#i just want to highlight the tone difference between things like that versus things like kuboyasu talking about his childhood

[oceanwithouthermoon]

yeah

but theres a difference between making angst where it just doesnt exist (example being making kusuos parents out to be abusive and awful. i think this comes from making this exact mistake of taking little gags that actually mean little to nothing and trying to make a bigger picture out of it that just isnt there) and just. writing about the angst in saiki k.

im mostly talking about people who just say this for either no clear reason or in the context of anyone who writes angst about tdlosk, "saiki k is nothing more than a gag manga," cuz like i said, this just. is objectively not true. ive seen people literally try to erase akechi and kusuke from existence because their entire presence in the story is a reminder of something sad in kusuos life

tbh i hate when people are like "idk how anyone makes angst or gets serious topics out of saiki k when its literally just a gag manga🤓" when the akechi arc, the cattank arc, the volcano arc, and literally every episode where he feels guilty about hiding his powers all exist????

[klainelynch]

Hey friend! So I’ve been listening to a bunch of your Royai podfics lately and I just love them. Its the best way to get my fic fix while also being a productive adult lol. I’m blown away with how professional and polished your stuff is! You definitely could be recording full blown audiobooks, if you aren’t already! (And if you are, I’d love to know where to find those!)

I’m intrigued by your whole process: how you pick stories, record, edit, etc. Choosing when and where to use tone inflection, pacing, all that. You can fully nerd out if you feel like it! I’m so curious. ☺️❤️

Ahhhh what a wonderful message to find in my inbox!! 🥰🥰🥰 I'm so happy that my podfics have become something that you listen to in your daily routine! I don't record audiobooks or do this in any kind of a professional sense, but I do try to emulate what I love of different audiobooks/professional productions and other peoples' podfics, so your compliment means the world to me!

I started with a very stream-of-consciousness response and have tried to cohere it into something readable. You said I could fully nerd out, so here's over 2k of me taking you up on that xD

Choosing a fic:

I tend to gravitate towards fics that have more narration as opposed to dialogue. I love being in a character's head and fully living in their world and the way they experience it. When I am reading dialogue, I don't try to sound exactly like the voice actor (if it's from a tv show or movie) or adopt their accent, but I do try to embody the character in my voice, if that makes sense. If there are too many characters with dialogue, this gets difficult for me, which is why many of my solo podfics have two or fewer characters who speak, or why I create multivoice podfics with fellow podficcers.

In my podfic spreadsheet, there are several pages dedicated to fics that I'd like to record someday. Most of them are under 1k, though I do have a few that are around 3k (which would be on the longer side for me). I jot notes to remember what each fic is/what I would like to do with it—some examples of what those sound like with fics I haven't recorded yet: Zuko asks how Iroh survived when Lu Ten died because of Izumi feels; Al reflecting on Royai rebuilding Isvhal, no dialogue; Roy takes Riza out on a date (cover art would be a theatre program); good angsty Edwin moment after the boys come home (could have thunder in background); Ghost!Roy as Riza carried on, will need to build to this level of angst; Abbott Elementary book fair *chef's kiss*; Roy announces he’s engaged to some mystery woman but PSYCHE HE’S ALREADY MARRIED TO RIZA.

I used to have a pretty even split of recording fics with blanket permission versus asking authors for permission, but these days, I tend to be too lazy to ask lol. Not saying that I won't do it, but when the mood strikes me to record, I need to know pretty quickly if I can complete the project, and a bp statement really helps with that!

Prep work:

When I first began podficcing, I would put the entire fic into a google doc. This let me annotate the script for every little thing (highlighting dialogue, typing out phonetic pronunciations of difficult names/words, and putting spaces in between sections of text to help with breath control being the most common). The more I podficced, the less I had to annotate, until all I would do with my scripts was put in the spaces. I want my breath to be consistent/unnoticeable, so I read with that in mind. Often you can use the punctuation as your guide, but sometimes there are long stretches with no punctuation, and I have to figure out how a sentence should be cut up to make its meaning clear.

I didn't make these scripts for any of my solo podfics during Voiceteam this past May, and I still felt comfortable recording, so I think I may be past needing this tool for the most part. I just need to read through the fic a few times and look up any potential pronunciation issues right before I record.

Recording the podfic:

My early podfics were recorded with the microphone attached to my earbuds, and you can definitely hear it in the quality 🙈🙉 I did at least use a makeshift pop filter, so that helped with my plosives from the beginning.

After a few months, I got a blue snowball mic, which makes the quality so much clearer, and even more so once I got a computer that can run Audacity (more on why I love this program later).

I currently record in my closet, which is a long wide shape, so the doors don't close all the way when I'm inside of it. I shut them as best as I can to prevent outside noises, and I stand as I record. I used to sit at my desk with a soundproofing box around my mic, but I found it hard to get good breaths for long periods of time, so now I stand. The tradeoff is that I have to be wearing good shoes if I'm recording more than thirty-ish minutes (which could happen if the podfic is ultimately longer than twelve or so minutes because…)

My raw audio is usually at least twice as long as the final product. I often record several takes for lines, sometimes if I mess up, but usually if I don't think I captured the emotional quality that I can hear in my head when I read the line with my eyes. Sometimes it takes up to ten times for a line to feel right; other times, an early take ends up being the best one.

The previous point touches on how I handle putting inflection into my voice. The other part of it is thinking through how the speaker would say a particular word/phrase. If it's narration, I've emotionally been with that speaker for the entire fic, so I lean into that; if it's dialogue, it might be someone new, so I have to switch my brain. Either way, I have to (consciously or unconsciously) think through: 1. how would I personally say this? 2. how would the character say this? 3. how would the audience want to hear this? 4. how would the meaning be most effectively heard? Often there is overlap in these questions, but not always. If there's a conflict between these, I try to remember that my audience is probably just listening with their ears, not simultaneously reading with their eyes, so I need to prioritize their being able to understand what is happening and why. That's why I try to affect my voice in different ways and not literally mumble or shout, even if the fic has the character doing that.

Since you mentioned my Royai podfics, I will mention one way I distinguish their voices depending on who the narrator is. When Roy is the narrator, any of his dialogue is in my normal voice, and Riza's dialogue becomes slightly higher and slower; when Riza is the narrator, her dialogue is in my normal voice, and Roy's dialogue becomes slightly lower and faster.

I put a lot of pressure on myself to nail the first and especially the last line of a fic, so I will record a good number of takes for those. It's only happened once that I loved the first take I did of a final line. Sometimes I annoy myself at how many takes I record, but I'm thankful for the choices when I'm editing, so this is simply how I do things!

The hardest part of recording for me is keeping my voice quality consistent. I drink a lot of water throughout the day, but even so, I get dry mouth as I record, and once you're at that point, drinking more water doesn't really help. Tricks like chewing gum or brushing my teeth right before recording help me out.

Editing the podfic:

This has actually become my favorite part of the process! It feels like a puzzle and a treasure hunt, trying to find the best ways to pick out the best parts of my performance and turn it into a final product.

When I started podficcing, I had a chromebook, so the only audio editing software available was free online websites. I don't even remember the ones I used, but they did most of the things I wanted, and they let me get my foot in the door. The problem was that they were limited in tools, such as…

Noise reduction is my favorite feature of Audacity, which is the software I currently use. If you go back and listen to my podfics chronologically, you can clearly tell when I started using it because the general crackle in the background disappears. I have no plans to delete old pods, but it is as painful for me to listen to them for this reason as it is to reread fics I wrote in high school lol

The first round of edits is picking out the best takes for each line. Sometimes that means listening to several takes over and over before I choose my favorite; occasionally, I splice together the first half of one take and the second half of another. I'm very proud when I can do this with a single word and you can't tell the difference at all. I laugh when it sounds like I've done this with a word, but actually I just read it weird and I have no other take to substitute it with xD

Something else I do in the first edits is take out excessive space between sentences and paragraphs. I basically reset my breath/voice after every segment (could be a sentence or part of a sentence) so there's always extra space. I tend to edit down to one to two seconds between sentences, two to three seconds between paragraphs, and four to five seconds between entire sections of a fic. Of course, there are always exceptions (a character feeling very emotional, especially angry or excited, will have faster sentences; dialogue is formatted in paragraphs but it is inflection rather than time that indicates to the audience that a new paragraph/speaker has begun; an emotional line might require more space to let the audience process it).

Once I have all of the words edited together, I will do a second round of edits for tightening up the pacing. I listen to the edit without looking at the text, keeping my hands busy with a video game or coloring. As I'm listening, if something feels too fast or too slow, I'll make edits in real time, back it up, and listen again. The reason I can't read and listen during this pass is because my eyes are expecting too much and I can't properly hear what the audience will hear. When I began podficcing, I thought I had enough space in between words and sentences, but when I would listen back, I realized that I had cut too much out and the podfic's speed was faster than I liked. Now I leave more space in during the first edit and do this pacing pass.

Once I'm happy with the narration, I save it as a narration only file. I love adding in music and effects when I can, but I'm sure there are some who would rather only listen to the narration, so I make this available for accessibility and preference reasons.

I will usually make a final version with music and/or sound effects. This is one area where I'm specifically trying to emulate professional audiobooks and how they use music under the opening credits before fading out as the story begins.

Finding music is its own kind of scavenger hunt. I prefer to use public domain or creative commons music because it feels more true to the collaborative/transformative spirit that podfics have for me, and the idea of a podfic being taken down for copyright reasons does make me nervous. ccmixter and Purple Planet have a lot of songs that I've used in the past. The former has literally thousands of songs, which can overwhelm me if I'm working on a deadline, so I will sometimes just listen to random tracks and download anything that might be helpful in the future. That being said, if a fic uses a song lyric as a title or the author mentions a song as inspiration, I will try to use that song as the music if possible. I'm especially proud of how I used "Wait for It" at the end of An Endless Uphill Climb.

I use sound effects far less frequently than music, but they are fun when there is a natural place for them. I love the Star Wars audiobooks, and they often use sound effects and music in a way that heightens the emotions in the listener. That is always my guiding star, though I will admit to sometimes using effects just because they make me happy!

Cover art:

Like music/sound effects, this part is totally optional, but I usually do it because I have a lot of fun with it! I make everything in Canva, and again, I try to use public domain or creative commons images. Openverse is my go-to search engine because they make it really easy to tell which images I'm allowed to use in what ways. Sometimes I have a vision and try to find images to match; other times I have no idea and just see what I can find, or I can't find what I had in mind and have to switch gears.

Random facts that I couldn't find a spot for:

I learned how to read for an audience by being a lector at mass (reading either something from the Old Testament or something from the New Testament, other than the Gospels) in a church with lots of marble, which explains why I read on the slow side. Had to leave room for the echo before I started speaking the next line!

I've actually found that my own fic writing became easier to read aloud once I started podficcing. That doesn't make it better or worse—there are beautiful passages in literature/fic that are easier to read with the eyes than with the ears. But it is definitely a thing.

.

Thank you again for sending this ask! I hope this peek behind the curtain was interesting to you, even if it was probably far more than you were asking for xD And another thank you for listening to my podfics—it really does mean so much to me that something I've made can brighten up your day 💖

[rebelquilled]

in ahri’s new lines, she tells xayah something like “in another life, we could have been great friends” and i’m here feeling 🥹🥹🥹 emotional !!!

yesss !!!  i’m sleeby so my thoughts here probably won’t be as coherent as i want... forgive lack of eloquence essentially but.  honestly ahri’s voice lines to both xayah and rakan feel telling to me, even if rakan’s come off very “obvious” for lack of a better word. to me if feels like rito is really trying to sell a bit of an evolution of ahri.  her voice is... happier now.  more peppy and fun versus the sultry and slick tone she had prior.  ( and, of course, everything i say here will revolve around league-specific ahri, so this isn’t me trying to speak on the terms of your lovely divergent and original version !!!  but since she is an inspiration, we still adore her and i have a lot of thoughts about league ahri and xayah’s relationship which semi impacts how our bbies relate obviously! :eyes: ) i derailed some - anyways!  aside from the tone of the voice in particular, the things ahri says to xayah and rakan to me are actually deep in their own unique ways.  the lines to xayah are more obvious in this and emotional as you’ve noted.  the possible friendship, even kinship the two could have or could have had ( since she says that line for killing xayah, it’s obviously somewhat of an “alternate take” on their relationship ).  meanwhile to rakan, she pretty much just references xayah being important to him and him to her, yatta yatta. but like.  i think these lines extremely highlight the comparisons and contrasts between ahri and the two birbs, as well as ahri’s personal growth and her stance on xayah’s rebellion. they really kind of start to push that ahri is the “unwilling monster” in a way.  this isn’t to say i don’t think ahri doesn’t enjoy killing her prey or being deadly... but league ahri loves humanity.  she enjoys and even craves their presence in a variety of ways.  the line for first seeing xayah about knowing who she is and what she has to do feels as though it’s essentially saying to xayah “i don’t agree with you” ( unless rito plot twists us, but i don’t think ahri would join xayah’s rebellion full heartedly unless xayah stopped being so antagonistic to innocent humans ).  ahri experiences humanity and even magic differently since how she draws her magic doesn’t parallel what the lhotlans experience.  ( and this all contrasts to xayah who very willingly is becoming a monster in the eyes of humans and even some of her own people due to her lack of care for innocents, essentially.  she isn’t actually a monster - and neither is ahri - but how they have to behave and present themselves form these perceptions.  rakan is the main reason xayah probably isn’t off the deep end in this regard while ahri’s unfortunate need to consume souls prevents her from shedding the monster label. ) it’s why rakan can still get behind xayah’s work despite liking humans... he’s still suffering from what is happening.  meanwhile, ahri literally gets energy and life and memories and all from them.  rakan likes humans but is still hurting... ahri likes humans and is learning to thrive again.  some humans even essentially worship her so she’s just got complete opposite experience esp compared to xayah. xayah and ahri’s lines to each other can almost be a back and forth.  if you take ahri’s line first ( “i know who i am and what i must do” ) and then xayah’s “you betray your heritage, ahri”...  it kind of unfolds what their relationship stems upon.  they don’t see eye to eye on humanity, and that’s a rift.  but unlike rakan, ahri can’t sympathize with xayah quite so much.  so, yes, in another life... they could be friends, because their personalities are actually complimentary.  their goals and values are just at odds, and that stirs up the trouble.  mainly from xayah’s end because she’s actually probably the more antagonistic one with her prejudice and bias. meanwhile look at ahri’s lines to rakan.  ahri and rakan probably don’t have a lot in common personality-wise if we’re honest.  however.  both of them are strongly tied to love.  so ahri speaks to rakan with joy and perhaps even a smidge of envy when she talks to him about xayah.  them being one heart, xayah would miss him if he died...  i’m sure there’s more that ahri and rakan could talk about and enjoy together if they really got  the time, but something tells me a purple birdy doesn’t like that, so ahri really only gets the surface level of the two of them and xayah definitely only learns the surface level of ahri ( i would like to argue that rakan’s keen perception actually allows him to understand ahri a bit deeper with only small exchanges ).  but regardless, ahri knows this one thing between her and rakan lives and it’s just that feeling of love.  rakan fights for his people, yes... but he fights a lot for xayah.  to keep her from going off the rails or getting herself killed.  ahri has her own love she’s fighting for in a way... and so she connects to rakan through that and that’s why she focuses on those things when she speaks to him. a clear contrast from the antagonism and difficulty to see eye to eye she has with xayah.  a difficulty that wouldn’t exist in another world ( or multiple worlds if sg and arcana and all aren’t explicitly telling us LMAO ). anyways, here was my random ramble about that, idk if you signed up to get this but you got it.  your ahri may not be league/rito ahri but even just talking about this is making me think of it in relation to your version of her, too, and i’m 🥰  again ignore how badly this is all written my brain is DEAD but i HAD to rant!

@vulpesse

[greysfall]

My 4444-word review of NEO TWEWY (with personal illustration + heavy spoilers)

My overall critical score for the game is 7.5/10, while my personal enjoyment score is 8.5/10. This review is posted as I have 80% completed the game, got the secret ending and achieved the Angel psychic rank. I’ll first start with the main pros and cons as follows.

PROS:

-        Enjoyable as a whole, still upholding the first game’s spirit in world building and sharing the same backbone - which was mostly revealed in the Secret Reports, it’s impossible to grasp the story without reading them.

-        The new cast and new game is charming in their own way

-        The old cast’s return is one of the biggest highlights for sure, it was fun and impactful. Everyone stays true to themselves and also had their own stories wrapped up nicely.

-        Boss designs are cool, new pins are fun to use and collect

-        The connection between the old and new cast is well written and executed, including but are not limited to the tension between the old and new protagonist, the weird but fun interaction between the 2 Composers, the new friendships revealed and formed

-        Sho being in the main cast is something so uniquely TWEWY and uniquely Sho

-        Still good music

-        Still many fun side quests, some of them really uphold the same quirky spirit of the old game and some are surprisingly touching

-        Many new nice stores and yummy looking foods to explore

-        The map is really easy to memorize for me, it’s fun to travel around the “current” Shibuya to see all the differences compared to the past

-        The social network is crazy and interesting to read through

-        Has an anti-frustration system to help 100% complete the game more easily and earn money faster, so post-game is relatively managable.

-        Overall, I really feel the efforts the team poured into making this as their passion project, not just during the development process but for all the last 14 years. They showed the vision of what they wanted to make, at the same time giving something to both the old as well as new fans.

CONS:

-        The biggest problem with the game is scenario writing. The story is so heavily back-loaded. The director himself thought it would be better to balance out the tension flow by adding more at the beginning but gave in to the scenario writer in the end, probably due to time pressure. This results in an underwhelming execution of characterization and lots of wasted potentials for the first half of the game.  

-        I struggle to view it as a stand-alone game, since the backstory and the old cast both play such an important role in the core of the game. If someone plays this game without having played the OG, they can only enjoy it on surface value at best.

-        The new cast is nice but most of them aren’t quite as intriguing as the old cast, maybe it’s cuz they’re all too nice deep down that they lack a little bit of an edge, of that batshit craziness that everyone in the OG used to have? I think some characters (Fret, Nagi) ended up weaker in terms of characterization because the writer is too afraid of making them unlikeable – which kind of backlashed cuz they only became likable in the most expectable way to cater for a specific group of fans. I would have wished for the other team leaders to be more crazy too, had they not suffered 30+ loops of the Game…

-        The CAMERAWORK IS HELL.

-        Gameplay does get tedious at certain points with all the time travels.

-        Shiba is so badly written as a villain, some Shinjuku characters should be given more screentime cutting into Shiba’s– like Hishima or Kaie or even, Hazuki (though his limited presence also solidified his importance).

-        Some of the main character designs, for example Beat’s hairstyle and his food reactions are hilariously bad. What’s the point of covering up most of his unique facial features?

-        Some of the minor/side characters’ design are too cool for them to have such a small role (eg: Ayano, Eiru). Ryoji did get much screentime but is nowhere as fun as Makoto was.

-        Overall the scope of this game is made a little too big for the team to handle as perfectly as the last game that was very compact, it felt somewhat rushed in development too so the missing pieces are clearly there in the final picture

The entry fee versus paying for it all in the end

An important difference between the Neo game and the original Shibuya game was that the Shibuya rule asked for an entry fee that is the Player’s most important asset, stated as a chance the Composer gives them to reexamine themselves. Meanwhile, the Shinjuku rule neither encourages nor allows personal growth and ultimately aims to erase as many Players as possible. It’s a pity we were never introduced to the full Shinjuku rulebook, as it seems like the system there focuses more on building up power and a grand government to compare with the individuality-driven system of Shibuya.

When you have to compare the new game and the original game (OG), this is an important factor to consider. Also, the OG has a serious storyline running through and through, locked with a different partner/GM creating unique atmosphere for each week and you don’t get to see your old partners again until the end. NEO’s team system does not allow such deep insight and communication between the Players. All of your teammates are always there throughout, the dynamic does change with each new addition but it is not as prominent as a partner change.

Another important factor is how the OG was built from scratch for a new platform as “something no one has ever seen before”, while Neo recycled a lot of old unused ideas from the previous development (check out this interview for more details). The development team for NEO lacks 2 key members and had a change of writer so the final product is not as strongly bound together as the last game.

The new cast is definitely inspired by today’s teenagers (from the view of creators), compared to the old cast they’re more sociable and always seem to take whatever works for them despite feeling unstable inside. They are all innocent and genuinely nice kids, avoiding to hurt each other to a degree that they end up keeping some sort of distance. They’re also unable to communicate at deeper levels, always stagnant at this half-baked stage of equilibrium without any motivation to get to the core of things. That is the cost of entering the game without an entry fee, without even dying or having a reason to be there/to fight seriously. These kids were stolen from the RG into a Game that was decidedly the worst environment for them to change or develop, just wandering around cluelessly to find a way “out” until tragedies started to unfold one by one and they ended up being charged the total sum of the price for their actions – ultimately losing everything in the end.

That is, I believe, a story arc which can resonate more to the youth of today rather than of my generation. If the message of the old game was to “listen”, enjoy life to the fullest and accept to trust others, the message of the new game is to “speak up” from the inside, trying to understand yourself and take actions instead of just going with the flow and finally, to take responsibility for such actions.

If Neku was handpicked by the Composer for being the special one with an all-dense soul to ensure victory of the game then Rindo was just a normal kid chosen out of random by Kubo to be his back-up plan, who just happened to have a high enough imagination to awaken the incredible power from his pin. Rindo was then officially chosen by the Composer as Josh picked up and handed the pin to him again, this time not as Josh’s personal Proxy – but as the Proxy to represent the normal people of Shibuya and via whom he could gamble if humans can fight for their own fate.

The underworld heroine and the hero with little of his own

Shoka is for me a refreshing and layered heroine. She’s the kind of character that took at least 3 trials of creators to form as a complete individual – that included Nomura who gave her the base design and Reaper background, Gen who gave a more cunning touch and the writers who made her English dialogues more punchy. Dishonesty equals “tsundere” is such a cliché, so the English writers tried really hard to avoid that trope in my opinion, while still letting her good intention come through.

She serves as the character who is informed of everything the players should have known, and there was almost nothing she could do about it. Almost. Until she met Rindo.

They were drawn to each other by sharing a state of “not having anything of their own”. They both started out with not being able to truly know themselves, Shoka even hated her RG life but also managed to mature from that stage before Rindo. She must have vibed with Shiki’s love and passion in the Gatto Nero threads, initiating her connection with Shibuya and understanding herself more. With Shoka as Swallow, they were able to open up to each other and offer mental support… but was still not getting to the centre of their problems because for all this time, Shoka could not tell Rindo the most important things about herself.

How did Shoka feel when she met Rindo at the UG? She probably didn’t want to hope that he would live the day until she witnessed the Twisters’ potentials. From the very beginning, they were both incredibly conscious of each other and also constantly frustrated that the person they happened to “notice” was such a condescending bitch/a clueless loser. The Shinjuku Reapers are overall quite drunk in power and uncompassionate to Players, Shoka included. She is also a master of dissociation, which results in her constant boredom, tone swings, haughtiness and subconsciously distancing herself from the friend – the boy she cares about – from false hope, as she judged from facts that it was a hopeless situation where nothing could ever be. Maybe she is naturally a bit of a chameleon just like her name suggests (Shoka 紫陽花 = hydrangea, the color-changing flower), so putting on an act and always dissociating herself from what’s important was easy, while hiding her contradiction was impossible. It was the ex-Reaper Beat who broke it out to her, that she should decide whether she really cared and wanted to do something for a change. He knew how it felt like to cross that line, and knew she wanted to too.  

Shoka is endeared by many of the Shinjuku Reapers and has shown independent acts of kindness (the Shinjuku ghost), proving that her kind and truthful side is as real as her harsh and dishonest side – which makes her a nice mirror to the previous heroine Shiki, who also embraced a dichotomy of self-complex and self-love within her character. In the end, she was the first of the new cast to ultimately accept all that is important to her and independently made the decision to help save Shibuya despite all costs.

She was jealous at Rindo’s interaction with Tsugumi and Kanon but remained silent cuz she wasn’t at a place to have any say about it. She also didn’t reveal about Swallow because that would only add an awkward irrelevance to their current situation, as she was too ready to face erasure at the end of the Game. She only wished to “play a game” with him, be it FanGo or the Reapers’ Game. The tension that the team could only feel at the end, she’s felt it the entire time. The song “DIVIDE” is applicable to not just one bond in the game, but it always makes me think of theirs. There is always a “divide” between her and Rindo throughout the course of their journey, as the living and the dead, as a Player and Reaper, as someone who has a place to return to and someone who doesn’t, someone who knows little but wields too much power and someone who knows a lot despite not being able to do much.

“If only I had the chance to connect with you on the other side

But time goes on, and without us realizing it

The battle is getting heated

Time goes on, and without us realiazing it

Divided again”

To be honest, maybe I didn’t grow any affection for the new main cast from Rindo’s perspective but from Shoka’s. Since I started to sympathize with Shoka, I started to see the boy in a more “real” way. The real Rindo, behind his peaceful façade with others, would lash out on Shoka for her unfairly harsh attitude while none of the others cared. He could also subtly feel that mantle of unspoken secrets from her, her own contradictions, the unresolved chemistry between themselves – and not knowing what to do with it rather than to feel angry with all the unfairness he could not process. (As a Libra too, he’s triggered the most by unfairness!)

It is actually a positive development as he’s at least “reacting” to something strongly now rather than to keep evading his problems. During my replay, I clearly saw the difficult situation Shoka was in, her remaining harshness after the Motoi incident was due to her internal struggle with a mission to save her own life, versus a chance to really be with the team. Her decision was to do both at the risk of losing favour from both sides. Rindo started to accept her layer by layer, as the person who resonated the most to her contradicting nature from the start and knew that via learning her resolve, he has learnt his too.

Later into the game, she even got too much of his attention. Maybe even without knowing she’s Swallow, he’s familiar with her thinking direction and Swallow had always been closer to him than any other friend. It was only after she had to betray her important ones twice that she could start being truly honest. The scene when she died a 2nd time left a strong impression in me, the little reveal let Rindo know that he is also losing Swallow as he’s losing Shoka – and that only death could drive the last secret out of her. Her final “Later, loser” echoed through Rindo as it was the final truth, with only him remaining to hear it: they had actually, already lost everything.

Rindo was the boy who never dared to face all that matters to him until he lost it all, fighting an unfair battle in the faith that they would somehow still win. Shoka was the girl who always knew what was dear to her, but never dared to think she could be together with them ever after and still threw her all into a battle she knew was losing. I think they stir each other on naturally to fill out their gaps, similar to what the Shibuya game partner systerm would have aimed for. The end reward was a little divine intervention to help close up the divide between them once and for all.  

During the game there was not enough space to process anything personal so at the ending when they officially became “friends”, it was an important affirmation of their bond. Some people complained it was friendzoning but it’s not, they just have arrived at the perfect place to start something more. “From now on, we will truly be together” – I read it as that kind of message.  

The heroine from a lost battle, with her story taken away

After reading the secret reports and playing the game to be surprised of how small a role Tsugumi had in the main game despite being the “Hype-chan” thought to be a major character of the next TWEWY installment, many fans would feel sad at a missed opportunity to see the Shinjuku arc in full depiction.

It was shown clearly that, a Shinjuku arc was very carefully planned out and is a vital part of the whole story, yet it could not be made due to various circumstances behind the development scene. I would assume, that the team were not able to make a TWEWY game that ended on a despairing note, but it already happened in their mind, thus becoming a mental burden that forced them to break away from it and started the game anew with NEO. A significant part of NEO became the healing arc for the Shinjuku characters, especially for Tsugumi though I really wished more emphasis should have been placed on her rather than Shiba. We didn’t even get to see her brother – Shinjuku’s Conductor who had a vital role and instead was given the clueless Shiba, who had absolutely no idea what’s going on all the way until the last day in NEO. It’s as if Tsugumi has had her story stolen away from her, because her own battle ended with a saddening loss.

I think every time the game creators look at Tsugumi, they would feel that sadness too. Maybe to them, she is a bigger character than what is seen by the fans, as despite their failed effort to depict her story, she’s lived in their mind for all these years through periods of destruction, healing and rebuild.  Though it is a pity we could not get to experience the full scope of the Shinjuku story, the creators was clear about the place they wished for it to arrive at.    

Individuality, connection and the social network

The team system adapted from Shinjuku rulebook does not allow much room for personal development, as the team dynamic is closer to a work relationship forced to bear results, than a spiritual bond to max out all corners of understanding as found in the partnership system. The old Shibuya system allowed only 1 winner and 1 week limit per game, while the new rule declares for a 1 winning team and only the team at last place will be erased – the other teams will enter another loop. Furthermore, whichever team to challenge the unwinnable Ruinbringers will face the risk of ending up dead last followed by erasure. As a result, the longest-standing teams are most likely not the strongest ever recorded, but the ones who have figured out a strategy to simply survive until something changes, enjoying their newly found social constructs while they are at it. Basically, it is a system to hypnotise players into the illusion that they are still “living”.

Therefore, we as players would not get to the core of each Player individually as fast and directly as we did in the last game. The Twisters were able to stand out not because they’re powerful, they only started to have a real chance after growing enough to each form a meaningful and personal connection to another teammate. It did not come as a team, nor did it intiate from the existing friendship between Rindo and Fret. In fact, I did not find much solidity or anything truly note-worthy about the main team and new characters within themselves until they started clashing with other team members, Reapers and new recruits from week 2 onwards. Rindo found his personal development with Shoka (via a clash with Motoi and pretty much a mini dating sim between them), then via the confrontation of his role with Neku; Fret found his with Kanon then Nagi, the team learned about the real Neku via Beat, Neku entered the UG via Coco’s wish to save Tsugumi… it was not the team but their personal links that empowered them to fight and solve each of their problems.

The other team leaders may have failed because they did not form such personal links, after 30+ hopeless loops Fuya’s team all fell apart to pursue their own interest even at the cost of erasure, Motoi quit his KOL façade to work like a dog for the Reapers (probably to save just his own ass not his team), while Kanon dropped her tricks to find changes via honest cooperation in acceptance of a fair loss. The despairing note in that is huge without making much of a scene because their failure didn’t happen at their best effort to “win”, but in their last attempt to find a way “out”. Even Shiba got his way “out” in the end thanked to his personal friendship with Hishima and Tsugumi.

Something has shifted in the mindset of the game creators in the last 14 years, as both games are about “connection vs individuality” but the last game focuses more on connection between just individuals and this one on the overall network that is formed out of those individual connections.

The introduction of Beat into the main cast was truly the bridge between old and new, they helped each other out in several turns before officially recruiting him. Beat is a character whom a lot of fans including myself have felt somewhat concerned about after Neku disappeared from the RG, so when the new kids welcomed Beat with warm and organic interaction and Beat seemed happy, I started to feel like I wanted to help them out too! I think the overall team chemistry is enjoyable enough for new players, but I could warm up to the new kids more from the pov of a returning character – whom I’m glad to be Beat, as the older brother figure who is genuinely kind, fun, serious and upbeat at the same time; who is needed and needs the kids in return.

The social network is a fun and refreshing feature. You can read all of the crazy tidbits about Shibuya and the links each character have formed with the town people, it’s also fun to visualize how the characters act off screen. Characters’ profiles provide extra insight into their background too, like how it reveals Tsugumi has been friend with Coco during her time in the RG. During the game when not all characters have showed up, you can sometimes guess which empty spot will belong to whom. For example there is a 1 character linking to Neky that is not linked to anyone else, so I could guess that was Joshua, and that another character linking only to Joshua was probably Hazuki, hinting that the 2 Composers are related before either of them even showed up.

Hazuki only showed up for 5 minutes, but his presence is so vital and true to the game that I think he is the most memorable out of the new cast. The two Composers have such an intriguing bond, with their yin/yang or phoenix/dragon themes, opposite color design, the sempai/kouhai tone and the way they keep some sort of distance/work relationship as if it’s mandatory between Higher beings, yet at the same time they can talk so casually because they are truly equal – and different from one another. I have written a separate meta on them here.

Some people pointed out, that all Shinjuku characters’ names and themes are based off Hanafuda cards and the Phoenix in Hanafuda belongs to the Paulownia suit – which is Joshua’s name flower. This is so interesting because it feels like the creators somehow saw it as a sign to interweave the Shibuya and Shinjuku storylines together. Though it doesn’t come out much on the surface, it’s fascinating nonetheless considering both Josh and Haz had at some point interfered with the other town’s affairs.

“Shibuya tour with Haz” was such a special scene, as it happened between 2 characters who do not/no longer have a reason to care about Shibuya, on the subject of what is worth saving about Shibuya. Hazuki carried out the purification of Shinjuku and stepped in to restore Shibuya just as part of his job and unlike Hanekoma or Joshua who both possess profound understanding of humanity, he really didn’t know humans at all. Rindo’s irrational wish invoked in him a sense of curiosity, to try gambling on something irrationally and learning a bit of what his senior have experienced. With all the pieces put together, it provides an overview on Higher beings as a whole, and that Joshua and Hanekoma are really the odd ones out with Hazuki being somewhere in between them and the rest.        

The old friends

It’s easy to have returning characters overshadow the new cast as they have already matured out of their personal story arc and stayed in our hearts for all this time. In the end, I have managed to enjoy both the old and new cast separately and altogether, and they will both find their own place in our memory of this game for the long term.

Sho is truly as crazy as ever, the game wouldn’t be the same if Sho is any less of what he is. Sometimes it doesn’t feel like Neky or Beat is younger than Nagi at all, with moments when it seems like Neky has aged 14 years instead of 3 years. His friendship with Coco surprised me pleasantly, and their interaction together with Beat was fun to watch. Rhyme’s found a new dream and her friendship with Kaie is precious too, especially considering that she can still talk to him online after the game ended. Josh and Neku’s interaction suggested that they have resolved the past and are on equal terms now, they even parted ways in good spirit and I don’t feel any worry about them like I did before.

Neku and Shiki’s reunion scene was beautiful, theirs is such a special bond that it has grown and supported them even without being able to see each other. I am so happy to see them all again and that they stay true to who they are, albeit looking more grown up, cooler and happier than ever before.  

Overall, NEO can’t become a classic on par with the OG, but is definitely a good sequel and a good game in its own rights. I’m happy with whether or not there will be a 3rd game to complete the 3 monkeys theme, but if there will be – I hope the creators can really find the time to learn from the last 2 games and start over with a fresh mindset and strong core.  

[kaizokuou-ni-naru]

The Voyage So Far: Thriller Bark

east blue (1 | 2) || alabasta (1 | 2) || skypiea || water 7 || enies lobby || thriller bark || paramount war (1 | 2) || fishman island || punk hazard || dressrosa (1 | 2) || whole cake island || wano (1 | 2)

the tone of thriller bark is super fun- the combination of horror and comedy is done really well, and i like how it’s set at the very start, with the introduction of a seemingly terrifying situation and character (brook and his ghost ship) that are very quickly revealed to be anything but. 

i also like that we hear singing and see music notes before we ever even see brook. we’re associating our musician with music before we even know him. 

brook’s recruitment is delightful, and so very luffy. of course he would want a talking skeleton musician on his crew, and of course he wouldn’t be fazed by brook in the slightest except to think he’s cool. i love him a lot. 

for the most part, thriller bark isn’t actually scary despite its horror theming- but it does get some good moments in, and of them, i think the reveal of cindry’s room is definitely the best. it’s not scary, necessarily, but it’s deeply creepy, and only becomes more so when you learn why it’s like that and what exactly hogback did. 

i love how team-based thriller bark feels. especially immediately following water 7/enies lobby (in which two crewmates leave and the crew has to deal with a ton of internal strife) and preceding sabaody (where the crew gets separated), it’s just so nice. it’s most obvious in the team fight versus oars (and i’ll get to that later because i LOVE it), but also in smaller moments like robin and franky’s team fight against the spider zombie.

the team just feels so cohesive in thriller bark, and it’s really good. robin and franky are the two newest crewmates, but they already trust each other enough to pull off some fantastic teamwork. 

usopp is really good in thriller bark. he also has the best outfit in this entire arc. 

my two favorite fights in this arc are usopp versus perona and zoro versus ryuuma, for very different reasons. 

zoro’s fight with ryuuma is fantastically cool, and i really like the level of respect and understanding that seems to exist between them. you have an ancient samurai and a modern samurai, separated by several hundred years, dueling it out to the best of their abilities- it’s really just awesome. 

usopp’s fight with perona is very different, because they’re both people who hate fighting directly and will avoid it whenever possible. their fight is a mess of diversions and distractions that makes usopp’s moments of courage and triumph, like sticking his hand into a bear’s mouth, not to mention his ultimate victory, all the more satisfying. 

i just really like seeing usopp grow and accomplish things!!

i’m aware there’s an argument to be made that the character we meet in this arc isn’t really ryuuma, because ryuuma is 1) dead and 2) possessed by brook’s shadow, but it isn’t going to stop me from saying ryuuma is awesome. 

the clouds of fire he’s frequently shown with are also gorgeous, and definitely evocative of the style oda will later use to draw wano, which is a very cool touch. 

everything about cindry makes me so, so sad. 

i’d also argue that the fact that she overcomes hogback’s conditioning by finally expressing emotion, first by crying and then by smiling, is the first manifestation of the same thread we’ll later see with koala and the slaves of the celestial dragons. one piece says over and over again that there is no point where someone stops being human, no matter how much agency they’re robbed of. 

i just think nami giving her attempted rapist several thousand volts to the face is very very sexy of her

like i mentioned, the crew against oars is such a HIGHLIGHT of this arc. i think it’s one of the only times we actually see the entire crew focused on a singular opponent (the only other case i can think of is the pacifista and then kuma at sabaody), and it’s just so much fun to see. 

i also appreciate that the strawhats carry the first half of this fight without needing luffy to be there. he might be their captain and the linchpin of the crew, but they’re still a crew when he’s not around, and still very capable of working together without him. 

this is just still one of my favorite gags.

continuing re: the team fight against oars, the final sequence where the entire crew coordinates for one final attack, some of them working to incapacitate oars and others to weaken him and other to position him just right for luffy’s final blow to paralyze him- that’s the GOOD SHIT.

i don’t know that there’s much i can say about zoro’s confrontation with kuma that hasn’t already been said, so all i’ll say is that zoro’s loyalty to luffy is absolutely staggering, and hits me in the chest every time i so much as think about it.

zoro has the second “luffy’s going to be pirate king” moment, i believe, after usopp in alabasta, and definitely one of the most memorable. 

there’s something about luffy on top of brook’s piano that always delights me. i think this is their dynamic in a picture: brook playing music, and luffy listening, and talking, and cheering him up. 

there’s something about the ending of thriller bark that really hits, in a way not really shared by other arcs. there’s a certain finality to it, a swan song. i think it was sarc opbackgrounds who pointed out that unlike most other character flashbacks, which come at the middle of the arc to add extra weight before the climax, brook’s comes at the end. the battle’s already finished, and now it’s time for him to close out the last fifty years and bid farewell to his old crew before setting sail for a new dream. 

it’s really nice. this is how the rumbar pirates get to go out: singing and dancing, after the battle’s already won, as their last survivor finally gets pick his hopes and dreams back up again and set out to sea once more.

it’s not a panel, really, but i feel like i have to include binks no sake in here. for one, it’s a really good song and sticks in my head like glue whenever i so much as see the lyrics. second of all, it’s the pin that holds this ending together, the shared point between the past and the present. the rumbar pirates sing it for their final performance and they sang it for laboon years before; brook sings it alone to himself on his ship, lost in the fog; and the strawhats celebrate and dance and sing it at the tops of their lungs.

i’m a sucker for a good musical throughline, but i think this is probably the first time i’ve ever seen it done well in a fucking text-based medium. 

i’m happy for him :’)

i LOVE the new crewmember toasts so much. look at them!! look how happy they all are!! 

[rustic-space-fiddle]

I just have a quick question? Please don’t take this the wrong way I love you and the art you create!

So your Clone Oc Cradle stole my heart (and Gill too) but I’ve just been noticing that he seems really white? Is it because he’s naturally paler than his brothers or

Hello! Thank you for your question and thank you for putting forward so amicably! I’ve gotten this question before, but not usually this nicely. However, I think it’s time I give at least some attempt at an answer. I hope it satisfies everyone!

Is Cradle naturally paler than his brothers? No! He actually isn’t. At least, I do not intend for him to be. Let me explain...

So below I’ve made a very crude color pick comparison thing using various images of Temura Morrison and the animated clones in as many lighting variations as I could get without spending an hours scouring the internet. It was very difficult for the animated clones because the color tone of the Clone Wars show is often so dark and they wear their helmets when they’re outside almost 100% of the time. I also added a couple pictures of actually white people in contrasting lights. In the middle is my current choice of basic skin tone for Cradle with a lame, quick guess at a shadow color and a highlight color.

You’ll notice that the middle ground colors for Mr. Morrison and the animated clones varies drastically depending on the lighting.

Now, I’ve seen people discount the “lighting changes colors!” argument, but you shouldn’t! It can be extremely difficult to discern colors when atmospheric lighting is almost always in play! In my art, the highlighting techniques I tend to use often make the upper parts of the character darker than the lower, to bring more focus to the character’s head and shoulders, and unfortunately, that often means it washes over a lot of the only part of Cradle that is every exposed.

However, that is not to say that I don’t alter skin tones when I see I’ve got them wrong! I’ve changed Cradle’s skin tone before! Skin is complex, hard to grasp, and even a slight shift will make the difference between the perfect one and something that just... doesn’t look right. One day it’ll look great, and a month later you’ll look back and say “HOW DID I THINK THAT WAS THE RIGHT COLOR?” Heck, I’ve had a terrible time getting the skin tone for drawings of MYSELF right, and you’d think I’d know what color brown I am after living in my own body for almost 20 years! But I digress. Below is a color chart showing Cradle in both the original tone and his newer one, along with the collection of matches I got from the previous visual. See how they vary? But also see how SIMILAR some of them look??? Cradle in his original shade versus him in the Christmas photo look drastically different, but when you put the color’s next to each other, there hardly looks a difference.

But, as I was making the visuals for this post, I realized I didn’t like the tone I had for Cradle! The undertones were much too grey and dingy—I didn’t think it worked anymore. I found I wanted to base it more on Temura Morrison and less on the animated clones, so I added some more red/orange undertones and brought the shade down just a teeny weeny bit so it didn’t look too saturated, and:

Ta-da! New Cradle skin! But to just finally illustrate my point, I’ve showcased the three Cradle shades (rip the first two) at the bottom. So very similar, but so very different. It genuinely is difficult to get it right. What looks right to one person does not look right to another. The slightest adjustment makes all the difference, but it doesn’t always come on the first try. Trial and error, and now Cradle looks much more like his brothers, doesn’t he? Maybe I’ll change his skin tone again someday! Who knows!

I really hope this makes sense! I also hope that it doesn’t come off like excuses—art is very important to me and one of my biggest goals right now is to get better at color recognition and color theory! I’m just trying my best! :) Thanks again for the kindness anon! Have a good day!

[willow-salix]

(Fluffember prompt: Name)

Day 4 of isolation on Tracy Island 2.0

"I don't care, you're coming with me," I told the love of my life, who wasn't looking very happy about it. 

"Why me?" he whined, and if you've never heard John whine before, or don't actually believe he's capable of it, let me assure you that he is very capable and it's very pitiful. But I am immune (mostly) and continued to stand my ground. 

"Because I can't leave you alone with them, you can't stand up for yourself and they can't be trusted."

"That's not true! I can…" he saw the look on my face as I mouthed 'mattress' and trailed off, admitting defeat. "Fine, but just the one shop."

Now, I know they say never take your husband shopping, but I honestly, TRULY thought that mine would be an exception. He's the organised one, he's the sensible one, the one that correlates all the data and sorts out all their problems. 

How wrong I was. 

It was actually quite pleasant to be alone for a few hours, it hadn't been that long since I'd made my less than dramatic return to the island but since the world was nowhere near normal we hadn't had that much time to ourselves lately, so I was going to take full advantage. 

"What do we need to get?" he asked in that long suffering tone that all husbands adopt when faced with the prospect of a trip around a shop with their woman. 

"Not that much," I assured him. I was lying. 

"Show me," he ordered, knowing I was lying. Must work on my 'believe me' voice. 

I lifted up the list, which unfurled itself into something roughly the length of Alan and watched as his eyes tracked its descent. I also watched the life drained out of them as he faced his doom head on. 

"Really?" 

I nodded, folding the list back up again. "It won't be that bad," I promised him. "It's one massive shop, we should be able to find everything there."

"Why didn't you take Virgil instead? Why must you torture me?" 

"Because you're my man and it's your job, plus I want to spend some alone time with you."

"I can think of much better ways to spend alone time," he grumbled under his breath as he steered the plane towards the landing strip. I declined to comment. 

                 ***

"Now, whatever you do, don't wander off," I reminded him, looking up from the list where I had sensibly been highlighting different categories of products so we could hit the different areas in order. 

I almost laughed when I saw that my poor, put-upon man was slumped against the plane, hands in his pockets, eyes downcast like he was fully expecting the grim reaper to show up any second and whisk him away from my evil clutches. Keep on dreaming, boy. 

"I'm not Alan," he sniffed. "Or Scott, I don't wander off, you wander off."

"I do not!" 

"You're the one that didn't tell me you were going to look at the meerkats when we went to the zoo."

"Babe, it's meerkats, you should have known I'd wander off to look at them, that's just common sense. I didn't need to say it."

He looked at me like he thought I had no idea what common sense even was. He's probably right, since I agreed to both marriage and staying on the island again. 

"Come on," I held out my hand, wiggling it in invitation, "it won't be that bad."

He sighed and took my hand. "I'm going to regret this, aren't I?" 

"Probably. Now, masks on, sanitiser at the ready, grab that trolly for me and let's do this thing."

                        ***

You know how it is when you're mostly in a shopping daze and can't focus on anything but getting in and getting out as quickly as possible? Like you're so focused on the list and making sure you don't forget anything and trying to locate the actual items you need versus the ones you suddenly want and can't do without? That was me. 

So it took me a few minutes to realise that I'd lost John. I don't know how it happened, I don't know when and I couldn't say in good faith that he hadn't been kidnapped by aliens, it was that kind of day. 

He'd shuffled along behind me, pushing the cart into which I was throwing all manner of things that I could tell he thought were useless and unnecessary. How little he knew. 

"You can put some things in too," I reminded him as I tossed a loaf of fruit bread over my shoulder towards the cart. He didn't answer. The bread landed on the floor with a soft flump. 

"John?" I turned around but he was gone, the cart too. 

"What the heck?" Where was he? I fumbled in my bag for my phone. Where was it? Why was I losing everything important today? I had a sudden mental image of my phone sitting on the coffee pot where I'd propped it while making breakfast, I'd been watching YouTube videos and needed both hands…

"Damn it." I didn't have my comm with me either, I only ever took that out with me when I wasn't home. Which would be now… "DAMN IT!" 

In my defence, I hadn't thought that I would actually lose him. I thought he was more sensible than that. 

I retraced my steps, going back down four aisles to the place I knew for certain I'd last seen him behind me, pushing the trolly like it was a protective force field against shop workers and old people that didn't know the meaning of social distancing and kept getting up in his face asking him to reach the high shelves for them. 

"John?" I called, sticking my head around the corner. Nothing. 

"Bugger."

Where the heck could he be? 

"Jooooohhhnnnnn!" I yelled a bit louder, starting a full sweep search, marching down the center gap between the aisles and glancing down each one. Nothing. 

"Excuse me, young lady."

I skidded to a halt, almost flattening an older man. 

"Hi, yes?" 

"Have you lost someone?" 

"Yep. Lost, one gorgeous ginger dumbass, if found please return to the witch in aisle 26." The man looked at me like I was crazy, but I'm used to it. 

"Oh, I thought you might be Mrs Tracy."

"No, Grandma's at home."

He gave me a funny look and I stared right back, I didn't want to be impolite and just walk away but yeah, kinda on a mission here, Grandpa.

It was then that I heard it, a voice coming over the tannoy. 

"Can Mrs Tracy please come to lost property at Customer Services."

It's a little surreal to hear someone calling you when you don't expect it and it took a few moments for it to register and my brain to process the information. 

The old man looked at me again, head tipped to one side. 

My brain clicked over. 

"Shhh…ugar! That's me! Lost husband! Thank you," I screamed over my shoulder as I hot footed it to the customer service desk. 

"Hi," I gasped, slightly out of breath (it's a very large store) "you…called," I gestured up to the ceiling and circled my finger like that would make sense to anyone but me. "Tracy…" I slumped, panting. 

"Oh," the lady at the desk finally lost the blank look on her face, figuring out what I meant. "He's in the lost child room."

I frowned, the what now? 

I dutifully followed behind the counter and through the door marked 'employees only'. 

"A customer found him standing alone in the bread aisle looking confused and lost so they alerted us."

She pushed open the door to a cheery yellow room with dancing clowns on the walls that looked like they wanted to eat my soul. 

"I'm sorry, I think there's been a mistake, I haven't lost a ch-" I stopped dead, blinking to make sure I was indeed seeing this correctly. 

"Where have you been?" John demanded. 

He was sitting forlornly on a chair that was so small it looked like it should have belonged in a doll house. His knees were higher than his chest. Some helpful soul had given him a colouring book but he'd ignored it although he was wearing a sticker that told me that he had been a super brave boy. 

"You left me!" 

"I did not!" 

"I turned around and you were gone! I tried to call and Scott answered!" 

"My phone's at home."

"I know that now! Because you abandoned me!" 

"I…I…" I splutted, not knowing what to say to that. 

"May I suggest a leash next time," the woman from the counter said as I dragged him to his feet. I couldn't tell with her mask on, but I'm pretty sure she was smirking. 

"Babe, you're fine, it's just a mega shop." 

"It's hell."

"You're being dramatic." 

"I'm never coming shopping with you again," he grumbled as I thanked the lady and towed him back into the shop. 

I have no idea where he lost the trolly, neither does he. I bought him a sausage roll in the cafe to appease him, leaving him there with his phone while I shopped on my own. Some things are just not worth the hassle. But I do know that next time someone calls my name in a shop, I'll pay attention. 

[captainpikeachu]

Differences between The Old Guard film & Book 1 of the comics (and how I feel about the changes)

Long story short, I actually do prefer the film version of the story, as I think it makes for stronger character dynamics established upfront and for greater character growth and arcs throughout the story.

I’ll list the differences here and I will speak about how each of these changes I think affects the story we saw on film versus the one we got in the comics, and how these changes may play into character dynamics and arcs if a sequel film were to happen.

1. No Baklava tasting scene.

In the comics, the team meets up at some outside cafe to speak about meeting Copley and teases Andy a bit about her “hall of fame” of bed partners. In the film, we have the Baklava tasting scene when everyone meets up at the hotel. The big difference between these two scenarios is that in the comics, it is to set up the job, and to comment upon Andy’s rotating door of bed partners which we are shown over the opening narration. But the film forgoes to the more sexualized focus on Andy’s love life to explore and show visually the bond of these 4 immortals. Using the baklava tasting, we immediately establish the character personalities and dynamics of the team, making us more invested in this group and their bonds with each other - all without sexualizing Andy, in fact, there’s more than a few times in the comics where Andy’s love life gets randomly brought up, including Andy saying Nile’s brother is hot upon seeing his photo. The film thankfully decided to focus on the character dynamics instead.

2. In the comics, it’s Nicky and Andy who meet Copley instead of Booker and Andy. (also Booker and Andy’s dynamic)

This change in the film where we have Booker and Andy meeting Copley instead is a continuation of the film’s intention to highlight Booker and Andy’s close dynamic. In fact, it begins even earlier as the movie opens with Andy and Booker meeting up first and Andy giving Booker the first edition Don Quixote. And this continues throughout the film where Booker basically acts as Andy’s right hand man, and this dynamic remains even through Booker’s betrayal and in the ending scene where they part ways. The little change with a different character swap doesn’t seem very important until you see the whole film and realizes that a lot of hinges on selling the audience of Booker and Andy’s relationship and Booker’s love for the team. And this is where the film, aware of each character’s full arc, changes things around to make sure every scene in the film is used to push character arcs into the right resolution at the end.

3. Killbox scene - in comics, team is still standing on their feet. 

I noted upon reading the comics that when the team gets shot by the soldiers in that killbox ambush, the team are still on their feet, and Andy verbally signals “it’s our turn” before attacking. In the film, our team actually falls and dies, the soldiers then turn away from the group as the team regenerates and between a few shared gazes, wordlessly get up and attack. This is another indication of the film’s intention to SHOW not TELL. Through the visual language the film uses, we immediately not only see that our team can fall and die and the healing takes time and is not pleasant, but also that they move as a unit without so much as a word. And just like that baklava scene in the beginning of the movie, it builds up the team’s relationship and speaks to their years together without having to dump any exposition.

4. No Andy and Nile fight scene on the plane. (also Andy and Nile’s dynamic)

Not only does Nile not have a fight scene with Andy, for pretty much the entire run of Book 1, Nile really does not exhibit much agency beyond just following along with everyone else. Sure she asks questions and such, but her relationship with Andy is not built up much, and Nile seems to only be there because she’s got nowhere else to go, she seems to just serve as a plot point that happens and less as a character. The film, on the other hand, carefully crafts an arc for Andy and Nile to go on, culminating in Andy and Nile sharing that scene where Andy expresses that she now knows why Nile appeared when Andy lost her immortality. We see their relationship grow and change throughout the film, we see Nile react to Andy and eventually teaching Andy about how to live again. 

5. Nile does not meet Nicky and Joe before their kidnapping.

In the comics, Nile does not meet Nicky and Joe until the very end fight when they’re all escaping from Merrick’s place. Nile basically has no relationship with Nicky and Joe, barely even knows them, because when she comes to the safehouse with Andy, Nicky and Joe were already kidnapped. The film instead changes scenes around where Nile does return with Andy and meet the team, spends at least some time with them before Nicky and Joe get kidnapped. I tweeted to the director Gina Prince-Bythewood to ask her about the decision to have Nile meet Nicky and Joe before the attack on the safehouse, and she confirmed my belief that it was to establish a stronger family/team dynamic to the audience. After all, if your main cast of characters don’t even know each other’s names until literally the last act of the movie, it is very difficult to make the team/family dynamic believable. This change of having Nile knowing Nicky and Joe establishes Nile’s further relationship and attachment to the team, that they aren’t just two random strangers that she doesn’t even know. And it builds up this team of 5 so that when they do go on to escape from Merrick’s labs at the end, we are cheering for this team to kick ass together, rather than wondering why Nile would care to go rescue two strangers she’s never met.

6. Copley is not sympathetic.

Copley in the comics is not a sympathetic character. While he is not necessarily evil, there is no motivation of grief and loss that drives him to act the way he does. He basically bails on Merrick at the end out of self preservation. In the film, we know that Copley watched his wife die and that pushed him to wanting to create a cure to end suffering, his backstory mirrors Booker’s struggles, in turn creating sympathy for both characters. The fact that Copley in the film is still a decent person makes Booker betraying the team and working with Copley a more palatable and understandable choice, especially as Copley ends up helping Nile get to Merrick’s lab and even ends up serving as the team’s tech/eye-in-the-sky person. This change for Copley’s character serves as another aspect where the film took great care to focus on character motivations and arcs. Copley’s research at the end serves to give Andy a reason to keep fighting, thus helping Andy and the team complete their arcs where they started jaded and tired, but now ready to fight another day.

7. Booker shoots Andy and Nile in revelation of his betrayal.

In the comics, Nile is also there with Andy when Booker turns on them upon meeting up with Copley again. Booker shoots both of them and doesn’t really say much as Copley talks about why they’re doing this. Then Andy basically kills Booker, threatens Copley, and jumps out of a window with Nile and Booker. They get to a desert where Booker and Andy proceed to shoot each other again multiple times until Nile stops them and Booker tells them why he betrayed the team. This chain of events is obviously different in the film, and this difference sharply contrasts Booker and Andy’s relationship in the comics as opposed to what they are in the film. In the film, when Booker shoots Andy and she’s tied up, he keeps on trying to explain to her why he’s doing this, Andy’s reaction is pained and heartbroken, and Booker is too and later on panics when she won’t stop bleeding. When Merrick’s men arrive, he tries to get them to leave her alone and fights to get to her when they take them both. This change, along with Andy’s more touching reaction to finding Booker injured at the safehouse, paints a more deep and nuanced bond between the two of them. Instead of them just repeatedly yelling and shooting at each other, we actually get to see them talk, we see them being gentle and physically caring towards each other. This shows to an audience a relationship that feels deeper and more loving than the comics which seem almost colder in comparison. And this deep bond the film creates plays into both Andy and Booker’s character arcs at the end of the film upon their separation. Again, the film takes care to focus on character relationships, and allow those relationships to fully form and fully reach the resolution that befits the character arcs. 

8. Merrick is far more despicable and murderous. (also his doctor character is toned down)

Merrick in the comics is literally psychotic. He not only stabs Joe once, but multiple times, and proceeds to do the same to Nicky. And he constantly talks about wanting to hurt them and takes pleasure in it. Merrick in the film is not only smaller in stature than his buff comics counterpart, he’s also less physically violent. Sure he stabbed Joe because he wanted to see the evidence himself and he’s hardly that caring about ethics, but he still seems like an otherwise normal if not just simply greedy CEO type, not psychotic serial murderer type. This difference in toning down the character ultimately I think serves the film better because as Copley is more sympathetic, having him work with someone who is clearly and obviously behaving like a murdering lunatic would be really hard to swallow. This toning down of characters also happens with the doctor. In the comics, Doctor Ivan is basically just stated to not care about ethics, while Doctor Kozak in the film does share a talk about ethics and morality with Nicky where she says she believes they can be used to save the world. Again, the film seems intent on giving every character an understandable motivation, even among the villains of the story, which grounds the film in a feeling of reality, because no one is so outlandishly just being an evil mustache twirling villain. This change also produces some possible loose ends for the film’s sequel, as while the comics version of the doctor is dead, the film version only got whacked on the head by Nile, not outright killed so she may pop back up again in the sequel.

9. Nile does not get her solo fight.

In the comics, because Nile escapes from Copley with Andy and Booker, she returns with them to go find Nicky and Joe at Merrick’s place in Dubai. So she is never actually on her own at all in the comics. As I spoke about before, Nile’s character in the comics just tagged along, never really getting to come into her own. There is really no arc for Nile, whereas the film did the opposite. Because the film lets her have an arc, and lets her making the decision to join the team be something she comes to terms with on her own choice, this agency affords Nile growth that the comics doesn’t give her. Her solo fight is the culmination of her coming into her own power and acceptance. Once again, the film is consistent on ensuring that the characters change and grow and have arcs. This character building makes Nile a much more interesting and complex character than one note. Nile also gets to kill Merrick while protecting Andy and mirroring the plane moment from earlier in the film, while in the comics, everyone kills Merrick together. That moment in the comics did not serve the narrative catharsis that Nile taking out Merrick did.

10. Andy is mortal.

In the comics, Andy starts immortal and jaded, and ends the story really not much changed at all. Other than defeating a villain, you really don’t get the feeling that she’s changed from the experience. There is no revelation of her purpose, she just kinda does what she has to do, even if that means threatening an old woman. Andy in the film clearly starts out feeling lost in her purpose, but gradually through Nile’s joining of the team and Booker’s betrayal and her own mortality, she starts to see what her purpose is and wanting to be alive again. The scene of Andy at the store with the employee who helps bandage her up doesn’t exist in the comics because Andy is not mortal, therefore there is no sudden questioning of why, of re-evaluating her feelings about humanity. But the film takes the time to make Andy confront this, forces Andy to not only face it but learn from it. This change not only gives the story more stakes, but also allows Andy to have a character arc that affords her growth and an answer to her opening narration. It also makes Nile more than a plot point and her joining the team be an important narrative that makes an important change.

11. We never see Joe and Nicky’s reaction to Booker’s betrayal.

In the comics, because Andy and Booker never gets captured, when the team meets back up together, Nicky and Joe has no idea of the betrayal. And we never see them find out because after they kill Merrick, the next scene is them exiling Booker. In the film however, we do see Joe reacting angrily to Booker, we once again get a look into their dynamic and Booker pointing out how Nicky and Joe always had each other, meanwhile Nicky is trying to calm Joe down to stop him from saying something that he might regret later. This change is a further way that this film builds upon the established character dynamics. We as the audience see their reactions, see their humanity, and see them behave as a family would when feeling betrayal. But also that Andy has changed from that jaded tired person into someone ready to fight again when she tells Booker that they’ve been doing a shitty job of living and he needs to get up and stop wallowing in his self pity and pain. This makes their separation hit harder at the end because there are real emotions on all sides. Like all families, feelings can be complicated but there is also care and love. At the end, we see Booker nod to Joe as they all leave, signaling that despite the anger and chasm between them right now, they are still family. The film once again reorients the story to focus on character relationship, on selling the audience this familial bond, because if we don’t believe in it, then Booker’s redemption falls apart, and the film in many ways falls apart.

12. Noriko and Lykon.

Now the obvious change here is casting. Noriko is Japanese in the comics and her film counterpart Quynh is played by a Vietnamese actress. And Lykon is white in the comics whereas in the film he is portrayed by a Black actor. In the comics, Noriko fell overboard during a storm. In the film, due to budget constraints, they went with her being dropped into the ocean locked in an iron maiden. In the comics, Lykon spent over 2000 years with Andy before he died during the Renaissance, meaning he would have met Nicky and Joe. In the film and the history clips that Netflix posted, Lykon died before Nicky and Joe were immortal. Obviously with Lykon, it ultimately does not affect the story either way since he is dead, it’s just clearly the film changed the years he spent with Andy to avoid any confusions and to make things a little more simple in streamlining the team’s history. But the change with Noriko/Quynh is a much bigger thing. Firstly, character motivation - it’s one thing to be lost during a storm and another thing to be purposefully locked into an iron coffin and left in the ocean to suffer. This difference could make the difference between how Noriko reacts to Andy and the team in the comics, and how Quynh will react to everyone in the film. Secondly, because of the way the film presents Andy and Booker’s bond and especially now with Andy’s mortality, which the comics does not have, this could spell a big divergence in what a sequel could do with Booker and Quynh’s interactions. Because Booker would still be guilty over Andy’s mortality, and he would be more reluctant to do anything that could hurt Andy and the team, leaving me to suspect that he is less likely to go towards a villain route in betraying the team again. Whatever Quynh may get him to do is likely going to be out of force/coercion, if Quynh’s intention is less than good.

---------------

So these are just some of the big differences that I feel like affects the story ultimately told in the comics and the film. I did enjoy Book 1 of the comic and I am planning to get Book 2 once the collection is out. But I think the film’s changes really made it a focus on enhancing the character relationships and allowing individual characters to have their own arcs of growth. The comic tells a great action fare. But the film’s changes effused more humanity into the characters in a way that I feel the comic lacked. The film also really make you question the issue of immortality and what it all means and how it effects people while the comic focused on more of the action adventure story with the immortality as more or less a tool than really a theme.

Ultimately, I think the changes in the film took what worked in the comics and really elevated the story.

[paperwick]

Dragon Age Tarot Style Guide: Part Two

The second of my at least three part set of tarot tutorials. This sentence will link to the first one on composition if you haven’t seen it. It’s been a four year gap between these, and I apologize for that. To all you who messaged me and reminded me of this project, thank you. You kept me from forgetting and I’m glad. <3

It won’t be another four years until I post the next segment, which will be pattern and texture focused. It’ll hopefully be in the next month or two. 

This is going to be a long post, so I’m putting it under the cut. Apologies to the mobile users! 

As a general disclaimer, this is an unofficial guide, I’ve never worked with Bioware. All of this is based on how I approach tarot design, my inspiration being heavily rooted in Dragon Age Inquisition’s companion card designs. 

Secondly, I know nothing about tarot. I tend to use http://www.ata-tarot.com/resource/cards/ heavily as a resource for my understanding of the cards and their meanings.You don’t need to know anything about tarot to do illustrations, just have as much fun as you can. <3 

So I typically work with a color composition in mind, but for those who are struggling to imagine a color scheme, my best advice for coming up with a palette is to just throw down some colors in this sort of an arrangement.

Your Main is going to be whats forming the base of the card, or it’ll be the most widely used color. Backgrounds usually make up the main, but sometimes it’s a foreground element or the character’s clothing. 

Your Cores are going to be colors that accent the base. You can make these pretty wild to be honest, but complementary colors and triads tend to work best for a balanced color composition. That’s what you’re trying to achieve with these--balance. Think about what’s drawing the most attention. The red in this example I did with the Iron Bull is very strong, and the teal I chose is fighting with it so my last color is something a bit more desaturated that accents the teal instead of picking another aggressive color, like a saturated yellow. 

The Accent or HL color is whatever you’re going to use to add the final focus notes. It will typically be your brightest or your most saturated color, though not always. Sometimes your HL color might be the darkest of the composition because your main and core colors are naturally bright. It should be used sparingly, or if you’re using a lot of it, focused in one area.

You can use more colors than this! For my example card with Bull, you can see I made his pants a sort of subdued yellow and added accents to the background and lit parts of his body in in different colors, But you’ll want to keep your major colors limited to keep it cohesive. If you start losing cohesion, I recommend using a gradient map over your picture set to multiply or soft light (not at 100%) to tone down your most divergent colors, and you can mask out areas where appropriate. 

This Bull card is one I made by picking my colors first then deciding on the content and composition. Color picking can be done first, or second as I’ve done with the rest of my examples. 

Card #1: Rayne Amell   [ @dracoangel​ ]

The Queen of Cups

This card went though several iterations with color, and the end product is less about story and more about atmosphere. The drawn composition reflects more of the story: she conceals her thoughts and feelings, but the world bends around her like water. I wanted to add more purple to this card, considering the character’s preference for it, so I skewed the color scheme in the final to be more purple. The first version probably makes for a more cohesive palette, but it lacks the same depth and drama as the one with purple. I added another core color to the second palette, which is totally okay to do. Sometimes the core palette might be 7 colors, sometimes it’s 2. The idea is to strike a balance. Colors that are super eye catching like the red in the scarf might better serve the composition as a lesser accent, whereas the purple core is a great fill because it’s fairly desaturated and doesn’t demand as much attention.

The HL color takes up a fair amount of this composition, but note that it’s strongest in the top two thirds, and is centered in the top third. The foreground water also cradles it against one of the darkest purples of the card, which helps center focus up top.

Card #2: Valora Lavellan [  @kylorensprettymuchanasshole​ ]

The Devil

This was the most difficult of the palettes, I’m working with two separate light sources in two wildly different locations. On the one side you’re at an ancient elvhen temple, on the other, in a burning chantry. It only made sense to have two different palettes for this composition. Where I really failed here was in not having a color that bridged the two sides. If you can engineer a color to be in between two differing palettes, you’re in a good place. 

With that in mind, I revisited the thumbnail. 

The execution is a little weak, but the idea works. The bridge color could work in either of the palettes and is a midway point between the two most similar values of the core colors. It’s used primarily where the separate palettes meet each other smoothing that transition. In this instance, it also helps to define the figure and double down on where the focus is, since before it was fighting between the top left and bottom right corners. Now the focus works as a diagonal from one corner to the other.

Double palettes are hard, but can make for some truly dynamic color compositions.

Card #3: Iothari Mahariel [ @theuselesspotoo ]

Six of Swords

This card was a struggle for completely different reasons. The palette is pretty homogeneous, primarily purple, with a hint of green. This one could use far more variation, and the challenge is in driving interest with such a limited palette. This is where your values are going to be super important. Your darks vs lights are always hugely apart of composition, but in limited palettes they do the most work in driving interest. Make sure to break up some of your larger and more prominent shapes with value differences, the snow vs the dark stone beneath it.

If that isn’t enough though, there’s a few tricks that can help push focus where you want it without heavily changing the color scheme. 

We have three very distinct planes in this; the sky, the distant mountains and skyhold, and the cliff the figure is standing on. We can push the far mountain plane back by reducing the brightness of it, and we can pull the nearby plane closer by adding stronger highlights to the lit areas. I also brightened up the figure since they were getting lost in the sky a bit. 

In addition, I popped the foreground colors with just a bit more red, to separate that plane from the more bluish purple mountain plane. 

Just those small changes really sharpened up the focus of the composition, and we were able to keep the palette fairly limited. 

Card #4: Tighe Lavellan   [ @queen-scribbles​ ]

Nine of Wands

This palette was a breeze compared to the others. We’re working with complementary colors, reds versus greens, and very little divergence in either direction. The bottom half is primarily reds, the top greens, and they meet in the middle with a soft orange and harsh yellow. Palettes with complementary colors are the easiest to work with, the important part is making sure their balance works with your drawn composition because they like to fight. All of my reds are limited and desaturated because the greens and yellows, by the nature of the composition, are the most demanding elements. 

Card #5:  Lathari Lavellan [ @jisabeau​ ]

The Chariot

I knew what I wanted for this one immediately when I started it. I really wanted the character to be falling into a void, to mirror their emotional crisis when dealing with the deadly white bear of their past. But though this works fairly well as a base palette, it’s really missing the intense horror I wanted when I started. 

So in my edits I pulled them further apart, and pushed the darks even further. The challenge here is having a dual focus, since I don’t really know if either stand out enough from one another at this phase. I have to pick a focus, either the bright whites of the bear or the strong orange/green tones of the character. 

This is probably the strongest focus-wise.

But I enjoy the color notes of this one far more. 

The point here is, sometimes things aren’t perfect, and that’s also okay. Pick your favorite, or at least pick one, and take that to completion. It’ll occur to you while finishing it what I needs. Which brings us to the final point, similar to that of tutorial part one: 

Final Note: Don’t spend overlong on one thumbnail. I’ve spent days in the thumbnailing stage, that’s fine, but don’t spend more than 1 hour on any one color thumbnail drawing; it’s not worth it. If an idea is good but not great, just start a new thumbnail of something similar, and you’ll stumble onto the right composition.

Remember to explore your own color intuition. My way of doing this might be helpful, but if it’s not, don’t feel compelled to follow it. Everyone has a unique vision, and we’ve got to feel out our own paths. 

If you have any questions, send them to paperwick [at] gmail [dot] com under the heading “Color Tutorial: Questions”, OR comment on this post (I might not see them on a reblog) and I’ll pool them into one area and answer as many as I can in a separate post.

Finally, I’d like to give another shout out to everyone who sent their character breakdowns to me for this. I wish I had time to get to all of them, and I really appreciate you taking the time to put them together! Thank you all so much!

Not making promises on when Part Three will come out, but it WILL be coming out. Thanks for reading through all this, I hope it’s been helpful. 

[askmerriauthor]

@techmomma upon request for critique and advice.  This is basically just me going into troubleshooter info-dump mode, so please pardon any abruptness in tone or phrasing.

So when drawing for animation, simplification of design and silhouette is key because you’re not only going to be doing the same overall drawing SO MANY TIMES in a row, but also need to ensure that the visual remains instantly recognizable to the viewer’s passing glance.  Consistency in silhouette is a big thing to work into the overall design of any character.

I’ve put up some solid examples above from Bruce Timm’s Batman, Disney’s  Kim Possible, and Disney’s Lilo & Stitch.  The highlights accent how a character’s overall outline - or even just key elements that are most prominently used in gesture and expression - and form remains basically the same no matter what angle they’re viewed from.  Notice how the shape and position of the various angles remain in basically the same spot regardless of the angle.  Notice how even when features are different in anatomy - such as an ear versus a cheekbone - they still tend to occupy the same general shape and position in the turnaround.  There’s also cases like Ron Stoppable where his hair is essentially always in the same shape, angle, and direction relative to which way he is facing no matter what angle he’s viewed from.  If he’s looking left, his hair shape is always left.

Another concept to always hold in mind with design is subtraction.  One of my teachers - Art Leonardi - gave the advice that “a lazy animator is a good animator”.  This isn’t to say that you should be sloppy, but that you should be efficient.  Every line you put down once is a line you’ll have to put down a million more times, so figure out exactly what needs to be on the page to convey shape, expression, and meaning, and REMOVE EVERYTHING ELSE.  If a character’s clothing or hair shape can be fudged so that a portion of its shape that would logically be visible in the real world isn’t there on the drawn version, and doing so doesn’t disrupt the presentation of the character?  Then don’t draw it.  Look at Harley Quinn’s design where her headpiece, collar, and ankles are in play.  We should logically always see both her “horns” even when she’s in profile, her collar should logically have more volume and thus appear lifted away from her body with a visible ridge, and we’d logically see the pointed flares at the back of her ankles more often.  But those are more details for the animators to draw, so they’re shuffled out.  Whichever “horn” is furthest from the viewer remains exactly the same position and angle in a 3/4th’s view as it is in head-on or from behind, while in profile it’s removed entirely.  Her collar is flush with her shoulder line in all positions and extra detail only appears when she’s in a total profile, which is actually rare in the cartoon itself since characters are infrequently shown fully from the side like that when a 3/4th’s angle would better serve the scene.  If we don’t need to see her ankle flares, we don’t see them.  If we do, they’re identical in profile as from behind, same as her “horns”.

Moving onto TB’s specific design here, this all leads into some fundamentals that can be applied to make the figure easier to animate.  TB’s age gives him plenty of wrinkles and lines, but too many causes clutter for the viewer and tons of extra work on the animator.  Compare Alfred to TB - both are wizened (albeit to different degrees, admittedly), but Alfred’s deforming facial details (lines above and below his eyes, and his mustache) are limited to a total of six lines that remain fairly parallel with each other.  TB, on the other hand, has twice as many in order to convey his age, expression, and depth of his facial structure.  Those can be reduced a lot in order to simplify the design.  TB’s signature elements would be his cheekbones, smile lines, and heavy-lidded eyes.  Things like the extra brow wrinkles and the wither lines on his neck aren’t necessarily as important to convey.

I marked a handful of points that I felt needed attention or removal.  The arrows indicate parallax errors; places where exterior lines meet in a way that makes their shape confusing.  You want to generally avoid that on the silhouette - it can be okay on interior elements, but you want to keep your overall outline as clean and easily readable as possible.  In the basic outline - and especially with the parallax errors in play - we don’t really get a sense of how skinny TB’s neck is because the outline of his high collar and fluffy hair all come together, appearing much bulkier than he actually is.  Some easy ways around this would either be to tighten the collar flush along the neck (like Harley’s, as per my previous example) or to lower it away from the jaw and hair line to make the thin neck visible while keeping the sharp angles of the collar itself.

In the profile image, I marked a spot at the neck with an arrow.  That’s because you changed the shape of TB’s neckline where it meets the underside of his jaw.  In all other angles his neck goes straight up, but in the profile it now has a subtle slope.  That’s one extra line and one change in silhouette you don’t need.  Similarly, we don’t need to see the fluff of TB’s hair that’s furthest from the viewer in that same profile, as it obscures the shape of his nose and face.  It can be removed, thus freeing him up for more expression in profile while speaking or emoting.

The X marks I placed are elements that simply don’t need to be there.  Things like shoulder creases or the fluff of his hair from behind are nice in illustrations, but superfluous in animation.  Same goes for being able to see TB’s chin at a 3/4th’s rear view, which clashes with the fluffy curve of his hair.  Again, more lines and more work.  That sort of volume can very easily be done via shading or with far more simpler incidental lines.  You don’t need to draw three or four dips to show the volume of his hair when two would suffice.

The final image I placed is a general breakdown of TB’s anatomical structure and outline.  In this case I mirrored the general silhouette of his hair, collar, and shoulders, while also mirroring the interior detail of his jawline and neck.  Your knack for making good illustrations can work against you when drawing for animation, as every element that differs from its opposite side (such as TB’s hair having slightly different heights and slopes on its right or left sides) makes it that much harder to maintain their relative volume in movement.  It’s better to simplify the shapes, mirror them, and match their placement relative to one another.  You’ve got a solid hold on anatomy already, so it’s clear TB’s general physical features line up properly as drawn, but when animation is in play you want to anchor features to one another.  I picked the base of his collar line as a radial point and drew outward - his physical elements should follow those general lines in order to make for a design that’s easier to replicate consistently.  So the same line that starts at the primary dimple in TB’s hair should always go straight down through his eye, along the edge of his nose, along the edge of his mouth, down the shape of his jaw, to that collar base.  The center-line of his shirt should go straight up through the center of his jaw, the center of his nose, and the center of the space between his eyes.  You should be able to draw a line straight from the point of his lower-most hair curls directly down the outline of his collar, as that makes it easier to maintain their volume and position as well as keeps his overall shape easy to read at a glance.

[surveys-at-your-service]

Survey #324

“i'll sharpen my knife upon the stone made from the ruin of a dead god's throne  /  listen to these words as my seeds are sown: it's time to amputate the infected zone”

What is the last game you played on your phone? Pokemon GO. Do you give people personalized ringtones? No. Does your phone screen have any cracks? No. What makeup products are you wearing, if any? None. How would you describe your skin tone? Very pale. Do you have your full birth name on Facebook? Yes. What is your least favorite fruit? Probably cherries. How often do you walk around barefoot? Whenever I'm in my house or another person's who prefers shoes off inside. Would you need to sleep with someone before considering marrying them? Nah. Do you think people look up to you? No. How often do you have trouble sleeping at night? Every night. Do you ever rehearse conversations before you have them? YEP. In my head, at least. Can you name five current world leaders? No, haha... When taking a cab, do you talk to the driver? Cabs aren't really a thing here. I've never been in one. Do you always read the book before you see a movie based on a book? No. What is your favorite urban legend? The Jersey Devil. Mothman is dope and super creepy, too. I love cryptids, period. Are you an elitist (even a little bit) when it comes to anything? What? No, because I hate people like that so much. What type of fabric is most comfortable for clothing? I dunno, I don't pay attention to this. If you wear one – bras with or without a wire? With, so long as they're not poking out and stabbing you... If you wear one – are you able to find cute bras in your size? Definitely not. What length do you like your shorts to be? You'd have to pay me some big bucks to see me in shorts, period. Have you ever cut off jeans or other pants and made them into shorts? No. Have you cut the sleeves out of T-shirts to make tank tops? I don't think so, no. What was the last disappointing movie you saw? *shrug* What was the last disappointing book you read? Even bigger *shrug*. Do you ever watch compilation videos? Of what? Rarely, but if I do, they're generally old Vines and stuff. What was the last thing you rolled your eyes about? Probably something stupid on Facebook. Do you like Hellboy? If so, do you prefer the old movies or the new one? I have no thoughts on this. Favorite Disney character who isn’t royalty? Dory! Do you have a lot of people whom you don’t talk to all the time or see all the time, but still consider to be your friends? Yeah, like friends from high school and online childhood ones. Do you typically do your make up the same each time? Or do you like to change it up often? It's just about always the same. Do you enjoy making surveys as well as taking them or do you just prefer to copy, paste, fill out, post? The latter. I don't make surveys. Have you got a significant other? How are things between the two of you? If not, what was your most meaningful/long term relationship and how did that come to an end? I don't. My longest and deepest relationship was with Jason, and he ended it when my depression became too much for him to handle. Have you spent much time in a vehicle lately? What for and where have you gone most this past month? No. I've barely left the house lately for obvious reasons. Has it rained yet this year where you live? How about hailed? It's been raining like crazy lately. A few mornings ago, it also hailed very heavily for a few minutes. What is your favorite thing about Mac computers? I like the sleek, clean look of them. What is your favorite thing about PCs? They have more power for playing games. What are some errands you need to run soon? None. Well, we have a Wal-Mart order to pick up I think tomorrow, and I'll probably ride with Mom. What color was your high school graduation gown? Red. It was between that and navy, and I was really hoping for the latter, but it lost the vote. The red was so obnoxious. How many graduation gowns have you worn? One. Are your parents’ dreams for your life different than your own? I don't think they have their own specific "dreams" for my life. They both want me to create my own future that makes me happy. Have your dreams for your life changed? Definitely, over all the years. Would you ever want to learn sign language? Not especially, but it'd be cool I suppose. What’s the last thing you had for dinner? Chicken tenders, I think? Or was that the night before? Have you ever performed a solo dance in front of a crowd? No, but I almost did. At my old dance studio, the high school seniors had the option to a solo, and I was working on one to "Coma White" by Marilyn Manson, because it was and still is a song I really feel in regards to my mental health and many medications I "have" to be on. I was doing fine, but I stopped when I realized I just really was too nervous as a dance competition approached. Have you ever sung a solo? No. What was the last job you had? Deli worker. For two hours. What was your first job? Sales associate at GameStop. Who was/were your favorite coworker(s)? I never really had one. At what age did you start experiencing sexual attraction, if any? I don't know. Probably my freshman year of high school is when my levels of attraction to people reached a sexual and not just romantic level. Have you ever split open a rock with a hammer, to see a geode inside? UGH no, but I so wanna find one of those one day. What states have you lived in? Only North Carolina. S.O.S., get me outta here. What is your favorite thing about the month in which it is now? You start to see some flowers blooming. Who were your best friends in high school? I had a decent group of close friends, but I was closest to Hannia. I wish I still had contact with her. ^Are they still your best friends now? No. She deleted me off Facebook at some point. Do you live near the mountains? No; they're on the western end of the state, and I live on the opposite side. Do you live near a beach? It's about two hours away. What is your favorite beach that you’ve been to? I don't have a fave. Do you collect seashells? Nah, but I like picking them up and looking at them. My sisters and I used to collect them, though. We have a plastic container of them somewhere. If you were to start a new collection, what would it be? I desperately want a cornucopia of Markiplier merch, sobs. Is there a certain place or store you especially hate going to? I don't like going to most stores, really. I'm an online shopper. When was the last time you made plans with someone? October of last year. How long do leftovers usually sit in your fridge? Depends on the food. They tend to stay in there a bit too long, though. What is something you do for other people that shows you care for them? Offer to listen to them and always be a source of support and love. What was the last animal/pet that you met? Kinda recently, someone in our neighborhood was walking their German shepherd, and Mom chatted with the lady for a bit while I listened. Is there anyone in your life with whom your opinion changes on frequently? No. Have you ever kept a journal? Do you currently keep one? Yes, on-and-off during multiple periods of my life. These surveys are like my journals now. Is there a certain song or band who remind you of specific people? Yep. Motionless In White and Black Veil Brides, Jason. Pink Floyd and Evanescence, Sara. Metallica, Mom. Van Halen, Dad. Etc., etc. How often do you style your hair differently from how you normally style it? Never. Have you ever found out that you have been sleep walking? No, I never have. What’s the last thing you promised yourself? I don't know about promised. I take those so seriously, even to myself, that I hesitate to make them. Have you ever tried making something from one of those short cooking videos? How did it turn out? No, but my friend once tried making that "muffin in a cup" thing and it was absolutely horrid. Very eggy. When was the last time you had to wait in line for longer than a few minutes? Good question. Going into places is so rare nowadays, so it's hard to encounter this issue. Well wait, maybe at a fast food place? Idr. Have you ever written a review for a product you bought online? No, but I should do that once I actually use my own money to buy from small businesses in particular... if I had something good to say, anyway. I'd feel bad trash-talking a product. Do you ever interact with any brands/companies online? No. Is there anything you seem especially sensitive to, such as sounds, smells, etc? Smells, yes. What was the last thing you had the urge to do? Read, even though I didn't do it. .-. Is there anyone you feel that takes you for granted? No. Do you ever read the comments on social media posts? Sometimes, particularly if I have strong feelings about something. What was the last “good” thing to happen to you? My PHP therapist felt confident enough in my progress to step me down to three sessions a week versus every weekday. Last awkward situation you were in? Thankfully it was a one-on-one session, but the same aforementioned therapist was asking me questions that really stumped me, so I kept going very quiet as I thought and felt awkward and dumb. He's brilliant at his job. Think of the last time you were sick – what were you sick with? I think the last issue I had that qualifies as "sick" was a double ear infection from Hell itself. That was like two years ago. How do you think your life would change without social media? I'd be incredibly bored, but I, among I think most others, would be more positive and have a more realistic outlook on life. Social media highlights the best times in our life, and I do feel that that has had a negative effect on pretty much everyone. I don't at all believe social media is bad in essence, though. It's a wonderful way to stay connected. What was the last thing you wanted to buy, but couldn’t afford? I can't afford a new terrarium for Venus for probably a while, being without a job and all... How do you get your news? Facebook, haha. How often do you drive? Never, right now. My permit is long expired, and my vision isn't up to par to renew it. If you had to go (back) to school and completely change your career path, what would you choose to study/pursue? I guess biology? Are there any TV shows you constantly quote or know almost every line to? No. What do you think about lizards? I adore lizards; they're all so cute, big or small, and truly little dinosaurs. They're beautiful and so vast in appearances and behavior. Is there anything that people assume about you that isn’t true, and that you find very irritating? Not that I find irritating, no. How would you rate your “detective” skills? Uh, what am I "detecting?" I'm pretty good at digging online if I'm really hunting something down, I guess. Have you ever done consumer testing (testing products before they come out on the market)? If not, would you ever want to? No; I wouldn't be opposed, depending on the product. Have you ever received anesthesia or morphine? Both. The one time (I'm aware of) where I had morphine oddly enough did jack-all, though. If you had to choose which video game to be in, which would it be? Hmmm. Maybe like, Shadow of the Colossus, living in the beautiful garden on the top of the shrine? With the deer, the birds, fruit, just its general beauty... That would be awesome, especially with one other person, especially an s/o. Just the two of us in a gorgeous land. Between the two, would you rather live in a place where it’s only night or where it’s only day? Only day, I suppose. Vitamin D is very important, for one thing, and it always being dark would definitely affect my depression. And what about the flowers blooming and being able to take pictures? :( Sleep would still be possible by just closing your shades and stuff. Is there anyone that makes your skin crawl? Maggots, bot flies, parasites, patterns of small holes, etc. Do you like it when people are affectionate with you? Yes. If we're at least friends, anyway. I'm a very affectionate person. Have the past few days been bad, good, or neutral? They've been pretty all right. If you had to be an actor/actress in a movie, what genre of the movie would you be best at? Probably as an insane villain in a superhero movie or something. Are people more likely to tell you to tone it down or to speak up? Speak up. I'm a mumbler. I can be too loud sometimes too, though, particularly when I'm excited. What’s the last thing that you procrastinated? Now. Emerson's birthday was last month and I still haven't touched her pictures... Out of fire, earth, water, wind, light, and dark, which element appeals the most to you? Dark. What’s your favorite color on a vehicle? Burnt orange, pink. The last pain that you experienced, was it physical or emotional? Physical. What was one of your favorite songs as kid? I liked lots of pop songs. When’s the last time you tried to get revenge, if ever? Never. It's not something I chase after. Do you like Taylor Swift? No. What’s your favorite Disney Channel movie? The Haunted Mansion, I think. That's a Disney movie, isn't it? If you met your favorite celebrity, would you be calm or star struck? I'd be a deer in headlights, stuttering and stammering over ways to thank him and crying like a bitch. I'd be super embarrassed, but I absolutely hope I get to meet him one day. Do you ever have to do yard work? No. Is your school close to your house? I'm no longer in school. Do you have any live versions of songs in your music software? Yes. Did/do you listen to Britney Spears songs? Yeah, I like her. What shorthand do you use the most? Probably "lmao." What album is the current song you’re listening to off of? METAWAR. In your opinion, what song is the most overplayed right now? I wouldn't know; I don't listen to the radio. Are you in a band? No. When I started high school though, I wished I could be a guitarist in one. That's one reason I started taking lessons, haha. Does your favorite band have a male or female lead singer? Male. Have you ever been to a Broadway show? No. Do you prefer group or individual work? Individual, by a long shot. I work much better alone. Could you ever complete a 500-piece puzzle? I think I have before. I used to love puzzles. When was the last time you rode in a limo? Damn son, never; what could possibly give you the idea I could afford to ever do THAT????? Do you take naps daily? Almost every day, yes. Do you still make Christmas lists? Yeah, because I'm asked to. Do you watch the show Dexter? Never seen it, no. Are you currently using a blanket? Yes. My feet are cold. How long is the song you’re listening to? 4:06. Is your mom or dad the older parent? Mom, but only by a year. Did you ever listen to Avril Lavigne when you were younger? Who didn't? I still listen to a couple songs. When was the last time you changed a light bulb? Not all that long ago when Venus' lamp bulb died. How often do you clean your car out? I don't have my own car. Did you ever buy NOW ("Now That’s What I Call Music") CDs? My older sister did, yes. What color (mainly) is your computer? It's black. What is in the back seat of your car right now? In Mom's car, idk. But there's usually some stuff back there. What is your favorite episode of F.R.I.E.N.D.S.? Never watched it. Last person’s house you were in? Besides my own, my older sister's. Who is the last person you sent a message to on Facebook? My friend Chelsea. We were catching up. Were you an honor roll student in school? Yes. Do you have a tan? HA. Are you someone’s best friend? Yes. <3 What do you think of when you think of Australia? Huntsmen spiders. *shudders* Favorite gemstone? Of the basic ones, rubies. If we're talking of all of them, even the obscure, then dragon's breath opal. I'd LOVE to have a ring of one of those. Do you go in at a fast food place or just hit the drive thru? Almost always the drive-thru. What color is your mom’s hair? It's all gray now. Does your first memory involve your dad? No. Biggest annoyance in your life right this minute? My social anxiety. Do you like watching a bonfire? Yeah. Fire is mesmerizing. Do you ever get flu shots? No, but I really should. Once the Covid vaccine is accessible to all though, I'm getting it for the protection of my immunocompromised mother.

[f1chronicle]

Best Formula 1 Books

When you’re looking for the best Formula 1 books to buy and read, one of the biggest problems you come across is that all the reviews are the same – copied and pasted from Amazon. Also, how do you know if the books you like are what the reviewer likes?

The Formula 1 books below have been read by me, not just copied and pasted from other listings. I like books that share stories, that get into the emotion of the subject and leave you feeling something. I’m not a facts and figures guys, so a book full of dates, cold facts, and specifications will have me putting the book back on the shelf half-read.

I like my books like I like my F1 – fast-paced and dramatic.

So if you’re like me, the below Formula 1 books will be for you…

The Best Formula 1 Books

(adsbygoogle = window.adsbygoogle || []).push({});

Life to the Limit: My Autobiography by Jenson Button

This is actually my favourite Formula 1 book, which is why it is at the top of the list. When you read it, you can’t help but have the voice of Jenson Button in your head, which makes his jokes funnier (and this is a very funny book). While there is a lot of humour, often self-deprecating, the tone definitely takes a turn and you can’t help but be moved when Jenson talks about losing his father.

Some of the chapters are super short too, as in a handful of pages, so if you’re someone who likes to read before bed and has to finish at the end of a chapter, this book will make sure you get to bed at a reasonable hour.

Read my full review on Life to the Limit: My Autobiography by Jenson Button

Jenson Button: Life to the Limit: My Autobiography

Amazon Kindle Edition

Button, Jenson (Author)

English (Publication Language)

361 Pages - 10/19/2017 (Publication Date) - Blink Publishing (Publisher)

$7.49

Buy on Amazon

Senna versus Prost

Before I read Jenson’s book, Senna versus Prost was my favourite.

Malcolm Folley has done a cracking job of creating a space for people to share their stories of Ayrton Senna and Alain Prost in a way that instantly transports the reader back to those great battles of the 80s and 90s.

What’s even better is Folley speaks with a lot of team personnel, people in the background who we’ve not really heard of, and lets us know what it was really like to be on the ground as the battles took place out on the track.

So much has been made of Ayrton Senna over the years, that Prost’s version of events was somewhat overlooked – until now. And although he could have used the book as an opportunity to lay the boots into his rival, Prost does a brilliant job of relaying events as he saw them.

Le Professeur off the track as well as on it.

Read my full review on Senna versus Prost

Sale

Senna Versus Prost: The Story of the Most Deadly Rivalry in Formula One

Arrow Books

Folley, Malcolm (Author)

English (Publication Language)

410 Pages - 05/26/2010 (Publication Date) - Random House UK (Publisher)

$16.49

Buy on Amazon

Murray Walker: Unless I’m Very Much Mistaken

Murray Walker is the voice of Formula 1. He has one of those voices that make the hairs on the back of your neck stand up when you’re watching an old race and his enthusiasm for F1 jumps through the speakers.

Some artists use paints, some use pencils, Murray Walker used a microphone.

Walker is a quintessential storyteller, so once again this is a book that you will most likely read in his voice. He tells vivid stories about growing up, his time in the war, all the way through to the Murray Walker we know from our TV screens commentating on Formula 1.

Known for the odd gaff in the commentary box, Walker isn’t shy about having a laugh with it, and understands it helped endear him to fans over the years.

Unless I’m very much mistaken, this is a must-read book that you will thoroughly enjoy.

Unless I'm Very Much Mistaken: My Autobiography by Murray Walker (2003-06-01)

Walker, Murray (Author)

06/02/2003 (Publication Date) - Willow (Publisher)

$25.32

Buy on Amazon

Niki Lauda – The Biography

If a book about a man who had a horrific crash at the wheel of a Formula 1 racing car, was given the last rights, then was back on the grid a month later doesn’t move you, then nothing will.

Niki Lauda was a man of little fuss or sentiment, and Maurice Hamilton has written this book in much the same vein. Starting from Lauda’s early days growing up in a proper family who felt motor racing was beneath their station, to his racing years, to flying, and much more.

If there is to be one criticism of this book, it’s that it doesn’t go into a great deal of detail on his time with Mercedes. However, the vivid recollections of his racing days from people who witnessed it definitely make up for this.

Niki Lauda

Hardcover Book

English (Publication Language)

Simon & Schuster UK (Publisher)

$19.06

Buy on Amazon

The Unknown Kimi Räikkönen

The Unknown Kimi Räikkönen gives great insights into Kimi’s path to F1, his upbringing, and now the importance of time with his growing family.

If you’re looking for a book of anecdotes from Kimi’s time in the paddock, this book isn’t it.

But if you want to learn more about Kimi’s path to F1, his motivation for quitting the sport, and his motivation for coming back to it.

The photos he shares are excellent too.

Read my full review on The Unknown Kimi Räikkönen

The Unknown Kimi Raikkonen

Hotakainen, Kari (Author)

English (Publication Language)

336 Pages - 08/22/2019 (Publication Date) - Simon & Schuster UK (Publisher)

$13.25

Buy on Amazon

Aussie Grit: My Formula One Journey

This is one that most Australian’s will love, as the Aussie legend shares anecdotes or ‘yarns’ from his time in F1 racing against some of the best drivers on the planet.

Those who remember the ‘Multi 21’ saga and breakdown in the relationship with Sebastian Vettel will like this book, as Webber gives his version of the events that unfolded in front of our eyes on race days.

A highlight of this book is Webber walking us through his personal struggles, as it’s not something often associated with the stoic Australian. This book is brutally honest in parts, and will give you a deeper appreciation of the man, not just the driver.

Aussie Grit: My Formula One Journey

PAN

Webber, Mark (Author)

English (Publication Language)

320 Pages - 09/28/2016 (Publication Date) - Macmillan UK (Publisher)

$16.30

Buy on Amazon

The Mechanic: The Secret World of the F1 Pitlane

Marc ‘Elvis’ Priestley was one the number one mechanic at McLaren, who as well as this book has an incredible YouTube channel where he shares his insights and analysis of Formula 1 regularly.

Simply put, his book needs to be on the bookshelf of every Formula 1 fan, it’s that good.

I’ll admit I’d never really thought about the pit crew. We see them for a few seconds each race, maybe more if something dramatic happens to one of their drivers.

This book takes us well and truly behind the scenes, into the life of partying and fast-living away from the track.

Priestley also shares a lot of secrets about the rivalries he was part of during his time in F1, which may make him a little unpopular with a few people…

Sale

The Mechanic: The Secret World of the F1 Pitlane

Priestley, Marc 'Elvis' (Author)

English (Publication Language)

256 Pages - 11/01/2018 (Publication Date) - Yellow Jersey (Publisher)

$8.49

Buy on Amazon

Chequered Conflict: The Inside Story on Two Explosive F1 World Championships

You could be forgiven for thinking this book by Maurice Hamilton is the work of a family member of Lewis Hamilton, but it’s not. Maurice Hamilton is the author of amazing F1 history books on the likes of James Hunt, Niki Lauda, Jackie Stewart, Frank Williams, and more.

Grand Prix racing in 2007 and 2008 was an explosive affair between Ferrari and McLaren, and this book captures all the drama perfectly.

2007 was the first time since 1986 that three drivers had a chance of winning the title going into the final race, and this book puts you back on the edge of your seat again as you re-live this piece of F1 history.

Chequered Conflict: The Inside Story on Two Explosive F1 World Championships

Amazon Kindle Edition

Hamilton, Maurice (Author)

English (Publication Language)

320 Pages - 09/04/2008 (Publication Date) - Simon & Schuster UK (Publisher)

$16.99

Buy on Amazon

The Mechanic’s Tale

This book by Steve Matchett is quite different to The Mechanic: The Secret World of the F1 Pitlane in that it is more about the author’s life, from trying desperately to break into the world of Formula 1. Although he’s not a racing driver, the struggles he faced are on par with some of the drivers mentioned in the books above.

Steve Matchett also shares a lot of his own eye-witness accounts of some of the greats such as Nigel Mansell, Ayrton Senna, and Michael Schumacher. Plus there is a lot on his time with Benetton which is great reading.

The Mechanic's Tale

Matchett, Steve (Author)

English (Publication Language)

240 Pages - 02/03/2000 (Publication Date) - Orion (Publisher)

$13.19

Buy on Amazon

Flat Out Flat Broke: The Original Stig

When you think of Formula 1, names like Lewis Hamilton, Ayrton Senna, Michael Schumacher, Damon Hill and Jackie Stewart come to mind straight away, but what about Perry McCarthy? No? Didn’t think so.

McCarthy spent the 1992 Formula 1 season ‘racing’ for the Andrea Moda Formula team, but unfortunately, never qualified for a Grand Prix.

That hasn’t stopped him from writing a hilarious autobiography that has already become a motorsport best seller.

While he didn’t have much luck in F1, or in a lot of other things, McCarthy bounced back to become the first ‘Stig’ on TopGear.

If you want to share a story with someone you care about that will inspire them to chase their dreams and never give up, then this is the one to give them. They don’t even need to be a Formula 1 fan to enjoy this one.

Sale

Flat Out, Flat Broke 3rd Edition: The Original Stig

McCarthy, Perry (Author)

English (Publication Language)

256 Pages - 05/01/2013 (Publication Date) - Haynes Publishing (Publisher)

$11.95

Buy on Amazon

Bestselling Formula 1 Books

Below you will find a list of bestselling Formula 1 books, many of which you would have seen listed above.

As I purchase and read more from the below list, I will add them to our Formula 1 Reviews section.

SaleBestseller No. 1

Formula One: The Champions: 70 years of legendary F1 drivers

Hardcover Book

Hamilton, Maurice (Author)

English (Publication Language)

240 Pages - 03/03/2020 (Publication Date) - White Lion Publishing (Publisher)

$28.49

Buy on Amazon

SaleBestseller No. 2

Formula One 2020

Jones, Bruce (Author)

English (Publication Language)

128 Pages - 05/12/2020 (Publication Date) - Welbeck (Publisher)

$17.99

Buy on Amazon

SaleBestseller No. 3

Formula One: The Pursuit of Speed: A Photographic Celebration of F1's Greatest Moments

Hardcover Book

Hamilton, Maurice (Author)

English (Publication Language)

272 Pages - 09/14/2017 (Publication Date) - Aurum Press (Publisher)

$27.49

Buy on Amazon

Bestseller No. 4

The Fastest Show on Earth: The Mammoth Book of Formula One™

Chicane (Author)

English (Publication Language)

416 Pages - 06/11/2019 (Publication Date) - Robinson (Publisher)

$19.99

Buy on Amazon

SaleBestseller No. 5

F1 Mavericks: The Men and Machines that Revolutionized Formula 1 Racing

Hardcover Book

Biro, Pete (Author)

English (Publication Language)

240 Pages - 08/06/2019 (Publication Date) - Motorbooks (Publisher)

$33.04

Buy on Amazon

Bestseller No. 6

Formula 1: The Official History

Hardcover Book

The Hague, Maurice (Author)

English (Publication Language)

272 Pages - 10/20/2020 (Publication Date) - Welbeck Publishing (Publisher)

$33.96

Buy on Amazon

SaleBestseller No. 7

Speed Read F1: The Technology, Rules, History and Concepts Key to the Sport (Speed Read (1))

Codling, Stuart (Author)

English (Publication Language)

160 Pages - 10/10/2017 (Publication Date) - Motorbooks (Publisher)

$15.77

Buy on Amazon

SaleBestseller No. 8

Formula 1 2019: Technical Insights (Preview 2020)

Filisetti, Paolo (Author)

English (Publication Language)

192 Pages - 12/01/2020 (Publication Date) - Giorgio Nada Editore Srl (Publisher)

$68.26

Buy on Amazon

Bestseller No. 9

Formula One Circuits from Above: 28 Legendary Tracks in High-Definition Satellite Photography

Hardcover Book

Jones, Bruce (Author)

English (Publication Language)

224 Pages - 09/03/2019 (Publication Date) - Carlton Books (Publisher)

$76.91

Buy on Amazon

Bestseller No. 10

How To Build A Car

Hardcover Book

Newey, Adrian (Author)

English (Publication Language)

09/16/2020 (Publication Date) - Harper Collins (Publisher)

$29.43

Buy on Amazon

Bestseller No. 11

Formula One Circuits From Above: 28 Legendary Tracks in High-Definition Satellite Photography

Hardcover Book

Jones, Bruce (Author)

English (Publication Language)

224 Pages - 10/06/2020 (Publication Date) - Welbeck Publishing (Publisher)

$34.95

Buy on Amazon

SaleBestseller No. 12

Formula 1 Technical Analysis 2016-2018 (Formula 1 World Championship Yearbook)

Hardcover Book

Piola, Giorgio (Author)

English (Publication Language)

208 Pages - 09/03/2019 (Publication Date) - Giorgio Nada Editore Srl (Publisher)

$52.11

Buy on Amazon

Bestseller No. 13

The Mechanic's Tale

Matchett, Steve (Author)

English (Publication Language)

240 Pages - 02/03/2000 (Publication Date) - Orion (Publisher)

$13.19

Buy on Amazon

Bestseller No. 14

The Unknown Kimi Raikkonen

Hotakainen, Kari (Author)

English (Publication Language)

336 Pages - 08/22/2019 (Publication Date) - Simon & Schuster UK (Publisher)

$13.25

Buy on Amazon

SaleBestseller No. 15

Monaco: Inside F1's Greatest Race

Folley, Malcolm (Author)

English (Publication Language)

320 Pages - 08/01/2018 (Publication Date) - Random House UK (Publisher)

$9.47

Buy on Amazon

Bestseller No. 16

How Do Formula One Race Cars Work? (Lightning Bolt Books ® ― How Vehicles Work)

Silverman, Buffy (Author)

English (Publication Language)

32 Pages - 01/01/2016 (Publication Date) - LernerClassroom (Publisher)

$8.99

Buy on Amazon

SaleBestseller No. 17

Formula 1: Car by Car 1950-59: 1950-59 (Formula 1 CBC)

Hardcover Book

Higham, Peter (Author)

English (Publication Language)

304 Pages - 07/14/2020 (Publication Date) - Evro Publishing Limited (Publisher)

$52.96

Buy on Amazon

SaleBestseller No. 18

Senna Versus Prost: The Story of the Most Deadly Rivalry in Formula One

Arrow Books

Folley, Malcolm (Author)

English (Publication Language)

410 Pages - 05/26/2010 (Publication Date) - Random House UK (Publisher)

$16.49

Buy on Amazon

SaleBestseller No. 19

Formula 1: Car by Car 1970-79: Formula 1: Car by Car (Formula 1 CBC)

Hardcover Book

Higham, Peter (Author)

English (Publication Language)

304 Pages - 03/20/2018 (Publication Date) - Evro Publishing Limited (Publisher)

$58.24

Buy on Amazon

Bestseller No. 20

Self-Discipline: 4 Books in 1: To do List Formula, Stop Procrastinating, Stop Overthinking,Stoicism. How to Build your Self-Confidence, Improve your Time Management and your Emotional Intelligence

Amazon Kindle Edition

Trust, Stephen (Author)

English (Publication Language)

417 Pages - 07/20/2020 (Publication Date)

$9.99

Buy on Amazon

from WordPress https://ift.tt/3mpK5u6 via IFTTT

[moshaedefer]

So everyone knows that Bioware tends to whitewash characters from game to game. Generally, I agree with this, but I cannot sit quietly about some of the reaches people have made. Because some of these so called white washed characters are not to the extreme as some people are making them out to be. 

But first, a Disclaimer: This post on the extreme reaches my fellow POC fans are trying to say as fact DOES NOT grant permission for white fans to white wash characters further. 

Now I write this post because a useful resource came across my dash about character skin color palettes - great resource btw - and I saw some people pointing out how white washed they were. I wanted to use it to point out why Merrill and Cassandra are not nearly as white washed as some people are saying.

Now the skin color palette post shows very obviously that Alistair was stupidly and horribly whitewashed. I am not contesting that. And hell, I won’t even contest that Zevran was white washed, despite his DA2 appearance not being on that post. But some people have said Merrill and Cassandra are “horribly” white washed and I have to cringe. 

Because they’re really not? Not if you know anything about how lighting temperatures/tints will make things appear whiter and brighter if they’re cooler than they actually are versus warmer tints. And that’s not even touching on how much light there actually is.

So lets start with Merrill

From just this, it definitely looks like Merrill was white washed in DA2. But I would like to point out that DAO has a much warmer light temperature than DA2, which has a cooler light temperature. Cooler (read blue) tones make things look whiter and brighter than they actually are. Add on that elves have a bluish-greenish tint in DA2, it really just ups the perception of how “white” she looks. 

But if you remove that temperature and desaturate it, the highlights and shadows the palette chose are actually darker in DA2 than in DAO. But her Midtones are lighter in DA2 than in DAO. 

And with Cassandra, I have issues with the DA2 picture they chose for the palettes because that’s a picture where she is INSIDE versus the picture of her in DAI where she’s outside with a greater spread on the light source. Additionally the DA2 picture is where the only light source is pointed directly at Varric. so All her colors will look darker because she’s in a dark room.

But then get a shot of her outside with more light...

And then also desaturate because there is a huge amount of blue light in DA2. The highlights and midtones are the same between games in terms of lightness/darkness. Only with the shadows is there a significant difference in terms of lightness/darkness of skin tone. And that can literally be seen because in the DAI shot there is more light and less extreme shadows in general.

So while YES, I will agree Bioware tends to whitewash characters a LOT.  Even if they do it in a sneaky way with changing the light temperature or adding tints to skin colors. But some of these really are not that extreme as people are presenting. 

[annerbhp]

I'm reading The Changeling for probably the fifteenth time and I have a question. "“He was necessary,” she says. She can tell Harry doesn’t understand. Not really. But that’s okay. Because she thinks she’s finally starting to, the lesson this place has been trying to teach her all along." Can I ask which place you're referring to? The cloister? Hogwarts? And what's the lesson? Thank you!

I was trying to refer to Hogwarts, but really, her school career. This last moment in the cloister with Harry after the final battle is important in a lot of ways for Ginny to understand Snape a tiny bit more, but really this is about Ginny, with Snape and his actions as a proxy. She’s finally beginning to see why the Sorting Hat, and by extension, Hogwarts itself, put her in Slytherin in the first place. That the person she is now because of that sorting was necessary too. Both so she could survive, and she could do the things she did to keep others safe. She hasn’t completely come to terms with it, as we see in the Armistice Series, but this is the beginning of it, the final acceptance of the path she’s been on. That maybe it was all supposed to happen this way.

In the earliest chapters of The Changeling we have Ginny always thinking of her short-comings. Like she hadn’t been able to fight Tom or save herself from the Chamber and she thinks, “Maybe if she’d been a Gryffindor, she would have been able to.” Or when at first she is too scared to stand up to Draco in chapter 3. (She isn’t her brothers. That probably makes her a coward. (Not a Gryffindor, at the very least.) Or even overhearing the twins basically saying that Percy is awful and should have been in Slytherin. She’s learned over the series slowly that being in Slytherin isn’t a deficit, a character flaw, but that last scene with Harry in the cloister really lets her see it and embody it as an asset. As who she is.

I tried to create parallels between the first chapter of The Changeling and this last year to show that. The second to last scene in chapter one is of Harry and Ginny down on the Chamber of Secrets.

“It’s all right,” Harry says, patting her shoulder awkwardly, clearly more comfortable with basilisks and evil wizards than hopeless little girls. “Riddle’s gone.”

What does that fix, really? She stares down at the ruined diary bleeding ink across his lap. Her words—her secrets—blurred and tarnished as they ooze out on the floor.

She shakes her head, pulling her legs hard into her chest. Harry never should have come down here. Not for her.

“Ginny,” he says, bewildered concern weighting his tone.

“I’m a Slytherin,” she mumbles miserably into her knees. Just like Tom. Just like Pansy and Malfoy and every dark wizard who has ever fallen.

More than anything she wants to hear Harry say, ‘So what?’, to tell her it doesn’t matter. But he just stares back at her, confusion furrowing his brow. For the first time he doesn’t look like a hero, but rather a scared little boy. She isn’t sure what to make of that.

Aberration, comes Tom’s dying whisper, thorns still dug in and holding despite the fact that he should be gone. You don’t fit his careful columns of good versus Slytherin. And yet he was the one they all suspected.

Ginny wants to shake the voice away, claw it out of her skull. There’s painful anger here over something she does not understand, things she’s too young to grasp, just knows that for all she poured into Tom, he poured some things back.

These are not the sorts of things a little girl is supposed to feel.

We compare that to this scene at the end of chapter 10 between them, with Ginny not seeing these things are foreign to herself, or bad, but as more parts of herself that are necessary.

I wish…  had been his last words to her. She isn’t sure she knows how to wish anymore. She feels a lot like this cloister, shattered and transformed and something that maybe can never be put back together again.

She’s done things, seen things, things she can’t put into words, things she doesn’t even know how to feel about. How she  should  feel about them. She looks into Harry’s face and feels a thousand miles away from the girl he kissed the summer before.

She doesn’t know how to put any of that in words though, so instead she finds herself saying, “I’m a Slytherin.”  

Harry’s expression doesn’t shift, still staring straight back at her with nothing of confusion or surprise. “I know,” he says.

Not ‘so what’ or ‘who cares’, but an acknowledgement, an affirmation. Like he couldn’t even imagine it any other way.

There’s quite a few things like that in the chapters because the fic is ultimately about Ginny’s growth, so seeing her in similar situations can kind of highlight the ways in which she is the same, the ways in which she is different, and the ways it may just be her approach or perspective that has changed--of Hogwarts, of herself, of Harry. 

I’ve always like this one:

The Changeling, Chapter 1

“Miss Weasley,” she says crisply. “Your table is on the end.”

Ginny glances at the dark sea of green and silver at the far end, the way the entire table seems tucked into the shadows of the edge of the hall. No. No way. This is a mistake.

She turns her head to the Gryffindor table, meets the wide-eyed, horrified stares of her brothers, and stupidly waits for George to crow that it’s just a joke, and wasn’t it impressive that he could pull a prank this convoluted on her? He’d spent all summer making a fake hat!

George just shares a glance with Fred, faces identical all the way to the pale shock of their cheeks.

“Miss Weasley,” McGonagall repeats, her voice no longer sharp. There’s a buzz of sound building in the room, people turning and whispering to each other as Ginny refuses to give up her seat.

Move, she orders her frozen limbs. Just get up and move.

She finds her feet, tries to lift her chin as she walks the great distance to the far table, but the faces waiting there for her are closed, hostile. They whisper behind their hands as she approaches.

She perches on the very end of the table, and doesn’t let her hands tremble. Much.

The Changeling, Chapter 6

The remaining Death Eater grabs her hair, twisting it as he forces her face up to look at him. “If I find out you’re lying… I won’t just come back for you.” He jerks his head back towards the tent. “I’ll take out your whole blood traitor family. And I’ll enjoy it.”

He lets go of her, Ginny falling forward to the ground. She flinches at the crack as he Apparates away, her arms protectively wrapped around her head. She stays crumpled in the dirt for long moments, trying to breathe through the remnants of pain and fear.

She eventually becomes aware of her family calling her name.

She lifts her head, trying to get to her feet, but immediately falls back down, retching into the dirt.

“Ginny!”

Get up, Ginny, she tells herself. Just get up.

Pushing to her feet on shaky legs, she somehow manages to stagger back inside the tent. She finds her wand under the edge of the table, picking it up. She feels bile pushing at the back of her throat, but makes it to Bill’s side before her legs give out. With trembling arms, she lifts her wand, cutting the ropes.

I like the cyclical nature of things.

[mr-entj]

Brain-Based Descriptions of the 8 Jungian “Types”

A piece my former professor published on MBTI, cognitive functions, and his study I participated in 10 years ago.

____________________

By Dario Nardi

This is based on the blue “Brain Basics” foldout by Radiance House. (Www.RadianceHouse.com)

In his seminal work, Psychological Types, Dr. C.G. Jung described 2 attitudes (Extraverting and Introverting) and 4 “mental functions”: Sensing, Intuiting, Thinking, and Feeling. Together, they give what he called 8 “Types”. Today, we can use more appropriate terms like functional patterns or cognitive processes. Notice the terms are verbs. His is a process model, not a trait model. Since then, people have offered many variant definitions and created assessments, most of which are peculiar to the creator, speculative, and not research based. In my own work since 2006, I have correlated the Jungian processes to biases and patterns in neocortical (brain) activity using EEG technology. Subjects complete a 1-hour protocol of 20 diverse tasks (meditating, math, memory, etc) while monitored by EEG. And of course, we do our best to confirm their best-fit personality profile using common definitions. Here is an overview of the neocortex and definitions of the 8 cognitive processes.

BRAIN BASICS

Your brain consists of many small modules linked in networks. Each module is a neural circuit that helps you do a task. Some tasks are concrete, such as recognizing faces, hearing voice tone, and moving a hand. Other tasks are abstract, such as evaluating ethics, adjusting to others’ feedback, and mentally rehearsing a future action. There are easily five-dozen modules just in the neocortex, which is the brain’s outermost, thick layer and seat of consciousness. The big figure below is a bird’s eye view of the neocortex. It highlights key modules. We each prefer some modules over others. We differ by the tasks we enjoy and how well we do them. You might take a moment to explore the big figure to identify aspects of yourself.

We enjoy different competencies. For each of us, modules activate with a different degree of stimulus, competence, motivation, and energy level. If we look at the average brain activity of two people over an hour, you may see that their favorite modules are similar, near opposites, or somewhere in between! When different, those people’s personality profile, behaviors, and self-experience differ greatly too. In fact, we can dig deeper to look at underlying brain networks (using computer-aided analysis of EEG data), and confirm the biases are longterm rather than a result of just a 1-hour protocol.

In addition to favorite brain regions and networks, there are whole-brain patterns. For example, the brain can get into a state of “flow” where all modules are in synch. Or it might show  a chaotic brainstorm. There are more patterns, and we human beings are pretty diverse. Situations may prompt everyone’s brain differently. Take a moment to reflect, when do you get into your “zone”? What is it like when you are at your most creative and productive?

To meet our needs, the brain’s elements work in concert. As an analogy, if a module is a musical instrument, then the brain is a symphony orchestra that affords complex performances. Research suggests eight ways the brain (specifically, the neocortex) works in concert. These eight are highly effective and sustainable, though we necessarily come to rely on some more than others. You will find descriptions of these 8 below.

FOUR EXECUTIVE STYLES

Before we get into details about all 8 cognitive processes, let’s break things down more simply into 4 executive styles. 

Two Processing Circuits: To start, there are 2 circuits in the brain to process incoming stimuli. One circuit is faster. It sends sensory data directly to the front of the brain, our executive centers, to quickly act on the data. This is a more extroverted style. A second circuit is slower. It sends sensory data to the back of the brain, to link with memory and information processing centers, to compare, contemplate, and collate the data before moving it on to the executives. This is a more introverted style. There are other ways extroverts and introverts different, such as high versus low gain: Given a certain environment, an extrovert may easily find it too quiet and want to “dial up” the stimuli, whereas an introvert may easily find it too noisy and want to “dial down” the stimuli. Suffice to say, everyone uses both fast and slow circuits, and Jung himself described each person has having 2 functions in awareness, one for extroverting and a second for introverting, to make a well-rounded adult.

Two Executive Centers: We have 2 main executive centers: a “goal-focused” left pre-frontal cortex and an “open-ended” right pre-frontal cortex. Different activities light up these regions. For example, when you make a decision, craft an explanation, or focus to shut out distractions, the left goal-focused executive gets active. Or, when you engage in brainstorming, monitor a process, or reflect on yourself, the right open-ended executive gets active. Very nicely, these two executives correlate well to Jung’s functions. Jung described Thinking and Feeling as “rational” or “judging” functions, which definitionally fit well with our left goal-focused executive. And Jung described Sensing and Intuiting (aka “iNtuiting”) as “a-rational” or “perceiving” functions that definitionally fit well with our right open-ended executive. In his framework, Jung viewed balanced adults as having both kinds of functions, just as all people use both their left and right pre-frontal cortex, and their left and right hands, but invariably with some bias for one over the other.

Now we can bring together Extraverting-Introverting and Left-Right pre-frontal bias to get 4 executive styles:

Expedite Decision-making: Proactively meet goals. Often look sure and confident. Organize and fix to get positive results soon. (More goal-focused, more extraverting.)

Refine Decision-making: Clarify what’s universal, true or worthwhile. Often look quietly receptive. Trust their own judgments. (More goal-focused, more introverting.)

Energize the Process: Seek out stimuli. Often look random, emergent, and enthusiastic. Attend to the here and now. (More open-ended, more extraverting.)

Monitor the Process: Reflect on data and perceptions. Often look focused and preoccupied. Attend to reference points. (More open-ended, more introverting.)

You might take a moment to consider which style is more like you, and more like a spouse, colleague, or boss. Remember these are about habitual biases, not boxes, so feel free RANK the styles 1st, 2nd, 3rd, and 4th rather than pick one.

EIGHT COGNITIVE PROCESSES

We can get more detailed. People’s brains tend to differ in two more ways: people versus thing preference, and abstract versus concrete preference. These are not absolute, simply biases.

For example, there is a module that aids us in identifying stuff in our environment. Some people invest more in identifying lots of people’s faces and emotional expressions, whereas other people invest more in identifying makes and models of cars, computers, or other objects. Of course, everyone does both. But like handedness, where we use both hands, there is bias and have a preferred hand that plays a lead role in many activities like writing.

For as a second example, there is a module that is home to lots of “mirror neurons”. This module tends to get active when we do something concrete like observe and mimic a person’s actions, perhaps to learn a skill. It also can get active when we do get abstract and imagine if we were another creature in a galaxy far far away. Everyone can do both, but we have biases that are likely do due a combination of genetic tendency and habits from culture and physical environment.

There are many other examples. We don’t need to go into them here. Suffice to say, there is evidence to support the kinds of variations and biases that Jung observed among people. 

Without further ado, let’s look at the 8 processes. As you explore, keep in mind you likely have preferred one or two from an early age, and may now be reasonably proficient with as many as 5 or 6 as an adult, at least enough to keep up in society, in relationships, and on the job. I have numbered the processes for convenient reference. They do not actually come in any particular order! Each comes with a name like “Active Adapting” and a broad cognitive process such as “Immersing in the present context”. Finally, each comes with a code such as “Se” (meaning extroverted Sensing) that links to Jung’s framework in Psychological Types.

1. Active Adapting (“Se”): Immerse in the present context.

Act quickly and smoothly to handle whatever comes up in the moment. Excited by motion, action, and nature. Adept at physical multitasking with a video game-like mind primed for action. Often in touch with body sensations. Trust your senses and gut instincts. Bored when sitting with a mental/rote task. Good memory for relevant details. Tend to be relaxed, varying things a little and scanning the environment, until an urgent situation or exciting option pops up. Then you quickly get “in the zone” and use your whole mind to handle whatever is happening. Tend to test limits and take risks for big rewards. May be impatient to finish.

2. Cautious Protecting (“Si”): Stabilize with a predictable standard.

Review and practice to specialize and meet group needs. Constant practice “burns in” how-to knowledge and helps build your storehouse. Specialization helps you reliably fill roles and tasks. Improve when following a role-model or example. Easily track where you are in a task. Often review the past and can relive events as if you are there again. Carefully compare a situation to the customary ways you’ve come to rely. In touch with body sensations. Strong memory for kinship and details. Rely on repetition. Check what’s familiar, comforting, and useful. Tend to stabilize a situation and invest for future security. May over-rely on authority for guidance.

3. Timely Building (“Te”): Measure and construct for progress.

Make decisions objectively based on measures and the evidence before you. Focus on word content, figures, clock units, and visual data. Find that “facts speak for themselves”. Tend to check whether things are functioning properly. Can usually provide convincing, decisive explanations. Value time, and highly efficient at managing resources. Tend to utilize mental resources only when extra thinking is truly demanded. Otherwise, use what’s at hand for a “good enough” result that works. Easily compartmentalize problems. Like to apply procedures to control events and achieve goals. May display high confidence even when wrong.

4. Skillful Sleuthing (“Ti”): Gain leverage using a framework.

Study a situation from different angles and fit it to a theory, framework, or principle. This often involves reasoning multiple ways to objectively and accurately analyze problems. Rely on complex/subtle logical reasoning. Adept at deductive thinking, defining and categorizing, weighing odds and risks, and/or naming and navigating. Notice points to apply leverage and subtle influence. Value consistency of thought. Can shut out the senses and “go deep” to think, and separate body from mind to become objective when arguing or analyzing. Tend to backtrack to clarify thoughts and withhold deciding in favor of thorough examination. May quickly stop listening.

5. Friendly Hosting (“Fe”): Nurture trust in giving relationships.

Evaluate and communicate values to build trust and enhance relationships. Like to promote social / interpersonal cohesion. Attend keenly to how others judge you. Quickly adjust your behavior for social harmony. Often rely on a favorite way to reason, with an emphasis on words. Prefer to stay positive, supportive, and optimistic. Empathically respond to others’ needs and feelings, and may take on others’ needs as your own. Need respect and trust. Easily embarrassed. Like using adjectives to convey values. Enjoy hosting. May hold back the true degree of your emotional response about morals/ethics, regarding talk as more effective. May try too hard to please.

6. Quiet Crusading (“Fi”): Stay true to who you really are.

Listen with your whole self to locate and support what’s important. Often evaluate importance along a spectrum from love/like to dislike/hate. Patient and good at listening for identity, values, and what resonates, though may tune out when “done” listening. Value loyalty and belief in oneself and others. Attentive and curious for what is not said. Focus on word choice, voice tone, and facial expressions to detect intent. Check with your conscience before acting. Choose behavior congruent with what’s important, your personal identity, and beliefs. Hard to embarrass. Can respond strongly to specific, high-value words or false data. May not utilize feedback.

7. Excited Brainstorming ("Ne"): Explore the emerging patterns.

Perceive and play with ideas and relationships. Wonder about patterns of interaction across various situations. Keep up a high-energy mode that helps you notice and engage potential possibilities. Think analogically: Stimuli are springboards to generate inferences, analogies, metaphors, jokes, and more new ideas. Easily guess details. Adept at “what if?” scenarios, mirroring others, and even role-playing. Can shift a situation’s dynamics and trust what emerges. Mental activity tends to feel chaotic, with many highs and lows at once, like an ever-changing “Christmas tree” of flashing lights. Often entertain multiple meanings at once. May find it hard to stay on-task.

8. Keen Foreseeing (Ni): Transform with a meta-perspective.

Withdraw from the world and tap your whole mind to receive an insight. Can enter a brief trance to respond to a challenge, foresee the future, or answer a philosophical issue. Avoid specializing and rely instead on timely “ah-ha” moments or a holistic “zen state” to tackle novel tasks, which may look like creative expertise. Manage your own mental processes and stay aware of where you are in an open-ended task. May use an action or symbol to focus. Sensitive to the unknown. Ruminate on ways to improve. Look for synergy. Might try out a realization to transform yourself or how you think. May over-rely on the unconscious.

Further Exploration

You can read more in the following references: “Neuroscience of Personality: Brain-Savvy Insights for All Types of People”, “Our Brains in Color”, and “8 Keys to Self-Leadership”. Or if you prefer a free online 1-hour video, you can find it here:

https://vimeo.com/user40810588/review/143815719/c69a1060ef

Here is an assessment built around the Jungian functions, validated on 3000 people:

http://www.keys2cognition.com/explore.htm

You can find a complete list of references to my neuroscience of personality work here:

https://www.facebook.com/notes/dario-nardi/neuroscience-of-personality-resources/10155730683011216/

[echoeternally]

Follow up question - Who in the MGR cast would be most likely to accompany Peach on her quest to rescue Mario and take back her kingdom? Who would find themselves at Bowser's Castle, trying to ease his troops into accepting his relationship with Mario? Would the mages instead find themselves neutral at Star Road, with one in particular being accompanied by a muscular fellow who tries to convince the Shamans to teach his boyfriend their forms of magic?

For this: “...with one in particular being accompanied by a muscular fellow who tries to convince the Shamans to teach his boyfriend their forms of magic?” You are my new favorite Anon, lol.

Anyway, this is actually a curious question, because it highlights the differences between the two stories and their campaigns.

In the Pokemon fanfics, the characters are aligned mostly based on home kingdoms, or for those that are currently living in particular places. They’ve adopted their regional mindsets and are clashing with others based upon events gradually unfolding before them.

Translating the Mario characters over is easier, since I did that based on where their personalities best fit in with the overall feeling. 

By contrast, narrowing four kingdoms into a war between two is a bit tighter, because for Bowser and Peach’s clashing campaigns, they’re both residents of the same broad homeland.

Though races here are divided by what would be set for them, Koopas on one side, Toads on the other, it’s trickier to tell where the Pokemon cast would end up. Rather than joining a campaign of defending and protecting their respective homes, they would be challenged to a total conquest over all of them.

None of that even takes into account of neutral sides for the Mushroom Kingdom, since there are the Shamans as the leading and noteworthy stand against both sides of the conflict. But even they are pulled in based on events unfolding.

Still, this does call for a fascinating character challenge to see where everyone would end up falling regardless! So, let’s see what we’ve got here below the cut.

...

Koopa Kingdom (allied with Bowser & Mario)

Nidoking

Rhydon

Greninja

Chesnaught

Samurott

Typhlosion

Delphox

Lilligant 

Bisharp

Weavile

Mienshao

Quagsire 

Beartic

Pangoro

Ursaring

Lucario 

Hypno

Scyther

Sceptile

Mushroom Kingdom (allied with Peach & Luigi)

Empoleon 

Abomasnow

Froslass

Poliwrath

Politoed

Golduck

Delibird

Carracosta

Blastoise

Gardevoir

Gallade

Escavalier

Accelgor

Heracross 

Armaldo

Scizor

Swampert

Blaziken

Zoroark 

Star Hill (neutral stance / possible alliance with Merlon)

Alakazam

Machamp 

Golurk

Mewtwo

Flygon

Garchomp

...

Phew! This was quite a bit trickier to determine and filter groups down into mostly two (partially three) groups.

For this, I based it with the idea of overarching goals with each alliance. It kind of makes light of their full objectives, and pushes a grouped mindset against the individual basis that they’re known for, but that simplifies everything.

...

With the Koopa Kingdom, those aligned with Bowser and Mario will face the notion of challenging the status quo, looking deeper than what history has laid out before them and seeking to press on with what the truth really is, even if it’s ugly, in an effort to find a better and more sustainable life for those who haven’t had this. They challenge what’s considered normal and traditional for their inner desires and ideals to finally know the light of day. Their rapid push for change can sometimes be harmful to those not ready for it.

Meanwhile with the Mushroom Kingdom, those paired alongside Peach and Luigi, would be upholding the values that they know to be true already. They seek to find peace against those assailing them, and look to keep their home protected as it always has been. Though there are deeper and murkier sides to their home, that they understand do need to be changed to help foster new ideals, they seek to keep things maintained, and strive for a slower change, without disrupting the way of life. While not ignorant, they seem a bit tone-deaf to those that desperately need a new way of living. 

Finally, those not choosing a side aren’t considered entirely self-serving, but have a stronger interest in learning mysteries of the world or otherwise have little investment in such high-stakes events. While they might be caught off-guard about how dire situations may be, they do have alternative viewpoints that offer new angles to events that others would otherwise be unaware of. They’re not the types to actively seek battle, but would do so when pushed.

...

Deciding which royals go on which side was actually a struggle, between Nidoking and Rhydon on one end, versus Empoleon and Abomasnow on the other, so that there would be balance between them. In the end, though Empoleon would be a type to challenge known information, he would be more methodical, perhaps slower about it, seeking to get the most information out of everything before going forward with anything drastic.

Nidoking, though he hasn’t been pressed into doing so yet, would take just a firm enough push to set him forward, which will be seen coming up. Furthermore, Nidoking already challenges traditionalist notions for his home kingdom, thus setting him closer to Bowser and Mario’s objectives. Rhydon, equally capable of challenging such notions, would easily go alongside Nidoking. Abomasnow, meanwhile, would side for preservations that Empoleon would be more interested in upholding until the time is right; in fact, he might be the one to persuade Empoleon out of drastic measures, should they really fall to it.

...

Probably coming as absolutely no shock, Greninja and Chesnaught would end up on Mario and Bowser’s side as well, since they are valiant defenders of their homes, but would also want to find what lurks beneath and press to embrace newer ideals. They are alike in that mindset.

Since Samurott comes from a different continent originally, he would also be one to go against what’s considered typical, as he is atypical to the usual notions from the kingdom already. As Typhlosion and Lilligant are sympathetic to the above causes, they would also align here as well.

Delphox is a much tougher selection to have pinned down, because he likely would be more interested in changing norms, though isn’t always poised to push for it. Nevertheless, he would ultimately be on the side, if only to open minds to the variety there is in life. Mienshao follows this approach.

Pangoro, Ursaring, and Beartic would all be seeking betterment for their lives and would easily go for the side that promises the faster route to such.

While Weavile, Quagsire, and Bisharp aren’t types to immediately go against norms, most especially Bisharp, they wouldn’t feel right with leaving things alone when it’s considered harmful to others, and would ultimately be stirred to joining this cause as well.

It’s already been hinted at a few times, and will continue to be highlighted going forward with him, but Lucario is very much the type to question authority and rules, so he would take to this side as well. Hypno, though he’s not too involved yet, will follow this notion in a similar vein.

Unlike other vendors that desire what’s best for business, Sceptile has personal objectives not yet explored that will help him line up with this group.

Scyther, though also still needing development, would mostly join this kingdom alliance to go against his brother. However, he would be curious to learn of the motivations behind those that are challenging the usual way of life.

... 

While I think most would imagine Froslass to side with Weavile, she’s actually very loyal to Empoleon and will fulfill desires that she may be uncomfortable with, if it means for the betterment of her people. Thusly, she would follow his selection and seek doing better for others in a slower approach.

Used to values already set in place, the roster selection here would be likely to want to adhere to what is known and stick close to it. Scizor would do so to the absolute most degree, and could likely persuade others including Heracross and Armaldo, even if they aren’t as quickly inclined to follow this methodology.

Also sticking with a system that’s familiar and that they already flourish in, Golduck would want to defend what he knows more than seek out changes that could tip the scale against him. Delibird tends to follow him and Empoleon, and therefore would do so, agreeing to stick with what he knows.

Poliwrath and Politoed are open to changes as well, though because they’re on the prideful side and find honor in doing what’s considered right, they would be more invested in gaining praise from upholding what’s already known and what is considered right, therefore choosing this alliance.

Less prideful but equally invested in keeping homelands safe from harm would be Carracosta and Blastoise. It was really hard to put them where they belonged against where I thought would be more fun for them, given that they’re turtles and would be funnier to have alongside the Koopas. Then again, it would create an interesting mirror for these turtles to go against what seems like their own kind.

More characters that are in favor of changes, but might not be as quick to push forward with them are Blaziken, Swampert, and Zoroark. Unlike their much pushier counterparts (Sceptile and Lucario), they’re the types to learn the system and work from within.

Speaking of working with what they know and pushing for changes within, that would be the appropriate way to describe Gardevoir and Gallade. While she’s a bigger force that isn’t as easy to contain on such matters, Gardevoir does go by what she knows more often, though that’s liable to change at any time. Gallade would be the type to keep her in check and follow structure, but would also cave to her desires for making differences.

As types to follow orders as well, Escavalier and Accelgor are more apt to fall in on this side of the dividing line, though would likely take a less pronounced route to change like Gardevoir would be pushing for. They’re subtle like that.

...

The selections on who ends up in a more neutral stance were a bit dicey, since I could have put a good number of characters here, though I went with those who would ultimately make the most sense.

While Machamp is interested in helping those with defending home and can sympathize with the Mushroom Kingdom campaign, he would also be eager to see differences made and uprooting the system, aligning him closer to the Koopa Kingdom instead.

However, an untapped goal of his and shared with Alakazam is exploration of world mysteries, and the two find excitement in learning more about the unknown. As Machamp did get the initial driving selection to have ended up as a knight, he would likely be more inclined to defer to Alakazam’s selections thereafter, and would easily follow him for their journeys into mysteries. So, that was actually correct with the very initial statement made. Nice job, Anon!

Mewtwo is obviously less interested in war and would likely want to learn more about the world, so I kept him here. Though I was interested in rotating him elsewhere, this one made too much sense for him.

Golurk isn’t so much the type to really be pushed into specific motivations and could honestly end up on either side of the conflict, based on which objective he finds more fulfillment from. Because of that, I decided to keep him as a neutral party, though I had rotated him around a few times as well.

Finally, it’s not very pronounced with how it’s mentioned, but neither Flygon nor Garchomp were the types seeking to get involved in major conflicts, and both would have been happier going about their lives in uneventful ways. If they were given the choice, they would likely not be aligned.

Considering that Garchomp is being forced against his will to join a side in the Pokemon fanfics, that’s an element of mystery both he and Flygon would be curious at solving. So, if they were to have returned to a blank slate even after pushed onto sides, they would rather learn what they don’t know as well, and thus could actually end up siding with Star Hill’s Shamans too.

...

My gosh, I didn’t think this was going to be so vast and in-depth, but there it is! These I don’t feel quite as settled on, and as their stories progress, I feel like there are characters from both sides that could flip-flop on who they would end up aligned with. Then again, that’s similar to how folks work with the ENY cast as it is, so that makes sense too.

Thank you for the asks, Anon!