TNTL Horny Addition
Warnings: Smut
Word Count: 3371
Summary: During an episode of Try Not To Laugh, you break Angela in an unconventional way
Being on the Try Not To Laugh stage has always been surreal for you. Having grown up watching the original episodes that were posted few and far between, it’s been so cool getting to see the show grow and gain its own cult following. It’s honestly one of the reasons that you had decided to audition for Smosh in the first place, and now, getting to be on that stage is one of the coolest things in the world.
This week on TNTL, you’re getting to work with Chanse, Amanda, Courtney, Tommy, and Angela. It’s a great line up, one that you know is going to be a hit once it goes up, if only because the chemistry between Angela and Chanse always makes for a killer video. It also helps that this episode is Simon Says, a clear fan favorite.
As the crew gets everything set up on stage, you pull out your phone and go into your notes app, pulling up the list of bits that you’ve jotted down over the past couple of months. As you’re scrolling, you find one that you’ve been workshopping for Angela. It’s a little bit hardcore, but you think that at this point your relationship is secure enough where you won’t get into too much trouble if you do it. You just hope you get the chance.
Emily calls the cast together to start shooting the intro, so you slip your phone into your pocket with a little smirk. You walk over and take your spot beside Angela, who immediately notices the smile tugging at your lips. She quirks an eyebrow at you in question, but you just shake your head and mouth ‘you’ll see’. Before she can say anything in protest, Courtney starts the into.
“Hey, everyone! Welcome back to another episode of Try Not To Laugh. This week we’re doing Simon Says, so the person in the chair gets to choose a theme or prop that everyone has to use. You know the rest of the drill, try to make each other laugh, spit out the water, blah blah blah. So, who wants to go first?”
“Ooh, I will!” Amanda says eagerly. “I want all of your bits to be set in a Western.”
“Nice,” Chanse says, doing a little fist pump.
While Amanda takes her seat in the stool, everybody heads to the prop area to start prepping their bits. Tommy and Chanse go out first and do their “Gay Cowboys” bit, which looks suspiciously like a recreated scene from Brokeback Mountain. Courtney goes next, wearing a tiny cowboy hat that immediately gets the laugh. As everyone takes their turn, you figure out what you want to do.
“Hey Ange, can I borrow your shirt?” you ask.
“Sure.”
Angela shucks off the white button down that she has on, leaving her in a form fitting black tank top. You take a minute to appreciate her arms before remembering that you have a job to do. You shed your own shirt and put hers on, only doing up the bottom two buttons so that your torso is left completely exposed. You then grab the fluffy pink cowboy hat off of the shelf and grab Courtney to help you.
As soon as you walk on stage, Amanda’s eyes go wide as she looks at your outfit. She pauses slightly on your torso, and you can’t tell if it’s because she recognizes Angela’s shirt or because she’s staring at your stomach. You take a quick glance back over your shoulder, before turning back to Courtney and starting your bit.
“Well, that was the strangest thing I’ve ever seen,” you say with a fake southern accent.
“I’ll say,” Courtney agrees, matching your tone. “I just don’t understand one thing-”
“It’s better you don’t try to. Things like this are better left to rest.”
“But-”
“Forget it, Jake. It’s Chinatown.”
Amanda smacks her hand on her thigh at the reference and turns to the side, spitting the water out before breaking out into legitimate laughter. You’re honestly surprised that this bit was such a success, as it honestly wasn’t your strongest idea out of the gate. Shrugging, you start to walk back towards the prop area but Amanda’s voice stops you.
“Wait, I wanna know what happened!”
“Uh…strippers in a motel?”
“What?” Amanda says, still laughing. “That has nothing to do with the movie.”
“I know,” you say, winking.
Without explaining any further, you turn around and walk back stage, letting Chanse take the floor. You walk slowly over to the monitor, taking the cowboy hat off and placing it back on the shelf on the way by as you watch his bit. As you pull off the button down shirt that you’d borrowed, you feel eyes on boring into your back.
You look over your shoulder to find Angela staring at you, her eyes dark and her lips slightly parted. A little smirk tugs at your lips, and it takes every ounce of self control that you have to refrain from teasing her. Under normal circumstances, you would, but nobody actually knows that you’re dating and there’s a camera on the prop area. Instead you settle for shooting her a wink that won’t be caught before grabbing your own shirt and pulling it on.
“Here,” you say softly, handing over the button down.
“Thanks,” she says, swallowing hard.
“No problem.”
When Amanda’s turn in the chair is done, Chanse takes her place and chooses to make everyone use the little toy chainsaw. Courtney ends up going classic with a Boneless bit, Tommy pretends to cut down a tree that falls on you, Angela chases Amanda around with it, and then they reverse for Amanda’s turn. When it gets to be your turn, you go out with no plan, and end up doing a hilariously bad monologue. It doesn’t get the laugh, but Chanse gives you a nod on your way off the stage.
Courtney’s turn is all about things going wrong on planes, so you trail out an allergic reaction bit where you use a massive sword as an epi pen. Tommy does a safety monologue while mimicking turbulence, Chanse and Angela do a two part bit that is similar to the flight simulator video that they did a while ago, and Amanda puts on a terrible wig and pretends to be the worst flight attendant ever.
Once Courtney’s turn is done, it’s Angela’s turn to take the stool. This is what you’ve been waiting for, and you can only hope that she ends up choosing something that will work with what you have planned. It takes her a minute to finally come up with a rule, but when she does, you do a little silent celebration with yourself.
“Alright, it’s opposite day, folks,” Angela says. “Do with that what you want.”
Smirking to yourself, you walk back to the prop area to get ready for your bit. You spend a minute reversing some things in your head before you get the go ahead from Emily. As you step out onto the stage, Angela looks up, and surprise colors her features. You can only assume it’s because you didn’t bring any props with you, but you know you won’t need any. A sly smirk tugs at your mouth as you stop behind her, leaning in so that your lips almost brush her ear.
“I know that you’re used to being the top in this relationship, but there are a few things that I want to do to you when we get home,” you whisper, your voice low enough that it won’t be picked up by the mics. “First, I’m going to fuck you against our front door, and then, after you’ve come at least twice, I’m going to carry you to our bedroom and handcuff you to the bed posts. From there, you have two options. I can go down on you until my jaw is sore or I can put the strap on and fuck you until you can’t feel your legs.”
The whole time you’ve been whispering in Angela’s ear, you’ve watched a deep blush start to creep up the back of her neck. You can tell she’s trying so hard to hold it together, but as you give her the options, she chokes on the water in her mouth and ends up coughing it out. Her head whips around to look at you, her dark eyes trailing a path down your body before coming back up and locking you into a staring match.
“Remember,” you say, a little bit louder so that the mics can catch it. “It’s opposite day.”
With a little wink, you turn around and walk back to the prop area, letting Amanda take your place on the stage. Throughout the rest of her time in the stool, Angela looks incredibly distracted. She hardly laughs at anyone else’s bit, only coming close when Chanse comes out in almost full drag.
“Girl, what did you say to her?” Amanda asks as she adjusts her wig.
“Something that’s probably going to get me in huge trouble,” you murmur.
As Angela’s turn ends, you head back out to get the rule for Tommy’s turn. He ends up choosing ‘the worst pick up lines’. Chanse rolls out the classic Tennessee one, while Amanda says something about eating dessert before dinner. Courtney goes insane with a line about looking for a third, while Angela goes so dirty that you’re sure that her entire line is going to end up getting bleeped. As you step out onto the stage for your turn, you decide to go classic as well.
“Roses are red, violets are blue,” you say, stopping center stage and batting your eyelashes at Tommy. “I really, really wanna fuck you.”
“Oh shit,” Chanse says from the back, cackling at the wide eyed look on Tommy’s face. “Do another, do another.”
“Violets are blue, roses are thorny, you make me very, very horny.”
That does it, and Tommy spits out the water he’d been holding in his mouth before starting to laugh so hard that he almost falls out of his chair. The crew is cracking up too, and you can see Emily exchanging a look with Shayne off camera. You think you hear something about Courtney having used that line on him when they first started dating, but before you can address it, you’re being ushered to sit in the stool.
“Okay, uhm, I’m gonna go with ‘weirdest things you can get delivered’.”
Amanda ends up going first, getting you with her classic PUS uniform and a tiny toilet that makes a flushing noise. Tommy goes next, coming in with Chanse dressed in a tiger suit and on a leash. Courtney brings out a box of vaguely phallic items, and then Tommy brings in the ripped scroll pretending that its the Declaration of Independence. Finally, it’s Angela’s turn, and you’re honestly a little nervous. She struts out in an FBI jacket and a pair of sunglasses, a pair of handcuffs in her hand.
“You’re under arrest for stealing hearts,” Angela declares.
“Awww, that’s adorable,” Courtney coos from backstage.
“No, it’s not. She’s literally stealing hearts and selling them on the black market. It’s about time that justice is delivered.”
The tiniest little inhale is all it takes to make your life a living hell, as you feel water get pulled down into your lungs. A cough threatens to burst from your throat, but you manage to force your mouth to stay closed, and no water comes out. When you regain control, you stand up and turn around, presenting your hands behind your back. Angela takes them and slaps the cuffs on with practiced ease before leaning in to whisper in your ear.
“You like this, don’t you? Well don’t you worry, you’re gonna get everything that you asked for.”
—
True to her word, the first thing that Angela does when you walk through the front door is pin you against it. A harsh moan slips from your mouth as she pushes a leg in between yours, but it’s swallowed when she connects your lips in a heated kiss. You feel hands move up to your hips, and your breath stutters out when they force you down onto a hard thigh. The movement creates delicious friction, and you suddenly find yourself in the middle of a chase.
As Angela works your hips in a steady rhythm, she starts to kiss down your jaw. As she gets to your neck, you feel her suck gently, hard enough that you can feel it but soft enough that it won’t leave a hickey. Your hips jerk at the sensation, and you suddenly feel an overwhelming need to have her mark you anywhere, everywhere, so you grab the back of her head and pull her in closer.
“Fuck, harder,” you stutter out.
“Is that permission?” Angela asks.
“God yes.”
You feel Angela smirk against your neck before she sucks a patch of your skin into her mouth and lavishes it with her tongue. A harsh moan falls from your lips as she pulls your hips down harder against her leg, and you start to feel the tell tale signs of your high. A rush of warmth spirals down your spine, and your lower stomach starts winding tighter and tighter until it finally snaps.
“Fuck!” you moan, tossing your head back against the door.
The white behind your eyelids blinds you, and you find yourself reaching out for something to hold you steady. Through it all, you feel Angela pressing soft kisses into your neck as she slowly starts to bring you back down. When you’re finally able to open your eyes, you find her already looking at you with an adoring expression on her face.
“So pretty,” Angela murmurs, tracing a finger down your cheek. “I can’t wait to fucking ruin you.”
“Then don’t,” you pant out.
Angela doesn’t waste a second, shifting her hands down your body and positioning them on the backs of your legs before scooping you up. It takes longer than it should to reach the bedroom, with both of you getting distracted by the smallest kiss or touch. When you finally make it, she places you gently down onto the edge of the bed and takes a step back, looking at you with hungry eyes.
“Get undressed,” Angela orders. “Now.”
You immediately scramble into a sitting position, pulling your shirt above your head before unclipping your bra and tossing them both to the side. As you work on getting your sneakers off, you watch Angela start to get undressed too. It takes her less time, and soon she’s walking over to her side table butt naked while you work overtime to get your skinny jeans down your legs.
By the time you manage to pull your panties off, Angela has already gotten everything prepped. There’s a pair of handcuffs threaded through the bars of the headboard, and she’s wearing your favorite strap. You can tell by the way that it’s glistening that she’s already put some lube on it, and that’s confirmed when you look up to see her wiping the stickiness from her hands with a tissue.
“Get up here,” Angela orders, nodding to the head of the bed. “On your back, legs spread, hands above your head.”
Not wanting to waste a second, you crawl up the bed and lay back against the pillows. It takes you a minute to get comfortable, but when you do, you obey the rest of Angela’s orders and put your hands above your head while parting your legs for her. Once you’re in position, she climbs on top of you and reaches up, snapping the cuffs tightly around your wrists.
“Pull,” Angela orders, so you do. “Comfortable?”
“Yes,” you reply.
“Good. If you want to stop at any time-”
“Just tell you. I know, baby.”
“Okay,” Angela says softly, brushing a strand of hair out of your face. “Are you ready?”
“So ready.”
With a nod, Angela turns her attention downwards and brushes the strap over your clit a few times. The action sends a jolt of arousal through you, and you can feel yourself clenching around nothing. She looks up at you one last time, and when you nod, she lines up with your entrance and starts to push in slowly. As she bottoms out, you’re taken a bit by surprise as a wave of heat rolls down your spine.
“Fuck, this isn’t gonna take long,” you mutter, blushing.
“Already, baby?” Angela teases.
Instead of dignifying her with an answer, you grit your teeth and and curl your fingers around the headboard, getting ready to hang on for dear life. You give a brief little nod, and then Angela is moving, setting a slow and steady pace that feels so fucking good but leaves you aching for more. Still, you had been close when you started and that hasn’t changed. If anything, it’s worse now, with Angela looking down at you, her lips parted, and the strap hitting just the right spot.
“Fuck,” you moan, your hands pulling at the cuffs. “Fuck, baby, I-”
“I know,” Angela says softly, her hips speeding up. “Take what you need.”
The pleasure spills over, and you feel yourself being thrown in to a mind blowing orgasm. Your entire body shudders as shock waves roll through you, bringing you up as high as you’ve ever been. As the pleasure starts to fade back to baseline, you tilt your head back against the pillows to try to force some air into your lungs. This opens up an opportunity for Angela to attach her lips to your neck again, and she takes it.
As your girlfriend sucks another mark into your collarbone, she starts to speed her hips up. The tip of the strap is hitting your g-spot on every stroke, and you can tell that it won’t be long until you reach another high. Not long ends up being sooner than expected, and your orgasm surprises you when Angela bites down hard on your neck. The comedown is a little bit rough this time, and you can feel the oversensitivity start to set in.
“Baby, I need you to come,” you say, your breath stuttering. “I don’t think I can take much more.”
“Do you want me to stop?” Angela asks, looking up in concern.
“God no. But I only have one more left in me.”
“I can work with that.”
Angela speeds up her hips until she’s practically slamming into you, the force of her thrusts causing the headboard to smack against the wall. The sound is obnoxious and sure to piss off your neighbors, but you can’t bring yourself to care when your girlfriend is making you feel this good. You feel her hips start to stutter, and you know that she’s close, so you do everything you can to help her along, rutting your hips up into her to increase the friction.
“Fuck, I’m there,” Angela moans. “Come with me.”
Never one to disobey an order, you feel your stomach tighten before a spark of pleasure steamrolls through your body. You gasp for air, trying and failing to get any in. It takes you a long time to come down, long enough that Angela is looking at you with a cute little pout on her face when you do finally open your eyes.
“Are you okay?”
“Yeah,” you says, leaning up to press a soft kiss to your girlfriend’s lips. “Just a little over stimmed.”
“Do you want me to pull out?”
“Please.”
With an adorable little nod, Angela carefully separates your bodies. Once she’s pulled completely put of you, she grabs the keys to the handcuffs and unlocks them before getting up and disappearing into the bathroom. She returns a minute later with a warm wash cloth and no strap in sight. A smile tugs at the corner of your lips as she starts to wipe the wetness from your thighs, and you sigh softly.
“I love you,” you murmur.
“And I love you,” Angela replies, looking up with a smile. “Now get up and go pee, you don’t want to get a UTI.”
26 notes
·
View notes
Saw a fun little conversation on Threads but I don't have a Threads account, so I couldn't reply directly, but I sure can talk about it here!
I've been wanting to get into this for awhile, so here we go! First and foremost, I wanna say that "Emmaskies" here is really hitting the nail on the head despite having "no insider info". I don't want this post to be read as me shitting on trad pub editors or authors because that is fundamentally not what's happening.
Second, I want to say that this reply from Aaron Aceves is also spot on:
There are a lot of reviewers who think "I didn't enjoy this" means "no one edited this because if someone edited it, they would have made it something I like". As I talk about nonstop on this account, that is not a legitimate critique. However, as Aaron also mentions, rushed books are a thing that also happens.
As an author with 2 trad pub novels and 2 trad pub anthologies (all with HarperCollins, the 2nd largest trad publisher in the country), let me tell you that if you think books seem less edited lately, you are not making that up! It's true! Obviously, there are still a sizeable number of books that are being edited well, but something I was talking about before is that you can't really know that from picking it up. Unlike where you can generally tell an indie book will be poorly edited if the cover art is unprofessional or there are typoes all over the cover copy, trad is broken up into different departments, so even if editorial was too overworked to get a decent edit letter churned out, that doesn't mean marketing will be weak.
One person said that some publishers put more money into marketing than editorial and that's why this is happening, but I fundamentally disagree because many of these books that are getting rushed out are not getting a whole lot by way of marketing either! And I will say that I think most authors are afraid to admit if their book was rushed out or poorly edited because they don't want to sabotage their books, but guess what? I'm fucking shameless. Café Con Lychee was a rush job! That book was poorly edited! And it shows! Where Meet Cute Diary got 3 drafts from me and my beta readers, another 2 drafts with me and my agent, and then another 2 drafts with me and my editor, Café Con Lychee got a *single* concrete edit round with my editor after I turned in what was essentially a first draft. I had *three weeks* to rewrite the book before we went to copy edits. And the thing is, this wasn't my fault. I knew the book needed more work, but I wasn't allowed more time with it. My editor was so overworked, she was emailing me my edit letter at 1am. The publisher didn't care if the book was good, and then they were upset that its sales weren't as high at MCD's, but bffr. A book that doesn't live up to its potential is not going to sell at the same rate as one that does!
And this may sound like a fluke, but it's not. I'm not naming names because this is a deeply personal thing to share, but I have heard from *many* authors who were not happy with their second books. Not because they didn't love the story but because they felt so rushed either with their initial drafts or their edits that they didn't feel like it lived up to their potential. I also know of authors who demanded extra time because they knew their books weren't there yet only to face big backlash from their publisher or agent.
I literally cannot stress to you enough that publisher's *do not give a fuck* about how good their products are. If they can trick you into buying a poorly edited book with an AI cover that they undercut the author for, that is *better* than wasting time and money paying authors and editors to put together a quality product. And that's before we get into the blatant abuse that happens at these publishers and why there have been mass exoduses from Big 5 publishers lately.
There's also a problem where publishers do not value their experienced staff. They're laying off so many skilled, dedicated, long-term committed editors like their work never meant anything. And as someone who did freelance sensitivity reading for the Big 5, I can tell you that the way they treat freelancers is *also* abysmal. I was almost always given half the time I asked for and paid at less than *half* of my general going rate. Authors publishing out of their own pockets could afford my rate, but apparently multi-billion dollar corporations couldn't. Copy edits and proofreads are often handled by freelancers, meaning these are people who aren't familiar with the author's voice and often give feedback that doesn't account for that, plus they're not people who are gonna be as invested in the book, even before the bad payment and ridiculous timelines.
So, anyway, 1. go easy on authors and editors when you can. Most of us have 0 say in being in this position and authors who are in breech of their contract by refusing to turn in a book on time can face major legal and financial ramifications. 2. Know that this isn't in your head. If you disagree with the choices a book makes, that's probably just a disagreement, but if you feel like it had so much potential but just *didn't reach it*, that's likely because the author didn't have time to revise it or the editor didn't have time to give the sort of thorough edits it needed. 3. READ INDIE!!! Find the indie authors putting in the work the Big 5's won't do and support them! Stop counting on exploitative mega-corporations to do work they have no intention of doing.
Finally, to all my readers who read Café Con Lychee and loved it, thank you. I love y'all, and I appreciate y'all, and I really wish I'd been given the chance to give y'all the book you deserved. I hope I can make it up to you in 2025.
4K notes
·
View notes