#i just couldn't find a good reference of the character i wanted to draw

[aluminium-13]

Hello Fantasy life fandom here is a dogshit Orlando fanart i did in my sketchbook a few months back

[runningwithscizzorz]

(1)Learn the rules before you break them + Gather proper references

(2) Understand what you want to break and how

(3) Can't do it? Find someone who can

(4) It's going to look really bad for a while

(5) Have fun with it!

(1) -Yes, I am that kind of artist. Yet, not in the conventional way. I encourage people to go in guns blazing when it comes to drawing something new, then coming out analyzing what they know, and what they need to learn more of right away.

-Here, I broke down the anatomical pieces of Nour and Narinder's face with the same labels so you guys can understand this weird invisible pattern that I follow in my work. Doing this with any animal you're attempting to draw greatly improves your line confidence when drawing different face shapes. Also understanding the biological function for why animals look a certain way helps you keep consistency.

(3) Time to throw any artistic guilt you have for heavily referencing people's art OUT THE WINDOW and start ANALYZING PEOPLE'S WORK YOU WANT TO BE LIKE✨ I've always done this, having a reference of someone else's amazing work right next to my own drawing so I can try and understand how they make their magic work! No shame, no embarrassment, nada. Pure, unadulterated will and spite that I would be just as good as the artist who made me so motivated and happy with their work! I couldn't figure out how to make Nour's face both sheep-like, and humanly expressive, so I looked at a LOT of Zootopia and old Disney art for help!

(2) With how I draw narilamb, I'm still working on it (as you can see) but I wanted to break Narinder's face to be fluffier and slimmer, while Nour's face would be shorter and flatter. If you look at it for too long, it's absolutely going to look weird, in the way that if you look at Anna from Frozen for too long she starts looking really weird. The anatomy isn't meant to be correct or consistent, it's meant to convey the emotion and energy I want out of the characters in that moment. If you're able to properly get that across, then you don't need to think about how broken something looks, as long as your eye is happy enough to trick your brain into thinking what you're seeing is canny.

(4) Yeah, I hate this part too. It's going to look like shit at first. I can't even look at my art from a few months ago when I was figuring out their designs... God, so fucking ugly. If it weren't for the shittiness of those drawings, I would have never gotten here! Wading through the "trust the process" stage always really sucks, but it's absolutely worth the relief of when you finally get something to look right.

(5) Art is work, yes. It's stressful, it's long, it's straining, its draining, it's exclaiming, blah blah blah. But, I try to keep my art FUN. If I find my artwork becoming slow as I depressingly drag my pen over my tablet, I'm failing. You MUST keep spirit and life in your work. The spirit of emptiness or the life of sadness can have a very meaningful place in art, but those can only exist with keeping work light, easy, and fun! If you're stressing how a specific thing looks or how you can't get something to look right no matter what, FUCK IT. Draw something to bring the flavor back in your work! I'm kind of rambling, but just, HAVE FUN!✨️ Be messy, scream, laugh, slash canvases, throw paint, smash sculptures, tear apart books, GO CRAZY

[kozachenko]

Finally decided to play around with my old lineless style again! Also figured out a way to draw Reimu that I actually really like!

Artist's Notes;

I've mentioned in a few earlier posts that I've been wanting to draw in my lineless style again for a while as a way to test what I've learnt from my previous style in regards to lighting. I did the face first and then for a while was thinking about doing a full body illustration of Reimu just to draw her outfit again. I'll talk about the face first since that's the first drawing I did in this batch.

For the longest time I really couldn't find a way to translate Reimu's face into my style. I was able to make her clothes work out well, just not really her face. I did like elements of how I drew her face a few other times, namely the tiny eyebrows and her pupils, but they didn't really feel like Reimu to me, or at least how I imagined her in my head. I then realized that it was less of a problem with the entire face and moreso the eyes, and it took me quite a bit of trial and error to make something that I was happy with. Also, as much as I thought the tiny eyebrows were cute, it didn't really make sense with her character. Like, from what I know about Japanese history, plucking your eyebrows was something that nobles (rich people) would do, and since Reimu is...neither of those things, I decided to just give her some thicker eyebrows instead (I will be saving the plucked eyebrows for another character though, so they will return). After I got to a face I was happy with, my next challenge was the hair. I did the front part first and liked that enough to continue, and then after more trial and error I realized that deep down I was a short-hair-Reimu-is-best-Reimu-truther this whole time because once I gave up on the long hair and gave her shorter hair something just clicked in my brain. And so, after drawing her outfit in again (this time without the yellow tie which is kinda sad but I'll find a way to incorperate it into future designs because it just was not making sense to me in context with the rest of the outfit) and finnicking around with the bow, I came to a version of Reimu's face that I actually liked. I thought that it made more sense for her character to have her cut it short, mainly because she's doing a bunch of Youkai extermination and she has to keep her hair out of her face somehow. I still wanted to make it kinda messy though, as Reimu is probably too lazy to clean it up herself. I think another reason I like it so much is because in Forbidden Scrollery, Moe Harukawa gave Reimu short hair and that really suited her, so I guess that was just a subconcious reason as to why I liked it so much. I also think that the shorter hair helps to separate her a lot from Marisa, as I think Marisa looks really good with longer hair. Speaking of, now I wanna do a drawing of her and Reimu together to really solidify how I draw them (unlike the previous version where it was just them standing). As much as I do like the face, I am concerned if she looks too much like how I drew Keiki now, but that might just be a product of the stylistic choices I made with her eyes and I might just be overthinking it. I am hyperaware of same face syndrome so that's probably the reason I'm so concerned about it lol.

Now for the fully body drawing. I was struggling to think of a good pose for her, so I just took a picture of myself and used that as a reference while still making slight adjustments for readability's sake. This is another case of, "I've looked at this too long and can spot every single issue with it" but this time I'm still happy with the final product mainly because this was a test drive for how I want to develop my lineless style in the future and for what it is I am more than pleased with the result. The main reason I deviated away from my lineless style was mainly because I was having a hard time with the lighting and making it interesting, and I am so glad that I've finally found a way to make it work! I'm especially happy with the clothes, as I think clothing folds are really fun to draw. I was somewhat inspired by the works of J.C. Lyendecker and the way he draws clothes, though admittedly it is not a one to one, since I mainly wanted to try implying the shading of the clothing folds with shapes (I do really want to do a study of his style one day as his art is incredible). So for the sleeves, I drew in a bunch of triangles where I wanted there to be a strong highlight, roughly coloured in the inside, and then blended them all so it looks like a more subtle. On both of these drawings, I also added in a noise filter to give it some texture (as that's what I used to often do with my drawings) and while I do like it, I might want to experiment with making it more subtle in the future, as it's pretty noticeable in both these drawings. Overall, I'm really happy with the lighting and colours of this drawing, and while I could nitpick several aspects of it (her hand holding the gohei looks too tense, I tried making her look like she was standing on the balls of her feet but the positioning of her Gohei's trail of papers ends up making it look weird, and I could've put more effort into the hair and bow and so many more things), this is more of a piece for me to experiment with my style again, and I'm excited for when I get a new idea for a piece, as I really wanna try some more stuff out with this style!

[meanbossart]

I LOVE DU drow and I love your art style! I also really like how you draw Astarion's hair, it looks flowy but still with his trademark curls.

Can you give any advice on drawing Astarion's hair? I find it a nightmare to draw. Whenever I free hand it, it just doesn't have the amount of curliness I want, and when I try to use a reference it ends up looking rather stiff.

Take care and thanks for the art 😊

THANK YOU though to be honest I'm shocked to find this ask in my inbox because every time I draw Astarion a war is waged between me and his hairdo. But sure, lets give this a shot!

First of all I feel like its a good idea not to be too attached to his in-game model hair when drawing unless your style is very realistic. The only reason why that dry-noodle helmet looks so regal and bouncy is because of the high-detailed graphics. Like you mentioned yourself and many of us have experienced, if you try and stick to it too closely in most art-styles it just ends up looking terribly stiff.

Instead, I suggest just keeping growth-direction and shape in mind and applying as much movement as you want to it when you draw it. Here's some things to remember that might help you with that:

-I employ the liquify tool a lot when sketching his hair because I never get it big enough on the first try, lol. This can also aid you with "distorting" more curliness into your lines if you aren't used to doing that right off the bat, just try not to become too reliant on it!

-I usually leave the areas around the ears and back alone but imply a lot of movement with the top and front of the hair, taking as many liberties as I want even if it's not entirely faithful to the model. I feel like the impression of curliness comes entirely from the silhouette of the hair and little fly-ways that I add, and everything else I just try to do without overthinking it too much for a more natural look.

In truth, I feel like a lot of times we get stuck on things like parting-placement, right amount of curl, which brush we're using yada-yada when in reality we are neglecting what actually makes a character's hair recognizable: Hairline, growth pattern, and shape. If you get these three things right I feel like everything else is entirely just stylistic choice. It's worth pulling away for a moment and checking on these things if you feel like you're continually unhappy with your outcome!

-Astarion has a hairline capable making most men over 30 cry. It's very low on the forehead and tight on the temples with the slightest hint of a widow's peak. As someone who drew a lot of big-foreheaded characters with receding hairlines prior, this was a STRUGGLE for me to get used to and a big reason why I felt like I couldn't get his hair to look "right" for the longest time.

-His hair swoops to the right side of his face in a fanning kind of shape and is the longest at the front and top. You can imply a strong part if you want, you can split it into sections, you can have it falling over his forehead or not at all - as long as it's going in the right direction you will probably be fine.

-A mistake I would catch myself making often was getting the shape totally wrong - making it too slick at the top and putting all the volume in the back when that's pretty much the exact opposite of what his hair does. IT'S ALL AT THE FRONT AND TOP, REPEAT IT TO YOURSELF LIKE IT'S A MANTRA: IT'S ALL AT THE FRONT AND TOP.

And lastly, if you absolutely hate how his hair looks or hate to draw it, you can forego all of this and just do whatever you want. These tips are only worth something if you like how I draw his hair specifically.

Hopefully this was helpful at all!

[sapphicteadragon]

Link Click season 3 untranslated text

Hey yall! Since the subs on the new season of Link Click are ass (who would have thought) and also don't translate any of the on-screen text, I figured I'd just compile my translations of all of it in case anyone's curious.

These are all the texts from episode 1, as follows:

"Partner, let's play basketball together again tomorrow~" (the 啊 gives it a cutesy/friendly tone)

Top: But you do know

Bottom left: that once the contract is established, no matter whether you succeed, you will have no way of going any further into the future

Bottom right: After it is complete, your soul will dissipate, and regret will be to no avail.

Hmm... in order to do my utmost to save the things I treasure, what is there to regret!

Bilibili Message

"Ranxi Chronicles" The signing event will begin next Saturday at 15:00. Every person will have three minutes of interacting time, and must book a slot in advance to obtain a signature or drawing. The order is determined based on the on-site queueing order.

BILI SEARCH (these are the same characters as bilibili, which is a fun easter egg)

"How to become a comic artist" (search)

1: how do I become a comic artist? Suggestions from those in the profession

Not only must you have a grounding in basic skills, you must also unceasingly practice and learn. You can do this by drawing sketches, and practising tracing lines until your foundation in drawing skill improves.

2: How do I become a qualified comic artist?

You first must set your mentality straight and clearly set your objectives. Your objectives must be established on the foundation of a strong mentality. If you want to become a comic artist, there is no harm in first asking yourself why you have this kind of goal.

3: How to become a comic artist? The state of comic artists in the profession

This specialisation is not as bright and pretty as it appears on the surface. The living and working conditions are also not as satisfying as you might imagine; right now they truly are frugal. (the word used here means skinny/sparse) So, listen to my advice:

SKY5690: There's no future in it, you won't earn any money in the first place

RAIN1352: Run away fast

CAT7931: Haven't slept in 3 days

Shen San Shui (lit. sink in three waters)

Today I went to a comic con, and joined a signing event for my favourite comic artist. I was inspired in no small measure, and from now on I plan to advance courageously on the path of becoming a comic artist! Fortunately a demon girl-jiejie (jiejie means sister, but is also used to refer to an older female friend/acquaintance) helped me find something very important, and if it weren't for her, I definitely wouldn't have been able to muster the courage. But this demon girl-jiejie left something of hers with me, and I have no way of finding her. If anyone knows this jiejie, please contact me anytime!

Description: wearing a demon girl cosplay, around 160cm tall, shoulder-length black hair

Top: My sister was hospitalised again today, the doctor said

Middle: My sister's treatment costs are accumulating. If the investment path is good, and you choose the right one, then the path will naturally be magnanimous

Bottom: Today's profits are in. I rarely do anything luxurious, can't forget to reward myself with food and drink while rushing about~

V: Xun-ge, the profits you entrusted me to handle before have arrived in the account <3

X: Heavens, you're impressive

V: Hehe, next time I can try investing a little more, and can earn even more <3

"Sorry I couldn't get there yesterday, can we meet up again? I want to chat with you"

That's all for episode 1, there weren't any in episode 2 that I saw. If I missed any please tell me and I'll add them, and I'll keep an eye out for any text in the upcoming episodes!

[the-s1lly-corner]

Ej, Lj, Masky, Hoodie, Masky, Ticci Toby and Bloody Painter x reader who draws them

Prize 5/5 for @reivelmin !! I hope you've enjoyed all of your prizes WOOHOO!! I had a blast writing them, hardly ever get the excuse to write for some of these characters EHEHEHEHE

EYELESS JACK

I've always headcanoned that Jack was always a bit of an artist himself, although the most he does it sketch every now and then to keep his kind busy. He points out some techniques he recognizes and asks you about it. It.. actually takes him a moment to realize that all of the drawings are him. You can practically hear the gears turning in his head before he tries to move on. This opens the window for the two of you to draw together every now and then.. though jack is always a little embarrassed.. flustered.. with the knowledge that you have so much of him in your book

LAUGHING JACK

Very loud when saying he loves it. Hes flipping through the pages before pausing, looking you dead in the eye. He makes a comment about how you must be soooooo obsessed with him. Hes teasing you, of course! He offers to draw you in return.. though dont expect anything crazy, Jack's not.. the best artist- and hes okay with that! Loves looking through your art whenever you offer it. Would kick his feet in the air while looking through the pages. Sometimes you give him sketches to color, to keep him busy while you have to go do something

MASKY

He already knew what you were drawing him before you ever have the chance to show him. The man is silent and is constantly keeping an eye on you.. he does NOT know how to be a normal roommate!! You probably dont get the chance to show him yourself, because he points at a stray pencil marking that you forgot to erase. Worst jumpscare of your life, if you werent already aware of his presence in the room... he.. actually gives a thumbs up. Which doesnt seem like much but considering that he doesnt really emote, that's a huge thing... now does he think it's a little odd that you have a bunch of sketches where hes the reference? A little, but he does offer some good poses and lighting due to him tending to lurk in the shadows

HOODIE

Very similar to Masky but at least he pretends to not know. You walk up to him with your sketchbook and hes so obviously playing dumb but its.. sweet that hes pretending. He takes his time looking through all of the art, where some of the others get too excited and flip through it all. He doesnt talk, but he does communicate that he thinks it all looks great via sign.. oh he would definitely start leaving sticky notes with doodles around for you to find

TICCI TOBY

I think Toby would be a little overwhelmed, he didnt think anyone would be interested in him enough to want to fill an entire sketchbook with him. He tries to cover up his shock by lightly making fun of the situation. Though every tease he tries to draw out falls flat, as everytime he goes to poke fun of something about the art he trails off. Besides, he couldn't bring himself to actually make fun of the stuff you make.. if it's a gift, you offer to take it back but he quickly shuts that down. Its like the Bob's burger friendship bracelet audio, "no fuck off its mine"

BLOODY PAINTER

As an artist himself, he asks you about what materials you used as well as the techniques you used! Unlike EJ, Helen is more thorough in his questioning and knows a lot more fancy terms.. he points out the good parts of your pieces, and catches himself before giving his criticisms.. he at least makes sure that the criticism is wanted before just unloading (and even then hes constructive! Hes well aware that just dunking on someone does nothing to help them grow). It actually strikes his ego a lot that you would dedicate so much time and material to just him, and it inspires him to make something for you in return. If he didnt know you were an artist prior to this, he offers to paint with you.. whether as a collab or just simply working parallel to one another! Just please pay no mind to him staring at you more intently while hes at his canvas...!

[darkficsyouneveraskedfor]

just a girl 1

Warnings: this fic will include elements, some dark, such as possible cheating, low self-esteem, noncon/dubcon, and other untagged triggers. Please take this into account before proceeding. It is up to curate your online consumption safely.

Summary: you move in with your sister when your luck turns for the worst.

Characters: Walter Marshall, possible Andy Barber

Author’s Note: Please feel free to leave some feedback, reblog, and jump into my asks. I’m always happy to discuss with you and riff on idea. As always, you are cherished and adored! Stay safe, be kind, and treat yourself💜

It isn't your proudest moment. You don't have many of those. There is little remarkable about, nothing of note, nothing admirable. You might stand a bit taller than most but it's rarely given as a good thing. 

You never expected much of life. You resigned yourself to living in the shadows. In particular, you knew you would always bet outshone by your sister's light. You can't hate her for it; it's your own shortcoming. Besides, no one can hate Riannon, she's just that nice. 

You are dark smear on the family name. It's why you didn't even think to ask your parents for help. You didn't even ask your sister, she offered, insisted really. You could never deny her and in this instant, you couldn't afford any other option. 

It’s just for a while, you keep telling yourself. You’ll find a new job and a place soon. For now, you’ll just stay out of the way. It isn’t very hard; you take up much more room than your few possessions. 

You keep yourself holed in the guestroom as you settle into your second day. You have your laptop on your thighs as you scroll the job boards. You have the experience but you expect your reference would be any good. You didn’t exactly end on cordial terms. Starting from square one, though the industry isn’t exactly even ground for men and women alike. 

You hunker down to search through the various postings within your purview. Every classification is ticked off, even the years, it’s just that little note about contacting your previous employers that makes you nervous. Well, you at least have to try. 

A knock comes at the door as you edit your cover letter once again. You sit up and close the computer. You slide it aside and get up. You cross the room and crack the door open. You sister smiles from the other side. 

“Am I making too much noise?” You ask as your music plays music from its tiny speaker. 

“No, no, not at all. Um, so you know Andy is out of town for the day so it’s just us,” she rocks, “and there’s a barbecue down the street so... I thought you could get to know the neighbourhood.” 

You look down at her, the offer catching you off guard. You were prepared to spend the whole day hidden away and poring over job listings. Even when you had your own place, you tended to spend most of your own time inside. 

Still, she is doing you a huge favour and it would be rude to say no. You shrug, “okay.” 

“Great, I have some potato salad I'm bringing,” she chirps.  

“Uh,” you look at her blue checkered capris and pristine white blouse, “should I change?” 

“It’s up to you. I'm just going to get packed up. I’ll meet you in the kitchen.” 

Her excitement is palpable. She probably expected you to say no. You don’t want to let her down again. You’re tired of that feeling. 

You close the door as she bounces away and you retreat to search through your still unpacked suitcase. Your clothes hang over the sides. You pick out a band shirt and a pair of dark grey jeans. You don’t have any shorts and you know your repertoire of dark colours only draws in the sun’s fury, and like of the vaunted HOA, but you don’t have many options. 

You emerge with a pair of converse in hand and head into the kitchen. Rhiannon snaps the lid onto a big bowl as she beams up at you. You don’t understand how you share the same blood, she’s so different than you. Where you’re tall and gangly, she’s small and dainty; where your dour and reticent, she’s bright and bubbly. Your parents even kidded that you must’ve been switched at the hospital. 

“Ready?” She asks. 

You nod and look down at yourself. 

“If you want to borrow a skirt or something, it’s pretty hot out.” 

“It’s fine.” 

You don’t take her offer as any comment on your choice, only genuine concern. If it was your mom, you would know it was more than that. To be fair, your mother is very direct with her critiques. Besides, even if her clothes would fit you, you don’t want to risk ruining any of her things. 

“Alrighty, well, Marge will kill me if I’m late again,” she sings and sweeps around with the bowl. “It’ll be nice to get out, huh?” 

“Mhmm,” you grumble and follow her down the hall to the front door. 

She steps into her wedged sandals as you sit to pull on your converse and lace them up. You stand and get the door for her as she prances towards it. She thanks you and you trail her out. The sun hits you like fire. It’s so hot, though you think some of the heat comes from your own self-consciousness. 

As you catch up to your sister at the bottom of the steps, you slow down to keep from outpacing her shorter legs. Even with her platformed soles, she’s still ahead shorter than you. You turn down the sidewalk as you shy away from the strange faces headed in the same direction. 

“You want me to carry that?” You offer. 

“Hey, I might be small but I can handle a salad,” she chirps. 

“I know, I wasn’t--” 

“I’m teasing. It’s fine, I got it,” she assures you as she hugs the bowl to her stomach, “I just want you to have a good day. Don’t think about everything else, okay?” 

“Mm, okay,” you keep your head down as you slink next to her jouncing steps, “sorry, I'll try not to be too grim.” 

“Whatever, you’re awesome,” she nudges you with her elbow, “you just be yourself and I know you’ll find some good friends around here.” 

You try to smile but it hurts. She always sees the best in others, even when it’s not there. You keep pace with her and turn up another curated lawn. The walk is perfectly laid and the blossom tree sways overhead. 

Rhiannon is welcomed through the open gate by one of those blonde women she has her book club with and you shuffle in with your hands in your pockets. You feel the woman’s harsh gaze and peek up. She looks at you the same way your mother does. Her name is Marge and her friend is Callie and there are dozens of the Stepford-like figures posted throughout the yard. 

“Come, let’s put your salad out,” Marge insists. 

Rhiannon looks at you and you chew your cheek, “go, I'll be fine.” 

She looks reluctant but you’re already walking away. You ignore the smell of sausage and beef rising from the barbeque and the splash and laughter of children from the pool. You aren’t going to find any friends here. That much is clear. Housewives and little kids, you don’t really fit the bill. 

You find your way to the far end of the lawn and stand by a tree you might just blend into. Or maybe you might bury yourself in the rose bushes. You pull your hands from your pockets and hook your fingers into your belt loops, swaying as you watch a bumble bee hover over the grass. 

“Foo Fighters, huh?” A low drawl brings your head up as a man approaches with a beer bottle in hand. 

“Um, yeah,” you look down at your shirt, tugging on the hem. 

“You go to a show?” He asks as he stops near you, drinking from the bottle as he waits for your answer. 

“Never been to one,” you cross your arms, “but I listen to them.” 

“Ah, yeah, well, they put on a hell of a show,” he wiggles the bottle as he talks, “lot more fun than these things.” 

You look up the yard towards the mingling of voices and sound. Despite your efforts to hide in a corner, you must have stuck out like a sore thumb. Shoot, maybe he thinks you’re trespassing. 

“I came with my sister,” you point and shift towards the party, “sorry, um, Rhiannon. I didn’t... I was just looking at the roses.” 

“Not my party,” he scoffs, “I don’t care.” 

“Oh,” you blink and look at him. He's about your height, dark curly hair, and vibrant blue eyes. His dark beard is thick and stubble prickles along his neck. He wears a plain white shirt and jeans; the bare minimum. “Right, er, well...” 

“Not a bad idea, hiding behind a tree,” he remarks, “but you're missing the key ingredient.” 

He stops and stares, crooking a brow as if you should know what he means. 

“Alcohol,” he raises his bottle, “they got a keg even. Probably the only good part about these bull—these things.” 

“I don’t drink,” you mutter, “but thanks.” 

You put your head down and stare at the grass around his shoes. You don’t know why he’s bothering you if it isn’t to make you leave. Obviously, you don’t belong. 

“Never too late to start,” he snorts and stays as he is. 

You don’t know how to make him leave you alone so you say nothing. The bee dips into a tulip’s mouth and you turn to watch it. Maybe he’ll take your silence as a hint. 

[cartoon-cass]

Comprehensive breakdown of MURDER DRONES - Episode 7: Mass Destruction

I saw a breakdown of this episode on youtube and it was just clearly rushed so I want to do this episode justice so here's my comprehensive breakdown.

New intro, look at them! They look so happy, that is not the case in the episode, to say the least. With how much rubber hosing this animation has I would not be surprised if this was done by Kevin Temmer Tunes with what he learned from amazing digital circus Edit: N was animated by Micah Preciado and Uzi by Zachary Preciado

Bad day to accidentally grab the wrong uniform, I do wonder where the actual Dr.Chambers was in all this. Wonder if it would have made a difference... probably not.

Not actually important but having the shadows of the claws that aren't actually there be the thing to interact with the world is fucking cool as hell. This whole scene is a cool twist on an exorcism with robots and science.

Like look at this, it's a pentagram magnet, a normal pentagram from my basic pop culture understanding it's meant to not only summon a demon but also keep them from leaving the circle. A strong magnet is so smart for this case as it's used to keep Nori in place, I mean it doesn't end up working in the end but it's the thought that counts.

It took my second watch of this episode to realize why the lights got turned on, it revealed the tentacles and claws but it's sun light, the same stuff that burns the Disassembly Drones and Uzi. It even has the same effect as in the end of Episode 4

Can I just say how extra it is making the USB a crucifix, I love it. Also I just notice that on the end of the crucifix the detailing is actually in the shape of a USB symbol, the details in this show is amazing, you can see all the love that went in to it.

This is probably the most terrifying way to hold these robots. I couldn't blame any of the robots for wanting to kill the human good god. Also Yeva playing Tetris, the game has a lot of ties to Russia so wonder if she spoke Russian too, she doesn't speak in this episode and not sure if we'll get more flashback with her so not sure if we will ever find out.

Not sure why Mitchell stop Yeva from entering the church but I like to think he thought Yeva was like a kid, look at him holding her hand in the scene before, and was trying to keep her save and knew something was off. That being said I'd love to hear what you think is his reasoning, sound off in the comments/reblogs.

Pulling back we can see Nori, specifically her core, looking at a crucifix comparing it to the USB crucifix in the video to see if it's the one with the patch, it's not, so she goes out for the hunt to see if she can find it.

Like daughter, like mother, honestly cool little details that lets us know what kind of character Nori is with the very little time we have with her. Drawing made presumably by her of herself as a human cat girl, twice, motor oil cans everywhere, a fricking ninja star, nightcore music, a anime statue that might be a reference to something but I have no clue, also magnets which have been used in the passed like drugs so that's um... something.

was originally just going to point out the funny little animation errors in this scene, as the paper goes through the Ipod and the crinkled paper is mirrored but then I wanted to check what was on the paper and...

It's a missing poster of all things? it uses the exact posters used in episode 3 it's probably just reusing assets but I thought it was a cool thing to point out.

Uzi bleeds blood in these scenes and it's not necessarily mentioned out loud, clearly something AS related, but there might be more to it, or it just looks cool.

This man is in some serious denial, but credit where credit is due, when "Tessa" tells N to stop he turns around, and when Uzi apologized for not being able to help he immediately apologized for Snapping at her. Also look at Tessa's little pointing, thought it was funny.

N: "We're not going to hurt you."

I can't blame Uzi for taking this the wrong way, he's clearly telling Tessa off but all Uzi hears is "hurt you", hence why she only parrots that part.

Thad: "Aaand you won't tell me why we're wandering around 'cause...?" Lizzy: "I'm a good friend, and secrets are blackmail. And it's not about football." Thad: "Okay. Does your secret friend want to know about football, or...?"

Anyone else wondering who Lizzy's good friend is? The only 2 characters we know are good friends with Lizzy are Doll and V. It's possible that through everything Doll sent a text to Lizzy asking her to do something but I feel like V just makes more sense. This does assume V made her way away from the sentinels, if I had to guess she's just a core at the moment which might be why she couldn't do it herself, no wings nor weapons as a core, also makes the blackmail line make more sense.

N: "I deserve this. I deserve this. I deserve this."

Baby girl NO! no you don't, your too hard on your self

That scream. That cut. *chef's kiss* perfect.

This scene just shows us why Uzi went towards the church. Also note when she's the most stressed her eye turns yellow so it does seem stress is the deciding factor whether she can be possessed.

V/AS: You know, you're one of the main reasons... [voice glitching] ...I wanted your team to retain your personalities.

This quote I think has some interesting implications, I mean it obviously confirms that the DD squad was influence by AS but it might also be why it keeps a bit of the personality of which ever host it's using.

This scene holy shit, the music, the lighting, the sound design and animation, that's how you do horror! You don't even need detailed gore, in fact most of it is just off screen. like look at the DD's off in the distance one catches the pilot of the helicopter mid air then they fight over it like hungry animals.

Ok so I hit the image limit and it's almost 1 in the morning so I'm gonna go to bed and continue this tomorrow

~to be continued~

[theavianlady]

...tw? Tw.

TW: Gore, Blood, Injury, uh...Pain and Sadness-

@psychologicalwarclaire

Ha ha! Tis I! I was the anon!

(Cue dramatic exclamations of disbelief)

Ahem. Tis the anniversary of Spider's Web with Strings Attached, and I wanted to make something! Go and read the fic if you haven't already; it's incredible.

Lots of ramblings and other versions under the cut (if anyone wants to see any other parts with or without different lighting and stuff that I didn't include, just let me know; I'm happy to share).

===============================================================

This is the first (almost) completely original thing I've drawn digitally! Poses are really hard for me, so I'm super proud of this. No tracing, only references!

...so. Many. References.

Except for the bricks, which I'm not counting, because bricks are scary. And the chains. I used a brush. Chains are scary too.

I started July 28th, and then spent almost 40 hours across various canvases planning, experimenting, and actually working on this. Not including research. It took me absolutely forever, but I regret nothing.

Except for the fact that I spent over 6 hours just shading bricks. I didn't even draw them! I took a pattern for the grooves from google and filled it with black, (rotated and edited for some variance in their cells), and then did the red lighting and some shadows you can't even really see. For 6 hours.

I tried to draw their spider brooches many times, but I could not get them to look right (especially from a side angle), so I gave up. Let's all just pretend they're there until I come back later. Eventually. Maybe. Oh, and Leo's chains. At the time of posting, I really just want to get this up and posted, so they're not shaded, but again, I might do it later.

I wanted to have this set when they're both in their separate cells, right after Viper was, uh...in the cell with Leo. So, Donnie is all stitched up and healing, while Leo is...not doing great (not certain about the timeline, because I'm paranoid about everything, so it's probably fine). But, I wanted to convey what happened to Donnie, so I drew that weird glowing spine thing to indicate some kind of mystic healing something. I don't even know.

It didn't turn out as well as I wanted it too, but I'm probably biased. Because there was so much gore on Leo's side, Donnie's looked boring. I couldn't figure out how to do the lighting. The values could be better. It could do with more time spent on the shadows. Etc, etc. I'm a perfectionist.

===============================================================

Uh, in order of posting, behold!

1. Big version.

2. Big version without lighting (except on the bricks) or Japanese characters.

3. Close up of magic spine representation thing because I'm proud of it.

4. Close up of gore-covered-Leo because I'm also proud of that. I have never drawn such...messy gore before.

Fun fact, the group of layers all of that was on is called "Bad Stuff".

5. Close up of Donnie's shell stitches without the spine thing, because I worked hard on those. It was also pretty tricky, because I couldn't find any references for large stitched wounds. Only open ones. If anyone knows any good places for references like that, t'would be greatly appreciated.

Also, they don't usually stitch puncture wounds, because it could trap infection, but I feel like with something so large and deep as dragon teeth it would be necessary? So I tried to include those.

But also, would they just stitch the skin in such deep wounds? Is there still a gaping hole under the skin? Do they also stitch muscles with the dissolvable sutures or something? I'm like, going to go to med-school just so I can draw more accurate wounds and stitches and stuff.

6. Close up of Leo without the gore because he's pretty and I'm really proud of the plastron. And the right forearm armour piece. I couldn't get the other ones to look as nice, much to my dismay.

The Japanese characters write out to Omae wa hitoribocchi da, which translates to You are alone. I think. Google Translate says it's You are all alone, but translation services that I trust slightly more, like Reverso.net and ChatGPT (the most reliable of sources, I know) just say You are alone.

Omae is the equivalent of anata, for those familiar with Anata wa hitori janai. They both mean you, but omae is more...condescending, from what I can tell. Informal and rough, often used to express disdain or superiority.

Wa indicates that anata or omae are the subject of the sentence.

Hitori is present in both, meaning alone, though from what I can see, hitoribocchi is more...desolate and painful. It's a more emotional term for being alone.

Janai kind of means is not, or are not, while da is just like...closing the sentence. A firm, declarative ending particle.

I tried to paste the actual Japanese characters from different translation services (I am not fighting with using a keyboard from another language), but Tumblr wouldn't let me. Boo. So, you can all suffer with my English-Japanese. Also, don't trust anything I say. I'm learning Japanese on Duolingo, but I've only just started and it gets way more complicated. So, pretty much anything I just said could be wrong. I just did a lot of research.

If anyone does speak Japanese, and knows a better way to convey this, please tell me. I crave knowledge and accuracy.

I should get like, a personal human translator. No AI or program can truly understand a language like its people. Especially comparing Japanese and English. From what I've learned, there are a lot of words that could be translated many ways, depending on exact feel. It's complicated, and I'm scared to get farther into Duolingo's course.

===============================================================

I also just discovered yesterday that today is also the anniversary of the Rise Movie, so yay! Happy Anniversary to the movie that literally changed my life. And Curly, you're awesome. It's authors like you keeping this fandom alive, so thank you!

[mellozheist]

hellooo!! first of all: I ADORE YOU your art is amazing and your animatics are so gorgeous and inspiring!! I'm sure you've already been asked this question but I couldn't find an answer so I figured it couldn't hurt to ask again: what program(s) do you use to animate? What's your process like?? I've been wanting to try and learn to make my own but I have no idea where to start and I figured I should ask a master :P

ello! I appreciated your kind words :D

sorry about the delayed reply, I thought I could have drawn my process out for you but it turns out I don't have enough time so here I go

I use Clip Studio Ex (still on ver.1) only Ex can do animation If you considering buying it

CSP Pro can only animate 12-24 frames which is difficult to work with

I wish to get back on Toonboom but I'm hella out of practice (It's a good program tho, though just not so friendly with beginners)

My process is to find inspiration first, for example

when I do fan animation/animatic like Hermitcraft or Life series

I just listen to the audio or songs on a loop until I have a rough idea in my head of what I want to draw

(When you start something, Just use the idea of "What you want to draw/express" not what others want to see, Just make sure you're having fun, and we can figure out along the way later)

TIP : If you don't feel like starting making animatic right away, I suggest you make other kinds of art for that Idea first, like some sketching art, illustration for catching the vibe you want to go for, or just character design as a reference! :D

after that, make rough sketches, It doesn't have to be pretty, just do a quick sketch so you won't forget the vibe and energy (it can be on paper, I recommend using a pen instead of a pencil cuz you won't have to delete and redraw, just make a new one, it's quicker)

I make re-sketching sometimes to fix composite or make a better pose sometimes, timing and spacing are also very important to make the movement smooth

I make a line of action guide for some difficult movements sometimes

When I do Lineart I just open all the videos to watch while head empty cleaning Lineart

There are many more processes for professional animators

I recommend you check out videos, there are tons on YouTube

here's some that I learned from

[fyeahaudiodrama]

Happy @podcastgirlsweek to all who celebrate! While I haven't had the time to properly work on fics (and probably won't this week because oops, hurt my hands yesterday) I still wanted to take the time to highlight some favorite podcast girlies along with everyone else!

The prompt for Monday is highlighting podcasts with women in the leading roles, so here's a few of mine (and hopefully, some new ones of yours if you don't know them yet):

Back Again, Back Again: Ilyaas, you absolutely fantastic disaster of a fantasy ace, never stop trying.

Breathing Space: While the show is anthology with a rotating cast, some of my favorites from across its run include:

Evie Yuriskin

Amity Archer

Any characters who were introduced one episode and then started referring to each other as "my wife" by the end or by their next appearance

Camlann: Some apocalypse survivors interpret dangerous dreams about dark magic to cope. Some knit sweaters. Both are valid and should kiss.

City of Ghosts: Featuring the grungy, disgruntled, tormented-by-visions LADY detective of your dreams.

Desperado: Take note - give your ladies knives. And god powers. And witchcraft. And a sniper rifle, for good measure.

Do You Copy?: I think [REDACTED] deserves three weeks of paid vacation

Fawx & Stallion: Madge Stallion is THE moment. She's six feet tall. She can't stop making innuendos. She's not your fucking Mrs. Hudson (although, she is - no, I shan't say).

Hi Nay: Mari & Laura are my everything - the loving and self-sacrificing hero and the newfound friend who chooses to stand by her side (fire axe and all).

Inn Between: Oh, my Inn Between girlies, where do I start? Fina and Betty, the OGs and life partners that even death couldn't stall? Rosie and Zara, the new best pals who chose to stay together? Phoebe, just one step at a time learning what she deserves and what she doesn't? All impeccable, A+.

It Makes A Sound: Any show focused on music is going to be a slam dunk for me, but Deirdre's quest to reclaim her memories as well as those that tied her to her mother is so damn real and compelling.

The Kingmaker Histories: No female character in this show has ever done anything wrong. Colette gets a migraine pass. Ariadne can turn people inside out. Daphne is owed this for working in a theme park.

Life With LEO(h): Janiiiiiine, so messy and smart and dedicated and she cares so much, I love yoooooou.

Me and AU: Kate's worries and desires and doubts are some of the realest out of any audio drama so when do I find an Ella too

Palimpsest: My faaaaavorite gothic horror anthology, each one fresh with a different brand of haunted, tormented, secret-keeping (and quite frequently gay) gothic protagonist

The Pasithea Powder: Jane and Sophie. Sophie and Jane. What more could you need? <3

The Silt Verses: Women who start cults/leave cults/seek an end to the endless cycle of meaningless sacrifice as so valid. For all your wet cat(fish) woman needs.

Second Star to the Left: Because I always love a good Ishani performance. Hi Gwen, please tell Boots I love them.

Small Victories: You want sad wet cat women? How about one that literally can't stop self-sabotaging (but at least manages to draw the line at sabotaging others...occasionally). She even gets stabbed!

Starfall: I mean, kind of a given, but anyway, Leona definitely exists because she's the kind of action protagonist woman I always wanted - one that could be unapologetically powerful, but still full of flaws and desires (especially ones that weren't about falling in love and minimizing her own strengths). She's even autistic!

Stories From Ylelmore: Keryth! Keryth, Keryth, Keryth! She reminds me so much of the kinds of characters I would make up when I was younger - I love her and her small magic so dearly.

The Strange Case of Starship Iris: Hi queer space pirates <3

Unseen: Another anthology show, but Harry Winters and Never-Ending Circles remains one of the most perfect premiere episodes I've ever heard in audio drama.

The Way We Haunt Now: Get your podcast ladies here, dead or alive!

We Fix Space Junk: My favorite type of repairman is a woman who could kick my ass.

Wolf 359: I don't think I need say much more here - y'all know and love 'em just as much as I do.

[kirbybecomesastarwarrior]

10. What's an AU that would be interesting to explore with your OC?

Needless I went off the rails with this one! LMAO

This became an excuse to draw Celarthur/Merthur content in different scenarios & and outfits. And I had too much fun with the designs of each one.

Sun King & Moon Queen AU:

Basically, I was watching Lego Monkey Kid and this happened! I really wanted to do something that really got the essence of the show. If you watch the show you can really tell I kinda (or a lot) based it around the Lady Bone Demon & Sun Wukong. And of course some classic Chinese folklore...

It is a total rom-com scenario, with the Moon Queen betrothed to the Sun King... they but heads at first then slowly but surely fall in love.

Sleeping Beauty/ Fairy Tale AU:

This one was really made for young Sir Arthur & Celestine... I couldn't help it guys it was such a classic movie. Malfience icon (she's definitely be Morgan in this Au).

Especially when I was looking for dancing references I kept looking at the sleeping beauty reference dance sequence the most. (for a project to be revealed later still a secret) So I had to give a shoutout to that of course, love how it turned out!

Super Paper Mario Au:

I think this one is my favorite one I always got emotional for Count Bleck & Tippi's backstory. Their love story is quite similar to theirs....they just fit the characters so well.

In all honesty, if Sir Arthur didn't have Meta to ground him... then he definitely would have become like "Count Bleck." Oh but just like Tippi Celestine would still love and forgive Arthur anyways.

~

And here is an Au relevant to the plot of KBASW... I did wanna draw out more scenarios relevant to the plot of KBASW but then they kept leaking out to spoiler-ish territory.

Next Scenario Happy Ending Route. (Basically, Celestine & Arthur are running the GSA and this is a daily occurrence~)

They still have to wait for...(Kirby is lost for a while and is found by Meta and of course baby imprints on him and he's still Meta's) They become this obnoxiously flirty-loving couple... MK's seen this since he was a kid so he's desensitized. They do get work done I promise ~ (LMAO)

@kirbyoctournament

Keep reading for spoiler content/ Special thanks

~

This is where Celestine finds a cure for her " broken warp star" situation. They basically gave Gala the same isolation treatment (because he was supposed to be the galaxy's savior~). But Celty (secretly visits him as often as she can to ensure he isn't lonely.

After this time Celestine finds Meta in the Fountain of Dreams (before anyone could find him). The Ancients were so preoccupied with Gala that they weren't even montioring the fountain.

Basically, no one knew that Meta Knight was born but Celestine & Arthur. He's raised in secret at the temple. (They make a cute little family together ~) And Celestine would set up secret little play dates for the both of them.

A few years passed and then BOOM!

They manage to catch Icarus in his crimes for "forcibly creating another astral from Void." (Kirby was always going to be made but he came out too early due to Icarus' involvement.)

Morpho still takes his life but they manage to trace it back to Uther... The people are now questioning the Acients in their decisions and soon fall out of power due to the controversy. To save face they crystalize Sir Uther... (HA) but that doesn't help them at all~

It was during this time that Celestine properly revealed herself as Merlyn... WHAT!? Another blunder blew up in their faces...and the people immediately began to rally behind her. The popularity of her good deeds as Merlyn is what gets her into the seat of power.

Leaving Celestine in charge of the GSA (finally left in the right hands!) And of course, she takes Arthur with her as her right-hand man and well I think the GSA would become more of a light-hearted place after that.

(Morgan leaves, she doesn't fit into this hippie-dippy-happy place but she's not evil per se... she kinda just travels around as she pleases and she does find her happiness being a wanderer.)

Nightmare is still a problem but Nightmare Enterprise is never created, so it's not as widespread. So it's managed and the galaxy is thriving under Celestine's control. And of course, Arthur & Celestine confess their feeling for each other yada yada yada....

And of course, Kirby defeats Nightmare and that's it~

Despite this happy ending Meta Knight never meets Jecra & Garlude as a result of this. Along with Kirby never going to Dreamland or meeting everyone; Fumu, the cappies, no nothing. And the need for Star Allies no longer exists.

~

More content on these two to come and guys let me know which Au scenario you like more (reblog, leave a comment... maybe I'll expand on it more fun content to come)

I also wanted to thank everyone for getting me through round two I hope you all continue the support for next week's voting poll ROUND THREE!

Thank you for riding this wave with me!

Hope you all have a wonderful day!

@lulu-chaos-incarnation I just also wanted to thank you for being such a loyal fan. I really appreciate you I know I went a little crazy on the AUs but I hope you enjoyed it nonetheless! :D

[zimtlees]

Regarding your last post about the kids' names, it really depends (for Orel's son) on whether or not Orel learned how terrible of a father Arthur was but as you said, he ought to find out sooner or later, and the truest thing to his character is to indeed avoid giving homage to another abuser (even if not towards him) because I like to think he'd try to break the cycle of abuse in every way (he doesn't wear a belt, and indeed not naming his son after an abusive family member despite them not affecting him directly.)

I also really like your suggestion of Holly, it's so cute. 😭😭

Personally I thought his daughter's name could be something related to angels or something angelic like Angelina cause I like to think both Christina and Orel would often refer to their kids w affectionate epithets like little angels or little sweethearts (cheesy af but it's cute) and it'd be a good occasion to give a name related to that. Besides it's also tied to religion, it means "messenger of God", and I think it's really a 50/50 of Orel's side and Christina's; his grandmother's name is Angela and u take the "ina" of Christina and there u go LMAOO

Anyways sorry for the fucking essay and if this ask is super unprompted 😭😭😭 I just love speculating about Orel's future in general cause we have literal crumbs 😭😭

Anyways I was also the anon asking for the Orel and his kids interaction thing so I was very fed, you're doing gods work as always I simply love ur art 🙏🙏

Have a nice day keep on slaying 🙏🙏

You probably don't know how much I loved the idea of the name Angelina...it sounds damn cute.

And of course, you are right, he would never repeat that horrible cycle of abuse, but, as usual, I feel like at some point he couldn't be so understanding with his kids (I mean, no hitting, just scolding, normal stuff, but he feels it's the worst thing in the world) so...uh then he would have a little anxiety attack, maybe he would lock himself in his room to cry or blame himself for everything, he doesn't like his kids to see him like that, he's afraid they'll see him like he saw Clay. (Ohh silly traumatized man)

And oh, thank you so much HAHAGGG, I always try to give my best, I love Orel, I love talking about him, but I also love hearing opinions, and drawing related stuff, you know.

I'm so normal about him, yeah.

Plus anon you can talk whatever you want, I to like read the questions, and answer them :)

[loudclan-clangen]

Fierce x Silt would be an ABSOLUTE POWER COUPLE and you are welcome to ship them all you want (as always) but in cannon Fiercestripe would never, even for a moment, consider taking another mate. If Wildfirecry dies before her she will wait that shit out cause she's not single, her husband is just in starclan. I honestly think that even without Wildfirecry in the picture she's just too much of a caretaker/mom friend to ever be in a relationship with someone younger than her. Fiercestripe needs her mate to be the one person in her life that she is not worried about if that makes sense? She'll help find Silt a nice new boyfriend who is not 48 moons older than her and they can be crochety grandparents in the elder's den together.

No. <3

Thank you! And do not be sorry because YES! You're so right! She's seeing herself in the stars and so she doesn't look any farther into it but it's just an image she's projecting, not something someone is showing her. She also doesn't put any thought into the fact that in order to walk amongst the stars she would have to pass away so, she's literally seeing a future where she dies due to her own inflated self image and it just inflates her self image more. It's a self fulfilling prophecy and it makes me love her and her story so much!

It was not intentional as I haven't watched centaurworld, but upon listening to it I see what you mean! It definitely fits in with what I was trying to reference, which are those kinda ominous lullabies (hush a bye baby was the specific one that came to mind while drawing), but to be honest with you it's a relatively minor detail in the overall comic. What the character is saying is a lot less important than what the character is about to do so i didn't put a ton of thought into it.

Thank you! I am also shocked by how little time has passed in story like what do you mean we aren't even at two years yet? Eklutna wasn't even here for a moon? How is that possible?! I know that Moon 21 brought and is still bringing a LOT of people to the blog and I am so grateful for that! Loudclan gained like 200 followers over my break and that's AWESOME but also a little bit terrifying tbh. Don't worry I also got attached to Mothtree and I was like lying in bed thinking about the fact that she dies for like three whole months while I and everyone else drew cute art of her.

Thank you! I'm so happy to be at a point where I'm happy with my art and my process and that has a lot to do with all the support I've gotten from you guys! You're an awesome community who has encouraged my growth at every opportunity and I couldn't be luckier! All that said I hope you get to enjoy a minor version of the same process all over again as I get back in the routine of drawing cats again after my break lol.

I mean... they are kinda yellow... could that mean... PACKMAN IS THE BABYDADDY?!?!?!

I did really enjoy my break! I got to go to Greece and Germany with some of my best friends and then I came home and cracked down on school work (which wasn't necessarily fun, but feels good to be done with), and now I am rested and relaxed and ready to get back into it!

Thank you! I try to put a lot of thought into them! Things like that are generally the first thing that I envision when I'm formulating a comic page and then I build the rest of it around that original idea which I hope helps to make the pages more dynamic and less repetitive.

Thank you, I can't wait to finally drop Part 2! Only 5 more days!

[meanbossart]

Oh boy, VaM is kind of a trial and error experience LOL I couldn't really show you how to use the interface and stuff without a whole video or something, but it's not THAT difficult to get a hang of if you just give yourself a day or two to play around, not to mention the number of tutorials you find out there. Luckily, if you only want to use it as a reference software that makes the process far easier (to this day I have no idea how to animate on that thing, since that's not what I use it for)

As for how I use it, it's pretty self explanatory - if there's a complicated pose I want to draw but I'm either having trouble with it, or just want to double-check angles/anatomy, I will use it as a resource! I use for most of my "proper" pieces (y'know, the nicer looking ones) and every once in a while for my silly comics if I'm having trouble with a pose.

Lets use this drawing for example (the character on top of DU drow belongs to @namespara )

I don't draw a lot of mud-wrestling (shocking, I know) but I had an idea of the kind of pose I wanted them to be in. So the very first thing I did was make a rough sketch of what I was envisioning:

I often do a rough sketch first, even If I know I'm going to be pulling the program up because A) It's less tedious than adjusting the models over and over again until I pick a pose and B) because sometimes I'll decide I don't need the reference, after all, and so that's 30 minutes I'll have spared myself of playing around on the software.

Now, this is a pretty complicated pose! It's in a weird angle and the bodies are making contact in ways I'm not used to depicting, so I did choose to whip out VaM for this one. I went into the program and after some messing around, I flopped my little dolls together like this:

Now something really cool about VaM is that you can completely customize your models, and if you have the patience, I would definitely encourage you to do so! Obviously, you don't have to make picture perfect replicas of every single character you have, but as you can see here I have made a DU drow "decoy" to help me better understand some of his features when I draw him: he has a strong brow, a short nose, a square jawline - these are all going to look a very specific way from certain angles, and I might not always be sure of how to draw it right! So it's useful to have models that bear SOME semblance to the character so you can better understand how different viewpoints will affect their bone structure and mass.

Also thank fucking god for the elf-ear slider. Figuring out how to draw those shits from certain angles was a huge pain in the ass when I started drawing DnD races.

So, with the reference in hand, I go over the sketch again:

Now you may notice that I don't stick to the reference 100%. There's three reasons for this:

posing on VaM is tedious as hell. You can get something incredibly natural looking and picture-perfect to reference from if you wish, but it's going to take you hours to do. So, for the most part I just slap guys together until the results are "close enough" and use that.

In my opinion, you should always aim to ENHANCE your reference material, not replicate it exactly!

While VaM is a PRETTY DANG GOOD source of anatomical reference, it isn't perfect, I often supplement it with further reference from real life resources or make tweaks based on my own knowledge where I catch it falling short (and, antithetical to what I just said, I sometimes fuck the anatomy up further on purpose if I think it looks better that way LOL it's all jazz baby).

Then lines, color, yada yada. I don't have a tutorial on that and I don't think I could make one, because my process is chaotic as hell, but I do at times use Virt-a-mate as loose reference for lighting too when coloring - waaaaayyyy less so however, because that process is even more tedious and I feel like I often get better results by just winging it. It is a feature of the program though, and I'm sure it would be helpful for someone who has a difficult time visualizing lights and shadows. I only started using this program a few months ago, so I happened to already have a pretty good understanding of that kind of thing and just don't personally feel like I get much out of that particular mechanic.

Here's a few other examples of pieces that I made reference for (WARNING: Suggestive)

Now, for the question many of you may want to ask:

"Can I trace this junk?"

And to that, I say: Buddy, you can do whatever the hell you want with the reference material you created.

However,

If your goal is to learn and improve your art, and to recreate realistic proportions and anatomy from memory, tracing won't help you.

Developing your own style, your muscle memory, and personal technique will all be hindered by choosing to trace instead of drawing from observation, so I would encourage against it. Hell - even when tracing is employed as a technique, it's usually by high-skill realism & concept artists who are looking to either cut some corners, save time, or just double-check their own proportions in order to improve further - if you try tracing as a beginner, you will most definitely find the result to still look stiff and "off".

So trust me, there is so much more to be gained from drawing from observation. Make note of tangents, compare proportions, use all the elements of the picture to dictate where and how things should go - it will be a far more rewarding experience.

Hopefully this has been helpful! VaM is a really cheap program (you get it on the guys' patreon for I think 8 dollars, just google it!) and it's definitely been worth my money as an artist since I found it. Learning to use it can be a little intimidating at first glance, but as I said above you only really need a day plus one or two tutorials to get a hang of the interface.

A fair warning though, IT IS A SOFTWARE MADE FOR VIRTUAL SEX/ADULT ANIMATION So when looking it up expect to see a some spicy content.

[quasi-normalcy]

Why Deep Space Nine wasn't as popular as the other 90s Star Treks when it aired

So I keep seeing this one kind of conspiratorial text post circulating around which asserts that Deep Space Nine wasn't as popular as the other Star Trek series from the 90s because Rick Berman hated it and deliberately sabotaged it, and also (somehow) marginalized references to it in canon even decades after he stopped having absolutely anything to do with the franchise and just...no. Like, I have no idea how Rick Berman personally felt about Deep Space Nine, but what I do know is that he co-created it and executive produced it and basically ran the entire Star Trek franchise during the 90s, so if he *really* hated what it was doing, he could have just put his foot down and stopped it. Moreover, he didn't marginalize references to Deep Space Nine in canon; Voyager getting into contact with the Alpha Quadrant and learning that the Maquis had been exterminated by the Dominion (something that happened on Deep Space Nine) was one of the very few plot points on that series to have repercussions for more than an episode; First Contact featured the Defiant; both Insurrection and Nemesis have references to the Dominion War. The post is reacting against a problem that doesn't really exist.

But it does raise the question: why *wasn't* Deep Space Nine popular when it aired? And I think that the answer might be difficult for people who weren't alive and conscious during the 1990s to understand, so I'm going to try to lay out the reasons:

Serialization was only just becoming a thing on adult American television: I know that this might sound a bit difficult to believe now, but there was a time when networks really hated serialization and, with context, it's not too hard to understand why. In the 1990s, there was no streaming; there weren't even any DVD sets. Any given episode aired once at a designated time. If you missed that time, then your options were to wait until it was rerun a few weeks later, or again during the summer (and the networks would often air reruns out of order, so good fucking luck with that), or to hope that one of your friends had recorded it on a VHS tape. Otherwise, you just couldn't see it. Even worse than that, networks could arbitrarily pre-empt their own programming. Like, "Oh, you wanted to watch Star Trek? Well a baseball game just went into overtime and it brings in ten times as many viewers. Hopefully you won't find it too jarring if we just begin half an hour into the episode." So you can understand why this would have a knock-on effect on serialised storytelling; if you've missed one episode, and the subsequent stories depend on plot points from the episode, then you're just going to be confused. But even beyond that, if you're not used to serialization as an audience, then you're not going to be on the look-out for context clues. "Oh, that alien just told Quark about something called 'the Dominion'? Oh that sounds important--oh, wait, no, they got to the end of the episode and nothing happened with it. I guess it wasn't important after all."

The Star Trek name: This one seems a bit counterintuitive, because of course the name should be a draw to fans of the other series, but you have to remember that, at the time in question, the franchise consisted only of the original series and movies and the first six and a half seasons of TNG. Now, these differed in several ways, but what they had in common is that they were all about a bunch of moral paragons who flew around in space in shiny starships, having episodic adventures. That was what Star Trek was. And then you got a new series about a bunch of morally compromised characters who sat still in space on a gungy old space station having serialised adventures. It's not the same thing, and so a lot of people who wanted the first thing tuned out (which was, in fact, why Voyager had to be created), whereas a lot of people who wanted the second thing might not have tuned in because they figured it would be the first thing. And this of course brings us to the third reason:

Babylon 5: So stop me if you've heard this one before: it's a serialized drama from the 1990s all about a bunch of humans and aliens having to coexist on a space station as they navigate diplomatic crises and gradually become enmeshed in an elaborate space opera story arc. It features a race of aliens who can be called "highly spiritual", a race of aliens who have recently overthrown a decades-long brutal occupation of their homeworld by a crumbling and overstretched empire, a race of aliens who are often mistaken for gods (and who cultivate this misconception), and a mysterious new threat emerging onto the galactic scene, eventually culminating in a seasons-long war arc. I am of course describing J. Michael Straczynski's science fiction masterpiece Bablyon 5, which he, and a great many of his fans, regarded (and not without reason) as having been ripped off and pre-empted by Paramount in the form of Deep Space Nine. Now, looking at the evidence, I personally think that most of the similarities between these series are a sort of convergent evolution; but, whatever your opinion on the matter, the fact remains that these two fandoms hated each other during the 1990s. And the net effect of this was that a bunch of SF nerds who would probably have really liked DS9 if they had gotten to see it never watched it at all as a matter of principle because as far as they were concerned, its very existence was a corporate ploy to bully an upstart rival out of business.

Anyways, for all of these reasons, it's not remarkable to me that Deep Space Nine never became as popular as TNG and Voyager; and because it wasn't as popular, it makes sense that Paramount would be more circumspect about greenlighting Picard-style sequels or Lower Decks or Prodigy-style spinoffs to it (and indeed, I'm not convinced that all of the writers have even seen it). But I think that it is a testament to just how good DS9 was that it still managed to get the same seven seasons, even if it never drew in the same audience