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motherofagony · 1 year ago

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FIRE WALK - one shot

joel miller x f!reader

pairing: au, no outbreak!joel x f!reader rating: explicit, 18+, minors dni word count: 6.5k summary: a chance encounter at a motel has you crossing paths with a stranger in a blue t-shirt. content warnings + tags: age gap (we'll say 15-20 years), very brief references to past non-con encounters (not with joel, no details just shitty men in general), soft!joel, alcohol, mentions of family trauma and ab*se, unprotected piv, fingering, oral (f + m receiving), A Scene With a Belt™, slight mentions of reader's clothing but no physical descriptions otherwise, love as consumption and women as fruit a/n: this was a brain-worm of a one shot, so i had to press pause on AHFE and get it out. consider it a dirty love letter to strangers with stories in shitty motels. and i have to give the biggest thank-you to @iamskyereads for stepping in and offering to be my beta reader in the final hour. she was so unbelievably thorough and thoughtful and kind. i owe you big.

New-age boogeymen hang two-way mirrors and jiggle motel door handles with broken hangers.

That’s what the news says.

August licks an unforgiving line of heat up your back, and cutoff denim and halter tops do nothing but give the sun more skin to burn.

It’s sweltering, brutal as an Arizona summer is, and The Palms Motel promises a pool and a mini bar on their dirty marquee. You’ll take what you can get, can’t really afford to be picky with fifty dollars in your pocket, but at least maybe you’ll live like royalty tonight.

Some guy you met — Tom, Tim, Jim, whoever — pulls his convertible up to the front office. Your knees knock together over the speed bump, cartilage kissing bone.

It’s the closest you’ve ever come close to a chauffeur, but the chauffeur you see in movies doesn’t usually take liberties with trying to work his grease-speckled mechanic hand up the passenger’s shirt.

You met him at a gas station in Tucson, thumbing your way from northern Texas to put as much distance between you and your whiskey-breathed dad as you could. He’d torn your clothes apart at the seams with his eyes when he spotted you in the parking lot, swimming in blood-infested waters with sharp, sharp teeth.

There was no plan, no directions penned and cities circled on a folded map, just glass in your hair and a final straw.

He asked if you could buy him some booze — revoked license, baby, y’know how that goes — and you shouldn’t have, but when he flashed a leather wallet thick with cash, you knew you’d be stupid not to.

You hid behind a shelf inside the gas station while he idled in the parking lot and plucked a fifty from the wad, stuffing it deep in your bag. You grabbed some shitty malt-something from a fridge along with a 6-pack, flashing the slack-jawed cashier a wink.

He didn’t try to hide the eye contact with your tits, but neither do most men. Sometimes you milk it in your favor, sometimes it just makes your lunch rise to the back of your throat.

And when you’re by yourself, it’s hot iron, ready to strike. A doe in their headlights, a buck with a nice rack. Skipping through the center of their bullseye.

You bought a little palm-sized bottle for yourself and tucked it safely next to the stolen cash in the abyss of your purse. These tiny cons got you by, made power surge deep in your belly. It made loneliness feel worth it, knowing you had an upper hand to lean on if you were ever in a bind.

He bitched about inflation when you came out with less than was reasonable for the amount you spent, and you just shrugged. Not your cash, not your problem.

You bartered for a ride to the nearest motel, and now Tom-Tim-Jim is asking you over the purr of the engine if you need company for the night.

If you were feeling a little more you, you might’ve taken him up on it. Maybe he would’ve even paid for the room, maybe he wouldn’t get angry like your dad does. Maybe he’d be able to fuck you without hitting you.

You’re good at diffusing the temper in most men, can touch them in ways that make them grit their teeth, can be a good girl and go fetch.

But you’re not in the mood to bend, to give someone’s son — someone’s husband with a tan line around their ring finger — a place to wipe their shoes on. You don’t feel like wiping their dirt, your mascara from your eyes and saying thank you while they zip up their pants.

And you sure as fuck don’t fancy being on a milk carton.

“I’m alright, sugar. Thanks for the ride,” you say, dipping your chin to peer over your sunglasses. “I know where to find you, don’t worry.”

Yeah fuckin’ right.

He doesn’t try to conceal his disappointment, just sucks his teeth and squeezes at the exposed skin of your thigh. His way of saying goodbye to something he could’ve dripped sweat on, came in too early. You think your flesh might rot off in chunks.

You open the door and swing your legs out in a way that’s a little too eager.

Tom-Tim-Jim waves solemnly with two fingers up and two bent, and then he’s gone in an aggressive rev.

The motel might’ve been a kitschy dream in its heyday. It’s not a total dump; more of a vintage skeleton of washed-out pink and umbrellas that’ve been ripped by weather and overuse. There are a million faded emblems of cartoonish palm trees. It’s almost endearing how tragic it is.

You can tell that it was popular and swarming with tourists at one time — there are dusty, water-stained pamphlets lining the wall next to the front desk that brag Named one of Arizona’s top destinations in 1996!

A mounted fan whirs and oscillates, but it might as well be someone blowing hot breath down your neck.

There’s a tired woman holding down the fort at the desk with a name tag that claims Brenda, and she looks surprised to see you. You figure most customers are stopping in for a night’s rest on the way to somewhere more important, their final destination. But you don’t look like you have anywhere better to be.

“Hey, honey,” Brenda trickles, laced with an accent that’s more New Orleans than Arizona. “Need a room?”

“Yeah, just for the night,” you say, fishing out your wallet with confidence that doesn’t meet your eyes. “How much?”

“Forty-five a night, ‘less you wanna upgrade to the honeymoon suite.” She looks somewhere over your shoulder.

That’s nearly everything you have, but it sounds a lot like tomorrow’s problem. At least you’ll be safe tonight from the prowling stares of nighttime predators, and the leftover change will give you a decent vending machine dinner.

“Just a normal room’s fine,” you smile, sliding over the crumpled, stolen fifty.

Brenda types busily on the keyboard, asking for your name but nothing else. And when she hands you a plastic keycard, you finally relax your shoulders. Untangle the nerves in your lower back that are choking one another.

Room 17, it reads. Your oasis awaits!

You thank her, spin on your heel, and immediately bump chest to chest with something hard.

You’re eye level with a worn, cornflower blue t-shirt, ringed with a light stain of sweat at the collar. They’re grasping both of your arms to steady you, and you’re snagging the gaze of a tousled man with a bag slung over his shoulder.

“Watch where you’re goin’,” he murmurs, but it isn’t reprimanding or mean like you’re used to, just sickly sweet and Texan. Syrupy in a way that drips right down between your legs.

You don’t remember seeing anyone else in the lot when you’d pulled up. And the stealth of him entering soundlessly behind you sends a jolt of electricity up your spine, the clench of something that would be fear if it were any other stranger.

But he doesn’t look at you with intent to devour or to claim. Just eyes you like you’re anyone else. An equal. The bare minimum, but rare and shiny nonetheless.

“Sorry,” you breathe, and he’s releasing you a little too quickly for your liking. Leaving brands on the creases of where your forearms meet upper and elbow.

“Don’t worry ‘bout it.”

So you don’t.

You brush past him on the way out, a polite nod. And that’s that.

The heat is the kind that feels hotter, unbearable when paired with the shrill sing of cicadas. An endless buzzing that you think might be the sun sizzling on the concrete. If you stood in one place for too long, your flip flops might very well melt you in place.

Your room key clicks to unlock Room 17, and you push the door open to a heavy, humid space that smells vaguely of mold. You’re so grateful for the privacy that you can’t even bring yourself to wrinkle your nose.

Flip flops discarded, your toes sink into shag carpet — a dirty luxury that makes you moan. It’s only been two days since you left home, fled home, but it beats sleeping with one eye open on a bus stop bench.

You up-end your leather bag, dumping all of its contents onto the bed. Cigarettes, some loose film canisters, your toothbrush, a lighter. There wasn’t much time to pack, nothing worth bringing, and the less, the better. Nothing to weigh you down if you had to dip at a moment’s notice.

It takes you only a couple minutes and a light sheen of sweat to realize that the A/C is busted. Smothered, you try to crack open a window in the bathroom, but it’s no cooler than the hell you’re standing in.

When you let Brenda know, she just shrugs with an apologetic kind of half-smile.

“Most of ‘em are out these days, honey,” she says, and you decide then that it’s a small price to pay. “We got someone comin’ to look at it next week.”

You shoot her a smile, figure that she’s had enough rotten backtalk in her day. You scoop a set of flamingo-themed matches from the bowl on the counter and turn around, only to see a familiar blue shirt waiting his turn.

His eyes try not to roam, but he’s giving you a nod and stepping up without hesitation, asking Brenda for extra towels.

The way that she titters and blushes, you’d think he’d asked if he could spit in her mouth.

It irritates you, and you can’t say why.

The door chimes behind you as it closes, and you linger, striking a match and lighting a cigarette. When he emerges, a stack of towels so high it’s hitting his chin, you step in stride on the walk back. Tracing his footsteps, catching up with his shadow.

“You followin’ me?” you quip, a cigarette dangling from your mouth. The cherry ignites on every breath, smoke erupting in tendrils that hug each word.

He answers with a laugh, turns and squints back at you with one eye. Almost as if he was expecting you to ask.

“You’d like that, wouldn’t you, sweetheart? Could say the same to you.”

You stop in front of 17, hand over your brow to shield from the sun that’s winding its way down, getting ready to tuck itself in for the night. There’s nothing that touches your tongue that doesn’t sound exactly like a fuck yes. So you don’t say anything.

“Enjoy your sauna,” he chuckles over his shoulder, passing you with his towels on the way to Room 20.

—

Led Zeppelin filters out through the radio, half-static, half-electric. Your legs are crossed in the air behind you, and you’re posted up face down on the bed, kicking along to the beat while you flip through whatever Cosmopolitan someone left behind in a drawer.

Someone raps a few times on the door, and if it’s a repairman, they’re getting their fucking dick sucked.

You army-roll off the flowery duvet, abandoning a how-to on finding your g-spot, and you peer through the peephole.

Your breath hitches on a soft swear.

When you open the door, you see Blue T-Shirt standing there, skin creasing around his eyes slyly. An unopened beer hangs and swings from his restless fingers. He offers it up wordlessly, the butt of it pointed at you.

It’s ice-cold and slippery to the touch, erupting goosebumps on your forearm. Saliva coats your tongue, and you don’t think it’s the thirst for alcohol, but maybe the tall drink of water.

“Um… thanks?”

“Figured you’d either be dead by now or parched,” he says smugly, and it’s velvet to your ears.

“Oh. Yeah, thanks. I got the fan to work at least,” you mutter, jerking your thumb vaguely behind you.

“Listen, uh —”

He’s rubbing the nape of his neck, and you catch the way the network of muscles flex from his elbow to the seam of his armpit. He looks like he’s in pain, struggling with the fit of a puzzle piece into something rough and jagged.

Something he shouldn’t be trying but has to see it through, exhaust it until it’s definite one way or the other.

You just squint, sucking in the corner of your lip between your teeth. You nearly grin, but it’s much more fun to watch than to connect the dots for him.

“A/C works in my room, so ‘f you wanted to… y’know,” he trails off, not even sure in his own offer. “No pressure. It’s hot as hell outside, don’t want you t’get heat stroke ‘f I can help it.”

This kind of approval you like. This kind that sizzles girl-honey between your legs, winning it from a man that’s playing to earn, not to cheat.

“I try not to make a habit out of going into motel rooms of guys I don’t know the names of,” you harp sweetly. But it might as well be a done-deal.

“D’you make a habit outta accepting beers from ‘em?”

You smile. Typically, yes.

“Joel.”

His hand shoots out, strong and suggestive. Fingers like alligator teeth that’ll grip you, hold you under until you thrash.

And you pluck your cigarettes and gifted liquor bottle from the bed, arms full when you carry them down to Joel’s room.

—

You’re sprawled on the full-size bed next to his, head propped up on hand propped up on elbow.

You’ve been trading your little fist of bourbon back and forth, swapping stories in the same way. Somehow, you fall into it easy like old friends, and it’s nice to follow someone’s lead instead of keeping one step, three, seven steps ahead. Arm outstretched to the door knob, feet ready to break into a run at the change in tone, blackening of pupils.

Without meaning to, you’ve wordlessly agreed that the person in possession of the bottle has the proverbial mic, and they swig to help with details and theatrics. It’s counter-productive in flow, but it makes you laugh when Joel exaggerates the story he’s telling on purpose, reaching out to pass it back and suddenly yanking it back, remembering a shade of gray or a funny expression.

Your knuckles keep zapping each other, brushing a little longer than the time before. There’s no numbness to consensual touch.

Joel’s mid-40s. From Texas, like you. He came to visit his daughter Sarah at college, says she’s growin’ up too fast, doesn’t need her old man anymore. It’s a thrill to see someone talk about their own flesh with love, admiration for who she is and who she’s becoming. You find yourself leaning in, enraptured that there are no IOUs or fine-print that you know to come with a parent’s love.

Mentions of his stubborn brother Tommy who he works with and who just can’t stop getting into trouble. The unspoken guilt that maybe he could be the one to keep him out of jail if he tried harder. It doesn’t work that way, and you tell him so.

You tell him about your dad when he asks about your life, your story, and you don’t know why you do but maybe you know exactly why. No one ever gets close enough to ask, so it comes leaking out of the corners of your mouth.

You’ve never told anyone, not even your diary, not even the guidance counselor who slipped a note to your fifth grade teacher and pulled you out of class. Shaky fingers, shaky limbs when they asked if they could roll up your sleeves just to see and you said no.

Crying because you knew your dad wouldn’t let you go back. Not to school, not to your friends.

You omit the nitty-gritty details, but Joel gets the gist. Swigs his share of the liquor a little too angrily with tight lips. Not like your dad does, but you don’t miss the irony of it all.

He holds anger for you, on behalf of you. It simmers as he listens to you in patient silence, coming to a boil at the bad parts when he gets up and starts walking lines in the shitty carpet. Pretending to look outside in interest at his truck parked at the end of the lot, but gripping the curtains until you can see every expanse of bone in his hand.

You don’t need this from him. It’s a hurt you’ve wedged between the pages of a book and doused in flames of acceptance long ago. But it spreads from your toes to your ears, the burn of someone feeling like this. For someone like you.

He finally settles down in an armchair by the window, a funny corduroy thing that would probably light up under a blacklight on one of those crime shows. Legs parted, a warm stare on the way you take up space on the bed. Facing him comfortably, your vision buzzing around the edges. A loose smile shared as if this room was meant for the two of you all along.

“So, what’s your plan?” Joel’s humming, his words getting lost in an echo of the bottle neck.

You don’t have one. Can’t have one when you have nowhere to go but gone.

It stretches on and on between you — a mouth opened and closed too many times on possibilities. If you admit to it, you end up with pity or an upper hand dealt to a stranger. You can’t afford to owe anyone a favor, nor can you front the cost of needing one.

But you’re so tired.

“Dunno. I’ll figure it out.”

“You got enough time for that?”

And you know what he means. Enough time in the motel, enough time before you’re a thief at wit’s end, doing anything for survival. He doesn’t need to ask to know you don’t have a destination, some relative waiting for you in a California dream.

You’ve excused yourself to the bathroom, soft radio bleeding in under the door, arms braced on the sink, all glossy eyes.

You want him, bad. But he won’t make the first move, won’t take advantage of what isn’t his and what others before him took without asking. You’re a pawn, entitled to the first move. The rejection would kill you, but not knowing would be worse.

He could hold you soft, give you something to think about when tomorrow rips you both in opposite directions.

When you pull open the door, Joel’s frozen in mid-stride towards you, like he’s just made up his mind about something.

He straightens but he’s still. Afraid of moving too fast, saying too much, scaring you into flight. Out of the unlocked cage of his room — something he did on purpose, because he doesn’t expect anything from you and wants you to know he doesn’t.

You meet him in his dusty shag quicksand. You take his wrist in your hand, kiss the thrum of life in the dip where veins meet palm. An offering.

Joel looks like he’s in pain, like what you’re doing is excruciating and thorny. The front of his jeans strains. He’s searching you for any hesitation, any obligation because he did something kind. He knows what currency you feel the need to pay in, and this isn’t that.

“Please,” you whisper simply. And he nods, accepting, succumbing.

There’s a careful meeting of lips, wanting to do it the right way, in the right order. When you push your tongue in, used to the pace of animals, he just holds your face and slows you down. It’s languid, his mouth showing you what sweet and gentle can taste like. Your tongues take their time, and your hands slip beneath the hem of his shirt, all ribbed muscle with a sprinkling of hair.

He shudders against the lightness of your feather-fingers.

Joel’s hands are peeling your shirt off, his thumbs resting to press against pillowy hips. He’s not letting your lips go, something like impatience stirring in you.

Doesn’t he want to fuck you hard? Fuck you fast and selfish?

Isn’t there a catch?

He’s taking his shirt off now, up and over. Carved by Michaelangelo, thrown up on a ceiling in a library book you read once. You’re touching him in reverence, but not letting yourself learn too much of him.

His eyes are molten. Joel walks you back to the edge of the bed, scratchy quilt tickling your thighs when you fall back on it. You start to pose yourself, angles that make you look more desirable, pliable. But he’s not paying attention to that, just unbuttoning your shorts, kissing the jut of every curve and permeating down to the bone, punching out a soft groan when he slides the denim off and sees the shining ambrosia that’s waiting.

He’s kneeling, tugging you down to meet his waiting mouth. And you’re just breathless, flinching when he pulls you apart, guiding your legs over his shoulders and wasting no time devouring you. Your legs, his bib.

Joel’s tongue flicks through the shell of you, teasing you in alternates of quick and slow, starving and full. It feels like a slice of heaven.

You pitch out a tangled gasp, hands instinctively moving to knot in his hair. Anything to hold onto, a different kind of grounding.

“So wet f’me,” he vibrates lowly into you, all husk. “Taste so fuckin’ sweet.”

He sinks a middle finger into you, and you’re keening, hips canting and unable to stay glued to the mattress. You feel him smile against your cunt, just pressing his forearm across your lower half to keep you still.

Joel’s twisting and working into you, onto you, and you’re so fucking close from just this — a tiptoeing to the edge that grows longer, more erratic in stride. He sucks your clit — pulsing sensitive, so swollen — into his mouth and grazes it with the tip of his tongue just so. Baring his incisors and closing around you in a delicious scrape like a Venus flytrap taking its meal.

You think you see God behind the flutter of your eyes.

You’re close enough to warn him, to rasp it out in the symphony of moans. His free hand reaches up to roll your peaked nipple between his forefinger and thumb, and he stretches you with an added ring finger. You’re writhing. Possessed.

He’s watching you through thick lashes. Letting your heels dig into his shoulders as the drenched sounds of you fill the room.

“Joel, please — I’m gonna —”

“C’mon, pretty girl,” he just murmurs.

You feel that little pull at your navel.

And you’re tipping in a freefall, seeing stars. You clench down around his fingers, fingers that are still pumping against that spongy spot deep inside you. Your arousal gushes, wet and sticky against the scrape of his beard. He laps you up, the sight making heat creep up your chest and wrap around your neck.

When he lifts his head, he’s high on it. Pupils dilated like tiny, round moons. Your orgasm glistens on him, smeared over lips and chin. The fur of a peach peeled back far enough to sink teeth into.

It’s fucking filthy.

Joel places open-mouthed kisses from your hip up to the center of your breasts, a trail of your orgasm shiny on your skin in perfect, sloppy Os. His breath meets your throat where he nips at you, and you don’t have time to drag in a breath before you’re tasting the saltiness of yourself on his tongue.

Your fingers fumble on his belt, practiced with years of releasing the tension on the metal prongs, the slithering sound whooshing from the loops of pants. You’re good at it, like you used to be good at gymnastics until your mom stopped getting out of bed to drive you.

There was always a little gold for contorting your body.

He detaches from you unwillingly, putting all of his weight on his knees and shins as he straddles the space of your thighs.

You’re pulling yourself up in a sitting position, pushing denim and boxers down past his hips. Letting his cock spring free, the head a dark pink and beaded with precum. You swipe the flat of your tongue against it, peeking up at him while you soak up the taste of it.

When you push the length of him into your mouth, ridged hard with veins, Joel tips his head back, chin to the ceiling. He groans something brutish yet helpless, cradling the back of your head. You’re seated in the driver’s seat, all control.

It’s new, different.

But then he’s moving his hips back, pulling himself from your mouth, wiping the saliva from your chin with a steady thumb.

“Don’t need t’do that,” Joel whispers hoarsely. “Not ‘f you don’t want to.”

Confused, you knit your brows. He laughs darkly, shaking his head.

“Didn’t mean it like that, it’s — it feels fuckin’ good,” he says, awestruck. “Would just rather make you feel good instead.”

Oh.

He doesn’t wait for an answer or a negotiation. The rest of his clothes pool on the floor in a pile, and he’s climbing back over you, an anchor or a buoy in a storm.

He lines himself up at the seam of you, puffy and so wet from before, nudging the tip of his cock at your warm center. A thumb coaxing the bud at the apex of you in lazy circles.

Joel’s sliding in slowly by each inch, filling you full until there’s nothing left and his patch of hair prickles the pearl of your clit. All you can do is whine and tense around him.

He’s resting tentative hands on either side of your face, indenting the weak mattress with handprints. He groans, but he doesn’t move. Doesn’t give in when you try to rock against him.

“This alright?”

You’ve forgotten how to do anything, hoping that digging your fingertips into his forearms is communication enough.

“I’m gonna need a yes, baby.”

You feel around in the dark for the tether back to your body, and it jerks you like a marionette, giving him a nod.

“Yes. Fuck.”

That’s enough. He’s rewarding you with a roll of his hips, and you feel like you’re on fire. It’s a stuttering, painfully slow pace at first, his mouth so close to your ear that every grunt is amplified. But it evolves into something eager, unsatiated, snapping up into you with a relentless sort of fucking.

He’s hitting that place so deep within you, letting you unravel and grow hoarse from the moans tearing their way up your throat. That pressure is roiling, the kind that you get only when you touch yourself but intensified by a million.

It just feels so right, because there’s nothing to prove.

You’re ships passing in the night, strangers making a pit-stop on the way to nowhere. There’s no backstory, no history to make mention of. No shame in the morning when he inevitably rolls over and pretends to be asleep, and you scrub off the smell of him with your provided travel-size shampoo.

It’s not love, but it might be the closest you ever get.

The glow of him above you, a deity with his face screwed in agony. Chasing after you when he feels the tightening of your cunt, the easy glide of every thrust that tells him you’re close.

Then, you’re snapping like a rubber band. Gushing in a dripping mess that trickles to where your ass meets thigh. Crying without tears, overstimulated but blissful. Joel is quick to follow, like he’s been waiting his turn.

He’s trembling, emptying inside you in a warm flood. Groaning low and beautiful, gripping your hips to keep you flush to him.

When pulls out, tearing himself away, he’s slinging an arm over his eyes on the pillow beside yours. One hand on your leg to make sure you don’t go anywhere.

“So fuckin’ perfect,” you hear him mutter.

At some point you drift off, his arm draped over you. You open a bleary eye to a neon 2:49AM that casts a halo over the nightstand. Joel’s tucked you in, the thin duvet snug up to your shoulder. He’s not snoring but not not snoring, just breath getting caught in his throat in a satisfied, well-spent way.

It’s all too much, too pure to be real.

Before you let yourself change your mind, you slink out from under the warmth of your generous stranger. You step in your shorts one foot at a time, tugging them up gelatin legs too springy from coiling and uncoiling.

You promise yourself that you��ll take just one mental picture as a keepsake, and it’s this. A sleepy Joel who will be well on his way to a second cup of coffee on the way out of Arizona, maybe even nursing a little headache behind his right eye. And he’ll remember an apparition of some girl he fucked in a motel. The touristy thing to do, a sight to see.

He might even tell Tommy, say you were a crazy little thing with too much baggage, but it was fun to stay up past his bedtime.

You don’t mean to do it, really you don’t, but you flip through his wallet that lays innocently on top of the TV.

If you take a little something, that’ll turn this into another one of your stories that you tell your kids born from a loveless marriage somewhere in the crevices of a future from now. It won’t pull on the tendons of your heart.

And it won’t mean anything. You won’t let it.

—

The next morning, there’s a soft knock at the door, and it’s probably housekeeping kicking you out for overstaying your welcome. Time to turn down the bed for the next lost soul. You imagine Joel’s long gone, hopped in his truck and back to a reality you’ll never meet him in.

Your fingers are slow to gather up your purse, and you’re shoving your toothbrush in from its place on the sink.

“I’ll be out in a second!” you yell in a voice that reeks of years of diner-flavored customer service.

More persistent knocking that borders on pounding. It shakes the chain in the deadbolt.

You’re yanking open the door, and there’s Joel, white shirt and jeans. And it isn’t that cushion of admiration from last night, no greeting with a chaste kiss on the cheek.

Just a wolf coming to claim his continental breakfast.

Fuck.

You try to shut the door, suddenly too ashamed of what you’ve done, and to someone undeserving. Someone that showed you kindness, empathy.

But his boot catches the door before it can close, and he’s inside, slicing through the space between you. It’s not quite anger, but it’s shadowy. Sardonic.

Your shoulder blades kiss the cheap wallpaper.

“You’re real funny, y’know that?” he starts, and he’s smiling but not really.

Shrinking small, so small that maybe you’ll disappear.

There’s a tick of silence. His thumb skates to your collarbone and then to the hollow at the base of your throat. He wants to squeeze but he doesn’t, his fingers wrapping loosely around the column to fix you there. Heat creeps up the back of your neck into your hairline.

The instinct to flinch bubbles up against your joints, but you can’t bring yourself to.

“Y’think you can fuck me,” he muses, disgustingly deadpan, “‘n steal from me.”

Dread weighs heavy like lead in your stomach. You can’t stop yourself from shaking your head, still playing dumb.

He bristles at that, thunderous. You both know it’s a lie; you’re a hundred dollars richer than you were last night. His fingers briefly flex around you in a way that you’ve seen before, and horror hits a fever pitch in you.

Tears prick your eyes, and you’re putting your palms on his chest and shoving, but he doesn’t give. Unstoppable force meets immovable object, and all that.

It’s not so much the blaring punctuation in a sentence, the ticking of dynamite ready to blow. He’s confronting you with proximity, with your own dishonesty. Wanting to shake you and tell you that it doesn’t have to be this way.

Joel just leans in closer, almost grazing noses. You try to breathe around the lump of panic.

“The hell’s the matter with you?”

It’s disbelief, it’s hurt. In the same way, it’s understanding, incredulous. It’s him stepping back and loosening the hold around your neck like no one’s ever done; it’s softening and imploring.

He’s shoving his hands in his pockets, guilty and recoiling. Sorry he could even make himself look like one of them — a forced penance in the flesh.

There’s no answer that can justify what you did. Nothing simple about nothing personal. But truly… that’s all it was. A pie wafting steam on an open windowsill. Something to make you feel better about the void he’d leave.

“‘F you needed money, you coulda just asked.”

He’s disappointed, desperate. In a tone that really says, I would’ve done anything you wanted.

A dam inside you gives, crumbling deep at the foundation and knocking the walls down around you. Words don’t come, but you shove your hand in blind into your bag, pulling out the loose bill and extending it.

Joel sees the regretful offering and your heart with x-ray vision. That you think of yourself as a doll, less valuable without her box. Used without tags. Free to a good home.

He shakes his head, the softness of a keep it barely peeking out of his mouth.

You’re skinning yourself raw, wanting another way out but having none. With half a mind to say that the next night could come with fangs.

You feel the stab of relief, and shame. So much shame.

Like a soothsayer, he foresees the coldness of a bench, the shrinking of you into the safety of an alley.

You drop to your knees in exaltation, thinking you know what’ll fix this. You can’t see through the watercolor blur of your tears, but you touch his belt with fingers that are cold to the tips.

But Joel knows what you’re doing, shaking his head no no no.

He won’t let you do it like this. He drags you up gently by the elbows. Pulls you into his chest, says stop stop stop. Kisses your hair, then your lips. You cry until he can taste the tears, until the front of his shirt is damp.

“I’m sorry,” you rasp out roughly. “I’m so sorry.”

He tells you to never say sorry to him again.

—

Joel pays for a room for two more nights, but only one — his with the working A/C.

You move your toothbrush and your bag over to Room 20.

You go to the pool, swimming laps around him in a tank top and your cherry-embroidered underwear, squealing and splashing in a flail when he swims underneath your legs and stands up to hold you on his tan shoulders.

Sunscreen streaks greasy on your stomach when you lay out together on the loungers after. Joel likes a cat-nap with his face under a towel, grumpy and tired from the sun. But he never snaps at you, never gets impatient when you ask too many questions while he’s dozing off.

You learn the pinched expression he makes just before he comes. That his right palm has hundreds of lines you can see best by lamplight. He misses the noise of Sarah in his house, of sharing the coffee pot with someone. He doesn’t like the small piling of toast crumbs left only by him on the kitchen table.

He learns that you apologize for wet, clean hair on his pillowcase, for laughing too loud. Things that don’t need a sorry. A collection of oversaturated manners that might take time to unlearn, but he promises to teach you.

He learns that you approach an orgasm with tentative toes in cold water, almost unbelieving that sex can give, give, give instead of take, take, take. He learns that you like the meeting of eyes when he’s buried between your legs, pushing your thighs apart to keep from suffocating. That when he does let you get on your knees for him, you know just the spot to caress with your tongue on the underside of his cock.

Joel’s belt is snaked under your stomach, across your hips, fists intertwined in the leather as he pulls you back, slams himself forward. It bites and creates indents in your flesh, and you don’t care. He gives you marks to love, to admire in your reflection, never ones that are ugly. Never ones out of hate over spilled milk.

There’s a dirty slap of skin, growing louder, competing with your moans. Your nails are tearing into the cheap sheets, and Joel’s so close but won’t come until he coaxes another out of you. A grand total of at least four by now, but you’ve lost count.

At long last, you splinter around him. Pitching off the cliff in a cry. Joel’s leaning — his chest, your back — and spilling deep, holding onto you for dear life. You hear him whimper in a strangle. Big, tough game that’s been taken down with an arrow in his chest.

Hot tears are flowing out of you, stuttering sobs close to follow, and Joel pulls out slowly. Seems to know why. And he rolls you over, into him, hand careful in slow strokes against your hair.

You’ve never been good at goodbyes. Maybe that’s what this is.

Men like to say that women like you are insane, too analytical, too tear-streaked, too conscious of the way they look when they sleep. Because waking up with your mouth open, a drying corner of drool threatening your cheek is too human, not pretty.

Sometimes women like you are dead, rotting pomegranate flesh. Long forgotten in decay on the ground when the weight became too heavy to hold yourself up. And those men pick up your seeds and shove them squelching back into places where they don’t fit.

The winters come bitter and harsh, but you’re always reborn in the spring. And without fail, you grow back fiercely into a tree reminiscent of Eden, low-hanging apples plucked and bruised and bitten into once and spit out in tart disgust.

Women like you choke men like this with your pits, strangle them with vines, poison them with berries. They can consume, but so can you.

But then, in the ripe, cool shade of summer, you’ll have a visitor like Joel that will come with a basket and a blanket and they’ll stay and read books beneath you. They’ll enjoy your fruit, you’ll drip from their mouth and dry tacky like flypaper, and they won’t be able to imagine a day before you.

They’ll collect all the pieces of you on a Tuesday morning and give you change to get a Coke after checkout. They’ll tuck you into the front seat of their truck, let you put your feet up on the dash, hand protective and calm on your thigh while the other steers you both back to Texas. A new home without shouting and bottles thrown.

And they’ll stay through every season.

#joel miller fanfiction #joel miller smut #joel miller x reader #the last of us fanfiction #the last of us smut #the last of us au #joel miller x you #joel miller x f!reader #joel miller #tlou fanfiction #fire walk #my writing #joel miller one shot #motherofagony

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sarah-yyy · 5 months ago

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Jie jie, what is The Double about?

hahahahahaha i was waiting for someone to ask!! mr r has bailed on me at work again and bossman has the man flu so it's just. me at the office today. working my ass off for partners who are trying to Kill Me™.

what: period cdrama // completed // 40 eps, roughly 45 mins each where: youku (standard disclaimer that i don’t watch with subs so i don’t speak to the quality of eng subs) // i think viki is picking this up?

this is xue fangfei. daughter of a small town magistrate. married a poor scholar for love against the wishes of her dad. this turns out to be a bad, bad, bad decision because he ends up burying her alive in the mountains sometime post-marriage. :)

this all happens in like ep 1, we're just getting started.

xff ends up being rescued by jiang li, who is the prime minister's kinda-sorta-exiled daughter. jl has been stuck in a kinda-sorta-nunnery in the mountains for the past 10 years because of her evil stepmother.

i'll skip past all the other bits because there is a bit of a backstory about what happened to jl, but long story short!! jl dies (kinda-sorta-because of xff). xff decides to get justice for both herself and jl. her plan is:

1. become jiang li 2. go back to the capital 3. ?????? 4. profit make everyone pay

this is xiao heng a.k.a. su-guogong (the translation is duke su but it sounds weird to me so i'm going to stick with su-guogong). he chances upon xff while he's trying to catch a criminal.

xff, who is in the process of executing her Escape Plan, decides eh, any way to escape will do and lets s-gg arrest her to take her back to the capital for interrogation.

(yes, this is wang xingyue who played zhang zhe in kunning palace. yes he looks a++++++ in this show. i am obsessed.)

side bar, counsels, for a bit of very important information -

su-guogong recognises xue fangfei!! he knows 100% that she is not jiang li and that she is going to cause some chaos. he is Committed™ to watching this drama play out.

ANYWAY. this is the loose premise of the show. it's been fun to watch, and i'm enjoying this a lot!! why should you watch the show?

wang xingyue looks so good in this!! the fans? the capes?? i am obsessed!! everyone in the costumes department deserves a raise.

the story moves quickly and doesn't really drag on. so far, it's been nothing complicated and interesting to watch - i wouldn't say this is a plot-heavy show, just a v good 宅斗 for now, but i'm only like 10 eps in.

the torture my ex-husband who murdered me by showing up in front of him and saying all the right things to remind him of me and the fact that he killed me is so good - normally when this happens, the person looks nothing like their former self, but!! xff's looks haven't changed!! so she's just out here going - hi i am jiang li now and oh btw do you know how cold it is in the mountains where you killed me :)

look i'm......intrigued by this whole shen yurong (ex-husband) and the zhang-gongzhu storyline. i want to see how this whole thing plays out!!

eta: quick post-watch thoughts (may contain spoilers)

a v enjoyable drama!! this is a 爽剧 for reals, like all the plot points get wrapped up and we get a few cute snippets into their happily ever after!! i'm a bit :/ about the way the last few scenes were done in ep 40 (the side character deaths??? extremely unnecessary 🙄🤬 actually the whole war scene was unnecessary but i'm not complaining too much because it gave us That Scene), tbh the whole thing looked more OE leaning BE than HE to me, so the 番外 was quite important to me!! glad we got that!!

shen yurong and zhang-gongzhu both turned out to be so much more interesting than i thought!! a+++ villains, v well-written, and both actors played them beautifully 👏🏼

still an 8.5/10 rec tbh, started strong and held my interest the entire way through

#tv rec #the double #cdrama

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itsclydebitches · 6 months ago

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By this point we’ve all seen a hundred “Lucy had a crush on Cooper Howard and doesn’t realize he’s the Ghoul” takes (which feed me during the hiatus, thanks), but just for the lols I’d love to see the reversal: Lucy hates this guy.

Cooper Howard is her personal White Whale. Lucy hate-watches his films and nit-picks every scene like someone is paying her caps to do it. Whatever the opposite of a blorbo is, that’s Cooper. She woke up one day and chose violence against this 200 years dead actor in particular… but, you know, in a PR approved, Vaultie kind of way. Why the hate? Who knows. Probably a combination of her dad showing her Cooper’s debut film right when she hit that tween age where liking what your parents like is soul crushing and the fact that if she didn’t have this emotional outlet she’d probably explode. It’s the one (1) thing goody-goody Lucy is irrational about and Norm takes endless pleasure in it.

So she’s traveling with the Ghoul, right? Not a whole lot to do while traversing the Wasteland, especially when your companion is blatantly ignoring you and the pip-boy isn’t picking up any radio signals. So when Lucy is able to open that wound again she starts talking about her dad. The books he liked. Jokes he told over dinner. His favorite pair of socks. Silly, inconsequential things that don’t touch on the weight of his betrayal.

Eventually, Lucy talks about the movies they used to watch.

Eventually, Lucy is comfortable enough—and bored enough—to segue into epic rants about Cooper Fudging Howard. For hours. Nothing escapes her passive aggressive, couched-as-constructive-criticism bitching. Not his acting (“Really, he’d benefit from learning a gesture other than sticking his hands in his belt”), not his looks (“Who decided to put him in those pants in Master of the Ranch? Although, Dad says Howard is the one who requested them…”), not even his unintentional impact on the family (“I swear if Dad makes me watch A Man and His Dog one more time…”).

All the while Cooper is walking a few paces ahead. Seemingly stoic.

Actually losing it.

What’s he even supposed to do in this situation?? He hates himself, but not like that. Cooper doesn’t have any desire to talk to Vaultie (that’s a lie. He’s good at lying to himself), but suddenly he wants to turn around, finger held aloft in the air (hers), and correct everything coming out of her mouth—whether he truly disagrees or not. Hands-in-belt is a classic cowboy pose. He loved those pants.

Cooper is Struggling™ and they haven’t even hit the strip yet.

Bonus points: Somewhere along the line they get together and Cooper starts angsting over whether Lucy will leave him. Not because of the radiation damage, or the murder, or the cannibalism, but because if she ever finds out he’s Cooper Howard she’ll absolutely abandon ship. Or kill him. Either option seems likely at this point.

Lucy: Are you ever going to tell me your name? Cooper, literally in bed with Lucy post-coitus: …That’s a little personal, sweetheart

#Fallout #the ghoul #Lucy Maclean #ghoulcy #Cooper Howard

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coralhoneyrose · 9 months ago

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Why Chrom Fire Emblem is The Husband of All Time: An Essay

SO. There was a screenshot going around of a reddit thread asking about how Chrom has managed to maintain such lasting popularity as a Fire Emblem husband even 6 years after Awakening came out. Given how beloved he still is another 5+ years later, I could not resist taking the opportunity to talk about just what I think makes him so great and endears him to players.

Character Introduction:

Let’s start out the same way Awakening does—with Chrom’s in-game introduction. This is one of the immediate ways Chrom sets himself apart. The game boots up and before anything else happens, Chrom is there expressing his unshakable faith in the player character. You take down the Bad Guy™ together, he turns and gives you this wide, puppy-ish smile and then you push him out of the way to take the hit from an oncoming spell in his stead. Right away you know this is someone your player character cares about deeply—and clearly that care is returned, because he’s immediately running over to make sure Robin’s alright.

Of course, as we all know, things go south very quickly after that. But as the cinematic plays out, and you proceed to watch yourself stab him in the chest, the *first* thing he does, the very first words out of his mouth are: “this is not your fault”. Chrom has just been completely blind-sided and arguably betrayed by his best friend, possibly his spouse, and his immediate instinct is to absolve Robin of guilt. He is literally more concerned about Robin blaming themselves for what happened than about his own imminent death. That alone tells you so, SO much about the depth of their relationship. It tells you both how deeply Chrom cares and how well Chrom knows Robin too. And not only that, but his final request, the ONE and only thing he asks of Robin before dying is that they will promise him they will escape from this place. In his last moments, his single “selfish” wish is for Robin to assure him that they will do what they can to survive. Chrom’s final request is for Robin to give him the comfort and peace of mind he can only obtain through the assurance that even though he won’t get out of there himself, Robin will. He just wants to be able to die believing they’ll take care of themselves and be alright—and knows them well enough to realize that unless he makes them promise, they likely won’t.

AND THEN. And then!!!! You jump cut to Robin waking up in the field with all the sunshine and Chrom’s smiling down with the softest expression and his ridiculously blue eyes. He lifts Robin up by the hand and pulls them right up to his face (because he has no concept of personal space, apparently) and OUUuuggh.

Those scenes in direct sequence make me so insane. You get Chrom’s life ending with Robin immediately followed by Robin’s life starting anew with Chrom. Chrom’s unwavering faith in them and his eagerness to extend his hand and bridge the gap between them from the moment they meet until his last breath. The warmth and kindness and love that Chrom treats Robin with is communicated so effectively in the first few MINUTES of the game it honestly makes me feel unwell. Showing how profoundly Chrom cares for Robin immediately endears him to the player. And he only gives you more reasons to love him as the game goes on.

Personality:

There can be a tendency in some corners of fandom to simplify Chrom to just being either a generic prince charming type character or a lovable himbo. I’m not here to police how other people enjoy him, but I will say that those characterizations fail to get at some of the aspects of his personality I find most compelling.

Chrom is deceptively nuanced. While there are certainly ways in which he aligns very closely with the standard jrpg protagonist, I suspect that a lot of his enduring popularity is the result of the ways he deviates from it too. He is brave and loyal and cares deeply for his friends, yes. He has profound conviction in his ideals and strives to do the right thing, as is typical for that archetype…but what makes Chrom so lovable is his determination to keep trying to be good in spite of the ways it does not come easily to him.

We see this in the Valm arc, when he’s struggling to reconcile his own beliefs about justice with his sister’s ideals for peace. We hear echoes of it when he talks about the horrors the Ylissean people endured at his father’s hand and how despite that, he has never been able to understand how Emmeryn forgave them for the cruelty they once directed her way. He has so much admiration for his older sister’s ideals despite the fact that peace is not his first instinct.

When Emmeryn first sacrifices herself, Chrom is consumed with grief and rage, and it takes some time for him to understand why she made the decision she did. “Peace above all else” is just not how he’s programmed to operate…yet he wants it to be. If you count the drama CDs as canon, then that serves as another excellent example as well—where the message of his sister’s sacrifice is so lost on him that his first instinct is to respond to it with violence and prejudice and hatred directed at the very people she sought to reach out to. For a moment there, we see him veer from the person he wants to be towards what we as the player can only assume is the person his father left him afraid that he would become.

And yet he finds his way back. He stumbles, he lashes out, but his love for his friends and fear of losing more of those he holds dear is able to help him course correct.

I love that tug-of-war in him. I love that we get glimpses of the darker paths he could have gone down and that there are tangible consequences for his mistakes. Early in the game, we see Chrom lose control of his temper and how Gangrel and Aversa are able to take advantage of that to officially declare war on Ylisse. Chrom later tells Gangrel that were he alone, he can imagine losing himself in that need for vengeance but reiterates that it’s love that is able to keep him from succumbing to that.

And it’s not only that he’s able to stop himself from being horrible—his losses are the catalyst for him coming into his own as a leader. He’s able to pick himself up and hold himself together to see their troops through the rest of the war. And he manages that despite the fact that in the course of mere days, he lost both his home and his most important person and has been freshly saddled with the duty of ruling an entire country. That’s…a lot. And really goes a long way in demonstrating Chrom’s incredible strength of character and conviction. We get some wonderful moments of vulnerability where he confesses to being riddled with doubts about his own capabilities and worthiness, but in spite of that, he is still determined to try to be the person that Ylisse needs him to be.

All of this leads me right into another wonderful aspect of Chrom’s personality, which is that he is just…so driven by emotion. He feels DEEPLY, and while the narrative definitely uses that as a way to hurt him and force him to grow at times, something that really stands out to me about Chrom is how the story isn’t here to send a message that it’s wrong for him to be that way. Chrom’s big feelings are one of his greatest strengths in addition to his greatest weakness—they’re what saves his life and ultimately Robin’s too, if you go the sacrifice ending route.

And ya know what? I honestly think that’s such a breath of fresh air. I love how much he does NOT embody the emotional disconnectedness that you see pushed a lot of times with stereotypical masculinity. I love that he is the hero, and he's gallant, and very traditionally "manly" in a lot of senses…AND that he's also very emotional and guided by his heart. If you’re playing with f!Robin then you wind up with a really refreshing inversion of gender stereotypes from that: in which Chrom is the emotional decision maker and Robin is the more calculating and logic driven of the two.

Beyond his big heart, I can’t talk about what’s so charming about Chrom’s personality without touching on the ways he embodies a certain level of gap moe as well. Chrom is so stern and serious, as well as quite charismatic when he’s speaking from a place of passion. But on the flip side of that, we get to see him as an absolute bumbling mess when he’s out of his element. He’s easily embarrassed / flustered, self-conscious about his appearance, and often socially awkward where romance is involved. While these traits may seem of minor importance compared to the whole rant above, I think they’re really important for humanizing and rounding him out.

There are lots of other nuances to his characterization that go a long way in fleshing him out too. Despite being a prince, Chrom is blunt and completely unmindful of formalities. That, along with his impulsivity, definitely gets him into trouble sometimes. He’s melodramatic and blisteringly sincere. He’s a little bit clumsy and doesn’t know his own strength. He has a dry sense of humor and can be surprisingly funny. He’s optimistic and trusting—not due to naivete or stupidity but because he has decided that giving people chances and believing the best of them is an important value to him and one that is worth embodying in how he lives his life.

Lucina’s presence in the story and his immediate and complete acceptance of her is an extremely effective way of demonstrating what an incredible father he is too. Honestly, he just has really wonderful relationships and deep admiration for a lot of the women in his life and that absolutely earns him points in my book (and I suspect in many others’ as well). When you look at all of that together, I don’t think it’s hard to understand why he’s so beloved.

Design:

Slightly less serious note here, but I think it warrants discussion regardless because character design absolutely contributes to player’s feelings about and interpretation of a game’s cast members.

And Chrom is…well, he’s eye candy, honestly. He’s got the nice, exposed arm, the messy blue hair, the completely nonsensical outfit he somehow manages to look handsome in anyway (his questionable sense of fashion is a charm point, okay?). Add in the square jaw and the surprisingly long eyelashes and he’s just. He’s very pretty. Idk what to tell you. Bonus points for the summer scramble cg where he has the most inexplicably flat butt of all time. And I really do believe that some of the oddities of Chrom’s design lend memorability to him and go a long way in setting him apart from other lords in the series with similar design concepts. The insistent asymmetry across many of his outfits, the fact he’s showing a little skin, idk it just WORKS. Chrom is hot, I don’t make the rules.

Relationship with Robin / the Player Character:

Last but not least, I want to talk about Chrom’s relationship with Robin.

I touched on some of this in his character introduction already, but Chrom is just…the biggest Robin stan. If Robin has only one fan then that is Chrom. If Robin has no fans it’s because Chrom is bleeding out on the floor with lightning in his gut.

He just has such deep respect and admiration for them. He values Robin’s opinion and insight and thinks so highly of them and their ideas, often serving as an enabler in many cases (setting the boats on fire, the volcano, etc.). Chrom’s faith in Robin is SO unshakable that when his daughter tells him that Robin is going to be magically controlled and forced to murder him, his response is, “That won’t happen because Robin and I love each other so much that everything will somehow be okay. No, I will not elaborate.” And ya know what? He was RIGHT. Their bond DOES wind up being so strong that it’s able to change fate. The narrative is quite literally validating his slightly ridiculous insistence that him and Robin just care about each other The Most of Anyone Ever. He is Robin’s biggest advocate from the moment they meet when he defends them from Frederick’s suspicions all the way to the game’s close when he either assures Robin that their life was worth preserving or, as in the case of the sacrifice ending, that he will spend the rest of his own life searching for them until they return.

Honestly the fact that Chrom was willing to potentially risk dooming the whole world to the fell dragon’s awakening 1,000 years down the line just so he doesn’t have to lose his comfort tactician is WILD. For the game’s hero to literally say “we don’t have to defeat this evil for good, the people of the future can figure it out” JUST so he can keep Robin is absolutely unhinged behavior and I love it. I think it’s incredibly humanizing that he’s a little bit selfish about the people who are most important to him…that despite his willingness to sacrifice himself or run headfirst into danger, he draws the line at losing Robin because he’s already lost his most important person once and he’s not going to let it happen again. Chrom and Robin absolutely come across as a little codependent and a lot obsessed with each other and personally I wouldn’t have it any other way.

And then there’s his love confession to Robin. GOd...

I think that’s the most flustered Chrom appears in any content in the entire game…and it’s because he treasures their friendship so deeply that he is petrified about messing it up or saying the wrong thing. I love that he goes into their S support dead set on NOT telling Robin what is going on but the second he realizes that Robin is under the impression he doesn’t care about them or like spending time with them anymore he is so horrified and desperate to correct that line of thinking that he blurts out the full love confession on the spot.

He’s SO earnest throughout the whole thing, but then at the end he hits you with the whole “this is the best day of my life”, and the “You are the wind at my back and the sword at my side. Together, my love, we shall build a peaceful world, just you and me” (thank you Matt Mercer for your services), and the cg image of him staring right at Robin with what are basically heart eyes and. I just. There were no survivors.

That’s not even their only proposal / love confession scene either! The fact that the game gives us an entirely separate alternate proposal that’s more serious in tone is the icing on the cake. How many ships out there can say that they get not one but TWO canon proposals that are both that good? Truly no one is doing it like chrobin.

Closing Remarks:

Chrom is a well written and nuanced character who struggles and grows over the course of the story while always remaining true to himself and his ideals. His intense and unending trust, admiration, and love of Robin endears him to the player from the moment the game begins all the way to its conclusion. He is kind and good while still being fundamentally flawed (and it doesn’t hurt that he’s very handsome to boot). Bearing all that in mind, while the message of Awakening may be that nothing is inevitable, Chrom’s conceit and execution were always going to lead to MANY of those who play the game coming to love him and pick him as Robin’s husband…and there may be no greater evidence of that then the fact I’m out here writing all of this eleven years after the game’s release.

#Chrom #Chrom Fire Emblem #fe 13 #fe: awakening #chrobin #meta #character analysis #text post #Don't mind me I just have a lot of Chrom feelings all the time

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drabblejester · 13 days ago

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I love your impression of Sampo!! Like yeah, he'd do This™ and That™ as according to your posts. Like, I think yours has the most simplest yet most accurate depiction of Sampo here!

Could I request Sampo, Gallagher, and Mr. Reca would do on their first date? Inspired from the other ask you did for 'overhearing the confession'

-G⭐

what VARIOUS HSR GUYS would do on your FIRST DATE!

requested by: G⭐️ !!

pairings: sampo, gallagher, and reca x gn!reader

content warnings: none!!!

comments: TYSM FOR THAT MY LIEGE.. i usually ‘dumb’ my sampo down actually bc theres no way i can fit all my thoughts on him into one little postHEEHE!!!

GALLAGHER:

he’d take you to his bar!! easy as that. it’s nothing grand or special, just his good ol bar. he serves you up a few drinks and you have a great time!

mostly, you guys talk. gossip about people, random tabloids you both found, fun facts about the other, etc. that’s also how you get to find out about misha and sleepie (and you adore both of them <3)

he’s much more gentle and warm towards you, quieting down his voice a bit so he isn’t that startling. he still has his drawl and everything, just in a lighter tone. in general it seems like he just got a bit younger!!

he jokes about you helping him out with the bar later, and you agree. so as a ‘second’ date, you guys get to work together! yippee! you get paid with free drinks and your first kiss with him <3

SAMPO:

you guys go visit some historical sites in belobog together!! he’s VERY knowledgable in them, and takes his time with you. you cruise through museums and even out in the cold, pointing at abandoned machinery and cool architecture

he absolutely talks more than you no matter how talkative you may be. partially out of ‘i want this date to go well and for them to see how cool i am’ and also out of ‘I AM SO NERVOUS RN’. thankfully he has a very engaging voice, and you love listening to him ramble :3

he tells a few tall tales in between, typical stories and fairytales that kids would like to hear. makes sense seeing as how he does talk with hook a lot.. and even at your age, they’re still fun and interesting! he’s an incredibly good storyteller

and at the end of the day, he wraps his dingy little jacket around your shoulders and takes you back to wherever he lives. he gives you a few snacks and the most delicious DIY hot chocolate ever before asking you SO many questions about how you thought of the date. you mumble something good before you fall asleep, which is enough for him <3

MR. RECA:

as he said before, he wants to cast you in the starring role of a romance movie with him as your lovely boyfriend. he makes PLENTY of jokes about it too, constantly rambling about how fun it’ll be. it counts as a first date i guess???

you two are an AMAZING duo together onstage and offstage!! his performance is amazing to the point where you actually feel like you’ve fallen for him impossibly more… the role he’s playing is a cheesy romantic ol guy, and AEONSS ABOVEE if you don’t treasure it

he lets you customize your role however you want! so you decide to simply play as yourself to max out your reca romance exposure. he plays along and switches the script around just for you, before going on set to dance around with you a while more

at the end of the day, both of you make lovely comments on your acting (although you weren’t really playing a character), laughing about certain moments in the scenes before he sends you home. and of course, he waits for you to enter your house before he leaves, just like his little gentleman role in the movie <3

i’m going to make some ramen my lieges do you want any

#writing blog #x reader #honkai star rail #ask blog #honkai star rail x reader #hoyoverse #headcanons #gallagher #gallagher x reader #hsr gallagher #sampo #sampo koski #sampo x reader #mr reca #mr reca x reader

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sulumuns-dootah · 2 months ago

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WHB demons' favorite horror movies

⟡ Masterlist ⟡

A/N: Another long post including all our demon boys :D Also thought I'd change up the look of these all-demon big posts so lmk if you like this one ^^

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Satan

You'd expect him to pick some torture-porn, but he actually picks something supernatural

More specifically a movie with vengeful spirits

People hurting each other? meh... Spirits messing with people bc they're pissed? Well, now we're talking

Favorite movie: The Grudge (2004)

Sitri

Rather than something scary, Sitri like watching something cosy

Doesn't want to spill his tea when a jumpscare gets him

The only time he'll watch something like that is with his partner, so he can hear their heart race

Favorite movie: The Shining (1980)

Amy

(We've had Amy just for a little bit so bare with me)

Rebellious boi allert (?)

Pretty boy loves to watch movies about other boys ^^

Favorite movie: Lost boys (1987)

Leraye

In last year's halloween-themed post I wrote that Leraye doesn't care as long as the movie has thunderstorms in it and I still stand by that

Who has the brain capacity to remember movie names when most of your blood is rushing south?

Paimon

Please, please, please introduce Paimon to Hereditary!

Still, despite the movie literally having them in it, Pai prefers more of a "girly" horror

Favorite movie: Jennifer's body (2009)

Belial

Okay, not really a horror movie fan per se, but a horror musical?

With a lot of good music with funny lyrics?

And the type that Jiyu enjoys singing?

You've got Belial's attention

Favorite musical: Sweeney Todd (2007)

Astaroth

We've got a psychological horror fan on our hands!

Oh, and if the movie has the characters speak in unordinary way?

A local accent or different language has Astaroth interested instantly

Favorite movie: The Vvitch (2015)

Zagan

Zagan likes the old classics

Or the old movies where the characters don't speak

Sadly, he doesn't speak up for himself when the nobles are arguing what to watch, so he has to watch a lot of movies from the others

Favorite movie: Frankenstein (1931)

Ppyong

As brave as Ppyong thinks he is, he doesn't like horror movies that much

Usually, someone has to be with him for comfort and safety while watching anything remotely scary

Favorite movie: Any of the Scooby Doo movies

Mammon

I... don't think Mammon has a preference.

Part of me feels like he doesn't really get the point of watching movies

Like, if you suggest snuggling up and watching something, he'll be all for it, but only bc of the snuggling bit

Favorite movie: Your favorite movie

Bimet

Is anyone surprised that this gold-digger loves any movie that follows wealthy people?

Me neither

Doesn't matter what genre it is, he's The Rich Person Apologist™

Favorite movie: American psycho (2000)

Eligos

Eligos doesn't like scary movies, but(!) horror adjacent movies are his thing

Loves all those teenage witch shows and movies like The Craft

Oh, also Scream Queens ^^

Movie nights with Paimon and Eligos >>>>>>

Favorite movie: Elvira: Mistress of the Dark (1988)

Valefor

Since Valefor like to know about other people's experiences in bed, why not extend that to the type of media he likes?

Found footage feels right to say that Valefor would enjoy

Also, why do a lot of the found footage movies contain sex scenes? :/

Favorite movie: Ghoul (2015)

Leviathan

I bet you expected something Lovecraftian, huh?

So did I, but couldn't find any movie in that genre that would scream Levi's name

But you know who fits his aesthetic perfectly? Tim Burton's movies!

It also kinda makes sense since I'd imagine our poor PTSD-having demon would hate anything making him feel on edge

He's had enough of being scared

Favorite movie: Corpse Bride (2005)

Foras

Ooh, another psychological horror fan!

I also imagine that all the Hades nobles like theatre/musicals/ballet, so let's look for somethin in the middle...

Favorite movie: Black Swan (2010)

Barbatos

You can imagine how Barbatos reacts to most scary movies, which usually consist of dark scenes shot at night

Not to say he won't watch anything with you, but he will complain about how pale the actors are :/

Favorite movie: Midsommar (2019)

Glasyalabolas

Okay, we can all see this coming

This fucker (affectionate) loves his torture-porn

I mean, most of us have read his H-scene

Favorite movie: Hostel (2005)

Orias

Our old/young man loves movies with creepy children since he looks like one of them

Some even give him inspiration for acquiring more souls for himself

Favorite movie: Sinister (2012)

Beelzebub

To capture this idiot's attention, a movie needs to be really interesting to him

Likes his cannibal movies

They, just like to Orias, give him inspo, but this time for recipes

Favorite movie: Texas Chainsaw Massacre (1974)

Bael

Bael is more grounded with his taste in movies

Still a slasher fan, but more on the realistic side

Imagining him just sitting on a couch/armchair while sipping some tea under a blanket while watching a movie gives me tired single mom vibe idk

Favorite movie: Psycho (1960)

Naberius

An obvious fan of Werewolf movies since he's one technically too

Kinda hopes that he can learn something about controlling his transformation from them

(I don't really like werewolves alltogether so I found this one on google - I hope it's good)

Favorite movie: Wolf (1994)

Stolas

Rebelllious boi 2

If there's guns that shoot, Stolas will watch it bc it goes with his tough guy persona

Favorite movie: The Purge (2013)

Amon

Given that he'll most likely fall asleep during the movie if he's not watching it with Beel or you in the room

Likes 90's movies in general bc they're more chill and more about the vibes

Favorite Movie: Scream (1996)

Ronove

Another torture-porn enjoyer

Surprise surprise?

Yeah, him and Glasya having a movie night is an experience only for the stongest

Favorite movie: Laid to Rest (2009) or The Collector (2009)

Phenix

Phenix loves any and all movies and they don't need to be scary or anything due to their affliction

Still, I think if they weren't under Asmo's influence, they would enjoy a good succubus/siren movie

Favorite movie: Siren (2016)

Dantalian

Yep, another torture-porn fan, except this time for the opposite reasons

Glasya and Ronove look for fun gore, Danta is looking for hot ways to die

Favorite movie: Audition (1999)

Belphegor

Okay, not a movie but an anime

What else would you expect from our weeb snoozer?

Favorite anime: Junji Ito Maniac! (2023)

Beleth

Usually, Beleth loves his mafia type of movies

When it comes to horror, he wants to be laughing hard

Bonus points if he can relate in some sort of sense to the main villain

Favorite movie: Beetlejuice (1988)

Gusion

Teacher boy loves his horror villains S-M-A-R-T

Like the calculated, composed type

Favorite movie: Silence of the Lambs (2001)

Bathin

There's nothing scarier to Bathin than being contained to one place without the possibility to escape

It makes him feel claustrophobic no matter how big the place is

Like you could lock him up in a castle full of spacey rooms and he'll be anxious

Favorite movie: Misery (1990)

Andrealphus

Since Andre can't see, I don't really think he's enjoy movies

He does, however love the audio stuff

Audioboooks and horror game OSTs are his go-to's during spooky season

Favorite audiobook: Between two Fires

Favorite game OST: Layers of Fear

Agares

Since Belphie took Niflheim from him, Agares realised he really loves his vengeful spirit movies

'They took from her so she started taking from them'

or how the quote was in his favorite movie

Favorite movie: The Woman in Black (2012)

Vassago

With his love for speeches and such, Vassago finds himself ofhen enjoying the religious horrors

Bonus points if there actually are some speech scenes

Favorite movie: Midnight Mass (2021)

Lucifer

If there's a movie containing the Antichrist, Luci is interested

He kinda also finds it amusing to see humans fumble with their demon names and stories

Favorite movie: The Omen (1976)

Morax

It might be a bit childish, but Morax likes movies themed around holidays

Bonus points if there is an adorable character

Favorite movie: Trick 'r Treat (2007)

Buer

Buer loves a good mindfuck movie with an unexpected twist

Other psychological horrors are good too, but you know...

There's nothing better than a lore drop that makes you wanna rewatch the movie from beginning and look for the subtle hints

Favorite movie: Orphan (2009)

Marbas

The last member of our gore aficionados

The only struggle for Marbas is to not criticize some anatomy errors of the sfx team

Favorite movie: Terrifier (2016)

Gamigin

It's rare for this babey dragon to watch horrors, but if he's with someone, he will

Once he's watched one already, he's less scared and will watch it again alone

Any movie where he can relate to a character is an instant hyperfixation until another movie comes around

Favorite movie: The Boy (2016)

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pparacxosm · 2 months ago

Text

dearly beloved

(tashi duncan x fem!childhood best friend!reader x patrick zweig; artashi wedding; nonlinear narrative; tw infidelity but then wrong fandom; tw obsessive dysfunctional relationships but then wrong fandom; tw patheticism but then wrong blog; oakland!tashi truthers i’m sorry; florida!tashi truthers ((if there be any)) you’re welcome ! ; uno mentioned twice for some reason; unromantic romance; callow sapphic pining; tw nascent menstruation; y2k teenage girlhood; it’s always patrick zweig at the scene of the crime; ((the crime is unrequited devotion)); tw a little bit of body shaming kind of; but then general tw for excessively derogatory banter; sorrow shared is sorrow doubled; cake shared is just good cake; tw atlanta™)

‘Love is awful. It’s awful. It’s painful. It’s frightening. It makes you doubt yourself, judge yourself, distance yourself from the other people in your life. It makes you selfish. It makes you creepy, makes you obsessed with your hair, makes you cruel, makes you say and do things you never thought you would do. It’s all any of us want, and it’s hell when we get there.

So no wonder it’s something we don’t want to do on our own.

I was taught if we’re born with love then life is about choosing the right place to put it. People talk about that a lot, feeling right, when it feels right it’s easy. But I’m not sure that’s true. It takes strength to know what’s right. And love isn’t something that weak people do. Being a romantic takes a hell of a lot of hope. I think what they mean is, when you find somebody that you love, it feels like hope.’

The Priest, ‘Fleabag’ (2016—2019) Episode 2.6

It strikes you that Tashi Duncan has always had a strange way of talking about her own wedding, as if the whole event is a starstrewn chrysalis. Something transformative, that will make of her an airborne creature, carried off by the lightness of her being.

She looks fucking beautiful, of course.

Sleek and exacting, draped in silk crêpe de Chine, like a white bullet. Tashi Duncan, the bride. Heavenborne starshine, all wrapped in tender clouds, just as she should be.

But then you’ve always thought so.

When she rehearses her aisle walk, golden gazelle legs glissading her across the hotel room carpet, she speaks of herself as if she were a rare and fragile insect.

She says, “I feel my bones changing,” her hands on either arm of the makeup chair you’re in.

You sniff, eyes flicking over every part of her. She is so close, bent over you, but she’s blurred at her edges on account of your gushing tears. You’re weeping. “Your bones?” you all but wail, face twisting in sorrow as the tears sluice harder.

Your left eyelash dangles wetly halfway off your eyelid.

You’re melting like a fucking witch, because her dress reveal came before the setting spray, and now your palms are soused in foundation. You keep wiping your face to keep from bemiring the butteryellow satin of your bridesmaids gown.

You weep more than Pam, as Tashi floats around the room.

She is radiant as sunlight on water.

Tre and Tevin holler, spirited, scattering around the room in all directions, like a great empire has collapsed. Okay, Tashi! they whistle, We see you!

And you weep and weep.

And now, her amber knee, faint scar, peeks from the slit in her silken, sweeping skirt and knocks against yours.

Her arms are lithe and lustrous and they bracket you within the amalgamated cloud of her meticulously curated Big Day fragrance. She floods your body.

She’s nodding softly. She is haloed by bloodwarm morninglight. You feel too pathetic to even be looking at her. You feel worse, even, when her delicate fingers coast poetic down your arms, and she takes your hands into hers.

“Hey,” she says softly. Squeezes your fingers. The flesh of her soft and fragrant as rosepetals. Her smile unfurls like a star going nova. “You’re crying so much,” she laughs.

“Of course, I’m crying,” you choke out, a watery gasp wafting her gorgeous face. “Pauline hates me.”

Tashi spares a glance over your shoulder, where her makeup artist is leaning against an ornate dresser, chewing the edge of her thumb and seeming generally engrossed with her phone.

“Oh, honey,” Tashi’s manicured thumbs caress tender circles over your knuckles. Then clicking her teeth softly, “You are making her do her job twice.”

“Oh God,” you sob, your head dropping heavily onto the crushed velvet cushion of the chairback. “Don’t get married.”

Tashi's smile turns soft and commiserating.

“Babe.”

“T.”

Tashi places your hands gently in your lap. She swivels your chair so you’re facing the vanity mirror.

The sight of yourself festers your misery like rotting flesh. You look like a smeared oil painting. Your lashes clump like eldritch spiders. Your face is smeared and swollen and gleaming wet. Your lower lip trembles.

Tashi glows behind you in a tragic pastiche of a solar eclipse.

“I can’t do this,” you blather past the clot in your throat. Mucus bubbles from your nostrils and trickles to your mouth. You swipe at it. You sniff again. “I’m gonna mess up your wedding.”

Tashi’s warm, slender fingers trace your collarbones. In college, you used to give each other lymphatic drainage massages.

“You’re gonna make my wedding.”

This makes you tear up again, in earnest.

The tissue of your nose is raw and sore. You moan a broken lament. Her thumbs drift in gentle ellipses along the slope of your shoulders. Her warmth seeps into you.

“Do you remember what you said to me,” Tashi asks, “When I got engaged?”

You swallow, coughing around a flower of phlegm. She leans down, resting her cheek against the top of your head. Her hair spills over your shoulders in velvet sunbeams.

You blink at her reflection. Her eyes wash you in tender flame.

“‘Dear God, please, no’?”

It is staggering, at thirteen, to stand over a limp, bloodstrewn body.

You are traipsing through the halls, summoned by weeping, and, when you peek into the loo, the dense miasma of sweat and antiseptic is pervaded with something stannic and fetid.

Tashi Duncan, splayed across the tile of the corner stall, clutches her tummy with death’s desperation. The athletic uniform of Blue Vista High garbs these young girls in floaty skirts of daisy white, which Tashi now thinks is fascinatingly deplorable.

Unfamiliar and unprepared, her eyes gleam with tears. Her heart pummels in her chest to the same faraway thunk, thunk rhythm of the tennis balls striking the clay courts outside.

The world seems to have turned against her. Her clothes are drenched red, and her body is betraying her. Tashi, twentyone months your senior, is a late bloomer. Here is her inaugural encounter with the inevitability of womanhood.

So, you encounter this horror film tableau. Tashi Duncan, bloodstrewn and splayed. You don’t feel nausea or concern or anything. You’re thirteen. You’re mildly reproachful, if anything.

“Um,” you say, a bit too loudly, “I have a tampon. If you want?”

“I want to play tennis.” She writhes. “My match is in twenty minutes.”

You swing your backpack off your shoulder, clutching it in front of you and digging clumsily into the front pocket. “Well, you need a tampon.”

“I’ve never…” She seems halfcoherent. You don’t have great faith in her ability to sweep across a court. But she catches the tampon with an easy agility when you toss it over.

There’s an odd, blithe immediacy to girlhood. You drop to your knees and play gynae. You introduce yourselves somewhere there. Your hair’s pretty; Where did you get those pins on your bag?; Do you think Mr Cleven’s kind of cute? Yeah, no, me neither; Is it in yet?

“Aw, what?” you whine at her insistence you disrobe and give her your clothes, “For how long?”

“Like,” she gestures frenetically with her hand, “Twenty minutes.”

You hum, ambivalent, but doff your skirt. And they get anal about you guys jumbling formal uniforms with athletic uniforms, so she takes your shirt, too, and you wear hers, the navy nylon collared tee with the Blue Vista crest stitched to the breast.

You sit pantless on the toilet seat, reading her Princess Diaries paperback.

She wins her game, apparently.

Her mom drives you home. She brings a fleecy pair of Tashi’s Powerpuff Girls pyjama bottoms, which fall past your ankles. Says, call me Pam, honey, when you say, thank you, Mrs Duncan.

You keep her shirt, and her pants, and you still smell her womb.

She hits you up on AIM that night.

Mr Cleven is cute, she sends. He looks like Dawson Leery.

Then, But he’s THE WORST !!!!!!

And then, TLC or Destiny’s Child?

And things go from there.

When Christine McVie starts crooning for mercy, you think you’ve officially had your fill.

You have taken bridesmaid, like you took best friend before that, like you will one day take doting aunty to their gilded brood.

At times, it feels like there is no limit to what you can take.

But the very concept of a First Dance feels like a vaudeville satire portending a dire omen. You refuse to dance into hell—you just can’t do it. And you can’t watch them squeeze your heart to bloodpulp between their flush, swaying bodies.

Though you suppose that may be symbolic. Beginning as the end.

Hot red spilled upon her white regalia. Will she still let you splay and clothe her? Or does such proprietary now fall within the purview of his husbandly duties? All set to ‘Say You Love Me’.

You take it all. On the chin, lying down. You take it. You take four consecutive champagne flutes to the gut. You take deep breaths. You take yourself out of the girdling throng of devoted onlookers as the music starts. You take no prisoners. You take your leave.

You are weeping again.

You try to catch your tears as they fall. You think you owe Pauline that much.

The veranda is lit by scattered amber lanterns and the weeping moon. Each stone pillar stands sentinel to the maelstrom of revelry within. Things are hushed, here, but so much colder. You miss her warm fingertips against your skin. You miss everything. Shadows stretch across the tiled floor in languorous arcs.

You smell the sea.

You find a dark corner and sink into it, bracing yourself on the balustrade as you crouch to your haunches. Your body aches with the force of your suppressed sobs. Your shoulders tremble and your heart mewls with anguish.

You miss the sound of footsteps, so the voice does surprise you.

“One wedding that’s a funeral.”

You laugh, sort of. Damp and congested. You try to daub the tears away. “Ha,” you sniff, “Yeah, no, I—“

You stop.

It doesn’t seem the least bit real.

Let’s leave aside the fact that he’s The Ex Boyfriend. He shouldn’t even exist in this fucking stratosphere anymore. And that’s why he seems elusive, ghostly, even now. Emerging from the shadows like a demonic apparition.

You know Art and Tashi don’t really talk about it. They have a peace to protect. You cannot say the same of yourself.

Because in the unbroken silence of your dreams, there is a whistle. A sharp, clear necklace of sound, tightening around your throat, tugging forward. And even earlier, at the ceremony. A malevolent spirit in the room seemed to say, I won’t be ignored. And here he fucking is.

A horrid little laugh builds up in your throat, until you can’t keep it down any longer.

You laugh. It comes out like a savage chortle. Patrick stills, five feet away from you. His eyes are sad, a little surprised, and, yes, repelled.

Repelled by you and your laugh.

Suddenly, all you feel is helpless anger. You’re angrier than you’ve ever been, angrier than when they were together, angrier than when Art swooped in to take his stillwarm seat, angrier than all those times you had to be quiet and eat humble pie. You’re furious that the woman you love has jettisoned her last name, like a shorn chrysalis. And you’re livid that you have to deal with this asshole, this piece of shit pretty boy you’d thought you’d seen the last of, who is standing in front of you, on this moonlit veranda, trying to share in your mourning. He’s fucking insane.

So you say it, out loud, but not too loud, because you don’t want to make a scene. You certainly don’t want Tashi to see him.

“You’re insane,” you scoff, gaze vast and glossy with shock, “You’re fuckin’ insane, I knew it! I knew you were fuckin’ insane! I told her you were fuckin’ insane.”

You’re surprised at the viciousness in your voice. The blue in his eyes has become washedout, almost white. You can see tiny red capillaries blooming around the iris in the dark.

To his credit, Patrick has never left you hanging in your ferocity.

His brows are hoisted in defense. He gestures wildly into the reception hall, “I’m fuckin’ insane? He’s fuckin’ insane! And he’s marrying her!”

He’s all big words and movements like this is fucking Seinfeld.

You upheave yourself to a tremulous stand. “You’re both fucking insane,” you say darkly, though, at the moment, you feel a bit deranged.

Your vehemence startles him a little. Something imperceptible changes in his mien. Like he’s standing straighter. His eyes shine like glass. You’re bizarrely reminded of those National Geographic documentaries where lions size each other up before a fight.

But then his shoulders slump, and he nods, and you are almost incredulous at his patheticism. “Okay,” he breathes. He seems tiny. “You look nice.”

You blink, shifting.

You clear your throat. “Thank you. You don’t.”

And he doesn’t. He’s wearing a T-shirt and athletic shorts. And he looks vaguely showered for once, but there’s still something faintly noxious in the air he emanates.

“Yeah, well,” he shrugs, “I wasn’t gonna dress up for a wedding I wasn’t invited to.” A pause. “That’d be weird.”

For a moment, you are sure you tripped on a rock out here, and cracked your skull open on a pillar, and all of this is a stage play happening in the most masochistic corner of your mind. You have never been so disbelieving of his inanity.

“Oh, yeah, that’d be weird!” you say, eyes still wide and marginally manic. “That’d be crazy, for sure. If you dressed up for the wedding you weren’t invited to.”

He fills in the blank there—always could, for his part—that he’s shown up to the wedding. He gives a feeble chuckle. He looks awkward, really, which is… fucking something.

“When are they gonna cut the cake?” His voice is small and tentative like a child’s.

“You’re not getting any, you cow.”

He looks sincerely wounded at that, his eyes casting downward, and it borders on pitiful. But the sympathy stirred feels like a small lashing, like punishment for your lack of decorum. There is something contemptuous in that pitifulness.

You know an athlete’s body is his wound.

But you can’t bring yourself to say sorry.

You just lower your hackles with a visible exhale, which he seems to recognise as safe treadspace.

“Why are you crying?” he asks.

You snort. “Why are you here?”

He connects those dots, too, the perceptive bastard.

He clears his throat, hands in his pockets, rolls back and forth on his feet.

He stares at the ground. “You gotta say a speech?”

“Yeah, but I probably won’t.”

The ocean rushes. Luther Vandross thumps faintly from beyond. First dance is over, apparently.

Patrick peers up at you, like he’s debating saying what he’ll say next.

“Wanna go get a drink?”

Tashi jumps on the balls of her feet. Her waifishness is often a screen hiding an impressive amount of energy. PE is competition in its purest form. Every time she manages to wrest the ball from the opposing team she feels invincible. She is invincible. She dribbles the ball quickly, ponytail swishing in the air as she runs towards the goalpost.

From the corner of her eye she registers movement. She’s always hyperaware of her surroundings. That’s why she notices you sitting down in the stands, two other little girls (in the way that a year—which is all the time sundering you two—can feel like a decade when you’re fourteen) on either side of you.

One of your friends doles out UNO cards, and it is clear it is the other who had suggested this place of loitering, because she has her gaze trained conspicuously on a boy in Tashi’s class.

Tashi pivots. Makes a pointed throw. The ball goes past the goalkeeper into the net. Her team cheers. She checks to see if you have borne witness, but you are too busy stewing over your dealt cards.

She runs over to you. You look up when you hear her barrelling up the steps of the bleachers with a haste that makes them shudder.

She slides in between you and Vidya, who is unperturbed on account of her intently watching Anshu Morya pretend two basketballs are his tits and siring great gales of laughter from his audience of other fourteen year old boys.

Tashi slips a lanky arm around your shoulder.

“Hey, you,” she says, “Why didn’t you come say hi?”

You feel weird and diminutive and caught in a weird way, because Essence is looking upon her from your other side as though she is a seraph who has descended and deigned to grace you with her presence.

(Essence is in under13’s tennis, where it is wildly regarded that the girls who do under14’s tennis are the coolest people ever).

“Uh,” you drawl dumbly.

“You’re my friend now,” she squeezes your arm, pulling you closer to her side, “You have to say hi.”

Tashi seems to preen beneath the attention of these little girls, with a poise remarkably incongruous for fourteen. It feels a stark juxtaposition to the girl you’d seen, wailing, wet, and splayed in her own nascent womanhood.

You’ll come to think this a lot. Tashi Duncan, the impenetrable infanta. She tries not to show any inkling of vulnerability, if she can help it.

That’s why you always remember. You’re always recalling that blood.

And so part of you that is purely little girl thinks, I saw her first.

Even though Adidas singled her out as showing great promise. Even if Patrick Zweig won her number, and Art Donaldson, in some primevally spurning way, will have her as his bride. It was you who saw her, truly saw her, for the first time. Weeping in her own carmine deluge in a girl’s bathroom stall at Blue Vista High.

And, if you saw her first, shouldn’t you get to keep her?

You cannot bear to see her be wed.

What you’d really said, when she told you she was engaged, was a frayed and hollowed: Congratulations.

Dear God, please, no came later. It came clawing rotten from your throat like the undead, while you curled in on yourself yourself like a woman wounded, in the dark, beneath your covers.

“Dear God, please, no,” you’d whispered, lachrymose.

Your first dream, as it were, takes place on the shore of Virginia Key Beach, twenty minutes south of your neighbourhood in Allapattah.

It doesn’t look real, though.

It’s more like a film set.

That could be due to the fact that you haven’t been home in a year or due to the fact that Tashi is there, and she hasn’t been home in longer.

But you know it’s Florida because the air’s so thin and friable in California. Like the sun hasn’t fully seeped through. You know it’s summer because there��s crickets chirping in the trees behind you.

It’s dark, but the moon is bright, and, without looking, you know Tashi is just behind you, sitting on a rock halfsubmerged in the water. You’re sitting in the water right by her. You can feel her presence on your arm as you lean back. You guys are stripped to your bras and panties, like you always were. Her hair is curly.

There might have been more happening; you have a vague impression that there was talking at some point in this dream, but the details fade in the minutes after waking up. What you do retain is distressing.

You are saying something when you are suddenly supine, and you see that Tashi is atop you, straddling you, though you cannot necessarily feel any weight of her. She doesn’t even feel warm. Her skin against you isn’t a temperature, it’s a sensation. Buzzing, like the vague shock of an electric socket.

“Hi,” she says, her voice low.

And you’re about to say something, and then you are silenced. You wake up soon after your lips meet.

The dream haunts you for a week, until you go to a party and find a boy and kiss him instead.

The dream is not a revelation, not by a long shot, but you had thought they were a thing of girlhood. And, too, you thought Tashi was impenetrable to such things as your little desires. You’d thought, for a wretched moment, that you could be normal about a beautiful girl.

And you’re usually better at controlling yourself.

You usually can go about your day without suddenly remembering the image of Tashi leaning in.

When you do find a boy that Saturday—a short, slight, facetious glasseswearer named Noel, who prides himself on being a silent, occasionally witty observer the same way you do—you talk with him and laugh with him and kiss him and feel the world right itself. Nothing has changed, and nothing will change, if you can just get a fucking grip.

You go another few weeks without incident, until there’s another dream.

A few others.

Tashi chalks up your odd behavior to anything from exam season to homesickness. You let her.

No one knows about these dreams, with one exception.

Patrick Zweig figures you out embarrassingly quick.

All it takes is one night on the town, the three of you. A couple hours watching you replenish and rotate her moscow mules and vodka sodas and ace pineapples with a surgeon’s precision. Like forecasting weather. And he feels sure enough in his conclusions to corner you as you’re emerging from the putrid bathroom of the dive bar and say, “You got it bad for Tashi, don’t you, kid?”

You are on the drunk side of tipsy, at this point, and you blink a few times before you remember to zip your fly and respond.

All you come up with, for your part, is a weak, “Sorry?”

Patrick smiles. It doesn’t seem particularly mean, but you don’t presume to know him well enough to bet on it.

“I’m just saying,” Patrick says slowly. “Seems like you like her an awful lot. Kid.”

Your gaze goes bonehard. You don’t like him. You don’t like that you can smell his nausea-siring wintry cologne. You cannot conceptualise the scent, but it can’t be natural. He is so pretentious, he probably has it shipped from Marseille or somewhere.

He’s cracked open your ribs and plucked a raw nerve, just to watch you writhe. And there’s that obnoxious little smile, only half his mouth. Though not outright hostile, it’s not friendly.

You open your mouth. But you are so furious, you’re unable to speak. What’s more infuriating, Patrick patiently waits for you to find your words.

“Well,” you say, steadying your feet like you’re prepared to brawl this guy, “What are you gonna do about it?”

“Not a goddamn thing.”

And you must look surprised, because Patrick laughs.

“May these be the worst of our days.”

The pub is a dive, just a short stumble from the wedding venue. The air is dense with the acerbic musk of piss and spirits, danker than the worst of times. It’s a visceral contrast to the beauty of the union, and it’s one of which you both feel deserving.

You sit on a slightly cracked stool at the mucky wooden bar. You nurse a beer, and a broken heart, and Pat is on his third scotch in as many minutes. The bartender keeps giving him these nervous glances.

He gurgles out a pfft as he tips his glass to you, “Yeah, and the best of theirs.”

You regard the middle distance with a sort of weary disgust. A miserable guilt. You know what he’s portending. It’s all downhill from here. But you cannot deny that these are not unkind heights from which to fall. Garlanded by intricate golden sconces casting pristine white marble awash with warmth and love. You two cannot wish them ill in a way that even means anything.

“Fuck, they’re so happy,” you moan, “We suck.”

You feel your lungs grow achy. You are drowning in selfpity and selfpity’s lesser endearing cousin, envy. Patrick seems to bear it better. He releases a noise. A laugh maybe; a bitter, bloodaddled thing.

“Hey, I think the one of us wearing the bridesmaids dress places significantly lower on the Ultimately Fucked Over scale.”

He spins his glass around on the sticky tabletop. The scraping sound makes you envision ground bonematter.

“This colour wouldn’t suit you,” you mumble, swinging your beer idly by its neck.

Patrick’s brows seem to knit at this.

“Yes it would,” he grumbles.

“I always hated you.”

He quirks a brow, looking at you askance.

“I don’t think that’s true.”

You make a face. “It is.” Your eyes close for a moment, as though envisaging which set of words would spurn him best. “And he’s better for her than you.”

Patrick’s mouth parts into a slackened smirk. He laughs again. “And you think you’re better for her than both of us.”

“Yes, I do.”

“Always the bridesmaid…” he singsongs.

You feel your skin heat with something sore and cloying.

“Oh fuck you.” Your eyes roll as well as they are able without you getting vertigo. “I fucked her last.”

His smile grows like a burgeoning parasite. His head is still hung between his shoulders, but he peers up at you through the dark veil of his lashes.

He tongues the inside of his cheek like he’s suppressing laughter, like he now thinks it wouldn’t be kind. “No kidding.”

You frown at this, at his amusement.

“What, you don’t think I fucked her?”

Patrick shrugs. Hums vaguely.

“Wow.”

“Not in, like, a homophobic way, or—“

“Wow.”

He snorts.

“I’m sorry.”

You shake your head. “You’re not.” You swig a mouthful of beer, relishing faintly in the acrid aftertaste. “And I’m not either. Fucked her after you broke up, licked you clean out her pussy, you’re nothing.” You stand up and close the distance between you, stumbling into him, your forehead thunking against his as you draw the word out childishly. Nothingggg-uh.

He chuckles noiselessly. “Oh yeah?”

You straighten clumsily, leaning back, but you’re still stood between his open legs, and you brace your hand against his thigh. “Yeah,” you say.

Patrick narrows his eyes at you. He inhales a breath with an air of the long since victorious.

He gives it a moment before he says it. You’re lifting your bottle to the seam of your lips.

“I fucked her two months ago.”

You slam the green glass against the bartop, eyes wide as canyons as you turn to look at him, your forgone sip dribbling down your chin. “What?” you enunciate sharply.

He leans back in his chair, raising his hands as if shirking blame. But something wicked gleams in his eyes.

You scoff. “Bull. Shit.”

He tilts his head to the side, resting an elbow against the bar, his gaze flickering between your face and the beer trickling down your neck.

He shrugs. Hums.

Your eyes search his face frenetically. Your fingers claw into the flesh of his thigh. “He doesn’t know?”

Now, something like guilt manages to sniff him out. He glances off obliquely, his throat working around a swallow. His expression is hard to discern. Swimming between guilt and a strange sort of defiance.

“Wow,” you drawl protractedly. You’re almost impressed. “You’re an ass. You said that because you wanted to make me feel bad, you wanted to one up me, like you get points for fucking her—“

“A game that you started, by the way.”

“Hey.” You lean into his space again, finding his eyes with a sniper’s determination. “Hey. You’re a piece of shit.”

His jaw works against his skin.

“Uh-huh.”

“No, you are. You are, and you know it.” Your nails embed themselves in his thigh, your other hand coming to place a finger in the hollow of his chest. “Because no matter what,” your voice is low and gravelly now, “You’re done. You’re out. I’m in.”

You lean back to look him over, as though admiring your work, but he only wears a plaintive, resigned sort of smile.

“You think that’s better?”

His voice is so soft as to seep like smoke down your spine. Your nails unearth themselves from his skin. You have not drawn blood, but morning bruises would not startle him.

A long few moments pass.

“This is what you do now, you’re all profound?” you murmur.

He shrugs, a rueful simper on his mouth. “Eh,” he hums dismissively.

You sigh. Remove your hands from him and stumble back onto your stool.

“You’d look like shit in this dress,” you say, at length.

“Maybe.”

You tip your beer into your mouth, even though it has run dry.

There’s a bit of a moue on your face. You trace the sticky outlines on the tabletop, focusing intently on the grooves. “I look amazing in this dress.”

“You’d look amazing out of it.”

Your brows furrow. You look up at him. “Dude, what?”

Patrick blinks. He seems genuinely surprised.

“Aren’t we gonna…?”

“No, what? Why would you—?”

“Oh, I just—“

“What?” Your face is skewed confusedly.

“Because we—“

Your phone trembles against the bar.

“Hold on,” you say, and then, grin growing, “Darling Ms Duncan,” you croon melodically as you hoist the device to your cheek.

Her verdant meadow laughter on the other end. “Donaldson,” she chuckles. You can hear the vague commotion of the festivities ensconcing her.

You frown.

“Don’t hurt me, Starshine.”

“You missed your speech.”

You gasp, your voice going all light and airy the way it does when you’re feigning guilt. “What?” you drawl, “No…”

Tashi cottons on, and you can hear her teasing smile as she indulges you, “Oh,” she hums in fauxsympathy, “Oh, yeah, uh-huh.”

“No way,” you grouse softly, “I’m so sorry.”

“Come back before we cut the cake,” says Tashi, “Where are you, by the way?”

“Oh, I’m in a bar, you won’t believe who I ran into.”

“Who?”

Patrick steels to alertness in front of you, shaking his head in abject alarm.

You smile.

“Patrick Zweig. I think we’re gonna have sex tonight probably. Compound our sadness. It’ll be really pathetic.”

Patrick looks at you like you’ve walloped his puppy.

Tashi is silent on the other end. You know well the firm, seraphic way her face has set in anger.

“That’s not funny,” she says, and it occurs to you that, if what Patrick’s told you is true, then it really isn’t funny.

You bite your lip. “Oh.”

“That’s—“ she takes a breath; you can picture the heat wash off of her. She can be very purposeful with her emotions. “Hey, listen,” her voice has softened, “Please come back.”

“Okay, Ms Duncan.”

“Come back and eat the cake, you chose the cake.”

A simper slithers over your lips. “We chose the cake.” Your husband was somewhere sticking his prick in a green juice, you don’t add. “It’s kind of our cake, in a way.”

“Well,” Tashi hums, unconvinced, but you can hear her smile.

“Yeah, I’m coming, worry not, my dear. Save me a dance.”

You drop the phone.

Patrick is still looking at you like the apocalypse has been announced.

You roll your eyes.

“Put your dick down, she didn’t believe me,” you say. “Because you showing up to her wedding would be crazy.”

He chuckles dryly, but you do not miss the relief in his bones.

He cocks his head wryly, “Not really, considering…”

You stand up again, elbow leaning on the bar, your temple against your knuckles as you gape at him, sort of mystified. “You’re not bullshitting me,” you say, the corner of your open mouth quirking up incredulously, “Like actually.”

Patrick shrugs. “Yeah.”

“Where?”

“Atlanta.”

“Fuck!” You smack your hand down on the table, looking around as though to share in your disbelief with a makebelieve audience. “And since then, have you…? With anyone?”

“Dude, that was two months ago,” he says, like you’re a bit slow, or perhaps like he’s offended by the notion, “Yes.”

You click your tongue. “Ah, shit. You should’ve said no. Would’ve sucked you off, seen if I could taste her.”

Your hip ghosts absently against his spread open knee.

“You can still try,” he offers.

You shake your head, stifling a smile. “Nah.”

“God, we’re the worst.”

“You’re the worst.” You let your smile divulge itself.

“We should get married.”

“Fuck no.”

Patrick lets himself look putout by this, eyes going downcast. You’ve always thought his smile—really his whole face—looks vulnerable, like soft bread. He looks like the perfect sad boy, the victim rather than the perpetrator.

“Oh,” says Patrick.

You hit him in the arm. “Don’t do that. You know it’d suck.”

“I don’t think so, actually,” he muses.

“What do we have in common? Like, sincerely. Besides her. You can’t build a marriage around a person who isn’t in the marriage.”

He makes a face as though to say this is an evidently incorrect statement. He gestures vaguely in the direction of Art and Tashi’s wedding venue.

That gets a laugh out of you.

“Oh, you pathetic asshole.” You steady yourself on his thigh again, this time with your fist. “No one has mentioned your name once today.”

You know it’s a low blow.

He returns your smile, though his is sad and weird again. They’ve all forgotten about me, it seems to say, Maybe you’ve forgotten about me, too.

Ugh, you think. Fucking Patrick who can’t stop being fucking neglected by everyone.

You clear your throat softly. “See? You don’t wanna marry me.”

Patrick lets out a depleted sigh, like he, too, is not so thrilled with the notion. And you’ve heard better proposal stories. He looks like a Labrador who’s figured out he has to go to the vet. He kicks the edge of the barstool with his sneaker.

“I do. I still do. That was fucked, but I still would.” He looks angry and lonely and resigned, and a little happy too, weirdly. “We should have one of those, ‘by the time we’re thirty—’”

“Thirty?”

“Fifty.”

You like how quickly he bends, in that moment. It has you picturing flower arrangements. But you narrow your eyes, a wry gleam to your smile.

“I think I’ll still have a shot, at fifty.”

“I won’t,” he says, with the smile of the recently condemned.

“I think you will, actually.” You regard him sort of pensively. And maybe it’s a bit clinical. “I think age is gonna humble you. And then you’ll be fifty and grey and, like, penitent. Plus fifty’s still virile, generally. And I’ve heard good things about your situation down there. Just—“

You push off the bar, your fist leaning down more heavily on his thigh as your other hand comes up to his forehead, as though checking his temperature, before sweeping upwards and pushing his hair back. You’re on your toes—further on your toes, considering the heels—assessing his hairline closely, your nose grazing his forehead and your hips certainly slotted between his.

Patrick makes an insincere attempt to push you off. “Hey, what—“

“Did your maternal grandfather have hair?”

He hesitates, “What, my mom’s dad?”

“Mhm.”

He feels that breath against his brow.

“To this day,” he shrugs, “But he’s an asshole.”

“That’s good news.” You lean back.

“That my gramps is an asshole?”

“No, the—“ You gesture to his hair again, “That’s how you know, I think. If you’ll bald. Is your maternal grandfather.”

“You think? Didn’t you do health science?”

“Didn’t you do fuck all and doesn’t everyone hate you?”

He seems unharmed, if enchanted, by this persistent claim.

He points again in the general direction of the wedding beyond the brick wall of the bar.

“They may hate me. You don’t hate me.”

You follow his finger like everything between you and that marble dance floor will collapse, and you will be given a clear view of that proprietary, knowing way Art Donaldson holds her as they dance.

You look back at him. “You really seem to believe that. It makes me concerned.”

“For me?”

“No, for myself. I don’t like that I’m putting out such false vibes.”

He is charmed by this verbiage.

He laughs, like he’s still unconvinced. “Okay.”

He holds it against you, of course.

He doesn’t do a goddamn thing, as promised, but he holds it against you.

Patrick doesn’t like the college parties, but he manages. He doesn’t like feeling like an interloper, really. Doesn’t like that Art and Tashi have this fully functional ecosphere in which he cannot take root—like he’s some sort of invasive strain of alien vegetation.

As soon as he can, Patrick excuses himself from the purgatory of social interaction with whichever set of strangers Tashi calls her friends. He extricates his arm from around her waist and catches your eye as he goes to stand, mimes taking a drink, and watches with relief as you narrow your eyes but push out of your chair and head toward the bar. You order four shots of something.

“You’re lasting longer than I thought,” he says as soon as he’s close enough to you. He takes one shot—vodka, he thinks as it slides down his throat—then another from the bar top. “You were making that face, though.”

You scowl up at him. You know exactly what he’s talking about. “I was not.”

Patrick snorts. “If that helps you sleep at night. I know I won’t be sleeping.”

He bites his lip and does a crude mimicry of delivering backshots with his pelvis, his hands holding an imaginary set of hips, and you suddenly feel beset with a strange nausea. You defeatedly slide toward him another one of those shots.

“What’s the point of her having you as a friend if you aren’t going to support us?”

“I bought you three fucking shots,” you say. You quickly throw the last one back before he can get at it, because, by now, you at least know Patrick well enough to know he’s nearly about to make a grab for it.

He grins. “Kid, if Art had won that game, I’d make my pass at you ten times over.”

That’s enough to turn the nausea into chunder, and you quickly push past him and book it to the bathroom as it blooms up your throat.

You see your tendons as racketstrings, as you crouch over the toilet.

Taut and crossed over one another inextricably.

He’ll always have that over you, the tennis. You never had the tenacity for it. But it means he has a whole other way to upset her, too.

You take comfort in the fact that Tashi is quick to stand and take you into her arms when you reappear, halftorn, wrung out. She’s happy to take you back to your room, and nurse you for the night.

Patrick doesn’t begrudge. He’s fine to let you have your little pleasures. She’s still his, is the thing.

You’re confused about the Art Donaldson of it all.

He has a warmth in his eyes. And a mischief and a validation. He’s like Patrick, in that he watches—he watches very closely. But where Patrick has always seemed content, in this strange, visceral way, to take what he can get, Art feels like he’s waiting for… something. He’s sort of always fighting with Patrick, but they’re taking care of one another, strangely. He has this weird, symbiotic desire to know more about Tashi and Patrick’s relationship, which—well—you’d be canting to pass judgement.

Grey, grey skies out the windows of Tashi’s dorm room. It’s the most neutral space for you all. Bundled in jackets and hats on beer runs. Fingers freezing as you sit on the floor and play UNO, bumming and trading all of Patrick’s cigarettes because it’s all you can think to do. It rains all day. Patrick tucks his fingers under Tashi’s thigh, kisses the corner of her mouth.

Art has a cold, passes it on to Patrick, and now you’re all incubating it in this cloistered space that soon becomes littered with used tissues and cough drops and tornopen packets of TheraFlu.

Patrick is glad to help no one feel left out. He announces as much—I don’t want you guys to feel left out—with this quizzical simper, as Tashi places down a wild drawfour and declares blue. And maybe she’s doing something foul and saccharine like looking right into Pat’s eyes when she says that.

“I don’t think you have any blues,” says Art, sliding four cards from the deck, wearing his own quizzical simper. “I think you just want us to think you have blues, I think you’re playing smart.”

You can tell by the way Patrick grips his beer bottle that he thinks Art is flirting with her.

There seems to be an odd, prophetic thought you two share.

If the two of them—Tashi and Art—were to get married, they would have golden brown babies like Renaissance cherubs while you and he sat in the dark with the rest of the godless degenerate art.

So, in some way, perhaps, you’d seen it all coming.

When Patrick picks up the phone, shoves it between shoulder and ear, and takes the sorelyneeded, sweetyolkdripping, heavily hotsauced bagel sandwich out of his mouth so he can mumble, “Yeah?” he does not expect the first words across the receiver to be,

“Hey, you fuck. I have your shit.”

Patrick rolls his eyes and takes a large bite, craning over his open palm to keep egg and cheese off his Puma shirt. This is a time when brands like Puma still want Patrick Zweig wearing their shirts.

“Uh-huh,” he says.

“You know, this feels like Christmas. Do you know that? This feels like Christmas day for me. You think you’re this special boy who can have whatever he wants. You’re bullshit. The bell tolls for thee. Your ex, I should note, has bent over and spread her cheeks for me.”

And you feel a way, about the coarseness of your words, the fissures in your mouth. But this isn’t about demeaning Tashi. It’s about flaying him.

“Dude.”

“Her beautiful, soft, floralscented cheeks.”

Patrick hangs up on you, which feels like how you imagine the President feels after election day.

You wait for him to call back.

It’s less than a minute before your phone shudders. He puts you on speaker.

“Are you done?” he says.

“Dude,” you say, “Never ever. Never ever ever.”

“How much for shipping?”

“Fuck you, coward, you’re still in town.”

There’s a revolting, wet sort of noise as he chews. And it is between these chews that he says, “You want to see me, then? Make sure I’m miserable?”

“I don’t need to see you to make sure you’re miserable, your whole life is miserable,” you say.

Patrick chuckles, the sound garbled by his food. It’s not the noise that makes you recoil from the receiver. You are more disgusted at the prospect of him being fed. Okay, sure—you, in your sadism, have been picturing him gaunt and desolate on the floor. And perhaps you are unmoored by how coherent and gutful he sounds now.

It’s harder to hide sorrow in your eyes. Maybe you do just want to see his eyes, and make sure.

“You’re real classy, kid, I think I’ll miss you most of all,” he swallows. “Where d’you want to meet?”

When you return to the reception hall, the cake is still unsevered and the music has gone slow. Otis Redding, ‘These Arms of Mine’.

Tevin keeps a clammy hand on your midback, the other slackly holding your fingers up.

You’re blinking brine from your eyes and sniffing shallowly. Tev’s giving you a chary sort of look, slightly frowning. He clears his throat.

“If things don’t work out with Lainey, I could marry you.”

But he doesn’t sound too keen on the idea. Which you think is a bit comical, because you've smelled his room, and you've seen him in braces, so, ostensible case for grooming aside, even you're not so desperate.

Still, you squeeze his shoulder lightly through his blazer. You clear your throat, roll your eyes. You let this child sway you side to side, and think of yourself at seventeen, varnishing Tashi’s toenails and daubing them clean with mephitic acetone. Over and over. Trying every colour. One time, you forgot to open a window, and the fumes had you two flaked out on the carpet.

“That’s nice, Tevvy, how’s that promposal coming along?”

In the bar a dozen minutes off campus, you slide the sloppily taped Amazon box across the table.

A microcosm of his pathos condensed into 18 x 12 inches. Each item in isolation meaningless, but altogether painting an intimate lithograph of a man discarded. All tender and immiscible.

Jacket. Toothbrush. Edgefrayed leather wristband. An old iPod with cracked plastic. A pack of cigarettes, crushed and reformed. A small bottle of aftershave. A few crumpled receipts. Unbranded notebook. Expensive fountain pen he probably stole from the bank. A plastic cardholder and a wallet, both empty. A pack of gum.

It feels a bit stupid that Patrick should come all this way for a couple knickknacks. You could have just let him Venmo you for the shipping, and it may have hurt his pride all the same. But you take pleasure in knowing that he was hoping you wouldn’t be the one to meet him here.

“How’s Tashi?” he asks.

You give a small, malicious laugh.

The predictability dissolves none of the abject carnal rapture there.

Of course it’s why he came. He wants to know all about your (singular) dear Ms Duncan. He still has a glimmer of faith that she will change her mind. Even though you both know the girl well enough to know that’s not a thing she does too often.

If you hated him, you would tell him that Tashi is thriving. Healing like a child of God. She’s a new woman, never better, can’t wipe the smile off her face.

But maybe you don’t hate him that much after all.

“She’s a fucking wreck. Moping, crying in the lecture halls, shouting your name in the rain. It’s pathetic.”

A twinge of a smile crosses Patrick’s face, the petty bitch.

“You know I meant her knee,” he says, then takes a sip of his beer.

You cross your arms on the table, then retract them with a wince once you feel how sticky the wood is.

“I don’t know,” you say while rubbing some gunk off your elbow. “I don’t know that, Patrick. You know I think you’re a raging assface.”

Patrick raises his eyebrows. “Have you guys ever fucked?”

His faith, glimmer as it may, is not without its fractures. He has a needling, bonechewing suspicion that this may be the last time you two ever see one another, that you occupy the same orbit. So he thinks he’s allowed to ask.

You just glare at him in cold annoyance. Probably fantasising about smashing his beer bottle over his head. Patrick is familiar with the expression.

“Patrick, please don’t talk to me that way.” There’s violence in your voice that’s probably not just aggrieved feminism.

He knows you’re a woman mutilated about Tashi. He considers saying something even shittier, but what’s the point? You’re not a threat to him anymore. He’s out of the running.

“Fine. Have you guys ever made love?”

Before you can bite his head off, he raises his hands in defense.

“Not trying to be disrespectful, or suggest you have casual pussy and not committed long term lesbian relationship pussy. It’s just… if I figured it out.”

There’s a moment of quiet.

“And, y’know, if she’s single and clearly in a bad place, maybe it’s worth… taking advantage.”

You are at once shocked and maybe even appreciative of his forthright shittiness. It gives you slight confidence, despite yourself.

Call him oldfashioned—or, well, remarkably progressive—but he’s rooting for you kids.

You’re both the perfect combination of hot and insufferable. Stupid and insane.

He knows you weren’t lying; Tashi probably is a wreck. It sometimes makes his tongue go metallic, the thought of her rendered so still and helpless. Maybe it’s better he only got a glimpse of that anguish.

So he’s been ousted, that’s fine. That doesn’t mean you need to dump the baby out with the bathwater. He knows she needs someone.

You sigh. “I’m getting a drink.”

You stand and walk toward the bar. You return with the same beer he’s drinking. He wonders if you got it just because it’s the cheapest, or if you actually like it.

“We never did anything,” you say, picking at the moist label with your thumbnail. “Well. We did everything. But not that.”

Patrick nods. “There’s time.”

“She’s hurt.”

“She’d be lying down.”

She is lying down.

The sky goes gold in Allapattah.

You’re by her desk, looking over her colourcoded portfolios and notebooks and Stanford paraphernalia and assorted photos and inspirational posters. You smile amusedly as you trace your finger over a WINNER cheer banner and a Never Give up, Give 100% Instead! placard.

“Mom says stay over for dinner,” Tashi mumbles, rifling through a Teen People. “Should I ask for ‘Writing’s On The Wall’ or ‘Fanmail’ for my birthday?”

“Mmm...”

You pick up her Girl Scout badges, look them over.

“Put them back in the same order!” Tashi warns, unable to help herself. But she’s spent a lot of time sorting them.

You look up. You give her a blithe, nervous smile.

You shuffle to the bed and knee onto the mattress, collapsing into her. The two of you an interwreathed coalescence of tepid girlskin.

“I have ‘Fanmail’,” you mumble into the skin of her neck.

You hear Tev and Tre roughhousing like dogs in the living room.

She gets you alone in a small, ornate sidehall before the ceremony.

She slides her arms around your shoulders and hugs you tightly. Her skin is soft, balmy and fragrant as summertime honey. The flowery milk aroma of her hair imbues you.

“You remember Ozymandias?” she says, withdrawing and placing her palms upon your shoulders. There is a conspiratorial twinkle of glee in her eye.

“… The poem?” Your brows draw in with a vague scepticism.

Your throat is still fleshtender with the sobbing. Your eyes moist and caustic. But your makeup, for Pauline’s part, looks great. You’re determined to maintain your ramshackle semblance of civility for as long as possible.

Tashi kneads your skin. “Look on my works, ye Mighty, and despair!”

She clasps your shoulders and spins you around so your back is against her, and you stumble shakily to keep your strappy gold stilettos off her satiny white train. Her arms slink back around you, her thumb caressing the faint protrusion of your collarbone. You feel the sly grin on her lips as she creeps her fingers beneath your hair, sweeping it away and pressing her mouth softly against the gossamertender skin beneath your ear.

“That’s what I’m going for,” she whispers, making a flourishing sort of gesture with her hands in front of you, as if mapping the splay of a billboard. “A grand, glorious, eternal, and yet ultimately doomed endeavour. Something that stands tall and proud, resplendent and beautiful, but, in time, all turns to dust and fades into nothing but a vague memory.”

You shudder with laughter, the bare skin of her chest heated against that of your shoulderblade.

“What?” Tashi giggles softly against the shell of your ear.

“Nothing,” you grin, shaking your head.

You like, in fact, the tender morbidity of her words. That there is a melancholy in her hope. This union, like any, may well be ephemeral. Tashi Duncan, your romantic realist. You hope those are her vows. Wouldn't that throw the kid for a loop.

At the altar, you set your gaze heavenward, determined not to weep once more. This way, the sorrow has nowhere to fall but back within you. And so you do not even see her, as she flows down the aisle and embarks upon her ethereal odyssey.

You don’t think you’d have even been able to take it, anyway.

To bear witness to her metamorphosis under hallowed eaves.

But you feel it. The transience of power. Nothing beside remains.

Pam drives you two to Virginia Key Beach every Sunday after service at the COGIC. You are dithering, at first, about shucking off your clothing. The sea is such a vast, living thing. Nothing like a poky stall in the school bathroom. But, by week three, your Sunday best is sandstrewn, and you and Tashi are giggling things of cotton panties and training bras and seawater.

The waves feel giant and warm.

It fills your mouth and nostrils. The ocean envelops you. The water lifts you up. She mounts your back and drags you under. You laugh so hard you choke a bit, coughing up salt. She laughs even harder as she slaps your back unhelpfully. Her head is bent over yours, ducking to check that you’re okay, but she’s still simpering impishly. The next wave pulls you under and your lips brush against her lips, almost by accident.

You hear her small, hiccupy gasp.

You can feel the way her fingers scrabble against your shoulders. She sinks her little nails in. That Thursday, you had painted them blue.

You lie in a nest of towels afterwards, exhausted and depleted, like children after a bath.

You reach out with your hand and take a few of her wet curls between your fingers.

“When I’m tennis famous, I’m gonna marry Justin Timberlake,” she murmurs, resting her head on her arm, still panting.

“Can I be your flower girl?” you say, running your fingers through her hair.

You were a flower girl at your aunt’s wedding last Summer. You found the job so enchanting. All the doting gazes, the petals between your fingers. It doesn’t occur to you to want for more, at this time.

“You can be…” she mumbles, peeking at you over her arm. “Everything.”

It’s a strange, untenable idea, a thing not named. There are things you cannot be.

But you understand completely. “You too.”

“I wanna be a butterfly,” she hums to herself. “And fly away.”

Your lips twitch. “With Justin?”

Tashi’s face glows a little. “With you.”

Like all Floridian nights, the one of the wedding is humid. You can picture the way the feathery curls along Tashi’s hairline will start to rouse. You can picture, too, the way Art Donaldson’s stupid nose will caress that soft hair, how he will breathe her in. You don’t much want to picture anything beyond that.

There is so much moonlight to see by. It spills across Patrick’s skin in soft luminous beams.

The sand is damp between your bare toes, the satin of your dress growing wet beneath your bum. You are ensconced by a warm, saline squall.

The sea laves the shore like a hungry tongue.

The cake is a pistachio sponge, bedaubed with rosesuffused cream, the layers laden with a tart raspberry treacle, and the frangible ivory of white chocolate. You filch two slices, wrap them in monogrammed serviettes. A&T. Awful and tragic, he had joked bleakly as you clumsily took off your shoes on the foreshore. Agonising and traumatic, you’d offered. You went back and forth like this for a bit.

Patrick’s cigarette gilds his face in a copper glow. His eyes are trained pensively on swathes of sea foam.

Your phone garbles between your feet. Hums—bleary, melancholic—with Amy Winehouse.

And now, the final frame. Love is a losing game.

The cake is good. The cake is fucking amazing. You’d said that, at the tasting. Fuck, this is amazing, had been your honeyed moan. It was enough for Tashi to make the decision. You feel bad, now, lapping frosting off your fingers in her absence, your sugarcoated teeth.

Patrick blows the smoke away from you, disperses the acrid cloud with a fan of his hand. The wind will waft, though; sweep some of that fetor back to you. And all you do is breathe.

Selfprofessed, profound…

Patrick spares you a glance. Then does gawping a doubletake.

“Fuck, you’re not crying.” He sniffs deeply, his hand swiping roughly the wet skin of his cheek.

Your eyes widen.

“Oh, shit, did we start?”

He breathes a dilapidated, spitladen laugh, scrubbing harsh his cheeks with his fingers.

The heavy rivulets keep cascading. Washing his skin.

“Yeah!” he scoffs wetly, sweeping his wrist beneath his nose, sniffing again.

You stifle a rueful simper, wiping your fingers off on the napkin. “Ah, fuck, sorry.”

He gives another watery laugh.

“You’re a dick,” he grins.

And then you’re grinning too, though your brows quaver with concern, “No, oh my God, sorry! I cried a lot earlier.”

He’s shaking his head, freshets of tears still trickling down. “You’re an ass, I can’t believe—“

“I’ve never seen you cry,” you smile, something like wonder misting your eyes.

He chuckles, his cig singeing down, the smoke pirouetting upwards.

“No one has.”

You beam, but your shoulders tense with guilt. “Fuck!” you giggle, rumpling the serviette and resting it in the sand, shifting where you sit, and straightening as if centring yourself. “I’m sorry, I’ll do it now.”

“No, you won’t. You’re laughing.”

You laugh loudly, dropping your forehead to your hoisted knees.

“That’s closer than you think!” you say.

Patrick takes a deep, terminal drag of his cigarette—the ember coruscating violently—before extinguishing it in the sand beside him.

“Fuck,” he whispers, dipping his face into his shirt collar and using the fabric to swipe at his nostrils, snivelling more.

Then his shoulders fall. Elbows resting on his knees, hands falling slack between them.

The song starts up again.

For you I was aflame…

The ocean whispers soft susurrations against the beachfront.

You are struck, suddenly, by his silverveiled visage. Your gaze strokes the slope of his nose, the arch of his cheekbone. You are so enthralled by this wet gleam of his milky skin. There’s something about that; about his unencumbered tearflood and the faraway joy of the party.

Before you can stop yourself, you move in.

Your noses bump. There’s a moment where your teeth clack together and Patrick makes an annoyed noise, but it’s quickly replaced by something that sounds more like pleasure as he turns to fit his mouth against yours more easily.

You taste his tears and mouth and tongue. His hand comes to cradle the back of your neck. Your blotchy eyes flutter closed. You dig your fingers into the sand and close your fists around it. You taste the smoke and the cake and the oceanfront. It’s all a bit warm and desperate.

You think of the seaspray, the burgeoning goosebumps on your arms. You think of your mouth, mollified against his own, his hot spit on your gums, his tongue, hotter still, stroking yours. How he tips your head back so your jaw can fall further, so there is more of you available. You think of mouths. Of course, you think of Tashi’s mouth. Her smile in the mirror.

There’s a poignant tremor to Amy’s voice, as she sings,

Memories mar my mind.

And you are struck by this phrasing. And this is, perhaps, why and when the tears find you. And the sobs come soon after.

Patrick pulls away with a damp little noise.

“Oh my God.”

You’re weeping. Your shoulders start to tremble with spasmodic sobs, and you are bawling. Your face swims hot with a mire of tears and snot. He is not overtly repulsed. Well, you would not know for sure, because you cannot see him. But you feel him shift a little closer, and put a hand on your bare shoulder, his palm flushed and calloused. He gives you a few resigned pats.

“This is not what I wanted, for the record,” he says, unbothered by your head falling against his chest. “Because now I’m gonna feel like shit. Thinking, wow, was the kiss so shit that it made her cry like a baby?”

You lift your hands and cover your face, sobbing harder.

“Which,” Patrick continues, thumb caressing idly the sweat-tacky skin of your shoulder now, “I know that’s not it.”

A beat.

“Do you wanna tell me that’s not it?”

“That’s not it,” you blubber, smearing mucus off your lips.

You pull away from him dragging your hands down your face. When you look at him, you’re sure you look a sorry sight. Tender with despair, all messy, smeared, and febrile. You sniff shallowly.

“You were right,” you say weakly, “It’s not better.”

“What’s not better?” His voice, you note somewhere in the miasma of your sorrow, is uncharacteristically kind.

Your lip quivers, “I’ll have to be there when he puts a baby in her.” Your face has twisted in anguish and you are wailing once more, sobbing loud and earnest.

Patrick blinks at you, “Jesus.”

But he pulls you closer again. Turns your body, in fact, so you are leaning back into his raised lap and he is halfway cradling you like a baby. You weep into his shirt, painting it wet and viscid, and the scent of his awful cologne only makes you sadder.

“Oh my God,” Patrick says again, rubbing up and down your arm, and he sounds a bit amused, which is a little fair. “He might not,” he offers.

You snivel loudly and pull back, swallowing your sobs and casting him a disappointed glower.

“Yeah, ok. He probably will.”

You fall hard against his soaked front again, whimpering feebly. Patrick looks down at you.

“Hey, we can do that, too,” he offers now, in a pick-yourself-up sort of tone that juxtaposes so fiercely with the proposition he’s actually making, you nearly laugh. “We time it right, they can be the same age. Then we’ll put ours in the same school as theirs, and teach ours to just fuckin’ decimate the shit.”

And now you are laughing. You’re still teary and frail so it hurts all the same as a sob, but he can see you’re smiling, so he continues,

“Just everything. Fuckin’ grades, boom. Sports, boom. Instruments, boom. Our one’s gonna play two cellos, a piano, a guitar, and an oboe, all at the same time. He’ll use his fingers, toes, and dick,” says Patrick, and he sounds utterly sincere and emphatic, even as he’s sort of smirking now, because you’re laughing even harder. “And we’ll tell him to bully theirs, too. Every day just ‘oh you’re a piece of shit, you’re ugly, your parents’ marriage was doomed from the beginning’, and their fucker’ll be like ‘no I’m not’ and ‘fuck you’—”

You’re tickled, too, by the voice he puts on to imitate these fictitious children. How he talks all low and churlish like he’s instead caricaturing a worldweary pensioner.

“—and ‘I wish you weren’t so much cooler and better than me, and didn’t fuck my girlfriend, and my mom’.”

You make a face.

“Don’t make it weird.”

“Alright, fine. He won’t fuck her,” Patrick concedes, “That’d be fucking legendary if he did, though. But he won’t.”

You are, again, charmed by this, by how easily he yields. It makes you think of a nursery and fresh, boneless toes.

You rest your face on the wet of your weeping on his chest, and you feel a bit humiliated. But this isn’t so bad, as far as humiliations go.

“What if it’s a girl?” you croak, your words halfway muffled by where your cheek is squashed against him.

“Even better.”

“Where would we live? I don’t wanna go to New York, I don’t have the fortitude.”

The worst of your sobbing has waned to stillness, but he’s still rubbing your arm.

“We can shack up in the Midwest. Somewhere chill.” His leg starts shifting beneath you, and you think he wants another cigarette, but he doesn’t move. Instead, “Omaha?”

You shrug. You hated not being in Florida, but still. You shrug. “Sure. And what’ll you do? Coach? Or become like a blue collar fuckin’…” you trail off vaguely. “I can’t even picture it.”

“I always wanted to be a fireman.”

“That’s sexy.”

His laugh, when it sounds, echoes through his chest like there’s a cavern where his heart should be. Which you don’t think is such an unthinkable idea.

“Oh yeah?”

“Yeah,” you nod. You clear your throat. “Especially because you could die at any moment. So if we end up hating each other, I can just wait for you to die in a fire, and, that way, I don’t have to murder you. Then our kid doesn’t lose both parents at once.”

He pauses as if considering this. His leg shifts again. “Fuck,” he murmurs after a while.

“Sorry.”

“No, don’t ruin it.”

You clear your throat again. “And a dog,” you say.

“Fuck, yeah, a dog,” he says in his most New Yorkian fashion. Like a traveling salesman who needs you to look at this vacuum and do it quickly. It’s pretty funny. “It can eat theirs.”

You make a reproachful sort of noise. “Not everything has to be—“

“Okay, fine, yeah, just a dog,” he cedes again. The nursery, in your mind, is astralthemed. “Just a dog for the two of us. And our Nobel Prize winning child. I’ve always wanted one named Bagel.”

You think he can somehow hear your mildly scathing New York musings.

“A kid or a dog?”

“A dog.”

“We can name the dog Bagel,” you shrug, as though agreeing to dinner plans, and the tender pulse of a postweep migraine begins to encroach upon you, like the waxing sea. “Can we name the kid Bagel?”

“No.”

The song is still on loop.

Five story fire as you came…

You think of Patrick in sootscuffed bunker gear and a fireman’s helmet.

“Bagel Zweig,” you mumble wryly, your skull beginning to thump with the ache of your patheticism.

Patrick laughs. Lifts you off his knees, unceremoniously but not unkindly, and begins to rifle in his pockets for his Camel pack.

A sudden bout of cheering sounds from the reception, flashing taunting beams in purple hues. You wonder what the fuck they have to be so happy about. You sigh. Perhaps, too, did people cheer, at the mortal fall of Ozymandias. You think about that. That loss of power. That loss.

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