#i just dont like this story

[nerves-nebula]

OK GOOD i been looking forward to bitching about it

Mind you i only watched the live action film so i dont know if the story is better in other versions

So, Scott begins dating knives, a highschool student, as a way to get over his ex envy. It dpesnt seem to go into a sexual direction (i think there was a joke making fun of scott for that but i dont remember) but it doesnt change that hes taking advantage of this girl for his own emotional comfort

No one in the band objects to this, thwy either find knives annoying/ make fun of scott for seeking a highschool student

Then Scott meets ramona at this party and they go on this most pathetic date together after he wouldn't stop bothering her after she deliverd his mail.

His band is weirded out by him two timing ramona and knives and it becomes a side plot where everyone is telling him to break up with knives before she finds out (i think wallace says something like "youre gonna break this poor girls heart" in a flat tone which is sadly the most empathetic anyone is to knives in the entire film)

But scott is a bitch so of course he doesnt do that

All the while there is this dramatic plotline avout scott having to foght ramonas 7 evil exes, most of which are unintresting

Mathew unfortunately never shows up after his first appearance and his entire character is hes not white and hes ramonas ex (tbh most of her exes are like this, like one guy is a movie star and ramonas ex)

Two other exes that are mildly intresting :

Vegan guy who is now dating envy- after hes deafeated by being tricked into drinking milk (???) Scott and envy have this "moment" where scott calls envy by her real name and she goes "no one calls me by that name anymore" and hes like "well maybe they should" and leaves -like?? I dont care??? Even more so, why the fuck does envy care??? Scott just blew up her boyfriend into mario coins

-At some point sscottbreaks up with knives and she becomes angrily obsessive with ramona for taking scott from her, emulating the way she dresses and stalking her

Second ex thats mildly interesting- a girl, who is ramonas ex (i swear all the exes are like this) shes angry at ramona for cheating on her i think and ramona is like "our relationship was never serious, i was just bicurious" to which she responds "well im biFURIOUS"

She and ramona fight because fuck scott, and someone in the audiance makes a comment about lesbian porn

-she still gets exploded into mario coins (as all of thd exes are)

Scott gets pissed about all of these exes trying to kill him and ramona not telling him about it from the get go and ramona is like "well shit if youre gonna be a bitch about it i guess were gonna break up" And they do

-Ramona gets back with her ex (the last one remaining if we dont include scott now)

-The ex hires scotts band but scott refuses to join, so he leaves the band

-Scott crashes the party to fight this final ex to the death (cause thats a reasonable reaction)

-(Im not joking, it is framed as reasonable because this ex is weird and possesive of ramona, as if scott is some innocent angel)

-knives interrupts the fight because she wants to kill ramona for breaking scotts heart (???? Girl hes not worth defending)

-Knives and ramona find out about the two timing thing

-scott get killed by the final ex

-Scott meets ramona in the afterlife, ramona reveals that shes being mind controlled by the final ex (???? Yippe for lack of agency)

-scott is brought back to life via video game magic

-he defeats the final evil ex

-He apologises for the two timing thing

-he and ramona still end up together

-The End

The only thing i enjoyed from this film is the visual effects

Ultimately it was just boring to me, like a slightly better version of 'ready player one'

Also from my limited knowledge the author is mixed (white + korean) and I saw some places say that he regrets his depiction of knives as he feels he projected a lot of internalised stuff onto her- but idk

gonna be honest i can certainly see your disdain for this series style of comedy coming in through in this recap, heff. interesting to know that about the author tho, that kind of clarifies some stuff i think.

i kind of like the concept of the evil exes and the video game fights and stuff. i like when stuff that's got a serious core is set in a funny, sometimes bordering on nonsensical setting. from what i can parse the comics/movie are generally about like two bad people (scott & ramona) dating each other and trying to be better despite having done some real scummy stuff (mostly they cheated on their exes i think but also probably other stuff)

which yknow. i can get behind that as a concept. i honestly don't care that scott is like a shitty guy who dates a high schooler cause i understand that that's part of him being shitty.

mostly i'm just not sure why it's so popular 'cause i've never really been able to get the appeal. i mean the first version of it i've actually bothered sitting down to watch (despite seeing stuff about it for years) is the new anime one, that i went into knowing was gonna be a complete departure from the original story.

annnyyway that's enough about scott pilgrim. i'm gonna go draw or something.

[inbabylontheywept]

i did wrestling in middle school. on one hand, i was actually quite good at it, which was nice. being good at any sport was a new achievement for me. on the other hand, i was bi, and i was trying very hard not to notice that i was bi, and getting folded into knots by very kind, very muscular dorks made that task somewhat difficult.

adding fire to the problem was that my parents and my grandparents wanted to watch my matches, because they were very proud that their Gangly Nerd Son was actually Sporting, and they wanted to cheer me on. which would've been sweet and all, but if there are four people you do not want there during a key part of your Burgeoning Sexual Awakening, it is your mom and your dad and your grandma and your grandpa.

right? i mean, imagine some guy's got your head in his armpit, and you're going you know, old sweat smells bad, but fresh sweat has a sort of and then you make eye contact with your grandpa in the stands and you remember you're swearing spandex so if you pop a boner people aren't just going to be able to see the outline, they're going to be able to count the veins, and the only way you will be able to restore your family's honor after that would be by moving to siberia and renouncing joy, forever. that, or lift your entire body up by your kneck then twist 180 degrees without paralyzing yourself.

it’s a lot of pressure, is what i’m saying.

still it did motivate me to win my matches really fast. because i was so tall and skinny, i was stupidly good at the double leg takedown, and then once someone was knocked down, i'd just do the half nelson and kind of flip em over for the pin. then the ref would count to three and i’d win. EZPZ.

i had one match where that went great. won in the first ten seconds, sat back down, and prepared myself for a good hour or two of doing fuck all. didn't even feel bad the parents/grandparents were gonna be bored. the matches went up from me in 5 pound increments (i was in the 115 lbs division) and it was going great until we got to the 145 lbs division. the other school's wrestler stepped onto the mat, and she turned out to be a girl so our guy flipped, because for straight guys, wrestling a girl is not a pleasant experience.

i'm not entirely unsympathetic. my experience wrestling dudes was definitely a little traumatic. but also, i dealt. guy could've dealt too. instead, he refused to wrestle, and the coach went - fine. not even worth fighting over.

so he went to the 140 pounder, and that guy said, nosir, my mom said mormons can't wrestle girls. next guy down, 135 pounder, now he knew he could pull the same card and thus did. 130 pounder, 125, both tapped out. he got to the 120 guy, and that guy was catholic, but he said he was considering being mormon, and thus would have to pass. as a precaution.

coach blew up a little at that. he said "is there anyone - anyone - on this entire goddamn team that is willing to wrestle a girl?" and then he pointed at me and said "YOU. MAT. GO."

and i'll be real, if i'd been paying more attention, i'd have pulled the mormon card too, but i'd just been putting all that audio into a buffer file because i was reading, so i was halfway across the mat before i even processed what had been said and by then it was too late to turn back.

still i had a plan. and my plan - my beautiful, perfect plan - was to do what i'd always done. tackle, flip, pin, win. sit down. read. bore my family to death. move on.

i got the first part right. she was bigger than me, but she wasn't taller. just an incredibly stout woman. god built me like a snake with glasses, just as he built her like a combat cube. the problem was the half nelson. soon as she was down, i tried hooking my arm under hers from behind and for both genders, the defense for this move is just clamping your arms really fucking tight against your sides. if you're a guy, that's whatever, but if you're a girl - especially if you're god's chosen combat cube - that pins your opponents hand right against your boob.

so, i got the hook in, she clamped, my whole arm pressed against something soft, my coach was yelling THE HALF NELSON. BABYLON! JUST FINISH IT! FINISH THE HALF NELSON! and i was just trying to press hard enough to finish, when then my brain went

...oh.

and i flipped out. of course i flipped out. i like girls, and touching a boob is an elemental experience, and i was not ready. i was not prepared. i had not committed the sacred rites. i recoiled like i'd just brushed my arm against the surface of the sun, stood up, and backed away. nobody in the room knew why i'd given up. all they saw was me, right about to win, suddenly flailing around and scrambling. so everyone started screaming at me to just get the half nelson again, and i couldn't really yell back there's a fuckin' boob in the way and it was very distressing, and the only way i could think of to make them stop was just doing it over again the right way.

so i did.

i hunkered down and prepared myself for Wrasslin' Attempt #2: The Sequel.

i knocked her down again, EZPZ. i went for the half nelson again, but she knew what i was about to do so she super clamped, and i knew she was gonna super clamp, so i wound my arm back like a pop-eye cartoon punch before swinging my arm through the gap between her bicep and her side, but the amount of time i spent winding back super signalled what i was about to to do, which gave her time to clamp even harder, which somehow redirected the entire force of the popeye punch to the bottom of her bra.

it spat out a single boob the same way an action hero might spit out one single tooth after getting a solid crack across the jaw. as if to say:

*ptooie.* "that all you got?"

i did not actually see this. my experience was that first there was an arm, then there was a bit of boob, but i was braced, i was ready, forward at all costs, tatakae motherfuckers, and then the boob went away, and i didn't know where it went but my team, and the audience, and everyone who was in front of me, they all gasped like i just kicked them in the stomach. except for my coach. he was behind me, and thus one of the four people in the room who did not see the boob. now my mom, my dad, my grandma, and my grandpa, they all got flashed but nooooooo, coach thunderbutt was behind me, and he didn't see shit so he was still yelling NOOOOOO BABYLON WHAT ARE YOU DOING JUST FINISH THE NELSON! GO FOR THE KILL! BABYLON! BABYLON!

but i did not go for the kill. i stood up and she stuffed her boob back real fast, and we just kind of circled each other awkwardly until time ran out and i won on points. that's not technically allowed, but the ref had some mercy on me.

my coach did not.

i barely had time to sit down before he strode over to the bench to chew me out.

"babylon," he said, in that very calm way people get when they're too pissed to yell. "why didn't you pin?"

and i didn't know how to say well coach, i tried, but there was a boob, and it kept getting in the way, and my mom was watching, and so was my dad, and so was his dad, and his mom, and god (like bible god) and that's a can of worms because i'm pretty sure he was already mad at me, and i'm wearing spandex, and i think i might have to move to siberia, so instead i said

"i uh. i forgot how to do the half nelson."

which is actually impossible. forgetting how to do the half nelson is like forgetting how to swallow your spit.

and he looked at me, like i was the dumbest person in the entire world, and i looked through him like i'd just survived my 250th day in a trench at verdun, and he said: fine.

fine.

but we're all going to practice it for an hour tomorrow because you forgot.

and then he left.

and my buddies had the gall to be salty about it. i got so many comments saying "dude, why didn't you just tell him the truth?" and i said "you can if you care so damn much. you could've wrestled the girl too. maybe someone else should do the hard thing today."

but they didn't. so the next day, we did an hour of half nelson drills, and i spent a decent amount of time getting thrown around the mat, and it was pleasant in exactly the way that i hated and the year after that, to the surprise of everyone but myself, i quit wrestling and joined the trivia team.

and if you want more reasons to love my mom, my grandpa joked after the match that i might have to talk to my bishop about it, and my mom told him he would be allowed to make jokes after he stood in front of a crowd of 110 people in spandex underpants while wrestling a woman that was not his wife.

he paused for almost five seconds after that. then he said: aw. hell. sorry babylon.

and i'd have preferred my apology from god, but getting it from him was pretty good too.

[bastardlybonkers]

i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one

his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.

ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication

ok yknow what Edit: i shouldve made it even more explicit at the end of this post, i hadnt thought i would need to since i started the post with this, but i think a few too many people are missing my point so i just wanna clarify. i shouldnt have said 'really clashed' and left it at that because yeah they did, but it wasnt just their opposite methods of communication, it is also very much that toshiro was experiencing microaggressions via laios. it may have been unintentional on laios's part, but it still happened and wore him down, made it harder for him to communicate on top of both the more subtle social cues that he was raised with and his own communication difficulties. i also want to say that the fandom reaction to toshiro and the complete ignorance of this point is also racist tbh or at the very least ignorant. i understand that the anime did not cover this panel, and neither did the manga, as this was an omake, but im gonna be real with you guys. there are enough context clues within the story to clue you into this. if you didnt pick up on it thats ok, but i think this is a good lesson in picking up subtext in the stories that youre watching and/or reading. kui shouldnt have to explicitly say 'by the way laios was racist to toshiro' for this point to be understood, and at the very least, when the author portrays a character in a sympathetic light (as kui clearly does) it should make you question Why they are doing so and what makes them sympathetic, rather than youre immediate and only reaction to be 'well i hated what this guy did/said so i hate them and they suck'. idk exactly how to finish this, just. idk. question your biases and gut reactions to things you see in media and stories, and think about whether or not theres subtext that youre missing.

[bloominglegumes]

i love normal guys doomed by the narrative

[meatgrinder-0]

[gludgenbell]

in one ear and out the other, cucumber-bro

[drenched-in-sunlight]

i love the DLC man

[stil-lindigo]

HELP PALESTINIAN ARCHITECT EVACUATE HER FAMILY FROM GAZA

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[shithowdy]

doctors are so fucking funny; if you go in like "based on my extensive research and corroborations i think i have this Disease" they will immediately go on the defensive and ask you demeaning shit like "how do you even know this Disease exists?" but if you go in and play stupid and say "gee whiz i'm just a silly little bimbo who doesn't know a thing but i have symptom, symptom, symptom, and symptom" they will very eagerly be like "oh wow, that sounds like Disease!"

[time-woods]

EMOTIONAL WIN ! ! the bug lets his emotions make decisions for once !

[cowardlykrow]

“Not my circus, not my monkeys”… Except those are his monkeys and they are the circus

[inbabylontheywept]

she was dead silent on the drive home, but that was okay. sometimes, after band practice, she was just out of words. it was a short drive to her house. the only part where it actually felt weird was after i pulled up her parent’s driveway. 

after that, the silence stretched so far it smeared and left a weird residue. she kept looking at the car door like she wanted to leave, so i looked at the door too, then she looked at me, and i looked at her, and my first thought was that she was going to tell me that the door was stuck. i was used to that car always doing some damn thing. it was the car me and all my siblings had learned to drive in, and it was really beat to hell. there were dents all over the body, which we’d unsuccessfully tried fixing up with spackle. it had looked nice for maybe a week, but then the sun wrecked it - the spackle cracked up like the mud on the bottom of a dry riverbed and turned a sort of off yellow-white that made the car looked like it had been molded out of chicken shit. it also had a bullet hole it through the cabin that whistled like a toothless old man whenever the car went above 40, so loud it could drown out the radio, and a cabin that smelled so strongly of bugspray that even the arizona summer we drove everywhere we could with the windows down.

(if you have kids one day, you will maybe, possibly, begin to understand how much i loved that car.)

anyway, i was thinking about what else could possibly be wrong with the chickenshitmobile, and she just kept looking at me, and then i wondered if there was something on my face, and she just kept looking at me, and then the penny dropped and i realized she was trying to work up the nerve to break up with me. 

now, i’d seen her work up the nerve to do things like this before – it could take quite a while. and knowing it was about to happen made the waiting immediately unbearable. 

so i said hey. 

and she looked at me, very startled, and said hey back real small. like she’d been caught. and in a way, i suppose she had. 

and i said it’s okay. you can just say it. i’ll be okay.

i’m always okay. 

and she said: i’m really sorry. 

i loved her, you know? it was highschool, but teenagers are capable of love. the way people love changes over time just as much as the way they stand, or the way they talk, but things don’t stop existing just because they're different. opposite really – a thing only stops changing when it's fully gone.

and i said, nothing to be sorry for, and i meant it. she looked a little relived, and i was happy to give her that peace. then she left. i watched her make it through the front door, because that was just habit at that point, and then i sat there a while afterwards, checking how i felt. and the answer was not good, but good enough to make it home. good enough to limp on. 

so i put my car in reverse, took my last look goodbye, and immediately backed into her neighbor’s car. 

crunch. 

air bags didn't go off, which was good. i left a decent dent in the bumper of the other car. genuinely couldn’t tell if i did anything to my car – anything wrong with it just kind of blended together into the general ecosystem of hand mottled, sun cracked, chickenshit spackle. 

i checked my glove box, and my car insurance info was, of course, out of date. my phone was dead too. as a teenager, my phone was less my lifeline to my friends, and more my tether to my parents, so i wasn’t particularly conscious of keeping it charged. both my fault.

i sat there a few minutes, trying to think of the best way to handle things, and there was only one answer i could think of, and i hated that answer, so i spent a few more minutes trying and failing to think of a better one, and then a few more coming to peace with what had to be done. 

then i went back to knock on my now ex’s front door. 

her dad opened, which i was very relieved over, even if he seemed less than thrilled. he looked me over, and in a firm, but slightly apologetic way said: she does not want to see you right now. 

(i think he assumed i was going to try and talk her out of the break up?)

and i said not here for her. i just backed into your neighbor’s car, and i need to call my dad, but my phone’s dead. could i borrow yours?

and he looked at me, then back at his neighbors car, which sure enough was dented, then he looked at the chickenshitmobile, and if there was something wrong with it, it just kind of blended into the general Wrongness of the car, then back to me, and i could see him imagining the last ten minutes from my pov: getting broken up with, backing into a car, having to walk up to your exes door and borrow a phone, calling my dad to tell him that i just reversed into someone.  

and his expression shifted from stern and apologetic to truly sad, which felt more kind that i deserved. things only got here because i kept fucking up - forgot to look behind me, forgot to replace the insurance forms, forgot to charge my phone. it was my mess, but his sympathy meant the world to me. i probably would’ve cried if he said sorry, or patted me on the back or called me sport, but instead he said

stay out here – i’ll bring you a phone.

and then he left.  

i found a nice spot on the lawn in the shade under a sycamore, then settled into his grass.i was trying not to freak out, and was doing an okay job. he came out a minute or so later, not just with a phone, but a juicebox and a jar of green olives, which really threw a wrench in the whole try not to cry thing. soon as i saw those, a few tears squoze out. i was still hoping i could pass them off as Manly Tears but then he told me that he’d gotten the olives a few weeks before and had been meaning to hand them off to me, and that this was his last chance for that. then i made a sound like a horse drowning in a bog, and he patted my back pretty rough, four solid thumps, like he wasn't sure if i was crying or choking on an olive, and was trying to cover both bases at once.

then he went back inside, and i made a few more bog horse noises while finishing off the rest of the entire jar of green olives, and then i called my dad.

he was about ten minutes away that day, and luckily was home. he drove over, and we went to the neighbor’s house, and from there things actually went quite nice. the neighbor was a retired man who actually said he could fix the dent himself, no need for insurance. he said he appreciated that i didn't just drive off, and i said i was really sorry about his car, and he said he was really sorry about my car, and then he gestured to the chickenshitmobile and i laughed because it really was a disaster on wheels.

then we left.

i thought we were going to head straight home, but instead we went to a gas station, and we both got several slim jims that we folded into thick enough coils that we could put them on a hotdog bun because the growing up mormon equivalent of having a sad brewski with your dad is just choosing to make bad decisions sober. then he took me to the canals and we watched the sun turn all orange and pink, and he looked over at me and said:

brains are good at remembering bad days. so you gotta make sure that a bad day has a good part in in, so you can remember that too. remember that when you have a kid. try to do a good job on days like that - they're going to be a big part of how they remember you.

and then he gave me a big hug and said he was never going to eat another slim jim again.

---

the year after that i went to college, which kicked my butt in new and exciting ways. and on a lot of those bad days, after a test that went sour, or a faux paus that was particularly embarrassing, or some other hardship of my new adult life, i’d stop by the gas station and pick up leathery, half jerkied hotdog before heading to the canals to watch the sun set. i’d take a bite and imagine my dad next to me, grimacing through the slim-jim wad, asking what good thing i was going use that time to remember. 

and in my head, i’d say you, dad. 

i’m going to remember you.

[soranker]

tomorrow :)

[verflares]

say, what do you think ever happened to that boy from the forest? you think he ever found what he was looking for?

[sansculottides]

pisses me off to no end when people on reddit or whatever complain that the show wouldve been better off without the tuunbaq.....did we watch the same show? the tuunbaq is everything, it held everything together. the tuunbaq is the main transformative element of the terror. the tuunbaq elevates the text beyond mere historical fact and lets it say something about the expedition's broader context of imperialism. it hunted the british men who were trampling on its home as a mere stopover, a side casualty, to finding the northwest passage (for, you know, "trade with china" after britain beat china into submission after the imperialist opium war). silna couldnt complete a proper ritual with it because of the british men - just as british colonizers have historically intruded and disrupted the practice of indigenous culture. and in the end the tuunbaq dies, after all the injuries it's taken from the british over the course of 10 episodes and finally chokes to death on the worst of them. because there's no escaping the reality of colonial history, and there is especially no fantastical escape for the colonizer. there's no proper way for us to move forward otherwise.

good historical fiction doesnt have to limit itself to accuracy - it needs empathy to draw out meanings in history using literary craft. thats what the tuunbaq means to me.... if you wanted a straight depiction of historical record, just go watch a documentary.. TUUNBAQ DENIERS DNI

[sukunasweetheart]

i so desperately want to write a dark romance with the concept of consuming as a form of intense, obsessive yet ominously beautiful, love with trueform sukuna.

i want him to love reader so much that he almost wants to literally eat her, and i want her to see it not as something to be terrified of, but to accept and recognise that his desire to devour you is not out of malice, but rather, something of adoration...

his mad infatuation would reveal itself in many, many forms. just by simply looking at you, his eyes darken, and his gaze seems to poke and prod at your soul, constantly analysing and soaking the sight of you into his memories. the way all four of his hands touch you, his searing hot palms smoothing over you, littering deep bruises across, claiming your skin as his canvas, embedding marks that indicate his presence in all and every way possible.

how his lips possessively captures yours, tongue twisting around in your mouth - sukuna kisses you with a type of hunger that goes unmatched by anybody else-- his engagements with you are all-consuming, meaning that he doesn't let you get a moment to think about anything else, too pre-occupied with his flames that lick up at your flesh, threatening to burn you down to cinders with its intensity, unmerciful. and when his teeth sinks in, a cry escapes your throat - a cry that isn't pleading for help, but is pleading for more.

sukuna's adam's apple would bob up and down as he swallows dryly, enduring another night of wishing to absolutely devour you whole, and leave nothing of you behind. it certainly doesn't help that you encourage him, egg him on.

he mustn't- he mustn't- he mustn't--

for who will comfort him from the loneliness that would follow, if he loses you to himself?

he satiates his aching desires by lapping up your honey-sweet blood from your inflicted bite wounds, addicted to your unique, intoxicating flavour.

you smile deliriously, like a madwoman, helplessly enamoured by sukuna's dangerous, distorted, yet an undeniably powerful form of his love.

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