#i have to stop i have to stop goodnight

[seokmashu]

CRUSH IS SOOO GOOD I'M JSJSNSKSKZ ‼️‼️‼️

[xxplastic-cubexx]

give me some whiskey and ill draw The Most Thing i can come up with

bonus:

[last-flight-of-fancy]

Started thinking about Riku-Kairi parallels and symbolism wrt the ending of kh2 so please hold while i get needlessly verbose about it-

specifically it started with this gif

and ofc adhd is as adhd does and started going down the rabbit hole of connecting the dots.

The act of reaching out a hand/hand holding is a recurring thing in kh, the vast majority of which is chock full of meaning and symbolism, and this is no exception. This is the culmination of The Hero's Journey part of Sora's tale, the return home, and the heartfelt reunion between long-seperated friends. fun fact the heroine's journey follows the hero's journey for the first third or so before continuing on. kinda like how kh continued on long after things seemed to be 'resolved'. weekly plug to look up Howler's Heroine's Journey essays if you haven't yet

The angle from which I am viewing this scene right now is in regards to ofc Riku, and his own iconic pose that we see the first time in the intro to kh1 (and many, many times since)

And this is where my riku-kairi-are-inverted-parallels-to-each-other brain starts barking like a dog because oughghghghggh same pose opposite side completely different body language- AHG.

And this matches their character arcs (as well as their respective combined arcs with sora) to a T as well. Riku's pose is the first we see, way back in kh1, and his hand is as much a taunt as it is an offer. Very befitting his relationship to sora in that game, which was coloured by a forged rivalry and intense jealousy (to quote the ultimania; Complicated Feelings) of/for sora.

(it is also notable that to date this gesture has yet to be resolved. the closest they've gotten is when sora grasped Riku's hand in kh2 on finding him- albeit in Ansem's visage.

Symbolically this is Sora attempting to accept the gesture, but this time it is Riku who fails to meet him halfway, too deep in guilt and regret to feel worthy of it. his hand is turned downwards, limp and unresisting.

And again in DDD when Riku grabs sora's hand/wrist in an attempt to wake him from his nightmares, but this time sora isn't capable of reciprocating. like two ships passing in the night, always reaching but never quite meeting)

(this one isn't quite as strong in the visual symbolism specific to the Riku Pose, but i did think it bore mentioning)

to return to the first gif however, for Kairi her posture is much less stiff, leaning forward with palpable releif at Sora's return. Honestly the fact that she holds out her left hand (which as far as i know is not her dominant hand) marks this as a very deliberate choice to parallel her as opposite to riku. and much like the rest of kh2's ending, it FEELS like a culmination, a completion of their arcs.... and most certainly isnt.

Which i mean to say, it's a mid-point. And the reason I say this is because of one little thing.

The seashell charm.

There's a sort of irony here in that the charm that was meant to reunite them in this moment is also symbolically like a wedge between them. A heartfelt and meaningful gesture, don't get me wrong! i love this scene and the genuine emotions within, but i do love chewing on the way this gains a slightly different meaning in the greater context of later story beats; specifically that of kh3.

With how pointed and direct the parallel is between kairi and riku in these scenes, it did make me pause for a moment thinking about kh3. i know we've all seen a thousand and one analysis' of the paopu scene at this point, but forgive me as i must do so again under this specific lens.

'how does the paopu scene relate to the hand extended gesture at all?' i hear you ask, and on the visual surface not much. it has more to do with sora and kairi's relationship arc through the games and, of course, the lingering loose thread that was the cave drawing.

The paopu scene is a touching recreation of that cave drawing, one enacted by a pair of kids who didn't know if they would live to see another sunset. It's also probably the most symbollically dense thing in all of kh and that is saying something so I'm going to try and keep my observations limited to just what is relevant to this post- and that would be the way that the paopu scene is a direct continuation of Kairi's 'you're home' gesture in kh2.

shooting stars are also a common recurring symbol in kh, and that's the symbol that ties these two scene's together. if kh1 is two disparate stars each trying to reach the other (the cave drawing, the seashell charm, the way their hands are seperated at the end of kh1), and the end of kh2 is that of the stars finally meeting (the single seashell star charm pressed between their palms), then the paopu scene is that of the stars passing each other by and beginning their own journey's anew (two stars held by crossed arms, each now holding a small piece of the other (bitten fruit) to show that their meeting may have been brief but it was meaningful)

it is in this way that kh3 quietly and tenderly closes out sora and kairi's combined arc, as two unlikely friends who then drift apart again, shining brightly for the shared experiance, Remind mostly serves to support that finality, tying up the last couple loose ends between them, and leaving the two far more comfortable with each other than they ever were while that arc was still ongoing (which i read as them no longer being uncertain as to what their relationship is; that of friends, and not whatever so many others around them had pushed and assumed)

(seriously look at how much more comfortable they are with each other the second the pressure to be something they're not is off. the awkwardness is completely gone i love it)

All of this is ofc still in parallel to Riku, who boasts no such star imagery (instead he has the iconic Heart of KH itself), and in fact while he symbollically continues to reach out to sora, physically he has completely refrained from doing so at all- in fact most examples of the Gesture in kh are deliberately invoked by other characters in order to bring riku to mind in some way (and often more for the players benifit than sora's)

axel in CoM,

(i have given up on tumblr gif search)

YMX in DDD,

which then immidiately cuts to riku in kh1 just to make it as blatant as possible that yes the reference is intentional (i guess CoM was too subtle somehow so they had to make sure this time)

and even Riku himself to Namine at the end of kh3, representing Repliku's final wishes in a funny sort of symbolism oroboros.)

and it's not a coincidence that the completion of that connection provides definitive closure to the arcs in question; that of namine to repliku, but also a little bit to riku himself. namine still has a role to play, but that role (i think) is more or less exclusive to her relationship with sora. namine and riku's relationship arc, background as it is, is complete, and now both are connected primarily through their incomplete arcs with sora.

(which makes the way that sora and kairi's example in kh2 is a complete outlier really interesting tbh. smth smth thinking your relationship is one thing and if it was that thing then yes that would have been the end, but it wasn't that thing and thus it wasn't the end smth smth comphet metaphor smth)

which brings us back to how riku himself hasn't really reached out to sora directly since kh1, the act that set off both of their journey's. The reasons for that are many- guilt, fear, a certainty that sora will not reach back and that he doesn't deserve it anyway- but despite that the Gesture is still subtly affirmed as being Riku's over and over again, never quite letting the audience forget it... because eventually this bit of symbolism so consistently portrayed throughout the series will reach its own conclusion, starting how it began with one deuteragonist reaching out to the other, and this time the other reaching back to complete the gesture.

[somegrumpynerd]

Random hcs that have been on my mind for the past couple days: now in doodle format!

Text for each drawing written out under the cut in case it's not clear or anyone wants to translate it!

(1) <- Somehow soft?? <-Sometimes makes a comforting hum/rumble <-Holding for support

(2) <-Walks so quietly everywhere he goes <-Is about to meet god

(3) <-Can't see well in the dark (no eyelights) <-Can't help himself

(4) <-Thinks Color will turn Killer against him and convince him to run away

(5) <-Thinks Nightmare is using them all for the negativity and has brainwashed Killer into liking it

(6) <-Thinks if he runs and jumps at Cross as fast as he can Cross will lift him and it'll look so cool

[fereldanwench]

🍿 NOW PLAYING 🍿 Immortal in the Code: A Cyberpunk 2077 Series

Compelled by a desperation that only Night City can incite, two Arasaka veterans become unlikely partners in a quest for atonement and salvation. Just renewed for a fourth season!

[created with this template by @seungnm ♡]

[neolxzr]

i knew you'd come back (i never had any doubt)

[fearandhatred]

to rome: a play by fearandhatred

(5k words, 1/1 chapters)

While trying to tempt Caligula, Crowley makes a discovery that renders all his efforts for naught. But then it turns out that Aziraphale is here too, so maybe his trip to Rome isn't wasted after all.

***highly recommended to read on a phone because of the Multiplicity Of Line Breaks that just look very weird on a laptop unless your font size is huge

-----

i've always loved the idea of crowley falling in love with aziraphale in rome. in some ways it really is my roman empire so i figured i might as well make it happen! featuring many shenanigans and an annoying emperor :)

any and all support is greatly appreciated <3

anyway it all started with a dream:

so this is for @eybefioro @captainblou @crowleys-bentley-and-plants who challenged me to write a fic with no angst and also, coincidentally, for that one commenter who asked me on the same day if i would consider writing something happy for once. against all odds and with much difficulty, i have done it. love u guys sm <333

[buglaur]

[chimerahyperfix]

This loop has to be the one. Nevermind that you said it last loop, and the one before, and the one before that, and most of the ones before that. THIS was the one you'd stop the King in his tracks. You push a few of your many potions to the side to make room on your desk. None of them worked to stop him, so they were useless. He's still about twelve, fourteen? hours away, so you have enough time to make the bomb, eat and take a fat nap before you go pick a fight. Maybe this time, it'll work! It has to!

You've gotten better at making the Craft Bomb. It hasn't blown up on you before you intended to use it in... a long time. You can make it fast enough, now, for it to still be light outside! You've become silent while you work, which Mirabelle has told you is ''worrying'', but you don't see why it is. Are you really that loud? (Yes. You are.)

It's hard work. Soft light bathes your desk, your work, you. You reach out, past your potions, and grab your water bottle. Take a big swig, and

Hmm. That's not water.

How. HOW do you keep making this mistake. You look at the bottle in your hand, and sure enough, it’s one of the potions; your water bottle is shoved in the back of the collection of other containers. The taste is caustic, your throat begins to burn. You shouldn’t be this calm for having just drank something that’ll kill you in a handful of minutes, but it’s happened before. Despite the pain you don't bother trying anything. Just push the finished bomb to the side and lay your face against the wood of the table. Feel the blood start to pool in your mouth and dribbling out, staining the wood. Mirabelle, or Euphie or whoever comes in next, they can use it this loop. It's not the first time you've drank one of the many, many dangerous potions on your desk, and it's probably not the last. Maybe you'll actually clean the crabbing thing off before you work.

Whatever. You have next time. You have all the time.

Perhaps a bit too much, actually.

[lovexmemonster]

My uzi interpretation !!

[httpiastri]

long hair >>> (even tho it's hiding under the stupid cap….. pls take it off tomorrow bb)

[willowser]

okay last thing and i know this is easier said than done and i think it's less of final end point and more of a continuous journey but once you let go of your shame and embarrassment over the things that make you happy, you'll have a lot more fun

[afranticsonicperson]

being so, so tired to the point where you can’t even open a document or draw digitally anymore and now your in a rut

….anyway, so here’s a surge

[vcrnons]

VERNON // fishbowl & sea.

[raspberryvv]

Imagining myself with Sukuna, but it's that one scene from HTTYD 2 where Valka sings and dances with Stoick 'The Dancing and The Dreaming' plsplslplspls pls someone has to get me

[pinkinsect]

aryu and tokimitsu are so special to me actually