#i know it has issues and is imperfect

[moltensmusings]

My villain origin story will always contain the treatment of Skip Beats anime. How is it that you take a series that was on every shoujo recommendation list in the early 2010s, ignore it and drop production on season 2, and then have a dub that most websites don't have with the dvds being nearly impossible to find. Most anime fans these days are barely aware it exists.

[squeakadeeks]

everytime i feel like ass and that the quality of work i do is poor/subpar i just have to remind myself that sucking is an act of community service. if i look around and all i see are girlboss slays 💅 who are having boundless personal, financial, creative, and career successes, if i were to join them and also have insane, non-stop achievements then it makes anyone outside of that sphere feel even worse. i feel like the standards for success, especially in a creative sense, are so goddamn high these days that the more mediocre, "just OK" work i put out into the world, the more i can challenge those expectations and make anyone outside of that world feel a little more ok. I flop for the besties.

[wonder-worker]

"Among their complaints [in 1460, the Yorkists] specifically blamed the earls of Wiltshire and Shrewsbury and Viscount Beaumont for ‘stirring’ the king [Henry VI] to hold a parliament at Coventry that would attaint them and for keeping them from the king’s presence and likely mercy, asserting that this was done against [the king's] will. To this they added the charge that these evil counselors were also tyrannizing other true men* without the king’s knowledge. Such claims of malfeasance obliquely raised the question of Henry’s fitness as a king, for how could he be deemed competent if such things happened without his knowledge and against his wishes? They also tied in rumors circulating somewhat earlier in the southern counties and likely to have originated in Calais that Henry was really ‘good and gracious Lord to the [Yorkists] since, it was alleged, he had not known of or assented to their attainders. On 11 June the king was compelled to issue a proclamation stating that they were indeed traitors and that assertions to the contrary were to be ignored." - Helen Maurer, "Margaret of Anjou: "Queenship and Power in Late Medieval England"

Three things that we can surmise from this:

We know where the "Henry was an innocent helpless king being controlled and manipulated by his Evil™ advisors" rhetoric came from**.

The Yorkists were deliberately trying to downplay Henry VI's actual role and involvement in politics and the Wars of the Roses. They cast him as a "statue of a king", blamed all royal policies and decisions on others*** (claiming that Henry wasn't even aware of them), and framed themselves as righteous and misunderstood counselors who remained loyal to the crown. We should keep this in mind when we look at chronicles' comments of Henry's alleged passivity and the so-called "role reversal" between him and Queen Margaret.

Henry VI's actual agency and involvement is nevertheless proven by his own actions. We know what he thought of the Yorkists, and we know he took the effort to publicly counter their claims through a proclamation of his own. That speaks louder than the politically motivated narrative of his enemies, don't you think?

*There was some truth to these criticisms. For example, Wiltshire (ie: one of the men named in the pamphlet) was reportedly involved in a horrible situation in June which included hangings and imprisonments for tax resistance in Newbury. The best propagandists always contain a degree of truth, etc. **I've seen some theories on why Margaret of Anjou wasn't mentioned in these pamphlets alongside the others even though she was clearly being vilified during that time as well, and honestly, I think those speculations are mostly unnecessary. Margaret was absent because it was regarded as very unseemly to target queens in such an officially public manner. We see a similar situation a decade later: Elizabeth Woodville was vilified and her whole family - popularly and administratively known as "the queen's kin" - was disparaged in Warwick and Clarence's pamphlets. This would have inevitably associated her with their official complaints far more than Margaret had been, but she was also not directly mentioned. It was simply not considered appropriate. ***This narrative was begun by the Duke of York & Warwick and was - demonstrably - already widespread by the end of 1460. When Edward IV came to power, there seems to have been a slight shift in how he spoke of Henry (he referred to Henry as their "great enemy and adversary"; his envoys were clearly willing to acknowledge Henry's role in Lancastrian resistance to Yorkist rule; etc), but he nevertheless continued the former narrative for the most part. I think this was because 1) it was already well-established and widespread by his father, and 2) downplaying Henry's authority would have served to emphasize Edward's own kingship, which was probably advantageous for a usurper whose deposed rival was still alive and out of reach. In some sense, the Lancastrians did the same thing with their own propaganda across the 1460s, which was clearly not as effective in terms of garnering support and is too long to get into right now, but was still very relevant when it came to emphasizing their own right to the throne while disparaging the Yorkists' claim.

[askshivanulegacy]

Hey this isn't like me yelling-callout-post-NOW or anything but I was scrolling through replies on the trolley-problem-palestine post and I do want to say that I have to unfortunately be invested in US Politics as a non-US citizen because of the way these elections affect the rest of the world, culturally and politically. The US is one of the richest and most influential countries in the world and the way it decides to interact with the rest of us, where it sends money and military to, and the conversations people in the US are having even about domestic issues end up shaping the conversations that happen outside of it (trans and immigration issues for example). It's horribly unfair and I'm fuming about it always why can y'all veto shit ❤️ but uh yeah, just a minor nitpick with the influence of the elections on everyone else. I could be entirely wrong in my perception of the way things are but that's how it seems to me rn.

That post was a long time ago, so I can't remember specifically what I said about it, but I don't disagree with your ask.

My big beef (and what I typically rant about) with most of the chatter about the US elections and Palestine isn't that the elections influence other countries. They definitely do.

My beef is that all the US tumblrites are making Palestine into the one single issue ever, in the world and in the US, and they're putting on blinders to everything else.

Palestine isn't even CLOSE to being the single issue or even the most major issue. It simply is not.

And in a US election, Americans NEED to take a look at OUR issues. The issues that affect everyday life. Affordable and accessible education, housing, healthcare, LGBTQ+ issues, rights to bodily autonomy, etc., etc.

In a US election, those are the things that are the most important. In a lot of ways, those are the only issues that functionally exist, within the context of the election bubble. Yes, you can and should consider foreign policy as a factor, but it should NEVER be the only factor ... not when there are so many raw and bleeding gaps at home, and clear, obvious, and impending threats to the very lives of the people these sjw tumblrites claim to care about.

I'm saying that election time is the time for Americans to focus on America for just a minute. And when all I hear is Palestine to the exclusion of all else - all rational thought, all sense - with the conclusion being "punish Biden because he happened to be president when Israel was being a little shit," then that's when I say none of that matters.

Because the US election is not about Palestine or any other country. It's about the US.

People desperately need to remember that.

No, I don't want to put America first, and I care a lot about how we interact in the world. But by God, you don't put your own country LAST in the election that is specifically for your country and will determine how you survive ... and IF you survive. You don't throw your country and everyone in it under the bus.

We have the right to be a little selfish for our election. Not Trump-selfish, but selfish enough to have some sense for the things happening here. It's time to set Palestine on the shelf for a while - at least long enough to realize that "punishing Biden" is idiocy.

Also that Biden is not only America's best strategic option, but he ALSO happens to be Palestine's and the rest of the world's.

Honestly, I've seen more of that perspective from non-Americans, and I hugely appreciate it. I just need the actual Americans in the room to realize that 1) they need to take off their fucking blinders, and 2) their stupid little short-sighted Biden-punishment stunt will not only harm themselves but also all the other countries they seem to care about more than their own.

And I want them to start giving a fuck about the country they currently live in.

[joelscruff]

imperfect for you (joel miller x f!reader)

masterlist | a/n written for @janaispunk's 1500 kisses challenge! i got joel + nose kisses with this lovely moodboard and actually managed to write something!!! believe it or not this started out as a drabble lmao. i hope you like it jana - sorry it's a bit late, and congrats again on your milestone 🤍 summary: you never thought joel miller would accidentally call you baby. warnings: age gap (joel is mid 40s, reader is 23), fluff, very brief instance of blood, tending to a wound, joel is eepy, soft kisses, cuddles word count: 5.5k ao3 dividers by @saradika-graphics

"When's the last time you slept?"

He doesn't bother to grace you with an answer, hands clenched on the steering wheel as you barrel down the vacant stretch of highway back to Lincoln. He's been ignoring you for the past fifteen minutes now, eyes straight ahead, brow furrowed, jaw clenched. But he looks pale, almost sickly, the whites of his knuckles stark against the sudden greenish hue of his skin. The last thing you need is for him to pass out and for the two of you to crash into a damn ditch.

"I'm just saying," you continue with an exasperated sigh, "I could drive the rest of the way, we're almost there."

No reply. You roll your eyes and cross your arms indignantly in the passenger seat, returning his icy demeanor. He's in one of his moods again, the ones only Tess really knows how to handle, but you'd volunteered to try your hand at a supply run in her stead which means she's not here to mediate. You should've known some issue would arise, stubborn Joel inventing problems in typical Joel fashion.

"You could've tried to last at least one more hour pretending to like me," you mutter, loud enough for him to hear. He doesn't say anything.

Almost a year of working with them now, and you still don't understand him. You're not sure you ever will. Tess, she's much easier to understand, much more open to being understood. She'd seen your potential and taken you under her wing, brought you in to help, taught you everything you needed to know about smuggling. And Joel... well, he's a different story.

"You know, Tess thinks I have promise," you continue anyway, expression crumpling into a scowl, "She thinks I can do this. I don't get why you don't."

No answer.

"And don't say it's 'cause I'm a kid, because I'm not. I'm twenty three now, I'm past the point of being called a fucking kid. The shit I've seen in that QZ-" you cut yourself off, shaking your head, "I'm not a kid."

His lack of response is beginning to hurt deeper than you'd really like to admit. You glance over at him again; he's still staring straight ahead, still ignoring your presence. It makes unwanted tears prick in your eyes, nose stinging a little as you peer down at your lap and fold your hands together.

You'd been excited for this supply run, probably against your better judgement. You'd wanted to show him how much you know and understand, how hard you've been working, how you're up to the task. Hoped maybe he'd give you a smile - rare, but not impossible - and tell you that you did good, that he sees potential in you too.

You care what he thinks, almost more than what Tess thinks. And you know why, can sense it deep in the pit of your stomach and in the way your heart stutters when he looks at you, but you're clearly living in a fantasy world if you think he's ever gonna get past whatever this stigma is that he has against your age. She's too young, Tess. She'll get hurt, Tess. She shouldn't be doin' this, Tess. You've heard it all, muffled through closed doors in a dark and damp hallway.

He doesn't want you, and you're not sure how much longer you can go on like this. If he's not willing to change his stance, view you as anything other than an inconvenience...maybe Tess will have to find somebody else to help out.

"I know what I'm doing," you mumble, a tear dribbling down your left cheek, "I just wanna help."

You spare him one more look, fruitlessly hoping that maybe he'll feel bad now that he's made you cry - a childish thought, considering you're trying to make a case for being mature, but you can't help it. You know he's capable of being gentle, of being kind. You've experienced it with him before, quiet moments between the two of you in his apartment while waiting for Tess to return, making small talk, him peering at you with a softness in those brown eyes that have since made frequent appearances in your dreams. Moments where you swear you felt wanted under that gaze, but it must've been in your head, because you certainly don't feel wanted right now.

He doesn't look well, you have to admit. His skin is covered in a sheen of sweat, getting paler by the second, turning an unnatural grey color akin to some of the hair on his head. His eyes are glassy, dark bags settled beneath them that you've noticed getting worse and worse over the past few weeks. You shoot a glance at his hands again and are surprised to see that he's loosened his grip, that his fingers seem to be trembling against the rubber.

"Joel," you say, raising your voice a bit, "Joel, are you okay?"

His lack of response no longer angers you - it worries you. Carefully, you reach over and slowly wrap your hand around his right wrist, eyes trained on his face. At your touch, he finally turns to look at you, almost like he's only just noticed you're even there.

"You say somethin'?" he asks, voice raspy, a bit slurred.

Your grip tightens on his wrist, "I think you should stop the car."

He looks at you curiously, dazedly. It's the expression of a man who's running on two, maybe three hours of sleep in the last few days. You choose your next words carefully, eyes flickering back and forth toward his face and the road that he's suddenly no longer watching.

"Let's slow down a bit," you murmur, thumb stroking gently along his skin - he's warm, warmer than normal - "I'm gonna drive the rest of the way, okay?"

You expect some pushback, an attempt at an argument, but the tiredness is setting in quickly. Without any hesitation he eases his foot off the gas and you hurriedly reach your own leg over into his space to push down on the brake. He doesn't seem to notice the way your bare leg brushes his jeans, the crease in your knee bending over the warmth of his thigh.

"There we go," you say softly, bringing the car to a slow stop. He's still looking at you, eyes unfocused as you carefully lean over a little more to unbuckle his seatbelt. You try to ignore how good he smells, how big he is compared to you, putting all your attention on getting him out of the front seat. You unlock his door and then unbuckle your own belt, hurrying out of the car to his side.

"M'okay," he mumbles as soon as you open his door. You start to help him out, and you think he's becoming a little more aware of the situation now, allowing you to pull him to his feet as you tug open the back door. "What's happenin'?"

"You're just tired," you tell him softly, "It's okay, you can sleep in the back, I'll drive."

"Bill n' Frank's," he says as you lead him the right way, pushing him a little and helping him place his knee down on the seat, "Y'know where it is? You remember?"

"I do," you tell him confidently, your hand coming down to press flat against his back - he's so solid, heat radiating against your palm, "Only twenty minutes away now, I got it. You just sleep."

He doesn't argue; in fact, he makes your job easier by crawling onto the seat and settling down with a low groan, rolling onto his back and breathing deeply. You can't help but let a small smile cross your features, watching as one of his hands comes up to rest atop his belly, the other dangling onto the floor. His eyelashes flutter a little, lips parting, and you're about to shut the door when he speaks again.

"I know you jus' wanna help, baby."

You stand there for a moment just staring at him, confusion racing through your thoughts. Goosebumps rise on your flesh as the last word repeats like a mantra in your head, steady and slow as Joel drifts off. It's only when the door is shut and you're in the front seat that you're able to put some meaning to the words, eyes wide as you stare at the faded lines on the road.

I know what I'm doing, you'd said, I just wanna help.

You leave him in the car when you get to Bill and Frank's, typing in the gate code with a backward glance at his loose form in the backseat. They must see him on one of the security monitors, because as soon as the doors open you spot them sprinting out of the house toward you, a scanner gripped in Bill's hand. Typical.

"He's okay," you tell them as soon as you're out of the car, instantly alleviating their stress, "He's just exhausted, I think he needs to sleep for a little while."

"Understatement of the century," Frank replies with a relieved laugh, eyeing the backseat, "Think we can get him in the house?"

"Just leave him in the car," Bill says with a wave of his hand, already turning to head back towards the house with the scanner hanging out of his pocket, "He'll be fine."

Your gaze meets Frank's and he rolls his eyes, "Come on, baby, let's get him upstairs." Your brows go up at the pet name, the same word that had fallen from Joel's lips only twenty minutes ago, but then Bill is shuffling back over with an annoyed look on his face and you quickly realize he's not talking to you.

Getting Joel out of the car proves to be a lot more difficult than getting him in. You try a gentle approach at first, brushing his arm and stroking his skin with your thumb again like you'd done earlier. You can feel Frank's eyes on you as you squeeze Joel's bicep, his wrist, his thigh, and you pretend you don't see the look that passes between him and Bill as you step out to let them take a turn.

Bill goes for a much more aggressive approach, shaking Joel's shoulders wildly and practically yanking him out of the car. Understandably, Joel wakes with a gasp and kicks his legs out, hand reaching for his pistol as he frantically tries to escape Bill's grasp. Before he can grab it though, he's suddenly falling forward, knees buckling as he faceplants onto the pavement beside the car.

Well, that certainly wakes him up. His hands press into the gravel and his head shoots up, blood trickling down his nose as he peers up at the three of you, stunned.

"Oh, for fuck's sake, Bill," Frank groans.

"That was not my fault."

Ignoring them, you kneel down and gently touch Joel's shoulder, a concerned look on your face as you eye the splattered blood on the ground, "Fuck, are you okay?"

"What in the hell is goin' on?" he groans, turning to look at you, "Did Bill just break my fuckin' nose?"

"Don't be dramatic," Bill barks, spinning on the spot and heading into the house, "Shoulda just left you in the car."

Joel starts scrambling after him, rising up and standing on wobbly legs, hand reaching for his pistol once again. You and Frank grab him before he can do anything, both of you taking an arm and holding him back.

"Joel, you're exhausted," you tell him quickly, utilizing all your strength, "You just need to lay down. Please."

He turns his face to look at you and something flutters in your chest when you catch the way his eyes soften, the anger in his expression fading as he acknowledges your presence. You can vaguely make out Frank watching the two of you in your periphery, but you try your best to ignore it, instead opting to give Joel a reassuring smile.

"Let's just get you cleaned up, okay?"

You're grateful that Frank leaves you alone with Joel to tend to his nose. You've only met him a handful of times, but each time he'd somehow been able to clock the way you interact with Joel, the way you look at him. The last time you'd been here he'd subtly pulled you aside to give you a few words of wisdom.

"You do realize he's extremely unavailable, right?"

"I- I don't know what you're talking about."

He'd smiled, tapped his nose and given you a knowing look, "And I don't just mean because of Tess. That man is emotionally constipated, kiddo. He's an island." He'd laughed then at your confused expression, shaking his head, "Just be careful, s'all I'm saying."

You'd gone to walk away, forget the conversation even happened, when he'd softly called after you:

"And I'm pretty sure Tess would hang your head on her wall."

You think of those words now as you stand in front of Joel in the small bathroom off the landing, lip between your teeth as you eye the cut on his nose. It isn't broken, thank fuck, but you can see some dirt and gravel in there that you need to clean out.

"It's not broken," you tell him softly. He's sitting on the edge of the bath tub, peering up at you with a much more alert expression. The fall definitely woke him up, not to mention the choice words he and Bill had thrown at each other as you and Frank helped him up the stairs. He's still exhausted though, and he needs to rest.

"I know it's not," he grumbles, "Just wanted to give Bill a piece of my mind for once."

You laugh softly as you reach for the damp cloth beside you, bringing it up to carefully pat it against the gash on the bridge of his nose. You can feel his eyes on you, watching and assessing as you do your best to wipe the area clean.

"I can do that myself," he murmurs.

"I just wanna help," you say quietly, and your eyes fall to his in a knowing glance. He doesn't seem to remember though, just nods and lets you carry on.

It's rare for you to be this alone with him. And by that, you mean this far from Tess. You're painfully aware that it would be impossible for her to walk in at any moment, to see the way you're standing over him, touching him. Frank's words from last time echo in your head but you're not quite sure you believe them; would she really be that angry if she knew how you felt about Joel? It's not like he'd return it, right? The man is twenty years your senior and, as Frank said, extremely unavailable. Not to mention Tess and Joel's relationship has been a point of confusion to you for a year now, still unsure exactly what they are to each other - would she really care?

You reach for the antiseptic - one of the many perks of having an injury in a supply house - and carefully dab some onto the cloth. Your hand trembles a bit as you reach up to carefully hold Joel's chin, your thumb getting lost in his greying beard.

"You haven't shaved in a while," you breathe, your eyes meeting his, and you wonder if you've already crossed a line by even noticing.

He doesn't seem to mind though, sighing deeply, "I haven't slept in a while, so let's hurry this up," he eyes the cloth, "Don't gotta warn me, just do it."

His words bring you back to the present, and you slowly ease the cloth down onto his cut. He hisses a bit, a normal reaction, but it only takes a few seconds to clean and then you're already reaching for a bandage, reluctantly letting go of his chin.

"I was worried about you, before. In the car," you tell him softly, unpeeling the adhesive, "Why haven't you been sleeping?"

His eyes fall to the floor, "I just don't sleep good. Never have."

"Is there anything I can do?"

He shrugs, gives you a humorless laugh, "Handful o' pills and a couple sips o' whiskey usually does the trick."

It makes sense, then, why these past few weeks he's seemed worse. It's been longer than usual since your last supply run and the three of you had started running out of vital supplies over a week ago now, not only for buyers but for yourselves. Joel had written whiskey near the top of the latter list, along with hydromorphone which he'd underlined several times.

"You should've told me you weren't feeling well," you murmur, applying the bandage carefully, "I could've driven the whole way."

"Could've, should've," he dismisses you with a grunt, "Doesn't matter now, does it? We got here, that's what counts."

You linger a little longer than you should on the bandage, thumb falling to gently trace the crease of his nose as you assess your work. It might scar, but it feels pointless to voice this - he already has so many, scattered across his face and neck like confetti. It hurts a little, knowing he's been through so much, seeing the evidence written all over him.

"My mom had this superstition," you tell him softly, a smile playing at your lips as you trace one of the scars under his eye, soft and delicate, "Whenever I got hurt, skinned my knee or busted my elbow playing, she'd bandage me up and then kiss it. She said a kiss would seal her love in there, keep me safe and protected. And if it scarred, that meant it worked."

He blinks at you, expression faltering a bit, "That's...that's a nice thought."

You shake your head, "It's silly, and not true. But... but I still do it anyway, even though she's gone. Just in case," you bite your lip, "I mean, who doesn't wanna feel a little more safe? A little more protected?"

Your gazes lock, and neither of you seem to move, caught in the stillness of the moment and the way your thumb is still stroking his face. You know you have limited time, maybe a few seconds before he breaks it, so without much thought at all you lean down and lightly press your lips to the bandage, eyes closed.

He inhales sharply, a sound that triggers butterflies in your tummy as you hold your mouth against his nose, soft and sweet. It's the closest you've ever been to him, even if you're kissing gauze and not skin - you can still feel the warmth radiating from him, sense the way he freezes below you. A squeaking sound pierces the silence, his hand squeezing the edge of the bath tub tightly. It startles you, your eyes blinking open as you pull back to look at him.

His cheeks are tinged pink, eyelids heavy as he peers up at you with slow blinks.

"You're tired," you breathe, unable to stop your hand from flitting to his hair, pushing a little behind his ear, "Let's get you to bed."

The Joel Miller in Bill and Frank's guest room is not the Joel Miller you thought you knew.

This Joel is loose, pliant. He lets you lead him into the bedroom with a hand on his back, lets you carefully turn him on the spot to reach up and undo the buttons on his flannel. Frank had told you on your way up to make sure Joel didn't get blood on the sheets, so you're only following orders, only doing what you were told.

"Sorry," you murmur softly, fingers shaking every so often as they toy with the buttons, sticky with his blood. Joel doesn't seem to notice though, retreating more and more into the sleepy state he'd been in earlier.

Once his flannel is off you assess his t-shirt and jeans, and you're not sure how to feel about the fact that they didn't get dirty in the fall. On the other hand, though, you're not sure you'd have been brave enough to take them off. Instead you help him toward the bed, pull back the sheets and carefully push him ahead.

"There you go," you whisper, helping him under the covers and pulling the blankets back over him. The sun is streaming through the window, casting the golden light of early evening across the bed, and while it's quite beautiful you shut the curtains anyway, knowing he'll sleep better in darkness. When you turn back around, he's already fallen asleep, lips parted, face peaceful. A different man.

You don't linger, even though you want to.

It's around ten o'clock when you decide to check on him again. You'd watched a movie with Bill and Frank, feeling more than a little unwelcome as Bill tossed you a few dirty looks every so often, though Frank repeatedly told you to ignore him. Now they're in bed downstairs while you pad from your own room across the hall to Joel's, turning the knob carefully. The hinges squeak a little as you open it and you wince.

"Who's there?" you hear Joel grumble from the bed. So much for just taking a peek.

"Me, just me." You push the door wider and walk inside, eyebrows going up when Joel turns on the bedside lamp. He seems a little more rested, although you know he still needs a full night's sleep. "I sent a message to Tess through the radio to let her know we're not coming back tonight - well, Frank did. Picked a song called Tomorrow or something like that."

"Hope it was the Johnny Mathis version," he mumbles, and you watch as he brings his hands up to rub across his face. He accidentally dismantles the bandage and you step forward without really thinking, hurrying to his side and reaching down to fix it.

His hand comes up to grab yours and you freeze in place.

"I can do it," he says, giving you a curt look and then releasing your hand to adjust the gauze himself.

Well, you suppose lax and sleepy Joel couldn't stick around forever. You stand awkwardly by the side of the bed, toying with the edge of the blanket as he rubs his eyes and sits up a little, leaning back against the headboard. He looks so much older in this light; you can see the little flecks of grey in his beard and hair that have been starting to get more noticeable lately, the crows feet, the wrinkles.

He's so handsome.

He turns to look at you with a frown, as if he's only just realizing what you said, "We can go back tonight, I'm fine."

"You're not and you know it. Besides, it's already past ten and now I'm tired, I won't be able to drive."

"I can drive."

"Joel," you surprise yourself by sitting down on the edge of the bed, narrowing your brow as you give him a serious look, "You can't drive. You almost fucking killed us both."

"No I-"

"Yes you did," your tone is firm, suddenly angry - are you angry? - "If I hadn't been talking to you, if I hadn't noticed something was wrong, you would've driven us off the damn road."

He goes quiet at that, frown deepening, the lines on his face more prominent in the low lamplight. You sigh, eyes falling to rest on where your hand is settled on the bed, only inches from his. Part of you wants to reach out and touch, feel the warmth of his skin, the rough of his palm - the other part decides to do something even more stupid.

"You called me baby."

It's out of your mouth before you've even really acknowledged it, and once the words have tumbled out you know there's no taking them back. Your gaze snaps back up to his, slightly surprised to see that he doesn't seem very shocked by your admission.

He clears his throat a little, averting his gaze and shuffling a bit under the covers, "Did I?"

"...Yeah."

You think maybe he'll say something else - anything else - but he doesn't. God, it really is like pulling teeth with him; he's so fucking beautiful but so impossible, never being able to expand on something unless prompted, never being able to answer a single question without jerking you around first. How the fuck has Tess managed to deal with it for so long?

The thought of Tess sends a wave of guilt through your body, Frank's words echoing in your head, but you shove it down.

"What made you... I mean why..." your voice is soft, apprehensive and shy in the quiet of the bedroom, "why'd you call me baby?"

A beat of silence. Then-

"Don't ask me that."

The mood has shifted, your sudden anger ebbing and his annoyance fading into something else, something on the brink of being real. He's avoiding your eyes, peering at the window with the curtains drawn and tapping his fingers anxiously against the mattress, so close to your hand. He's nervous; you're making him nervous.

You stay silent, hoping he'll speak again, hoping maybe just this one time he'll tell you what he's thinking.

"I don't know why."

The words are barely a whisper, almost like he's telling you a secret, and he leaves them hanging in the air briefly before amending - "Well," he sighs and finally looks at you, an emotion you can't place crossing his features, "that's not true. But... I didn't mean - fuck, I was passin' out, for Christ's sake, I didn't realize-"

He cuts himself off again, raising his hand up to press his fingers to the bridge of his nose, briefly forgetting the bandage. He winces when he comes in contact with the gauze, "Can I take this off? It's drivin' me fuckin' crazy."

"Let me do it," you say quietly, inching forward on the bed and reaching for his face. He flinches when you go to touch him, and your hand freezes mid-air.

"Sorry," he mutters, shaking his head like he's shaking off a sensation, a chill, "Go ahead."

With careful - and slightly trembling - fingers, you remove the bandage from his nose. It looks much better than before, no fresh blood in sight, and you suppose it's okay for him to keep it uncovered for the night. Without really thinking about it you gently thumb the side of his nose just shy of the cut, the tips of your other fingers brushing against his cheek.

"It's not too bad," you murmur, and before you know it you're suddenly cupping his jaw, feeling the weight of it in your palm. Your gaze falls to his lips, your thoughts going a mile a minute.

You realize you're close enough that you could kiss him, if you really wanted to. If he really wanted to. All it would take is one small movement, one little push from the both of you, one leap of faith...

And then he whispers your name, almost a warning, and it's like his thoughts are mirroring yours - like he can see exactly what you're picturing, wishing for. Your eyes meet his and you feel a flutter in your stomach when you see the way he's looking at you, a quiet hunger hidden in the deep brown.

You decide to test the waters. You lean in and softly press another kiss to his nose, this time without the gauze in the way. Just like you'd thought, his skin is hot under your lips, soft but scarred, and his smell - god, he smells so masculine and safe, invading your senses as your lips trail downwards to press a small kiss to his cupid's bow, then another to the corner of his mouth. It's sharp, prickly from his scruff, but it doesn't bother you in the slightest - in fact, you kind of like the dull pain, the way it grounds you, keeps you in the moment.

"Baby," he whispers, and a soft little whine falls from your lips without meaning to as your lips move to ghost across his mouth, going for another kiss - a real kiss.

He pulls away before you get there, but then his hand comes up to touch your face, big and wide. He holds you like you're precious, small. His baby.

"S'not right," he whispers, though his thumb strokes your cheek soothingly, "S'not okay for me to want you like that."

You close your eyes at his touch, breathing deeply, "But you do."

"Yeah, I do," you hear him murmur, "You know I do."

"For how long?"

He doesn't respond right away, just continues to stroke your cheek, hold what feels like all of you in his warm palm. You tilt your head a bit to the side, eyes fluttering open to look at him again. You catch the way his lips turn up a little at the movement.

"Too damn long," he sighs, "But that don't... that's not..." he brings his other hand up to cup the other side of your face, holding you still as he peers at you in earnest, brow furrowed, "Point is, we shouldn't... you shouldn't be out here alone with me. Tess knows how I-" he cuts himself off again, and you can see now how difficult it is for him to communicate like this, to be open and honest, "I told her it wasn't a good idea."

"Why?"

He laughs lightly, thumbs circling the apples of your cheeks, "'Cause look where we ended up." He swallows, eyes falling to your lips, "Look where you are right now, baby. Look where my damn hands are for cryin' out loud."

"Keep calling me baby," you breathe, a desperation in your voice that betrays your emotions, tears pricking in your eyes as the weight of this conversation comes crashing down around you. He wants you - he's always wanted you. His words to Tess about not wanting to put you in danger, wanting you to stay away, those soft looks you've shared in his apartment, the small talk, all of it - it's because he wants you.

"We can't do this," he murmurs, leaning in to press his forehead to yours, eyes closing, "I can't do this, you're so- you're too-" he groans, fingers digging into your hair, "You're so young, baby."

"I don't care," you whine, butting your head forward to chase his lips, suddenly yearning to be kissed and held and protected by him, be wrapped in his embrace.

But he pulls away, removing his hands from your face and shuffling back a bit on the bed, away from you. Your hand drops but you reach out pathetically for him anyway, moving closer, attempting to pull the covers back. His hands capture yours and he squeezes them firmly, shaking his head.

"You need to go back to your room," he tells you, and his tone has changed from soft to serious, "It's late and I'm... well, you know I'm fuckin' exhausted. And you've had a long day." He looks at you with pleading eyes, like he's silently begging for you not to put him in this situation, "Let's just call it a night, okay?"

"But-" you start, tears shining in your eyes.

"Please," he breathes, "Please don't make this harder than it needs to be."

You do not want to get up from his bed. But you do.

You do not want to leave his room. But you do.

You do not want to lie awake in your own bed, staring at the ceiling, thinking about how his hands felt on your face, the way his eyes searched yours, the way his skin felt under your lips.

But you do.

You lie there for hours, thumbs twiddling against your belly, tears trickling down your cheeks every so often. All you can hear in your mind over and over again is the word Baby, punctuated by that soft groan he'd made, the way his thumbs had stroked your cheeks, how large and warm and safe he'd seemed in that bed.

All you want to do is be in that bed with him.

So it's no surprise when, as the sun is beginning to rise and that warm golden light starts to stream through your window, you crawl out from under your blankets and cross the hall one more time.

"We shouldn't" he murmurs when you climb into bed with him, when you tuck yourself into his side and bury your face in his shoulder, but his hands are already in your hair, fingers stroking along the back of your head.

Your bodies mold together like they've always been meant to fit that way, your legs tangled with his, arms trapped under big biceps and hairy forearms, breasts flush with his suddenly bare chest.

"I wanna be your baby," you whisper.

The nose you'd kissed brushes slowly up and down the side of your face, and he doesn't hesitate this time. He reaches up to turn your head, presses his lips against yours and lets you melt into him. Lets you trail your hand downward to unbutton his jeans in the silence of the early morning.

"You already are."

[deliciousangelfestival]

The Imperfect Couple - 1 | Bucky

Character: politician!Bucky x ex-wife!reader

Summary: A separated couple must pretend to be happily married while the husband runs for Vice President, dealing with old issues and political pressures during his election campaign.

Chapter 1 , Chapter 2 , Chapter 3 , Chapter 4 ,Chapter 5 , Chapter 6 , Chapter 7 , Chapter 8 , Chapter 9 , Chapter 10 , Chapter 11 , Chapter 12 , Series Masterlist

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

You were exhausted. Having just returned from covering another incident, you were familiar with the grueling reality of being a journalist in a foreign country.

Limited access compared to local reporters made the job even more challenging. Despite your fatigue, this was the career you had chosen and loved.

When you arrived at your apartment, you noticed a woman waiting for you. She was shorter and bustier than you, with curly, short red hair. The woman approached you with a confident stride.

“Hello. My name is Natasha,” she introduced herself, handing you a business card.

You glanced at the card, noting her affiliation with the Secret Service.

Is this for real?

“Yes. How may I help you?” You asked, confusion evident in your voice as you fumbled with your keys at the doorknob.

“I’m here to bring you back home,” Natasha replied.

“Why?” you asked, still trying to process why a Secret Service agent would be looking for you.

“Because your husband is looking for you,” Natasha said.

You froze, your mind struggling to make sense of what you had just heard. Turning slowly, you looked at Natasha, your face betraying a hint of incredulous amusement. “I’m sorry? You must be mistaken. I’ve been divorced for years.”

“Yes, I know the story,” Natasha said, her tone steady.

“Goodbye then,” you said quickly, attempting to close the door. The mention of your ex-husband was something you had left behind, and you wanted nothing to do with it.

“The divorce was never finalized,” Natasha said firmly.

“What?” you exclaimed, your eyes widening in disbelief. You had signed the documents, or so you thought. You swung the door open wide and saw two more men standing beside Natasha, their presence making it clear you were outnumbered—three to one.

“Seems like you’ve come to understand the situation,” Natasha said. “I’ll explain everything, but for now, you need to follow me.”

What she meant by following her quickly became apparent as the men gently but firmly guided you toward a car.

Inside, you hoped Natasha would provide answers, but she continued making calls, leaving you in a state of growing frustration.

Upon arriving at the airport, you realized it was not a regular one but a private jet facility.

“Let’s go,” Natasha said, gesturing toward the plane’s stairs.

As you climbed aboard, you noticed Natasha following closely behind. An air steward offered you a tray with a cup of jasmine tea. You took a sip, the delicate aroma providing a brief moment of comfort.

“Let me guess, this is his plane?” you asked, your tone tinged with suspicion.

“Yes,” Natasha nodded.

As the plane took off, the tension in the cabin was palpable.

“You still haven’t said a word,” you remarked, trying to break the silence.

“Because of the timing and for precautions,” Natasha said, her expression serious. “You won’t like what I’m going to say.”

“Tell me something I don’t hate more. You know how much I despise my ex-husband and his family,” you snapped, the bitterness clear in your voice. The memories of their interference and disdain for your background still stung deeply.

“Your husband is going to be the candidate for Vice President,” Natasha said, her voice steady despite the gravity of the news.

“...What?” you replied, your voice barely a whisper as you processed the information.

Natasha didn’t respond immediately. Instead, she pulled out a tablet and handed it to you. On the screen, you saw a video of your ex-husband. He stood proudly in a suit, smiling and raising his arms as the crowd erupted in cheers.

The title beneath the video read, “James Barnes: The Youngest Candidate for Vice President.”

You gasped, your disbelief palpable. “This is a joke.”

“Hundreds of supporters don’t think it’s a joke, ma’am,” Natasha replied, her tone matter-of-fact.

“And the reason I’m here is because he needs you,” she continued.

You clenched your fists in anger. The reason for your resentment was clear: his ambition and his family’s obsessive involvement in politics. Their relentless meddling had been one of the key reasons for your separation.

“Turn this plane around,” you demanded, your voice strained. You didn’t understand why, but exhaustion was overtaking you, and your eyes felt heavy.

Natasha glanced at her watch, a hint of sympathy in her gaze. “You must be feeling sleepy.”

You widened your eyes and looked at the tea cup, realizing its effects. You shot Natasha a glare, frustration mixing with fatigue.

“I’m just doing my job, ma’am,” Natasha said, accepting a blanket from the air stewardess.

You wanted to protest, but the energy drained from you. As your vision dimmed, you felt a wave of drowsiness. You closed your eyes and succumbed to sleep.

Natasha watched you as you fell asleep, then carefully draped the blanket over you. She turned to her colleagues with a resolute expression. “Tell him to pick up his wife.”

✈️✈️✈️✈️✈️

You slowly regained consciousness, your head feeling heavy and foggy. As you blinked open your eyes, the reality of your surroundings became clear: you were still on the airplane, but it had stopped moving. The plane had arrived, and you were still groggy from the drugs.

“Welcome home,” a familiar voice said.

You widened your eyes, trying to focus on the figure before you. There, standing with a knowing smile, was your ex-husband, Bucky.

His smile seemed almost out of place given the situation, and you found it impossible to return it. You struggled to sit up, your limbs feeling leaden.

“Of course,” you said, your voice thick with sarcasm. “The last thing I needed was to wake up and see your smug face.”

Bucky’s expression remained impassive. “Careful now. You wouldn’t want to offend the future Vice President.”

“Future Vice President, huh?” you shot back, your irritation flaring. “Is that why you dragged me back here? You need a trophy wife to complete your perfect image?”

“You’re not just a trophy wife,” Bucky said, his tone dripping with condescension. “You’re a crucial part of my public image. A divorce would be a PR disaster.”

“Is that right?” you snapped. “You’re using me as a prop, aren’t you? You couldn’t just leave me alone. Some of us have lives outside your political games.”

“You think this is bad?” Bucky said, frustration seeping into his voice. “Imagine what would happen if the public found out about our separation. It’s all about maintaining appearances.”

“You’re still the same,” you said, your anger flaring.

Bucky’s expression hardened. “Let’s be honest here. You wouldn’t have left if you didn’t think I was using you. But if you think this is a game, you’re wrong. I need you to play along until the election.”

“And if I refuse?” you challenged.

“One year,” Bucky said, his gaze steady. “Until the election is over. Then I’ll give you anything you want. Just play the part of a happy wife until then.”

You knew why he needed you. His political career depended on maintaining a perfect public image. Only a few people were aware of your separation, so you had to pretend to be a happy married couple to avoid public scrutiny.

As you struggled to stand, Bucky stepped forward to help you. His touch was steady but impersonal. Both of you exited the jet, greeted by a throng of press and cameras. The narrative they were fed was clear: the Vice Presidential candidate picking up his sick wife.

With the press closing in, you turned to Bucky and said, “I see you’ve thought this through. Dragging me back here like a prized possession. What’s next? A public appearance where we hold hands and share a tearful reunion?”

Bucky met your gaze with a calm but resolute expression. “It’s not just about appearances. The election is critical, and I need stability. Having you here will help maintain that.”

“You’re the only one I could turn to. I need you,” he said.

The words “I need you” echoed with the same urgency he once used, the very words that had drawn you to him. But now, they felt hollow.

Bucky’s expression remained unchanged. He had no apologies to offer, and the facade of your ‘happy marriage’ had to remain intact.

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[citricacidprince]

could you draw the courtroom scene with relativity falls? (mabels bubble)

Gladly!!! I’ve already brought up some Stan Weirdmageddon Bubble stuff here, but the equivalent of the Mabel Trial for Stan makes me wanna blow up I just adore it!!

Okay, so first things first, here’s Captain Stan’s design, my precious baby boy <3

Figured it’d be fun to mix some aspects of Grunkle Stan’s Mr. Mystery outfit with a pirate twist, just for fun!

As for the ‘trial’, its more of a argument between two boys who just WONT talk about their issues

Fiddleford, Boyish Dan, and Anjelita are also there, but Stan isn’t mad at them. In fact, he doesn’t even care that they’re breaking the rules by being there, he’s only mad at Ford. He’s mad that Ford was just going to leave him behind and send Stan back to New Jersey by himself while he stayed and studied with their Grunkle Dipper. Leaving Stan all by himself at home. Alone to deal with their father. Alone with no friends. Alone to be the family disappointment.

But no matter how mad he gets at Ford, Stan can’t ever say that he’s hates him, and Stan would give him a million chances to fix things. So, instead of immediately throwing Ford off the deck of his ship, he gives him an ultimatum. A very easy solution to all of this.

All Ford has to do is say that he’s sorry, and Stan would let him go. He won’t leave the bubble because he actually really likes it in there, but he’ll let Ford go.

This.. doesn’t end very well

Stan, absolutely heartbroken, decides to make his brother walk the plank. If he’s dead to Ford, well then Ford is dead to him as well.

However, right before his crew could push Ford into the water, something happened.

You see, when Stan unknowingly gave the rift to Bill he only had one wish. That he’d never be alone again. So when he first appeared in his bubble it was actually completely dark and empty, except for a small light glowing in his hands. It was a little version of Ford. He smiled and laughed just like he did when they were a bit younger, and he said everything Stan wanted to hear.

Very quickly Stan realized he could manipulate the bubble and create anything that he wanted, just like he could back in the Mindscape. So he created what he knew. Glass Shard Beach, New Jerseys. It was full of never ending boardwalks, houses and attractions with silly names, and that beach he loved so much. It didn’t take long after that to realize it was still quite lonely, even with Lil’ Ford (a name he lovingly gave the small version of his brother). However, he didn’t want the town to be full of faceless nobodies or people he actually knew, that’d be weird.

Then he had the genius idea to just fill the town with himself! After all, he never had to worry about himself betraying him or leaving him behind!

Soon the town was overrun with imperfect duplicates of himself and he couldn’t have been any happier.

However, the duplicates were so much like him that it soon made a new problem arise. They started asking about Ford. Like, ‘Where is he?’ ‘Can you make one?’ ‘I miss having him around.’

Stan did have Lil’ Ford hidden under his pirate hat, but he didn’t want to tell the other Stans that he was there. He didn’t know exactly why he kept Lil’ Ford hidden away. Probably a mixture of bitterness and anger still aimed at his real twin brother and a selfishness to keep Lil’ Ford to himself. So he just declared that Fords were banned altogether and left it at that.

This was a problem when right as Stanford was about to pushed off the plank, Lil’ Ford came out from under the Captain’s hat and told Stan to stop all of this.

The two bicker for a moment and some Stans ask who that is, causing Lil’ Ford to happily state that he’s Stanley’s brother, that the two are going to sail the world together, and that he loves Stan very dearly.

This doesn’t go over well with literally any of the Stan on board and it especially doesn’t go over well with Ford

The Stans pull a mutiny and try to kill Stan because they don’t think he should be Captain anymore and one of them should run the town instead.

Hard cut to Boyish Dan, Anjelita, Fiddleford, Ford, and Stan having a high speed boat chase with other Stans and popping the bubble while escaping. (I like to think Stan popped the bubble at the last second with the help of Shanklin <3 )

Stan is NOT happy about having to leave his Weirdmageddon bubble.

“You should have left me in there. I was HAPPY there.”

“Who cares if you were happy, you were living a lie! A sad delusion! You should be happy we pulled you out of there!”

Boyish Dan has it cut in before the two start fighting right then and there

Stan eventually calms down enough to decide that he’s going to save their Grunkle Dipper from Bill, but there is a thick tension between Stan and Ford that last until the huge blow out fight at the Cipher Wheel

A fight that started because Stan wanted Ford to finally say it.

‘I’m Sorry.’

[artist-issues]

“At least it's not ferociously attacking God quite as directly as Steven Universe did…”

Not that I’m surprised by this statement, but can you elaborate on this? Kinda intrigued by your thoughts on Steven Universe.

Okie dokie, you’re not the only one who has asked me about this, so I suppose I’ll poke the hornet’s nest. 😅 I haven’t talked about this before because I assumed that everyone who wanted to hear my kinds of opinions on stories wasn’t watching or interested in Steven Universe.

It’s like asking vegetarian if they enjoyed a turkey dinner. The turkey dinner was so obviously not made for vegetarians to enjoy, so why would the vegetarian even bother analyzing the turkey?

But I think if some people are asking me why I think Steven Universe is anti-God (of the Bible) its because maybe they don’t know what the turkey is. Not completely. (Maybe not you, because like you said, you’re not surprised by my comment.) So I’ll explain my thoughts on Steven Universe.

If you’re just following me because you liked some stuff I posted, but didn’t realize that I’m a Bible-believing Christian and don’t want to hear about it, unfollow me now. Because I’m going to talk about some hot button issues here and the trolls will come out.

Steven Universe is really well-done. The jokes are funny, the writing is believable, the characters have great chemistry, great design, the concept is fascinating, the slow build-up and reveal of the plot elements is great. But when you watch the throne room scene in the last episode of Season 5 “Change Your Mind,” it’s alarmingly clear how much the whole show is not just settling for defending and championing the LGBTQ+ worldview—it goes all the way to attacking what Christians believe, on the other side.

Anything that’s pro-LGBTQ+ is doing that by default, but this show goes out of its way to do that.

You have to understand: God created and designed us. Deeper than that; He created and designed romantic relationships, and invented marriage. He didn’t just create love—He is love. So when humans come along and do what we’ve always done since the fall, and say, “I’d rather define what Your thing is and how it works for myself, God,” it’s not only an incredible slap in the face, it’s an attack on God’s actual identity—and it’s destructive for us and the people around us. Like a fish insisting it can breathe oxygen.

But Steven Universe goes beyond that. It knows that the Christian worldview is it’s biggest opposition. It digs right down to the heart of the worldview-battle. LGBTQ+ worldview says, “I should get to love what I want and be who I am, because I’m me. Love is love. (By which I mean, any action or relationship I choose to call love is love, because I’m the one calling it that.)”

Biblical worldview says “No, wait, you shouldn’t base your decisions on you alone; what you want changes day to day, and you’re broken, so you can’t ever be satisfied based on what you want—the Bible says God made you for something, and you rejected that, and it broke you. You’re not how you’re meant to be: even what you want and what you think love is is twisted up and can hurt you and others. But if you submit to God He’ll help you, He’ll fix what’s broken and give you new life by making you how you were supposed to be: He’ll live in you and through you.”

Are we beginning to get the picture?

See, the whole thing with the opposing views between LGBTQ+ and Christian people is as old as time. It’s not a new debate. It’s Satan and Eve in the garden. She says, “This is not how God said things should be,” and Satan says, “Are you sure that’s what He said? He knows if you do this thing, you’ll be like Him. You’ll be god: you’ll get to decide ‘how things should be’ for yourself.”

He lied and said that disobedience would satisfy her. That she knew what her own heart needed better than the God that made it did. That the very act of being imperfect would make her godlike.

And then Steven Universe comes along and says “if every pork chop were perfect, we wouldn’t have hotdogs.”

And has a cast of created being characters who’s imperfections (Garnet’s forbidden “love,” Pearl’s obsession, Amethyst’s insecurity) are supposedly “the best thing about them; what makes them who they are.”

And has a main character who used to be a part of the god-like creator relationship, but used her power to come down to earth and completely change who she is into a fully different person.

And has a godlike Creator character who claims she “doesn’t need” her created beings (just like the God of the Bible) but they all have a little part of their creator in them so she has to repress their imperfections; she holds them all to a standard that’s impossible to reach called “perfection” and punishes them when they don’t meet it even though it hurts them to try; she expects them all to do what they were created by her for; she fixes them when they can’t meet her standard by shining her light through them and making them extensions of their Creator.

And has a main character who argues, fights back, tries to stop her, and is answered with lines that sound surprisingly like what LGBTQ+ people hear when Christians argue with them: “you’re only making things worse; you’re just deceiving yourself; even while you resist it your actual light can’t help shining through,” etc.

White Diamond just wants everything to be perfect. Like her. She just wants her created beings to “be themselves.” But what she means is, be how she created them to be.

And she’s the bad guy. She’s playing God in this show, and Rebecca Sugar is saying, “If God is telling us that can only be happy by being perfect, as He is perfect, and doing what He created us to do, then He’s wrong. Our imperfections are what make us special—unique—individuals—free—and there is nobody who has the right to take that freedom away from us, not even out creator!”

And you know what?

If God were like White Diamond, like Rebecca Sugar believes Him to be, Steven Universe would be right.

But He is NOT.

God is not a dictator who forces us to conform to a standard of perfection and then smashes us when we don’t meet it. He is a King who made us perfect to begin with, and we rejected him, because He allowed us to do that. He knew that true love was love that had to be chosen, and He wanted us to love Him by choice, so he gave us the option. But Rebecca Sugar doesn’t understand—there was never “Choose God or Choose Yourself.” There was only, “Choose God or Choose Nothing.” There was nothing except God. Then He created everything. There is no version of reality where you have something better than God, or even slightly less good but different, to pick. You’re not jumping from one ship into a smaller one, but at least it’s yours—you’re jumping from one ship into a void, and then complaining that there’s no other ship. That’s humans. That’s not God. / White Diamond didn’t make her creations perfect (Amethyst) and she didn’t make them for love. She made them for power. That’s not the God of the Bible.

Even when we did choose to try and love ourselves instead of God, and therefore warped our ability to perfectly love at all, He didn’t smash us. True, everything fell and was cursed, which is exactly what He warned us would happen if we chose it, but it was a natural consequence of breaking ourselves. And then He didn’t leave us that way. He didn’t give up on us. And He certainly didn’t just zap us, snap His fingers, quick-fix it and turn us all into robots who are extensions of Him, who say they love Him but only because it’s His voice puppeting us to say it.

No. He came to us, chose to give up His life at the exact point on the timeline when Romans, masters in the art of slow, humiliating, torturous death, would be the ones to carry out His crucifixion, and saved us Himself. Through the sacrifice of His own life. And even then, we still have a choice. We get to choose to accept that incredible self-sacrifice when we don’t deserve it, and be given new life and a relationship with the Creator who knows us and loves us better than we can love ourselves or receive love from others—OR we can just keep stubbornly insisting that our slavery to the opposite of what God wants is somehow freedom, and our twisted versions of love are genuine, and we’re not broken, and die like that. Die broken creatures who lived their whole lives stomping their feet and screaming “I’m not a creature, I’m a god!”

White Diamond sacrifices nothing, because Rebecca Sugar doesn’t know the God of the Bible. She just knows her idea of Him. She’s never actually gotten to know Him. If she had, she’d learn how silly and twisted her idea is.

Because you know what, yeah, if every pork chop were perfect, we wouldn’t have hot dogs. But people aren’t pork chops. And hot dogs have flavor (not better than pork chops) but they are awful for you.

Christians aren’t perfect cuts of meat with no individuality or flavor. Just because we all know and love the same God doesn’t mean we have no personalities. It just means we don’t think so freaking much about what we are, or who we get to be, or what we like and want. Jeez, what a self-centered, narcissistic, self-obsessed way to live. She plays Steven like he’s this wonder-child, innocent and full of heart, who encourages his friends to love and keep trying. But honestly?

This is very pretty animation but it’s not real. Steven looks happy hugging Steven but self-love doesn’t ultimately get you that.

That’s all based on the premise that what he’s encouraging them to do is actually good, and will make them happy, and will help them love better. And it just won’t. Not in real life. That’s not how any of this works. Self-love is just self-obsession. And that is a sure-fire way to hurt you, and everyone around you.

You’ll never be free by choosing to run to a worse master. You’ll never be satisfied with your crappy attempts at loving yourself, because you were made to be loved flawlessly and forever by someone who is Love Himself.

And choosing to identify with your imperfections doesn’t make you uniquely you. It just makes you exactly like every other human being marching in the same line since the Fall.

White Diamond’s not relational. She’s up high and distant. That’s not God. He made you to be in relationship with Him. He loves you, totally and perfectly, and He proved it by sacrificing for You.

So yeah. That’s the problem with Steven Universe. Come get me, SU fans.

[twentyfivemiceinatrenchcoat]

FOOLISH SPRING WINDS, BLOW MY WAY ; SATORU GOJO

summary; a snippet of the spring you share with a certain satoru gojo — who seems intent on making your high school life as difficult as possible.

word count; 5.4k

contents; satoru gojo/reader, gn!reader, enemies to friends (..but the ’enemy’ part is kinda one-sided), fluffy n sweet overall, satoru doesn’t know how to make friends + thinks lighthearted bullying constitutes as a bonding activity, he’s a little shit but he means well, switching povs, lots of gojo slander (but reader sees the light eventually), big shoujo vibes, they’re both tsunderes <33

a/n; i ended up scrapping the series i wrote this fic for originally, so i thought i’d rewrite it and repost it on its own!! teentoru is such a grumpy little kitten i need to squish his paws

satoru gojo is annoying.

it might seem blunt, but after many weeks of careful thinking, you’ve decided no description could possibly fit him better. 

when you first met him, on that first day of school, you had no idea what to think. no real expressions or tonal shifts to clue you in on who he was, how he felt — nothing but the slightest peek of a terrifying blue to set your nerves on edge. 

in hindsight, you’re almost certain it was intentional. he wanted to appear unreadable. purposefully hiding his personality and mannerisms, to gain the upper hand — observing you, dissecting you inside his mind, while revealing nothing about himself apart from his surname. 

it’s a kind of power; a safety measure.

… but evidently, holding back isn’t exactly gojo’s forte. the very next morning, he was already beginning to loosen up, after getting more accustomed to the new environment and classmates. showing you his true colours; just a little hint of cerulean, a single dip of paint on the blank canvas of his soul.

and with the revelation of his genuine personality — your unease around him festered even more.

where could you even begin to describe him? for one, he’s childish. and cocky. and loud. arrogant, selfish and flamboyant — just generally an asshole? you could go on and on. none of the traits are particularly flattering, and you know he couldn’t care less.

gojo is annoying, plain and simple. almost constantly up to something, eager to push someone’s buttons, to get attention. like a bratty toddler. uninterested in manners, or even common courtesy; he says what he feels, regardless of how other people take it. 

to put it simply, he has no regard for the people around him. his self-interest is limitless. 

as if that wasn’t annoying enough — you have no choice but to admit that he does have a certain presence to him. a kind of charisma, or what you think could become charisma, if he’d just get off that high horse already. he won’t, though. you know he won’t. he revels in it, in looking down on everything and everyone, annoyingly boisterous and irritatingly tall. freaky, long limbs. like a noodle and an alien had a baby.

but, more than anything — above all else — what frustrates you most is the fact that his unbridled confidence isn’t exactly unwarranted.

as much as it pains you to say it… gojo is maybe just a little bit incredible. a natural-born genius. he’s intelligent, and observant, and awfully pretty, with those baby blues eyes and those snowy locks of hair. and he has no issue getting what he wants. 

absolutely zero. 

there’s something admirable about it, in a twisted way. like he doesn’t even need to try. he’s good at anything, if he just gives it a single chance. you can only assume he’s never given much thought to the prospect of being a decent guy, because that’s the only thing he sucks at.

effortlessly perfect, in the most imperfect of ways. that’s probably how you’d describe him.

… annoying is still the most fitting word, though. or maybe obnoxious. he’s got this spoiled rich kid vibe that irks you, gets under your skin. you doubt he’s ever had to empathize with anyone, in his entire life. 

and, yes — maybe you’re being a little harsh to him. but why should you bother being jovial when he won’t return the favour?

gojo is annoying; and when you say that, you mean annoying to basically everyone. as a basis for existing. always teasing and taunting, looking down from that high horse of his. you’re no exception to this rule, of course. but you’re almost certain that he has it out for you specifically.

you know he looks down on you, from behind those tacky sunglasses. you’re sure of it.

compared to geto or shoko, you aren’t very self-assured — and you think he must have sensed it the moment he laid eyes on you. sensed that you’re a little meek, a bit of a doormat, easy to push around and get a rise out of. maybe he also noticed your apprehension towards him, your apparent unease. 

you’re easy prey, to put it simply.

evidently, he’s developed a fondness for getting under your skin. it started as soon as introductions were over, and it still hasn’t gotten better. he loves catching you off guard, throwing you an unneeded comment or two, just to see what reaction you’ll give him next. almost like he’s solving an equation — said equation being you, the limit of your patience. and you keep giving him what he wants; a scoff, a roll of your eyes, an earnest fuck right off. you can never seem to successfully ignore him. he’s just far, far too good at being insufferable.

… and, more than anything, he’s far too out of reach. even when you try to get along with him, it backfires. you don’t have a single thing in common. you don’t understand him at all. 

(and that suits you just fine.)

a heavy sigh slips from your parted lips, as you examine your blurry reflection in the surface of the mirror. fatigue clings to your skin like a layer of sweat, your mind muddled, stuffed with anxious thoughts and discomforting feelings.

you’re exhausted. completely and utterly spent, even though the day’s barely begun — running on three pitiful hours of sleep, all broken up and jumbled by nightmares that wouldn’t stop spooking you. not a single wink of proper rest. 

and it’s painfully obvious. in your face, your posture, the dark crescents beneath your eyes; in the way you can’t help but drag your legs as you walk, your hair disheveled, little sighs and grumbles slipping from your lips for every step you take. all you can do is sluggishly blink the exhaustion away.

you just feel so tired.

it could be worse, though. you don’t have any classes today, no real reason to get out of your comfy bed, leave the safety of your cozy little dorm room. but you need breakfast, right now, or else you’ll literally explode — so you still get up on shaky legs and try to mimic the appearance of someone… even moderately well-rested.

it doesn’t work, but that’s besides the point. 

so you make your way to the dormitory’s shared kitchen. walking idly — clumsily — enjoying the sight of fleeting, fluttering cherry blossoms through the windows you pass. little pink butterflies.

once you’ve crossed the threshold, you’re relieved to find the open space entirely devoid of people. no shoko, no geto, not even a mischievous gojo. running into the first two wouldn’t be the end of the world — but it still wouldn’t be ideal. you don’t want anyone seeing you like this, tired and meek, a little vulnerable.

(least of all gojo. you shiver at the bare thought.)

with laboured, groggy movements, you waltz around the kitchen, getting cups and plates and turning on the coffee machine. enjoying the soothing melody of the pan sizzling, singing along to the purring of espresso being made. it’s nice and pleasant to your sensitive ears, as you blink under the rays of sunlight shining in, throwing together a lazy breakfast. 

you waste no time in taking a seat by one of the tables once you’re finished. eager to soak in the peace and quiet, wolf down a sandwich and copious amounts of caffeine.

but, as always — the world seems to have it out for you specifically.

”oh? well, look who it is. and here i thought you had left too.”

you stiffen. ever so slightly, barely noticeable, but still enough that you physically feel the dread envelop every single cell of your body. the voice that echoes out across the open air is a chipper one, a familiar one. a voice you were desperately hoping not to hear today. 

all you can do is continue to sip from your cup of coffee, inwardly wincing, silently going through all five stages of grief simultaneously — before accepting your unfortunate predicament. 

(that’s just your luck, isn’t it?)

finally, you raise your weary head, knowing exactly what sight you’ll be met with once you do. 

and, lo and behold — there he is.

gojo looks the same as always. grinning brightly, a little woflish, wearing those ugly sunglasses and making his way across the room like he owns it. a trait you can’t help but admire, envy, hate and worship at the same time. he plops down next to you like it’s nothing, a little too close for comfort, unconcerned about your concept of personal space.

”whatcha up to?” he chirps, in that sugar sweet tone, layered over with a boyish kind of excitement. there’s a teasing tilt to it, too — the one that always accompanies his voice when he’s speaking to you.

under normal circumstances, you’d flip him off. maybe even just glare at him, silently, or raise a brow in challenge.

but you’re far, far too tired to. too anxious. too in need of sleep, in need of a peaceful breakfast that he oh so cruelly ripped from you. all you can muster is the energy to glance his way.

for just a second, your eyes meet. not like you can actually see them, from behind his glasses — but you know they’re there. menacing and uncanny, bright and excited. too much to handle, right now.

”… morning.”

as soon as the mutter has left your lips, you take a tentative bite of your sandwich. gaze trailing sluggishly back to your plate.

gojo blinks.

he immediately notes that your voice sounds meek. even more so than usual. he expected you to give him a scoff, or even just a timid huff — but no such luck. 

you’re just sitting there, quiet, curling into yourself.

after a moment’s consideration, gojo opts to look at you. to really look at you, study your face, the way those twitchy fingers move to curl around the ceramic handle of the cup you’re drinking out of. the way your eyes shift from place to place, unfocused, your eyelids flicking shut every couple seconds. slow.

he’s always been observant — but it doesn’t take a genius to see that you’re tired. 

gojo is silent, for no more than a mere moment; contemplating his next course of action. he’s never seen you like this, before. did something happen?

…

(— well, it doesn’t matter. not his problem.)

”you look like a zombie,” he grins, a little teasing, showing off the white of his teeth. even though you look out of it, he can’t help himself — despite his own intuition telling him to let you be. 

you’re just too fun to tease. suguru and shoko only ever raise their eyebrows at him, or stare him down like a misbehaving dog, but you always have a good reaction to give. something to entertain him when he’s bored, distract him when his mind is too full of noise. 

so he can’t help but tease you, a little. hoping it’ll soothe the restlessness inside his chest.

but for once, what gojo expects isn’t what he gets. 

what he expects is for you to glare at him. tell him to leave you alone, or even just sigh in exasperation — either one would be fine. it’s just mindless enjoyment, to him, a little fun to lighten up his day. 

especially now, when suguru is away on some day trip he wasn’t privy to. that traitor. shoko is nowhere to be seen, either, probably off smoking in some random alleyway. or hanging out with one of the kyoto losers.

… the whole dorm is so eerily quiet.

(gojo would never admit it, not in a thousand years… but maybe he’d feel just a little bit lonely without any of you around.)

for a while after waking up, he assumed he’d have to spend the whole day alone. no one to talk to, no one to look at. he was practically dying of boredom. but then he entered the kitchen — and saw his saving grace. his dear little irritable classmate. 

he was so relieved. content in the knowledge that he’d get to push your buttons to his heart’s desire, bask in your playful banter and cold, joking little looks until suguru finally comes home.

only this time — you don’t react at all. 

you don’t give him what he expects, don’t indulge his little antics, in the way he’s grown so accustomed to. you just keep eating your breakfast, and drinking your coffee, in total silence. 

gojo waits, just a couple moments more. hoping for a delayed reaction, a witty counter, a snarky comment. anything. 

but it never comes.

finally, he starts to sulk. slumping against the leather seat behind him, quieting down with a low huff. furrowing his brows, as his glossy, cherry-tasting lips curl down into a little pout.

honestly, he’s kind of annoyed. just what is your problem? what is with you, today? 

… it’s no fun if you’re not playing along. 

gojo can’t help but grumble, a little, under his breath. you’re usually so responsive, so easy to rile up. so what’s wrong? why are you just sitting there?

…

whatever. so what if you’re not talking to him? so what if you won’t even spare him a glance? gojo has better things to do, bigger fish to fry. he wasn’t even that excited, when he saw you. the thought of bantering with you didn’t lift his spirits, even in the slightest. 

not even a little bit.

…

but, really — would it take so much effort for you to just say something? to just respond to his friendly little quip? you can’t possibly be that tired. 

or, what — did you get insecure, or something? because he called you a zombie? no way. you’re not that sensitive… are you? or is that it? 

what a hassle.

you know he’s just messing with you. he knows you know. so why are you acting so…. 

(sad, gojo wants to think, but he buries the thought before it can reach his frontal cortex. he doesn’t want to empathize with you, not right now — doesn’t want to feel that discomforting pang in his chest.)

a strange sensation bubbles up in his chest. something frustrated, a little unnerved; at your lack of a reaction, the weak glint in your eyes. he just doesn’t understand why — and that frustrates him even more. 

why can’t you just bite back, like always?

(… it’s fun when you do.)

the silence lingers on, stretches out across the room, festers and grows as you gulp down your breakfast. all while gojo keeps on sulking, still sitting beside you, waiting for something to happen. he briefly considers getting up and leaving, or saying something annoying to hopefully spur you on —

but you stand up before he can convince himself to go through with either option.

having finished your breakfast, your legs carry you to the sink. finally, you can head back to your room. gojo’s being weirdly quiet, but you pay no mind to it; methodically washing your dishes in silence. 

you don’t bother saying goodbye to him, either. still sitting there, seemingly deep in thought, grumbling something under his breath. 

he watches as you leave, gaze trailing after you, until you’re completely out of sight. 

then he lays down, flat on his back, with a frustrated huff. trying desperately to brush away the memory of your dim eyes, the slight frown on your lips. the dark circles under your eyes, that he tried so hard not to notice because they made him feel so weirdly uncomfortable. the meek, meek look you gave him.

gojo sighs.

(he feels just a tiny, tiny bit bad.)

when you wake up from your slumber, you immediately note that your body feels lighter.

this time, no nightmares came to haunt you. having practically collapsed once your head hit the pillow, your body finally decided to give you some peace of mind, some well needed rest. thankfully.

with a groan, you lazily stretch out your limbs — enjoying the feeling of your veins waking up, gaze falling on the clock on your wall. you’ve only been asleep for about two hours, or so, but it’s more than enough to give you the little jolt of energy that you need.

what to do, what to do. you still have the whole day ahead of you. another nap wouldn’t hurt, but you don’t want to waste your precious free time just rotting in bed — maybe you could take a walk around the schoolyard instead? the cherry blossoms have started to unfurl, and the grounds of the school are just littered with them.

even just the mental image is enough to have you changing into some light and comfortable clothes, reaching a hand out to push your door open. excitement stirring in your veins.

as you do so, something is knocked over.

all you hear is a soft little thud, accompanied by the sensation of something colliding with the door. a low curiosity overtakes you — eagerly peeking around for a look at the mysterious something.

your gaze falls on something pink.

it’s tiny, awfully out of place, just laying unassumingly on the dusty floorboards. as you crouch down to get a better look, you recognize it instantly; a small carton of strawberry milk. a plastic straw plastered on its side, and an evil looking cow mascot staring at you from the front. one of the items sold in the schoolyard’s vending machines — your personal favorite. you drink it every time you need a tiny pick-me-up, the sweet taste always managing to soothe your spirits.

and it was sitting right outside your door.

you stare at it, silently, in deep contemplation. holding it in your hand as the gears turn inside your head. could someone have dropped it? no, that’s dumb — who’d drop it right outside your door and then not pick it up?

… did someone leave it for you, then? because they know you like it? that could be it, maybe, but who would —

…

your mind stills. 

(no way.)

when you think about it — that’s the only explanation that makes sense. shoko and geto aren’t there, and you barely know any of your senior students. yaga-sensei would never give you strawberry milk without a lecture on the dangers of cavities, either.

that just leaves one possible culprit.

but you can’t wrap your head around it. why would he do something like that? he doesn’t like you — you know that much. so it couldn’t possibly be him.

… then again, you have seen him drink it. both of you like it, contrary to your other classmates; shoko doesn’t like sweet things in general, and geto wouldn’t go for strawberry milk if he could choose something else. it might as well be the only thing you and gojo have in common — the one thing that binds you two together. 

a single carton of strawberry milk. 

it’s almost comical.

(if it’s really true — if he really did do it… then you wonder why. maybe he noticed that you were feeling under the weather, and figured it’d make you happy. 

you wonder if it’d be foolish of you, to believe that it’s true — if only because you kinda like the idea.)

your feet move on their own, before your mind has a chance to question the decision. 

where could he be? in the kitchen, still? in his dorm?

just as you begin to wonder, a flash of white dances in the corners of your vision. when you glance out the window, you see it; white, soft hair, like a fluffy cloud, in the midst of all the pink petals fluttering about. 

you stop.

then you start walking again. with more decision, this time. hurrying to the exit.

gojo is sitting right outside the dormitory, on a wooden bench, legs swinging idly as he gazes at the sky. his hair sways slightly with the breeze, soft strands moving and caressing his skin. pink petals dance all around him, gracefully descending down to the ground, together with a trail of bubbles. gojo is blowing them, haphazardly, following their movement with his keen eyes. they glimmer in the sunlight, reflecting all shades of the rainbow.

the sight is just a little bit breathtaking. 

the ground crunches beneath your feet, when you take a step forward — and gojo turns towards you. you stiffen like a deer in headlights, instantly regretting your decision. blinking nervously. you walked here almost entirely on impulse, but now that you’re face to face…

(it’s a little scary.)

… still, it’s far too late to back out now. you can’t do much except join him, so that’s exactly what you do — albeit a little hesitantly.

trying to ignore his continuous stare, burning into the side of your head, you plop down beside him. feeling the steady bench beneath you, breathing in the scent of sweet-smelling cherries and soap.

an uncomfortable silence lingers in the air around you both, as he waits for you to say something. 

it’s a little tough. mustering up the courage to say anything, even just to face him. the decisiveness you felt just a moment ago has faded, now only the ghost of a sensation — you’re too nervous to verbalize anything.

but eventually, after a deep breath or two, you force yourself to speak. hoping you won’t come to regret it.

”… hey, gojo?” 

it’s almost a whisper. soft and fragile, mumbled beneath your breath as you stare at the cherry trees in front of you. you know his eyes are on you, though. you can feel them, almost feel their weight in the palm of your hand. like marbles.

weakly, you raise up the carton of strawberry milk. glancing over at him, not quite managing a smile, but trying your best to look somewhat appreciative. 

”thanks.”

a confused blink. gojo looks down the strawberry milk, and then back up at you. eyelashes fluttering.

a moment passes. 

then he turns his head away, swiftly, his hair tousled by the movement — a couple pink petals stuck between the soft strands. you can’t see his face anymore.

”i have no idea what you’re talking about,” he huffs, with a voice you’ve never heard him speak through.

when you look a little closer — you think the tips of his ears may be just slightly red. it makes your lips curl up into a small smile, but you barely feel it.

(like this, he’s actually kind of cute.)

cherry blossoms flutter in the wind, dancing joyously, without a care in the world. a spring breeze ruffles gojo’s hair, as he sits beside you, having begun to blow his bubbles again. not saying a word, and looking straight ahead. but you can’t help but stare, as sneakily as you can muster.

you find yourself thinking that he looks right at home, among the petals. fleeting, hard to get a grasp on, so pretty, and so out of reach — despite being so close. 

if you wanted to, you could reach over and touch him. you could reach for his sunglasses, lift them off his face, and finally see those eyes he’s so intent on hiding. you could see him, see straight into his soul — and find out who he really is.

you won’t, though. some boundaries aren’t meant to be so callously crossed.

instead, you puncture the pink carton in your hand with the plastic straw, and take a tentative sip. the sweet taste soothes you, straight away, blooming on your tongue. you can’t help but sigh, softly, relaxing even further — it’s absolutely perfect, for this kind of weather. the sight before you, cherry petals and shining bubbles, a boy you don’t like, but definitely don’t hate. 

you both look up, following the bubbles with your eyes, as they float up into the sky; as they get smaller and smaller, farther and farther out of reach. neither of you say a word, but the silence is comforting. light. 

gojo is the first one to break it — in a voice so small you barely hear it.

”… you don’t look like a zombie.”

a second passes. you’re left blinking in confusion, trying to decipher the sudden statement. you can’t get a good read on his expression, with those eyes of his conveniently hidden; he must have regained his composure, then.

it takes a couple seconds for his words to sink in — but once they do, all pieces seem to fall into place. 

and you burst into laughter.

gojo blinks at you, caught off guard, his eyelashes flapping like a little dove scrambling to get off the ground — staring at you like you just grew a second head. that makes you laugh harder, a bout of giggles spilling past your lips — you just can’t help it. 

”did —” you wheeze, softly, thoroughly amused. trying and failing to bite back the laughter. ”did you think i was bothered by that, or something?”

gojo looks at you. a little stunned, for a moment. the sight only makes your smile bloom further, eyes crinkled as you meet his gaze. from the angle you’re viewing him through, leaning back against the bench, you catch a glimmer of his eyes. they’re awfully pretty — blue and bright, full of life. when you look closer, you can see tiny, tiny splotches of white. 

they look like the blue sky. 

you called them menacing, before, but now you aren’t so sure. they seem soft, in the sunlight, especially when seen like this — right after catching him off guard. it’s a rare moment, terribly precious. something to savour.

gojo doesn’t let it linger, though. 

after a moment of two, he scoffs — turning away yet again. a soft, soft pout on his lips.

”obviously not,” he huffs, sounding nothing but irritated, resting his jaw on the heel of his palm. ”but with how sensitive you are, i wouldn’t be surprised.”

usually, a comment like that would irk you. now it just makes you giggle, lightheartedly — the tips of his ears turning redder at the sound. 

(he really isn’t so bad, after all.)

for a while, you don’t say anything else. afraid of ruining the tender atmosphere. you feel closer to gojo than ever before — and you wonder if maybe this is the gojo that geto sees. childish, but well meaning. arrogant and cocky, but oddly innocent. selfish — but not really. you’re starting to think that you may have been slightly off, with that one.

the strawberry milk on your tongue tastes sweet. a little sweeter than usual, though you choose not to dwell on it.

”hey,” you break the silence, surprising even yourself. the words fall from your lips like soft little breaths, rolling off your tongue like marbles pouring out of a glass bottle. ”i don’t dislike you, you know?”

it’s an impulsive admission. saying it out loud doesn’t feel wrong, though. maybe a little humiliating, sure, but not wrong. not dishonest.

you suspect that gojo may be looking at you, out of the corner of his eye, but you aren’t sure. after all, you’re vehemently avoiding his gaze — a little embarrassed by your own sincerity. 

he doesn’t know how to respond. you’re being strangely unpredictable, today, and it makes him feel unsure of himself. your tone is soft, almost friendly. he only ever hears it when you’re talking to shoko or geto.

not learning his lesson, gojo opts to tease you again. as always. afraid to let the silence linger for too long. it’s a halfhearted attempt, though, more of a vaguely amused huff than anything. 

”what, got a crush on me or somethin’?”

this time, you don’t scoff, or roll your eyes, or give him an earnest fuck right off. you only chuckle, in a way that almost borders on fond. you’re not one to tease, contrary to the boy on your left, but your words are teasing even still. ”i have better taste than that.” 

gojo should be irked, should grumble and bite back, but you don’t give him the chance to. 

”i just… you know,” you taste the words on your tongue. ”i still think you’re annoying. and childish.” gojo huffs, and your lips curl up. ”but i really don’t dislike you.”

you take a sip of the strawberry milk, before continuing, hoping it’ll make the words easier to say. ”… and it’s not like i know you, anyway. so i’m sorry for making a bunch of assumptions.” 

a pause. for a split second, you quiet down, a little flustered. gnawing on your bottom lip.

”… that’s all i wanted to say,” you exhale, gaze glued to your lap. feeling a heat on your nape.

as always, you can’t tell what gojo’s thinking. out of the corner of your eye, you try to catch a glimpse of his face, but you have a nagging suspicion that it wouldn’t tell you anything anyway. his eyes are hidden by those sunglasses, after all, acting as a wall between him and the rest of the world. so you don’t know if the words reach him, if they mean anything at all. 

but you hope they do. even as you brush cherry petals and non-existent dust off your lap, and get up to leave.

gojo just sits there, for a second, deep in contemplation. 

he tries to bury a certain thought, before it has a chance to reach his frontal cortex — before he has to accept that it exists. only this time, he doesn’t succeed. the words die before they reach his tongue, but he hears them, in his head. he hears them loud and clear.

and he flushes under the light of the sun.

(i don’t really dislike you, either.) 

what actually ends up leaving his throat is merely a scoff, so faint he doubts you even hear it. 

”whatever,” he mutters, hoping it’ll come across as cool and unbothered. it doesn’t.

one last smile reaches your face, before you head back inside. gojo stays behind, on the bench, lost in thought.

tossing the now-empty carton into a trash can, you try to calm yourself down. feeling oddly excited, as if you’ve reached something, the start of an eventual conclusion. something worth cherishing.

you still don’t understand satoru gojo. but you get the impression that you just grew a little bit closer to him. there are layers to him, more than what meets the eye, hidden behind those sunglasses of his. you can only imagine what the world might look like, from his perspective. what you look like, reflected in his eyes, a blur of colours and facial features, sparks and dots.

you wonder if the whole world looks like a painting, to him. 

you feel a little ashamed, for thinking you had him all figured out. a spoiled, self-centered rich kid, with no functional empathic abilities. it might be partially true, but you’ll have to reevaluate the statement. to see how well it holds up. you still don’t think his emotional intelligence is anything to gawk at, but you may have been underestimating it. it’s there, despite everything — in those eyes, in that single carton of strawberry milk.

you think there’s a certain maturity, there, in spite of his childishness. or perhaps the latter is no more than a product of the former, a way for damaged children to dress their wounds. the way he carries himself and the way he speaks both seem a bit forced. like he’s used to performing, used to moving in a way that demands attention. all eyes on him, at all times. 

you think that sounds just a little exhausting. 

even as you return to the safety of your dorm room, you still can’t help but wonder. there’s still so much you don’t know. despite the moment you shared, and the connection you think may be growing between you, he’s still so out of reach. almost lonely, in a way. you wonder what he looks like, when he’s alone, when there’s no one around to perform for. 

(what is an actor without their audience?)

and, despite everything, after all is said and done — you really, really don’t understand satoru gojo. not at all, not in the slightest. not one bit.

but you think you’d maybe like to.

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[wannaeatramyeon]

Lookism: I can fix him (no really I can)

G/N. Gun, DG, Sammy, Jakey, Ryuhei, Goo, Vin

You didn't roll up your sleeves, ready to fix the men that came into your life. As if you were some amber or red flag magnet, and you had ample time and energy and patience to sort out their issues. Somehow though, it happened anyway. Slowly. Little by little.

With yourself more of a dubious observer more than anything.

Only a fool would invite someone like Gun into their life and not expect troubles. The pitch black eyes are already an obvious omen.

Except. Gun has second thoughts around you. Peaks of humanity showing through his cracks. Fun for Gun used to be fights and bloodshed. Letting his demons out fully. He can never be completely tamed but he realises there's joy, a bone-deep peace, in other things too.

Namely, your company.

James plays his cards to his chest. As James Lee, as Diego Kang, as whoever he may be in the future.

Hides his intention and true character with a detached, arrogant smile. Buries into himself further with his shiny k-pop persona, not letting anyone see his authentic self.

Your touch first cracked his well polished veneer. Your words and keen eyes, astute and observant, blew the gap wide open.

He realises there's no more hiding with you.

Samuel doesn't lack motivation or discipline with most areas of his life. When it comes to his mental health though, it's sorely lacking. Though, delusional and lacking introspection, he never realised it was a problem until you.

He notices your smile dimming during the beginning of his spirals. Feels your absences as he plummets to rock bottom. Craves you with every part of his being as he soars into mania.

Your worried looks and trembling bottom lip gives him the final push he needs to want to improve.

Being Gapryong's son is a part of who Jake is, irrefutable and undeniable. As much as he likes to convince himself he is nothing like his dad, he has fortunately taken all his best traits and foregone the worst.

However. It takes someone like you to come along, that loves all the parts of him-

(Son of the legend of the Pre-generation, the Boss of Big Deal... And the quietest part, the part of him dimmed and muted through the challenges of life, simply Jake Kim, where he can be as he wants to be.)

-For him to finally accept all parts of himself too.

When Ryuhei crushes, falls, obsesses, he finds it hard to fit the whole image of someone in his head.

All their imperfections and flaws and faults are non-existent in his mind. Which sounds harmless and sweet at first thought, but he could never truly connect with anyone if he is only able to see his own perception of them.

But then you showed him all sides of you, forced him to acknowledge the good with the bad, experience the troughs with the peaks.

Until, over time, he fully sees every facet of you.

Being with Goo is like trying to domesticate a wild animal.

He has glimpses of docility assuming he is well fed and well entertained, though he is still likely to bite the hand that feeds at any moment. Of course, only someone used to getting his way would continue being this... deranged.

You take no prisoners. Uncompromising in the way you should be treated, respected, until Goo has no choice but to also fall in line if he wants to keep you by his side.

Vin keeps himself barbed and prickly. Masks his true feelings, his own insecurities, with jokes and insults. Has made more people cry than he can remember and ignores any guilt with a shrug of his shoulders.

He's not a sociopath. It's just that he's been this way for so long he doesn't know how to be anything else.

You cut through the bullshit, give him no judgement for who he is, how he looks, but how he acts.

His jokes are still rude. Insults still mean. But there's no longer any cruelty.

[toysrguts]

can i request sally face relationship headcanons maybe??

sally face fandom is sooo dead:(

sally face realtionship hc's!!!!

i dont write this kind of stuff usually but i actually had a lot of fun with this ^___^ i hope its everything u hoped for 🙏🙏

sal:

•his love language is quality time, he loves spending time with you even if youre just doing nothing together

•your presence is very comforting to him

•isnt physically affectionate unless he knows youre 100% okay with it

•once he gets comfortable around you he will not let go he loves cuddling

•your dates are more lowkey like playing video games or having movie nights

•writes little songs for you and plays them on his guitar

•the best listener, you can yap all day and you will have his full undivided attention

•you can feel the shift in his behavior when hes in public with you vs being alone with you. he can let his guard down when its just the 2 of you

•communicating is hard for him but he is very understanding

•has a lot of deep conversations with you

•at night especially is when he opens up most, and you find it really endearing

•he has insomnia so sometimes you stay up all night talking or doing other things

•he loves how good you are with gizmo, hes basically your child

•gets so flustered when you make eye contact with him so naturally because hes insecure and sensitive about his face

•your acceptance of him means a lot to him

•literally melts when you play with his hair or scratch his head

•has abandonment issues and often worries hes not doing enough but you do your best to reassure him

•he can also be really clingy but he knows when to give you your space

•gives you really meaningful obscure compliments constantly, he finds all your “imperfections” beautiful

larry:

•very loving but also likes to mess with you and is such a tease

•will randomly come up behind you and pick you up when you least expect it

•he loves playing with your hair, especially when youre in bed together he’ll run his fingers through it until you fall asleep

•takes you to all of his secret hangout spots around nockfell for smoke seshes and picnics

•although he can be intense sometimes, hes really gentle with you and knows how to calm you down when youre overwhelmed

•loves getting you little gifts when you least expect it

•he frequently invites you over for painting dates

•also treehouse dates!!!!

•falling asleep up there and getting to watch the sunrise together

•PLEASE steal his clothes he loves that shit

•especially when you give them back and they smell like you

•taking you to concerts and shows is like his favorite thing ever

•not afraid to show affection with you in public

•you're his and everyone needs to know

•when he gets comfortable you get to see a different side of him

•hes usually loud and silly and annoying but he has an emotional and vulnerable side that only you really get to see

•acts of service are his love language fs, he cooks and cleans for you all the time

•hes definitely the jealous type

•someone complimenting you is fine, but if he catches someone flirting with you hes throwing hands

•sharing music with you is his favorite past time

•picking up cd’s from the music store and blasting them on his stereo together

•or on public transport where each of you has an earbud in

•lisa LOVES you and is always so welcoming whenever you come to stay with larry

•makes special burned cd mixes for you and labels them with sharpie and doodles little things on them

ash:

•you are her entire world she cannot be away from you for more than 5 minutes

•thinks your eyes are really pretty and you catch her staring into them every so often

•makes really heartfelt handmade gifts for you (like one of her “little dudes”)

•tries to make you laugh when youre sad

•it works like 99% of the time

•takes you everywhere on her motorcycle

•“hop on loser, we’re going to mcdonald's”

•takes a lot of pictures of you together and hangs them up on her wall

•can always sense when something is wrong and always knows how to make you feel better

•writes you little love letters every so often so you never forget how she feels about you

•will beg and pleade to let her do your makeup

•its mostly just an excuse to get close to you and get to sit on your lap :3

•also loves styling you in different outfits even if you dont wear them out, youre like her own personal model

•has like 20 different nicknames for you

todd:

•he smells sooooo good

•like pine and cedar wood 🤤🤤🤤🤤

•and dont get me started on his hair

•its so fluffy and smells amazing he loves when you run your fingers through his curls

•loves taking you out and spoiling you because you deserve it

•so chill and easy to communicate with, your comfort and happiness is his number one priority

•very protective over you but he tries not to be overbearing

•talks about you to literally everyone when youre not around

•remembers all the little details about you that you would expect him to forget

•the biggest nerd ever and loves yapping at things he likes, but he loves hearing you talk about your interests even more

•if you get obsessed with something like a video game or tv show he will not rest until you get him into it too

•if you crash at his place, expect breakfast in bed

•if youve had a bad day hes there to pamper you and give you everything you need

•“i got you this cuz it made me think of you” as he holds out a rock in his hand

•seems really serious and intimidating but youd be surprised

•hes such a dork when you get to know him

•drives you around literally everywhere, he loves traveling with you with the windows down and the radio blaring

[homunculus-argument]

Come to think of it, I really like doing worldbuilding in common misconceptions caused by survivor/sample bias. I got too gleefully into infodumping about worlds I made up, so I'm going to be merciful and throw a cut-off right here:

(damn, you're still reading? Well, that's on you. Here we go.)

In The Book I Am Not Writing, the fisher folk have very strict concepts of ritual purity, being strict about seemingly arbitrary rules of cleanliness, and they simply don't do extramarital relationships. They are, however, polygamous both ways, so consulting the other spouses about introducing another wife or husband into the marriage is always an option. They also seem to have absurdly large flocks of children. Being both an unusual ethnicity who are commonly considered pretty, and also essentially completely off-limits for casual sex, they are often fetishised, and there's a myth that fisher men are so insanely good in bed that their wives simply cannot resist the temptation of their four sexy husbands even if they're otherwise absolutely done getting pregnant all the time.

The truth is a lot more complicated than that. First of all, in the multiple-spouse marriages, all children are raised between all parents and many clans consider it inappropriate to inquire which kids are biologically whose, so if one or two of the partners has fertility issues, nobody from the outside would know. And the seemingly arbitrary purity rules aren't all that random either - many of them actually ensure a higher standard of hygiene than what other cultures around them have. This, and restrictions about marrying within one's own clan to avoid inbreeding, ensure healthier children. They aren't fucking and getting pregnant more than any other peoples, they have more children because of lower infant mortality.

The Travellers are also "outsiders" living in diaspora, who are - as their name implies - itinerant and never stay in one place for long. Not by choice, though many of them will say they'd rather live this way than to ever settle down, but because almost all towns and cities have discriminatory laws explicitly prohibiting Travellers in particular from staying in the city for too long, or limiting how many of them can be allowed within the city walls at the same time. They don't call themselves Travellers, but refuse to tell outsiders what their own language's name is for their own people, out of fear that the name would be appropriated and turned into a slur. Secrecy is the only privacy that they are allowed to have.

An unusually large number of Travellers also have unusual physical traits, dysmorphic structural features, and congenital disabilities. This is used as xenophobic cannon fodder by citizens of the Empire, treated as proof that the Travellers are so morally crooked that it even deforms their bodies. This, of course, is bullshit. In truth, Travellers do not have any more disabled or deformed babies than anyone else - what they do have is a strong culture of NEVER abandoning one of their own. No matter what. So while people of the Empire associate health and beauty with moral goodness, and consider having "imperfect" babies shameful, Travellers simply don't practice the common peoples' common habit of abandoning or discreetly 'disposing' of children who aren't likely to survive into adulthood, or who will need support their entire lives. "What can be done to one of us, they will do to all of us" is how they live, so nobody gets left behind.

On the opposite end of society there are the Baronesses, the Empire's all-female army of trained magic-wielders. A military class, whose inherent magical powers do not even manifest in every child or even every generation, but when it does, it's always on girls. Daughters are trained for combat, they are the ones to carry on the family name. Since a woman does not need to be married in order to be sure that all her children are hers, sons are not particularly valued even as political tokens for arranged marriages. It is considered common knowledge that there's something in "wielder blood" that makes the male carriers of it weak just as it makes the female ones strong, and that is considered the reason why the male members of wielder families tend to be so dysfunctional, emotionally frail, rampant with substance abuse and more likely to die in the womb or in early infancy.

It is politely never questioned how downright convenient it is that it just happens to be the less wanted sex who are far, far more likely to simply perish away for no apparent reason, especially when it comes to the most harsh, highest-ranking, and most competitive wielder families.

Far across the great ocean, on the opposite corner of the map of the world that the Empire knows of, are the Northlands. Almost mythical mystical lands, that are the source of the various types of thick white pelts and some other exotic goods, commonly supposed to be populated by completely wild, savage people. Northmen are all lumped together, as most people of the Empire would find it hard to believe that the Northmen have even one civilised culture, not to speak of consisting of several cultures and creeds with their own languages and customs. The only few Northmen that the Empire has seen have been foreign sailors in port towns, or perhaps someone's unit of rare exotic bodyguards, undoubtedly a weird flex.

Northmen are considered feral, and the "civilised" ones a strange exception to a supposed rule. It is said that they are exclusively carnivores, eating only meat like tigers and drinking only alcohol. That they are nocturnal, with eyes like cats and wolves that gleam in the dark, and that sunlight hurts them. The sun never rises in their lands, so naturally the people are as pale as cave olms, just like the pelts of their animals are all white. And just like cats and wolves, their infants are all born with blind blue eyes, which either stay blue or turn yellow once they grow.

This, too, is a mishmash of myth and half-truth. Northfolk who venture this far south are more likely to eat meat than any fruit or vegetable they are offered, since they are more familiar with what goat or chicken taste like than any fruit of this strange climate. Northland alcohols are generally bitter ales and dry wines, and the sweet liquors and strong wines of Southlands are a treasured luxury for the ones who are familiar with them, and a very fast way to get shitfaced if one isn't. They aren't nocturnal at home, but having no other protection from the relentless sun, they do prefer to move at dusk to avoid getting sunburn. And The Long Night only lasts a few weeks or months, but that's difficult to explain to people whose common language doesn't have words for "snow" or "winter."

There are no Nothfolk with yellow eyes, but blue eyes are very common, and to Southland people to whom both eye colours are unnatural and associated exclusively with beasts and carnivores, they rarely notice that they've never seen a yellow-eyed one. And being born with blue eyes like wolf pups and kittens isn't a myth, that really is a thing that happens to white people.

[pjo-tvs-version]

I know that no one asked but I just wanted to add my two cents to the current pjo era we are having right now...

First off, I love Rick and the books he has written but honestly tsast and wottg aren't some of his best works. That's not the problem because yeah not all books can be amazing but the problem is that they are his most recent ones. Cotg was better than these 2 but it too had it's drawbacks. Now I have this thing where if I like something then however bad it it, I try to make myself enjoy it. It's like a coping mechanism- delusion. But with wottg, I actually sat back and thought. Since when did I take a week to finish a pjo book? I am the person who finished Hoo in like less than a week and I took a week to finish wottg which took me aback. The characters were very oc. Grover was perhaps the only character close to his actual well character. I don't usually nitpick but like I had said in a post earlier, continuity and callbacks in a book series are what make them extremely enjoyable and small textual errors are like pricking needles to me.

My main issue was Annabeth and then Percy. Look in know in this fandom there are many Annabeth antis and that's fine, I accept that. But now the worst part is that what they have said about Annabeth is to some extent true in this current Annabeth version we have. Look Leah is great and I love her with all my heart but Rick please don't mingle both of them together. Let show cannon be separate and book cannon to itself. Let Annabeth in wottg be her book character like please. She has friends? Great! The main thing we know about her friends are that they think Percy isn't GOOD ENOUGH for her? Awful! She is the mom friend? Okay(though I personally believe it should be Grover but fine if people are okay with it this is just a personal opinion guys)! BUT that should not make Percy 'alley boy.'

This brings me to the second part. We love Percy and love his humor. Well I recently reread the Battle of the Labyrinth (don't ask why I don't know I just had the sudden urge to read it). He isn't very confident and does underestimate himself often but it wasn't taken this FAR. Every single next line was describing how Percy sucks at everything while Annabeth is here in all her perfect glory and believe it or not this is coming from me, who loves Annabeth. I love Percabeth because it's a balance. They balance off each other soo well. They both comfort each other. They both know that they are smart. They both know that the other person has flaws. But in wottg it's just downright annoying because the dynamic is just "ooh look my gf is soo amazing, totally flawless with no error and here is me who sucks at any and every thing possible." This isn't the Percy we know nor Annabeth nor Percabeth.

LET ANNABETH BE IMPERFECT! AND PLEASE GIVE PERCY THERAPY because he needs it. For the next book Rick please just hire a better editor because I am not going into the MISTAKES in these books. You can hire me if you want because I swear I can do a better job than your editor. Seriously literally any pjo fan would do a better job. Wottg felt like maybe the second draft of the work which required maybe 3 more drafts to be published. It felt like an unchecked fanfiction and believe me that I have seen better fanfictions on AO3. The pjo fandom is an extremely loyal fanbase which is an extremely cool thing. But the problem here is that people like m even though I didn't really enjoy wottg, I would still hope for a better sequel because gaaahhhh optimism. I am actually wary of the sequel to tsast but that's for another post.

Whew! Talking so negatively about something was a new experience for me because I absolutely love pjo and will always keep it close to my heart. Rick please for the sake of advertisement please don't publish uncooked gibberish because it actually breaks my heart too see the hate and for once I understand it. Anyway, wottg wasn't all that bad. To balance out this post, I'll make one on the portions I liked because there were a few moments that were worth reading. Extremely sorry for the scattered thoughts and the rant but thank you and have a great day everyone !

[borgialucrezia]

"You are too much like me. A man feels less… favour for his own image reflected." [Give him his sanction…His support…His powder, his army, his control. His love. He is made in your image.] "Do you think we don't know that? He is me. All the fire and the fury, the drive. The pitiless ambition. I look into his eyes, I see myself. Do you expect me to love that?" — Rodrigo Borgia, The Borgias (2011-2013) // "You aren’t my son, you’re myself. The love I have for you is awkward for both of us. But it is greater than any love known. Even if you can’t understand it.” — Agustín Gómez-Arcos, The Carnivorous Lamb (1975)

The relationship between Rodrigo and his children is complex, but his love for his eldest son, Cesare, is the most intense of all. Cesare is a representation of Rodrigo's own generational trauma and personal flaws. Rodrigo loves Cesare deeply, but at the same time, he feels frustrated with him because Cesare serves as a mirror reflecting Rodrigo's own self-worth issues and flaws. Cesare's presence reminds Rodrigo of his own shortcomings and self-loathing, which created a complex dynamic between them. His intense love for Cesare is intertwined with this frustration, stemming from the recognition of their shared imperfections. Despite these challenges, Rodrigo still holds Cesare in high regard and has chosen him as his successor because Cesare represents both the best and worst aspects of himself.

[deliciousangelfestival]

The Imperfect Couple - 3

Character: politician!Bucky x ex-wife!reader

Summary: A separated couple must pretend to be happily married while the husband runs for Vice President, dealing with old issues and political pressures during his election campaign.

Warning: The couple's arguments could be triggering.

A/N: Steve Rogers is older than Bucky here.

Chapter 1 , Chapter 2 , Chapter 3 , Chapter 4 , Chapter 5 , Chapter 6 , Chapter 7 , Chapter 8 , Chapter 9 , Chapter 10 , Chapter 11 , Chapter 12 , Series Masterlist

Main Masterlist || If you enjoy my work, please consider buying me a coffee on Ko-fi 🙏🏻

Thank you to everyone who has read this chapter. Leave a comment and Reblog, please. I'd love to hear your thoughts. ❤️

You arrived at the new apartment, feeling a small sense of relief for finally being under a different roof than Caroline’s. The thought of enduring the same torture as before made your skin crawl.

As you settled in, you broke the silence. “Your mom offered the attorney to us.” You remembered how you had insisted the divorce attorney make it as quick and painless as possible. “Why didn’t you finalize it?”

Bucky’s gaze remained steady. “Not once did I think you were actually going to leave me.”

“There’s no marriage between us,” you shot back, your voice sharp. “If you’d finalized it, you could’ve easily married a woman your mother approved of.”

Flashback Start

You recalled every time Caroline mentioned another woman’s name as if they were more suited for Bucky. “You know, Rachel just graduated summa cum laude from Harvard in social politics,” she had said at the rehearsal dinner.

Then, on your wedding day, as you and Bucky sat together, trying to enjoy the celebration, Caroline approached, holding hands with a stunning woman. “Bucky, look who’s here? Katherine just arrived from London.”

Caroline’s voice dripped with approval. “Both of them went to the same law school.”

You clenched the fork in your hand so hard you thought it might snap.

Why the hell was she introducing another woman to you on your wedding night?

Did she expect you and Bucky to have a threesome with Katherine?

From that moment, you knew your place—an outsider who didn’t come from the pedigree Caroline so desperately wanted for her son.

When you finally left the house, you remembered her raising her champagne glass with a smirk. “I always knew you weren’t the one.”

Flashback End

“They need someone with a spotless record,” Bucky said, breaking you from your thoughts.

You stood there, your emotions a mix of anger and disbelief.

“I’m not making excuses for you. I know the old me wasn’t good enough, that I couldn’t be the man you could rely on,” he admitted, his voice thick with regret.

He looked at you with a desperation that caught you off guard. “You could poison my drink, stab me in my sleep. I wouldn’t fight it. I’d let you.”

His eyes, usually so confident and composed, were now filled with a deep, pained sincerity. The weight of his guilt seemed to crush him, and the shadows of remorse darkened his features. His hands trembled slightly, betraying the calm facade he tried to maintain.

Your breath hitched, your heart pounding in your chest. How could he say that so casually? What kind of twisted love was this?

“That’s how much I need you,” he confessed, his eyes never leaving yours.

“You’re using me,” you accused, your voice shaking with a mix of fury and sadness.

Bucky didn’t deny it. “Like I said, it’s a business relationship. But I’ve trusted you from the beginning. Put my faith in you.”

He reached out, taking your hands in his, holding them together like a prayer. “And I hope we can work together. It’s a once-in-a-lifetime chance to work in the White House.””

🌸🌸🌸🌸

The following day, you met Steve, the future Presidential candidate. He greeted you warmly, his genuine smile easing some of the tension you felt. You’d met Steve and his wife, Peggy, a few times before—honest people who never treated you like you didn’t belong. Steve had even defended you whenever Caroline or others looked down on you for not being in the same league as them.

"I’m so glad you’re here," Steve said, clasping your hand. "When did you arrive?"

You chuckled softly. "Well, when three Secret Service agents showed up at my door, who was I to say no?"

Steve chuckled too, though there was a hint of awkwardness in his eyes. He tilted his head slightly. "Let’s talk."

You walked together, the air thick with unspoken words. "I know it’s difficult for you to be here. I owe you big time," Steve began sincerely. He had witnessed your marriage crumble, and despite his and Peggy’s best efforts to support you and Bucky, things had fallen apart.

You sighed. "What confuses me is, why me? He could’ve chosen another woman, someone way more qualified."

Steve leaned in slightly, his voice dropping to a whisper. "To be honest, I think you’re the best option. He probably won’t show it, but Bucky was happy when he heard you were coming."

You scoffed, glancing over at Bucky, who was watching the two of you from a distance. "Impossible."

As you scanned the room, you spotted someone familiar—your brother, Tim. Excusing yourself from Steve, you made your way over to him.

"I’m glad you’re here," Tim said, his voice filled with warmth, though his eyes carried a weight of their own.

You narrowed your eyes at him. "I can’t believe you. You knew what I went through, and yet you’re working with him? You sucked up to him."

"Look at me," Tim said firmly.

You glanced down at him, seeing the determination in his gaze.

"Who’s going to hire a disabled person like me?" Tim who seated on his wheelchair, his voice wavered slightly as he spoke. He had been born with both legs, but when bone cancer struck his left leg, the doctors recommended amputation to stop it from spreading. That surgery had shattered his dreams of becoming a professional tennis player.

"It was James who offered me a job," he emphasized, "with a high salary."

Tim continued, "You can keep your anger, but face it, Y/N—they won’t pay the bills. For people like me, I need more money to survive in this world."

You opened your mouth to respond, but before you could, Bucky appeared beside you.

"Hi, Tim."

"Hey," Tim replied.

"I'm going to steal your sister for a bit." Bucky turned to you. "Our next schedule is couple’s therapy," he said, his voice calm but authoritative, cutting the conversation short.

You hated this part. The thought of attending therapy with Bucky made your stomach twist with unease. You shot Tim one last look, a mixture of concern and frustration in your eyes, before following Bucky out of the room.

🌸🌸🌸🌸🌸

As you and Bucky sat across from Aiden, the therapist, the atmosphere was thick with unresolved tension. The room was simple yet comfortable, with soft, neutral tones that were supposed to be calming but did little to ease the storm of emotions swirling within you. You could feel the weight of Bucky's presence beside you, a familiar heaviness that both comforted and suffocated you.

Aiden leaned forward, his expression neutral but attentive. "So, what are you feeling right now?"

You hesitated for a moment before speaking, your voice laced with frustration and exhaustion. "I don’t think I have the courage to live another day in his family. His mother is the devil spawn. Even seeing her shadow triggers me." The words spilled out of you, raw and unfiltered, a reflection of the years of pain and resentment you'd kept bottled up.

Aiden nodded, his gaze shifting to Bucky. "And what about you, Mr. Barnes?"

Bucky's eyes remained fixed on a spot on the floor, his voice steady but lacking its usual conviction. "I didn’t think that way. As long as we stick together, we can get through everything." There was a hint of desperation in his tone, as if he was trying to convince himself as much as you.

You turned to look at him, disbelief and anger simmering beneath your calm facade. "From the beginning, we should’ve never gotten married. You only focus on yourself, never bothering to look behind you. Me, trying my best to fit into your circles."

Your voice wavered, the painful truth of your words cutting through the silence like a knife. You had always known you were out of his league—young and innocent, believing that love could conquer all.

But you had been wrong, and the reality of that mistake was too much to bear.

His mother’s voice echoed in your mind, the countless times she’d told you that you weren’t good enough, that you didn’t deserve him.

"Your mother was right. I don’t deserve you," you said, your voice barely above a whisper.

Bucky’s expression tightened, his guilt etched into every line of his face. "I’m sorry. I really am sorry." His voice cracked, the weight of his regret finally breaking through.

He had never wanted this—to see you hurt, to see you broken because of him and his family. But the damage was done, and the guilt gnawed at him, relentless and unforgiving.

Aiden observed the exchange, his eyes narrowing slightly as he spoke. "I see that you’re the victim here, ma’am. And your former mother-in-law is the main reason why." He glanced at Bucky, his voice firm. "Mr. Barnes, your mother hurt her deeply, and now you must do everything in your power to make amends."

Bucky nodded, his voice thick with emotion. "I will. I'll do anything to erase the hurt you’ve received from her." The sincerity in his voice was palpable, but it was clear that the guilt weighed heavily on him. He had failed to protect you, to shield you from his mother’s venom, and that failure haunted him.

Aiden’s voice softened, but there was a steely resolve in his words. "Use this pain, both of you. Let it fuel you to confront Caroline, to reclaim your strength. Don’t let her win. Turn this pain into power."

As you sat there, the enormity of the situation began to sink in. You had been through so much, and the path ahead was uncertain. You had expected to loathe the couple’s therapy, but surprisingly, it turned out to be a beneficial experience.

🌸🌸🌸🌸

After the couple's therapy, the silence between you and Bucky was palpable, each of you grappling with the raw emotions that had surfaced.

The therapy had stripped away your filters, leaving you both exposed—your anger and frustration flowing freely. Bucky remained stoic, absorbing your harsh words with an almost resigned patience.

Returning to the Barnes household, the atmosphere was thick with tension. The room was filled with Bucky’s family: his parents, Julius and Caroline; his brother, Shawn, who struggled with cocaine and felt diminished by his inability to meet Caroline’s lofty expectations; and Hazel, Bucky’s sister and Nate’s mother.

Hazel, having felt overshadowed as the spare child, had chosen a career in fashion to escape the constant comparison to Bucky, who was seen as the golden child.

You couldn’t help but feel a twinge of sympathy for Shawn and Hazel, both of whom shared your misery under Caroline’s disdain. But that sympathy was tempered by their enjoyment of watching you suffer, thanks to their mother’s contempt.

Greg, a family friend, was the bearer of the news that the whole family would attend the upcoming convention event.

“I don’t think it’s a good idea,” you said firmly, your tone clipped.

“Why… why?” Greg asked, confused.

Caroline rolled her eyes in exasperation. “Here we go.”

Bucky tried to interject, “Don’t…”

You cut him off with a steely gaze. “After that consultation, you still want to continue this?”

Caroline's eyes narrowed. “I knew we couldn’t trust her.”

Shawn chuckled, and Hazel remained indifferent.

“Quiet,” Julius commanded, his voice brooking no argument. The room fell silent.

With a sense of finality, you approached Caroline. “You’re so jealous of me,” you said, your voice dripping with disdain.

Caroline’s eyes widened, a mixture of anger and shock. “What are you talking about?”

“Because you know I’m going to get what you can’t have,” you smirked, savoring the moment. “Being the wife of the Vice President.”

“You bitch,” Caroline spat, something snapped inside her. Deep down, you were right—she was jealous of you. You were younger, smarter, and luckier. It was her dream to be in your position, but now it seemed like she had paved the way for you instead. What’s worse, you didn’t fit her criteria at all. She felt you didn’t deserve this.

Without warning, Caroline lunged at you, grabbing your hair. The two of you were soon locked in a fierce struggle, yanking each other’s hair and grappling with a fury that left no room for remorse. The physical confrontation was liberating, an outlet for all the anger you had been holding back.

You felt no fear and no guilt towards the seventy-year-old woman. At last, you could release all the anger you had been holding in.

Waiting for karma takes too long, and you can’t expect God to do all the work. So you took this chance to give her a lesson she won’t forget.

“Stop! STOP!” Bucky and Julius’s voices cut through the chaos as they tried to separate you. Shawn and Hazel, their faces a mix of curiosity and apathy, slowly backed away from the scene.

It was a struggle to pry you apart; Caroline, in her rage, was more unruly and disheveled compared to your own controlled fury.

“Hufft,” you adjusted your disheveled dress and hair, glaring at Caroline with a fierce, triumphant look. “You know what? I hope your son wins, so I can rub my new position right in your face.”

Caroline’s expression was one of shock and fury, her face a portrait of someone who had been dealt a blow she wasn’t prepared for. Her eyes were wild with a mixture of anger and disbelief.

“You’re absolutely right,” you looked at Bucky, your voice steady. “It’s a once-in-a-lifetime chance to live in the White House.”

Caroline’s gritted her teeth.

“If the world wants to see us as a happily married couple,” you said with a cold smile, “I’ll give them the most blissful marriage they’ve ever seen. It’ll be the kind of marriage everyone talks about when they mention a perfect union.”

Bucky’s eyes widened in surprise at your cold declaration. For a moment, he was stunned, but as he processed your words, admiration and pride flickered across his face. He straightened, a hint of a smile forming, clearly impressed by your bold resolve and newfound strength.

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