#i just wanted to put them in a much larger update
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its-hai-time · 1 month ago
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hi sorry I swear I'm not dead I'm just beating away perfectionism and video game addiction with a stick.
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ao3-shenanigans · 2 months ago
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How do I search on ao3? Ive just been putting in the fandom I want and hitting go but I have to scroll through like dozens of pages before I find something in the theme/ vibe (? Word idk? I hope you know what i mean) I want
Hi! Great question! This will be a longer answer, so I’ll include a cut:
Ao3 uses a Tag Filtering system, wherein authors include tags on their work and readers can use the website to sort and filter through them to show what they may or may not want to read.
These are tags on a work:
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But how do we get there? If we start with just a generic fandom search, we’ll find a button at the top of the page labeled “Filter”. This guy will be our best friend, click it.
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By clicking “Filter” a sidebar pops up titled “Search and Filter” it has two main sections to it with several subheadings. These two sections: Include and Exclude achieve similar results but function slightly different.
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By clicking on the drop downs under each, a list of common tags will pop up and you are presented with the option of Including or Excluding them from your search.
Include:
- by selecting a tag under Include, you are telling ao3 that you only want to see fics with that tag on it, every fic shown for this search will have that tag
- this is good for narrowing down a lot of fics very quickly, especially if you have something specific in mind
Exclude:
- by checking a tag under Exclude, no fan works with that tag will be shown in your search results
- this is good if you want to browse a larger selection of fics but want to avoid something you’re not fond of 
Selected tags in the Warnings dropdown of the Exclude section look like this:
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There is a third section of this sidebar called “More Options” which includes sidebars to set preferences for crossovers, fic completion status, word count, and date updated. It functions much the same as Include and Exclude.
Lastly, make sure to click the “Sort and Filter” button at the bottom of the sidebar so that your selections will be put into effect!
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Additional note:
This “Sort and Filter” function can be used when looking at an overall fandom page, or a more specific page like one for a ship paring or an alternate universe!
Hoped this helped and happy fic hunting!
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leighsartworks216 · 2 months ago
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Christmas Suprises
Zayne x AFAB!Reader
When I say I don't enjoy pregnancy fics or proposal fics, I NEED you to believe me cuz WHY did this fester in my brain until I put it down in a doc
Warnings: Christmas, fluff, domestic fluff, unplanned pregnancy, marriage proposal, crying, literal sleeping together, cuddling, anxiety
Word Count: 2,514
Main Masterlist
First Love and Deepspace Masterlist
Second Love and Deepspace Masterlist
AO3
Tag List Form
You stare down at the little white stick, mouth falling open in shock. You can’t even hear the grating alarm of your phone going off anymore, or the eager knocking on the bathroom door. It’s like your mind hasn’t caught up to your body yet. You don’t think about reaching out and opening the door; your body just does it.
“Well?” Tara asks excitedly. “Yes or no?”
The world around you comes back into focus. You blindly paw at your phone screen to hit the button to shut up its alarm. You think your hand is shaking when you look up at your friend.
“It says… I’m pregnant.”
She squeals and throws her arms around your neck, bouncing on her feet, bursting with joy. “Congratulations! Oh, I’m so happy for you!”
You cling onto her. She doesn’t seem to mind, even as you wipe your eyes over her shoulder and sniffle by her ear.
You can’t believe it. You’re actually pregnant. You really, really are. You’re going to have a baby. You’re going to have a baby.
Tara pulls away with a gasp. “How are you gonna tell him?” she asks conspiratorially.
“God, I have no idea.” You stare at the two pink lines on the stick. Pregnant. “He doesn’t even know I’m late for my period, Tara. How am I-?”
“Oh, oh, I know! Tell him on Christmas!”
“On Christmas? Are you sure? I mean, what if he doesn’t want kids? We’ve never talked about it before.” You scoff, rubbing your eyes at the mounting worry welling up within you. It swirls around in your stomach, growing larger and larger as your panic bleeds into it. “We’re not even married! What’re his parents going to think? Shit, what about his career?!” You grab Tara’s shoulders, jostling her slightly with the force. “What if his reputation is ruined because he had a kid without being married?!”
Tara grabs your shoulders in turn, rubbing them sympathetically. “Calm down first, okay? You don’t have to do my idea, but I think you’re overthinking this.”
You sigh. Slowly, you let go of her. “No, no, you’re right. I- I’ll think about it. Thank you for helping me out, Tara.”
“Of course! Just keep me updated, okay?” She giggles. “I need to know how he reacts!”
Even as you’re led to her couch and offered a soothing cup of tea, the panic doesn’t untwist from your guts.
-
You’re awake first. This doesn’t usually happen, but it’s only fitting that the anxiety that kept you from falling asleep easily last night also wakes you up earlier than needed. You study Zayne’s face in the dim moonlight.
He looks utterly at peace. There’s no tension in his brow. His eyes are relaxed, fluttering under his eyelids to watch a dream play out. Lips slightly parted with soft breaths.
His parents called yesterday, wishing they could be here and apologizing for their gifts being sent late due to the inclement weather where they’re stationed. Zayne always got this childlike sweetness to his expression whenever they were involved, smiling without restraint and allowing himself to be more outwardly affectionate. You’d seen it before when you recorded a video of him on his birthday to send to his parents, but seeing it now, picturing that same happiness on his face with his own child… He’d caught you staring at one point. You’d smiled and tried to play it off. You’re not sure he bought it, but he didn’t say anything about it after the call ended.
You really can’t sleep now. Your heart is beating too fast, tight in your chest with worry. You slowly roll onto your back. The white ceiling stares down at you. You stare right back, chewing mindlessly on your bottom lip.
Time passes by in a blur. You’re not sure how much has gone by when a finger carefully frees your lip from your teeth’s assault. You turn your head to see a freshly-woken Zayne. His hand falls to rest on the bed between you.
“What has you so worried?” His voice has a quiet rasp to it in the morning, especially when he whispers. You could listen to it for hours.
You shift to lay on your side, facing him once again. You distract yourself by playing with his fingers. “Nothing,” you lie with a placating smile. “I’m just hoping you’ll like the gifts I got you.”
He hums, but he doesn’t say anything for a minute. Instead, he captures your restless hand and brings it to his lips. Those pretty hazel green eyes of his close with the kiss he places on your knuckles. “I’m sure you chose the best gifts,” he says. “You know me too well to get me something I wouldn’t like.”
“True…”
He guides your hand to rest on his face. He’s warm from sleep, the barest hint of stubble starting to come in along his jaw.
“Can we open the gifts first today?” He opens his eyes to look at you again. You can feel the way he studies you. You try not to falter as you add, “I know we usually have breakfast first, but…”
A flicker of confusion, gone in a flash. “Of course. But it’s still early. You should try to get some more sleep.”
Maybe he can sense the exhaustion underneath your anxiety, or maybe he can see the bags under your eyes in the dim light. Or maybe he just knows you better than you think he does.
He reaches under the blankets to grab your hip, drawing you toward him like he has on so many restless nights before. You’re powerless to refuse the silent request. So you scoot closer, forming yourself to fit perfectly against his chest. He slips his arm under your head, letting you use his bicep as a pillow. You tuck your head under his chin and press your face against his neck.
Arms wrapped around each other, holding one another close before the breaking dawn of Christmas Day. He traces soothing shapes against your spine. You count his heartbeat as it thumbs by your ear. Somehow, you’re able to find sleep again.
-
Wrapping paper - neatly undone or carelessly torn - sit in a pile on the floor. Various gifts sit stacked or folded in neat piles on the coffee table, organized by Zayne. There aren’t many gifts in all. Really, you both had most everything you could ever wish for.
But now it’s time for the final gift. You jump up from the couch with a smile. “I have one more gift. Lemme go grab it.”
He shoots you a look. “And why isn’t it under the tree?” he teases.
You wish that simple question didn’t pour gasoline into the firepit of anxiety in your stomach. You wave him off, covering up your uncertainty with playfulness. “It was too important to go under there. I’ll only be a second.”
He hums, but doesn’t say anything more about it, watching silently as you retreat back into the bedroom. You pull the present out from your nightstand drawer. Is it the most secure place to keep something? Well, there’s nothing else really in there; nothing you’d need on a daily basis, anyway. And Zayne would never go in here without your permission. So, you trusted it more than your other idea of hiding it in your jacket pocket.
You hold the box tightly to your chest. God, please, please, please, let this go well.
You almost want to curse Tara for convincing you to go through with this. If the news ends up ruining Christmas and your relationship with Zayne, you’re going to unleash hellfire down on her.
With one last, steadying breath, you head back out to the living room.
Zayne is still waiting patiently, taking this opportunity to look at the cases of the games you got him. He sets them back down when you round the couch and sit down beside him once more. You hope he doesn’t notice your hands shaking when you pass it over.
The gift is small and thin, rectangular and lightweight, he turns it over to find where you’ve taped the decorative paper down to begin unwrapping it. You readjust to sit on your feet with your knees to your chest. Your body screams for you to hide, to escape all the possible outcomes of this situation you’ve forced yourself into. But you want to watch. You need to see his reaction.
He pauses in his unwrapping to look at you. “Are you alright?” he asks, frowning as he wraps a hand loosely around your ankle to rub soothing circles into the jutting bone there.
You force a smile you hope isn’t as strained as it feels and nod. “I’m okay,” you lie. You nod toward the present. “Open it.”
He doesn’t let go right away. You think for a moment he may not even continue. But, thankfully, he pulls away to finish removing the paper. He drops it onto the pile with the rest.
The box itself is a blank white. There are no marks, no labels, no details of any kind that could give away what lay inside.
You hug your legs to yourself. You can’t bear to look away from his face, not even to watch as he unfolds the tab at one end and slides the little stick out. It’s ultimately more rewarding, you think, to see the way his eyes widen ever so slightly. To see him lean forward as he flips the test over in order to read the results. To see the way his mouth falls open with a quiet breath.
He turns his whole body to face you. “You’re pregnant…?”
You nod shyly. “Are you upset?”
He sets the test on the table quickly, but as if it’s the most fragile thing in the world, before holding your face in both of his hands. “Why would I be upset?”
God, he looks at you so earnestly, so tenderly, you’re tearing up before you can stop yourself. Choking up over words that have suffocated you since you were hiding away in Tara’s bathroom.
“‘Cause we never talked about it before and-” A whimpering sob cuts through your words. You inhale shakily. “And we’re not even married or anything, and your job-”
“Hey, shhh.” He brushes away your tears with his thumbs. He leans forward to brush a soft kiss to your forehead, ducking down to stay close to you as he meets your eyes once more. “I have one last present for you, too,” he whispers. “Can I go get it?”
You sniffle and wipe your face with your sweater sleeve. You probably look like such a mess; you can’t seem to get the tears to stop now that they’ve started. “Why isn’t it under the tree?” you tease.
He smiles. “It was too special. Wait here, okay?”
You nod. He presses another kiss to your head before he gets up and disappears down the hall.
While he’s gone, you try to collect yourself. You lower your knees, wipe your eyes until they burn from the friction, and try to even your breathing. Right now, each breath comes in little hiccups, jittery and broken up and unproductive. You haven’t improved much by the time he gets back.
He sits down close to you, wrapping a warm arm around your shoulders to pull you even closer into his side. A small velveteen box rests in his hand. He offers it to you. “I didn’t expect to be giving it to you today,” he admits bashfully, resting his cheek against your head. “But I can’t think of a better time than right now.”
You don’t have to open it to know what’s inside. All the fear that suffocated you for the last couple weeks goes up in a puff of smoke. Instead, it’s like a soothing orb of light has taken its place, healing the burns left behind and filling you with immense happiness. You turn your body into his and wrap your arms tightly around him. He rubs his thumb methodically over your shoulder.
“Should we start talking about children now?” He kisses your head. “Assuming you agree to my proposal.”
A choked, relieved laugh jostles out from your chest. Your tears get on his shirt as you nod stupidly against him. “Of course I agree!” You pull away just enough to meet his eyes. “You’re really okay with this? You… want kids with me?”
He smiles warmly, openly, as if his parents have just called and he’s already given them the news of your engagement. “I couldn’t imagine a better partner to raise a family with.” He brushes the back of his fingers across your cheek, still holding the ring box. “Are you okay with it?” he asks softly, brows pinching together slightly and eyes sharpening. “We never did talk about it. Are you comfortable with carrying a child to term?”
“It’s scary,” you admit. “But… I want this. I want a family, with you.” Your smile feels sure and solid as you whisper, “I love you.”
The seriousness in his expression fades away, replaced with contented joy. This conversation isn’t over, not by a long shot. You know there are still so many things to ask about. Questions about your future together. But they can wait a few more hours.
He sets the ring aside, right next to the pregnancy test. Both hands free, he pulls you into a secure hug, head lowered to rest on your shoulder, cheek to cheek with you. He absolutely envelops you. All you can see, feel and hear is Zayne.
He presses a kiss to the exposed skin of your neck. It’s not feverish and seeking. It’s soft, reverent, grateful. It pours out every emotion that wells up inside of him that can’t seem to fully escape. “I love you, too,” he whispers back.
You slide a hand along his back until you can tangle your fingers in the soft hair at the back of his head. He releases a shuddering breath, heavy with the relief that this is real.
Struck with an idea, you drag your other hand from his back down his arm, gently coaxing him to let go of you. Even in his confusion, he does what you want, slipping his hand from around your body. You guide it to rest over your belly, holding it there with your own. He buries his face further into your neck with a shaky sigh. “How long have you known?”
“If I tell you, you’re going to go into Dr. Zayne mode,” you tease. You press a sweet kiss beside his ear where you can reach.
You feel the grin that curves his lips. “Alright,” he relents quietly. “I’ll stay in fiancé Zayne mode for a bit longer.”
You release his hair in favor of wrapping your arm around his upper back, squeezing him closer, as if such a thing is even possible with how you’re already holding one another. “I’d like that.”
He squeezes you gently in return. “Me, too.”
---
Tag List:
@the-golden-jhope @deepzombieyouth @huen1ngk41 @armycaratlover @cheesemachine44 @nyx2021 @angel-jupiter @thelittlebutton @pikachuzhc @pomegranatepip @cordidy @an-ever-angry-bi
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rosabell14 · 7 months ago
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An analysis of Bianca di Angelo's role in the narrative and why bad writing can screw over a character.
For someone with such a limited time in the narrative, Bianca is one of the most divisive characters in the fandom. I've been in the fandom long enough to see how much nuance the fandom lacks when discussing certain characters and Bianca is no difference. But it's more than just viewing the characters' actions in a vacuum. It's ignoring the larger narrative problems. At the end of the day Bianca suffers from one simple problem: she's barely a character outside of her role in Nico's narrative. Like it or not, her entire character exists to die and give Nico issues down the road but Riordan's writing decisions didn't do her any favours either.
I feel like this is a huge issue when it comes to the pjo fandom they often try to come up with Watsonian solutions to problems that are Doylist in nature and Bianca is one example of that.
Case in point: Riordan's shit math when it comes to the Di Angelo siblings and how it messes up with bianca's character.
So when we meet them they're 10 and 12. We learn that their memories of their past is kinda hazy and that they don't remember their parents but that they were in a boarding school, then they moved to the lotus hotel, then they were taken out of the hotel and put into Westover's. And at the end we learn that they're Hades's children born before the oath of the big 3.
Said oath happened after WW2 btw. So 1945 probably since Bianca remembers FDR's presidency.
Now in TLO we get an update on this backstory. Hades is speaking to Maria about moving his children to the underworld or the lotus hotel since Maria doesn't like the former option because the war has put Hades in a bad situation with his brothers and also the prophecy is out, the oath has been taken and they're running out of time to hide the kids. So logic says that it's 1945. And then Zeus immediately kills Maria and Hades tells Alecto to erase the children's memories and put them in the lotus hotel, and honestly? I like this version much better? Because why in the world would Hades Put his children in a boarding school for a few years and THEN hide them in the hotel after they were nearly assassinated? Why not immediately put them in the hotel?
And so we get to our main dilemma. Bianca having to raise Nico. This was already strange to me because it's not as if this is a Jason and Thalia situation where Jason was a toddler and Thalia had to take care of him. Nico is not a baby they have a two year age difference. But of course these kinds of things might matter more if you're young. Even then, in what situation would Bianca be Nico's main caretaker? They were put into a magic hotel that mind you, makes time go faster so for them it was a month or two at best and they would have been given whatever they needed by the staff? Same type of issue with Westover's and the boarding school if you want consider that canon. They would have been taken care of by the facility. They probably wouldn't even have shared classes or dorms? Or am I misunderstanding American boarding schools?
And then, Riordan's bad math strikes again and this time with the characters' ages. Because Nico's age in HoO becomes 14 which would have made him 11/almost 12 in TTC but that's not the big problem, no no no. The problem comes from his official birthday which is 1932.
1932... Which would have made him 13 and Bianca 15 by the time Maria dies. Which is hilarious because with the way the kids are written during her death scene as absolute non players with nary a reaction, you would think they were written to be toddlers who didn't understand anything that was going on.
That royally screws over Bianca as a character (and me as someone who's trying to write a story centered around her). Because her main thing. The one time she's allowed to have complexity is the moment where she talks about how she wants to be more than Nico's caretaker, and she's barely Nico's caretaker at all. The best in universe explanation I can come up for this is that this is how Bianca perceives things because that's all that she literally remembers. Those months in the hotel and Westovers.
Another time the plot kinda messes her up is at the beginning of TTC. One complaint that I often see in regards to her Is how quickly she makes her decision. She does not even hesitate. She does not even wait to see the camp. You know the place that would have taken care of her and Nico which would have meant she wasn't going to be his supposed primary caretaker anymore? She doesn't even wait to see if it was an actual good place for her brother? Spoiler alert: it's not camp half-blood at the time was not a good place for either of them really. Nico did not have a cabin at camp and people were not accepting of him. Hell, people not being accepting of hades and his children was something established since the first book.
But once again, this is a Doylist problem at its core. We need to turn Bianca into a hunter but we also need Artemis to leave so that she can be kidnapped for the main conflict, so she leaves before the hunters even reach camp. Half-blood. So Bianca as a character doesn't even get to make a proper choice between the camp and the hunters. To people who only look at characters on an in universe level, it comes off as very rash and not well thought out.
To be fair, on an in universe level, she's a kid so it's okay if she's stupid, but Riordan wasn't trying to make her come off as that way? He treats Bianca's decision as a legit serious choice and not the rash decision of a desperate child.
And once again, Bianca is here for Nico's sake more than anything. She needs to die. So she takes the statue for Nico. Which is so ironic and tragic if you decide to play it that way. That Bianca wanted to be more than Nico's sister, but her literal death revolves around being his sister. Normally I'd enjoy this level of angsty irony but unfortunately that's how the very narrative treats her as well. Even her post mortem decisions are there to maximize Nico's angst more than that they're there to say anything about Bianca herself. We need Bianca to only appear at the end of Botl so that Nico and Percy can have a conflict but it once again comes at the cost of Bianca herself coming off as callous. What's the in universe reason for this behavior? It's so stupid because in universe, Nico doesn't even take that much convincing? One conversation. One conversation and Nico was convinced to stop his efforts in reviving her. Does she just not know her brother enough? Maybe since they technically know each other for a year max. Does she genuinely think she's that easy to give up on? Is she that conflict avoidant? I actually like this interpretation and plan to use it. There's much to be done with a character who's rash and bold but an absolute emotional coward who'd try to avoid an emotionally charged conversation until they absolutely can't.
Hell even after Botl, it's the same song and dance. Hades makes an absolute vile remark at Nico's expense. TSATS makes it into a joke moment and has you believe that Hades simple said that Bianca would have been a better demigod. No ladies and gentlemen. Hades literally tells Nico that he wished Bianca had survived instead.(The fact that I still think that hades is the best godly parent just shows you how low the bar is more than anything.)
I swear to God I spent so much time racking my brain trying to understand what this could mean for Bianca's character.
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This is how I basically look like trying to milk every scene where Bianca is there as a character or is mentioned for every drop of characterization.
At the end of the day, I can't blame most of the fandom for being ambivalent towards her at best. The story by design is about Nico. It's designed for you to sympathize with him and yeah if I'm to look at it from Nico's perspective. He DID get abandoned, regardless of Bianca's intentions. From his Perspective , which is the one most people would take, his sister took the very first chance she could to ditch him for people she barely knew hoping people either of them barely knew would take care of him even though they haven't even seen the place yet, and then ignored him for months while he was desperate for a single conversation with her. Honestly had Nico outright resented his sister for leaving, I think the reaction towards her would have even been worse.
(Another sidenote, my very hot tea Is that I like to believe that had Bianca lived her and Nico's relationship would have become worse as time went on and as the camp's anti hades sentiments really started taking their toll on Nico. But I'm just an angst lover)
Worse is that this story is told from Percy's perspective and these two only have like 3 actual conversations together. One of them is her dying, one is about her making her first main decision and that's at the expense of Nico who's probably the fandom favorite behind Percy and Annabeth and the other is her trying to explain her aforementioned decision to Percy and even then, she talks about it in such broad strokes. "I want to be more than X" tells us about who you one day wish to be not about who you are at the current moment. And even when we have Nico as a POV character, Bianca is only there for "dead family member" trope. There's barely any moment where Nico remembers anything important about her to give her any depth. The cards are just stacked against her. Even the people who are at the "Bianca did nothing wrong camp" are barely interested in her. I swear to god whenever an AU comes up where she's alive, the focus is STILL on Nico. Oh Nico would have been such a happy person had she lived! And Bianca? Uhhhhh she would have fucked off with the hunters I guess?
Can we talk about the hunters while we're here?
If we WERE to talk about in universe scapegoats, I'd honestly choose the hunters. Honestly I could make a separate post about how much I hate how Riordan handled them. But oh dear God the way they're presented just comes off as creepy. The way they initially (up until TOA) only go for young girls because apparently older girls aren't useful once they hit puberty and start developing feelings for people and lose themselves(TTC and Percy Jackson's Greek gods oh dear lord are they terrible in Percy Jackson's Greek gods). How they're basically the heroine dumping ground for when Riordan doesn't know what to do with a female character. How ultimately in universe, Zoe more than anyone is to blame to for Bianca's death by taking an untrained girl to a mission where she KNOWS two people would die at the very least. And she doesn't even watch her properly during the mission. Honestly I could barely feel anything about Zoe's death upon rereads as an adult for this very reason. Or how stupid it is to basically put a child in front of a candy store and expect them to make a responsible decision. Who in their right mind would have young girls as young as nine take a celibacy vow? Oh but you'll be safe with us (never mind that we're not just normal hunters here like the actual myths but actual monster hunters) and you'll totally be able to see your brother when you want (actually we barely visit camp half-blood) oh but you'll be a FAMILY with us! Except you know if you catch feelings or get assaulted(holy hell how Riordan depicts the myth of Callisto makes me want to tear my hair out of my scalp)
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suugarbabe · 1 year ago
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[Chapter 1]
Pairing: Mattheo Riddle x Reader
Word count: ~3.5k
Warning: slow burn, nothing too intense…yet
an: this is my main work right now, I’m super excited for it. I will not be doing a taglist for this story but I will be working on it consistently so updates will come when they come but I plan on being pretty consistent. Feedback is welcome and highly encouraged 🤗
Pulling the sleeves of your jumper over your fingers, you tucked your hands under your armpits as you made your walk from the diner to the club around the corner. You’d say you weren’t sure how you got here, but that would be a lie. You did your best to suppress a shiver that was creeping up your spine as the cool night air bit at the skin of your neck.
The red glow of the club sign lit up that portion of the street. Protego. It was a clever name for the club really. To any passing muggle it seemed like any other foreign fancy name for a strip club, but the owners knew what they were doing. Protego, in the wizarding world, was a protection spell, and that’s exactly what this club was for Mattheo and his cronies; a protected space, the home hub. Any wizard that had ill intentions wouldn’t be able to step foot on the premises, which was exactly what you were hoping for.
Standing at the edge of the parking lot you did your best to straighten your skirt before deciding to hike it up a bit higher. You pulled the strappy heels you had packed out of your bad and put them on before pulling your jumper off to reveal the low cut top you had put on. You did your best to appear confident as you walked up to the club door, but the ocean eyes of the bouncer giving you a once over made a chill run up your spine.
The bouncer was tall, broad shoulders with a mess of brown waves on his head. His tongue ran along his bottom lip as he did nothing to suppress his smirk, “You lost, dolcezza?” His tone mocking as his eyes roamed your form. Your body flushed under his gaze, him shamelessly taking in your appearance.
You pulled your shoulders back, ignoring every fiber in your being that told you to run, to change your mind, that coming here was a bad idea. “I was wondering if you guys were hiring any more dancers,” you kept your tone even despite the screaming between your ears.
The man in front of you scoffed, “You want to be a dancer?” You did your best to hold eye contact as you nodded, crossing your arms over your stomach with the sudden feeling of self consciousness. You averted your gaze as he smirked at you again, not saying anything.
The door opened suddenly behind him causing you to flinch and step back. A woman with neat black hair appeared in the doorway, a scowl on her face, “I swear to fuck, Nott, I told you to stop pulling that fucking legilimens bullshit on me when you’re too lazy to use your fucking phone.”
The man, Nott, finally broke his stoic facade, rolling his eyes at the woman, “Oh, per favore, Pansy, you know I hate that muggle bullshit.” Pansy peered around Nott, glancing at you up and down as he did before, “This the girl?”
He nodded, smirk annoying plastered on his face once more, “Said she wants to be a dancer.” Pansy furrowed her brows, coming fully outside of the club before taking you by the shoulders and forcibly turning you around so your back was facing her. “Hmm, it could work, should I bring her to Mattheo?”
You shook her hands off, turning yourself back to face them, “Erm, who is Mattheo?”
Nott flashed his teeth in a charming smile, “Mattheo, dolce mia, is the boss.”
xx
You did your best to follow Pansy towards the back of the club. It was much larger on the inside than it appeared, you were sure thanks to an extension charm that was placed on the building. You assumed the alcohol the muggles seemed to be guzzling down helped them ignore the clear disproportion.
You marveled at the girls on the different stages throughout the room, some two to a stage. How their bodies seemed to move, how they just narrowly seemed to sway away from the men’s touches but still appear desirable.
“Don’t fall behind, pretty witch like you would get swallowed alive out here without direction,” Pansy continued to maneuver around tables, ignoring the eyes of patrons with ease while you felt like bugs were crawling on your skin from the men peering at you with every step.
You quickened your pace slightly to catch up with her, holding your bag tight to your side until you both came to a large black door. Pansy lifted her fist, rapping once with her knuckles, then twice quickly, then a singular time once more.
The door seemed to open on its own, as the only people in the room were a tall brooding blonde leaning on the edge of a large black desk, while the other was a man sitting back in a large chair. The man in the chair, while sitting, still emanated a large presence. It was obvious this was Mattheo, the boss. He had dark chestnut curls that seemed to have one or two fall flawlessly over his forehead. His eyes were onyx and they were roaming your figure not dissimilar to Notts earlier in the night.
However unlike Nott you didn’t necessarily feel objectified when Mattheo looked you over, more like he was observing, watching you take in everything around you. The blonde man broke the silence, voice low and almost teasing with his question, “This the bird Theo wanted us to see?”
Pansy put on a tight lipped smile, pushing you further toward the two men, “This is her, tell them your name.” You stumbled forward slightly, stuttering over your name as you did so, internally cursing yourself. The blonde smirked, “Not much confidence, this one, yeah?” He turned to Mattheo, “Gonna need more of that if you wanna be a dancer, Darling.”
You straightened your spine, doing your best to stand straight, “I have confidence.” The blonde scoffed, “Could’ve fooled me, little bird.” You rolled your eyes, not appreciating being talked down to after everything you’d been through in the last few months.
“Please, I’m not going to take insults from someone who looks like they stepped out of the bloody Children of the Corn films.” The blonde’s brows furrowed at your comeback, his grey eyes clouded in confusion as Pansy did her best to hide her laughter. Nonetheless, she helped him out, “It’s a muggle movie, Draco.”
Draco scoffed again, “You bring a bloody muggle in here Pan-” his words were cut off as his necktie tightened around his throat with a twist of your fingers by your side, causing him to choke and cough as he tried to pull it down.
“Not a muggle, but I know enough to be around them and not cause suspicion,” you loosened his tie with another twirl of your hand and Draco gasped for breath. His grey eyes turned to storm as he went to take a step toward you. Mattheo’s hand shot out, grabbing Draco’s arm, “Leave us, cousin.” Draco shook his head, “Fuck, no. You saw what she did she-”
“Malfoy. Now. And take Parkinson with you,” Mattheo’s voice was low and authoritative, causing Draco to merely scowl in your direction. He threw open the office door, Pansy following quickly behind him and shutting it on her way.
You never turned your back, staying facing Mattheo at his desk. “Sit,” he pointed to the chair directly in front of him. Like a scared pup, you obeyed. Any confidence you had towards Draco vanished with Mattheo’s strong and commanding tone. You took careful steps, dropping your bag on the floor next to the chair. You tugged slightly at your skirt as you sat.
“Don’t cover up now, Princess. If a dancer is what you’re seeking to be, you’re going to have to be comfortable showing a lot more than upper thigh,” Mattheo’s face was unreadable, blankness in both his eyes and his expressions. You couldn’t help but shift in your chair opening your mouth to respond before Mattheo cut you off.
“You can be a bartender, but not a dancer,” he started writing something down, ignoring your expressions in response. “But I came here for…why not a dancer?” Mattheo sat his pen down, finally making direct eye contact with you. It seemed his eyes changed with his mood, and from what you saw he clearly wasn’t used to being questioned.
You did your best to hold eye contact, despite the erratic beating of your heart that you were sure he could hear. “You’re not fit to be a dancer, you’d do better as a bartender,” reading the look on your face, Mattheo did his best to restrict rolling his eyes before he continued, “You said it yourself earlier, you know enough about muggles to be around them but not cause suspicion. A third of our clientele are muggles, much to my cousin's dismay. Enzo does well managing them, but he could use another strong witch to help him out when they get too far gone.”
You perked up slightly at his compliment, “You think I’m a strong witch?” Mattheo stood from his seat, standing up to round the desk and lean back on it in front of you. Merlin, you figured he could be intimidating before, but seeing all of him in front of you; long legs stretched out and crossed at the ankles, arms crossed over his broad chest, you could see how others were quick to listen. Or quick to fall for him.
“Not many people would’ve pulled a stunt like you did on Malfoy, wandless no less,” Mattheo leaned forward, leveling his face with yours. His eyes pierced yours and you did your best to steady your breathing, but it was as if he was peering straight into your soul, into your past with how he was looking at you, “You’ve been through something. I won’t make you tell it to me now, but know if you work here, there’s no secrets. We can’t afford them in this business, on the surface and especially below it.”
He leaned back, allowing you to let go of a breath you weren’t aware you were holding. “How’s your legilimens ability,” he leaned back on his hands, as if the question was the same as ‘how’s the weather today.’
“I, erm, s’okay I guess? S’that something I needed to know if I were to work here? I-I wasn’t aware that-”
Mattheo held his hand up to stop your rambling, “Lets see what Enzo thinks of your abilities first, then we’ll see if it’s necessary. If it is, you'll do lessons with me. Twice a week until I feel like I can trust it.”
You went to ask what he meant when a quick singular rapt at the door caught your attention. With a wave of his hand Mattheo opened the door, “Enzo, this is your new trainee. Teach her the ropes tonight then report back to me. You know what I’m looking for.”
“Yes, boss.” Enzo’s voice behind you seemed calmer than all the others before. Mattheo motioned for you to stand, you did. You turned to face the man that was to be training you the rest of the night. What you didn’t expect was Mattheo’s voice in a whisper next to your ear, “Enzo is charming. Seems the sweetest of all of us, but don’t be fooled, Princess. If I needed it, he’s also the deadliest.”
An uncontrollable chill ran up your spine as Enzo greeted you with a kind smile, motioning for you to follow him. Enzo was the tallest man you’ve interacted with tonight, not as thin as Theo, but just as broad in the shoulders. He had a mop of brown hair and amber eyes that you were sure any girl fell easy for.
His black vest displayed the muscles in his shoulders and arms, one of which was covered in an array of tattoos down to his fingers. With a large hand splayed across the middle of your back he guided you to the side of the club where the bar resided. Immediately upon his return a slew of men were waving cards at him and shouting drinks.
He bent down to whisper in your ear, “Okay, Angel, let’s see how you do. If you don’t know how to make a drink, just mumble a spell into a class with your back turned, the boss said you’re pretty decent with wandless magic.”
You blushed slightly, whether it was the proximity he was to you or another compliment from Mattheo you were unsure, but now you were determined to show how well you could do. At the site of fresh meat, men at the bar were crowding your side, shouting various drinks along with cat calls your way.
They didn’t bother you much, nothing compared to how you’d been talked to before. Enzo’s eyes seemed to be always checking you, even between mixing drinks and grabbing pints it seemed like he was able to watch you. You did your best, grabbing drinks, swiping cards, pouring cocktails.
At last call the men seemed to get more frenzied, more desperate for your attention to drain their minds of their pathetic reality before they had to rejoin it after closing. One man in particular seemed to think he could control you, demand you give him more simply because you appeared weaker, smaller.
When you refused to get him another pint, as he was clearly loaded, he got handsy, grabbing your forearm and attempting to command your attention. Before Enzo got a chance to react you already twisted your arm in the man’s grip, grasping the collar of his shirt and pulling his face down to the bar, “Touch me again and you’re paying with a body part instead of a card, understand?”
The man nodded, a slight whimper leaving his throat. You let him up, him stumbling backwards before running off. You smiled sweetly at the slew of other men standing in front of you, silently asking if anyone else was going to be a problem for you.
Within thirty minutes you had everyone else’s tabs closed and were assisting Enzo with closing up the bar. As you were stacking cocktail glasses Enzo leaned on the bar beside you, “Quite impressive earlier, Angel. Thought I was gonna have to swoop in and save you from that drunk bastard.”
Your suppressed snort, “Despite appearances I can handle my own.” Enzo hummed in agreement, “Boss will like that. Where’d you learn to do that anyway?” You paused your actions, trying to control any color from rushing to your face at the memories of what you went through that caused you to want to be stronger, to learn how to better protect yourself.
“Taught myself, a necessary skill if you will,” you tried to play it off with a sweet smile but Enzo’s eyes told you he wasn’t buying it, only being polite and not pushing. You tried to distract you both, turning instead towards the man carrying a patron towards the door, “He work for the club too or is he just a good samaritan?”
Enzo followed your gaze, a grin spreading across his face, “That’s Blaise. He runs security with Theo, but he does more of the inside while Theo does more of the out. I’ll introduce you when he’s not as busy, real sweetheart if he likes you.” You picked another glass to dry as you kept conversation, “And the others, I know Mattheo’s the boss,” you emphasized the phrase with a playful tone, “but what about Pansy and Draco?”
“Draco’s in charge of finances, amongst…other things. While Pansy…well she’s kind of like Mattheo’s assistant,” Enzo’s tone told you there was more to both statements. “What other things? You lot are always saying things that double as another; s’giving me a headache. And assistant like…an actual assistant or like an assistant assistant?”
Enzo couldn’t help but laugh at your questions, “Godric, no, nothing like that. Like she’s his actual assistant, appointments, helping with hiring, the likes. Really keeps the rest of us in order when he’s off doing other business. As for the former question, if you need to know, Angel. You’ll know. Speaking of,”
Enzo titled his head behind you, causing you to turn and see Malfoy walking your way. “Cmon, little bird. Time to take you home.” You walked from behind the bar, “I can apparate home myself thanks, no need for the sitter.”
Draco rolled his eyes, clearly annoyed that he was the one tasked with this, “You don’t have permission to apparate in the building. C’mon, I’m taking you home. It’s not my choice either, a’right?”
“Then I can just leave the building and apparate home. I don’t understand the problem,” you crossed your arms in defiance, which only made Draco more irritated. He held his hand out towards Enzo in a will you please explain motion.
Enzo cleared his throat, “Listen, Angel. Mattheo’s rule is that if you work for him, he knows everything. That includes where you live, it’s gonna be easier just to go with Malfoy then fight it. Although I would love to see that fight, heard she gave you quite the run earlier.” Enzo smirked at the blonde.
“Watch your mouth, Berkshire,” Draco turned to you, holding out his arm, “C’mon little bird, I don’t wanna be at your place all morning.” Resisting further argument, you walked over toward him, grabbing his arm. The familiar feeling of twisting and pulling occurred before landing on your feet in front of your flat.
Draco’s sneer was evident as you grabbed your bag from his other hand and dug around for your keys, “This is where you live?” You scoffed, “Not everyone can live in a manor. Thanks for taking me back. Now you’ve seen it, you can go now.”
A small chuckle left Draco’s throat, “Sorry, birdie, Mattheo wants me to check out the entire flat. So I’m coming inside…unfortunately.” Draco followed you up the steps to the door, his tall figure looming over you as you undid all three locks on your door before mumbling undoing charms as well.
“Quite the security you have, birdie. What’re you afraid of?” Draco’s tone was dripping with curiosity that you weren’t about to entertain, “I’ll tell you my secrets if you tell me yours, Blondie.”
You turned the knob, walking through the door with Draco following. You did your normal routine, kicking off your shoes and hanging up your jumper by the door as Draco walked around your home. You walked into your kitchen, putting on the kettle for a cuppa.
When the kettle whistled you took down two mugs and filled them. Surprisingly Draco took one as he entered the room, taking a sip and making a satisfied humming noise. “Find anything interesting worth reporting back to your boss, Draco?”
He set his mug down, putting his hands in his trouser pockets, “Your boss too now. Enzo made a good report about you, said you held your own pretty well, kept up with orders, were strict when you needed to be and, as you phrased it earlier, blended in.”
A grin started to appear on your face, but quickly dropped at his next sentence, “But Mattheo won’t let you live here.” You leaned against your counter, crossing your arms over your chest, “What the bloody hell does that mean?”
The smile that formed on Draco’s lips was anything but settling, sending a chill to your bones no cup tea could warm, “Enjoy the night here little bird, but it’s gonna be the last in this flat. What you showed tonight has Mattheo thinking he can use you for…real work. I’d get good sleep tonight, birdie. Your legilimency lessons start tomorrow, and Mattheo is ruthless.”
Before you could even open your mouth to respond, Draco disappeared from your kitchen with a pop, leaving you standing there with his words swirling in your mind. As intimidating as the situation sounded, you needed this job. You needed the protection this job provided. You just hoped the cost didn’t outweigh the benefit.
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wildlyminiaturesandwich · 4 months ago
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I had a message from a patron asking what changed with my updated recolours because they couldn't personally see any difference. Which, honestly? Fair. Most of the changes I made were VERY subtle and unless you know what you're looking, or put the old and new side by side, you really wouldn't be able to tell.
So here's a comparison between old and new for all the colours. To view it much larger on PC (because it's VERY hard to see the difference when the pic is small), right click and select 'Open image in new tab'.
And just in case you still can't see any difference (again, totally understandable) I'll explain a little...
Red - They were a little too pink-leaning for my liking so I made them more orange
Yellow - I turned up the saturation on them just slightly
Green - I didn't like how cool-toned they were so I added a little more yellow to them
Turquoise - Made them slightly more green just to differentiate them a little more from the blues
Blue - Turned down the saturation just the tiniest bit and made them ever so slightly more purple-toned
Purple - Same as the greens, I didn't like how cool-toned they were so I warmed them up with a nudge more towards pink
Pink - I was originally only going to change the light pink because I didn't like how blueish it looked, but once I did that it made me realise the others were too cool as well so I shifted them all more towards red
Brown - Warmed them all up a touch.
Black, Grey + White - These are the only ones I didn't touch at all colour-wise. The only difference here is I'm now using gradients to recolour and gradients preserve the original shadows and highlights better than my previous method (imo).
And in the interest of full disclosure, I'm also using a different base for recolours. I used to use the 'white' hair colour for all my recolours, but I've recently switched to using 'neutral blonde' because I feel like the shadows and highlights on that colour aren't as stark as the white, and because it's also available for children, toddlers and infants.
Again, even with that info and the side by side comparisons, some people still might not be able to see the difference and that's perfectly understandable. I can see the differences but I stare at them pretty much all day while I'm working on recolours, and I'm the one who made the changes lol
Oh and before I forgot, because I keep getting this question a lot, I will mostly likely eventually upload the gradients for others to use BUT I don't know when. I'm still working on them to get them exactly how I want them and I don't want to release them until I'm happy with them. And yes, I'm aware it sounds slightly bonkers to be updating my recolours atm even though I'm not 100% happy with the colours but my brain works in wacky and mysterious ways and I've learned to not question it anymore lol
Sorry about the long post but there you go! 😊
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wake-me-up-inside-imagines · 7 months ago
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Hello !!!! Could you write something about Yan!Charlie, please ? Maybe something about another powerful mafia leader falling in love with Charlie's love, or maybe about his love trying to escape ? Idk anything about my husband :'(
You're an amazing writer ! Keep up the amazing work !
Thank you, and sure thing! I got a similar request from another anon (specifically what Charlie would do if his darling tried to escape and another mafia leader found out and kidnapped them), so I'm gonna combine your escape request with theirs, I hope you don't mind!
Yandere! Charlie when his darling escapes and is kidnapped
Gn! reader
Warnings: Yandere character, typical mafia violence, kidnapping, murder, non-graphic abuse towards reader (not done by Charlie, dw), suicidal ideation, implied planned suicide attempt, blood, stalking, guns.
Banner credit goes to @animatedglittergraphics-n-more
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When Charlie finds out you've escaped, his is pissed. Where did you go?! How could you have possibly bypassed all the security measures he put in place specifically to keep you safe and in the house?! Why would you want to escape when he's done nothing but shown you love and affection?! How could you do this to him?!
And then the self loathing kicks in. He must have done something, right? You wouldn't have gone through all the effort of escaping his high security home if he hadn't done something wrong, right? So what was it? Did he scare you? Were you afraid of being with someone with such a risky, dangerous job? Did the prospect of what he does to others terrify you to the point where you had to escape? Did you think he would hurt you, or kill you, or anything like that? Was living with him, being married to him, really all that bad?
without a second to spare, Charlie sends out every trained tracker at his disposal to find you, threatening to gut them as slowly as possible if they return without you. He knows you can't have gone far, there's only so much a distance you can cover on foot, and besides, how are you supposed to do anything without money? He has control over your previous bank account, and you certainly don't have any access to his, so how are you going to go anywhere? Still, he sends out a couple guys to search a farther, larger area, just in case a hitchhiker picked you up, or someone took pity on you and gave you enough money to use public transportation.
While his underlings are doing that, he's scanning every inch of the house in hopes of finding out how you escaped. Not a single inch of the house is left unturned, he will find out how you left, and he will make sure that you can never repeat that escape route again. Any and all weaknesses his security has are fixed within the day, insuring that once you're safely home, you'll never be able to bypass his cameras again.
He's a ball of rage and sadness for however long it takes to get you back. He's blaming you, he's blaming himself, he's blaming his employees, he's blaming the world, he's blaming anything with a pulse. His emotions flip like a switch, sometimes he's violently angry, but other moments he's horribly depressed. If he wasn't so focused on getting you back, he would have spent all his time in your bed, unable to move in the wake of his overwhelming emotions. He needs you back, he needs you back NOW.
He can feel himself inching closer towards the brink of insanity each hour you're away. He's constantly checking for updates on your whereabouts, growing increasingly unstable when each check in results in absolutely no new information being gained. His threats get more and more deranged with each failure to find you, his mind running through all the worst case scenarios he can think of. You couldn't be dead, could you? No, no, they would have known for sure if that were the case. Did you go to the police? No, you weren't that stupid. You knew he had insiders in the local department, it would have been runaway suicide to go to them. But if you weren't dead, or hidden away somewhere, than where could you possibly be?
Several days pass by, and there's still no sign of you anywhere. Charlie himself spends all day personally trying to track you himself, and still, there's no sign of you. Charlie's hysteria only gets worse, significantly so, to the point where he's seriously considering ending it all if he can't find you in the next couple of days. Without you, he has no reason to live. Life had no meaning. You were the shining light in the long, dark tunnel that was his life, and without that light, he has no reason to go on. His job brings him no pleasure, nor do his riches. He has no friends, no family, and no way to escape his position. Everything he did was for you, and now you're gone. He can't go on without you, he won't, if he can't have you then he won't have anything, please, he needs to find you before he loses it, he NEEDS-
Charlie was quite literally only a couple of seconds away from grabbing the gun strapped to his waist and blowing his brains out when they find you. Or well...They find what happened to you.
To Charlie's dismay, you aren't with the men who found out where you could be. He demands an explanation as to why they showed their faces without you in tow, but grows incredibly quiet when the people in front of him report that you've been kidnapped by a rival mafia leader. No wonder you had been hard to find. There was another organization covering your tracks, hiding you away from Charlie for their own personal benefit.
Charlie learns a lot of new things that day. He learns that unfortunately, one of the rival mafia's men had slipped through the cracks of his defences and become a spy for his rival, reporting back to the other leader whenever necessary. And unfortunately, because of how well known you are amongst Charlie's members, it didn't take long for the spy to figure out who you were.
He found out that as soon as word of your escape got out, the other organization immediately started hunting for you, planning to capture you and extort your connection with Charlie for money and power.
He found out that the organization found you, and now, you were with them, tied up somewhere in an undisclosed location. The only reason they knew you had been captured in the first place is because Charlie has his own spy within the rival mafia, and a pretty high ranking one at that.
Charlie is beyond furious when he finds out where you are. How dare his rival kidnap you and use you! How dare he put you in such danger! And how dare that spy!
He's so beyond angry that he can't even formulate words for several minutes, running his hand over his face and pacing around the room frantically, trying to think up a plan. When he's finally able to speak again, he orders half the men present to find that rival spy and bring him here, and the other half to find their own personal spy and tell him to figure out where you are and who is with you as soon as possible. Now that he knows where you are, he’s wasting no time in getting you back. He won’t let you suffer in the hands of his rival, he swears it.
Before he can get his report back though…he gets a message.
It’s a video of you, tied down to a rickety old chair in some unknown building. Your eyes are covered, but Charlie doesn’t need to see them to know how utterly terrified you are. You’re shaking, as much as your restraints allow you to at least, your normally untouched skin dark with bruises. There’s a guard on either side of you, guns in hand, and as the recording goes on, you’re quickly pulled out of frame, replaced by the big man himself.
Demands are made, but Charlie isn’t listening. All he can think about is you, you and your bruised, trembling body. Despite all the anger he harbors towards your escape, he's overwhelmed with fear and sadness. You've been hurt and bound, left helpless at the hands of his rival. The knowledge that you could be fatally injured or at least seriously wounded is not lost on him. He needs to figure out how to get you back, he needs to devise a plan to save you, he-
It doesn’t take long for him to get a report from his personal spy. This person is someone who his rival trusts after all, someone who’s been worming his way up to the top for years, all under the guise of a loyal right hand man. It was child’s play for him to figure out where you were being kept, even being bestowed the honor to guard you, a decision that Charlie would take full advantage of.
The second Charlie gets the report, he’s preparing for war. He’s not leaving anything up to chance. He knows he’s dealing with someone with a significant amount of power, so he’s getting the most skilled, deadly, dangerous people under his command to accompany him in bringing you home. He won't risk your safety any more than he has to, as much as he wants to tear the building apart and murder anyone in his sight, his main priority is getting you out of there in back home safely. Everything else can come after.
As soon as everyone's armed and ready, they're heading out to save you. Charlie makes sure to keep everyone as undercover as possible in case his rival becomes alert to their plan, only revealing themselves when they get the building you're being kept in. By the time Charlie's spy lets him and his crew in, it's too late for anyone to do anything.
Once in the building, Charlie makes no effort in hiding his presence. He's too pissed to care. He's shooting at any and every living thing that isn't one of his own men, taking down every and any goon who stands in his way. The rival mafia's forces can try to take him down, but chances are they'll be dead before they can get to him, and even if they aren't, a few bullet wounds won't stop Charlie. He's too high off of anger and adrenaline to care. All he can focus on is getting to you.
Charlie and his group travel through each and every room together, too cautious to let anyone stray on their own. Some of Charlie's employee's try to convince him to go back to the car and wait for them, that he's too hurt to carry on but Charlie brushes them off, snapping that he's not leaving until he finds you. He'll gladly bleed out right then and there if it means you'll come home.
Eventually, pretty much every goon hiding in the building is eliminated, minus the ones that are presumably guarding you. A couple of Charlie's men have fallen with them, but Charlie doesn't really care. Their lives were a means to an end, and hopefully, that end would result in your safe return. All they have to do now is find where they're keeping you.
The spy brings Charlie to the room where you're presumably being held, and without hesitation, Charlie kicks down the door, drawing his gun and aiming at anyone who isn't you. There are two guards beside your still-bound form, but within seconds they're laying dead on the floor, gunshot wounds going straight through their heads. Charlie can feel his heart hurting as he watches you flinch with every gun shot, but he reminds himself that this is all necessary to get you back, however scary it may be for you.
As soon as the guards are dead, Charlie's rushing towards you, fumbling with your restraints with shaky fingers. He gets increasingly frustrated when he can't undo them on his own, the blood loss from his bullet wounds beginning to get to him. His employees have to help him out, cutting you free and removing the blindfold that's been covering your eyes for who knows how long.
The second you're free, Charlie's grabbing onto you, bringing you into the most aggressive hug you've probably ever received. He won't let you go for what feels like forever, simply holding you to him, rocking your bodies back and forth while he soaks up your warmth. He's hurt, he's hurt badly, but right now, his priority is you, and reassuring you that your safe now, you're ok. He's not gonna let you go.
It's not until his employees surround him and you, urging him to leave, that he breaks away from you, but even then it's not by much. He's got one hand in yours, and one hand on his gun, refusing to let his guard down, even though he's successfully retrieved you. He would have carried you out of there, but with the injuries he's obtained, it's probably not a good idea. Still, he's determined to protect you, to keep you safe from anyone else that may be lurking in the building. Unfortunately, it appears the rival mafia leader managed to escape the building before Charlie got to him, but that's ok. Charlie can deal with him later. Right now, his priority is you.
The group only comes across a couple more people from the rival mafi, but they're swiftly dealt with, leaving a clear and quick path out of the building and back to the cars. The second you get into Charlie's car, the driver's speeding off, driving as quick as he can to the nearest hospital to get you and Charlie treated. All the while, Charlie's gripping onto you, refusing to let you go. He can tell you're still scared, and he's determined to remedy that the best he can.
It takes a lot of convincing to get Charlie to release you long enough to get treated. He's on the verge of passing out from blood loss, but all he cares about is you, and your safety. He doesn't trust anyone to be with you, but he finally allows himself to be pulled away when a nurse reminds him that it'll be hard to treat you with someone clinging onto your body the way he is, and that letting you go is what's best for your recovery. On his way out, he weakly promises you that he'll be back as soon as he can, and that he'll make sure you get the best care imaginable. His eyes are on you until he can no longer see you, and even then he's still looking in your direction, desperate for any visible trace of you.
It takes a couple hours for Charlie to get stitched up fully, but as soon as he does, he's rushing as quick as he's allowed to to be back at your side. Thankfully your injuries weren't as severe as his, only bruises and a broken bone or two, so you're already healed up by the time Charlie makes his way back to you. He's attaching himself right back to your side the second he sees you, he needs your touch more than anything after the long, horrible days filled with nothing but your absence.
Once he's sure everything's ok with both of you, Charlie takes you home. He doesn't yell at you, he doesn't scold you, he doesn't even say anything about your escape, but despite how cautious he's trying to be, you still look utterly terrified of him. He hadn't fully understood why you would be so scared of him before, not really, because despite his job, he had never, and would never, hurt you in any way, and he thought you knew that. But after all this...
He gets it. He gets it in a way he never considered before, and that understanding causes the most intense wave of guilt to envelop him. Yeah, he's never hurt you before, but he could. He's fully capable of it, and he knows you know he is. He's probably no different from his rival, not in your eyes, because despite their rivalry, they essentially do the exact same thing. Hell, Charlie's done disturbingly similar things to others in comparison to what the rival mafia did to you. He's done worse than what they've done to you. It feels different to him because he knows he would never do anything to you, but you don't know that. In your mind, you could end up just like any other person Charlie deals with at any moment. You didn't try to escape because Charlie had done something wrong towards you, you tried to escape because he could do something towards you. Sure, he had been nothing but kind to you, but how were you supposed to trust him? After all he had done, and was doing, even while you were with him, had he really given you a reason to?
Charlie won't punish you for your escape attempt. He was already unlikely to do so anyway, since he figured that would just make you more scared of him, but now, he's even more determined to earn your trust. Besides, you got kidnapped and injured by an extremely dangerous individual, which must have been a horrifying experience to live though. In his book, that kind of fear was punishment enough. He just hopes you'll be less likely to try and escape in the future, now that your first attempt went so wrong.
As much as it pains him to do so, Charlie gives you your space. For a while, at least. He fears that forcing you to interact with him will only cause your terror of him to grow, and that's the last thing he wants, especially after all you've gone through. He does reassure you that he's not upset with you, and you have no reason to fear him, but he understands that you aren't going to trust him right away simply because he told you you should. It's going to take time to gain your love and trust, and he's determined to do it right this time.
He won't try to rush anything anymore. He's gonna go at your pace, because at the end of the day, if that's what gets him your love, than it'll be worth it.
Oh, and uh... as for that traitorous spy, and his rival for that matter, well... don't worry about it. He's got a plan for them. One he'd rather you not get involved in.
Don't worry about it. Everything's going to be fine, he swears it.
I hope you enjoyed!
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assumptionprime · 4 months ago
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Not an ask, just wanted to say how glad I am that I found your blog! I was (am still tbh) an enormous fan of Experience boost, I was avidly reading it as you were uploading pages and was so sad when it came to an (understandable and satisfying) end. I may or may not have been checking the page after it ended from time to time in hopes of updates.
But primarily, I wanted to say how awesome it was to see your comic about your experience with finding yourself. It's remarkably similar to my own experience, and it's been amazingly affirming to see someone put all those feelings into a coherent structure - and I'm absolutely floored by the fact that it's from one of my favorite webcomic artists.
So, thank you so much for being you. You don't have to reply to this, I just needed to get this off my chest because I've been paralyzed trying to figure out how to put this to words for the last month or two. Love your work and wish you the best!
Thank you so much! <3
I've been floored by the number of people who read Experience Boost back in the day who not only stuck around when I started making my trans comics, but also identified with them.
Maybe that's kind of a smaller version of a larger queer experience. Feeling alone or like you're the only queer person you know, but then coming out and finding the larger community, as well as all the people around you who have been there all along.
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hisonlyreid-er · 6 months ago
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School Girl Crush Pt 1
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Part 1| Part 2| Part 3| Part 4| Part 5| A new BAU member appears and Spencer sees her as a little threat to his status of boy genius. Being unable to get comfortable with each other causes some issues within the team. Will they be able to move past it and work together?
Spencer Reid x FemBau!OC
Moving to the US was daunting. Coming from a smaller English town hadn't prepared me for the move. At only 23, I was joining the FBI. It was a dream of mine to catch murderers and profile serial killers so when I was put forward, I couldn't contain my excitement.
I first arrived at the start of the month and now, 2 weeks later, I was entering the FBI office in Quantico, Virginia. This morning, I had a big panic about what to wear. I settled on black trousers and a white button up blouse. My satchel held everything I would need. My hands held the strap tightly as I stood in the lift, making my way up to my dream job. I watched the numbers go up as I got closer and closer to my floor. My nerves were in full force as I chewed my lip out of habit.
The lift dinged, signaling my arrival. Taking a deep breath, I stepped into the corridor. People bustled around me as I just stood there. The clack of heels echoed around me as I became conscious of my heavy combat boots, hidden mostly by my long trousers. The glow of florescent lights added to the intimidating feeling. Long, white hallways with many doors and framed photos of Agents killed in action. My British upbringing became very obvious as I became aware of how many guns were around me. Almost every single person had one on them. I had my own gun tucked in the holster as my side. Learning to shoot hadn't been very difficult and I gained my license to carry within a few weeks of accepting the position. It wasn't like I had no experience, I had worked with the NCA for years and knew a lot about chasing down dangerous criminals.
While preparing for the role, I had been in frequent contact with SSA Hotchner. He was my new boss so it was him I was meant to find first. A little intimidated by the agents around me, I kept my head down, letting my hair hide my face. In the center of the floor was a bullpen with a number of desks. Agent Hotchner was in charge so he would most likely have an office, with this in mind I walked towards the small set of stairs. I didn't want to ask for directions, my stubbornness was to blame for that. I felt some eyes on me as I ascended the stairs. Not wanting to be stared at, I quickly scanned the doors and spotted the one labelled SSA Aaron Hotchner. With one hand I knocked against the door and with the other I straightened my blouse. "Come in." Breathe.
I push the door open. Inside the office was larger than I expected. A large wooden desk was the main focus of the room. My eyes found Agent Hotchner sat behind the desk, stacks of paperwork surrounding him. He was a serious man, his hair was dark and his suit was neat. I felt the need to impress him, to make him proud of me. He looked up at me, placing his pen down and turning all his attention to me. "Agent Hotchner?" Why do I ask stupid questions? This man was sat in the office labelled with that name, sat at a desk with a plaque and I was asking if it was him. Sometimes I don't feel as smart as I should. "Yes. Agent Colesta I assume." As I nodded my head he rose from his seat, walking towards me. His hand extended. With as much confidence as I could muster, I shook his hand firmly.
Agent Hotchner wanted to ask me some questions and update me on everything I needed to know. We sat across the desk from each other. My leg bounced as I realised how important this was. He needed to believe in my abilities. "How are you settling in?" He didn't look up at me as he searched through one of his drawers. "Its definitely a change but I'm doing pretty well." A small hum was the only response I got as he lay a folder on the wood. My folder. I could see my name printed on the front. Lyn Colesta. I tensed as he opened it, revealing everything about me compressed onto a mere few pieces of paper.
Over the next hour, Agent Hotchner asked me questions and allowed me to ask some back. In that time, I became less nervous of his stoic demeanor. "That is all of my questions. Do you have anything else you would like to know?" I thought for a moment, running a mental check. "I don't think so. Thank you Agent Hotchner." I gave a small smile to the older man. "Most members of the team call me Hotch. It is up to you but that's the norm here." Nodding, I knew it would take a while for me to get comfortable using a nickname.
Agent Hotchner stood from his desk, leading me to do the same. Without saying a word, we exited his office and walked down the stairs to the bullpen. I became very conscious of the small group of agents at one of the desks, staring at the two of us. Unfortunately for me, Agent Hotchner led us towards them. The members of the BAU. My need for a good impression wiped my nervous fidgeting from my body and replaced it with a confident expression. As we neared the group their conversation slowed to a halt, showing they were probably discussing the strange girl who had been with their boss for some time.
Hotchner made some conversation with a blonde woman. I took this time to examine each of them. Closest to me was a tall, dark skinned man. He was perched on the side of the desk, mug in hand. He was quite muscular and by him demeanor, I could tell he was confident in his physical capabilities. There was an uncertain look in his eye as he looked at me which showed he wasn't easily accepting of new people. I would have to earn his trust. I love a challenge. The desk clearly belonged to the dark haired woman sat on the chair. She held herself with propriety, more than most, which showed she had an important role at some point. I had a feeling I would get along well with her as there was a hint of mischief on her face as she smirked. Then there was the woman talking to Agent Hotchner. It was clear she had a fairly important place around her because of the way Hotchner was listening intently to every word she said. She seemed like a kind hearted woman but also someone that I shouldn't cross. I made a mental note of all my observations.
"This is Agent Colesta. She will be joining the unit." Agent Hotchner gestured to me, bringing all sets of eyes to me. Resisting the urge to shrink under their gazes, I gave a friendly smile and a small wave. Thankfully, each of them returned my smile, settling my nerves a little more. "Its nice to meet you. I'm Lyn." My meek attitude creeping out as I greeted them. "Derek Morgan." The man gave me a sly smirk as he reached out to shake my hand. I gladly shook his hand. I turned to the dark haired woman. "Emily Prentiss." She didn't make a move to shake my hand, opting for a small nod. " Jennifer Jareau. But you can call me JJ." Now, JJ did go for an handshake. Normally I wasn't a huge fan of shaking hands, especially with strangers but I knew I needed to make a good first impression.
Agent Hotchners cell phone began to ring in his pocket, causing a groan to erupt from Agent Prentiss. "Hotchner." He answered instantly, opting to walk away from the small group to take the call in private. I was left with my new colleagues. Suck it up Lyn. Time to schmooze them off their feet. "I was under the impression that there was more of you." I feigned a puzzled expression as I spoke to them. Agent Morgan chuckled slightly. "Yeah, there is. Rossi's somewhere around here and Reid will be here in about 10 minutes." I nodded, remembering those new names for later.
Agents Jareau and Morgan excused themselves, walking over to their respective desks. I was a little unsure what to do. I didn't know where my desk was and hadn't been given any orders so I just stood by Agent Prentiss's desk. "You know, you could go meet Garcia. I'm sure she'd love to meet you and would really appreciate you going to her." Clearly I looked confused at the new person added to the mix. "Derek forgot to mention her before. She's our tech analyst. Her office is up there, right at the end of the hall." My eyes followed where Agent Prentiss had pointed. "Thanks for the advice." I was truly grateful. I needed all the friends I could get. Bidding her goodbye, I walked in the direction she said.
The hallway was fairly long and a little darker than the rest of the floor. I almost gave up when I finally spotted the last door. I had no clue how this Garcia would be. She could be completely horrible. Despite my hesitations, I knocked on the door. Some frantic shuffling could be heard on the other side as I waited patiently. After a few long seconds the door is pulled open. This woman was dressed in a bright pink cardigan, and white pencil skirt. Her blonde hair was in pigtails and on her face was a pair of statement glasses. Her eyes widened as she saw me. "Hello, are you Garcia?" She continued to stare at me before nodding aggressively. Still, she didn't say a word. "I'm Lyn. I just joined the unit." I gave an uncertain smile. Somehow, her eyes widened even more. A wide smile broke out on her face as she pulled the door wider and let me in. The office reflected her perfectly. There were little toys and knickknacks scattered about. Fuzzy topped pencils sat in a bedazzled pencil pot on the desk.
"You're Agent Colesta?" I hadn't told her my last name, but I nodded. Before it can register, Garcia pulls me into a hug which I halfheartedly reciprocate. "I'm Penelope." Penelope. I knew she wasn't an agent, she didn't carry herself like one and was much too positive to be one. "It's good to meet you, Penelope." I had a feeling we could be friends. "And you're British." Her excited squeal seemed strange to me. What's so exciting about being British?
Penelope and I spent sometime chatting. More like her talking and me nodding or giving a short response. She gave me a brief run down of everything going on around her. It was actually very helpful. Apparently her and Agent Morgan were the flirty two in the unit. She only mentioned it to reassure me if I heard any of their conversations which can get quite 'graphic' according to her. Agent Rossi was a famous author. I knew I recognised that name, I'd read his books on serial killers and the psychology behind their actions. Dr Reid was the genius of the team with an eidetic memory and an IQ of 187. That was actually quite impressive. Garcia told me that he didn't like physical contact and loved to spurt random facts at any given time. Dr Reid was only 8 months older than me according to Garcia. Hold on. I never told her my birthday. "How do you know that?" I was getting a little suspicious of this bubbly woman. Her demeanor turned sheepish. "I looked through your file." My mouth fell open as she spoke. "I'm sorry but I just got curious."
This, of course, led to me asking questions about what she can access. I was then shown through Garcia's set up. It was extremely impressive, she could access almost anything from her little office. I think I might have fallen in love with her when she pulled up the cameras from the bullpen and showed me a clip from a few weeks ago. The clip was from a late night in the office and showed Agent Prentiss tripping over a bin and then she just didn't move for a few minutes. It was pretty funny. I was glad Agent Prentiss had advised me to introduce myself to Garcia. Talking with her had relaxed me and I felt prepared to start my new job simply because of her being there.
A ping came from Garcia's system and she immediately spun in her chair to see what it was. "We have a case. To the roundtable we go." Her wording amused me. I stood by the door, watching Garcia rush around, grabbing files and other various things from around her office. Deciding she didn't have enough arms, Garcia handed me a few things off her pile and started out of the office and down the hallway. I froze for a second but quickly rushed after her. She walked quickly. The clicking of her kitten heels filled the silence of the empty space. It took a bit of effort to keep walking beside her.
The roundtable, as Garcia called it, was on the same level as Agent Hotchners office. It seemed like most of the unit was already there. From a distance I could count 5 heads and could see Agent Jareau stood at the front of the room. Agent Morgan and Agent Prentiss were easy to recognise. Agent Hotchners dark hair caught my eye as he sat closest to where Agent Jareau stood. The 2 remaining people had to be Agent Rossi and Dr Reid. Smile. Make a good impression.
As we entered the room, Garcia greeted the group, recieving a few greetings in return. "Good morning baby girl." So that's what she meant. Noted. I was directed to the seat between Agent Prentiss and Garcia. "Before we get started, this is Agent Lyn Colesta. She is now a member of the team." My head shot up at the sound of my name. "Agent Colesta, this is Agent David Rossi." I smile to the man Agent Hotchner gestured to. "Nice to meet you." He seemed nice enough. I felt like a fangirl but kept it to myself, figuring he was fed up of people telling him they love his books. "And this, is Dr Spencer Reid." My eyes moved to the last person at the table. He was clearly my age, had longish brown hair and wore a cardigan. He intrigued me. Dr Reid gave me a small wave, which I copied.
Agent Jareau started her presentation about the case. I focused all my attention on the manila folder in front of me. This was the start of my dream. Everything was falling into place for me and I couldn't contain my excitement. Profiling wasn't new to me but the BAU, they were legends in the psychology world and getting to work with them was what I wanted to do with my life. Nothing would get in the way of my work now. My sole focus would now be on this job.
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the-catmans-offical-2 · 3 months ago
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The offical art when it comes to Ed and Wrath are few and far between. However, there's some things I've noticed and would like to share!
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Wrath, as a human, would have blue eyes - while this is something we pretty much already knew just by watching eps 28 through 30, if you look at Ed's eye color then you'll realize that they're very close to being inverses of each other!
Also Wrath is cool colors (Blues and greens, blacks and purples) whereas Ed is warm colors (Yellows and reds, whites and oranges). I think that's another contrast or inverse between them to show who they are as characters - with Wrath being a homunculus he is colder colors like the tones of a dead body or just generally not something alive, while Ed has warmer colors like a living human would.
There's more differences between them! Wrath's iris shape is (in the picture and originally) more circular than Ed's - who's is more ovular. Wrath also has slightly larger eyes than Ed, giving him a bit of more childlike appearance though his facial shape keeps him appearing as though he is of similar age to Ed. (I remember reading somewhere once, and please correct me if I am wrong but I personally believe this greatly, that Wrath was made with the goal kept in mind that he'd be an opponent to Ed of similar age and similar in other ways as well.) Wrath also has sharp teeth whilst Ed has dull flat ones - oddly enough Wrath's ears are pointed slightly and Ed's ears are rounded, furthermore giving the visual feel that Wrath isn't human. He must appear rather uncanny to Edward or to any human - same with the homunculi in general - because he looks human but with subtle things that make him... Off.
Wrath is all smilely too, whereas Ed looks more serious or weary; Showing off Wrath's inital innocence (which stays there throughout the series until he was betrayed by Dante and Envy, and I will fight anyone on that) and Ed's lingering distrust for Wrath. Fun fact, in CoS he seems to trust Wrath more even though the two never see each other again. Oh, they're gonna be the end of me. ED FUCKING ACTED LIKE HE KNEW WHAT WRATH WOULD WANT, which leads me to believe they had a talk or just SOMETHING during ep 51 that was cut out.
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I have no idea what this image is from so please let me know if anyone knows! I've been curious for a while.
Anyway, Wrath:) He's poking out from behind Ed, and there's more things to point out between them!
Wrath is wearing dark clothes whereas Ed's wearing light ones. Like usual, Wrath's hair is down and messy while Ed's is up and neat. This is the offical art that made me realize that Ed has longer, thinner eyebrows than Wrath - who has thicker ones!
Also Wrath seems to be staring directly at Ed, but I personally can't read his expression as anything? Maybe curiosity? I'm not good with reading facial expressions lmao.
I only added this one bc WRATH LOOKS SO SILLY WHO THE FUCK PUT HIM IN A LIL SUIT??? HOW THE FUCK DID SOMEONE PUT HIM IN A SUIT???
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I'm looking for a clearer image for this so I may update this post at some point to put the clearer one there if I find it!
Anyway so Wrath and Edward are standing back to back. They have a slight height difference with Wrath as the shorter of the two (I bet Ed is very happy/j)
Ed's expression is more angry or solem while Wrath's is a grin - but both can be said to look angry I'd think.
They both have a hand on their hip (Ed's in his pocket but Wrath doesn't have pockets, L) and the opposite arm resting more languidly at their side. They're both standing straight, Ed's head is tilted slightly downward while Wrath's is tilted up - no one else is shown standing back to back. Only Wrath any Ed. Al is there, standing beside Ed, but Gluttony is standing with his side to Alphonse, and Lust is more off to the side and facing the others rather than with her back to anyone. I think it is to further show that Ed and Wrath are such parallels (and Lust is standing a little to the side, possibly showing how she isn't really obeying anyone but herself - showing how she betrayed Dante and went to help Ed get Al back in exchange for becoming human again; But we know how that played out..)
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I'm not really gonna talk about these here, as one of them is simply a scene redraw, and they're more Izumi focused if you look at them - with Izumi appearing somber while Ed looks weary or even fearful, and Wrath is just.. Being a kid. Running and flipping, and then in the redraw fighting Ed and Al.
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The same could be said about these!! They aren't really interacting - in the first image Wrath is asleep at a table with the other homunculi, and in the second he does appear to be staring at Ed; But again Ed isn't focused on him.
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Probably some of the ONLY FUCKING COS OFFICAL ART I HAVE FOUND with Wrath in it. Wrath and Ed are facing opposite of each other. No one, other than Wrath in the image, is fully facing at a side profile - which at first I thought represented how he had died, but Alfons is there and so is Eckhart.
Ed looks wistful, not angry but not happy. Sad perhaps, which is what he seems to be a lot in CoS. But Wrath, he looks down right angry. Yelling maybe? His mouth is opened wide and showing his sharp teeth, his visable eyebrow furrowed, he looks dirty and tired. Clearly this is during his fight with Gluttony. I love that they're seperated by the margin, representing the Gate kinda - Armestrian characters on one side, 'our world' characters on the other.
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Again, this isn't really Ed and Wrath in particular. But I want you all to really look at Wrath. He's licking his Ed arm. In a similar fashion Dante does to Lyra's arm after possessing her body, and basically asking Hoenhiem to.. Yk, fuck. While I definitely don't think Wrath is doing it out of sexual desire or reason (that is a child, that is a child, that is a child), I do believe he's doing it to mimick or copy Dante. Wrath could've seen that she liked Hoenhiem, which is putting it lightly but for the sake of the sake I'll just say she liked him, and then copied her by licking said limb out of liking Ed or desiring (non-sexually) his body/limbs. To become human.
Also jfc Envy is buff, go back to being a twink you loser.
Uhh I dunno, I just rambled a lil. Maybe I'll make another post with this? Maybe not, but this is what you get for now!! Use my ask box if you have any questions! :)
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jame7t · 10 months ago
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question from someone who checked out from infinite a while ago; has 343 even added anything beyond cosmetics and forge assets in the past year? feels like anytime I see a new update it's just forge maps they're putting in the queue
as far as i know there's been like, little to nothing. Some "new" gamemodes but it's still just adding stuff from previous games. 3 years into its life cycle. The game is ostensibly on life support aside from the frequently (and loudly) updated cash shop. Like, when a game wants to be a live service, it should justify a cash shop via actual content drops. Helldivers 2 releases monthly mini battlepasses & still manages numerous free content drops each month. Plus, it's prices are not absolutely divorced from reality. Sure, Helldivers is also 40 dollars, but it was a complete game on release and Helldivers' cash shop respects the fact that i've paid 40 bucks already.
Like, here's a wonderful selection from Halo Infinite's cash shop during the flood event:
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These are 20-22 dollar armor sets. Also, Halo Infinite is "Free to play" but the campaign alone is still 60 bucks. "Okay, so the campaign being separate from multiplayer means those 60 bucks means a much larger campaign, right? No, because of course it doesn't. Halo infinite's campaign is technically larger in the sense that it has wider areas, but with less enemy variety, a complete lack of dynamic set pieces, literally three types of environment, & kind of a shit sandbox compared to previous games, it feels MUCH smaller. So, I paid 60 bucks for Halo, and because Halo says anyone can play for free now, all the people who bought campaign are now also stuck with the free to play prices, which is terrible. Also, to reiterate: Why are there 20 dollar armor sets in a game. why do you get to pay 22 dollars to havbe the flood shit on you. these items are priced like the game gets actual updates. Halo infinite has not received a (fun) new weapon since launch. (They added the bandit, which is a scope-less DMR from previous halo games, then added the bandit EVO, which is a variant so boring that i refused to google the difference at the time of writing this.) Anyway, Helldivers 2 cash shop costs like 2-3 bucks for armor sets, some show up cheaper. And the currency you buy them with? Incredibly easy to earn.
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sorry for doing my gaming rant. if you want we can call it an infodump & we can pretend i said all this on the lap of a cooing milf who is voluptious &cares deeply about how mad i am at video games
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my-darling-boy · 25 days ago
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Oh my, your ipad looks so beautiful!!! Does the clock move?? Do the pigeons have actual notifications?? If so: pls share your ressources!! (By that I mean how you did it, not the actual pngs although if you want…….. haha)
Ahh thanks! The clock does move. Unfortunately the apps won’t have the little red notifications because they’re either shortcuts or widgets. It’s way easier than I thought to configure, it’s just that designing pretty much everything from scratch like I did takes forever…
It’s mostly the “shortcuts” app that comes standard now with iOS. It allows you to create a shortcut to any downloaded app, a website, or device function/setting, and more (much like you’d do for your desktop icons). When adding the shortcut to your Home Screen, you can set a photo from your camera roll as the app icon. Once you have the nice custom app, you can get rid of the ugly one by editing your home screen and tapping “remove app from home screen” and it will put it in your App Library, you can put it back when you want. Do not tap the red delete, or it will actually delete the app.
The larger apps like the maps and mail pigeon are actually app launcher widgets from PhotoWidget (which is free) where you can also set a custom picture. I just wanted some apps to be larger else I would’ve just done them with the above method. The film reel dock is just a longer 4 app option of the same widget. The app you want to link has to be in the options they give you though so not everything is on there. The big photos can be still or can play a slideshow, and my clock and calendar are also from there, but they sadly don’t link to your device app versions of them. It does a lot more as well but you’d have to check it out, I think it’s surprisingly good for being free.
Color Widgets was the only other one I used which has a subscription sadly but seems to be the most widely used app for overhauling your theme and the only reason why I wanted it was because it allows you to use a big photo widget as a shortcut to an app (like the note paper to my notes and the telegraph key to my messages) but again the linked app also has to be on their supported list. It seems to be really buggy since the new iOS update at least for me so tbh unless you’re really wanting a big photo to shortcut to an app, I’d pass.
If you’re not extremely particular like I am and just want better app icons, a nice clock/calendar widget, some photo widgets, and nice wallpaper, I’d just use the shortcuts app and PhotoWidget, both are free. You can definitely pay to get theme packs online where people upload asset packs (app icons, wallpapers, pictures, etc) and it’s just a matter of you putting them where they need to go or you can draw your own. There are way better explanations online than I could give here, I’m sure someone’s got a different way of doing it, but that’s loosely what I did!
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bones4thecats · 1 year ago
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Hey! I love your writing and have been wondering what the ror characters (Poseidon, Thor, Adam, Hades, etc really your choice) would react to a blue diamond s/o from Steven Universe. As when they cry everyone else surrounding them cries. And their giant size. Sorry if this isn't the right place to request!
A/N: Hello there, thank you for the compliment. I’ve tried my best in keeping my writing skills the same, yet updated based on the scenario. But, I do hope you like how this turned out! I’ll be using the three Gods you had mentioned, and I’ll be leaving Adam out, but if you want another part written with Humans, just send it in! Now, enjoy~~
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🔱 You were part of the new Pantheon that had made their way into Valhalla, representing different gems that were found throughout the world by your ancient people
🔱 When he first met you, many said you would get along, especially Zeus and Hades
🔱 You sat by the edge of the sea, your towering form scaring away any Gods from speaking to you
🔱 He could feel the sadness radiating off you, and when he felt his vision blur, he reached his hand up and noticed he was crying out of free will
🔱 When you noticed him crying behind you, you gasped and apologized, saying it happened whenever someone was around, and even if they were happy, they’d cry
🔱 It took a while, but after you guys got together and married, it was normal to see your husband and you sitting side-by-side
🔱 To have this make a bit more sense, let’s say you can shrink down to his size
🔱 When you do that to rest, he likes to lay his head on your chest where you blue diamond laid, for some reason it calmed him down
🔱 Poseidon and you both were prominent figures in your pantheons, so being apart constantly was normal, but that didn’t stop you from accidentally making him cry
🔱 The way your merciful nature did come at a halt with how humans had started to get themselves tossed into hell made him fall for you more
“ Yes, look down on them, my teardrop. They are nothing. “
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🌩️ Thor fell for you because of how gentle and caring you could be
🌩️ It was something that he lacked to show, but you seemed to thrive showing
🌩️ You were known for your amazing diplomatic skills used through Gods’ Council meetings, and it could make anyone side with you
🌩️ The power you held made him happily look at you behind a dead-looking facade
🌩 Now, with the size difference, he doesn’t really mind it
🌩️ Normally, he’s the larger one, like this guy’s 7’4, he’s pretty much always taller than someone
🌩️ Thor would look up at you and smile lightly, giving you a kiss on your hand as you squatted down to reach his gaze, since you’d be like 25-100ft
🌩️ But, since you do enjoy shrinking down to do things with your husband, you normally go to around 6’5-7’0 most of the time whenever you’re not working with your sisters
🌩️ He noticed how much you seemed to care about this young male on Earth whom you called ‘Pink Diamond’ and he just smiled to himself as you laid down on his chest, telling stories of him and your sisters
🌩️ His favorite part of being married to you is how much you seemed to care about certain humans, as they were innocent and did no wrong, while you despised others and wished for them to die
●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・
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●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・○・●・
💀 Oh yeah, you and him bonded ever since birth
💀 You guys had been together for centuries, and he knew your sisters very well, they even enjoyed having him around
💀 He witness everything happen year-by-year, how much pressure White Diamond had put on you all, Pink Diamond leaving and ‘dying’, Yellow Diamond trying to push the memories of Pink behind her to be perfect, and you going through many essential crises
💀 Hades watched as you went through every single crisis, struggling at times to manage all of the colonies you and your sisters had
💀 So, being the best husband he could, he made sure to have your top superiority manage it while he took you to Helheim to calm you down
💀 When it came to the crying thing, he doesn’t mind it, seeing other Gods try holding themselves back from crying as you sat there doing nothing was quite funny
💀 And your size? Not a problem
💀 Cerberus loves the hell out of you, your big size and his big size (around 15ft) make a fun mix to play
💀 Seeing you shrink down to share a bed was funny at first, and now when he sees your form shrink he smiles gently and hugs you as you sleep
💀 Like Poseidon, he also likes to lay his head on your chest, but instead of laying his head on the gem in your chest, he likes to run his hands on it and mess with your hair that wrapped around your chest
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crowley-winter-boots · 5 days ago
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Instead of humouring the messages in the screenshot, I would like to make a post regarding people who think this way. DO NOT LOOK FOR THIS INDIVIDUAL OR HARASS THEM. I know people like to jump the gun and do that online, so please don't bother with it. I am making this post to address, that you can in fact, still protest without attending mass protests and that not everyone is able to attend those mass protests.
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(*Notice how I didn't "name call", I said "I won't reply anymore as I'm PRETTY SURE you're trolling." I was making an observation based on past experiences, and I'm still convinced they were only saying this to cause problems.)
You CAN still protest without going to larger protests. Its OKAY if you can't attend those large protests.
Here are some ways you can help out if you're unable to go to a protest!
Spread the word
One of the best ways to get people to attend is to tell other people about it! The more people that know, the more that can know when and where to show up.
Find a way that fits you to do something as an individual
There are a few ways you can go about this, but here is what I've personally been doing:
- I've been wearing a pride flag to school. Specifically, the trans flag. Pride flags banned from hanging up in schools? Nothing in the dress code that denies it. It will make people angry and confused, but it will also make people like you feel seen. I've had a lot of negative reactions from students and teachers alike, but there have been fellow queer kids who walk up to me and talk to me about my flag, often saying they wish they had one of their own. I'm planning on painting "WE THE PEOPLE" on it soon (I was going to this weekend, but there was too much going on and I didn't want to start a project I couldn't finish before school on Monday.)
- Make a battle vest (or any other punk fashion, such as crust pants!) I've been working on mine, and will post the patches and progress soon. I've been meaning to make one for a while for myself, but put it off until recently. I'll also make a post going more into detail on how you can make punk fashion yourself, and the ideology of punks.
**PLEASE NOTE. Both of these can be dangerous. Especially wearing a pride flag, as there is't anything that can make it safer. With the punk fashion, there are ways to make it safer, and I'll go more into detail on that on my other post: but essentially, you don't want any political statements or pride flags on the back. You won't see anyone coming, and they'll be less likely to attack you if they see it from the front.
Talk to local activist groups to set one up in your area
I'm not too sure about how this process works, as I haven't yet contacted any local activist groups to set up a protest. I'm not even sure if that's how you CAN set up a protest, but I asked around and this was the answer I had gotten. I'll make an update once I figure out how to set up a protest and if I personally was able to (and the details of the protest, ofc!)
Make signs or stickers to post in your community
There are a lot of ways you can make signs and/or stickers! I've never made a sign myself, so you'll have to do the research yourself for that, but you could make them as flyers with paper as well. But with stickers, they're relatively easy to make! I sold some for a while, and made about $250 off of it in just a few weeks by selling them on my school campus. You just need a pack of sticker paper (GLOSSY makes it shiny, MATTE makes it flat like printer paper,) a printer, and some kind of art app to import your images on. Fitting stickers is like a jigsaw puzzle- you'll need to rotate them at weird angles and fit any nook into any cranny. Find patterns, repeating patterns will make the process easier. The goal is to have as little white space as possible- but that being said, leave enough room between each sticker to give a solid border. A common mistake I made when I first started making stickers was overlapping the edges.
Join communities online
Discord servers are a good way to find online communities for people who want to oppose the American government! I am in a server that shares resources, information, protest days, and more. I can share the link in DMs, and you can also look online to find more.
Start a social media platform
That's what my blog is for! I'm posting online as a form of protest. There are a number of social media platforms (except Facebook, Twitter, Instagram, TikTok....) that you can advocate on. I do believe Tumblr and YouTube are the safest ones, and therefore have the biggest communities on there.
Buy banned books
THESE WON'T BE SOLD ANYMORE, SOON. They are information and knowledge the government is afraid of. The Diary of Anne Frank is on the list, which just goes to show how far they're going in this. They know they're fascists. They know America is going through the same beginning stages of a fascist dictator's overtake of a country. You can find a lot of these secondhand before they're gone. Find PDFs online of the books and download them in a place they can't be deleted. Physical copies are much better to have as they can't be taken away.
Pirate and get physical copies of music
Alphatron, FMovies, those are good sites for live action. WCO.tv is a good site for cartoons (and as far as I know, perfectly legal online archive!)
Learn how to burn CDs. Collect CDs. Collect vinyl records. And please, for the love of the Gods, DON'T USE SPOTIFY. I used Spotify because it was the easiest option for me, but they financially supported Trump's campaign. I switched to YouTube Music. Even the free version of Spotify supports the company- every song you listen to and every advertisement you sit through puts more coins into their bank account. I also have a vinyl collection I've been growing for 3-4 years. I'm thinking about learning how to burn CDs and get a Walkman (I currently don't have money, but I'm looking to get a job soon.) Like with the banned books, physical copies are the best. They'll have to pry it from your cold, dead hands.
That's all I have for now!! Feel free to add onto this with your own ways to protest and/or additional information from what I've already put.
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slightlymediocree · 10 months ago
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☆Update 2:☆
I remembered to take pics today! Sort of. Only after i had put away my machines and stuff...
Here are (most) of my edwardian undergarments
(i am wearing modern clothes under bcs the internet is weird)
Chemise, bustle pad, underbust corset, petticoat
I still need to make a corset cover someday, ive just been using a second thin chemise over all this:
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I used these vintage buttons on the cuffs. I wanted some more security but ran out of buttons so i used small snaps:
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Also put one on the collar so i could try it on. I think the placket at the back of the blouse is a little ugly and larger than ive seen in extant garments but i forgot to adjust the pattern for my broad shoulders and need the extra width for comfort.
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I tried on the blouse and skirt together:
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I may need to loosen the waistband of the skirt, the corset is a bit bulkier than i thought itd be. Also the blouse is just stuffed into the skirt and currently only has one closure on at the collar so it looks a little bit disproportionate. The belt/sash will help smooth everything out so i dont look like im drowning in voile.
I might go without the bustle pad during the final shoot because i think it gives too much volume in the waist/hip area for edwardian tastes. Its from an 1890s pattern, so the silhouette is a bit out of date. I should probably try the skirt on without the pad before extending the waistband though.
Im pretty happy with how the sleeves turned out! I have some vintage nottingham lace i bought on etsy from penelope textiles that i was going to add to another project. I think ill sew some different laces together and add it to the cuffs to elongate them a bit. Since this dress is supposed to be from roughly 1905, i want the sleeves to look as they wouldve in that time. The photos ive seen mostly feature large ruffles at the ends of elbow-length sleeves but i dont think ill be likely to wear ruffles very often. Ive also seen tighter cuffs that extend from the elbow to mid-forearm or from the elbow to wrist. I think the elbow-length sleeves are a feature of afternoon dresses but i could be wrong. Maybe that was just day dresses? Not sure.
Im also not sure if i want to get gloves/a hat/parasol for this project. On one hand, it would look really cool for the video. On the other hand, it sounds quite expensive and i doubt ill wear it again. I dont want to buy things i wont use and create waste, theres enough of that in fashion. I have a pink 1900s parasol that i might cover with black fabric, but idk.
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There isnt much left to do! Im gonna make a list here so i have it written somewhere:
-sew snaps onto blouse
-finish blouse hem
-attatch lace cuffs
-press pleats on sash/belt
-order synthetic whalebones
-add bones, hook/bars to belt
This is just the sewing tasks though, i need to edit the video clips and record audio. I have no idea how to do any of this. I just downloaded davinci video editor so hopefully i can figure it out. The only experience i have with video making/editing was in 3rd grade on ipads on the imovie app. Ive just been binge watching bernadette banner videos bcs i love her video style.
Any tips/feedback are much appreciated! ♡
Date: 4/22/24
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gamorahww · 17 days ago
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hi! i was wondering if you have any advice/certain programs or anything you use for making gifs, because there’s something i really want to make but i have zero experience 💔💔
hello hello!
ah, yes, I have a TON, let's hope this ADHD girlie can give a somewhat concise description lmao. I will answer this publicly, in case it's useful for anyone else.
Software I use:
To make the screenshots: - for single scenes: KMPlayer 12.22.30 (the newer versions are trash) - for shorter videos, or something you want to get all the screenshots out of Free Video to JPG converter is awesome.
To make the gifs: - Adobe Photoshop 2021 (I don't recommend much later versions, because of the Cloud connection they have)
General gif-maker wisdom: "we spend more time on making sure that something looks serviceable, not pixelated, and good quality, than to get it moving and shit" - Confucius, probably
Useful stuff to make your life easy:
- Squishmoon's action pack for sharpening your screenshots. You can also find their detailed use explained here. - If you are planning to gif Wicked, some scenes are a bit tricky, ngl. But I have two PSDs that you can use, while you're perecting your own craft, and you can edit and update them to make them more "you".
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A neutral PSD for mostly indoors and lighter scenes | download
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A blue-enhancing PSD for darker scenes | download
Some info on videos to use: - always, always (ALWAYS) use at least HD videos. Otherwise your gif will look like shit. This should be ideally at least 720p in resolution, but go with 1080p for the best results. Coloring gifs in 1080p is easy, but... - if you want to go pro *rolls eyes*, you could go for HDR (2160p) quality. However HDR is a mf to color properly and I would not recommend it for a beginner. When you extract frames from an HDR video, the image colors will end up being washed out and muddy so you will always have to balance those colors out for it to look decent, however, the quality and number of pixels will be larger. If you ar okay with making small/medium sized images, then stick with 1080p. (Storytime, I spent a lot of time making HDR screenshots, only for me to realize that I really hate working with them, so I'm actually considering going back to 1080p, despite that not being "industry standard" on Tumblr lmao. I'm not sure yet But they take up so much space, and if you have a laptop that is on the slower side, you will suffer.)
See the below example of the image differences, without any effects. You will probably notice, that HDR has some more juicy detail and is a LOT sharper, but well... the color is just a lot different and that's something you will have to calculate in and correct for.
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The ✨Process✨
Screencaptures
I like to have all screenshots/frames ready for use. So as step one, you need to get the movie file from somewhere. This should definitely be a legal source, and nothing else (jk).
Once I have the movie. I spend a lot of time making and sorting screencaps. Since I mostly work in the Wicked fandom only atm, that means I will only need to make the frames once, and thats awesome, cause this is the most boring part.
For this, I let the Video to JPG Converter run the whole movie while I was aleep, and by morning, it created gorgeous screenshots for me and my laptop almost went up in flames.
You need to make sure you capture every single frame, so my settings looked like this:
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Screenshots do take up a lot of space, so unless your computer has a huge brain, I suggest storing the images in an external drive. For Wicked, the entire movie was I think around 200k frames total. I reduced that to about 120k that I will actually use.
And then I spend some time looking through them, deleting the scenes I know I won't do ever (goodbye Boq, I will never gif you, I'm so sorry :((( ) and also, I like to put them into folders by scene. My Wicked folder looks like this:
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If you don't want this struggle and you only need a few specific scenes, there is this great tutorial on how to make frames from KMPlayer. Note that some of the info in this tutorial on gif quality requirements and Tumblr's max allowance of size and # of frames are outdated. You are allowed to post a gif that is a maximum of 10 Mb and 120 frames (maybe it can be even more, idk, said the expert) on Tumblr. But the process of screencapturing is accurate. Also ignore the gifmaking process in this tutorial, we have a lot easier process now as well!
Prepping the images
I have a folder called "captures", where I put all of the specific screenshots for a set I want to use. Inside this folder I paste all the shots/scenes I want to work on for my current gifset, and then I create subfolders. I name them 1, 2, 3, etc, I make one folder for each gif file I want to make. Its important that only the frames you want to be in the gif are in the folder. I usually limit the number of images to 100, I don't really like to go above it, and usually aim to go lower, 50-70 frames, but sometimes you just need the 100.
Sidetrack, but: Keep in mind that Tumblr gifs also need to be a specific width, so that they don't get resized, and blurry. (Source) Height is not that important, but witdth is VERY. But since there is a limit on Mb as well, for full width (540px) gifs you will want to go with less frames, than for smaller ones.
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Once you have the frames in folders, you will open Photoshop, and go to: File > Scripts > Load files into stack.
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Here you select Folder from the dropdown menu, and then navigate to the folder where you put the frames for your first gif. It will take a moment to load the frames into the window you have open, but it will look like this:
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You click "OK" and then it will take anther few moments for Photoshop to load all the frames into a file.
But once that's done, and you have the frames, you next have to resize the image. Go to Image > Image size... When you resize in Photoshop, and save as gif, sometimes you do end up with a light transparent border on the edge that looks bad, so, when you resize, you have to calculate in that you will be cutting off a few pixels at the end. In this example, I want to make a 268px width gif. I usually look at heights first, so lets say I want it to be a close-up, and I will cut off the sides, and it will be more square-ish. So I set height to 240px. Always double check that your width doesn1t run over your desired px numbers, but since 575 is larger than 268 (can you tell I'm awesome at math?), I should be good. I click OK.
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Next, you have to crop the image. Go to Image > Canvas size... At this point we can get rid of those extra pixels we wanted to drop from the bottom as well, so we will make it drop from the height and the width as well. I set the width to 268px, and the height to 235px, because I have OCD, and numbers need to end with 0 or 5, okay?
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And now, the magic happens! First, go to Window > Actions to have the actions window show up. While you're at it, in the Window menu also select Timeline (this will be your animation timeline at the button) and also Layers. Once you have the Actions window showing up, on the menu in the upper right corner click the three lines menu button, and from the list select "Load Actions". I hope you downloaded the Squishmoon action pack from the start of this post, if not, do it now! So you save that file, and then after you clicked Load, you... well, load it. It will show up in your list like so:
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You will want to use the sharpening - HD one, BUT I personally like to go, and remove the tick from the spot I circled above, so leave that empty. This will result in the image having more contrast, which is very much needed for these darker scenes.
When you have that, you select the action itself like so, and click the play button at the bottom. The action will do everything for you, sharpen, increase contrast and also, create the gif and set the frame speed. You won't need to edit anything, just whatever window pops up, click "OK"
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Now it should all look like something like this:
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In the Layers window on the side, scroll all the way up to the top. The frame on the top is your last frame. Every effect you want to add to the gif should go to here, otherwise it won't apply to all frames. So at this point I open my PSD for darker scenes, and pull the window of it down, above the gif I'm working on like so:
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And then I grab the folder I marked with yellow, left click, hold the click down, and drag that folder over to my current gif. And bamm, it will have the nice effect I wanted! You can click the little play button at the button to see a preview.
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Once you have it sorted, now its time to extract it, but first, here's our before and after view:
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Now, if you are happy with this, you can just save and close.
If you want to add subtitles, you can do that as well either manually with the text tool (remember, to add as the TOP layer as we did with the coloring) or you can use a pre-set PSD for that as well, here's mine.
Now, we just need to export it. Go to File > Export > Save for Web (Legacy) and copy my settings here. Others may use other settings, but these are mine, so! I hope you are happy with them :3
In this case, for colors, I picked 128 colors, because on dark sscenes you can get away with using less colors, and the larger that number is, the bigger the filesize. If you use lighter images, you will need to bump that shit up to 256, but that will make your file larger. You can see at the bottom of the screen, how large your file will end up being. So long as you are under 9 Mb, you should be good :3
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Conclusion
Look, Gif making and Photoshop in general is a bit scary at first. There are a lot of settings you can mess around on your own, a lot to play with, and also a lot can go wrong. This is a very basic tutorial, and also my current process and preferred coloring. However if you look at "gif psd" or "gif tutorial" or similar tags on Tumblr, you can find a LOT of great resources and steps, for many-many things. Usually people are not too antsy about sharing their methods either. You make 4-5 gifs, and you will have the steps locked down, and then it's all about experimenting.
After you have some muscle memory, your next step should be to explore what is inside a PSD coloring folder that you use. Open them up, try clicking around, click the little eye, to see what happens if they are turned off, and double click them, and play around with the sliders, to see what each does. Most people on Tumblr don't really know what each one does, we all just pressed a few buttons and got really lucky with the results, lol.
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If anything is unclear, don't hesitate to ask, I'll gladly help!
Good luck <3
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