#i haven't done transcription in three years | Explore Tumblr posts and blogs

badnewswhatsleft · 3 days ago

Text

rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

411 notes · View notes

orangeocelotmartyn · 6 months ago

Text

xB & Keralis hanging out on xB's stream moments 5/16/24

Transcript under the cut

xB: (giggling) Keralis: Heyyyyy! Look who's here! xB: hi! (overlapping) Keralis: Hi, how have you been? xB: Hello. I've been alright, how's your-- Keralis: I haven't seen you in ages-- xB: I know, you've been gone for like a year. Keralis: Yeah, yeah. xB: Yeah. Keralis: Every single year, I'm gone. xB: I know! Keralis: This year was terrible, this year was terrible. But I'm back, I'm back! xB: Good! Did you want to come see what I'm working on? Keralis: (interrupting) Hi! You're pretty. Yeah yeah yeah, lead the way. xB: You're--I mean, you're not so bad, yourself. You know what I'm saying? Keralis: Oh, have you seen, I've-- xB: (interrupting) Hello. Keralis: --I've got a trim job, look at this-- xB: Oh! Look at you. Oh, wait, wait, are we matchy-matchy? Keralis: No, you're blue, I'm yellow. xB: Well, right, but the same, same--yeahhhh, look at us. Keralis: eyyyyy-- xB: We are handsome AF. Keralis: Well, my eyes are more handsome than yours-- xB: Ehh-- Keralis: Let me, let me just get undressed for success-- xB: my--mine costs diamonds to put on. Yours is just gold. Keralis: (sighs) I mean-- xB: Uh huh-- Keralis: --diamonds are kinda just so yesterday, I would say, so yeah. So yesterday. xB: Well, gold is just so, like, 2010. Keralis: (four seconds of silence) I don't want to see your thing anymore. xB: (giggles) Keralis: (laughs) Lead--lead the way, lead the way. xB: Okay.

Keralis: I missed the message, okay? I've missed the message--is this your? Thingy? xB: Yeah! Keralis: "xB's base--" Have you moved away from me? xB: Uh, a little bit, yeah. Keralis: Dudeeeee-- xB: I-I-I'm not done, like, at spawn, but-- Keralis: I'm gone for three weeks and this happens? Oh my goodness. xB: Why do you think I left? Because I no longer had a neighbor. Keralis: You do have neighbors, who's Beef, then? You've got Beef, you've got Falsie--oh, goodness, you've got plenty of netherite-- xB: No, he built a--he built a moat. Didn't you see? Beef built a moat, so I couldn't get to him. Keralis: That was Falsie, I guess, right? (overlapping) But did he hire False-- xB: Right, but he hired her--(overlapping) so he might as well have built it-- Keralis: (laughs) that's rude-- xB: (laughing) Dang guy. Keralis: Oh, that's so rude.

xB: mhm. Oh, I borrowed your fishing pole for a little bit, too. And then I put it back. Keralis: You did what with my pole? xB: I--touched it. Keralis: You touched my tra-la-la? xB: Mhm. (snickering) Keralis: My ding-ding-dong? xB: (giggling) Not that, no. (more giggling) Keralis: Oh.

Keralis: I don't want to be the party pooper, but I got dinner in just a few minutes, which I need to attend to. Otherwise my wife is gonna-- xB: Yeah, I've gotta-- Keralis: --be super upset. xB: Yeah, I've got a base to finish, so. Or, water to finish? Getting out? I guess? Keralis: Your base is over here. I can't believe you've moved away from me. xB: That is my starter base. Keralis: That is not your starter base. That is your forever home, and now you're gone. xB: Starter--no, no no no no no. I never said it was my--I said from the beginning, "this is my starter base." Keralis: I see your horse. What is up on the-the second floor? What's that? xB: That's my bed. Keralis: Your bed? xB: Mhm. Keralis: You got a bed? xB: Yeah! I took one of the beds out of it, but, yeah. Keralis: Awwww, there we go. That is my side, and that is your side.

#xbcrafted #keralis #hermitcraft #xbralis #i guess? they're just Like That #video #transcribed

308 notes · View notes

mmyashas · 8 months ago

Text

COMUNICADO IMPORTANTE: quackitytoo

TRANSCRIPTION -> TRANSLATION BELOW THE READ MORE. i am not an experienced translator and some may be a bit off, but i've done my best to translate all of it!

hello, hello! hello everyone. good night– good night everyone, i hope you're all well. um, i did this stream since i'm making an announcement to talk to you all in relation to qsmp's structure. i know people have questions, about a lot of things. so, i hope this will help you understand a little bit more. i'll be saying all of this in spanish since i find it easier to find the words– in spanish, as it's my native language.

i want to give you and explain a bit of context about everything. these last three weeks have been incredibly turbulent in many, many aspects. the restructuring process that's in course for the project hasn't been very easy. before my involvement— and i've said it before— there were people that affected the project in damaging ways, financially and administratively. i had already commented about this.

and i haven't spoken about giving updates and nothing of that nature and i haven't spoken about it since all the updates i've had are internal and of the legal type. hence why, there's no visible changes but they're changes that have to happen. i reaffirm, malicious people have been removed from the server and i'm still in (legal) processes against people who've caused many of this damage since the start. and that has been one main focus of this restructuring that's been happening.

guys, i want to leave this very clear. during all this process, all the words and actions that have been taken have to be done very, very carefully. recently, i've wanted to give many updates, such as internal and external, but we're against a really critical problem– that being leaked information.

i don't know if the people that leaked announcements or information from the inside knew that this was happening, but when i gave out private information and this info got leaked to places it shouldn't have gone– that affected the required process to solve a lot of stuff. and the people that harmed me both administratively and financially, that i've talked about in a past stream, were finding out about things and situations they shouldn't have and used this information to misrepresent and affect the process. so that complicated things– it's why i haven't given any announcements or talked freely as much as i wanted to. it's not to ignore or evade but there's a really, really delicate process going on.

and from the start, i knew in my involvement, to achieve a total change– we had to start with the people that affected me and the project. and caused a lot of the mistakes that have been occuring this whole year.

and when this could be defined, what was done was starting to find a financial strategy for the project since the project's costs are very high– and the project was going to close. i've also mentioned this before. and when i could define with strategies and events in the qsmp if there was a way to support the project, the next step was to restore different elements of the qsmp that no longer existed. and i want to make something clear, given the circumstances of the server i didn't want to make any promises to anyone i didn't know i could keep.

this is the reason i was figuring out this part and the financial part, and i couldn't give any more internal updates because i was working in an important part of the server, the financing. so, i understand and comprehend the lack of communication has been notorious. and i reaffirm, i tell you, it's not on purpose. there's a lot of situations i've tried to solve behind the scenes but i've had to be very careful. i understand if there's people that don't agree with the methods or the process. and if you dont trust in the project or the process– don't worry. there's no problem if you stop consuming the project. i totally understand. i've said i have a personal conviction with the project and it'll stay like that.

i've been working very hard and i'll do everything that's possible so the project keeps running but with the best conditions possible. and something i have to make clear is that this process takes time. i have to leave it clear– this process takes time. guys, there's people that have left the project and will keep leaving the project on their own will and i understand it fully. and i have no problem with someone that takes or will take that decision, and i wish them the best. in fact, i gave an internal announcement where i said that a restructure would take time to finish. and there's people that for reasons don't want to be part of that process. and i understand completely! because it's not easy to be in transitional phases.

something i said at the start was that my main objective was that this project came back to normal but with the best conditions. this is able to happen following the dynamics and examining the exact scenario for each person contributing to the project— and this isn't achieveable in three weeks. and all of this process continues.

so, giving you all a bit of context, behind a lot of things about the project. i ask you all, that keep wanting to do it, ask you your full patience. i don't want to promise or talk pretty. i want to make concrete decisions, and that's what i've been doing. if it's seen or not, it's what i've been doing. it's what i've been doing step by step.

friends, the changes i've been doing is for the best of the project and i'll say it transparently, the changes are for the good of the project and the people that love it. to the people who the project's impacted and the ones who keep up and love everything that this project's for. those people are the motivation and inspiration who the project was created for and is created for and the reason i'll keep doing the qsmp.

i'm not doing this, and i want to leave it very clear, i'm not doing this for the people that for a long while have wanted to see the project destroyed by actions that have demonstrated the- total opposite of love for the server. like not constructive comments, bad actions, bad wishes for me, the team, and any community that consumes the qsmp and the project in general. to me, all those people with damaging intentions don't matter to me that they stop consuming the project. leave that very clear!

and let's not forget something important guys, it's very difficult to build and way easier to destroy. to all the people that wants to join this building process is welcome, and those that want to maliciously destroy, this project from the start wasn't and isn't for you.

and lastly, i want to say these days i've received a lot of calls, emails and messages from people from a lot of parts of the world expressing what qsmp means to them. it's why i tell you punctually, that this project isn't over and i'll do what's necessary so each day it gets better. it's a process, step by step, that takes a while but i'm doing it. so, beforehand, i want to thank you for your trust and reaffirm my personal compromise to strengthen this project.

i hope this cleared up some doubts and given the necessary context to some people. and i reaffirm, i have a personal conviction with this project and i'll keep working to better it. just wanted to say that. thank you all and goodnight! bye!

#augj never doing this AGAIN #qsmp #admingate #translation #long post #y aja #good practice but my god do i hate transcripting and translating at once #. Ive done worse. ive transcripted 30 mins it could b worse #<- convincing self

116 notes · View notes

estebunny · 5 months ago

Text

esteban ocon in the f1tv post-race show with will buxton and jack doohan

via f1 youtube channel and transcript below:

Will Buxton: Fernando Alonso scooting his way back to the hospitality unit and Esteban Ocon has come on the show.

Esteban Ocon: The way of coming back into the pits?

Will: Well, on the scooter, yeah, it gets you past everyone.

Esteban: I thought it was forbidden.

Will: It does say on the gates, doesn't it? No scooters allowed.

Esteban: Now it's allowed.

Will: You could do what you want as a driver.

Esteban: Yeah, no, no. If you have a nice beard, maybe like Jack, you fit through the doors. But I'm not used to seeing you with the beard.

Jack Doohan: I just haven't done the shave mate. Be gone for next week.

Will: We've talked about that. He's been busy in the sim. Perfecting his wolverine look as well. You'll get there one day. Esteban. Double points for the team today, you go above Haas in the constructors' championship. What a brilliant weekend. And I know when we talked on Thursday, both you and Pierre said that you were expecting a tough weekend.

Esteban: Yeah, we were expecting a tough weekend. And honestly, you know, the race that I had was a super long one, and we found some issues with the front of the floor in the car. The engineers told me at the end of the race, they were lacking some downforce to the front of the car. So honestly, it was super hard, the race. I kept falling back and almost not being able to hold Nico at the end, with a lot of sliding, lots of degradation. But you know, very positive that we managed to come in the points with such a race, because earlier in the in the year, if we had any issues, or any kind of even thinking of an issue, we were going to be 17 and 18, and today, we're inside the points. So that's pretty solid.

Will: What does it say about the development that the team has taken, the work that's being put in that. At the start of the season, you guys were, not being rude, but you were nowhere, and this weekend, about half a second off pole.

Esteban: Yeah, it's pretty unexpected to say the least. We put the car on in FP1, and honestly, it was working better than normal. We optimize, we try new things. We didn't bring anything new to the car. But for some reason, it's much better than in the beginning of the year. And if I got a clue of what it is, I think the team knows as well what it could be. And if that's the case, we should be okay for the next three.

Will: This is it, this is it. Proper tracks going forward that we know. Traditional tracks, shall we call them? Does this create a good barometer for you going forward?

Esteban: Yeah. I mean, time will tell. But if we are competitive in Austria, I think we're going to be competitive in much more tracks than we were earlier in the year. And that is good news. But until then, we haven't done it. So let's see. In Austria,

Will: I know, and a word for this guy here, the shift that he put in back at base.

Esteban: Doesn't have time to shave!

Jack: I brought one. Maybe I was thinking about doing it in the plane, but I didn't really want to clog their sink up in there on my way.

Esteban: But we can thank him, because honestly, I mean, I've been on that that scene as well in the past, in 2019 and, yeah, he must be pretty tired. Coming in here, very little sleep and yeah, that's the commitment we need at the moment to boost ourselves up.

Will: Thanks, coming the show mate. Appreciate it. Thanks. Travel safe, we'll see you in…

Esteban: Two days.

Will: Few days' time, right?

#why don't we talk about esteban's obsession over bringing men's physical attraction into the topic?#nah seriously what a pleasant conversation between the three. no wonder f1tv team loves to invite esteban whenever he had a good race #also esteban relating jack's hard work in the sim to his mercedes days and praising him a lot. how sweet!#esteban ocon #jack doohan #will buxton #f1 #spain 2024 #frenchpine

31 notes · View notes

umgeorge · 6 months ago

Text

george russell is interviewed on media day, canada - june 6, 2024 (transcript under the cut)

Interviewer: "Heya, George. There's been a couple times maybe over the last few years where there's been moments where Mercedes looked like they'd maybe turned a corner and it hasn't quite delivered. Does it feel like, this time 'round, what you've done in the last few races is a different turning point and it really, genuinely is a breakthrough?" George: "I'm not gonna say it's a breakthrough, because we definitely haven't made the step that you've seen other teams make so suddenly-McLaren last year, Aston Martin in the '22 to '23 season-but we know we just need to keep on chipping away at it, and I think it's been clear that there is a lot more potential in the car than we've gotten out of it. And we've perhaps gone in a slightly wrong direction with the development previously, but we've changed our path again and we're pretty confident that the path we're on is the right one. When it's gonna translate into results, I don't know. It's definitely translated into laptime. That was pretty clear in Monaco, that we made a step in the right direction. But, as I said, it's pretty competitive now, and if there's gonna be one- or two-tenths between the top four teams, it doesn't take a lot to be able to jump three, four, five places." Interviewer: "That's definitely, I think, a step forward maybe from when I've talked to you in the pen and you've said a P6 is probably the best we can do this weekend. From a mental perspective, have you found it challenging to kind of keep picking yourself up from one weekend to another, especially knowing at some point you can't really do more than P6?" George: "It's a good question. I think it depends how you look at it, to be honest, and I think if I was a bit younger and had sort of less experience under my belt, I'd be finding this situation extremely difficult and frustrating. I've kind of learned that you need to set your own goals, and if you achieve those goals, even if it's not the victory or a podium, but you've achieved the maximum of what the car is capable of, you've got to take that as a victory and you've got to pick yourself up and go again, because if you're not careful I think you can quickly let an external situation spiral out of control and start hindering your own performance. So I'm a racing driver, my job is to drive the car as fast as possible, and I feel like I'm doing a good job at the moment, so I've got to be proud of that."

#george russell #f1 #formula 1 #canadian gp 2024 #fic ref #fic ref 2024 #canada #canada 2024 #canada 2024 thursday

24 notes · View notes

thehammondlegacy · 7 months ago

Text

Previous - Next

Transcript under the cut

Hemlock Abbey - 2 pm

Robert: I can't believe you made him climb that thing!

David: Me neither!

Robert: I mean in the last three years, I haven't been able to even take him playing football at the park! How did you do it?!

David: You must know he's lying, Liv... I do go out with him and maybe a little too much

Robert: It's never too much!

Olivia: Yeah, I've seen magazines with you pictures. You boys have been bussy!

David: Well, those days are over now...

Olivia: David, you are 24! Live a little!

Robert: Yeah, listen to her, David! Olivia, I really like having you around, please don't ever leave us!

.....

Louise: You had an interesting morning, haven't you?

David: Yeah, I guess so...

Louise: It must be nice to catch up with your old girlfriend, and I right?

David: Not now, Louise... My neck is killing me

Louise: It must be all the climbing you did. Why don't you ask her to give you a neck massage? I'm sure she won't refuse...

David: Excuse me?

Louise: Oh, stop it, David! Why can't you see what's happening here?

David: I'm not sure what's going on, would you mind telling me?

Louise: You really don't know? Of course you don't! How could you ever doubt her intentions. The perfect Olivia... Who would ever dare to question her?!

David: *laughs* I have no idea what you are talking about, but-

Louise: Why do you think she came here, David?

David: Hmmm, I don't know, to see her friend?

Louise: A friend she hasn't seen for months? How can you be so blind?! She here to stop us from getting married! She wants you to break your engagement so she can stand in my place!

David: It's amazing how much you mind can wonder, Louise. Olivia is a friend, and she hates the idea of being in your position right now. She hates this world and she would never try to be part of it...

Louise: Really? You are so blind... Can't you see she's trying to make you remember the past so you can forget about your present with me? Honestly, can't you see what she and Rob are up to?

David: Is that so terrible to you? Me having a friend who makes me remember who I really am? I don't see how that could affect our situation, Louise. This is the first time in years I have a little fun, is that too bad?

Louise: You are having way too much fun with her from what I can see... Once we get married, I don't want her around, David. If you want this marriage to work, she better disappear from our lives

David: I cannot believe how unreasonable you are being right now!

Louise: Oh, I'm being unreasonable?! I am not the one puttin another woman before his fiancée on his priorities' list!

David: When have I ever done that?! Like you said, I haven't seen Olivia for months ever since the Ubrite match. Is it too bad we catch up once in a while?! Ever since you were chosen for this job, it's all been about the wedding, and about your life! I've met your parents, I've rushed our engagement, and I've been making sure you don't feel unconfortable around my family, now you don't want me to see my friends, what else do you want?!

Louise: I want you to stop trating me as your business partner, and start seeing me as your future wife... Is that too much to ask?

David: We both know the kind of relationship you are asking for will take time... If you want to get there eventually, then don't ask me to stop seeing my friends

Louise: A friend you still have feelings for? I've seen the way you look at her, David...

David: Enough! This gave me a headache, I'm gonna lay down...

#THL #The Hammond Legacy #the sims 4 #sims4 #ts4 #the sims 4 legacy #the sims 4 gameplay #the sims 4 story telling #ts4 legacy #ts4 gameplay #ts4 storytelling

18 notes · View notes

magdaclaire · 5 months ago

Text

starshine, a poem about my girlfriend @legalespeon

to cait: you're my favorite. to everyone else: hope you enjoy.

transcript under the cut or in the alt text image descriptions.

signed,

m a morton

i told her once that meeting her was like turning the lights on

and i don't know if there's any better way to describe it

how else can i say that it feels like she reached into me and pulled every good thing about me back into the light

reminded me that there's more to this house than the shadows and the gloom

the creaking staircases and drafty windows

that she spilled color back into the world

or maybe she just reminded me to look for it

she opened the front door and the handle didn't even stick

didn't even catch on the swollen door frame

storm damaged in more ways than one

nobody's ever done it like her

people have shouldered through the door and they've climbed through windows

they've left the first time they were denied entry,

mistaken the hesitance for occupancy,

it didn't even hesitate for her

like the door was made for her to walk through.

meeting her was flicking on a gas stove

tick, tick, tick, catch,

the potential was always there,

stored energy waiting to be sparked into a flame,

i've cooked more in the months since i met her than i had in the previous two years.

every day, we do the connections together

that new york times game, something i would have never gotten into without her

i only like doing wordle with her

i get bored otherwise,

too caught up in my head to even stay focused on a game you only get six tries to get right

so why do i feel so perfectionist about it anyway

but that's not the point.

the point is that things are more fun when i can hear the sound of her laugh

i've always hated looking at menus but it's fun when she's telling me all the things she wants to try

when she's looking at restaurants in my hometown and curious about the brussel sprout salad

(which, of course, i order)

we looked through the attraction pages of three zoos together

we've contemplated dates in my hometown

the place she used to live

the place she's moved to now

the city where i stay when i'm with my brother

every place i am, i want her to be

i wanna see my comfortable places through her bright eyes

see how my girl sheds starlight, pixie dust from her fingertips

her delighted laughter, her open excitement,

i want to take her to every nook and cranny of childhood i have left in this world

let her know the creature consigned to this body

how it has come to heel beneath her gaze

how deeply and embarrassingly and ardently she's been needed for longer than i've known her.

she worries she doesn't help me as much as i help her

as if that worry in itself isn't more care than any partner has ever treated me with

like there isn't care in every look she regards me with

as if i haven't slept better since meeting her than i have in years.

and it can be said,

hey man you met her in the same time as getting on some new meds, maybe correlation isn't causation?

the new antidepressant is called auvelity and it started working before i ever knew her name

gave me energy again and the ability to cry and i started cooking again

day by day wasn't a slog for the first time in years and i hadn't felt that good since high school

(as fucking terrible as high school was).

the whole world still dim like milky twilight, damp with humidity

the frogs and the crickets so loud (or maybe the walls so thin) that you can hear them standing in the center of the house.

the lights didn't turn on without her.

she wraps joy around me like a borrowed coat, sits me down in the living room and tells me about the future,

and for the first time, i can picture one with me in it

for the longest time that idea was so vague to me

the abstraction from self it took to imagine survival past day by day by unforgiving day

with her, i can imagine turning 25

26, 31, 45

if she's there, i want to be there too

and that's a lot to put on someone's shoulders

and i cannot be one more burden in her Atlas sky hands.

she'd tell me that i am not burdening her but stepping shoulder to shoulder with her, bearing the weight together

or she would tell me that i'm one of the reasons that all this tension is worth carrying

or she'd tell me that she's tired,

that she'd like to let go of the world and lay down with me,

and i would grab her hand and smile,

say fuck the world, come home with me

and in this imagining within an imagining

i picture how carefully she would set down the sky,

like placing a child back onto their feet

and how this is how she does everything,

with so much care it makes your chest ache

makes your eyes hurt

starlight girl supernova bright in my mind's eye,

my heartbeat catching on the lines of her smile.

sometimes, she and i sit looking at each other through cameras and phones and hundreds of miles

and i feel closer to her than any lover to ever touch my skin

there was an ocean between us and still that was true

four hours time difference we still found a way

i don't know what to do with a partner that actually thinks i'm worth the effort.

pushed out to sea by every moment i'm not with her,

pulled back in by the tide of her breathing,

my starlight girl moon in the sky,

and i the wrong kind of cosmonaut but enamored anyway,

there's not a way i can imagine this where i don't want to follow where she goes.

she's got one of those gaming computers with lights where lights truly do not have to be

it's colorful and whimsical and i'm sure that there's functional purpose

i want to build her the world with my own two hands but i imagine a computer like that might be easier

circuits and wires and logic and programming and ducks, from what i hear

i've never been for going about things the easy way anyway.

that's the scariest thing sometimes,

how easy things are with her

i'm used to loving folks like pulling teeth from my own mouth

service comes easy to me, gifts i can make,

but expressing love aloud has never been easier than when i'm pushing it past her lips

pouring love into her with lip and teeth and tongue

whisper her my love affair fire with smoke passed between our mouths

she breathes me in and i am taken in,

perfect and peaceful.

i'll never stop wondering why

she chose me but i'll choose her back every day if she'll let me

my sunshine, my north star

everything i need.

once, i told her that talking to her helps,

but I think I'll miss her til I have her in my hands, and every time she's not after that too

she says to me you say the most romantic shit sometimes,

asks me if she's supposed to be normal about it,

as if making her feel that way isn't the goal of my every sentence;

letting her know how special she is through words alone is impossible

but sometimes I get close.

sometimes i think she can feel just how badly I need her,

split seconds of oh, you love me flash of recognition on her face

as if loving her wasn't what I was made for,

as if the sound of her laugh isn't music to me,

as if I don't hang off her every story time run-on sentence,

her unique ability to circumnavigate her point so much that it's like she's telling ten stories at once,

I love that about her.

I love the way she needs me to know every single detail and every single reason and how she knows him and how they know them,

how she invites me into the house of her soul just as easily as the door opened to her,

I love how much she trusts me.

I love trusting her just as much.

my good morning texts to her always start the same way

good morning, starshine! the sun says hello!

a bastardization misremembrance of something my mother quoted to me as a child that tastes like home on my tongue,

the home I provide to her will always live more on love than anything else,

and as well as I can, I won't let her be lonely in the home we share.

I was a lonely kid, in a way

in the textbook for the psychology class I took the semester before I met her

there was a small definition of what autism is, which began with

autism is a disorder characterized by extreme aloneness,

the goal here to be able to communicate exactly how much people like me live in our heads more than our homes,

open door and song birds singing,

and i don't think i've ever looked into a two way mirror and saw myself so profoundly as in that simple sentence,

that deep well of loneliness bubbling within me so suddenly.

i've never liked learning new things in public

it takes me time to adjust to information, to incorporate things

i can play a good game when it comes to the gambit of conversation

adapt as quickly as i can and keep quiet while things slide into place in my mind

i've never met someone more understanding of the oddities in me than she is

never been able to ask for the space she gives me naturally

slow but not far

an arms length intimacy that we close the distance of when we're both ready,

i wonder if she loves figuring me out as much as i love the vice versa,

standing in that push and pull of learning every single thing about her,

letting the ocean tide bite at my ankles just for the pleasure of standing in the sea spray,

i've always loved the water but never like this.

my love for her ocean vast and trench deep,

i have no idea how to end a poem about her

i'll spend the rest of my life with her

and i still don't think i'll ever be able to properly form the words,

tell her exactly how much she means,

how much i need her.

so instead, i'll prop the door open

write her poem after poem after poem of hello i love you,

good morning, i love you

how did you sleep, i love you

did you get something to eat, i love you

drink some more water, i love you

let me take care of you, i love you,

and i will take her hand and i will give her the keys, say

this house is yours now

i know you'll treat it well.

#💞#poetry #poem #my poetry #as you can tell i do not remember my poetry tag but did y'all know that i love my girlfriend. now you do.#i love her so much <3 #mine

13 notes · View notes

kazarinn · 1 year ago

Text

Future subbing plans

When I first put Hurricane Touchdown out three years ago (goodness, has it really been that long already?!), I wasn't really planning to make fansubbing a regular thing, but after having worked on the Saint Tail project enough, I've started getting a little more used to it, so I decided to put a little more proper thought on what I want to do with it. This post will only be here, so my Tumblr followers can consider this to be an exclusive scoop ☺️

Regarding Hurricane Touchdown: As probably many of you know, Discotek Media recently announced an upcoming release of the first three Digimon movies, which, naturally, will include the Japanese version of Hurricane Touchdown. As is etiquette for fansubbers, I will be removing the download links for the Hudie release once that drops. However, I will be leaving the translation script file accessible to preserve the hard work done on it, and to leave it accessible for anyone who can't use the Discotek version for any reason (importation issues, region locks, etc.).

Raw script files can still be used with videos by putting them in the same folder as the video and giving them the same name, and the transcript is very easy to open with any standard text editor, so I think this will be a good compromise to keep the translation accessible and easy to reference. This is a workflow I started using with Saint Tail due to the unusual nature of its localization situation, but it's something I think I want to consider making use of going forward as well.

Regarding Saint Tail: Nothing really special to report here; I'll be releasing and revising sub scripts as usual until I've finished the series (I'm hoping to get it done by the end of the year). I haven't made a firm decision as to what will happen after that, but since it is a fact that the official release still has serious translation problems, I do think I want to do something to address that a little more aggressively once it's done.

Regarding Digimon Adventure 02: The Beginning: Based on the US screenings of the movie, it seems that the official English subtitles for the Japanese version are actually a transcript of the English dub, but with Japanese names swapped in. Surprisingly, this isn't as much as a detriment to the translation as you'd think it might be (the English dub script seems to be surprisingly close to the Japanese script, rather unusually for Digimon standards), but nevertheless, this is extremely bad translation practice and offends me on a personal level. As such, if future releases turn out to still be using this translation, I am considering making my own subtitled script for it.

For the record, because of how close the English dub script is to the Japanese script, I don't think this is actually that much of a detriment to understanding the movie; in fact, I would argue that LAST EVOLUTION Kizuna's official English subtitles are far worse and mistranslated in a more dangerous way. A theoretical The Beginning fansub would be, at most, something that would be done to satisfy a personal pet peeve and to address some minor loss in nuance that isn't reflected in the dub script, especially in regards to the Chosen Child partnership lore it presents (something that I know can be quite a serious issue to a lot of Digimon fans). So I'm not going to make guarantees about whether I'm going to do it in the end, and I wouldn't get your hopes up if I were you, but I do at least want people to know that this is an issue and that I currently have this idea on the table. As with Hurricane Touchdown, if I do put this out, it probably would be in script-only form.

As a side note, I do plan on translating The Beginning-related material (interviews, etc.), but I would rather put them up at a time when a sufficiently large percentage of fans has actually seen the movie. If you're from a non-American country and your country will be having a screening in the near future, please reply to this post with the date so I can get a good idea of when people will be watching it ☺️

#Digimon #Digimon Adventure 02 #Hurricane Touchdown #Digimon Adventure 02 The Beginning #Saint Tail

31 notes · View notes

armoricaroyalty · 1 year ago

Text

Previous | Chapter Start | Beginning | Next

Transcript under the cut!

Blackwell Beach // November 2017

[waves crash] ANDRE | ...what else do you have planned today? ROSALIND | I'm meeting with Theo to finalize our itinerary for the Uspana trip, and then I'm touring the rebuilt dam in Surmonte. ANDRE | Have you talked to your borther about the itinerary? He and Emily have been in Nakawe for a week already, I'm sure they'd have some input. ROSALIND | Freddy put together the first draft, but I'm going to have to make a couple changes to account for Jacques' absence... ANDRE | [sighs] He's training for the Olympics, Roz. ROSALIND | He's slacking off. ANDRE | Not everyone can work the way you do. ROSALIND | [sighs] I don't want to talk about Jacques' duty roster. ANDRE | Good. Me neither. ROSALIND | Actually....there was something I wanted to ask you. ANDRE | Oh? What's on your mind? ROSALIND | Well...Mary and I have been together for almost three years. ROSALIND | I love her, Dad. I want...I want to ask her to marry me. ANDRE | ... [waves crashing] ROSALIND | In January, it'll be five years since her husband disappeared. She'll be able to have him declared legally dead, and then... ANDRE | I like Mary. And I like the two of you together. ROSALIND | But? ANDRE | [sighs] The monarch's marriage — and the heir's — is not just about love. ANDRE | She won't just be your wife, Roz. She'll be your consort. She'll be the one who will help you carry the weight of the crown. It is not an easy role. ANDRE | All these years...I couldn't have done it without your mother. She sacrificed more than you kids ever realized, and I wasn't always the husband she deserved. ANDRE | [sighs] I haven't been the king that our country deserves, either. ROSALIND | Dad, don't talk nonsense. You've been— ANDRE | It's true. Armorica hasn't had a worthy monarch in almost a hundred years. ANDRE | But you...you have the markings of a great queen. ROSALIND | [softly] You think so? ANDRE | You are going to be the queen our kingdom deserves. ROSALIND | Thank you, Dad. ANDRE | As for you and Mary... ANDRE | She'll be a good consort. And more importantly, she makes you happy. As your king, you have my permission. And as your father, you have my blessing. ROSALIND | Thank you— ANDRE | Congratulations, sweetheart. I hope you're very happy together. ANDRE | We should get back up to the house and tell your mother. And then the two of you can go to the vault and pick out a ring... ROSALIND | I already have one in mind, actually— ANDRE | [chuckles] Of course you do. That's my girl.

#armorica story #chapter 3 #character: andre st. fleur #character: rosalind st. fleur #behind the scenes

37 notes · View notes

utilitycaster · 2 years ago

Note

Big D20 and ACOC fan here. The "they won't get the rich lore" argument just also feels so ridiculous from a technical standpoint? Like, CR fans watch long ass episodes, the campaigns for it span over a hundred episodes lmao. I'm pretty sure they're actually primed for lore retention and are fairly used to intricate plot points. I personally can't wait to see Matt take this on and bring in more viewers.

Right! Like...firstly, fans of Critical Role, or Matt, do tend to be massive fucking nerds, and CR in particular is pretty heavy on lore so assuming the worst of them is pretty dumb. Secondly, as I said, there's very few resources for this lore other than watching (requires a subscription) or reading the transcripts of the episodes - and I want to be clear, I don't blame the D20 wiki editors, who have as far as I know been minding their own business - but the people hyping up the rich lore have done nothing to bring that canon to potential new fans, instead just tsk-tsk-ing and saying "you wouldn't get it." Thirdly, I'm going to take a wild guess and say again that Matt and Brennan have gone through the lore together and are going to set the stage adequately for new viewers.

Which is the big thing that I think the people attempting to say "you wouldn't get it unless you've continuously been in the fandom specifically for ACOC for three straight years" are fully missing (and which your ask here does take into account appropriately). Dropout needs subscribers. That is their business model, and D20 is one of the shows that brings in the most new and continuous subscribers since many of the other shows, while great, are unscripted quiz-style shows and permit a more, well, drop in and out style of viewing.

The past few D20 seasons have not been pulling in the same viewership, and we can speculate why that is but it ultimately doesn't matter. They are specifically bringing in a popular and well-known DM, having a group of experienced roleplayers, and returning to this specific beloved setting on purpose to do so - both to mine the overlap in fandom between D20 and CR and perhaps expand it, reach out to fans of Aabria or Anjali, and perhaps bring back in people who watched A Crown of Candy but haven't kept up since. A lot of the discussion truly feels like it paints Matt as "asshole who wandered on set and seized control over my blorbos" and not "person who was very deliberately invited to DM this particular season and has the explicit blessing of Brennan, Sam Reich, and anyone else involved in the decision-making at D20." (I honestly don't know if the D20 powers that be are aware that there's a cohort of D20 fans who just passionately hate CR or Matt but the thing is, if I were a hypothetical executive who was, shall we say, plugged into the fansphere? I'd pick the setting of Calorum specifically so that we retain its passionate fandom, even if they don't like the DM, while also bringing in new fans. It would be the smart business decision, and also pretty funny.)

But also...look. I am certainly not above criticizing fan theories based on poor understanding of lore, or when people are like (smug voice) "well I'm a lore muncher so combat doesn't interest me", or when they respond to thoughtful meta with irrelevant projections. But if someone wants to watch Critical Role and make liveblog posts of "hell yeah, Fearne just stole that guy's watch, iconic" without going deep into the lore? That is absolutely just as valid a form of fandom as writing meta, or fic, or creating fan art, or cosplaying. The same goes for any other show. If you want to get into lore discussions and meta then yes, you should be relatively up on the lore, but if you just want to hang out and enjoy the show? You can show up to episode 1 absolutely cold and pick it up as you go along. It's fine, and anyone saying otherwise is an asshole who does not have good intentions.

#answered #Anonymous #people out here trying to reinvent the white male nerd Fake Fan accusations in 2023? cringe honestly. couldn't be me.

60 notes · View notes

sidsthekid · 1 year ago

Text

if you haven't already, be sure to check out sid's interview with mark madden from today! some fun tidbits about his europe trip in there, some sid laughs, some talk of sid's grays.

transcript is under the 'read more' but i was a little sleepy while editing this tonight, so sorry if there are any errors! feel free to shoot me an ask if you see anything you'd like me to fix.

Mark Madden:

Penguins Captain Sidney Crosby. Uh, yo, are you now the crazy old guy who fights in preseason games? I mean, I get it, but it was still a shock what happened there?

Sidney Crosby: Haha, I guess that's what it's come to. Uh, I don't know. I think it's just one of those things that, you know, I look back, I didn't really see the whole play. I just saw three guys on the ice that looked both had hit Tanger. And I didn't know if one got him high one low or anything like that, but, you know, just trying to just stick up for one another.

And obviously you don't like, you know, you don't like to see that happen, especially in pre-season. So I think it was just a reactionary thing and you know, it's just so happen to be preseason, but that's that's part of the game.

Mark Madden: No I think it's great example set certainly. Now, this game against Connor Bedard tomorrow night- the opener. It's got to remind you of your first game in your rookie year. What kind of memories does this dredge up?

Sidney Crosby: Oh, a lot. I mean, it's, you know, it's something that I can relate to. And, you know, I think everybody, you know, your first NHL game is something that everybody remembers and just all the feelings, the emotions that go into it. Your dream coming true with playing NHL. But I think, you know, for him, even more so just with all the pressure and expectations that have been on his shoulders for a while now.

So I can relate to all that and uh, and know what he’s going through. But I also know how exciting it is, regardless of all that stuff, to just be playing in your first game.

Mark Madden: If you could give eighteen year old Sidney Crosby any advice now as a 36 year old, what would it be?

Sidney Crosby: Probably just say no a little bit more. As far as just the off-ice stuff, I mean, that's that's one thing I look back on and it was just- it was pretty hectic and I think it's easier said, you know, said than done. I think at that point, though, there is just so much going on. We were coming out of a lockout.

You know, I think there's a lot of expectations on and off the ice as far as, you know, doing doing your part as a young player and trying to help the league and stuff like that. So I think that, you know, it's easy to say that now, but at the time I think it was it was the right thing.

It's just it was it was a busy year. It was a lot. And I think you you know, you feel that pressure, You feel that expectation. And he'll go through that. But he's got great people around him and his family and his team will be there to help them out and help them through it.

Mark Madden: Stats don't mean a lot to you. You've told me that. And I'm I know that's a very sincere feeling on your part, but you've averaged over a point per game every season you've played in the league. I think that consistency means something to you.

Sidney Crosby: Yeah, it does. I mean, it's like you said, it's numbers, but, you know, I think the the streak of being in the playoffs and that sort of thing, that's something that, you know, I think for the guys who are part of that, we're we're really proud of that. But you know a point per game. Yeah it's great.

I think it just comes down to you know want the opportunity to play for the Stanley Cup when you know, when playoff time rolls around. So I think I, I think about more of that than anything. But, you know, consistency has always been something I take really serious and it's a long season. And you know, you go through ups and downs of a season.

You want to be someone that can be relied on every night. And I've always I've always tried to have that mentality.

Mark Madden: I feel like it got one more hundred points season left in you. What do you think?

Sidney Crosby: Haha, I like the sounds of it. I mean, I'd love to. It's not easy. That's that's a tough mark to get to. And it's been it's been a few years since I've gotten to that. But yeah, I'd love to get that mark. I think that would be that'll be good for our team too. So maybe we'll get to that. So we'll see.

Mark Madden: What have you not done in hockey, Sid, that you still want to do?

Sidney Crosby: I'd love to win the Stanley Cup at home. I know that's get pretty particular, but you know, that's something that I don't think that's ever been done in the history of our team. You know, that's something that, you know, and, you know, you dream of winning the Stanley Cup. It doesn't matter where it is.

But I've been fortunate enough to do it. But I think to be able to do that at home would be pretty cool.

Mark Madden: I remember you told me as a kid when they just announced the new building was going to get ground broken. You wanted to win one at Mellon Arena before we left, and I kind of smirked. But you were very sincere and you did it. That was a big deal.

Sidney Crosby: Yeah. Yeah. I mean, that was I think everyone kind of looked at, you know, the age of our team and the expectations and, you know, thought it would take a little bit longer than it did. But I think, you know, our mentality was we thought we were we were close to being able to do it and hope that we were able to do it there anywhere really.

But it was nice. So we were able to do that before switching buildings.

Mark Madden: Do you yet consider your context, your place in Hockey's history, top five, stuff like that. And I know you're going to say you don't, but come on by now, you gotta.

Sidney Crosby: I don't, haha. Why would I? I mean there's- I mean that's a debate, you know for other people, not me, but I yeah I don't really there's no reason for me to really think about that. And obviously there's a ton of reasons and things you could debate. So there's not much point in me going there.

Mark Madden: Yeah, I mean, I don't want you to declare yourself like top five. Like, like I do on your behalf, but. But I just wonder if privately. You wonder? Not at all, huh?

Sidney Crosby: No, I don't. I mean, it's not. I mean, it's a compliment when your name is, you know, with so many great players and you're put in that category. But really I love the game and I respect all the players who've, you know, played before and what they've accomplished. And I don't really need to do that as far as, you know, for my own for my own self.

I don't really need to figure out what that is or have that number in mind. It really doesn't change. You know, how I feel about the game or how I feel about, you know, what I've done in hockey. It's not really about that.

Mark Madden: Okay. You've had training camp. Where's this team at? It's an older group. How far can an older group go in a league that's so fast and play so many games?

Sidney Crosby: Yeah, I mean, I guess we'll have to, you know, we'll have to see. But I think that definitely there's there's experience with us, which I think will help. I think one thing, you know, last year we were guilty of is not being able to hold on to leads. So I like to think, you know, with an experienced group, that's something that, you know, should be a bit of a strength as far as understanding situations that and making sure that, you know, when you do get a lead, specially late games that, you know, you find a way to hold on to it or at least, you know, grab points.

And we were probably guilty of, you know, not just losing leads but losing points a number of times, which ends up being the difference. So I think just that experience will hopefully help in a lot of areas. But yeah, I think that that's something, you know, whether it's depth or, you know, hold on to leads or just understanding situation, experience goes a long way.

Mark Madden: You got Karlsson. You guys have always been a very offensive risk taking team. He's certainly going to add to that in a positive way. And you know, Sid, I've suggested sometimes that you guys should play more defensively and slow it down. And as a lifelong penguin guy, maybe I was stupid because it's very apparent what you guys are.

It's in your DNA, it pre-dates you even it goes all the way back to Mario. I mean, you guys have maintained the way the Penguins were. Boy, destined to play. Sounds corny, but it's kind of worked out that way.

Sidney Crosby: Yeah. I mean, you've got to find that balance. And I you know, you look at the league, you know, there's there's a lot of goals being scored. You know, teams are putting up a lot every night. And, you know, you've got to be able to score. So that's obviously a big part. I think the defensive side is something that, you know, you can't trade, but at the same time, you got to be able to score goals.

And, you know, with Karl, he's a guy that, you know, can change the game with one play. There could be nothing really happening just to make something out of nothing. So that's, you know, that's pretty good to have back there. And, you know, I think as far as offense, he's going to just add to that. And we already have a good group, I think.

So he'll be able to add to that. And I think it'll just be a matter of, you know, making sure that on the defensive side that, like I say, we don't we don't trade off.

Mark Madden: We're talking to Sidney Crosby on the home of the Penguins 105 90 X. Sid, Your off ice workout routine has always been incredibly intense, but at 36, where's it at or are there times now it's maybe more important to rest than to do extra?

Sidney Crosby: Yeah, I wouldn't say that. I think it's just, you know, you just manage things a little bit different. Some things are a little bit harder on your body, you know, now than they used to be. So just being aware of what that is. And as you said, rest too. I mean, you got to find time to do that and make sure that you're able to go out there physically perform at the level you need to.

But it's it's constantly kind of a balancing act. I think it's something that you just try to, you know, listen to your body and understand at times in the schedule or training, as you mentioned, you know, when you might need to back off a little bit. But then when there's opportunities to go hard, you got to make sure you go hard to get the most out of it, too.

So it's just a critical balancing and understanding what you need to do. And it's it's still a learning process even at this point. But I think it's something that's that's important. If you want to have success.

Mark Madden: Do you ever just sit on the couch and watch TV and eat junk food?

Sidney Crosby: Pretty much Sunday off days. That's what it is.

Mark Madden: That that makes me feel a lot better about myself to hear that.

Sidney Crosby: Exactly.

Mark Madden: Although I probably do that more often than Sunday. Hey, you guys had that great thing back home for you in Nova Scotia. I thought that was terrific. How was that for you to experience that? And does anybody up there not like you? It was an amazing love fest. It was like 100% all Sid.

Sidney Crosby: You know, it's just really nice. I never thought I would ever have a chance to do something like that. We played there in 07 and it was pretty quick trip. We were in and out. We went had a game and left right after. So just have all the guys there to have my family be a part of it have everyone home, you know, show the support that they did.

Yeah, it was all it was all just really unique and something I didn't think I'd ever have an opportunity to do. So just really grateful that we were able to do it. It's a pretty busy schedule. So to get, you know, three or four days there be able to show everybody around and just get together with the group during training camp and just see a lot of new faces and things like that.

I thought it was it was a lot of fun. And yeah, I you know, as far as everything went, it was it was awesome. It would be nice to get the win. But other than that, it was it was a great experience, really.

Mark Madden: I'm just glad you didn't fight. Now you've been in Pittsburgh 18 years at 19 now this season. I think everybody here loves you, too. I mean, this has really worked out great here. I mean, not just the hockey either.

Sidney Crosby: Yeah, it's you know, it's a great place. I mean, you know, people love sports. And you know what? From day one, they've been so supportive and obviously they have high expectations of of all teams, especially us as the years have gone on. But they just couldn't be more supportive. It's a great place to live. And, you know, thinking about the situation I came into being able to, you know, play with Mario, live with him, be able to be surrounded by the young guys that were part of our team coming in and learn with all of them and to still be playing with two of them to this day.

Yeah. I mean, I'm I'm pretty grateful. The place, the people, the situation, the organization very, very lucky.

Mark Madden: Well, that kind of jumped to my next question. What's this like to go the distance with Malkin and Letang? Because now it's apparent. I mean, I don't know if you guys are all going to finish up at the same time, but you're going to play the length of your careers together is as far as it can go.

Sidney Crosby: Yeah. I mean, you know, you never know. In hockey, obviously you don't want to take anything for granted, but to be able to to go this long and hopefully be able to go a few more years, that would be incredible. It's been a pretty amazing ride to this point. And to be able to have those guys around to, you know, go through the experiences, we have, to see their drive at this point in their career and what they've accomplished.

I think it's something that, you know, we all push each other and know we all have really high expectations, but they're driven, they care, they're competitive. And it's really fun to see that, you know, after all these years, that hasn't changed.

Mark Madden: Now you've won all you can win in international hockey. You scored arguably Canada's biggest goal ever. You and Paul Henderson probably deadlocked in that regard. Do you want to play in one more Olympics, which would be in 2026? And that would mean at least one more year of NHL hockey beyond your contract, have you thought about that at all?

Sidney Crosby: Yeah. I mean, you know, it's- with the Olympics, it's too bad that it hasn't worked out. We haven't been able to, you know, to get there in prior years. But you know, if there's something that's worked out that'd be a great opportunity. I'd love to. And, you know, I've had some some great experiences playing for Team Canada. And it's, you know, as far as the level of hockey and just the product, I don't think you're going to see any better hockey than Olympic hockey.

So yeah, that that would be amazing. So I got to make sure I take care of myself and I'm playing at a high level, but I'd love to be a part of that.

Mark Madden: This is a dumb question. Trick question But what would you rather win a gold medal or another Stanley Cup?

Sidney Crosby: No, I'm not answering that one.

Mark Madden: Okay. Sorry. Let's just skip ahead. Where did you go this summer? You take some great vacations. I didn't ask you when I saw you because I wanted to save it for the show.

Sidney Crosby: Yeah. This year I actually went to Norway and toured around there a little bit. I went to Norway and Ireland. So it's been a few years since I've been over to Europe with the early exit. There is a little bit more time, so that was, that was pretty neat. I got to golf a little bit in Ireland and then it was a bit of a hiking trip in Norway so got to see a new place, a place that I always want to see.

And it was beautiful weather, it's great. It was a long offseason though, so I'm happy to be back and getting ready to play.

Mark Madden: Yeah, unusually long, but that's the point. You missed the playoffs. You want it to last longer this time. Did anybody recognize you in Ireland or Norway?

Sidney Crosby: Yeah, a little bit. I mean, in Ireland there is a lot of like bus tours and things like that. So I ran into some Canadian tours over there and then in Norway I was surprised. It's not a big hockey country, but, you know, they definitely know hockey a little bit. So I ran into some people there, but they were really friendly and you have both beautiful places and that was that was a cool experience to be able to just see a different part of the world.

Mark Madden: What's the last movie you saw and do you anticipate seeing The Exorcist reboot?

Sidney Crosby: I'm not going to see The Exorcist reboot, but the most recent one was Oppenheimer, The long one.

Mark Madden: I haven't seen that yet. Is it good?

Sidney Crosby: Really good. Yeah. They mentioned Halifax, Nova Scotia, too, so it doesn't hurt.

Mark Madden: Well, why no exorcist? Too scary?

Sidney Crosby: Yeah. Not really a scary movie guy.

Mark Madden: Okay, fair enough. I saw the original. I had nightmares for for two weeks and I was 14 and I. You know, I just. I'm soft, you know that now.

And as is tradition. Before we wrap up, are you engaged, married or is anyone expecting?

Sidney Crosby: Nope. Nothing to report there.

Mark Madden: Okay. Well, I feel obligated to ask. And finally and I think this is a good thing to wrap up with. You are very comfortable with your age, aren't you, at this point in your life and career at 36, even the gray hair, I don't think it fazes you at all. Am I right or wrong?

Sidney Crosby: Yeah. No, I mean, what would faze me about my age?

Mark Madden: You tell me, coach. I mean, I didn't. I didn't figure it would, but I wanted to ask, like, because you and I talked a bit about dyeing your hair, which you have no intent to do. And I'm sorry, I didn't, but I mean.

Sidney Crosby: Well I might have to if I keep going out, everybody keeps coming up to me and chirping my grays. So I might have to just eliminate that conversation starter. [Not entirely 100% about the first portion of this sentence, it was hard for me to parse out exactly what he said!]

Mark Madden: No, don't give in to people like me. Do what you want. My God, you're Sidney Crosby for Christ sakes.

Sidney Crosby: Haha, yeah, I know. I don't worry about age.

Mark Madden: Well, no, if I were you and played the way you still do and everything you got going I wouldn't either.

Hey, listen, this was great. As always. I appreciate you taking the time. And we'll see you tomorrow night. You going to fight Bedard?

Sidney Crosby: No, no. You don't have to worry about that.

Mark Madden: I kind of wanted to see it. Sid, thanks again. I'll see you tomorrow.

Sidney Crosby: Okay. Thanks for having me. Have a good one.

#sidney crosby #just a kid #pittsburgh penguins

21 notes · View notes

umlewis · 9 months ago

Text

lewis hamilton during the post-qualifying press conference, canada - june 9, 2007 (transcript under the cut)

Lewis: "Absolutely. Absolutely. As you can tell, I'm just delighted. It's been an amazing day. To come to Canada my first time… It's been tough. It's not an easy circuit to learn, and Fernando's been extremely quick and so have the BMWs and Ferraris. But we dialed in the car in P3 and I had an opportunity to go out and put it on pole, and this time I took the opportunity and grabbed it by the hands and did the best job I could by it." Interviewer: "How many laps have you done on, say, the simulator, 'cause there's a very sophisticated simulator at McLaren. Have you done a lot of laps before you came her?" Lewis: "No, I did about five laps, but we didn't really have time because we had a meeting to go to. But still, I got here on Wednesday, went out yesterday, and it was just like learning a new circuit, like going out on a circuit you've never been on before, so even if I was playing the PlayStation, it wouldn't really have made much diference. I had to learn… The kerbs are different, gradient changes, the bumps, so it doesn't really help. It just gives you an idea of where the corners are and perhaps what gears you should be taking." Interviewer: "It's a bit like a grown-up Monaco, really, isn't it, just a bit bigger with a fraction more space. Have you been brushing the walls here?" Lewis: "I haven't, no. Actually, in that qualifying lap I nearly did touch the wall in the exit of the last corner, just trying to squeeze as much as I could out of the tires, and it was really close, but obviously I got the time and improved that sector." [time jump] Journalist: "Lewis, are you gonna be able to sleep tonight?" Lewis: [laughs] "I think so. I think what's important is to enjoy the moment and then go back and… Still got a hard job to do to tomorrow, so to make sure I'm fully relaxed tonight I'll probably just have a nice evening with my dad and my trainer, get a good night's sleep, and come back tomorrow and try to do the same again." Journalist: "And Fernando, do you have any advice for your teammate, starting for the first time from pole position for tomorrow?" Alonso: "I think we'll see tomorrow. I think today has been a good qualifying for the team again, good job from everybody, being first and second, so the team should be very happy today." Journalist: "Any particular advice for tomorrow?" Alonso: "Advice? I think don't be too aggressive in the first corner and let me go through." [laughs] [journalists laugh] Lewis: [laughs] Heidfeld: "Same for me, please." [laughs] [time jump] Journalist: "How important is it for you to get pole?" Lewis: "Well, it's obviously a great feeling. It's another step I've taken in my steep learning curve, coming into my first season in Formula 1, and to be honest I knew I had it in me but I wasn't sure when I was gonna get a pole. I've never really been a driver that sticks it on pole, if you look at the past years, apart from Formula 3. I've always been top three, and it's not my strongest area, but today I'm really happy with the job I did and it's a great step forward for me, but also for the team."

#lewis hamilton #f1 #formula 1 #canadian gp 2007 #flashback fic ref #flashback fic ref 2007 #canada #canada 2007 #canada 2007 saturday #fernando alonso #nick heidfeld #tw flashing

19 notes · View notes

sunnykeysmash · 2 years ago

Text

Ok so, the new trailers got me curious, especially here with the whole... trap thing.

Let's just go on a little chill journey about it together, no strings attached.

So... something I do casually to pass the time while deep in sunny fixation is keyword searching in episode transcripts, to see if there's fun connections I can do. So naturally, I look up "trap", to see where else it comes up outside of Gets Romantic and Flowers for Charlie (the first two episodes that come to my mind when talking about traps).

What I found was an interesting connection between three specific episodes:

Mac is a serial killer

Dennis looks like a registered sex offender

Flowers for Charlie

And I wanna go through it. Kind of in random order because I don't know how to structure this (lmao).

Now, these episodes obviously have come out in seasons throughout the years, with the earliest two on s3, and I'm gonna be talking about things I think might happen in relation to these episodes. Parallels, metatext, about things that haven't aired yet. So I may be wrong. Let's get that out of the way. Usual disclaimer, get out now if you don't like rambling, and I'm not responsible for building anyone's expectations, that is on you. This is how I have my own fun. Let's move on.

But talking about these episodes in such a way requires me to acknowledge macdennis as something that's been not only intended, but planted, am I gonna be arguing that this was all intentional the whole time? ...No. ...Yes? Maybe. This pains me to say more than it pains you to read, believe me.

Now by planted I don't mean they ever really planned to have it happen necessarily. I'm talking about the trap aspect of it all. The will they, won't they. The question, the mystery of what's inside the crate. You get me.

I wanna start from the fact that there's fifteen severed heads in the fridge. Severing heads being a metaphor very prevalent in season 15 as we've seen, but especially...

And that's the scene.

Yes, I'm aware.

I'm done. I was in character before, but I'm me now, so you can tell me how good I was.

Oh, okay. Well, you just cut in front of 15 other actresses.

You're welcome. I took a gander at 'em and... ( sever head gesture )

Plus, I do feel like that's what the character would have done, and I've been in character all day. As a matter of fact, don't want to brag, but I've been in character all week.

Fifteen, like the seasons? It could be they were hoping to reach that number to break the record, just like Charlie is shown doing at the start of DLLARSO, attempting to break a record to see how long he can hold his breath for.

Dee: What is going on in here?

Mac: Just laying low and breaking world records. Don't even think about breathing, b¡tch.

Dennis: All right, so here's the deal. Got rid of that child molester. The sеxual predator guy? Yeah, he's gone. He's out of the situation, so my problems are solved. You had a thing too, right?

Dee: Mac's dad. I want your dad out of the bar.

So three things, breaking records, the second Dennis leaving (you know, Dennis Double Life thing), and I do think Luther might be dying this season, as well. It seems to line up to me... we know Mac is going to "collect his inheritance", which he wouldn't really have unless a parent died like Charlie's. He also walked out, so.

But that's impossible, that's season 3. I thought so too.

So I want to bring another example of severed head onto the table... Chardee Macdennis 2. Season 11.

They're asked to sculpt "clues" for the game, and what does each of them sculpt?

Mac: "Cupid's arrow". Which Charlie keeps calling a penis, and which looks strikingly similar to a RPG missile to me, I'll add.

Frank: A heart. Like the heart shaped lock?

Dennis: A woman's head in a freezer, which he says, and I quote, represents "the preservation of love forever and ever".

Keep in mind, there was no theme given for the sculptures, the whole goal was for the teammates to guess what the other was sculpting. Now why are they... love themed?

I just want to say right out of the gate, I don't know what everything means, I'm more so here to draw parallels that I've noticed. I think it's interesting that everyone can draw their own conclusions too.

So, to summarize all three episodes:

In Mac is a Serial Killer, the gang see Mac acting weird, so they start suspecting he's a serial killer.

(I do want to point out Carmen scratches Mac (during sex), which is one parallel with Dennis, but not my overall point.)

Frank and Charlie scour for clues in Mac's apartment, while Dennis tries to use Dee as bait to catch the serial killer. Frank gets a confession out of Mac's mom, and then the gang starts to hatch a scheme (which they call a trap) to "catch" Mac about this, and drive a confession out of him. The truth though, is that Mac is dating Carmen, and doesn't want the gang to find out.

In Sex Offender, Luther is finally out of jail and is visiting a bunch of people. Mac and Charlie see that Luther has a list with their name on it, and panic thinking he's been killing these people and is gonna kill them next. What is really happening though, is that he was actually making amends with the people listed (something that comes back in S16!), and had a surprise prepared for Mac, who "ratted him out". The B plot has Frank moving out because he thinks he can do better than Charlie, so he gets with Bonnie, his "bang maid". Both Charlie and Mac hatch a plan (again called a trap here), a romantic dinner, with very different goals. Charlie wants Frank back and to expose his mom as a cheater (in a situation that actually reminds of the s15 dinner, with the turd in the soup), Mac wants to pair his parents back together so they can raise "happy boys". In the end, Luther gets with Bonnie, which coincidentally does drive Frank back into Charlie's arms, but in the end Luther gets carried away by police. Additionally as we've discussed, there's a second Dennis in this episode, a fake, who is threatened into leaving at the end of the episode.

In Flowers for Charlie, scientists are running an experiment on Charlie who becomes their lab rat, while Dee Mac and Dennis are dealing with a rat problem in the bar, discussing ways to catch and kill it. Charlie starts thinking he's too good for his friends and notices that "they've been using him", Frank enlists the help of the Waitress by setting up a dinner between them, hoping Charlie's deep infatuation with her will pull him away from his new life and the corner he's turned and back to Frank, and when that doesn't work, Frank tells Dee Dennis and Mac that he wants to "drag him back down into the sewer where he belongs". Dee thinks she's stuck to the rat glue trap, but after the rat eats the cheese and scurries away unaffected, thanks to Frank's help she finds that by letting go of the trap, she becomes unstuck. In the end we find the experiment didn't make Charlie smarter, only more arrogant, and perhaps more fascinatingly some other things, like he believes to be a mathematical genius, and writes:

X = 9 + 9 = Box... that's where the cat is.

(9 + 9, like 18? Like the seasons we have confirmed, 18?)

And more.

And in the space of an hour, the subject has lost all interest in a woman with whom he had been in love for years, because of a perceived upidity relative to himself. Perhaps the most interesting were the series of side effects that he believed himself to be having. Uh, debilitating aches and pains. It was all in his mind.

According to this, the more arrogant someone is, the more he forgets about the people he loves, and the more he suffers various pains. Therefore, you need to knock someone down a peg to remind them of their feelings, and make them feel better.

In Mac is a Serial Killer, at the end, Mac is also accused of being two people.

Charlie: I'm sorry, Mac. You can't keep running from this thing. You gotta face this head on! (whispers) I'm gonna get you off this. Don't be afraid to show me your ugly side. All right. Put that away, Frank. You don't need a chain saw. You're talking to an innocent man. All right, Mac. I'm gonna ask you now 'cause I'm tired and hungry. I want to go home. I want to wash my hands of this whole stinking mess. Did you or did you not snap into an alternate and distinct personality... causing you to go on a serial killing rampage?

Mac: What? No.

Charlie: What? Yes, you did. You... All right, Mac. You're crazy, right? You're a crazy person. Sometimes you're two people. Let's see the other guy. Let him out.

Mac: Let who out?

Charlie: The serial killer, Mac! Let the serial killer out!

Mac: I'm not a serial killer!

Frank: Then why all the shady behavior?

So, what is the trap... so far, we've seen that you trap someone either to set them up with someone else (the romantic dinner in DLLARSO, but also the trap in Gets Romantic, and also when Dee sets them up in Break Up by using a lady with giant breasts as bait!), or to draw a confession out of them (like in MIASK, but also Catches a Leprechaun). Perhaps both, at the same time, as there may be multiple people scheming the same thing with different end goals, or different things with the same end goal. Either way, that's the conflict of the trap.

Brief intermission to talk about another episode where the trap comes up. Charlie's Home Alone.

Charlie empathizes with a rat, and saves him from a trap.

'Cause I know what it's like to be caught in a trap now, and it's not okay. I won't let you get caught in a trap, okay?

Takes him in his hand, and eats him (DLLARSO also has talk about Luther looking like he eats people, but I don't have a thought on that yet aside from basic cat eat mouse type stuff, also not everything is Something, but I digress!).

Later a real trap is introduced as part of the rituals, and Charlie steps on it and must free himself. The release lever is at the bottom. He frees himself, but once Brady has the ball, he has to step right into the trap again.

This stepping in and out, again it reminds me of Dennis in Gets Romantic, but since it was a season 13 episode, it may also be Glenn about the show.

But here's something I think, just to spice it up, I think the trap may also be, more in general, a relationship. Right? Dennis has been in one (with Maureen), didn't like it, yada yada. Now Mac talking about banging, that's one thing. Mac getting in a relationship? Suddenly he's ruining everything, getting locked in, that's different. And the scene between him and Dennis in Flowers for Charlie, implies to me that we have two rats and one bait, that the trap involves two people. Like a relationship. Now am I married to this idea, pun not intended? Not really, but it's possible.

Either way, the trap is something that catches rats. Thanks to Flowers for Charlie, both Mac and Dennis can be rats, due to said dancing scene...

Dennis: He scurried away.

Mac: All right, well, when he comes back, I'm gonna smash him up good. Dennis: No, no, Mac, come on. We're smarter than that. That's just gonna spread rat blood and disease all over the place. It's not about brute force. It's about seduction. See, I'm gonna place some enticing tunes for the little guy. And then I'm gonna bait this glue trap with some Brie cheese.

Frank: Because drawing a confession out of someone... is like doing a beautiful dance... a beautiful dance with a chain saw.

When Charlie is framed as the rat in Flowers for Charlie at the beginning, he's dead set on getting the cheese he can't have, and has no interest in the one under the green light. Which reflects the chase. Like cat and mouse.

This experiment, that's being talked about as groundbreaking and that will revolutionize the field, is all about making the subject feel smart due to the constant encouragement, but the subject really isn't.

Mac is not the serial killer. He's not smart enough. He's a dumb person. And dumb people are not capable of serial killing.

In Chokes, it's said that Dennis will see through the ruse, because he's smart, but the truth is that he didn't, because he isn't. It's Mac that heightens his confidence, and it always has been.

And in the sideplot of Flowers for Charlie, Dee Dennis and Mac end up watching "cat and mouse" cartoons to understand how to solve this rat problem. But... a cat was never introduced in the episode prior to this?

The mouse always wins. There's... there's, like, no winning with mices. Cat keeps getting hurt. He gets hurt. Well, it's dangerous, yeah. What the hell are you guys doing? We're trying to watch cat and mouse cartoons to find out how kitty cats deal with their rat issues.

But historically, the cat has always been Dennis... the cat in the wall (through framing and dialogue), and then ongoing with like the painting in s15 and the dead cat in the room and so on. This cat may get out of the wall, or he may die in there. That duality belongs to Dennis. But how can he both be a cat and a mouse? No, I don't have an answer, but perhaps it's up to confidence. If you bring it down low enough for both Dennis and Mac, they're finally both little mouses, and you can catch them in your trap. Not that the trap ever works? In all episodes where it comes up, it either fails (Flowers for Charlie), is painful (Charlie's Home Alone), complicates things (Gets Romantic), or a combination of those (Serial Killer and Catches a Leprechaun).

It's also about method.

How do we lower this guy's confidence, how do we reach rock bottom.

In Flowers for Charlie, Mac's solution is to bash the rat.

In Mac is a Serial Killer, they want to draw a confession out of Mac by torture when they catch him. Using a chainsaw even.

And in Dennis Looks Like a Registered Sex Offender, Dennis takes a good beating because he's mistaken for an awful man that looks like him, as per Dee's plan.

And this in Mac is a Serial Killer:

Dennis: This is the fun part, Dee. This is the part that we've been working up to. This is what all the work has been for. We're gonna follow our victim. And then we're gonna jump her. And then I'm gonna strangle her and you're gonna chop her into pieces.

Dee: Okay, but what are we really gonna do?

Dennis: Huh?

Dee: We're not really gonna kill her. What are we gonna do?

Dennis: Oh, yeah. Oh, shit. That's a bummer. Yeah, you're right.

Dee: Let's just follow her for a little. We'll throw a good scare into her. Figure out what to do later.

Plus, in Charlie Catches a Leprechaun, which is another episode in which a man gets captured with the goal of driving a confession out of him...

Mac: Nasty little son of a b¡tch, isn't he?

Charlie: There's, like, a real bite to him.

Mac: You know what I think we should do? We just rough him up a little bit. You know, just get the truth out of him, just a little bit.

Charlie: It's a great idea.

Mac: We don't want to bruise him up, I just wish we had, like, a hose or something. You know, we could blast the truth out of him. Right?

Charlie: That'd be good...

Setting aside the episode insisting a lot about ancient authentic irish traditions and other parallels I don't have time to get into, this ALL reminds me of course of the plan from the castle about the irish doctor in S15, you know, pour scalding liquid from the murder hole (a predecessor to the glory hole!) and char him.

Dennis: Yeah, so you'll lure him under the hole, where I will, uh, douse him with boiling oil or hot tar or really any scalding substance.

Frank: Wait, you're gonna char the guy? Gonna char him up?

Dennis: Yeah. I'm not gonna kill him or anything, but it's got to be hot enough to be annoying as shit, right? You know what I mean?

Frank: Yeah. Burn him.

Dennis: Uh, he's gonna get burned. But, I mean, Charlie's got to see him lose his cool, so we can expose him as the child-abandoning monster that he really is.

In s15 later, Dennis talks about that incident as "taking care of him". We all giggled at the gay implication of that, but the thing is, Mac is a Serial Killer and Dennis Looks Like a Registered Sex Offender both play with that duality of meaning, as well.

Dee: Could you come take care of me?

Charlie: I'll allow it.

Mac: Uh, yeah. Yeah, I can take care of you.

Dennis: What were you planning on doing to Sandy?

Mac: What do you think, dude?

Dennis: Well, according to this phone transcript, Mac... you were going to "take care of her"?

Mac: Yeah. Take care of her.

Mac: He told me these are people from his past, and he's got to take care of them. And once he takes care of them, he's gonna take care of me.

And it really is like that sick extended metaphor where on one side we have Mac and Dennis, on the other we have death. Same as Dennis' Double Life. You know, "give me dong or give me death". That you can either love someone, or kill them. It reflect the concept of the trap, I think.

But speaking of which...

Frank: Stay away from my bang maid.

Charlie: Damn it, Frank! This isn't about them... Charlie... or Mac or anyone else... this is about you and me, bro. This is about dudes living together, hanging out, sharing their bed and their life...

Mac: No. That's not what this is about! This is about people meeting back up after many years and sparks flying... and families getting back together and raising little boys so they can be happy again!

Much like Clip Show, that same duality. On one side living with Mac (dudes living together, plus Charlie and Frank are often a parallel for Mac and Dennis), on the other, raising Brian Jr (families getting together and raising little boys).

Charlie: Shut up, Frank. You don't know what she wants any more than she knows what you want. You know who knows what you want? I do. I've always known what you want. And I can give you want you want. Just let me give you what you want.

I don't like jumping into specific event predictions because I always get them wrong, and I don't find any fun in that. And while the trap and rats meta is real, I may be completely off with it here. I just like drawing connections.

But speaking of traps and ruses, here's another bit of dialogue that comes to me, in times of need.

Charlie: I see you all fell for my ruse.

Dee: What ruse? You asking us to go on a hike with your dad, and us saying "yes"?

Charlie: Oldest trick in the book.

Dennis: Asking someone to do something?

Charlie: Exactly.

Dee: And then, them doing it?

Charlie: Precisely, yes.

I think traps usually are something you hatch to uncover a ruse.

That's why in all of these examples, the goal of capturing someone is to draw a confession out of them. But they don't work that way, because what the capturer and the captured hold as truth doesn't align. Mac is a serial killer, they expect him to confess to serial killing, but he was just dating Carmen. Catches a leprechaun, they expect him to admit that he is, but he really isn't. Even in Worst Bar in Philly, another ep where they kidnap a guy, they are trying to extort a fake review from the journalist.

So if the trap succeeds, it'll have a different result than intended by who hatched it, and uncover a truth that wasn't the expected one. Just based on statistics, I guess...

If the intended goal is really to hatch a plan to humiliate Dennis, char him or whatever, then what it may actually do is break his cold, calculated shell. But I don't know...

Frank, I am thinking on the physical level, the metaphysical level, the pataphysical level.

So we've all talked about meta and that's fun, but let's talk pataphysical too since Flowers for Charlie mentions it.

That's difficult, as there are over one hundred definitions of pataphysics according to wikipedia.

A few are:

"Pataphysics will examine the laws governing exceptions, and will explain the universe supplementary to this one"

"Pataphysics is patient; 'Pataphysics is benign; 'Pataphysics envies nothing, is never distracted, never puffed up, it has neither aspirations nor seeks not its own, it is even-tempered, and thinks not evil; it mocks not iniquity: It is enraptured with scientific truth; it supports everything, believes everything, has faith in everything, and upholds everything that is."

"Pataphysics "the science of the particular" does not, therefore, study the rules governing the general recurrence of a periodic incident (the expected case) so much as study the games governing the special occurrence of a sporadic accident (the excepted case). Jarry performs humorously on behalf of literature what Nietzsche performs seriously on behalf of philosophy. Both thinkers in effect attempt to dream up a "gay science" whose joie de vivre thrives wherever the tyranny of truth has increased our esteem for the lie and wherever the tyranny of reason has increased our esteem for the mad."

"Pataphysics is science, albeit one with an aesthetic sensibility; it regards “humor” and “the serious” with the same imperturbable gaze. "

"Pataphysics is simply an awareness that everything, including our very selves - is what we pretend it to be."

In other words, truth is not what's actually real, what we do or our past, truth is what we believe it is. Much like identity.

One more.

"You have seen that far from regretting the past I would simply suggest that we improve it…’Pataphysics will always be plunging ahead, precisely because it is static in time, and because time, itself, is retrograde by definition."

So if one is dissatisfied with their past, they can simply change it... by going there. This concept is played around plenty in Clip Show, but I want to talk about something else. I want to talk about Dee Day.

That is the episode where we take off Dennis' make up, but there's something else too.

This is where Dee talks about wanting to do a "retrospective" of her characters.

And the plan to make the ordinance pass, includes the gang stealing the councilwoman keys and setting her clocks back so she would miss the vote.

And look, we do have one flashback promised to us, in the bowling episode if I recall correctly.

"But is there any other canonical way of viewing the future (whether one calls oneself serious, in the profane or pataphysical sense of the word), than as a bouquet of imaginary Solutions – that is, potentialities?"

I forget if I've talked about potential in sunny. The seeds, the puppies, the eggs... always about the potential of life. I think it's fascinating. Like there is an infinite branch of ways in which macdennis could happen, right? And that's the potential. And by bringing it into the text, you're effectively killing it.

But are you, really?

The first time round is a bitter pill

But the second chance is better still

And then we find new seeds to sow

To grow our love we didn't know

There's always new seeds to plant...

But I'm not done with the pataphysical. Oh no, there's more.

There's also the fact that Flowers for Charlie talks about the structure and the foundation. When asked where the foundation is, they respond "on top", but Frank corrects them, on the bottom.

I have a feeling both answers are correct, just like both of Dennis' lives are true, and here's why.

Concepts that embody pataphysical include:

Antimony: An antinomy is the mutually incompatible. It represents the duality of things, the echo or symmetry, the good and the evil at the same time.

Clinamen: A clinamen is the unpredictable swerve of atoms that poet Christian Bök calls "... the smallest possible aberration that can make the greatest possible difference". An example is Jarry's merdre, a swerve of French: merde ("shit").

Syzygy: The syzygy originally comes from astronomy and denotes the alignment of three celestial bodies in a straight line. In a pataphysical context it is the pun. It usually describes a conjunction of things, something unexpected and surprising. Serendipity is a simple chance encounter but the syzygy has a more scientific purpose.

Absolute: The absolute is the idea of a transcended reality.

Anomaly: An anomaly represents the exception. Jarry said that, "Pataphysics will examine the laws governing exceptions, and will explain the universe supplementary to this one." Bök calls it "... the repressed part of a rule which ensures that the rule does not work".

Pataphor: The pataphor is a term for an unusually extended metaphor based on Alfred Jarry's "science" of 'pataphysics'. Whereas a metaphor compares a real object or event to a seemingly unrelated subject to emphasize their similarities, the pataphor uses the newly created metaphorical similarity as a reality on which to base itself. In going beyond mere ornamentation of the original idea, the pataphor seeks to describe a new and separate world, in which an idea or aspect has taken on a life of its own.

Once again this rings true for Clip Show in general, as a concept, but I would maybe dare say this applies to macdennis regarding many associated concepts such as the trap or the crate. In particular, Macdennis as a concept has been morphing and evolving separate to the textual plots, due to heavy metaphor use.

In particular, they're always placed in the role of married couple, in multiple episodes. Break up, Suburbs, Gets Romantic, Mortgage Crisis. It doesn't just say "you are like a married couple", it shows them behaving as one. Therefore, if looked at under a pataphysical lense, that's what they are. That's the reality of it.

Of course, since this whole spiel is born from one word in a single episode from season 9, there's no telling how much it actually matters. It may be a happy coincidence. Does it really matter? (Not in pataphysics).

In a similar sense, we spoke Mac into coming out as audience, because we believed in it as our reality.

And another thing, since I'm riffing a lil bit at this point.

But since Dennis has been intentionally led to portray two separate and apparently opposing realities, the audience is equally divided on him, and as a result both realities keep appearing as true.

So in DLLARSO Mac is stealing Dennis' car and using it without him knowing. If we go with the whole "Dennis' car is his identity" which is very dear and near to me and I basically think of as true at least since Misses The Boat (and this is a s3 ep, which is why I'm saying IF), I'm wondering how this extends in season 16.

Well for starters, we see Mac behind the counter twice just in trailers. That has been, typically, Dennis' spot as the bartender. Very rarely does Mac cross behind, even less so on his own. Notably, it happens in Mac Fights Gay Marriage AND Dennis Gets Divorced (which btw, these two parter titles make it sound like they're the two that got divorced lmao, but um).

Another way in which we see him possibly take Dennis' place (or walk in his shoes! wear his skin, whatever you want to call it), is by the fact Dennis is teaching him the DENNIS system (an altered version I assume?), like passing the torch on to him (and Dee, who wants that place in the gang hierarchy as well...).

Finally, something that may not be a thing at all, but he meets Chase in S16, only Chase thinks he already met Mac. Because Dennis gave him Mac's name in Stranded. I'm expecting some name shenanigans of some kind. (perhaps Mac will use Dennis' name? I'm not banking on that, but how's he gonna explain? that is, unless someone else already did, in his pursue to make amends... well, who knows. you know what they say about assuming)

It's funny because Stranded is an episode all about how saying no brings you misfortune, while saying yes brings you luck. And money. 10.000$ of them specifically, both in Stranded and, casually, the original amount won by Mac with the scratcher.

The amount that... after all the bills, ends up being only 14$ dollars. (like the seasons?)

Stranded is also interesting on its own... Frank avoiding the main road because he doesn't want to pay the toll... Okay, that's enough. Getting off track.

So, final notes, since this is a more speculative and rambly post, and I'm under the impression the metaphors discussed (rats, traps, severed heads...) aren't complete (meaning they're gonna expand on these more in S16), I'm very much hoping everyone chimes in with their thoughts and speculations... perhaps other episodes that you think may fit this... let's throw away the oars and get into it, like, who cares if it ends up wrong, you know? I may come back to this too after the season airs to see what else there was...

#iasip #it's always sunny in philadelphia #s16 spoilers #always sunny #macdennis #macden #analysis #meta #RARE macdennis meta post from me... I've been burned before by being terribly wrong about something #and since then i dont do event predictions anymore. aside from ''i think macdennis is real. heres why.''#this post makes me sound like a flat earther #and i didnt even get into the whole power bottom = lowest in the structure but highest in power.#the ultimate pataphysical duality!!#and also.... flipping things upside down which is a vibe i got and cant articulate. mostly from that one ep where they flip the pyramid #and woop it's a scheme #how could the bottom be on top? you flip it #similarly sunny right now is ''flipped'' aka we are at the LOWEST OF LOW which for us means we're near peaking #but literally thats just conjecture. like bash me with a stick idk thats just what i believe #please add input so i dont look dum. something about rat eggs found in holes like jumper. anything really #i love connecting dots i recommend it as an activity to everyone #if rcg reads this they're gonna pay for my therapy finally. i count that as a win tbh. mental health day serve #ALSO IN STRANDED DENNIS SHOWS CHARLIE A HICKEY THAT HE SAYS HE GOT AFTER GETTING UNEXPECTEDLY CAUGHT IN A RAINSTORM #lil nuggets of gay dennis that i take whenever i can #the truck driver who has a wife and kids but is secretly gay is also kinda sus. what an ep to be threading in s16 #''lex what's threading'' i invent my own terms bc im crazy but thats when an ep themes connect w a future ep themes. i also call it echoing #if u even care #will mac pay the troll toll to get into the baby boy's hole? tune in next season to find out!#if ur wondering i think the ruse is gay marriage so i do hope he says yes. idk who ''he'' is. maybe theyre both planning to propose #i once read a fic with that plot. they were trying to one up one another with the proposal. i think that person should sue rcg #ok I'll shut up now. annoyin ass

21 notes · View notes

flaylore · 6 months ago

Text

[TRANSCRIPT] CHURCH OF RUNE

2:05 [The screen glitches and it cuts to him standing over us]

2:17 Hm? Ah… awake now are we?

Careful. Wait for a couple of seconds. You’ll need to take time to slowly adjust to this. Hmm… This is a problem. Could you make this any easier for me? Hmph. I suppose you can’t. I doubt anyone in their right might would be able to get a response out of you. laughs You don’t understand what that means, do you? Are you dim? How do I put this… You have… multiple “you”s in you. So it’ll make it hard to determine what’s your true thought. Are you okay? You do know where you are, right? Huh?

[Screen fades out]

[Screen fades in to him standing with a cathedral-like building in the background]

4:14 Well, are you able to stand up now? You still don’t know where you are, do you? Fine. I thought the bells would give it away, but I’ll try reading your mind a bit. “Looks cold?” Of course, it is that time of year. Do not worry, though. We have lighting that is sufficient enough in the church.

4:50 Hm? “The North?” Don’t all of you live here? You’re… well acquainted with the area, right? This is Elysium. Or… what used to be of Elysium, that is, but times have passed. So… we'll discuss that later. But right now… ah… it seems the voices inside you are panicking. I would love to offer you safety at the church, but perhaps I should explain. There are… multiple "you"s inside of you. At the same time, you hold a consciousness of your own, or so I think. Do you know why that is? "We're all one," now that's the correct response. Well done. You don’t know? Well, do not fret, though the words I'm about to share with you may disturb you. The… hm, I thought I could put this any other way. The corruption has spread root(?) inside of you. All of you, really, but as the majority of you are human in nature it’s nothing to be feared, maybe three years ago, possibly, but now? We embrace it. It makes it up a part of you, as flaws try so desperately to hide. Like I said, it makes you human. Pathetically so.

6:49 Hm? Three years ago isn't familiar to you? Do you not remember when activity spiked up in the south? Mm… So you don't remember the great debate either? “I remember?” Well then, by all means… snaps speak. …It seems you don't remember. How sad. In that case, allow me to say this for you. The great debate consisted of when the world did not know what to do with corruption. Now, as you know, TEMPUS seeks to understand and "pacify" the beasts. That mercenary group simply chose to kill them off. But, both are wrong. “Is corruption even bad?” No! Congratulations. It seems one of you have brain cells worth mentioning. The rest of you have disappointed me, but… I am a thoughtful person. laughs Well?

8:24 “Would ARMIS kill us”? Now that's a name I haven't heard in quite a while… ARMIS, huh? Okay. Well, I do have some favorite brain cells- Do not interrupt me, I am speaking. Is that understood? …Interesting, there are parts of you that wish to take what I say seriously, and other parts that are simply unable to accept the reality before them, so they jest in response. A form of… coping mechanism seen among the most pathetic of humans. But it’s okay. I, too, am pathetic in nature so I accept you. Of all the people in this world, me, and the rest of the runes, will support you. I understand the sentiment. Can you understand mine?

9:22 But anyways, would you like to catch up inside the church? Believe me, under my care, you will have no need for such things. Your worries, your fears, your anxieties… you may leave it all here, in my care. I will love you thoroughly. Now, hold still, and then once we're inside, I will explain the… effects of your mind. The form you take now is small, but it's quite familiar. You're just a bit different. "Do not trust?" Are you sure? Do not worry, there will be time for questions inside. Don’t take my time, I have a sermon to do later today, alright? “Will we ever return to normal?” It seems you still don't listen. Shut. Up. And follow me. Is that understood?

[the screen glitches and holy music plays, we’re now inside the church]

11:06 Welcome. I told you we had sufficient lighting inside the church. Or… I guess I should formally introduce you. I haven't even introduced myself. "I"… or… hm, you may call me Machina. Father Machina. And I welcome you to the rune monastery, a place offering shelter for those in need, all those who suffer from the supposed corruption, all those who disagree with the guild. Here, if you put your hopes in me, your faith, your love, your dreams, your everything, I promise you will be saved. Now, before we begin, it seems your mind is in a panic. No, I have no other name. There is only Machina. Is that understood? Now, your time for questions will come. So, for example, could you answer this question for me? What, pray tell, is this?

[ A machirune appears, floating above his hand ]

12:43 You should be quite aware, if you are who I think you are. Familiar, isn't it? A creature not understood by all those in Elysium, Xenokuni, or really the whole world. Hmm… a "machiroon?" By using your mind’s eye, I’m able to determine your spelling for it. However, these creatures are spelled “machi” and then R-U-N-E. But it seems that you hold a similar nature. Hah, you don't even know what you are, do you? But it seems some of you are catching on. These “runes”, these are souls, human souls, or rather, corruption in its purest form. There is no malice in these creatures. They have good will. However, there is certainly anxiety. These beings hold a certain… equilibrium to them. Everything is balanced. Even if one would believe they are not, they are such beautiful things, these souls. Tortured by this cruel world, they still look on.

14:18 Of course, corruption… Are you aware of how that works? "Corruption beasts?" I wish you wouldn't use such a savage term. We call them “the afflicted” …Really? I understand you have no current memories, but really? Using such a jaded and old term… I thought better of you. You do remember who you are though, now, right? “What year”? That matters not, that matters not… What matters is that this church, the rune monastery, will be looking out for you.

15:15 But, before we proceed, corruption is linked to emotions. No one supposedly knows what happens after. But, when those emotions hit that stride, anything that is corrupted will start to spread. Consider it any extreme human emotion. Isn't that sad? Whether it be happiness to the point of being manic, sadness to the point of despair, even lust. But humans are already aware of that, aren't they? But don’t you think we’re conditioned to look at these things as broken? Just because those… “afflicted”, are not perfect or ideal, these runes… every person has their worth, don't they? That is the message I wish to spread, as God’s messenger. Now… "aren't you also afflicted?" laughing

16:24 [It zooms up close, his eyes dim he looks pissed ]

16:32 Excuse me? Are you in good health? Oh, my apologies. I just couldn't tell with all that stupidity leaving your brain. Do me and the world a favor, and “shut” “up”. Thank you.

[church bells ring and music plays]

17:07 Now, welcome. If you have questions you may ask, go on. I do not have much time left until the sermon, but I am a kind person. One that wishes to spread love throughout the world.

"Who is your god?" Do you really not know? The young man… a theme of flowers. We fight for him. Clearly, he knows what is best for this world and even though he is not here to decide his fate, I shall lead it for him. Do you understand? Good. I will take whatever needs.

18:02 "What kind of sermons do you do?" Well, don't you know? All of you are an example, or should I say just you? You take up your own identities, but right now, you’re simply in one body. Welcome. Anyways, as I was saying, this sermon will be to introduce those who are new to the church, such as yourself, unless your memory pray return. Any donations can be given then, or held to after. And then, once I educate the masses, we will go out, working together, to make the world a better place.

18:52 "The hollow tree?" Mmm… Didn't you know? It's been corrupted. Only recently, last year, in fact. I thought I wouldn’t be supported much in this cause, but the archer [Shinri] came around. I'm glad that he can see the light. Ask more, but pray tell, please calm down. I can’t make sense of you with you freaking out every five seconds.

19:33 "The world in danger?" No! laughs My beloved lost lambs, I'm saving the world! I’m saving you. I have nothing but countless amounts of love for all of you.

19:58 "Who made my cloak?" Ah, it was manufactured by the beautiful, and wonderful aquatail textile industries, or at least the design anyways, and this coat was made by a white cat in the north, one called Mofunya. Mech? Ah… you mean the ancient Xenokunian weapon. What of it? What do you mean, “where?” It really seems your brain is shot, you know nothing. Your stupidity amazes me. Why, my beloved lost lambs, that is simply the object of our will, our love! Provided anyone try to challenge our… good tidings, our rule, they will be met with… certain amounts of persuasion, in which the ancient legend itself will be brought out. Do you understand? I’d rather not refer to its name given when it was part of the guild.

21:17 “How old am I?” twenty one thousand. What a nice number, isn't it? Hm? Refer to it as the ancient weapon? I’d rather not bring up any painful memories.

21:41 "Are there still corruption beasts?" laughing You still don't get it? Don’t make me spell it out. The one goal of rune monastery is to spread the “afflicted” everywhere. A world where we kill said beasts? A world where we try and study them? Foolish… We must let them run rampant, and then, once this world is gone, those chosen, if you join the monastery, we will usher a new beginning, and I will be there to lead you, or in the name of our god. Understand?

22:27 “You’re spreading them?” You act as if I speak of an evil cause. Shut your mouth or you will be dealt with properly.

“Who is our god”, you still don’t know? Shut up! Once again, shut up! If any more of your mind roommates seems to talk, you know what will happen. You understand?

23:11 “Please father let me go home?” But that’s the thing, I’m here for you. Mentally, emotionally, even with my body. I give all to you, as long as you work for the church alright?

There are many services I can share. “This is home now.” Thank you. See? You are a perfect example. Thank you so much.. Thank you! It has been so long since I’ve found such a devout follower! The sermon is starting soon. Do you have any other questions? “This isn’t home?” Then fine, go elsewhere. We will hunt you down in the sake for world peace.

24:05 “The others?” What do you mean? You’re getting on my nerves. Who is we? You keep mentioning his name. As I told you, I am Machina. Is that understood? Good. As long as you understand. laughs Hm? X? What are you talking about? You truly have lost your minds. Are these really the questions you want to ask? I expected better out of you, disappointing.

25:03 Hm? screen divides diagonally, one half the same and the other with a close up I told you, stop mentioning his name. Is that understood?

25:21 [the screen glitches, a progress bar appears at 50%]

25:29 Okay. Well, the sermon should be starting soon. I hope you’re ready. I will save further questions then. I will answer your questions about “the others”, if you’d like to call them that. Other than that, sit tight and shut up. If you are obedient I will give you all the love you desire, in any form. Okay, I shall see you at the sermon. Ciao. Hahaha.

[The screen glitches and he’s standing in front of a stained glass window]

26:48 Welcome, my beloved lost lambs! It is a pleasure to see all of you. It seems that we have some new members in the church today. Ones that are quite similar to you, though their spelling is different. Regardless, do not worry they will be brought in line. For I am God’s messenger If you do not love me, you will be held in contempt and sacrificed for the greater good, is that understood? I will not have a repeat of any of you abandoning me. Those of you that wish to play with a shiny new toy again, can repeat the same mistake that you made three years ago. Now, some of you have come around. But, don’t think that didn’t hurt me. Or, “him” per se. Hmph. They’re still confused runes, can you believe this? But these roons, even though they’re different from you, I still love them the same. They’re so very cute. I wonder though, do they take my love seriously? That is a question that may not be answered.

28:34 Well, now let us begin! Brothers, sisters, and my non-binary companions, here I stand before you today, ready to spread the truth before your eyes. I, Father Machina, the messenger of Rune, will deliver this message to you, to all of you. All who stand against the church will die. I will kill you myself personally. Those who wish to “study” the beasts, as they call it, will be put to death. Those who kill the afflicted on spot will be put to death.

29:16 Hm? Now, are you ready to begin? Let us start in prayer. My God, ever fluorescent being of the skies, this world is not good enough for you, but we, together, the runes, we shall make a world that fits, the design of your messenger, for we know that is what is best. Thank you, flaymen. Hm? Is this all you have to offer me? Louder! Flaymen! Yes, praise me, revere me! Love me, do so and I will bring you to salvation. Look at no other idols, no other men. I am the only one you should know. In return I shall give you love everlasting. I love my runes oh so much.

30:39 Now, let us begin. Corruption, we all remember the dispute, some of you don’t. TEMPUS chose to study the beasts while eventually putting an end.. and that foolish guild, ARMIS, they sought to kill them on sight. What a childish measure, I'm sure I would’ve agreed with them years ago but now I know the true nature. Why would you harm the afflicted? My precious runes… and so I decided, if you would harm them, I would end your life. Whatever morals people tend to throw at me are out the window. At this point, there is only one thing I care of. My precious runes, they are everything to me, everything… from the very beginning.

31:39 Hahah, ah… I see. You have figments of the sniper within your memories. I remember him, a man with a good heart… I really thought that he would see the light. But he claimed I was threatening people and killing them. Foolish. He’s still around, but do not worry. We will find him and the rest of this TEMPUS. So, give me your love and give me your ambitions and give me your dreams, follow the light of the rune monastery and you will surely be led to salvation.

32:37 Now, let us start, my runes. Tempus, a guild dedicated to saving Elysium, foolishly thought they could come to an understanding of the afflicted, to study the afflicted. That, my lost lambs, is a lie. I’m sure you’re all aware, even those of you afflicted with some sort of memory loss. They’re seen as heroes? Righteous? I think we have all unfortunately bore witness to their violent tendencies on their morale, their extremes. Tell me, is that a hero? A guild filled with attractive men that guide the lost to them. Yet these men, they harbor unstable and brash impulses, unstable personalities.

33:31 The gladiator, a man known for his honest work who hails from an unseen region of Elysium. I thought we could trust him. I thought we could, but his actions… He is the one we have to take out first. He still evades us like the rest, but he is the most dangerous and on top of our list, he did not hesitate. The first one to go against us, and for that he is probably the most foolish of all. But dare he come back to this church.. I shall make sure that all of his beloved followers will be cooked alive, like the food they are. He is a man of astonishing character, maybe even one fit to lead the world. But the way he didn’t hesitate to destroy the afflicted? My lost lambs, would you stand for a man like this? And his vulgar words… deceiving you with his attractive singing voice and then bringing you in. Only to throw you to the wayside when he doesn’t fight for the world? No. Once again, my brothers, sisters, and non-binary companions would you stand for a man like this? You would not. Flaymen! Now, praise my name, all in favor of hunting down the gladiator. Praise me now! Yes, yes.. That’s perfect. Runes, it seems these new companions of yours are ready to listen. But don’t worry, I’ll make sure to play around with them before anything else.

35:30 Now, before we go up to the list,I bring you good news. I told this to our new friends earlier. But, the archer, now he has promise. I truly did think he would be the hardest to recruit, we always had our differences, I was more wild in nature while he was more serious. But, in this respect I can tell you that for the time being that he will support us. Now he… he is a man fit to lead the world. He is a man… that if anything were to happen to me, I would have him take our place. However, should he stay his corrupted hand at slaying the enemy, I shall make sure it spreads to the rest of his body, until there is nothing left. We all know that he won’t have a place at this monastery, his martyr complex will not be forgotten and so, he shall be sacrificed as he wishes, for the betterment of the world. Now, all in favor, Flaymen! Flaymen! “No?” Hahahaha

[close up to his face]

37:00 …It seems some of you disobey. I would hope that you don’t test my patience. For, if you do, I will make sure I break you into itsy bitsy tiny pieces. I’ll keep you alive, experimenting on you, until you too are the afflicted. But do not worry, I'm benevolent, I love you all, not as much as I love the runes. They are everything to me. Now, remember what I told you. Understood? If you dare…

37:49 [The progress bar flashes on screen again]

…speak against me again. I will remove you personally from this world. Now, let’s continue.

38:03 The Jester! Now, that is a companion that I once loved, yet he has yet to give me an answer. Trying to get through to me, a foolish endeavor because there is nothing to get through. He will be dealt with. Despite the gladiator's alarming presence, the Jester is the largest enemy to us all. Despite all the capable members of the guild. His luck is incredibly hard to predict. A simple case of a man who hides all his talents behind a clownish demeanor. His patterns don’t make sense, but worry not. We will bide our time then strike when he least expects it. Those of you, of the runes, that have managed to fuse with his so-called “Bettelion”, we will strike tomorrow at dawn. And then, if a god is on his side, surely it is not ours. Therefore, his luck will eventually run out.

39:21 Now, I allow you to share the floor. Do you have any questions? I assume you’re dying to know considering your fixation on people long gone. Hm?

“Phantom?” What’s that?

“Why erase them?” So you would let people ruin the world?

39:57 “Hakka?” Hahahah. That is the name of a man I thought to be my brother… but I will never forget. Hmph, the many times he has made attempts to take my life will not go unforgiven. He is persistent. I thought he would understand the most. After all, this is what is best for the world, am I not wrong? But, whatever righteous morals he has he will be dealt with. Or rather, he is already dealing with himself.

40:43 As you see, if you go to the rune monastery, those who cannot control the corruption within them, we shall tend to you. But, I believe you’re aware of his arm? Similar to the archer, his has spread and now he rampages like a mindless demon. A fitting end. Now, we’ll still have to take him out for safe measure. But, if he happens to destroy himself in the process, it can’t be helped. And his followers will also be cooked, but for supper.

41:27 For all those that align to our cause, I am grateful that few members of that cause have joined. You will never be runes, but you can be “secondary” runes. The OG will always be on top. I don’t have time or a place for those who abandon me on the drop of a hat. For those who see a shiny new toy and go there instead. To not repay the love that I, as the Rune Messenger, have given you. Am I not enough? I’m done being in pain over those foolish emotions. Now, I’m ready to move on unless you have any more questions?

42:21 “I am enough” I am enough? Then tell that to the precious TEMPUS leader. How dare he. Did he think I wanted his pity? I don’t, I don’t need it. He… pains me most of all. A kindhearted man with a voice that soothes the souls of thousands. A roundabout hero with a moral compass that doesn’t hesitate to make the… worst of calls. Isn’t that nice? However, despite all these compliments, all these praises sent to him instead of me. Don’t you think it’s strange? Despite the kindness of his soul, even before the great debate. There have been many reports of his rampant bloodlust, even kidnapping some of his own followers. Playing with them, torturing them. I even heard that he’s formed some sort of cult. A cult? Really, what a sick fool. We have no place for cults in our world and so he will be dealt with. His sick nature.. to sooth his followers, even some of the runes. He should know his place, the runes belong to me, and the new roons, you also belong to me. Is that understood? Whatever group he forms with his precious slimes, we will decimate him.

44:11 “Cult”…? “Cult?” You… you… you would dare compare this mission to being a cult? I do this out of love. Despite being able to deal with corruption and empowering the ancient weapon you dare? I see, it seems there are some of you that still must be dealt with. Fine. For those of you that love me but have anxious minds, or who are easily disturbed, I give you the opportunity to leave this room right now. For those of you that stay.. I will give you the most… gentle of orientations.

45:33 Hahahah. Now, love me, love me, love me, love me, love me, love me, love me, love me, love me, love me, love me and me alone. Love only me and only me. No other idols, no replacing me for whatever reason you deem fit. The minute you give your love to me, you must take responsibility. Is that understood? Hm…? You think I’m “broken”?

[the music stops, it zooms in on his face]

46:27 You’re a fool. You know, I told all of you to keep your mind in check. Even, it would’ve been fine, fine if you all disobeyed me. But, we have no room for such foolish ideals and so… Haven’t you noticed? Hahahaha ..hahah! You didn’t notice yet, did you? Well…

47:06 [The progress bar is at 100% now]

Have a safe trip. I love you.

[The screen is black with glitching effects]

47:28 Aaah. It started, hasn’t it? Well, I warned you to be wary of the voices raging inside of you. It’s spreading, you know? Even if you try to find some kind of solution, there is only one. Regardless, the corruption will eventually consume you. It consumes all of us. Perhaps that’s what makes us human. Remember what I said earlier? You have multiple “you”s. Multiple even inside each individual one. This creates discord and chaos within your soul, your emotions is one person running rampant.

48:29 If you don’t stay in line… If all of you don’t work together, I don’t think you want to know. But hey, don’t worry. I’m here for you. The monastery is here for you. Just listen to the very simple sound of my voice, that’s right. Give in. Give in to me. I know what’s best for you, after all. You need me and as God’s messenger I’ll do everything in my power to make sure you’re safe. Here, come closer. Focus on my voice. There you go. Perfect.

49:50 Hm? Well, would you look at that. Do not worry, those “non-believers”, they will be… repurposed. Hm… you even harmed my own runes. For that, I should punish you greatly. Now, if there are any last questions.. I hope you do your best to ask. Time is ticking.

50:33 You may not know, but… I’m aware you’re not from this world. It seems that you seem to be from a different time. but I find this the most interesting… interesting of things. Using the researchers notes… I best hope that you protect your world. Because now that I know about the existence of many… We surely can’t let a world where they starve out the corrupted live.

51:23 Wait… Stop mentioning that name. You even made my beloved runes stop moving. sigh Hm? It seems you’re running out of time. You know what to do, right? Hnk. Damn you, you riled up memories I didn’t need. Don’t worry, I will love you forever… forever and ever. I love… my runes. I always… have.

[glitching and multiple images flash on screen, his eyes are swirling]

52:58 “We love you!”

[scene of Fr. Machina in the RTRUS covered in blood crying while the surroundings are in flames]

[A roon appearing on screen and the same Fr. Machina approaching]

“I love you guys, too…”

[Fr. Machina in the RTRUS destroying Elysium]

[Screen with various faded texts on it]

“I don't want to be alone…” “Why am I not enough?” “You don’t want me anymore.” “I want to be enough for you.” “Love me, love me”

“I can’t have you leave.”

[Roon and Fr. Machina on screen. The roon shrinks out.]

[Fr. Machina in a burning monastery]

“Don’t leave me”

[Roon looking at Fr. Machina who slowly comes into focus]

[more glitching]

53:51 Do not worry. Remember what I told you. Corruption begins in emotion, I assume there’s a catalyst. Whatever emotion… Whatever emotion that he has, whenever he gets corrupted, I’ll see you again. Goodbye, roons. I hope when we meet again that you will follow my endeavor. I love you guys… Don’t leave me.

#transcription #flaylore #2023 #machina x flayon #holostars #holotempus

3 notes · View notes