed or mis-reported in the GI coverage [source]

This article describes DA:TV as the most beautiful game the writer saw at SGF. It says the prologue is dated 9 years after DA:I. "Varric isn’t a ginger so much as a grizzled gray fox now". On Solas, he "wants to tear down the Veil that separates Thedas from the world of demons, restoring his people’s immortality and glory and sacrificing thousands in the process. But when his ritual goes awry, two of his most ancient and powerful adversaries are released. They seek only to finish what they started millennia ago – the complete and utter domination of our world." The game moves quite seamlessly from action to cutscene, and in the prologue "every cutscene is clearly building toward something larger". Position matters in combat. There is an accessibility option which involves the path-tracing of enemies' ranged attacks. At the beginning of the demo, the devs mentioned that they thought about the way different lighting affects your character. " The animations associated with combat are complex for one reason: responsive character features." CC has "inclusion of thick curly hair and capturing the tightly curled texture of Black hairstyles and natural hair", customizable shoulder-width and "a much-welcomed broad spectrum of skin tones—capturing both cool and warm undertones of both white and brown skin". The article highlighted the fluid movement of cloth. The writer also said, "I’m sure other Summer Game Fest previews will have a lot to say on the evolving relationship between Varric and Solas". [source] ((I don't remember seeing this article til now, it's from June though so I either missed it or have seen it and forgotten. also I don't know how accurate it is but the writer was one of the attendees of the DA:TV demo at SGF))

[character limit text break!]

Malcolm: "When I joined DA:Ve I was really hoping there'd be a romanceable dwarf companion and boy howdy did that come true. Harding is ☀️delightful☀️" [source]

[context: this Tumblr post of some neat art] Malcolm: "This is amazing and I fully went "oh wow that really sounds like Emmrich" before remembering that Nick Boraine is in fact a entire human person." [source]

User: "Speaking of Stalker, as a player the description of Bellara and Veil Jumper i've heard so far, alongside their exploration of Arlathan, somehow reminds me of Clear Sky and Chornobyl in Stalker series..." John Epler: "great eye! roadside picnic, Annihilation and STALKER were all absolutely inspirations" [source]

John Epler: "time to slowly make my way home after an awesome 4 days. thanks for an amazing experience to everyone who was a part of it. back to work." [source]

User: "We know there are returning characters in The Veilguard, so my question is: How would you and the rest of the writers go about writing a returning character who was originally primarily written by a writer who is no longer at the studio? What is the process?" Trick Weekes: "1. Watch videos to get the performance, how the character speaks. 2. Don’t try to replicate the character exactly. Allow them to have grown. Morrigan in DAI wasn’t Morrigan in DAO. She’d grown up. 3. Trust Character Art and Performance/VO. As soon as Morrigan walks in and talks in DAI, it works." [source]

Ali Hillis (Harding) on Twitter: "@dragonage @/bioware @/BioWarePulse @/ea #/DragonAge #/SDCC #/SDCC2024 FOLLOW ON INSTA FOR MORE!" [source]

Alex Jordan (Rook): "To all the D&D loving Dragon Age fans out there, let me tell you about my D&D group, made up of faces from the games industry! Including the voices of Geralt from The Witcher, Clive from Final Fantasy XVI, and Noah from Xenoblade! We are ⁦@/NaturalSix ⁩#/DragonAge" [source]

Erika Ishii (Rook): "Grateful I got to spend SDCC celebrating my roles in 2 games I love. Thank you to the devs (including laid-off workers who deserve full credit!), my friends, and the community. This is the last you’ll hear from me about my games from struck companies until they sign an interim agreement or the strike is won. Keep playing games, but share info from the union and let people know we’re taking a stand for all creatives. See you on the other side! ✊🏼🎮" [source]

Jeff Berg (Rook): "Damn, I love making video games. It’s like the perfect blending of theatre on film, where an actor is encouraged to collaborate and let their imaginations soar. And damn, do I ever love the incredible support from the fans of this incredible medium. Unfortunately, we’re in a time of upheaval in the industry. So let me make it perfectly clear: Video game performers deserve fair wages, safe working conditions and A.I. protections. I call on the employers to #/LevelUpTheContract. Guys, this is no single player game. We need you on our team. #/SagAftraStrong #/VideoGameStrike". Text in the accompanying video reads “Video game performers are stuck in a grind. AI is stealing voices, and companies are hoarding profits. The future of voiceover and performance capture artists is at stake. But out fight isn’t single-player. Whether you’re a gamer, a fan, a performer, a labor ally, or just someone believes in fairness. Keep video games people powered. We need you on our team. Video game companies must offer AI protections to ALL video game performers. Join me and show your support for those who bring our favorite games to life.” [source]

Jessica Clark (Neve): "Aaah a true bucket list moment!! Thrilled to play Neve Gallus a Private Investigator & one of the companions in the upcoming DragonAge The Veilguard Video Game!! We are appearing at the San Diego Comic Con as we speak!! With so much thanks & appreciation for the most fantastic team @/bioware & inspiring fellow cast members including (not limited to) @/missalihillis @/nickboraine @/zach.mendez @/jeffberg1 & more 🙏🏽 Draon Age The Veilguard releases this Fall 2024 & from what I've seen... It's truly epic!! You will love it & yes, it's worth the wait. (SAG-AFTRA issued us a specific window to promote & celebrate at Comic Con & from Sunday night onwards we will all be joining our fellow actors in the picket line for the Video Game Strike)." Text in the accompanying video reads "I’ve wanted to share this for so long! Thrilled to reveal that I play Neve Gallus in the upcoming Dragon Age The Veilguard!! Appearing at Comic Con San Diego as we speak” [source]

[source]

Jessica: "Last night's Comic Con San Diego's Fandom red carpet celebrating Dragon Age The Veilguard! Releasing this Fall 2024!!" [source]

Zach Mendez (Lucanis): "A truly amazing first day of SD Comic Con at the @/dragonagegame poster signing at @/darkhorsecomics booth. Thank you to the fans who made my first con unforgettable #/sdcc /#sdcomiccon #/dragonage #/darkhorsecomics #/lucanisdellamorte #/voiceacting #/bioware #/eagames #/theveilguard #/babysfirstcon" [source]

Zach: "Dragon Age. Dancing. Derulo. Thanks @/fandom for a killer party" [source]

Nick Boraine (Emmrich): "Thank you @/bioware @/ea and @/comic_con - had an incredible time! #/dragonage #/theveilgaurd #/emmrichvolkarin @/zach.mendez @/missalihillis @/thejessicaroseclark - can’t wait for the fall release date." [source]

Ali: "Honored and thrilled to have been a part of another epic @/bioware story w @/ea . Thanks from the bottom of my heart to the whole team! We worked hard, and put our all into this one. Can’t wait to see you all at #/sdcc2024 this week to celebrate @/dragonagegame #/dragonageveilguard" [source]

Ali: "1st day of San Diego Comic Con 2024 !! The lines were long and the signings so much fun! Met some really nice fans, hung out w dragon age performance director @/ashley___barlow , companions @/thejessicaroseclark @/zach.mendez & Nick Boraine . So SO grateful for this #/dragonageveilguard family!" [source]

Ali: "I love every one of these people. There, I said it! What a warm welcome we received! Thanks to ALL! For EVERYTHING!" [source]

Ali on SDCC: "Gooooooood times. ❤️" [source]

Here is a 'behind the scenes at the DA:TV SDCC panel' photo -

[source]

Here is a photo of Erika Ishii with Rook's blue knife -

[source]

Here is an excerpt from Brianne Battye's website:

Text reads: "Dragon Age: The Veilguard Defy the gods. Rise as Rook, Dragon Age’s newest hero. Be who you want to be and play how you want to play as you fight back and lead your team of seven companions, each with their own rich story. Together, you will become the Veilguard. Coming soon From EA/BioWare. I was responsible for a companion story arc, significant side characters, faction content, exploration content, and helping develop and expand worldbuilding lore."

[source]

Also, last year Zach Mendez (Lucanis) made a prior podcast appearance:

Zach: "I was lucky enough over the pandemic to have just hit a really nice commercial, and then I got this beautiful job on a video game where I was doing motion capture. Motion capture? Okay, so you put on this leotard, this black suit, and those little dots on, and you do all the motion for a video game, and you get to do the voice, and they put all these black lines on your face, so they capture your performance and whatnot. And so I was doing that and had some commercial money, so throughout the pandemic, for the past few years, I’ve just been getting to live off acting, which is great." -- Zach: "[Voiceover is] what I'm working on right now." -- Zach: "My father's from Spain." -- Zach: "I'm currently working on a video game, I can't say which video game." "It is a big one, it's not a big deal, it's a big one, I'm one of the main characters, it's not that big a deal." The interviewer asked about how acting in video games works. "Somebody's giving some performance that of course, they layer on imaging afterwards, like in graphics, right? But you're giving facial expressions, that's what gives it the reality, that's what I find so fascinating about motion capture, is that, you get to give big performances, because you're playing these crazy characters in crazy situations, and a lot of your performance is coming through in the final product which is, just gets me excited about the future of things about all the different ways. It's my voice, a lot of my facial features, I voice, I think, one or two characters in this game."

[source (dated ~a year ago. source link isn’t work-appropriate. I don’t recommend the podcast)]

[green-tea-in-absinthe-bottle]

BLADE NSFW ALPHABET

My first time writing NSFW alphabet, enjoy. + 18 content under cut. Who should I do next?

GENERAL MASTERLIST

Aftercare

Blade is a bit awkward during aftercare, he is very touch deprived person and most people don't even dare to look him in the eye, afraid of his criminal record and mara. Still, he cares about your wellbeing so if you tell him to clean you up or bring you a glass of water he will do so immediately. He just needs to learn how to take care of somebody properly once again.

He will let you do whatever you want with his body tho, you can cuddle him (don't worry about his initial stiffness, he will relax if you massage his scalp), give him kisses, even braid his hair. He very rarely allows somebody to get into his inner circle but once you are there he is very lenient person overall. He got very distrustful and aloof with age, he is too tired to sleep around with people he doesn't have emotional connection to if he can just rub one off in need instead of being vulnerable in front of a stranger. To get anywhere close to his body you need to get through his defences first, and once you do he gets kinda soft for you.

You know how he allows Stellaron Hunters to use his phone, accepted Kafka's nickname for him, listens to Silver Wolf yapping about games etc.? Now you have that privilege to annoy him as well.

Body part

He feels very detached from his body, to the point of objectifying himself as a Blade. He doesn't like any part of his body in particular but he is entertained by your reaction to his chest. When you swoon over it, cuddle his boobs or suck on them he definitely is amused. Might even pat your head when you push your face in it.

On you he absolutely adores your face and all the cute expressions he can observe on it. He especially likes it when your eyes light up at his sight and when your gaze gets clouded with desire.

Cum

He doesn't mind making a mess at all, but if you prefer it inside of your holes he will do as you wish. He doesn't care much about that, he's not disgusted by yours or his bodily fluids with one exception. If it lands on your face anywhere besides your lips and chin he will wipe it down in a second, he doesn't want to feel like he disrespects you.

Dirty secret

So Blade is a very flexible, fit man...Once during jerking off he realised he can bend and lick the tip of his pretty long dick. He came instantly.

Experience

I believe his experience as Blade is limited to occasional quickie with Kafka, just to release some tension in between missions. I don't see them as proper lovers, more of a coworkers with occasional benefits, of course he respects her and cares about her but nothing else. Once he got committed to you he stopped sleeping with her. Kafka isn't bitter about that cause she has many options but if she finds you cute she might suggest threesome sometimes.

As Yingxing his situation was much more interesting. I don't necessarily see High Cloud Quintet as a polycule, but you can't convince me that him and Dan Heng didn't play around a bit, even now their fates are intertwined in special way and they reference each other. They just give divorced couple vibes, sorry not sorry. The way Blade refers to Baiheng so tenderly makes me believe he had a certain past with her as well, I ship her with Jingliu but I think Blade was in love with Baiheng at some point. His feeling were probably unreciprocated.

It's just my headcanon so don't cancel me pls.

Fav position

He likes it when you ride him, doesn't matter of it's his face, thigh or dick... He wants you to get yourself off on him in selfish way. When he gets on top he likes missionary cause he loves your lewd expressions so much.

Goofy

Blade takes intimate situations very siriously, it's not easy for him to show you his scars and he prefers to not joke around during sex. If he feels like it, he might tease you a little bit after it but that's it.

Hair

Just like in case of his beard, he takes good care of it. It's not completely shaved like his face but it's soft and clean.

Intimacy

For him to turn into your service switch you need to make him feel very safe and accepted, it makes him very vulnerable to give himself like that. It's important for him that you don't want to change him and appreciate him with all his scars. He can't be fixed and if you understand this and you don't mind - it's a very good beginning.

He might not be the most affectionate man out there but he will hold you like you are his greatest treasure, carress your hair and kiss your forehead so you feel safe in his arms.

Jack off

He doesn't get horny often if his sex partner isn't around to arouse him, after 800 years he doesn't see much appeal in jerking off. Still, he will do that to put himself to clear his mind and put himself to sleep faster. His hands are stiff and get tired fast so he masturbates by pounding into a fleshlight.

Kink

To me he is a switch (leaning sub) so I will split kinks into sub and dom. As a sub:

This man calls himself a Blade. It's easier to go through all the pain as a cold weapon without soul than as a shadow of his former self, genius who lost his ability to create and his main ambition. So he gave himself a new purpose, objectifying himself in the process of becoming his last masterpiece.

The thing about swords is they are meant to be used, directed by hand of their owner. Centuries of self-objectification messed with the way he perceives his body, also during sex. He wants to be used by you to please yourself and he needs to know he does good job as your toy. He has heavy praise kink, please tell him how great he feels and how he fulfills all your needs.

His extended life lost spark centuries ago, he craves intense sex to feel something. Blade has a high pain tolerance, he likes it rough. While he might be a bit skeptical towards typical tools used on masochists like whips or paddles, scratch his back really hard when he pounds into you and he will go crazy. He will mock you if you try to give him love bites but secretly will enjoy the sensation.

As a dom:

He is still obsessed with being used for your pleasure, but this time he takes matters into his own hands. He will figure out how to give you best sex of your life, even at the cost of overstimulating you. Trust me, he's very observant. He will use every trick known to him to fulfill you with his fingers, tongue and cock until there is not a single coherent thought left in your brain.

Sometimes he feels like this is not enough to ruin you properly. He will use toys to play with you even more, on a rare occasion he might think about threesome but he is very picky about who can touch you and he has one strict rule - nobody but him can slide into your tight hole. He will let Kafka satisfy you with her mouth and scissor/grind into you tho, if you are fine with it.

If you want to see the dominant side of him more often you just need to ask or to misbehave a bit, he is a natural brat-tamer. Loves to show you your place and fuck the attitude out of you, sight of submissive look in your teary eyes makes him very hard. Knowing he earned this look from you feeds his pride.

Location

He needs to feel safe and in control of his surroundings. Sorry, the only places he can unwind in are his room and his car. Don't worry, he made sure the backsits are extra comfortable and warmed up.

Motivation

In the past he used to have sex to get his mind off certain things from his past, but with a regular sex partner he will most likely be turned on by the thought of his body being the source of pleasure instead of pain for once. He wants to be nothing more but a weapon, tool of destruction, so why does he feel so proud when you let him know nobody could satisfy you like he can?

No

He will never ever approach you during his mara attacks, he can't bear the thought of hurting you. Fetishizing his condition in any way will result in getting kicked out of his life so no feral mara-struck beast Bladie for ya.

While I see him as a bit poly and I believe under certain circumstances he could rarely share you with Kafka, I also think he doesn't trust people so easily anymore, he is very protective about his closed social circle (it's literally just you and Stellaron Hunters) and he won't take it well if you suggest threesome with somebody whom he doesn't know very well or with one of his old friends from Quintet. His reaction depends on who do you suggest tho, if it's Jing Yuan you will receive cold shoulder for many nights but if it's Jingliu or Dan Heng - instant break up.

Oral

He wants you to ride his face and is proud of all the things he can do with his skilled mouth, especially in contrast to his long and beautiful but stiff fingers. He hollows his cheeks when he sucks on your clit/dick, looking you straight in the eye all the time and forgets to breathe when he french kisses your hole. Does he even need to breathe as an immortal?

When he receives head he likes the sounds you make the most, gagging on his length, salivating around it, kissing up his vein... Lick right under his foreskin and watch him lose control over his body.

Pace

He can go very fast and hard when he wants to fuck the brains out of both of you or he can go so gently it breaks your heart. Nothing in between. When it comes to your pace he wants you to do it however is the most comfortable for you.

Quickie

He would only indulge in them if he uses sex as a distraction, this elder prefers to take his time with you and take care of you thoroughly. He especially dislikes skipping foreplay, cause getting in the mood is very important to him.

Risk

With his fighting skills he could totally do risky stuff and come out of this with no trouble but to him sex is a time to relax and feel good, not to give himself more stress. He might do such things if you really, really want them, but it's not his style and he would rather not to be honest.

Stamina

His physical stamina is almost endless, with his self-healing and regenerating abilities he is capable of lasting for much longer than any mortal, but his emotional and mental exhaustion influences his stamina. If he gets overwhelmed at any point he will stop. Just hold him tightly and tell him it's alright. Otherwise he has no problem lasting for the whole night.

Toys

He will use toys on your nipples and clit to give you even more pleasure but no dildos or anything that could penetrate you cause that's his job and you don't need anything but him in your pretty holes.

Unfair

He teases you only if you have been a brat before. He doesn't like to deprive you of pleasure, that's not what he wants do to. But if you behave like you need to be tamed, for example smile a bit too much at another man, don't expect him to go easy on you. Once you've been too friendly during your trip on Astral Express and Blade edged you five times before you fainted.

Dont think you can tease him too much either, this man is very old and very patient when he gets petty. Just look at how long he holds on too grudges. He will tease you back and make you swallow all your words. You can't win this game with him.

Volume

Not a loud man, you can hear a few grunt here and there, quiet moan rarely and that's it. Let's just say he prefers to use his mouth differently in bed. It's not much but you know those sounds are genuine so you appreciate them. Also, who wouldn't get weak being praised in that husky voice of his?

Wild card

You surely heard of people having sex rooms in their places, but have you ever heard of making one in the car?

He lives in Stellaron Hunters headquaters and as much as you guys like to spend spicy time in his room, collection of toys you guys keep in there is nothing compared to the one he has in his car. He knows the rest of Hunters can hear you two so you need to keep quiet when you are at home, but in the garage you can moan his name as loud as you want to. He takes you out on dates in secluded spots like empty beaches or near the lake so you can enjoy each other's bodies while connecting with nature (but you guys stay in car during the do so he feels secure, comfortable and covered) . He lived in wilderness for years before joining Stellaron Hunters so if you encounter animals he will know how to behave.

Backsits are warmed up, they can be extended so you guys can lay down almost like in the bed, Blade carries you favourite blankets with himself. Locked up together with you toybox, so none of his coworkers can find those things when he gives them a ride.

How did he manage to get warmed up sits in such an old car? Well, this man was hella good at mechanics during his previous life as Yingxing. His memory and hands got worse but his brain is as sharp as it was when it comes to such things.

X - ray

Very long but not so thick, not overly prominent veins, very fragile head and base. His balls don't hang too much. Sorry, I never know what to write in this cathegory.

Yearning

He's an old guy, his libido went down with age to certain extent. He doesn't have the best relation with his body, doing physical things isn't something he does just for the sake of it.

He usually has sex for one of two reasons. To get stress out of his body and distract himself from his flashbacks or when he is deeply attracted to somebody and being in their company turns him on. Since he met you his libido woke up again after years and if you spend quality time with him on a daily basis you will have regular sex.

Sometimes he just wants to be left alone but it's not about you, he needs to deal with demons of his past on his own from time to time. There are nights when he just needs to be held, he will be grateful if you stay for him.

If you want to turn him on the easiest way to do this is first making sure he's relaxed and relatively in good mood at the moment, sometimes you can improve it with massages and hugs, sometimes you need to give him space. Then, sit or lay down very close to him, initiate a slow make out session and he will get hard in no time.

Tip: His ears and neck (especially on the back) are very fragile. Tease them well and see what happens.

Zzz

Blade needs a lot of sleep, you have to let that senior citizen rest his eyes in peace. He usually falls asleep surprisingly quickly, especially when he can smell your perfume and make sure you are safe and content, but he wakes up as soon as he hears anything suspicious, even if it's as quiet as leaf crushed under shoe. That makes him a great bodyguard. Also he can fall asleep while standing, with his eyes still open, holding onto his sword. He looks like a Halloween decoration when this happens.

There are nights when ghosts of the past and pain from mara won't let him sleep. He likes to watch over you on those nights, finding peace in slow rhythm of your breathing.

Face he makes when you sext him on his public cellphone:

[headful-of-worms]

It crazy how it’ll cut to a particular shot and I immediately know what iconic line is coming up or remembered how a thousand artists redrew this particular scene. It crazy how involved in this fandom I was lmao.

Oh my god I started rambling in the tags and I maxed out limit of tags. I guess in higher than I thought

I can’t believe I forgot about the hot lesbian squad in season 3 of Voltron

[feybarn]

And I return with some ghost Obi. Thanks @queenaelinwildfire!

Spinning off of Sparky, ghost Obi haunting Jango Ooo bonus points if it’s smol obi wan

When the boy first appeared, Jango had been sure it’d been the spice. Hallucinations were hardly new and the young boy who stared at him with frightened eyes was hardly the strangest thing he saw. In fact, the boy who whispered warnings about when the slavers were coming, and told him that Neeva—the young togruta girl a few slaves down—was dying, and told him stories about men in white armor who died forgotten heroes, was perhaps the kindest hallucination that Jango experienced.

Except the boy didn’t go away. Not when Jango killed the slavers. Not when Jango detoxed. Not when Jango left behind all but the scars of his time with the slavers.

Jango hadn’t quite believed in ghosts before, but he had no other explanation for the boy that followed him unerringly from the slavers’ ship to Concord Dawn to the ugly, worn down ship he eventually acquired.

“You have a reason for haunting me, kid?” he asked.

The boy frowned. His hand came to his neck where a collar rested.

Jango had tried not to think about that particular accessory too much.

“I don’t know,” the boy admitted. “I… I don’t remember how I got here.”

Jango was going to guess that the answer included ‘dying’. “You need help moving on?” Jango asked. Though he had no idea how he would help some ghost move on. Jaster would have, though.

Jango blocked out the thought.

“I don’t know,” the boy admitted. “I don’t think so. I think I’m here for a reason.”

Great. A reason. That explained so much. “What’s your name?”

The boy’s brow furrowed. “I… I don’t know.” The boy sounded alarmed, as though he’d just realized he didn’t have a name.

Well, there went trying to track down where the boy had come from. All Jango had to go on was the rough mining clothes the boy was wearing, several sizes too large for him, and the collar around his neck.

Mining colonies weren’t exactly sparse in this galaxy. Even narrowing it down to mining colonies that used slavery didn’t help.

The Republic might claim that slavery was outlawed, but that didn’t mean much, Jango had discovered.

“Do you have a name you want me to call you?” Jango asked, because while Jango could keep calling him ‘the boy’ it seemed…

Wrong.

If Myles were here, Myles would have already named the kid. It’d probably have been something meaningful and well thought out.

If Silas were here, he’d have helped the kid come up with a name on his own. He’d have turned it into a game, until the kid didn’t even remember he was upset.

If Jaster were here…

Jango tried not to think about what Jaster would have done.

The boy frowned and Jango could tell he was thinking. “Obi,” the boy said finally. “I think… I think I like Obi.” 

“Obi,” Jango agreed. He wondered if it was the kid’s actual name, hidden in the depths of his mind. “You going to keep following me around?”

Obi tilted his head. “I think so. I don’t want you to be alone.” Obi’s gaze was piercing. “Are you going to go home?” he asked. “Now that you’re free?”

Jango swallowed. “I don’t have a home to go to.”

Obi’s eyes echoed with a terrible sadness. “You’re afraid.”

Jango closed his eyes. “You wouldn’t understand,” he said, words coming out short. 

“Sometimes I dream I can’t go home either,” Obi whispered. “In the dream, I want the desert sands to strip me to my bones.”

Jango flinched, but added the piece of information to the possibility of where Obi had come from. Though, there were a spare few mining colonies on desert planets. The combination was rarely conducive to the most valuable of mining operations.

“It’s not the same kid.”

Obi stared at him. “I think they’d want you to come back.” His hand rubbed at the metal collar around his neck again. “Wherever home is. They… they probably miss you.”

Jango scoffed. He’d gotten so many of their people killed, the ones that remained could hardly want him back. “Not likely, kid.”

“In my dreams, they died because of me,” Obi whispered.

Apparently being a ghost made the kid telepathic. Jango was not a fan. But it was… it was a kid, a dead kid. Jango didn’t have the heart to try to get rid of him, unless it was to bring him home.

“Just a dream, kid.”

Obi looked away. “What if it’s not? Do… do we never get to go home?”

Jango sighed. “Come on, let me teach you how to navigate in and out of hyperspace.” He’d noticed that the kid looked like he enjoyed watching Jango in the cockpit. Sure, the kid would never need the skills himself, being dead and all, but Jango didn’t know what else to do with the dead kid that was stuck with Jango.

Obi nodded, following Jango back to the cockpit. It was the end of the conversation.

Or it should have been. 

The question haunted Jango as the months passed. Would he ever get to go home? With the sins that weighed so heavy on his shoulders? It’d been years. Years as a slave and now nearly a year free.

He looked at Obi, who hadn’t aged since the day he’d found Jango in the hull of the slave ship. Just a kid. Always a kid. A dead kid that couldn’t go home. Whose closest thing to home was Jango and Jango’s ship.

Jango had been determined not to think of it, of what he’d lost, of what was gone, of what he could never allow himself to have again.

Do we never get to go home?

Was that why the kid was stuck as a ghost? Had he told himself he was never allowed to go home? Had he trapped himself in some sort of eternal punishment.

Jango had never heard of it happening before, but he wasn’t a scholar, and this universe was full of things stranger than Jango could believe.

Do we never get to go home?

Was that why the kid had found him? Because he saw Jango’s punishment as his own?

Because this life Jango lived now, constantly chasing the next bounty, with nothing but a ghost at his side… was it a life? Was Jango just as much a ghost as the dead kid that haunted him.

“Where are we going next?” Obi asked when the next hunt finished.

Jango stared at the controls on the cockpit’s dashboard.

Do we never get to go home?

Did he? 

The kid needed a home. Jango… Jango couldn’t give him the one he’d been taken from. But…

“Concord Dawn,” he said.

“Where’s that?” Obi asked. “Is there a hunt there?”

Jango shook his head. “No, kid. We’re going home.”