#i have such a good sense of who he is what he believes and how it affects his relationships

[51voices]

Rumor Has it

Kinkvember Day 12: Size Queen

ITZY Lee Chaeryeong x Male reader

“I can’t believe I’m with ITZY’s Chaeryeong,” the man murmured, voice heavy with disbelief as his eyes roamed her flushed face. “You’re just so hot,” he added, the words tumbling out in a way that was meant to be flattering but only served to deepen the emptiness settling in her chest. His awe should have kindled something—pride, excitement, even a fleeting sense of satisfaction—but it barely registered.

Chaeryeong lay on the unfamiliar bed, her body half-sunken into the cushions as he moved rhythmically, each thrust marked by an urgency that lacked any real warmth. His hands skimmed over her skin with a mechanical precision, more rote than passionate, as if he were caught up in the idea of her rather than the moment they shared. His breath came in shallow, heated bursts against her collarbone, but rather than igniting any spark within her, it only deepened the creeping impatience that gnawed at her.

Detachment wrapped around her like a cold wave, numbing her senses until it felt as though she were watching herself from above, disconnected and distant. The cracked, faded ceiling above was far more familiar, more interesting than the man whose movements quickened, already nearing the climax of their encounter.

The scene was painfully predictable, an act she could have performed in her sleep. The pattern was always the same: meet a guy, revel in the spark of attraction, then watch that spark die the moment intimacy began. It wasn’t their lack of effort; many were charming, practiced, saying and doing all the right things. But beneath the flattery, the skilled movements, and the whispered praises, there was only the same worn-out script she had seen unfold too many times to count.

He caught her gaze, a confident smirk tugging at his lips. “I knew you’d be this wild,” he said, tracing a line down her side as if her silence was proof of his prowess. Chaeryeong’s lips curved into a slight, practiced smile—just enough to maintain the illusion. She knew what he was looking for: affirmation, a performance. It was easier to provide it than let him glimpse the blankness she felt inside.

“Tell me how good this feels," he whispered, voice thick with self-assured pride as he pushed forward. The words fell over her, hollow and ineffective, their intended power dissolving before it could ignite even a flicker of genuine response. She knew men like him all too well—the ones who craved validation, whose confidence was built on a steady diet of praise. They lived for these moments, hungry for reassurances that fed their ego as much as any touch or fleeting glance.

“Mm-hmm,” she murmured, carefully calibrating her voice to mimic desire. Inside, the chasm of disinterest yawned wider, swallowing any pretense of excitement. His movements grew more erratic and rushed, signaling the approach of the end. Each gasp, each strained promise of how he would make her feel, only deepened her impatience. Her eyes wandered to the wall, where the paint peeled in thin, curling strips.

“Fuck, you’re amazing,” he gasped, voice ragged as he tensed, releasing with a final, shuddering exhalation. The warmth splattered across her stomach, sudden and uncomfortable against her skin. He collapsed beside her, chest heaving, eyes closed with a self-satisfied smile curving his lips. The silence that followed pressed down on her, suffocating and familiar.

Chaeryeong stared at the ceiling, her expression unchanged, irritation simmering beneath her blank exterior. The mess was just another inconvenience, another reminder of how detached she felt from the entire experience. She sat up, reaching for the box of tissues on the bedside table, each swipe across her skin sharp with annoyance. The sticky remnants clung stubbornly, and she fought the urge to let out a sigh as she wiped it clean.

“That was amazing, you loved it, didn’t you?” he said, the lazy grin on his face matched only by the certainty in his voice. He looked up at her, eyes glinting with a kind of self-congratulation that made her jaw tighten.

“Yeah,” she said absently, the word slipping out devoid of meaning. She crumpled the tissue and tossed it into the trash with more force than necessary, already turning her attention to putting her clothes back on. The quicker she dressed, the sooner she could escape the weight of his gaze and the aftermath of a night that felt like just another checkbox ticked.

“You’re leaving?” His tone shifted, a hint of surprise breaking through his post-coital haze.

“Yeah, something came up,” she said, already buttoning her jeans and reaching for her jacket. She didn’t spare him a glance, the cool air from the hallway whispering in as she opened the door.

“Oh, well… okay. I guess I’ll see you around?” The words trailed after her, carrying the echo of confusion and a touch of disappointment.

“Maybe,” she muttered, stepping into the hallway. The door closed behind her, muffling his presence, and she let out a silent breath. The street outside stretched dark and quiet, the distant hum of traffic soothing in its consistency. With each step away, the encounter faded into the background, another scene in a cycle she was desperate to break.

-----

The next day, Chaeryeong walked into the studio, the weight of last night’s disconnection lingering around her like an unwelcome shadow. The steady thump of music in the background was a familiar comfort, its rhythmic beat grounding her as she stepped into the safe haven of dance practice. Here, she could shed the emptiness, rediscovering herself in the movements and the sweat.

As she moved down the hallway, she nearly bumped into you—a newer dancer known for your laid-back, shy demeanor that had a certain charm. The unexpected encounter made her pause, and she blinked up at you, adjusting the strap of her bag with an almost self-conscious touch.

“Oh, hey,” you said, eyes widening with surprise before a soft, genuine smile spread across your face. Your voice carried a hint of nervousness, but it was endearing, a reflection of your gentle nature.

“Hey,” she replied, her tone casual but warm. Chaeryeong had seen you before, exchanged a few words here and there, but your interactions were always routine—comfortable, familiar, but devoid of any real thrill or spark. Still, there was something grounding about your presence, an easy reliability in an industry full of fleeting faces and shallow exchanges.

“How’s it going?” you asked, shifting the strap of your own bag and glancing at her with a mix of shyness and openness.

“Good,” Chaeryeong answered with a brief look toward her makeup room. “Just getting ready for practice.”

“Same here,” you said with a small, awkward chuckle, nodding toward the practice room behind you. “Well, I’ll catch you later.”

“Yeah, see you,” she echoed, stepping past you as the moment seamlessly blended into the rest of her day.

Settling into her makeup chair, Chaeryeong projected an air of calm as the room buzzed around her with practiced chaos. Stylists moved efficiently, tugging at her hair and trimming stray ends while she scrolled through her phone, barely registering the cascade of notifications on the screen. Despite the morning’s encounter, her mind drifted back to the comforting rhythm of dance, where she could momentarily leave everything else behind.

A sudden murmur of gossip cut through the ambient chatter, the tone sharp enough to catch her attention.

“Did you hear about the new dancer?” one stylist whispered, drawing out her words as if relishing their weight.

Chaeryeong’s pulse quickened, but she kept her expression neutral, eyes glued to her phone as though she hadn’t heard.

“Oh yeah,” another stylist chimed in, her red lipstick as bold as the knowing smile she wore. “They say he’s... well, really well-endowed.” She stretched out the last words, savoring the ripple of reactions they prompted and darting her eyes around for signs of who was listening.

Heat crept up Chaeryeong’s neck, her cheeks warming despite her best attempt at indifference. In the mirror, she caught a glimpse of the stylists exchanging conspiratorial looks, their excitement palpable. She focused back on her phone, but the whispered words replayed in her mind, stubbornly refusing to fade.

“Where did you hear that?” a third stylist asked, her eyes wide as if this were the juiciest piece of news in weeks.

“Someone in the wardrobe department,” the second stylist replied, leaning in conspiratorially. “They saw him changing during a show. It was... unmistakable.”

Unmistakable. The word lodged itself in Chaeryeong’s mind. She scolded herself for the flicker of interest that sparked within her. It’s just gossip, she reminded herself. But the allure of whispered secrets had a way of sticking, no matter how much she tried to brush them off.

Chaeryeong attempted to shake off the chatter, but it clung to her thoughts, feeding her curiosity. She opened a recent group photo on her phone from a past shoot, eyes scanning your face, searching for... what, exactly? She didn’t know. The absurdity of it made her bite back a sigh.

She locked her screen and set her phone down, chastising herself. This is ridiculous, she thought, trying to push the rumor out of her mind. But it lingered at the edges, a persistent tickle she couldn’t quite dismiss.

A few days later, Chaeryeong found herself tucked into a quiet corner of a café, a rare escape from the whirlwind of studio life. The hum of coffee machines and the clinking of cups provided a soothing backdrop, calming her frayed nerves. She took a slow sip of her latte, savoring the warmth that radiated through her.

Her peace was short-lived. From a nearby table, lively voices cut through the mellow atmosphere. Natty and Julie, two bright junior members of Kiss of Life, were leaning into each other, their laughter infectiously carefree. Their energy filled the small café, vibrant and uncontainable.

Chaeryeong wasn’t trying to eavesdrop, but their excitement was impossible to ignore.

“So... have you heard about the hot topic recently?” Natty’s eyes were wide, her voice tinged with thrill.

Julie’s grin widened as she lowered her voice. “Oh my God, yes! Everyone’s talking about it. You mean... the rumor?”

Chaeryeong’s fingers drummed lightly against her mug. She’d heard variations of this story a hundred times before—momentary bursts of intrigue that swirled through the industry, more smoke than fire. Yet, there was something magnetic about the way these whispers spread. No matter how hard she tried to tune out, the animated tones and shared glances drew her in.

“Yeah, you know... the rumor,” Natty said, barely suppressing her giggles.

Julie leaned back, crossing her arms with a playful smirk. “Honestly, I kind of want to see if it’s true.”

Natty’s eyes widened, shock mixed with amusement. “Wait, what? You’re actually thinking of... finding out?”

A daring glint crossed Julie’s face. “Why not? Everyone’s acting like he’s some kind of god. He’s always so nice and friendly. It wouldn’t be that hard to get close.”

Natty shook her head, half-amused, half-incredulous. “You’re wild! What if it’s not true? Or worse, what if it is?”

Julie’s eyes sparkled mischievously. “That’s what makes it fun! I’m not just going to ask him, obviously. But if the opportunity comes up... why not?”

Chaeryeong took another sip of her coffee, pretending to focus on the view outside. The boldness of youth was something she recognized from her own early days. They were fearless, driven by curiosity and the thrill of what-ifs. But she knew better now. Rumors had a way of spiraling, turning curiosity into consequences.

Yet, their conversation lingered in her thoughts, winding its way into the quiet spaces of her mind. Could there be any truth to it? It was absurd, but the question gnawed at her. She tried to brush it off as idle curiosity, but the story held on like a stubborn melody.

With a sigh, Chaeryeong set down her mug and stood, casting a glance back at Natty and Julie. They were still deep in conversation, laughter bubbling over as they reveled in their world of daring and speculation. Their faces were bright, full of life untouched by the cynicism that came with years in the industry.

As Chaeryeong stepped into the crisp autumn air, a bemused smile tugged at her lips. Maybe, in their own ways, everyone was searching for a little excitement, a hint of truth buried in the glitz and chaos. In the unpredictable realm of K-pop, who wouldn’t want to peek behind the curtain to find out what was real?

-----

On a quiet afternoon, Chaeryeong sprawled across the cool floor of the practice room, her body still humming from hours of intense rehearsal. The mingling scents of sweat and faint traces of perfume filled the air, and the ache in her muscles was a satisfying reminder of her hard work. For a brief moment, silence settled over the room, seeping into her exhaustion and offering a rare sense of peace.

The stillness was broken by the soft, deliberate clicks of Ryujin’s phone. Every few moments, Ryujin’s lips would curl into a smirk, her eyes flickering with amusement as she scrolled through whatever had caught her attention. Chaeryeong, trying to focus on stretching out her legs, found herself drawn to the subtle shifts in Ryujin’s expression.

“What’s got you giggling?” Chaeryeong asked, her tone casual but laced with curiosity. She lifted an arm over her head, feeling the pull in her shoulder, though the stretch couldn’t quite outmatch the intrigue sparked by Ryujin’s grin.

“Oh, just some juicy gossip,” Ryujin replied, snapping her phone shut and looking up with a mischievous glint. “You’ve heard the latest about him, haven’t you?”

Chaeryeong raised an eyebrow, her heart giving a small, involuntary skip. “I’ve heard bits and pieces. What’s new?”

Ryujin leaned in, her voice dropping to a conspiratorial whisper. “Well, rumor has it things have taken an… interesting turn.”

Chaeryeong found herself inching closer, her interest piqued. “Interesting how?”

“Remember that new staff member from production? Long hair, brunette, always with the clipboard?” Ryujin’s voice dropped even further as Chaeryeong nodded, recalling the confident, polished woman who’d been around the studio lately. “Apparently, she tried to hook up with him, but it didn’t go as planned.”

Chaeryeong’s eyes widened. “What do you mean?”

Ryujin savored the suspense, a smile playing on her lips. “She called it off halfway through. Said it was ‘too much’ for her.”

Chaeryeong’s mouth fell open in disbelief, a small laugh escaping before she could stop it. “You’re serious?”

Ryujin’s nod was triumphant. “Completely. She’s been avoiding him ever since.” The way Ryujin spoke made it clear she found the entire thing endlessly entertaining. “Can you imagine? She didn’t even finish!”

Chaeryeong leaned back, trying to process the bizarre twist. Until now, the rumors had been little more than idle chatter, a way to pass the time between rehearsals. But this? This felt different—specific, almost too wild to be entirely made up.

“That’s beyond crazy,” she muttered, shaking her head. “So she really just… walked away?”

Ryujin’s smile widened. “Too intense for her, apparently. Makes the rumor even juicier, right?”

Chaeryeong chuckled, fingers brushing her forehead as if to clear the strangeness from her thoughts. She’d always seen you as quiet and reserved, an enigma wrapped in an unassuming presence. You’d danced beside her, shared jokes and casual conversations, but now it felt like a veil of mystery had fallen over you, changing how she saw you.

Ryujin noticed the flicker of interest in Chaeryeong’s eyes and pounced on it. “Not curious at all?”

Chaeryeong scoffed, though a faint warmth crept up her neck. “It’s just gossip. Things like this always get exaggerated.”

Ryujin laughed knowingly. “Maybe. But admit it, there’s a part of you that wants to know. And who’s to say there isn’t some truth hidden in there?”

Chaeryeong rolled her eyes, trying to brush off Ryujin’s teasing, but a reluctant smile played on her lips. “Okay, maybe I’m a little curious,” she conceded.

“Exactly,” Ryujin said, leaning back with a victorious nod. “And who knows? You’ve worked with him more than anyone. If anyone can figure out what’s real, it’s you.”

Chaeryeong’s expression turned wary. “Are you suggesting I go looking for answers?”

“Not exactly,” Ryujin replied with a wink. “But it wouldn’t hurt to keep your eyes open. You never know what you might find.”

As Chaeryeong stood up, stretching her arms high above her head, the tension in her muscles eased, but a new kind of tension lingered in her mind. “I’m not getting caught up in this,” she said, trying to sound resolute.

Ryujin’s smirk deepened. “Sure. Just don’t blame me when you can’t stop wondering.”

Chaeryeong’s gaze drifted across the empty room. Though she said nothing, her thoughts inevitably circled back to you—the unexpected center of a rumor that refused to fade. Despite herself, she couldn’t help but wonder if there was more to you than she had realized.

-----

In the days that followed, her resolve to ignore the gossip unraveled bit by bit. Every break in rehearsal, she’d catch snippets of whispered conversations, soft voices punctuated by the thrill of the latest gossip. The room seemed charged, the air thick with secrets woven together in webs of speculation, and the more she tried to tune it out, the more the curiosity gnawed at her.

It was a curious thing, the way her perception of you began to shift. In her mind, the once-awkward grin and boyish shyness you’d worn so easily took on a new, shadowed dimension. She’d always seen you as the soft-spoken one, the one who was quietly supportive, almost unassuming. But now, even a passing glance was tinged with the echo of those whispered stories, and each encounter left her feeling as if she’d glimpsed only a fraction of who you really were.

The questions pulsed in her thoughts, gaining a stubborn grip, no matter how often she told herself it was only idle gossip. What if the quiet you she’d known was only part of the story? What if there was a depth, a mystery lurking beneath the surface, a piece of you yet to be uncovered?

With every passing day, her curiosity transformed from a soft, passing thought into an itch that lingered, whispering at the back of her mind. And though she told herself to brush it aside, Chaeryeong couldn’t help but wonder. In a world built on appearances and carefully constructed images, maybe there was something real beneath all the stories. And maybe—just maybe—she’d find herself wanting to know who you truly were.

Then, one afternoon, it seemed as though fortune had finally aligned in her favor. Practice had stretched longer than usual, the group winding down and slowly dispersing in pairs or small clusters, chatter buzzing through the air. Chaeryeong, catching her breath near the edge of the practice room, happened to look up just as you turned the corner into the hallway, your figure briefly silhouetted against the light streaming in from the corridor.

Your gaze found hers, and in that brief, quiet exchange, you offered a shy, slightly lopsided smile—a familiar look that made her pulse skip, the awkward charm in it disarming and strangely magnetic. In that moment, something sparked in Chaeryeong’s chest, a flicker of boldness mixed with curiosity. Today, she insisted, I’ll find out more.

Whether it was the way you moved, calm and at ease despite the group’s lively presence, or the weight of the unanswered questions lingering in her mind, she couldn’t ignore the pull anymore. The hallway felt smaller, the walls pressing closer as she crossed the distance between you, her footsteps light but deliberate.

“Hey!” she called out, her tone casual but carrying a note of unmistakable purpose. You paused, a slight furrow of confusion forming on your brow as you turned. “Can you help me with something?” she asked, her smile warm but with a hint of mischief that made your eyes narrow in curiosity.

“Oh, uh… sure. What do you need?” you replied, polite and almost cautious, your tone laced with that familiar modesty she had come to expect from you.

“There’s something broken in my dressing room,” she replied, her tone smooth and casual as she gestured down the hallway. Ignoring the flicker of uncertainty that crossed your face, she took a step forward, inviting you to follow her. You hesitated, but soon enough, you fell into step beside her, the two of you making your way through the quiet corridor toward her dressing room.

Her heart pounded as you neared the door, the quiet intensity of her decision hitting her as she led you inside, closing the door behind. For a moment, you looked around, a faint confusion in your expression as you glanced around the small space.

“So… what exactly is broken?” you asked, your brow lifting as you scanned the room, clearly searching for any sign of damage.

A smile crept onto her face, playful and assured. “There’s nothing broken,” she said softly, watching as the realization dawned in your expression. “I just wanted to get you alone.”

Your eyes widened, surprise and hesitation crossing your face as you struggled to find a response. “Alone? I… I don’t really…”

She reached out, placing a hand on your arm in a gentle but firm gesture, her gaze steady. “You’ve probably heard the rumors about you,” she said, her voice quiet, laced with both curiosity and determination.

Your face flushed, a deep crimson that betrayed your nervousness, and you quickly averted your gaze. “I-I don’t really pay attention to that stuff,” you stammered, shifting uncomfortably.

“Well, I do,” she replied, her voice lowering to a near-whisper, her breath warm and close. “And I’m curious.”

You blinked, taken aback, struggling to process her words. “Curious? About… about what?” Your voice was barely a murmur, your gaze flicking nervously between her face and the door.

“About whether the rumors are true,” she continued, taking a step closer, her eyes searching yours with an intensity that made the air between you both feel electric. She could feel your hesitation, but she wasn’t about to back down—not now.

Your breath hitched, and you took a small step back, the uncertainty clear in your expression. “I… I don’t think this is a good idea, Chaeryeong.”

But she only smiled, undeterred by the protest, taking the soft reluctance as a sign that she was closer to the truth than she’d expected. “I think it’s a great idea,” she said softly, her gaze steady as she leaned in, her hand tracing a slow line down your arm.

Before you could voice another word of protest, she closed the space between you, capturing your lips with her own in a kiss that was unhurried but unmistakably confident. You froze, the surprise evident as her warmth pressed against you, but after a moment, your hands found her waist, responding with an uncertainty that melted into something softer, bolder.

When she pulled back, your breath was shallow, confusion and conflict swirling in your gaze as you looked at her, trying to find the words. “Chaeryeong, I… I don’t want you to think—”

She lifted a finger to your lips, silencing you with a soft shush. “You don’t have to explain anything. I want this.”

Your expression betrayed your uncertainty, but beneath it, there was a flicker of something else—a tension, an attraction you seemed to be struggling to contain. “But… what if this isn’t—”

“Don’t overthink it,” she murmured, her voice soft as her hand found yours, guiding it gently. Her fingers brushed against your skin, warm and light, and you felt the world around you blur, the small room shrinking to just the two of you. “Just show me.”

“Show you?” you repeated, the words barely escaping your lips as you tried to steady yourself, her gaze holding yours with a quiet intensity that felt almost like a challenge.

Her smirk widened, her hand trailing downward, brushing against you with a deliberate slowness that sent a surge of heat through the quiet room. “Show me what I’ve been hearing about.”

A heavy silence fell between you, your gaze flicking toward the door, conflicted but drawn in by the certainty in her eyes. Something shifted in you then—whether it was the thrill of the moment, the pull of her confidence, or the simple desire to finally let go of your restraint, you couldn’t tell. You nodded slowly, your hands moving to the buttons of your shirt, your breath shallow as her eyes followed every motion.

As the last button fell open, Chaeryeong’s gaze grew intense, her breath catching as she took you in. For a moment, the noise and tension of the studio outside felt like a distant memory, her curiosity and excitement heightening with each second. It’s real, she thought, the truth of all the whispers and gossip settling into place, striking her with a thrill she hadn’t fully expected.

"Wow the rumors are true," she whispered, stepping closer. Her hands gently guided you to sit on the plush couch. "I've been looking for someone to be able to fulfill my needs and you are formidable" she admitted, her voice lowering to a sultry whisper.

Sitting down, your heart pounded as Chaeryeong knelt before you. There was a moment of stillness, her eyes locked with yours, before she leaned in. Her breath was warm against your member as she began, her touch sending waves of electricity through your body.

She started slowly, her lips parting to take you in, her movements deliberate and gentle. You could feel her tongue, soft and exploratory, circling the tip before she took more of you into her mouth. The warmth, the wetness, it was overwhelming.

As Chaeryeong continued, she seemed to grow more empowered with each inch she took. Her eyes, when they met yours, were filled with a proud determination. She was proving something to herself as much as she was pleasuring you.

The air was thick with anticipation and the subtle scent of her exertion. She was focused, each movement more deliberate and bold than the last. Her determination was palpable, and you could see it in the way she bit her bottom lip as she concentrated.

Her hands gripped your thighs tightly, using your body for support as she pushed herself to take more of you. With each movement, she adjusted her technique, learning as she went, adapting to the situation with a skill that only came from experience and a deep understanding of her craft.

You could feel the tension building in the room as she took more of you, sinking deeper with each thrust. Her breathing became heavier, and you could hear the soft sounds of her exertion, mingling with the sound of her lips against your skin. Her hair brushed against your thighs as she moved, a soft and sensual contrast to the firmness of her grip.

Finally, she reached the base, her lips pressed against you as she took all of you in. It was a moment of pure intimacy and connection, a testament to her skill and dedication. And as she held you there, you couldn't help but feel a deep sense of admiration and respect for the woman before you.

The feeling of your entire body being enveloped by warmth and tightness was overwhelming. You could feel the muscles of their throat contracting and relaxing around you, creating an indescribable level of pleasure that left you trembling. The sensation of being so completely encased was both thrilling and intimidating, and you couldn't help but let out a gasp of disbelief.

"No one has ever taken me so well before," you managed to say, your voice thick with emotion and desire. Your words were muffled, but still understandable, as you were still buried deep within them. You could hear the surprise and satisfaction in your own voice, and it only served to heighten your arousal.

The experience was so intense and all-consuming that you found it hard to think or speak clearly. You were lost in a sea of pleasure, your mind and body fully focused on the sensations coursing through you. You couldn't believe the level of arousal from being completely inside Chaeryeong's throat. 

She paused for a brief moment, pulling back slowly with a satisfied, almost victorious smile gracing her lips. Her eyes slightly teary but gleamed with a sense of pride and accomplishment, as if she had just uncovered a hidden treasure. In a way, she had discovered exactly how to please you in a manner that was unique to her.

She plunged back down, enveloping your shaft once again with her warm, wet mouth. Her tongue danced and swirled around your member, exploring every inch with a curiosity that was both exhilarating and arousing. The rhythm she employed was methodical and precise, building up a steady momentum that left you breathless and wanting more.

Chaeryeong's technique was unlike anything you had ever experienced before. She moved with a confidence and fluidity that seemed almost otherworldly, as if she had been practicing this art for centuries. Every movement was deliberate and calculated, designed to elicit the maximum amount of pleasure from your body.

As she continued to work her magic, you could feel the tension building way too quick, like a coiled spring ready to burst. your muscles tensed and released, your breath coming in ragged gasps as you struggled to maintain control. But it was no use she had you under her spell, and there was nothing you could do but surrender to the inevitable.

Without warning, the peak arrived embarrassingly quickly, your body tensed up as you surrendered to the intense climax. A wave of pleasure washed over you from head to toe. Crying out her name, your fingers tangled in her hair, pushing her deeper as you rode out the high. Chaeryeong, who was completely dedicated to the moment, took you in as deeply as she could, her jaw stretched wide open to its maximum capacity. However, even with her best efforts, some of your release managed to escape past her lips, leaving a glistening trail that made its way down her chin. The sight of it was incredibly arousing, and it was clear that Chaeryeong had given her all to the moment, creating an unforgettable experience that would be etched in your memory for a long time.

She sat back on her heels, a look of satisfaction and slight surprise on her face as swallowed as much of your release as possible, savoring the taste as she wiped the corner of her mouth. Her chest heaved, not just from the physical exertion, but from the thrill of her achievement.

"Fuck, I cant wait to have you in my guts," she said, her voice a mix of pride and a playful challenge.

You could only nod, still reeling from the intensity, your mind buzzing with the intimacy of the moment.

As she straddled you with a grace that belied her iron will, the air around you thickened with anticipation. "I told you, I'm not like the others," she murmured, her voice a sultry blend of promise and challenge that seemed to resonate with the very walls of the room. "I'm going to take it all, every inch of you."

Chaeryeong reached down and positioned you member along her toned tummy. the outline of your shaft reaching past her belly button and the sight only seemed to heighten her arousal. She lifted herself up and placed your tip right at her entrance. As the first surge of her entry made contact, a sharp and searing connection coursed through both of you, a potent mixture of challenge and exhilaration. Ugh, finally the words echoed in her mind, a silent testament to the culmination of her relentless pursuit.

Her body's response to your formidable presence was visceral, yielding and stretching in a way that was almost overwhelming. It was a threshold moment, where the line between pleasure and pain blurred into a singular, exquisite sensation. The initial sting of the stretch was rapidly eclipsed by a rush of empowerment, a triumphant defiance that scoffed at any hint of intimidation.

As each second ticked by, she experienced a growing sense of command and authority over the situation. She welcomed the intensity, the complexity, and the overwhelming power of the experience, using it to bolster her confidence and firm her resolve.

The moment was profound for both of you, a shared experience of vulnerability and intimacy that neither had encountered before. As you moved together in a rhythm as old as time, there was a sense of exploration, a journey into the uncharted territories of each other's bodies and souls.

For you, the sensation was overwhelmingly new. The initial penetration was a revelation, the heat of her inner walls enveloped you, the tightness and the pulsating warmth bonded you to her in a way words could scarcely capture. Every inch was cradled by her as you became one. It was as if the very essence of your being was being drawn out, channeled through the physical connection that tethered you to her.

While for Chaeryeong, the experience was equally transformative. She felt a stretching, a yielding of her deepest self to accommodate your presence. The depths of her womb were stirred as if from a long slumber. It was as though ancient, primal instincts were roused, acknowledging the potential of creation that lay within the act.

Her body responded with a knowing of its own, a subtle undulation that seemed to draw you in further, inviting you to explore the innermost sanctum of her being. With each movement, she felt more alive, more in tune with the ebbs and flows of her own desire, mirroring the dance of life itself.

Her breaths grew deeper, her grasp tightened, and her spirit soared. She reveled in the realization that she was not merely a passive participant in this dance of passion—she was the masterful conductor, leading them both in this symphony of sensation and connection.

With every sinuous sway of her hips, Chaeryeong's dominance unfurled like a nocturnal bloom, each movement a testament to her unyielding control. She danced a dance of power that commanded the space around her, her body moving with a precision and intent that was nothing short of mesmerizing. Her voice, rich and velvety, wove a sultry symphony that resonated with the raw essence of confidence and command, her words hanging in the air like a seductive incantation.

"Ugh, fuck you're huge," she murmured, her breaths short and quick from the exertion of her rhythmic movements. "You'll never feel this good with anyone else." Her words, laced with a potent blend of pleasure and cunning seduction, curled into the air like tendrils of smoke, captivating the senses and ensnaring the mind. In that moment, Chaeryeong was the embodiment of dominance, her presence an indomitable force that rewrote the rules of engagement, leaving an indelible mark on the soul.

Your gaze was locked onto the vision before you—Chaeryeong's face, a canvas of pure pleasure, her body undulating with a rhythm that resonated deep within your being. A moan escaped your lips, a testament to the desire that was building like a crescendo within you.

She sensed your struggle, the battle to maintain control as you teetered on the brink of something monumental. "Look at you," she breathed, her voice a sultry whisper that seemed to caress your soul. Her fingers traced a delicate path along your jawline, a touch that was both tender and tantalizing. "I'm making you feel so good, aren't I?"

Her words were a silken web, ensnaring you in a trap of yearning from which there was no escape. "You're going to lose yourself in me, aren't you?" she continued, a hint of satisfaction threading through her tone. "After this, you won't want anyone else. You’ll be mine."

Your grip tightened around her waist, a futile attempt to anchor yourself amidst the tumultuous sea of sensations. "I... I can't hold back much longer, Chaeryeong," you confessed, the urgency in your voice betraying your helplessness.

Her smirk was a promise of the inevitable, her movements an expertly choreographed invitation to let go. "Oh, why would you hold back? I want to feel every last bit of you inside me," she teased, her own excitement evident in the catch of her breath.

The air between you crackled with electricity, each touch, each movement fueling the fire that raged within. The rhythm of your union grew ever more insistent, a siren's call to the depths of abandon. "I won’t be able to stop," you managed to utter, a final warning as your eyes locked with hers, the last vestiges of your resolve dissolving under the weight of your need for her.

Chaeryeong's response was a whisper that scorched your ear and sent a fresh cascade of desire down your spine. "That’s exactly what I want. Show me how much you need me," she commanded, her voice a low thrum that resonated with the primal beat of your hearts.

With a renewed fervor, she moved against you, her hips a maelstrom of motion that drove you both inexorably toward the precipice. The world outside this room ceased to exist; only the two of you remained, entwined and moving as one. The couch beneath you protested faintly, its legs scraping against the floor—a mere whisper compared to the symphony of your mingled breaths and the roar of passion that enveloped you.

"Cum for me," she urged, her voice a blend of triumph and anticipation. "Show me you’re mine."

With a final, surrendering thrust, you reached the zenith of pleasure, your voice breaking in a raw, primal cry as ecstasy consumed you. "I'm cumming," you declared, your body a conduit for the overwhelming surge of release that coursed through every nerve.

The room was thick with the scent of passion, a musky perfume that clung to the air and enveloped the two entwined figures. Chaeryeong's breaths came in short, sharp gasps. Her body, slick with the exertion of their shared dance, moved with an urgency that matched the pounding of her heart, a drumbeat that seemed to echo the rhythm of their lovemaking.

As she surrendered to the waves of her climax, she found herself immersed in an ocean of bliss, her body quivering beneath the relentless surge of rapture. "Yes! I'm cumming! Fill me up" she screamed, her cries a declaration of victory.

Each pump of your seed overflowing within her propelled her to new heights, a sensation that had once been merely a fantastical dream, now vividly experienced. Her body convulsed and succumbed to the intensity, her cries intermingling with the potent atmosphere of the room, culminating in an intoxicating sensory symphony. At long last, she had discovered the pinnacle of her sexual quest, the ultimate fulfillment that had eluded her until this moment of unbridled surrender.

Her fingers, like talons, clawed at your chest, not out of aggression but from a primal need to mark you as hers. She sought to erase the boundaries between you, to blur the lines until there was no her, no you, but a singular entity caught in the throes of passion. It was as if she believed that with enough force, enough desire, she could fuse your very essences together, creating a bond that transcended the physical realm.

As the warmth of the moment settled around you both, Chaeryeong’s fingers moved with slow, intentional strokes along your collarbone, lingering as if marking her place. She traced small circles over your skin, her touch both gentle and claiming, a wordless reminder that she held a special kind of control here. Her gaze lingered on you, unwavering and filled with a spark of something deeper, a hint of possessive pride in the effect she had on you.

She leaned closer, her lips brushing against your ear, her voice low and deliberate. “You know,” she murmured, each word sinking in with quiet intensity, “no one else could ever take you like I do.” Her fingers drifted to your jawline, holding you there as she spoke, her eyes narrowing slightly, studying you in a way that felt intimate, almost territorial. “You’re mine now,” she added softly, her voice laced with a blend of warmth and certainty, as if she had no doubt of the truth in her words.

There was a satisfaction in her expression, a quiet, possessive pride that seemed to fill the space between you. Her hand found yours, and her grip tightened, an unspoken promise in the way her fingers intertwined with yours. “When you want this again”—she gave your hand a gentle squeeze—“you’ll know exactly where to find me.”

Her eyes never left yours, her gaze intense and steady as if binding you to her in an unbreakable vow. She leaned forward, her lips pressing against yours in a kiss that was slow and lingering, a deliberate, possessive mark she left there like a signature, something to remember her by.

When she finally pulled away, the warmth of her core around your shaft vanished, replaced by the cold, empty air that only made you crave her all the more. As she rose, a trace of your seed slipped down from her glistening folds. The sight stirred something primal within you—a longing that went beyond desire, a need to be inside her again, to feel that consuming warmth at all times.

Her hand lingered on your chest as she looked down at you, her gaze satisfied yet somehow gentle, as if savoring the effect she’d left on you. Her fingers traced along your jaw, her touch warm and lingering, as if marking you with the memory of her presence.

With an effortless grace, she rose to her feet and cast one last, lingering look back at you. Her gaze held a quiet dominance, an unspoken assurance that the spark between you was entirely hers to command. She dressed herself swiftly, leaving the lingering trace of your essence inside her, a mark of the connection you’d just shared. And as she slipped away, her touch, her warmth, and the faint, visceral reminder of your bond wrapped around you like an invisible tether—one you knew you’d carry long after she was gone.

[mistresscitrusslice]

Thank you so much for going through the effort to even get screenshots! It’s seriously appreciated.

You make a good point, not least of which because this circle looks like a blast zone that came from within. It even pushed other bodies away. I’ve never seen Kindred gameplay, idk what their protective powers look like, but generally spells that are cast on you by someone else use the caster as the center of the spell, not the target. (Basically, the blast circle wouldn’t have been centered on Ambessa, but on the Wolf.)

The protected area around Mel and Jayce when they wake up doesn’t look like a blast zone the way it did with Ambessa (other than, you know, the Actual Bomb), so I’m not sure what to make of that.

I did not know that Ambessa had a bio already, let alone that included stuff from her music video! I thought she just had her blurb. It’s great that they clarified who she was pregnant with eventually. Uh, where’s Kino while she’s out at war then??? I imagine that Kino’s father was probably also a soldier and in the army too. Hopefully Kino was with relatives or family friends.

Also, Rokrund! It’s nice to get a name for the specific region Ambessa is from other than just the wider nation of Noxus. Is this a new name we’re hearing or has it appeared in any other League lore/media before?

“Visions that she would speak of to few others.” I wonder who those few are. Given how she treats her children, I cannot trust that even her kids are among these few. Their dad, maybe? I hesitate to say “Ambessa’s husband” because she definitely does not act like she has a husband, or maybe he’s deceased.

I plead the fifth on the Solari stuff because I know jack shit about the Solari, and if it turns out that Mel does have Solari magic, I do want to be surprised by their lore.

It still puzzles me why, if she does have magic, she wouldn’t use it to defend herself. You mentioned it being linked to situations with certain death. I’m iffy on this because it feels convoluted and kind of like a cop-out if that really is the reason can’t use it at will. If it is the case, though, then maybe Viktor wasn’t hurt because his magic clashed with hers, but because his death wasn’t guaranteed. I rewatched the opening scene, and he was still moving a little when Jayce performed Hexcore magic on him. If his death wasn’t certain, then the magic had no need to save him.

More likely, Mel’s magic has a cooldown and a long period where she needs to build enough magic back up to be able to use, but most likely, Mel doesn’t even know she has magic. There’s no sense in concealing her magic now, especially not after it saved herself and Jayce. Sure, it’d be a bad idea to come out about it to the world even after Piltover accepted Hextech since it would’ve been a secret for so long. However, I do believe she would’ve told Jayce. If not before, then definitely after it saved the two of them and Viktor still almost died.

Jayce needs as much information as he can get to figure out what’s going on with Viktor. Mel cares a lot about Jayce and seems to also care for Viktor even if she disagreed with him last season. She also has the same innate curiosity that Jayce and Viktor do. She’d want him to be able to solve this puzzle with all the information at his disposal and has been able to open up to him in the past with the trust that he would not share her secrets. She’d tell him so that they could figure out why her magic didn’t work as it was supposed to.

Unless there’s a reason we haven’t been told for why she needs to keep this hidden? If you squint your ears real hard, her line of “There’s no sense to these things, Jayce” in response to “How does the explosion do that to him and I just walk out without a scratch” sounds a bit like she’s trying to get him to drop the subject. After all, there is sense to these things for a scientist. There’s physics and calculations that go into why every single piece of debris falls in the way that it does. Which direction it flies in, how much heat is dispersed, the shock absorption in everything and every person in the blast radius, how far each person gets pushed across the room. To Jayce, “there’s no sense” might not be a comforting thing to hear. So was Mel just trying and failing to comfort him or was she attempting to change the subject? Or am I just reading too much into it?

Lmao imagine tho if Jayce found out she has magic, whether she already knew or not. He’d want to study her! And honestly she’d probably be down for it to find out even more ways to use her powers, maybe a way to replicate it with Hextech so more people can have a way to stay safe! That would actually be a good way to use Hextech to help people. And maybe Mel just has a scientist kink, who knows

Mel's protection should have saved Viktor too, and she's trying to figure out why it didn't

S2 ep1 shows a circle of protected stone where Mel and Jayce were during the explosion. My theory is that Mel's magic armor activated and saved them both. It seems like it casts a sphere of protection around wherever Mel is.

The center of this circle is not Mel's seat - it's Jayce's. She ran to Jayce to save him.

No other Councilors were in range of Mel's protection, so they all got hurt or killed.

But Viktor was, Jayce's words, "right next to" him. He was easily within Mel's circle of protection.

1) Viktor tried to run and mistakenly left the circle of protection. But are we meant to believe that Viktor, close to dying already and using a crutch, would have outrun Mel?

2) Viktor's augmented body clashes with Mel's

Why does Mel try to touch Viktor in episode 1? It seems like a throwaway moment, but not even Jayce touches him in this scene. So why Mel?

She's curious. And possibly, feeling responsible. She's wondering why her protection didn't work.

Is this Hexcore brand of the Arcane trying to reach out to Mel? Or trying to defend itself from her?

Mel was trying to protect both Jayce and Viktor, which is reflected in how she holds Jayce as well as Viktor's cane when she promises to protect Hextech:

But if, for example, Mel's magic is Solari in origin, and Viktor's is from the Void - or the Arcane equivalent of similar opposing forces - then it's possible that their magic rejects or hurts one another. So Mel's circle of protection either rejected Viktor, or was what hurt Viktor, and not the explosion.

[theesteppenwolf]

More Lucanis rambles because I’m still thinking about it and got nothing better to do :P

I am not here to tell anyone how to feel but putting words into peoples mouths who criticize the Lucanis romance (or Lucanis in general) for being unsatisfactory by saying;

“You don’t know what a slow burn is/ it’s because you expected zevran / you don’t get it he’s traumatized/ you just wanted something spicy and didn’t get it so now you’re mad” etc.

Is completely disregarding the fact that his lack of reactions and lack of content actually led people to believe he is bugged. Most DA fans didn’t expect spice or steam or whatever but they did expect an effective story, one they didn’t get.

This is at the end of the day a visual storytelling medium and implication will only get you so far, if i have to start thinking up entire plotlines in my head to make sense of the story or relationship progression then they failed at good storytelling. If i have to write paragraphs of explanations that the game doesn’t even remotely touch on then that isn’t a slow burn, it’s just a lack of content and poor pacing.

If he is traumatized and reluctant because of it you have to give me a scene where i can actually read that. If he is awkward and doesn’t know how to react to flirting you have to exaggerate to an extent for people to tell. If there is longing and angst give me banter that reflects it.

A romance in a game should give me some kind of deeper personal insight into a character and if i have to do the writers job and in my head think up those insights then the actual romance is mostly moot. I’m not saying give me all the details i’m saying at the very least give me a jumping point, some info buried in the game i won’t get otherwise. His romance fails at this.

Mary Kirby was fired yes and it’s awful what happened but unfortunately the product still remains and it leaves a lot to be desired for a big amount of people. When players are straight up going back on saves to romance someone else it’s a real problem. For me, it soured my first playthrough, especially later when i saw how Davrin and Emmrich had content, convos, specific romance outings and at the bare minimum actually had a noticeable reaction to flirting dialogue.

Again I’m not telling anyone how to feel, if it works for you that’s awesome, but to disregard his obvious lack of content by calling other fans basically stupid is incredibly disingenuous.

I love his character, loved it since The Wigmakers Job and he is still my favorite after my first playthrough. I think the beginning of his romance was very promising and the end is great but everything else is missing I’m sorry. His romance was not well executed and i honestly don’t think his character really was either. (But i won’t vent about that right now)

I know what a slow burn is, i was not expecting Zevran, i did not want a steamy romance. I wanted a well executed story and i didn’t get one. I am critical because i think it could’ve been great, i still love the game and i am not shitting on it, his character or other fans i just hate wasted potential.

[buckleybltch]

Why Tommy is Different to Buck’s Previous Love Interests

and Why it Doesn’t Make Sense.

This is going to be a long and (primarily) impartial post intended for all audiences, whether you like Tommy or not. However, this is not the blog to be airing grievances on. I’m not here for that. I am going to put some opinions of mine through here, but that’s all they are, and I’m going to try stick with facts with a side of interpretation. And Please, for the love of God, read till the end before commenting.

If you want to think I’m nitpicking then go ahead, but every scene of this show gets analysed to death and back for varying reasons. This will be no different.

The Hospital Scene

For the first time, we see one of Buck’s love interests sitting with the 118 at the hospital while they wait to make sure one of their own is okay. In regard to the group chat that appeared on that scene, form your own opinions. We don’t know if Karen or Maddie is in this group chat either. Opinion: I personally don’t think it’s that unusual to have a work group chat, and I also think Bobby showed Athena his phone. I don’t believe that was meant to reinforce the idea that Tommy is an ‘outsider’- if he was an outsider, he wouldn’t have been at the hospital altogether.

Never before has a LI shown up for the 118 at the hospital with Buck. Ali and Abby turned up at the hospital for Buck because it’s him who was hurt, and Taylor was at the hospital with her camera man for the story (s5 May Day). When Eddie got shot, Taylor showed up at the hospital because she thought it was Buck who got shot. Tommy showing up is a unique situation- they were sat in their civvies as a group in the waiting room, and Tommy is there with Buck for Denny. Tommy was part of the 118 waiting room crew; we’ve never seen this before; Buck’s partner showing up for his team(family) at the hospital.

The closest we’ve had before is Abby showing up to Chimney’s return to work party, but at this point they weren’t actually together, and obviously Chimney was okay by this point, it’s not a hospital scene.

The Firefighter Life

When Ali breaks up with Buck, she says it’s because she can’t handle the firefighter life, waiting for him to get hurt. She says it’s not what she wants. This issue isn’t present with Tommy because he is also a firefighter. He knows what he signed up for with Buck, he’s perfectly and intimately familiar with the risks they take everyday and the risk of getting hurt. While it’s a perfectly reasonable assumption that this might still be an issue to some degree, no one wants to see their boyfriend getting hurt after all, they both understand the life and what it means. Tommy solves the reason Ali broke up with him.

The Bobby Approval

This one is a key one. When the scene first aired, I strongly believed (and still do) that this line was also intended for the audience. We have Bobby’s explicit approval of Tommy as a person and for Buck. He’s good people, he’s good for you.

Bobby and Buck never spoke about Natalia or about Ali. I hold the belief, like many, that Bobby never particularly liked Taylor because of how she tried to exploit Bobby in season 2. However, Bobby did help Buck decide on a Christmas gift for Taylor and vice versa. Yet, he never said on screen that he thought they were good together. Hen and Chimney do also come to Taylor for help (s5) with Jonah, but even in that scene they’re shown to not trust her with what they’re telling her.

Abby is more complex as she was a main character in season 1 and her relationship with Buck was a full-season arc. Bobby helped Buck tie his tie and gave him genuinely good advice before their date. Bobby even talks to Buck about having a serious relationship and how to handle it, about how to treat her with respect. Other characters definitely aired their reservations about Abby in season 2 (Is it the age difference? More like the time difference). I believe Bobby gave his implicit, but not explicitly said, approval of Abby through the way he treated and spoke to Buck about their relationship. Despite this, I do think it’s poignant that for the seven years after Buck and Abby broke up, we never saw Bobby approve or like another one of his relationships until Tommy.

The Future Talk

In 8x06, Josh straight up asks Buck if he can see a future with Tommy. This of course follows up Josh already asking “do you care about him, do you think about him when’s not around”. The discussion between Josh and Buck is unique, because Buck has never spoken to a friend about this before. His relationships with Ali and Natalia weren’t developed or long enough to warrant the discussion, he never talked about the future with Abby, and he said “no” at the prospect of proposing to Taylor. For the first time, Buck is asked on-screen if he sees a future with his romantic partner, and Buck says yes. This is explicitly said for the first time. Yes, he made a confused face when Josh asked if he loved him, because clearly Buck hasn’t given it that much thought until he’s confronted with it. Either way, Buck, for the first time, says he wants a future with his romantic partner.

This further prompts Buck to ask Tommy to move in with him, which, different to his motivation for asking Taylor to move in with him, is fuelled by wanting a future. Buck even brings up marriage in his discussion with Tommy, which he’s also never discussed with a romantic partner on screen before. The content of both discussions is something we haven’t seen Buck talk about or admit before.

Eddie Friendship

All of Buck’s love interests, bar Abby, have screen time with Eddie. However, Ali and Natalia only share screen time with Eddie when they first meet because they meet on a call. As Buck’s girlfriends, they don’t share screen time with Eddie.

Taylor once has dinner with Buck, Eddie, and Christopher, and she compliments Eddie’s cooking. Correct me if I’m wrong, but I believe this is the only main time they’re seen together. It’s civil, it’s fine. However, they aren’t friends.

Tommy is a unique situation again; because he’s a guy, it might be easier for Eddie to form a friendship with him. They’re very fast friends, they do Muay Thai together, Tommy works on Eddie’s car, they play basketball together, Tommy went to Eddie’s house 3 times in two weeks and met Christopher. Christopher likes Tommy, he thinks he’s cool, and Eddie invited Tommy to Chris’ virtual birthday party. He’s the first love interest to not only get along with Eddie, but become friends with him outside of Buck (emphasised by 7x04 where Tommy tells Buck that his friendship with Eddie has nothing to do with Buck). The show makes their friendship very clear.

I’ll fully admit that Eddie’s friendship with Tommy was needed for the plot in 7x04, but beyond that, why was it relevant? It already made Buck realise he wanted to be with Tommy. They might’ve needed it for a plot reason but they’re friends afterwards too. Maddie calls Tommy “Eddie’s friend” in 7x05 and they’re laughing together in the hospital and getting alone fine in 8x05. Why?

Fitting Into Buck’s Life

Of course, this all culminates by saying Tommy fits into Buck’s life extremely well.

Tommy doesn’t have to go through the awkward phase of meeting all of Buck’s friends, because the only one he hasn’t met is Eddie. Tommy was previously friends with Bobby, Hen, and Chimney, they already know him. He’s already met Athena. Sure, they might have some catching up to do, but they already have a good history. They’re familiar. Again, Tommy already gets along with Buck’s friends outside of Buck.

Why was Tommy at the hospital for Hen’s son if he wasn’t integrated? Why feel comfortable going to Maddie and Chimney’s wedding? Even Buck makes the point of saying that Tommy is already going to know everybody there; he’s not just his date, he already knows them.

Tommy is friends with Buck’s friends already, Tommy understands the demands of being a firefighter and what it entails with the risks and the commitment. Tommy understands Buck’s friendship with Eddie and Christopher, and his dynamic with Bobby.

Intention (Conclusion)

This is all to say- this is intentional. If the point of the relationship was always to breakup, why have Tommy included in these scenes? Tommy didn’t need to be there at the hospital for Denny, but they wrote it in for him to join the 118 waiting. Bobby didn’t need to give his approval of Tommy on screen. It didn’t further his relationship with Buck nor the plot. It was written this way for a reason, and I think anyone can admit the actual breakup in the scene was abrupt, and it’s all of the above context that makes it even more abrupt.

I know it makes his relationship with Buck more meaningful, sweeter, more heartbreaking for Buck, but we never saw these moments with his ex girlfriends, particularly Taylor, and their relationship was solid until it wasn’t. If this unique treatment of Tommy was meant to put Buck through heartbreak then I offer a second question: what is coming up for Buck that requires him to go through heartbreak?

Why go through the effort of writing Tommy to fit in so well with Buck’s life if he’s only there to further a plot? None of Buck’s other LIs were treated like that, and they achieved the plot they needed to. So why was this different? Buck’s relationship with Taylor was a lot longer, and they lived together, but we never saw these types of scenes with her. Why? Why was this different? What was the point of making the relationship meaningful and different?

Again, this post is not here for people to argue. It should be clear to everyone, regardless of why you think so, that Tommy was treated different by the show than Buck’s other love interests. There must have been a reason, even if that wasn’t clear. Is something big coming up for Buck that he needed to be heartbroken for? Is it poor writing? Is Tommy coming back? There must be some reason that Tommy was treated differently by the writers other than “just because”.

[lorithescrump]

Hell yeah get ready for the info-dump of the ages, folks!

Cadaver Backstory Dump Let’s Go

Cadaver absolutely misses his adoptive family. This retired ranger and his wife adopted and raised this freak of nature left on their doorstep one night as their own son with unconditional love and support (something Cadaver doesn’t come by easily) and Cadaver will always despise himself for destroying that. He especially grieves his mother.

Cadaver was a very angry and impulsive child around the time his Dark Urges started to manifest, constantly getting into fights with the local children and even adults on occasion. He kept quiet about this when he’d come home to his family, keeping it a secret refusing to elaborate on how he got those scratches and bruises.

If they did take on any jobs it was orders from Bhaal. Cadaver was something of an assassin for Bhaal, but there were times when he would “hunt for sport” going after recluses and other civilians living in the wilderness surrounding Baldur's Gate who wouldn’t be missed. He became something of a "monster in the woods" scary campfire story/legend because of this.

Cadaver tends to speak in a stoic matter for the most part, being taught to be imposing and charming to demand respect and control, but when he is more on the casual side he uses profanity regularly and is a bit of a lovable douchebag. His charisma is his highest stat and his intelligence is his lowest followed by his wisdom and he’s one part chaotic good other part lawful evil so do with that information what you will.

Sceleritas job boiled down to three main demands: Keep him alive, keep him in line, and assist him when demanded. Cadaver had a very short temper and patience with Sceleritas (he did with just about anyone) believing him to be babying him and shit at his job but a part of Cadaver knew he'd get himself killed if it wasn't for hs butler.

Cadaver lives by the motto “loot everything” so he absolutely inherited some money hunger, pocketing all of the riches he'd loot off his sacrifices. He likely rolled his eyes at any merely extravagant gifts or offers but hey, it’s odd to look a gift horse in the mouth, right?

Not that I can think of or come up with off the top of my head, no.

The two treated each other like really shitty siblings, taking out their Dark Urges on one another. Orin loved getting on Cadaver’s nerves to get a reaction out of him and get a reaction she did with Cadaver going so far as to nearly strangle her to death (backstory of the scar on his mug). Orin loved tormenting and taunting her elder brother and Cadaver hated his infant sister sine her birth when he was a teenager.

Cadaver and Gortash sticking by and backing each other up in just about any conversation and Orin being her chaotic unpredictable self irritating Ketherick and Cadaver who are equally as desperate to get her to stfu so they can deal with the situation at hand.

Cadaver and Gortash actually met briefly in their late teens, becoming good friends after Cadaver accidentally saved his life (I like to think the reason Gortash was so fond of Karlach was because she reminded him of the other beefy Zariel Tiefling who fought for him and saved his skin as a boy). Later on upon being reunited in their adult years Gortash admired Cadaver’s drive and hunger for power and control and how far he was willing to go to achieve his goals and ambitions.

Cadaver was absolutely addicted to the praise and attention and was constantly drunk on the amount of power and influence he had over his fellow Bhaalists. He never acknowledged any of the cultists as people however, just things to exploit, fill up space, and live as proof of his worthiness of his father’s praise and attention. He was honored as more of a murderous emperor or feared gladiator rather than a celebrity among the cultists.

Having spent his boyhood raised by a loving lower class household and being shown love and sympathy from them has given Cadaver a subconscious sense of sympathy and pity for the needy.  During his years as a Bhaalist Cadaver would shame and scold himself for even considering showing mercy to the worthless and desperate, but he did have the occasional moment of weakness and sympathy. He claimed it was a one time thing, but this brief encounter would stick with him long after in the corners of his mind.

His beloved ranger companion, Lupus, served as his guard dog as well as his battle buddy and comrade. Any attempt at getting so much as a drop of blood from Cadaver would result in some wolf fangs to the neck (or crotch if you’re really unlucky).

A bit of both. Any targets assigned to him directly would be handled with some kind of tactical approach while any hits assigned by himself were absolutely impulsive and on a whim, being out for nothing but blood and whatever's left on the corpse.

As a child Cadaver was definitely mocked and made fun of for his appearance, looking too much like a human for a tiefling and vice verca. He did have an act of rebellion as a teenager when he got a rose tatted on his neck as a way to modify his “hideous and unnatural” appearance into something more presentable. In his adulthood he has grown to appreciate and honor his own body, showing it off and viewing as a weapon and a symbol of his endurance and strength. Bud lives by the barbarian “tits out guns out” philosophy.

As I am procrastinating and crafting backstories all in one go, I shall share a sheet of questions with you to share or answer yourself.

Past Life Dark Urge Asks - 1st Edition:

Do they miss their adoptive family? Why or why not?

Did they keep anything from their old family and home? A memento or a skill perhaps?

When Sceleritas fetched them from their comfortable home, what did they do on their journeys? Did they take on any jobs?

Do they speak casually or do they try to adorn their speech with frills? Do they maybe even dare to curse?

What was their relationship with Sceleritas like? Did they like their ever-adoring butler or did they try to run from the most wretched mother hen?

Bhaal loves money; did your Durge inherit that trait? Do they enjoy luxuries or try to live a frugal life, giving their all for their temple?

Did they have any connections or companions outside of the local underworld? If so, what were those connections like and if not, why?

What was their relationship with Orin like? Did it change at some point?

What would a typical meeting of the chosen have looked like when your Durge attended?

Gortash seemed to have admired Durge, what did they do to deserve this admiration? Did they have any notable personality traits or did they impress him in some other way?

The other cultists. How did your Durge view them? Did they enjoy their following or did they dread being idolised?

Durge gave a gold coin to a beggar once; why did they do it? Did this occur regularly?

Orin has her faithful group of changelings. Did your Durge have a similar 'personal guard' or task force at their back and call?

Durge famously acted as an assassin in the last decade or so. What was that like? Did they plan everything out meticulously, or did they act spontaneously and on whims?

Bhaal handcrafted Durge. Do they enjoy and worship their appearance, or did they have a rebellious phase, trying their best to change their Lord Father's grand design?

[beloveds-embrace]

Noona I have toughts and need to share them before they forever get lost in the void that is my AuHD brain. I also realised I never introduced myself, you can call be eevee (like the pokemon) and I go by any pronouns!

Simon Riley didnt want to have children. Its not that he didn't like children, he was actually quite fond of them and something inside him melted when ever a chubby cheeked tolder smiled up at him with their little teeth poking through and when a lost child came up to him when he was out shopping and asked him to help find their parents because he was the tallest person there and that obviously meant he could find them easier, he was bending down to the childs level his eyes soft and warm as he asked their names and what they looked like. He was constantly in awe of the little humans who just saw him as a man, not the monester he believed he was in his mind. What stopped him from having children was fear.

Fear he would turn out like his own father, fear that something would happen that would trigger him (because lets be real, the mans a vet and he sure as hell suggees from PTSD) and he would do something he would regret. Fear that he would be sent on a mission and be lost forever, no one knowing where he was or where his body is and he wouldn't make it home to his partner and kids. Fear of raising them wrong or doing the wrong thing and they turn into monsters themselves. It was a fear so strong that he went and got a vasectomy at the age of 18 to prevent any accidents and even with the vasectomy he insists on another form of birth control before he has sex with anyone.

Then he meets you. All soft and sweet and kind and bright. So so bright. All his life has been a dark cloud and rolling thunder clouds just waiting to burst and drown him in their water, but you are like a hint of sun shining through the clouds. Reminding him that every dark day has its end, that even after a storm there is brightness and colour with rainbows. That even if the clouds burst and dark, heavy rain drenches his soul there is still goodness in the world and the sun will always be there to dry and brighten the world again. And he falls in love and for the first time in a long time, he is truly happy.

You obviously know Simon didn't want kids, it was something he told you when you first started dating but it wasn't a deal breaker, you weren't even sure you wanted kids either. You had your own trauma and darkness to work through before you wanted to even start thinking about kids.

After learning more about Simon and his past, you manage to talk him into seeing a trauma therapist. You knew therapy wasn't for everyone but you wanted him to at least try because there were parts of himself he kept so deeply locked away behind stainless steel doors with reinforced padlock that he needed to discuss with someone and he wouldn’t talk about it with you, he didnt want his darkness to dampen your light, but he agreed. He did one session and then another and then another, actually finding benefit in them as he discussed his fears out in the open for the first time. About what he had been through with his dad and as a soldier. He knew bottling everything up didnt help, usually finding solace for his overwhelming thoughrs in a bottle of whiskey that msde the world disappear, he knew it made him for volitaile and dangerous and he didnt want to be dangerous around you, not now. Not ever. He wanted you to expeirnce the same sense of peace ans safety with him as he did you.

Eventually he worked through his fears of fatherhood and having children, realising that he could break the cycle and be the dad he didnt have. He wants to discuss it with you, the potential of having his vasectomy reversed, especially after Johnnys missus has a baby and he sees how good you are with them. Holding them so comfroably in your arms and soothing them when they fuss and hes even surprised with how good he is with them. Able to hold them in one arm, tight against his chest so the baby can hear his heartbeat. You watch him with a small smile, your heart melting at the sight as you feel yourself falling in love with him all over again. After that day you two become the designated baby sitters for the littlest MacTavish and Simon takes to caring for it like a fish in water.

Its a few months later, after Johnny picks his baby up that you overhear Johnny ask Simon about having his own little one and Simon says he's been thinking about it, been thinking about having his vasectomy reversed and giving you the baby you deserve (because he has noticed the sad look in your eyes everytime you give the little one back to his parents and how happy you ar holding them in your arms). Johnny reassurs him that hes nothing to worry about, hed be a great father and hes sure that youd agree. So that night, after showers and dinner he brings it up and he assures you hes doing it because he wants to. Because he wants to have a baby and not just because you seem to want one and when tou agree, hed phoning the clinic the next morning to get his vasectomy reversed and you're phoning to get your birthcontrol stopped

Once its done, it takes a maximum of three months before you're pregnant and Simon stands with you in the bathroom waiting for the results to come up on the test. Hes hand holding yours and his heart beating erratically in his chest as five minutes seems like five hours and as soon as the test shows positive hes sweeping you up into his arms and thanking you over and over between kisses for giving him a baby, tears prick at his eyelids but dont quite fall

But when you're little girl, Aurora, is born he cries. His heart is just so full of love for the little girl in his arms and for you that he can't help the emotions from spilling over.

So yeah, Simon Riley didnt want kida but he is so damn glad he meet you and he did

this is so wholesome and cute and sweet?? i love it so so so much omfg thank you for sending this in! girldad!simon means everything to me <333

[thatmexisaurusrex]

I think what really gets me is what the show is telling us through that breakup. That's what hurts the most.

It's that a queer person who's sad, who's alone, who's never had a stable family life; a queer person who's only gotten to a point where they're happy with who they are later in life; a queer person who yearns for a family, for love, for being someone's first choice but doesn't believe he can ever have those things; a queer person who has obviously been burned and believes that is the only outcome for him now; that no one would want him as family. That no one would love him enough to choose him first.

He walks out that door.

Alone. Scared. Spiraling. Reacting to trauma rather than Buck himself. It's seeing that and having the show tell us, yes, that's what he deserves. That's all he gets. He doesn't get a happy ending. He doesn't get good closure. He doesn't get to believe that someone wants him enough to fight for him.

Tommy was right all along.

All his fears were true and will be what he ends up with. Older queer people who want families and are scarred by their own past experiences don't get love or a family. They don't get a place to call home.

Then, you have Buck; Buck blindsided by the trauma; Buck seeing his entire six-month relationship fall apart and just letting it happen to himself again. Having yet another person in his life, in a moment of cowardice and pain, quietly and brokenly lash out that he couldn't believe Buck would actually take this seriously; that he couldn't believe that Buck would love him once the pedestal was gone and the shininess wore off. That, once again, Buck lets his relationship play out without any idea of how to be active in it. That someone Buck loves, that he thought about possibly marriage with one day, that he wants to live with, leaves him.

That Buck, once again, is abandoned.

That Buck can't know himself.

That the show wants to lean into lazy biphobic ideas and tell us, yes, that's what Buck deserves. The thriving relationship that he had crumbles within minutes because Buck doesn't get to be happy; how can he know what happiness is if he isn't playing the field? Because nothing he did before Tommy counted. Buck 1.0 didn't count. None of his previous relationships counted. Because they were all ladies, and how can you know if you've only been with one man?

Telling the audience that you can't be happy in a relationship if it's somehow a "first", despite everything pointing to the relationship being solid and good for Buck.

It is the worst possible scenario.

It is a nightmare for both Buck and Tommy.

Both messages are terrible for the audience.

There were so many ways they could have broken up and I would have been fine with it. I've talked about it before, but I was fine with Josh and Arnold breaking up in Please Like Me and I still love the show. I watched episodes with Josh and Arnold from Please Like Me as a comfort when I was reeling about this that first night! I was fine with Alexis and Ted breaking up on Schitt's Creek and I was still fine with the show. I was okay with Amelia and Kai breaking up and I'm still watching Grey's Anatomy. Because all of those breakups were understandable. They made sense. I can like couples and be okay with them not working out. And they're fictional. Fictional shit rarely hurts me, if ever. That's not my problem at all here.

It's how this happened. It's the message it signals to the audience. It's devastating. I'm still devastated by the choice. I've never felt this way about a breakup for two characters ever. The core of my grief and genuine hurt is what the show proves it believes in through this breakup. And that's what's hurt me.

[girlwithadragonheart]

I need to yap desperately about one single gripe I have with this game. MAJOR MAJOR MAJOR SPOILERS AHEAD read at your own discretion

The first half is me ranting about how much certain things mean to me and how impacted I was, and the actual gripe comes closer to the end.

I'll preface this by saying this post is about Varric's death and my rage and despair regarding it, but more so about my Rook's.

I've seen people who said they picked up on the hints about whatnot, who knew before the Fade Prison. I was not one of those people. I was so relieved when I saw him after the Prologue that I didn't think twice, because I knew that it would destroy me the second shit started going wrong.

I was already not having a good time when I started the game simply because Varric was getting older. I don't handle aging well or death, and his design showing his age, and the comments he would make about "getting too old for this" just made my heart break.

And then shit got worse. I sobbed disgustingly when that knife went into Varric's chest.

After Rook woke up from talking to Solas and she heard Varric, I was so gods damned relieved. And my Rook was better taken care of by Varric in that year she spent with him than she was in the rest of her entire life.

I cried from the end of Ghilan'nain's fight until the romance scene and on and off after that. I got so used to visiting Varric just to be comforted by his presence. Inquisition was the biggest part of my life for a year and a half when I was just a kid.

I did really bad middle school age writing for it but regardless of the quality, those characters were built up in my head becoming even more than they were in the game. Varric was my biggest support character through everything I was going through at the time.

I don't talk about it much, but I didn't have a great childhood, and I know a lot of people didn't, but I coped with it through writing and video games. Varric was the one supporting me through the abuse I suffered and writing was the way I processed how bad things really were.

When Rook was in the prison she said "What am I going to find here?" And Varric said "I think you already know, kid." I DIDN'T until he said that. The second he said that my entire chest tightened and I just said "No" out loud as I watched Rook find his body.

Now for my real complaint!!!

Rook never gets the chance to grieve Varric. They go from talking to him every day to finding out he's dead and it was all a lie. I have personally never been more fucking pissed at Solas than I am now. But Rook comes back and they have that kind of "closing off" scene with Varric's empty bed (which was so hard to go through btw). And then they fuck their pookie LIKE I CANNOT BE THE ONLY ONE UPSET ABT THAT

FYM I gotta find out my dad is dead and then Rook is up for boning like there's no fucking way unless it's to cope. And at least pertaining to the Lucanis romance, Rook is processing everything that happened and they can say "So much has happened, I just don't know how to feel."

And rather than getting to process that in some kind of way, the devs said nah this scene serves one singular purpose, and Lucanis says "I do" and then dicks them down.

Personally, I felt very dismissed despite being overjoyed about finally having the romance scene, I couldn't even enjoy it with everything that happened prior.

Rook deserved the chance to completely break down after everything they went through. Tbh i don't know how they kept it together. Varric said "don't get all misty eyed" and i thought to myself that's way too delicate a term for what's happening here, I was fully ugly crying.

Fuck your "I had a good run" I still need you bitch.

All this to say I'm very upset, and I'm running my second playthrough and every time I look at, hear, or talk to Varric I tear up again. Wtf Bioware.

Rook should've gotten the chance to actually talk about what Solas did to them, especially in the sense that he made them believe Varric was still there. Or at least get to properly grieve the person who was their closest friend for a long time.

I have very strong feelings about this obviously

[charmac]

Opinions on Charlie woobification? Also, do you think the fandom woobifies Dennis (too much)?

A few people have sent me asks about my thoughts on Dennis being woobified in the fandom and I’ve failed to answer them (sorry). Not for lack of interest on the subject, it’s just hard to answer. I think, though, answering this Charlie question in the same ask might make it easier to explain my thoughts on this.

When we talk about the fandom we’re generally talking about the people here, a couple hundred people on Twitter, maybe some Instagram stans(?) and tend to ignore the million (1,000,000)+ people on the subReddit and the huge chunk of people on Facebook and casual Twitter who are constantly, continually pushing a narrative that these characters have no depth, and thus their characterisation is what we see on the surface and nothing more. I think the one time it’s probably important not to ignore those people as fans of the show is when it comes to woobification.

Because at a surface level, the people who are consuming this show as a comedy and making posts that exhibit their takes/opinions on these characters to the majority of people portray the characters very simply: Charlie is an idiot and the best member of the Gang, in every sense of the word, and Dennis is a mere representation of toxic masculinity to a psychopathic degree. And those opinions are the loud majority.

So any discussion in our minority section of the fandom that woobifies Charlie or Dennis operates within and on top of the general narrative of the public perception (“face value”) of the characters. Woobification of Charlie, then, almost always further infantilises the majority of his traits to contribute to the idea that he’s not a bad guy and doesn’t deserve the position he’s in in life, while woobification of Dennis mostly works to counteract the idea that he’s a cold-blooded psychopath.

In a way, I think you have to woobify Dennis to a degree in order to properly understand his character (and Glenn makes that clear). Do some people take it too far? When it gets into the realm of genuinely somehow believing he’s not a bad person, absolutely, but in over a decade of Sunnyblr posts, I think I’ve seen that conclusion once, maybe twice. I really don’t think any post that’s diving into how Dennis' actions reflect his insecurities and trauma is ever speaking ignorant of the rest of his character, and that normally seems clear to the majority of people because rarely, if ever, does a dive into Dennis woobification cause fans to understand the character worse than they understood him at face value.

Whereas, with Charlie, you constantly do see this. Posts and threads and fights between fans arguing up and down that Charlie is better than the rest of them: he’s the smartest, actually, he means to do good, he shouldn’t be lumped in with the rest of them as sexual predators... People in this fandom genuinely argue that you are a *better person* if you’re a Charlie stan, that Charlie ships are softer, more moral, than toxic Dennis ships. The result of Charlie woobification seems to often make people less media literate about the character (and the show as a whole if we’re being real) than they would be if they just watched at face value.

They’re all morally despicable characters.

TL;DR: Due to the face value perceptions of the characters, woobification is an almost necessary tool for better exploring and understanding Dennis under his surface, while it really only exacerbates an annoying surface-level understanding of Charlie

[lagunapoint]

I've been thinking about something. Lavellan is the only woman in Solas's life who knows his contemplative, serene, and solitary-melancholic side. That part of him that outwardly yearns for peace and love, isn’t it? A woman who never manipulated him but simply listened (or didn’t) to his advice and sought his help. She didn’t know about his past, and he could present himself to her as he wished. It was a big opportunity for Solas to remember something forgotten about himself. Of course, he loves Lavellan, and the phrase about a "rare spirit" takes on a deeper meaning. Lavellan believes in the best in him, while everyone else around him sees only a brilliant strategist for achieving their ends. And this plays so well in contrast to his relationship with Mythal, who saw him as a means to an end, no doubt. She led him down the path of war. She nudged him, approved, and let him make choices leading, at the very least, to genocide.

Solas’s phrase, one of his regrets, when he asks Mythal to leave the Evanuris. Could it be that Solas admits he has doubts about what he’s doing and is ready to turn back? But then Mythal hooks him with the word love and he melts again. If she approves, then everything’s okay.

And here he is, left without his power, without his people, in a world where no one knows him, and where he knows nothing. And he meets a woman who is, for many, a symbol of faith, a deity. She begins to build her own order, faith around her strengthens, the power of the Inquisition grows, and I think Solas might have felt a sense of déjà vu in many ways here. However, this woman doesn’t choose the path of "achieving her goals through death." Perhaps it wasn’t only Lavellan herself who served as an example for Solas that there are other ways to overthrow a false god obsessed with the blight (hello corypheus, hello evanuris), but also the entire Inquisition, with all its advisors, companions, and the final victory, showed him that goals can be achieved differently. Maybe in moments of silence, he wondered how things might have turned out if Mythal had been like Lavellan. Maybe they wouldn’t have touched the Titans at all, and nothing would’ve happened. Or if instead of Mythal, it had always been Lavellan? I like this version better. Solas would have had an entirely different path. I don’t know, just an idea my head is such a mess.

And I can't shake the thought that Mythal wanted to remain the supreme deity, and that the true god of betrayal and deceit is her. This fits the logic of the updated lore good gods = bad gods. And if that were true, how cunning one would have to be to deceive wisdom itself.

Thoughts?

[lilacxquartz]

Those Late Summer Nights | Chapter 20

satoru gojo x f!reader x suguru geto

plot: moving to the city from a small town was no easy feat, especially to start teaching as a jujutsu sorcerer.

a/n: part 2, aka the continuation is now in process. warning for newcomers: this is a yandere story with dark (non-con, violence) themes. read on with caution. this story does not romanticise either concept.

masterlist • ao3 • chapter directory • < previous chapter • next chapter >

20. Promise

[3 months later]

You have never been one for goodbyes, but life as it had turned out, had already forced you to do so not once, but twice already.

The first time was voluntary; when you had left your sleepy hometown and the long-haunting corrupt influence far behind. It seemed like such a good decision back then, when you at long last, had obtained that prized referral to work at one of the country’s most prestigious Jujutsu institutions. It almost seemed too good to be true, and maybe that’s because it was, because, just like everything else in your life—all of the highs had to come down—inviting the lows to linger, to fester, to… rot.

The second time wasn’t by your own choice, however, but something far, far worse. If you were being honest, you couldn’t have made sense of your situation if you tried. Forced to flee from Tokyo following an obsession that went too far, the ever-lasting consequences of summer had consumed your life to the point where you were once again left a victim of an unrequited influence out of your control.

You’ve had plenty of time to think about just how exactly it all went wrong, too, and just for a while, you were happy to appoint the self-blame. In a twisted sense, you believed that it was your fault for trying to naively infiltrate a jaded world with such fresh hope. Maybe it was wrong of you to have dreamt of a better life; maybe you should never have tried with Jujutsu to begin with. Perhaps you should have taught the ordinary future generations of today because, it wasn’t like they didn’t matter, too. They were more responsible for future cursed energy than they even knew.

…But then again, how were you supposed to know that you were going to be so entangled between… them?

It wasn’t as though you set out to ruin your own life, after all. It was out of your control from the very second you let your guard down—from the moment that you placed your trust in the two people you shouldn’t have. That couldn’t have been on you, though. Surely not.

You did suppose, however, that in some sort of twisted sense, that your return to the city (albeit against your will) could have been considered a reunion of sorts when you were met with those chilling blue eyes once more. What was once a calm blue sea guiding the way now turned out to be a violent storm—its waves dragging you into the murky depths, anchoring you within it—but not quite letting you drown, at least not yet. You instead were trapped. Imprisoned in a floating limbo, forced to endure whatever… this… all was. It was humiliating, perhaps even insulting and you berated yourself mentally every single passing day for not fighting back against Satoru fucking Gojo when he confronted you back in Osaka, but then again, that same pressing question begged your rationality once more; how exactly were you ever supposed to go against someone like him to begin with?

Someone like him, who had the entire world of Jujutsu wrapped right around his finger.

As bleak as it all sounded, as harsh as the reality reigned true; you never had a chance to begin with, did you? Whether you ran away or stayed behind—it would have likely gone this way, because… after a summer of getting to know him, you of all people knew the truth (from learning it the hard way), that Satoru Gojo always got what he wanted.

You sighed as your eyes rolled back to glare at the fluorescent-lit ceiling, the pale flickering glow straining against your eyes. It was almost comedic with how dramatically it all came undone, like it was some sort of sick joke and you were the unsuspecting punchline right at the very end. Tokyo was supposed to be your fresh start away from the monotonous flow of small-town politics and its corrupt influence, so why on earth did it follow you here, too? You did everything right, after all, you studied hard and you persevered, you earned your place in the world, and just as it all finally began to fall into place… it unraveled. It was truly as though the string that you delicately wove through the passage of life was on its last thread, destined to snap from the moment it all connected.

(There was never a chance. There was always something in the way.)

You sat up, trying to avoid the light only to catch a flash of it reflected in the sleek black tiled floors. Closing your eyes in frustration, you tried to think back to the good times. You did suppose that the city was technically everything you had otherwise fantasised it to be; loud, noisy, and bustling with endless life. It was a far cry from the watchful and prying eyes of your quaint town. There was something… special about Tokyo because you were able to simply just… disappear, as one fleeting face of many, a living ghost blurring in and out of the crowd as you had pleased, free at last.

For it to have been taken away just from the introduction of three people, was almost hilarious. It was funny how that all worked. Just three people. Three.

Shoko, bless her heart, was your first real friend who guided you into the person that you desperately yearned to be. Someone both caring yet unrestricted from the confines of a sheltered former adolescence and then, guiding you into the further depths of it all, was… them.

Ah, Suguru Geto. If only you knew, huh? You laid back down with your head now slightly throbbing with a faint aura; the beginning of a migraine. These damned lights. So brooding and mysterious he was—it was a shame that he had to turn out the way that he did—a nightmare disguised as a dream. Was it your fault for admiring him from a distance initially? Did you somehow fall victim to some sort of manipulative act, when you found his calm, almost contemplative personality to be a comfort? His suffocating presence wasn’t something you could quite predict, after all, so possessive and longing, yet somehow subtly so. To have eluded the perceptive gaze of Shoko and even Satoru was almost impressive, but unsurprising because even he managed to fool you at times. Oh, how crazy he made you feel, even for just doubting him at all.

Then there was Satoru Gojo. Ah, Satoru, Satoru, Satoru… Oh, so ever loud and energetic, Satoru… Truth be told, you found him overwhelming at first, but there was a certain quality of his that drew you in. He was good at both carrying the conversation as well as involving you within it, making you feel special when the attention landed on you for just a second and dare you say, even… validated. Just like Suguru however, he couldn’t keep up the act for very long, though, even if he did crumble last. In some ways, he was the most volatile one out of both of them, because beyond that playful facade that he let on, was something else that bubbled and simmered beneath the surface. It was hard to tell at times, but it was certainly there.

Something that wasn’t quite calm, but maybe tender. Something that was… vulnerable and whatever it was, it made him dangerous to be around.

So in the end, if you had to truly reflect, then maybe it was all three of you that were at fault.

All three of you were that were victims of losing yourself in an attempt to look for something meaningful in that endless, unforgiving city. All three of you were subjected to the quickly fleeting addiction that you could never quite hold onto, of being both seen and understood. It was no wonder that you opened up too quickly and too soon, slipping on that pair of rose-tinted glasses longer than you should have. Maybe if you took them off when you had the chance, then you too, could have been yet another passing soul in and out of their lives, but you weren’t.

You got attached and so did they, and now, for a lack of better words, it wasn’t just your life that was ruined, but theirs too. All together, the three of you floated around in an unending, aimless drift, leaving Shoko to pick up the pieces (as usual).

The migraine faded and never thankfully developed, but you still grimaced at the light that flickered all the same. He was home, but not close just yet. All of those riches that lined his pockets and he couldn’t afford to screw in a better bulb for the lights or at least opt for something warmer and less clinical. You wanted to punch that light, to let it shatter and paint the room in a much-needed night, but you couldn’t. So instead, you were illuminated and exposed, plunged into the spotlight, forced to look at the pretty little cell he had confined you to.

Such continuous misery left you wondering if your life could have been… maybe… better if you followed Suguru. In a way, you missed his pretty lies because he at least tried to offer you comfort and see you for who you truly were, but he also hurt you, so you couldn’t forgive him. Twice. He hurt you twice and yet, your mind still drifted to him at times. Why? You couldn’t make sense of it—of him—of the very same man who despite forcing you to bury your past behind and move on—surely had an issue with never letting you go, with never letting anything that ever happened to you… go.

Did this therefore make Satoru better or worse? You didn’t even know anymore. They were both equal runner-ups for the worst human being, that much was for certain. Suguru may have been involved from the start, but he was nothing like Satoru, who was always watching right from the start, more closely than you, or anyone else had ever known. Those burning blue eyes so focused yet serene, locked on you in a way that almost felt invasive. If Suguru was the storm, then Satoru must have been the cataclysm itself.

Devastating. Consequential. Unforgiving.

Indeed, you were never free.

All of the hope, all of the dreams—everything else that fell in between—none of it was ever real.

The only thing that had ever remained consistent throughout this whole experience was the part where Satoru told you that he would never, ever let you go.

The lights above you were now starting to buzz and crackle, fading in and out with every muffled thud. He was approaching. Suddenly, you regretted spending so much time reflecting on the aftermath of your life yet again, knowing that you had spent yet another day moping around, thinking of them, of him… knowing fully well that you were never truly alone.

Satoru would reunite with you every night, on clockwork, never late and always on time.

His voice was calm, always welcoming yet never inviting. You always found yourself flinching as he greeted you, wanting nothing more than to be left alone for the night. Just one night was all you asked him for—it was all you begged for at one point—for him to not talk to you, for him to not… touch you. A single night was all that you asked for, a break from having to play pretend.

“Ah, [name],” Satoru cooed, lowering an unwinding staircase that revealed a mocking glimpse of the room just above. A faint reminder of just how close the surface was, yet so inaccessible. The entrance operated on a motor, using some sort of secret code. There was a dial pad inside of the basement he kept you in as a failsafe just in case it locked him in, but try as you might to crack the code, you never guessed it right and every time you failed, it sent an alert to him. “You haven’t moved an inch from where I left you last! Didn’t I tell you about the importance of needing to stretch, even if it’s just for a minute or two a day?”

“Please just let me go,” you croaked out weakly, knowing that he wasn’t going to oblige, let alone even humour you.

Predictably ignoring your request, he walked over to you, setting down a plain white plastic bag right where you lay, strategically positioning it so that you could spot your favourite snacks and drinks poking out.

“It’s been a hell of a long day, you know,” he continued, adopting a softer tone that almost sounded hopeful, “did you miss me?”

You closed your eyes in an attempt to block him out. “You already know the answer to that one, don’t you?”

Satoru snorted a half-laugh, seeming annoyed but also amused. “You’ll have to admit it one day, [name],” he reminded, “the sooner you learn to… adapt, the sooner it’ll start to look up for you, and maybe, just maybe…” he trailed off, letting the beginning of a promise hang, “I’ll let you see your friends again, maybe I’d even let you see… him,” he paused as he said that last word, his composed demeanour ever so slightly faltering at the indirect mention of Suguru, “so, what do you say?”

You repeated the same answer you always did, “Never, Gojo,” you sighed, already expecting the worst as he took up the free seat next to you on the sofa, settling right where your head lay.

You felt a cold shocking jolt run through your body as his cold hands cupped your face, tilting your head up to meet with his longing yet intense stare. He would do such a thing on occasion, hoping that you would return even a hint of the way you once looked at Suguru before, and yet you didn’t. In your eyes, there was resentment but also, if he looked hard enough, fear.

“What have I told you about being so formal, huh?” he murmured, scoffing a little, “we’ve been over this, you’ll call me Satoru and we’re… we’re going to make this work,” he reminded you, trying to maintain his composure, “I’m not letting you go either way, so you’re going to have to drop that at some point, because like it or not, it’s not up to you how it all goes… it never has been.”

You blinked, unable to reply.

Satoru’s eyes softened for a moment, revealing a hint of internally conflicting vulnerability, maybe even traces of guilt glinting in his stare. “We’ll play pretend for as long as we have to, yeah? We’ll make all of it feel real one day.”

His words cut sharp even if it was just a reminder of something you already knew, that there was some sort of unseen force meddling in the sidelines of your life, forcing you to endure whatever life had in store for you, even if it meant pretending that it was all okay.

One thing did bother you, though.

A question that you looped over and over in the back of your mind and yet you never did dare ask him, as if afraid to hear the answer.

If he was simply fulfilling his promise to never let you go…

…Then why was he punishing you for being here?

[maxdibert]

The way you can empathize with Oz throughout the first part of the series, how they gradually reveal his sociopathy, how this gradually builds with what happens to his brothers—but still leaves a hint of doubt, a reflex to justify him, something that’s completely shattered when you see that his narcissism is capable of letting his mother be harmed just to avoid facing his own mess, and then they fully solidify him as an irredeemable villain with what he does to Vic—it’s brilliant. The Penguin doesn’t try to make you understand Oz or justify him; it doesn’t humanize the character. Instead, it begins with him already humanized, slowly peeling back the layers, the very same layers of deception, lies, and false appearances he uses to manipulate everyone around him. Underneath, there’s nothing but absolute darkness, and by the time he’s at his lowest point, you’re just wishing Batman would actually show up and take him down, punish him ruthlessly. You end up thinking it can’t end like this—he deserves punishment. Not because you believe good should triumph over evil but because you’ve been made to empathize with and care for a character throughout the series, and Oz has destroyed that character in the most cruel and vile way possible.

The script makes you see Vic as a reflection of the city itself: the impoverished side, the vulnerable, the one fighting to survive, the wronged, the hopeful, the one who makes poor choices not from a bad heart but from the need to get by—and you see how Oz takes advantage of that need, giving Vic hope for a future only to betray him and destroy it all. And that’s when you feel, when you shout: this guy has to be stopped. Oz isn’t just a thug, a mob boss, or the ruthless but entertaining scoundrel anymore; he’s a true supervillain. And supervillains have to go down.

It’s absolutely masterful. I tip my hat to it; I’m still in shock, but I hope I’m making sense—what an incredible script, performances, characters, everything. They’re not deconstructing the villain; they’re deconstructing the deconstruction of the villain. It’s pure screenwriting poetry.

[tossawary]

I'm reviewing episode transcripts from "Merlin" to build up my worldbuilding document (character list, mostly) and, a little ways into S2, I'm kind of feeling like the show is actually quite mean to Arthur as a character sometimes? S1 E14: "To Kill the King" is one of those episodes where I forget how badly it pissed me off until I run into it again.

Like, don't get me wrong, Arthur can be a bully, entitled, hotheaded, and reckless, but he's also at this point risked his own life to save people multiple times. Both individuals whose lives were "worth less" than his own (getting the Mortaeus flower for a poisoned Merlin, smuggling Mordred out of the city, protecting Ealdor from bandits) and also Camelot as a whole (fighting the plague-causing monster in the sewers, fighting the mam-eating griffin, drinking poison to lift the unicorn curse).

Arthur is giving me vibes of being both bored and frustrated (and probably not able to name those feelings or exactly why he has them) because he wants so badly to do good things, but he's not really sure how to go about it because (no one ever tells him anything, he almost NEVER knows what's really going on to make informed choices, and) he's also stuck under the thumb of his tyrannical father, who spends most of their scenes together berating Arthur for being too merciful, for not being dutiful enough, and/or not finding sorcerers for execution fast enough. When Arthur tries to be fair-minded and compassionate, Uther often essentially tells him that he's going to be a weak king with that attitude.

Arthur's pathways to betterment are limited, his parent and role model and boss here is an AWFUL person, but he's trying!

So, it's quite frustrating to get to this one episode where characters like Gaius (extremely biased, admittedly, clearly not an objective individual) are saying things like: "Arthur's not ready. The responsibility would be too great. Brave though he may be, he lacks experience, he lacks judgement."

Like, I don't know, Arthur may be only 21 and kind of a dipshit, but I personally think he'd still do a better job than the guy who tried to kill a kid (Mordred) just for existing a few episodes ago? Maybe? Gwen's father, who wasn't even a sorcerer or knowingly working with one, is dead explicitly because of Uther's awful laws. Did everyone in this episode forget that Uther tried to BURN GWEN ALIVE AT THE STAKE not that long ago (Episode 3)?

ARTHUR: "[Morgana]'s right, Father. You hear the word magic, you no longer listen."

UTHER: "You saw it for yourself. She used enchantments."

ARTHUR: "Yes, maybe. But to save her dying father, that doesn't make [Gwen] guilty of creating a plague. One's the act of, of kindness, of love, the other of evil. I don't believe evil's in this girl's heart."

UTHER: "I have witnessed what witchcraft can do. I have suffered at its hand. I cannot take that chance. If there is the slightest doubt about this girl, she must die or the whole kingdom may perish."

ARTHUR: "I understand that."

UTHER: "One day you may become King. Then you will understand. Such decisions must be made. There are dark forces that threaten this kingdom."

ARTHUR: "I know. Witchcraft is an evil, father. So is injustice. Yes, I am yet to be King, and I don't know what kind of king I will be, but I do have a sense of the kind of Camelot I would wish to live in. It would be where the punishment fits the crime."

UTHER: "I fear you're right. She's played with fire, and sadly she must die by fire."

When the adult druid (Cerdan) accompanying Mordred is killed (Episode 8), Arthur objects afterwards! On his own! While Arthur is sometimes an active participant in Uther's tyranny and otherwise complicit, he's been told all of his life that magic is inherently evil and corrupting, he was raised by the very man spreading this hateful philosophy, he should probably hate magic more than anyone after Uther, and yet he still disagrees with Uther's methods and judgments. Even though Uther is apparently VERY willing to lock both his son (Episode 4) and his ward (Episode 8) in the dungeons for disagreeing with him and disobeying him!

ARTHUR: The Druid was only in Camelot to collect supplies. He meant no harm. Is it necessary to execute him?

UTHER: Absolutely necessary. Those who use magic cannot be tolerated.

ARTHUR: The Druids are a peaceful people.

UTHER: Given the chance, they would return magic to the kingdom. They preach peace, but conspire against me. We cannot appear weak.

ARTHUR: Showing mercy can be a sign of strength.

UTHER: Our enemies will not see it that way. We have a responsibility to protect this kingdom. Executing the Druid will send out a clear message. Find the boy. Search every inch of the city.

Obviously, running a kingdom is complicated! Uther apparently won Camelot by conquest and is in conflict with many of the neighboring kings, including Odin and Cenred, and likely has more of the respect of the local nobility than young Arthur does. Uther's death would create some instability! (Agravaine de Bois hasn't been created yet, but let's assume there are many other potential vultures.)

But the show generally isn't pushing that angle. This isn't really about smooth transitions of power. Personally, concerning Arthur's "lack of judgment", I do find his ready conviction that it is his duty to die for Camelot's honor if necessary (he says as much to Merlin explicitly before fighting Valiant in Episode 2, then again before fighting the Black Knight in Episode 9) more than a little concerning, but that doesn't seem to be angle pushed here either.

The show has characters (Merlin, Gwen, Gaius) suggesting that offing the King, who regularly kills innocent people whether they have magic or not, who has forbidden use of the tool that might have saved innocent people from Nimueh's plague or the wraith of Tristan de Bois, would be wrong! It would be murder and murder is bad! It would make (in the words of a grieving Gwen) her "just as bad" as him.

Even though Merlin has at this point already killed Aulfric and Sophia (Episode 7), as well as Mary Collins (Episode 1) because they were trying to kill Arthur. And arguably got an assist with Valiant (Episode 2). And will kill many more as the show goes on. This conversation with Kilgharrah in S1 E14 is in many ways so, so funny:

KILGHARRAH: Well, young warlock, what is it you come to ask of me?

MERLIN: I need your help.

KILGHARRAH: Of course you do, but this time, will you heed my words?

MERLIN: The sorcerer Tauren is plotting to kill the King. He's made an ally of Morgana. I don't know what to do!

KILGHARRAH: Do… nothing.

MERLIN: What do you mean? If I do nothing, Uther will die.

KILGHARRAH: Don't you want Uther dead? It is Uther that persecutes you and your kind, Merlin. It is Uther that murders the innocent…

MERLIN: But surely that doesn't make it right to kill him.

KILGHARRAH: Only if Uther dies can magic return to the land. Only if Uther dies will you be free, Merlin. Uther's reign is at an end. Let Arthur's reign begin. Fulfil your destiny!

[The dragon flies off.]

MERLIN: Wait! Where does it say my destiny includes murder?

KILGHARRAH: Free this land from tyranny, Merlin! Free us all!

I feel for Kilgharrah here. He was VERY straightforward. I don't know how he could have been clearer about this.

I won't say that Merlin's character writing doesn't make ANY sense here (I do think the character writing in this show is NOT amazingly consistent), because... he IS being influenced by Gaius, who is, unfortunately, a bootlicker and also probably extremely traumatized by all of the death he's seen (big contributor of the bootlicking) (also, apparently Gaius only becomes a "freeman" at the end of Episode 6, so there's that). And Merlin is also being heavily influenced by Arthur, who loves his father, despite everything. For Arthur's sake, if no one else's, Merlin will go out of his way to save Uther. Sure! That tracks!

Merlin spends a lot of time in this show protecting a terrible status quo under some assumption that Camelot will... somehow suddenly become better under Arthur? Instead of perhaps eventually just trusting Arthur and talking to him after their years of knowing each other? There are several, in-world reasons for this and I don't think they're all unrealistic! It's tense! It's thrilling sometimes!

(Though I am ultimately a little annoyed that Merlin's many secrets never really come out and get dealt with by the characters, because that would have been fun drama and some resolution to all the tension, even if the story did still end in death.)

There's some tasty tragedy in this silly show, in many ways. Merlin is confused and conflicted and scared and without clear guidance in many ways. Kilgharrah is mysterious and not at all reassuring. Gaius is complacent and (very reasonably) incredibly secretive. Merlin doesn't get to see many of the moments where Arthur speaks up for magical people and tries to talk Uther down. Morgana and Arthur are both stuck here in a "The hands that cradled you are covered in an unimaginable amount of blood." "But they cradled me, yes?" nightmare scenario. (There's also a sexist element where male characters like Gaius and Merlin won't let Morgana know about her own powers "for her own good" in a gaslight-y way that's fascinating to me in how it creates a villain.)

But, also, the compelling tragic elements here don't make certain episodes any less frustrating to watch in their execution. (I don't think villains being frustrating to watch or read necessarily makes them effective villains, especially when what I really find annoying here is the heroes' reactions to the villain. Uther has killed SO MANY PEOPLE! FOR NO REASON!) Especially when a lot of the overall results of this show often feel more accidental than purposeful. I do understand why the writers keep Uther around! He's a formidable antagonist to have looming all over the place and the actor is fun.

But OOF, I felt that "Do... Nothing".

Merlin! MERLIN! LISTEN TO THE SCARY DRAGON! MERLIN, REMEMBER THAT TIME UTHER TRIED TO BURN GWEN ALIVE??? JUST BECAUSE GWEN IS TOO NICE TO GO AFTER UTHER WITH A KNIFE AND TAKE REVENGE, IT DOESN'T ACTUALLY MEAN KILLING HIM MAKES YOU "JUST AS BAD"!!! MERLIN!!! YOU HAVE ALREADY MURDERED MULTIPLE PEOPLE WHO KILLED WAY LESS PEOPLE THAN UTHER!!!

In Episode 4, Morgana says to Uther: "You can't chain [Arthur] up every time he disagrees with you." This implies to me that Uther has had Arthur thrown in the dungeons before. In Episode 3, Arthur says to Morgana: "Father will slam us both in chains if he knew I'd endangered you," and maybe he wasn't at all joking with that? Arthur is rattling the bars of his cell here, apparently fairly ready to be aimed wherever Merlin points him, bucking against being aimed at innocents by his tyrant of a father.

But nooo, Gaius says Arthur is "not ready yet" because...??? He seems less hotheaded than Uther to me, honestly. Are his tax policies not up to par yet? You can hire a guy for that. Suggesting that Arthur would be in any way worse than His Majesty "Anyone Who Talks To A Sorcerer Gets Executed Even If They Didn't Know They Were A Sorcerer" feels quite mean to Arthur, really. I think he'd do alright, in comparison, Gaius who lies to the King every single day, but I suppose you sometimes want to be a loyal friend to good ol' King "Made Merlin Drink Poison That One Time And Wouldn't Let Anyone Go Get The Cure". Good for you. Bad for everyone else.

Like, I know, I know this show is not very deep. I like that all of the characters are flawed and fumble a lot! I even kind of enjoy that it ultimately ends in death with so many loose emotional threads. It is a weekly burst of fantasy nonsense that is not especially concerned with consistency in worldbuilding or characters from episode to episode. But the executive discrepancies here are, like the ones in "Star Wars", weirdly fascinating with all of the holes and wobbly bits it creates.

This show: "Yes, our hero has once again saved the tyrannical king who kills innocents! Preventing the oblivious prince from assuming the throne and trying to do better as he so clearly wants to do! Good work, Merlin, taking the high road (which involved murdering the rightfully angry people trying to kill the tyrannical king) again!"

Me, every time: "...I am genuinely not sure how the show wants us to interpret this. What did they think they were doing with this? Was this always meant to be a tragedy from the first season? Because personally, I'm getting some kind of tragedy from this."

[jamiepaige]

Constant Companions Closeup #2: NOT QUITE THERE

(also on spotify!)

b-b-back once again

Round two of the Constant Companions Closeups - a series of in-depth dives into the songs off of my latest album, Constant Companions! Yesterday was track one, Dyad - today is track two, Not Quite There, featuring the incomparable telebasher!

This one's a bit of a dark horse relative to the rest of the album, but it may very well be my personal favorite song on the entire thing so dammit let's Yap

---

For the uninitiated, this song pulls heavily from a song off my previous album called Gummyworm, both in vibe and by very directly quoting its synth motif.

Both of these songs deal with two sides of the same emotional coin. I actually don't want to go into too much detail about it - I feel like the lyrics spell things out clearly enough - but I will say this:

When it's all you know, it's easy to believe that a love that isolates you, a love that doesn't respect you, a love that hurts is better than no love at all.

You deserve better. There are always people who genuinely want what's best for you, who want you to feel truly loved. It certainly isn't always easy - it's genuinely good if your interpersonal relationships have a little friction sometimes - but love should make your life brighter.

You deserve a love that's fair.

---

The original version of this song was actually intended to be on Bittersweet alongside Gummyworm. The original concept for that album had a whole heady concept involving duality, songs reflecting each other, the two halves basically being reprisals of each other... Ultimately, I'm glad I scrapped that idea, because it was waaaaaay too much for me to manage after a couple years of barely making music. Maybe I'll revisit it someday though?

The drums on this song are sampled from an Instagram post by Louis Cole, where he's doing this crazy one-handed hi-hat blast by holding a drumstick sideways. I'm a drummer and that shit genuinely scares me a little like i dont know how he does half the things he does its fucked BUT. I bring this up because he's one of my biggest inspirations as a musician! I'm really big on jazz in general, in case my love for spicy chords wasn't enough of an indication, but his specific brand of freaky hyperactive bullshit just does it for me.

Seriously, go watch his band KNOWER play their song Overtime. Absolutely insane performances across the board. also Clown Core

This whole song is really just my attempt at matching some of that hectic jazzy energy with my own style of music, so I figured it only made sense to make it another collab with another musician making delightfully frantic jazz bullshit - the legend herself, telebasher! I really am such a massive fan of her work, and I struggle to think of anyone who plays guitar quite like she does. We previously worked together on another Bittersweet track, Asemic Speech, and her guitar work is a major reason why that song is still one of my favorite I've ever released!! She's just built different like listen to this oh my god!!!!

Lastly, since this song was one of the first written for this entire project... it is admittedly a case of me shoehorning the album's leitmotif in after the fact. It's a little forced when it shows up in the backing vocals! But, the choir of vocal synths during the guitar solo served an additional purpose - my own voice doesn't show up on the album again for another four entire songs, and this would've otherwise been the only song on the entire album that didn't feature any vocal synths. Thus did I attempt to bridge the gap, as it were. Hopefully it makes the final product feel more natural!!

Either way, that's all for today's post.... i think.... which means that tomorrow.... we're gonna rot.... for clout

[affableramen]

pantalone x stubbornly poor reader according to this beautiful request

angst with an open ending; romance elements; pathetic old man

dear anon, i hope you like the final result of this beautiful project. hopefully you won’t be angry at me for i altered the idea to my preference.

Pantalone is circling you around with long steps, but despite him wearing heels, his pacing also remains quiet. 

“I take it you did not expect me in your tiny shabby apartment today.”

“No, not at all, sir.”

You can call him ‘sir’ as much as you would like, but the both of you know how much of disgust you harboured to this insignificant rich man, who did everything in order to seem a perfect socialist, but only you knew how fake he truly was. But keeping the faces up you wouldn’t permit yourself simply looking at him in an offensive way, it would be improper. And it would be perilous too, considering the fact this man is right now in your home.

“Tell me, aren’t you tired of being used? Being helpless?” He stops right there, though his voice keeps on raising a tickling sensation against your neck. “Your destitution does no good to you, it’s sickening and makes you look ill. What I offer you…”

Pantalone turns to face you, his eyes half-lidded as he pronounces that:

“I offer you help. Escape your misery with just one simple action.”

“What action?” You ask him bluntly, sensing unevenness.

“One kiss shall it cost.”

“A kiss… to cure my financial issues? I highly doubt that.”

Pantalone leaned slightly closer, his eyes looking up and down your face—going all way from your eyes to you neck, that is covered with a thin, cheaply-looking teal scarf.

“You don’t believe me?” You close your eyes; his breath is found light against your ear.

He finds purchase in your hand.

“So destitute, yet so stubborn.” He takes your hand, and you let him, unwillingly though. He knows it, he sees the bewilderment in your eyes. You don’t know what to do, how to act and what to say. But Pantalone only brings your hand to his lips and kisses the top of it, his dry lips are unbelievably soft on your skin. There’s a light smile tugged on his lips, almost unnoticeable; though you see it, at such proximity how could you not?

“One. Single. Kiss.” His tone becomes quieter with each passing moment. “Just one.”

His eyes are hooded and he looks at you completely relaxed, yet at the same time his aura is uneven, unsteady and disturbing. He sucks on your hand, pressing his lips everywhere he reaches access to on your hand, before he raises his head and speaks with a particularly raspy voice:

“I can’t any longer bear seeing you drown in your tears, caused by financial struggles. All it will cost to get you out of your misery is one shallow kiss.”

Perplexed still, you do not understand the meaning of his decision. 

“Why just one? Pantalone, I don’t understand.”

“Because you are not even close to be fond of me, yet I have been madly in love with you for some time. I would not take the guilt of forcing you into something you’d do so unwillingly.”

“…you are?”

His eyes are deep and dark on you, but the concept of love does not frame within the banker, at least in your opinion.

“Nothing else shall I ask for, except a single kiss. Nothing else, my dear.”

You look down—he doesn’t understand the consequences at all. He must have been too rational of a man.

“You see, if I kiss you with this mood, it will only be a fake kiss. And the both of us will regret it.”

A frown takes over his expression, the usual icy glare returns to his eyes. 

“Believe me, Y/N, I won’t ever regret a kiss with you.”

“Wouldn’t you prefer a kiss from someone who is equally affected by you? What’s the point of kissing someone you don’t love?”

“That is not the question I can answer. Y/N, please, you’re making all of this sound more pathetic than it already is. I’m aware you don’t hold a single ounce of affection towards me, but let me settle your debts, all I ask back is a mere kiss. Doesn’t it make a good trade for you?”

“It makes a hideous trade.”

Yet you take a step closer to him. Pantalone studies your actions carefully, he does not miss a single chance to admire your pristine, unruined beauty. You place your hands onto his cheeks not exactly earnestly, more like this is but a torture to you. Pantalone responds to you, pushing himself slightly forward, his lips parted and his eyes shut. Only now you can notice how long his eyelashes are, and how his skin is imperfect despite all charming rich gentleman claims.

You force yourself to crash onto his lips, and he accepts it willingly, taking your lips first greedily back, and then shifting it more to the softer side. No matter how fake you call it, it makes his being glow of happiness and excitement. It is still a kiss from you, on top of everything else. His arm snakes aroung your waist, the other hand finding purchase in your hair. He doesn’t let a single moment go to waste and keeps kissing you deeply and passionately, you swear to feel his taste on your tongue.

You pull away the first with a confused and pensive look on your face. Pantalone’s expression is read like a book, you don’t need to be an experienced sort of lady to understand what that kiss meant for him and what effect it had on him. On your part, you don’t know anymore whether the kiss was fake or wielded true feelings.

Abruptly, Pantalone adjusts his glasses, pushing them onto his nose firmly and exhales quietly. His breath seems shaky, but his inner world is shattered.

“Money is yours. I shall not postpone my departure any longer. I’ve already abused the generosity of your home.”

He turns away from you and escapes the apartment. Your bank account is found filled with money, but you don’t give it much of your attention right now. With a trembling hand, you touch your lips. A blush spreads over your cheeks.

“It wasn’t so bad.”

Later at night, Pantalone overthinks the happened while smoking a pipe in his garden.

“This was the worst, but the most pleasant kiss in my life. I shall not forget it ever.”

[letsgofullpogue]

I don't usually share my thoughts on the season here, I try to keep it more of an archive than anything, but this shit was a mess and I need to unpack it somewhere. Thoughts on season 4 below the cut.

Groff being JJ's father doesn't make any sense.

Before part two even came out, this little kernel of story rang so false for me. How does Luke wind up with a kook baby who "died" at sea? And the obvious answer is he had an affair with a kook, they had a baby, and, sure, she dies and he has to take care of the baby, leaving him bitter and alone and resentful of JJ. This is a reasonable expectation based on what we know of Luke thus far. But that's not what they're selling. Luke is a good-natured groundskeeper for the Genrettes, forming a light friendship with Larissa and bringing her little baby flowers to light up their days. Chandler, the baby's actual father, lurks in the background, seemingly jealous and controlling and not a fan of Luke. This completely stomps all over what we know to be true about Luke from the beginning, and really wipes out all the beautiful, horrifying work that Rudy and Gary did to build their relationship up until now. What a tragedy.

Why would Chandler kill Larissa and hand off the baby, pretending that he died? Was he hoping that Wes would take him under his wing and he would become the Genrette heir? Why not just keep his own baby with him, who would presumably be the real Genrette heir, coming into the money and property by way of guardianship when he inevitably killed Wes anyway? What's the deal with Chandler and Larissa? Did he marry her for money since he was a Pogue (more on that later)? Is this Foghorn Leghorn accent put on? Did he marry her specifically for her Blackbeard connections? Was it on the order of the Lupine Corsairs? Did he start working with them before he hooked up with Larissa? Was this all part of the plan? Why did Larissa keep her last name? Why in god's name do I care?

Watching Chandler play JJ the whole time requires us to believe that JJ is stupid, and JJ is not stupid. Impulsive, sure. Acts before thinking, absolutely, but not stupid. He's not going to get played this way (especially by a Kook), letting Chandler lock him in a mausoleum, giving him the necklace, giving Chandler his phone. It's insane. And driving around town in the Twinkie while being wanted? Still using their house and surf shop as home base for planning? Stupid stupid stupid.

The retread of scenes we've already done

Pope and Sarah in the tunnel with the rain is Kie in the sewer with the water flushing her out.

JJ and Chandler in the Twinkie is Big John and John B in the Twinkie, and just as bad. I thought they understood that was too much time away from the group, but what I've come to is that they don't actually understand anything.

Wasting too much time with a band of villains, see also last season. At least Singh had an interesting story that somewhat wove into the quest. These guys are just hired grunts. They're not on this hunt for themselves, they were hired to find the crown. Hired by who? And why do we care? They have a code that they live by, but we don't care that one of their faceless guys got killed and that they're out for revenge while pursuing the treasure. They get way too much screen time for us only have ten episodes.

Pope running from the Marines is Pope running from his scholarship interview, with higher stakes consequences that'll never be addressed, I'm sure.

Pope, John B, Cleo, and Sarah in the garage is John B in the garage in season one.

JJ wounded and floating in the water, just like in season two.

JJ and Kie talking about wishes while on watch is surf trip again. I was like, oh wow the chemistry is totally back here, and then I realized that it's fully leaning on the cadence of something that's already happened.

These are not parallels, this is bad writing. Or lazy writing. Or both.

High-stakes actions with no regard for consequences

Speaking of, they're constantly writing themselves into situations they can't get out of at this point. Last year, with JJ making deals with Barracuda Mike, big-time drug dealer, a thing that should have had huge consequences for reneging on the deal, but wound up with none. And in an even bigger 'this doesn't matter', he goes to Barracuda Mike's house this year and demands things of him? Wild and unbelievable.

This year, with JJ assaulting cops and destroying the town, for reasons that don't even really make sense. Wanted and on the run. How do you come back from that? (And a side note. JJ wasn't ever really a physically destructive presence, moreso destructive in the way that he has impulse control issues and acts before he thinks. But JJ has always been the type to take the beating, not start it. Happy to defend himself and his friends, but out of a feeling of usefulness and purpose in the group, not for funsies.)

Also this year with Pope, assaulting a cop, slipping his ankle monitor, and running away from the Marines. THE MARINES. Consequences should be looming, and who knows if we'll get there. But why set these kids on the run for the rest of their lives? The point is this place, the point is these kids. These beautiful idiots with bad luck and good hearts, just trying to get a win. What win is left? Evading jail? Revenge killing? What happened to our little boat show? This is a mess.

A family way

It's insane to me that they would chose to make Sarah pregnant in these circumstances that they've written them into, but then again, it's written by men who seem to have big-time mommy and daddy issues, so why am I surprised? I do feel like the best part of the season is that before John B even knew about the pregnancy, he was basically like I want to be done with this shit. He is not his father, he doesn't yearn for the adventure of it all. He wants to build a life, a normal life, and I wish we had had more time to sit with that and explore it for him.

The dialog

I don't know if it's that they're not improving as much anymore because of ~*reasons*~, but the dialog has gone completely down the tubes. In the last episode of the season, Kiara says "JJ hurry" over and over, at least 5 times in the span of like 15 minutes. When John B, Sarah, and Cleo are running from the Kooks, it's hurry, hurry, hurry. It's either that the writers simply aren't trying anymore or so much of the dialog was filled in with improv that now that everyone hates each other (she says casually and not addressing it at all), they're unwilling to play. Either way, that's their jobs. This show should be so fun to watch and it's becoming a drag.

The filters

I know everyone has complained about the colors of this show the whole time, but it's becoming unforgivable. The blue nighttime filter? I want to throw something at my tv every time they use it. Shoot at night??? Or on a stage? There are options that aren't the most awful fake-looking filters in the world, which, by the way, make watching on any smaller screen completely impossible. I miss those season one South Carolina sunsets. It feels like we've replaced most of those with a really harsh yellow filter that makes lighting people impossible.

Pogues vs. Kooks

That was the setup for this show, right? The haves and the have-nots? Two tribes, one island? Well, now almost every Kook is a Pogue and every Pogue is a Kook. They're muddling the message with bad results, because they still seem to want the tension and the storylines that result from it, but Chandler is a Pogue turned Kook, Ward was a Pogue turned Kook, so is Mike. JJ is a Kook turned Pogue, Rafe, RAFE of all people is working with the Pogues and engaged to one? With season five being the official last season, what will we be left with at the end of all this?

Interviews

So much of what they intended for this story, or what they want the audience to take from this story is told in interviews. I don't know if they're flat-out lying or they really think they nailed it in the telling. They say JJ is freaking out because he finds out he's a Kook, but that's not really what happened on screen, it seems more like he freaks out because their land is being taken from them and Luke's back and betraying them for a deal to keep him out of jail (yeah, not enough time spent on that). That JJ dying was the plan from the beginning which I don't believe was the case for one single second. "JJ is super jealous", where? Show me where because he barely glances at Kiara the entire second half of the season. They're two unsupervised children, dating, living in the same house, who barely ever touch, nevermind kiss. You're making this shit up to get the fans in a frenzy about it and not delivering in the telling.

The biggest fuck you

JJ dying. If talk is to be believed (and I do believe it) Rudy asked to leave and the Pates granted this request by killing him. I'm pissed as hell that the Rudy/Elaine/Madison/Mariah whatever it was ruined a truly great character and couple (the thing that brought me to this show in the first place) and I'm also pissed that it was written this way. Their right as writers and showrunners, I guess. BUT. There is a way to do this and have it make narrative sense and spur the story on and it is their job as writers to figure that out. What they did was strap him with an insane storyline about biological parents that makes no sense, act completely out of character for much of the season, have him pick up a drinking problem that he's never had before (becoming a liability for his friends), and have his new daddy kill him with a 1-inch blade in retribution for *checks notes* not letting him out of a well? Oh, and having his friends bury him in an unmarked grave in a land far from home, a home that they really can't even return to without some of them going to jail for a long time. And now they're out for revenge, as suggested by Rafe.

What is season five going to be? Losing JJ (and Jiara by extension) is a devastating loss for this show. Saddling John B and Sarah with a kid on the way while on the run and actively pursuing very bad people is irresponsible. How can we bring it on home in a way that honors these characters and makes sense of the mess they made of this story? How can we bring it on home at all? I'm not sure, but I guess we'll find out when the time comes. Lord knows, I'll be here until the bitter end.