#i have so much brainrot for this movie

[alastair-1205]

Ok ok ok so. God this movie. I have 2 details I don't think anyone else has pointed out just yet, the first one being about Goldie. (And please excuse my shitty pictures idk how people are getting high quality screenshots without the website going nuts about sharing stuff but whatever)

This one's pretty small but in this scene here where Goldie is a kid, she's humming some thing that I'm pretty sure is actually part of Puss' "theme song". This could have certain implications about timelines and how much time passed between events depending on how you look at it. Really I just it as proof that Puss would have a longer lifespan than a normal cat since he was really only established as a 'legend' after his first movie and even if Goldie was a kid during the Shrek movies (which would be ignoring some things from the first Shrek) that's still a fairly long time.

2nd detail is during the big fight right before Puss' panic attack. Something I've never really seen anyone bring up is just how overwhelming that fight probably was for him. It's more dangerous than the one at the pie factory since they're trying to save Perrito and not just retreat with the map, there's a lot more people, and a lot of those people are literally dying around him

The confetti from Jack's men blowing up is making Puss sneez and is visibly disorienting to him, not to mention that being so close to that much death is probably freaking him out even if he's not fully aware of that until Death shows up.

When he hits the ground here right before Death starts whistling, Puss' ears are already ringing from the impact and how loud everything is. Also, he's a cat, so I can't imagine the sensitive hearing and sense of smell and such is helping him in that moment lol.

I bring this up because I think Puss being overwhelmed combined with Death showing up is what pushed him past the line into full blown panic attack territory when before and after that moment in the movie he tends to just run away while in his panic. I think the overload on his senses is what made it so debilitating that time around.

Anyways detail rant over. This movie is fucking amazing I've seen it like 5 times and I love it so so much and I'm glad it's getting that attention it deserves.

[gojosbf]

Start Here, Caitlyn Siehl // The Song of Achilles, Madeline Miller // The Song of Achilles, Madeline Miller // Unknown // The Song of Achilles, Madeline Miller // Passanger, Alexandra Bracken (a.k.a Heartbreaker) // I wrote this for you, Iain Thomas // These Violent Delights, Micah Nemerever // jjk the light novel translation // The Song of Achilles, Madeline Miller // The Song of Achilles, Madeline Miller // Elegy, Chen Chen// the playwrights will write your names in the darkness of the sky

[erinstired]

I fell head first into Transformers recently...

[xxplastic-cubexx]

chat if i may speak

[washisart]

A bit of brainrot for this GinHelios AU? Ship? yes. This time is the Golden boy himself.

Gingka's image in me has worn down and changed over time, but I've always had strong impression with his character development in Fusion. Almost literal embodiment of the wind (in my tween/teen's vision). So I imagine his transition from secluded famous mountain guy in Fusion to (almost) be a permanently known icon of the sport in Japan is rough. From country pumpkin to city boy-

Anyway have some low-res GinHelios for now~

[johnslittlespoon]

curtbuckbucky nightclub au .* :☆ﾟ. ☽

open for drabble/more pics! <3

alright, i've never done a proper 'intro' post for a fic/au i have in mind, but this one has been rotting in my brain for ages and i know there's no way i'm not gonna write something for it eventually so here goes, bear with me <3 made a lil edit (took me fucking hours to collect enough stock footage lmfao) to go along with it too >:)

a modern au where college student curt is a regular at a new–ish queer nightclub, showing up every friday night without fail to dance his heart out, his way of de–stressing at the end of every week and getting his pent up energy out. he's the prettiest little thing, dresses up so fun– some nights he throws on dresses or crop tops with skirts or short shorts when he's feeling it, other nights he goes for more of a relaxed baggy pants and flowy linen button up type of vibe– always with the same pair of scuffed up sneakers on for ease of dancing.

the bartenders and other regulars adore their bubbly little club bunny, always looking out for him, doting on him with free drinks and food. and even if some of them eye curt like he's dinner when he's out on the floor swaying his hips, eyes closed to fully lose himself in the music, the glitter on his eyelids and cheekbones catching the lights just right, curt's not there for any of that. he dances with people occasionally, he's confident and carefree and likes the attention and it makes him giggle when he catches newcomers staring, doesn't mind a wandering hand here and there, but he never goes home with anyone. the same routine, every friday, dancing until his dark waves are curling damp with sweat against his temples and his black eyeshadow is smudged and he leaves to make the walk back to the flat he shares with a few roomies.

enter john and gale, longterm boyfriends who sometimes like to go out clubbing and find someone pretty to bring home for a fun time, only an open relationship in that sense– they have no interest in actually dating other people, both adamant that it's no strings attached, too head over heels for each other to have eyes for anyone else anyway.

they decide to check out a club they haven't been to yet, usually sticking to the tried and true ones, but a couple of their friends recommend it, so they give it a go one friday night. they've barely sat down at the bar with their drinks when they see a boy who, john comments to gale, looks like the 'energizer bunny' (gets a snort out of curt when he tells him so in the future.) even once they're buzzed enough to head out onto the dance floor together, neither of them can take their eyes off of the bundle of energy, mesmerized.

they both know the other is equally enamoured with the boy, drinking up all the glitter and bouncy curls and blissed out smiles, already knowing they just have to have him– the prettiest thing they've ever seen. curt's confused when they approach him, because he's noticed them too, has been admiring from afar, but he's also noticed their hands and lips all over each other, dancing much too close and comfortably to not be a couple. but john purrs out "we just like to have a little fun every now and then sweetheart, don't you?"

and no, not really, he doesn't. usually a night of exhausting himself dancing is his idea of fun, not ever looking for anything else, not finding most guys worth his time. but john and gale sweet talk him just right, spend time actually getting to know him when he agrees to let them buy him a drink at the bar, and fuck, they're both the hottest things he's seen walk into the club in a long time, and they're giving him all their attention? he decides that maybe he'll be brave and flirt back. despite his confidence and lack of caring what other people think about him, he's so shy and easily flustered when someone he's actually into makes the moves on him, doesn't even know what to do with himself when he realizes he's blushing at their compliments and the combination of their heavy gazes on him.

obviously they all get each other worked up as the night goes on, and curt goes home with them and gets his world rocked, spoiled and pillow princess–ed and showered in praise, not at all what he expects hook–ups to be like after having only been with people he's been dating. he expects to walk back home after since they all live in the same vicinity of downtown, tries to ignore his wobbly legs when he finally crawls out of bed, gets dragged back down by gale for one last messy breathless makeout while john gets him an uber before curt can protest or offer to pay.

normally john and gale don't get the numbers of their one night stands, but they want to make sure he gets home safe, and they can both gauge how the other is feeling and they know they'll want to see him again if they're lucky enough for curt to say yes, so john puts his number into curt's phone and tells him "text when you're home safe, yeah? or, y'know, text whenever you want." and curt isn't sure if this is john saying they both want to see him again, because he's dense and shy and they made it clear beforehand that they're in a closed relationship, but next friday he texts to let them know he'll be at the club again, and john and gale tell him they'll be there, the three of them going home together for a second time that night, and they fall into a routine from then on.

curt gets giddy every friday, dolling himself up extra pretty for the two men, flushed at their attention every time and so thrilled to dress up for someone other than himself for once. he can already feel himself going all heart–eyes for them after the second or third time they hook up, but he knows where he stands, and he's having fun experimenting for the first time and having two experienced, sweet guys show him a good time every week, so he doesn't want to jeopardize that by getting his feelings involved.

little does he know that john and gale are falling head over heels too for this sweet energetic boy, loving how much he spices up their lives, both in the bedroom and out, realizing their flat feels so quiet now on the nights where they don't take curt home with them. so that leads to some serious conversations to see if they're on the same page about getting to know curt better, both of them learning how to navigate this new territory because neither of them expected to want to bring someone else into their world like this. they agree they'd like to take curt out on a cute date, during the daytime for once, to properly test the waters and see how curt feels– of course he slots into their lives perfectly, as if he's been there all along. <3

but along the way: lots of slow burn, miscommunication, endless filthy smut, curt trying to balance college and work and friends with his newfound feelings for john and gale, john and gale getting dragged to raves and festivals by their always adventurous bf, city night–life juxtaposed by early morning domesticity, etc etc.

this has been floating around in my head for a couple weeks since i got this vision of 2012–stalker–era barry with eyeshadow and glitter stuck in my brain and thus a whole universe/plot spawned from it. honestly would mostly be pwp, but would love to write a proper fic for it anyway eventually, each chapter littered with filth, obviously LOL. i have so many thoughts and so many little scenarios planned out in my head already... these three have me in a chokehold.

i need to make proper intro/drabble posts like these for my other aus too aghhh it just takes so longggg because i get carried away with the drabble and then i have to find the perfect clips for edits and the perfect pics to tie it all together and suddenly i've spent half a day on one post but. someday <3 leaving!bikeriders au next surely! thx for reading hope u enjoy this version of the boys and hopefully i'll have time to write it soon!

all posts about this au will be under #curtbuckbucky nightclub au :-)

[fevervoidthing]

BIIG FNAF ART DUMP

Comic w the Michaels

AAND michael and gregory

[smartzelda]

Meme that pertains to mostly to me. Post

I'm really going through it

[shazos]

The spot!!

[thisisnotkitty]

Ness tending to Mike's injuries 😭

me when i steal the scene from the movie and make it securitywaiter

-so yknow when mike is like “yeah ill trade in abby for garrett (which like why did he do that lmao) and gets just like mauled by the animatronics

-anyways instead of vanessa finding him ness had actually gone in to snoop around freddy’s bc thats what he does as a conspriacy theorist

-he gets there just in time to save mike but mike’s like,, OUT so he takes him back to his apartment to fix him up

-while mike takes a while to wake up ness begins cleaning his wounds and stitching him up and there’s a brief moment when mike is nearly all cleaned up that he looks kinda peaceful(?) lying on ness’s couch and ness is like “huh” but he doesn’t quite get why his heart speeds up a bit

-as ness finishes cleaning him up he starts humming and singing gently and it kinda wakes mike up but he’s still a little out of it and can’t quite open his eyes fully so he’s just like “are you an angel?” bc he fully thought he died back there lmao

-and ness just laughs and goes “i’m fully human as far as i know. the name’s ness and i found you at freddy’s which is lucky for you bc it looked like you were in a bit of trouble there” bc he’s cheeky like that

-and mikes still a little dazed and confused from the blood loss but still he’s like “wait a minute… narrows eyes why were You at freddy’s”

-ness is just like “well you see it’s a long story” and mike just looks down at this injuries with a look that says well i’m clearly not going anywhere soon so i’ve got time

-ness starts explaining the fnaf lore while bandaging up mike and mike is trying to pay attnetion bc this is kinda imp but he can’t help but get distracted with how gentle ness is handling his arm and maybe he’s still a bit dazed but he swears this guy’s voice is a bit melodic and oh. oh.

-mike hasn’t really been in the dating scene much bc of abby so when he realizes that he might be developing a crush on this guy he’s known for a grand total of 30 minutes (and he was only awake for 10 of those) he begins to panic a bit

-uhhhh yeah. they go back to freddys and vanessa’s there and they save abby and it’s pretty much the last bit of the movie but w ness there now! (i couldn’t figure out how to end this im so sorry)

prompts, hcs, whatever random thoughts you guys have on these silly little fellas pls be sure to send them my way bc im going a Bit insane

[shadeandthedugeonofcringefanart]

brb, gonna write a sonic x rewrite/what-if but it's more focus on after the events of sonic adventure 2 and instead of Chris saving sonic from the pool, it's Chris and Helen saving Shadow after he washes up on the shore after he supposedly sacrifices himself.

Shadow has amnesia like in sonic heroes but it's now more focus on Maria and her promise than the previous revenge motivation in SA2 (still distrusting of humans though)

(probably gonna be part of my crossover universe: SX-side)

[m00n-pr1sm]

Amy Dunne Character Analysis

Disclaimer

This analysis will be of Amy’s character from both the book and the movie, although the 2014 movie adaption takes greater precedence with only some additional details and quotes included from the book as it does delve deeper into Amy’s psyche and add further characterization. Thus some traits may be accentuated further than they are in the movie, not being completely faithful to either story. It’s an analysis of Amy in her totality across mediums, of course being entirely my opinion. There are of course adaptational differences but I will not include the major ones from the books (ex. her relationship with Hillary Hand). This is an analysis focusing primarily on Amy’s neuroses she demonstrates and the childhood links to them, it doesn’t cover in-depth the events nor themes of Gone Girl.

Amy Elliott Dunne, the ever enigmatic dual protagonist- antagonist of Gone Girl is one of the most iconic female villains in modern memory, and one of the paragons of the “good for her” trope in media, is, frankly, one of my favorite characters of all time. As such I have been dying to write a full analysis examining her neuroses and characterization. Beneath the cultural perception of just another “crazy psycho” for girls to claim “she did no wrong” or “she just like me fr!”, lies a fascinating character who is masterfully written and developed by Gillian Flynn, as well as perfectly portrayed by Rosamund Pike. Amy Dunne is a character with a deep, complex psychology that I will do my best to thoroughly explore in this analysis.

From Amy’s childhood we first see the emergence of a literal high ego ideal, Amazing Amy. Of course this is the children’s book series created by her parents with a fictionalized version of Amy being the eponymous protagonist. This was a version of herself that rectified her own personal failures. Amazing Amy became a prodigy at cello, when Amy quit at 10, Amazing Amy made varsity volleyball, Amy got cut freshman year. Even in the (at time) final book in the series, Amazing Amy got married, a task Amy had not yet done. The entire book series revolved around Amy always making the most virtuous, the most selfless, the most perfect decisions.

>”With me, regular, flawed, real Amy, jealous, as always, of the golden child.”

An interesting detail in the book that is omitted from the movie is Marybeth’s numerous miscarriages and stillbirths (which totaled 7). All of these girls were named Hope, until Amy was born. Amy expresses her jealousy towards them, as they were always seen as perfect without ever living; meanwhile Amy herself has to live life everyday knowing that she will never truly live up to the Hopes. That she has to try everyday to be the best she can be. Her very birth was mired in the expectation of a perfect child; given that she was practically a gift from the heavens to her parents.

This sets up Amy’s perfectionism, as the childhood experience of never living up to a projected ideal led her to want to be perfect (and as we’ll later see, the expectation that everyone else is too), to live life always through the gaze of another. Evidently this leads to a loss of one’s inner essence, one’s individuality and sense of self.

>“-I’d never really felt like a person, because I was always a product” (Book Quote)

Amy’s obsession with personas can be seen as emerging from this, as she adapts a personality depending on who she’s interacting with, as to always be the most appealing she can, she is Amazing Amy after all.

>”I’m not sure, exactly, how to be Dead Amy. I’m trying to figure out what that means for me, what I become for the next few months. Anyone, I suppose, except people I’ve already been: Amazing Amy. Preppy ’80s Girl. Ultimate-Frisbee Granola and Blushing Ingenue and Witty Hepburnian Sophisticate. Brainy Ironic Girl and Boho Babe (the latest version of Frisbee Granola). Cool Girl and Loved Wife and Unloved Wife and Vengeful Scorned Wife. Diary Amy.” (Book Quote)

This general attitude leads to people trying to impress her as she places herself as someone special and especially someone to keep around. She entices both the characters and viewers of the film through her manufactured charisma and enchantment. However, we’ll see this dramatically backfire in her relationship with Nick, just you wait!

For now we can focus on the beginning of their relationship as well as what I believe to be Amy’s view on romance.

I believe that Amy has an impossibly high standard of love, one that stems from her perfectionism and general inability to let down her guise of being amazing. Not to mention how her parents were a perfect match, Amy even referring to them as soul-mates.

>”They have no harsh edges with each other, no spiny conflicts, they ride through life like conjoined jellyfish—expanding and contracting instinctively, filling each other’s spaces liquidly. Making it look easy, the soul-mate thing.” (Book Quote)

In her childhood it’s implied that she was into romance novels, specifically Jane Austen’s Pride and Prejudice, which obviously contributes to the idealization of romance, of a literal scripted love.

>”You were an alienated teen and only Elizabeth Bennet understood you”

I think this little quote is incredibly indicative; it establishes a sense of alienation, of Amy never quite fitting in and blending with others.

>”So many lessons and opportunities and advantages, and they never taught me how to be happy. I remember always being baffled by other children. I would be at a birthday party and watch the other kids giggling and making faces, and I would try to do that too, but I wouldn’t understand why. I would sit there with the tight elastic thread of the birthday hat parting the pudge of my underchin, with the grainy frosting of the cake bluing my teeth, and I would try to figure out why it was fun.” (Book Quote)

Back to the topic of romance, through these stories it allowed her to imagine her perfect romance: if Amy could find that one person that truly understood her, beyond the illusion, that then would constitute a perfect union of love. She does deep down (whether consciously or not) want to be loved for who she is; not the idealized, palatable, literal marketed version of herself. Thus she holds trust as a premium, expecting that if she does the Herculean task of unspooling and revealing herself to another, that the other person would love her no matter what.

>”Can you imagine, finally showing your true self to your spouse, your soul mate, and having him not like you?” (Book Quote)

However all of this culminates in an impossibly high standard of a lover, of a practically divine mythical love; where one loves totally and absolutely. Of course where this neurosis is most demonstrated is in Nick and Amy’s relationship.

Amy comments that after meeting Nick she finally felt like a person as he brought out a side of herself that hadn’t been seen, in her own words “a lightness and an ease”, something that Amy enjoyed. In her eyes they had the perfect relationship in the beginning, Nick was her compliment with the witty banter, with their inside jokes, and charm.

However this doesn’t just vanquish her childhood neuroses, through her desire to be seen as perfect, she modifies herself to be a “cool girl” for Nick, complying endlessly to standards to maintain this perception.

>” When I met Nick Dunne, I knew he wanted a cool girl and for him, I’ll admit, I was willing to try.”

Amy essentially became Nick’s image of a perfect girl, witty, fun, and most of all easy-going and forgiving.

Yet one cannot live forever in images and ideas; and as such, the real, true Amy emerged. The Amy that cares too much, that’s hard to get along with, that is a controlling perfectionist. She also tests Nick through the treasure hunts, weaving in little details about their relationship as to challenge Nick and hope that he remembers the things they do together as deeply as she does. Combined with the 2008 recession and declining health of Nick’s mother (the consequences of which will be explored later). As well as Nick’s growing dissatisfaction in the relationship (evidenced by his worsening performances in the treasure hunts, the cheating, using her for sex and ignoring her otherwise, etc). The illusion both Nick and Amy were living in crumbled; they couldn’t possibly sustain their relationship as they were both striving to fulfill reciprocating images for the other.

One of the biggest parts of her character is Amy’s elitism and entitlement, in which she thinks of herself as someone superior, someone that deserves to be loved absolutely for who she is, although only to people she considers worthy.

>”She’s easy to like. I’ve never understood why that’s considered a compliment—that just anyone could like you.” (Book Quote)

Once again this stems from her childhood, in a seemingly contradictory way, she also sees herself as special for being the one that survived from her mother’s attempts, as well as the fact that her birth was so tumultuous that she would be an only child. From this also stems her entitlement for love.

Amy actively looks down upon women she considers “average”, whom she sees as coming from mediocrity and continuously perpetuating that in their lives. She scoffs at them with her wealthy parents and NYC background until her marriage with Nick crumbles. Only then does she realize that she’s become the very woman she would previously disdain. A woman with a failing marriage, the loss of her previous wealth following the recession, and moving to a failed development in Missouri (What the hell’s in Missouri?) for Nick’s mother.

I truly believe this, combined with Nick’s infidelity, and most importantly the loss of her idyllic love culminated in the iconic Gone Girl plan.

>”Nick took and took from me until I no longer existed, that’s murder. Let the punishment fit the crime”.

Nick took Amy’s identity, her sense of self that she so generously revealed to him and rejected her. Implying that she would only be loved if played the role of the “cool girl”; stripping her of who she really was, losing herself in yet another persona. Although Amy admits she doesn’t really have a personality and lives through personas, she still has a semblance of self that she holds dear.

>”-made me realize that there was a Real Amy in there, and she was so much better, more interesting and complicated and challenging, than Cool Amy”. (Book Quote)

Worse yet, Nick had cheated on her with a “newer, younger, bouncer Cool Girl”, leaving Amy in the dust, surely damaging her pride.

But Amy truly fell in love with her idealized version of Nick, believing that she was responsible for shaping that version of Nick. That she deserved that man in his entirety, of course what gets Amy to come back to Nick is the Sharon Scheiber interview, in which he promises to make up with Amy in just the way that makes her think that Nick is the one person who gets her. He makes the little references to their inside jokes (2 fingers on the chin when they’re not bullshitting the other) and a reference to the end of the treasure hunt (always a contentious issue in their relationship). She’s reminded of who he was, that he was once perfect for her, who else could know how to appeal to her heart in just the right way? With the same passion and conviction she reverses the judgment on Nick, clawing her way back to him. She does so in an especially brutal manner, slashing Desi’s throat with a boxcutter right after he climaxes. Putting aside my enormous personal bias against Desi, he was technically an innocent man, taking a great risk in sheltering Amy. However it’s clear that Amy sees him as merely an asset and something to be disposed of once he serves his value, as another prop in her ever evolving masterplan; she did string him along for years through their letter correspondences. He was just another casualty in Amy’s search for idyllic love. She comes back dramatically, literally falling into Nick’s arms while still covered in Desi’s blood like a dress; fabricating an elaborate story about a love obsessed former boyfriend kidnapping and violating her. Despite the glaring holes in her whole story (If Amy’s marriage was as bad as she made it out to be, why did she go back to Nick so easily? How did she get access to a knife and kill him so seamlessly? Why didn’t Amy do anything when she discovered the stuff in Margo’s shed? etc), law enforcement, media, and the public all fully believe it, infatuated with the persona and narrative that Amy’s created for herself. In the end she traps Nick into the marriage and eventually, the family. The last shot of the film is a haunting recall to the beginning shot of the film, as Amy has both revealed and secured herself to be the master of the narrative, finally obtaining her perfect love, no matter what the cost may have been.

Conclusion

Through a constant demand in Amy’s childhood emerges a need for perfection, simultaneously bringing about a sense of superiority and entitlement. The use of personas and façades facilitate this, painting Amy as the most amazing cool girl for whomever she’s performing for, to feed her need to be seen as perfect and desirable. Yet there emerges a psychological detachment from others; as the need to perform inevitably leads to an internal hollowness. However underneath all these layers there also lies the true Amy who has the deep unconscious desire of wanting to be loved absolutely, to have a perfect union of love where she can reveal herself fully and be loved for who she is truly.

>disclaimer for tumblr lol, this is not me trying to claim Amy was innocent I am fully aware that she’s a terribly entitled and narcissistic person but she can still be complex and have relatable desires & be a person even if she’s massively fucked up!!

[jaegerisim]

Screaming And Crying (and kissing in the rain).

*enters your dashboard visibly disheveled* heeeeyyyy y'all, it's me ya girl w a new AU!!! haha dw all of my fics will be finished, um, eventually. Someday.... Anyways this is for my moodboard that got waaaayy too much attention than anticipated. Enjoy! 💕🌈

TW: smoking

Tagging the lovelies interested: @foodiewithdahoodie @mikeslawyer @will--byers @aidyaiden @big-sad-for-byler @booksandpaperss @over-rated-cheese @embarrassing-nerd @maru-chu @callmetheidiot @moviebyers @chic-ultimate @conanssummerchild @rotessaboggs @willthecleric @sageyshideaway @melaniesmpo if anyone wants to be tagged too just tell me in the comments!

Link to AO3

One of these days Will was going to fire his manager. The manager in question being his beloved stepsister, El Hopper.

"So I'm supposed to believe you forgot Mike fucking Wheeler is gonna play my love interest? You just conveniently forgot, right? Fucking great!" Will paced his living room back and forth. He was on the verge of hysteria. It didn't help his mood that Dan, his boyfriend, had cheated on him. That fucking asshole.

"Just calm down, Will. I know you and Mike have a complicated history between the two but you need to do this" reasoned El, calmly sipping from her mug of coffee.

"Do what? A gay rom-com with Mike Wheeler playing my boyfriend? How is that gonna help? How is that gonna change the fact that him and I detest each other. How?" demanded Will, throwing himself on top of his couch, like the dramatic person he is.

"Oh, the tragedy! You and Mike have to make-out! Oh, the horrors!" interrupted Max Mayfield, Will's best friend, eating a baguette.

Will plucked the baguette from her hand and took a bite from it.

"Oh, shut up. Besides I doubt you guys want to see Lucas anymore than I want to see Mike!" snapped Will, knowing he'd hit a sore subject for both girls.

Max pressed her lips in a fine line. "Lucas will probably ignore me, which is what you should do with Mike! Ignore his antiques and live your life."

"Besides why do I need to do this?" spoke Will while chewing.

"Ew, gross. Swallow before talking, for fucks sake!" Max gagged.

"Will, I need you to get this through your thick skull, m'kay? You are an actor, right? Well your job is acting then. Not living off the press and media like a leech." scolded El, and she did have a point. Will had been living off the press for the last 2 years with romantic scandals and modelling jobs.

"Fine, I'll do it. Whatever. I don't care, but if this movie flops it's your fault!" Will wags his finger between Max and El, for emphasis.

"If you'd even bothered to read the script you would know this movie isn't going to flop." The red haired huffed

"I don't need to read to know it's gonna flop 'cause Mike and I are gonna play boyfriends and we are rivals! He is my nemesis, even! I can't stand his smug, freckled face!" Will let out a frustrated groan. "I need a smoke. Max, you coming?"

Max gave El a small kiss on the lips and followed Will to the garden.

"How can I play Mike's boyfriend without gagging. We have 0 chemistry! Who the fuck casted this shit?" said Will lighting his cigarette and passing the lighter over to Max

"First of all, the casting was done by Robin Buckley and the director is Murray Batman, so you keep your mouth shut." snapped Max, she was Mr. Bauman's greatest admirer. "Second of all, you guys used to have loads of chemistry. Remember when the 6 of us used to interviews together?"

Will turned over to look at Max, whose eyes glinted with nostalgia in the moonlight.

He took a long drag and exhaled slowly, Max mimicked him.

"That was when we were 15, Max. Nine fucking years ago. We haven't talked since then. How are we supposed to show chemistry? Anyways, it's not like I have much of a choice, do I?" Will sighed, softly. He remembered his teenage years with Mike. The both of them were wild and free. Not worrying about scandals and reputations.

"Do you want to be my friend?"

"Yes."

"Nope." she answered.

"Ok. Well, I'm guessing the both of you are characters too, right?"

Will threw his cigarette on the floor and stepped on it. The red-haired woman did the same.

"Yeah, El plays your childhood best friend and I play the antagonist. I'm Mike's stepsister and in love with you." Max rolled her eyes.

"Ew."

"I know, thankfully you only kiss Mike. Lucas plays your coworker and El's love interest. Dustin is your kind neighbour who happens to be Mike's best friend." explained Max, entering their house.

"These are gonna some complicated years of filming, it better be worth it" Will thought.

[drawerandstuff]

That mini movie of staurt making Kevin a player made me have a brainrot of splatoon and minions

[i-me-mine]

His face, his eyes, his hair, his neck, his chains… I’m obsessed.

📷 by quinnscomfort

[g0lden-wings]

Imagine being stuck in a SAW trap and then suddenly hearing this in jigsaws voice "Ladies and gentlemen, this is SAW trap no. 5" and then you have until the end of the song to escape the trap.

Don't ask where this came from it's 5am for me XD