#i just wanna fit as much of the scene i can in a gifset

[sam-loves-seb]

gallavich questions

thanks for the tag (and the questions) @callivich !!

What’s a fic you’ve read more than once? intro to quantum dating by @spoonfulstar, i think i've read it 3 or 4 times now, it's one of my all time favorites

What’s a gifset you always have to reblog? anytime i see a gifset from that one s5 deleted scene, yeah that one, i have to reblog

What’s a headcanon you can’t stop thinking about? i have a very specific headcanon for a tattoo ian gets post-canon for mickey, and i hesitate to even explain it now bc i think one day i do wanna write a fic about him getting it, but whatever--my headcanon is that he gets an M tattooed on his left ring finger and it's a subtle yet sweet nod to his husband. (i could talk about this for 9 hours but i will limit myself and stop here)

What’s a fanart you love looking at? i've spent an obscene amount of time staring at this fanart by @doodlevich it just checks all my boxes (domestic, husbands, fluff, etc.) and it's so well done, i'm obsessed with this pieces

What’s an idea you’d love to create if you had the time/inspiration? listen, i have this idea for a rock band au that lives rent fucking free in my head, and if i can find the time and the inspiration to actually turn these vibes and unorganized plot points into actual words and a coherent story in the new year, then maybe it'll see the light of day in 2024 but no promises. for now, i leave you with this: four milkovich siblings are in a rock band that is rising to success with the launch of their second studio album and subsequent tour, and ian gallagher is lead singer mandy's (fake) boyfriend--at least in the eyes of the public--and he spends some time that summer touring with the band and hooking up with their lead guitarist in secret until the band's manager/father catches wind of what's going on behind closed doors

What’s something you’ve discovered since entering this fandom? A new trope you love? A different analysis of the show? Something else? i've always been a post-canon enthusiast for almost all of my ships, but i think before gallavich i always envisioned them with a very cookie cutter standard american dream family with the house and the careers and the 2.5 kids, which usually fits a lot of my ships, but with gallavich i... don't have that same vision ?? i think they're actually my first ship that i hc more often than not without kids in their post canon life, which is a new vibe for me entirely but i kinda love reading/writing it. idk if that answers the question you asked, but it definitely answered a question

What’s an underrated trope or concept you’d like to see more of? honestly i want more s9/10 prison era gallavich fics (and/or fanart). i think it's a gold mine era with so much untapped potential, and there are very few fics/series/whatever that really get deep with it and get to the good stuff of these two boys who haven't spent any significant time together in years but still love each other like they did way back when

What’s your favourite season? And has this changed after multiple rewatches of the show? it flip-flops for me between s4 and s5, like right now i think it's s5 but idk if i could actually pick one or the other as my absolute favorite

What’s a plot hole you wish had been answered or resolved? i would give my left arm to know how the fuck (and why the fuck) mickey started rolling with his dad again in post-prison s10 era, like in 10x08 he's going to terry for advice on how to protect ian, just for terry to try to kill him again 3 episodes later ??? make it make sense john wells i'm under your bed

What scene or moment do you feel isn’t discussed enough? personally i think the promise ring scene in 10x09 is criminally underrated and not talked about nearly enough, like you don't understand how happy that scene made me (stay with me here) seeing mickey stand up and fight for the future he really wants with ian and not settling for anything less

What line/dialogue/description from something else (a poem, a book, a tv show, a movie, or something else) do you feel describes Ian and Mickey’s relationship? can i do song lyrics? i'm gonna do song lyrics--i've always thought the song godlight by noah kahan was very gallavich, especially the chorus, and especially during s4/5/6 era and it may or may not be a piece of inspiration for my big bang canon divergent fic

What do you think is next for Ian and Mickey post-finale? i think they take a while to really settle into their new place and and make it their own, and it's a bit of an adjustment (for both of them) to fit in with this new crowd and this new environment, but they're learning how to grow and evolve together and at the end of the day that's all that really matters to the both of them

tagging: literally anyone who wants to play bc my brain is tired and i am too tired to try and remember everyone i probably should tag

[hillerskalibrary]

YR week 2023 - FAQ

General

What is Young Royals week? A fandom event where all YR content creators are invited to create new content for the YR fandom. Each day of the week, there is a new prompt to inspire creators to come up with a short fic, a quick doodle, or something else entirely. The end result will be a sort of potluck of new content to read, admire, enjoy, share and discuss!

When does it take place? YR week 2023 takes place from April 24th to April 30th.

What pairings/characters are allowed? All of them. Whether it's about our beloved wilmon or that one extra with 5 seconds of screen time you fell in love with - as long as the main focus is on one or more YR characters, you're good to go.

What type of content is allowed? Fic, playlists, meta, headcanons, gifsets, collages, picrews, cosplay, drawings, ... if you can make a post about it, we can reblog it.

Participation

How do I sign up? Because we want to encourage as many people as possible to participate, there are no formal sign ups. If you wanna join, you can, simple as that!

What are the prompts? You can find the prompts here.

I'm not sure how to interpret X prompt. However you want, really! E.g. for the "fairytale" prompt you could rewrite a fairytale with your favorite pairing, or have a character reading a fairytale to his/her (future) children, or a superfluffy scene in which a character mentions "feeling like they're living a fairytale", or ... The prompts are there to inspire you, not limit you - so use them as you see fit!

I don’t have time to create something for each day / I don't feel inspired by the day X prompt. You are under no obligation at all to create something for each prompt. So whether you create something for one day or all days, or even three things for one day and none for the others - we're looking forward to see it!

I’m not much of a content creator / don't have time to create anything. Can I still participate? Yes, you abolutely can! After all, sharing is caring, and that goes double for fandom content. So like, kudo, reblog or comment, send your favorite author a sweet ask or reblog your favorite artist's entire portfolio - there are plenty of ways to show the YR week content creators how much we appreciate them!

Posting

Where/How do I post what I created? Make a new tumblr post* that either contains what you created, or contains a link to the content on a different platform (e.g. a post with your artwork, a link to a fic on ao3, ...) and tag it with #yr week 2023. We will then reblog it to the hillerskalibrary for more visibility!

*remember that only new posts show up in the tags, so if you reblog a post and tag it, we probably will not see it! if you do prefer to reblog rather than make a new post, make sure to mention (@) hillerskalibrary on the post itself.

When should I post? We will post each prompt at 10am GMT+1, which will signal the start of that day's posting. However, if you are to the East of us and it's easier for you to post early in your morning (so before the prompt post has gone out), OR if you're to the West and you post late (so when the GMT+1 day is already over) - that is just fine.

It's Wednesday and I only now finished the Monday prompt :(. What, you think people are gonna be mad they're getting more content? Just post it, you're fine!

I'm not on Tumblr - how can I share my content? Just submit it directly to hillerskalibrary, and we will post it for you, no problem!

Is there an AO3 collection for fic? Thanks to a thoughtful anon who reminded me - yes there is!

[expelumos]

#the gay icon we deserve (requested by @silverliningcas)

bonus:

[unproduciblesmackdown]

Asia Kate Dillon as Lucifer again in Opus For All, Opus 4, Our Better Angels

[juanabaloo]

Exhibit Ch - Your honor they love each other! (fuffy)

This is a pro-fuffy BTVS rewatch series. Kendra Appreciation Post! Exhibit Ch is a bonus / catchup review about Scott Hope, Kendra, and a few non-Faith episode recos. Long post.

1. Remember how I wanted Scott Hope to get one more episode so Buffy could prioritize Faith over him? Scott is literally never seen again after 3.03. I wanna review Scott Hope. In exhibit B.10 I mentioned that Scott does seem particularly insightful. Here’s a text montage of all the great Scott moments. Imagine “I will remember you” playing in the background.

“Uh, I'm sorry. I'm a bad liar. It's not good for the soul.” (3.03)

“You're friends with Buffy, right?” - to Faith (3.03)

“Faith has been telling me tall tales.” (3.03)

“my mom says that therapy can be completely helpful.” - to Buffy (3.04)

“I hope you realize I don't actually know these people.” - jokingly about Pete and Debbie (3.04)

“It's just that you never really know what's going on inside somebody.” - about Pete and Debbie after they both die (3.04) Y’all he realized he didn’t actually know them.

“Before we were going out, you seemed so full of life, like a force of nature. Now you just seem distracted all the time, and… I’m really sorry” - dumping Buffy (3.05) Buffy agrees she has been distracted.

2. Scott - in what little we see of him - is very honest. He says he’s a bad liar, he realizes Faith’s stories are at least exaggerated, he’s pro-therapy. And he’s not just honest but he verbalizes it. The way he dumps Buffy, Scott’s so fucking honest. Scott is mentioned again in the show 3 times, twice more in S3 and then once in S7.

3. Remember Buffy’s traumatic therapy experience in 3.04? Well her next therapy session is to Holden the psych major and new vamp she very vaguely remembers from high school. In 7.07 (Conversations with Dead People) Holden says: “Scott Hope said you were gay… He says that about every girl he breaks up with. And then last year, big surprise, he comes out.” Buffy acts surprised at hearing this news, that he called her gay. 

4. Granted, I could buy that Scott was repressed and gay in high school. But just because he came out eventually doesn’t mean he was lying. Also the “he says that about every girl” bit sounds OOC to me. Scott was insightful and honest when we saw him. I think this is the show queer-panicking again. “Oh no wait, Buffy can’t be gay! Or queer! Uhm….. yeah let’s add that Scott says that about every girl, oh yeah because he’s actually gay and therefore a lying liar.” Homophobic much? Silly show. Also am I picking and choosing to fit my argument? A little bit.

5. So in summary, Scott Hope is insightful and honest and calls Buffy gay, aka calls Buffy queer. She is so repressed / panicking that she is visually surprised by this in 7.07. Oh Buffy.

Alright, enough about Scott, let’s talk about Kendra!

6. Kendra is the Jamaican slayer that appears briefly in S2. The BTVS writers room was super white. There are several things they don’t do a great job with IMO, including the LA homeless scenes (3.01), queerness (in general and also being bi just doesn’t exist?), judaism, and sexual assault (*rages at multiple epis*). Sometimes the show is a little misogynistic (but not as bad as Angel, holy fuck that show) and a little racist. Or a lot. The racial diversity of the show is laughable, I mean late 90s California? Even in the LA episode (Anne 3.01) LA is just - mostly white? *cackles* (As a palate cleanser here’s a nice gifset featuring POC characters on BTVS and ATS.)

7. Interesting Black characters are given the short shrift, including Mr. Trick in S3. Kendra deserved better but at least we got a little glimpse of her. If you’re following along at home and but also trying to limit your BTVS intake, I recommend the following non-Faith-appearance catchup episodes: 2.09 (Kendra appears), 2.10 (Kendra heavy), 2.11 (the Ted episode), 2.21 (Becoming Part 1 - Kendra re-appears), 2.22 (Becoming Part 2 - to finish off the season). And 3.01 honestly, because limiting intake can be difficult, LOL.

8. ifeveristoday lays it out in this good short post on Kendra’s role / lore on the show, and how it could be better.

9. herinsectreflections explains Kendra is not one of Buffy’s shadow selves. This gifset by fuffygifs shows the scene parallel.

10. Kendra locks up Angel. Delight in her power over him, the way she laughs at him.

11. I vividly remember the scene where Buffy slow-motion runs through the school, it’s in the show openers. But what I had forgotten until this rewatch was that it’s her running to get back to everyone in the library, after her chat with Angelus in the cemetery, and she finds Kendra dead. (Because of Dru’s hypnosis powers.) My memory of the slow-mo was that Buffy’s so badass, but now it’s tinged with sadness bc she was trying and then fails to help / save her friends, including Kendra. Although really the only long-term damage is Kendra. *grumble*

12. OK the main scene I want to review is when Buffy and Kendra say goodbye in 2.10. Buffy calls herself a freak, which is a real insult in her mind. Kendra reassures her “not the only freak.” And then Buffy goes to hug Kendra, but Kendra doesn’t hug. So Buffy doesn’t. Can you imagine where this didn’t happen, like Kendra is OK with hugs. And then when Buffy meets Faith she hugs her at some point (not right away). Gah! They never hug right? Or Buffy isn't feeling like she caused Kendra's death and she's more open with Faith? (spuffygifs has the full gifset)

I gotta admit they did have chemistry.

OK, a smattering of links to Kendra gifsets I found:

nerd4music

dailybtvs

original andremichaux

andremichaux with tags people left

13. OK, a few thoughts on 3.01 Anne. Already unrealistic when it aired (Buffy somehow affords a studio apt on a waitress salary?) it’s achingly unrealistic now, in terms of money. Like Buffy would need 3 waitressing-type jobs and she’d still have 4 roomates in a craaap 2 BR apt that was falling apart.

14. SMG is giving a master class in acting in SO much of BTVS. The moment when she revolts is brilliant. Check it here (credit to deansmom and harrietvane and isagrimorie) proof that SMG made the acting choice, that it wasn’t that detailed in the script. (read the prev tags too, all of this is brilliant) Also we already know Buffy but this introduction of herself is great, on par with Faith-introducing-herself levels here. (the whole deansmom gifset and tags really sets the mood pre-"aggressive chipper shit talker" Buffy introducing herself)

I am not great at finding gifs on tumblr. Here are some bonus ones for prev exhibits:

Faith accidentally punching Buffy in 3.04. (Eliza apparently actually punched SMG IRL)

Faith shooting her shot in 3.05

Buffy’s unsure reaction in 3.05

No rating for this exhibit bc there’s no Faith. (Exhibit C had a they love each other rating of 2 out of 5.) Next exhibit will cover episode 3.07 Revelations. Exhibit Ch has been submitted, the prosecution rests for the day.

[matan4il]

hi! i love your meta and all your content!

i hope you had a good holiday season, and have a great new year! (here’s hoping 2022 isn’t as big of a mess as 2021 but honestly my hopes aren’t high)

i’m not sure if you’ve already answered something similar to this, but i was wondering if you had any thoughts about the yellow background when eddie tells everyone he’s leaving the 118. do you think it has significance (i know every shot is well thought out and nothing is a coincidence), and what the meaning or reason for the yellow background is.

thank you!

Awwww, hi Nonnie! Thank you so much for the kind words, I'm so happy you enjoy my content and on a personal level, I needed something nice and positive today, so this is double the thank you! I hope you have a fantastic 2022, even if globally, things will still be whacky for a while... *HUGS*

And nope, I have not been asked about that yellow background yet. I do find it interesting! I'm not sure every background color always has significance, especially when they shoot outside of the studios and have to deal with all sorts of rl constraints. BUT in this case, since the scene wasn't dictated by a call, I assume that they had a lot more room to shape the scene exactly as they wanted it to look. And I found it very interesting, not just that Eddie's background is so yellow, but also that this is in stark contrast with Buck's background being very green. If you have a look at this Buddie gifset, you can see the difference pop out! Now, I know from a friend who worked in the field of set design that yellow is usually a color reserved for dramatic conflict, so it fits perfectly with what Eddie's dealing with when he's facing the 118 team with his dramatic announcement that he MUST know will make Buck extremely unhappy. But the specific difference between green and yellow makes me personally think about nature's annual cycle moving from blossoming to wilting away. In this case, wilting away means something disappearing, much like Eddie is leaving a void in the 118... What's interesting about it is that this cycle is actually never ending. After the wilting away comes re-growth, re-blossoming, things die in order to be re-born, fresher and more beautiful than ever. I hope that's exactly where Buddie is headed.

Thank you for the ask, Nonnie! And I hope you've had and will continue to have a gorgeous holiday season! xoxox

To anyone else who sent me an ask, I am going through all of them, thank you so much for your patience! If you wanna check whether I've replied to yours yet, you can have a look at my ask tag. xoxox

[fromaliminalspace]

For the gif makers ask meme... 14, 16, 34, and 48?

[ask meme link]

14. How long does it usually take you to make a set

for real, while technically i can make a gifset within a day or a few, i have a nasty tendency to procrastinate everything, literally everything, even stuff i actually enjoy. and when i do get around to actually making sth i overthink it. sometimes for months. yup. lbr overthinking (alongside chronic lack of spoons) is the main reason i create stuff so rarely and post it even rarer even if i have it finished for a while. i'm trying to improve, okay..? just gonna kick myself more often into calling things finished and posting them, i literally have dozens of gifset ideas waiting to be executed, several art wips (as well as finished pieces), two videoedit ideas, and quite a few k words of both fic and meta… the tricky part is just to get around to all of it

16. How long have you been making gifs

oof lemme see… in June 2020 i made my first gifs that weren't completely horrible cuz before that i was using merely a phone app for this with video editing software (this and this were made this way). and then in February 2021 i finally figured out what was missing from my PS and preventing me from editing gifs there and fixed it. so yeah, i've been relatively new to this, i guess..? though ngl the experience of very spontaneously making two videoedits before trying out proper gifing was a nice starting point

34. A set that took you a long time/was really hard but you’re really proud of how it came out

hm the stardust one is the first that came to mind even though it's more the case of "it didn't receive as much attention as most my other cql gifsets but i'm still quite fond of it" rather than it being particularly time/effort-consuming. not to mention that i'm hardly ever actually proud of anything i create but well, that's just my brain cockroaches messing stuff up. back on track, the WWX gifs in the trust parallel set were a pain to edit but eventually i ended up learning new tricks while groping my way around it so i'm not complaining

okay, if i were really to pick a gifset i'm proud of that'd be the ripples one, no doubts (gonna add the link once i actually finish and post it, i promise). it's the most advanced technically (don't even ask me how long i've been nitpicking it from all directions and how i'm still tempted to drop the current version in favor of approaching it from a whole new direction bc surely it can be done way way better if i just go nitpick it some more! ya know, the usual overthinking) and it's sth very personal to me thematically. the underlying meaning of it is too closely related to liminal spaces (or more like what i simplify as "liminal spaces" as i suspect my own understanding of this concept in general can differ quite a bit from that of other people) so putting it into actual words gets tricky. but this kinda comes with the territory so nothing unusual

48. How would you describe your giffing style

ugh honestly idek if i have one..? for real, i don't think there's anything about my gifs that makes them stand out much. at least there surely isn't anything that i deliberately make sure to integrate every single time (maybe i do unconsciously though, who knows). so i feel like it's more for others to judge ¯_(ツ)_/¯

what i can say is that when i do make gifsets i apparently tend to illustrate some narrative parallels or sth with them..? or just combine scenes with a quote that strikes me with fitting vibes. or both. also i like to have fun with the colors and lighting and use adjustment layers quite heavily (but gotta admit it's hardly an option to halfass this if i wanna my Yi City gifs to look vibrant and alive enough). i suppose alternative subtitles to all my cql sets are a feature of my so called style as well since i always translate them myself instead of going the easy way and copying any of the already existing ones. which is also fun! even if, well, adds to the amount of time and spoons i put into it but what can i say, it's a matter of habit by now

[coupsnim]

Here’s another ask game for caratblr! Assign your moots as seventeen comeback aesthetics (can include solos, OSTs, collabs, Japanese comebacks, etc) and say why you associate them with that aesthetic! Some can overlap too!

 this was harder and took me way more than expected ahah I decided to go through svt mvs and see if they reminded me of my mutuals, but there are a few songs that I couldn’t associate with anyone so I left them out 🙈

🌼 adore u ~ chey @soonhoonsol ↳ chey is one of the first people that I followed (and probably my first mutual) but this is not the only reason why I associate her with adore u. the song is fun and has a youthful vibe, which reminds me of her, but in the mv we also see a lot of scenes that are not linked to one another and that made me think of chey’s various interests and groups she likes ahah and of course adore u has a special place in every carat’s heart and so does chey (at least here on tumblr ahah)

🌼 mansae ~ cora @ohoshi ↳ I haven’t followed cora for a very long time, but as soon as I watched mansae I thought of her. mansae has the same youthful vibe as adore u but it’s also very energetic and when it hits the chorus it puts you automatically in a good mood, and this is what happens everytime I see cora’s tags under my posts. also her creations are always colourful just like the mv and the members’ hair for this comeback ahah

🌼 pretty u ~ lyns @kyeomshine ↳ I think lyns’ style fits pretty u the best. the mv is fun but it also has a romantic vibe, like one of those coming-of-age movies, which reminds me so much of her creations. moreover, they applied a sepia tone to the mv and whenever I think of sepia I think of lyns ahah

🌼 love letter ~ lee @uriboogyu ↳ love letter is a cute and fun mv, with bright and pastel colours, so when I watched it my mind went straight to the cutest person I follow. and that person is lee. she works so hard to bring new content and to engage with other people as well, her whole blog is like a love letter to svt.

🌼 very nice ~ yza @jonghan ↳ I think aju nice reflects a lot of my mutuals’ vibe, but when I watched the mv I immediately thought of yza. it’s just her and her 13 biases ahah (I know she says she has a bias line but no one actually believes her). the colours in the mv are bright and a bit more saturated compared to previous mvs, which reminds me of her gifs, and the song is fun and upbeat, just like her personality. I think yza fits perfectly with aju nice.

🌼 healing ~ mirelle @leechaerok ↳ to be honest, I don’t need to watch the mv to associate this song to mirelle. she is just such a nice presence on my dash, I’m happy to see her even when she doesn’t post about seventeen. what I like about her is her positivite attitude, her optimism, and the fact that she always has a nice word for everyone. every time I see one of her posts, I immediately feel at ease.

🌼 boomboom ~ emily @iiasha ↳ there are two main reasons why I thought of emily while watching boomboom: jun looks amazing and there’s a lot of technology involved ahah also the video starts out mysterious but then turns out to be funny and a bit silly (and super cool if we include the choreography) and I think this describes exactly how I see emily ahah

🌼 don’t wanna cry ~ carrie @art-hao ↳ don’t wanna cry is one of my favourite mv and I think it matches perfectly with carrie’s style. it’s simple but impactful, and the colour palette and colour grading are gorgeous and well thought in every scene, just like every single creation carrie has posted on tumblr.

🌼 change up ~ zai @icecreamscxups ↳ I don’t really know, maybe it’s because of her change up gifsets, but I immediately thought of zai as soon as I clicked on the mv. I just get change up vibes from her ahah

🌼 habit ~ oona @vernons ↳ oona is a quiet and peaceful but constant presence on my dashboard, she’s seems chill and I like when she shares her other interests outside seventeen. she’s that calm mutual who creates the perfect balance with the more chaotic ones, that’s why I associate her with habit.

🌼 clap ~ dasha @smallkore ↳ clap is a really creative and fun mv and I immediately associated it with all dasha’s gfx. she is one of my favourite content creator, all her ideas are so original and well executed, just like clap mv. I hope she’ll come back soon because I really miss her content!

🌼 thanks ~ kale @choibeomgyus ↳ thanks is another one of my favourite mv, I really love the storyline and the atmosphere. I actually don’t know why I thought of kale as I watched it, but I think her style (which I adore) fits with thanks general vibe.

🌼 just do it ~ isa @kwanies ↳ just do it doesn’t really have an official mv, but I still wanted to include it because I think the lyrics are perfect for isa! I can’t really explain further, as I don’t really know her, but that’s the vibe I get from her ahah

🌼 oh my ~ sofi @scoups ↳ the first thing I associate with oh my is summer, and that’s something that reminds me of sofi’s aesthetic as well. seeing her colourful and bright posts makes me as happy as listening to oh my!

🌼 holiday ~ sarah @dkymm ↳ another song that is perfect for summer (and one of my favourite song ever). I think that sarah fits holiday‘s concept the best, even though I can’t really explain why. maybe it’s because I associate dokyeom stan with bright songs, or maybe it’s just the vibe I get from her, laid back and funny without trying too hard.

🌼 home ~ genesis @shineesbag ↳ I don’t think home concept fits genesis, but she’s still the first person that I thought of when I watched the mv. she’s the only one out of all my mutuals that follows all my blogs (thank you!) and we like more or less the same groups/people, so I just feel really comfortable when I see her on my dash (although we never actually talked). she’s a reassuring presence on my dash and one of my favourite blogs, just like home is one of my favoutie songs.

🌼 hit ~ anna @haniehae ↳ the reason why I associate anna with hit is quite obvious: anna is a dancer and hit has probably the hardest choreography. at first I thought that she would fit don’t wanna cry as well, since the choreography for that song is amazing, but I also feel that hit reflects more her style. I have two left feet, so I admire people that can dance, and anna dances very well!

🌼 fallin’ flower ~ célia @delicatecy and mary @efflorescing-mary ↳ the first person I associate with my all time favourite svt concept is célia (who is the first person I followed on this blog). her style is so elegant, so classy, so (as her url says) delicate. I love it as much as I love fallin’ flower, she is one of my favourite content creator and although she’s not active, I sometimes go on her blog to have a look at all her masterpieces. ↳ the second person I associate with this concept is mary. fallin’ flower is pure poetry, so of course it reminds me of her and her poems!

🌼 snap shoot ~ rhys @heartgyus ↳ me and rhys have been mutuals for less than a month, so I can’t say that I really know her. but I often see her on my dash and I think her personality fits snap shoot, both the song and the mv. also since the video was made by mingyu, my mind probably made a link between the two ahah

🌼 my my ~ maddie @kyeomblr ↳ another personal favourite, my my is a cute and bright song with a cute and bright mv. as I said, I tend to associate dokyeom stan to this kind of songs and I think this concept fits maddie! (I saw it was your birthday yesterday, so happy belated birthday!)

🌼 left and right ~ dreamy @scoupsy ↳ as soon as I watched left and right, dreamy was the first person that came to my mind. not only the concept reminds me of her style, but the song reflects her personality too I think. also left and right is coups’ first comeback after hiatus, so it holds a special place in my heart.

🌼 24h ~ zay @dk-s ↳ zay’s style and her colouring in particular really remind me of 24h. it’s dark without being too dark (like fear, for instance) and it’s quite elegant. also black and red is a colour scheme I associate with zay in general, so the outfits svt wore in the dance scene instantly made me think of her.

🌼 side by side ~ alicia @myungho ↳ that’s cheating, I know, but there’s only one person I can associate to side by side and that’s alicia. not only because she’s the resident myungho stan on my dash, but also the mv reminds me of her witty personality!

🌼 not alone ~ belle @xuseokgyu and nele @seohoshi ↳ the first person I thought of while watching not alone is belle. she’s the most supportive mutual, she always showers me with compliments, even when I post the simplest gifset, and she always makes sure to reblog my content even if it gets 2 notes. she surely makes me feel less alone sometimes. ↳ and I associate this song to nele too for a similar reason, but it’s a more general feeling I get from her. we don’t interact much, but when I see her tags on other people’s posts as well, she’s always so supporting and she always catches the smallest details. she really makes you feel like the time you spent on your content is not wasted.

[ghostlypawn]

Hey, did you have any coloring tutorials regarding your pride headcanon gifsets? The coloring looks so nice and I wanted to try and attempt to use some coloring for my gifs but I dont know how

thank you !! its usually kinda specific to each gif but i can try! theres usually 2 ways i go about it

using the color overlay feature:

this is probably the easier one as it can be used with more scenes

you need to find a scene where the person you're giffing/the camera moves very little (here she moves a bit but its fine enough for me)

colour and sharpen the gif as you normally would

then create a new layer and simply colour the background in the colour you want

it will look ridiculous at first but then u wanna change the overlay setting from normal to color (the drop-down next to the opacity)

and it should look something like this:

and then sometimes i add a gradient (pink to transparent) on a new layer on each side if i want a bit pinker (i mess around with the opacity of this layer to whatever i think fits this is around 70% opacity)

it doesnt make a ton of difference here but i tend to use it more when there are things happening on the far left that i want to draw attention away from as it makes those areas more opaque

and thats basically it for this way!

the cons to this way are sometimes you can see gaps/overlap where the character moves at certain points of the gif

im usually pedantic about these things but its honestly not as noticable as you think it is and ive uploaded gifs that have overlap (i tend to think overlap is better than a gap but thats personal preference)

using selective colour:

this is harder to do as you need the background to be a specific colour (but i think it tends to look better)

this colour can be the colour you want the gif to be but from my experience blue backgrounds tend to be most easily manipulated

red/yellow/pink backgrounds are hardest to change as they affect the skin colour of the character (but it can sometimes work if the character doesnt move much as you can use a layer mask and erase your colouring from the person)

im gonna try and colour this gif (idk if it will work yet as the background is a greyish blue rather than a brighter blue like the sky would be but it should do)

colour and sharpen as normal (i also recommend using a blue/cool photo filter layer to really get rid of the yellow undertones the later cm seasons have it makes a world of difference for me but its up to you/how you colour things)

then from here honestly its a lot of trial and error; im gonna try and make it pinky purple

this is gonna be different for each gif but for reference i added 2 selective colour layers (as the bg is blue im only gonna change the cyan/blue and maybe black/green) and one hue/saturation

1st selective colour: GREEN (C = -100, M = +100, Y = -100) CYAN (C = -100, M = +100, Y = -23) BLUE (C = -100, M = +100, Y = -91) BLACK (C = +1, M = +13)

2nd selective colour: GREEN (C = -100, M = +100, Y = -100) CYAN (C = -100, M = +100, Y = -23) BLUE (C = -100, M = +100, Y = -91)

hue/saturation: (the background is now pinky/purple) MAGENTA (hue = +1, saturation = +32, lightness = +19)

this is my result:

as you can see their skin tone hasnt changed as i didnt touch the red/yellow selective colour options. if your background is one of these colour you could add a layer mask to that selective colour layer and erase the area of the person but this might cause effects similar to first version i showed you (gaps or overlap)

im still not entirely happy with it as firstly, luke is in the picture as we want to draw attention away from him and secondly, there are still some non-purple colours in the background

to fix this is once again use the color overlay feature from the first version to touch up some of the areas (i colourdrop a colour from the background) there shouldnt be much overlap/gapping as im not colouring precisely around their skin (and if there is it wont be as noticable as the background/shirt is the same colour)

and then to get rid of luke i simply draw over him in a colour from the background and then add a gradient and move it so the opaque side of the gradient is near the edge of where i stopped drawing over luke (i also transform it and mush it inwards so the more transparent side doesnt go all the way over to matt just next to him)

this is what it looks like finished!

it turned out pretty well considering it was a random video i had on hand !!

also dont be scared to experiment with overlays/opacity etc and its okay to realise that it’s just not working for this gif and scrapping (ive lost many gifs </3)

im not the best at explaining things but i hope this somewhat helped!! if you have anymore questions feel free to ask <3

[himbo-buckley]

The Big Buddie for Dummies Guide

Hello party people and welcome to whatever this was supposed to be!

Quite a while ago I got an ask by someone about doing a guide on all the canon indicators for Buddie to explain the ship to non-shippers and about 5 anxiety attacks and four weeks later, I finally did it!

So read, enjoy, reblog, validate, disagree!

Also here are some notes before we get started:

Buddie has been around a while now and there are some incredibly people writing about them and doing meta posts for them, some of which I asked for their opinion which I will link at the end and some of which I am quoting in a way / have been inspired by (Also feel free to send me all and every post related and I will link it in the text as I will try to do the same)

This Guide is organised by the following themes we find in the show with Buddie: trust - coparenting - connection and love life - subtext

I’m not gonna lie, this is incomplete af because tbh? There is so much stuff that can be interpreted as evidence for Buddie but this is too long already so I left some stuff out, I hope ya’ll don’t mind … (also the reblog  option exists for reason, just add on what I missed, I’m not gonna bite!)

I’m gonna assume the person who reads this has a general understanding of the show and its scenes because I cannot explain every scene down to it’s very detail (I mean I can but that’s another 20000 words worth of meta and not sure anyone wants to read that … again) but I will try and link fitting gifsets (again, send them my way if you feel I should include sth.)

I should also add a warning for the fact that I, personally, think I am hilarious but others might not but fellas, Idc! (Also I cuss, some people don’t like that?)

So let’s get this show on the road then, shall we? I call this meta : „We might end up real close.“

(alternate title: „Buddie stans ship hard but canon ships harder“ or „This is Timbo’s story (of becoming more famous than Joss Whedon) and I’m just it’s vessel“)

Trust

We’re gonna start this off strong (I mean all of them are strong themes) by talking about the biggest theme with Buddie which is trust. It goes all the way back to 2.01 and the gym scene and Buck basically telling Eddie he doesn’t trust him (complaining about Eddie’s comfort level, anyone?) and that he needs to earn that - which rude but also I get it.

In fact there are two main themes which I combined into Trust which begin in 2.01:

„You’re my problem“ and „You can have my back any day“ both of which sort of sum up Buddie, because from the get go Buck decides hey, this guy is my problem and then he proceeds to make everything about Eddie his business. Eddie meanwhile tells Buck he’d love to have him watching his back - meaning Eddie trusts him and wants Buck to be his partner.

(Side note: isn’t it beautiful how that is a complete reverse of their usual attitudes? Usually Buck trusts way to easy and Eddie never does but with each other it’s the opposite!)

Let’s look at the episodes in order, okay?

2.01: „I think I’ve seen this happen in porn before“

- „You’re my problem“: I’m gonna talk about the gym scene later a bit more but this sort of establishes the dynamic Buddie has? Because both are fascinated by and focused on each other from the get go. I mean: Eddie got to the 118 and everyone seemed to be nice to him except this one guy and instead of giving him a few days, thinking he’ll come around , Eddie is like: nah, I’ll confront him! Why? Maybe it’s gay, maybe it’s Maybelline, maybe Eddie „I am not enough“ Diaz was just sick and tired of everyone putting trust in him because soldier and craved the vibe check?

- „You can have my back“: Basically what happened was, they got the bomb out (being partners and in sync even when they didn’t like each other yet) and they stood outside and Eddie tries a new approach cause for some reason Eddie decided out of everyone at the 118 he needed Buck to like him specifically and so he pays the guy - who was nothing but rude to him so far but who is also very competent - a compliment and Buck gets all flustered and thankful - and „You’re my problem!“ gets rephrased into „Or you know, you could have mine!“

(Also the look of pure elation on Buck’s face when Eddie compliments him, you know the person Hen has basically said is so awesome and pretty it transcends sexualities? And he picks Buck of all people to have his back? Buck has no choice but to stan!)

- In terms of Trust we also get the pool scene which is our second instance of them being in sync and partners by both jumping into the pool and getting the guy out basically at the same time

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- „Where do you want us, Cap?“: Now looking at the timeline of 2.01 they’ve known each other for approximately four days as this is their fourth shift together (we see) and yet Eddie is already comfortable enough to answer for himself and Buck several times. He’s the one who decides they will go in and he answers the roll call later for the both of them. This is our first real instance of them being in sync and just their whole interaction, from Eddie going along with Buck’s plan about the elevator to everything else just shows how much they already trust each other.

- „I, uh, I love kids“: Also Buck in this episode, why was it so important that Eddie knows you like kids? Please share!

- “Eddie, you’re kid is in the safest place he can be.“: Connected to this is a sub-theme I like to call: ‚They know each other better than anyone else does‘ which is established here with Buck realising that Eddie is full of shit when he pretends not to worry about Chris so Buck spends some time trying to assure Eddie Chris is safe at school.

- „Is everything okay?“: Of course, the fact that Buck was the only one to check in with Eddie’s mental state from the truck scene onwards is very telling, because everyone else likes and trusts him but they don’t really care (yet)

- And the episodes end with everyone reuniting with their families, including Eddie - while Buck watches from the car because Buck drove him there because he has his back (also see Subtext)

2.04: „Hearteyes, motherforker“

This whole episode is what made several people ship Buddie and well, I can see it and I will talk about a lot of it with the other themes but for now:

- „I just feel bad for him. (…) Eddie’s working on it“: This episode really leans into the whole „You’re my problem“ with Buck apparently driving Eddie to the hospital (or at least coming along) to Buck clearing Chris coming to the station with Bobby to worrying about them at home until finally he introduces him to Carla.

Mind you, they haven’t known each other that long, yet Buck feels the need to meddle in Eddie’s life and fix his problems for him which, yes, is very Buck thing to do but still: Considering Eddie was introduced to us as this super capable guy, it’s interesting that Buck immediately saw through him and decided: yeah, that guy needs me to take care of him.

Or you know, to have his back.

2.07: „*Tommy Wiseau voice* Oh, hi Shannon!“

- „I needed someone to have my back“: This episode establishes the significance of „You can have my back“ even more because in this episode Shannon comes back and you know what they fight about? Eddie not having her back. Shannon quite literally says „I needed someone to have my back“ which is almost the same exact  Eddie tells Buck in 2.01 and with that wording as well ...

In the same scene Shannon also says how Eddie always knows best and is the one to make the decisions which  is another parallel you can draw to Buddie where Eddie began like that in 2.01 (the scene at the mechanic’s) and then began to follow Buck’s lead (the elevator shaft) / let Buck help him (Carla))

2.10: „It’s all about ‚figured it was none of my business‘“

I love this episode very much because there are several Buddie hints in there.

- “I think it’s none of our business.“: Connected to the topic of Trust is the scene between Chimney and Buck when they buy the Christmas tree and Buck keeps talking about Shannon coming to the station and the fact that Shannon and Eddie hooked up while Chim seems exasperated by this and frankly doesn’t care and he tells Buck as much, saying it’s none of their business. Except it is because Eddie is Buck’s problem, remember?

- „So … not gonna say anything?“: And then the „None of your / my business“ gets repeated in the scene when Buddie sits at the fountain talking about Chris and Shannon and they both say it’s none of Buck’s business. Yet Eddie then still tells Buck all about it sounding all defensive.

- It’s also the first instance of Eddie willingly searching out Buck’s advice about Christopher.

- And related to the topic of knowing each other well, considering how surprised Buck is by all of this, one sort of has to wonder how often they hang out outside of work. Because the way Buck acts makes one assume it’s quite a lot, which is why Buck is so hurt he doesn’t know about it.

- Also the fact that they so casually go somewhere with Christopher and the way Buck talks about him making it clear they have done this before.

- „Trying to protect your kid.“: On the topic of Trust I also wanna mention the fact that Eddie doesn’t trust Shannon with Christopher. Which is a direct parallel to 3.03 when Eddie tells Buck there is no one he trusts more with his son. And also 3.09 when Buck gets to be back in Chris’s life after the lawsuit as soon as Buddie made up yet Shannon needs to really beg for it? I mean, yeah.

2.13: „ Evan *I colour coordinate with bae while my sister is abducted and my brother is dying* Buckley“

- „Oh, no, I know what you were thinking.“: The scene at the hospital between Buck and Eddie does have a bit of subtextual relevance but I do think we should note the fact that this scene was in the show at all like this because wouldn’t Bobby have made a bit more sense? After all they spent one and a half Season before that making him the guy Buck goes to for advice and he has sisters as well, yet here we get Eddie being the one to talk to Buck.

We get Eddie basically telling Buck exactly what he needed to hear and while not exactly condoning his actions, he is also not judging them. Instead Eddie is telling Buck he might have done the same, because Eddie and Buck know each other and see each other.

So I wouldn’t necessarily call that scene Buddie-hinting but it does definitely play into the whole ‚having each other’s backs‘ and ‚knowing each other well‘ thing they got going on.

Also compare it to 3.06 in the way that both times Buck did something wrong and it was Eddie who actually took the time to listen to Buck’s reasoning and be the one to understand him, which is a very important part of their dynamic.

And the line „I wasn’t worried about that.“ in response to how Buck thought he would get away with all of this might be one of the top 10 heartbreaking lines of this show for me and that is saying a lot with 911!

2.14: „‚It’s a miracle… bro #nohomo’“

I am not fully sure if the scene of Buck freaking out about Eddie going back in to save the kid really fits in here, but I’m also very unsure were else to put it, so Trust it is!

- „Eddie, what are you doing?”: It does fit into the whole having each other’s back thing with Buck immediately jumping into action to try and help Eddie

- But in all honesty prior to 3.14 this would have not made the cut as I would have been like: eh, that’s just who Buck is as a person - but as 3.14 will proof / has proven, he can be calm and collected even when his sister, his ACTUAL family is in danger and while I would argue it was in part because there was less he could do to actively help in 3.14, it still deserves to be mentioned now

- Side note: considering 2.13 / 2.14 and 3.14 / 3.15 this marks two occasions were Buck being worried for Maddie’s life was followed by an episode of Buck being worried for Eddie’s life and that too deserves mentioning

2.18: „insert *Jane Austen film*-gif: It’s about the hands!“

- I’m not really sure if this is really connected to Trust but Eddie holds Buck’s hand the whole time, even after he has dragged him out from under the firetruck until they disappear in the ambulance.

- Also the fact that Eddie, who is probably stronger than Chimney, is the one helping Hen drag Buck out from under the fire truck while Chimney helps lift it is … worth a mention.

- Definitely connected to Trust is Buck’s insistence to going to Eddie’s ceremony because this is Eddie and he has his back

3.01: „How you know he no sleep naked?“

Yes, this scene has a lot to unpack. In terms of *trust* / how well they know each other:

- „He’s just sulking, Cap“: Eddie says about Buck. In my opinion the phrasing combined with how before that they were talking about how Maddie can’t get Buck to leave the house and he won’t answer any of Bobby’s calls implies that either a) Eddie too has tried to contact Buck with no success or b) is actually in contact with Buck, has talked to him and has concluded based on what he saw that Buck is sulking - and yes, I am leaning toward b).

- “Maybe you’ll learn something.“: Which brings me to the fact that it’s Eddie who makes the  plan to get Buck out of his funk and prove to him that he still has stuff to live for, despite how dismissive he had been about Buck’s feelings before, calling it sulking and saying Buck should just brush it off. Because Eddie has Buck’s back despite it all and is there for him and trusts him.

- „He’s hanging out with his Buck today“: In terms of actual Trust there is the fact that Buck is very much depressed in this episode - and what does Eddie do? Puts his son in his care, you know, the most important person in Eddie’s life, convinced that Buck will be able to take care of him despite how low and bad he is feeling about himself. One) because it has been the case for Eddie probably. Two) because this is who Buck is as a person even while depressed and Eddie trusts that. And three) because even before the Tsunami Eddie was very sure about how much Buck loved Chris.

- „Honestly I don’t know how to help him.“: This also parallels Maddie with Eddie in an interesting way because Maddie spends the whole episode worried about Buck and thinking he cannot take care of himself, while Eddie trusts in Buck to not only take care of himself but also his son. Which yeah, interesting.

3.02 „Eddie hates earthquakes - the remix“

- The episode sort of proves that while the others may have known what Eddie was gonna do, Operation „Buck up Buck“ was his plan because he is the one who has Buck’s back. (Considering for example Maddie doesn’t know about it as she thinks Buck is home and had Chim been involved he would have told her beforehand meaning this was Eddie’s plan and he executed it and then told the others about it while at work.)

- Also in terms of literal Trust: LA is hit by a Tsunami and Eddie doesn’t worry about his son once because Buck said they are going to the movies next and also because Eddie trusts Buck to protect Chris like he would.

3.03 „‚Do it for the trauma!‘ - Buck-edition“

Once again a subtext-mill but there is some textual evidence as well:

- “How do you tell your best friend that you lost his son?“: At the VA hospital Buck calls Eddie his best friend when he talks to Maddie which I always found weird in this context? Because it should always be hard to tell another person about how you got their child killed (which is not my opinion but the way Buck sees it here, okay?), yet the writers choose to put in a reference to how much Eddie means to Buck.

- Which connects to another subtext and text thing which is the voiceover which has Buck say the lines: „To be seen. To be found. Isn’t that what we’re all looking for?“ after talking to Eddie, which no longer just implies this is about Eddie but actually straight up says it - and it connects to the sub-topic of how well they know each other, cause Buck says in this episode: Eddie is my best friend and he sees me for who I really am. Which, yeah, is stuff one usually finds in connection to a love interest. (Will talk about it more with Subtext though)

- Also before that the voiceover has Buck say „Sometimes being lost is not knowing how to get from where we are to where we wanna be, where we need to be.“ right as Eddie knocks on the door, which basically states that Eddie and Chris might be where Buck wants to be but also how Eddie apparently knows how to get Buck there. Because he knows him so well. (He literally calls Eddie his life raft in the voiceover!)

- „Buck, there is nobody in this world I trust with my son more than you”: Now the Trust theme in regards to the loft scene is interesting in how it compares Buck to two people in Eddie’s eyes / life: Shannon and himself. Shannon, as I already said, we have with 2.07 and 2.10, both of which talked about how she left Chris (and Eddie) and how Eddie no longer trusts her because of this and refuses to let her back into Chris’s life. Which is different to how he always lets Buck back into Chris’s life, even after the lawsuit with virtually no hesitation once they made up as far as we can see. Meaning he trusts Buck more than he trusts Shannon. Who is, you know, his wife?

As for Eddie himself, I’m gonna flashforward a bit to 3.08 and the conversation between Eddie and Bobby. Because in 3.03 Eddie talks about messing up with Chris, yet how he never stops trying and how he knows Buck is the same way - which is interesting considering 3.08 has Eddie basically say that he has not forgiven himself for all those mistakes. Yet he forgives Buck both for the Tsunami and abandoning them during the lawsuit.

And now I wanna say something very controversial and hurtful but also connected to how I read Buddie and Trust which is that in my opinion? Eddie includes himself here. Eddie tells Buck here he trusts him more or at the very least just as much as he trusts himself with his son. Which is pretty big, considering he barely trusted his wife, the mother of said son, who he has known for at the very least about 11 years during Season 2? Someone he himself said he loves? Someone he at one point planned his future with? (Meaning he most definitely plans his future with Buck in it now…)

3.04 „discount!Buck in the house“

- Two things are in this episode, both of which are very much not about Trust in the literal sense but how much time Buddie spends together outside of work:

“Can’t fight city hall.“ Eddie being the only one on board with the fire drill Buck’s leading because he is a boy scout who follows all the rules but also because Buck probably talked to him about his job as fire marshal beforehand and so Eddie knows how important what is happening here is to Buck.

„You don’t know math.“: now, you can think this is another dig at Buck’s intelligence but you also have to acknowledge that at one point Eddie might have either heard someone reference Buck’s math knowledge in front of Eddie or Eddie has seen Buck try doing math and has remembered that well enough to immediately be able to pull out that dig. (Which brings us to a parallel I will talk about later!)

- “Uh, who - who’s that?“: I also firmly believe that Buck would have not been as willing to go along with the lawsuit, despite Bobby’s betrayal, had Eddie not immediately rushed off toward Lena at the firehouse, making Buck think Eddie (his partner) has replaced him. Does no longer need him to have his back.

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

Ah, yes, that episode! Filled with Buddie signs!

- “And if Cap says he’s not ready, he’s not ready.“: What I find interesting in terms of Buddie and Trust is the fact that Eddie apparently trusts Bobby’s judgement more than he trusts Buck’s. Which I find OOC. Or not because Eddie is a soldier and Eddie grew up fairly authoritarian it seems his first instinct will be to follow the chain of command / do as the person in charge tells him to.

- Now everything else that happens after including and specifically the street fighting storyline? That was a direct result of the lawsuit and the deposition in which Buck betrayed Eddie’s trust by revealing the info about Shannon. Which Buck is aware of because up until this point we see him still looking up, yet after this he drops his eyes and doesn’t really look at anyone again during the deposition.

- “And I’m not allowed to talk to Buck.“: Yet. YET despite this massive betrayal in Eddie’s eyes what stops him from calling Buck later is the fact that he wasn’t allowed to do so! Nothing else. Also the phrasing is very interesting as it gives us three entities Eddie considered to call: his abuela, Buck and the 118, meaning Hen, Chim and Bobby - the people he will call his family about 6 episodes later - are an uniformed mass but Buck is his own person - because up to this point Buck always had Eddie’s back. And we all know he still would have had! (Sidenote: this line is what made me an actual shipper and why ya’ll can read posts like this, so maybe say thank you to Lyndsey Beaulieu? Or fuck you, depending on your opinion of me ;P)

- „And now I can’t even talk to you.“: This whole scene gives huge character exposition and I’ve talked a shit ton about the fight in the grocery store before as have a lot of other people, but basically what it boils down to is that Eddie is mad at Buck because he revealed things about them to his lawyer but mostly because Eddie thought they had each others back and trusted each other and apparently Buck doesn’t trust and care about him the same way Eddie does for him because he didn’t even consult Eddie about the lawsuit? And Eddie misses Buck a lot. And Chris misses Buck a lot. And Eddie is already mad because Shannon wanted a divorce despite how hard he tried and then she died, meaning she left him again and now Buck left him as well and why is Eddie never enough for anyone?

And of course, as always, Eddie is mad at himself the most because he wasn’t enough for Shannon and he wasn’t enough for Buck and he’s probably not enough for Chris who is struggling so much and Eddie just feels angry and lost all the time!

I think this is the moment Buck finally understands how much he means to Eddie truly. How Eddie meant every word in 3.03. How for once someone actually trusted him, depended on him - and he let them down. Which was never his intention because Buck never understood that he could (which is not the topic of this post though).

- “Why can’t you see my side of things?“: On Buck’s side, while he isn’t nearly as mad as Eddie, he does raise the question of why Eddie didn’t have his back - which is a very fair question but Eddie is still too mad at Buck here to hear it.

- What is also very interesting about this scene is that no one, not even Bobby who was actually sued by Buck, is as mad at him as Eddie is and no one dares steps between them. Probably because everyone recognises they are closest with each other, so the conversation hits a bit different and also is about a lot more than the „stupid lawsuit“. Yeah.

(Real talk I have been very mad at friends before and I am known to make scenes but damn, this scene does not read platonic at all, it reads ‘married couple fights in grocery store in LA - what happens next will surprise you. News at 11.’)

- In other news, Eddie didn’t come to the rage room in the end and Buck was very very sad about it.

3.06: „*cries about the framing*“

(Sidenote: I feel Eddie so much in this episode, I too would be too embarrassed to talk to Buck had I just screamed at him in a grocery store in full view of all our coworkers. I too would avoid everyone like the plague and maybe join a fight club just so I would not have to deal with those feelings. I get it, my dude!)

- “Whew, dude, are you okay?“: We’ll talk about it with 3.08 as well, but it is very significant and pointed that Buck immediately knows something is wrong with Eddie when no one else at the station had seemed to be aware of that.

- “I don’t know what you want from me, Buck“: The apology scene is very subtext heavy but what it comes down to in the whole having each other’s back / knowing each other well / Trust - column is the fact that after being mad and avoiding him all day Eddie still sticks around and more importantly actually listens to Buck - which, as shitty as that sounds, but considering how he acted before if Eddie hadn’t wanted to still be Buck's friend he could have said something shitty and left or stayed and not actually listened to what Buck had to say - but he didn’t because as hurt as Eddie had been by Buck’s betrayal he still trust him and he wants to understand, which I do think sets Eddie apart from everyone else because Hen and Chim forgive Buck but they don’t ever try to figure out where he is coming from while Bobby is … being Bobby about all of. Eddie meanwhile, who has the most or maybe the only right to actually be mad about the lawsuit, still trusts Buck enough to know that he had his reasons and actually takes the time to listen to them. Even if he is being sassy.

- And on Buck’s side we do have his need to reconnect with Eddie the whole episode and we have him notice stuff about Eddie no one else did and we also have the really beautiful and mature line of Buck saying: „I just want you to talk to me. Even if it’s just to say you’re still mad.“ Which I love very much and tells us a lot about Buck and communication, because Buck values openness so much.

- “And I just wanted to…“ - „Punch someone?“: Also while it was important for Buck to explain himself to someone - it was especially important for him to explain himself to Eddie, both because he considers Eddie his best friend and also because the grocery store scene showed him how much he means to Eddie which probably floored Buck because as we learned before and also after: Buck is not used to people needing him as much as he needs them.

3.08: „XOXO gossip (fire)fighters“

- “Whoo. Nice truck.“: One thing about 911 is that it’s a very plot and action driven show, meaning sometimes it will lack the time to actually show us certain things, especially when it comes to relationships, so it relies a lot on telling us things about characters and their relationships and as these scenes here show us they do a good job at it. Buddie talking about Eddie buying a new truck is very casual and banter-y / flirty (this is a Buddie post so I call it like I see it) and light and shows us: hey, they are friends again and close again and they know each other very well - while also showing us: Eddie still keeps stuff from Buck but Buck knows something is off.

- “Eddie too.“: Which brings me to my next point and the thing I love most about this episode aside from Heidi which is Buck running around and going: ‚something is wrong with Eddie‘ while everyone else is like: ‚Eddie? Are you sure? I haven’t noticed anything‘

Which leaves two ways to read this:

Eddie and the rest of the 118 aren’t as close as it seems and they do not care about Eddie that much - which considering all the deep talk between Eddie and Chimney in 3b especially and the fact that he calls them his family would be fucked up and also doesn’t seem like the vibe they are going for OR

BUDDIE! I mean, look at what has been going on with the street fighting storyline, essentially the writers went: okay, so Eddie can't talk to Buck so he goes completely off the rails but no one will know because Eddie hides it so well - EXCEPT Buck will realise sth is wrong the second he looks at Eddie and once the lawsuit is done he will spend two episodes running after Eddie and trying to figure out what is going on

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- “He’s kind of obsessed with natural disasters.“: Honest question: Is Buck really obsessed with natural disasters or does Eddie have earthquake related trauma and Buck has been googling stuff and telling him facts to calm Eddie down every time the earth vibrates a little because a train or something passes them by?

In any case it’s a very cute scene with Eddie once more revealing how well he knows Buck and the writers confirming to us that yes, these boys spent a lot of time with each other and talking to each other - without needing to show the scenes

- “I could still take you“: AFTER ALL they needed the runtime to do this other little scene this fandom has not talked about at all ever mainly because it is so very straight basically people stopped shipping after.

I’m just kidding, obviously the whole scene was very queer both in subtext but especially in text, I mean, what even was that line about still taking him, Buck? There is a child not even 15 feet away, where is your sense for decency and decorum? DO YOU WANT TO TRAUMATISE HIM EVEN MORE???

A few notes on this scene:

- It’s been pointed out to me that Maddie complains about how everything around there gets shared with the 118 and how Buck … turns around and shares everything about his sister with Eddie, which I love because it seems so normal and comfortable between them like they do that all the time, which is way cute and domestic!

Added to that considering the conversation Eddie had the week before with Bobby about Shannon and the throwaway reference about thinking his marriage having been complicated, I wonder: Did Eddie talk to everyone about the street fighting and Shannon after his talk with Bobby in 3.08? Did he just talk to Buck about it? Did Buck know about Shannon wanting a divorce all along? (Yeah, you know were I am leaning, right?)

- “Especially if you aren’t around to see that they need saving“: As for the apology in and off itself, I’m not gonna talk about the character implications again cause been there done that, send an ask if you wanna know more, but what it comes down to is: Buck acknowledging that he should have been there for Eddie and he didn’t consider the Eddie of it all when he sued Bobby, which is interesting because OFFICIALLY Eddie really is just his best friend and coworker at this point so did he really have to consider his feelings all that much?

Also Buck is saying - and Eddie is not contradicting this - that Eddie street fighting would not have happened if Buck had been around, which, to quote a good friend of mine: Uff!

I think we can admit that while Eddie was mad at Buck, his anger was not primarily about Buck but it was amplified by Buck abandoning him. We can admit that Buck was what ultimately caused Eddie to lose his control and considering everything that Eddie went through in the past year with Shannon and considering everything Buck went through in the past two years: this is as close to unconditional love as these two can manage at the time and that is very beautiful and does support Buddie 100%. They are each other’s anchor and person the one they turn to in a crisis.

Or well, Buck is for Eddie. Buck does have more people like that in his life with his sister there and I do think before the lawsuit he wasn’t fully aware that he could depend on Eddie so fully because Buck always doubts how committed other people are to him because abandonment issues.

3.11: „Bist du single? Nein, eher Album!“

- „This is Eddie’s house. I’m not really a guest.“: Incredibly strong indicator / implications toward how much time these two boys spent with each other, considering how comfortable both of them are in each other’s space (and I don’t mean physical but material space). Eddie has a key to Buck’s apartment and just let’s himself in willy-nilly, while Buck is around in Eddie’s place often enough to not think of himself as a guest there. (And while that might be normal best friend behaviour to some of us, Maddie’s words imply that it is not for her / the Buckleys.)

3.14: „Frank says ‚Thank you, this paid for my new house!‘“ / 3.15: „MY therapist also says ‚Thank you!‘“

I’m gonna group these two together, since 3.14 in itself doesn’t have any relevance considering Eddie isn’t even in the episode but it does become relevant in regards to 3.15!

- Basically what it all comes down to is the contrast between Buck’s reaction to Maddie being in danger and his reaction to Eddie nearly dying!

Now I already said while talking about 2.14 part of it was that Buck was aware he was in no position to help Maddie and might actually make stuff worse if he intervenes while with Eddie he was HIS ACTUAL LIFELINE! He was actually responsible for getting Eddie out of the well and home to his family. BUT (!) it’s still very pointed, especially remembering they apparently changed the order of episodes around? Meaning we are really hit with the contrast and we have to consider the implications of it all!

- Also just Buck’s reaction in general, even with Chimney and Maddie in Season 2 he wasn’t this frantic, he wasn’t freaking out like that! This really seems like all those scene’s shows like that usually do to confirm one person is in love with the other by having them completely loose it at the prospect of the other dying.

And damn, does 911 delivers here, not just with Buck literally trying to dig down to Eddie with his bare hands but also with his conviction for the rest of the episode before going sort of catatonic near the end. Basically Buck was going through the 5 stages of grief over Eddie during the course of this episode and we just? Let him?

- Of course we should mention Buck has Eddie’s back always, so he doesn’t give up on him and doesn’t entertain the notion of Eddie possibly being dead for even a microsecond because this is Eddie and Buck needs him!

- And to add to the list of heartbreaking lines we have Hen saying: „Why? So we have two cut lines?“ because yes, Buck would choose to stay down there rather than let himself be saved if Eddie was already dead - and if Eddie wasn’t he would force Eddie to trade lines with him so Buck could be the one to die because Buck thinks Eddie’s life is more valuable than his and also he is a selfless idiot who loves Eddie more than himself - which frankly is a mutual thing if we look at 3.03

Option #3 btw would be that Hen knows Eddie has a legitimate reason to cut his line and he would explain that to Buck and - considering who they are - Buck would immediately agree and cut his line as well.

Anyways, no matter which option the writers were thinking off this line is heartbreaking and the implication interesting!

To sum it all up, the episode basically said: Buck would die for Eddie and he loves him more than anything else

- The Eddie implications of this episode are mostly Subtext, so we’ll get to them later in case you thought I forgot!

3.16: „The rope was a metaphor after all“

Tbh I do not think that this episode was really about how no person can be happy / live without regrets / not be lonely unless they are in a relationship with someone or they would not have put that much focus on the relationship between Maddie and Buck and the fact that his abandonment issues stem from her leaving.

- “He’s not gonna do it alone“: As for Buddie, the episode goes back to them being partners and in sync with the roof thing and yay, it has a different ending then the reversed situation the episode before but also it features a metaphor we will talk about later

- “Hey, you’re more than welcome to come and celebrate with a bunch of 9 year olds.“: Just like we will talk later about Eddie inviting Buck to the sleepover! Because while I don’t think the invite was all that serious and I don’t think even considering everyone else, Buck would have taken him up on it because celebrating with a bunch of 9 year olds around isn’t what Buck had in mind, it’s very interesting that the first person taken out of the equation is the guy Buck is closest to and probably spends the most time with.

- And now let’s talk about the playing pool scene because it once again shows that 1) Buck and Eddie are very alike, 2) they know each other very well and 3) they care about each other the most!

Because for 1) I do wanna point everyone to the fact that Eddie doesn’t have anyone outside his family and the 911 either or they would have mentioned him staying in contact with his army buddies or something.

2) Eddie is the only one who actually listens to what Buck says and gets what Buck is really asking, while Bobby, Hen and Chim are all too focused on their own experiences to get that the reason Buck tries so hard to help Red is because he thinks he is Red (I mean they do get it, but they don’t really realise how serious this is for Buck - yet)

3) There is also a lot of focus on Eddie in this scene which we will talk about later as well but it picks up the whole ambiguous „us“ from the grocery store which technically refers to the whole firefam but the way it’s said still implies that it is about the two of them especially.

To anticipate a bit: every time the word „Us“ is used in this scene Buddie only looks at each other. When Buck says „I mean that would never happen … to us.“ he looks at everyone else but turns to look at Eddie as he very pointedly says „to us“ and keeps his focus there for a moment. Eddie meanwhile technically turns to the pool table while he says the word „us“ but he only focuses on Buck before this and doesn’t look at anyone else because to him: Buck is the important aspect here. And no one else!

Not to mention the intense look Buck gives Eddie (and only Eddie) when he says „Better not.“. Like damn, in 3 Seasons Buck has never sounded this threatening before!

Basically the way this scene is acted combined with the words that were written it sort of reads like them going: We’re all family here but you and me will most definitely never leave each other!

I mean there is a reason why Buddie used the ambiguous „us“ while everyone else talked about the firefam being friends or being family.

(And yes, that might be a bit of a reach but this is a Buddie guide after all, so we are going with the buddie-est interpretation!)

3.17: „‚Don’t say her name‘-challenge“

- “Uh no, someone else.“: More of a subtext scene but it does seem pointed that Buck refuses to admit that he was thinking about Abby here, considering Bobby most definitely knew that Buck was talking about Abby because he was there for the hot-air balloon date, so even if he did not remember right away he knew the second Buck said he didn’t know from Maddie and since Hen and Chimney weren’t there in the truck (and also, they probably would have known who Buck was talking about as well) the only one Buck was hiding from was Eddie.

Which makes sense, even if you only look at them as best friends, because Eddie only saw the aftermath and what we canonically know that he heard about Abby were things like Buck’s speech in 2.08, so … even as just Buck’s friend he must really dislike her

(Also there is that whole parallel one can draw between Abby and Shannon which I talked about here)

- „Buck invites Eddie“: So I’ve been going back and forth on what to write here for a few hours now and what it comes down to is this: despite being 6500 words deep into a meta on Buddie and knowing full well the writers so far have no intention of actively doing Buddie, I would not accuse 911 of queerbaiting. HOWEVER, if the show ends and Buddie doesn’t happen I will consider this scene queerbaiting because there would have been ways to write this that did not leave the implications it did because the way it has been written the text is:

„If I bring my romantic life-partner to dinner with my best friend he will bring his romantic life-partner who will invite her brother who will invite his best friend and then we have to invite this other couple we are all close with.“ and well, one of them is not like the others, right?

(Well, technically two but Maddie and Buck are most definitely siblings despite that scene in 2.01)

Because essentially what that scene did here was say: If I bring my wife the evening turns into this couples night with all our friends - except Buck and Eddie aren’t a couple.

And sure, just like all great queerbaits there is a reasonable explanation as well as a completely platonic way to read this because of course Buck would not wanna be all alone with two couple so he would bring his best friend and the we’d have to invite the other couple we know as well so they don’t feel left out.

EXCEPT - and this is why it feel pointed and queerbait-ey: We have already seen the 118 hang out without Athena and Bobby at Chimney’s birthday and it was never mentioned to us whether they were invited and didn’t come - or Chimney didn’t invite them. Both explanations sort of make Hen’s point moot because it does proof that they can hang out without their boss slash friend and his wife slash her best friend without it being a big deal meaning especially if this was a make-up dinner for Chimney’s birthday they wouldn’t have needed to be there.

There is also the fact that supposably Alfred is still in town? You know, Chimney’s brother? So if they wanted to avoid the Buddie implication they could have also thrown in how Chim might bring his brother like:

„I invite you, so he invites Maddie, Maddie invites Buck, Buck invites Eddie, Chim might invite Alfred,  and now we gotta invite Athena and Bobby“ - see how that has a completely different feel? Now there are three single guys and two of which are siblings of someone else in the group while the third is friends with the rest of the group, making this sound less like couples night out and more like a group of friends hanging out.

But they didn’t do it like that so now it feels like they are pointedly equating Buddie with the canon couples of the show which is quite queerbait-ey.

3.18: „TrainCRASH? More like train WRECK? *cries*“

Okay, so this episode is a little hard to do because there is so much going on and a lot of it is very hard to categorise! As for the topic of Trust and having each other’s back:

- I do think that a lot of Eddie here come down to having Buck’s back - even when Buck might not think that’s what Eddie’s doing like in the train car, but he probably realised later which is why we see Buck talk about it with Bobby but not with Eddie because they are at this point where you no longer need to have clarifying talks (about stuff like that, once romantic!Buddie hits they’ll have to do all the talking).

And that’s basically it when it comes to Trust because most of what is happening in the episode when it comes to Buddie is Subtext!

Coparenting

I think this theme needs less of an explanation - though I do wanna point out that while I think Buck has fatherly feelings for Chris and Chris loves Buck a lot, Buck is not actually his parent / father. He is slowly getting there and if or when Buddie happens he might become Chris’s other parent but right now he is not. So this theme is about Buck being a honorary member of the Diaz family in general and Eddie’s treatment of him most of all.

Because the way I see Eddie him dating anyone would always be tied to his son. Eddie has been shown to be someone who would do anything for family and his son in particular, so the fact that Buck is tied into this family is important. It also shows how much they are already a family without actually dating and proofs they spent more time with each other than we see and more than with anyone else.

I should also say that there is a very heavy overlap between this and the category of Subtext so some things will be repeated but all of them deserve to be repeated so there is that.

2.02 / 2.03: „Why Edmundo Diaz hates earthquakes part 1 and part 2 (of 2)“

- Like I already said when I discussed Trust Buck is the only one asking who Eddie is trying to reach, he is the only one trying to reassure Eddie and he does so even though Eddie is being sarcastic and pretending he doesn’t need to be comforted - also a staple in their relationship

And I think this is also were their dynamic of Buck being Eddie’s go to person when it came to Chris came from. Buck told Eddie he liked kids and then he proceeded to actually show Eddie he means it and he cares and considering Eddie says the mother isn’t in the picture and Chris has no one else (which as we learn throughout the show is not 100% true because technically Eddie's parents are there, even if they have no idea how to properly raise Chris, but in LA Eddie doesn’t really have anyone (yet) he feels comfortable burdening with his fears about Chris), so that must mean one hell of a lot.

- “Hey. Service.“: There is also the moment at the end of 2.03 when Buck immediately tells Eddie: hey, service is back! and then he drives Eddie to pick up Chris which is a scene that has so much subtext so we’ll talk about it later! It does however give us our first‚ Diazs plus Buck‘-family moment because while we see everyone reuniting with their loved ones, we see Buck with Eddie and Chris and yeah.

2.04: „Hearteyes, motherforker“

- One of my favourite things about Buddie is how they manage to be exactly what the other person needs - or in case of this episode figure out exactly what the other person needs and giving it to them. It’s happening here and again in 3.01 and 3.03 and some other smaller moments as well (see 2.01 honestly).

It’s also interesting that Buck is the one to drive Eddie again because we saw he has a car! So why is that? Maybe because he knows the way better?

As for the coparenting happening here, aside from Buck introducing Eddie to Carla because he knows she is what Eddie needs, we also have Buck clearing Chris coming to the station with Bobby which is something Eddie apparently hadn’t considered but Buck had and instead of telling Eddie he needs to do that - he does it for him! Because that’s who Buck is but also because Buck realised in this episode how much Eddie really needs someone to have his back and just do stuff for him.

2.07: „*Tommy Wiseau voice* Hi Shannon“

- And in terms of having each other’s back this episode really shows the significance of this phrase with Shannon pointing out, like I said before, that from her point of view Eddie didn’t have her back. She needed him to be her husband and her coparent and he wasn’t.

Now we can argue whether that is true or not but it’s still an important parallel and puts Eddie turning toward Buck for advice into a new light.

Because as Shannon points out Eddie was never good at letting other people make decisions for him or with him before yet we continuously see him turning toward Buck for exactly that: sharing the load with him. And to put that even more into perspective: Buck is the youngest from their friend group, he is the one considered immature and he is the one without kids or younger siblings, yet he is the one Eddie choose for helping.

2.10: „It’s all about ‚figured it was none of my business‘“

- The interesting thing here is that Buck as Eddie’s friend really doesn’t have any right to know about what was happening between Shannon and Eddie if Eddie didn’t want him to, but Buck as Eddie’s family does (a little).

But either way this episode gives us another instance of Eddie confiding in Buck about his family problems - problems he again is the one most inexperienced with. In other words Eddie talking to Buck about it was really about Eddie wanting Buck’s opinion specifically.

There is also the fact that Buck came to see Santa with Eddie in the first place which is most definitely a family affair as far as I know US customs? (We don’t do this in Germany / Bavaria, okay? We have the Child of Christ and around the 6th we gather in the town square and shoot at it.)

It’s even brought up in text with the Elf telling Buck they make a beautiful family - and Buck not disagreeing because honestly it’s just easier and he probably knows how they looked. But yeah. That!

- Also not to repeat myself but the topic of trust is important here! Eddie not trusting Shannon in 2.07 / 2.10 with Chris vs. trusting Buck in 3.03 / 3.09 / 3.10 is important!

Yes, sure Shannon is his actual mother so Chris has stronger feelings for her and the potential to get hurt is way bigger. Yes, Buck was only gone from their life for a few weeks while Shannon was gone for about 2 years. Yes, Buck apologised twice while Shannon just played the victim card tbh (even though she did have a point with some of the stuff she said). But still:

Eddie is very hesitant to let Shannon back into his son’s life (and really his as well) while he does have no such qualms about Buck once Buck apologises to him in 3.06. In fact their relationship returns to normal with Eddie asking Buck for help with Chris numerous times while say 2.15 makes it clear Eddie still keeps Shannon at arms’ length and out of a lot of aspects of raising Chris.

Of course, giving advice to Eddie is not the same level of involved as actually parenting the child and part of it is probably growth on Eddie’s side when it comes to Season 3 but right here: it’s a stark contrast and it deserves a mention!

2.17: „*fridges female character for man pain* Haha, we’re so random!“

- „Ice cream? Oh, I do not envy you putting him to sleep tonight!“: There is the scene here where Eddie facetimes with Shannon and she is out and about with Chris and Abuela and they are getting ice cream and Eddie is all like: damn you’ll regret that later - which is the same thing he says about Buck in 3.02

3.01: „How you know he no sleep naked?“

- Buck gets a card from Chris which is a child thing to do but also should be mentioned because Buck does not get a card from Danny or Harry. And considering how much Buck likes children and how good he is with them we do have to mention that we only see Buck interact with Danny once and never with Harry while it’s been implied several times before the tsunami already that Buck does spend a lot of time with Chris. (Of course, in part this is due to how much closer Buck is with Eddie than Hen and especially Athena but still)

After all the season ends with Chris giving a card to his literal father, tying these two scenes together. And pointing out once again how important Buck is for Chris and the Diaz family.

- Also as I mentioned during Trust there is that parallel / contrast between how Maddie and how Eddie see Buck with Maddie sort of treating him like a child who needs to be dealt with while Eddie is basically like: let’s give him something to do so he feels less useless! (Guess who had the right idea! Just guess! And you have one try!)

- „Are we the only one’s without kids?“: There is also the cut from Madney talking about being the only one’s without kids and then remembering Buck to Buck getting woken up by Eddie so he can babysit Chris which I won’t say confirms Buck being a father to Chris but does accentuate everything he does for Chris after and gives the vibe that Buck does indeed have some fatherly feelings for Chris. It does at least place the idea of the Diazs WITH Buck being a family firmly into our heads.

3.02 „Eddie hates earthquakes - the remix“

- „How’s operation Buck up Buck going?“: Buck sending Eddie updates and pictures of Chris and himself hanging out is just really cute

- Also Eddie isn’t worried about his son at all!

- And we do have that tweet from Oliver Stark about jumping into the receding water at the end of 3.02 being basically suicide but Buck still doing it because the director told him, he’d do it for his own kids.

3.03 „Do it for the trauma - Buck-edition“

- I talked about it before with Trust but basically Eddie, who has parents who are still alive and physically able and love his son very much, even if they have different ideas of how to raise his son, and a sister with at least one child not that much older than Chris and a grandma and an aunt and probably some more family in LA AND Carla who he literally pays to take care of his son, literally tells his best friend he is the one he trusts the most with said son. That is fucking meaningful!

3.05: „What if we fight like a married couple in a grocery store downtown LA, bro?“

- „You know how much Chris misses you?“: The fact that Eddie brings Chris up at all and to hurt Buck specifically is - in part about Eddie deflecting from himself but also about Christopher actually missing Buck, which says a lot about the relationship Chris and Buck have and how much time they spent together if that is something Eddie would bring up here.

3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

- „I’d rather be at home with my kid, enjoying the one good thing I got going on.“: Eddie says these words during therapy and where do him and his son spent the following evening or at least an evening that same week? With Buck at his loft. Because even though Buck wasn’t mentioned here as part of the family time Eddie would much rather have, apparently he is part of it.

3.10: „Parenttrapping for Beginners“

- „Well, I thought it would be nice to bring the boys together for a playdate.“ - „All three of `em.“: this speaks for itself, Buck being invited in the first place was … an interesting choice? A dig at Buck’s mental age? Exposition? What exactly, Tim? Like what was the vibe in the writers room here?

- „Hey, Buck? (…) Can I spent Christmas with you?”: The fact that Chris would rather spent Christmas with Buck than with his grandma and the rest of their family is interesting as well and again points toward Buck being an integral part of the Diaz family.

- The way Eddie looks at Buck here and the little head shake implied to me that Buck and Eddie had the same conversation Eddie and Hen have right then already.

3.11: „Bist du single? Nein, eher Album!“

- “Well, that’s what the 118 is. The family we chose.“: Again maybe more subtext than text but when Eddie talks about the 118 being his family the camera pans to *drumroll* Chris, his actual blood family, Albert, Chim’s actual blood family - and Buck, who is basically Chim’s little brother and Eddie’s, well, best friend? Coparent? Partner in work and life? SOULMATE?

Yes, it’s a little subtext, but it’s interesting that this scene shows only one character neither of them are related to and it’s Buck, emphasising once more that these two and especially Eddie (because he’s the one talking here) think of Buck as their family.

3.12: „There’s a horse loose in a hos… school“

- “(…) we should try it together”: Again with the emphatic inclusion of Buck in family scenes! (But this time Carla gets to be there as well - though only to record them?)

This episode introduces Ana Flores as a potential love interest for Eddie and then spends the whole episode contrasting and paralleling her with Buck, as one does …

In this episode as well Eddie gets advice about Chris from several people and it’s interesting that the one person whose advice he follows without disagreeing or trying something else first is once again Buck. 

The episode also maybe implies that Buck was the one to built or buy or find out about the skateboard.

But really what matters here is Eddie reaffirming that there is no one he trusts more with his son (because he refused to take Carla’s advice right away but he did listen and think about what Buck had to say right away - despite his joking) and Buck being included in the family scene.

3.15: „MY therapist also says ‚Thank you!‘“

- „I’m always gonna fight to come home to my family.“: I’m not gonna comment on the lack of Shannon in the montage because I do believe part of it was that they didn’t really have scenes that fit and would have had to film them specifically which would then have to fit into the timeline / storyline before and also mostly it was about Shannon already being dead meaning she is no longer part of the family Eddie can come home to, so it makes a hell of a lot of sense for her not to be included, guys!

That being said I do believe Buck being in it quite a lot means something about how much of a part in Eddie’s family he is! Which is a big part and something I love about them a lot!

- Also Buck was so very happy Chris came to visit and then immediately walked over, which doesn’t really have any relevance except I thought it was cute and this is my guide.

3.16: „The rope was a metaphor after all“

- Obviously it was meant jokingly, but Eddie would have loved if Buck came and not just because being alone with a bunch of 9 year olds is no one’s idea of a fun evening and Eddie could probably use the help (still hoping Carla was there with him and still surprised Eddie was in such a good mood during the pool scene after), but because he likes to spend time with Buck and he did wanna celebrate with him - but he was also very aware that spending the evening with 9 year olds was not what Buck envisioned so he said it jokingly.

3.18: „Traincrash? More like train WRECK? *cries*“

- “Whoa! Whoa! Two weeks from home? Isn’t Chris kinda young for that?“: I don’t think I need to say more about that scene really, I think everyone who saw it understood that it confirmed the 118 but especially Buck being fairly involved in Christopher’s life and how that confirms: Buck = part of the Diaz family.

- Also all the interactions between Buck and Chris at the party both with and without Eddie around I mean, yeah, again, meaningful!

- In conclusion: Eddie, Chris and Buck are family and dems the facts!

Connection and love life

Now, this is where we are slowly going subtext and also really interpretation heavy!

The title might be a bit missleading but I didn’t really know how else to sum all aspects up. Basically this theme is about their love live but also about the parallels between their storylines - especially when it comes to their love life!

Also this theme isn’t organised by episode but by subtopics because I summed up so many different aspects here.

Parallels in their storylines:

- 3.15 / 3.16 and the rope metaphor as a metaphor for their dating life:

Technically the rope is a metaphor for their lives and them letting go of things in general but especially about their dating life because for Eddie in my opinion this is when he really fully comes to terms with Shannon’s death while Buck finally admits to his abandonment issues, in part caused by Abby leaving.

(Side note: the fact that Eddie choose to cut his line just like he choose to actually do therapy to deal with his issues for Christopher’s sake while Buck’s burns away and he is literally forced to deal with his issues through being confronted with Red and running into Abby at the train crash is … something.)

Their dating life is being paralleled:

This really isn’t technically something that explains why you should ship them but I do think it’s interesting that from the get go their love lives have been happening in parallels / contrasts to each other? As if they were connected? Magnets?

So yeah, that and also it goes like this:

- 2.01: Eddie references Buck being single

- 2.02 / 2.03: Eddie first mentions Shannon but indicates a break-up / Buck meets Ali and seems to bond with her

- 2.04: both refuse to hook up with any of the girls at the bar and don’t want to date because they consider themselves taken (I know Eddie says it’s about Chris but Buck called bullshit here and text told us to trust Buck on what he says about Eddie)

- 2.06: Buck flirts with Taylor and Eddie acts a bit jealous

- 2.07: While Buck finally comes to term with his break up with Abby in her absence, Shannon returns and we learn that Eddie has sort of been holding out hope so far (they kiss in the end) (Also Eddie and Shannon and Buck and Taylor both happen in parking lots which probably only means they ran out of location money but still!)

- 2.08: Buck hooks up with Taylor, then meets with Ali and begins dating her

- 2.10: it’s revealed that Eddie has been sleeping with Shannon and Buck is miffed

- 2.11 - 2.16: we get a few mentions of Ali and some scenes between Eddie and Shannon reminding us both these relationships are happening and they are growing closer

- 2.17: Shannon thinks she is pregnant, Eddie wonders about their relationship, Shannon wants a divorce but dies before they can go through with it

- 2.18: Buck gets a new apartment because of Ali, their relationship seems ready to become more serious, then Buck gets hurt and Ali is traumatised by this and tells Buck she needs to rethink the relationship

- 3.01: it is revealed that Ali and Buck broke up

- 3a: both of them work through the trauma of the past few months, no references to either of them dating are made, romantic and / or domestic scenes happen between them instead, the ambiguous „us“ happens

- 3.11: they are asked about their relationship-status to remind us about them being single (AND THEY LOOK AT EACH OTHER? Wow.)

- 3.12: It’s pointed out again that Buck is single but he says he prefers it that way while Eddie meets Ana and shows some interest in her, then during a call Buck indicates that he might not be as happy being single as he told Madney and Josh while also seeming a bit happy Eddie won’t be dating Ana (probably)

- 3.15: Eddie finally fully comes to terms with his past, including his relationship with Shannon and her dying

- 3.16: Buck reveals he might still be hung up on what happened with Abby and he realises he needs to move on, the ambiguous „Us“ is brought back

- 3.18: Buck runs into Abby and actually moves on

- Side note: considering 2.08 and 2.10 and 3.09 and some remarks made throughout the show, Buck and Eddie are somewhat aware of the relationship struggles the other had which isn’t really relevant but also sort of is

Parallels with canon couples

This is TV and TV and especially shipping lives through tropes and parallels inside the story to subtext tell you something you need to know without actually having to say the words, but just to plant the idea in the viewers head.

For example, and please I am just spitballing here, you are writing a show about Lifeguards. And there are these two characters who are named … Paddie and Tucker. They have amazing chemistry and they are best friends and love each other a lot. Now, you, as the showrunner, are considering making them a romantic item but you need to do it slow cause while you do have queer characters and a queer following this show is fairly mainstream and also the characters have presented as straight in text so far. So you need to do crumbs, right?

Okay, so how do you best do that? Well, Tucker is known as this really caring guy and very open with his feelings and he freaks out when someone he loves is in danger - so you put Paddie in danger, right? Proofs he loves him, right?

But then you want it to have some deeper queer implications, right, in case you do decide on making them romantic? So how do you best do that? Well, lucky for you, Tucker has a sister. And you were planning on putting her in danger as well this season anyways, so you just have Tucker react a bit more subdued here, right?

But then you really want it to hit people, like you need people who are more casual and mainstream and might not have noticed the romantic undertones Tuddie has had to notice that, right? So you put these two episodes back to back.

Except „Paddie Begins“ is set to air first and well, Tucker IS known to lose his shit about people he cares about being in danger, so they might not actually notice anything more. Or they will just consider Tucker not reacting as hard about his sister, Sadie, being in danger bad writing. And you can’t have that!

So how do you fix that? Well, you just change the episode order! Now the episode with Sadie in danger airs first and people will spent a week complaining about how out of character Tucker was and it will be still on their minds when „Paddie Begins“ happens and Tucker goes feral and it will hit EVERYONE! Like damn, apparently Tucker cares more about Paddie than Sadie? Why? What makes Paddie so much more important?

Anyways, this is how you test out an idea in TV and why tropes and parallels are important…

Moving on:

- 2.14: „‚It’s a miracle… bro #nohomo’“: Now I have already written a bit about Buck’s reaction to Eddie potentially dying to safe the kid and while it is fairly tame for Buck it’s still something you usually see a guy do for a love interest (Any of ya’ll watch „Chicago Fire“? Because I watched like the first two Seasons and the main ��Will they / won’t they“ - couple had a scene like that about once every three episodes. Cause it’s a trope!)

- 3.02 „Eddie hates earthquakes - the remix“: This is a teeny tiny bit of a stretch and there wasn’t even any nice cuts to anyone in the firefam to indicate they were referenced (which I found odd, considering this would have also fit for Bobby) but the guy who got impaled with his son in law said: „She‘s the love of my life but he‘s her‘s.“ which considering this episode has Buck doing everything to protect Christopher means a lot and I think about it once a day, okay?

- 3.14 vs 3.15 vs. 3.16 vs. 3.17 vs. 3.18 - Losing the love of your life and how to deal with that:

This may be the biggest parallel of all, and maybe I could have included 2.14 as well but I didn’t because it’s a whole season removed. It also seems meaningful that this episodes happen one after the other, making us naturally compare the scenes and see / look for patterns.

But to explain real quick:

In 3.14 Maddie is in danger and Chimney, who is her boyfriend and told her he loves her just one episode earlier, freaks out completely

In 3.15 Eddie might die / is considered dead by several of his friends already and Buck utterly looses it! We are talking frantic screaming and trying to dig Eddie out by hand and running around trying to figure out ways to save Eddie only to turn full on catatonic when none of that works. I mean, his mood turns faster than mine when I am hangry while on my period and that is saying sth!

3.16 could be considered a bit of a stretch but we do see Red lash out a lot when he realises that Cindy, the woman he considered the love of his life and someone he pined after for quite a while doesn’t exist like that anymore.

In 3.17 Athena is put in great danger and Bobby is forced / able to listen to it and while I am not sure if the blank look on Bobby’s face is bad acting, a deliberate but accidental acting choice OR done consciously in a way that mirrors Oliver’s acting in 3.15 - it’s there and it’s a parallel and we can watch it and compare it and see it.

To bring this whole thing home for us they contracted another outside player in the form of Connie Britton playing Buck’s ex-girlfriend Abby, who similarly to Red and Buck, turns frantic upon possibly loosing her fiancé and starts panic and lash out a little, which is fair and also part of a motherforking pattern, ya’ll!

- Another fairly obvious parallel between 3.14 and 3.15 is Buck telling Sue - as the watch Maddie and Chimney hug - that Maddie already has everything she needs when Sue asks him why he didn’t immediately rush toward his sister. Which can be compared to 3.15 were he does immediately rush to Eddie’s side and support and hug him!

-  I’ve already written about 700 words on 3.17 and the line „Buck invites Eddie“ so I’ll just point you back toward that part of the guide where I pointed out that Buddie was actively compared to the three main canon pairings here. Which is a lot and also could have been avoided and probably queerbaiting.

- Again, teeny tiny bit of a stretch maybe but like, we’re here to talk about anything in canon pointing toward Buddie and also this is my guide and I do what I want but in 3.18 we learn that Abby is now engaged to a single father and considering she was only gone for about two years (Season 2 takes place over the course of one year and in 3.13 we learn that Madney has been dating for just under 11 months so unless there was a time jump somewhere in the last 5 episodes we weren’t really told about, we clock in at about 2 years and maybe one or two months, tops, at the end of Season 3), they have been together for less than that time, even if we think Abby already knew him when she was still dating Buck. Which timeline wise puts them meeting maybe around the time Buck met Eddie, maybe a bit after, meaning Abby met and began dating and fell in love with and decided to marry a single father in the same timespan Buddie did … whatever it is they are doing! Which is meaningful because for the viewing of the Abby/Buck relationship which I am glad more and more people are realising was very unbalanced and provides an interesting parallel to Buddie because this means Abby and Buck met and developed feelings for a single father around the same time. Idk, I understand that the whole father thing was to make Buck care even more but damn, it’s a parallel so I mention it!

- Michael and Doctor Hale vs Eddie and Ana (3.17/3.18 vs. 3.12ff.)

Now, of course we need to realise that Eddie and Michael are fairly different characters and Michael has way less relationship related baggage than Eddie has which is why he goes after what he wants way faster (also, carpe diem, he just found out he won’t die). Also of course, there is no moral component to address in Michael dating some doctor vs. Eddie dating his son’s teacher, but still:

Michael and Dr. Hale had one scene together and it wasn’t even overly flirty and yet, we knew where it was heading, we felt the chemistry and everyone ended the episode saying: I ship it, more of that - which they did give us, just one episode later. They had some awkward moments, yet the show never left a single doubt in your mind where this is heading.

Now look at Eddie and Ana:

First of all we learned more about Doctor Hale in the two short scenes than we did about Ana in four scenes. That seems deliberate.

Second, while we do realise Eddie thinks Ana is attractive from the get go she repeatedly shuts him down by pointedly saying „Mr. Diaz“.

Third, every scene between Michael and Doctor Hale was romantically coded and we know where this was heading while aside from the initial scene between Ana and Eddie and maybe the second scene there were no hints of romance between the two. In fact in 3.15, an episode that is about Eddie moving forward in his life and letting go of the past she is both mentioned and actually appears, yet there are no hints of romance and romantic interest, not from Eddie and not in form of teasing from Buck and especially Carla, who pointed out Eddie’s interest in her previously. Soooooo…

Parallels with Love Interests

Now, obviously we also cannot talk Buddie without talking about them dating in general and then relating this to each other. In other news: there are parallels between each and every love interest Eddie ever had and Buck and also between Eddie and Abby.

(Side note: I could probably also find parallels between Eddie and Taylor and Eddie and Ali but tbh both of these barely qualify as love interests, especially Ali, who despite actually being in a relationship with Buck we know nothing about (hi, original Ana! You did good and I am sorry people hate you for having boundaries!))

Eddie paralleling Abby

I mean the truth is we don’t even need Eddie paralleling any other girlfriend of Buck cause there are so many between Abby and Eddie!

- Abby and Carla vs. Eddie and Carla:

The biggest one might be parallel that both employ Carla and why. Which is in part because Buck brought Carla to Eddie but goes deeper than that.

There is that conversation between Bobby and Buck about Abby and her mother in 1.09 when Buck wanted to break up with Abby and Bobby basically said: if you wanna date someone you have to love them baggage and all and should be there for them as well - and while Buck did try doing that with Abby, well, Patricia died before he could fully step into the ring and then Abby left, BUT he showed no hesitation after that to step right into Eddie’s life, into his issues, with him. And he even brought in Carla as a baggage carrier, isn’t that nice?

Also the whole reason why they need Carla around in the first place as both of them are taking care of a family member (plus the fact that Christopher is a literal child so even without CP Eddie would need help taking care of him working the hours he has).

Also tía Pepa quite literally calls Eddie a saint and I am pretty sure Abby was called sth similar by Carla and Bobby in Season 1 though I don’t care enough to check mainly because the implication was there all through the first ten episodes about how Abby was such a great person for taking care of her ailing mother.

But really it comes down to the parallels between Bobby telling Buck that a real relationship is about sharing the load and the conversation between Maddie and Buck as well as anything else in 2.04 where Buck is so desperate to be there for Eddie and help him.

- There is also a definite parallel to be drawn between the conversation Abby and Buck had in the Jeep while looking for her mom about how Abby hasn’t had sex in a year and Buck asking Eddie about dating in 2.04. It’s a little subtextual, but between the expression on his face and the topic and the teasing and the walking shoulder to shoulder it does feel alike to me so I mentioned it.

- street fighting vs. the apology: losing yourself

Now this one I love a lot because while it does happen half a season apart and isn’t explicitly expressed on the show: Eddie’s whole ark in Season 3a is about losing control and by extent losing himself because Buck wasn’t around. Abby meanwhile talks about how she found herself after she left LA and how she would have lost herself again if she returned to Buck (which is absolute bullcrap but not the point).

- There are also some parallels to be drawn between Buck, Eddie, Abby and Shannon (and technically also Maddie) and the whole leaving each other thing, with Eddie leaving Shannon for the army without consulting her about it while Abby left Buck for Ireland and then also the lawsuit where in a way Buck left Eddie like Shannon did, being so caught up in his own feelings he didn’t consider what Eddie (and Christopher) were going through.

But we can also acknowledge how it must have felt to Buck with Lena / Eddie taking Bobby’s side like he was once again replaced / left for someone else, much like Abby left him for Ireland and Maddie left him for Doug.

Buck paralleling Ana, Lena and Shannon

Buck on the other hand side parallels Eddie’s love interest a lot sometimes down to the clothes (and yes, technically Lena isn’t a love interest but Ryan Guzman thought she was and aside from the fact that he’s into women that could beat him up (which for once, not judging you, bro) and considering the parallels with Buck … that means if Buck was a woman, well, ya know?) so let’s talk about that

- Buck and Shannon:

I’ve already talked about that one a lot so I will only mention it here real quick but the whole Eddie not trusting Shannon vs. trusting Buck despite his betrayal again like right away once he apologised (which yes, what Buck did was not as bad and far more justified) and letting him back into Christopher’s life IS a parallel, considering for example how Shannon asks about Chris missing her (though it’s been over two years, at one point children just stop asking as we know Chris did) and Eddie telling Buck Chris misses him in the grocery store scene.

Also Eddie not trusting his wife and Chris’ mother with him fully even after they reconciled and him telling Buck he was the one he trusted most in the world when it came to his son is … something.

There is also a little parallel to be drawn between 2.17 when Shannon goes for ice cream with Christopher and Abuela and Eddie is all like, well, don’t come crying to me when he won’t sleep because sugar high and saying basically the same thing to Hen and Chimney in 3.02 when they ask about „Operation: Buck up Buck“ because Chris ate loads of pancakes.

Also Shannon in 2.07 said she needed Eddie to have her back and Eddie says he always did but Shannon disagrees (which might be a little how Buck felt with the lawsuit) and you know, Buck and him agreed to have each other’s backs just six episodes earlier.

- Buck and Lena:

 Now, with Lena, despite her being most connected to Eddie, the first (and second) time we actually see her is in 3.01/3.02 through Buck, which connects the two from the get go.

Eddie then finds out she was at the pier in 3.02 (before meeting her) just like Buck (though he doesn’t know that) and then meets her in 3.03 and she spends the whole episode running around LA trying to find her Captain while injured, much like Buck is doing in the same episode.

I also mentioned in my meta-series how I think one of the reasons why Eddie likes Buck so much was that Buck wasn’t impressed by his military background like everyone else (or his looks, I mean, it was probably more about his looks tbh) and how when Buck started liking him it was really about Eddie and not whatever he had heard about him - yet Buck was / is still never afraid to call him out bullshit, much like Lena from moment one.

There is also the fact that Eddie goes to her for advice and she literally uses Buck’s locker (and will I ever stop laughing about the tape? Probably not, I think it was hilarious, okay?)?

Then of course we have Buck in 3.04 reacting quite similar to seeing her for the first time as he did with Eddie in 2.01, even saying basically the same thing.

- Buck and Ana

Now, Ana is an interesting case because we see her a total of four times and she is mentioned two more times throughout the show and each and every single moment is connected to Buck somehow and sometimes so very unsubtle to.

In „Fools“ we cut from Buck saying he likes being single to Eddie doing parent-teacher conference and yes, meeting some other teachers first but also Ana, showing us that while Buck is fine with being single - Eddie might not be. And then Eddie introduces himself as Eddie and Ana knows immediately this is short for Edmundo - unlike Buck in 2.01 who guessed Eduardo? Also, Carla’s „big blue eyes“ line which is a little clown-y, so take it with a grain of salt that it could connect us to Buck.

Then of course her next scene is Eddie getting in her face about Christopher being hurt. Later in the episode we see Buck reference this on a call, meaning either Carla or Eddie told Buck about it (I am leaning a little toward Carla making fun of Eddie in front of Buck and Eddie then having to come clean about all of it, because I cannot wrap my head about the idea of Eddie telling Buck about having a crush, I’m sorry.) (And will I ever be over Buck being so gleeful that Eddie will now be dating the teacher after all? Because boy was close to cackling which even if he was in love with Eddie at the time and therefore happy he wasn’t off the market - still quite rude for a best friend if you ask me! Like, sure, do that but in front of strangers?)

Her next scene is Eddie coming to apologise to her and she gives her speech about limitations - which we can of course connect to Buck and Eddie talking about Christopher and his limitations before that and then afterwards going skateboarding with them. (It does feel a little deliberate.)

And then of course we have „Eddie Begins“ and you guys, they could have very very easily have either Carla or Buck make a joke about Mrs. Flores and Eddie’s crush in the firehouse scene, but they didn’t! And then we do get to see her at the end where she has one whole line and Eddie barely looks at her and you know what happens? They have a child ask the same question Buck asked at the beginning about ever just wearing the medal (which sounded very not straight in its delivery, Mr Stark, what were you thinking about?), making us think of Buck. Like, it would have been enough to establish Eddie doesn’t feel like a hero if the question was asked only once - twice in the span of 45 minutes constitutes a callback, meaning we are supposed to think of the other scene and that means thinking about the other person that asked, which was Buck.

Is this … flirting

Now, some of these are quite ambiguous but there are several scenes that imply they consider each other attractive or feel like flirting and here they are:

- 2.01: „I think I’ve seen this in porn before“

Now, we all know Buck’s initial dislike of Eddie was about Eddie being to good at the job and Buck being afraid of being replaced, but considering one of the first things we hear about Eddie is Hen saying that boy is so fine it transcends sexualities and considering they talked about the calendar which chooses them based on hotness just before and then all the references to the calendar throughout, it stands to reason that Buck considers Eddie attractive.

Also their whole conversation during the gym scene, what was any of that? I mean, Buck thinks the pictures of Eddie are professionally done which means he thinks they are good which means, yes, Buck thinks Eddie looks good in those!

Plus the whole scene is riddled with (sexual) tension. From Buck constantly increasing the weight he is lifting, while throwing looks at Eddie as if double checking that he sees he could bench press him and the way he gets in Eddie’s face to Eddie’s veiled barbs about the girlfriend breaking up with him and doing the same thing as a firefighter but he was getting shot at. I mean, what was that if not the beginning of a porno? (And here we have our first parallel between Buck and Eddie as we find out later because Eddie, too, has been left by a woman. Now the real question would be does he consider them broken up?

Not to mention that when Bobby tells him at the end of the episode that he wasn’t chosen Buck immediately assumes Eddie was and also is so very happy for his new friend, because he thinks he’s hot (right?).

- 2.04: „Hearteyes, motherforker“

In 2.08 Buck has a conversation with Chimney about his pick up technique and well, did anyone in production watch this episode because when Buddie walks away from tailpipe-girl-emergency he literally does everything he described.

Also Maddie says the words „Does this man crush on Eddie mean you are finally over Abby?“ to Buck and his only reaction is „Cute.“ meaning one) Maddie has teased him about his Eddie gushing before and two) maybe Buck does have a bit of a crush?

- 2.06: „Bucky Barnes murder strut - 911 edition“

Again with the Maddie and Buck scenes!

Basically what happened was Maddie talked about how cute Chimney was but Buck assumed she meant Eddie because apparently if someone says cute, Buck thinks Eddie. This is just a fact, okay?

- 2.14: „‚It’s a miracle… bro #nohomo’“

Like my name for the episode already says, there is this scene were Buck and Eddie stand next to each other and Eddie says „That was incredible!“ and Buck who is already standing in Eddie’s space leans in further to basically whisper the words „It’s a miracle.“ into Eddie’s ears and then lean back a little and I am not sure if that wouldn’t fit better with Subtext but also Buck looks at Eddie like he wants to eat him alive and Eddie looks like he would let him and say thank you after while still embarrassed because he cries during sex.

You know, acting.

- 3.04 „discount!Buck in the house!“

Listen, I am convinced this is all Ryan considering the reaction of Kenny / Chimney and Aisha / Hen but that doesn’t change the fact that they used a take which had Eddie stare at Oliver / Buck’s butt the whole time and I mean, what horrible things happened in the other takes that made production choose this one unless they want us to see Eddie looking at Buck’s butt while Chimney and Hen stand around looking amused?

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Listen, from the moment Buck says „Cause you would prefer working it out in the ring?“ and then does this dorky thing with his arms while Eddie smirks into his beer about how he fought in a cage not fenced in (which, I’m a little unclear on the distinction I think, but I am nitpicky af so who am I to judge? Probably just stuff getting lost in translation) that whole scene changes vibes, going from apologising to teasing. And I think it’s very interesting that this is when Buck chooses to come closer (and then keep coming closer until he is right in Eddie’s personal space while touching his belt which we all learned by now means he is thinking about sex) and they have this whole conversation about who could take who which happens in sort of half sentences and does not feel like they are talking about fighting each other at all.

I mean, Buck keep coming closer, while Eddie stands there rooted to his spot, leaning against the bar, smirking, like every hot guy in a bar ever who knows one smile and a bit of smolder and they will come to him (which Buck does, playing right into it, I mean, come on, bro, weren’t you once a serial dater? How do you not know how to play hard to get?) and holding the beer (you know, phallic shaped obj- okay, I’ll stop here, it’s a reach), occasionally drinking, like maybe he tries to draw attention to somewhere or he has a very dry throat and honestly: this is how porn starts!

I don’t think my writing (or anyone’s writing really, not that ya’ll aren’t talented af) can properly express how very not platonic and innuendo-heavy this scene felt.

- 3.13: „‚Bro, what if I flirted with you in a bowling alley while out on a call?‘ - ‚Bro, what if I invited you out to lunch after telling a friend to say I love you before it’s too late?‘ - ‚BRO 😍‘“

Again, the title gives everything away but like so many scenes between these boys that moment at the bowling alley when Buck channels Arnie and Eddie is all: you’re a dork and also wrong! and then later when Eddie invites Buck to get lunch (which is sort of Eddie’s thing, remember 2.01?) after earlier telling Chimney to tell Maddie he loves her if he has a chance because he might regret it. And to really drive the point home or maybe make it in the first place, after Eddie asks Buck - and only Buck - to have lunch with him, Buck then declines because of a little blood (Evan, come one, you’ve seen worse! I know I have!) - only for Chimney to consider this the push he needed to invite Maddie for dinner so he can tell her he loves her.

So, you know, platonic.

- 3.16: „The rope was a metaphor after all“

I mean, what was that scene in the locker even with Eddie leaning against the doorway all cheeky and grinning like: yeah, come hang out with me! - obviously it was about Buck never saying yes to babysit a group of nine-year olds when he could be out drinking (as someone who works with kids, I approve), but yeah, that’s not what it felt like? So unless ya’ll cannot act anymore this was deliberately a bit over the top and ambiguous.

Jealousy

Now, no good ship works without jealousy and neither does Buddie so here are some examples of Buddie being jealous.

- 2.06: „Bucky Barnes murder strut - 911 edition“

Now, your probably saying: Bucky Barnes murder strut? That’s a tall order! But damn, Ryan nailed that, okay? Listen, we’ve seen Eddie walk out of uniform several times at this point and NEVER before and never after has he struted this predatory. Eddie walks tall and military, you know, the way he stands, Eddie doesn’t strut!

Yet, here he does! And what I love about this scene is that we see him in the background while Bobby talks to Taylor, working out with no care in the world - and then Buck comes over and flirts with her, suddenly Eddie feels the need to be part of the conversation?

And he doesn’t even wait until he is standing next to them to talk, he calls over while still sitting on the lifting things.

So yeah, that one is him being jealous.

- 2.10: „It’s all about ‚not my business‘“

- Now 2.10 is a great episode for Buddie and in part it is due to Buck’s facial expressions in the background and out of focus of the camera when Shannon comes to the station.

I mean, Oliver always plays Buck very intense and expressive and with his whole face but that was a bit much, you’d think he just found out Eddie broke a vow of chastity or had an affair while being married (which technically is what Buck compares it to later so kinda makes sense he looks like that but also doesn’t, Buckeroo, what’s the big deal? Did Eddie show up at your doorstep a week earlier telling you what a punk ass bitch his wife was, or…?)

- 2.17: „*fridges female character for man pain* Haha, we’re so random!“

„Talk to Bobby. Maybe he can get you guys a discount.“: There is a point to be made about Buck just not liking Shannon considering everything he knows about her and has heard about her, the same way Eddie doesn’t Abby, but still. This scene and this line, Buck does not sound happy for Eddie or truly interested and yeah, it’s off and it seems jealous.

- 3.04 „discount!Buck in the house!“

It’s actually not just my interpretation, it’s actually - between the similarities to 2.01 and everything that happens after with the lawsuit and how Buck explains himself - literal text that Buck was jealous here with Lena. So there!

- 3.09: „#tw: mild adult themes & implied sexual content / #pwp - porn without porn“

Tim Minear please send me over some scripts or have someone call me and explain what they were going for with the „You had sex with your therapist?“-scene because Eddie was so huffy and offended and I need to know!

- 3.12: „There’s a horse loose in a hos… school“

Buck sounds awfully gleeful Eddie will probably not date Christopher’s teacher and while that might just be him making fun of his best friend being so very overprotective and short tempered when it comes to his son (Mr. Control has left the building!), still, it reads a little like jealousy over some unknown pretty woman Chris might have mentioned some time and Carla probably described in great detail when she told Buck all about Eddie losing his cool!

- 3.17: „LegsTM“

It’s technically not really a jealous moment because it’s not Eddie being jealous but Buck simply refusing to mention his ex-girlfriend here, but considering 3.18 and also and most importantly the fact that there are only two other people in the truck, one being an unknown firefighter driving the truck and the other Bobby, who very much knows how Buck was supposed to take a hot air balloon ride with Abby, for who but Eddie was Buck concealing her identity for because Bobby already knows?

There really is only Eddie left, who probably figures out what Buck was about as well because bro may not be Buck and his out of the box thinking smart but he is fucking smart and he can figure shit out as well! Yet Buck refuses to mention Abby’s name and for what? So he can pretend Bobby and Eddie don’t know he is still bitter about her? I mean, fucking hell, send over the motherforking scripts, Minear, I am done with you!

- 3.18: „Traincrash? More like train WRECK? *cries*“

While I think Eddie is being more protective than jealous here, he is awfully involved and he is uncharacteristically out of control and emotional here and I wanna know why? Does Abby being back remind you of Shannon? Is it jealousy? WHAT IS GOING ON??? WHY YOU SO MAD, ARMY BOY???

Subtext

Now, I am first gonna talk about Subtext things in general like clothing choices, music and cuts between scenes and I am gonna be honest, I probably missed quite a few!

- One of my favourite is that while Buck wears the same colours in 3.03 as Shannon does in 2.07, Eddie wears the same exact shirt - and considering the fact that Ryan got buff between Season 2 and 3 that was deliberate, someone bought that shirt again because we are supposed to connect these scenes with each other!

- As I wrote before in 2.10 we can see Buck and his reaction out of focus when Shannon comes to the firehouse to talk to Eddie and ya know, why?

- Tim Minear himself said the elf in 2.10 was an easter egg for us Buddie shippers and he also said we can make out of the fountain in the background what we want, so there, Buddie is talking about Shannon and Eddie having sex and how much that messes shit up while a fountain shoots water in the background and yes, that is an innuendo and subtext and I hate it a little.

- 2.13 has this hospital scene I love a lot and you know what? Buddie is basically dressed the same, because the subtext of this scene is these two are alike and connected and they GET EACH OTHER.

- Another scene I really love is in 3.01 when Buck comes in for the surprise party because not only does he not hug his sister or Athene but runs up to Eddie first, Bobby actually shoves Eddie at Buck so he is the first person Buck hugs (and then the hug itself, what was that? The way they hold onto each other for a moment just looking while their hips are still touching?! Is that how you two hug because I want in!).

- Also they are dressed basically the same, should we discuss this as well?

- And still in 3.01 when Buck thanks Bobby and they talk and Bobby tells Buck he’ll find someone better and then asks him if he is doing okay, the first person the show cuts to is - nope, not Evan Buckley’s sister who is also there but his best friend, Eddie! Jup!

- And still in 3.01 when the firefam talks about helping Buck in the firehouse, Eddie first acts dismissive but the scene ends with Bobby saying Buck has them even though he may not believe that right now and half of that is said while the camera is on Eddie’s face who looks thoughtful - only to cut from them to Maddie and Josh discussing the same thing and mainly how Maddie doesn’t know how to help Buck and what he needs from her. Which you know, the episode ends with Eddie basically giving Buck a swift kick in the butt like she though he might need (and then 3.03 has Eddie basically telling Buck everything is gonna be okay, so we see Maddie talking about helping Buck but never see her doing it and instead we get two scenes of Eddie being there for Buck and also no Maddie in relation to the lawsuit but an extreme focus on Eddie? Writers, I see you and you aren’t wrong!)

- Also worth another mention is the cut between Madney talking about children, saying Buck didn’t have any either - to Eddie waking up Buck so he can babysit Christopher and specifically calling Buck „his Buck“ to make us think on their relationship and let us know how close they are and also to tell us to not trusts everything Maddie says about her brother because she gets shit wrong.

- In 3.03 after Buck tells Eddie he lost Christopher and then Eddie sees Christopher and rushes over and and Buck collapses and while Eddie holds Chris after he checked for injuries and Chim and Hen and Bobby hold Buck and Bobby asks Buck if he is okay, well, this whole time Buck is staring at Chris and Eddie and Eddie is staring back at him and Bobby, if you wanna know about me, gotta tell you, I am not okay?!

- And then we have the loft scene and yeah, okay, this deserves 5000 words of his own, from the fact that they played „Photograph“ by Ed Sheeran which includes lyrics about how they will never be alone and how loving can heal and mend your soul and the fucking song ends on the words „Wait for me to come home“ just as Eddie knocks and brings Christopher over and tells Buck there is no one he trusts more with Christopher than Buck and I am sorry, what are we supposed to think here? This show is from the US, these people speak english, it’s not like these lyrics leave much room for interpretation!

Not to mention the whole monologue Buck did about being lost and not knowing how to get from where you want to be to where you need to be before Eddie showed up and then talking about how a few choice words can sometimes be the life raft one needs to get home and how we are all just searching for someone to see us? I love Maddie and I love the Buckley siblings, but damn, she’s not the one he has been searching for!

(And I keep bringing up Maddie here because as his sister she is the person Buck could feel closest to and should care about the most and be cared about the most by and yet all canon evidence points to Eddie being that person! Also she is the person next to Eddie Buck has the most scenes outside the firehouse with.)

- This one is a bit of a stretch but Buck looks very uncomfortable during the whole deposition in 3.05 but he looks everyone in the eyes until the lawyer mentions Shannon and suddenly his lap is so much more interesting and yes, after is when all of them get asked the really hurtful question but still, this is when Buck stops being despondent and realises, fuck, I went a bit to far

- Someone please find for me where the director talked about purposely framing them as romantic in the apology scene because I cannot find the post for the life of me, but never the less: In 3.06 during the apology, in the beginning of the scene we see Buddie from quite a distance and Eddie has his back turned toward Buck and there is a column in the shot to visually indicate the divide and yeah, the whole framing is quite something and the way the camera angle goes from far away making it seem like unbridgeable distance cutting to closer shots and how we slowly see alongside the words hey, they aren’t actually that far apart, like yeah, this scene was something else!

- Not a direct cut but during therapy Eddie talks about how he wants to be at home with Chris because he is the one good thing he has going for him and the one thing he gets enjoyment out of (because he is so fucking depressed and I cry), yet when we later see Chris and Eddie together it is neither in Eddie’s house nor are they alone, nope Buck is there as well, meaning Buck is considered a part of that one thing even if he wasn’t explicitly mentioned!

- During 3.10 when they take the photo with all of them Buck is grouped between Madney and the Diaz family, like right between and not just next to them. Also earlier when the eat Buck sits next to Christopher who sits next to Eddie and therefore on the opposite side of his sister and her boyfriend.

- Yes, they were probably amused by the meddling mom asking then „Are you boys single?“ in 3.11 but come on! They look at each other and smirk? For real? Hand over the script, Timbo!

- Also as mentioned before the fact that when Chim and Eddie talk about family and the 118 being the family they choose the camera is on Albert, Buck and Christopher, no one else is in the shot. And of course the song that is playing here, another song about home.

- The callback to Buck in 3.12 of Ana immediately guessing Eddie is short for Edmundo unlike Buck as well as Carla saying blue eyes (which Buck has) is also Subtext.

- Said it before but: the scene in 3.13 when they arrive at the hospital and Eddie asks Buck out to eat and then Buck changes his mind but Chimney runs off to call his girlfriend because he wants to have dinner so he can tell her he loves her like Eddie told him to do at the beginning of the episode is … interesting.

- I already explained why I think Shannon wasn’t in that many scenes in the video in 3.15 yet Buck was in most of them but it bears repeating. Also again it’s subtext that Buck is part of Eddie’s family and Buck is very important to Eddie and Eddie loves Buck.

- Also the question about the medal in 3.15 and the little boy at the end repeating the question, sorry, were we not supposed to think of Buck here, Tim???

- Also just in general 3.15 focuses very very heavily on Buck and Buck’s reaction - much like 3.18 later does with Eddie. All the non-Eddie scenes feature Buck and Buck freaking out about Eddie potentially dying and Buck making plans and being frantic and the driving force of hope cause homeboy cannot even for a second entertain any thoughts on Eddie’s passing.

- The rope metaphor in 3.15 / 3.16 is of course also subtext but I already explained that one and don’t have anything to add really.

- This one is a little bit of a stretch but I do think there is a reason Eddie was the first one to be taken out of the equation in 3.16 and because of his son and not a love interest.

- Also the pool playing scene in 3.16 there visually we see Eddie and Buck together in nearly all shots, there are two shots of Eddie without Buck in it but not a single one of Buck without Eddie in it and considering camera angles and actors literally being told were to stand it is deliberate that Buck is only seen with Eddie by his side here.

- I’m repeating a lot of things here but Buck refuses to say Abby’s name in 3.17 even though Bobby clearly knows who he is talking about.

- „No. He stopped waiting for me a long time ago.“ cuts to „Summer Camp?“ I mean sorry, what were we supposed to think here? Because this does imply he really did stop waiting because now he has Christopher and Eddie!

- Not to mention it sort of hammers home what I wrote before how Abby is dating a single father and Buck is sort of dating a single father.

- Also 3.18 puts a lot of focus in general on Eddie and his reaction to everything when say, Bobby, who actually knows Abby and was there for the relationship would have made more sense - unless they are pushing an agenda here!

The first person we have Abby interacting with at the traincrash is Eddie and then Buck joins them and the scene literally goes: Eddie *talking to Abby* > cut to Buck, coming closer > Buck: „Abby?“ > cut to both Abby and *Eddie* > Abby: „Buck?“ while the camera is still on her and Eddie > cut to just Eddie’s face having a realisation > cut to Buck

So sorry, why do we focus so much on Eddie here, Mrs. Lynch? Is there a particular reason, oh director, who art also directed 3.01 and which has also loads of Buddie subtext?

There is also Eddie coming to stand visually between Abby and Buck when Sam is loaded into the ambulance as if he is physically putting himself between them and then Buck running back toward the traincrash and Eddie following him after and all the shots of them and Christopher during the party together and once again having Bobby asking Buck if he is okay visually connected to Eddie, though in reverse this time because the scene goes from Eddie and Chris having fun to Buck and Bobby talking. (And should we talk about how this is the first time Buck actually answers the question because finally he has an answer or are we thinking about that right before sleep today when it’s easier to cry?)

- Also very interesting subtext is the fact that Buck and Eddie wear nearly the exact same colour and a similar cut pullover when Buck talks to Abby at the end and when Eddie says goodbye to Christopher and I mean, thematically both scenes are about saying good bye and letting someone go? But also it connects Buddie with each other and connects these scenes, which Idc, I probably wouldn’t have done without the clothes?

Not sold seperatly

- Also subtext / visual thing is the fact that Buddie is basically always with and next to each other at the firehouse and on calls (and before anyone says: well, they are partners, Hen and Chim aren’t as much), and that is a long list so I am just giving examples: in 2.05 they sit next to each other at the table while in 2.06 they sit next to each other on the couch and in 3.08 they sit next to each other at the table again and then we have 2.02 standing outside and 2.04 walking away from the scene together and Eddie handing Buck a weapon in 3.17 and walking toward the ambulance together in 3.13 and several other times, the point is there are a shit ton of scenes of them being right next to each other in case you thought that was a fanfic thing!

„The Buck lens“ / „The Eddie lens“

I’m pretty sure there is an actual technical term for what I am trying to describe here but basically there are several instances where we see Eddie the way Buck does, meaning while the scene shows us Eddie doing something the focus is on Buck watching this. Sort of POV but not quite I guess? Also the reverse is true as well, even if those scene aren’t as pronounced!

- Let’s talk about 2.01 once again as we have done for most of this meta and finally, finally look at Eddie’s first scene which we all know is sort of gay and the first time we see Ryan shirtless because Tim accidentally wrote a certain quota of shirtless scenes he needed to do into Ryan’s contract and he needed to get started on those right away.

Also please remember while we as well as the core four are watching Eddie get dressed „Watta man“ plays in the background, which, considering we are introduced to Eddie through Buck’s point of view might be the song playing in his head here? Anyways, back to the topic at hand and how we as the viewers don’t see Eddie until Buck turns around and sees him as well. Which is significant because several times through the conversation between Buck, Hen, Bobby and Chimney we see the locker room in the background so they could have filmed that differently.

Instead they had Chim, who stands off centre, noticing something while Buck banters with Bobby about how he will get to represent the 118 in the calendar, then the camera changes angle so we no longer stand between Bobby and Chimney but rather behind Buck, making him centre stage and putting a focus on his reaction to Eddie. In this scene we have Buck framed by two people commenting on Eddie’s attractiveness. Now we don’t get to see Eddie until we have gotten all reactions of the core four to him, with special attention to Buck, both in filming and text with everyone taking a jab at Buck before walking over to introduce themselves to Eddie which leaves Buck alone, watching.

(Now keep in mind this scene also has Hen basically say Eddie is so hot it transcends sexualities while „Whatta man“ plays as Buck slowly turns around and Idk, mate, that does seem shippy to me.)

- Another scene that focuses very heavily on Buck is when Eddie rushes and hugs Chris at the end of 2.03. In fact for most of the scene we see Buck in the car watching them.

- Also, the hospital scene in 2.04 and how once again we see Eddie interact with Chris while Eddie watches them because fuck knows why.

- Similar to the Buck lens we have 3.10 where Eddie talks to Hen about Chris while the two (or rather Eddie since he sits at the centre) watch Buck play with Chris and Danny. This is significant because Buck is also placed in the middle, putting him opposite Eddie and also making him the focus of the camera for most shots when the scene was about Christopher and Eddie feeling guilty. Huh, we say!

- Something similar happens in 3.11, which is the next episode several months removed when Eddie talks to Chimney about the 118 being their family and while this time Chris is the one sitting in the front, Buck once again is in the middle and also in focus in a scene shot from Eddie’s POV.

Other people reacting to them / commenting on them

Now, I am not sure if this is really Subtext but who knows where else it fits in? (This is a rhetorical question, only my opinion counts around here while I write!) So It goes here! And I think the title is self-explanatory enough.

- I’m a little on the fence on the Bobby looks because - no offence to Peter Krause - he doesn’t have that many facial expressions in general, but yeah, at the mechanics Buck watches Eddie and Bobby watches Buck.

- Our first real one of those scene is the truly savage tía Pepa who is a woman after my own heart because she says the mean shit to your face and the nice things behind your back because she loves you but she loves vibe checking egos more! And well, she is understandably confused by Buck’s being there at the hospital and asks Eddie who that is and why he is here and gives one of the best lines of the show by being so sarcastic, because oh, you work together? Damn, wouldn’t have guessed from the fact that both of you wear LAFD t-shirts! (I love her!)

- In the same episode Maddie comments on Buck’s boycrush on Eddie and while I am unsure whether that is supposed to make it sound less gay or it’s Maddie saying: Bro, you sound 12! but oh well! It’s a comment on them!

- I loath a little to include the elf in 2.10 because Tim has said that was an easter egg for Buddie shippers and a tongue in cheek thing but yeah.

- Also Bobby watches the whole „It’s a miracle“ exchange in 2.14 with that look.

- In 2.18 we get some text on the screen when they help instagram girl about how hot the both of them are and also how THEY should be dating which I’m putting into the same box as 2.10.

- The fact that Bobby shoves Eddie at Buck in 3.01, like sorry, why was it so relevant that this is the first hug?

- When Eddie / Ryan stared at Buck’s / Oliver’s ass in 3.04 we see Hen and Chimney grin about it.

- I know I have said myself that Maddie’s reaction in 3.08 was due to the fact that she just said: can ya’ll stop gossiping - and Chim and Buck were like: sure thing! and then started gossiping but still.

- There is Buddie flirting at the bowling alley in 3.13 and once again Bobby gives them the look and yeah.

- In 3.15 everyone seems very worried about Buck especially and they keep reassuring as if he were Eddie’s next of kin.

- Again a Bobby look I am unsure of but in 3.17 we see him giving them the look in the truck and yeah.

Other people’s heartache

Now, as I’ve said in the beginning, I didn’t wanna just include my perspective on Buddie, so I asked a few other people about this and while this isn’t a representative statistical number it’s still interesting, right?

(Also originally this Guide was organised by episode and I would have included the comments when the things came up but alas that didn’t work and I think I turned a little grey because of that)

@buckleysbabe:

When i first watched 9-1-1, I had no idea that Buddie existed (i hadn’t been on tumblr a lot at the time so I hadn’t seen gifs or anything) and when i started s2 I really thought they were just best friends, but then 2x10 and the ”you two have an adorable son” scene happened and Buck’s ”thank you” and the shy smile AND I WAS ON BOARD!! That was really the first moment, then I got the confirmation after 3x03 and the scene where Buck sees Eddie in the tsunami scenery, and then the whole Eddie saying theres nobody in this world....like in that moment I felt like they were seriously in love 😍❤️

About the 2x10: that scene has so many things. Like the water fountain in the back, Chris in the scene with them (like they are a family), then the elf saying what she said, Buck being for a second like ”huh?” and then you see the light bulb going on when he’s like ”ohhhhhhhh yeah” and then he says thank you 😍😍😍 saying HE IS CHRIS’S COPARENT. AND THEN THE SHY SMILE

@theleftboobgrabber

Right off the bat I thought they had chemistry but I think the entirety of 2×04 is when I genuinely started shipping it. Like.... the constant heart eyes, the support, Buck trying so hard to be there for Eddie and Eddie absolutely never questioning it, the look Buck gives Eddie at the fire house was absolute fire (when Bobby tells Eddie Buck asked for Chris to stay with them) like Eddie's like you did this for me??? And Buck has just this massive Big Buck Energy from where he's sitting like "get used to it" and I remember absolutely loosing my mind that Bobby got the hug and not Buck at the end of the scene like in what universe??? And yeah the rest of the episode is just the same but that feeling of 'that's the wrong man you're hugging' was the tipping point

@emotionalsupportfirefam

Okay so mine was kinda two moments?1) when Buck took Eddie to Chris' school after the earthquake and we see his reaction to Eddie's joy and relief as he holds Christopher and then spends the next episode trying to find ways to help Eddie with finding a suitable caregiver/ support for Chris and 2) the fact the took them whole of five minutes to go from 'rivals' to the 'dynamic duo' after the grenade call.

@evaneddie

Honestly? Literally every scene they have is romantically coded. The first scene of them, with Eddie being shirtless and us seeing it from Buck's perspective with „Whatta Man“ playing? That's subtext.

You can have my back any day? Yo.

The scene when the elf Blair(e) said they have an adorable son and Buck just said thank you instead of correcting her before he literally skipped away?

Eddie showing up at Buck's apartment and Buck not even questioning how he got in?

The way Buck is like a second father to Chris and protects him like one in the tsunami?

"THERE'S NOBODY IN THIS WORLD I TRUST WITH MY SON MORE THAN YOU"?! REALLY EDDIE? WHAT ABOUT LITERALLY ANY OF YOUR FAMILY? OR CARLA? Baby, that's love.

THE HALLOWEEN HUG?!

THE KITCHEN SCENE, THE WHOLE SEXUAL TENSION IN THAT SCENE?! BUCK'S HAND ON HIS BELT, THE GLANCES, "I'D STILL TAKE YOU", ON THE COUCH EDDIE LOOKS TO BUCK'S LAP, LIKE COME ON!

"You boys single?" *Looks at each other*

"This is Eddie's house, I'm not really a guest"

Buck's breakdown when he lost Eddie under 40 feet of mud. That was not the breakdown of losing a friend, that was the breakdown on losing someone you love. There's a meta I saw once literally just for this scene alone, the way Buck dug so desperately at the mud with his bare hands, the screams of heartbreak, the way he collapsed into Bobby, the pure dissociation as Bobby was giving instructions later on, Eddie's memories filled mostly with Christopher and Buck. Sure, the others were there, but, it was FILLED with Buck and Chris.

Then the ending scene of the season?! What was he trying to do with the necklaces? Thrusting his hips towards Eddie, hitting him in the face, then that soft touch on his face?

@adamngoodbuck

Hey! Nice question and for me really easy to answer. I started watching the show back in 2018 when it first aired but I was a casual viewer. Very casual. So casual I actually watched everything up to 2x10 and then I thought it was the season finale so I forgot about it. And then season 3 started. And nothing made sense. So I checked and welp, I had to catch up. And I did and something started brewing inside of me. I wasn't part of the fandom yet. And then. The THE SEARCHERS happened. And that scene. The there's nobody in this world I trust with my son more than you scene. My icon scene. And I was done. Hook, line and sinker.

@the-family-we-choose-118 

My main ones were all the big ones: the kitchen scene, the end of 3x03, the Christmas episode one where Buck is helping Danny and Chris make gingerbread houses and then plans a whole party for the firefam, Buck clawing at the ground in 3x15, Eddie interrupting Taylor Kelly when she came to the station to do the documentary in Dosed, the fact that Eddie was introduced from Buck's POV with „Whatta Man“, the entire earthquake episode where Buck is reassuring Eddie his kid is okay and then drives him to get his kid later on, and the scene where Buck introduces Eddie to Carla in (I'm pretty sure it's) the same episode where Maddie asks him if his boy crush on Eddie means he's over Abby (that was my main one). And I was fully convinced when Eddie walked in Buck's apartment in the beginning of S3 and ripped his blankets off him and was so sure he doesn't sleep naked/wouldn't have anybody over.

And the „official“ part of the guide is done but I do wanna say something else real quick which is:

You have just read about 20.000 words I painstakingly wrote over the course of several weeks and while I get that meta is even more harrowing to reblog than gifsets or fics because meta involves so much opinion and interpretation and what if you disagree with parts of it?

Well, again, I invested a lot of time in this and also: IF YOU DISAGREE TELL ME!!! TELL ME IN THE REBLOG OR IN THE TAGS!!! Because different to fics and gifsets meta is a dialog and I can’t have a dialog unless people talk to me! I’m not here to lecture you on right or wrong, I am here to tell you: okay, this is how the scene looks from my point of view, what do you say? So honestly, please consider liking and reblogging and tagging and maybe talking a little about it with me, because screaming into the void is so very boring

(And also in general: reblog reblog reblog! All these funny posts you see on buzzfeed and instagram screenshoted from tumblr? Half of them were made great by reblogs and all of them were noticed by these sites because of reblogs)

Anyways, before I (REALLY) let you go it would be hypocritical now to not talk about some people who inspired some of this (but ya’ll have to understand I cannot talk about everyone)!

I can however say these four especially helped me write this:

- @diggorypuff , who I have never talked to but whose posts about interesting parallels actually sort of got me into thinking deeper about this show: (X)

- @ingu, who fairly recently did a series of gifsets on Buddie and how Buck is framed as Eddie’s love interest which gave me life: (X)

- @matan4il, who is such an amazing friend and does the most concice and well thought out metas on Buddie without having to watch the show a million times like other people we shall not name have to (me, I am talking about me). Find her buddie metas here: (X) 

- And most importantly my girl, my babe, my love, @chimbuckleys who is the voice of reason between us and always lets me rant about stuff and was the sounding board for this and so much else I have written - I couldn’t do this without you! (ALSO I AM GOING TO BED NOW, BABE!!!)

AND DEAR READER, you made it! Now go have a blessed day and plant some trees because earth is dying and we with it!

[simptasia]

Cats 2019 😌

Oh, thank you, I’m gonna gush about this movie without even a DROP of that “i knoooow it’s bad” stuff, y’all know that I know. Okay maybe a few drops sneak in, in a back handed way, but MOSTLY this is me gushing and fawning

For context, since i’m putting this in the tag, the prompt was this was somebody gives me a topic and I respond with what i like about it. Like, the opposite of that “send me a thing and i’ll tell you what i hate about it” one

sometimes, like half the time, the CGI actually slaps. like, the close ups are amazing. proper look at some of these cats and it’s like, wow

mr. mistoffelees is precious. he’s my favourite and he’s adorable and his song makes me cry! specifically the bit where old deut is back and it cuts to his happy “oh my gosh i did it” face. triumphant! heck, i just like that whole song, as like the character thing that it is. and yeah anyways, misto is a cutie pie, he’s so shy and awkward and nervous, i wuv him uwuwu

misto is my fave but munkustrap is actually the best character in this movie. i cannot gush enough about robbie fairchild’s acting, singing and dancing in this. he is the backbone of this movie and i adore him! there’s a reason i’ve reblogged a bagillion gifsets of him being so expressionate, he’s so good! you can tell robbie loves being a part of this. and like, very often munku will absolutely be the best aspect of a scene

plus he’s beautiful too. munku, misto, victoria. beautiful kitties

now that i’ve adjusted to the art style, i find these kitties adorable. i love the ears and tails, they make me happy. i like how misto’s tail curls and the movement of everybody’s ears

i really like the music, shoulda mentioned that first. like, when its good, its really good. memory is of course a powerhouse. skimbleshanks is the movie’s highlight, so fucking good. i like mr. misto’s song, fight me. jellicle cats is a fucking bop. rumpleteazer & mungojerrie, I Just Like It. robbie’s performance in... well the whole movie... but also in old deuteronomy is beautiful and soothing. i’ve actually gotten every song in this stuck in my head.... SKIIIIIMBLEEEESHAAAANKS THE RAAAAILWAAAY CAT

legit, making that number include tap dancing was an actual stroke of genius and i cannot praise steven mcrae enough. whomst is also australian, im so proud. i also like skimble’s pants

OH ALSO regarding the music, another thing i love about this movie is that it introduced me to the concept of this musical. i never had any exposure to cats the musical before this movie happened. all i knew before was a couple of references i saw and i had heard memory. but i didn’t know that memory was from cats. and like, think of all the great songs i wouldn’t be aware of if this movie never happened. i’ve also, by extension, become enamoured with the 1998 version of cats too. because of this! i wouldn’t have had a reason to care before! i had no interest! so besides the fact that i actually do like this movie, there’s that

this is true of the stage musical thing, but a lot of cute and fun character moments are gleaned from like background stuff and facial expressions, that sorta thing and i find it really fun to notice stuff (or see somebody else point stuff out). like it’s all very simple but still with some depth, ya know?

the dancing in this is so good. so so good. especially munku because his actor is a magnificent dancer. it’s also funny and cute how misto clearly isn’t as good a dancer as everybody else, so they have him doing clumsy doofy stuff in the background. but im not insulting laurie davidson’s dancing, he’s actually good considering he had to learn for this movie. i just have to praise the dancing in this movie because i’ve seen people say that “the dancing isn’t impressive in this movie because it’s CGI” and i WILL EAT YOU WHOLE. no n no no people HAVE to know that the actors are actually doing that. robbie and francesca are professional ballet dancers, most of the people in this are. the movements are real, they just painstakingly overlayed CGI cat stuff over it. the stuff that isn’t real is like, stuff humans can’t do, like the big fuck off leaps, they used wires for that

Rumpleteazer’s Lesbian Energy Is Palpable

Munkustrap’s Chemistry With Everybody Is Stunning

victoria, misto and munku are OT3 and they’re bicons in my heart

oh i already mentioned the music but i just wanna say i think beautiful ghosts is a lovely song/motif/character thing. i haven’t mentioned victoria much, i think she’s rather sweet in a like endearingly dumb way. and her singing and dancing is, of course, lovely

the sets are practical, they built that! bruh

i have to give my respect to the poor overworked effects artists who worked on this movie. they were pushed so hard and for so long and i think they did a great job and they don’t deserve even a drop of the scorn they have received

i love misto’s jacket, it’s so good. and the pencil as a wand is clever!

the last scene is refered to as a living hell by a lot of people but i love it because just. watch munku’s face the whole time. so good. just watch munkustrap, he makes everything better

ooh on that note, i like how they made it so munk lives in a flat thats literally right by the junkyard. i find that a nice touch and fitting

i like the nuzzles <3 (furthermore i love how misto is so much taller than victoria so he has to bend down so far for a couple of those nuzzles)

i dunno, you can tell most of the people doing this were like really into it, like really loved doing this movie. like these performances are good, y’all! and like, these cats come across as so happy to hanging out and dancing and being together (for the most part, there is bickering and... cattiness too) that it’s like infectious. it makes me smile!

and there’s like a bagillion little things here and there that i like, like my list could go on even more. for example, shout out to that one cat that kept smiling when skimble was spinning upwards into the air (due to being kidnapped) probably under the assumption that skimble can just fucking do that djksakjdsa

so yeah i can’t exactly call this a Good Movie but i can genuinely call it a movie i enjoy, that i adore even, because i’ve never liked anything ironically in my life! also im autistic and this has become my special interest, so choo choo, this trains a chugging. i’m having a lot of fun, and i think that’s good enough

and i feel like it’s already on it’s way to becoming the world’s most expensive cult classic. like, friends getting together and watching it and having a good time, for one reason or another. and i like that. i hope in like 5 to 10 years time, people are gonna be endeared and nostalgic for cats 2019, cuz that’d be neat

[seance]

2020 content creator tag

RULES: answer the questions and then tag 10+ other creators to answer the questions! 

finally got around to do this, terribly late i know and i’m sorry but i swear i wasn’t ignoring all the incredibly talented people who tagged me! thank you so so much for thinking of me guys ♡ probably lost some @ in the process cause my notifs are a mess. @goinesjennifer @juliesmolina @faeryglass @almondchestnut @olisgifs @andyoudoctor @yenvengerberg @iridescentides @juliesmolinas 

first creation and most recent creation of 2020: god, i already said this but giffing really became my #1 coping mechanism this year so i have a LOT of stuff just from this year. the first one is this THE WITCHER INTRO CARDS gifset and the most recent is actually my julie’s gifset from yesterday but i’m not satisfied with it so! i’m gonna say this KLAUS AND FIVE PARALLELS gifset instead.

one of your favorite creations from 2020: oof, this is super difficult because i get attached to most of my creations, even if they don’t come out as i initially hoped. i’ll go with this five gifset BIRDS HOVER THE TRAMPLED FIELD just because it’s a perfect example of a rare occurrence aka when both my inspiration and my vision and my skills align and i manage to create something exactly how i first imagined it. and also because i think there’s not better fitting poem for this man.

a creation you’re really proud of: i have a few but maybe this ODE TO NUMBER FIVE gifset just because i had a very specific vibe i wanted to give off and i think i managed alright with the colors, texture and design choices! and then i can’t not mention this YOU WERE ALWAYS GOLD TO ME gifset just because i literally poured all my heart into it. this song and these people mean so so much to me.

a new style you tried this year and a gifset that uses it: my style really evolved at the speed of light starting july and i still can’t believe the things i learned once i just let myself try. i keep having new ideas and trying really hard not to dismiss them and see if they work out, telling myself it’s okay if they don’t! i think this ALLISON HARGREEVES gifset basically has it all: the blending, the font work, the shape play. or even this JATP + BODIES OF WATER type of style, complex blending such as this one WILLEX SUPERSTAR is slowly becoming my trademark and i’m not mad about it, i love playing around with fonts like i did in this ALEXREGGIE gifset even if i know it gets really crowded and hard to read sometimes, or even with lines and block of colors like i did here JATP BORN FOR THIS, i finally got back to play around with textures JATP SCRAPBOOK and even JATP DISCOGRAPHY i also tried my hand at creating entire new “atmospheres” playing with specific visual choices like i did in the HARGREEVES AS PARANORMAL INVESTIGATORS set.

your favorite coloring: okay you guys know coloring is easily my favorite thing to do in the world and i’m usually pretty proud of every outcome because i remember how difficult it was for me, for years i thought i would never learn but i still did it, all by myself just keeping trying like a madwoman lmao basically all my the umbrella academy gifset are my pride and joy because did you see that show? how shitty the lighting is? gifmakers need a miracle every single time. so i’m gonna list a few that i still look at fondly ♥

THE SEVEN HARBINGERS OF THE APOCALYPSE

WILLIE AND CALEB 

YOU CAN SET YOURSELF FREE (HARGREEVES)

SEASON ONE FAVORITE EPISODE

ALWAYS GOLD TO ME

THE OLD GUARD + RICHARD SIKEN

a creation that took you forever: basically everything i do ahah just because one way or another i always get stuck on something for hours at end be it the fonts or the colors or the scene choices. but i’d say this STRONGER + HAGREEVES SIBLINGS gifset just because my inspiration went off and i decided i wanted to try a bunch of different techniques all at once and my brain didn’t let me rest until i did it all. to think it all started with just that “everyone will know me by a different name” line, oh my god.

your creation from 2020 that received the most notes: this VANYA + HER SIBLINGS LOVE gifset with 15.406 notes that i kinda hate because what’s up with that font? and the ugly coloring?! totally gonna remake this one because they deserve far better.

a creation you think deserved more notes: oh my god deep down i want to be selfish and say so many because that number never really match the effort i  put in most of my gifs but i’ve also learned not to get too bitter about that, few people rb it, even fewer people comment on it but those people are worth more than anyone else. if i had to chose i’d say either the ALWAYS GOLD TO ME set just because it means so much to me, this ALEXREGGIE set that was so fun to make and i love how the colors and the font work came out, this VANYA + EMPATHY set, and this SWEETIE LITTLE JEAN one.

a creation with a favorite scene/quote: i rarely do actual, canonical quotes and i never use just one scene gsjds- so i’ll go with this DIEGO + LOVE FOR HIS FAMILY one even if i don’t like the font and again ALEX&REGGIE being themselves.

a new fandom you joined and a creation you made for it: considering i was already the umbrella academy and the witcher obsessed i’d say the old guard (YOU KNOW ME WELL) and julie and the phantoms (FAVORITE FRIENDSHIP)

a creation you made that breaks your heart: oh, if you know me even one bit you also know i thrive on angsty feelings, they’re usually my main inspiration not gonna lie so choosing is not that simple! again, this KLAUS AND FIVE parallels gifset because of the sheer tragedy of their lives, this SWEETIE LITTLE JEAN five gifset, this KLAUS HARGREEVES one and this I WANNA BE NUMB AGAIN, this DEAR FORGIVENESS, YOUR BOOKER because this man is a walking tragedy (and this PIECES OF ME DIE ALL THE TIME too for good measure) and then this HARGREEVES SIBS + DAUGHTER gifset.

a ‘simple’ creation that you really love: i have brainworms and once i’ve learned how to do something i never manage to come back to the things i did before so i’ve rarely made “simpler” things lately. maybe this JATP + TIMES OF DAY still qualify.

a creation that was inspired by another one (add both your creation and the one that inspired it!): this FAVORITE JATP CHARACTERS with the circle text inspired by this gifset by the loml @evakant // this JATP ROLES with the triangles technique inspired by this work of art by @anya-chalotra and this WARRIOR JULIE set with the text layout inspired by a lovely gifset that now seems to be deleted :(

a favorite creation created by someone else: i love everything my mutuals make but there are some people who really pushed me to always learn more and their gifs are still my absolute favorite thing to date. for example: this THE OLD GUARD TAROTS set by @milkovivhs // this incredible HARGREEVES SIBLINGS one by @yenvengerberg // this GERALT OF RIVIA masterpiece by @anya-chalotra // this CROWLEY set by the queen of colors herself @meliorn

some of your favorite content creators from the year: really too many to count, my mutuals inspire me every single day, the keep my creativity alive and seeing their creations on my dash is always such a treat! so, all the above for sure and then: i‘m stupidly proud of @sunsetscurving i saw her grow into the giffing process with such speed and such vision, everything she does is so pretty, but all my mutuals are incredibly talented. they don’t do anything half-assed, everything they do perfectly mirrors their efforts! @captainheroism @emeraldphantoms @nora-reid @amandaseyfried @rockyblue @juliesmolina @juliesmolinas @lettersdeeplyworn @jakeperalta @kennyortegas @merceralexs @alexreggieluke @calebcovington @andyoudoctor @almondchestnut @iridescentides @number5theboy @evakant

 and for good measure, another a couple more creations of yours that you love: excluding all the above i’ll go with

JATP FAVORITE QUOTE  

HARGREEVES AS GREEK DEITIES 

YOU ARE HERE TO RISK YOUR HEART

THE JATP GEMSTONE SERIES x / x

SOBRIETY IS OVERRATED

AMOR C’HA NULLO AMATO

IF MEMORIES COULD BLEED

this took me so long that everyone else already did it before me so i don’t think i can tag anyone, if you’re reading this and feel like doing it please feel free!

[set-phasers-to-whump]

“look at me”

prompt: “look at me” 

whumpee:sonny carisi

fandom: Iaw and order svu

hey several disclaimers - i have never seen the episode (18x07) i based this on, only gifs. idk what actually happens after the scene at the beginning so who knows if this could even happen in canon. i also have not seen a whole lot of the show, certainly probably not enough to get his characterization down at all. nonetheless the idea for this fic came to me like last week and then earlier today i wrote the whole thing in my head and decided i had to get it down. surprisingly i really like how it turned out but i have no idea if it is like. good for the show or not so. keeping it out of the tags and such :)

He thinks that he should probably pray. The gun is pressing into his forehead and his knees are aching against the floor and he knows there’s only one way this ends. But he can’t make himself pray and in fact can’t make himself do much of anything at all except stare forwards at the man who currently holds his life in his hands. Maybe he should try something - try and escape, knock the gun away, something. Because if he’s dying anyway, he might as well die trying to save himself. But he doesn’t move. Can’t move, maybe. He is going to die, and there is nothing he can do about it. He doesn’t want to. But the metal is against his skin, cold and unrepentant, and he is dying. It’s just a matter of when. 

Bang. 

He flinches, closes his eyes. His ears ring with the shot and he still can’t really think but he must be dead. Right? Except he didn’t think it would feel like this. Like his knees still hurting against the hard floor. Like something wet and warm on his face. Like him still breathing. 

He opens his eyes. 

There is so much around him. Movement and light and noise and his brain refuses to focus on any of it. He looks around and tries to work out whether he is still on Earth when a shape draws his attention and answers his question. 

It’s Tom Cole. He is lying facedown on the ground and there is a hole in the back of his head seeping red blood into the ground and his gun is still in his hand and he must be dead but he still has his gun, the gun that had very nearly killed Sonny, but hadn’t (because if he is dead, he’s pretty sure Tom Cole wouldn’t be here with him, so he must be alive). He reaches out and pushes it away and then sits back hard and stares at the dead body that is not his. 

Another shape approaches him, and he backs away out of instinct. But the shape stops moving, then bends down so that they are at the same level, and he recognizes it as Liv. He relaxes slightly, because if she’s here then he must be safe, but then he raises a hand to his face and wipes away the wetness and his fingers come away bright red with fresh blood and it doesn’t hurt but there’s blood on him and maybe he hadn’t gotten so lucky, maybe he really is dead, maybe - 

“Carisi? Carisi. Sonny. Can you look at me, please?”

Liv’s voice breaks through the ringing in his ears, and he slowly looks up at her. She smiles at him - soft, comforting - and he doesn’t know what to do, he can’t think, he can’t - 

“Breathe,” Liv says, and there’s a hand on his chest and he leans into a bit without really meaning to. He tries to breathe but he’s aware that he’s not really doing it right. His lungs feel tight and the air feels thick and choking and - 

“Look at me. You’re safe. He’s dead and he didn’t hurt you and I know it’s a lot to process but you are okay. Sonny. Can you look at me?”

He does. “You’re okay,” she repeats, and he nods, jerkily, and breathes just a little easier. 

“Do you wanna get out of here?”

He nods again. He really wants to get out of here. Away from the blood and the body and the voices of everyone else and the way that they are trying not to pay attention to him, trying to pretend like he’s okay, which he’s grateful for but also hates because he knows that they know that he’s not okay. And he hates that he’s not okay, because this shouldn’t be a big deal, right? He’s alive and not even hurt so he shouldn’t feel like this. 

But that’s all entirely too much to be thinking about right now, so he stops thinking about it and simply lets Liv pull him to his feet. For a second everything starts to spin and he worries that he’s about to collapse, but then the spinning stops and Liv’s hand is on his back, steady, supportive, and he doesn’t bother to try and pull away.

They walk slowly out to the car, and then he’s in the passenger seat and neither one of them says anything and he thinks that he kind of wants to lock himself away and cry and he kind of wants to scrub at his face until it bleeds, because then at least the blood on his face will be his own (he knows, now, that it’s Tom Cole’s blood - it has to be - and he wishes it wasn’t). But neither of these thoughts are very rational or helpful so he decides that mostly, he would like to sleep. Just sleep for a long time and forget that this whole thing has even happened. 

--

When they get back to the station, he shrugs off Liv’s attempt to help him out of the car. He feels bad about it, but she looks like she understands and she doesn’t look mad. She lets him walk back inside on his own, even though he’s sort of stumbling - he’s trying to focus on walking, but everything is just so much at once and it’s distracting and disorienting. Still, Liv lets him walk apart from her - he imagines that she knows that he needs this, needs to do this one thing. 

On the walk in, he gets a few curious stares and well-meaning questions (there is blood all over his face, after all), and he decides that actually, what he wants right now is to disappear, just sink right through the floor and never come back. At least then no one would be looking at him.

And then they’re in Liv’s office and she’s closing the door and he wonders for a second if she is going to yell at him. 

She doesn’t. He sinks down onto the couch and she disappears - he doesn’t know where to - and when she comes back, she is holding a washcloth, and she sits down next to him and places it in his hands. It’s warm and wet and he imagines that he is supposed to be doing something with it but he can’t make his hands work.

“Can I touch you?” Liv asks, and it’s not quite her victim voice, but it’s somewhere in the neighborhood, and he thinks he should hate it a little, but he doesn’t. He nods, and she takes the washcloth from him. 

“Turn towards me?” she asks, and he draws his right leg up onto the couch and turns his torso towards her. She smiles at him and takes his hands - he realizes that they’re shaking. He hadn’t noticed that before - and cleans them of the blood that he’d streaked across them earlier. 

She moves to his face when his hands are clean, and he can’t stop himself from leaning forwards into the warm and gentle cloth. He closes his eyes, and only opens them when Liv again asks if he can look at her.

The washcloth is gone now, and the dampness it’s left behind feels different than the blood had, but not different enough for him to be completely sure that the blood is really gone. He asks her, tentative, slightly aware that he’s probably being paranoid. It’s the first words he’s said since all of this, and Liv gives him a careful once-over, even though she must know he’s being paranoid. 

“It’s gone,” she confirms with a nod.

He nods back, satisfied with the answer, and then turns away, putting both legs back on the ground. He rests his freshly-clean chin in his freshly-clean hands and tries to think of something other than this but finds that he can’t. All he can think of is the gun and the shot and the body and the blood and above all, the fear, raw and intense and unwelcome and unyielding, and then there is a hand on his shoulder and Liv says, “look at me,” for what must be the fiftieth time that day. 

He turns and looks at her, and he isn’t really sure what he expects to see on her face, but it's definitely not the sheer understanding that he’s greeted with. It startles him for a second, but Liv keeps looking at him, and he can’t make himself look away, and then he breaks. 

He’s crying and he can’t stop and the tears on his face are warm and wet and feel horribly like blood, and he sobs, once, and then Liv is pulling him close and somehow his face fits perfectly against her shoulder, and he thinks that there are probably a thousand people who have had that exact same thought. She holds onto him, softly, gently, and he knows it’s so that he won’t feel trapped. He doesn’t. He feels safe, actually safe, for the first time in what feels like forever. Liv doesn’t say a word, and he knows that she will let him stay right here for as long as he needs. 

Eventually, he falls asleep, exhausted, still leaning against her shoulder.

thanks if you read this! i haven’t been this nervous to post a fic since i posted my first work to ao3 lmao. maybe that nervousness is justified maybe not. we will see. anyway like i said i have only seen a couple gifsets of the beginning scene and not that much of the show with him in it. this might suck. idk. 

[rigginsstreet]

Tell me about the symptoms of ptsd that fp shows

wish i had the gifset i was looking at earlier that brought all this up lmao but anyway google is free SO

agitation, irritability, hostility, self destructive behavior.... self explanatory we have visual canon proof of all those things. self isolation... like sending your son to go live with your best friend bc you dont think youre good enough to raise him (which to be fair he is not but also his sons shitty so idk whos winning that battle for rightness but whatever) ALSO im willing to bet if we saw the actual downfall of his and gladys’ marriage we wouldve seen his attempts at pushing her away much like how he was with fred in 107 at the jailhouse (not saying hed be physical with her but like... idk the mind wanders sometimes i cannot lie but mentally hed be in the same space) ALSO theres the alleged matter of the flashback where we see fp (along with everyone else but sh we’re focusing on fp right now) isolating himself from the group which i mean really him cutting ties with everyone who is not fred makes sense cuz they werent friends to begin with but (and idc what r*s wanted us to believe) he and fred were absolutely friends prior so THAT particular relationship is what needs to be focused on because fp pushing himself away from fred actually means something in this context.

emotional detachment is another could-be symptom... as i have also discussed via is reactions to freds death + his alcoholism which always either goes one of two ways: we see him drinking to numb the emotions or we see the drinking enhancing them (and of course all this ties back into self destructive behavior)

now for this part... i want to make it VERY clear that i absolutely do not condone riverdales writing.... i think we’re all aware of that here but lest this post get in the hands of outsiders lmao... just wanna make it clear. and they absolutely are not thinking this deeply... about anything.... but especially about fp... but like if i were the one taking charge of this storyline with whats already been written... this is how i would explain things:

so lost of interest or pleasure in activities can also be a symptom of ptsd and at first i was like eh i dont know if i really see anything in canon that backs this up BUT then i remembered fps constant flip flopping about the serpents and how he was all set up to have this cushy life on the north side only to later go back to the serpents (i guess? i still dont know whats hes doing) and particularly that stupid ass scene with archie at pops talking about how he missed ... street fighting... i guess.... anyway i say all this to say that it doesnt directly fit into “loss of interests” but i think its worth noting how he never seems to be satisfied (which... i know is 100% just inconsistent writing. i get that yes we know but i also think theres some truth to be dug out from that bc uhhhh i can do whatever i want thank you) but once again this also ties back into self destructive behavior because of course fp cannot just leave things alone when hes got it good he has this raging boner to fuck everything up at all times

ALSOOOOOO

why was it so easy for clifford to get fp on board with dumping jasons body ??? jughead wasnt threatened until fp was already arrested like WHAT fucking hold did clifford have over him ?? other than the fact that he was a man with much more power than fp and im not saying that couldve possibly triggered some twisted need to go along with him to like... appease him but... i dont know. im not a psychiatrist. (also again i know lazy writing but shhhh im on a roll)

heightened reactions... his fucking temper tantrums and outbursts... yea so theres that

fear/severe anxiety all i can think about is how in 302 when they were all confronted about g&g he had such an intense look on his face compared to everyone else WHICH I STILL WANT ANSWERS FOR but also i just gave myself one. youre welcome me (also ties in to heightened reactions)

did i mention depression? that bitch is clearly depressed and anyone who says he isnt is a liar or has never seen a depressed person

OH AND WE CAN ALSO TALK ABOUT THE SCENE WHERE HE ACTUALLY TELLS JUGHEAD WHAT AN ABUSIVE PRICK SENIOR WAS AND HOW HE LOOKED STILL VISIBLY SHAKEN WHILST THINKING BACK ON THAT TIME

insomnia/nightmares are also symptoms and while we have no canon proof he suffers either of those.... has that man ever looked well rested in his life? no. i rest my case.

[tomcriuse]

hi payton!! i love your "congratulations" gifset so much, especially the font choices and how well they work together! could you please give some tips on choosing appropriate fonts, their colours and some favourite ones of yours? hope this is not a bother!

asfjdhfasd this is absoulutely no bother!!!!! and also STOP thank u i love u <3 im gonna put this under the cut bc idk how long this is gonna be

i think that chosing appropriate fonts really depends on what you're going for! congratulations, for example, is a very upbeat song with lyrics that arent like particularly sad (and thus the set isnt going to be very sad), if that makes any sense--you can get away with a lot more when it comes to the fonts. like, if i had done it's quiet uptown, i probably wouldn't have used some of the fonts and typography styles that i did, just because it wouldnt fit the mood of the set! typically, for sad sets, i stick to a cursive or handwritten font. however, in this case, because of the nature of the song, i just kinda messed around!! 

so like for this gif i was thinking about what words have the most impact/are emphasised when she sings it. to me, the biggest part of this is the "school-yard taunts" bc it like really roasts him and calls him a child basically, so i knew that i wanted those to stand out the most. for the less important/smaller text i usually use a font like arial (i'll put a list of my favourite fonts at the end of this!) or times new roman or something just pretty lowkey. the "school-yard" font is actually also times new roman, but i really liked the way that it looked when it was bigger (also, for cohesion, i felt like i shouldnt do more cursive on this one since the gif above it had cursive in it). 

the word "taunts" was a little more difficult for me to find a font for because i thought it might look a little odd if i was using the same cursive font for this word--like it would just look a little out of place since "school-yard" is pretty thick. so basically what i did is i just went through all the cursive fonts that i had and one by one saw how it looked. im sure there are easier ways, but i find that im always the most satisfied with my sets when i take time to really think about the choice im gonna make, and not just rush through it!! 

lets take the first gif for example as well! i REALLY really love the main font on this, so i knew that i wanted to use it for the main emphasis word/phrase! after that it was trying to find a good font to compliment it! i thought a sans-serif font looked a little messy i guess? or kinda hard to read? im not sure how to explain it, but it looked wrong to me. so i just picked the basic times new roman! 

 i think that a big thing about picking suitable fonts is that they really have to compliment each other and not detract from one another!! this is why i think it's easy to pick a couple words or a phrase and make that your "center" of the typography!! 

as for colours, i usually pick the colours AFTER i colour the gif!! the first gif i made in this set was actually the second one (a damage you can never undo kind of stupid), so i was trying to find a colour that complimented it that i could also replicate in the other gifs, hence the yellow colour! the same thing can be seen in this set that i did (even though i used gradients instead of solid colour)! i decided that since the scenes i was using had orange/yellow and blue as their primary colours, i would base the colouring off of the scene (and if i couldnt, then i would change the colours fdhahdf).

here are some of my favourite fonts!! and if you click on the names it takes you to the download :) 

cursive fonts 

darkfather: this is the main cursive font i used in this set 

kunstler script: i dont really use this font much, but i think im gonna start because its just clean 

rage (italic): this is a little messier than the above font so it just has more chaotic vibes idk 

 sans-serif 

franklin gothic (bold): this is the main sans-serif font that i used in this set!!! 

arial: very basic but very Clean 

eras light itc: this is actually one of my favourite fonts (i used it as the main font in the "you took a rumour" and refuted it by sharing an affair"!!) 

serif (i dont really use serif fonts much because it doesnt look as clean to me BUT)

times new roman: a classic and the only one on this list 

i really hope this helped!! please dont hesitate to reach out again if you wanna know anything else or just want more info!!!!!!!!! i love u

[hoedameron]

my favorite part of the week when a new prodigal son episode drops: my commentary on the latest gifset i created :)

above are four gifs that i made as either alternative colorings (malcolm and ainsley’s respective gifs) or bonus/extra gifs in case one of the ones i intended to use didn’t fit the “vibe” (martin and jessica’s respective scenes). did not intend that the entire whitly family would be on this gifset pero it’s nice to see the family back together ☺ lemme just say that the extra bonus gifs that i made...the way i didn’t end up using them like they were made because i feared i didn’t like some of the colorings for the gifs and you know how when you upload them to tumblr, the quality changes. so they were a rush job and i didn’t really like how they came out and maybe it’s a blessing in disguise. reason why i didn’t use the alternative colorings for the whitly children is because i thought the one i used for malcolm was way more richer in color whereas ainsley’s had too much warmth.

now i did end up using two different psds for this gifset. no, i didn’t mashup any of them because one of them was more of a brightening psd and though some of these scenes (if not most) have you holding up a flashlight to see what the hell is going on, the brightening was a bit...harsh if it wasn’t a scene that was in the dark. luckily, this brightening psd worked harmoniously with the primary psd and it was super seamless in being a cohesive set. now, i actually only used this brightening psd twice...can you guess which ones i used it on? answer in the tags xx

i would show y’all my notes that i wrote but they are mainly notes for dialogue gifsets that i hope i can create (i’ve been hella out of practice and i know the standard fonts and size has changed). going to check the tag just in case nobody has already made it because i don’t wanna spend a copious amount of time on a set and have it already been done. ANYWAYS! where to begin about this episode...it wasn’t heavy in “aesthetic” shots and like i stated before, the coloring of the scenes was kinda...not very good </3 BUT! there were some interesting shots and if the gifs framing seem the same....apologies but they were literally the only ones that grabbed my attention. the thing i am noticing about prodigal son is how they like to frame two people in a scene and they love to do over the shoulder shots. there is probably like one or two token aesthetic shots and like....boom. also, i do wanna note that i try to avoid the gore-y scenes like the victim’s body and any sort of heavy blood. i don’t want people to be turned off or scared by any of my gifsets when they’re not looking for it so i wanna respect anyone who reblogs and likes my content!!

gonna need the prodigal son team to like....help us content creators OUT because damn!! it really is hard to color without losing the integrity of the scene. you can brighten a scene, you can darken a scene, but you lose a lot of what makes the scene. from a few tags on my gifsets, people like how i recolor a scene, and i am always like thank you !!! 🥰🥺💖 i try really hard to get the best out of psd and the scene <3 however, i fear that my preference for warm tones over cool tones might hinder me. listen, i do experiment with different colorings but my gosh, my brain sees warmth and goes brrr and i want to branch out and do something new but MY GOSH !! WARMTH!! and in a show like prodigal son, it feels a bit like out of the ordinary, and i like that. i really like that i put something that is missing. maybe next time i will try cooler tones but i don’t make any promises :( 

and that does it for me!! i think i wrote everything that i wanted to...WAIT! now, i do have to admit that this gifset was indeed a rush job. i downloaded the episode while watching “big sky” and it was growing late and i hadn’t been online in awhile so i had to catch up on everything when i intended to rewatch the episode that night. anyways, as soon as i ate breakfast, i was watching (a little bit of skimming) this episode and finding scenes to make gifs of. i really wanted to write down the dialogue of the potential gifsets then kinda, turned my brain off a bit for the aesthetic gifset. so then i started making these gifs and photoshop was being SUPER slow so i was like only able to make two to three gifs at a time (i would have to exit off, task manager snipe ps, then take a break bc my ass hurt then go back at it). so when i finished, it was getting closer to six pm which is my maximum cut off so i can do (please don’t laugh or @ me) some “decompression time” that goes from between 5 PM to 10 PM (sometimes, like this past time, starts at 6 PM and sometimes it ends at 9 or even 8:30 depending when i stopped being on the computer) where i don’t go on social media. i am radio silent in a lot of my socials besides twitter (follow me @/castieIsgf that’s an uppercase “i” instead of an “l” :3c). anyways, so i was rushing to get this shipped out and i slapped the gifs into random positions not really paying attention where and...yeah, i should’ve just slowed down!! i’m not mad or upset at the arrangement pero i’m kinda like mmmm!! lemme move swap the placement of these two gifs...but that’s water under the bridge!

also, this might be a little silly pero if you see me with just one tag of commentary on my gifset and it doesn’t have...panache or energy, it’s because i am restraining myself 😭 i want to so DESPERATELY react to my own gifset or react to the episode itself but i am afraid that having a lot of tags, especially if you have a lot of words in them, it overwhelms tumblr?? and makes your post not show up in the tags?? listen, i have seen people have over 30 tags and their post still shows up in their respective places but honestly, i do not wanna push it AT ALLLL so i limit myself to one tag, no exclamation or questions marks, no uppercase letters, no ellipses, NOTHING like it’s SOOO hard i feel like i am being censored 😔 PERO I WILL MAKE DO!!