#i just have to start typing

[technically-human]

First meeting

[bacchuschucklefuck]

january month of yuugi

[idontmindifuforgetme]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[poorly-drawn-mdzs]

Stargazing, at the edge of the unknown.

[aquanutart]

I was talking and I mentioned that I have my old Game Boy and original Pokemon cartridge. I said, "I think they still work."

I was told, "The internal batteries on the Game Boy cartridges have run out. They're all dead."

"Oh," I said, trying not to show how crestfallen I was. I felt like I was losing nerd cred for not knowing that, although I never kept up with that type of info anyway. I'm here for the fantasy and imaginative aspects of games, and tend not to follow the competitive or technical details.

I tried not to feel anything as I went home. If they were real animals, I reminded myself, I would have had to say goodbye long ago.

But like so many other people, Pokemon was my childhood. It was all I thought about and dreamed about, and the closest thing I could imagine to heartbreak was the knowledge that they weren't real. I spent nearly all my time writing longhand self-insert Pokemon fanfiction--far more than I spent actually playing the game. My Pokemon were with me in my imagination wherever I went. I started playing Pokemon Blue when I was 5, and the last time I had played it was probably when I was 9 or 10. I remembered I had turned it on again one more time after that, not to play it, but to look at my childhood Pokemon.

It was during high school, after a move overseas that completely upended my life, and I was struggling with the crushing blow of being taken away from everything I knew and trying to make sense of anything (least of all adolescence) in another language. All I wanted was to go back to childhood and have everything go back to how it was before.

Seeing my Pokemon, just as I'd left them, had comforted me. I had looked at their stats pages, taken photos of them with my digital camera (that I don't even know if I still have), and then turned it off without doing anything.

That was probably 9 or 10 years after the games came out. It had been a long time since then. I had long since taken the AA batteries out of my Game Boy Color and left it untouched. I didn't even have AA batteries anymore.

It had worked then. But now it had been 27 years... I thought about not trying to turn my cartridge back on. As long as I didn't turn it on, I could believe my Pokemon were still there, the way I remembered them.

On my day off, which happened to be Pokemon Day, I googled and read that some people on forums and Reddit were still able to play their original Pokemon games.

Then... it was possible. I went out to buy toothpaste. At the store, I asked where I could find AA batteries.

It was a big thing for me to be able to go to the store and buy things myself. When I moved at age 13, I felt like something went wrong with growing up. It was difficult to follow what people were saying, and people didn't always understand what I said either. I had been introverted even in English, but now I had enough negative experiences that I became afraid and stopped trying to talk to people altogether.

I threw myself into video games and reliving childhood memories. The internet was where I could communicate in my first language and understand. I lived online and didn't interact with the real world. On the internet I felt like I was understood and could find people who shared my interests the way I did, but in the real world it always felt like I could get hurt if anyone knew me.

I realize now that I could have had a better experience overseas if I'd known how to adapt and socialize, but this was not something I knew even in English, and trying to learn in another language made it ten times harder. I'm sorry now for missing out on interactions that I know I could have had, but I just didn't know how. I wouldn't know how until I learned, and it took me a long time to learn.

I grew up online, in the company of others who had trouble fitting in with the real world, even in their own language. Those experiences shaped me, and the friendships I've made and support I've received online are invaluable to me. The internet gave me a way to live, and through it I learned how to interact with others. But in many ways, for many years, it felt like my life was put on hold and I stopped growing up.

Several years ago I moved back, to not far from where I was born, and I was able to work for the first time. I began to interact with people and feel like I had a place in the real world.

After shutting myself away for so many years, every little step I made out in the world felt terrifying. But every little thing I did on my own made me feel like I was living for the first time.

Even something as little as going to the store and buying a pack of batteries.

I was directed to a shelf at the end of an aisle, and found myself looking at a rack of lithium AA batteries. Did they not sell the old kind anymore?

I walked around to the other side and was relieved to find the familiar black and brown Duracell batteries I'd known from my childhood. I felt more confident about putting in a battery that looked the same as I remembered. The smallest pack they sold was an 8-pack for $12.99. I really didn't need 8 batteries. I didn't have any other devices that used them.

I thought, what if I turn it on and it doesn't work and I'll have wasted $12.99?

I also thought we might already have batteries. I might be able to say, "Mom, do we have any batteries?" and she'd pull out two AAs from a drawer somewhere and I'd save my money.

But somehow I felt like part of what was important about this was being an adult and being able to buy my own batteries.

Yet... what if it just ended up making me sad? Was it better not to know?

I went to the checkout with just the toothpaste and stood hesitating at the edge of the checkout line.

If I didn't get the batteries now, and it turned out we didn't have any batteries, I wouldn't try it. I knew I would just put it off until even more time passed, and then... "Are you in line?" someone asked me.

"No," I said, and I turned around and went back to the shelf.

I bought the batteries.

At home, I took out my original Game Boy Color from the drawer where I left it, the one my dad had surprised me with when I was 5 years old and that I had brought overseas and back.

I put the batteries in and turned it on without a cartridge first to make sure the batteries were inserted correctly. The Game Boy logo scrolled across the screen and it made the familiar blinging Game Boy startup noise. I turned it off again, satisfied.

I took out my original Pokemon Blue cartridge, momentarily having to remember which way it went in, and slotted it in.

I turned it on, watched the whole Pokemon Blue intro out of nostalgia, and then pressed START.

My heart leaped for joy.

MY POKEMON!!!! MY POKEMON ARE ALIVE!!! 🥺🥺🥺

My original Pokemon, that were with me in 1998 when I was 5-6 years old, are still with me 27 years later. I want to cry!!! I love the old sprites, I'm SO happy to see them again 😭😭😭 the Pokemon look so little and cheerful at the same time, which I love 🥺🥺🥺 I know there are people with many more hours on their games, who have leveled all their Pokemon to 100. But these are my Pokemon who were with me through my childhood, and I spent many more hours making up stories about them than actually playing the game. I'm so happy to see them again 😭😭😭

All I want is to see my Pokemon. My other Pokemon are in boxes. Now, how do I get to the nearest PC? Where am I?

Oh... Oh. I have to confess something. When I was a kid, I was scared of the dark cave areas, and whenever I got to them, I stopped playing for a while. (I was stuck at Mt. Moon until I was like, 7.) So I never actually beat the game.

And here I am on Victory Road, with the team of Pokemon I was taking to the Elite Four, without an Escape Rope.

The only way for me to see my other Pokemon is... to finally make it through Victory Road, after 27 years?!

[wasyago]

a random cleo in armor

[teaboot]

How come you don't drink alcohol? Is it a health thing, or just because booze tastes like shit

My dad’s an alcoholic, so as a kid I figured if I never had a first drink then I’d never have a hundredth one

[lesliemeyers]

this came to me in a dream

[tealclover]

Sometimes, it's really easy to see who raised Tails.

This sassy little kid takes too much after his big brother.

Normally, he's quite polite! But throw Eggman into the mix, and you get this.

[ckret2]

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[mikansei]

from the trailblazer's perspective:

we met some weird guy who wears a statue on his head, who was kind of a dick to us, but then we went on a little entomological field trip where he was oddly encouraging. surprisingly nice to us afterward for all that he literally interrogated us first. but herta runs around as a doll and we're plenty weird ourselves, so dr. ratio is whatever, i guess. we probably think of him as "that weirdo who was on the herta space station once," which is an association i'm sure he'd hate - but hey, at least we don't call him "scholar king."

from the trailblazer's perspective:

we met some flashy IPC guy because we accidentally held him up in line at the hotel check-in, himeko tried to negotiate and it turns out he's a professional cutthroat negotiator, but it all worked out and he gave us his fancy room. he also loomed over us with freaky glowing eyes and maybe threatened us, but it was kinda vague and it's not like he really hurt us. well... until he did. the trailblazer gets the opportunity to be verbally sore about that, but the fight didn't really feel like cocolia, like phantylia; like aventurine had gone mad and wanted to take over and/or destroy the world. his grandstanding didn't make any sense to us at the time, though, and fighting him sucked ass. but we lived and - as we found out eventually - so did he.

then the trailblazer boards the radiant feldspar, and we see aventurine's hologram talking with ...boothill? okay. who explicitly says they're working out some kind of shady underhanded deal to find oswaldo schneider which, subtlety thy name is not boothill, but that's none of our business i guess. but aventurine's there(-ish) and alive and not cackling mad, which is an improvement.

then we go into the next room over and see that herta space station weirdo, dr. ratio.

huh???

and the first thing he says to us is "no wonder that gambler likes you so much."

huh???????

everything about this is news to the trailblazer. since when is dr. ratio not only on penacony, but in the dreamscape, aboard the exclusive invitation-only dream cruise ship? since when does he not only know of aventurine, but was apparently on this mission with him? since when does aventurine like us??? we just got done mutually trying to kill each other! his hologram didn't seem sore about it, which is great for us, but doesn't exactly translate into "like!"

why are we hearing this from him and not aventurine? why does he know aventurine's thoughts on us in the first place?

dr. ratio really just shows up, yaps about aventurine unprompted, recommends us reading material, complains about the crowd and then is like "k i'm done here. ur dismissed."

the trailblazer had bigger things to think about but i, the player, do not. the fandom at large may feel like 2.3 fell flat, but the fall of the roman empire is still within the wheelhouse of my roman empire. i never left the radiant feldspar. i am still aboard this fucking ship.

[venti-death-watch]

seeing other people’s descriptions of dr ratio wanting to ‘cure stupidity’ is so fucking startling. what the fuck do you mean you think he’d equate having emotions and caring for other individuals as stupidity when his entire ideal is caring for and wanting the best for humanity.

[arolesbianism]

Oh god is that a comicfrin drawing where they have whimsy quick someone throw that guy into a decades long timeloop

[luna-loveboop]

Wars and Wild as knights in Lu

They have issues.

I have a lot of thoughts on Wild and Wars and their relationship (Order of this post is talking about saluting, Wild and Wars' different perspectives, memory issues, and fire) Rant time.

No saluting!!

So Wild took a formal- almost/awkwardly saluting pose when Wars confronted him in 'Entrance pt.2'

It's similar to the first time Wild addressed Wars as 'captain'. His left hand is up from where a salute should be, and his overall posture is awkward, with his shoulders and right hand raised, but it's clear he's trying to do a salute in the presence of a fellow knight.

In the second example his hand is behind his head, but his posture is very straight and his right arm stiff- he's again attempting a formal saluting position. Which is still awkward

It is less clear but his changes in posture clued me in. He goes from like a deer in the headlights to visibly sweating to straight backed and looking up at Wars- looking at the changes in his body language

Side note but I literally love how Jojo draws the champions tunic so much-

We can't see the action of Wild's body language in a comic, just the positions he went to. But he visibly leaned away from Wars before switching to a straight backed saluting-like posture. He's clearly freaked out, hence Twilight's face: >:(

I think that Wild taking somewhat military poses around Wars is important to their relationship issues because it comes from his struggle with memory and identity

.

So like. All of them have different perspectives

Wars

I adore Wars. He is baby and I love him. I think it is also important to acknowledge that he would not speak to any of the others this way.

And the scarf man cmon it's so pretty they are so cute-

Why is Wars talking to Wild like this? He's called him out and reprimanded him multiple times in front of the others. Wild has taken it well but tbh if it was Legend I think he would be on fire.

To some extent I think he is in captain mode. I think that he has trouble seeing Wild as not a knight. Wars gives Wild respect as a knight who sacrificed for his kingdom, but now it seems he's taking it away as a knight who's not doing well enough since he 'disregarded the plan'

At least I think that's the outside (or Wild's) view of it. But Wars internally really cares about Wild and he saw him run up to a giant and lose it. Different ways of showing concern perhaps?

Who wouldn't want to keep Wild from getting more scars?

I just. Don't doubt for a second Wars really cares about Wild- even if the way he's acting still isn't cool. He has no right to treat him like a soldier any more than the rest of the chain, and right now I think Wild is acting as the more mature person.

Wild

I adore Wild. He is baby and I love him. I think it is also important to acknowledge that although he is clearly making efforts after Twilight's injury, Wild has ignored Wars for the majority of Lu, by not speaking to him much, and not thanking or acknowledging Wars when he directly helped him. (Small example being walking with Hyrule not Wars when injured and not directly responding to Wars)

Wars cares about and respects Wild, but it seems Wild wants nothing to do with him, and he's been cold towards Wars for the majority of Lu. To Wild, Wars reminds him of his perceived failure. Which is valid feelings, but still not fair. And I think that ask is talking about these two.

The thing I love about this is each of them are right and wrong in some ways, leading to the tension between them. So fully blaming either of them is not logical

The rest of the chain is just vibing. Except twilight who's mad and wants them to just grow up, but. Heros of courage not wisdom @uniquevoidflowers ;)

And that ask- '''Are any of the Links ever jealous of another Link for adventures that were less difficult/life threatening?'' ''When you hear Wild say he 'hates' someone you'll have your answer.''' somewhat leads to my next point-

Wild's identity and memory issues exacerbate all of this

In Entrance, Twilight is being stressed and defensive, that's ok. What concerns me most is that Twilight has talked with Wild through stuff like this in his rough moments

Wild has tried to be formal several times- he is not very good at it

Four's face I can't didnwidkekfjej

Wild isn't and can't be 'him'- the same 'perfect' (<actually has crippling anxiety) knight he was before, and Twilight knows this. And I agree with him a bit, I think, that Wars is making things worse in Wild's mind by being that perfect soldier, and seemingly holding Wild to a standard he isn't

Wild's attempts at saluting is symbolic of that- Wars makes him feel like a failure trying to be the person he should be. But Wild shouldn't be anyone but himself.

Anyways. Fire.

Wars and Wild have issues, and I want them to work through all their relationship drama so they can reach their PEAK dynamic, which is obviously this

I mean like. We need these two to be friends

Anyways. Wild is in this constant state of identity crisis, and being around Wars has not been beneficial- neither of them is or has been showing the other the respect they deserve. Not as knights, but as people and brothers. They need a get along shirt.

All this Art is by Jojo @linkeduniverse au!

:)

[babylonqaf]

There are shows that I'm disappointed got cancelled but I'm genuinely mad about Dead Boy Detectives. Like that was a huge fuckup on Netflix's part, and Netflix being Netflix means they won't part with the show and sell it to another studio if they can avoid it, while also not actually doing anything with it.

"Yeah but it had low viewership" I live in Los Angeles, tv show and film capital of the world, and saw a grand total of one billboard and very few posters... When the show had already been released.

I think they did get the mural on Melrose, the one near Fairfax, but I don't remember seeing it complete which is usually not a great sign.

The designs for the posters and billboards were so cool too, like they legitimately just threw 3 years of hundreds of people's work straight in the trash before the show even came out. I will literally never stop being mad about this.

[p1ctur3]

@octdl-lee

Random captive TDL au lore dump and some behind the scenes stuff since you asked so nicely :]

Dark in captivity

victim did use dark as a way to train and get the mercs and him used to the box

victim and agent (i would probably explore their dynamic in this au also, mitsi would haunt this narrative because yes)

some behind the scenes things

additional art