#i have such poor memory

[kikker-oma]

I break my silence once more to reminisc on a memory that haunts me, 8 years later🙃

I was a waitress for 5 years and at one point, a girl from my highschool worked with me. I worked with this girl for a YEAR. I TRAINED her even! Eventually, she left to work somewhere else.

That isn't the issue.

The issue, is that a couple months after she left, she came in with her family to eat (it was a party if like, 20-ish people) and I was the one waiting on them.

At some point during their dinner, she goes "Hey, Oma, do you remember me? " Because I hadn't really acknowledged her as more than a customer.

AND I

LIKE A DUNCE

Think, and respond "oh, didn't we go to highschool together?"

AAAAHHHHHHHHHHHHHHHHHHHHHH

I FORGOT WHO SHE WAS AND FORGOT THAT I FREAKING WORKED WITH HER FOR A YEEAAARRR. AFTER GOING TO THE SAME HIGHSCHOOL FOR 4 YEARS?!?!?!

END MEEEEE. ☠️☠️☠️ I STILL THINK ABOUT THIS 8 YEARS LATER AND DIE INSIDE.

I doubt she ever thinks of me, because we were never close to begin with (we got along, just didn't become friends), but man, I hope she wasn't hurt by that😭😭😭

I wish I could remember her name so I could apologize🥴🥴🥴

Why must I be cursed with goldfish memory.

[dzknik]

McGucket is increasingly having anxiety problems, as he was before, and these anxiety problems are actually not problems, they are him being right about what they’re doing.

But he so wants to please Ford. I think McGucket sees his own value as “I’m the guy who builds stuff, and you’re the idea guy, and I’m valuable to you when I’m building stuff. And when I have a problem I can build a solution, and any time there’s an emotional issue, you build your way out.”

So the canon became that McGucket proposed such a thing (the memory gun) early on, and then was told “You shouldn’t do that”, and then like an addict, like an alcoholic who has a little sip and notices it takes the edge off, privately, he can’t bear to say it to Ford. He’s keeping a lot from Ford, he’s keeping just how scared he is of what they’re doing, he’s keeping just how concerned he is. McGucket doesn’t really know what’s going on, but he’s internalizing and thinking, “I just need to be a better partner. If I have anxiety, I’m gonna pop anxiety pills, and I’m gonna get through this.”

[boxheadpaint]

very fond of the ann reardon debunk videos where she makes an awful recipe or food hack from some content farm and then feeds it to her husband. Yeah this hack is dangerous and doesn’t work and is quite bad, and now its Dave’s turn in the torment

[crunchchute]

father daughter holy spirit

[artkaninchenbau]

You know what day it— Daisuke?! Happy 24th Anniversary Zero Two! [Redraw 2020 / Appmon] [2021 / Tamers] [2022 / Frontier] [2023 / V-Tamer]

[sysig]

Ah, childhood memories (Patreon)

[prismsoup]

Do people also have that horrible random moment when your brain bullies you for not knowing enough about a topic you consider yourself passionate about ?

[aanthonyvb]

More poto Italy inspired stuff

[transk0vsky]

Another stupid text post meme I made

[zorlovinghue]

Awww, look at this:'>

Another reminder that he cannot forget:(

And this moment is, chef kiss✨

Moment of vulnerability and security I simp

The fluff moments giving reassurances and singlehandedly healed my heart—

[orangetintedglasses]

@forgivenpunishment // one taser might not do it, but what about...?

Holding off a wave of people was no small effort.

Keeping an army off the back of another person while throwing yourself in harm's way, regardless of your strength, was something noble. Something that deserved praise, recognition; the undertaker's efforts would not go unnoticed.

... unfortunately for him, though, it wasn't Vash that they wanted. It wasn't Vash that would be swarmed by fully-amped stun batons and tasers and more bodies trickling in, crowding the hall to prevent escape, or even basic movement that might've allowed him to get the upper hand as some old, croaking voice shrieked don't kill him! We need him alive, he's useless to us dead...!

That had been nearly an hour ago, now, though. Trivial. Shouts and crackles of electricity had been replaced by the din of machines; the hum of glaringly bright surgical lights; the slow, steady blip of a heart monitor keeping track of vitals as six men bustled around the surgical table that they'd strapped him to. They'd cut him out of his clothes to save time, as well; naked save for the various nodes and monitors they'd fastened to him, and a clean, white sheet over his hips that went down to mid-thigh.

Was that sparing his dignity, or theirs? It didn't really matter, did it. No, no, what mattered now was how the subject was feeling whenever he came to again--

[jamandjazz]

I bet Soda’s spelling wasn’t even that bad and Ponyboy’s just a pretentious prick

[huginsmemory]

Reading journal 3 again is a reminder that... Well Ford is kinda an asshole towards Fiddleford. It's not just Stan. Like he's so focused on himself and his project and his ambition that anyone/thing else blurs out (him disregarding Fiddleford's nervousness around the gremloblin because he wants to sketch it, and when it goes sideways, him talking about the safety of the project parts BEFORE how Fiddleford was doing in his journal, multiple times. Priorities much?) and he's demeaning towards Fiddleford's own project (which ends up being wayyyy more important then Ford's discoveries)... Like damn Fiddleford, u left ur wife and young son for this guy?

[iristial]

The childlike penmanship and utter abundance of hiragana and katakana that has its own implications aside, I was going to talk about how sweet and sad it was that the only kanji Shouma knows is "mother" (母). But then someone told me he also knows the kanji for "help [me]" (助)...that certainly adds to the context of Shouma's memories of his mother mainly being shrouded in fear

[worstloki]

Mu Qing ascending is objectively so funny considering Feng Xin and Xie Lian also do. Out of the people in your kingdom who accomplished immortality there’s this guy who used to be your servant but is now on equal rank to you and he‘s super rude now and also thinks you hate him because he remembers when you were 18 and lacked socioeconomic-interpersonal awareness

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

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*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)!