#i have this thought at least once a week

[jojosito]

Izou sitting on Naga's lap

[skin2thebonedark]

so i'm just gonna die one day??

[poguelandia]

🌿🌿🌿

[meidui]

“It kinda feels personal.” | for @catws-anniversary ♡

[somegrumpynerd]

When your ruthless henchmen have pack bonded and continually lie in a pile like kittens

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡

[todayisafridaynight]

[silusvesuius]

nnnnnnnnnnnnno maa'am

[0ann3]

When you and your friend share a single braincell together

[radioroxx]

What do you think Odile does for a living? She feels teacher like to me. What do you think she would do post canon?

HMMMM THIS IS GOOD QUESTION…

ive seen a lot of people hc her as a teacher / professor so i!! think that suits her pretty well. specifically as someone who studies + specializes in different types of craft (that would be why shes so proficient in multiple craft spells. also how she was able to figure out the loops stuff, AND to find something that could prevent siffrin from looping back).

post canon i am not sure… i am always torn between how the party would handle things post canon. obviously they would keep travelling for a bit, odile alongside her family without the stress of. constant sadness encounters + a king to kill lol. i think maybe she would get to take her time, reeaally get to know vauguardian culture when not within. a crisis. as was her original intention.

eventually. EVENTUALLY. when the family settles down somewhere (i am a “they all get a big house together” believer lol) she would get back into craft stuff. maybe go back into teaching too—surely people would be eager to hire a saviour. especially though i think it would be neat of her to try looking into wish craft etc, as a long forgotten form of craft. to satisfy her own curiosity, for siffrins sake, or just as a way of preserving the countries culture in whatever ways possible.

[rosetintedjello]

I need to see more of these two asap- you can't tell me they wouldn't be best friends

[phagodyke]

the masculine urge to take a saucepan off thr draining board and bash myself repeatedly over the head with it until I pass out and no longer have to experience feeling Bad 😍

[phosphorus-noodles]

ok friends. i've been having a Think,

if you don't know what au i'm talking about it's here and there's details about martyn sprinkled around in there. yay 👍

(factors to consider are: 1) does it suit him and 2) does it suit the bamboo jungle-y kingdom vibes. i guess)

[lonesome-dreamsss]

steve plays tony sappy love songs from the 40s!!! he also ventures into the 50s and 60s, hits ALL the old time-y songs. he's so in love and this is how he shows it best (along with his art of course, he has an entire sketchbook dedicated to tony).

the first time he does it, they're in the kitchen, steve's making them breakfast and tony is at the table with a coffee. steve's phone is set up, playing music, soft, quiet songs, mostly instrumentals. once he has the pancakes on a plate, he changes it to a billie holiday song. it's something so, so sappy and tony grins and is like "he's playing me love songs now?" and steve grins back and says "maybe. are you complaining?" the tips of tony's ears are pink but no, he isn't complaining, not one bit. when the song ends, tony kisses him and says "i love you too, y'know." and steve does know.

the next time, they're in tony's work shop, tony's playing around with some new suit ideas for the team and steve's drawing (tony as he is then, stained with oil smears, hair askew, absolutely beaming). steve smiles softly and requests that jarvis play this dean martin song. tony turns to look at him, that same grin he had the first time spreading across his face, "you're ridiculous." steve gives him his best who me? face and tony throws his head back and laughs.

tony takes them out of nyc, some place in upstate new york, so they could stargaze. he knows nothing about the stars, and steve is just as clueless, but it's less about that and more about just being with one another, experiencing the world's beauty together. though steve spends most of the time looking at tony because well, he's more beautiful then any star or moon. steve goes for bing crosby, and tony laughs into steve's shoulder, eyes shining in the silver lighting, "i'm starting to think you have a playlist all made up." steve presses a kiss to tony's head, "maybe i do." "sap." steve laughs, "only for you." tony then gives him the softest look, love so plainly there, and it leaves steve breathless, "aren't i lucky." steve thinks he's the lucky one.

they're in bed, tony had woken up from a nightmare and can't fall back asleep. steve's running his fingers through tony's hair and using his other hand to rub his thumb over tony's own hand. it seems to mellow tony out to some extent, but he's still tense and his eyes are glazed over, he's somewhere in his head, lost to whatever thoughts are consuming him. steve picks nat king cole now, though this time, he sings it himself. he's not a singer by any means, but he doesn't let that stop him. it pulls tony back to the present, and he cracks the tiniest of smiles. steve takes that as a win.

tony's hurt. he's hurt and he's unconscious and looks oh so pale and broken laying in the hospital bed. it's been nearly two days now, and steve is exhausted. he hasn't left the hospital chair, despite the rest of the team telling him he needs rest too. nat had almost dragged him out of there and to a shower and his bed, but he's nothing if not stubborn. she gave up, in the end, and told him to at least eat something, before leaving, saying she'd be back in the morning. steve clutches tony's hand, fighting the urge to cry yet again. he does the only thing he can think to do, the only thing that might be able to fix this in some way. he starts to sing. it's ella fitzgerald this time. his voice is dry, cracking with each word, but he keeps going. it's comforting, in a way, and he hopes it's comforting for tony too, hopes tony can even hear him. the tears come anyway, despite his best efforts, and the lyrics catch in his throat. then, in an answer to his prayers, tony squeezes his hand. it's weak but god, it's there and steve chokes out a sob, relief coursing through him. tony'll be okay.

"are you ready?" steve asks, moving to wrap his arms around tony's waist. "i was born ready, capsicle," tony says back with a wink, settling his arms around steve's neck. they fit together perfectly. frank sinatra starts to play, they had picked this one together, for this moment, and they start to dance. with the way tony's looking at him and the way the ring sits snug on his left hand, steve feels his heart swells in his chest and he can't help but lean in to kiss tony. tony smiles into the kiss and then laughs as everyone around them cheers. this is what pure happiness is, steve thinks, and rests his forehead against tony's. the song comes to a close and tony kisses him once more before tugging him towards the cake with a grin that rivals the brightness of the sun.

[shu-of-the-wind]

thinking again about a quote from pirkei avot which states "you are not obligated to complete the work but neither are you free to abandon it" in the context of community advocacy.

"you are not obligated to complete the work but neither are you free to abandon it" says that you won't finish everything. you won't fix every injustice you see in your lifetime. in fact you'd be lucky to finish one. but that doesn't mean you don't try to fix injustice.

it says that the advocacy of our parents and grandparents and their parents and grandparents, of our predecessors in this choice to reach out a hand, to help, to try and repair something that is broken, is something that gets passed down. that an injustice you see might not be righted for months or years or decades or over a century.

it says that stories like the overturning of curtis flowers' multiple convictions on the basis of faulty testimony and racially biased juries and the choice of a white prosecutor in small-town mississippi was brought about by months and years and decades of work by dozens and hundreds of people who not only saw that injustice but saw all the injustices before it that had not been fixed, and thus knew the path they had to take to try and fix this one.

it says that small actions are what build the basis of big change.

it says that no one person is going to fix the world. but goddammit you have to try to fix things that you see in it that are unjust.

[silkpages]

one month off uni LET'S GO!!