I’m literally so confused and pissed off rn!!
I’m contemplating on making a script for this anime that I’ve been having a hyperfixation on for the last week. (This hyperfixation comes and goes) and like I just love the start of it and I know what is my role and everything but what annoys me the most is in the end of the anime, when almost everyone and by everyone, I mean every fucking character will die and the first one is literally my fav:(
and like when I watched the scene I felt my heart being tore and smashed into millions of pieces like bro I sobbed so hard and whenever I remember that scene I get the same emotions like it’s the first time so like just imagine I see that live, literally in front of my eyes.
AND DONT GET ME STARTED ON THE OTHER CHARACTERS LIKE AT THAT POINT I WOULD PROBABLY JUST KMS.😀
I know I can just script out their deaths but the plot won’t remain the same☹️ but I don’t know what to do, like genuinely. I want to experience the first 33 episodes there, and after that episode everything is literally just misery and my heart can’t take it.
And if I experience the first months there, I feel like I would get too attached to them that I will probably just shift another time and will actually experience that shit.
Lmao haha welcome to my yapping. Love you guys!!😆😆 (😰😭😀☹️😮💨)
#feelingsadthesedays.
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Helloooo, just saw the big ol Callie rant and thought I’d share my (albeit not as detailed) thoughts cause the first Splatoon game I played was Splatoon 2 and I took my sweet time on the story mode.
Despite her being your main companion throughout the story mode, I found Marie’s spiteful and clearly discriminatory language towards the Octarians to be consistent overkill, while she was obviously mad about Callie “going missing”, these fellas were only doing their jobs and it was painfully clear that Marie had an inherent dislike for their entire species. Since I hadn’t seen Craig Cuttlefish before I didn’t know that this discrimination came from him, with a distinct parallel between their jabs (aggression being directed and focussed at the Octarian species at a whole rather than the reason you’re here in the first place) and with the fact that I was the one barging in and committing wanton destruction and violence in their territory the universal hate felt incredibly undeserved.
As for Callie, no Squid Sisters songs feel so authentic and genuine as the ones made in Octo Canyon. Even Bomb Rush Blush isn’t trying to sound perfect for any pop lover’s fragile little ears, it’s erratic and fills every silence like a one sided argument. With each song sounding like a vent album and the art showing Callie to be miserable and having to desperately hide it on the surface, she’s seemingly using her distance from Inklings as an opportunity to be completely outwardly honest and express the deeper emotions that wouldn’t be accepted in the media she’s surrounded by. Rather than “I REMEMBER!!!” being some ooga booga the cool glasses magic has been dispelled, I saw it more as Callie accepting these emotions she’d kept from expressing and realising her lifestyle and family meant enough to her that it would be more worth it to try and work through those feelings with them rather than use an outlet that worries them. Additionally, she has quite the opposite view on Octarians to Marie, finding them consistently cute and clearly still being friends with Octavio as they collaborated during the Low Water Party after the events of Octo Expansion (discreet lore but it shows she truly had an enjoyable time there!)
Now I could ramble about DJ Octavio for hours so I will cut this short, while - as you mentioned - Octavio was helping Callie escape the stress of her lifestyle in the interest of his own species, (uh oh the can of worms is threatening to open) insert the fact that Octavio winning means species equality through political negotiations put off for hundreds of years. I know! Oh goodness gracious how terrifying! The spicy beats man has used drastic measures due to neglect and forced poverty of a substantially sized society through giving stressed squid sanctuary! Next he might use his technological advancements in energy efficiency to revolutionise our industrial infrastructure- SHIELD YOUR EYES, CHILDREN!!
oh hey! cheers for reading the full thing!
Oh... oh damn... you just plopped your own rant in here, jesus.
I respect it honestly, i respect the hustle.
You know what's kinda crazy? From my knowledge and what people say online, Marie's hatred for Octarians as a species is a NoA localisation thing and not something in the original Japanese version of Splatoon 2. I could be wrong on that but that's just something I've heard in the grapevine.
Yet another example of poor localisation due to deadlines and rushed development cycles!!! ISNT IT SO FUN HOW IT KEEPS OCCURRING AND HOW PEOPLE BELIEVE IT INCLUDING LOUD VOICES IN THE COMMUNITY AND WIKIS TAKING THE NOA VERSIONS AS THE HOLY GRAIL?!?!?! SO FUN!!!!
(Massive fucking sarcasm.)
I dont have much else to say in response to your ask but, I wanna touch on DJ Octavio for a bit because I think the way that Nintendo treats him as well as the fanbase treats him kinda fucking sucks and flips flops between different personalities and actions he's done.
I swear to god people have such different takes on his personality and what he's done over the three games and it's a real headache to deal with. And the way that a lot of people talk about what he did in Splatoon 2 and the suggestions people say.... ugh... they make him so unredeemable and disgusting.
In Splatoon 1, depending on if you play the NoA version or European/Japanese version, he's either very silly and in your face, making musical puns and being a loud mouth. Or he's trying to be intimating and he gets to the point in his dialogue instead of making musical puns.
The worst things he did in that game was kidnap Cuttlefish and tie him up as bait to fight Agent 3, and stealing the power source for the Inklings. Cuttlefish is a frail old man and Octavio has anger towards him, so it makes sense he would go after him and snatch him up.
And then in Splatoon 2, people wanna fucking say that Octavio kidnapped Callie and brainwashed her, removing all of her memories and making her into a slave for the Octarian army... LIKE... WHAT?!?!?! OCTAVIO IN SPLATOON 1 WASNT THAT EVIL!!! WHY DO PEOPLE SUDDENLY SAY HE DID SOMETHING INCREDIBLY UNREDEEMABLE LIKE THAT?!?! WHY DOES NINTENDO PUSH THAT SHIT TOO?!?! ITS SO ANNOYING!!!!
AND PEOPLE BRING UP THIS PIECE OF CONCEPT ART TOO AND GUYS!!! ITS JUST FUCKING CONCEPT ART!!! ITS NOT CANON!! THERES NO EVIDENCE TO PROVE THAT THIS HAPPENED IN THE REMATCH FIGHTS!!! YOU BRAIN DEAD SONS OF-
You can't just go from "im gonna use Cuttlefish as bait because I hate that guy!" To "neheheh, when Callie isn't looking... I'm gonna grab her and brainwash her!" And then to "IM GONNA GET THAT OLD BASTARD AGAIN! HE TOOK MY ARMY!!!" You can't flip flop between silly old guy wanting vengeance against his lover to enemy Cuttlefish, to a malicious beast that kidnaps young women dude. You can't just do that.
You see the issue here? People give Octavio this ultra dark stain on his legacy and I think it ultimately ruins his redemption in Splatoon 3. He did something unredeemable and you cannot go back from that.
It makes more logical sense for Octavio to use his abilities of propaganda and manipulation out of desperation to convince Callie to join him. Octavio is a general and does things out of rage and vengeance from the past. He is not malicious in his actions and a lot of them can be justifiable. It makes more sense for Octavio to go "I need Callie because my peeps are dying, I'll convince her to join me and then I'll hypnotise her so she's more comfortable in the Octo Canyon to help my troops!"
Octavio is still obviously in the wrong for hypnotising Callie, duh. But, like I've said a trillion times, hypnosis isn't mind control, you cannot force someone to do something against their knowledge and morals. So it's more justifiable for Octavio to hypnotise Callie than to literally kidnap her and brainwash her while she was kicking and screaming, trying to stop him. Okay? WE GOOD SPLATOON COMMUNITY?!?!?!
Ugh.
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NBC News: The stars of ‘Interview With the Vampire’ on adapting the immortal love story for TV
I only find that small video of the interview. i dont know if there is more bc there is transcriptions of their quotes in the link that i didnt saw in the video
“Vampires intrinsically are about yearning and love — immortal love and yearning over the ages,” Reid told NBC News, citing the famous immortals Nosferatu and Dracula as examples. “They’re very emotional, desperate beings who have to survive eternity and don’t usually want to do that alone. When you read Anne Rice, you see that in Louis and Lestat.”
“This is the quintessential vampire story, really,” Reid added. “It’s this yearning and love and intensity, with all of its darkest elements brought to the front, and told over the centuries.”
“There’s something so beautifully domestic about Louis and Lestat in the novels. They have this homeliness, this deep connection that they always come back to, no matter what’s happened,” Anderson said of translating the vampires’ complicated love affair on screen.
“But then they’ll burn each other’s houses down, as well,” Reid interjected, laughing. “It’s vampire love. Murder is our love language.”
Anderson and Reid’s approach to the protagonists’ fiery relationship was very much informed by Rice’s many novels involving the characters, which collectively make up the Lestat-focused Vampire Chronicles series. Reid came to the project as a longtime fan of Rice and the vampire genre, which he said he almost had to push aside in order to approach the role effectively. And Anderson, although he dove deeper into Rice’s work after being cast, also had a healthy grasp of the characters from reading the first few books in the Vampire Chronicles.
“I feel such an affinity with Louis. Although I do love Lestat in the book series, particularly ‘The Vampire Lestat’ on” Anderson said, referencing the second book in the Vampire Chronicles. “There are times that I don’t envy Sam.”
“He’s very complex,” Reid responded, referring to Lestat. “Heis a vampire. And he behaves in ways that you would want a vampire to behave — otherwise, you wouldn’t be reading vampire literature or looking at vampires.”
“Reading the script for the first time, even before I was attached to it, I could tell that it was the right approach to the material. You could really feel that there was a huge amount of respect for the books and what she was trying to say,” Reid said, referring to Rice. “And the lightness, the humor, the love story, the drama, the absurdity — all of that’s there.”
Rather than taking the approach of color-blind casting, Jones reframes the story so that Louis, who begins immortal life at the beginning of the 20th century, is dealing with the racism and limitations of the eras through which he lives. This, Anderson points out, brings another dimension to this character’s defining struggle with immortal life.
“Because Louis’ central preoccupation is his humanity — and what he still retains from it and what he’s lost from it — if you cast him as a person of color but then don’t factor in his race, then that would read as phony,” Anderson said. “I don’t really see what the point would be. “There are examples of colorblind casting where it’s a fantasy character and you don’t need to go there. But, because Louis’ ‘human-ness’ is so central to him, I wouldn’t have wanted to do it if we weren’t going to bring the real world into it in that way.”
“The characters are intrinsically linked to the city. You walk around the French Quarter and you hear an Anne Rice tour every 100 meters. So it was incredibly important to everyone that New Orleans remained this character,” Reid said, describing the city’s role in the series almost as if it were an actor.
“Mara [LePere-Schloop], the designer, created these beautiful sets. I mean, they were just stunning. When I walked into the Rue Royale set for the first time, my legs buckled,” he added, referring to the street on which the vampires’ luxurious home resides. “It was incredibly transportive.”
During filming, the actors lived in Rice’s beloved hometown for about six months, soaking up the city’s infamous late-night culture while depicting her nocturnal creatures.
“If you’re gonna live anywhere in the country, that’s where you want to live at night,” Reid said.
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See, like- I want polyam, but I dont want the sex.
But like- theres so much sex focused talk and stuff in society that its like- well how do I even find people?
Like sure, maybe theres going to a queer bar, but like- when people hit on you at a bar, they’re mostly looking for sex first, maybe romance later, like- a funky little thing.
But like- i dont want that? I dont really trust people like that, nor am I comfortable with sex.
So like- how the fuck do I find people to maybe see?
Cause whats WORSE is I also dont feel comfortable dating someone I barely know, like- if i’m gonna date someone, I have to have known them for a while! It just makes SENSE! As cute as love at first sight is, i dont… experience that???? Its like- something so foreign to my brain that someone can look at someone and then without EVER have spoken to them go “hey, man, they seem awesome i wanna spend my entire existence with them” like????? You dont even know them???
Like sure, yeah, someone can be REALLY pretty and i can totally understand the IDEA of wanting like- sex or something with them, but romance???? Looking at someone and going ‘wow i want to hold their hand and see them smile and go on lunch dates and wake up next to their smiling face’ like- for me to even START having thsoe thoughts i gotta have known them for a while, i currently only feel that sorta way towards two people, one of which is kinda new and im still tryin to figure out where WE’RE at regarding all that because of THEIR current partner
Idk- i used to not be as comfortable saying that kinda stuff as i am now cause i didnt want to thing i was on the aro spectrum for a very long time for whatever personal insecurity was there, but now i know that it was an irrational insecurity I am and im more comfortable with it.
I just- i want to be able to find and date people who are open to polyam but don’t immediately expect sex or super deep romance out of it and thats SO INCREDIBLY HARD TO FIND
So in the meantime i kissa my single boyfriend on the mouf even if hes a thousand miles away
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"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"
OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.
"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"
OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it
"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"
OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.
"But they shouldn't claim to be part of the -punk community if they don't know the--"
I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.
I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.
Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.
So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.
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