#i know i missed some people i'm sorry :''

[thatnununguy]

PLEASREE PLEASE SHOW MORE EQUIGAM ART PLEASE!!!!!!

When in doubt — post yaoi art. Or however the saying goes. Perchance.

[tarmac-rat]

"I can't believe CDPR made one of the romance options a COP" River is a cop for literally two thirds of a mission that is dedicated to uncovering the depths of police corruption in Night City, gets immediately booted from the force BECAUSE he tried to stand up to said police corruption, spends the rest of the game pursuing detective work outside the law, and in the base game mentions he's going to start work as a private eye so he doesn't have to return to the force in order to keep protecting people.

The only instance where the "River is a Cop" joke is funny is using it in the context of Johnny being pissy about it, which should probably tell you how low hanging that particular fruit probably is.

[wellfine]

HII I love your art so much it's so expressive and it feels like theres so much movement in it! I was wondering if u had any tips or advice to help with that? I practice anatomy and expression so much but it seems like everything I draw on my own is so stiff!! Anyway I hope you have a great week :)) <3

Hi there! Firstly, thank you so much for the kind words, it means a lot that you would take the time to tell me!

Second- my advice is to take everything you've learned about anatomy and THROW IT OUT THE WINDOW!!!!!!!

... For now. Just into the front yard so you can keep an eye on it. But I have seen many artists concentrate chiefly on studying anatomy only to feel like their art ends up too stiff. My own experience has been to treat anatomy as a tool best used to correct an image in the later stages of construction rather than as your driving foundation.

If "correct" anatomy (however you choose to define that) is the priority of your undersketches, I find that you end up with a sort of Skeleton Song approach to drawing - y'know, the knee bone's connected to the thigh bone, etc etc. Whatever energy, emotion, or intent you wanted your drawing to convey is getting lost each time you split it into another anatomical segment. By over-focusing on individual parts, you lose sight of your image as a whole.

The key to conveying dynamic movement in motionless art is to ensure every element of your image agrees on and communicates the same action, the key to which is something called the line of action.

A line of action is simply that - an implied "line" with wich you lead the viewer's eye and communicate movement. Think of it as the core of your figure's action, simplified to its rawest form. By knowing this, you know what to emphasise and what to de-emphasise.

Well, art is a visual medium and I am better explaining with drawings than words or I'd never have picked up a pen in the first place, so:

Images can have multiple lines of action, lines of action can complement and contrast each other, and a line of action isn't always as obvious as something like running. Imagine you're tring to make your art more "aerodynamic" to the eye. Since I draw a lot of One Piece fanart, I assume you're also familiar with it, and you can probably imagine how Oda uses "lines of action" when composing panels of Luffy punching something, Zoro slicing something, Sanji kicking something- etc etc. He's really good at selling the "oomph" of action shots by reducing visual clutter so that the impact of the action is greater.

(The Monster Trio's abilities are all designed in such a way that allow for REALLY striking lines of action... you can tell Oda loves studying manga fight scenes and wanted to create a world where he could push these concepts to the limit, and it's no wonder One Piece caught the eye of animators even before it was serialised by Toei)

You're probably already noticing how line of action also feeds into composition and silhouette when it comes to conveying movement in an image. Basically put, once you've isolated whatever action it is that you want to convey, the more visual clutter you can streamline away from that action, the stronger an impact that will have on the viewer. A firm line of action, an uncomplicated silhouette for your figure, and a readable overall composition of your image/panel are all ways to minimise visual clutter.

You can also use this information to achieve the opposite effect! Sometimes the ideal action you want to convey is not fast, or powerful, or confident, and you can use the same principles.

In fact, you can apply line of action to images that don't have any "action" in them at all. You can make a drawing of someone simply standing there feel more lively by applying these same principles to their body language:

You can develop an eye for how to simplify movement down to its "lines of action" by studying real photos and other people's art. Try simplifying a figure to its silhouette, and then simplify that silhouette further to a stick figure. And honestly, a lot of this could be boiled down to "see your image as a whole and not just a collection of individual pieces". Set anatomy aside during the composition stage and bring it back in when you start building up the sketch.

Moving away from the line of action, my second piece of broad advice is simply to exaggerate more. Lots of artists subconsciously hold themselves back from pushing motion, expression, etc. out of concern that it will look "too much". Well, maybe it will- but you won't know that unless you try! You can always walk it back if you think you took it too far, but I think you'll be surprised by how far you can push your art before you hit that point.

My final piece of advice is to work on line confidence. Even if you follow the rest of this advice, if you have hesitant and scratchy lines, you're undermining the flow and punch of your art. The best way to improve line confidence is simply by practicing! Do a lot of quick, timed studies, and use a permanent medium like a ballpoint pen or marker. Focus on unbroken lines wherever possible even if it makes your studies look like garbo. I find traditional studies are best for improving line confidence, but if you'd really rather stick with digital then just don't let yourself use the eraser tool, and try using a chunky brush with limited pressure sensitivity.

And that's it! Don't stress about it too much though. Loosen up with your art and, like any other skill, you'll improve with practice, time, and analysing what you like about other people's art. Good luck!

[virtues-end]

Do u hav any IF recs that are kind of like urs, monstery kind with romance?

Hmm, I haven't read many other ifs lately (and I haven't really kept up to date with the latest releases) but really quickly, off the top of my head, here are a few that are kinda in the same genre/have a similar vibe/you get to fuck monsters/etc:

@/northern-passage

@/exilethegame

@/louroth

@/wolfsbane-if

@/roast-ifs

@/damnation-if

@/heart-forge

@/fiddles-ifs

[fromtheseventhhell]

One major factor missing from most debates on Arya and Lyanna's beauty is that they're being judged by their society's extremely patriarchal values. In both looks and personality, that context is essential to understanding how others perceive them. George explores the misogyny experienced by non-conforming women, especially with Arya, and it's interesting how he plays with that regarding their physical beauty.

Her mother used to say she could be pretty if she would just wash and brush her hair and take more care with her dress, the way her sister did. (The Blind Girl, ADWD) "You never knew Lyanna as I did, Robert," Ned told him. "You saw her beauty, but not the iron underneath. She would have told you that you have no business in the melee." (Eddard VII, AGOT)

These two quotes offer a nice summation of this idea. With Arya, her supposed lack of beauty is defined by her being a non-conforming wild child. Her hair is messy, her face is dirty, and she's often in "lower class" clothing while engaging in unladylike activities. None of this says anything about her physical beauty but it tells us everything about how she's perceived. Arya could be pretty...If she conforms to society's standards for a highborn Lady. With Lyanna, however, we get the opposite. Where Arya is judged based on her personality, Robert's romanticization of Lyanna is rooted solely in her looks. He doesn't know anything about the person she really was. There is an assumption that, because she looked a certain way, her personality must fit and Robert imagines her much softer and more passive than she actually was.

That Arya isn't pretty or Lyanna wasn't wild are two perceptions that George specifically pushes back against. This is where people miss the brilliance of them being linked as literary mirrors; it is largely about us learning more about Lyanna, but it touches on more than that. The significance of them being written as wild, willful, and with their own beauty is that George isn't writing his female characters around patriarchal expectations. When people debate their beauty, that's often the trapping they fall into. Beauty and non-conformity are treated as mutually exclusive factors when the story itself never makes that point; this is also the logic that leads people to the (incorrect) conclusion that Lyanna and Arya aren't meant to be similar. Arya's self-esteem issues around her looks and being a Lady make this a topic certain to be addressed in the future; George has made it a part of the story. The conclusion shouldn't be that "looks don't matter", but that looks aren't indicative of a character's value, personality, or morality.

[flowerytale]

me: haven't posted regularly for a while. also me: convinced that everyone on this site hates me for this reason. the whole world: *barely noticed I ever existed *

[yuriyuruandyuraart]

Hi? Gosh how do I even start with this :'D

I know it's been ages since I've last popped up on here. I've been debating when to post this for a while, but I kept adding to my draft more and more and now it's the end of JULY omgg I felt so guilty disappearing with zero updates but then thought my birthday would be the best day to finally address this considering it'll feel less random? idk but Ive always celebrated my bday with you guys and I'd feel so bad answering your kind asks without me at least explaining why I was gone for months.

Truth be told, I was dealing with a lot of stuff irl. health issues and sudden declining grades that left me stumped and drained for months now- along with technical issues like having to replace some parts of my computer that took a while for me to find to even draw digitally, which I didn't have the time for anyway with how tired and weary I felt every day.

I'm frankly shaken up by a lot of shit rn and I don't know how to be active online with this burden on my chest- Especially as it's been a while since I've even looked at utmv related content and my motivation dwindled. I swear I'd hype myself up to post or reblog something- but I'd see just how much I've missed or the overwhelming amount of posts I'd need to go through and I'd feel so swamped with exhaustion and most importantly guilt, for not clearing the air up sooner to reassure you guys that I'm, y'know, alive, and not dead in a ditch somewhere. And I'd procrastinate cause typing it all out is hard and I'd give up halfway every time and it's just not fair to you all!

I thought I was handling it well when I started going out and socializing more, instead of staying cooped up at home on my computer all day. and in the first draft of this post I made months ago I was gonna detail some of the fun plans I had, for my life and for this blog :D but relaxing my strict study schedule and letting go a bit of my tight routine, thinking it was better than wringing myself dry to keep it up, backfired horribly, to say the least.

I know right?? so silly to be hung up on stupid shit like studies of all things! but this is a very important thing for me considering my career plans and the competitivity encouraged by everyone I'm surrounded by, the pressure of keeping up adding to my already stressful days. I had to fix myself up first and I couldn't handle the strain nor interact with people and thinking of jobs and exams sapped my energy so much it's frankly embarrassing. writing this feels so cheesy too and it frustrates me to know I could've come back a month earlier if it weren't for that, but I also know putting all of this into words then would just sound like incoherent venting (not that this is very different tbf) and I wasn't in the right headspace to address my absence, or anything really- I didn't want everyone to see me return when I couldn't muster up a genuinely positive message, let alone talk to anyone with a shadow of my usual cheer

I feel like a complete mess and It drives me up the wall how depressed I've gotten. I debated deleting this blog so many times 'cause the fear of disappointing my audience and my friends, for lack of a more fitting sentiment, made me feel even shittier. I'm constantly thinking if this wall of text is worth posting, or if it's better not to burden you all with all my sappy troubles as if it's the end of the world. Trust me, I'll be fine. I'm not trying to dramatize this situation, but I don't think I'm up to pretending I'm all sunshine and enthusiasm you're all accustomed to.

So sorry for worrying you all! I'll try to catch up, deliver some missed birthday gifts, and answer some asks while I'm at it! Again, I can't state how much I appreciate your support throughout the years. It's frankly a miracle I kept any of you around with how much I keep popping and leaving at random with no warning. I definitely can't promise for my stay to be without a hitch, and if you don't mind an inconsistent schedule you're free to stay of course, but I'm afraid I can't sustain the pace I had when I first started this blog. I'll keep posting art, but lower my activity in the fandom sphere to reduce the strain on my mental health. so fewer rants and walls of text, more art, and less stress overall. Love you all and thanks for waiting for this long <3

[cementcornfield]

emotional sentimental little rant below the cut! i've got a bad cold and a lot of feelings on this friday night lmao

but okay i just want to say how it's been really really nice these last few months seeing so many new joe'marr/bengals blogs pop up and actively post and share stuff! i log on after work and i'm so used to being like 'oh i've gotta clip this interview or this game moment etc etc) and then i get on and see that other people have already done it! and they're getting shared and people are talking in the tags about how they're feeling about these wonderful boys and it matches what i'm thinking and feeling! there's fan art and fan vids and edits! there's over 50 (fifty!!!!) fics on ao3 now! (i remember when there were just 2!!!)

and it's just so lovely to see. how this little community has grown over the years. i can't help thinking back to when it was just me and nacs. and how we'd talk about these boys all the time. and how sad we were that no one else seemed to care. sure, there would always be joe posting, and don't get me wrong, i love him. but there's so much MORE to talk about! so many more stories and narratives to tell besides joe being hot (lmao). and finally it's happening! and i know nacs would be thrilled. i still go back and re-read old conversations and we'd get so excited talking about crazy joe'marr moments or tee being adorable or yoshi being ridiculous. and now that stuff is all over my dash with all kinds of people contributing their thoughts. and i love it i love it. i wish he were here to see this 💔

so yeah, i guess i just wanna say thank you to everyone who's been contributing lately! the newer people and of course my few beloved mutuals who have been there with me from almost the beginning. i spend way too much time on here but i enjoy it (most of it at least lmao) because of all of you <3

[aelswiths]

Alfred (looking hot as fuck) in 2x05

Here's one for my fellow Alfred girlies

@thedarknone, @kingslionheart, @king-alfred, @hikaruchen, @volvaaslaug

[spaceratprodigy]

*gulp* deacon/iris "please just kiss me" intimacy ask........ NYE party- (i am shot)

@oldworldwidgets — [ intimacy prompts ]

It's in the stars, it's been written in the scars on our hearts

We're not broken, just bent, and we can learn to love again

pose reference

[bonefall]

As a big sibling with a lil sib with epilepsy, when they read TBC they Honestly thought if they got struck with lightning reciting the lord's prayer they'd be cured like Shadowsight is from their epilepsy. I had a discussion with them on how that's not how it works, but ge was so upset they took it away from Shadowsight that he hasn't picked the books back up and has stated that 'he hopes Ashfur wins and starts a new religion.,'

I do not even know how to respond to this besides saying that your little sibling is 100% right to be pissed and I now also hope Ashfur wins and starts a new religion.

[celticbotanart]

Been thinking about Bandori again lately, so I dug up some sketches I've done months ago; mostly because I didn't want to draw anything from scratch, but the sketches were good enough and I really liked them a lot already. The only one I drew from scratch is the one on the bottom right corner, to fill up that empty space and make the panel full~

I've noticed I really like to draw these two idiots interacting, which is kinda rare, lol. Interactions are hard for me to draw and I admit I kinda avoid it a lot. They're comfortable and fun for me to draw, especially in random wholesome shenanigans! I guess it's the platonic aspect, I'm not super fan of drawing/writing romantic stuff; I tend to enhance the sisterly relationship the characters already have canonically.

The main drawing here was inspired by an actual picture of Raychell and Risa (their VAs, to those unfamiliar) <3

Another thing I do is making Rei wear shirts of real bands, bands that I like. It's usually Within Temptation, because they are totally a band that would exist in the Bandori-verse; this time though, I made Rei wear a Yuki Kajiura / FictionJunction shirt, I LOVE that cover art so much!! It's another band/project I see existing in that universe!

commission info | patreon | kofi | twitter | bluesky

[omumu]

⭐ STAY YOUNG ⭐

[frenchy-and-the-sea]

There is a very exquisite agony in playing a game you love so so so so so much, and realizing that one of the other players is trying to play a totally different game than you.

[aitsuheart]

Do you guys ever think of the Kingdom Hearts German fan made stageplays?

Along with the fact that the actors of Sora and Riku were dating at the time.

It's a shame most of them had bad quality without any captions except for the chain of memories ones.

[moongothic]

You know, a long time ago I read this stupid ass Reddit comment complaining how they couldn't understand why people were "obsessed with making Crocodile a woman", and of course I just looked at it like "bro, if he's trans then he literally ISN'T a woman, that's the whole point, nobody wants Croc to be a woman 💀"

But I feel like the more and more Dragodile seems to pick up in popularity the more I keep on running into fanart where Croc's either being feminized/woobified/intentionally made to look smaller, more petite and feminine than Dragon, or straight up he's been detransitioned to live as a woman farting out more babies 24/7, not to mention the constant she/her'ing and calling Croc a "mom"

Like people are allowed to do whatever the fuck they want, but man. Some of y'all really do want Croc to stop being a trans man and be a woman instead. That's just so emotionally distressing to realize.