#i just have such a rich inner world

[fappellmoan]

not to sit here and weave a story out of nothing like a little protagonist via my quirky online storytelling but i rekindled my friendship with sam who is such an interesting person there are just a lot of stories of all sorts and this is funny timing but truly we just fell into such an easy banter this past class so we were like omg lets hang right so. his roommate really is just like stupid hot right. i could get corny with it but i wont. a face sculpted by the hands of god though. all this prefaced i will now tell u an absolutely nothing story and i really mean that read at your own discretion ((A/N: trust and believe i yapped. putting under keep reading to be somewhat forgivable) (i am not in my best of states rn. okay.)

anyway so we're chillin in sams room im getting caught up on the latest construction projects and shit.. one thing abt sam hes always up to something. they've got an entire work desk #butchrealness. then i hear some singing out in the hallway but from where im sitting cant actually see anyone so convo just goes sam and roommate 'hey' 'hey' and then i peeked my little head out and waved and said hey and they stopped and set down their basket and said 'Hey' and then i did not introduce myself (flop) (combo of cramped room and sam talking and me being wildly awkward) (also keep in mind i dont know if this person has swiped left on me or not been on tinder or if theyd even recognize me anyway and hating that that's even a situation bc i hate that stupid app but just hoping worst case scenario i dont come off as an insane stalker but rather a victim of circumstance) but they just chatted for a sec abt whatever shelf sam needs to fix and that was that. and then they went back to humming which was cute or whatever

to set the next scene we're down in the kitchen and sams cooking and this is a while after we took his homemade gummies so im not rlly high per se but chillin and something about the noise and setup in their kitchen is so overstimulating for me lol when shes cooking im just like frozen. i always offer to help but he always just gets in a groove it's best i dont intervene. one time he had to tell me to go sit down in the other room bc i was freakin out a little lol

so im perched on this single high chair they have in the kitchen right next to their washer and dryer as sams whipping up some food and im kind of obnoxiously saying Unfortch in response to a story he was telling me and he gives me a look so im like UnfortunateLy. and then hes like 'psh i know unfortch i live with this guy' cue roommate strollin in with laundry and theyre just like Whaat and sam explains and theyre like Oh ofc you gotta know unfortch or whatever. forgot to mention that earlier in sams room they said three similar abbreviated words in a row just during a normal sentence and it caught me so off guard i wanted to giggle. so naturally my brain is going through Immediate social response of a semi awk laugh or quippy remark about that but also theyre literally like a foot away from me and im largely nonverbal atm lmfaoo so i just mumble smth to try and go along w the bit but then trailed off cause i was like wtf am i even saying. brain was overloaded

and then i was like um. i literally was just staring around doing fuck all like a perched bird or something but i was fighting a war in my mind of like ok do i introduce myself or look to sam to do so or do we not do that or is that rude idk but also they have headphones on one ear and are doing all their laundry shit and i once again dont want to be like overbearing but also well come on now we gotta feel out the vibe (and i do a great job here.) idk so im like Ok dont just look at them but dont Not look at them just behave like a normal person. you know. the usual. sam comes over to give me a bit of bread with balsamic vinegar and oil and i spilled it on my sweater fuck this stupid baka life (didnt really show. but still they were right there..)

and so after a min of this they were kinda like awkward laugh 'dont mind me' and i once again was very self conscious and had several things that wanted to come out 'not at all' 'dont mind me' 'it's your house' 'these all sound awful abby' then i got anxious that i was in the way the whole time but they were almost done and if i got into a weird apology thing well i would have had to kill myself so i just once again kind of uttered something that would have sounded like 'youresogoodicanmovetoo' and also 'sorry if i just keep like looking over at you' WTF IS THAT SHIT. FUMBLE BOOOOO and my follow up was essentially nothing cause i couldnt decide if i should say 'im just a bit out of it/high' 'im easily distracted (kys)' 'idk what to do w myself haha' 'im useless in the kitchen' (not entirely true) i mean just a few minutes before sam and i had talked about how ill just wander around peoples rooms and observe things to avoid feeling awkward and it's just how i am and so i was kinda just doing that due to the nerves of the sitch but there was only so much to look at. and i just sat there. offputting realness. whatever. so. straight face emoji. and that was mostly the extent of that i dont remember what they said in response just like a lil laugh or w/e. probably couldnt hear my stupid ass mumbling. so im thinking my chances of charming them at all are really stellar

if you read all this i want you to just take note that the events depicted here could not have been more than 3-4 minutes collectively. and yet the yap goes on..

for future reference, what did we learn? probably best to just continue convo with sam, excuse urself to br, or perhaps even attempt a conversation w them if ever in a similar situation again and they talk to you first again. also stop inventing complicated situations in ur head chill the hell out. idiot. says the bitch with the anxiety disorder. feel free to egg me on or tell me to fuck off ok xoxoxoxxo love u

[mamawasatesttube]

the timkon fans who shit on bart are annoying, the konbart fans who shit on tim are annoying, and i don't actually know if there are timbart fans who shit on kon, but i sure hope not, because they'd be annoying. the three of them are a set!!! do NOT separate. red tornado literally assigned them one shared brain cell. what is not clickign

[toxintouch]

hc + 🎭 for an arts-/crafts-themed headcanon [Mhin or Aetheris!]

Ooo! I can't decide so I'll just do both. >:3 Mhin:

Mhin is the type of person to over-intellectualize art and feel uncomfortable interacting with it on anything but a practical level. They will resist the idea that they should be open to exploring 'the themes of the artwork' if pressed. They can understand that there is value in being able to draw realistically. Anatomical and alchemical diagrams are useful in a very tangible way - and portraiture obviously takes skill - but if you ask them anything about the emotional aspect of the art, they will stubbornly shut the conversation down. (Also they won't be complimenting Vere under any circumstance. Not even by accident.) Similarly, Mhin is the type to rally against the idea that they are creative. If Mhin has a good idea, it came from their base of knowledge being applied to the problem, not their "imagination."

Atheris:

Besides being really interested in music as an art, they like to embroider their own clothing! (And maybe if they became attached to someone, they might...) They prefer to embark on embroidery projects that have symbolism attached. If no one around can really determine what that symbolism means...it's probably for the best. In fact, that's better.

[atigrado]

class of 09 the flipside

[mildcicada]

If you surrendered to the air you could ride it.!!! .....I give up, I surrender etc.

[gummiibladii]

quirky 14 year old mbticels typing their families like:

dad: xstj cuz he MEAN AND BORING UGH!!! old man doesnt UNDERSTAND ME. 😡

mom: xsfj cuz nice :) still very boring an normie unfortunately (get well soon)

younger sibling: esxp/enfp cuz soooo louuudd and hyper🙄🙄

me: intj/intp/entp/infp swag big brain ethereal being because im deep. no one gets me. im just too intuitive and intelligent for these people. they just dont get it. ugh

family dog: estp i guess. runs around a lot lol😂

[capaldiera]

pet peeve of mine is when people have incorporated donna noble lesbianism into their understanding of the character so much that their predictions for how she would respond to a situation is just "she would immediately start dating the hot woman" well that's not what donna does though is it

[alpacinogirlfriendofficial]

hello i just stumbled across your blog and saw the selfie you just posted … you are stunning

omg thank you that's very sweet 😚😚😚😚

[navramanan]

my supervisor fighting MY being boring alligations since that one time i called myself boring now anytime he asks me what i did on the week end and i say nothing he tells me he doesnt think i’m boring i probably have a rich inner world (i dont i’m insane)

[vveakfish]

told my brother i think denji and shark-fiend are boyfriends, and all he said was “are you Stupid?”

[demetriandelibinaryboyfriends]

Me getting obsessed with YasMoon and finding that next to no one ever writes them/headcanons stuff about them/interacts with them in any meaningful way </3

[enchantedephiphany]

The thing is, I already wrote this story....

[blujayonthewing]

[lying on the floor staring at the ceiling] if the party was just a little bigger. or if jill knew how to do text-based roleplay. I could at least forum rp the lad. alas........

[hylemorph]

Spoilers: Eggers' Nosferatu

There's a lot of debate right now on if Count Orlok represents Ellen's shame/trauma/abuse, or if he represents her repressed erotic desires, and in turn there's debate on whether or not viewers who find the Ellen/Orlok dynamic alluring are "missing the point." Eggers and Lily-Rose Depp have both said in interviews that there's a mutual pull between Ellen and Orlok, and even that there's a love triangle element, but obviously the experience is terrifying for Ellen. How can we reconcile the sexual tension and the horror?

I think the broader theme is that Orlok represents everything in a woman's inner world that men refuse to acknowledge and accept - fear and shame and trauma, yes, but also our appetites . After the prologue, the story starts with Ellen begging Thomas to stay in bed with her; she says "the honeymoon was yet too short" and tries to pull him in and kiss him (obviously trying to start some nuptial bliss). But Thomas is anxious to meet with his boss and get his promotion, because he has a narrative he's going to fulfill: he's going to pay Friedrich back, buy a house, and then start having kids (he and Friedrich touch on this a bit later. Notably, Friedrich discloses Anna's pregnancy to Thomas before Anna has made it public.)

It's the start of Ellen and Thomas' married life and she just wants him to prioritize her sexual desire, but he chooses to focus on his ideal of success, which sets him on this path to confronting Orlok. We know Ellen doesn't care about having a house or fine things and she begs him not to go, but Thomas listens to Herr Knock and Friedrich, who tell him that as a husband he has to provide materially. He ignores Ellen's stated desires, and so fails to provide sexually and emotionally. When Thomas gaslights her about her nightmares and calls them childish fancies, he shuts down her vulnerability, which kills the intimacy she was enjoying in the literal honeymoon phase.

On a related note, there's a defence in here for Aaron Taylor Johnson's performance, which I've seen a few male critics call "over acting." In this story Friedrich represents the masculine ideal of the time, he's a rich business owner with a beautiful wife and kids. Thomas clearly looks up to him and wants to emulate him - he wants to give Ellen the life "she deserves." But Friedrich's elevated masculine status is why he refuses to listen to Ellen's "hysterical, sentimental" worries, he's too rational for all that of course. And his stubborn "rationality" leads to the death of his entire family. Friedrich IS the patriarchal ideal that crumbles when confronted with nuance and uncertainty. Some people see Friedrich and assume that a character like him is meant to come across as dignified, and that Aaron Taylor Johnson is messing up by making him look annoying, but really he is giving a great portrayal of a really common, annoying kind of guy. The kind of guy who melts down and has childish tantrums whenever they lose control of a situation, or their manly skills and values are shown to be irrelevant.

The men in the movie (excluding Professor von Franz) frame Ellen as childish for speaking about her dreams candidly, but their own childishness is revealed when her dreams manifest in the form of Orlok and become unavoidable. Ellen (partially? possessed in the moment by Orlok) tells Thomas how "foolish and like a child" he was in Orlok's castle. In the literal context that's cruel, and obviously that shit was scary as hell, but it hits on Thomas' failure in the metaphorical reading. He was a child playing house: 'I'll be the husband and make money, you be the wife and make babies.' When it came time to confront his wife's inner world and all the scary, traumatized, lustful complexity of it, he was completely inept. The message isn't that Orlok is what Ellen really needs, or that Thomas is a wimp, but he's not a perfect husband either. I think "the point" is that a real healthy marriage with sexual, emotional, and spiritual mutuality is impossible in that society with Thomas/Friedrich's ideals. In that kind of society, a spiritually and sexually potent woman like Ellen ("in heathen times you might have been a Priestess of Isis") will always be caught in a "love triangle" with her husband and her own inner world.

[schoolbusgraveyard]

OK OK SO!!! Hear me out. Someone realizing Baron is a girl. Like. Trans lesbian baron.

If this was a request by god I already had it halfway done SJSBSHSH if not. Yeah. I have this specific mental image of Barron in my brain where years down the line (like. Five or six years.) something Clicks and Barron just. Realizes how shitty everything was. But specifically it comes after realizing you can just. Be a girl and you don't have to adhere and conform to society's expectations of men/boys, you don't even have to Be one. It is a Very Out There crack headcanon but it's one that I genuinely hold dearly in a really specific way.

[thewriteadviceforwriters]

10 Ways to Add Sizzle to Your Boring Writing

Writing that sizzles captures the reader's attention and keeps them engaged from start to finish. Whether you're an experienced writer or just starting out, there are several techniques you can use to make your writing more exciting and dynamic. Here are ten detailed ways to add sizzle to your boring writing:

1. Use Vivid Descriptions

Vivid descriptions bring your writing to life by creating a rich, immersive experience for the reader. Instead of relying on generic or bland language, use specific details that appeal to the senses. Describe how things look, sound, smell, taste, and feel to paint a vivid picture.

In Detail:

Visual Descriptions: Use color, shape, and size to create a mental image. Instead of saying "The car was old," say "The rusty, olive-green car wheezed as it pulled into the driveway."

Sound Descriptions: Incorporate onomatopoeia and detailed sound descriptions. Instead of "The music was loud," say "The bass thumped, and the high notes pierced through the night air."

Smell and Taste Descriptions: Use sensory language. Instead of "The food was good," say "The aroma of roasted garlic and herbs filled the room, and the first bite was a burst of savory flavors."

2. Show, Don't Tell

"Show, don't tell" is a fundamental writing principle that means revealing information through actions, thoughts, dialogue, and sensory details rather than straightforward exposition. This approach makes your writing more engaging and allows readers to experience the story.

In Detail:

Actions Over Exposition: Instead of telling the reader "Jane was scared," show her fear through her actions: "Jane's hands trembled as she fumbled with the lock, her breath coming in shallow gasps."

Dialogue: Use conversations to reveal character traits and emotions. Instead of "John was angry," show his anger through his words and tone: "John's voice was a low growl as he said, 'I can't believe you did this.'"

Internal Thoughts: Reveal characters' inner worlds. Instead of "Emma felt relieved," show her relief: "Emma let out a long breath she didn't realize she was holding and sank into the chair, a smile tugging at her lips."

3. Create Relatable Characters

Relatable characters are crucial for keeping readers invested in your story. Characters should have depth, including strengths, weaknesses, desires, and fears. When readers see aspects of themselves in your characters, they're more likely to care about their journeys.

In Detail:

Character Flaws: Give your characters realistic flaws. A perfect character can be boring and unrelatable. Show how these flaws impact their decisions and relationships.

Character Arcs: Ensure your characters grow and change throughout the story. A well-crafted character arc can turn a good story into a great one.

Background and Motivations: Provide backstories and motivations. Why does your character act the way they do? What drives them? This adds depth and makes them more three-dimensional.

4. Add Dialogue

Dialogue can break up large blocks of text and make your writing more dynamic. It reveals character, advances the plot, and provides opportunities for conflict and resolution. Ensure your dialogue sounds natural and serves a purpose.

In Detail:

Natural Speech: Write dialogue that sounds like real conversation, complete with interruptions, pauses, and colloquial language. Avoid overly formal or stilted speech.

Purposeful Dialogue: Every line of dialogue should have a purpose, whether it's revealing character, advancing the plot, or building tension. Avoid filler conversations that don't add to the story.

Subtext: Use subtext to add depth. Characters might say one thing but mean another, revealing their true feelings through what they don't say directly.

5. Use Strong Verbs

Strong verbs make your writing more vivid and energetic. They convey action and emotion effectively, making your sentences more powerful and engaging.

In Detail:

Action Verbs: Choose verbs that show precise actions. Instead of "She went to the store," say "She dashed to the store."

Avoid Weak Verbs: Replace weak verbs and verb phrases with stronger alternatives. Instead of "He was walking," say "He strode."

Emotionally Charged Verbs: Use verbs that convey specific emotions. Instead of "She was sad," say "She wept."

6. Vary Sentence Structure

Varying sentence structure keeps your writing interesting and prevents it from becoming monotonous. Mix short, punchy sentences with longer, more complex ones to create a rhythm that engages readers.

In Detail:

Short Sentences for Impact: Use short sentences to create tension, urgency, or emphasize a point. "He stopped. Listened. Nothing."

Complex Sentences for Detail: Use longer sentences to provide detailed descriptions or explain complex ideas. "As the sun set behind the mountains, the sky transformed into a canvas of oranges, pinks, and purples, casting a warm glow over the serene landscape."

Combine Different Structures: Mix simple, compound, and complex sentences to maintain a natural flow. Avoid repetitive patterns that can make your writing feel flat.

7. Introduce Conflict

Conflict is the driving force of any story. It creates tension and keeps readers invested in the outcome. Without conflict, your story can become stagnant and uninteresting.

In Detail:

Internal Conflict: Characters should struggle with internal dilemmas, fears, and desires. This adds depth and relatability.

External Conflict: Introduce obstacles and challenges that characters must overcome. This can be other characters, societal pressures, or natural forces.

Resolution: Show how conflicts are resolved, leading to character growth and plot progression. Ensure resolutions feel earned and satisfying.

8. Use Metaphors and Similes

Metaphors and similes add creativity and depth to your writing. They help readers understand complex ideas and emotions by comparing them to familiar experiences.

In Detail:

Metaphors: Directly state that one thing is another to highlight similarities. "Time is a thief."

Similes: Use "like" or "as" to make comparisons. "Her smile was like sunshine on a rainy day."

Avoid Clichés: Create original comparisons rather than relying on overused phrases. Instead of "busy as a bee," find a fresh analogy.

9. Create Suspense

Suspense keeps readers on the edge of their seats, eager to find out what happens next. Use foreshadowing, cliffhangers, and unanswered questions to build tension and anticipation.

In Detail:

Foreshadowing: Drop subtle hints about future events. This creates anticipation and a sense of inevitability.

Cliffhangers: End chapters or sections with unresolved tension or unanswered questions to compel readers to keep going.

Pacing: Control the pace of your story to build suspense. Slow down for crucial moments and speed up during action scenes.

10. Edit Ruthlessly

Great writing often emerges during the editing process. Be willing to cut unnecessary words, tighten your prose, and refine your sentences. Editing improves clarity, pace, and overall readability.

In Detail:

Cut Redundancies: Remove unnecessary words and repetitive phrases. "In my opinion, I think" can be reduced to "I think."

Focus on Clarity: Ensure each sentence conveys its intended meaning clearly and concisely.

Proofread: Check for grammar, punctuation, and spelling errors. A polished manuscript reflects professionalism and attention to detail.