#i hope nobody reads these

[drakehood]

Redraw

Did a redraw of a scene from Hazbin Hotel with my character Felix

[adaki]

GIRLS NITE OUT >_< ((clockwork could not make it)) (wip)

[st-hedge]

(With great affection) what a fuckass game

[kingtheghast]

please play a game together outside of the life series please please please please

[angies-writing-blog]

Gently flickering, the incense stick ignites, barely more than a glow in the darkness, yet it spreads an unexpected warmth that drives away the cool evening breeze. Even before the Destined One, you had discovered the shrine in this labyrinth of snow. Carefully and almost reverently, he had then plucked a single hair, while you bowed your head in prayer. Now, the soothing fragrance drifts softly into the night, enveloping both of you.

Leaning closely together, you sit in this quiet, secluded corner of the world, accompanied only by the faint crackle of the burning incense. His arm rests heavy yet protective around your shoulders, his presence calming, like a silent promise of safety. It is a moment of rest, a pause before what still lies ahead. The thought of the journey fades, the longer you feel the warmth emanating from him and the shrine.

Slower, your breathing becomes, deeper, and before you know it, your eyes begin to close. Cradled in his arms, you find sleep in this precious stillness, as the world around you is gently wrapped in the peace of the night.

[onwhatcaptain]

I like to think that when he's up late running tests and waiting on results, Bashir reads the stuffy Cardassian literature Garak keeps recommending him.

[blorbocedes]

let me take you guys on a journey. one that will help you understand how annoyingly obsessive and hung up my brain can get......

so here is where our wild goose chase starts. I was going through a 2012 f1 blog's nico tag. it's actually pretty rare for early 2010s blogs to have comprehensive tagging systems so whenever I find one I try to go thru it all. and I come across this v cute nico image (cropped for posterity. payoff will be worth it promise)

here we have a picture, from 2012, and in classic 2012 fashion there is meme text on it. OP of the original pic deactivated. so I want to find the version without the meme text. pretty easy, just reverse google search right?

WRONG!

google reverse search is functionally dead and defunct and absolutely dogshit.

ok back to square one. I'm trying to sus out from whatever information I have.

the other meme watermark of f1humour.tumblr.com? deactivated.

okay 37 notes. maybe I can do something with this.

tumblr kind of breaks (?) with very old posts. so even if someone tagged it, I can't see it. ok but 14 people liked it!

of the 14 accounts only 7 actually show, including mine. so what I do is I go through 6 of those blogs, and their public archives because those accounts are all inactive for several YEARS now. and I check their blogs for April 2012.

no luck.

back to the drawing board.

the meme has a MOTORSPORT.COM watermark.

here's all the information I have: this was posted on April 24th, 2012, which means that's my upper limit on the date this could be taken. Nico got in Mercedes in 2010. So from anywhere between 2010-2012 motorsport images couldve taken this pic.

so, because I was born with excessive intelligence, I think hmmm... let me search the archives of Motorsport Images dot com. surely that is where Motorsport dot com would keep their Images.

two years of a racing driver's pictures means thousands of pictures. okay. let's start from April 2012. unfortch for keen eyed listening, April 2012 was also the Chinese Grand Prix aka Nico's first f1 win.

why is that relevant? because it means every photographer and their MOTHER took a picture of nico for his first win. over 900+ images.

while I am exhibiting extremely unemployed levels of behavior here, I don't actually have the time and brain capacity to sift through 900 images.

I go back to the original tumblr post. this time I go to the empty reblogs. there's lots!

but because there's no tags it can't help me. still I go through every one of them because you can see the blog I found the pic from @the-fastest-waffle is listed in the other reblogs even though they clearly had tags!

and I find my silver lining. from @fuckyeahf1drivers's tags

just this simple. #bahrain #lol

if this picture is from bahrain 2012 it changes everything, as in it narrows my search a shit tonne.

375 images. This means 1-15 pages and I know the exact picture I'm looking for. I feel like I'm SO close. I can't give up now. gambler mentality 💎

so I guess what. I go through all 15 goddamn pages. and I DONT FIND IT!!!!!!!!! SCREEEEEECH

now I've lost hope. if it's not from bahrain 2012 then it can be from anywhere from 2010-2012 taken by motorsport.com which is just too big a search. there isn't anything I can narrow it down with. my search is futile.

but I have one tiny little thought bugging my mind. how come motorsport images don't have the motorsport.com watermark... so I consult a fellow archivist @vegasgrandprix on the matter.

WE AS A SOCIETY NEED TO ADDRESS WHY MOTORSPORT.COM AND MOTORSPORT IMAGES.COM HAVE THE SAME FONT

finally. finally

I go on motorsport.com

which is actually kind of not super user friendly interface finding their pics if you have excessive intelligence like I do. I go into this knowing if the bahrain 2012 long shot is actually NOT when that picture is from, I'm fucked.

I filter and say a prayer.

and lo and behold.

salvation.

one person's singular tag of 'bahrain 2012 lol' led me down this spiral, where if it wasn't for that bit of information this would be lost forever because finding the version of the pic without the meme text is otherwise near impossible. google reverse search is no help, and f1 drivers simply get photographed way too much. reblogs + tags with context literally are a holy grail. this is what I imagine archaeologists feel like. so if you ever want someone 12 years after you've posted something to go down finding out, tag your posts accordingly (assuming tumblr survives the next decade)

so why did I do it? why did I spend hours of my life on this? cause it's fun. it's like a mystery and it itches at my skin. many times I'm not successful which is why the times I am feels so rewarding because it feels almost like detective work, finding and refinding something, overturning evidence. and I have a brain that just functions Like This.

and now for the fruit of my labour, if you guys still want to see. the picture I spent hours to find the original version of. sitting proudly at the time of posting at 9 notes 😌😌 here's what goes behind actually finding and archiving 2010s retired f1 drivers online. click below!

👇👇👇

👆👆👆

[bananafishdepression]

Yuma Uchida be voicing every single gay depressed/angry character and serves every single time, I remember his voice as Ash Lynx's and when I try to watch another BL and I hear his voice I get flashbacks but I try my best and now he voices Hisashi in Twilight out of Focus (which is the only reason I read it and watched the episode) and the resemblence is crazyyy 😭😭😭 they didnt need to look exactly like Ash and Eiji but I'm thankful they did 'cause now we can be delulu and say they got their happy ending in another life

[jeeaark]

Awe, Emps, I won't judge you for reading the trashy half-orc romance novel. I DO want to know if you read it BEFORE or AFTER meeting GG :3

Aight, so I don't believe I can reasonably answer that question, but! I can say that The Emperor definitely skimmed through the sparknotes version while rifling through Greygold's memory files during the guardian creation session. Worse off, The Emperor discovered that Greygold's introduction to fictional romance wasn't even from the original book. It was a passing-by parody puppet show.

Despite being the butt of the joke, seeing the half-orc puppet find somebody that genuinely cares about him and vice versa gave young impressionable Greygold that lil 'Oh shit that's possible?' realization. So lots impact. Much influence.

The Emperor did what it could with Greygold's nostalgia for the uh...Exaggerated unofficial source material .

[ltacryptid]

my dealer: got some straight gas🔥😛 this strain is called The Bible 2✝️😳 you'll be zonked out of your gourd💯

me: yeah whatever. i don't feel shit

5 min later: dude i swear this cave we just climbed into has teeth at the entrance

my buddy, Cody, pacing: I think there’s a demon in my stomach

[strawberry-jan]

Back in late 2022, I started working on a long story about Ishin: a tale of two dummies whose weird one-night stand blossoms into a surprisingly caring relationship even as a (mostly) canon-compliant series of tragedies plays out around them. It’s a now-complete series in approximately 125,000 words and three parts, and you can read the whole thing right now on AO3: The Glorious and Bloody Deeds of Okita Soji, Volume 1: Okita Soji Versus the Scoundrel Saito Hajime; The Secret History of Saito Hajime, Volume 2: The Shiraume Incident; and, finally, Brief Notes on the Domestic Life of one Saito Hajime.

Taken as a whole, it's a story about identity and history and the stories that people tell each other and themselves about those things. And it's a story about one guy getting way too into weird Edo-era egg dishes, and another guy finding himself embroiled in an extended detective sequence, and a third guy composing a series of corny haiku that (almost) nobody wants to read. And, of course, it's also a story about people who are shamelessly and sometimes explicitly in love (so you probably shouldn't read it at work).

This whole big, sprawling thing has been a labour of love on my part: it turns out that I adore writing historical fiction and finding excuses to read books and journal articles in order to write it better. In addition to making not one but four little illustrations to celebrate the fic's completion (and please look at them up-close; I hand-inked all those kimono patterns), I've drawn up a list of some of the sources that I consulted for my writing, and you can find those under the cut.

This is not an absolutely exhaustive list of sources; I don’t think it’s super useful to catalogue the extremely nitty-gritty stuff, like that time that I felt compelled to find out what the state of strawberry cultivation was in 1860s Japan, or when I needed to picture exactly what it looked like when Haruka was repairing Ryoma’s kimono. That being said, I’ve added a couple of things that are really particular to my stories but that I thought were cool enough to share.

Foster, Michael Dylan. The Book of Yokai: Mysterious Creatures of Japanese Folklore. U of California P, 2015. (This one was a really fun read ��� it combines a short history of yokai in folklore with a little catalogue of yokai.)

Jansen, Marius B. Sakamoto Ryoma and the Meiji Restoration. Stanford UP, 1971. (Super useful as an introduction to the Bakumatsu era and for biographical details about Ryoma and the figures around him.)

“Japanese Wiki Corpus.” https://www.japanesewiki.com/. (This is a machine-translated collection of articles on the Japanese side of Wikipedia related to Kyoto. As with a lot of things on Wikipedia, the citations on these articles tend to be poor or nonexistent, but it’s a useful starting point for information on figures and events that don’t have an English wiki equivalent. Definitely more useful if you can then head over to the original wiki articles and parse them out yourself.)

“Kabuki21” and “The Noh.” https://www.kabuki21.com/section.php, https://www.the-noh.com/en/plays/index.html. (I’m lumping these two together because I tended to consult them in tandem. Without getting too much into my personal details I am – among other things – a non-practicing theatre scholar, so whenever I wanted to have characters in my old-timey fics refer to something cultural, my first stop was old plays. These sites have, respectively, summaries of kabuki plays and full texts of Noh plays available for you to browse. If you’ve read my other fics you will probably have seen that I referred to the kabuki play “Fuwa” in 亀が如く.)

Katsu, Kokichi. Musui’s Story: The Autobiography of a Tokugawa Samurai. Translated by Teruko Craig. U of Arizona P, 1988. (A book that needs to be taken with a grain of salt because it’s an autobiography written by a guy who sounds like a real blowhard, but it’s still a really fascinating look into the daily life of a low-ranking samurai.)

Leupp, Gary P. and Tao, De-min. The Tokugawa World. Routledge, 2022. (Of particular interest is Kimura Sachihiko’s essay, “The Shinsengumi: Shadows and light in the last days of the Tokugawa shogunate” [1104-1124], which gave me a bunch of incidental details about the Roshigumi that I incorporated into the sections of this series that were told from Inoue and Hijikata’s perspectives.)

“Old Photos of Japan.” https://www.oldphotosjapan.com/. (Pretty self-explanatory. Very useful as a resource for picturing scenes!)

“Shinsengumi Archives.” https://shinsengumi-archives.tumblr.com/. (A long-running tumblr dedicated to cataloguing resources about the Shinsengumi. There’s an absolute wealth of information collected here, and best of all, the creator cites their sources and even provides links to the original texts. Although it’s focused on the Shinsengumi, it’s impossible to overstate how useful this site is for prospective Bakumatsu-era fic writers in general. The collection of Hijikata’s poems with links to others’ translations and commentary is here: https://shinsengumi-archives.tumblr.com/post/683071924948058112/hijikata-toshizos-haiku-poems. The creator of the blog also links to a translation of Nagakura’s and Shimada’s diaries, and while the document is machine-translated, it’s still a great source of historical details: https://shinsengumi-archives.tumblr.com/post/678083336614428672/where-can-you-read-the-memoirs.)

Smits, Gregory. “Warding off Calamity in Japan: A Comparison of the 1855 Catfish Prints and the 1862 Measles Prints.” EASTM 30 (2009): 9-31. (Okay, this one is highly specific to my fic – it comes up in Part 2 when Okita tells his story about Kashima and again a couple of chapters later when his pile of remedies includes a crudely-drawn picture meant to ward off indigestion – but I love little details like this so I did want to make a point of sharing it here.)

“Tamago Hyakuchin” and “Tofu Hyakuchin.” http://codh.rois.ac.jp/edo-cooking/tamago-hyakuchin/recipe/, https://toyama-tofu.jp/tofuhyakutin.html. (These are collections of Edo-era egg- and tofu-based recipes. They’re two of the sources cited in Cookpad’s collection of modernized Edo-era recipes: https://cookpad.com/recipe/list/14604664.)

Vaporis, Constantine N. “Linking the Realm: The Gokaido Highway Network in Early Modern Japan (1603-1868).” Highways, Byways and Road Systems in the Pre-Modern World. Ed. Susan E. Alcock, John Bodel, and Richard J. A. Talbert. Wiley-Blackwell, 2012. 90-105. (Some of the works cited in this article also sound interesting, but I didn’t have a chance to dig any deeper as I just wanted to know a bit about the Tokugawa-era roads. Also interesting in this vein is Jilly Traganou’s book The Tokaido Road: Travelling and Representation in Edo and Meiji Japan [2004].)

Wert, Michael. Meiji Restoration Losers. Harvard UP, 2013. (Not directly useful as a source for writing about Ishin – it’s about later events and it mostly tracks the posthumous construction of one specific Tokugawa magistrate’s history – but it was an engaging read and I found it interesting as an exploration of how people continue to look back on the Bakumatsu era and the Meiji Restoration, which is something that the game is, of course, also doing.)

Yamakawa, Kikue. Women of the Mito Domain: Recollections of Samurai Family Life. Translated by Kate Wildman Nakai. U of Tokyo P, 1992. (Another one of those bits of essential reading on everyday life for low-ranking samurai, this time with a focus on women’s lives and households more generally. I didn’t use a lot of from this book in my fic, but it has everything from translations of songs to records of families’ financial transactions, and it’s fascinating to read about all the turmoil in Mito playing out in the background of these families’ lives.)

“Yokai.com.” https://yokai.com/. (The creators of this site make a point of not going into detail about their sources, and they’re very careful to state that they don’t intend for the project to be “the final authority” on yokai, but I enjoyed browsing the site to get some ideas for Okita’s stories – and once you know the name of a particular yokai that you’re interested in, it’s easy enough to go look up other sources on them.)

[skunkes]

nyalon

[hydrachea]

I think if Blade ever does send a text directly it should be a single sentence of the most basic kind, and then it never happens again.

[lavellane]

ok i have avoided talking abt my datv thoughts but now ive finished and slept on it here it is. this is huge btw and really just a way to process my thoughts for my own peace of mind. and get out what i need to say. so yeah word salad below

2 disclaimers before i start. firstly i think im going to be SUPER blunt and clear about my thoughts on this post but then i will mostly be putting the matter to bed in my heart bc i am not someone who delights in being a hater nor do i take comfort in it. i will take from this the things i enjoyed and keep my distance from the rest. second disclaimer: ultimately i think i will still enjoy being a part of the fandom and seeing other people enjoy the game, because it will endear it to me and maybe take away the pain im feeling right now, so this isnt a long rant to make you feel bad about enjoying the game if you do like it! in fact quite the opposite. it comforts me that there are people who find value in the game and i hope in watching you play it i may be able to eventually be able to say the same

that being said . obviously i didnt like the game

which is an extremely difficult thing for me to say. i went into this game thinking "i will at the VERY least enjoy the game. not love it but at least like it. but im sure ill love it". it really is quite distressing for me that it didnt even really reach that bar for the most part. i TRIED to like it. i begged this game to give me ANY handhold at all that i could cling to, to forgive and like this game. i think the things i liked err more on the technical side. the graphics i loved, the character DESIGN was *fantastic*. the art. the pacing. the vague vision of what they were obviously nebulously aiming for. and honestly, i mostly enjoyed the main plot although i wish it had been more disciplined and constrained with the lore it was trying to expand on. act 3 was fantastic and naturally i am happy and fulfilled for the most part by the conclusion of solas's story, who i still believe was and is the best written "villain" of dragon age. sorry logang and meredith nation but i do still stand by this.

but thats really about it. as a disclaimer i am not an origins puritan or a da2 diehard or anything like that. i have loved (almost equally) EVERY single iteration of dragon age which has been released. i am one of the few people who sees equal value in inquisition and origins. i love them both so deeply. i couldnt pick between them.

for me what i love the MOST about dragon age - and which every single previous game has always nailed despite other flaws - is the characters. right under that is the world's capacity for introspection. and unfortunately nothing in this game provided that for me

regarding the characters: i do not care about a single one of them unfortunately. or at least i do not CARE about them the way that i have CARED about the other previous games companions. companions i would write banter about !!! just for fun when i was bored!!!! i would say my only exception is harding, but even then i care about her only because i care about her due to inquisition. overall i just found them all so ..... shallow. and devoid of any of the conflict or nuance or ethical quandries that make biowares stories so compelling - and sure, usually controversial! i would give ANYTHING for this game to have been controversial. for a unforgivable RO, or a problematic fave, or a cancelled wife. did bioware forget that their most beloved or at least enjoyed characters are people like anders, merrill, mordin solus, blackwall, sten, loghain, SOLAS??? i dont understand HOW they could have forgotten that, because solas is literally right there in game and handled (in my opinion as a fan) well. love him or hate him or dont care about him, he is such a hallmark of great bioware writing (in dai if nothing else) - characters who are not EASY to like. characters who are not SAFE to write and who WILL generate criticism from all sides because they are written boldly and unapologetically, strengthened by a foundation of consistent ideals, clear objectives and beautiful faults. characters that do not NEED you to like them, but instead invite you to engage with them critically. solas, even to someone who hates him, is nuanced and morally complex enough to muse and fight over for 10 whole years. hes IN this game, just as ethically murky as ever, but the morally grey hallmark of biowares writing really does kind of live and die with him alone. the rest of the companions feel like they barely made it out of their concept phase. what are lucanis's flaws??? genuinely asking. other than being a murderer who exists in an organization which buys and trains literal child slaves of course, but i'll get to that in a sec (because bioware sure as fuck didnt). um, i guess you could say hes broody?? and emmrich too. what actual flaws does he have?? he has a fear of death, as we're TOLD, but it does not really reflect in the overall convesations we have with him over the course of the game. mostly hes just.... a little bumbling i guess. bellara's flaw is being a scatterbrain. harding's is that shes..... angry??? but shes not???? fucking come on. i really felt the lack of actually being able to TALK to these people at the end of act 2, when i realized i still felt like i havent really MET any of them. and yet here rook is talking about found family and being a team. ok

and then there are the romances. which from my perspective - having romanced taash - and my friends who have romanced lucanis, neve and davrin..... WHAT romances. davrin's full romance is 20 minutes in a 30 PLUS HOUR GAME. solas had the least amount of content out of any companion in inquisition and was a last minute unintentional RO and still had like easily 50 minutes of content. so why did these romances feel like nothing. actually nothing. i was so excited for taash, but their romance straight up felt like neither rook nor taash even wanted to be there. i forgot they were technically together at certain points. zero chemistry. zero intimacy. all TELLING zero SHOWING. if you had told me that i would be saying these sorts of things about a writer like trick weekes a month ago i would call you fucking crazy to your face. i cannot reconcile that taash was written by the same person who wrote solas. i cannot reconcile that mary kirby - who wrote the fucking chant of light - wrote lucanis. its so dire. its devastating actually.

lastly i want to talk about my other point - bioware's famed emphasis on introspection and ethically quandries. again, i'm genuinely experiencing a sense of profound whiplash because when it comes solas's character you can still see it. its still there. they actually doubled down on making him worse than he was in trespasser which i LOVED and thought was so incredibly promising. they could have caved to solavellan fans and uwu-ified him but they didnt. thats great.

but where was that energy for literally anything else. everything has been defanged - even minrathous, the capital of the tevinter slave trade, does not even ADDRESS the elephant in the room of slavery. and i know because i played a shadow dragon. so tell me why i as a shadow dragon am happily allied with the crows, who solely exist to assassinate politicians and BUY SLAVES. THEY BUY SLAVES. THEY BUY SLAVES AS CHILDREN AND TRAIN/TORTURE THEM TO MURDER. HELLO??????????? there is no commentary made about the mages/templars. there is no discussion of the treatment of the elves in the north or Anywhere. there is no discussion of why exactly blood magic is or isnt acceptable - they simply tell us its bad. all the theories of the last 10 years were answered with handwaved comments or bare bones codex entries that honestly stripped so much nuance away from so many things (the blight, my BELOVED) that i dont know how im going to go about fixing it or making it right in my head. the introspective nature of dragon age always went hand in hand with player choice, but there really WAS no choice in this game as so there IS no real capacity for other interpretations or schools of thought. it is so..........................bleak.

i think the thing that finally made it click in my head that this game had fundamentally let me down was the gloom howler quest. and i know im not alone on this. for those of you who dont know - the gloom howler, "isseya" was the protagonist of the dragon age novel "the last flight". i would HIGHLY recommend you read it, especially if you're an origins fan. super bleak, super political, not flashy at all in terms of magic. it was set 500 years pre origins, during the 3rd blight. isseya is very similar to characters like loghain and solas in a way - a richly complex, beautifully intricate, terribly thought provoking character who did HORRIFIC things for the most NOBLE reason you could imagine, under the most traumatic of circumstances. im tearing up just thinking about her story, and how the title "the LAST flight" foreshadowed that her story had a definitive, bittersweet, finite and peaceful ending.

and then this game did THAT to her. turned her into a grotesque caricature of what she was. stripping her of her nuance and her capacity for atonement or forgiveness. and once again, i do not fucking get it. she was obviously brought back because she is a parallel to the solas dilemma. so WHY is she not afforded the same opportunity for empathy that he is. why is bellara's brother not either. its insane. its literally insane. i cannot begin to imagine the oversight or laziness or WHATEVER IT WAS that occured to have this game turn out this way.

there are innumerable other problems with the game that im not going to get into because what ive said above is the main crux of my problem. introspective and character. those are all i really wanted from this game, and like..... i thought we would get that. because the game centered around solas. and i know people dislike his fans for very fair reasons, but i hope those who know me know that i enjoy him not because hes hot (he is though) but because he is terrible. i love him because they made a character who was TERRIBLE, and then gave you the task of using your head and refelcting on your own morality and values and deciding and arguing and meditating over whether he is worth loving anyway. to me, solas is the person i point to when i want to describe why i love dragon age. its complicated, its nuanced, it is terrible and wonderful and everything in between depending on the angle you look at it from. and so having the writer of a character like THAT in charge of the whole game filled me with hope and dissuaded so many of my fears for this game. but i was wrong apparently.

so now im left with a feeling akin to survivors guilt. genuinely. because at the VERY least, despite me saying all of these negative things, i at least finished the game crying happy tears and being overjoyed that my favourite character was handled well and got an ending i enjoyed. and yet that happiness *i* got to feel and that glimmer of good writing was paid for at the expense of literally everything else. i feel almost personally responsible in a way, which sucks. im sorry to all the people who did not enjoy or care about solas, im sorry that you really did get nothing out of this game. i hope we can all be comforted by the trilogy we have and will always have, and i hope we can all take what good parts we enjoyed out of veilguard and make peace with the rest

leaving this youtube comment my friend sent me which is unfortunately a summary of how i feel about the game as a whole.

[doki-doki-imagines]

You never show your face to him during intimate moments.

Bachira Meguru:

-No way he is okay with this, he needs to see your eyes to understand what is going on.

-They are also the first trait that pulled him to you, so covering them ruins all the fun.

-“Ohi, what’s wrong?”

-There is no way Bachira will let this topic go, he’ll cage you under him and he’ll stare until you break.

-Bachira can be pretty intimidating when he wants.

-So you break, you tell him you don’t want to see his disgusted face when he’ll look at your body, how you are scared shitless of your low appeal, and…damn you can’t talk anymore between sobs.

-Bachira treats you with the delicacy that only someone in love could have. He is still caging you under him, but his expression is much softer like his embrace.

-“You can be so dumb at times. Don’t know how those thoughts got into that silly head of yours, but I’ll make sure to push them all away”

Rin Itoshi: -Why do you always hide your face, why do you always turn the other way around, why, why, why

-So Rin thinks he is the problem, you don’t want to look at him because you are disgusted by him, maybe you prefer to think of someone else…

- As often happen Rin's green monster crawls under his skin, ready to vomit venom on you at the first sign of hiding.

-But this time, when you cover your eyes for the nth time Rin notices something new; are your lips trembling? Are you gonna cry? Is he so disgusting?

-So with his usual gentlemanly ways, he grips your wrist to push your arms out of the way and whispers “What the hell is wrong with you”

-The atmosphere is so tense you think it is gonna kill you soon if you don’t spill your insecurity and that’s what you do, chest heavy, but trying to maintain at least a bit of dignity

-“Never heard such dumb shit ever in my life”

-If the situation wasn’t so dramatic, you have kneed his kidney.

-So you think to be the problem…this change the entire situation! He doesn’t know how to deal with this situation anyway, but he feels relieved!

-A little less relieved when he looks at your face, eyes watery and ugly pout.

-Rin for sure doesn’t know how to express himself with words, so he’ll do it physically. Will it take more time? Probably, but it is the easiest way for him while trying to make you understand how pure shit those intrusive thoughts are.

Oliver Aiku:

-With a guy like Oliver the issue came out way sooner than with the others guys.

-And for you, the issue got even worse since it was way easier to imagine him going with someone else if you aren’t good enough.

-With someone else, Oliver wouldn’t have given two fucks in all honesty.

-But he is serious about you?? So he at least wants to try, he doesn’t want to give up so easily.

-It was during a normal indoor date that Oliver asked you about this.

-You were watching a film together, your head lying on his chest, his arm around your waist, so it was easy to stop your probable runaway.

-And he was so good at making you relax. It’s not like it was easy to talk about the topic, but at least Oliver put you at ease.

-But his ass is burnt. Do you trust him so little? Damn it hurts. He jokes about it with you, laughs even, but the pain is real.

-Oliver will try anything in his capabilities to make you understand that more often than not brains can come out with fucked up shit that aren’t true.

-But now you also have to demonstrate you trust him; it still stings you know?

[cyberkn1fe]

Me: yea so you see, Oltyx knew anger at his exile clouded his judgement sometimes, so as a messed up workaround he commissioned a cryptek to augment his mind with partial copies of distinct parts of his own consciousness. However, given his general state of mind, him and the 5 resulting subminds end up spending most of the time being unhealthily hostile towards each other. The subminds are too different to ever agree on something, and Oltyx is always so annoyed at their constant bickering and criticism of him that he never properly listens to their advice. But as the stakes get higher and he's forced to work through his anger and entitlement so he could save his people, Oltyx starts to be more gentle and trusting with his subminds, and in turn they start working together, so they could take better care of Oltyx. They're not even constantly on the edge due to specifics of their minds anymore! The 6 end up being an actual team where every member is valued and respected, which is an incredible metaphor for self-acceptance, because you can never be whole if you despise parts of yourself, however contradictory, and-

My cat: meow (give chicken)