#i highly enjoyed the pacing and the execution of this story

[general-grey]

by the way, i finished Nadia's route for the first time and I can really confidently say that out of all the routes i've done thus far - Lucio's and Julian's finished, Asra's and Muriel's half done -, this one was the most well put together for me - which is funny, considering Nadia herself is ALSO the most well put together character in the game :')

[thenamesblurrito]

so. Transformers ONE was a good movie

i HIGHLY recommend going in blind, i do think it's incredibly effective with as few spoilers as possible beforehand! seeing it on the big screen is really really nice too, i encourage you to watch it in theaters without reading up on it first if you can!

long full-spoiler review and dissection of elements below (i reached the text block limit a couple times oops):

general stuff:

gorgeous. just genuinely visually gorgeous. so many details, colors, textures, everything was so beautiful. the stylization itself may not be my favorite but it was executed so well that i ended up loving it. their optics! their colors! their movement! the way the visuals serve the lore and the story is extremely well done too, i felt like everything i was seeing was deliberate, relevant, and a treat for the audience instead of just "ooo visual noise look at how powerful our cgi rendering is" (which is how i felt about the "live action" Lion King prequel(????) ad they showed before). all the little cameos and repaints and everything in the background? mwah. GORGEOUS MUSIC TOO AAAA THE WAY THAT TFP'S MOTIF IS IN THERE AAAA

the visual effects and action, the way they USED their roboticness/transformation sequences/vehicle modes in fighting and moving and emoting, it was VERY GOOD. Orion grabs a Death Tracker and RIPS THEM INTO PIECES BY TRANSFORMING AROUND THEM AND FORCING THEIR FRAME TO SHATTER. insanity

this is ABSOLUTELY the origin story movie the fandom has wanted. even if it wasn't your preferred origin story, this movie SHONE with love and respect for the franchise and drew on so many influences to craft a powerful version of the beginning we all wanted to see

in some ways i wish we had more, i think it would've been extremely effective to see things expanded upon, especially D-16's emotional descent and maybe some more Quints. actually looking at the content and pacing of the movie though, and the audience it's aimed at, i don't think there's anything they should've cut in favor of other stuff. i understand why it wasn't dwelt on more, but hooooo i would've liked to see Dee breaking apart a little more thru the middle of the film. apparently the novelization has more scenes of this and i would love to read it

i had so much fun watching this movie. it was a rollercoaster. it was a TREAT. i was sitting there enjoying every second both times i saw it because it was a good film that rewarded me greatly for being a Transformers fan, giving me so many easter eggs and injokes, while also being perfectly understandable and fun for a complete newbie. excellently balanced appeal to old and new fans alike

there was no wink to the audience about how stupid and childish a movie about robots is, there was no lampshading of how silly sci fi is, there was no betrayal of the emotional tone of the film. so many stories now kneecap themselves by mocking their very concept, and the audience watching them, in a very cinema sins-style irony poisoned way. this movie never does that. its humor is fitting, its drama is real, its emotion is all SINCERE and i love how i was never mocked by any part of the movie for engaging with it sincerely

this movie loved being a Transformers movie

anyways. specific stuff:

love how Wheeljack managed to explode everything despite not even being a scientist. he's just THAT good

THE INJOKES AND REFERENCES. "you don't have the touch OR the power." calling them Gobots. the corny More Than Meets The Eye bits. "don't be a glitch" is a headcanon swear i've been using for years now and they canonized it!! "High Guard, eject". "paging doctor Ratchet." the new take on "all are one". the really interesting way that the term Transformers is an actual significant in-universe name, and how Orion and Dee ARE NOT Transformers at first!

the sheer number of cameos is ASTOUNDING. what an excellent mix of masc/fem designs too, they really made it normal on this Cybertron which i appreciate! apparently Blurr exists here, his name was on the leaderboard!!!!!! good job Chromia i am so proud of you for winning. and the shots of the bots getting cogs at the end was aaAAA!!! <<33 my HEART! Jazz's little smile looking at his new doorwings!!

I GOT ALL MY SILLY OLD DEMIGOD FAVES I GOT THE THIRTEEN EVERY SINGLE ONE OF THEM AAAAAA ALPHA TRION MY GRANDPA god i'm so sorry you're dead but i can't believe you showed up on the big screen <<333 you and your rockin rhino unicorn lion alt mode. and your superpowers. god you're so cool. "old timer" NUH UH HE'S STILL BETTER THAN YOU!!!!! using Zeta for the thirteenth was an interesting choice! i did think he was Overlord for a hot second. it's the lips. Solus wasn't fridged by virtue of everyone else died too yippee!! ALSO MEGATRONUS THE COOLEST ONE WOOOO HES NOT JUST A FIERY EVIL GUY!!!!

the way Dee himself was, in a way, the Fallen of this continuity.... 😭

the way Sentinel was handcrafting his downfall with each touch of the blowtorch. carving the sigil of the Decepticons into the one who will kill him. dooming Cybertron in a moment of petty mockery. AND HE DOESN'T EVEN DRAW IT WELL IT'S LIKE A MESSY CRAYON DRAWING CMON

planetformer Primus in a blockbuster movie? CANONICAL EXPLICITLY STATED PLANETARY ROBO MPREG BIRTH IN THE FIRST FIVE MINUTES???? THEY USE THE WORD BIRTH. BORN. we are never escaping the reproductive insanity in this franchise

Shockwave you whiny tantrum throwing wuss. let Elita beat him up more. it's good for him. also love how that could be construed as a ref to her G1 resistance force

CASUAL MIND READER SOUNDWAVE???????

Elita was perfect, no notes. i would not like her if i met her but i respect her so much. she really is better in every way and down to business. Best First indeed

so much cool implications and fascinating timeline confusion. 50 cycles since the Primes were slaughtered? the way Sentinel leveraged their reputation to make himself beloved, casting himself as their peer? the way he didn't choose to villainize them, the way he apparently openly admitted to the loss of the Matrix and how it impacted the planet? when did cog theft start, and how old is Orion since in the novelization it states his entire generation is cogless? who remembers the og Primes? who is in the know about it all?? hoooghhghhh fascinating.

the implication that the High Guard worked with the og Primes?? the possibility STARSCREAM was a loyal guard for Cybertron's DEMIGODS????

okay i was not expecting a backstory for STARSCREAM'S VOICE in this movie but holy. god. the shippers will be going insane over this one. hoogh holy fit. what is wrong with you. the utter contradiction of being both an instigator and a coward when he gets in over his head and immediately backpedals

also obviously this is the I Love Divorce movie and megop shippers will be having a field day but i DEEPLY appreciate just how solid a friendship Dee and Orion have and how badly they fall apart, even thru a strictly platonic lens. i also appreciate how there was no forced comphet attraction/romance!! i was dreading the possibility of it, i mean Oplita was RIGHT THERE but they didn't force it at all thank youuuuuu. i would rather have this dynamic with its zero intended romance than awkward, OOC attraction shoehorned in to detract from the plot

Bee was actually good! like yeah he's def the kid appeal character and i prefer it when he's in a younger gen and not OP's peer, but he was wayyyyy less annoying than i was expecting! i think he fit the movie and did his job in it well, and i absolutely laughed at him multiple times. "i get to work for the GOVERNMENT! :DDDD" bee. please. the fact that he's been going insane and desperate after isolation for so long really helps make his character work instead of being just irritating

Airachnid you are so cool. you are TOO COOL. PLEASE TONE DOWN YOUR COOLNESS. i adore how she is not good at facial expressions thank you evil autism moments. love how her signature move is stabbystabbystabbystabbystabbystabby

Sentinel. god. Sentinel. SENTINEL!!!!!!!!!!!!!

i need to draw him getting ripped in half. it's like they distilled the worst parts of every single iteration and combined them into a SuperBad version. horrifically realistic kind of guy. i love to hate him. real Metro Man from Megamind energy. and megachurch pastor energy. the IRONY that Orion and Dee were probably actually helping him, that he was probably being genuine in the medbay when he said he loved what they did by racing, that he may have been honest when he said he was gonna have them fixed up in his own facilities and had them tour the mines! because them racing increased energon production by 150% and Sentinel needed that!!! he needed that for the Quintessons!!! i think he was being genuine when he first met Dee and Orion and then Darkwing ruined everything!!!

Darkwing is the curly straw of this continuity

the Quintessons were hoooooooooooooooo. whoooooooooogh. hoohhhhhhhhhhhh. the biomechanical. the shapes. the textures. eugh. icky. creepy. excellent. the way their ships looked like the Nemesis. the way they're STILL a looming threat. i wanted to see more of them but i get why the movie wasn't about them. i hope we see more in the future

the way Orion is the kind of guy who, in an attempt to be selfless, keeps making selfish or thoughtless decisions was SO INTERESTING. it set up the dynamic of his and Dee's friendship very well, with Orion always wanting the best for his buddy but ultimately overwriting or ignoring what Dee says!! the way Dee clings to the social contract of protocol for safety because that's all he knows and his ANGER when it's broken, even when it's Orion breaking it, because that's not SAFE it's an UNKNOWN it has CONSEQUENCES WHEN YOU DEVIATE. and then it's revealed that the social norms have been a lie the whole time and Sentinel has "broken protocol" more than ever and Dee has no safety left because it was always broken. Orion wanted to be more, he could feel there was more. Dee just wanted security

Dee spent so much of the movie complaining and arguing and it was very funny and good characterization but it was also a hint at how much bitterness was under there the whole time. so much of his complaints were threats of violence. he always had Orion's back and then when he learns the truth he abruptly. stops. do you notice he doesn't really have Orion's back after this? he's no longer by his side? he's there, but he's not... there. he was the first to shoot an enemy and took joy in it. all of his emotions were so justified and then what he does with them is what makes it a tragedy. he didn't have to do this. augh

i really, really like the fact that they managed to pull off the ending without it fully turning into a "boohoo if we do anything violent we're as bad as the bad guys waaaa". the specific phrasing of "rebuilding cannot start with an execution" went HARD. and it's demonstrated in their actions too like, Dee was out for REVENGE and it was PERSONAL, Orion was fighting for JUSTICE and it was UNIVERSAL. Sentinel was beaten, everyone knew the truth. it was over. but Dee in his (very justified!) anger and broken trust was too overcome to back down. they were given the power to change their worlds, but Dee was thinking only of his world. Orion was thinking of everyone

ironic that as soon as Orion starts thinking of other people and considering what they need instead of forging ahead, Dee decides to center his own feelings and actions to the point of murder. even after Sentinel was dead, he just kept shooting, he did NOT AT ALL care that some of those shots were clearly hurting innocent civilians/going wide and shooting out into the city/damaging actual important infrastructure and not just Sentinel statues. i believe it's Bee who said "he's gonna kill everyone" and he proves it by attacking Elita and saying "I won't stop until every last one of his followers is dead". THE FACT THAT HE FELL SO FAR AS TO SEE ELITA, HIS PEER AND FELLOW FREEDOM FIGHTER WHO WAS THERE WORKING AGAINST SENTINEL WITH HIM FROM THE START OF THIS QUEST, AS ONE OF SENTINEL'S FOLLOWERS.... by the end of it, Dee really was nothing but blind anger

and the way kneeling was a common thread!!!!! aaaaaaa. Sentinel betrayed the world by kneeling to the enemy. Dee won respect by refusing to kneel. Orion gained followers by willingly kneeling to his peers. hooghh

Orion jumping and stumbling and falling this whole movie because he just THROWS himself into things because he BELIEVES in things, he's the one to take leaps of faith, to take that step out into the unknown! and Dee refusing to save him as one final nail in the coffin, so clearly feeling like Orion jumping in front of the blast was yet ANOTHER way Orion is forcing his hand, corralling him into doing something he thinks is best but did not consult him on, finally FINALLY saying NO and leaning in to the tragedy!! and in the exact same way Sentinel handcrafted his enemy in Dee, Dee has now handcrafted his enemy in Orion!! AAAAAAAAAAAAAAA and now that Orion took that last leap of faith and fell, now is when he RISES. ONE SHALL FALL AND ONE SHALL RISE. god. it reminds me of Spiderverse, the way they use falling and rising

the way the tragedy is worse for how well everyone was working together.... for one shining moment, the miners and the High Guard, the rescue mission, it was going so well. they were doing it. they were winning. it didn't have to turn to slaughter. if there was to be an execution it should've been by trial, by the voice of the people, not Dee deciding for Cybertron as Sentinel decided what truth was. augh.

in an abruptly different note, the way they have characters move and fly is so cool. i love the jetpacks. i love how flight is not "flyer" exclusive. it's fascinating and i think really fitting for the general city of Iacon itself. all those towers going up and down

THE TRAINS!! THE MOVING ROADS!! HOW COOL IS THAT!! LOOK AT THAT WORLDBUILDING IM OBSESSED WITH THIS CYBERTRON HOOGH. this movie was VERY good at building a rich, functional world of detail and making it very alien in a way i want to chew on forever. the moving mountains and greebled energon mines. the living planet. the deer!!! ooghghh. PRIMUS LOOKS LIKE A STAR

i do like this Primus actually, yeah it was a deus ex machina but that's the POINT. Optimus himself is an act of god and his presence heralds miracles. Dee couldn't bring justice to Cybertron because justice is restoration. justice is healing what was hurt and doing right by the wronged. yes that often means consequences upon the perpetrator but that's NOT what Dee was doing, he wasn't even THINKING of anyone else!! would killing Sentinel get ppl out of the mines? would it restore their cogs? would it bring equality to a clearly oppressive society? like he LIVED this (cogless bots with limited options, the talk of tiers as if they are social castes you can be demoted from, lower city levels where ppl can be banished, etc) but it was Orion who ultimately addressed this. i'm sorry if it feels like insult to injury to rub his Primacy in your face, Megatron, but stealing a cog just like Sentinel and declaring the age of Primes over, when it was the age of Primes ending that made you cogless and oppressed in the first place, is only an extension of your trauma, anger, and violence, and is not solving the problem!

a cog stolen from him at birth! and then he steals it from Sentinel in symbolic revenge, stolen again, but even that wasn't Sentinel's, it was stolen too! the way he discards the cog from Onyx, willingly gifted to him, to continue the trend of desecrating the dead! man. MAN. the name he took, the cog he took, the symbol he took, all from his hero, the one he looked up to, the coolest Prime, and THEN DECLARED THE AGE OF PRIMES OVER

the gilded pompous showmanship of it all was so gross, the way Sentinel's face was everywhere, the way he had instant access to everyone in Iacon via announcements that took over the media. but this was clearly derived from the previous Primes!! we see their statues, we see their stately tower, and unless Sentinel had all that built in "mourning" (which is totally plausible imho) he was really just setting himself up as an inheritor of that hyperwealthy standard! we don't know anything about the rule of the og Primes beyond that they're favorably remembered and loved (possibly because of propaganda but i think it was also genuine) and that they may have been losing the Quint war (considering that info was from jerkwad supreme i find it suspect) but just by comparison to Sentinel i think they HAD to be better rulers. there weren't cogless bots forced to mine for 20 shifts in a row back then!!! Sentinel is stealing their aesthetic as if that gets him the same power and acclaim. he's trying to steal their legitimacy. he paints himself across the face of Iacon to hide the fact the planet itself went into a coma because of him. he has ALWAYS been rejected. i call him a megachurch pastor but really symbolically i could say he's a fallen angel, and his visual design really fits too

i'm coming back to the deus ex machina thing bc i know it may be considered weak in a plot construction sense but i want to engage with it as literal. like, there is a literal in-universe god in the machine. they know it. they worship it, at least a little bit. i would consider this story to be analogous to Prince of Egypt, in that the deific is a real and tangible character with impact on the plot, and not a meta excuse to save the day. Orion made his choice, and as a result Primus made HIS choice. it's not necessarily a happy ending but if even Megatron acknowledges that GOD mandated this guy to be a Prime and the planet itself responds by COMING BACK TO LIFE.... i keep thinking of it like a cityspeaker, how they're the ones who commune with Titans to know their needs and tell them what needs to be done. is a Prime just the cityspeaker of Cybertron, able to help it remain healthy and functional?

the divine right to rule is REAL on Cybertron. you can like it or not but you have to contend with that when discussing fair leadership, political accountability, and representation of the masses re: Cybertronian government and Primacy

god i'm still so obsessed with the Thirteen i need to see them better i need to look at them. i love them. insane. i really need to invest in a chewtoy

also i know it may be a throwaway line but i'm very curious why Primus had to transform and sacrifice himself to save the universe. Unicron, maybe???

also how did Alpha Trion narrate the archival stuff telling the fake story of how the Primes died and the Matrix was lost. did Sentinel get a deepfake of his voice?? is that part of how he made the transition to power?? AUGH THE DISRESPECT KEEPS COMPOUNDING

Alpha Trion. my blorbo. my old man. holding you so tight. like an ancient rescue dog. im gonna groom you and give you treats and buy the biggest plushest dog bed from costco for you

anyways

good movie, guys

[lurkingshan]

Japanese QL Corner

ICYMI: There are so many Japanese qls airing weekly, so I’m going to start posting this little round up at the end of each week. All but one of these are on Gaga and I highly recommend watching! Yes, even the ones I'm not loving! We need to encourage these Japanese studios to keep giving us access to their content. Changing up the order this week so as not to lead on a bum note (we can end on one, instead:)).

Sukiyanen Kedo Do Yara ka

When we left off with Kazuyo’s confession last week, I said this: “Kazuyo is such a sweetheart that I really hope she'll stick around rooting for this pair once she inevitably gets let down gently.” And we got all that and more this week, because this show is my perfect angel that has never done anything wrong in its life. I love that Kazuyo is not only at peace with Sakae’s feelings for Soga, but very enthusiastically supportive of his pursuit. I love this friendship, and I love that we’re spending real time on Kazuyo’s feelings in the aftermath of this rejection. And we continue to see bits of the past relationships that have been weighing on Sakae and Soga. This show really cares about its characters and it shows. Sakae’s confession at the end of this episode was another great moment of grace and kindness and I’m looking forward to Soga’s response once he has a chance to process alongside some healthy jealousy as Sakae’s ex returns.

Perfect Propose

The first two episodes of this new jbl dropped today, and I loved it. Overworked young salaryman, Hiro, is falling apart. His childhood friend, Kai, finds him lying exhausted on the street and invites himself to move in to take care of him. Kai explicitly declared 1) that he is gay and 2) that he considers himself Hiro’s fiancé within the first five minutes, and helped Hiro get off so he could sleep properly in the first episode. This drama really said eat real food, have a nice orgasm, and get a good night’s sleep and you will be happy, and it seems to be building to some themes about the harm caused by the culture of overworking. I support this message!

Ossan's Love Returns

...where to even begin. This "honeymoon" episode was bananas, B-A-N-A-N-A-S. I went from crying to laughing hysterically to gasping to staring in mute horror at my screen to laughing to crying again. This show is so good at keeping these characters grounded in authentic emotion even as their behavior spins far out of the realm of how real people behave. It's a minor miracle that I can be gaping at Maki in disbelief and then bursting into tears two seconds later because of one perfectly executed line. I don't even want to talk about what specifically happened in this episode, I just want you to go watch it.

Tsukuritai Onna to Tabetai Onna 2

WE ARE SO FUCKING BACK, BABY!!! I got my hot little hands on the first four episodes of this excellent second season and let me tell you, the joy I felt to see Yuki and Kasuga again! I love that we came back to find out the gals have been eating like queens and blowing the budget. Plus, there's a new baby lesbian in the building! This season is really delving into Yuki's exploration of her sexuality, and the show is handling it with the expected gentle grace. I am enjoying the journey and putting on my patient pants to settle in for a long wait before these two actually officially get together.

Chaser Game W

This was a rougher week for this show, in that the pacing felt very jerky as the story suddenly executed a rapid turn in the romance that did not really work. The backstory reveal was weak (very poorly motivated noble idiocy), Itsuki's casual decision to start caring for Fuyu's child at the expense of her own life and Fuyu's decision to let her was under-explored, the messages about the importance of these women's work was decidedly mixed, and the sudden love confessions straight to sex didn't get proper build up. Add Fuyu continuing to be a violent drunk who treats Itsuki like shit, and it's hard to root for this pair--I am not really invested in the romance. This show is clearly going somewhere with its commentary on gender roles as it relates to Fuyu's behavior, and I hope wherever it is will feel worth it.

Sahara Sensei to Toki-kun

This show ended this week, and I pretty much hated it, but I will always love Toki despite the mess this show made of his story. We have one more show coming from Drama Shower for the season, and I sincerely hope we can end on a good note with this project.

[rainboq]

Meowdy!

I just wanted to start by saying that I adore Statistics and Purity Through a Prism.

Do you have any general advice you can give to less experienced writers? I’m also hella into making LiS fics, but I’m still trying to find my footing. Plus most of my projects fizzle out around chapter 5, and I’m not sure how to get momentum back after taking a break 😂🥰 how do you write stories that go for so long?

Thanks!

First of all thank you very much for enjoying my fanfics! I'm sorry that I haven't updated anything in a while, life and original fiction projects have pretty much taken over (I'll be self publishing a novel in the next few months).

For general advice, consider the following.

Keep an idea diary. Write down your ideas, just because you have nothing to go with it doesn't mean you won't later and don't be afraid to mash things together.

Learn about story telling as a craft. Study any and every medium and think about how to apply their lessons to word smithing. I highly recommend Every Frame a Painting, Thomas Flight, Hello Future Me, and Ellen Brock.

Read everything twice. Once for pleasure, once to tear it apart to figure out how the sausage is made. Dissect word choice, structure, pacing, foreshadowing, all of it. If you want to get better as an author, get better at media analysis.

Ask yourself why a project fizzles out. Did you lose sight of your original goal? Is it not turning out the way you hoped? Can you not remember where you wanted it to go? I tend to write with a few very specific scenes fixed in my head and I need to massage the characters to make those scenes happen and make sense. For Prism that was Kate and Chloe's clifftop kiss. Everything after that was kinda ad-libbed.

Embrace failure. Enjoy failure. Fail faster. As the Frizz would say: take chances, make mistakes, and get messy! You will learn more from your mistakes than from your successes. It's okay to be disappointed and upset when things don't go your way, but then dust yourself off and figure out what went wrong where and learn your lessons. (Just because you can write a novel in 3 months doesn't mean you should)

Your ideas are crap. It's okay, mine are too. Ideas always suck, they become good when you actually write the stories and find your blind spots. Make it work in the edit. You can change things right up until you publish, so play around and have fun.

It's okay to not finish projects. Use them as learning experiences. Practice writing better and better hooks. Find character's voices. Toy around with premises.

Practice with a purpose. With everything you write, pick something you want to focus on. Dialogue, pacing, structure, action, word play, imagery, etc. Pick something, study, execute.

Keep it simple. Elevator pitches are 30 words or less. If you can't summarize the crux of your story simply and succinctly, consider revising your idea to make it less complicated. Prism's premise is literally "What if Max never went to Blackwell". Statistic's premise is "What if Chloe was a homeless trans girl dealing for Frank". Complicated premises aren't bad, but they make executing much harder, and you don't need them to tell a good story.

Don't stop. Always be reading, writing, and thinking. Your creativity is a muscle, work it out. Hit the brain gym regularly with focus and intent and you'll see the growth.

I hope these help and good luck!

[absolutebl]

Hi there! I've just returned from a two-week holiday (as I'm writing this I'm actually still driving back home, but I want to get on top of it lmao), so I would like to defer to your knowledge:

could you pretty please provide me with an update on what series ended/started while I was away? I have a vague idea, but I don't want to miss out on the things that didn't get as much promo and are therefore not on my mdl.

if you can, my watchlist will be forever thankful!!

July Report: BL that Stopped & Started & Is worth Your time

Ended July 2023

Step By Step

This was Thailand’s answer to The New Employee, and everything I loved about that show I loved about this one.

This was an office romance between stern boss and sweet subordinate that felt more authentic to an office environment than previous Thai BLs of this ilk. And that authenticity added tension to the narrative and character development (how novel). Now that might be because it has western source material, or it might be because it is actually kind of old-fashioned (it’s been years since I worked as an office grunt). I also really enjoyed the brothers’ relationship, and kinda wished they hadn’t attempted (and failed) to give said brother his own side BL. That one flaw made it a 9/10 for me.

HIGHLY RECOMMENDED.

La Pluie

This BL takes to task the fated mates trope and what it means to have love chained intimately to predestination. It’s about how faith in destiny before choice diminishes the authenticity of emotion, relationships, and connection. This is a high concept to examine through the lens of a BL.

By activating + examining the soulmates trope this show is challenging a foundation of romance: the idea that there is one person meant to be your one romantic partner all your life. This means that we, as viewers, spend much of the show worried about it having a happy ending, and that’s the source of both its brilliance and tension: would the narrative have the strength to truly challenge its own romantic core? But, ultimately, all this elevated complexity was executed in a somewhat shaky manner with the narrative derailing into some serious pacing issues and characters manipulated by miscommunication.

However, with good chemistry and decent acting all around, plus some excellent high heat and representation of consent and a few other rare tropes, this one has to (like it’s sibling show My Ride) earn a 9/10. I enjoyed it even as it made me think, so despite its flaws:

HIGHLY RECOMMENDED.

Started July 2023 & Looking GOOD

Jun & Jun

Korea Thurs Viki 8 eps

THANK YOU BL GODS. It is so good. Like everything I want in the world. I’m incandescently happy with this show.

It’s office set,

it’s an ex idol,

everyone is pretty as peaches,

and it’s all about remembering somebody’s smell!

I could not be more delighted.

Laws of Attraction

Thai Sat iQIYI 8 eps

(Icky picked it up but they are serving it in a complicated way that may require a VPN.)

Stars the pair from To Sir With Love with the same production team. IT’S SO GOOD. A morally corrupted trickster lawyer with a tragic past, sad eyes, and a beautiful smile that he uses like a weapon. Meets paladin martial arts instructor from other side of the tracks (who is out, at least to his baby sister).

Corrupt police.

Spoiled rich kid evil.

Ambitious politician.

Tragic death.

Terrible subs.*

This show is very like Manner of Death but so far it is a much better/tighter story (there's a Devil Judge aura happening). It’s NOT BL but it is fucking phenomenal. And you should watch it. Not wait to binge it. WATCH IT.

On a global scale this might be the best thing currently airing featuring gay romantic leads. Its really fucking good. It’s Lawless Lawyer but more complex character motivation and gay af. Fuck yes please and thank you. FINALLY.

Triggers for violence, beatings, death & torture depicted on screen. Like MoD they are not holding back. 

(* A lot of the familial names they are using are not gendered in Thai but translated as such, like “nephew”. This one is gonna go down a lot easier if you know some Thai.)

ALSO:

Stay By My Side - Taiwan Fri Gaga 10 eps

Hidden Agenda that isn’t hidden - Thailand Sun GMMTV YouTube 12 eps

Low Frequency - Thailand Sat iQIYI 8 eps

Started But You Can Probably Wait IMHO

Dinosaur Love (Sun iQIYI)

Be Mine Super Star (Mon Viki)

Wedding Plan (Weds YT & iQIYI) it's mame so A trash watch is happening! 

Minato Shouji Coin Laundry Season 2 (Japan Thu Gaga)

Hope this is what you wanted.

[themosleyreview]

The Mosley Review: When Evil Lurks

I tend to have a high tolerance and high expectation for horror films. When it comes to films about demonic possession, they're constantly all about how religion factors in or the standard set by the original The Exorcist with all the head spinning, levitating and gross out body horror tropes we've all come to know. Evil Dead Rise earlier this year was fantastic, but that is more of the extreme and fantastical nature. The last great grounded possession film I've seen was The Last Exorcism of Emily Rose and maybe The Last Exorcism. Both had their flaws, but delivered an engaging story and creepy visuals. What makes a great supernatural film is the ability to deliver a tension filled story that is not only compelling, but unpredictable. You have to really go places where most wouldn't dare and remove the common safe guards in place for certain characters. It has been a very long time since such a film has existed and has left me in a state of shock. What I really enjoyed about this film was that it was straight forward and gives you the right amount of lore and exposition that keeps you on edge. The sense of dread and tension is so thick throughout the film and I loved every second of it. Sure, there are moments of terror you could see coming, but you're still shocked once it happens and the sheer brutality of it was insane. Like any horror film, there are illogical character moments that are frustrating, but in this case it serves the story and highlights the flaws of the characters. That's how it should be done and I'm glad this film excels where almost all fail.

Ezequiel Rodriguez was excellent and endearing as Pedro. I loved his steadfast decision making, but man did he seriously put everyone in danger when it wasn't necessary at times. I did love that he was the most capable and smartest characters in the film as he saw what was coming when nobody would believe him. Demián Salomon was also excellent as his loyal and somewhat softer brother Jimmy. I loved their chemistry and even though they were on edge for the majority, I was happy to follow them both through this nightmare. Jimmy was one of the major catalysts in the most clever way that if you weren't paying attention, you'd miss why. Paula Rubinsztein was awesome and probably the only kind soul in the film as their mother. She delivers the ultimate lore dump and setting up the rules when dealing with a possessed or as referred to in the film as "The Rotten", and man it was so fun and creepy. Silvia Sabater was awesome as a Cleaner or the film's version of an exorcist. Her scenes were so intriguing and she adds that perfect level of strength in her faith herself and wisdom.

The film is well shot and what I loved is that there isn't any major visual trickery or CGI that tries to add to the look of despair. The make-up effects were top notch and equally grotesque in the best way possible. The physical horror was amazing and creepy in execution when it came to a scene involving Pedro's family. Like I said before, the tension in this film is thick and it never really lets up as the story continues to drag you through the hellish nightmare Pedro and Jimmy go through. I can't stress enough how this film goes for the unexpected and how unrelenting the violence is. This film has definitely raised the bar on how to deliver a perfectly paced demonic possession story that has thematic elements about grief, family and how it touches on faith, but it doesn't overtake the nonstop terror. This will hands down be the best horror film I have seen for the remainder of 2023. It is currently in theatres for a limited time and it will soon come to the horror streaming service Shudder. I highly recommend it for this spooky season for the curious, but it is NOT for the faint of heart. Let me know what you thought of the film or my review in the comments below. Thanks for reading!

[cospinol]

spring 2024 isekai log☆ we very, very narrowly missed a 1-2 isekai finish in my overall seasonal ranking this time around (thanks to tadaima okaeri stealing second place by finally deciding to lean into the sleazy side of its setting a little at the eleventh hour) so i think the takeaway of this season might be that i have bad taste in anime. anyways, highs and lows!

can you believe it, a season where the isekai log hosts the season's best show by a mile???!!! kantei skill is really, actually almost perfect in every way - neatly plotted, thoughtful in its theming, and absolutely bursting at the seams with delicious little character dramas. every single member of the main cast is good enough to carry an entire series on their own (as is appropriate to a plot about acquiring really good personnel), and the mock-battle arc that the season ends with once the whole cast's been brought together is not only a delight in its own right but a confirmation that this series both intends to commit to and is very clever at coming up with military strategy plots - basically all of its priorities are exactly what i want them to be ,and it executes them almost perfectly all the time. i haven't mentioned the isekai aspect at all yet because it's a classic case of 'we put tensei in the title to increase the viewcount of this standard fantasy series' and it almost never comes up in the series at all, except one random reference ars makes to hattori hanzo late in the series that came so out of left field that it made me laugh out loud. i can't overstate what a selling point ars is a protagonist, too, the rare case where his being a little plain and clumsy in some respects and highly competent in select others functions as *incredible* gap moe, he is so cute!!! nothing but respect for MY future emperor... this is a preliminary 8/10 but if next season continues to deliver while raising the stakes i'll increase the whole package to a 9

dainana ouji is structurally and tonally a lot more conventional - it's a goofy comedy about joining the adventurers' guild and killing demons and so on, it's just also insanely good on a technical level, understated but incredibly stylish with an excellent sense of comedic timing; its pacing is breezy and its cast is endearing, and the tournament arc in the manga (which it convinced me to read ahead in because i was enjoying it so much) promises even more. this series is a lesson in simple excellence, that's all!

after that of course there's nowhere to go but down, so we're immediately dropping down to the 'basically average on a normal isekai scale' sector with the new gate, which is really... generally pretty Fine for a normal isekai. it's hard to praise much about it when it has such stiff competition but while its writing is always thin and basic it's got close enough to an idea of what a story should look like to spare it from a lower score, and it never made me angry, so (<- a sad glance back at my usual standards for the genre). the only thing of any note at all about this show, unfortunately, is that it's incredibly ugly on a 'something went very wrong very early in production' level such that all of the characters look wildly off-model at all times; please look at what the protagonist's design already looks like on the poster and then imagine how the show's faring by episode eight

madome (not an isekai, but it's a basic fantasy LN with maou in the title, so) earns about an equivalent middling-four that i did also lightly consider bumping up just a little because its approximate competence in most respects eventually gets it to a pretty cute and decently well-earned no-harm-no-foul slice of life status quo by the very last episode, but ultimately for all this show's extensive parade of gimmicks and light-novel flights-of-fancy it never came up with anything that i cared enough about to give it an extra affection point. also, critically, i think the single most important aspect of the show (the romance between the two leads) is just nothing to write home about; it's not actively irritating but their respective neuroses don't interact in a particularly interesting or cute way - and i know they could, because this show is extremely similar to last fall's ikenaikyo (which has the exact same 'lol it sounds sleazy conceptually but it's actually fluff' premise (as well as just about the exact same protagonists), but which i didn't review at the time because it didn't put the demon lord part in the title, natch) and fares very poorly in comparison -- and as much as i liked that romance, i only gave that show a five, so. them's the breaks!

one level down, from 'nothing special here' to 'no, i mean there's literally nothing here', is dekisoko, where... there is nothing. the gimmick is kind of that it's not really an isekai because he was reincarnated in the same world, i guess, but it can't actually commit to it enough to give us any indication of when/where his first life took place relative to the current setting, which might give you some indication as to the care and consideration put into this series's writing. of course the premise is just a basic veneer and a justification for mc-kun's op abilities and what it's actually dedicated to is absolutely fucking nothing; it listlessly goes through some basic isekai motions (dad possessed by a demon! evil but not evil holy knights! elf forest! and other greatest hits), looks extremely bad the whole time, and then stops. the only character of note is the goddess (??) from the protagonist's previous life who also was reincarnated along with him(??), who has Two character traits (kinda goofy and speaks in the third person), which is twice as much as the rest of the harem, and a few cute interactions with the mc over their shared history, but then of course she's not even the main girl/actual fiancee, even though she's the redhead with twintails! the state of the genre, honestly...

and finally re:monster. this fucking show...... okay, so this show is pretty clear about what it is from the get-go; it's a basic tensura-like where the protagonist makes the most of being reborn as a low-level monster by using his random unrelated hax. the first few episodes of the show cover his early levelling-up as a small child whose peers are barely sentient, and instead of choosing to have very little dialogue it features a constant voice-over where the mc describes the events that happened to him, in first-person past tense, clearly almost verbatim from the light novel. it was around the fourth episode, when the protagonist was fully grown and now clearly having conversations with the other characters that we'd occasionally hear a line or two of between stretches of the same narration that had been going since the beginning in exactly the same overbearing quantity, that it hit me...... that this was going to be the entire thing. yeah, technically this is a television show; it's got pictures, and occasionally it trusts that you can understand that the protagonist is fighting a monster right now without having it explained to you, but for the most part what the experience of watching this series is actually equivalent to is reading a series of detailed episode summaries on a dedicated fan wiki, or possibly listening to someone read you a light novel!!! i swear could count on one hand the number of scenes where two characters exchange more than five lines of dialogue before the narration swoops back in to explain 'that scene happened to me' and shuffle us on to the next set-piece; we are never in ogurou's head in real-time; nothing happens in this show, it's all already happened. then we did this, then we did that. it never stops!!!!!

i did a little poking around to see if any other reviewers were as bothered by this as i was but it seems that i'm the only person in the world who this format drove out of their fucking mind - every time the 'next day' sound effect plays it's a drop of water on my forehead, slowly bringing me towards the brink. this fucking show... of course the plot's also atrocious even for a tensura-like and the tone (insofar as it's possible to set a tone in a wikipedia plot summary) is incredibly broken; in particular it's flippant about (and full of) sexual violence on a level that's shocking even for the genre and in a particular way that's downright nasty, given the fluff piece(????!!) that it generally seems to want to be when it gets down to character interactions; there's also all sorts of miscellaneous stupid crap like the names of the female characters not being revealed until after they've given birth to the protagonist's babies(??????????!!!!!!). i did ultimately just keep watching in the end to see if it would ever actually become a real show. it did not

and that's isekai for you. oh, i dropped tsukimichi 2 in the end; i'm only about eight episodes away from the finale but all of those episodes are the same showpiece-arc that i don't like the premise of lol. the moral of the season is that 'let's make a village for monsters' premise is the real evil and all the other subgenres should gang up on it and kill it

[wondereads]

Weekly Reading Update Catch-Up (04/29/24-05/20/24)

The Sunshine Court by Nora Sakavic (8/10)

As I've made very clear, I have a complicated relationship with the All for the Game series. Part of that has to do with the fact that the original trilogy, while incredibly entertaining and with some super interesting characters, is not very well-written. However, reading The Sunshine Court, I can see how much Sakavic's writing has improved. While this book is on the slower side, the pacing is much better, there's less awkward wording, and the way she addresses trauma and mental health is astronomically better. There's a great build-up with Jean's character, Sakavic has maintained her strongest suit (groups of characters that are close friends with good chemistry), and it's great to see some diversity in her LGBTQ+ rep (this book introduces our first sapphic relationship and trans character). Like I said, it's on the slower side, and I wish we'd gotten a bit more about Jeremy--I kept forgetting he has a past since it was only hinted at a couple of times. This was a great continuation to the series that improved a ton without losing its unique charm.

More reviews under the cut

The Sacrifice by Emily Shore (18+, 4/10)

This started off fun, the sort of thing I enjoy in a fantasy romance, but it quickly devolved. A lot of books pitched as 'smutty' are usually highly exaggerated with a couple of scenes, but not this one. In fact, I don't think there's a single stint of twenty pages that doesn't have a sex scene. It got to the point of ridiculousness, especially since this book was still trying to execute a semblance of a plot. Surely this can wait until after the looming threat is dealt with? Also, a lot of this smut involves things I'm not personally into, so I ended up skimming a lot of the scenes (~70% of the book). There was some interesting stuff going on with the main character and her shadow, but very little of it is explored in favor of making the characters bang...again.

The 100 by Kass Morgan (8/10)

This is a reread, and to be completely honest, I don't actually think this book is a full four stars in terms of quality. However, I have so much fun reading this book, and I am so insanely attached to Clarke and Bellamy that it boosts the rating a bit. This is a pretty typical YA dystopia, and it really scratches that itch for stories of teenage survival. It is very different from the show, so don't go into this expecting that. The main cast is different, those who are the same have slightly altered personalities, and only the most basic premise is shared in terms of plot. I always enjoy this read, but I must admit that way too much time is spent in flashbacks when things like power dynamics, side characters, and general detail shmould be getting way more attention.

Alpha Inmate by Liliana Carlisle (18+, 6/10)

This was a very quick read in my Unhinged Romance Marathon, and it honestly wasn't that bad. There's a lot of consensual non-consent vibes, but that's mostly in the dirty talk. While the main character, Ellie, is constantly talking about how she shouldn't be doing this, how bad it is, it's made very clear that she does want this. It's built to be a darker story with a serial killer love interest, a physical power imbalance, and Alpha Influence, this thing where alphas can just make their mate do...whatever they want. But when it actually comes down to it, the male lead is very insistent that he needs the main character's consent before doing anything. The Influence thing is used to make her open up about her trauma and nothing else. I feel like this reflects a lot of the psychology around sexual assault fantasies with women feeling they must be pure but still craving sex so they construct a fantasy where they are 'forced' to do something. It's really not that dark. The couple is very insta-love, or just insta-attraction, but this book is only 174 pages long. Overall, a vaguely entertaining read and pretty much just smut.

Brutal Prince by Sophie Lark (18+, 8/10)

This was actually a lot more fun than I thought it would be! A lot of contemporary romances are pitched as enemies to lovers when they would be better suited to the rivals or just annoyance label, but these were true enemies. After all, they attempt to kill each other on their wedding night. The banter was a lot of fun, and I really liked how Aida and Callum played off each other. There are three major things stopping this from being a 9 or 10 for me. First, it kind of loses momentum two-thirds of the way through, moving through the "to lovers" part a little too quickly for me. Second, despite the title being Brutal Prince, Callum honestly isn't that brutal. If anything, Aida is far more prone to violence. Third, this book comes with illustrations and they are god awful. I'm sorry to the illustrator, but the art was so weird, like caricatures of what "sexy" people should be, and I had to ignore it to get through the book. Still, this book honestly made me laugh at some points, and there's sizzling chemistry, so it stays up there for me.

Empire of Storms/Tower of Dawn Tandem Read by Sarah J. Maas (8/10, 6/10)

This took a lot of work to get through, partially because of the sheer length (~1300 pages) and partially because of the Tower of Dawn parts. Starting with EoS, it had a lot more action than I typically see from SJM novels. I also really enjoyed a lot of the romance, mainly between Aelin and Rowan, who are probably the characters I care the most about. I liked how much plot development there was, and it finally felt like there were actual consequences toward the end. However, there were a few plot threads that felt like padding instead of necessary information, often ending in last-minute deus ex machinas. Also, SJM has chronic pair-everyone-up-itis, regardless of whether that romance has any merit or chemistry (looking at you, Aedion and Lysandra).

In comparison to EoS, ToD is astonishingly boring. Half the book is Chaol walking around, moping about his oh-so-terrible conditions (which I have no sympathy for considering I was seeing this right after reading about Aelin and the others fighting for their lives). Most of the time I forgot about the main mystery at hand, because very little happened with it overall, and I was practically skimming toward the end. This book still gets a decent score on three accounts. One, I like Yrene. Two, I'm so glad Nesryn gets to be with her hot prince and not boring Chaol. Three, there is a reveal in this book that actually shocked me, so points for that.

The Sea Witch by Rebecca F. Kenney (4/10)

This one is just way too drawn out and contrived. While not exactly instalove, there is instant attraction, and everything past around the midpoint feels like desperate attempts to prolong the plot and keep the main characters from getting together. For example, the Sea Witch's motivations for leaving Averil a human forever are so stupid. Oh, it's part of his revenge--surely taking over the kingdom is plenty revenge. Also, it was so predictable that the prince would end up being an asshole. It would have introduced so much more emotional conflict if he had been just a regular person but Averil ends up falling in love with someone else. Or, to adhere to the original tale, it would have been a moment of heartbreak for her to realize he was in love with someone else, rather than the anger and revenge it's played for. There are just a lot of lost opportunities in this book, playing into overdone tropes instead of creating something new.

Kingdom of Ash by Sarah J. Maas (6/10)

It's a bit unfortunate that a story with such a long build-up would end as disappointingly as it does. First of all, as is standard with SJM books, this could easily have been 200 pages shorter. The constant back-and-forth, particularly in Aedion and Lysandra's perspectives, of preparing for death, then it's prolonged for an extra day, but it's not quite enough, was exhausting. Dorian's whole interlude with Maeve was so weird, making no sense character-wise for Maeve, who has been utterly ruthless up until this point, and most of the relationships read as rushed and forced, particularly Aedion/Lysandra and Lorcan/Elide, which have pretty much the exact same story going on. I enjoyed Aelin's escape and her healing process, and her and Rowan's relationship is always entertaining to read. However, my biggest critique is a major one. MAJOR SPOILER If you're going to introduce magical items that the characters spend no less than four books hunting down and collecting that are supposed to be a solution to their problems and then have them finally use them only for it to result in the main character losing her magical abilities and it not even doing the one thing it was supposed to do? That's bad writing, and incredibly unsatisfying for your audience. MAJOR SPOILER END Overall, I didn't get the sense of closure that I wanted from this book, and the series as a whole was mediocre, with my average rating across all the books being a 6.5 or 3.25 stars.

Kingdoms of Shadow and Ash by H. R. Moore (DNF @ 11%)

I DNF'd this so astonishingly quick because of one major issue, and that is the main character. Something that is a plague upon particularly fantasy romances are characters with shockingly modern sensibilities--despite no backstory or explanation as to why their outlook would be so different from everyone else. This book opens on a queen who has just finished conquering five kingdoms, and she promptly begins ordering people to hire women, pay income-adjusted taxes, and all sorts of progressive reform. Lovely sentiment, but why does the medieval-land queen have these sorts of ideals? And then there's the issue that these orders lose some of their appeal when you realize that as morally correct as they are, they are still issued by an absolute monarch who just finished a bloody military campaign to secure power for herself. Sometimes you can just let your main character be shitty.

Island of Graves by Lisa McMann (DNF @ 34%)

I've been working through The Unwanteds, and I must unfortunately say that I've lot interest in this series. I love a good middle grade series, and I understand that they are, of course, a bit more simple. However, I still expect a modicum of character development over the course of four books. Alex and his friends have stagnated for multiple books with any potential moral dilemmas (the seaweed, redeeming Aaron, or even just the trolley problem in a different format) either skirted around or just never presented to them. I feel like I've been reading the same story for at least four books, and Alex has become less of an awkward teenager trying to carry a community on his back and more of a flawless leader who seems to only have superficial problems. The morals are all out of whack (it's okay to kill someone in an ambush but not when they're unconscious, even if the person in question in canonically killing multiple people a day), and I just have no more motivation to work through these books anymore.

Captivate by E. J. Lawson (CR, 53%)

This isn't even a part of my romance marathon, it's just something I picked up on a whim, and it's sort of boring. There's obviously good chemistry between all the main characters, they've even had sex, and yet the most inane, stupid reason is given to keep them from getting together. I can see how this particular issue (a fatal, uncurable disease) might affect their choices, but that's not even the problem! The problem is that the female lead is refusing to tell anyone about it, despite having basically no reason to keep it from them. Utter nonsense.

365 Days by Blanka Lipinska (18+, CR, 14%)

Rest assured, I am not reading this book of my own free will and will likely be DNFing at my self-imposed 20% threshold. I cannot imagine someone writing this and thinking that this was how real life people behaved. 40 pages in and the main character is already intensely unlikable with seemingly no personality outside her permanent makeup and bold fashion choices (which far too much description is given to), and the love interest has some sort of stupid mystical connection to her, which he deals with by fucking other women in highly coercive situations.

[ultimate-msleading-simp]

Maniac Ramblings of an Antimai Enjoyer

Hi hihHhii okay so. I (one of the ops of this account) did a sin called going on Twitter and doom scrolled for around 3 hours because I didn’t want to do my essay in like December last year. I have been seething for a month now with the Twitter’s cruelness to Antimai so I am now going to crucify myself in the name of Antimai. Or… here is my opinion/review of Antimai. BY NO MEANS IS THIS AN OFFICAL REVIEW!! (it's also barely peer read, it really is ramblings)

Basic rankings:

C - LoTown.

B - Poverty, Industry, Luxury and Nature.

A - Middle Class and Patrol.

S- Tower. 

The whole album opinion

Love this album. I’m one of the newbies to The Dear Hunter, so this was the first full album I listened to (maybe Act V first? I don’t remember). I thought it was incredibly groovy and I love the concert/brass instruments when done correctly - which it definitely was here! I love a mixture of genres, pace and themes in music too, Antimai hitting all of those boxes very nicely. One of my favourite things to think about for this album is the pronoun usage, but that is because I’m incredibly excited for Sunya and like to look to see what narrative could be transferred over to the next album. My overall rating? Like 9/10, I would never do my dishes without Antimai. It only loses one point because I can never escape Patrol. 

Ring 8 - Poverty 

Preface for all the other songs, Imma say they all SLAP me real good, love them, 10/10. Poverty, while I don’t find any absolute melting love for the lyrics alone, the way they are set up is honestly brain melting. I highly enjoy how the song flows, especially the chorus with the instrumental, some gnarly music mixin’ there and I tip the hat to the funny dear men for that one. The music alone however, is something to appreciate fully. I always thought the tone of the music did not match the tone of the lyrics and that was odd to me - am I mad about it? No :). I love how jazzy and involuntarily dancy the music is and I can’t help but do a lil boogie… even if I’m on the edge of a mental breakdown from having to read my fourth short story in 3 days!

Ring 7 - Industry 

Pretty whacky boy here. It gives a good idea of how important technology is to Antimai though - since there is a whole ring dedicated to industrial business. I am incredibly neutral on the actual sound of this song? I can say I do enjoy it when I listen to it, but I don’t always pull an experience from it like I do with some of the other tracks on this album. One thing I always remember is how much I love the delivery of the line “you were up in the pantheon,” it brings me joy and I don’t know why, let me live in brain rot I beg. This song lore wise is very important for setting up the rest of the album. Middle class, Patrol and Luxury wouldn’t have the same level of understanding if we lacked Industry. In conclusion on this one since my thoughts on it is clearly a disorganised mess, I think it has a very nice sound to it, still down to get funky with the sound and it’s a doormat for the rest of the album to welcome you in. 

Ring 6 - LoTown  

My least favourite out of the whole album. Doesn’t mean I hate it, just kinda?? Wow?? Farm people?? Epic?? Slammin trumpets though and the held note at the end is executed immaculately. I am obviously a biassed person and I’ll admit I have a slight bias against slower songs - that could be why it is marked so low in my mind. One kudo I will give to this song is the build-up and release between verses-chorus, always makes a song so much more enjoyable when some dynamic spice is added.

Ring 5 - Middle Class

I love this song to death, I have one gripe with it. It scares the ever living shit out of me whenever it randomly comes on when I have shuffle on. This song is a fresh ass gold mine when it comes to analysing lyrics. Almost all of the lyrics in this song have double meanings and important shards of lore that we need to put together to truly uncover what Antimai is. For literal, in world meanings, the Middle Class lets us see into the culture of Antimai directly; we get insight on how the religion functions in practice, the exploitation of it and the labour of all the people below Ring 5. For the double meaning and reflection on the real world, it can apply to a lot of the middle class people who are living in some form of comfortable privilege. The music to the song is also just a full jam session so it’s always a funky little time when that part comes around, love the grooves!!

Ring 4 - Patrol 

If I could meet God face to face, full eye contact I would ask one thing only. To be freed of the beginning riff of this accursed song. I could be in full meltdown sobbing time and this stupid song comes on and I feel the scraps of amusement I can muster taking over my body in the form of the happiest disappointment. Most people feel it is a very “slap you in the face” type of song. The lyrical meanings are literally thrown at your feet, and it’s not much of a analytical exercise in regards to theme, but I forgive it because I feel as though I’m in a 80s-90s mall and the damn mall cop is following me around because I have the audacity to wear a backpack into Winners or something. The song does however finally introduce one of the biggest themes of Antimai - which is p o w e r !!!! and subsequently, the power of power (in regards to corruption). I think using an officer going down this path as the literary tool to display this is a smart move - especially in the language switch between choruses. While this individual has gained power, they also lost their identity, only referring to themself as “we” towards the end. Great song, love that stupid melody even if it does haunt me when I’m trying to focus in my grown up college classes.  

Ring 3 - Luxury 

The absolute unit of this song. The power it holds in single handedly parting this fandom like its the red sea. I am on the side of … it’s alright? I can slightly agree with a lot of the people not enjoying the first part of luxury (Hall of the Guides?? I guess?). I however, think a fast paced, word vomiting verse is very fitting for the people Casey is trying to show us. These people (more like… gross “not snails or robots” things)... are horrible, they have no regard for the safety of the people below them. A rap is perfect for a type of meeting between people who plan to dilute themselves further into a greedy madness - any other type of genre would feel too slow or soft. To me the chorus of the first part also slaps hard and I wanna boogie to it. The second part is where things look up in my opinion. I love the smoothness that contrasts the first part - while still egotistical and straight discriminatory towards the lower classes, it presents itself differently; The way the lyrics are sung almost remind me of how the lyrics in Tower seem to flow into each other. Personally I have not analysed The Cream of the Crop too much lyrically, I just really love that one small part just before the outro cha-cha slide like imposter… I can’t help but feel like I have my head out of a window, moving at rapid speeds and going somewhere!! Where?? IDK!! The lyrics tell me not to!! (Add-on, also interesting at the use of very aggressive cussing?? The dear boys don’t use that language too often in the music, so it’s a little important to show how these not snail or robot things just really suck ass.)    

Ring 2 - Nature

oooOOoohoh talking treeesssss,,.,. I do love this song though. It is short and sweet compared to the unit of the last song, but it tells the story it needs to tell. This one I’m focusing more on the tone of music and the thematic importance of this song. Nature definitely really fits the theme it laid down for itself. The music feels like I’m in a forest or some prairie type setting and a feeling of belonging and harmony (especially at the beginning), it’s just a cozy song! The theme is the key importance to this song however, explaining the nature of humans and how we exploit resources for unjustified reasons. I argue this song is very peaceful for the most part, but I swear this song hosts the most menacing line to ever exist. The outro is very well done, but the lyrics and how they are sung feels definitely like there is a horrible, ominous presence above them - and it will hurt you. IT IS NOT NO WORRIES AND THERE IS NO LAUGHTER. Considering what bitch we’re about to be introduced to, I say it’s a good vibe to end it on.  

Ring 1 - Tower

So when I first listened to Tower on July like… fourth, I have been consumed. My immediate impression was that this lil rich kid singing to me right now was trying to be a Regina George wannabe and writing his unchecked power high in his dream diary with a pink gel pen with a fuzzy pom-pom on the end of the pen, probably owns some rare monster high collectable dolls or something. I am incredibly biassed when it comes to loving this song - I am weak in the knees to queer coded villains and this man was oozing and dripping LGBTQIA+ vibes - while simultaneously seeming like the biggest homophobe ever - I beg of you to relisten to Tower with the lens of queer, no one says power like that who isn’t into BDSM. Moving on past bashing the emperor of Antimai viciously, the song itself is important thematically - as well as the way the song sounds. Tower is already a song built off of an important motif from The Indigo Child - which already makes me think we have an argument behind the abuse of religion and the abandoning (?? in some places ??) of religion (in some people) back to either this current Emperor or others before him (I am referencing verse 3 mostly). I also see this song as a slight foil to other songs, as mentioned in a review done by another person (James Fenny) It has a very different sound than the rest of them. The other songs use brass and concert instruments as the main sound, while Tower is almost solely based in synths - excluding the outro. It could not be important to any overall story, but I do think that fact is quite neat and it makes me love Tower a little more… it stands out musically and literally.

[rawrienstein]

Cool Games of 2022 that I liked

This guy launched with a pretty rough beta and honestly still isn't complete, but it's probably the most enjoyable co-op level based shooter that I've ever played. I've heard Fatshark is pretty good at creating additional content for their games, but you really shouldn't buy a game based on what might be coming. The moment to moment gameplay is just good. It's just really good. Also it's visually incredible...if your graphics card can handle it. (on a 3070ti with DLSS on quality and sometimes I drop to below 60fps at 1440p)

Pkmn LetLet def needed more time in development, but honestly this is probably the most interesting pkmn game overall. I personally only experienced one crash during my play time and performance has been fine. Like, I expect a switch to crumple under the weird expectations this game has, they should've designed those parts better, but even then. It's still a very compelling game. I like the openness, I liked exploring (even if it rarely hit 30 fps), I liked catching new funny little dudes, I liked the characters for once because they don't feel so one dimensional. Competitive is wild right now, lots of interesting teams and weird new stuff. I do hope they continue modifying the pkmn formula, I really want more for co-op. Anyway, I do hope they just slow down with pkmn and the devs can get their shit together properly.

I highly recommend if you're a fan of PS1 horror games. A dystopian sci-fi setting with Lovecraft themes and RE1~esq controls and puzzles and excellently executed anime art style. Everything about this game just works.

PLEASE NOTE THIS GAME DOES HAVE A LOT OF FLASHING IMAGERY AND DOES NOT HAVE A WAY TO TURN IT OFF.

A DOOM-like that takes being called that as a compliment. If you like fast-paced old school shooters, you'll love it. It's got dudes to shoot and you have bullets to feed them. Pretty excellent level design, some bits that make it just a little more engaging than point gun and dude, but not enough to disrupt flow. I really had a good time with it.

I kickstarter'd this game and I'm glad I did. It's a great puzzle platformer with a funny gun that is also a frog. I really love ps1 aesthetics and low poly art and this game does a great job with it. It's also fun to replay and speedrun levels. The frogun's sticky tongue latching on to walls to move around quickly is fun.

Absolutely excellent sprite work with gameplay improvements to an already good beat'em up base. If you need a beat'em up to play with friends, this one is my go to.

It sure does like to say capitalism sucks a lot, and that's a pretty good feature. Enjoyed the story and the characters, the beginning is really tense, but it loses that about a quarter of the way in (which I kinda miss). Still, you'll mostly enjoy following character stories and trying to do the best you can looking for your preferred ending with a funny dice system

Finally, a voxel based game that isn't terrible and actually takes advantage of being voxel based. Tons of creative solutions and interesting challenges. Unfortunately does need a pretty good rig to enjoy a lot of the visuals, but it does looks really good too.

I really liked Shadow Tower and King's Field. There's something really appealing about first person dungeon crawlers. The world here is interesting and full of secrets. Exploration is fun, but sometimes really tense (in a good way). Also, of course, I like ps1 aesthetics and this one really nails its look within that visual style while still feeling like it's own.

It's still in Early Access, but the content that's there is honestly worth it.

Yeah, it's good. Play it. I wrote a bunch of stuff about it before that felt negative overall, but it's still a great game (and better than the majority of other over inflated budget games).

Good job FromSoftware, now stop overworking your employees and please just take care of Armored Core 6. PLEASE REMEMBER THE ANTI-CAPITALISTIC THEMES OF ARMORED CORE. PLEASE REMEMBER THEM. PLEASE DON'T WATER DOWN HOW MEGA CORPORATIONS RUINED THE WORLD OVER AND OVER AGAIN. I WON'T FORGIVE YOU IF YOU DO. I'LL MAKE MY OWN STUPID MECH GAME GOD DAMN IT.

QUICK LIST OF GAMES THAT I'M PROBABLY GOING TO RECOMMEND BUT I HAVEN'T COMPLETED

Super Lesbian Animal RPG Lunistice Goodbye World Gloomwood UraGun Scorn

[kylesmediamunchies]

My Thoughts On: CrossCode

As Steam’s 2023 Summer Sale rolled around, I was itching to grab at least one game before the sale came to a close. I had heard of CrossCode from a YouTube video a while ago and kept it in the back of my mind until a sale rolled around. After weighing up any other potential games I’d like to grab instead, I settled on CrossCode. Lo and behold, I was beyond pleasantly surprised with my experience and enjoyed it more than I imagined I would. I wouldn’t hesitate to call it one of my favourite games I’ve played this year, which says a lot considering I had just spent an ungodly amount of hours in Tears of the Kingdom just a couple of months ago.

Crosscode is an Action RPG developed by Radical Fish Games. Originally a hobby project, CrossCode was successfully funded on IndieGogo and fully released in 2018, following a 3-year tenure in early access. In 2021, the game would receive a paid DLC, adding a significant amount of post-game content. This lengthy development time has resulted in an extremely polished product that has clearly had so much love, dedication and care put into it. I’ve tried to keep this little write-up extremely light on spoilers in case a wandering soul finds their way here and decides to play the game themselves.

CrossCode is set in a sort of faux-MMO. Games about games aren’t rare nowadays but CrossCode’s take is well executed. The setting can be difficult to explain in summary, and is easier to get the jist of when playing the game yourself, but I’ll try my hand. CrossCode takes place in CrossWorlds, an MMO that exists in the far future. Instead of traditional MMOs as we understand them, CrossWorlds is not in fact virtual. CrossWorlds itself takes place on a terraformed moon and players don headgear, much like virtual reality headsets that we know today, allowing them to control their characters, called avatars.  A great deal of effort was put into maintaining the illusion of a highly populated MMO world. The protagonist, Lea, is a player logged into this game herself. Your party members are in-universe players and behave as such. You’ll see other players running about the world and chatting about the game and the experiences they’ve had within it. This MMO-based world allows the game to toy around with genre convention, engage in meta humour, subvert player expectations and tell a story that is entirely unique to the setting.

CrossCode’s visuals are a clear homage to the art found in SNES classics. Player and party sprites are cute and charming, but appropriately readable. Effects for powerful abilities are striking and flashy, while sprites for large and dangerous boss monsters ooze with menacing detail. Spritework for the game’s numerous locales is delightfully vibrant, a particular favourite of mine being Sapphire Ridge. Pictured below is Autumn’s Rise, the game’s first major area.

I heavily enjoyed CrossCode’s soundtrack, composed by Deniz Akbulut. Battle themes are upbeat and electric, matching the pace and energy of the game’s combat. Dungeon themes on the opposite end, are moody, thought-provoking tracks, acting as appropriate backdrops to the game’s unrelenting puzzles. Tense story beats have appropriate tracks that set the mood wonderfully. Particular favourites of mine are Autumn’s Rise and Lea!. Autumn’s Rise is the track for the game’s introductory area of the same name. It is welcoming and upbeat, with a palpable air of discovery and excitement, serving as the perfect introduction to CrossCode’s journey. Lea!, as its name implies, is the protagonist's main theme. A calming and pleasant track that finds its motif used in several other places in the game’s OST. Keep a keen ear out!

CrossCode’s moment-to-moment gameplay is extremely polished, with Lea being incredibly responsive and easy to control. Lea's base arsenal consists of a chargeable, bouncing projectile and a melee combo, as well as a dodge and guard. The depth of this combat system can be found in the game’s skill tree and element system. Its skill tree allows players to upgrade certain attributes and unlock stronger forms of Lea’s four base abilities named combat arts. These combat arts make use of an ‘SP’ meter, with stronger arts requiring more SP to use. SP slowly restores on its own, but does so even faster when dealing damage to enemies. This motivates the player to stay active in combat, always building up SP in order to continually throw out powerful offensive or defensive abilities. Elemental modes allow Lea to swap between a number of elements on the fly, altering her current stats and damage type. Each element offers an entirely new set of combat arts, resulting in a large amount of options at Lea’s disposal at any moment during a fight. This also makes unlocking each of the game’s elements exciting, as each element introduces further variety in both combat and puzzle solving. Combat itself is fast and frenetic, requiring quick thinking and understanding of both enemy attacks and weaknesses to come out on top. Enemy encounters specifically were a highlight, with each enemy type having unique behaviours and their own individual strategies in order to take them down. This ranges from attacking them during an indicated phase of vulnerability, attacking a specific part of their body or building up a stagger meter by attacking with an element the enemy is weak to (and many more!). CrossCode also offers numerous pieces of equipment that offer certain modifiers to Lea’s skillset that allows the player to further specialise and build to their tastes. However, seeking out specific pieces of gear can require some extended material grinding. I generally ignored extensive trading and only picked up gear that I already had the materials for regardless, but after finishing the main story and picking out select pieces of gear I wanted to craft in order to tackle some post-game content, I did have to spend some time running around to grind out the necessary materials.

CrossCode's dungeons wear the game’s 2D Zelda inspiration on its sleeve, with large, labyrinthine structures, featuring puzzles, enemies, locked doors and a final 'boss' key the player must collect to face the temple's last challenge. CrossCode does a phenomenal job at introducing a temple's major mechanics and continuously building on them as the temple progresses. What goes from a single, simple interaction will eventually become an entire web of puzzle elements that weave together to create a challenging, but satisfying experience. Many puzzles will require tight and consistent execution beyond figuring out the solution. A temple's primary puzzle mechanics will also be used in enemy rooms, as well as the temple's boss, wrapping the experience up with a nice little bow. The amount of unique and varied interactions present in CrossCode’s dungeons is staggering, especially considering that Lea’s primary method of solving puzzles is solely through the use of her bouncing, ranged projectile. Admittedly, while I feel CrossCode's temples are very well executed in terms of their design, I did find myself fatigued at times. Dungeons are long and involved, and the ever-increasing complexity of a dungeon's puzzles often left me tired. Although  I may be partly to blame since I was playing such large bursts, I’d probably feel different had I taken the game slower! Still, I never felt the puzzles themselves to be poorly designed. CrossCode has a certain ‘language’ to its puzzle design that made it easy for me to get the idea of what a room was asking of me. This didn’t mean I solved each puzzle with any semblance of swiftness, but upon entering a room and getting past the initial shock of, “Wow that’s a lot of things”, scanning the room and the puzzle elements it contains made my brain begin churning with various ideas. Following this, I enjoyed experimenting with what was available in a room, slowly putting together what the puzzle’s final solution may be. This concludes with solving the puzzle itself, which as mentioned previously, is an execution test, requiring me to put my potential solution to work with well-timed and precisely-aimed projectiles. I fell into this engaging loop of ‘scan’, ‘experiment’ and then ‘solve’, feeling very satisfied after each room I cleared. Besides the puzzles themselves, the developers included visual aids like floor markings to be a subtle guiding hand for a player. I’ve only done a single playthrough, but I look forward to running the dungeons once more with the experience I’ve now garnered. Related to puzzles, CrossCode offers accessibility options that allow the player to tune puzzle speed to their liking. While I never found myself making use of this feature, it is appreciated for players that have difficulty with or aren’t interested in its puzzle gameplay.

The rest of CrossCode’s gameplay is found in exploring its vast locales. Areas consist of many rooms filled to the brim with enemies and collectibles. Players can blast away flora for materials and hop across terrain. The game offers many chests which contain valuables outside the player's reach that require platforming across an area’s geography to reach higher up ledges. Also littered across these areas are numerous mini-puzzles. While not as substantial as their dungeon counterparts, they offer a distraction from combat and platforming, often leading the way to chests and opening up shortcuts to make navigation simpler. One of my few qualms with CrossCode is found here. The game’s isometric perspective means judging heights and distance for jumps can be unintuitive. By the latter half, I found myself ignoring some of the more deviously placed chests because I just didn’t have the patience to seek out one specific ledge I needed to climb up and then fall off three times on the way to the chest by misjudging my jumps.  

Much like any RPG, CrossCode features a bevy of sidequests alongside its main content. RPGs regularly fall subject to menial and tedious sidequests and I was happy to find that CrossCode’s were generally enjoyable. This isn’t to say the game is free from the usual affair of “Bring me 7 yum-yum apples”, but several sidequests offer entirely unique content and interesting spins on existing mechanics, especially further into the game. They’re still rather inconsequential in the grand scheme of things, but I found them worth playing through for the extra dialogue involving Lea and her current party, on top of the extra bits of gameplay they provide.

CrossCode's protagonist, Lea, is subject to much praise. Silent protagonists are not at all uncommon in games, especially RPGs, characterised by, of course, their silence. Usually, the intent is for the silent protagonist to act as a sort of vessel for the player to interact with the game and make what they will of their experience with its world and characters. This does not mean silent protagonists are entirely devoid of character, there'll usually be some tidbits of information and personality that the player can come to learn. For the most part, though, the silent protagonist’s fellow party members will usually do the heavy-lifting in terms of dialogue. CrossCode's Lea approaches the trope differently in that her silence is an important aspect of her character and underpins many of the interactions she has with those around her. Upon awakening, Lea learns that she is incapable of speaking due to her avatar's speech control module malfunctioning. Exceptions lie in a few ‘hard-coded’ words she has available to her, like the simple and iconic, “Hi!”. While she may not have much in the way of words, she is extremely expressive, owing to the game’s numerous, vibrant portrait sprites, each beaming with personality and charm. The game is rather dialogue heavy, and Lea will be meeting and starting up conversation with many characters on her journey. She is incredibly reactive and will regularly make her thoughts known through body language and expression. For example, exasperation when tasked to do something trivial, joy when greeting a friend and a palpable smugness when she succeeds. She is motivated, friendly and competitive, with a slight ego and an occasional knack for tomfoolery. Furthermore, Lea’s limited vocabulary results in her needing to be creative in the way she uses the words she has available to her. As a whole, Lea is a phenomenal protagonist that makes CrossCode all the more memorable and compelling.

As for the game’s other characters, CrossCode is an a unique position in that your traditional RPG party members are other players within CrossCode’s MMO setting. This results in party interaction that is intended to mimic that of banter between friends during an online play session. While travelling around the game world, party members will comment on the design of an area you’ve found yourselves in, the absurdity of the enemies you’re fighting and much more. To further cement the online party experience, party members, of course, lead real lives outside of the game and will mention goings-on in their days. Some may even need to log-out of the game after a long play session, leaving Lea to her own devices. Much like Lea, there are an abundance of portrait sprites for each party member, with an equivalent amount of care and detail put into each. In combat, party members are AI controlled, running about and fighting enemies independently. This lack of control and the way in which the AI for party members functions holds up the illusion of party members being players themselves. I enjoyed that as Lea’s skillset grows ever-larger, her party members will follow suit, choosing upgrades for themselves and purchasing their own new equipment. The party system and the way characters interact during exploration are effective in evoking that feeling of forging connections through online gaming and running through vast virtual words with newfound friends.

I’d prefer to keep thoughts on the game’s narrative to a minimum but as mentioned earlier. It is rather slow to start, but uses this time to get the player accustomed to its unorthodox setting and allow time for Lea to come into her own and forge bonds with others. I found myself eager and excited for major story beats, which the game certainly delivers. There is a particularly stellar extended story sequence that has still stuck with me weeks after completing the game. I did find the game to have some pacing issues, more particularly in a section with minimal story content and three large dungeons back-to-back. The player is able to complete side-quests and the like between these dungeons, but it is a rather long stretch and I did find myself yearning for a more substantial reprieve from the barrage of puzzles. However, this section of the game followed rather heavy and extensive story content so it is effective in allowing the player, and Lea, to decompress.

I would recommend CrossCode to anyone that enjoys smooth, fast-paced top-down combat and tough, execution-based puzzles on top of an intriguing narrative with fun characters and exciting story beats. It saddens me that it has fallen off the wayside in the wider indie gaming sphere. I feel it truly does deserve to be heralded in the same light as its more well-known indie contemporaries. CrossCode is a phenomenal first outing for Radical Fish Games and I’m looking forward to their next title, currently in development under the name of Project Terra.

[fearsmagazine]

ABRUPTIO - Review

DISTRIBUTOR: Pending

SYNOPSIS:  “Les Hackel hates his life. He works a dead-end job, was just dumped by his high-maintenance girlfriend, and still lives with his nagging mom. One night, he discovers a fresh incision behind his neck. His friend Danny tells him it's a bomb, that someone has implanted one in his neck, too. And then the messages start coming in, forcing Les to carry out missions with deadly results. Les is partnered up with a series of oddball characters to commit heinous tasks. The violence escalating around him, Les pieces together the clues that reveal the horrific plans to breed a monstrous race of beings.”

REVIEW: Evan Marlowe’s screenplay is a nice blend of satire, science fiction and political commentary. His main character, Les Hackel is an amalgamation of J.D. Sallainger, William S. Burroughs and Hunter Thompson character who suffers from more contemporary issues.

Marlowe’s screenplay takes a classic 50’s/60’s science fiction tale and adds a bit of Lynch and Cronenberg to it, then takes it to another level with amazing life-size puppet designs that give the film a surreal and trippy feel. Enhancing all that is a fantastic vocal cast that brings these performances to life and at times allows you to forget you are watching puppets. As Hackel’s life begins to spiral out of control he contours bizarre characters that he is accepting of, unlike Dorothy in the land of Oz. Marlowe keeps Hackel grounded and easily accepting of the deadly tasks he is assigned without questioning them. When the police become involved they are aware and accepting of everything Hackel has done, but there is something lurking in his past that they are trying to get him to admit to. Marlowe seizes and engages the viewer’s attention with this wickedly delightful tale that ultimately pulls back the curtain in the final act to expose the story’s dark secret. For all its freakish elements the story builds tension and suspense to culminate in a shocking release.

With 30 credits to his name, features and shorts, the production values of the film showcase Marlowe’s talent as a director, cinematographer and editor. He obtains performances from both his voice actors and puppeteers that bring these characters to life.  I enjoyed their work as there was such a life quality to their performance, yet there was something reminiscent of the human puppets of the Jim Henson studio. Given the grotesqueness of several of the character designs, the film is still beautiful to look at. There are several scenes that are almost monologues, or where characters discuss social or philosophical issues, and the director magically edits the sequences creating energy and a nice pacing. The film took several years to complete. While he did not have to worry about his puppets aging, the film’s execution and look are cohesive and seamless. The gory special effects are intense and very lifelike, and reminded me of some of the early films of Peter Jackson. The score by Patrick Savage and Holeg Spies adds another level to the film as it accentuates the visuals, the action, and adds another dimension to Hackel.

ABRUPTIO features a first-rate cast of actors voicing these characters. Rather than going with performances that are caricatures, they create characters that have peculiar ticks that flown through the puppet designs to enchant the viewer. Some of the actors are clearly recognizable, a few become apparent when viewing the credits.  Actor Sid Haig voices Sal in one of his final film appearances.

ABRUPTIO is currently doing the festival circuit, and while I highly recommend seeing it in a theater, if there is a streaming opportunity don’t pass it up. Evan Marlowe delivers a mad-cap genre classic full of dark humor and gore. It is a ride not soon forgotten. Marlowe is a talented visionary and I am excited to see what he serves up next.

CAST (voices): James Marsters, Hana Mae Lee, Jordan Peele, Christopher McDonald, Robert Englund, Darren Darnborough, Rich Fulcher and Sid Haig. CREW: Director/Screenplay/Cinematographer/Editor - Evan Marlowe; Producers - Kerry Finlayson & Kerry Marlowe; Score - Patrick Savage & Holeg Spies; Lead Puppet Designer & Fabricator - Jeffrey S. Farley; Lead Puppeteer - Danny Montooth; Visual Effects Designer - John Sellings. OFFICIAL: www.abruptio.com FACEBOOK: www.facebook.com/AbruptioFilm TWITTER: N.A. TRAILER: https://youtu.be/MUGGBqrYL1A RELEASE DATE: Pending, a selection at numerous film festivals

**Until we can all head back into the theaters our “COVID Reel Value” will be similar to how you rate a film on digital platforms - 👍 (Like), 👌 (It’s just okay),  or 👎 (Dislike)

Reviewed by Joseph B Mauceri

[investmentguide777]

AI-Powered Crypto Trading for Massive Gains and Minimum Effort

The future of crypto trading is here, and it's being shaped by artificial intelligence (AI) for effortless and highly profitable transactions. The innovative platform, Plus Traders, is at the forefront of this revolution, offering an AI-driven system that empowers traders to maximize their gains while minimizing manual effort.

In today’s fast-paced world, where time is money and information is power, Plus Traders offers the perfect solution for those looking to capitalize on the cryptocurrency market without the need for constant monitoring and analysis. Their cutting-edge AI technology does all the heavy lifting, allowing users to sit back and watch their portfolios grow effortlessly.

The Game-Changer for Crypto Trading

What sets this new AI-driven technology apart from traditional trading methods is its ability to process vast amounts of data at lightning speed. With machine learning algorithms working in the background, the system can predict market trends, execute trades, and optimize strategies in real-time, making it a game-changer for both novice and experienced traders alike.

"The AI we’ve integrated into our platform takes the guesswork out of crypto trading," said the CEO of Plus Traders. "It allows traders to focus on their strategies while the AI handles the rest, ensuring they never miss an opportunity to profit."

As more people turn to cryptocurrency as an investment avenue, platforms like Plus Traders are becoming essential tools for navigating the complex and volatile market. The AI capabilities mean that the platform can react instantly to market shifts, identifying profitable opportunities that a human trader might miss.

The Relevance of AI in Today's Market

In a world where markets move rapidly and unpredictably, relying on manual trading strategies is becoming increasingly difficult. AI technology offers the kind of speed and accuracy needed to thrive in such an environment. By utilizing AI, Plus Traders ensures that its users can take advantage of market movements in real time, reducing the risks typically associated with crypto trading.

"The level of automation and intelligence provided by AI in our platform is revolutionary," added the CEO. "By eliminating the need for constant monitoring and emotional decision-making, our traders can see consistent gains with far less effort."

Whether you’re new to cryptocurrency or a seasoned trader, AI levels the playing field by making sophisticated strategies accessible to everyone. As a result, platforms like Plus Traders are leading the charge toward democratizing crypto trading, ensuring that anyone with an internet connection can grow their portfolio with ease.

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The AI behind Plus Traders is designed to analyze millions of data points, from historical market trends to real-time news and social media sentiment. Using advanced machine learning algorithms, it identifies patterns and makes decisions based on factors no human trader could process in a short amount of time.

By continuously learning from each trade, the AI gets smarter, optimizing its strategies and ensuring that users experience better results over time. It takes the stress out of trading by automating everything from market analysis to execution, which means less time staring at charts and more time enjoying the profits.

Customer Testimonials

Traders who have already made the switch to AI-powered trading through Plus Traders are reporting impressive results. One user, a former manual trader, shared, "Switching to Plus Traders’ AI-driven platform was the best decision I ever made. I used to spend hours analyzing charts, but now the AI does all the work for me, and my profits have never been higher."

Another user highlighted the ease of use, stating, "Even though I had limited knowledge of crypto, the AI made everything so simple. Plus Traders really is the future of trading."

These real-world success stories underscore the efficiency and effectiveness of the platform. The results speak for themselves: higher gains, less effort, and an overall improved trading experience.

Take Control of Your Trading Future

If you’re looking for a way to maximize your crypto profits without dedicating hours of your day to market research, Plus Traders is your solution. With its AI-powered technology, traders can now achieve substantial gains while expending minimal effort. Why settle for traditional trading methods when you can leverage AI to do the work for you?

Start Trading Smarter with Plus Traders

The cryptocurrency market is growing, and those who adopt new technologies like AI are the ones poised for success. Don't miss out on the opportunity to be a part of this shift. Visit Plus Traders today and see how AI can transform your trading experience.

Invest in Your Future with AI Technology

Crypto trading doesn’t have to be complex or time-consuming. With Plus Traders, you can harness the power of AI to grow your wealth effortlessly. The future of trading is here, and it's available to everyone, regardless of experience level. Don’t wait—start using AI to take your crypto portfolio to new heights.

Explore the Future of Trading with Plus Traders

With AI becoming an integral part of financial markets, now is the perfect time to take advantage of this technology. Whether you’re a casual trader or looking to invest seriously, Plus Traders gives you the tools to succeed. Their AI-driven platform is designed to make trading easy, efficient, and profitable.

Seize the Opportunity Today

AI-driven trading is not just the future—it’s the present. The world of crypto is evolving quickly, and those who adopt advanced technologies are the ones who will come out ahead. Join the growing community of successful traders at Plus Traders and experience firsthand how AI can make a difference in your trading strategy.

[absolutebl]

Quick Pitch

It happens so rarely, but guess what? New member of the 10/10 club!!! 

Our Dating Sim

South Korea 2023 - on Viki 

Tropes: second chance AKA reunion romance, office setting, nerds in love, sunshine/tsundere

From production house Heavenly (and it was). Where did this BL come from? Well Korea, but seriously. I had no idea it was happening until it started dropping and then I was ALL IN. It’s so stinking cute. 

I loved this little gem of a show. 

This is my ideal BL! A classic second chance romance of two nerds in love with a workplace reunion and good kisses. I’ve been waiting for KBL to give us exactly this for a long time. 

I enjoyed every aspect from the casting to the very simple premise to the quietly smooth execution. Sure it’s very low stakes, but that makes it high domesticity and extremely warm and gentle. This is a fuzzy blanket of a story. The thing it reminded me of most was To My Star. 

Do we call this cozy BL? Why not? This one is going to live in my rewatch pile, I can tell already, and you know what’s best about it? Every single episode is in that pile. There’s no skipping episodes with this one. It might be good natured and calmly sweet but it’s tight and the pacing is excellent. It perfectly suited KBL’s short-length tendencies. 

10/10 

I cannot recommend this show highly enough. 

(source)

[yesterdanereviews]

The Wizard of Speed and Time (1988)

Film review #625

Director: Mike Jittlov

SYNOPSIS: Mike is a stop-motion special effects artist who is trying to make it in Hollywood and get his screenplay produced. When his script catches the eye of some executives, they hire him to work on a feature for them, but being executives, they also make a bet on whether he can actually pull it off. Mike has to somehow assemble a crew and get his film done in the hopes of being paid...

THOUGHTS/ANALYSIS: The Wizard of Speed and Time is a 1988 semi-biographical film. Directed, written, produced, and just about everything else by Mike Jittlov, the film stars Mike Jittlov as Mike Jittlov (surprisingly), a special effects artist who is trying to make it in Hollywood. He gets his big break when some Hollywood executives task him with producing a feature. However, the execs make a bet with each other that he will not be able to complete it in time, so Mike must navigate that trials and tribulations of making a film in Hollywood to get it done on time. The film is an expansion of the short film of the same name, which was a showcase of some really creative stop-motion effects, and wrapping a semi-biographical story around it. The story is a fairly simple one, which takes swipes at the Hollywood film industry, as well as showcasing the frustrations Jittlov himself experienced in the industry. Despite that, it never feels bitter or defeated: the humour is quick-paced and sharp enough in it's satire that it pokes fun without being mean-spirited. Also, the focus of the film is ultimately in it's stop-motion scenes and effects that triumph over any negativity, expressed through statements of affirmation and positivity hidden within the sequences. This is also the message of the film in general as well: that the making of films, and the creativity, outshines any attempt by the film industries machines to dismantle creativity in favour of profit. The main story about Mike must making a film is a bit bland in isolation, but you can't really judge the film solely based on that: it would be like judging Jaws solely based on all the non-shark scenes. All the different elements of the film are weaved together well, and there's just an overall sense of fun and passion that shines through.

Packed full of little references and jokes that keep the film interesting, and never losing that personal touch, The Wizard of Speed and Time delivers something unique. It avoids the trap a lot of films mostly made by one person of being too self-indulgent and inward looking, but oddly enough, I think this is one of the most personal films of this type I have seen. It is reminiscent of Fellini's 8½ in a lot of ways, but rather than being a surrealist tour-de-force of the filmmaker, The Wizard of Speed and Time is a lighthearted, celebratory look at filmmaking rooted in it's time, with that 80's flair and synth-driven soundtrack that capture the feeling of 80's Los Angeles. Some of the humour gets a bit too involved with the intricacies of the industry, including union rules and the use of film reels, but these aren't too much of a problem.

Spending ten years in production, Jittlov refused any financial backing for this film that would have meant sacrificing any of his vision, and I highly respect that. The making of the film reflects the actual making of the film too, and it's this constant weave of real-life and fiction, interspersed with these explosions of creativity, which makes it so captivating. Apart from the special effects, you've got Jittlov doing some intense stunts, such as one scene where he spends two minutes underwater in a pool, which he actually did by holding his breath. The more you realise how much is authentic and done by hand or without stunt doubles, the more you appreciate the film as a whole. Maybe if you've got no interest in filmmaking or the creative process, then this film might pass you by, but I genuinely enjoyed all aspects of it, and it rises above the pitfalls of other films mainly produced by one person on zero budget with it's quick-witted humour and fun visuals.

[sadculturee]

AINUN'S FILM REVIEW

THE MARVELS

Ratings: 6/10

Rating an MCU film, especially one with some of my favorite characters, a 6 felt personally painful to me. I didn’t have grand expectations coming into the theaters, knowing how poorly Marvel had executed their 4th phase, but 30 minutes in I knew I had to make my peace with the fact that “The Marvels” was simply badly written and poorly executed. An opinion that remains standing until the very end of the story. Iman Vellani aka Ms Marvel was the only good thing about the whole film, she delivered her character with her own unique pizzazz. Ms Marvel was a joy to watch and I truly hope to see her more in future MCU projects. 

Disclaimer: Minor spoiler alert and a sort of brutally honest rant from a Captain Marvel fan.

My first “umm?” moments came really early in the film, just when they were building up the story background. Our heroes were forcefully intertwined with each other, resulting in them having to overcome their differences and work out their powers in synergy. Watching this from an MCU-fan point of view, someone who has watched nearly all of MCU films/shows, I really did not get the tension they were trying to establish. I was still trying to grasp what was going on when the fight scenes and body swaps started.

I understand that they were trying to make it vague and mysterious for a “grand reveal” right before the climax, but it didn’t exactly do what it was supposed to. All it felt was: chaotic, incoherent, rushed in some parts yet too dragged down in others. I felt bamboozled by the constant light blasts and awkward attempts at comedy relief, not able to savor and enjoy any part of it. The music and soundtracks even felt weird, out-of-place and forced. It adds nothing to the story or the characters. 

There’s honestly not much to say about “The Marvels”. Random droppings of fan-favorite characters and a tease of a couple highly anticipated future projects were supposed to be a nice bonus on the side, not the sole highlight of the story (at least for me). Cameos and easter eggs used to be nice little bonuses fans got, but this time it's the only good thing we got.

I wished they raveled more about Carol and Monica’s relationship, instead of having them say a few emotionless lines, non-consensual memory evasion and then hug it out in a Disney fashion. This devoids all emotion and empathy from the audience, shrugging off the issue as meaningless, and the characters as hollow. The same case with Carol's relationship with Prince Yan, I imagine, was written as an attempt to add dimension to her character, to provide a human sense to her all-mighty powers. It felt more like a filler plot that adds nothing of value to the story. This, combined with the messy pacing, made the film even worse. 

I wish Carol showed more compassion for the people around her, actually thinking about what she’s doing and the impacts of her actions. A bare minimum quality ANY heroes should inhibit. Her initial reaction upon meeting Kamala for the first time felt out of character. I understand heroes have to make hard decisions during a crisis, but snapping at a literal child who simply wants to save people gave me the ick. It felt wrong in so many ways. And this is coming from a (self-proclaimed) hard-core Captain Marvel defender. These micro-interactions of her with Kamala felt like a complete butchery of her character for me. SOUNDS EXTREME I KNOW, but I’m actually pissed. This is not the Captain Marvel they introduced to us in 2019. This is not the badass superhero I fell in love with and rooted for. 

Iman Vellani's love and respect for her character and the original source materials (the comics) truly shows. Even with a bad script, a story struggling to build a clear foundation and failing to deliver a coherent climax, she managed to be the only main character who made the movie watchable. 

To sum up, did "The Marvels" deliver an enjoyable experience? To some extent, yes. Would I recommend this film to people who haven't seen it yet? No, even if you're curious, just wait until it's Disney+ release, it's not worth your money. If you're intrigued by the main characters, I implore you to watch "Ms Marvel" instead. It's unlike any other superhero series Marvel has ever done, so do not expect it to be in the same format as the superhero stories you grew up with, but it is really good. It explores Kamala Khan's origin story, her struggle with being a Muslim, brown, 1st generation immigrant teenager with reasonably high expectations from her parents and her new-found superpowers.  She's not depicted as the perfect, mighty hero we're accustomed to, and her flaws were actual flaws and not some weird exaggerations I’ve seen in others (for example: Loki/Sylvie Season 1) which makes her all the more interesting. Despite her weaknesses and teenage clumsiness, she always tried her best to help. Which, in the grand scale of things, is the core essence of being a hero. It felt personal and relatable. Like I’m living through her adventures.

PS: there's one after-credit clip you'd regret to miss, so stay put in your seat.