#i just generally don't like it when people try to tell other people how they're *supposed* to have fun
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bones. bones they made moonpaw a schizophrenia and plurality stereotype. bones. bones help us
OH NO IS THAT WHY THERE'S 16 MESSAGES
I TURNED MY BACK FOR 5 MINUTES GREAT GOOGLY FUCKELING MOOGELY
I still have to finish reading Star (you have to forgive me for being a capital G Gamer who's been uber distracted) to gather together my final fair assessment, so I can start putting down the fragments for BB!ASC. But I WILL tell you this;
The whole Moonpaw Discourse from a couple of months ago really opened my eyes to just how pervasive intersexism and plurality stereotyping is, even in this space.
Not all of it is malice-- like many other cultural biases, people often just pick up negative stereotypes passively and don't realize they reflect poorly on real people. "Scary evil head voice" is one of them. Yes, intrusive thoughts exist (they are something I deal with), but it's about the snap, subconscious association between "voice in head" and "mental torment."
As the case and point; Look at how FAST the fandom conversation changed when the team first teased it. What was a fantastical, equal parts sincere love and horror exploration of shipping a cat with a magic pool morphed. Overnight, The Voice was an abusive thing, an expression of a dead baby who wanted to live, or a reincarnated monster, or another evil Ashfur-esque posession spirit.
Something bad, malicious, unwanted. By contrast, the voice of the moonpool was mostly portrayed as a supernatural yet good thing. Genuinely asking her for help.
(Part of me also ponders the religious angle of it. "Voices in my head" that come from God are generally much more socially acceptable than "Voices in my head" that come from the self. Regardless,)
So, as always, I Don't Rewrite Arcs Until They Are Done (I DRAU TAD, if you will), BUT... I know for certain that I will want to subvert this.
If Canon!Moonpaw must be a system, and we're all ready to buckle up and bunker down through how the Erins handle this one, then for BB!Moonpaw I'll try to do the same. But for my portrayal, I want to write her relationship with her headmate to be generally positive. Or at least more complicated and multifaceted.
One idea in particular I like is the thought that she absorbed a twin... but writing it as a chance the twin GETS to live, NOT a life denied. Death would have claimed them if they didn't become part of her. So, they love her-- of course they do. They're two souls with one heart.
The specifics will have to come with time. I need to see how her plurality impacts the plot, the overall story being told, plus wait to assess the criticisms that real systems and fusion chimeras in our fandom will have. But I can say with certainty that I would like to attempt my redux with the sad truth in mind that headmates in media are almost never approached as non-malicious. I'd like to do what I can to make a difference.
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I saw your twt about holding back on telling stories with serious and deep tones and it reminded me of an issue I had a while back. Im a south park fan and I loved reading deep analysis of the characters. and south park being south park, people dont take it seriously and think its just funny so it doesnt deserve deep analysis like other forms of media. I always came across comments saying "its not that deep" or "doing all of that for south park" and I used to hate that so much because why are you commenting that under the authors post? In media there is like a "spectrum" of how deep you are in it as a fan, and it doesn't make you less of a fan if you like to binge watch the show when you feel like it because its funny. Someone who makes fan fiction and psychoanalyses the characters doesnt make them a better fan than you. I hate "it's not deep" because it is that deep to me, I enjoy it, but it dismisses critical thinking and discourages deep discussions about our interests. I want to learn more about the turning point for eric cartman and the friendship dynamics between the main 4. I want to read psychoanalysis of the characters and understand why they do the things they do. I loved reading fan fics with an author that understood how the characters work and put them in situations while making it believable. Whether the content was deep and serious or lighthearted and silly. I don't see those as cringe at all. What I see as cringe is trying to downplay someones time and effort. you dont care for it. cool, just dont make it our problem.
I believe in recent years, this cringe and its not that deep mentality is linked to media literacy/reading comprehension issues. On top of the fact, that fandoms right now has been "normalized", so alot of mean and rude kids and adults are in this space not having a mature and respectful conversation and discussions, as well as zero fandom etiquette. (I understand the past wasnt this magical respectful place but this behaviour has increased compared to past years).
Please don't worry about making deep content, its super fun and there will be fans of what you write/draw that will definitely be into it.
GOSH anon you are absolutely right. cringe culture has done some serious damage to people's creativity and freedom of expression. doing things in earnest is now cringe to so many people (specifically that 18-21 age where they think they're better than everyone else and everything is cringe to them, image is everything) and they actually give you shit for it?? it's crazy. the most harmless thing in the world. whenever my hey arnold comics would leave my target audience on instagram i would get the meanest comments for no fucking reason, because i was taking hey arnold "seriously" (nevermind that hey arnold is probably the nicktoon with the most emotional depth and moments besides ginger but i digress) but hey at least i'm not the one losing my marbles over some random cartoon comic on the internet.
i think rudeness in general has been too normalized not just in fandom, but in social media in general. it's sad. the only thing you can do about it is be kind as much as you can to counterbalance it. i'd like to think that rubs off on people just like how being rude rubbed off on them.
i said that thing about holding back because i'm admittedly too hard on myself sometimes. no one is calling me cringe or making fun of me for what i do, thankfully, people have been super cool and supportive. and it means a lot to me because i'm very earnest about everything i create, even when i try to hold back. i literally cannot help being myself. it's all i know how to do. i'm just glad i was able to grow a platform where i'm free to be openly passionate about the things i like, talk about them and why i like them, the little things that i find fascinating, the emotions they make me feel, all of that shit is awesome and i wish more people did that.
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ok... so I have finally finished veilguard after about 90 painful hours (two playthroughs). im not gonna write an actual review about all of my detailed thoughts bc it'll actually take days, this is just to at least get my general thoughts out and see if anyone else feels the same or if ive actually lost it.
overall it is the weakest dragon age game story-wise, and I'd give it a nice lukewarm 4/10.
(i wrote this post right after I finished the game on the weekend so maybe I sound a bit harsh, I tried to edit it to be more reasonable lol but I didn't really want to delete this since I do still stand by a lot of this)
I really tried to go in with an open mind, bc I always want to experience media in full before making any kind of judgement, but about a few hours in I had this horrible feeling that once again this was another soulless, rushed game, and I still don't feel any different after finishing the game.
what stuck out to me was that there's no sense of urgency despite what the plot is, serious topics are not treated with care as the writing overall is shallow, and the gods as well as any other enemy you encounter are just cartoon villains (and apparently the lore retconning, but I'm not well-versed enough to dissect that so I won't).
I can't take this plot seriously when it feels so disjointed and forced and lazy. and I see no point in caring about anything when choices literally don't matter. no say in who you recruit, no say in the relationships with them and they have almost no awareness of rook, definitely doesn't matter if you have allies or not bc they show up anyway, and only four companions are locked into unavoidable decisions where one of them bites the dust no matter what (which is strange bc why are harding and davrin forced to die no matter if they're at hero status while bellara and neve can literally survive blight if they're at hero status), so it's impossible to try to strategize for better (or worse) outcomes with all the people you've gathered when there's only one right answer that the game pretty much tells you instead of letting you think for yourself (and side note this game does an incredible amount of hand holding). the game actively tries to trick you into thinking your choices matter with the onscreen notifications, but nothing matters bc the devs clearly had only one story in mind and for some reason lied that it had "complex choices".
also rook in general wasn't interesting as a protagonist bc they were written to be perfect. they always know what to say and are so supportive of everyone. they never struggle with anything. not even with leadership beyond "man leading a team is hard :/" but it doesn't actually show how hard it is by having actual volatile conflict between the companions* or showing how their plans sometimes fail. which, if we actually had choices that mattered, would have helped develop that struggle. also? what's with everyone being so friendly? I'm not gonna get into that but everyone is so eerily nice and it's been said a lot but yeah, the world is extremely sanitized and devoid of any real conflict aside from the gods I guess.
*(like off the top of my head cassandra fighting with varric and accusing him of not being on their side or how the inquisitor can literally punch dorian and solas if approval is low enough or fenris and anders bordering on killing each other is not the same as lucanis and davrin distrusting each other or people being uncomfortable with emmrich's necromancy. it just scratches the surface of conflict and never goes anywhere)
and let me say real quick again, there's nothing wrong if they wanted to make a more rigid story about being a hero. it's been done a million times and it can be executed well, but if you do that you need to make sure you 1) don't lie to people and 2) actually flesh out your (especially main) characters and plot to give people a reason to care. look at dragon age 2. hawke is a fixed protagonist with their own life front and center. they ultimately only have two choices (siding with mages or templars), but it works bc the game took time to build up the conflict straight from act 1 so by the time chaos happens in act 2 and 3 you understand why bc it's Been brewing the whole time. it just makes sense. the villains as well have sound reasons and feel real instead of being evil just bc. the story is more grounded, yet you have choices. you decide if hawke ends up alone or not. you decide how they approach situations with force or diplomacy. there's none of that in veilguard. a game that supposedly took 10 years to make. when dragon age 2 took almost 16 months (yes I know da2 also has problems like the fact that the templars are always proven right but this isn't the place to dissect that).
I want to be fair though and I do want to restate what I enjoyed about the game. the cc (though would it kill them to have more variety in face textures like age and body types beyond average.. also no colour wheel... especially since they claimed their cc was so good), the map progression/visuals/exploration (how certain places become more blighted overtime), the factions (though I feel there should have been more content for your faction, and helping them or not should have mattered more), the combat (did not feel like a slog, pretty fun and mindless), the companions (bellara, davrin, emmrich, harding, and lucanis had solid personalities and stories despite my complaints. neve was not memorable and I just feel sad for taash's bad writing), certain parts of the story were good, the intro and the point of no return sequences were solid, and the ending didn't feel rushed or boring compared to inquisition. and yes, I do appreciate that rook can be trans, I just think a little more subtly and care would've been nice.
another thing I did like and predicted was that varric died at the beginning of veilguard, and for a second I actually enjoyed that because i thought we were finally (a bit too late tho) getting some depth to rook and their own struggles of accepting his death and carrying this weight without him. and while I do think maybe they should've taken more time to establish the mentor/mentee relationship so we really feel rooks regret, I still think it was at least the right direction where in their grief they still see him, giving advice and narrating their journey.....but then it turned out to just be solas manipulating them the whole time, immediately destroying any emotional weight this reveal had.
whenever bioware has good ideas they shoot themselves in the foot and make it about solas. it's like nothing in the world exists without solas being involved somehow, and that is just incredibly boring and uninspired to me. not to mention solas just being an insufferable ass the whole time, which is fine, but it's not even in a compelling way like he used to be. he became so ugly by the end and the fact that the devs consider redeeming him the "good ending" and not giving him what he deserves is very telling and once again shows their own bias is king over good storytelling (solas' feelings should not come into play here, whether you/your companions live or die should determine good/bad ending since solas is trapped no matter what, only difference is who is trapped with him. idk but I personally think different endings actually means different outcomes). i will not go into the bs of the secret post credit scene, bc frankly I'm fed up with bioware's shitty writing and I won't be playing their next world ending space aliens game (unless they miraculously pull a good story out of their ass but lbr).
overall the bad outweighs the good for me. it's fun to play as a game, it's a decent fantasy game, but the story just doesn't do anything for me. sometimes I wonder if dreadwolf was a completely different game and was scrapped for veilguard last minute. maybe this was yet another inevitable industry fuck up and maybe there was a good story planned at one point. idk. all I know is bioware lied. respect and credit to the poor devs and writers who actually cared and to those who were kicked from the project, but in the end bioware promised too much and delivered too little.
#this is what happens when im forced to be on campus for 12 hours. bored out of my mind might as well make it everyone elses problem#anyway... i think I've said everything i need to. feel free to add on or whatever but if youre going to be an ass don't bother#or just send me an ask telling me how stupid i am and we can kiss about it#bioware critical#datv spoilers#dragon age spoilers#six speaks#i wanted to fix some of my points to be more clear but atp id never post this so ill edit when im more awake#please correct me if im wrong about anything. i don't really have time to dig deep into the game w college so id like to know
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actually i'm not done. yeah, the other people you work around are nice, they're supportive, they don't tell you to just try yoga and they don't make weird comments about all the little things you sometimes let them see. the appointments, the medications, the side effects - you mention some of it to your friends sometimes and you know they'd be supportive but what they see is still just the tip of the iceberg, while you're out there carrying the entire weight of the whole thing.
and it's just - yes, they'd be supportive, but they don't get it. there's so much that they don't know, because they don't see you when you're at your worst, and if they knew the full honest truth of the things you're dealing with they'd be scared. because the things you deal with on a regular basis would send a healthy person to the hospital, and you're still showing up to work because it's just another friday. and it's not that bad if you're still conscious, and it's fine, it's just another symptom, just another side effect, just another friday, so you just...deal with it quietly. sugar-coat it a little, only show them the tip of the iceberg. you don't want to scare the others, you don't want them to worry when this is just...normal for you. because they would be, they would be scared and they would be worried, any generally healthy person would be, because this wasn't how their world worked. they're not in the water under the iceberg with you.
but viktor is.
he gets it, he sees the weight of it all, he's right down there with you.
talking to him about these things is like speaking the same language, fluently, without having to stumble through translations like you sometimes did with other people.
and it's freeing, not having to filter yourself through the scope of what can i let show because he's already seen it all and worse. he won't flinch at the pain or the blood or the tears or the bruises, the messy honest truth of it all. he knows what it's like. and he doesn’t judge - because he knows what it's like. the knowledge of that sits somewhere right around your heart, that he knows and he understands and you don't have to hide it.
you can just...be.
thinking about viktor with a chronically ill reader. you know? we see the vision, right?
it just works.
the thing with chronic pain, illnesses, disabilities, all of that - is that you can't always see them. sometimes you can, sure, you can see the mobility aids and the not-standing-up-for-too-long and the bruising from blood draws and sometimes you can see the compression garments, the pills and inhalers and the i'm fine, i just need a moment-
but most people just don't pay attention to that. or if they do, they don't put the pieces together fast enough to figure out what's really going on under the surface. viktor does, though; he's been there, and most of the time he's way beyond hiding it. or, well, he's way beyond hiding some of it.
walking with a cane was like carrying a neon sign that said yes there is something different here. yes i can't walk the way you can. no it's not going to get better. that last part wasn't directly evident just from him using a cane, sure, but with the way his cane looked, it should've been pretty clear. He had used one practically forever and it had evolved with him, he'd made it as comfortable to use as it could be, had even made it match his uniform.
so yeah. viktor knew what it was like. he'd been the disabled kid forever, even if some of the others were never going to say it out loud. that was just a thing about him, and he knew how hard it could be to navigate something like that in an academic environment. it was hard to admit you couldn't do something, that you had to sit down, that you needed a moment. that sometimes your body was just falling apart for no particular reason and it was just another tuesday.
sometimes it was easier to sit with the pain than take medication in the middle of a meeting, knowing that someone would make a bigger deal out of it than it had to be, even if it was just raising their eyebrows meaningfully. they'd think about you differently afterwards.
he could see you push through it, and he didn't blame you, really, he did that himself, too, but - he didn't want you to hurt yourself. you hadn't been in the lab as long as he had, so he could understand you being a little cautious with how you acted and what you told people, but he didn't want you to feel like you had to put on a show for him. he was, after all, walking around with the equivalent of a light-up sign of i'm disabled, too, and he liked to think of himself as someone who wouldn't come off as judgemental about stuff like that. other stuff, sure, stupid stuff, but not that.
so when he sees you dealing with the telltale signs of being in pain, he conveniently sends jayce and the others to pick up some parts that would take a while to collect and that they wouldn't actually need until the next day. but better prepared, right? what's the harm.
and then he comes to sit next to you and sighs deeply. leans back. relaxes to the best of his abilities. asks if you're alright, and sounds like he already knows the answer.
you sigh too, shift your position, and answer with it's fine. and viktor recognizes the strain in your voice, in your posture, and he knows there's a key difference between this and i'm fine, but he'll take it. it's not what he'd like, but he'll take it.
he leans over to dig around his belongings, and then offers you a bag of candied almonds.
"if you're going to take pain killers, it's better if you eat something first," he says, and you just stare at him. "i assume you haven't taken anything yet. nothing strong enough, at least," he continues, casually, and you take a deep breath and accept the almonds.
he smiles. continues like this is totally normal. "jayce made me start carrying around some food so i could do that. for myself, i mean. but it doesn't hurt to have some snacks around either way, i suppose."
he knows he's skirting around the real topic of the conversation, but he also knows that sometimes people get uncomfortable around his bluntness, and you hadn't exactly told him you were in pain, so he'd understand it if you were a little weirded out. after all, most people didn't notice this stuff. but you haven't run away from him, and you're eating, and then you're digging around your own bag to take your medication, so he'll count this as a win.
thanks, you exhale, handing back the almonds, and he takes a handful of them himself.
"i'm fine, really," you continue, not really looking at him, "it's just hard sometimes."
he nods. it was - even if he didn't know the specifics, he knew that it was true. especially since you had been hiding it from the others. and with something like that, something the others couldn't see, the invisible step to let them see it would grow bigger and bigger with time, when they expected you to be able to do everything they did without a second thought.
he also knows you didn't mean fine in the dictionary definition sense of the word, but more in the this is normal and you don't need to worry -sense. and that's fine. he was used to functioning on different parameters than most people, so this version of fine was good enough.
my body just isn't always very reliable, you explain with a sigh, and that he knows better than well.
he hmms in answer and nods. he knows.
you exhale a small laugh at that.
and he's glad you're relaxing, wants you to be as comfortable here as possible.
"these people are alright," he says casually, "as far as healthy people go."
viktor smiles a little.
another win for him.
and then he sits with you, talking and not talking and enjoying the quiet comfort if it all. and then he makes up some excuse so you don't have to keep working yet. he was well aware what it was like trying to work through the pain, waiting for the medication to kick in, and he wouldn't exactly recommend it. besides, as a rule, you were more likely to make mistakes if you were thinking through a layer of pain, and that was just plain bad planning. it made much more sense to just take a break and continue when you felt better. in fact, he was in dire need of a caramel latte and a pastry right now, do you want anything?
and after that it just... sort of falls into place. you're more relaxed around him. and the others, too, but he's the only one that really gets it. doesn’t make a whole thing out of it when you need to sit down for a moment or take a break while your pain killers kick in. he's just there.
he knows what it's like, and that feels like an invisble curtain lifted from between you and him, and it's just easy. you don't have to pretend you're doing better than you actually are and he doesn’t hide it when he's in pain, either.
most people don't see it, but there's a mutual understanding there; yeah, sometimes life sucks and sometimes you're in pain and no it's not fair that sometimes your body is falling apart and life just keeps going. you can't do all the things you want to do but you still have to show up for the other life-stuff and if you took a day off every time you felt bad you would never get anything done and it just never stops.
but sometimes there's someone who'll sit through it with you without judgement. offer a warm drink and a snack and some understanding.
#scribbles#why yes i DID see one of my healthy friends today and it was nice but i was in pain the whole time and i was just thinking#how it feels to be around people who Get It. bc like. yea my healthy friends know but they don't...Get It. and i don't want to scare them.#viktor arcane x reader#viktor x reader#viktor arcane#viktor x chronically ill reader#tw blood mention
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Ok so for about a good two-three months now I had a post in my drafts about how I realized I ship Powser, and long story short I started comparing Bowser to what I think to be how most villains in media interact with their damsel in distress if they express “love” for them. Issue is, I don’t have nearly enough knowledge/examples on this topic to know how truthful this comparison is, but said comparison is also the main thing tying this post together. So when thinking of ways to remove this element while still having all the same info in this post, I kind of came up short. Plus, I like the way the post is structured as is.
In other words, here’s the post as I originally wrote it, but be aware that the comparison is probably very flawed. Maybe there’s some truth to it, probably not. In any case, just focus on the Powser side of it, the villain comparison is just there for the structure. Enjoy! (long post ahead, a bit over 3k words)
So I recently realized that I really like Powser which I did NOT expect given I’m usually much more of a “friends to lovers” type of person, and trying to understand why I like it led me to think about how villains tend to be presented in their relationship with the “damsel in distress”, and it’s actually very interesting when you compare it to Bowser.
TL;DR: Unlike most villains who showcase sexual attraction (I think?), Bowser is shown to be romantically attracted to Peach. And while his actions are still very much shitty and should be seen as such, man is he adorable sometimes ! Plus, the way his feelings are shown to be genuine makes him look better than most villains, whose “love” for their victim is portrayed as """creepy lust""" by their medias.
(Obviously there is absolutely nothing inherently wrong with sexual attraction. I’m talking in the context of medias that sometimes tend to vilify it, especially when it comes to the antagonists, hence the language used in this post.)
So the first thing that came in mind while thinking of other villains was Dis//ney’s Alad//din (the 90s/animated one) and how Jaf/ar treats Jasm/ine at the end of the movie, more specifically when he wishes for her to fall in love with him and she ends up pretending to be as a distraction.
Thing is, Jasm/ine doesn’t act like she’s in love with Jaf/ar, she acts like she’s thirsting for him, and the way Jaf/ar reacts shows that this is pretty much what he had in mind when saying he wants her to love him. This isn’t love, it’s lust.
Now, I can’t say I’m someone who watches a lot of movies, especially not live-actions ones, so take what I’m about to say with a huge grain of salt. Basically, I kinda feel like what we see in Alad/din is the norm when it comes to villain/victim relationships? Like you have those antagonists who want the damsel in distress to be horny for them, who don’t see those women as people and don’t give a shit about them, only keeping them to get what they want out of them and having no issue discarding them afterwards if they get bored with those poor girls.
Btw that’s not to say that every single villain who kidnaps someone wants to sleep with them. But when it comes to villains who claim to love their victim, there does seem to be at least some sexual tension here, or at least some uncomfortable touches.
And then there’s Bowser. To give a few examples of what he does:
- In that one 1986 anime movie thing, he gets very soft around Peach, gushing about how he’s in love with her and wants to marry her, trying to cheer her up when she’s sad, and let’s not forget that “it’s more of a bracelet, shows that my love is bigger” line with the ring.
- In the mainline “platformers” games, you have “Mario Sunshine” in which Bowser wants his son to have a mother, and “Mario Odyssey” in which he tries to marry Peach, going around the world gathering all the absolute best things for the wedding. There’s also the New Bros U intro with Bowser gently moving Peach’s chair, making sure she doesn’t get hurt by his attack, showing he doesn’t want to hurt her.
- Not sure exactly if this counts as this could be a form of objectification, but you know that cliché of villains getting that all-powerful thing they wanted and immediately betraying/discarding all the people they worked with and/or claimed to love? Well, in the Galaxy games, Bowser gets the power to create a whole new universe, and yet still takes the time to capture Peach, claiming in the first game that he wants her to rule along with him. Again, this could be a form of objectification, especially when looking at his dialogue in the intro of the second game, but it’s still interesting how Bowser doesn’t really fall on that trope, still having his army and Junior on top of Peach (btw the intro of Galaxy 2 is very funny on that front because Bowser literally has enormous powers and yet still makes a detour for Peach, thus causing Mario to be on his tail. Like, let her go dude, she’s not that into you. You got all the powers of the universe, who cares about that one specific woman when you could have literally anybody else?).
- In the first Paper Mario game, Bowser tells Peach that he would fulfill her wishes if she wants (as long as he likes them) and gushes in his diary about how he hopes Peach likes him. And in Thousand Years Doors, he keeps trying to look for her upon hearing she got kidnapped.
- In Super Paper Mario, he gets overjoyed about the wedding but still immediately shows worry for Peach when Nastasia uses her mind control on her, and in general Bowser spends the game clearly loving being able to call Peach his wife, and joins the team again in 7-2 out of concern for her safety. Same with 8-1 where for all he knows he’s about to die and yet his main concern is her safety, to the point where he's willing to ask Mario to protect her for him. His priority is not being with Peach, instead it's Peach being safe.
- In Color Splash, the first thing he does when first getting back to himself during the fight is ask if Mario brought Peach with him.
- In Origami King, he doesn’t want her to see him as a wet floor sign and later asks Olly if Peach is safe and comfortable, which as I’ve seen pointed out implies that him capturing Peach is mostly a forced vacation/sleepover until Mario arrives and she’s put on the spot for show.
(- In general Paper Bowser is a huge hopeless romantic, at least from what I’ve seen of him.)
- In Superstar Saga he helps Mario and Luigi reach the Bean Kingdom for Peach’s sake. Then in Bowser’s Inside Story his most beloved and protected memories are his memories of Peach + he makes saving her his priority towards the end. And in Dream Team, he hears a rumor that Peach might have gotten kidnaped and immediately flies all the way to Pi’illo Island to find her.
- You cannot convince me that his car in Mario 3D World wasn’t an attempt to impress Peach, given this is one of the only two games (three with Wonder) where you play as her and face against him. /hj
- In that one old comic people kept bringing up after the movie came out, Bowser spends a lot of time gushing about marrying Peach. Also despite Peach being very temperamental in this comic, I don’t think Bowser once tries to hurt her? Obviously you have the Magikoopa brainwashing her at the end which is fucked up but outside of that does Bowser ever get angry or menacing when it comes to her?
- In general, outside of the games where Peach is playable and the intro of Inside Story (which comes off as OOC for Bowser tbh, I get him being pissed off but him trying to burn Peach is just really off), do we ever get to see Bowser raise a hand on her and/or try to physically hurt her? Same for his anger, how often do we get to see him raise his voice on her? And no the sports and party games don’t count since everyone is doing the same thing to everyone else in those, and in the party games it'd be unfair if playing that one character led to Bowser going easy on the player.
Now I might be missing some more moments, especially since I’m far from the most knowledgeable on the sport/party games and some RPGs (slowly making my way through them), but there’s one thing that is very obvious: while most villains express sexual attraction for the damsel in distress, Bowser expresses romantic attraction.
Bowser genuinely cares for Peach. She’s one of his most precious memories. In Super Paper, he snaps out of the joy of getting married when Peach is getting brainwashed, showing how much he values her safety. He absolutely adores her and isn’t afraid to express it, especially Paper Bowser.
Those two instances (Inside story and Super Paper) especially really seem to lean into how much Bowser loves Peach. In Inside Story, the fact that she’s his most well-preserved memory shows just how much he values the little time he spends with her and how important she is to him, not as some pretty face but as a person he genuinely wants to create more memories with. And in Super Paper, Bleck is giving him the one thing he’s always wanted, and yet he still shows some reticence when Nastasia uses her mind control, making it look like Peach being safe and sound is more important to him than them being a couple. Idk, those two moments just really get to me when you think about it this way.
(Btw in Super Paper I adore that Peach hesitates to leave him in 8-1 because, while we know Peach is incredibly kind so of course she’d be worried for a teammate, for once it feels like Bowser actually earned it. He spends the whole game being caring towards Peach, and wouldn’t you know, being nice and respectful to someone actually makes them care for you! I swear the Powser potential from this game is unmatched!)
When most villains say “I want this woman to love me”, they usually mean “I want this woman to obey and submit to my every want”. When Bowser says “I want Peach to love me”, he means “I want to be able to wake up everyday by her side, make her smile and laugh and be happy, see her be a mother to my kid(s), learn more about her and spend as much time with her as I can”. Bowser isn’t trying to marry Peach because he wants to “own” her, he wants to marry her because he quite literally wants to spend the rest of his life by her side.
Now that’s not to say that Bowser doesn’t feel any form of sexual attraction. But since Mario is such a kids-friendly franchise, the focus is much more on his romantic feelings. Also, I'll admit, whether Bowser is in love with Peach or with the idea of Peach is up for debate.
I think that’s the main reason why so many people are quick to call Bowser sweet/adorable when seeing the way he talks about Peach. Because the thing is, Bowser is still being a complete asshole here. He’s constantly kidnapping her, putting her in a cage on several occasions, forced her to marry him like 6 different times, very often disregards her body autonomy by grabbing her (+ the kidnappings), terrorizes and sometimes even tortures/kills her people, and his phone pic in the parental controls video + the picture frames in Nintendo World make him look like a creep. Despite his feelings for her, there’s definitely a level of objectification here that should not be ignored.
Hell, I didn’t mention the 2023 movie on the list because I’d argue he was more obsessed rather than in love. Plus the scene where he proposes to her low-key feels like the very first time they meet, making his previous actions creepier (or at the very least they barely know each other, heck Peach didn’t even know Bowser likes her!). And he’s quick to use blackmail and violence against her, especially in the end. The wedding cake toppers also show he cares more about himself than Peach and sees her as an object rather than a person.
(I actually take back what I said in my movie reaction post about Bowser being like the one from Super Paper. He might be goofy when showing his softer side, which was what I was focused on when comparing the two, but he’s also clearly not as genuine and sweet as Paper Bowser. The way he mistreats his army and especially Kamek in the movie is also different from most games, most notably the RPGs since that’s when we see him interact with his people and he’s a relatively good king to them.)
Compare 2023 Movie Bowser to the 1986 movie in which he tries to get Peach involved in the wedding preparations, tries to cheer her up, never gets angry at her despite how much she’s resisting him and never once raises his hand on her. Even when she outsmarts him by making him shapeshift, he’s amused by her attempt. Literally the worse he does in this movie is grab her against her will on many occasions (and obviously the kidnaping and forced marriage, that goes without saying).
Going back on topic, despite Bowser being very much horrible in the way he approaches Peach, since every other villain out there is lusting after the woman they capture, making them appear creepy/predatory, Bowser comes off as an angel in comparison. He’s one of those rare cases of a villain who is truly sincere about his feelings for the woman he captures, and since we see other occasions of him being a sweetheart (with Junior) and a dumbass (the RPG series), he becomes an incredibly endearing character. So his feelings for Peach come off as adorable despite the bad elements because we’re aware he has a soft side so we know he’s truly sincere. Him being sometimes more of an antihero in the RPGs + his inclusion in sports games and the like probably also help seeing him in that good light.
(Also yes I’m very much aware that there’s a huge issue when it comes to how fandoms perceive female characters, and I will absolutely believe you if you tell me this is one of the reasons why you have people who talk shit about Peach so much all while defending Bowser’s actions, especially since his feelings for Peach are so rooted into his character. Oh and obviously you have the people horny for Bowser who love his softer/romantic side and value the moments where he displays this part of himself, that goes without saying.)
I’m especially surprised by the 1986 movie showing such a characterization of him, considering it came out 1-2 years after the very first Super Mario game (aka Bowser’s first appearance, at least I think?). Like imagine making a movie about those characters and going “hey you know the giant turtle monster we fight in this game? What if he was a huge lovable dork who just wanted some love in his life?”. Tbh I adore that choice.
Overall, it’s just interesting to see how Bowser differs from other villains on that front. It’s very interesting to see a villain who does pretty terrible things to a girl all the while being genuine in his feelings for her, idk it’s a very cool contrast. I also like how “true love” tends to be a motivation for the heroes, seen as something good, so it’s fun to see stories where villains have that very same motivation without it being “““twisted””” with lust. And yes I know that last point applies to many more antagonists than just Bowser, and not just for feelings like love.
And a bit off-topic but I also really like how you can easily explain Bowser’s behavior here (not justifying it tho!!!). In the Yoshi Island games, we see he was raised as a spoiled brat who was always given what he wanted, made worse by him being a monarch. We even still see some of that behavior in his adult self, for example when he gets angry and starts stomping his foot like a kid throwing a tantrum.
As a result of his upbringing, Bowser likely just doesn’t know how to take a no. He’s used to always get what he wants, and take it by force if necessary. So when Peach refuses him, he does just that, incapable of understanding why she doesn’t want him.
The 86 movie is actually an excellent example of this. In two scenes (the one with Peach outsmarting him and the ring dialogue) we see Bowser getting worked up when Peach is upset, showing he genuinely wants her to be happy. But at the same time he’s incapable of realizing that he’s the reason why she’s so upset and the one thing he should do is let her go. The ring scene especially shows it very well. When Peach throws the ring and starts crying because she doesn’t want to get married, Bowser thinks she’s upset due to the ring being too big and immediately tries to soothe her by promising to get a better ring. Again, it’s kinda crazy how this movie was made when Bowser only existed for a single year and yet they already made him genuinely in love with Peach.
I’d also add that Bowser seems to have a pretty high opinion of himself, thinking he’s awesome and shit (or maybe he’s overcompensating, that seems like a possibility). As a result, it’s possible that his mentality on the situation is “Well I’m in love with her so surely she must love me! How could she not?”, making it even harder for him to comprehend why she doesn’t love him.
Again, it doesn’t justify his actions in the slightest but it’s still interesting how you can somewhat understand why he’s like this.
And as to why I ship Powser, honestly I still have no idea ¯\_(ツ)_/¯ I think it has to do with the storytelling potential of a unrequited love/it’s complicated/they have history situation in regards to their roles as monarchs, especially in the case of Peach whose character is brimming with untapped potential. I actually like to describe their relationship as “I hate the effect you have on my life but I couldn’t imagine a life without you in it” or “Our kingdoms are enemies for a good reason but if anything happened to you I’d rush in to save you without hesitation”. It's just that idea of them being ex-lovers who had a bad falling out and how Peach still cares about him to an extent and how their lives constantly intertwine with villains trying to take over their kingdoms + Bowser's kidnappings.
And since we’re talking Powser and since wondering whether they know each other or not in the movie got me to question how we can tell they know each other in the games: the best way I could describe their relationship in the games is familiar/”comfortable”, like you have the way Peach tries to convince Bowser to join the group in Super Paper, the way she talks about him in general in the Mario and Luigi games, or stuff like most cutscenes in Odyssey where she never seems afraid of Bowser.
I’ve also seen that Switch Tennis game with the evil racket and how Peach is the one who tries to get through to Bowser when he steals it, straight up saying “listen to me” which makes it seem like she knows she’s the one person who could get him to stop, or you have the first Rabbids game where she comments on how “Junior is sometimes even worse than his father”, plus the way she looks like a mother about to reprimand her child in the cutscene where Jr learns Bowser is coming home (which I find hilarious; lady that’s not your kid, I thought we’d been through this already in Sunshine!). Oh and CAN WE TALK ABOUT THE WAY SHE’S LOOKING AT HIM IN (spoilers in link) THAT CUTSCENE FROM THE NEW RABBIDS 2 DLC!!!
I don’t know how to fully explain but, looking at these kinds of interactions, you can tell that the two of them know each other, and to an extent Peach knows that Bowser won’t hurt her, hence why she’s not afraid to oppose him. It’s pretty funny actually how in the games Peach tends to be exasperated by Bowser more than anything else. Like he’s not a menace, just a weekly annoyance. And again, when you compare it to the movie where there’s only hostility and awkwardness between them, you do get the impression that they’re two complete strangers meeting for the first time. The fact Movie Peach had no idea about his feelings for her doesn’t help either. Then again, about the hostility, Peach in the games is much sweeter so maybe she shows a nicer side to Bowser because that’s just who she is.
#Powser#Bowser X Peach#Princess Peach#Bowser#Super Mario#Flor talks#long post#looking at the ending of that post you can tell this was written shortly after the Rabbids DLC 2 came out#But yeah; as said in the intro I'm really not sure if the comparison to other villains#and what it entails in how Bowser is seen by the general public is actually a good take; I don't think it is#but also I like how this post is overall written#all in all; that post is just an excuse to gush about Powser; so please don't take the 'analysis' part of it too seriously#btw yes I saw the Wonder animation and love it; pretty funny how powser will never be canon yet Nintendo keeps giving us content#(not that I'm complaining; quite the opposite)#also it feeds my hc that Bowser would LOVE a chubby Peach bc big=healthy in Koopa's eyes since turtles have thick limbs#also also it's pretty funny how I'm worried that Peach being less kidnapped=Bowser's crush slowly disappearing#but then Nintendo keeps proving me wrong by showing that; kidnapped or not; his crush isn't going anywhere; and I'm very happy about it#in other news I'm going to star putting the number of words in my longer posts so people know what they're getting into#also might put the read more earlier to make sure the whole post isn't opened when trying to see the rest of the intro
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Lately I've been watching/listening to ttrpg podcasts/live streams in the background while I do chores and such. I really like listening to them and I think that they're fun but I've noticed something that tends to happen in the comment section of these videos that actually really make me mad.
I don't really know how other people feel about this but I really don't like when people watch these live plays and then try to comment on how the game is run or what the players choose to do....like, when everyone at the game is having fun and none of them have any issues with anything.
Like, I once saw someone say something along the lines of "oh [insert person's] character is way too silly for everything that's happening" and it's like....dude. it's a make believe roleplaying game. These are people. Playing a game. The only thing that really matters is that everyone at the game is having fun. Which they were.
This also applies to people who are a stickler for the rules on other people's games. Like... come on man. Why do you care so much that a group of strangers (that you don't know, aren't playing with, and might not ever play with) is being slightly lenient with the mechanics of this (make believe roleplaying) game for the sake of fun and/or flavor for the story that these (once again I'm going to reiterate this because it's very important) strangers (who you aren't playing with) are telling with their game.
What these strangers choose to do with their game quite literally has nothing to do with you, the world is not going to stop spinning just because a bunch of people playing a roleplaying game didn't play the game exactly as how the rules were written or how you personally wanted them to play it.
Sorry if this is hard to read or anything but I just saw something that made me really mad so I just needed to get it out somewhere lol.
Anyways, rules were meant to be bent and broken, Play your roleplaying games however you want to (as long as everyone at the table is having fun), the world is your oyster, don't let random people online tell you how you and your friends are supposed to enjoy playing your ttrpgs.
#camren rambles#idk what anyone else's opinions on this are but this is mine#i just generally don't like it when people try to tell other people how they're *supposed* to have fun#it pisses me off#i think that as long as all of the players playing the game are having fun#then there's really no issue
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Eddie owns a record store, gets to talk about music everyday. Life is good. Great, actually.
He's consolidating the Christian rock section on a quiet Wednesday morning when it happens. A man with swoopy dark hair, tight dark blue jeans, and a plum Member's Only jacket walks in, and doesn't take his Ray Bans off even once he's solidly inside.
Eddie is awestruck. This dude is gorgeous. Heart stopping. He watches him browse in quiet astonishment, unable to say anything until he blurts, "Can I help you find something?"
The man smiles--Eddie's heart stops--and he says, "Nah, just browsing. Your sign caught my eye."
And he's still not quite with the program, the rich honey of the man's voice taking him totally by surprise. "Ah, oh, it did?" He manages after a few long beats. "Painted it myself."
"No shit? It's great."
"Thanks, man. I also think it's some of my finest work."
The guy laughs. "How can I know unless I see some of your other pieces?"
Eddie's face heats, but he's never been known for having good impulse control. "Maybe you'll get lucky."
Spots of pink bloom on the man's cheeks and the tips of his ears. "And here I was, thinking I was getting special treatment."
Eddie cocks his head, smiles big. "Well, the day's still young." It's so risky and stupid; no way this guy is queer, but he grins at Eddie, laughs a little too.
"That right? Well, tell me your latest recommendations."
"For you?" Eddie eyes him up and down. "Wham!"
The guy's laugh is warm and rich and Eddie wants to drown in it. "Big of you to say for a someone who's only listened to Enter Sandman for the last four months."
Eddie cackles, points a be-ringed finger. "It's a good song! A great record."
"Hey, I've got no problem with Metallica. I just don't think you should be casting aspersions on Wham!."
"Casting aspersions, do you have a word of the day calendar or some shit?"
"No! It's toilet paper."
Their snickers grow until they're both hysterical, needing to lean against a display to stay upright.
It's like he's living in a dream, hitting it off with a beautiful man who just happened to stumble into his store. They catch their breath and Eddie uses the time to grab a record off a nearby shelf.
"Here," he says. "Try this."
"Joni Mitchell?"
"Don't tell me, Wham! fan, that you're too cool for Joni."
"Nah, she's my best friend's favorite. How much do I owe you?"
"On the house," Eddie shrugs.
"Shit, that's generous. Thanks, man. Now, about your art--" He glances at the shiny watch on his wrist. "Fuck, is it really 3:15? Goddamnit, I gotta get going."
And Eddie wants to call him back, doesn't want this dream encounter to end, but he's dashing to the door--
And just like that, the man is gone, the only evidence it ever happened the lingering chime of the bell over the door.
The bell clatters again, and his head wrenches up hard enough it hurts his neck.
"Was that Steve Harrington?" the customer shrieks.
"No," he scoffs. Except. Except. The hair and the clothes and sunglasses and the face and his lips--
"No!?" He feels the way his eyes have gone wide with panic. He didn't just flirt with Steve Harrington. Of course not. Not ever. He would've recognized--
He runs to the racks of magazines in front of the register, grabbing the latest issue of People. The cover features a glossy, polished photo of the man who just left the store. The one who had the highest grossing movie of the summer alongside his co-star, Julia Roberts. The one who, according to the article within, is in Chicago right now shooting a new movie. The one who Eddie flirted with. The one who flirted back.
He groans and covers his face with his hands. At least he'll never see Steve Harrington again.
---
Harrington comes back.
The second time, he's wearing a jewel blue polo and fitted slacks, Ray Bans nowhere to be seen.
"Got anymore recommendations?" Steve asks.
"What?" Eddie's still trying to accept that Harrington came back.
"I finished Joni. It was good. Recommend something else for me."
Fully with the program, he reaches to the rack behind him, handing the vinyl to Steve without ever taking his eyes off him.
"Seriously?" Steve deadpans.
"Tell me you don't deserve it after last time."
Steve studies the cover of Metallica, a complicated look on his face. "Fine, but you have to listen to the album George Michael released last year."
He mimics getting shot in the heart. "After my magnanimous first suggestion, you dare to punish me with Freedom?"
"Think of it more as an opportunity."
"To regret every decision I've ever made?"
"To expand your musical horizons."
Eddie rolls his eyes. "Fiiiine. It's a deal."
Steve beams. "Good! Ring me up."
And Eddie, he'd comp it again, but Steve gives him this look that tells him not to try it.
As they pass the magazine racks, Eddie points at one featuring Steve on the cover. "That thing you wore to the Vanity Fair party last month was hideous."
Steve snorts, then laughs. "Thanks. My stylist decided to go for something--"
"--terrible?--"
"Avant garde."
"Oh, is that what they're calling it these days?"
Steve pays, throws Eddie one last smile, "next time?"
Eddie nods, already certain this time is the last one.
---
He keeps coming back.
Eddie tries not to read into it.
Steve is straight, famously has a girlfriend. former horror movie child star turned cinema wunderkind, Nancy Wheeler. They're always on the covers of the tabloids, in ever more improbable stories about affairs and secret babies and french countryside weddings.
But he keeps coming back. And eventually, they grab dinner. And that dinner becomes lunches, movies, clubs, concerts. Eddie's in paparazzi photos, and there's no speculation about their relationship. Steve has a girlfriend.
But sometimes. Sometimes Steve will rest his hand on Eddie's nape, his lower back, let it linger. He'll trace a finger down the tattoos on Eddie's forearms or the patches of his battle vest. He'll lean too close when they talk, unafraid to press their bodies together. And he catches Steve's eyes on his mouth more than once, his pupils wide.
Over the next few weeks, Steve's gaze on Eddie's mouth gets hotter, his looks longer, and it's killing him. All he wants to do, all he ever wants to do, is close the distance between them, appease the gnawing beast of desire in his chest.
But Steve has a girlfriend.
They don't talk about her, not even when he knows all about Steve's best friend, Robin, and the gang of kids who adopted him, or Joyce and Hopper, his surrogate parents. Never Nancy.
He tries not to read into it.
---
They're supposed to meet for dinner. Steve scored reservations at a trendy new restaurant, but Eddie's late. Astronomically, horrifically late. It's pouring rain, it takes fifteen minutes to get a cab, traffic is a nightmare.
Out of patience and time, he decides to run the last few blocks to the restaurant. By the time he reaches the building, he's soaked to the bone, spluttering harsh breaths through mouthfuls of rain.
Steve is walking in the opposite direction, hands stuffed into the pockets of his coat.
"Steve?" He calls.
He turns and this is the first time Eddie's seen him angry. "You're late," Steve's eyes rake over him, and his face softens in an instant. He takes Eddie's wrist, leads him into an alley where the buildings are close enough to block some of the rain.
"What happened?"
"Traffic."
Steve's gaze go all soft and gentle, and Eddie's knees buckle a little. "You look like a drowned rat."
"Yeah, well." Eddie scoffs. "We can't all be beautiful movie stars."
"You're more beautiful than I could ever be, even soaking wet."
He shakes his head, ignoring the cascade of butterflies; Steve shouldn't say things like that. His vigorous movement sends wet strands of hair slapping him in the face.
Steve reaches out, softly brushes it back.
Eddie stops breathing.
Steve closes the distance between them.
What a thing, to be kissed by Steve Harrington. What a terrible, glorious thing.
He breaks it fast, face red, can't catch his breath. "Nancy," is all he can say.
"Nancy?"
"You have a girlfriend."
Steve's face scrunches. "She's not my girlfriend."
Eddie's mouth drops. "Yes, she is." They went to the Oscars together.
"Eddie." Steve takes a few steps back. "Eddie. I'm gay."
He laughs, an ugly honking thing. "C'mon. What could she possibly get out of that?"
Steve's eyes widen, eyebrows reaching his hairline, mouth pursed in a bitchy line. It takes Eddie a minute but, "Ohhhhh. So, it's all--?"
"It was the best way."
"But you're--?"
"I thought you clocked me immediately! Wham!???"
"That was because of the jacket!"
"Have you ever met a straight man who dresses like I do and likes George Michael??"
"That describes five dudes I see a day!"
"And you thought they were straight??"
Eddie stares into the middle distance, replaying some of those interactions, and--"Huh. Okay. I get hit on at work waaay more than I realized."
"For fuck's sake, Eddie!" He's shaking his head, but Eddie sees the way the corners of his mouth shake with suppressed laughter.
"I'm sorry! You have a very public straight relationship!"
Steve giggles, pulls Eddie close. "Is this okay?"
"So okay."
"You do like me back?"
"Are you kidding! Thought I was going insane, how much I want you."
"And now?"
"Come back to my place?"
"Thought you'd never ask."
And Eddie, he's seen Steve playing at love dozens of times, but this--right here, in a soggy, smelly alley where they're both soaking wet--it's more perfect than any movie.
#steddie#steve x eddie#steve harrington#eddie munson#ficlet#fluff#romcom#meet cute#mutual pining#misunderstandings#banter#actor steve harrington#regular guy eddie munson#nancy and steve have a pr relationship#fake dating#nancy and steve beard for each other#steve thinks eddie knows he's gay#eddie does NOT#hijinks#didn't know how to work this in but it's ronance
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had the consult for my gallbladder surgery. the doctor told me i need to "lose 10 - 15 pounds" before they'll perform the surgery on me, and that I would need to wait 2 - 3 months before they would schedule it. i told her i have PCOS which makes it difficult to lose weight. she told me that does happen, and offered to refer me to a bariatric surgeon who is used to bigger bodies who could perform the gallbladder removal instead. i asked her for the referral to them instead
i was very angry at her for this, as 10 - 15 pounds do not make any difference when you are 300 lbs. my weight fluctuates between 280 - 340 lbs depending greatly on what i've eaten, how much i exercise, and so on. this will also vary greatly depending on if the stone is blocking my gallbladder completely or partially- if it's fully blocking the neck of my gallbladder, i cannot get enough digestive juices into my stomach to properly digest my food, so i will begin violently vomiting to get the undigested food out, and to get bile flowing into my stomach again. i begin to lose tons of weight when this happens, and i put it back on during the periods where i can get enough bile in my stomach to properly digest my food.
i can't digest my food properly. eating "healthier" will not change this- i can't digest food at all, period. healthy or unhealthy, i can't digest anything, because a good half of my digestive juices are completely missing from my guts. there is a functional issue with the way my guts work, of course i will lose weight drastically and put it back on at times. of course the issues will be episodic.
both her and the student that was working with me kept assuming that i said that my pain got worse after "high fat" meals. both of them put this in my mouth-
the student did it first. she asked when the pain gets worse and i said sporadically, but sometimes after i eat. she literally asked me "so you said it gets worse after fatty meals, right?"
i got frustrated and said "no, it's really random." i didn't get to tell her that raw leafy vegetables and lightly steamed or cooked vegetables make me vomit. broccoli and cauliflower that aren't heavily cooked, salads, raw vegetables, lightly cooked carrots, applesauce and apples in general are all problem foods.
the doctor then came in and said "it gets worse after high fat meals, right? you said that" and i went, again, "no it just kinda happens."
i don't even eat a high fat diet. i cook at home now for every meal now that i have all the tools i need to do so. i make rice, fish, pasta, and certain vegetables that i can digest like potatoes, sweet potatoes, onions, mushrooms, and so on. i eat bread, seeds, nuts, dried fruits, and drink oatmilk. i don't eat land meats, eggs, or dairy. i don't have any of those things. i do eat french fries and fish sticks, but not for every single meal. i don't eat chips because they're too salty and irritate my stomach. i don't eat candy or sweets unless the food bank delivers them to me. i don't eat much sugar other than pancakes and certain fruits
she wouldn't listen to me and went "well when you eat fatty meals, your gallbladder has to contract more and it can cause you a lot of pain." you would not believe how many times she came back to "you need to eat a lower fat diet." "the pain gets worse after you eat a high fat meal, so eat lower fat meals and your pain will go down." "just eat a lower fat diet and it'll help."
i just kind of sighed. there were tears in my eyes. i felt defeated. they made a bunch of assumptions just because i was sitting there, being fat. i was wearing long sleeves due to it being cold and they didn't get to see that i have a lot of muscle in my body mass. quite a lot. i wanted to tell them that i'm on testosterone and physically active when and where possible, and that i frequently lift heavy objects and move, but i never got a chance. i wanted to tell them my BMI isn't what they think it is, but i just didn't bother to try
i despise that people assume that fat people are fat because they eat "unhealthy" foods. i ate high fat foods for a few months while i was homeless because i didn't have the resources to cook every single meal. it affected my liver, i'm dealing with some fatty liver. but my gallbladder has more important issues in the form of the literal stone inside. she would not stop pushing for me to eat lower fat meals. all because i was sitting there, existing, as a fat person. i wish i would've told her i can only eat fish and plant matter
i don't understand how a patient telling you they're vomiting and can't keep down certain foods does not sound like a more pressing issue than an arbitrary number. weight as a number means nothing, it tells you nothing about that person's actual body composition. i have trauma with vomiting and yet i'm going to have to keep doing it anyway despite the fact that it could kill me via dehydration or if i just. can't stop
either way i'm very unhappy with result as i already waited for a month for this consult. now i have to wait for a referral for another surgeon to go through, and to do the consult with them, too. all while being in pain and having GI issues the entire time. just because a surgeon doesn't want to take the time to learn how to operate on fat bodies. i'm tired. what a joke
#disabled#actually disabled#disability#chronically ill#chronically chil#our writing#about us#updates#emetophobia#surgery mention#emeto tw
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hey i want to talk about how you should be promoting your work as an erotic author/illustrator
i'm writing this up because the marketing aspect of my work as an erotic author/illustrator is a science to me, and also because i'm the guy who gets unreasonably annoyed when i see other creators not properly advertising their work. you presumably want to make money off your work. this post will be written under the assumption you want to make money off your work but are doing a bad job at it. it will be very confrontational. if you read this and feel attacked you're right and i am attacking you.
this is geared toward selling erotic comics/writing/books/art as products. i will probably write more than one post about this subject so if i didn't touch on something you want to know more about, comment/send me an ask and i'll keep it in mind for the next one.
i will start with my first and least specific but most important point:
DON'T GET FUCKING CUTE
hi are you paying attention. i'm gripping you by the sides of your face. do not get fucking cute with what you are trying to sell. you are not a big enough property to get cute, nobody LIKES it when big properties get cute, and you are selling porn. you have to own this. you have to be up front about this. don't be tongue in cheek, don't be all teehee i wonder what this could be~, don't be secretive. you are selling a product. you have to fucking act like it. you are an adult selling pornography to other adults. i am GRIPPING your HEAD you NEED to understand this.
and to be clear when i say 'cute' i mean coy. i don't mean cutesy, as in the aesthetic. you can be as hello kitty pastel ten emojis a post uwu as you like when you're building your audience and generating hype. but when you start trying to sell, don't be vague, don't be sarcastic, don't mislabel your work as a joke and assume everyone is on it. because they're not.
you must always assume 75% of the people seeing the thing you are advertising have no fucking idea who you are. and that includes a huge chunk of the people who already follow you. they do not know who you are or what you've been working on for two months or why they should care about it. they just got here. somebody just reposted it. they are seeing it for the first time. most people are only looking at social media for a tiny chunk of their day. they are not keeping up with you. you cannot get cute about what you are trying to sell because nobody knows what it is until you tell them.
okay are you still with me. we are going to talk about clarity now.
YOU GOTTA TELL ME WHAT IT IS
good lord the amount of times i have gone to buy somebody's comic or book and had no idea what's actually in it or what it's about. who are the characters? why should i care about them? what do they do in it? what is the premise of this thing you want me to spend $5 on? why would you not tell me? i'm shaking you again. please i have to know what i'm buying i only have so much money to spend on porn.
porn, arguably more than any other genre, relies on knowing exactly what is in it. you do not want to surprise your readers with a kink they were unaware of! and on the flip side, you do not want to miss out on your target audience! if your book contains a hot spider babe laying eggs in an elf, you have to say so. not just so people who don't want to read about eggs know it isn't for them, but so the people who are egg crazy can see that and go "oh fuck YES i love EGGS here is my $5 and an extra $2 tip for catering to me specifically". a contents/features list is as much an advertisement as it is a warning!
as for re: who the characters are and why should i care, i'm sorry but you need to learn how to write sales copy. you have to write blurbs. you have to get good at the shit that goes on the back of a book. we all hate it but we have to do it. i want to know who the characters are and what the context is. i, personally, am not interested in contemporary stories as much as fantasy and historical. please tell me what genre this porn exists in so i know if it aesthetically appeals to me. pull some books off your shelves and see how they do it. hell man go look at mine.
while you're there, note that every single book of mine has a sample of what's in it. this feels like such a no-brainer to me but again! the amount of times i have gone to buy somebody's work and they don't show me what their work looks like! you gotta give me the first page or two! just enough that i know if i like the way your writing sounds, or the way you draw your comics! i don't know you! i am not going to trust that you're good at what you do just based on a cover. the cover is to get me to this step, it is not the only step. you have to show me that you're worth spending my money on!
to put it less cynically, you want to catch my interest. you want me to go 'oh i want to see more of this', you want me to go 'ahh i want to know where this goes!' you need to get me invested and craving more. earn my $5!!!
YOU HAVE TO MAKE IT EASY TO GIVE YOU MONEY
hey go look at your bio right now. go look at your pinned post. do you have a link to your patreon there? do you have a link to your itchio/gumroad/whatever? do i have to click more than once to get to the places you want me to go to give you money? why? why are you making me click twice? have we learned nothing from every website making you click an extra time when they make some stupid UI update and how much it pisses us off? i have already given up, i have forgotten you, i am not giving you my $5 today. put your links in the easiest places to get to them.
god literally as i was writing this post i went to go find somebody's itchio to see how they described their work and it was not anywhere on their profile. grabbing you and shaking you PUT THE LINK WHERE I CAN FIND IT. don't make it hard! make it easy! i am a dickhead sitting on the toilet scrolling, saw your post, and was interested enough to read further. but you made me go to your bio to find your linktree and oops i have already gone back to my timeline to look at the boobies in the next post. stop wasting precious bio space on DNIs and put your fuckin links there!!!
this is more for the twitter people, but: just put the link in the damn post. just say the word commission. just say it's for patreon. "wuh wuh the algorithm" it is not the damn algorithm it's that everybody hates advertising and nobody wants to retweet ads. putting slashes in the words doesn't do anything and you look like a fool. i have posted so much art that says it's 'a commission for ___" and it did exactly as good as any other art despite having the word commission in it. and by doing the slashes you just made it impossible for anybody to search your account for your commission information (which should be at the VERY LEAST in a post under your pinned tweet if you're not actively posting about them being open).
okay that went on a tangent i'm going to back to the point of putting the link in the tweet. put it in the first post. not in the first reply. don't tell them to go to your bio. put it in the post people are actually going to share. it's fine to put more information in the thread but people are only ever going to share the first post. so put the link there. you have to make it easy. putting links in tweets can hurt you algorithmically, even in the replies. so you're better off having it in the post that actually gets seen and shared. i don't want to open the tweet and scroll to get to your sales page where i ASSUME you will have put all the information anyway. put it in the tweet that just got retweeted by itself onto my dash!
also you have to share it a ton of times. i repost my shit every few hours when i'm trying to push a new product. as i said before people are not 24/7 looking at their timelines. they missed it the first time. they missed it the second time. they didn't get paid yet that week but they were after the eighth time and you reminded them again so they finally bought it. that i will still get sales every time i repost a book ad weeks after release says there are always people who missed it, or who only just showed up.
abandon your pride and shill. shills pay their bills. anyone who gets annoyed about it isn't giving you money in the first place. don't worry about looking like a sell out. don't apologize for plugging your own work. post about it often, post about it in different ways. post about it. post about it. you are not going to make money if people don't know you have something to sell them. if you want to make a career out of it, you need to act like it.
I DON'T HAVE A FOURTH POINT
kisses your forehead. i'm sorry for yelling at you. i've been making and publishing and selling adult art for the past two-three years and have got myself to the point where it pays my rent, and i got there by paying attention to what does and does not work.
please do your best to make money. i want you to make money.
as i said above i plan to write more posts on this subject, such as cover design, how to actually write sales copy, and best practices with running a patreon, but if there's things you would want to hear more about leave a comment or send an ask! i will probably be less aggressive on future topics. these are just things that have grinded my gears for a grip.
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June Egbert is, and always has been incredibly fascinating to me because of just, how many factors have conspired to make Homestuck fans show their collective transmisogynistic asses.
The main character of Homestuck transitioning is a planned future plot point for the official continuation of homestuck, that was spoiled in advance by a fan making a joke about finding some toblerones Andrew Hussie the author of homestuck hid in a cave.
The current main writers of Homestuck: Beyond Canon have went on record in an AMA confirming that this was indeed always the plan, even before they took up the project.
In spite of these facts, the general consensus among certain homestuck fans seems to be that "June Egbert" is purely a headcanon for the original comic that was "made canon" by a "Toblerone Wish" (a concept that didn't even exist at the time)
For a variety of reasons, the "canonicity" of the postcanon official continuations of homestuck is a mattter of much debate, (though a debate that most homestuck fans seem to err on a side of "it's not canon at all in the slightest," something the writers have feelings on I'm sure.)
All of these factors combined leave the concept of "June Egbert" in a very nebulous place. It's assumed by most to just be an "ascended headcanon" that was shoehorned in, it's a spoiler so it hasn't happened yet in any official media, and the official media it will eventually happen in is regarded by some to be nothing more than glorified fanfic.
If someone is talking about June Egbert, and you don't like the concept of June Egbert, you have your pick of a million different excuses for why she's fake and gay and not worth discussing and bad writing and just the authors doing a gay dumbledore*, paying lip service to representation while actually doing nothing.
And of course, lots of people *don't* like June Egbert! Rather than being introduced as transfem from the start, she's in this nebulous position of discovery where people have to truly reckon with the idea of a "Pre-transition Trans Woman."
You can try to write off *some* of the backlash as transphobia, because obviously not everyone in this fandom is gonna be cool about trans people.
But there's no shortage of fans just dying to tell you about how much they like reading her as transmasc, or the idea of her being nonbinary or genderqueer or genderfluid, or literally anything besides a trans woman. And since they're fine with all those other interpretations, there's obviously no implicit biases driving their distaste for the concept! (if you want to try explaining the concept of "transmisogyny" to people like this you're braver than I.)
you can trust them when they say it's *just* a problem with whether or not it makes sense with the writing, or it just doesn't feel right somehow, or any of the thousands of excuses that this writing situation gives them to just Not Like It.
It's just, so interesting to me. There's not a lot of characters out there that get a trans arc in this way, that leaves room for open denialism and insistence that we have our trans cake and eat it too... Because Homestuck is a timeline spanning multiverse story, lots of people seem to want it to be an alternate timeline thing. Assuring us we can have this character share space with a non-transitioning version of herself and it won't be weird or imply gross things about trans people.
If you ask me it feels like a plotline that'd be really good for exploring some gender horror though, finding your true self and then being demoted to a footnote, an alternate version, because everyone around you likes your pre-transition self more....
Anyway I have no broader point beyond "hey look at this isn't this kinda weird. You don't get this kinda stuff often!"
*side note: it's a little ghoulish I think to compare "a future trans plot point that hasn't been given the chance to even happen yet, in an already famously queer piece of media, from a nonbinary author" to "some stupid shit done by the literal most famous transphobe of all time" but that's perhaps a discussion for later.
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I've seen a lot of "You have to communicate directly/don't expect other people to read your mind" posts going around tumblr lately and while I really do appreciate them because it's a skill a LOT of people need to work on, I do want to remind everyone to please meet people halfway sometimes.
I recently read a story on Reddit about a guy's pregnant wife texting him "I'm craving donuts but we don't have any in the house 😔" and he DIDN'T stop to pick up donuts on the way home from work. Everyone was taking his side because "she needs to communicate" and "he's not a mind reader" and "How was he supposed to know she wanted him to get donuts???" People, ffs, why on earth would she text him that while he was at work if not because she wanted him to get donuts? I was flabbergasted everyone was taking his side. "How was he supposed to know??" What? Like yeah it's true she didn't say "I want you to get me donuts" with those exact words in that exact order but the reason why people get upset if they hint they want you to do something and you don't do it is because they feel like you don't care about them and aren't actively thinking about their feelings. Especially in a marriage or LTR they are in a situation where the assumption is you care about filling the other person's needs.
Someone who loves and cares about someone will get the donuts "without being asked" just because their partner expresses a want or need. That's what someone is fishing for when they say "Aaaah I'm craving donuts 🥺🥺🥺" It's less about the donuts and more about feeling cared for. Sometimes straight up asking "Can you get me donuts?" defeats the purpose.
Also, women are typically socialized to communicate this way because they're punished socially for being too direct. I've heard that people of color, especially black people, often do this too because they're likely to be branded as "aggressive" if they're too direct with white people. So it might be a good idea to be a bit intersectional if we're trying to encourage people to be more direct.
Take the stereotypical example of a wife gets a new haircut and then gets upset that the husband doesn't notice. She's not literally mad at him for not saying the exact words "I like your new haircut." She's upset because she feels like he doesn't look at her and appreciate the efforts she's putting in anymore.
Obviously this will vary widely depending on the nature of your relationship with someone, but especially when it comes to intimate partnerships, there are certain things your significant other should not have to tell you directly. It's probably safe to assume your wife or husband wants a birthday present even if they don't ask for it. It's probably safe to assume your bf or gf would appreciate a valentine's day present or a compliment without them having to literally ask for it, unless they explicitly say otherwise.
This is difficult for a lot of neurodivergent people to learn manually if it's not instinctual and they didn't learn it growing up (lord knows I didn't) and yes, it's true that most people (especially NT people) should learn to communicate more directly. But also, your relationships would probably benefit from learning to read indirect cues and just pick up the donuts on the way home because you heard your wife is craving them. Sometimes what someone wants is for you to think about what they're feeling and what they want and do it without them asking directly. It's up to you whether or not you do that, but sometimes that is asking. I think this is what people generally mean when they say their partner is "thoughtful."
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In recent posts I've complained that a lot of tabletop RPGs which toss around the term "fiction first" don't actually understand what it means, and I've been asked to expand on that complaint. So:
In my experience, there are two ways that game texts which want to position themselves as "fiction first" trip themselves up, one obvious and one subtle.
The first and more obvious pitfall is treating "fiction first" as an abstract ideology. They're using "fiction first" as a synonym for "story over rules" in a way that calls back to the role-playing-versus-roll-playing discourse of the early 2000s. The trouble is, now as then, nobody can usefully explain what "story over rules" actually entails. At best, they land on a definition of "fiction first" that talks about the GM's right to ignore the rules to better serve the story, which is no kind of definition at all – it's just putting a funny hat on the Rule Zero fallacy and trying to pass it off as some sort of totalising ideology of play.
A more useful way of defining "fiction first" play is to think of it not in terms of whether you engage with the rules at all, but in terms of when they're invoked: specifically, as a question of order of operations.
Suppose, for example, that you're playing Dungeons & Dragons, and you pick up the dice and say "I attack the dragon". Some critics would claim that no actual narrative has been established – that this is simply a bare invocation of game mechanics – but in fact we can infer a great deal: your character is going to approach the dragon, navigating any inclement terrain which lies between them, and attempt to kill the dragon using the weapon they're holding in their hand. The rules are so tightly bound to a particular set of narrative circumstances that simply invoking those rules lets us work backwards to determine what the context and stakes must be for that invocation of the rules to be sensical; this, broadly speaking, is what "rules first" looks like.
Conversely, let's say that your game of Dungeons & Dragons has confronted you with a pit blocking your path, and you want to make an Athletics check to cross it. At this point the GM is probably going to stop you and say, hold up, tell us what that looks like. Are you trying to jump across it? Are you trying to climb down one wall of the pit and up the other? Are you trying to tie a rope to the halfling and toss them to the other side? In other words, before you can pick up the dice, you need to have a little sidebar with the GM to hash out what the narrative context is, and to negotiate what can be achieved and what's at stake if you mess it up; this, broadly, is what "fiction first" looks like.
At this point I know some people are thinking "wait, hold on – both of those examples were from Dungeons & Dragons; are you saying that Dungeons & Dragons is both a rules-first game and a fiction-first game?" And yeah, I am. That's the second, more subtle place where game texts that talk about "fiction first" go astray: they talk about it as though being "fiction first" or "rules first" is something which is inherent to game systems as a whole.
This is not in fact true: being "fiction first" or "rules first" is something which describes particular invocations of the rules. In practice, only very simple games spend all of their time in one mode or the other; most will switch back and forth at need. Generally, most "traditional" RPGs (i.e., the direct descendants of Dungeons & Dragons and its various imitators) tend to operate in rules-first mode in combat and fiction-first mode out of it, though this is a simplification – when and how such mode-switching occurs can be quite complex.
Like any other design pattern, "fiction first" mechanics are a tool that's well suited for some jobs, and ill suited for others. Sometimes your rules are fine-grained enough that having an explicit negotiation and stakes-setting phase would just be adding extra steps. Sometimes you're using the outputs of the rules a narrative prompt, and having to pin the context down ahead of time would defeat the purpose. Fortunately, you don't have to commit yourself to one approach or the other; as long as your text is clear about how you're assuming a given set of rules toys will be used, you can switch modes as need dictates. However, you're not going to be capable of that kind of transparency if you're thinking in terms of "this a Fiction First™ game".
(Incidentally, this is why it can be hard to talk about "fiction first" with OSR fans if you're being dogmatic about fiction-first framing being an immutable feature of particular games. Since traditional RPGs tend to observe the above-described rules-first-in-combat, fiction-first-out-of-combat division, and OSR games tend to treat actually getting into a fight as a strategic failure state, a lot of OSR games spend most of their time in fiction-first mode. If you go up to an OSR fan and insist that D&D-style games can never be fiction-first, then attempt to define "fiction first" for them and proceed to describe how they usually play, they'll quite justifiably conclude that you have your head up your ass!)
#gaming#tabletop roleplaying#tabletop rpgs#game design#fiction first#violence mention#death mention#swearing
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SV AU where Shen Yuan transmigrates into a dragon.
It's not so bad, at first. He's an extremely magical sort of dragon so he can easily take on a humanoid shape, and he has dominion over an entire mountain, with a magical gate that leads to his palace. Said palace has a fully stocked treasury, a library, garden, etc, with the only real downsides being that the place is kind of huge and very difficult for a neet with limited housekeeping or landscaping skills to keep up with. The original dragon had enslaved a bunch of fairy spirits to do it for him, but since Shen Yuan has moral objections to that, he'd let them all go and they'd run off before he could even think to offer to hire any of them as paid employees instead. Not that he can blame them for being in a hurry to get gone.
He does his best, and generally enjoys being a dragon lazing on his mountain, or wandering the beauty of his palace and investigating the books and scrolls kept there. He doesn't actually seem to need to eat or drink, so that's not really an issue, and nobody looks keen to bother him. But after a few months the dust starts to really pile up, and trying to figure out how to do his own laundry without modern equipment leads to several disasters, and even though he doesn't need to eat he's starting to think it would be quite nice to have a fancy sit-down dinner and enjoy it for its own sake anyway. He has an enchanted larder but his food prep skills aren't up to much.
So, Shen Yuan ventures away from his mountain. He keeps to his human disguise when he's not traveling, and at first tries to hire on some help from a nearby city. But when he explains that he lives on the mountain, he realizes the difficulty, because everyone in the area knows that only the dragon lives there. So they all think he's either a liar or a fraud, or some servant of a nefarious supernatural creature angling to trick and possibly devour them.
Shen Yuan tries approaching another town in his dragon form, to see if anyone will actually deal with him if he's being upfront and honest about the situation, but the townspeople just panic. He returns to his mountain to rethink his strategies, and in the meanwhile the alarmed locals hire a swordsman to go after him. The guy gives him a few very painful cuts before Shen Yuan mostly-accidentally sends him careening into a boulder. One broken arm later the swordsman is gently persuaded that the pay he was offered isn't worth the effort on this job, and leaves.
Discouraged, Shen Yuan decides he's gonna give this one last try. He picks the second closest city, flies up, and is like yes hello, yes I am indeed a dragon, no I'm not trying to burn down your walls, yes it would be excellent if you stopped shooting arrows at me, look they don't even get past the scales? It's kind of silly? Okay, yes, thank you very much. Good. Now, the thing is, I'm looking for some people. I want to take them back to my mountain with me, to my incredibly nice palace, and -- what was that? A princess? No no I don't want a princess, what would I even do with one? If anything I'm looking for the complete opposite of a princess!
Anyway, the locals take this to mean that the dragon is demanding a sacrifice in the form of a pretty boy of no particular pedigree, and Shen Yuan takes this to mean that he's finally made his case clear and they're going to dig up someone who is willing to overlook his being a dragon in exchange for free room and board and fair wages out of his massive treasury.
SY's a bit disheartened when the entire city could only apparently turn up one such person -- an underfed teenage boy who looks at Shen Yuan like, despite the situation, he is still expecting to be eaten at any moment. Poor thing! But at least having one servant means he can potentially get more, especially if it all goes well. The lad can tell others that working for a dragon isn't so bad! Well, provided that he doesn't give up in alarm at the state of the mountain palace.
For his part, Luo Binghe at first thinks he's definitely going to get eaten, and then that this dragon is weirdly nice about planning to eat him, and then that maybe the dragon has other (even less savory!) plans for him, until finally he sees the state of the dragon's laundry and the foot-thick layer of dust in the corners, and gets completely distracted. Mortal terror forgotten, those floors should not be that filthy, Lord Dragon respectfully that isn't how anyone should prepare rice either, but oh Binghe has never seen a kitchen so nice before in his life...!
Anyway, needless to say, it works out just fine.
#svsss#scum villain's self saving system#scum villain#bingqiu#this is luo binghe's palace now shen qingqiu just lives there#the only hiccup is that binghe is strangely bad at convincing anyone else to come work at the palace#shen qingqiu encouraged him to assist in finding other help but somehow binghe always comes up empty handed#oh well guess they'll have to continue living there just the two of them with no one else#(this eventually does change but binghe sulks for WEEKS about it)
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You've now filled my head with nothing but Alastor and Lucifer brainrot. Any other sharing thoughts you have for them? (I cannot stop thinking about them, I quite literally thought about them sharing me during my entire 8hr retail shift yesterday)
alastor and lucifer sharing you pt 3!
pt1, pt2
this was highly requested, thank you all for the love <3 im tagging anyone who asked/was fine with it last time but now you can fill out this taglist form to ensure you're tagged for future posts!
tags: @lu-ferri12 @my-anime-garden @princessdreamss @polytheatrix @reaper-of-light-12 @ambi-squirrelly @hazelfoureyes @meggletoomanyfandoms @afernandez21
cw: angst ig?? idk reader is upset cause they keep fighting, general relationship issues for a moment, smut, reader gets eaten out, there's some light praise and condescension i think, alastor has a master kink, alastor discovers he LOVES eating pussy, there's like a weird sexual tension between alastor and lucifer for the majority of this if you squint, the ending is VERY suggestive
other: not 100% happy with formatting on this but i wrote majority of it on a 6 hour flight so like. you win some you lose some. not proofread that well, i kind of ramble at times too but it's fine. 2.1k word count and half of it is formatted in a headcanon cuase, again, lazy 6 hour writing. i also don't use the bolding and coloring that much cause it'd be a lot of work.
left the ending a little open, will probably do a poll tomorrow on if people want me to take this that direction.
■ okay so sex aside i would think outwardly everyone knows you're in a relationship with lucifer at the very least
■ but it's kept lowkey with the other part of the relationship
■ which both are fine with btw
■ lucifer loves pda so he's happy, alastor isn't a fan so it's whatever
■ the public part works out because alastor would genuinely be worried about someone trying to use you to get to him
■ it's bad enough that it's known the king of hell has a new partner, but nobody knowing that if they fuck with you they're fucking with the king of hell AND the radio demon is a silent advantage
■ if anyone knows, it's charlie. but only to the extent of like the fact it's a hinge relationship, everything else she doesn't know and honestly doesn't need to know
■ she's just happy her dad seems happy and is getting along better with alastor
■ i think alastor is the kind to really start caring during the relationship vs. lucifer caring about you deeply before
■ so occasionally alastor will pull you aside, or if no one is watching will just press a quick kiss on your forehead.
■ meanwhile lucifer is always making it known he's in love with you
■ arm around your shoulder, holding your hand, everything
■ again, alastor doesn't really mind unless lucifer decides to be an ass abt it
■ look they still compete with each other sometimes they can't help it
■ then it becomes a game of how much the other can get away with before you either get upset or it's too telling
■ that's the other thing is like, the competing gets really fucking annoying to you
■ we saw them in hells greatest dad it wasn't a want to be a better dad it's just wanting to out do the other
■ and when it transfers to your relationship it gets agitating fast
moving on
■ relationship side alastor isn't as involved with that
■ but if either of them did something that upset you or like there was a lovers quarrel between you and either side it's a big deal to them
■ especially if you're only upset with one half of the hinge
■ cause like, sure, they could compete with each other and purposefully drive you apart
■ but tbh.. both of them lowkey like this arrangement much more than they thought they would
■ so they end up talking to each other about it and figuring out what to do
■ same if you're upset with both
■ not that you're upset often it's just that when you are it's usually cause they crossed a line in their little competition
■ and they hate making their girl feel like a prize to be won :(
■ whatever their solution is, they do it together.
■ show you they can get along, that they both care about you enough
■ you're in your room, a bit of a blow up happened earlier after they got into one of their arguments
■ it's not that you genuinely think theyre using you to get to the other but sometimes with the way they act it's easy to doubt
■ anyways, they both come in, it's late
■ i cry when im frustrated/upset and i think it's a pretty normal reaction, so let's just say you're crying a little
■ they're both immediately at your side, apologizing profusely
■ you've never cried like this before
■ it scares them. alot.
■ for once there's absolutely no competition, the only worry is making you feel better.
■ both sitting next to you on the couch, lucifer murmuring how much he loves you, and how he knows how much alastor cares for you
■ i hate the whole "alastor doesn't understand emotions" thing because he does. he has to, he knows how to read people well.
■ it's just he hasn't ever comforted someone
■ he doesn't know what to do when someone he cares about is upset
■ so he's glad lucifer is here, as alastor just sits at your side nodding along and gently rubbing your back
■ alastor only tunes back in when lucifer offers to give some space for the night, and a little murmur from you agrees but asks they both come to bed that night
■ given its usually only lucifer who actually sleeps in the same bed as you alastor is surprised
■ but lucifer is beckoning him out for some space.
"cmon, we'll be back in an hour yeah?" he chimes from the door, and with a squeeze of your shoulder alastor is out of the door, but he opts to walk along with lucifer. "we gotta do better" lucifer sighs as he walks, not looking over at alastor. he's not accusing alastor, he seems equally disappointed in both of them.
"for her?" alastor adds, and lucifer gives a hum of agreement. "this while ordeal has been quite... stressful as of late, no?" alastor adds, "to our own faults, yes" lucifer murmurs, giving a sigh. alastor nods, and the two men walk in silence for some time, ending up in the parlor, husk far since gone to bed. "want anything?" lucifer pulls alastor back to reality once again, he's standing behind the bar while alastor had been staring off, his mind running with thoughtd of god knows what.
"whiskey, my friend?" alastor suggests, and giving it a considerate thought lucifer pours two glasses. the silence falls over them again, just the sound of the clink of their glasses on the counter.
"so tell me, how do you do it when you pleasure her?" alastor breaks the silence, lucifers eyes dart up to him. thinking for a moment before replying "i don't really think tonight is the time for that—" lucifer says, but in a gentle tone.
"no no, in the morning." alastor says, staring down at his glass. "you two indulge often in the morning, correct?" alastor says, now his eyes uncomfortably on lucifer. Watching as the other man almost pales a little, swallowing thickly.
lucifer immediately falters, giving a sigh. "look it's not— i‐ that's not her fault–" lucifer immediately starts, assuming this is a confrontation. his eyebrows raise as alastor shakes his head. "oh please, if i had problem with it i would have done something" he says, a static crackle echoing through the room. "no, i want to know how you do it when you... when it's just about her. how can i do the same?" alastor asks, and this is even more surprising to lucifer than this whole fucking idea in the first place.
■ so lucifer of course explains some stuff to him, of course it's hard because unless he's done it before it's hard to articulate some of his "moves"
■ i mean lucifer can hardly resist going down on you everytime, he's definitely experienced but it's hard to transfer that knowledge at times
■ but he's impressed alastor even asked
■ so when they return to your room, they're a lot more calmer with each other than before.
■ that night changed a lot between them tbh
■ it's slightly awkward for both of them when everyone gets settled in the bed
■ you're on your back, lucifer on your right side and alastor on the left.
■ they're both holding you to the best of their abilities
■ lucifer gives alastors hand a squeeze before shuffling it to have a better grasp on your waist
■ you all peacefully sleep through the night, not shifting much but it's pretty comfortable
■ is the morning you're mostly cuddled into alastor, which is entirely lucifers doing
■ when you're all awake though alastor gets arguably nervous
■ but you being you, you slump over onto alastors chest, murmuring some affection to him
■ lucifer gives a nod, it's time.
■ he'd honestly probably move to get out of bed, assuming some privacy is wanted
■ but he feels a shadow wrap around his forearm, it's a light pressure
■ alastor shakes his head, mouthing a small "please"
after lucifer processes for a moment what exactly is about to go down, he's okay with that. he settles back in, his eyes on the two of you as alastor tilts your chin up, pressing a kiss to your lips. "my dear, would you mind if i tried something a little different with you?" alastor chimes, and you blink your eyes open again, still a bit sleepy as you give a nod.
he gently maneuvers you on the bed so you're laying on your back, his hands pawing at your sleep shorts and pulling them to your ankles. lucifer watches, honestly a little mezmerized by the whole ordeal. he feels proud in an odd sort of way. “I think our little doe deserves a treat, would you like that?” alastor murmurs as he spreads your thighs open. You take a shaky breath before murmuring some form of agreement, maybe even a little plea.
without further prodigy, alastors finally leans down his tongue swiping down your folds, hands grasping your hips to pull you to his face. your hands go to hold lucifers, but he shakes his head tutting at you. “ah ah, that’s not very polite princess” he chides softly, guiding your hands to alastors hair.
and alastor makes good use of the tips and information lucifer gave him, his tongue plunging into your sweet little hole as his nose bumps your clit. his eyes wander up, making eye contact with you as he eats you out so wonderfully. you tug at his hair and he practically growls in pleasure, opting to change tactics and focus his mouth on your clit while his fingers slide inside you, gently curling into your sweet spot.
and lucifer watches it all, absolutely mesmerized. he doesnt know what it is about watching this but theres something about knowing alastor is doing exactly as told to in this scenario that makes lucifer feel warm. he lets alastor steal the show, doing only minimal work. maybe hes softly cooing praises or gently reminding you to show your appreciation to the one making you feel this good.
as you get close, evident by the murmur that falls past your lips, alastors eyes snap to lucifers for a moment, and he takes a moment to think before understanding. usually when youre close alastor is all over you, telling you to be such a good girl and cum, just slight praises and coaxing. given the fact hes face deep in your sweetness he cant really do that, so that job is up to lucifer now.
“isn’t alastor doing such a good job duckling? you want to make sure he knows how good hes treating you, dont you?” lucifer coos, scooting in behind you on the bed so you stop trying to writhe away. “I think he’d be so disappointed if you didnt cum for him, you think you can do that, hm? you wanna cum all over your masters tongue?” lucifer says directly in your ear, and alastor feels a bit of a warmth in his stomach by being referred to as “master”
when you give a weak moan in response lucifer sighs, shaking his head. “be a good girl now, you can do it little doe” he says which is what sends you toppling over the edge, your hips rutting up into alastors mouth, whiny moans coming from you as alastor desperately licks up your sweet release. this whole thing was quite enjoyable for alstor, but hearing lucifer call you “little doe” his petname for you made him smugly satisfied.
after some aftercare which mostly just involved more cuddling, alastor feels satiated enough to shift to leave, before getting a look from lucifer. he reluctantly stays, feeling as you come to lay at his side once more. lucifer seems to take note of something, giving alastor a nod down, he glances down, seeing the obvious tent in his pants. alastor looks back up, slightly annoyed. a like “yeah, no shit dumbass” kind of look is exchanged.
alastor looks back down at you, pressing a kiss to your forehead as you sigh happily. but alastor tenses as he feels a hand on his knee, shooting a glare to lucifer as he traces his hand up a little. the two meet as and alastor takes a shaky breath as lucifer leans in just a little, breathing out the next few words with a calmness alastor admires:
“just keep cuddling her”
#lucifer smut#alastor smut#hazbin hotel#lucifer morningstar x reader#alastor#hazbin hotel lucifer#hazbin hotel smut#hazbin hotel x reader#alastor x reader#lucifer morningstar#radioapple#alastor the radio demon#alastor x lucifer#smut#hazbin alastor#hazbin lucifer
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Moon Sign Observations
Observations from a Pisces Moon :) All these opinions come from my own personal experiences with the different moon signs, so it might not apply to everyone. Various aspects to the moon and house placement can also change interpretation and expression of that moon sign.
Aries ☾
They hate wasting time. When they make their mind up on something, they don't like to sit around and contemplate on it, they want to go after it right away. Super action oriented. I love being around Aries moon's, even if our energy levels can be quite incompatible. I've also seen so many Aries moons that stand up against bullying and root for the underdogs. They can be great in leadership positions. Even with their competitive nature, I feel like they're the moon signs who want to see everyone win, especially the people that they love.
Taurus ☾
I haven't met many Taurus moon's, the one's I have met though always seem to be super big on luxury items and comfort. They can live beyond their means sometimes because they just want to have the best of the best. I've noticed this more frequently in younger Taurus moons though. Very beautiful people who seem to always look good without trying hard and can have a very strong interest in beauty and fashion. They can also be SUPER stubborn over their opinions and can be pretty closed off to hearing what other people have to say.
Gemini ☾
Deeply fascinating minds. It's hard to pin Gemini moons down and they tend to live a double life. You can think you're really close to a Gemini moon, but there can be so much about them you still don't know. Excellent communicators that tend to be lighthearted and funny in conversations. They think deeply about life and I know many Gemini moon's that are insomniacs because they have a hard time shutting down their busy minds. They also tend to have a wide variety of interests and are incredibly smart in any area they apply themselves in. Incredibly analytical and perceptive.
Cancer ☾
I feel like I've met more Cancer moons than any other moon sign. They just appear to be everywhere in my life lol. Very caring and sensitive people. A lot of them wear their heart on their sleeves. They tend to be the mother friend of their friend groups and this sensitive energy can often be taken advantage of by people who only want to use them as their therapist. I've also noticed many people tend to baby Cancer moons and don't hold them accountable for some of their more toxic behaviors. They also have an energy about them that makes people feel safe and comfortable around them almost instantly. Strangers will just start telling them their life story and want to open up to them.
Leo ☾
Leo moons are LOUD, especially when they're comfortable. They also tend to have a very lively and radiant aura to them. Unfortunately, I know a lot of Leo moons that can be a little too self involved to the point that they're uninterested in the people around them. They love having attention on themselves and can become upset if they feel like they don't have that attention. They like to put on a show with their emotions and express themselves in a theatrical manner. I wish I had more positive experiences with Leo placements in general, but I haven't tbh. I will say though that I love how open and expressive they are with their love towards others. Rarely are they emotionally cold and distant, which is refreshing to be around.
Virgo ☾
HUGE worriers. Feeling like they need to be perfect in order to be accepted by themselves and by others. Can stress themselves out to the point of sickness. Underdeveloped Virgo placements in general tend to have very fragile egos and crave external validation to an unhealthy extent. They can struggle with intrinsic motivation, because they don't see the point of doing something unless they're rewarded or praised. I haven't met very many Virgo moons in my life, mostly Virgo suns, but I feel like this would be one of the more challenging moon placements to have. Frequent overthinking and anxiety, similar to that of a Gemini moon. I feel like Virgo's are much more hard on themselves though than Gemini's.
Libra ☾
Super charming and flirty people. They crave beauty, peace, and harmony in their lives. They tend to have a natural way with people and can have many friends throughout their lives. Libra moons are just very friendly and polite people overall. I've found that Libra tends to be more happy in the moon than in the sun, which is why Libra moons can have stronger positive Libra qualities. Similar to Taurus moons, they tend to be very beautiful people with a strong interest in beauty and fashion. Unlike Taurus moons though, Libra moons have a strong disinterest in conflict and fighting. Due to their strong desire to keep the peace, they can probably easily fall into habits of people pleasing and not speaking up for themselves.
Scorpio ☾
I'm in love with Scorpio moons. Incredibly emotionally intelligent and aware individuals. They go through a lot of dark shit in their lives, but they really know how to grow from their pain and transform with it. I've never met a Scorpio moon that didn't have this intense and magnetic presence to them. I've found them to be much more intense than Scorpio suns (being one myself) because this tends to be a really challenging moon placement to have. They have a very dark and deep inner world and they grow accustomed to carrying a lot of pain with them in their daily lives. There's also a very painful and strong desire for intimacy and to feel deeply understood that could stem from a difficult childhood. They have a strong disinterest in superficiality and their intuition guides them heavily throughout their life. If you meet a Scorpio moon that is emotionally healthy and healed, they probably went through hell to get to that place of contentment in their life.
Sagittarius ☾
Super funny people. Being a Jupiter ruled moon sign, they have very expansive and limitless minds, which they have in common with Pisces moons. Freedom to express themselves and their individuality is super important for them. Usually a very strong connection to spirituality and a strong interest in learning about other cultures through traveling. I've found that with many Sagittarius moons, people really want to listen to them and hear what they have to say. People see them as a wise guru. They also have a tendency to struggle with commitment and being tied down to anything or anyone (I've found this to be more true for people with heavy mutable energy in their charts overall).
Capricorn ☾
I've rarely met a Capricorn moon that I didn't like. Very loving people that like to take care of the people closest to them. They can struggle pretty intensely, especially younger people with this placement, with a fear of failure and never reaching their full potential. They can have this innate sense of responsibility and structure as a connection to their emotional fulfillment. Capricorn isn't happy in this moon sign, so emotions can be quite challenging for them to navigate. Even though they don't like expressing their emotions openly, when they do, they can express it in a very beautiful and poetic way. There's a lot of singers with this moon placement that have songs with deeply emotional and impactful lyrics.
Aquarius ☾
Aquarius moon's often get described as emotionless or cold, but they actually feel quite deeply. The problem is they intellectualize their emotions more than they actually feel them. I've also noticed they can shut down or feel distant and uncomfortable when they witness other people be emotional around them. This is a moon placement I truly feel for. They can feel incredibly different from the people around them and their feelings can frequently be misunderstood by others. A lot of deep emotional loneliness with this moon sign. I've noticed this to be a common "black sheep" placement, more so than with other Aquarius placements. They have very beautiful and unique souls with a strong interest in bettering society. Very humanitarian.
Pisces ☾
Pisces moon's tend to have strong connections to their grandparents from a young age, or older people in general. They also tend to be into grandma or grandpa activities because they feel like such an old soul lol. Might feel a disconnect from their generation and modern trends. I've noticed many Pisces moon's have these dreamy and sparkling eyes that appear to be filled with magic. They tend to have a very powerful connection to music and they're the type to just be huge music lovers in general, connecting to the vibes of music overall, instead of having a specific genre they listen to. Can be heavily addicted to isolation as a coping mechanism when life gets too overwhelming. Reality can feel very limiting and restrictive for them, which is why I think it's so important for Pisces moon's to have creative and fulfilling outlets (especially during this Saturn in Pisces transit that has definitely been testing them. I know it has for me lol).
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Perfectly Pathetic Pt.2
synopsis: you try to fix things with cady while maintaining your friendship with the plastics
pairing: regina george x fem!reader, elements of cady heron x fem!reader
words: 6.6k (6666 to be exact)
A/N - it’s here at long last besties!! get it while it’s hot because i might delete later idk how i feel about it
WARNINGS - swearing, toxic relationships and general toxicity, d-slur, and bullying
PREV //
come Sunday, you wake up with a throbbing head and zero energy left in your body but memories sit crystal clear. you remember Regina trying to come onto you. her scaring Cady away. Gretchen rubbing your back as you listen to her whine about Jason for the millionth time. weird night. you check your phone but don't bother to reply to anyone except Karen who wouldn't stop sending you explicit details about some reality show she was binging. but alas the weekend was over and you're forced to brave the embarrassment of going back to school after a party. happens every time. people do dumb shit and are forced to face it on Monday.
the first person you come across is none other than the red-headed new girl herself. you have got to imagine she is mad at you after what happened; the lies Regina told. it was not your fault but you should probably try and make peace.
"Hey! New girl," yelled down the hallway, you walk a little faster in order to catch up. you watch her glance around a little confused as you approach.
"Oh," her expression seems to neutralise as she realises it's you. "hi."
"did you have a good Sunday?"
"it was alright," the fact she was speaking to you was a good sign. "I spent it with my mom."
"cute," you flash a smile. Cady was clutching her books pretty tightly. "I thought we should maybe talk about Saturday."
"We don't have to to."
"but I want to," you insist. "please?"
"Regina already told me,"
"Regina is a liar," you blurt out. hopefully, that wouldn't get back to her. "I don't know what she said exactly but it's not true," she looks at you with curious eyes. "I wasn't stringing you along or anything,"
"Sure,"
"I like you, Cady. you're... different," you express. "I wanna be your friend. and I was really happy when you showed up at the party,"
"Really?"
"mhmm," you hum, nodding to prove your point. "cross my heart." you mime the action of drawing a cross across your chest. you're not sure they're gonna forgive you but the bell for homeroom would ring at any moment so time was running out.
"Okay," replied after a moment. a small smile that's quick to fade.
"do you want to finish working on our assignment later?" you ask.
"Sure," they shrug. "meet you out front?"
you're not entirely convinced you're forgiven but you'll take what you can get. you're about to respond when your eyes spot Gretchen amongst the crowd. you lock eyes for a second before she bolts in the opposite direction. with a heavy sigh, you charge after her.
"Gretchen." yelled down the hallway causing a few heads to turn. people naturally darted out of your way but you almost smashed into a few people. "Gretchen," is she getting quicker? "will you just stop?" the answer was apparently no because she just kept going until you manage to grab her arm forcing her to stop. "what the fuck?"
"oh hey, I didn't see you back there." she lies, offering a less-than-genuine smile.
"I was literally yelling your name?" your brow furrowed. you could almost see the gears turning in her head trying to come up with some kind of excuse.
"Sorry, I'm tired- mustn't have heard you." was that the best she could do? you just roll your eyes.
"Can you not tell Regina I was talking to Cady."
"Why?" she asks despite already knowing the answer.
"Please, Gretchen? it's really not a big deal, okay so let's just keep it between us."
"I said you should stay away from her and you ignored me."
"I know and you were probably right but," you shrug. "it's too late and besides, I have to do a presentation with her, that's why we were talking. you can even ask Karen."
"I won't tell anyone." that was a lie. She won't tell anyone except Regina obviously. always trying to be in her good graces.
"if you promise not to tell, I'll... tell Jason something bad about Taylor? like she has crabs or something?"
her eyes light up at the prospect. "really?"
you nod. Taylor had never liked you so you weren't exactly on the best of terms and if making up some rumour about her gets Gretchen off your back then great. "but you can't tell Regina, deal?"
"deal," Gretchen smiles brightly. thank fuck for that. you start walking together now. "so what happened at the party?"
"don't you already know?" you tease. "thought that pretty little head of yours knew everything."
"I'm working on it."
you shrug. she'd probably find out eventually. "nothing really. Regina told Cady some stuff about me."
"that you don't like her and are only pretending to be her friend?"
"so you did already know,"
"I don't know what you see in Cady."
"I don't know." she just wasn't like anyone else. a new avenue to discover. most of these people you've known for years. the bell rings out and suddenly you remember you were supposed to drop off a take-home quiz by homeroom today. you had actually done it but forgot it was in your locker. "oh shit,"
"What?"
"I just forgot to hand something in i'll see you later," with a quick wave goodbye, you rush off back the way you've come. it wasn't like you were bad in school or anything. just sometimes you'd forget to bring in homework. one... or four late quizzes later and suddenly Ms. Norbury is giving you extra work to make up for it. it's not like you have a life or anything. As you grab the paper from your locker, Karen Shetty emerges.
"Morning," sang dazzlingly as she shoved your locker door closed.
"good morning," you smile softly, a glance over her outfit. "you're particularly chirpy today and look great,"
a tiny theatrical gasp, she puts a playful hand over her chest. "thank you,"
"where did you get the cardigan?"
"thrifted it,"
"oooh, I love that," you say. "also it goes so well with that super cute bracelet you're wearing,"
"Aw thanks, my friend made it."
"that's so cute, she must be a really great friend," you tease.
"she is," Karen nods. "where are you headed?"
"I gotta drop this off to Ms.Norbury or I'll fail math,"
"Can I come?"
it wasn't exactly an exciting trip so you don't know why she would want to? plus you were late for homeroom now. "I guess?"
"did you have fun at the party?" Karen inquiries as you begin towards Ms Norbury's homeroom class.
"it was alright,"
"I heard you got into a fight with Regina,"
"hardly a fight," you sigh. it was gonna be a very long day. "it's fine. you know how she can be,"
"was it over Cady?"
"Why does everyone suddenly care about Cady?" you stress. "it really doesn't matter."
a shrug. "I heard from Gretchen that Connor is grounded now because he didn't tell his parents about the party and they found out because somebody was sick in like a vase or something,"
"ew," you giggle, scrunching up your nose in disgust. "like they just found cold vomit in a vase?"
"mhmm," Karen nods eagerly. you make a fake gagging action as you knock on the open door. why is it always so awkward to walk into an already full classroom? ms. Norbury invited you further inside and you can't help but look at the people staring at you.
"so you do know how to hand things in on time," you resist the urge to roll your eyes. "great. now if you can just do that all the time."
"I make no promises," you answer, placing your homework down on her desk. when your eyes meet Cady's she waves a little. you flash a smile.
"come see me after school and I'll let you know how you did and if I need anything else from you,"
"Okay," you sigh. wasn't your first extra credit quiz. nor your last probably. you leave the classroom quickly, grabbing Karen's hand. she'd been waiting at the door.
"lots of people in there,"
"yeah because we're supposed to be in homeroom," you advise her.
"I didn't hear the bell,"
oh, Karen. "just come on."
it was a rather lifeless day thank god. you were grateful for the peace. and ms. Norbury hadn't given you any more work. you still had your tutor sessions but they never bothered you too much. now you're sitting staring at your laptop pretending you're doing research. Cady is scribbling in her notebook. Once again you're bored. and you can't help but watch Cady and wonder if she really has forgiven you. sure you were together right now but only because of this stupid presentation. you sit up a little straighter, taking a sip from your water bottle. "are you mad at me?"
it's sudden and she seems perplexed as she glances up at you. "huh?"
"I don't want you to be mad at me"
"I'm not mad," she urges, going back to her little scribbling. "you said Regina was lying, I believe you."
"just like that?" it seemed too easy.
"just like that,"
"how do you know I'm not lying about Regina lying though?"
"I don't." a shrug, she looks at you. "I'm just trusting you so can we please get back on track." you're not sure you would forgive someone as easily as this. it seemed naïve. or maybe she was just a better person than you. either way, this was what you wanted so...
"This is so boring," you whine loudly, pushing your laptop away so you can dramatically collapse against the table.
"if you actually help instead of complaining, we'd get it done quicker."
"Cady," you sigh loudly. "let's not, I'm just here to be pretty, okay? I shouldn't be forced to do homework too."
"Can I ask you something?"
"Sure," you sit up properly once more. "ask away."
"Why do you hang out with Regina?" the question catches you a little off guard. why did she wanna know that?
"What does that have to do with the book?" you counter, a playful raise of your brow. "if you stayed on topic, we'd get it done quicker."
"I'm serious."
you shrug a little. "why wouldn't I? She's like one of my best friends."
"why though? I've seen the way she treats you,"
"you just don't get Regina," very few people did. sure she was kinda mean and pushy, you'd never deny that but the rest of the school didn't get to see her other side. which was also kinda mean but a tad softer. the blonde was fierce. if someone fucked with you, or Karen, or even Gretchen, she'd go to war. you've watched her destroy girls just to prop Gretchen up to Jason. maul boys for making fun of Karen. you only got away with half the shit you did because you were friends with Regina. maybe she kept you around because you showered her with love and attention but she, in her own way, gave it right back. "she can be a lot but she's really cool."
"she's horrible to literally everyone."
"yeah but that's like kinda funny," Cady gives you a look suggesting she doesn't agree which was fair but she didn't exactly pick the nicest people to be friends with. Damian was funny in class and you liked to tell him gossip that Gretchen told you. you never really spoke to Janis too much but you've seen her around. heard what she says about you. She makes jokes right to your face. "don't act like Janis doesn't do the exact same thing. why do you hang out with her?"
"That's different,"
"is it?" you challenge. "or is Regina just popular?" Cady seems to not have an answer because she goes back to the book. "she's my friend and I like her. simple as."
"I'm sorry for asking,"
"Don't worry about it," you weren't particularly angry. you knew how people viewed Regina. a mixture of high admiration and fear. "So did you enjoy your first party?"
"yeah. not exactly what I was expecting,"
"they're not all like that," you urge. "sometimes they're fun. sometimes you wanna stab yourself in the eye to get out of it."
"did you have fun?"
"fun is not the word I would use but it was an experience," After Cady left you kind of just sulked with Gretchen until Karen found you and insisted you had to dance together. you spent the rest of the night with her. "I'm happy you came. I wish Regina hadn't messed everything up."
"sorry I left."
"you don't have to apologise." you smile. "we're hanging out now even if you're making me do homework. and there's always next time."
"I'm not making you do homework," Cady argues. you just smile. shuffling along the bench so you're right beside her. She has the book open in front of her and a notebook full of scribbles. you repeatedly tap the notebook with your finger.
"Are these not notes for our project? is that not homework?"
"yeah but these are my notes," she expresses, snatching up her notebook to place on the side away from you. As your eyes meet, you can almost pinpoint the exact moment she gets flustered. a dusting of pink gracing her cheeks. "you're just fucking about."
a dramatic gasp before a smile takes over. "I would never."
Cady smiles and before you have time to react she is leaning in to connect your lips in the softest of embraces. it reminds you of the first time Regina kissed you. only it never had the chance to become anything more before you pull back.
"Sorry- I didn't. I don't know why I did that." that dusting of pink is now a deep shade of red. panic in her voice. eyes firmly on her homework. you're unsure of what to say exactly. you liked Cady. maybe even the same way she apparently liked you. but you just weren't sure yet.
"It's alright, don't worry about it," you express. "uh... should we get back to the book?"
you weren't mad or upset with Cady. her kissing you had just left you feeling... weird? so even as you parted ways and you got texts later in the evening, you couldn't bring yourself to reply. you just needed some time to think.
Lunchtime is weird. Everyone is quiet. Painfully quiet. Karen and Gretchen are just eating their lunch. Regina is staring at the label of her yoghurt. you're sat there anxiously like a child bursting with energy. this was so unlike them. "can someone just talk already," you blurt out. a little startled, everyone looks at you. "sorry. just nobody is talking and it's freaking me out. normally Gretchen never shuts up."
"why are you even here?" Regina asks, twisting the dessert in her hand. you wish she'd just eat it instead of inspecting it.
"why wouldn't I be?"
"shouldn't you be over there with the pyro-dyke and her band of freaks." her head nods in the direction she means but her eyes never leave that stupid label. the nickname referred to Janis and Band of Freaks must mean Cady and Damian.
a sigh. "you're being ridiculous,"
"I'm being what?" Regina asked firmly. her yoghurt placed down slowly as her eyes zone in on you. sharp and daring. Karen gently nudges your leg with hers but you're not sure if it was an accident or a warning. you glance at her and then at Gretchen who is keeping her eyes firmly on her food.
"nothing. sorry," you say softly.
"stand up," voice low but commanding. you can't tell if she's serious so you remain seated. watching her. "stand up. now." she was louder now. attracting attention. putting on a show as various people looked to see what the commotion was. "you wanna run around with freaks and lesbos, then go."
"Are you-"
"go." you swallow hard. willing yourself not to crumble under the pressure of everyone's gaze. you could argue back but you know better than to challenge her when she's this pissed off. so you just push up, grab your tray and leave the table. you lock eyes with Janis along the way who is next to Cady. you can't join them like Regina so angrily implied, it'd just make things worse for them and yourself.
your last few classes of the day are spent wondering what you've done to piss off Regina today. you've hardly even seen her. maybe Gretchen told her about the hallway yesterday? She promised not to plus this seemed like a massive overreaction. you're at your locker, grabbing your stuff when Gretchen approaches. "Regina said if you can behave yourself you're allowed to come shopping with us,"
"hello to you too Gretchen," you slam the metal door shut. "no thank you.."
"Seriously?"
"she basically banished me from the cafeteria today, why would I wanna go anywhere with her?" you ask but it was mostly rhetorical as you start down the hall.
"you know she was only joking," the brunette trails after you.
"was she? felt pretty real to me,"
"that's just her humour," Gretchen assures you. "you have to come. Regina will be upset,"
"Regina doesn't have emotions," you fire back, pushing through the double doors, you almost collide with another person. "Jesus, watch out."
didn't take long to realise who it was. "it's Karen actually,"
"I know your name, baby" you pat her shoulder. "why are you right outside the door?"
"waiting for you," she takes your hand. "we're going shopping."
"I don't wanna do that," you express but Karen is already leading you towards Regina's jeep. "Karen, let go" you groan but put up little resistance. the blonde is leaning against the side eyes on you as you're being dragged across the front lawn.
"you found her then," the blonde comments, pushing away from the metal of her jeep. "thought we'd have to start putting up lost dog posters or something."
"why am I even here?"
"Isn't it obvious- get in the car." Regina climbs in and everyone else does the same. "we need someone to carry the bags."
why were you here? why had you given in so easily? You didn't even want to go shopping and now you're staring at yourself in the wall-length mirror of a dressing room, trying on outfits. with a heavy sigh, you step through the curtain
"what do you think?"
"you look great," declares Gretchen.
"beautiful," an eager Karen. She had picked it out.
Regina turns from the large mirror at the end of the space where she was inspecting the dress she was trying on to you. "ew." is all she says before turning back.
"yeah, I never liked it," Gretchen remarks quickly.
"try this," Karen shoves a hanger in your hand before pushing you back towards the dressing room. you stare at your reflection once more. you didn't think it looked too bad but maybe Regina was right. it wasn't exactly your style but that's because Karen picked it. it was more you than most of the outfits she tried to get you to wear... it did sit a little weirdly. you can hear Regina talking to the girls, sending them each on an errand. and then it's silent. you begin to undress when the blonde calls your name. you stop what you're doing. She says it again and you walk out.
"what's up?" you question cautiously. you weren't about to let your guard down around her.
"what do you think of this dress?" the blonde spins to face you. hands on her hips. your brow furrows. why did she want your opinion? your eyes drift. taking in Regina. notice every curve. She really was a sight to behold.
"looks good."
"That's all I get?"
"What were you expecting?"
The girl turns back. "A shower of complements but guess you're not even good for that anymore."
"I said it looks good?"
"I'm done with you now. go change out of that ugly outfit already."
you wanna say something but you decide to just bite your tongue and head back into the dressing room.
come the weekend, Regina is out of town with her parents which means you've ended up with babysitting duties. Gretchen and Karen had both decided they were coming over to your place. you didn't mind. so now you're loitering on the bed with your back against your headboard scrolling through your phone. Karen is snuggled up in half a blanket using your lap as a pillow also scrolling through her phone. it's silent but comfortable. Gretchen vanished about ten minutes ago and hasn't returned. "do we have to start hanging out with Cady?"
"What?" you glance down from your phone.
"I don't wanna hang out with her, she's creepy."
"that's not very nice, Karen," you scold. "but no. why would we?"
"Because you're like a thing now," Karen answered, pressing her phone to her chest. She meets your stare. "you kissed"
"excuse me?" your heart practically skips a beat. you undoubtedly hadn't told anyone that Cady kissed you and you're almost certain she hadn't.
"what? Gretchen told us that she saw you and Cady making out after school on Monday," Gretchen fucking weiners. of course. but how did she know?
"by us you mean?"
"me and Regina," fuck.
"When was this?" you wonder. and as if summoned on cue, Gretchen emerges through the doorway and you can't help but raise your voice. "you told Regina I was making out with Cady?"
"What?"
"Karen told me so don't lie," you demand. "I thought we had a deal."
"I didn't tell her about the hallway."
"Are you stupid?" you press. Gretchen sits on the edge of your bed, fluttering her eyelashes.
"I'm sorry," a hefty sigh. the girl shuffled up the bed so she was beside you. "are you mad at me?"
"Obviously."
"but you love me?" you don't reply and she nudges your shoulder with hers. "right?" you stay silent, glimpsing at her withan empty expression. you did love her but you were pissed off with her right now.
"look at this," Karen shoves her phone straight up and into your view. it shows a picture of herself. you assume she had just taken by the outfit.
"adorable," you smile walmly but it quickly fades. Gretchen had very much fucked you over. That day with Cady, you hadn't seen anyone around other than a few stray students. why was Gretchen even still there? and why hadn't she asked you about it before telling Regina?
"did you see what Kelsey posted today?" Gretchen questions, pulling out her phone. "it's so pathetic. like she's clearly doing it just for attention." you let your head fall back against the wall as Gretchen proceeds to talk in your ear. your mind drifts to the day in the cafeteria when Regina embarrassed you in front of everyone. you had thought it was an extreme reaction to a conversation in the hallway but turns out it was because of the kiss. was she that jealous of the idea of you and Cady? That made little sense when she was running around with Shane.
"Does Regina hate me?"
"of course not," Gretchen insists, a comforting hand placed on your shoulder. "you know anger is basically her love language. she just cares a lot."
"Regina thinks Cady is a freak," Karen contributes. "and that you hanging out with her makes us look bad."
"We were just doing homework."
"I saw you kiss her," Gretchen retorts.
"she kissed me,"
"you have been hanging out with her a lot," Karen states
"and you invited her to Connor's party," Gretchen resumes.
"yeah but..." you trail off because you really don't have a comeback. All those things were very much true. "this is stupid."
"if you had just listened to me-"
"Jesus, we get it Gretchen" you huff sharply and then feel bad for it. "sorry but you have to stop saying that- I should be able to talk to a girl without it being the end of the world."
"maybe talk to less weird girls?" Karen proposes brightly. "like me.... or Gretchen.... oooh or Regina."
"Thanks for the suggestion." you tap her nose gently, making her face scrunch up. "but I meant other than you three."
"you can talk to whoever you want," Gretchen reassures you, dropping her head to your shoulder. "as long as Regina approves."
"you sound insane,"
Gretchen shrugs. Karen's attention has returned to her phone. and you were suddenly so aware of how insane being friends with Regina George truly is.
the bell for first period has you walking down the hallway towards your history class. you share it with Gretchen who you haven't spoken to since Sunday. you're still mad at her.
"Hey, can we talk?" your brow furrows a little. it was Regina. and you were still mad at her too for last week.
"I have to get to class," you huff but she doesn't take the hint; instead she takes your hand and drags you straight into the nearest closet. it smelt like chemicals, dust and... vanilla. you imagine the vanilla is the girl, not the room.
"what the hell?"
"Just give me a minute,"
"why are we in a closet?" you wonder. it was cramped. a painfully buzzy lightbulb hung over head, flickering through an array of intensities. shelves full of supplies.
"I'm sorry, okay?" your eyes were looking anyway but at her until now. staring into blue-green eyes. did she just... apologise for something? was this a dream? your dreams never normally included Regina apologising but that seemed like the only way this could be real. "I'm sorry I got mad over you and Cady. you've just been acting weird since she joined"
"Are you... fucking with me right now?""
"what? I can't apologise?"
"I never said that," you did imply it but you would never say it. "I'm just confused." a shrug of your shoulders.
"I just don't like it. I don't like her," she wasn't about that. you weren't confused about her feelings towards Cady. you were confused as to why she was apologising for it? also, why do you have to do this in the closet? couldn't you have done this in a place with such a dizzying aroma? "I get like angry when I see you together. and then when Gretchen told me you kissed her-"
"she kissed me."
"Whatever," a dismissive wave. "I mean, it just was a lot y'know."
"not really" Your brow furrows.
"you're not that fucking dense, are you?" as the blonde takes a step forward, you take a step back crashing into a bucket and mop. She grabs your wrist. maybe an attempt to save you? "careful." said much softer. caring almost. it makes you suspicious. more so than the apology you hardly believed in the first place.
"we're gonna be late for class," you answer quietly. you try to pull your arm away but her grip doesn't falter. it's firm and tight; possessive almost. "Regina, please,"
"you promised to stay away from her," Regina mentions softly. you think back to that day. Regina straddling your lap. hands on your chest. moving against you. soft lips. it makes you blush. she pulls you closer. "promised you didn't like her more than me." her other hand gently cups your cheek. "was all that a lie?"
"no," you shake your head slow and stern. "no. i-"
"you kissed her." stated firmly.
"she kissed me," you argue back. her fingers press a little harder into your cheek.
"don't remember asking," expressed as she leaned in close. hot breath hitting your skin. vanilla fills your nostrils. "tell me you love me," whispered. you swallow hard. "please."
"Regina..." grip on your wrist tightens.
"go on."
"I... love you," you sound more confused than sure.
"more than cady?"
"you're my best friend,"
a once gentle hand now grips your chin. "more than Cady?" asked again.
"uh... more than Cady,"
"say you're obsessed with me." her lips loom mere inches from yours threatening a kiss.
"I'm... obsessed with you." her eyes are so intense, it's kinda scary. it's always treacherous being so close to her.
"Good," her lips press into yours. fierce and strong. but gone just as quickly. "I'll see you at lunch." she lets go and leaves without another word. The door to the closet closes with a click. insane. you remain for a few minutes. a little lost. a little confused. then you leave for class.
sat at a table under the beautiful shade of a massive umbrella during your free period. Cady is opposite. Gretchen was supposed to be here too but you don't know what happened to her. probably worried about sitting with Cady. "why are you doing work?"
"It's a study period. you should also be doing work,"
"It's almost lunchtime don't be ridiculous," you groan loudly. the bell rings mere moments later bringing a smile as the animals are released from their classrooms out into the wild. "see."
"you didn't do anything,"
"never do. That's half the fun of a free period before lunch."
"hey baby," that was Regina's voice. you look up promptly, half expecting her to make a comment or demand your presence but instead, she takes a seat right beside you.
"Hello," you try not to think about earlier. about how weird this is and focus on the fact she seemed to be in a good mood. her arms snake around you, drawing you back into her embrace.
"Cady,"
"hi Regina,"
"you look good today," Regina comments. your brow furrows. she was being weirdly affectionate. should you be concerned? probably but you were gonna enjoy her openness. the last week had been so weird and you kinda of just wanted things to go back to normal. and while this wasn't exactly normal, you prefer this to outward anger.
"thank you,"
"Now say it back," you roll your eyes but wear a playful smile.
"you look radiant Regina," said playfully. She gives you a quick squeeze and you finally settle in her embrace.
"I know," hummed in your ear. "so do you wanna come to mine after school?" muttered in your ear.
"what's the occasion?"
"I want you to," Regina declared. "why does it matter? you're coming over."
"am I now?" you ask playfully.
"We should get food," Regina lets go and gets up. you watch her for a moment expecting her to bark a demand but she doesn't. she just walks away. it freaks you out so you bid farewell to Cady and go scampering after the blonde.
"you good?"
"course," she states as you fall in step.
"you're being strange," you observe. "I was half expecting you to drag me away from that table."
"what's the point?" she asks. "you'd just go running back to the little nerd."
"no running is involved."
"running. skipping. drooling." the blonde teased. when you enter the lunch room, Gretchen is already sitting alone at your usual table. "like a love-sick little puppy dog."
"Okay, ew, no,"
"where have you been?" Gretchen wonders as you approach. She knows where you've been. you text her.
"no love involved whatsoever,"
"Who are you in love with?" Gretchen asks.
"no one,"
"I got tater tots," Karen announces as she zooms past with a try, taking a seat at your lunch table.
"oooh, they have tots today? let's go get food," you grab Regina's hand and start pulling her towards the food. Gretchen comes scrambling after the two of you. "I'm starving."
"aren't you always," Regina comments. the sea parts as she leads the way to the front of the line. it's unfair. but you never call her out. you always take advantage.
"Who are you in love with?" Gretchen repeats
"nobody, we moved on,"
"god keep up Gretchen," Regina huffs. you're so excited about your tater tots you practically run back to the table with your little tray. your two friends in toe. you take your usual seat next to Karen. Regina sits opposite with Gretchen.
"Cady keeps looking over here," Karen announces, popping a tot in her mouth. "it's creeping me out."
"she's so weird," Regina sighs. "if she's anything like her freaky friends it's because she's obsessed with our dear sweet puppy,"
"she is not obsessed with me,"
"This is what happens when you give losers attention, " Regina persists. "they think they have a shot. soon she's gonna think she can just come over and talk to us and it's your fault."
"Firstly, she would never do that. She's intimidated by you," you express. "secondly. she is sweet, you gotta lay off her."
"as she should be," the blonde looks disgusted. "also gross. She's so fuckin weird."
"you guys are being mean,"
"Is it mean if it's true?"
"still yes," you insist. "I like cady."
"We know," Gretchen states. Regina shoots her a dirty look.
"you don't get to talk Gretchen," Regina spits. "you never shut up about Jason like he's not disgusting."
"Cady would be cute if she just learnt how to dress. and do her makeup," Karen interjects.
"I don't even think that would help."
"Can we stop talking about her please?"
"don't wanna hear us shit talk your girlfriend."
"not my girlfriend." you argue. "but I would like this to end. quickly. let's go back to Jason that dude fuckin sucks."
"he's so sleazy," Karen adds. and the conversation flows into something other than you and Cady. thank god.
you're lying on Regina's couch. in Regina's room. alone. after school. you expected Karen and Gretchen to be here too but alas they weren't here. after this morning, you wouldn't be surprised if this was some cult worship ceremony. the door creaks open and in walks the infamous blonde. a glance before going back to your phone.
"my mum wants to know if you're staying for dinner,"
"am I?" you don't even know why you're here. and knowing Regina she could kick you out at any moment.
"I said yeah but you don't have to," a shrug.
"guess you're not mad at me anymore then,"
"When was I mad at you?" she questions, sitting down on her bed.
"When are you ever not?" you tease. "sometimes I think you hate me."
"if I hated you, you wouldn't be here," the blonde comments.
"you've been so short with me recently." you sit up properly.
"Because you've been acting different." the girl insists. "and it's weird. and I don't like it. I want you to go back to how you were."
"I don't even know how I've been acting different?" you lean back. "I think you're just jealous."
"jealous of what?"
"Cady." you see her eyes narrow. jaw tense.
"you are obsessed with her."
"not obsessed," you correct. "I don't even know what is going on between me and Cady."
"but you like her?"
you shrug. "do you like her?"
"no," it makes you smile for some reason. same old Regina. number one cady hater. "not even a little. she's strange. can't dress for shit. really awkward."
"tell us how you really feel," you chuckle a little.
"you'll just call me mean," like she wasn't already being mean.
you shrug. "I like when you're mean."
"I know," a smile quirks at her lips. the blonde pats the space next to her. "come here,"
"why?"
"Just come here," a dramatic sigh. you push up and cautiously walk over to sit down next to her. "why are you acting so scared of me?"
"I don't know," you shrug. "kinda expecting you to push me off the bed or something."
"why would I do that?" her brows furrowed.
"Because you're evil," a smirk slowly takes over her lips. you nudge her softly with your shoulder.
"I love it when you call me evil,"
"I know," you reply. "because you're obsessed with me."
"you wish."
"I don't have to wish," you tease. "because you're obsessed with me."
"you're really pushing your luck here," Regina comments. "stop." her tone suggested she was done playing. the blonde falls back against her bed. you just look at her as she starts typing on her phone. "and stop staring at me freak."
"but you're so pretty,"
"your girlfriend wouldn't like you saying that."
"not my girlfriend," you insist. "no more than you are." the blonde doesn't respond and you both fall into a comfortable silence. you lie down beside her. "why did you invite me over?"
"make out. prove a point. why do you think i asked in front of cady?" you just shrug. the girl sighs loudly and discards her phone off to one side before rolling onto her side to look at you. you just turn your head to face her.
"for someone so smart, you really are stupid," you'd be offended but there was hardly a point. she just watches you, watching her. you crack under her gaze and look away but she just reaches over and forces you to look at her. "do you know why I keep you around?"
"Because you love me?" said playfully but quietly. you know it's not the answer she was looking for.
"I like the way you look at me," she admitted quietly. "everyone stares at me but you... you look at me like I'm the only person in the entire world." she went on. "like you just can't get enough." you don't know what to say. Regina was like nobody you had ever met but in a different way to Cady. She just commanded attention. a beauty beyond words. and sometimes you wonder why you ever caught her eye. the girl shuffles closer now. "you can run around with freaks. you can be confused about Cady. but at the end of the day, none of it matters." that hand on your jaw loosens and begins to trail down over your neck. "you'll always come running back to me."
"What makes you think that?"
"It's in the way your breath hitches when I'm close. the way your eyes linger when I walk away. the way you so easily melt under my touch," her voice was gentle but taunting. her hand slipping lower and lower down the length of your body. you could hear your heart beating loudly in your chest. an onset wave of heat flushing your cheeks. "I can say or do whatever I want," her hand stops at your thigh, squeezing roughly. body leaning into yours. pressing you further into the plush fabric of her bed. "and you'll always be mine." whispered sharply before her lips meet yours and the fire makes the rest of the world melt away. you reach up to draw her closer. deepen the kiss and the way she groans makes your head spin. but then she pulls away unexpectedly. "oh I forgot to mention Shane is coming over after dinner so you gotta be gone by then. Cool?" you can feel the emotions stirring. it's weird and confusing. Shane's name fills you with anger; annoyance even. through no fault of his own. was she fucking serious? but at the same time you couldn't move. maybe a wiser person would have stopped everything right here. walked away with their dignity in their hands. Cady was probably a safer option. she liked you. and maybe you liked her too. but there was just something about Regina. being on her good side meant the world worked for you too. it was a world you'd become so accustomed to, you can't imagine it any differently. you can't imagine a life without the blonde. you didn't want to leave. you wanted to chase the high of each kiss. the pain as her nails dig into your skin. the firey mess of being with her.
"cool." you nod simply, pulling her back into the kiss. dignity was overrated when it came to Regina George anyway.
#regina george#regina george x reader#mean girls#mean girls 2024#renee rapp#mean girls fanfic#regina george fanfic
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