Volo is the first main villain in the core series that isn't associated with a villainous team. While he is a member of the Ginkgo guild, they're in no way evil and are just a guild of merchants
72 notes
·
View notes
Genuinely find it fascinating from a writing perspective that Edwin’s propensity for playing trauma olympics is a well established trait of his that plays so interestingly into his relationships with Crystal and Charles and Simon especially, and how it works in his character arc and how it both plays into and CONTRASTS his incredible capacity for forgiveness. How it’s a flaw that makes so much sense with how much he’s suffered that it’s hard not to be sympathetic towards it or even agree with him sometimes, but that it IS a flaw and comes up at times that are less fair as well. Im not sure I have a real point to this yet, it’s just something I want to chew on for a while.
for one: Edwin’s tendency to put his trauma as worse than others’ (no matter how literally correct he might be) is set up directly to parallel Crystal’s own self centered tendencies and her character arc. They BOTH have a tendency to not consider other people’s feelings and pain until someone points out to them that they are being dismissive. They are mirrors of each other and I love them so much. I also wanted to push back a bit on some things I’ve seen about how Edwin’s reaction to her yelling at him in episode one was completely justified (“what she’s been through? I spent 70 years in hell!”) because of how their traumas interact and how she let David in the first time that feel too dismissive of Crystal’s trauma. Yes, their trauma’s with demons interact in ways that it makes PERFECT SENSE that Edwin reacted the way he did, and I even sympathize with him, but something being sympathetic does not mean it’s justified. Taking away the metaphor of the Demonic nature of it all, Crystal was just cornered and threatened by her abusive ex boyfriend who has succeeded in isolating her from her entire social circle/any safety net she might have had before the boys. And uh. We don’t say about people getting out of abusive relationships that it’s justified that people were mad at them for getting into the relationship willingly. So.
Also. While Edwin’s measuring of their traumas is more sympathetic in the first episode, the moment in a later episode where Edwin (nearly lightheartedly) dismisses Crystal’s nightmare about her abusive demon ex because “the living know nothing about true nightmares” is less so, and I think is there to confirm that this is a genuine, deliberately written character flaw that he needs to grow out of, just like Crystal needs to grow.
And that brings us to Simon. The character who Edwin is THE MOST justified to be angry at, to blame and to compare their punishments. When he rages that Simon damned him to decades of being ripped apart while Simon sits quietly crying in a room, getting paper cuts from tearing pages out of books, it’s honestly difficult not to agree with him, to not feel that same righteous indignation. But then despair lays it out for him: he was about to gloat over another’s torture. And even without yet knowing more about Simon, Edwin is horrified by the idea. I think it says so much about Edwin’s GOODNESS that the time this character flaw of his feels the most justified and right is also the time he works through and past it to empathize with the pain of the real person on the other side of that. It is after he comes back, needing Simon to know that he didn’t mean to gloat, that he is then able to see Simon as a real person, as someone he shares pain with, the pain of being closeted and terrified in the 1910s. Simon was a kid, same as Edwin, who was terrified of his own nature and let that fear and humiliation lead him to cruelty that ended in consequences that he never intended. And it says so, so much about Edwin’s goodness that once he is able to see past his own pain and empathize with someone else’s, he feels for and maybe even forgives the one person that he would be most justified in NOT forgiving. That connecting with him is literally what saved Simon’s soul in the end.
(It’s also worth noting- Simon thinks that Edwin is “another trick” when he first sees him. He says that “the headmaster will be angry”. In keeping with the theme that we shouldn’t compare traumas or decide that we know what other people are going through, it seems clear to me that what we saw- sitting alone and getting paper cuts- was NOT the entirety of Simon’s hell.)
And then there’s Charles. Now. Edwin has a lot of 1910s sensibilities that make him connecting the dots on what Charles went through a bit difficult for him. But Edwin never, ever suggests that his trauma is less or isn’t worth getting upset about. Because it’s Charles, and Charles deserves no amount of pain ever, in the world. I don’t think it would ever occur to Edwin if I’m honest. Of course it’s because he loves him and Charles is his favourite person in the universe, but also I wonder at the fact that their very first meeting, so soon after Edwin had escaped hell, was one of complete empathy and compassion. Maybe seeing the bullies made him see himself in Charles but it sort of circles the point I think I’m making- Edwin’s very real flaws contrast against and thus highlight his INCREDIBLE kindness and goodness.
468 notes
·
View notes
that 'have you ever been punished as a child?' line Pen drops hits different when you realize that in the books, Colin was horsewhipped by his father the morning before he died and then went to Eton where they literally had something called 'flogging Fridays' during the time he attended
like Julia, Miss. Quinn, what do you mean you just threw that information in as a random throwaway line that is never mentioned again? do you not realize how WILD that makes Colin's background?
He was twelve years old??? His dad saw him hitting Eloise and then horsewhipped him, and after horsewhipping his twelve. year. old. son. he then goes to comfort Eloise by taking a walk with her and the bee stings him and he fucking dies
Colin would be out here blaming himself for that death forever are you kidding me???? Wondering if he didn't hit his sister (when they're children playing together), would his Dad still be alive? Would he still have gone on that walk? Would he still have passed away as Colin sat sobbing in the stables, hurt by his hand?
And then he goes to Eton where the only time he had off was 3 weeks around Christmas, but still has to stay there, and 3 weeks in the summer when he can finally go home to Aubrey Hall?
This timeline is BONKERS. Like. . .we know Edmund dies not too long before Hyacinth is born, and she's born May/June. Colin's birthday? Yeah, it's in March. So you mean to tell me, the order of events of all this mess could be as followed: Edmund horsewhips Colin when he's 12 years old (sometime before March), he DIES that same day, Colin turns 13 (in March), Hyacinth is born (in June), and not a few months later Colin has to go to Eton (after the summer break. Social season is Spring and Summer, and ends either July or August, so let's be merciful here and say he leaves in August) and doesn't come back for an entire year?
You mean to tell me this boy has had what? Half a year to get over his father's death after he whipped him for a minor infraction and then he's waltzing into an institution where canings and whippings and floggings and bullying are the norm when he's a teeny tiny little boy?
How is this man not filled to the GILLS with trauma???? No wonder he's so close to his mum and listens to the women around him more than the men and never talks about his dad. And he still turns out so nice and empathetic and kindhearted? He still listens so much to Pen and is so gentle with her and has a good sense of humor and cares so deeply?
That man is never raising a hand to their children. He probably won't even raise his voice at their children. Oh my god.
186 notes
·
View notes
I see NOBODY talking about out local dwarf.
Look at him. He looks so terrified about the sole thought of his new friends meeting the one creature that ate all his friends before. He doesn't want to loose this guys. They're far too young. He himself was around their ages [relatively, Chil's out of this but he doesnt get it] when it all happened.
Oooh he panicking. He terrified now. His friends are going to die eaten alive. He just knows it. He can't see that happen. He doesn't... he can't. He's going to get killed. They're all going to get killed. Just like last time. PTSD hitting hard here.
OH THE SCREAMS. THE FUCKING SCREAMS. *cheffkiss*
He sounds so blinded by fear. SO TERRIFIED.
Listen to it in English and japaneese, i heard all the others, not as good. The English VA left his lungs in the studio I just know it. Same for japaneese.
This is the face of a man that knows he's met his fate.
202 notes
·
View notes
[ cw: experimentation / slight body horror implications / ]
Every time I think of the “Bad Hair Day” episode, I’m always a little thrown off by how off-putting it is when looked at from a distance. Like, in that episode Leo is just wanting time to rest for once. That’s it. He just wants some rest and relaxation.
And he’s so desperate to get it that he makes a deal with some random guy to basically uh. Be experimented on. In a way that definitely doesn’t seem all that pleasant in the process!
But hey, at least it works out well and Leo’s happy with it, right?
Then, finally thinking he’s getting the rest he worked for, he instead essentially becomes a host for a parasite that is embedded into his skull. And gets blamed for the actions of the adult that took advantage of his wish for rest.
Like????? I can’t help but feel just a touch of horror at the theming here. Leo just wanted a trip to the spa…
402 notes
·
View notes
astarion, the man who was dying and offered eternal life, but had no idea that it meant becoming a slave to a sadistic master.
astarion, the man who had his freedom and bodily autonomy ripped away from him.
astarion, the man who was forced to befriend, seduce and sleep with people to lure them back to his master, resulting in severe sexual trauma and the struggle to form any sort of intimate relationship.
astarion, the man who was horribly punished whenever he refused his master’s orders (one punishment being sealed away in a dusty tomb, starving, for an entire year. he scratched his hands raw trying to carve his way out).
astarion, the man who was forced to eat rats.
astarion, the man who hasn’t even been able to see his own face since he turned.
astarion, the man who had his body mutilated as cazador carved scars onto his back, which he later found out was to bind him to a ritual.
astarion, the man who is so severely traumatised that he admitted he doesn’t know how to say “no” or ask for help (and he feels guilty when he does).
astarion, the man who waited two centuries to be helped and freed from torture, but no one came.
astarion, the man who was always treated like a monster when all he wanted was to be treated like a person.
astarion, the man who came up to you in the middle of the night just to thank you for defending him and allowing him to make his own decisions.
astarion, the man who said that no one ever looked out for him or showed him kindness, and that you’re the only one. “other people don’t have a heart like you. you’re you. no one is like that.”
astarion, the man who broke the cycle of power and terror that started centuries ago thanks to the love, care and compassion that you showed him when no one else did.
astarion, the man who confessed that he loves you and feels safe with you; something he has never felt with anyone before.
521 notes
·
View notes