#i just reread all the parts to this series

[itsnothingofinterest]

Well I'm sorry you feel that way but this is the impression the story of MHA gave me in it's final arc. Not through ignoring themes or events, but through scrutinizing them thoroughly.

To start off with All Might's independence, you say he normally worked solo and the big operation for the last day of his work isn't indicative of the other 40 years; but the thing is, working solo is actually normal for most heroes (unless they're on a team of heroes like the WWPC). See Kamui Woods & Mt. Lady competing over handling the purse snatcher from chapter 1 as an example of normal hero operation. They only really work together with non-sidekicks for big operations, and even non-League-based operations like the Overhaul raid can pull top heroes like Ryukyu & Fatgum. And when the Kamino raid is the only real big operation we see during All Might's tenure at all (unless you count the USJ rescue, which also played out just like Deku's experience in the final arc), I don't see a reason to assume it was atypical of All Might.

The reason society felt to nearly fall apart with All Might's retirement wasn't because he worked solo all the time; it was because he was so many miles better than the next best guy that he became the basis for the heroes reputation; so his departure sowed doubt in their credibility.

~

As for Deku getting non-hero help; the help from civilians amounted to first aid kits & shirts and stuff. Things civilians were largely already willing to part with to help heroes even before society collapsed; see the old lady insisting Bakugou take some food right before Shigaraki woke up in Jaku. This is really not the radical change it's presented as. Past that, they just stayed on the sidelines waiting for the fight to be over and then helped clean up, same as ever with the last Symbol.

And as for the villains who helped him; well one was already a former hero, 2 others were a minor offenders asked to help catch much worse criminals, which is pretty standard law enforcement behaviour, and Stain. That's just 4 villains helping; 4 total people helping the heroes in ways not expected of them. And there's no big sign that greater society noticed their contribution anyway; Stain in particular felt forgotten after he died.

(Also, it was a whole plot point no help arrived from elsewhere in the world at all for the final battle. Least of all in a way that affect's public perception.)

So my problem persists that I don't understand why this battle against/beatdown of the big bad villain is supposed to be so different & special from the perspective of the masses.

~

Next, as for Deku trying to find a non-lethal resolution, well I guess it might depend on your definition of "lethal" but:

The evidence does suggest Deku wanted to "break them both"; that he was intending for Tomura to wind up in the same state AFO was in at the time, and he certainly wasn't looking to save that guy.

And as for the being obvious to everyone who witnessed it...how do you figure that? Deku barely had any dialogue spoken aloud to Shigaraki to begin with in the final fight, and most of that was for the portion when he was on his own and no one else could hear him. It's not like his actions could speak for him either, he was just throwing punches the whole time. Counting only after everyone arrived, he basically just recounted what happened to Aizawa, got his arms healed, and started charging AFO to deliver a one-hit-kill-punch while everyone told him to do his best because he's the only one who can deliver a meaningful hit. It's been a while since I reread the whole arc, but I don't remember Deku ever telling anyone he intended to save Tomura anyway besides the vestiges & All Might, and he only talked about it for us to see with the latter after Tomura died.

What part of that series of events makes you think anyone but Deku & AM was in on any intention of saving Shigaraki? When did anyone else treat Shigaraki as anything but a villain that needed beating? Why would that be a wake up call to society instead of just the 4th and final defeat of AFO?

~

And lastly; as for the lethal option being unavoidable. Well maybe it was for Deku, but we know it wasn't impossible to save Tomura at all (similar to how Touya could have been saved, but Enji never could have saved him); because Spinner managed it. And enough of Tomura's spirit was still around that we can safely say a repeat should have been possible. So that Deku failed to save someone we know was save-able; hell, that he failed to save someone he vowed to save at all (and do not try to tell me he saved his heart based on a 2-panel speech on hand-holding), undercuts the storytelling now matter how you slice it.

Deku failed to save Tomura and complete the objective he set for the final 3rd of the series, failed to do anything truly different from All Might before him...and everything just turns out way better anyway. There's no way around this feeling is contrived and unearned.

I think the thing that ultimately gets me about how Deku has supposedly inspired away everything that'd lead to more Tenkos turning into Tomuras is...just "why?" Like, why did this:

Happen differently this time? I mean that's a fair question to ask, isn't it? The Walk was effectively the true inciting incident for Tomura, leader of the League, to hate hero society; you'd want a really solid answer as to why that won't happen again I would think.

The narration from Hawks and accompanying imagery implies it's because Deku inspired folks to not sit on the sidelines anymore, further implied to be a Hero Society-wide effect Deku has had that'll supposedly eliminate the bystander effect that led us here and give heroes more free time.

But like...Why is that different from what we've seen of heroes before now? All Might was around for 40 years and Deku, in the end, didn't really do anything AM didn't do; he punched out the big bad for the world to see. And All Might did also inspire people like the origin trio to action...by becoming heroes. Yet civilians like the old lady were inspired to go about her day because a hero would handle it, while Deku inspired her to reach out a hand herself. Why?

I've heard some suggest it's because Deku was less independent, had more of a teamwork focus in his big moment. But I’ve said this before, I think those people assume All Might was a lot more independent than he really was, and Deku a lot less. I mean a lot of Deku's fight was broadcast, including big portions where he was fighting the big bad solo just like All Might in Kamino. And then both fights ended with more heroes coming in to lend support.

So I'm just not seeing why public effect is so radically different.

And it's just that, I have been waiting to see what would prevent more Tomuras from crawling out of the woodworks to destroy even more since MVA; what measures would be taken to prevent that? Perhaps Tomura would destroy hero society, not just its buildings but its corrupt ideals, leadership, & figureheads; and maybe when he was beaten there would be room to rebuild it better from scratch? No, he didn't really destroy much at all actually, and things are being rebuilt just as they were. Would Deku and Tomura perhaps team up going forward after he's saved; with the latter's eyes for what's wrong in the world and the former's ability to fix it without violence? No, Deku kills Tomura because he was just too unforgivable, it's implied he was just after a tasteful way to do that the whole fight. Well, would Deku at least listen to what drove Tomura to villainy and do something about any of that? Nope, if it wasn't his final words to Spinner or their talk about hand holding, it was in one ear and out the other for Deku; and there's no sign he's told many people what little he did learn.

So what saves the Teknos of the world? Well Deku kills the big bad on live TV and it's really inspiring. Why is that different from the past 40 years? ...Horikoshi is to burnt out to answer. That's the ultimate answer to the question I've been asking for nearly 200 chapters.

Well I guess I always knew that if Deku couldn't save Tomura, it'd mean he couldn't save anyone like him. And well, he didn't save Tomura. It's why this plot point of "but they get saved anyway" rings so hollow; it's unearned, unfair, unrealistic, and outright contrived & unbelievable as things have been set-up. I just cannot believe it would work out this way; it is honestly 100 times more believable to suppose the old lady was a guilt-fuelled one-off and most Tenkos will die in the streets or turn to villainy. Especially once this "the villain is dead" high has passed. Because as it is; this resolution as-presented feels as reasonable as our finale in chapter 430 suggesting Deku was so inspirational that no one was ever a villain again either.

[keepmycandleburning]

IDK if this little section of the internet is just uncharacteristically hateful and negative and miserable lately or what. I've been lurking for like a year and posting since like 2 months ago, and it seems recent. I don't really feel like inserting myself into it anymore because it's not fun.

I loved HP as a kid probably like 9-12 y/o, at which time I picked up on something between Bellatrix & Voldemort due to the be quiet, Bella and the no higher pleasure lines. I reread the series for the first time as an adult in Oct-Nov 2023, and I was astonished at how much more I am able to pull from this text now. I came away with a much greater understanding of several things I'd missed as a kid. One of these is that it was very clear to me that Bellatrix & Voldemort were written to be at least sleeping together. VERY CLEAR. It was AFTER this point that I started being part of the fandom, and way after that I've seen people claiming their relationship ISN'T in the books. To me, this is really surprising, because when I've read the books as an adult, it's quite clear. Once I got into the fandom, I found that there are a huge number of people that agree with this interpretation of the text and find is equally obvious as I do.

However, despite the fact that I've seen a number of claims that they DON'T have any relationship in the books, I don't see people using text evidence to support this interpretation. In my personal opinion, this is probably because this is a very difficult argument to make based on the text. But if you think it can be done, instead of submitting negative anon messages without any text support, why don't you write a meta? If anyone would like to make a post going through all of the things people say are text evidence for Bellatrix/Voldemort and explaining why they're not the case, I would gladly read that out of genuine interest. Or, simply going through all the excerpts on their interpersonal relationship and explaining based on the text what sort of relationship you think they DO have.

I have seen countless people over the years analyze sections of text, lines between different characters, their attitudes toward each other, their various actions, and so on, and explain why this adds up to Bellatrix & Voldemort having some sort of relationship. I have NEVER yet seen someone who DOESN'T believe they had a relationship write a text analysis of their opinion. So I sincerely invite you to go through all the bits of text that Bellamort shippers say are canon evidence and explain why they're not—in individual instances and in total. Explain why = not just 'this is my alternative interpretation without text analysis' but *how you justify this being the case based on the text*. How do you justify ignoring how countless bits of the text can be interpreted all in this one way (Bellamort) and instead interpreting them all different ways? How do you explain what JKR was intending to say about Bellatrix & Voldemort's interpersonal relationship considering all their interactions both on- & off-page? WHY are they written the way they are if they don't have an intimate relationship? Or if you believe they're not written that way, again how can you justify this based on the text? If you need a list of text moments and existing 'Bellamort is canon' metas I can compile one.

I'm curious to see what you come up with, because I've never once seen this done—and because, as I've said, it's not an opinion that I personally believe to be supported by the text. If you can explain why it is supported by the text please do that and I'll consume it in good faith.

[suckishima]

i am once again thinking about how chapter 297 is titled Master and Student and is focused on how Kuroo has been a mentor to Tsukki in regards to his blocking skills

and then the chapter ends with tsukki acknowledging that he knows kuroo is better than him and that he never had expectations of beating him on his own

only to then perfectly transition into chapter 298 titled Guide (!!!) where yamaguchi is subbing in to serve.

(god i have so much to say about this, it was genuinely difficult not to just paste the entirety of 298 when i quoted panels)

i mean, these next two panels make me crazy. the first one (on the right) is the last panel in 297 and it's the first time we've seen yamaguchi in the whole chapter and furudate has set it up so that it's right when tsukki says that he couldn't do this alone!! and THEN the panel on the left is from the second page of 298 right after kuroo says that while tsukki may not be trying to win on his own, yamaguchi sure looks like he's determined enough to do it—and not only does tsukki agree that yamaguchi probably is thinking of taking them down with his serve, but by saying the "he's always one step ahead of me after all" line he's also admitting that this is a quality of yamaguchi's that he admires and is likely inspired by!!! and THEN in the bottom left of that panel (which is where the eye usually goes last in the way the panels are laid out) we get the chapter title drop to emphasize that yamaguchi is indeed guiding tsukki (despite the implications from the series up til now that yamaguchi is seen as being in tsukki's shadow )

the rest of 298 goes on to essentially beat us over the head with all the ways in which tsukki has come to see yamaguchi as being that guide to him. and the way furudate achieves this is so so well done

in contrast to 297, Master and Student, in 298 furudate doesn't explicitly tell us that yamaguchi is the guide—the title drop and tsukki's 'walks ahead of me line' that i just mentioned are the closest things—instead, in order to get the audience to feel (rather than just know) the importance of their development (together and as individuals), furudate shows it to us.

first, yamaguchi gets a service ace right off the bat (the first one of the match, even before kageyama got one), basically proving that he can beat all of nekoma in a way (which is a nice subtle callback to earlier scenes in the series about how serving is the only solo weapon in the game, the only time you can truly take down the other team on your own)

so this little bit is great for a few reasons, 1 it confirms that yamaguchi's hard work in extra practices/dedication to learn the serve in the first place, is still paying off, 2 it confirms that his confidence in being able to take points on his own is warranted and 3 it confirms that tsukki's confidence in yamaguchi's skill has not been misplaced.

the chapter continues by transitioning to show how yamaguchi's serve can still lead to points even when he doesn't get an ace, by showcasing his and tsukki's first perfect serve and block combo. it shows the way the two of them are wordlessly thinking in sync, how mentally connected they are,

and then it shows us how, even though they haven't practiced it directly with each other, they've both been working toward this moment for a long time (a quick panel of bokuto calling tsukki's blocks wussy, cutting to tsukki having a monster block that mirror's kuroo's from chapter 297, and then a beat later a quick panel of yamaguchi overhearing ukai say that other than an ace, a serve and block is the perfect/ideal play)

but then, for me, the real magic of this is that furudate doesn't emphasize those moments as the most meaningful ones that got them here. yes those were the moments that allowed them to consciously start practicing the physical skills that they needed to pull it off, but those panels are small and more for context, because what furudate does want to emphasize is what emotionally and mentally led them (especially tsukki) to be here. the things off the court and away from the game that still contributed here

furudate (again instead of just telling us) shows us the payoff of tsukki saying "he's always been one step ahead of me after all," shows us how tsukki came to think that in the first place. which furudate does by redrawing, recontextualizing, and reframing moments that we've already seen throughout the series, but this time framing them to clearly be from tsukishima's perspective

there's no dialogue between the two of them in the whole chapter, and no narration in these few pages, just the new redrawn panels that show how tsukki has been aware this whole time of how where yamaguchi started, how yamaguchi was the one looking up to him, and how he watched as yamaguchi passed him by.

the audience has seen these scenes before, but never from this lens—some were small, or inconsequential, or they were important but, they were one-off events—before they certainly didn't seem connected. and now, we feel the moments again as tsukki feels them, remembers them; it puts us directly into his head, and imo, it makes the ending of the chapter hit even harder

because we've just felt the triumph that tsukki and yamaguchi felt in succeeding in that play, and on the court in the story kuroo too could see tsukki enjoying himself and he (teasingly) asks him how he's been liking volleyball lately

and this is it. this is the culmination of tsukki's character arc right here.

yes, his stuff block against ushijima was the moment that hooked him, but imo this takes it even a step further. (the moment in the shiratorizawa match was about his skill—his blocking abilities, his mental resolve to track the ball, to learn, trick, and bait the setter—and allowing himself to feel pride in his hard work despite years of telling himself that hard work didn't necessitate results)

but here, now, tsukki makes a point to emphasize that it's because of everyone that he finally has fun playing volleyball. chapter 297 talked about the importance of tsukki physically learning to be a better blocker from kuroo, and 298 showed us how he was inspired by yamaguchi's dedication to better emotionally/mentally commit to the game. and both chapters come together here and circle back around to one of haikyuu's biggest themes: connection, and connection as a form of love.

if yamaguchi hadn't told tsukki he was being lame at the tokyo training camp, tsukki wouldn't have gone to ask bokuto what he liked about volleyball, he wouldn't have asked kuroo for blocking tips, he wouldn't have had the skill to stuff ushijima, or to pull of the serve and block here with yamaguchi. and he wouldn't have had the inspiration to even try to care to do any of that in the first place. because for tsukki, it was never really about the skills. it was about not understanding why he should care to learn those skills in the first place.

kuroo taught him what to do, bokuto told him how it could happen and yamaguchi showed him why it was worth striving for at all. without those friendships, without those connections, tsukishima would have never found this happiness, this self worth. he may not have been able to truly reconnect with his brother.

without everyone, he wouldn't go on to play professional volleyball for a div. 2 team.

this still volleyball. all plays are connected.

and furudate put us right into the moment to let us feel it alongside him. across the net, through the page, we connect too

[atopvisenyashill]

i almost put cassandra clare on that rec list i’d like everyone to applaud my restraint

[beaulesbian]

thinking about this sequence of neil and andrew's interactions over the course of the king's men:

- where it began with neil trying to be honest with how much andrew meant to him and about what was slowly happening between them, and andrew was ready with a reply denying he feels anything (positive) towards neil.

- the same happening few more times, in different variations of important revelations ...

- until andrew's replies slowly lost any real bite, and neil understood what they actually mean.

- to the point where neil knew that andrew wasn't telling him the truth (not that he would push him, it probably amused him what next will andrew say).

- until andrew didn't argue with neil's words at all. and that silence spoke more louder to him than anything.

(in neil josten's voice: i'm fine (lying 😭😭).)

[post-modern-prometheus]

reading my aunt's old copy of edgar allen poe works that she annotated like 30+ years ago as a english major really makes me hate booktok even more because of their obsessions with "annotating" that are, besides being pointless and dumb and meaningless and not even annotating like my aunt was actually analyzing and seeing those notes made me understand the text a lot better and derive more meaning from it, frankly UGLY. "aesthetic" my ass, it's too polished and neat, it's performative, and that lack of genuineness makes it bad to look at. nothing is sexier than underlining that almost crosses out the line below and borderline illegible handwriting tucked into the margins of the page.

[oakfern]

why does consuming content destroy me. i am so bad at this. why can't i just read books and play video games like a normal person

[daddyplasmius]

hand on my stupid heart flashbacks

this is a No One Knows AU & Full Hazmat AU where Danny ended up in the Ghost Zone & didn't go back into the human world initially because he thought he was dead. by the time he realized he is, in fact, at least half alive, he'd already been missing for at least 2 weeks. will probs never finish homsh sorry. i wrote this a couple years ago in a haze & just haven't been able to finish it because i can't replicate the style, which i find is what i love about this fic the most. it wouldn't be the same without it. posting the flashback introsーwhich are meant to be read between chapters/the actual plot, starting after chapter 1ーcuz fuck it. excuse typos & shit, i never properly edited it, as i forgot it existed immediately after i wrote it original description of homsh: Danny Fenton has officially been missing for over a year. Maddie & Jack Fenton refuse to give up on their son. Sick and tired of the police running them in circles, and the case getting colder by the day, the Fentons turn to their last resortーPhantom. 800~ words (full unfinished fic is 20k~)

-

When Danny woke up surrounded by thick, green fog, and couldn’t breathe without swallowing heavy air that was more like water than anything, he was sure he was dead. The portal glowed behind him, illuminating the pitch darkness around him in soft, yellow, warm light.

He almost went back.

Almost.

He was dead. His parents were ghost hunters. They had drilled into his head from the moment he was born that he could never, ever panic in death. That he would accept it. That he would not be scared. So he would be prepared to be brave in the face of death and would not become a ghost.

He panicked. He did not accept it. He was terrified. And so he woke up in the Ghost Zone.

-

Danny went back through the portal when he saw some ectopuses acting… strange. Like they had an idea in their heads. Like they had a plan.

Which was weird, with animal ghosts. He had only been in the Ghost Zoneーmom and dad called it that, he rememberedーfor a couple weeks. Or, he had already been there for two weeks. Or maybe time worked differently and he was there five minutes, or four years orー

The ectopuses went through the portal and, despite everything, Danny went after them.

While he was busy reeling at being home, the ectopuses immediately attacked dad. Danny was horrified. Jack was overwhelmed. Danny stepped in, in a moment fueled by sheer adrenaline and stupidity, snatching a Fenton Thermos™ off a shelf and releasing his shaky invisibility. The ectopuses didn’t stand a chance. And when they were safely in the Thermos, he slowly turned around to dad, ready for the confrontation. Ready for the “what happened to you?” and the “where have you been?” and the “we’ve missed you”.

Dad scrambled to shoot at him.

Danny fled.

His parents didn’t recognize him.

-

The Lunch Lady attacked when Danny was mourning Halloween.

He’d waited all year. He made a costume that summer. He wouldn’t get to go trick or treating with Sam and Tucker this year. Or any year. For the rest of his lifeーor existence. Whatever.

The Lunch Lady appeared in the school and demanded in straight fury, “Who changed the menu?”

Everyone pointed at Sam.

Danny hadn’t known just how powerful ghosts could be. His parents never told him the specifics. Just that they were dangerous.

This ghost grew and her aura hit him like a hurricane, almost physically pushing him back. It was so strong that the students in the Casper High cafeteria seemed to feel it too.

The Lunch Lady was a much harder opponent than the ectopuses. She levitated meat. She used it as a weapon, and seemed to bring it back to life. She created weird meat creatures that grew sharp teeth and claws out of bones. They were mindless, attacking everything that got too close to the ghost. Danny would have run away without hesitation, if Sam hadn’t been in the crossfire.

Danny fought the Lunch Lady. It was a long struggle, but he caught her in the thermos after over an hour. When he turned to Sam and Tuckerーboth of whom he had to save due to Tucker trying to jump into the fightーall three of them bloody and bruised, he cringed. But a part of him hoped. Desperately.

Surely they would know him on sight.

“Wh-what are you?” Sam gasped at him finally.

Danny flinched as if she had struck him. “J-just… your friendly neighbourhood phantom.”

-

Danny didn’t know what possessed him. Oh. Pun not intended.

He just barely caught the Fentons leaving in the GAV, dragging suitcases behind them. He couldn’t help himself. What on Earth were they doing?

They were going to Vlad Master’s mansion for their college reunion.

It was a whole thing. But something was off. Besides all the adults reminiscing about the 80’s.

Danny sensed ghosts immediately but he couldn’t see anything. Unfortunately for him, Vlad could also sense him. It was two days of Danny staying invisible, and Vladーthe halfa? Is that what Danny is?ーtrying to kill Jack. Somehow, Danny managed to fight off Vlad, not turn back, and without the Fentons getting hurt. His secret intact.

VladーPlasmius, also learned about Phantom. And Vlad hated him. The manーghostーwhatever, seemed to only care about one thingーpossession. Of money. Of things. Of people. He was more ghost than Danny had ever seen. Vlad’s obsession was overwhelming.

Danny couldn’t believe someone so much like himself could be so disturbing.

[un-pearable]

i am fine admitting i have a shameful love of shitty crossover fic in which characters get to show up in media i like slightly less and then one-up all the characters there by being competent badasses in ways you don’t usually get to see bc in their normal universe you’re usually watching from said characters pov. but i absolutely loathe reincarnation fic with the same premise. no i do not want to read about midoriya izuku with sonic the hedgehog’s memories just give me sonic the hedgehog

[ottiliere]

I love crawling out of the depths, opening up tumblr, and seeing your art. I love it.

it is quite interesting how social media can fall to the wayside, and people on the internet can just disappear forever if they really wanted to! I admit I struggle to keep up with "public accounts", they are uniquely stressful and I solute your hibernating tenacity. always lovely to see you resurface regardless, thank you very much for the lovely compliment...

I will say in case any of my dear followers were wondering where i've gone for the past month and a half, for weeks i've been pondering how to even broach the enormity of the topic that is: I made the mistake of thinking about my most favorite character for more than 2 minutes in one sitting. I intentionally go out of my way to avoid this and have many strategies to evade this occurring because every time I do enter a sort of hermetically sealed mental chamber where it's just me and him and his life and I begin to ignore all points of previously established social contact and also my health indefinitely. It's difficult to convey the emotional experience of this or its psychic magnitude. and it's hard to say "guys i really love this character!" because that's just words. you can't see it. the 10 years of obsessively thinking about some guy so intensely on&off cyclically until you've made 20 different worlds he's living in... how does one convey the depth of these without artistically depicting them as you see them to be...? i am trying to figure it out. currently planning a longform comic for my favorite and several smaller comics for others, but logically an individual can understand this takes a while... he and I have had multiple rendezvous over the past decade and I wish I had more "historical" art to show but for many of these years I have been a bit too physically disabled to draw, the past several weeks have been spent attempting to recreate his ideal form as he exists in my head. he is starting to come around!

I typed up three separate disquisitions last month to try and explain my feelings on him and none of them felt like the proper vessel to communicate this concept. which is likely for the best. the obvious answer is "just draw him". fine with this being the case, difficult when I have so many drawing ideas I'm now sitting on 100+ works in progress and they just keep accumulating since my brain generates these like an old laptop you leave in the corner of your room to mine bitcoin. in a way I'm content with this being a very "personal" experience thus far, shared with me and those in my inner social circle (really cannot emphasize to my readers enough how fandom can poison your constitution without self-checked moderation). however... I yearn to meet others who are as passionately involved with him as I am, because I think we could coalesce our ideas, and passion, into something beautiful...

^dio brando

[caffeinatedsunbear]

hello guess who watched the haikyuu movie yesterday and reignited my love for the series

[bayofwolves]

So I spent the better part of the last twenty-four hours scrolling through your blog and your rewrite sounds so cool! Is there like a taglist or something that I can be added to for when you post it? I know it'll take you a while and all but I want to stay updated and whatnot.

wow, thanks so much! i can certainly tag you when new chapters and supporting material are posted. let's just hope it takes fewer than 10 years...

[13eyond13]

trying to start S2 Ep 6 of IWTV and I've already paused it like 10x in the first 10 minutes because it's just kinda getting hard to care what they're going on about and I keep getting distracted tbh

[floorpancakes]

[crownmystars]

.

[volfoss]

I really think reading the old cap stuff w both knowledge Bucky will get blown up and also be the second shooter that killed JFK is really adding a lot to my enjoyment of it. Cannot wait to see him get blown up I'm sorry