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heartpascal · 1 year

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when the sun goes down

▹— joel miller x platonic!f!reader

▹— summary: joel doesn’t talk about you, until he does

▹— a/n: this one might be kinda ,, weird?? idk if i like how ive written it!! its kinda different to my usual fics !!! + the ending is kinda funky idk

▹— warnings: fem!reader (she/her used), reader is dead , mention of reader getting infected , grief, loss, guilt, lots of angst, small mention of suicidal ideation, referenced murder, mother tess, father joel, uncle tommy, ellie asking inappropriate questions tbh, think that’s everything but let me know!

▹— taglist: @rhymingtree @sleepygraves @wnstice (everything) @auggiesolovey @just-kaylaa @evyiione @lemonlaides @fariylixie0915 @faceache111 @randomhoex @canpillowscry @pedropascalsrealgf @star-wars-lover @coolchick333 @soobsdior @rvjaa @sunflowersdrop @definitely-not-a-seagull-i-swear (pedro)

masterlist

∘₊✧───── ───── ───── ─────✧₊∘

When Joel had been a stranger, Ellie would have never even had the thought to guess that you or Sarah had existed. The man seemed… too stoic, too unbothered, or perhaps, too bothered. She was never really sure what Joel was, back then.

But over the weeks, then the months, and then the years of knowing Joel Miller, it had become increasingly obvious that there was a distinctive daughter-shaped gap within him. It had left a cavernous space in the man, which Ellie had done her very best to fill, even if she would never have admitted it to anyone.

It was clear in the way Joel had tied up her hair when she was sick, in the way he knew exactly what she needed to hear, even when she didn’t know herself. It was obvious in the way he responded to her argumentative nature, her spitting words, his protective behaviour.

Ellie hadn’t even really thought about it, until the day she and Joel arrived at Jackson, until Maria revealed what the two names on that chalkboard meant. After that, it all started to make sense, and she had finally believed that she understood Joel Miller in some deeper way, in a way that actually mattered. She didn’t think about what she was doing back when she had argued with Joel, when she had spluttered out, “I’m not her, you know.”

Your name hadn’t even been mentioned, back then, and Ellie hadn’t known at the time that when she had said her, Joel didn’t know exactly who she was talking about.

Either way, he made it clear that Ellie shouldn’t be mentioning anybody Joel had lost. Certainly not you or Sarah, or even Tess.

After the whole… hospital fiasco, Ellie wasn’t sure she had ever understood Joel, after all. She’d been numb, to some extent, when she and Joel had finally made it back to Jackson, back to Tommy and Maria’s warm house, with their surprisingly peaceful baby. The first time she had visited their house, she hadn’t even noticed your name up on the chalkboard, a new addition, one without any dates below it, but written with as much care as the others.

It was the second, or the third time, maybe, that Ellie noticed the brand new name up on the chalkboard in Maria’s living room. She had been even more hesitant to talk about it than she had been to talk about Sarah and Kevin, so Ellie had figured that the loss was fresh. She hadn’t asked again, for a very long time.

Tommy, unsurprisingly, had been the one to tell her. A long day after a nightly patrol had the man exhausted, and he was two glasses of booze in when he had seen Ellie squinting up at the chalkboard as she was around for dinner.

“He ever tell you about her?” Tommy asked, fresh glass of booze gripped in his fist as he settled down on the sofa, looking up at the board with something numb in his eyes.

Ellie had said your name like a question, eyes scanning between the board and Tommy with furrowed brows. At Tommy’s nod, Ellie had shook her head, turning to Tommy like a child ready for story time before bed.

Tommy took another sip of his drink, sucking his teeth before he finally spoke. “He never told me what happened to her,” He said, eyes fixed on the board as if information might appear. “But I figure he must blame himself, whatever happened. She was fine when I left, but I’m guessing gone by the time you were around.” Tommy continued, looking to Ellie, who nodded. “Don’t know when exactly it happened. He’s real tight lip about it, even more so than he is about Tess, but I don’t blame him. She was his second chance.”

“Second chance?” Ellie repeated, eyebrows raised.

Tommy nodded in confirmation. “Found her not long after the Outbreak. She took to Joel straight away, poor kid. After Sarah, he was… different, but Joel, he looked after that girl like nobody else would’a.”

Some of the things Joel had done or said made a lot more sense to Ellie, in light of this information. You had been Joel’s second chance at protecting his daughter, his redemption, and he had failed. It was no surprise, in that case, that he had been as protective as he had. Or that he had tried to dump Ellie with Tommy, back when they first got to Jackson.

Joel believed he was a failure.

It was quite the realisation for Ellie.

She noticed more, after that. Like the way Joel would stop in the street when he saw people who must have held a certain resemblance to you or to Sarah. Or the way he would stay up late into the night, staring blankly at the darkening world around him as he sat on the porch. Ellie noticed just how much effort Joel put into looking after her, as if afraid that something could happen to her, or she could just disappear. She also noticed the way his eyes lingered on Tommy’s chalkboard, each time they visited.

Ellie thought that maybe, some day, Joel would wind up talking about you on his own. But days passed, and then weeks, and then they’d been staying in Jackson for close to two years, and nothing.

If it hadn’t had been for Joel sticking his nose into Ellie’s business, she probably would’ve never even revealed to him that she knew of your existence. Or at least, your connection to him. But Joel Miller was nothing if not stubborn, and when Ellie had been down for more than two days in a row, he stopped minding his business.

Joel was all comforting words in the face of a preventable loss on a patrol, and Ellie was sick of it.

“It ain’t your fault, kiddo. Nobody blames you for what happened, and you oughta talk about it to somebody.” Joel had said, voice warm and concerned like any father might be, and Ellie couldn’t help but snap after the day she’d had.

“It’s always one thing for you and then another for me, Joel!” She said, baring her teeth at the man, who only looked as confused as ever. “I’m sick of it. Stop telling me things that you know aren’t true, just because you feel guilty!”

His arms had been crossed defensively over his chest at her words, his eyebrows furrowing, the crease between them more prominent than ever. “And what’s that supposed to mean?” He asked, voice gruff and warning, as opposed to the previous tone he had been taking with her. He was practically daring her to go on with what she was insinuating.

“That you want to believe your kids dying wasn’t on you! And that’s great, Joel, but this was on me. It was my fault.” Ellie had spat out, arms wide out by her side, their stances opposing one another. She was accepting her guilt, acknowledging it, realising it was true, where Joel had only ever taken the blame, lugging the guilt along with him for years as if hoping it could disappear.

He had been sure, for a moment, that Ellie had taken to physical blows, but he realised in the silence which had followed her words that the pain was all him. She was right, which to Joel, was the real kicker. He had a knack for projecting onto people, for being defensive over guilt as if it reflected his own. As if, somehow, Ellie being guilty meant that Joel certainly was, too.

Maybe Ellie was right, but even if she was, Joel was in no mindset to admit it. How could he? He couldn’t even bring himself to talk about you, too scared that Ellie would see him for what he truly was; a failure. How would Ellie have responded to that? It was the exact reason he hadn’t told her the truth about the hospital, about what he had done, about the lengths he would go to. She might have seen him violent before, but never to that extent. Never against people she cared for.

If he told Ellie the truth, he would have to admit that he had failed a third child. Perhaps not quite in the same way as he had failed you and Sarah, but in some capacity, he would lose her, too.

Joel had been a selfish man for a very long time, by then. It was no surprise that he opted for the path that would allow him to keep the only child he had left. Who could blame him? Even Tommy, in some strange way, had understood his actions. Especially after his baby had been born, Tommy couldn’t blame Joel for doing what was necessary.

A parent’s love for their child was unrelenting. And Joel took that sentiment very seriously.

But Ellie couldn’t understand. She wouldn’t.

So, in that moment, he had levelled her with a look that put all parental glares to shame. “Go to your room.” Joel had instructed, voice flat, cold. Ellie, in her shock, had done as she was told, which was unusual.

This time, however, when Joel told Tommy of what had occurred, his brother hadn’t agreed with his actions.

When Tommy explained that Ellie didn’t know about you, or about Sarah, and certainly didn’t understand the relationship the two of you had had with Joel, he could see how she could’ve said something so… distasteful. After all, Joel had never told Ellie exactly what had happened to Sarah, let alone to you. Hell, he didn’t speak about you at all. He didn’t want Ellie to believe that he would fail her next.

But the talk was overdue, and the silence in the house had been suffocating Joel, and he noticed how uncomfortable Ellie had been, too. So he had no choice but to steel himself, to grip a mug of coffee, give up on slowing his heart rate.

When Ellie walked through the door, having been out with her friends all day, she stopped short at seeing Joel sat on the couch, looking more stressed than she had seen him in a long, long time. “Sit down.” Joel said, his words catching and tumbling out, as he gestured towards the armchair opposite the couch.

Surprisingly, she sat. “Is everything… okay?” She asked, hesitantly.

“I think it’s time I have a talk with you,” Joel admitted, his fingers squeezing the mug tightly. “You were right.”

“As always.” Ellie responded instantly, an instinctive response that generated a scoff of laughter from Joel, soothing his stressed brow the slightest amount. She cringed, but relaxed at his expression. “About what, exactly?”

“About it being one thing for me, and another for you. It’s not fair of me to ask you to talk about things, if I don’t talk right back to you.” Joel said, slowly, trying to sort through his thoughts before he fumbled another important father-daughter talk, as he had done many times before. “I’m goin’ to tell you about my girls.”

“Joel, you really don’t—”

He interrupted, “No, I do. And I want to.”

Ellie nodded after a moment, settling down in her chair, finally placing her backpack by her feet. “Okay.”

“Okay,” Joel repeated. He took a deep breath, squeezing the coffee mug once more. He said your name, the syllables almost unfamiliar for how long it had been since he had said it. “She, well, I—… She got Infected, ‘bout six years ago.”

Ellie sucked in a harsh breath, sure she knew what had happened after that. It was a story she knew, all too well. Joel scratched at the hair on his cheek, grinding his teeth together. Remembering it all, remembering you was… hard. But it was also refreshing. As if showing the parts of you he’d held to his chest for so long was a weight, lifted from his shoulders.

He didn’t want to talk about that part, about the time he failed you, about what he’d done for you, but other things? He could talk about those.

Joel remembered the years he had spent with you, watching you grow, spending weeks of his life searching for gifts for every assumed birthday. He remembered teaching you how to read, gifting you books, helping you learn how to survive. He remembered the bond you’d shared with Tess, the time the two of them would spend doing your hair for you, with whatever supplies they could manage.

Telling Ellie about you was probably the most vulnerable Joel had ever been with her. It was certainly the most open he had been. It felt like, for the first time in a very long time, he had his heart stitched onto his sleeve.

There was so many memories of you, so many he’d kept to himself for years because Tess had never been able to talk about you, because he couldn’t bring himself to, either. He worried about memories he had forgotten, about how much of your face had faded into obscurity, about how inaccurately he recalled your laugh, your voice.

He thought that, perhaps, his very worst fear would be that if he let go of these memories, if he let other people look upon them alongside him, he’d forget. Joel wasn’t sure he could be open and hold on tight enough. What was too much? How much could he say before he forgot it all? How much would he remember if he didn’t analyse them in his mind? If he let Ellie listen to the moments he held most dear?

Joel didn’t want to forget.

But if he didn’t tell anybody, then who would remember you, after Joel was gone?

There was Tommy, he’d considered, but he knew Tommy’s memories were corrupted, taken over by Firefly nostalgia. No, despite Joel’s being older, his memories of you were certain to be more reliable.

“Here,” Joel said, eventually, his throat feeling tight with the effort of holding back tears. He pulled out a folded up print, one he had gotten out just that afternoon. It was crumpled and degraded with age, but the image remained true. “This is her.”

Ellie took the photo from his hands, the image being of you. It was taken when you were a kid, back when he’d first found you, back when FEDRA had been doing photographs, before all of the printing supplies ran out. It wasn’t a happy picture by any means, merely an image of you, stood in front of a white background with a scared look on your face, dirt smeared across your nose, but it was you. And to Joel, that was enough.

He much preferred to think of you that way, rather than your last moments. It was the only thing that allowed him to let go of that last picture of you, the one that haunted his mind.

When Tess had died, the only thing that gave Joel some peace was the belief that she would have reunited with you. That you wouldn’t be alone, anymore. Often times, in the events after your… well, after he lost you, Joel had considered following you down that path. He had prayed to the God he had once believed in, he had cried out for any divine interference to stop what had happened from being true. But no matter how much he prayed, how much he cried, you were gone.

You had given him a purpose, after Sarah. Joel doesn’t think he would’ve made it this far, if it hadn’t been for you. And it feels so… wrong. He thinks, now, that Ellie had provided him with a purpose, after you.

“So, you raised her in the apocalypse?” Ellie asked, looking down at the photograph fondly, running a thumb along the yellowing picture.

“That I did.”

“Lucky kid.” Ellie said, not nastily.

“I dunno, kiddo, I’ve not always been the best…” Joel trailed off, unsure if he could actually refer to himself as your dad, after everything. After what he had done. Or, rather, what he hadn’t. “We did our best, me and Tess. Hell, even Tommy pitched in.” Joel decided on, after a moment.

He remembered the times Tommy would agree to look after you, to babysit, if such a thing existed in the apocalypse. Usually, it was when he and Tess were going outside of the QZ for supplies, occasionally for the Fireflies, which was why Tommy was allowed time away from his war against FEDRA.

One such time, Joel recalled, he and Tess had returned back to the ransacked apartment they had been assigned to find you and Tommy curled up on the decaying couch, which had only one cushion, asleep. A blanket had been wrapped around your shoulders, and Tommy had your newest book held in his lap.

In that moment, Joel had so wished that he could’ve taken a picture. He remembered a picture of almost the same scene, of Tommy and Sarah on the couch in his old house, in front of a still-playing TV. He regretted not taking the photo albums when they left, back then. Even now, he often felt a pang of regret over how much of Sarah’s memory was reliant on his own.

“Tess raised her with you?” Ellie questioned, almost surprised, but she could remember the way Tess had acted almost… maternal. Not to mention her optimism, her hope, when there was a possibility of a cure. She wondered if that was because of what had happened to you.

Joel nodded, going on to tell the tale of Tess teaching you how to shoot, when you became old enough to handle a gun, when it became apparent that you would need to handle one. He remembered how you had missed all but one shot by your second lot of ammo. He remembered how frustrated you had been, how Tess had told you to suck it up and try again, with that good old no-nonsense attitude.

Ellie could almost imagine Tess saying that, could almost picture how annoying that must’ve been for you as a kid. It was almost amusing to try and picture Joel and Tess raising a child in the apocalypse, especially given how the two had been when she had met them, herself. She tried to imagine that Tess being a mother, but came up empty.

“Did she, y’know, call you dad, or whatever?” Ellie asked Joel, after a moment of hesitation. She wasn’t sure if that was inappropriate to ask, but she was curious. She couldn’t imagine calling Joel ‘dad’ to his face, even though he was the only father she had ever known.

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“Dad!” You yelled, jumping up from the couch and away from Tommy, successfully waking him up in the process. You stumbled your way to the door as Joel swung it open, already dropping his bag to the floor. He was used to the greeting party, but you didn’t often shout him, in fact — did you ever? And since when did you call him ‘dad’? “You’re home! Did you get it?” You asked, jumping into his awaiting arms.

Joel squeezed you tightly, feeling a mixture of guilty and relieved that he was glad to be back, to come home to the child he had yet to fail. He thought about where you could have learnt that word, that name from, and could only come up with the new books Tommy had been helping you with while he and Tess had been away.

“‘Course I got it,” Joel responded, his voice gruff but full of warmth and humour. “Who d’you take me for?” He asked, grinning at your laughter and the way you squirmed from his hold to get to the backpack he’d dropped beside his feet.

“What’re we reading next, then?” Tommy asked, drawing Joel’s attention over towards the sofa, where his younger brother was smiling fondly. You hurried over, attention easily drawn away, and showed Tommy the book you’d taken from Joel’s bag, the one he’d managed to scrounge on his journey outside with Tess.

Joel was quickly drawn from his memories of the journey by you calling out to him once more. “Dad, are you coming to read with us, or not?” You asked, exasperated, and Joel grinned as he came over, his heart aching in his chest at the name, at the nostalgia of the activity.

“You bet.”

∘₊✧───── ───── ───── ─────✧₊∘

“She did.” Joel answered, after a moment of him being distracted, thinking of that very first time, thinking of the way he had fallen back into the title with such familiarity. He wondered if you would have been much like Sarah, had you been born before the apocalypse. Sometimes, he wondered that about Ellie. Often, he had to remind himself that you and Ellie weren’t his biological kids, and if it wasn’t for the apocalypse, he wouldn’t have had you.

He doesn’t like the way his chest aches at the thought of that. It might just be the only reason he’s grateful for the apocalypse that had ruined the world.

“She would’a liked you, y’know.” Joel said, almost absentmindedly, as if that comment didn’t make Ellie’s chest warm with appreciation, with pride. As if it didn’t make her wish that she could’ve met you, could’ve proved that comment correct.

“I think I would’ve liked her, too.” Ellie said, quietly, watching the way Joel reminisced, his eyes glazed over as he stared at the photo she still held. He smiled after a moment, and she was sure he was imagining what his life would’ve been like, had all of his kids met.

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rinniereads123 · 6 months

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One-Shots

SOME OF THESE STORIES ARE MATURE! READ THE WARNINGS AND TAGS BEFORE YOU READ!

Last updated 08/07/2024

★ - personal favorites | note from me | masterlist

★blurred lines - @ellemj

When choosing a female agent to send back in time to gain young Sergeant Barnes's trust, everyone's in agreement that it should be Sharon. Until Bucky, the man that you barely get along with, speaks up and lets everyone know that it could only be you. (don't let the word count scare you it's absolutely worth it)

Shared desires - @veltana

You and Bucky decide to explore something new with Steve.

The Push and the Pull - @delaber

There’s nothing Bucky wants more than to be with you - and for that reason alone, he has to break both your hearts.

Little Bookworm - @heytheredelulu

Your boyfriend can’t think of anything more adorable than watching you read. One night while you’re in the shower he picks up the book you left on the nightstand: “Haunting Adeline by H.D. Carlton” and thumbs through it, very quickly realizing just what kind of books his sweet little bookworm is really into.

Anywhere Away With You - @thevillainswhore

Old ghosts from your past threaten to disturb the peace you’ve made with your new life. Will temptation steer you away?

★The Ties That Bind Us - @thevillainswhore

Even though Bucky is your ex-husband, you still have to see him often because of your shared son. But the heated tension, the spark that is still very much alive after your divorce, finally reaches its peak when you come home from your date.

Warrior/Worrier - @delaber

After a mission gone awry, Bucky finds himself on your doorstep in the middle of the night.

Pink in the Night - @d0wnb4df0rf1cm3n

Some interesting rumours have been circling around about Bucky. Little do you know, it's kinda your fault.

Love Hurts - @urdepressedslut

You and Bucky get into a heated argument, things are said and done and now he won’t speak to you. You don’t think you can handle him ignoring your existence.

in losing grip, on sinking ships (you showed up just in time) - @mellowsaturns

When the Avengers pick up unusual activity, they realize that not all of Hydra was destroyed. One unidentifiable face sends the team into a frenzy but Bucky knows it. He could recognize those eyes anywhere.

I Hate You - @ellemj

After ending up on SHIELD's radar, you're moved into the tower against your will. Of course, you can't stand the one man that you have the most in common with.

One More Night - @marvelouslizzie

You and Bucky Barnes are fuck buddies for a while. The problem is you have feelings for him but you don't think he reciprocates and it just makes it impossible to continue your relationship. Little did you know how much he wants you and how hard he's trying to keep it casual.

The Things We Carry With Us - @pellucid-constellations

You were injured on a mission and didn’t tell anyone, leaving your already rocky relationship with Bucky crumbling. Was it really hate he harbored for you, or was it something else?

Control - @bucky-bucket-barnes

John Walker makes the dire mistake of messing with Bucky’s girl. This misstep causes a major fight to break out between the two, ending in nothing but blood and rage.

I Can Save You This Time - @pellucid-constellations

It’s the 4th of July and you’ve never been more sick. Turns out you aren’t the only one in the compound that stayed home from the celebration.

Shaken Up - @jamesbuchananxsteviegrant

Steve and Bucky find their girl passed out.

Under Pressure - @banditthewriter

Y/N hides a nasty injury from the team until they know everybody is safe, and then they collapse. Bucky worries about Y/N.

Injuries - @flowinglocksofbuck

you get injured on a mission and Bucky freaks out

Wicked - @str-spangled-banner

You were injured during a mission two weeks ago and put to much pressure on your healing wounds, doing more damage than you thought possible. Bucky fears he will lose you.

Necessary Evil - @bucky-bucky-bucky-bucky

Y/N gets seriously injured and Bucky takes care of her.

fingers fantasy fulfilled - @purple-babygirl

If Bucky's doll wanted his metal fingers then that was exactly what she was going to get.

Lavender - @wkemeup

Not every nightmare is the same and Bucky doesn’t always wake up as the man you know.

Give Me A Sign - @lostgirlmuseum

Bucky asks the universe for a reason to live. The universe delivers you.

Fulfilled Fantasy - @sergeantbarnessdoll

Y/N admits to Bucky that she wants to have a threesome so he has Natasha help fulfill her fantasy.

Hottest Night of Your Life - @bossbtch1

Bucky and Steve joined you for a night out at the club, but things took a dark turn when a stranger spiked your drink. Bucky and Steve were more than willing to "take care" of you.

Sharing is Caring - @sad-not-glad

Soft Dom! Steve x Sub! Bucky x Dom! reader

My Queen - @adrinktostopyourthirst

The post-battle energy rush needs a release. Suddenly, there's a willing soldier at your disposal.

all the apple cider and no more haunted houses - @witchywithwhiskey

you and bucky barnes have a love-hate relationship—you love him and you believe he hates you—but when your friends insist on going to the scariest haunted house attraction in the area, the experience ends up forcing your real feelings for each other out into light

my everything - @mrsbarnesblog

The last thing that Bucky ever expected to see was the love of his life from the past trapped in one of the Hydra bunkers in the cryofreeze chamber. Yet here he was almost two days later, staring at your still unconscious body through the window at the medical wing, imagining the horror and disgust on your face when you found out that he was no longer the innocent and happy boy you knew before.

you were mine just yesterday - @notafunkiller

It's been a while since your break up with Bucky happened, but you're still not over him. You try to move on, go out, and have fun with your friend, Steve, but you end up in the same bar you two went to often. It also just happens that Bucky is there too, with Natasha by his side. It doesn't take long for you two to end up getting into old habits.

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itsbeeble · 9 months

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LET LOOSE

SUMMARY: Younghoon has hated you since the day he met you. He thought you were stuck up with that better-than-you princess attitude of yours. What better than to just…fuck it right out of you?

GENRE: smut, fluff, angst, crack

PAIRING: Kim Younghoon x afab!reader (ft. eric)

WC: 5.3K

SERIES MASTERLIST

PERM TAGLIST: @juyeonszn @winterchimez

18+ MDNI AGELESS BLOGS WILL BE BLOCKED

WARNINGS: Swearing, public sex, floor sex, academic rivals that everyone knows secretly want to fuck, enemies to lovers, missionary (that's a first wow), sexual references, mentions of alcohol, insults (not sexual), arguments, pining, mentions of killing someone as a joke, dry humping for like two seconds, making out, mentions of marking, mentions of oral, guys i think this is the least slutty fic I've written for this series, y/n is stuck in a perpetual state of denial, let me know if I missed anything but i think that's it

A/N: Everyone allow me to introduce Doll's less-slutty cousin!! I can't believe we're over halfway through this collab omg. I'm really glad people are loving this and I hope you guys have been catching the easter eggs me and Fawn have been throwing into our fics 😏

If anyone asked you what you thought of when you thought of local star student, heartthrob, and frat boy Kim Younghoon, you would scoff and cross your arms over your chest.

“I hate him,” you would say, your lips pursed and eyebrows furrowed until they were practically touching. “I hope his house burns to the fucking ground.”

One would think this was a gross overreaction, that you probably held a grudge over something stupid, or that he killed your dog or maybe he copied off your essay but made it seem like you were the one who plagiarized. And oh, how that would’ve been much simpler.

The true story, however, goes all the way back—

“Thinking about me again?” A hand cracks down on the desk in front of you, your mind and body jerking back to reality.

There he is, you think to yourself, the bane of my fucking existence. Your teeth are already grinding together, your grip tightening around the pencil you’d been using to write your notes and all he’s doing is standing there with a stupid fucking smirk.

“Why would I be thinking of you?” You bite out and Younghoon places a hand over his heart in mock hurt.

“Ouch, sweetheart.” Your body stiffens and your face contorts with disgust at the nickname.

“Don’t call me that, douchebag.” Younghoon sighs dramatically, dropping down to be at eye level with you.

“So cruel to me,” a pout, and then he’s smirking again. “What if I was into that, sweetheart?”

You might throw up.

“What do you want?” you groan, noting how other students have begun to flood out of the lecture hall while you’re putting your things away. Younghoon shrugs, rising to his feet at the same time as you. Had you been a weaker woman, his height would’ve had your knees wobbling and your panties hitting the ground but, fortunately, you were a strong woman. Some of your friends couldn’t relate to that despite your very clear and very much valid hatred for him.

“I just wanted to see what you were up to,” he shoves his hands into his pockets, rocking back onto his heels. “Considering that we’re now partners for this assignment.”

Your heart drops into your stomach, your eyes widen, and your cheeks are fighting between going pale and burning bright as a tomato.

“What are you— what do you mean we’re partners?” You echo, and his smirk only widens. Your shoulder bashes into his arm while you make your way to the front of the lecture hall where the list of partners is posted. He trails behind you, long legs making it easy to keep pace despite how impossibly fast you seem to walk.

“Aren’t you so excited?” He sounds too excited about this, and you have to physically stop yourself from grabbing him by the neck and choking him where he stands. “We get to work together for the whole semester!”

“I still don’t see how this is a problem,” Dawon tells you her tongue running over her lip as she watches you pace the length of your dorm suite’s lounge area. “Isn’t he, like, super hot? And smart?”

Your lip curls into a sneer and you whip your body around to look at her.

“He is not hot,” your voice has raised in pitch, your arms waving frantically. “He’s— he’s stupid and— and annoying, and he doesn’t know how to shut up, and his face— oh his face is just so— so—”

“Kissable?” Suyeon offers when she makes her way over with a steaming mug of tea.

“I think rideable is a better word,” Dawon grins at the way your jaw drops at the two of them.

“He does have a very rideable—”

“Okay, enough!” You snap, your face beginning to burn bright red in anger.

“Ooh she’s blushing!” Suyeon giggles and your face only burns brighter.

“You both are insufferable,” you throw yourself back onto the couch, your head turned toward the ceiling. “Kim Younghoon is annoying, stuck up, and his face is not kissable or rideable.”

“So you’re saying you’ve thought about it before?” Suyeon presses and you roll your eyes.

“Hell no. Why would I think about that?”

“Because he’s your mortal enemy and everyone ends up fucking their mortal enemy at some point.”

“Plus he’s a yummy, scrumptious, daddy cupcake.”

“Ugh, so true Dawon.” Suyeon squeezes your roommate’s hand, the two of them grinning deviously at each other.

“That’s— did you just call him— No, that’s not the point. The point is, that’s not true!” You lift your head, eyes wide with horror. “That only happens in books!”

“Not just books,” Suyeon raises her mug to her lips with a hint of a smirk on her face. “Didn’t you hear about the KAT and TBZ presidents?”

“Oh my god, Eric told me about that!” Dawon gasps. “Apparently they—”

“I don’t need to know the details of their sex lives.” You interrupt again. “God, you two are just…”

“Don’t you just love us?” Dawon winks at you, and you wrinkle your nose in distaste.

“Let’s not go that far.” Her lips twist, and the three of you go quiet for a moment.

“Why do you even hate him?”

Ah, there it is. The same question everyone had been asking since the day you started at this school.

Why do you hate Kim Younghoon?

“It’s complicated,” you tell them what you always say. You tell them that it’s nothing they should be concerned about. He knows what he did.

“Then uncomplicate it.” Suyeon is much softer than Dawon, her eyes furrowed but not with the mild irritation Dawon has. It’s more…concern than anything else, and for a moment you think about telling them. Think about dropping your petty act, let them know exactly what about Younghoon bothers you so much.

You open your mouth, and the two girls in front of you lean forward expectantly, practically on the edge of the tiny couch that had been squeezed into the suite.

“I can’t.”

“That isn’t going to work, sweetheart.” Younghoon says, waltzing up to you after your failed attempt to talk your professor into letting you change partners or work alone. Your shoulders are slumped in defeat, something that Younghoon seems to laugh at. “You’re stuck with me.”

“I really hate you, Kim Younghoon.” You lift your head, wanting so desperately to glare at him but you can only find the strength to stare blankly. He kisses his teeth, eyebrows furrowing.

“That’s a bit harsh, isn’t it?”

“Who cares? It’s true.”

You want to scream. You want to throw your body onto the ground and throw a tantrum, to cry and whine, to kick and punch the air—anything to get out of this situation.

“All this because I got a better grade than you in one class in high school.” Younghoon shakes his head, his hair falling into his face and obscuring his eyes partially. Your heart thuds against your ribcage (because of the memory, obviously).

“You really think that’s the only reason I hate you?” Hint: he’s right for once. Would you ever tell him that? No. As far as he knows, you have endless reasons to hate him. As long as he lives, that list will grow. In fact, it would be better if he knew that you’d be pissed if he died before you because that means he tried to escape one last competition, but you’d hate it even more if he died after you because that means he would win one last time.

“That’s all I can think of,” he shrugs and you kiss your teeth.

“Disappointing me again, douchebag.” He scoffs at that.

“Of course I am. When am I not upsetting you about some bullshit?”

Oddly, this time you don’t answer him. At least you don’t give him an answer to that question.

“Listen, Kim Younghoon,” you place a hand on your hip, shifting your weight to lean mostly on one leg. He leans toward you a bit, slightly angling his head as if trying to hear you better. “You’re the most annoying, egotistical, snobbish boy I’ve ever met. You always have this, like, need to be better than me— than everyone.”

Younghoon inhales, his eyebrows knitting together and his tongue poking the inside of his cheek. You can see the irritation in his gaze, can see him fighting the urge to snap at you and it has your stomach churning. When he finally responds, it’s not exactly what you expected. You thought he would snap back at you, tell you to go fuck yourself, to call you the same insults you just called him.

He doesn’t.

“Meet me in the library at 4 o’clock.” Your head jerks back, your nose wrinkling with confusion.

“Excuse me?” Younghoon just smiles coyly, already turning away from you.

“Don’t you wanna get this project done so you don’t have to deal with me?” He can practically see the wheels turning in your brain, contemplating all your options.

“I mean yeah, but how do you know if I’m even free—”

“You’re always at the cafe at the same time as me,” Younghoon glances down at you, stepping to the side as he pushes open the door of the lecture hall. You say nothing as you push by him. “I’m starting to think you’re obsessed with me, sweetheart.”

“That’s not— I would never— how—” You sputter, stumbling over your words and waving your hands in the air while you try to come up with something to say. Something to deny. Younghoon begins to smile again, coy and near-mocking.

“I don’t hear you actively denying anything.” His eyes widen and he bends forward, lowering his face to be near yours. Your cheeks are heating up, your mouth opening and closing like a goldfish. Words. You need words. Why is nothing coming out?

“Shut the hell up, douchebag.” He laughs and your stomach churns again. Is he laughing at you?

“I’ll see you at 4, sweetheart.” Younghoon starts to reach his hand toward you as he leans up, but thinks better of it and drops it back to his side.

“Yeah, sure,” you scoff and turn your back to him.

Fucking prick.

“You have got to be kidding me,” You toss a stack of papers onto the table you’re sitting at, glaring at the notes Younghoon wrote on the whiteboard. He’d rented a study room for a few hours, giving you time to start working.

Or, at least, try to start working. You had made no promises about not trying to kill him and making it so neither of you could get any work done. Although, you had thought about running him over with your car so that you would have an excuse to work on this alone.

The blinds over the door had been shut, blocking anyone from looking in and potentially seeing you try to kill a man. Lucky for you.

“What’s so wrong with what I wrote?” He squints at the board and you push yourself out of the old, creaky chair you’d been sitting in.

“It’s contradictory!” You complain, reaching around him for the eraser. He grabs your hand before you can do anything, turning on you with a scathing glare.

“It’s not, though!”

His grip tightens on your wrist when you pull it away. You narrow your eyes, but he doesn’t waver at all. There’s heat behind his gaze, heat that makes you nervous. You know he won’t hurt you, that’s not who he is. The heat though…that makes you nervous. It’s the same heat you’d felt several times in the past few weeks.

“Let me go, Kim Younghoon.” He leans his head toward yours and your throat begins to close, your heart pounding in your chest.

“Not until you tell me why it’s contradictory!” He snaps. You swear your ears start to ring, your vision closing in until all you can see is Younghoon.

“It’s— why does it matter so much to you?” His grip finally loosens and you rip away from him with a huff.

“Because you’re putting down my work! Again!” He flings his hands into the air and you bite your tongue. “Why do you hate me so much?”

A lump in your throat, tears in your eyes, and Younghoon drops your hand. He looks defeated, his shoulders slumping and his lips set into a deep frown.

“I just,” Younghoon sits in his chair, the old wood creaking under his weight. You stand in the middle of the study room, hands by your sides and your eyes flicking around nervously. Your posture is so tense compared to his, your eyes flitting around anxiously. “I’m tired of this shit. Not knowing what the fuck I did wrong. You never give me a reason and, at first, I was fine with it. I liked the casual rivalry. But now I’m just…it’s been four years, and I still don’t know what I did.”

“Choi Yuna.” It comes out fast, the name of your ex-best friend. So fast that Younghoon doesn’t catch it, he just stares at you with a look of pure confusion.

“What?”

You say her name slower this time, tugging at the edge of your shirt. “Choi Yuna, you dated her from freshman year until late sophomore year.”

“Okay, yeah,” he leans forward with his elbows on his knees. “What does she have to do with this?”

Your cheeks are burning, and you know he can see it. See how flustered you are.

“She was my best friend.” You bite on your tongue, trying to find the right words.

“I know,” he said, and you purse your lips. “She talked about you all the time.”

“That’s funny,” you scoff, a spark of anger returning to your tone and to your facial features. “Considering she’s the reason I hated you for so long.”

“What are you talking about, sweetheart?” Younghoon huffs, rubbing at his eyes with his palms. You can tell he’s frustrated, so you speak quicker.

“She— she knew that I liked you.” His eyes snap up, wide and bulging. “She knew that I wanted to ask you out in freshman year, so she made sure to get there first. I— at first I thought that you knew that’s why she did it.”

“You thought that I knew your best friend wanted—” Younghoon huffs and rises to his feet.

“Just—” You hold up your hands as he begins to step toward you, slowly backing you into the wall. “Just let me talk. I thought you knew, yes. She told me that you asked her out first and that she just— she just agreed. So yeah, I started to hate you. I started arguing with you and every answer you gave in class because I was just so…angry at— at everything, at myself.”

Your back is against the wall now, and you’re slowly curling in on yourself as Younghoon gets closer.

“And…?” he cocks an eyebrow and your swallow thickly.

“By the time I realized that it was all her….at that point it was just easier to keep hating you. To keep everything at bay.”

“Everything?” He echoes and had you been looking at his face instead of his chest, you would’ve seen the smirk you’d always claimed to hate plastered onto his face.

“Yes,” you groan and lift your head. Your breathing hitches in your throat, your body pushing even closer to the wall when you finally see just how close Younghoon is to you.

Just a few inches from your face is his own, his eyes dancing from your eyes to your lips. His breathing is, compared to yours, slow and even. Inhale, hold, exhale. You can see his chest rising and falling with the rhythm.

“Why—” you clear your throat. “Why are you so close to me, Younghoon?”

“No legal name this time?” He murmurs, one of his hands coming up to rest on the wall beside your head. His head dips down and now his lips are brushing against yours, every breath you take mixing with his. “What happened?”

“I just— you’re a little close to me.” Your hand presses on his chest, but it's as if you aren’t even trying to push him away. “We— we probably shouldn’t.”

Younghoon kisses his teeth, shaking his head at your suggestion. Arguably, it’s a wise choice, but right now he has you exactly where he wants you. If he lets you leave now, who’s to say you won’t pack your bags and take a one-way flight to Brazil?

“I’ve been waiting,” he says and you squeeze the hand on his chest into a fist. “For three years for you to get your head out of your ass. I’m not letting you go now that I have you.”

“Have me?” Your tone shifts into one of challenge rather than the nervous air you’d surrounded yourself with. “If anything, I have you, Kim Younghoon.”

You yank him to you by his shirt, reaching up on your tip toes to place a firm kiss on his plush lips. You hear a groan rumbling in his throat, the hand not on the wall wrapping around your waist and squeezing tightly. Your lips mesh together, but it isn’t messy. It’s slow, calculated just like every move either of you had made against each other. Every argument, every challenge. The build-up. It all led to this, and you’re not letting him go this time. He’s yours and Choi Yuna can’t take him this time.

With a new fervor, both of your hands come to lace into his thick strands of black hair, effectively trapping his lips against yours. He drops the hand that was on the wall, both hands now on your waist and sipping under the loose fabric of your shirt. You gasp at the cold feeling of his hands on your skin, and he takes that opportunity to sneak his tongue into your mouth. It’s experimental, the way his tongue caresses yours, pushing gently and letting you suck at the warm muscle. He listens to the pretty little whimper you let out when he does the same thing in return and a shiver runs down his spine. His hand slides up the back of your shirt, emerging from the collar and lacing into the strands of your hair.

Air. You had to come up for air. You needed to breathe. Your lungs are aching, but fuck his lips are addicting. They’re soft, and warm, and they feel so good against yours.

Your knees cave slightly, your mind going fuzzy and Younghoon rips away from you to steady your body, his knee shoved between your legs to help keep you upright.

“Sweetheart,” his tone is lighthearted, but you know he’s scolding you. “You need to learn to breathe. I’m not leaving just because you need some air.”

A pretty little whine escapes you, but Younghoon is quick to realize that it’s not because you can’t find the words to respond to him. Well, if you think about it, that kind of was the reason.

Your hips are rolling down on his knee, your hands gripping his shoulder for dear life as you ride his thigh. Your head is rolled to the side, your eyes squeezed shut as you try to find the right pace and the right amount of pleasure to ease your arousal. Younghoon’s jaw drops, and he feels his dick twitch in his pants at the sight of you trying so desperately to relieve yourself on him. Unfortunately for you, he notes, your jeans seem to be in the way of you achieving your pleasure.

“Sweetheart,” he coos but his voice is shaky and he thanks god that you’re too far gone to notice. “Look at you, trying so hard to get yourself off.”

You whine, and his breathing hitches when you try to ride him even harder.

“Is it not enough?” He presses and your eyes fly open with the quick nod of your head. But then you shake it, and his heart clenches at the confused furrow of your brow.

“‘S not!” You whine. “Need more, Hoonie.”

He smiles when you reach one of your hands down, undoing the button of your jeans and trying desperately to shove them down as far as they can physically go without interrupting your ministrations. To your dismay, they barely get anywhere before Younghoon has to set you down and starts to tug them down your legs gently.

You never thought you would enjoy watching a man get down on his knees for you, never thought you could have this much of a reaction to it. Younghoon though…the sight of him looking up at you through his lashes, the nearly pathetic look in his eyes when he sees just how soaked your panties are— it’s enough to have you practically crumbling to the ground, your lips crashing against his again and forcing him back to lay on the ground.

His hands are everywhere— your hair, your hips, your ass, anywhere he can reach. He squeezes the soft flesh of your ass when your lips trail down his neck, sucking little marks into the skin and pulling groans and quiet whimpers from his throat.

Your hands run under his shirt, and he weakly tries to help you push it over his head to be tossed somewhere else. You shush him, a playful look in your eye as you place a finger on his lips.

“Gotta be quiet now,” you unbutton his jeans, slowly dragging them and his boxers down and he lifts his hips to help you slide them down to his knees. He doesn’t bother with your shirt but makes quick work of your bra and shoves it up. You’re sliding your panties down your legs when he shoves his hands under your shirt, squeezing and tugging at the soft mounds of flesh on your chest. A quiet moan at the feeling of him tugging at your nipples, and his hands falter momentarily when you wrap your hand around the base of his cock.

“Don’t hurt yourself,” he teases and you scoff while lining him up with your sopping wet pussy. You know he’s big, both of you do, but you’d never admit that to his face. Never admit that you’re nervous about taking it all in, nervous that you won’t be able to take him at all.

“As if your little dick could possibly hurt me—” your voice catches and he watches with strained amusement as you begin to sink down on him. Your walls are tight around him, practically squeezing the life out of his poor cock while you try so desperately to keep sliding down on him. Younghoon pulls his hands out of your shirt, sliding them down to your hips and gently rubbing them as a means to ease your discomfort.

“What were you saying about my little dick?” Younghoon sneers and you have to fight back the whine that threatens to slip out of you. He’s just over halfway in when you force yourself to give up, the stretch beginning to be too much for you to handle. “I could’ve prepped you, y’know? Made this easier for us both.”

You can only lower your head onto his shoulder, biting harshly into the skin while he flips you around and pushes your legs up toward your chest.

“Hold these here, sweetheart.” You do as he says, gasping sharply when he begins to sink into you.

“Fuck, Younghoon!”

“Shhh,” he kisses you gently while continuing to press into you, using the width of his shoulders to gently spread your legs a bit further apart. “‘M almost there, I promise.”

“‘S too much,” you whimper, a tear slipping out of your eye and dripping onto the carpeted floor below you. “‘S too much, Hoonie.”

“I know sweetheart,” he coos and looks down at where the two of you are connected. He fights the sudden urge to cum when he sees the fluttering of your walls, sees them clenching around him, and trying to force him out. “I’m almost there.”

Another whine from you and he quickly slides the last three inches into you, clapping a hand over your mouth to muffle the scream you release. He stays still for a moment, listening to the sound of you sniffling, and turns his head briefly to look at the door. A shadow passes by and he exhales quietly.

“And you were worried about me being too loud. Who’s the one with a hand over her mouth, hm?” You can’t don’t respond and Younghoon pulls out entirely, leaving just the tip inside of you, and when you whine and let go of one of your legs to reach out for him, he sinks into you in one harsh thrust.

The moan you let out behind Younghoon’s hand is guttural, and your back arches off the floor. His thrusts are rapid, yet he doesn’t falter in pattern. He sinks deep inside of you, punching into you so deep that you swear he’s going to hit your cervix. He lets his hand drop from your mouth listening to the way you try to hold back your noises. Every whine, every whimper and moan and cry, you try so hard for him.

“Such a good girl,” he coos. “Keeping quiet and letting me fuck her real good.” His voice is so quiet, the words practically hissed into your ear and it’s so hot that your eyes roll into the back of your head.

Your grip on your legs loosens and then your hands drop them entirely, letting them fall onto his sturdy shoulders. He watches as both of your hands disappear under your shirt and he feels a pang of irritation as you begin to play with your nipples. They draw sharper noises out of you, higher in pitch and slightly louder. Although, Younghoon can’t complain when the combined pleasure has your cunt fluttering around him and fresh waves of arousal washing through you to make it easier for him to fuck in and out of you.

“Hoon,” your whine is loud. Too loud. “So close, please!”

Younghoon hushes you again, his hand running up the side of your leg and squeezing at the flesh of your thigh.

“I know, sweetheart,” he tells you. “You gotta be quiet f’ me. Gotta be quiet so nobody walks in, okay?”

“I can’t.” You sob out and Younghoon pushes himself closer to you, practically folding you in half so he can kiss you. You open up immediately, whining and letting him slide his tongue in for you to suck on.

Younghoon’s hips begin to stutter, his body shaking against yours, but you’re closer. Your body spasms, and you nip at his tongue to keep him close to you while you cum. Younghoon grunts at the combined feeling of your bites and the clenching of your walls around his length. It’s all a bit too much and it only takes a few more thrusts before he’s shuddering and collapsing against you, spilling ropes of white hot cum inside of you.

He can feel the combination of his and your cum beginning to squeeze out of you around the tight fit of his dick inside of you, but he doesn’t have the strength to pull out of you just yet. You’ve stopped biting at him, your eyes squeezed shut and your mouth slowly sucking at the warm muscle he continues to provide you.

Your body is sore, your thighs aching and likely bruised when you walk into your dorm a few hours later. You hadn’t gotten any work done after that, spending the rest of the time making out in a chair and grinding on each other like some damn horny teenagers. You know you’re a disaster, but you’re more than content with that knowing that Younghoon looks the same (if not worse).

When the door clicks shut, it’s dark in the suite and you silently thank god that Dawon and Suyeon are asle—

“Where the fuck have you been?”

The lights flick on to reveal your two friends at the counter in the suite’s living area. Dawon looks furious, but Suyeon looks like she just wants to go to be. You grimace, dropping your bag off your shoulder and onto the ground next to you.

“Out.” Your voice is hoarse and you grimace. You imagine your throat is a little bit bruised from…things.

“Doing what.” Dawon snaps.

“Or who, judging by the looks of you.” Suyeon clicks her tongue and rises from the couch. “Look at you! It looks like someone tried to eat you!”

Dawon squints at you, and you turn your gaze to the floor.

“You fucked him, didn’t you?” She inquires, but you both already know the answer.

“Who?” Suyeon frowns. “Who did she fuck?”

Your nose wrinkles, and you turn to her with a look that says I think you know. Suyeon tilts her head, her eyebrows knitting together in thought.

“Oh.”

“Yeah.”

“Oh. OH— OH MY GOD—”

The Tau Beta Zeta frat house isn’t as bad as you thought it would be. At least not party-wise. The moment you and your friends walk in, you’re engulfed in noise, drunk partygoers, and scattered members of the frat. In one corner you can see what looks like two members of the frat making out with their girlfriends. Haknyeon and Changmin, Dawon said, Too bad they couldn’t find a private space. Damn exhibitionists. A smile quirks on your lips just slightly. Oh, if only she knew the truth.

You barely acknowledge her, however, scanning the room for Younghoon.

“Eric!” You grab the passing boy by the arm and he jerks to a stop, nearly spilling the contents of two cups.

“Yo!” He grins at you, and you can just faintly see the crinkle of his eyes under the red baseball cap of his. “What’s up?”

“Have you seen Younghoon?” Eric purses his lips in thought.

“You aren’t gonna kill him, right?” You laugh and so does he.

“No, not anymore. Or…I might if he doesn’t show up soon—”

“BOO!” Someone’s hands wrap around your waist lifting you off the ground and spinning you as you scream for him to put you down. Eric slips away, casting his eyes behind him to watch you and Younghoon as he approaches a girl in the corner.

“Kim Younghoon!” You snap, swatting him upside the head. Your boyfriend smirks at you, bending down to try and give you a kiss that you block. “Don’t kiss me, you douche! That wasn’t funny!”

“It was kinda funny,” he laughs, swooping in to give a kiss that you choose not to block this time. It’s deep and slow, and he tilts his head to get a better taste of you when you bring your hand to the back of his neck.

“Mmm, I think I like it when you don’t hate me.” He murmurs when he pulls back, grinning wickedly when you place a kiss on the corner of his mouth.

“Do you now?”

“Mhm.”

“Shouldn’t have scared me then.” You scowl, turning away from him and beginning to stalk away. He scrambles after you, frantically trying to keep up despite the crowd.

“Where are you going?” He whines, grasping at your fingertips. You turn your head, a coy smile playing on your lips.

“We gotta let loose, don’t we? We’re a little tense right now.”

A puddle of drool is practically forming in Younghoon’s mouth and he’s suddenly in front of you, moving with a renewed fervor.

When the door of the third bedroom on the right of the third floor shuts and clicks locked, nobody questions it. Not the thumping, nor the loud grunts and moans.

When someone needs to let loose, people know better than to interrupt. Especially when it’s Younghoon and his former-crush-turned-enemy-turned-girlfriend.

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burningfudge · 4 months

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Ultimates (2024) #1

OHMYGODDD Ultimates #1 was fantastic! I have so many thoughts that I had to turn it into a post lol.

Poor Steve 😂 I'm very interested to see Steve's journey, though, because he's now the captain of a country that doesn't exist. How is he going to navigate that? I'm also looking forward to Steve and Tony's dynamic in this universe because Tony's a kid, which changes things a lot. He's a kid with the burden of the world on his shoulders, trying to undo everything that the Maker did, and Steve knows that as well. Plus, if they know about all the events on Earth-616, they also know about Civil War. I hope it's brought into the conversation soon.

NOOO IS CAROL DEAD?? MY GIRL This is brutal as a Captain Marvel and Hawkeye fan. Spider-Man is thriving for now (surprising, I know), but Carol is probably dead, and Clint has given up being Hawkeye. But even Spider-Man was near rejection as Peter was thinking about giving up until his daughter convinced him to be Spider-Man. The Maker really fucked up this universe, huh. I'd love for a certain archer to find the uniform and take up the Hawkeye mantle and then Clint to get inspired by Kate in this universe. I think it'd be a fun twist, especially since Tony also mentioned that they can find near-perfect substitutes. He eventually realized his mistake later on the issue, but I really do think Kate could have a big role to play.

Hehe, a fun little wink to Tony eventually becoming Kang the Conquerer.

This version of Tony is so interesting to me because he’s a kid, and making him the center of all this works very well because of it, especially his relationships with Reed and Steve. Reed is more pragmatic and cold, while Steve is idealistic, and seeing both of them influence Tony is fantastic. Tony himself is more idealistic than his 616 version because he’s much younger. Steve grounds the two and makes Tony and Reed understand that whatever they're doing isn't an experiment but a revolution.

While I love all the other characters, the standout in this issue for me was Hank Pym, which I didn't expect. He knows what kind of person he turned to be on Earth-616 and he doesn't want to turn out that way. I think that's a very compelling story arc.

Ahh, I love this. What Steve says is right; Hank can choose to be different. It's also interesting if we compare Peter and Hank because, in Ultimate Spider-Man, we're told that Peter always felt that something was missing from his life, and then he learned the truth about what the Maker did and became Spider-Man, which fulfilled his life. On the other hand, Hank was happy running an extermination business with his wife. (How Janet went from rich heiress to this is also something I'm wondering). Hank was happy, but now he's being told he was supposed to become Ant-Man, create Ultron, and hit his wife, whom he loves more than anything. I felt bad for him, honestly.

616 Tony should say this to his father, too lol. But this part is probably my favorite part of the issue because of the insight it gives us into Tony's mind, who is the center of the new Ultimate universe. As I've mentioned many times, Tony is a teenager in a world run by fascists, a world that his father was complicit in making. He's angry at Howard, but he also loves him. I think an argument could be made about Tony representing today's generation that's also dealing with the effects of (poor) decisions made by our parents and grandparents, and feeling the anger from it. "It's quite a mess you made, Dad. And now we have to clean it up. What choice do we have?" "If there's any hope of fixing things...it won't be enough to be as good as the heroes of that simpler world. We'll have to be better. I don't know what that looks like yet. But we're going to figure it out." "You were the smartest man in the world. You should've known better. And that is failure.”

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jtl-fics · 1 year

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Fluent Freshman - Part 14

When Andrew came out of his bedroom to grab a second Allen wrench (he’s working on the frame of the dresser while Neil builds the drawers) he finds quite a few things to irritate him.

1st was the sound of his brother and his cousin arguing loudly. Andrew had been pretty clear that they needed to be quiet that morning but following Andrew’s clearly given guidelines was NEVER either of their strong suits.

2nd was the fact that there was a smell in the air that Andrew was unsure of. It wasn’t a bad smell. It didn’t smell like Nicky had left some component of the breakfast FF had bought to burn. Andrew sniffed the air again and…..lavender? It wasn’t really a smell that existed in the house of three college student boys.

3rd and most irritating was the fact that FF was not where Andrew had left him four hours ago on the couch. Again, Andrew had been pretty clear to both Nicky and Aaron that FF was to be left ALONE. FF hadn’t been able to go to sleep until Andrew had promised that nothing would happen to him while he slept.

He moves towards the kitchen table where Nicky and Aaron are eating some of the sour patch kids that FF had brought back as they argued, “He can’t be serious that Kate and I gross him out more than Andrew and Neil! I’ve seen how fast he walks away when they start getting gross.” He hears Aaron say.

“Aaron I have watched Smithy climb out a second story window because you and Katelyn started making out and he’d have to walk closer to you to go out the door.” Nicky returns. “I think you made him mad when you implied he was grossed out by Andrew and Neil. This is why I get spoon privileges and maybe, if Smithy is feeling forgiving, you can swipe your finger around the bowl.” he points at Aaron.

Andrew hangs back just out of sight.

He knows that FF does not like to be subjected to seeing PDA. A part of him feels…better at the confirmation that it really isn’t because him and Neil are both men. FF has seen them hold hands, kiss chastely, and lean on one another and been unbothered by that it was only when it started getting a little heated that they’d realize that FF had left. FF never makes a scene about it, never scoffs in disgust or squeals in delight he just seems to see where it’s going and will leave if he doesn’t want to see it.

It’s nice.

“Well he’s probably mad at you for waking him up. Andrew said to leave him alone.” Aaron returns.

“He needs breakfast! He also has to take his ulcer meds at the same time so he had to wake up and eat something. He can go back to sleep after!” Nicky defends.

Andrew scowls. Ok. Nicky could live if that was the reason he woke FF up. Still, why the hell is FF in the kitchen and more importantly what bowl and spoon are Aaron and Nicky arguing over?

Andrew tunes his family’s argument out and heads to the kitchen to find FF putting a baking dish into their oven while incense burned on the counter (Andrew now realizes that was the thin box that had been in with the rest of the candy)

He sees the bowl and spoon that Nicky had mentioned and more importantly he can see the chocolate brownie batter on them. Andrew walks over to the bowl and picks it up. He wipes his finger along the inside and…

He closes his eyes for a moment to savor the flavor of the batter. He leans against the counter and his hand brushes against….a five hour energy bottle. Andrew knows he had thrown out the two he had found in FF’s bags before (Ulcer + exhaustion + FF = bad he didn’t need to be a math major like Neil to understand that math.)

Andrew shoves the bottle in his sweatshirt pocket as FF turns around and stares at him passively. FF’s eyebrow’s raise slightly but there’s no other reaction. Andrew considers that, perhaps, FF had wanted to lick the bowl.

He offers the spoon instead knowing it is the better prize but FF is the one who bought the ingredients and mixed together this amazing batter, so he gets first dibs.

“That wouldn’t be good for my stomach.” He declines and Andrew wonders if FF had taken his meds yet or, in his tired state, he’s forgotten to.

“When did you wake up?” Andrew asks.

“Hour ago.”

He should go back to sleep after he takes his meds but also knows that FF probably won’t go to sleep until the brownies are done.

“I’ll make the pie tomorrow.” FF says and Andrew blinks out of his thoughts.

Andrew decides to go get FF’s meds for him. He’ll make it clear to FF later that the guy doesn’t HAVE to keep making amazing desserts as a thanks for being invited to Columbia. If FF just so happens to WANT to keep making amazing desserts then Andrew isn’t going to be the person that stops him.

He shoves the spoon in his mouth and heads out to go find Smith’s bag and his meds.

Aaron and Nicky see him and both let out outraged noises as their quarry had been stolen.

Andrew ignores them and gets to the bag by the couch.

Who the fuck just has 14 bottles of five hour energy sitting in their bag??

***

When Andrew handed FF his ulcer meds he could admit to feeling grateful even if Andrew had obviously gone through his bag to grab it. He swallows it dry because Andrew is standing by the sink and he knows that until Andrew eats a brownie he is not in a position to ask for favors big or small.

(He learned his lesson from that one time with Captain Neil. If he wants to do anything related to Russian he has to be in the safety of his lofted bed under the cover of night and the cover of his…covers while he reads via flashlight. He will not be caught so flat footed again! These are all necessary precautions!)

Andrew seems to very much want for FF to be in prime condition for the hunt. Part of him wonders if he’ll be released amongst other game animals and FF had never felt more jealous of the turkey who got pardoned by the president the day before. Why does that stupid bird get all the luck? Where’s his presidential pardon?

That grateful feeling evaporates into a dust cloud as Andrew lifts a plastic bag, “Stop drinking these.” Andrew hisses, “They’re going to make your ulcer worse.” He points at FF.

“I need them.” He says.

“For what?”

“Five hours of energy at a time.”

“Pull out the brownies and go back to sleep Smith.”

“They still have 10 minutes.”

“Then I’ll pull them out in 10 minutes.”

“There’s a final step that I have to do once they’re fresh out of the oven.”

“What is it.”

“Smith Family Baking secret. I don’t make the rules.” FF gestures towards where the incense continues to burn, “Great Gran’s recipe and methods cannot be shared with non-blood relatives. My mom wasn’t even let in on the secret.”

Thank god

Andrew glowers at him.

Oh God

“It’ll be just 20 more minutes.”

Andrew’s eyes narrow at him.

“They’ll be worth it.” He pleads.

Andrew rolls his eyes.

“Go to sleep when they’re done. Take Nicky’s room.” Andrew commands.

“Take Nicky’s what?” Nicky leans into the kitchen.

“Smith is going to go back to sleep on your bed.”

“Yeah you look like shit Smithy. Don’t worry, unlike Neil and Andrew’s bed mine is all safe.”

Nicky zips out of the kitchen with Andrew hot on his heels. Nicky really is a good friend.

He performs the sacred rites necessary upon the brownies when they come out of the oven and takes a small corner piece to taste test and -

He closes his eyes and clasps his hands together in prayer.

‘Thank you Great Gran.’ He prays earnestly.

‘Remember to wash behind your ears’ he thinks he hears a whisper of grandmotherly advice in return.

That was probably normal.

He extinguishes the incense.

He cuts up the brownies, finds a decently sized plate, and sets the brownies out on the counter before he starts to work on doing the dishes. Yeah Yeah he could have been cleaning while he waited for the brownies to cook! That’s what you always do right? Clean as you go?

Well have you ever been baking brownies that might be the difference between life and death? No? Well then FF is just going to have to stop you right there because he had the oven light on and his eyes GLUED to these fudgey squares.

Who knows what the cousins’ oven would do? He doesn’t know this oven. He and this oven are taking their first whirl together and it could decide to turn on him at any time. They don’t have the brotherhood that he and the oven at his Gran’s house have built over the years! This oven could be one of those ones that maintain their temperature by turning on the broiler! He felt like he could never again recklessly trust an oven after he tried to make crescent rolls in the Viking Oven at his step father’s house and had gotten them back blackened by the broiler.

That oven had been the SINGLE thing he had been excited about during the kitchen remodel which means naturally it was the thing that had betrayed him.

He lets himself think of all the ways he hates the Viking brand as he finishes the dishes and puts everything back to where they belong.

He walks out of the kitchen with the platter of brownies and sets them down on the table where Aaron and Nicky are sat. “Oh my god they smell amazing.” Nicky says and immediately his hand is shooting towards the plate and picking up a corner piece.

FF valiantly resists the urge to slap his and Aaron’s hands away. He needs these to compel Andrew into letting him live.

“Oh wow, those do smell good.” He hears Captain Neil’s voice and when FF turns around Captain Neil and Andrew are both there. It is only in that moment that he realizes that he should have bought some vanilla ice cream to go with these.

Andrew’s love of ice cream was not unknown, probably even infamous. He was the man who, during the summer training, had been so possessive over the soft serve machine in the cafeteria that anyone who wanted any had to ask Captain Neil to get them a bowl or risk being threatened.

He starts towards the door. At this point Target probably isn’t even that bad, probably just some irate people who didn’t come with the rush and are mad they missed out, maybe some officers talking to witnesses on who threw cast the first Wii remote, and workers who will hate him marginally less (unless he gets the same check out person and they remember him (unlikely))

His progress is arrested by a hand grabbing his hoodie.

“Where are you going?”

“I forgot Ice Cream.” And he could get a five hour energy to slam on the way back home.

He then finds himself being pulled down an unfamiliar hallway.

Ah, the anticipation had been killing him more than the fear of his demise. His brownies had not contained the requisite amount of grandmotherly love to save him he had been relying on extract (Great Gran’s spirit guiding his hands) instead of organic (he does not have grandchildren or children for that matter)

Maybe ice cream would have been the deciding factor? He’ll never know.

He closes his eyes and lets himself be dragged. He’s too tired to fight.

A door opens, and he finds himself sat on a bed.

Weird.

“You are falling asleep standing up. Go back to sleep. I’ll leave you at Eden’s if you fall asleep in the booth.” Andrew threatens.

What.

FF knows about Eden’s.

He has heard about it from Nicky trying to get him to agree to go but he’s pretty sure it’d be like introducing an Amazon rainforest frog to the Sahara desert in terms of survivability for him.

“We’re going to Eden’s tonight?” He manages to ask.

Andrew raises an eyebrow at him but answers, “Yes.”

“I’m not really interested in clubs. I don’t drink out in public or dance.”

“Neither does Neil. I just drink. We can stay in the booth.”

“I don’t want to interrupt your time with Captain Neil.”

“It’s fine, neither of us hate spending time with you.”

“I don’t have clothes for a place like that.”

“Nicky grabbed some for you. You’re coming tonight. Go to sleep.”

With that Andrew pulls Nicky’s curtains close, shuts off the light, and closes the door.

FF, always very much like a bird when placed into a suddenly dark environment, starts to feel some of the exceptional sleepiness that he’d been pushing off through sheer manic desperation to earn another day of life.

He lays down in Nicky’s bed and is tired enough that he can ignore the sheer amount of body glitter on the sheets (does Nicky excrete it like sweat??) and starts to let himself drift off to sleep.

Eden’s might be something completely out of his wheelhouse but-

A conversation with Nicky from when he’d been trying to get FF to go comes into his mind and he sits straight up in bed as Nicky’s words roll around in his head like stale hotdogs at a gas station.

“Eden’s is cool, even though there’s some sick shit in the basement.”

Eden’s is a Secondary Location with a BASEMENT.

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

Per your requests:

@i-have-three-feelings @blep-23 @dreamerking27 @andreilsmyreligion @belodensetdust @rainbowpineapplebottle @yarn-ace @iwouldlikesometea @lily-s-world @obscureshipsandchips @booklover242 @whataboutmyfries @sahturnos @pluto-pepsi @dreamerthinker @passinhosdetartaruga @leftunknownheart @aro-manita-muscaria @hologramsaredead @Chaoticgremlinswishtheycouldbeme @tntwme @tayspots @nick-scar @crazy-fangirl2524 @blue-jos10 @stabbyfoxandrew @splishsplashyouropinionistrash @sammichly @the-broken-pen @bitchesdoweknowu @very-small-flower @ghostlyboiii @its-a-paxycab @bisexual-genderfluid-fan @cheesecookie @theoneandonlylostsock @foxsoulcourt @blueleys @adverbialstarlight @elia-nna @can-i-just-stay-in-the-corner @nikodiangel @foxandcrow-inatrenchcoat @hallucinatedjosten @satanic-foxhole-court @vexingcosmos @chalilodimun @insectsgetcooked @angry-kid-with-no-money @queer-crows @lilyndra @themugglemudperson @readertodeath @apileofpillows @mortalsbowbeforeme @hellomynameismoo @next-level-mess @youreonlylow @interstellarfig @notprocrastinatingatalltoday @percyjacksonfan3 @queenofcrazy27 @bsmr261 @ghostlyscares @spencellio @adinthedarkroom @harpymoth @sufferingjustalilbit

The requests to be added to the tag list got spread out across a few different mediums on this one so if I missed you then just ask in the replies!

As stated before if you’re up here and I spelled it right but you didn’t get a notification there might be something switched around in your settings that won’t let me tag you properly?

#Fluent Freshman AU #Andrew heads back out to try one of those brownies #Aaron and Nicky are both looking to the sky #'what the fuck did he DO to these? I would know if there was drugs in them right?' Aaron asks #'Is it straight that I want to kiss his grandma's hand?' Nicky asks #'It's his great grandma's recipe so it'll have to be her grave' - Aaron #'Fuck it. I'll dig up her grave and kiss her skeleton hand. These are divinely inspired.' - Nicky #Andrew tries one #Neil saved him two corner pieces #This is why Andrew intends to spend his life with this man #It's perfect #It's not like box brownies where it's all sugar and sweetness #it's bitter it's sweet is that a note of....spice? it's complex. It makes Andrew want to get a shovel and help Nicky desecrate a grave #He'll get in on the skeleton hand kiss #Maybe he'll take Neil and FF to the really cool speakeasy in the basement of Edens #It's quieter down there which he thinks FF would like #He doesn't have to watch out for Kevin tonight either #That's a good plan #Nicky and Aaron can dance and Andrew can show his appreciation for good baked goods to his friend #Nicky is not allowed near the Speakeasy nor is he allowed to know about it because it's suppose to be a secret #Nicky's terrible at keeping secrets!#He couldn't keep one if his or someone else's life depended on it #So Nicky thinks it's a straight swingers club down there #Which he has zero interest in #AFTG #AFTG AU #AFTG OC #AFTG shitpost #FF - Pt. 14

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rintarousgirl · 1 year

Text

kiss me better, baby - an atsumu miya two-shot

PART TWO - MASTERLIST

a/n: so, i randomly got inspired to write a thing like this, and i recognized that i haven't really written for 'tsumu before, so here i go! i tried doing all lower-case for this just to see how it is, because i feel like people nowadays enjoy a story on tumblr more like that, but on ao3 it needs caps?? idk, you tell me.

synopsis -

you and atsumu had been living together happily after your marriage, but after conflicting work schedules and bottled-up feelings, the two of you break into a heated argument. now, it's up to the two of you to mend it, maybe with a kiss? | tags: lack of communication, angst, making up, hurt/comfort, toxic relationship.

you married atsumu knowing, he was frustrating. you knew there would be up's and downs, and fights, and the regular. that's how marriage worked, and quite honestly, how your husband worked.

you knew by the end of the day, you'd be able to smile at him, embrace him, and give him a soft squeeze and a muffled apology as you dragged him in bed to watch a movie with you after work. everything would be alright, that's how things worked.

the two of you never got too worked up over apologies. you recognized that you did something wrong and made up for it with touch rather than words. that was what worked for you and him, and it saved atsumu the embarrassment of a wounded pride.

your friends had always told you that communication was key, and you knew that was true. you knew stating boundaries and expressing your emotions was right in a relationship and the best direction for a healthy bond between two people but...atsumu and you were different. you both had big prides and egos, and even if you were pissed off at day all of that seemed to melt away by the time night fell.

up until recently that is.

atsumu was obsessed with volleyball, you knew that much. it was his life, his career. everyone in his family had played it at some point, but they'd known when to give it up and pursue a career that lasted or one they were more passionate about. personally, you viewed as some passed down tradition, and you knew osamu broke out of it as soon as possible.

and just as reasonably you knew your own child would probably play volleyball to some extent. but that was exactly it. eventually, everyone got older, and their bodies couldn't keep up anymore, or they lost their passion with the sport that they held when they were young. atsumu wasn't like that. every game you still found that competitive spark in his eye, the same spark you fell in love with all those years ago.

but now you could only sigh, watching from the sidelines, phone dangling from your fingertips and your wedding band burning against your skin. was this the life you wanted to live? demoted to some trophy-spouse? no, it wasn't. you wanted your husband back.

atsumu began to stay later at practices, and left earlier in the morning too. when did come back, he'd drop his bag in the foyer, take a quick shower, and collapse in bed. you knew he was tired, and that he worked hard, but he was asleep before you could even say goodnight.

often times, you kind of had to chase him to bed. it would be around nine when he got back, dinner sizzling on the table from where you'd kindly reheated it for him. he presses a quick kiss to your lips, at least acknowledging your existence, and then run for the bathroom.

it was horrible, almost humiliating, even. by the time you had everything cleaned up, his dinner wrapped in plastic and placed in the fridge for him to pick at the next day, he was half-asleep in bed. you'd give his shoulder a comforting squeeze, brush the blonde hair from his eyes, and whisper a soft goodnight before leaving for the living room to watch your nightly television.

and even when he wasn't at practice, he was always doing something. whether it be an interview, or helping out at osamu's shop, or mentoring or watching other teams practices. sometimes, he'd hole himself up in the garage where you'd set up a homemade gym. this had nothing to mention the fact you had work to, a simple quiet office job where you filed papers, typed in numbers, and picked up calls.

it wasn't much, but it paid good money.

so, in the lucky times when you were both home, contact was limited to breakfast and lunch which even then your mouths were full and there wasn't much for you to talk about. the only thing that came out of his mouth were, "volleyball", "see you later," and an occasional, "love you!" without the "I".

somewhere along the line, you came to the conclusion of, well if i barely see him anyway what's the harm in picking up some extra shift for some more money? it wasn't like the two of you weren't comfortable. honestly, you both could live smoothly off atsumu's salary alone, but you were never the stay-at-home type.

atsumu had spared a small comment at that. late at night, as you crawled into bed next to him, he circled his arms around your waist and muttered, "you worked later today," into the soft flesh of your shoulder. you gave a small hum, feeling something bubble in your throat contracting your words.

you didn't have to work, but it was kind of satisfying nonetheless to have him hold onto you because you cut off an extra hour of time you had together. revenge was petty, you knew that, but you were tired of being on the receiving end of missed calls and empty sheets in bed.

his thumb had rubbed small circles on top of your hipbone, and you could feel his mouth twist into a frown. "you don't have to...did the cut your check or something?"

"no," you said into the quiet, "i just felt like it, that's all."

he sighed and buried his head into your neck. you felt yourself smiling despite it all, and he held you a little bit tighter the next few nights.

though, eventually, everything blew up in both of your faces. that night, when atsumu came home you hadn't bothered to reheat his dinner or make dinner at all actually. as you heard the front door shut and then lock, your stomach rumbled, having skipped it as well.

despite it all, you didn't have an appetite. not when you felt nauseous with your anger. you were tired of only seeing glimpses of your husband. hell, shoyo saw him more than you did in a week, maybe even a month.

you couldn't keep living like this. alone, and secluded, the barest hints of comfort coming from his touch. you knew he loved his job, and you wouldn't tell him not to. you just...wished he loved you as much as he loved the stupid game.

you missed your husband, your atsumu. those boyish grins he would give you and chaste morning kisses before he ran out the door. you missed when he would come home right in time for dinner and the two of you could sit down and talk and laugh about your days.

this time though, you didn't hear the sound of the water but instead his soft voice calling out into the silence of the house. usually you had the television on, or music playing when he came home to fill your head with something other than your own thoughts. now though? it was only the sound of his footsteps and your heavy breathing.

the door creaked open, his shadow spilling into the room. you hugged your knees to your chest, looking to the window beside the bed. atsumu walked in, sweat clinging to his skin and his lip caught between his teeth. "baby?" he asks, stepping further into the room, "are you alright?" he reaches forward, pressing the back of his hand to your head to check your temperature.

you gently swat away his hand, huffing as you refused to look at him. beside you the bed dips, and he places a hand on your knee. "what's wrong with ya? i'm all ears, y'know. i kinda promised...in sickness and in health and all that."

a lump rose in your throat, and you struggle to swallow around it as your eyes dart to the silver wedding band on his finger. it glints under the lamp light. you didn't have the heart to reach over and grab your own ring out of its box on the bedside table. atsumu hadn't noticed, but it's been there for the past three days.

"you're tired," you end up saying, "you should go to bed...I'm gonna go," you rush to get up, but you only make it so far before his hand jumps out and grabs your wrist and pulls you back.

he stands with you, pulling you close, still holding onto your wrist. "c'mon now, tell me what's wrong. you're worrying me, y/n," he admits softly, and you half-heartedly tug your hand out of his grip.

"it's nothing," you hiss, glaring at him, "of course you care now."

his shoulders go stiff, and his expression sours a bit. "what are you insinuating?" he mutters, lip curling, "of course i care for you, are ya out of your mind?"

"maybe i am," you grumble, "i'm sure you wouldn't notice then either since you don't seem to give a damn!"

his hands reach up to tug at his hair, before running through it and resting on the back of his head for a second. "i don't get what you're so worked up about. and i won't get it until you tell me!" he shouts, temper rising and patience thinning. well, you could play two at that game.

"oh, get over yourself!" you yell back, "you spend day and night at the stupid gym and i get to sit here all day and rot and wait for you to get back. and guess what? when you do get back it's like i'm talking to a fucking wall!"

he laughs, a little hysterical. "is that what you're upset about? you're upset that i care about my job?" it's so condesencing, and infurating and you just can't anymore. he was a grade-a asshole, and you were done putting up with it.

atsumu was sweet before, he would hold your hand and sway you around to sweet love songs that came on the radio in the kitchen. he's kiss you and laugh at all your jokes, and enjoy your food, and give you all his time. you missed that atsumu. you didn't like this version of him.

"get out," you whisper, hands curling into fists.

"what?" he stammers, a little bit of that anger fleeting from his eyes.

"i said get out!" you scream, shoving him a little. it wasn't enough to knock him off balance, you weren't strong enough for that, but it should've been enough to get your point across.

"you can't be serious," he says with a little huff, a hint of a confident smirk pulling at his lips.

"deadly," you growl, and point to the door, "now out! i don't want to see you tonight, or tomorrow preferably. actually, don't bother coming back from work either!"

you give him another shove, and that gets him to move an inch. you're fortunate that the door is close enough to the bed that after a bit of effort you can get him past the doorframe. he turns around, licking his lips, all that confident aura from earlier gone.

"so you're gonna kick me out? just like that, huh? over something so stupid--"

"honestly, atsumu, if you think this is stupid than you're more of an idiot than i thought. not in a million years had i thought this was the guy i was going to marry, but here we are now."

he stammers to say something, but you're slamming the door, locking it just as quickly. you turn on your heel, but your knees seem to buckle from beneath you.

crumbling down onto the ground, you press up against the back of the door and watch as your world disintegrates around you. your shoulders begin to shake, your lip trembling and eyes spilling over with tears.

the sobs don't begin until you hear the sound of doors slamming as atsumu no doubt packs a bag, and you can hear the metallic clang of the laundry machine door.

your breaths are shaky and wet, and you're choking on them. you don't know how long he's slamming around for, but eventually you can hear the running shower water, and the hallway light flickers off.

the atsumu you knew didn't give up that easily...the atsumu you knew didn't neglect you. the atsumu you knew would've sat on the other side of that door and pleaded to be let in.

and you can't help but wonder what happened? what did you do wrong? what is he hiding from you? an affair? a demotion? something more than that? you didn't know, you weren't sure you wanted to know.

so, for the night, you sat there. shoulders shaking, fat tears rolling down your cheeks, choking on your own spit and sobs. sooner or later, you fell asleep like that, curled up against the door, shirt soaked with your tears and a depression hanging over you like a shield.

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splatsvilles-fashionista · 7 months

Text

So over the week I've been replaying Return of the Mammalians, because I haven't played it since the week Splatoon 3 launched and I wanted to see how I felt about it without the excitement of playing a brand new game clouding my critical judgement.

(spoilers for RotM below, just in case)

That said I didn't feel like it changed my opinion very much. RotM's biggest problem is that it feels like the developers thought of a couple of really cool ideas (The fakeout in the intro, Deep Cut being bosses, the lore in the Alterna Logs, the final fight against Mr. Grizz) and then put them all in the game without really trying to connect them all in a very tangible way, and as a result Alterna is a very nebulous space that doesn't make any sense from a narrative standpoint (if it was a human settlement why is it full machinery and tests only inklings and octolings can use? What even IS the treasure we assemble except "a tool that just happens to solve the current problem?) but only really exists for gameplay.

The story also suffers as a result of this, too. Narratively nothing really happens until the very end of the game, where we end up just kind of stumbling into Mr. Grizz's plot to fuzzify the world right as he puts it into motion. Octo Expansion got around this by using its lore snippets to give the supporting cast a story of their own that unfolded as you progressed through the game, and ultimately it's Agent 8's actions that push the story of OE forward. In RotM we just happen to be there when things happen.

But despite all of its problems RotM also just plays really well. The combination of OE-style shorter trial levels with Hero Mode-styled hub areas you have to explore for levels and secrets work really well together, and those hubs in particular are an absolute blast to dig around in for secrets and open up a little by little. Deep Cut are incredibly fun as ineffectual Team Rocket-esque villains, and the whole final fight against Mr. Grizz is really good, especially the music. I don't even think Calamari Inkantation is especially good by Splatoon standards, but 3MIX is genuinely just an astounding track.

But I think what ultimately makes me feel more positive than negative about RotM is that I think its' thematic undertones actually really work for me. Mr. Grizz's actual involvement in the story might have been mishandled but as a villain he works. I've already written about him a bunch so keep things brief Splatoon has always been about the dangers of clinging to the past, and Mr. Grizz pushes that idea to its limits, because he is the past. He is a relic of a lost age, and he is so desperate to return to the world he knows that he will burn the future and turn back time (metaphorically) to achieve it.

But there's also the Alterna Logs and the reveal that it was human dreams of seeing the sun that drove sealife onto dry land. I think there is a compelling argument to be made that they didn't need to explain any of that to begin with, but I also think the explanation works with everything the series has been setting up on a thematic level. Humanity is gone, and will never come back, but our dreams lived on in the minds of the inklings and the octolings (and the jellies, and everyone else), and while they didn't know why, they reached for the sun together, and by achieving humanity's dreams they earned the right to take our place.

TL;DR: RotM good actually

#splatoon 3 #return of the mammalians #return of the mammalians spoilers

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icedroppedinparasolcider · 21 days

Note

Thoughts on ena? Feel free to yap as much as you did in three shizuku one!

so, fun fact about me! i was an ena oshi from like. On This Blank Canvas, I Paint ensekai release to about Say Goodbye to Masked Me jpsekai release, when kanade took the crown (it's since ended up in airi's hands, if not obvious). so i have an absolute ton of stuff i could say about ena and figuring out where to even begin is always the hardest part of all of this. i won't even give myself a direction here i'm just gonna stream of consciousness this.

shinonome ena was probably the first character i got genuinely attached to among the cast, and while most of my thoughts and attention have strayed to other characters, she still remains someone i get incredibly insane about (frankly the entire cast does this to me, but ena is one of the highlight characters of this). and a lot of it comes from my reading of On This Blank Canvas, I Paint when it released on ensekai, because that event not only changed ena for me, but how i view the entire game and its story. that event changed my brain chemistry and nothing deserves the claim more than it.

prior to that event, i looked at ena like i do most "mean" characters, with a sort of dismissive attitude due to generally not being a fan of the archetype and the way many pieces of media write them (other fandoms i was part of before prsk largely ruined it for me). but that event, and ena herself completely changed my entire perspective on the character archetype as a whole, and while i still wouldn't say it's my favourite, i am far from dismissive of the character type and many of my favourites from other medias exist within it because i'm actually paying attention to why they're like this. On This Blank Canvas, I Paint was my first exposure to the why, and i've never been able to look away since.

while there's arguments to be made of this factor for every person in it, i personally stand at the opinion that ena is the representation of everything the solid heart class stands for. akito is really close, and he's in contention, but i'll get more into akito later on because there's so much i need to say about their relationship, their parallels, the roles they have in each other's lives and the reflection of these roles onto the people around them. but with solid heart in general, i think that ena exists as an epitome of everything they are, and the fact everyone except ena in-world is able to recognise that only further pushes my point. because unlike akito, ena believes herself a coward on top of being inadequate. she doesn't recognise the strength it requires to keep pushing forward through all this pain, she thinks herself weak for even experiencing it at all. while akito believes himself (at least up to BURN MY SOUL) inferior to his peers, there's not really a moment where he looks at himself as weak for struggling. he simply pushes forward, and Find a Way Out and BURN MY SOUL is the recognition that that is what gives him his power. ena doesn't even consider that possibility until Knowing the Unseen, when she learns about what her father went through.

solid heart is defined by its determination and unflinching will to improve and chase their dreams no matter who or what gets in their way. shiho continuing to practice and search for a band after convincing herself she's better off solo; airi's constant drive to be a better idol and reach the heights she set for herself; akito's refusal to back down from the unbreakable wall of rad weekend despite the entire town telling him he can't do it; nene's constant push through her story to be an actress worthy of the dreams she has. ena is just part of this, chasing the dream that is her art and the desire to garner a following from it, make a career out of it like her father has. she doesn't attach her name to the works of 25ji because she doesn't want its popularity to be the reason her artwork succeeds, she wants the effort and beauty she captures on the canvas to speak for itself. everyone in solid heart carries that wish, for their work to speak for itself, to not take shortcuts on the path to their dreams. most of them aren't offered many opportunities for it to happen, it's really just shiho and ena who have that chance; shiho with the entire event of Resonate with You and ena's combination of being the daughter of a famous artist and the illustrator for a growing musical group. but both of them turn down those short-cuts in the end, because it wouldn't be their dream as they wish it. shiho wouldn't be standing by the sides of those they made that promise with, and ena wouldn't feel like the success is actually hers at all, but rather the success of whatever name she's leaning on.

you can actually see this part of ena in a scene unrelated to her artwork, in Someday, This Wish will Transcend the Morning Sky. when mafuyu gets a call from her mother and ena decides to take over the conversation, there's a moment in it where ena thinks how she'd rather not bring him into the equation right before mentioning her father's name. she doesn't want to be associated with him, for any reason; both because of her problems with shin'ei as a person and her reservations with using the benefits she has through nepotism. she's fully aware she has that advantage, and does whatever she can to separate herself from her father to avoid having it. because it wouldn't feel like it's actually her success. it would feel like her father's success rubbing off on her.

yet, to bring this back to solid heart, despite the struggle she's facing to make a name for herself as an artist and the immense pain she faces trying to improve herself as an artist and a person, she doesn't quit. she nearly has, plenty of times; it's mentioned several times in early stories how often akito would have to step in to stop ena from throwing away and/or breaking all her art supplies and tools during her fits of anger, because he understands how important this venture is to her. he's solid heart too, his equivalent is the music he makes and performs in vivid street. he knows, firsthand, how precious the passion she has for art is, because he's been given that same drive and purpose for a different artform. ena didn't let him give up when he quit soccer, so he won't let her give up. however he can manage to do that.

there's a specifc moment in the stories of solid heart where you can see the moment they decided that giving up and backing away simply isn't an option anymore. shiho is a slight exception to this rule; there was never a moment in their story where they felt they should give up on their dream to become a professional bassist in a band, not once did they ever stop chasing that dream, for even a moment. shiho's shifts were always about how they chase that dream, with Resonate with You being the decision to not leave leo/need's side, and Don't lose faith! being the change of heart to stop holding back for the sake of the band, to let them catch up by knowing what to chase. but for airi, this happened in the more more jump main story; the recognition of minori's potential as an idol because of her refusal to simply give up, mixed with the mistake of her lashing out at shizuku when she shares the news that she'll be quitting her idol work, kicks airi back to a point of realisation of just how important to her being an idol is, and that she can't afford to just leave it behind. for akito, this happens during rad weekend; after having abandoned sports due to believing he's not dedicated enough, and ena introducing him to the world of music at the summer festival, his entire body and purpose is lit up by the emotional weight of rad weekend, giving him something to strive for and a reason to endure the constant loss that will come with chasing that dream. for nene, pieces of this occur in the wxs main story, but she's truly pushed into the unrelenting determination of solid heart with On a Holy Night, with This Singing Voice and the recognition of her potential from sakurako managing to grab at her competitive spirit and give her something to fight for; something brought to an extreme with The Canary Sings in a Quagmire as nene pushes herself harder than ever before to break down a barrier in her skill.

for ena, this moment was On This Blank Canvas, I Paint. while she never completely gave up on art before this moment, and Insatiable Pale Colour shows how much she wants to fight for her art and gives us a taste of her willingness to keep going, it pales in comparison to the scene captured in the On This Blank Canvas, I Paint untrained ena card. that moment is the decision that completely pivots the direction of ena's entire story into what she's become in modern project sekai. the decision to not look away—to stop looking away. ena is facing her art in a way she was never willing to before, a way she depicted herself in the art piece being critiqued avoiding. the ena of the past would've run away after hearing the harsh words yukihira had to say. we see, in the event, what happened the last time yukihira was harsh about ena's work: she completely broke down and it was the final straw to the shattering of her fragile self-esteem. but during the return to her art classes, which itself is a monumental step due to the pain attached to them, ena made the decision to stop running away. to take whatever yukihira had to say about her art and make it matter, make it have an impact on her growth as an artist. so she sits there, all the memories of the suffering she's gone through fresh on her mind and burning into her, and takes in the criticism. she doesn't fight back like she always had with 25ji, she doesn't look away like she did the last time. these are her failures, and she needs to take responsibility for them. because that's the only way to fix them.

On This Blank Canvas, I Paint also gives us a lot of insight into ena's relationship with shin'ei. not necessarily as much as Insatiable Pale Colour does, since that's a proper introduction to and exploration of their dynamic as both father and daughter and from artist to artist, but On This Blank Canvas, I Paint gives us the invaluable context around the moment that broke their relationship. how much ena had been going through already, how excited she was to continue chasing art, the way shin'ei completely shot her down from the high of being praised by yukihira—something we learn in that event is exceptionally rare—and the actions the next day of yukihira unintentionally confirming for ena everything shin'ei said. that, as she was then, she would never survive or succeed as an artist.

something i don't see really any recognition or mention of is just how much of a part yukihira had to play in ena's collapsed mental health. he was the one to convince her that she could make it by giving her praise, something that ena has always been attached and attracted to because of the lifelong emotional neglect of shin'ei. her receiving that praise from someone she looked up to as a professional and understood that the praise itself is a rarity from him resulted in a complete overblowing of ena's ego, the instant belief that she has what it takes and would be able to make it into and survive art schools with ease. that bubble is popped by shin'ei's words, the outright disapproval of her dream and doubt in her ability to chase that dream (at least, that's how ena takes it; we learn later on that isn't what shin'ei intended to happen). then, the following day, during a very fragile moment where she's reliant on the approval of a professional, yukihira continues to tear ena down with the statement that she'd never make it as an artist if all she looks for is praise. an echoed, if more specific, sentiment to shin'ei's own words. it breaks her. ena would probably be in a much better mental state, though still fragile, were it just shin'ei that knocked her down. but yukihira kicked her while she was down. and that proved to be too much.

i understand why yukihira gets less attention from the fandom, since ena's own story has a stronger focus on what shin'ei did to her than what yukihira did, and what shin'ei did is ultimately the one ena's mind has attached to as evident by the constant flashes to his words in her earlier stories and the entire nightmare sequence of And Now, This Ribbon is Tied, which i can hardly blame her for finding shin'ei's actions more damaging. despite the evidently bad parenting shin'ei has done for either shinonome, even before The SceneTM (akito had it is in his mind that success is impossible without talent even before finding music, and there's a lot of little details across side-stories that imply shin'ei has never been the most attentive father: my favourite of which being ena pushing him into a lake during a camping trip because he wasn't paying enough attention to her. the shinonomes appear to be really bad at communicating and even processing their own feelings, even before the moment ena and shin'ei's relationship fully collapsed, and i think a lot of it comes down to shin'ei being a neglectful and borderline absent father for both of them), ena clearly trusted and believed in shin'ei opinions as both her father and a professional artist by the way she used to study his work to improve her own, the way she went to him for advice on what art school to pick. shin'ei's action was ultimately a betrayal of all of that trust, and i personally believe their relationship is impossible to mend after that, at least to a degree that the shinonome household will be a safe space for either child again (unfortunately, i'm speaking from experience).

i had more to say and if it comes back to me i might reblog with even more yapping but i've completely lost my train of thought due to being distracted and cannot bring it back for the life of me. so i'm just posting this now. have fun ena fans

#project sekai #pjsk #character analysis #ena shinonome #ask #solid heart class #a good bit of akito too #i love ena so much y'all i can't even express it #she has changed my entire brain chemistry with one event

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misc-obeyme · 7 months

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what are your thoughts on the cheeky lil cow boy (belphie)

Ah yes, Belphegor, a bit of a polarizing character in general, I think. People seem to either really love him or really hate him.

Generally speaking, I think he's deceptively cunning, but not in a malicious way. He's pretty chill most of the time, but he'll do stuff like manipulate his brothers to get them to do his chores for him. Except for Beel, of course. And really they are a unit. Belphie is always ready to fight for Beel and vice versa. But I also really like how they just quietly support each other. Someone will say oh Belphie fell asleep in this weird place and Beel will immediately be like I'll go get him. Or Belphie will be like we need to make sure we bring food to this thing because Beel will get hungry. Like they're just always thinking about each other and I think that's really sweet.

Belphie will also call people out if he wants to. If he has no reason to keep it to himself, he'll straight up tell you if he thinks you're doing something questionable. And his issues with Diavolo indicate to me that he has a problem with authority, like he would be more defiant if he wasn't also lazy lol.

Inevitably, though, we can't really talk about Belphie without discussing the Lesson 16 Incident. At this point, I think most people are aware of those events, but just in case, I'll put the rest of this under a read more. And also it's kinda lengthy, so be forewarned lol.

First of all, I have to say that I was honestly so confused about what was happening in Lesson 16 that I didn't fully understand that Belphie had killed MC. I had to read it multiple times and then read what other people were saying about it. So I never had an intense reaction to it.

But to be fair, it wasn't like we didn't know there was something weird going on the whole time. I knew it was the youngest brother locked up there and it seemed like it was wrong, so that made Lucifer out to be the bad guy of the situation. Then it turns out that wasn't the case at all.

Belphie is manipulative. That's just part of his character. And when he has something that he's trying to do, he's going to use that skill to get it.

Some people are still mad at Lucifer for locking Belphie up at all. Some people are obviously quite upset that Belphie killed MC.

But here's what I think.

It isn't that black and white. Aside from the confusing time travel shenanigans, this event is one of the most realistic things that has ever happened in the story.

Belphie shared Lilith's love of humans. Together they wanted to learn more about the human world. It would be easy for him to blame himself for her interest and what ultimately led to her death. But even if he didn't, he saw the way that it tore his entire family apart.

It wasn't just that his dad got mad at his sister and they had an argument or something.

It was that his dad was going to end his sister's existence and in defiance, his older brother rebelled. And there was a war. This was not some squabble. This was siblings fighting siblings.

Belphie watched his brothers and sisters fight and hurt and kill each other and it all came back to Lilith falling in love with a human.

And then he fell with his brothers, cast out of his home, losing everything he's ever known. His brothers are changing and suffering just like he is.

They don't talk about it. They clearly all keep secrets regarding it still, things that don't come out until MC comes along. Which is supposedly thousands of years after the fact (at least in OG). That means Belphie has had all that time to let that trauma fester. To let it twist inside him. To let it morph into the one thought that became most dominant: that humans are bad.

Is that a fair assessment of what happened? No, of course not. But we're dealing with a war traumatized fallen angel that clearly hasn't worked through any of these feelings in thousands of years.

And then he defies Diavolo and Lucifer panics.

Yes, Lucifer should have found a better way of handling it. But remember what happened to him when he defied authority? He is trying his best to protect Belphie. He is trying not to lose another sibling. He is also still traumatized and therefore overreacting out of fear.

And so was Belphie.

Imagine being locked up like that and a human comes along. A human is free among your brothers to do whatever terrible things humans do while you're powerless to stop them. Of course he's going to try to manipulate that human into setting him free. Of course he's then going to eliminate them because humans have been historically bad for his family.

I read this situation as Belphie being both afraid and angry that a human - the thing he's convinced himself was the main cause of his sister's death - has become so close to his brothers and has the access to his family that could cause another rift among them.

You could say that it was Belphie's idea to get MC to have all the pacts, but that isn't really true, either. By the time MC meets Belphie, they already have a pact with two of his brothers. He sees them already starting to worm their way into his family. And he knows that the only way to get out of the attic is to encourage it. He doesn't really have a choice.

Maybe everyone can now call me a Belphie apologist. But I'm always coming at this from an outside fictional standpoint. I'm like listen he's a flawed character and it's actually pretty realistic of him to react this way considering the circumstances.

However, he did kill MC. And that's why my own MC, Ciaran, has issues with Belphie for a while. It's also traumatic to have someone kill you, so it isn't like I'm saying MC should just forget about it or forgive Belphie immediately. I think it probably should have taken a lot more time for MC to trust Belphie again. Certainly that part of the story was a bit rushed.

But they're dealing with lesson format constraints and also it's a silly otome game so I guess fully formed character arcs can't be expected. Especially since we aren't dealing with routes and they have to cram everybody into the same set of lessons.

In the end, I think Belphie is an interesting and complex character. I think there's a lot of space to explore more about this particular aspect of him, but due to the format of the media and the lack of routes, his more in depth character arc just doesn't exist.

I personally have no problem with Belphie as a character, but I also understand why people don't like him. I am always of the opinion that everyone is free to love or hate or have any emotions at all about fictional characters lol. This is just my personal opinion.

#sorry I didn't mean to get into Belphie character analysis #but it all just kinda came out and once I started I couldn't stop #I don't normally write essays like this about characters that aren't Barbatos lol #though I could probably write essays about all of them if I wanted to #obey me #obey me belphegor #obey me belphie #om belphegor #om belphie #anon asks #misc answers

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markantonys · 2 months

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Was talking with a moot and they were saying how they don't feel like the show is doing a good job of explaining the lore. How right now we don't know what being the Dragon actually means, what ta'veren are, what the Dark One even is, what does he want, why does the Dragon fight him, how all of these mythologies are built into the worldbuilding in the books but aren't as clear in the show/feels disconnected. Idk I feel like the show is just introducing these things at a slower pace than the books did and that's not necessarily a bad thing

i just don't get these arguments because most of these lore points literally have been explained in the show???? do these book fans just miss it when lore is incorporated via natural dialogue or via Showing Not Telling instead of via somebody sitting us down to do an infodumping monologue for 5 minutes? i swear to god so many readers just don't pay attention to the show and then whine that it's missing stuff it did in fact include.

dragon stuff: this has been abundantly explained in both seasons, meanwhile in the books the concept of TDR wasn't even introduced until book 2. we will get more specifics at the same time rand does in upcoming seasons, just like in the books. at this early stage we don't need to know any more than "the dragon is a chosen one figure whose purpose is to fight the dark one and lead the last battle."

what the dark one is: a bad guy (duh) but otherwise left intentionally vague to build up mystery, just like the books did. we don't have the slightest conception of what TDO actually is until his first onscreen "appearance" in book SIX.

what does he want: to break the wheel and end existence. ishy's literal entire season 2 storyline was about this, and it went into way more detail than books 1-3 did. i'm not sure we got much of this stuff in the books until moridin came on the scene.

ta'veren is the only one i'd agree the show hasn't gone into much (though it DID explain the concept in 1x08), but, again, do we need to know that much about it right now? we know that our EF5 are Special, and that's enough if you ask me.

(i also wonder if the show might go a bit lighter on ta'veren than the books. idk, some of the stronger Main Character Energy stuff like plot armor and convenient coincidences and people blurting out secrets around them might come off a bit silly, and as for the stuff relating to the pattern controlling ta'veren's paths, it's interesting but it's pretty deep lore and the story doesn't really change whether or not we're explicitly aware that the events that happen to our gang are predestined. like, we'll obviously get plenty of predestination stuff with rand's dragon prophecies and min's viewings and likely the finn, so how necessary is it to also go into great detail on ta'veren predestination?)

having watched both seasons with my show-only non-fantasy-literate mom, i can attest that there is SO MUCH information for newcomers to wrap their heads around and i think her brain would have exploded if these seasons had tried to squeeze in any more than they did. she made me take down notes she could review between episodes! you should've seen her poor eyes glazing over at all the lore & worldbuilding stuff getting thrown at her in 2x05! this also goes for stuff like the whining about the show not yet using the words saidar & saidin - if they'd been throwing those around constantly since day 1, my mom would've had no fucking clue what they were talking about because she really struggles with remembering fantasy jargon, whereas consistently referring to it as "the male/female half of the source" in these early seasons is way more intuitive and way more effective at teaching her how this magic system works.

at the end of the day, the show simply is not ever going to flesh out the lore and mythology as deeply as the books do due to limitations of this different medium, and people need to accept that. it will explain as much lore as is necessary to understand the story and not much more than that, and that's absolutely fine. show-onlys are understanding the story just fine with the information the show is choosing to include, and lore nerds can knock themselves out rereading the books anytime they want.

#anonymous #answered #wot book spoilers

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itsclydebitches · 1 year

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Does everyone know that one found family post going around that's something like, "What do you MEAN they all go their separate ways after the journey??"

That's how I feel about Ted going back to Kansas.

To be clear, I'm not arguing that it's an unlikely ending to the series. I think it's very likely, especially when I consider a lot of the cool meta people have been writing lately, but that likeliness leaves a sour taste in my mouth because what's waiting for Ted in Kansas? "Henry!" the fandom cries and yes, obviously, but that doesn't feel like enough to me (which I realize sounds like a callous statement regarding a father and son, but hear me out). The only other things Kansas has are an ex-wife, a horrifically unprofessional step-dad in the making, and a long line of comforts that Ted has outgrown. I've noticed that this season in particular Ted has been moving away from his American roots: he misses his BBQ sauce but manages to find a perfect replacement in Amsterdam, he's finding solace in paintings for temporary homesickness, he's using "football" and "maths" naturally in conversation, many of his speeches lately have been about how he once WAS this American so-and-so but has changed significantly since then. From a canonical perspective, Henry is the only thing in Kansas that's good for Ted anymore and even if we put that aside for a moment (which I don't think we should) it seems quite significant to me that Ted has spent three successful years parenting from across the pond.

Is that ideal? No, but Ted Lasso hasn't gone out of its way to paint this separation as a failure, or a crippling blow to Ted or Henry, despite them obviously missing each other a great deal at times. I'll admit that this aspect is absolutely colored by my own bias. As someone who doesn't want kids herself, I dislike the implicit message that a parent must give up everything they want/need in order to be 100% available to their child. I'm of the belief that there's a big difference between loving/raising your child and lacking a life outside of them because Every Aspect of Your Existence Must Serve Their Direct Needs Until the Magical Age of 18, so I've never jived with the "Ted is a horrible father who abandoned Henry!" takes. Not just because I think the show has made it clear that Henry doesn't feel abandoned, but because it tells viewers that parents can't have anything for themselves once they've brought a life into this world... which feels pretty shitty to me. Thus, that whole Henry-based argument rings as unpersuasive both from my biased perspective and a canonical perspective: "In order to be labeled a good father Ted MUST go back to Henry in Kansas, leaving behind every bond he's formed here, despite the fact that he's spent a significant amount of time making this long-distance relationship work really, really well."

Putting Henry aside and going back to my original point above, sending Ted to Kansas requires the audience to imagine up a life for him that has never existed on screen. Sure, we can assume that Ted will form new bonds and rekindle old ones there, but that would exist entirely off screen. Like the story that asks you to ignore the family that's been built right in front of you in favor of the headcanoned one that the characters are separating for, a Kansas ending would ask us to toss aside three seasons worth of family, community, and still developing relationships for... whatever it is we'd personally imagine up post-series. Audiences (by and large) don't WANT their protagonist to end up with [insert OCs here], they want them to stay with the developed cast, whether that's a romance, a friendship, or a family. To me, there's nothing satisfying about imagining Ted in a location the series has never explored with people who don't exist yet except for, as said, an ex, a man who justifiably makes him incredibly uncomfortable, and his child whom he already has a fantastic relationship with in the community where Ted is happy.

There are a lot of other reasons why this ending would be a big disappointment to me, most notably the rejection of untraditional forms of parenting + the message that Ted was always destined to "reset," returning to precisely where he started out, like he's just a hope dispenser who isn't allowed to significantly grow himself. Sure, you can divorce and get better about managing your anxiety... but making a permanent, positive life change? Nah, let's act like this is an episodic show and toss you back to the beginning. I've seen a couple of people compare Ted to Mary Poppins and while a part of my does like that connection, another part cringes at the idea of him playing the role of magical benefactor, his own future happiness deemed insignificant compared to the lives he's already changed. Thanks for the help, Ted! Hope you manage to find some more happiness for yourself back among everything you've spent the series leaving behind. Open your umbrella and let the wind take you; wherever you land and how hard the fall is doesn't matter because the show is over.

So there's a lot going on for me, however, the found family bit is where I'm truly stuck. You're really going to build up this community and Ted's place in it for three seasons, moving him from "wanker" all the way to beloved coach, only to pack him back to Kansas after he's finally carved out a place for himself? Kansas, the place the show has consistently argued has nothing to offer Ted except for the child he hasn't actually lost? Yeah no, sorry, I'm not a fan.

Which doesn't mean I think Ted Lasso is going to become a terrible show if they choose this - again, very likely - ending... but I will personally be pulling a Nick Fury about it.

#Ted Lasso #mymetas

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genericpuff · 8 months

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I'm not sure if you've answered this question before but what were some of the things that made you interested in Lore Olympus in the past and at what point did you lose interest?

I adored the art in the beginning, and just like, the really warm-feeling romance that just had me feeling so giddy reading it. There were some red flags in the beginning like the age gap, but I kinda fell for the same mindset of "well they're gods so what does it matter" (obviously I can't in good faith use that argument anymore because if the age gap didn't matter then it either wouldn't exist or wouldn't be brought up in the first place lmao but it took me a while to realize that).

Now, to be fair, LO was also one of my first introductions to webtoons as a format, prior to that I had read mostly manga and left-to-right indie webcomics (i.e. comics that were hosted on their own site) and I was still in the early years of my own development as a writer and artist (I still feel like I'm early in that development tbh) so of course there were undoubtedly a lot of obvious flaws that went over my head (and I was younger and inexperienced so I wasn't as critical of what media I was watching / reading as I am now) but that's been half the fun of catching them now - it's given me a lot more perspective and helped me hone my own skills in my writing by analyzing what's wrong with LO and brainstorming on how those problems can be avoided.

But then there was the Act of Wrath plotline and I was completely sold on it being gold. Anyone who's read my original work knows how much of a SUCKER I am for "dark alter ego" plotlines, I eat that shit up like junk food. But what I like about the dark alter ego tropes is when they're used to explore the subconscious, question one's morals and true identity, etc. That was what I was hoping for and expecting with the AoW plotline in LO - that her "dark self" was gonna be a reflection of how she felt "held back" by her circumstances in the Mortal Realm, and her wrath being something she could use for retribution (in a "do no harm but take no shit" kinda way). Especially with how naive and innocent she was in the beginning, I loved the idea of her slowly coming to terms with her "darker" side and learning not to suppress her emotions until they had nowhere else to go and exploded (which was how I interpreted the AoW).

So when it didn't do that, or even explore an ounce of nuance regarding her relationship with her wrath, I was very disappointed to say the least. When Eris was revealed to be the one who "blessed" her with wrath, that was when the rose colored glasses started to fall off and I realized "wait, does Rachel not have an actual plan for this whole Kore vs. Persephone thing???" And now her wrath is literally just there to... give her the power to bully people?? It just feels so disheartening to see such potential squandered.

Don't get me wrong, I'm not gonna chastise a story if it doesn't go exactly where I want it to go, there would be no fun in that anyways (and that's what fanfiction is for lmao). But when a story is leaving very interesting but connectable breadcrumbs that are VERY clearly leading you somewhere and then just... doesn't, that's when it's disappointing and unsatisfying. LO feels like a "creator vs. the reader" story in the worst way possible, where it's constantly leaving breadcrumbs, getting pissed when the audience "figures it out", so then it overcorrects and tries to "subvert" itself to keep the readers "on their toes"... but the problem is that all it really does is punish the readers for paying attention and investing themselves in the story by giving them a worse story. It's like Rachel's getting mad at people for figuring out a story that she's writing and hinting towards.

And this has been going on for YEARS now, it's like a Shepard tone where it sounds like it keeps getting higher and higher in pitch but then doesn't actually resolve so your brain is just scrambling trying to figure out what in the world it could be "building up to".

youtube

There's nothing. It's not building up to anything. It's just constantly putting down new plot threads that are slightly altered versions of previous plot threads and expecting you to keep following along while it makes a mess of itself. It feels like you're going somewhere but you're actually still just running in place. It's just Rachel never learning how to progress past the middle school writing level of "and then this happened and then this happened and then this happened". Not only is it disorganized writing, but it's just... it's so boring. Nothing's exciting or interesting anymore when it keeps distracting itself with shiny new plotlines and characters that never get resolved.

It's like when you were a kid and thought "man , when I grow up, I'm gonna eat nothing but chocolate cake and ice cream every day forever!" and then you get older and you realize you were being silly because eating nothing but chocolate cake and ice cream every day 1.) isn't good for you and doesn't feel good, and 2.) the appeal and novelty of it wears off if you can have it any time you want, it doesn't feel as special anymore as it did when you were a kid and having those things was a treat.

To compare this back to LO, none of its "reveals" feel like treats anymore, they feel like just another half-assed attempt to keep people interested. It's clickbait.

And don't get me wrong, you CAN totally subvert the breadcrumbs you put down for your audience and go in a completely different direction than where the audience was expecting, but it takes a shitload of skill and thought to do it well. Attack on Titan is one of the best recent examples of a story appearing to completely throw out its original script halfway through, only for that script to actually still be relevant in a very complex and thought out way. Especially when there ARE hints towards the big "twist" that make you go back and rewatch it and realize "WAIT, THEY'VE BEEN GIVING US THE ANSWERS ALL THIS TIME?!?!"

youtube

(it would be TWO MORE FUCKING SEASONS before this ending would make sense, that's fucking GENIUS foreshadowing and in the CREDITS SEQUENCE LIKE ?? IT'S SO BLINK AND YOU'LL MISS IT HOLY SHIT-)

Evidently Rachel does not have that skill and is not willing to put in that thought; maybe she could some day, but I don't think she's learning it on the job as well as she thinks she is.

And it's disappointing as fuck because it could have been so much better than this. Rachel is literally the only one getting in her own way of LO being something truly great.

#lore olympus critical #anti lore olympus #lo critical #ama #ask me anything #anon ask me anything #anon ama

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victimsofyaoipoll · 1 year

Text

Round 3

Propaganda Under Cut

Sharon Carter

Sharon is portrayed as a conniving, meddling bitch/villain in fics. Multiple authors flat-out say that they need someone to be the bitch or villain in their fics and they used Sharon. She got so much hatred based on Steve kissing her in Civil War in 2016 that Marvel Studios changed its entire plan for multiple characters. This is despite how Sharon has been Steve's main love interest in the comics since December 9, 1965. Despite being off and on for decades (three of Steve's other love interests were while she was supposedly dead, with at least one writer saying they only created the love interest because Sharon was dead at the time)

When she first appeared she was unfairly treated by fans for "getting in the way" of the Steve Rogers/Bucky Barnes ship. A shame because she's a really good character. I'd talk more about how unfairly Sharon, and her actress Emily VanCamp, have been treated by the fanbase and the creators, but that's a different story.

She and Steve Rogers were meant to have a romantic relationship, but the entire fandom and many Stucky fans dislike her because it wasn’t a good ship. I think she isn’t the best but she doesn’t deserve so much hate

Elizabeth Midford

She started as just a cutie fiancée trying her best, turns out she's also a swordfighting genius, very under pressure to perform feminity in the Victorian Rose type of way. Fandom crucifies her bc she's Ciel's fiancée and they want him to be with his butler, Sebastian, the demon he sold his soul to for revenge

anime was a shitty canon divergent adaptation that butchered her character down to her "cutesy silly girly" persona, which obviously made the 2008 anime fans hate her with a passion (nothing wrong w being girly I'm just saying the adaptation made her super one dimensional) anyways fujoshis used to treat her as a villain because she's the fiance of Ciel,, who as u might know already was HEAVILY shipped with his butler, Sebastian back then (now it's kinda looked badly upon, nice tbh that ship sucks ass xD) She's a bit similar to Misa Amane from death note in the way she was treated. (Like an obstacle the yaoi ship must overcome rather than a person)

she's my silly little rabbit! i could gush about her character but i'll keep it short and just say that she's really well written and one of the best characters in the series. anyways she's ciel's fiance and she's like, rightfully annoying as any other 13 yr old girl would be but the fanbase fucking crucified her for even existing. she gets demonized for being 'annoying', but then ciel gets yaoishipped with an even more annoying guy. there is 100% an argument that lizzie/ciel is weird bc they're cousins (i personally don't ship it) but that falls flat when her detractors then ship the 13 yr old ciel with an eons old demon who Canonically looks like his father. the anime also never reached her main character development until years after its peak and that was only in a movie, so she really got the bad end of the stick here. not me though i had a giant crush on her when i was 12

#round 3 #poll #sharon carter #mcu #marvel #marvel comics #elizabeth midford #black butler

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obeymeshallwedateaddict · 1 month

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I keep on imagining what it would be like if MC was a fusion like Garnet from Steven Universe. But instead of rocks they’re literally just made up of 2 people who just decide they want to be one. Their souls would just combine into one really big soul so none one would really notice other then MC has this gigantic ass soul.

That would be until the two people that make up MC get into a massive argument that causes them to split and cease MC from existing until they make up and decide to be one once again.

I’d really like to see your headcanons for this with the brothers. 🙏🏾

Hello. To be honest your request confused me a little but when I put the idea into words it became a nice and engaging story. I modified your request a little. I hope you don't mind. Though the main idea is there. Enjoy.

Summary: MC was a fusion. And one day the two souls who created them, divided which caused the MC to disappear. And so the brothers and the undateables try to find a way to bring them back.

Contains: Angst

GN!MC

You can find more of my work here: Masterlist

When souls collide

You had a secret. A big one at that. You hide it from the brothers. And you refuse to tell them. They needn't know. Or at least that's what you thought.

You were different. You weren't a regular human being. You were never born. Never carried in a woman's womb. You just began existing when two people merged their souls together into one. You were their combined form. As for your soul. It was a big one. Not a regular one. Since the humans did combine their souls into one. It's a combination between them two. But one day everything changed.

It was a regular day in the Devildom. You were spending time with the brothers like usual but something felt off. The two humans whose souls you held got into an argument and they divided which made you suddenly disappear from existence. The brothers immediately panicked.

Mammon: Wh-what?! MC?! No! MC!! Where are ya! MC!! YOU CAN'T LEAVE ME LIKE THAT!

Asmo: MC, sweetheart? MC, where did you go???

Satan: MC? What happened to MC? Mammon what did you do to them?!?

Mammon: Don't blame me!! I ain't done anything! I was just playing cards with them when they suddenly disappeared!

Mammon's eyes tear up. He is ready to begin crying. While Leviathan is already sobbing uncontrollably. Beel is trying to soothe Levi by petting him on the shoulder while also letting a few sobs.

Belphie: I'll get Lucifer! I hope he knows something about this.

The youngest brother runs to Lucifer's study, bursting in without knocking.

Lucifer: How many times do I have to tell you, you idiots to knock before coming in-

Belphie: Lucifer! Lucifer, something terrible happened! MC disappeared! Please do something! Lucifer!

The eldest looks over at his younger brother with a debating look.

Lucifer: You're lying. Now leave. I'm busy.

Belphie: Lucifer! It's the truth please.. MC is nowhere to be seen! And they were just with us! They were right there! Please.

Belphegor lets out a sob which catches Lucifer's attention and concern appears in the eldest's face.

The Avatar of Pride drops his pen and rushes out of the door, followed by Belphegor on his way to the living room where he saw the rest of his brothers all upset and troubled. Lucifer sucked in a breath and put his hand over his mouth.

Mammon: Lucifer! –He sobs– please.. please do something! Please.. MC! They're gone! Lucifer I'm not lying please!

Satan: Lucifer as much as I hate asking you to do something for me please help me find out what happened to them.

Lucifer looked around the room, settling his gaze on Beelzebub.

Lucifer: Beel, could you watch over your brothers while me and Satan go to the demon lord's castle to talk to Diavolo?

The teary orange-haired demon nods, muttering a broken "okay" before Lucifer motions to the fourth-born to stand up.

Both demons walk to the demon lord's castle. Both of them are upset. Satan's tears are falling down his cheeks even if he controls himself from crying while the eldest barely holds his tears in.

MC was an important part of their family. Dearly loved by each of the brothers. And now that they're gone the demons were torn.

Lucifer barged in the castle with his younger brother behind him.

Lucifer: Diavolo! I need to talk to you! Fast! It's urgent! –The demon yells with a shaky voice.

Satan: Lucifer, compose yourself.

The eldest nods and swallows a sob.

Barbatos shows up from the halls of the castle with a welcoming smile on his face.

Barbatos: Lucifer? The Young Master didn't expect a visit from you. And you brought Satan along with you as well?

Lucifer: Barbatos, get me Diavolo. I need to talk to him. It's urgent, related to MC.

Upon hearing Lucifer's words Barbatos' smile fades and with a nod the demon walks to the prince's chambers, calling out for him.

When Diavolo walked out of his chamber he looked happy about the fact that Lucifer decided to visit him. The demon walked in front of Barbatos, leading him to the entrance hall. And waved at Lucifer upon seeing him. But when he noticed Lucifer's beat expression, happiness turned into concern.

Diavolo: Lucifer: You look pale. Is something wrong?

Lucifer: MC disappeared. I.. I don't know anything. I don't know what happened.. I was hoping you would know something..

Diavolo: What? How could that possibly happen? Are you sure, Lucifer?

Satan: Lucifer isn't lying, lord Diavolo. It happened before my very eyes! Mammon was playing cards with MC when they suddenly disappeared into thin air! And I didn't sense any magic involved!

Diavolo nods and thinks for a second before looking at Barbatos.

Diavolo: Barbatos. Get Satan and investigate what happened at the exact same time. Me and Lucifer will check MC's information forms to seek clues.

Lucifer nodded and headed up the stairs with Diavolo following him to the prince's office. While Barbatos led Satan to his room. Both of them got back in the past to the exact same moment MC disappeared. Barbatos replayed the exact same moment again and again, trying to figure out what happened. As for Satan his eyes teared up again after seeing MC disappear multiple times before his very eyes. Both of them were uneasy.

Diavolo pulled out MC's documents for the exchange program, giving one half to Lucifer and handling the other. After some time Lucifer's eyes widen

Lucifer: Diavolo? Have you seen this before? It says that MC is a fusion between two human beings.. They weren't born like a regular human...

Diavolo: A fusion you say? Hm.. I've heard of this phenomenon before. A fusion is created upon two individuals emerging their souls into one. But they can always separate again if they decide. I've never heard of humans doing it before..

Both of them lose themselves in thought before Lucifer stands up and leaves the room in a rush. The demon walks to Barbatos' room and knocks forcefully on the door. Barbatos lets him in and when he enters he sees his younger brother sitting on a chair, sobbing uncontrollably, his face hidden behind the palms of his hands

Barbatos: We saw what happened and yes, MC did actually disappear.. did you and the Young Lord find anything?

Lucifer: MC was a fusion.

Barbatos' eyes widen and he looks over at the Avatar of Pride with shock in his eyes.

Barbatos: Fusion.. hm.. Well that explains MC's disappearance. The two humans she was created by, divided. Likely because of an argument.

Lucifer walks over to Satan, putting a hand on his shoulder as he looks over at Barbatos with an empty expression. Soon enough he speaks again.

Lucifer: That means the two humans have to make up and emerge their souls again for MC to exist again..

Satan whines upon hearing his brother's words and wraps his arms tightly around him which causes Lucifer's eyes to widen. He caresses Satan's back in an attempt to soothe him.

Lucifer: Barbatos, what can we do?

Barbatos: We have two options. We can either find the two humans which would be a complicated process and force them to combine their souls again to which MC will begin existing again. But they will likely have lost their memories. Or..

Satan lets out a louder sob upon hearing Barbatos' words and Lucifer pulls him a bit tighter.

Lucifer: Or?

Barbatos: Or we could use magic to bring them back by combining all of our memories with them until they create a living being which would be our MC. With the same memories, emotions and mindset.

Lucifer's eyes widen and he nods.

Lucifer: Then that's what we are supposed to do? How is it done?

Satan: Once I read about a ritual that... That combines people's memories into a person.. I know how to do it...

Suddenly the door opens and Diavolo walks in. He had been. Standing outside the door during the whole conversation and so he heard everything.

Diavolo: And so do I. Satan let me take this over.

The future demon king turns over to Lucifer before speaking.

Diavolo: I contacted the angels and Solomon as well as the rest of your brothers Lucifer. They are likely waiting in the entrance hall. Solomon said that he is acquainted with the ritual and he will help me as well.

After Diavolo's words. The four demons head to the entrance hall. The sight is heart breaking.

The angels are in tears, Simeon's embracing Luke. While the five other brothers barely contain their tears.

Solomon is drawing a magic circle on the marble floors of the entrance hall.

Lucifer and Satan walked over to the rest of the brothers. Lucifer turned into is demon form, wrapping his wings around the members of his family in a warm embrace. Reassuring them that everything will be okay.

Solomon: The magic circle is complete. We can begin the ceremony.

Diavolo nods before speaking up.

Diavolo: Officers of the student council. Your demon forms. Now.

Upon the prince's words the demons turn into their demon forms.

Solomon: Simeon, Luke. Your angel forms..

The angels take their angel forms.

All creatures in the room gather around the circle and take each other's hands.

Solomon: I, Solomon, command you, spirits of memory, gather now and bind the thoughts of all present. From our shared past, forge a creature of our collective will. By my name, let it take form and walk among us!

Upon his words a blinding light appears from the middle of the circle. Soon after the light disappeared a person appeared in the middle of the circle. It was MC.

All of the brothers' eyes widen and they run up to the weak human, laying on the ground.

All brothers together: MC!

Mammon takes them into his arms and hugs them tightly. The rest of the brothers gather in a group hug, embracing the newly appeared human.

After all the adrenaline from seeing MC again passes the brothers take MC to The House of Lamentation. There all of them hang around MC like it's been a century since they last met. Simeon, Luke, Solomon, Barbatos and Diavolo soon joined the family in The House of Lamentation. All 12 of them shared the joy of their reunion with MC.

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