#i have so many words and questions like

[blackbackedjackal]

I hate this new wave of impossibility with shelters

When my cat cookie had her last oops litter we tried to surrender them to the local shelter cause we figured theyd find homes easier that way BUT the shelter wanted $400 per kitten plus several "interviews" with the kittens over the course of like 3 months before they would even think of taking them, and if they decided against taking the kittens you were down $400x however many kittens (in my case it would of been $1200) and the kittens would be like 6 months old and at that point you might as well just keep them all and get them all desexed instead of taking them to the pound to surrender them at all

We ended up rehoming them via facebook and two of them went to the same home a week apart

They...wanted you to pay $400 to surrender animals to them??? That alone is insane but an extended interview period with the kittens as well? Are they applying to work there like what the fuck?

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[insanesonofabitch]

You know, as a (kind of) new fan, I barely know shit about the full spn experience of watching shit unfold in real time—which obviously took years. When I was scrolling through Nov 5th tag, destielgate and all that, I found a fairly huge amount of people shitting on Andrew Dabb, especially for writing the finale. And I got curious about this infamous writer guy, like what else did he write?

Then I went to Google and saw that he wrote What’s Up Tiger Mommy. Then Hunteri Heroici. Clip Show. Road Trip. Bloodlines??? Stairway to Heaven?????? The Things We Left Behind????????

The Prisoner???????????

All Along The Watchtower?????????????

Lost & Found??????????????????

Like obviously, none of these episodes are perfect. But these includes HUGE destiel scenes—like pivotal moments that greatly affects the relationship and it’s development and how the audience view it. And so much of these are obviously, blatantly romantic. As explicit as it can be. Like the direct canon couple parallels? At least THREE times? You’re telling me this man is responsible for The Lovers Quarrel ft. Suffering Sam in season 8? “I’ll watch over you”? The Dean/Cas - David/Violet parallel???? Cas’ deleted personal heaven???? “Don’t lose it over one man”????? Cas giving up his Angel army for one guy?????? The Dinner Date?????? The Sam/Jess - Dean/Cas - Claire/Kaia parallel??????? The climax of Cain/Colette - Dean/Cas Mark of Cain plot line??????? “You know, I always thought I could be a good dancer if I wanted to be”???????? The PURGATORY REUNION?????????? The start of THE FUCKING WIDOWER ARC?????????????

The Fucking. Widower. Arc. The stark contrast between that and Cas being barely mentioned in 15x19 and 15x20???????? Listen—and I’m just spitballing here—but what if this guy isn’t the fucking problem. You cannot convince me that someone who wrote all that, who contributed to all that, does not fucking see it…

…oh my fucking god. What the fuck were in those omitted scenes?

[verified-villain-fxcker]

I’m sorry but I need Armand’s perspective on what the fuck happened in that apartment. There’s just too much shit that does not add up without it.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[detectivenyx]

i hate cinemasins so much you would not believe

[hero-of-the-wolf]

What are your thoughts on each LU hero?

cracks knuckles long post incoming!!

I feel like a lot of people forget about how much of a gremlin Time really is. He's cryptic for the bit, because he thinks it's funny, but he's absolutely willing to talk about things when asked (like when he told Wind about his entire adventure). Yeah this man's got trauma, but at the point he's at now he's healed a lot. I also think that he's just incredibly awkward, and it makes him come across as aloof and ✨mysterious✨

Twilight is the softest dorkiest Link by far and I will DIE on this hill. He's the biggest big brother to ever brother, and he vibes like someone who feels most useful when he's taking care of other people. It's very important to him. My boy is also so so stubborn like who the heck thinks it's a good idea to try and walk off an axe wound to the gut 😭 also I know in my heart that he gives the best hugs ever and I think a hug from him would fix me actually

People like to make Warriors this shallow jerk??? and he's NOT. He's really really not. He's just a big brother and he loves to tease. He's also really smart too, esp with battle tactics and working with other people. Also this man def knows field medicine like look at him whenever one of the others is downed in a fight, he's always right there making sure that they're okay.

Four is so so clever and really good at teamwork (obviously lol). but like!!! I love how throughout LU you can actively see him working really well with the others and accounting for their skills and where they are in battle, like in The Shadow arc he ducks down so Time can land a hit and it's a really cool scene. I also love his inside jokes with himself lol. He keeps his secrets just because he's waiting for a big dramatic reveal and I respect him for it.

Wind makes the best facial expressions HANDS DOWN. He's such a big brother too, and even tho he's the youngest Link I'm sure he still big brothers all the others lol. Also!!! This kid literally made the gods choose him as a hero. At every turn literally nobody took him seriously and he proved himself and killed Ganondorf!!! I'm so proud of him. ALSO Wind is so smart. He's the first one to start piecing together the timeline(s)!!

Wild is honestly super hyper competent?? Boy knows how to live off the land. He's smart. He chooses to be silly bc he enjoys being silly, not bc he's stupid. Also he was literally a prodigy!!!! That doesn't go away just because he lost his memories. He basically started out with the master sword (as in he started his knighthood with the sword already in hand), he defeated a guardian with a pot lid, also he knows how to cook lol. He's fine vibing by myself, but he's also happy to hang out with the others too :) also yeah he has a lot of trauma and guilt over everything that happened :(

Legend's harshness to me is def a projection. A coping mechanism, if you will. Boy's got such a soft heart (bunny hehe) and he wants to protect it from getting hurt again. That doesn't stop him from loving and caring about the others, he's just more guarded about it. And despite everything he's been through... he still loves adventuring. He really does.

Hyrule's got SO much grit and sheer determination. And he's so powerful too, even if he doesn't think that he is. He's got spells!!! That's something none of the others really have. Boy's got the toughest enemies in the entire franchise, too. He survived the Adventure of Link. That's insane lol also he's got SUCH just a little guy energy fr and I love that for him

I think people also forget what a troublemaker Sky is. And he absolutely gets away with all of it too bc like just look at his face. Is that the face of someone who's ever done something wrong in their entire life? yes. yes it is But he's also genuinely so so sweet too and yeah he def gives really great hugs. Also he's an insanely talented swordsman??? Like there's a reason he's called the Godslayer™️ lol. Sky is SCARY when he's angry. He just doesn't get angry all that easily.

[arlathen]

it's funny that andrastianism was right but like a thousand years too early. like no a god and his (once?) mortal beloved didn't inhabit the golden city but. they do now.

[winteriron-trash]

rdj the (whitewashed) electric boogaloo

This is a reminder to everyone who's excited about RDJ's casting as Doctor Doom that this casting is whitewashing. Victor Von Doom is a Romani character and has been a Romani character since his introduction in the 1960s. (Fantastic Four Annual #2 [1964]) Not only that, but his Roma identity and the persecution he and his family faced due to it is integral to his character, it is what forms his identity. (Books of Doom by Ed Brubaker) Even if on the off chance this casting is meant to not be Victor but instead be some variant of Tony or whomever else becoming Doctor Doom, it is damaging to the character to rob him of that important cultural background. Doctor Doom does not exist without that history. Fans have been pushing hard to cast Doom as a Romani actor for years, especially since the MCU has whitewashed other Romani characters. (Wanda, Pietro, etc) This casting is not a celebration moment, it's fucking heartbreaking that the MCU repeatedly ignores the important and nuanced cultural backstories of characters.

I know I can't change anybody's mind on whether or not you want to be excited about RDJ's return to the MCU. But I do think at the very least you should be mad that the MCU is baiting us all and destroying nuanced and interesting characters for the sake of self-referential easter eggs and nostalgia bait. Because that's what it is. Feel how you'd like to feel about RDJ's return, but personally, this is soul-sucking. I had such a deep love for the MCU as a teenager, it was obviously something incredibly formative to me, especially Tony Stark. This isn't recreating what I fell in love with the MCU for. This is turning a well-planned and artistic storyline of adaptations into cheap cash grabs and fan service. Because, I think we're past the point of being able to call the MCU an adaptation of anything. They can use existing characters' names and powers, but to say they're being properly adapted is laughable.

This is not an adaptation of Doctor Doom. This is RDJ the Electric Boogaloo because Marvel's fear of losing the interest of dedicated MCU fans overrides their willingness to tell stories that are genuine to the characters. I don't know what there is to be excited about that. The MCU has lost its authenticity and aside from a few projects, feels heartless. Every movie is a copy of a copy. This announcement isn't something celebratory, it feels like a death knell of a cinematic universe that's so desperate to cling to relevancy it's resorting to nostalgia for a character/actor who hasn't even been dead for a decade. We're not getting anything new, we're just rinsing and repeating the same song and dance.

I get it. I love Tony Stark, his death destroyed me and I to this day, rue the ending he got in Endgame. It misunderstood his arc and it robbed him of a satisfying conclusion. But the solution to that isn't dragging the corpse out of the grave five years later to whitewash an existing character with rich and interesting nuance, just to forcibly tie his existence in the MCU to Tony. Whether he is a variant or not. Why would you want someone else's fave's legacy to be destroyed simply so your fave's legacy can go on? Hell, if we were really all so hellbent on the return of RDJ and/or Tony to the MCU, we have the multiverse for a reason. There were other ways to do it that didn't whitewash and ruin someone else. This just. Isn't something to be happy about.

[off-brand-adorabbit]

Tress scratched the best itch for me, I’ve been craving a good fairy tale and it was just perfect. I kept slipping so hard into the fairy tale aspects that I kept getting caught by surprise whenever a cosmere thing stopped beating around the bush and revealed itself, actually. While I’m sure that wasn’t fully the intention, it was a really fun way to read some brandermansanderman coming fresh off of sunlit man and how intensely locked in I was with the Connections. Genuinely Tress is such a fun little romp. I love girls who sail in fucked up seas and this is a genre I want more of please thank you.

[nebulouscoffee]

"My name is Nyota. I'm the communications officer, I- I was born in Kenya- I used to have a cat, named Kamili. My first memory is watching my dad play the piano. I'm real."

Okay but I was wholly unprepared for how much it would mean to me to see more of Uhura's African identity actually being canonised by this show. The "I'm real" especially got to me; just a throwaway line but it really made me think of the Ben Sisko/Benny Russell parallels! Nyota, born in the 23rd century, is exactly the sort of person Benny Russell dreamed could exist in the future. She is real! She exists!

[crouton-moons]

Zionist.

saying don't fall for scams does not make someone a zionist. tumblr asks are NOT actual calls for aid!

i was just going to delete this ask like i do all scam asks, but i figured id post it just in case other people are getting similar things for... not being gullible? for trying to stop other people from being scammed and sending their money to scammers instead of actual palestinians?

many people in palestine obviously need aid. an obvious bot sending thousands of messages to thousands of people asking for "aid" will not help those people. they aren't from actual victims. they're from random people who are weaponizing the kindness of strangers to make a buck. falling for it helps absolutely no one. critical thinking is even MORE important in a time like this, stop falling for this obvious shit! they're just like the ai porn bots. they're used by the same exact people for the same exact reasons, getting money off those who are gullible. they're scumbags who are weaponizing peoples empathy to make a buck off a genocide. stop. falling. for. it.

they're trying to take advantage of you. they're assuming you're too stupid to think critically about who you think you're helping. stop proving them right.

there are thousands of actual ways to donate to those in need that aren't tumblr ask scams!

[fumifooms]

Don't really reblog or leave comments all that often, but I've been reading your Delicious in Dungeon deep analysis posts for a few days now and honestly I can't wait for that Kabru (& Mickbell) party rundown. They're a fine set of adventurers, if in dire need of people more capable of handling monsters.

Speaking of Mickbell's relationship with Kuro in particular – I think it does generally tend to be perceived from Mickbell's side, whether positively or negatively (which makes sense to some degree, since Kuro's perspective wasn't presented in full until the World Guide), as if Kuro isn't himself a maladjusted adult who spent an unspecified amount of time starving in a cage, his family situation unclear beyond "permanently out of contact", and is yet as overprotective of Mick as Mick is of him. I do recall a panel where he furrows his brows at the sight of Mick sitting on Inutade's shoulders, but other than that he is less aggressively isolating and self-insistent and more... coddling, I'd say, or overtly abiding. Kabru should have found Mickbell some books on kobold language tbh.

This is not intended as a criticism of the earlier webweaving post so I apologize if it does have shades of passive-aggressiveness – it's an incredibly on-point assessment of Mickbell's relationship with Kuro and his reasoning. Thank goodness Mickbell isn't a master magician, or else he'd make for a rather tasty dungeon lord (and Kuro would probably end up in a cage again, if not worse).

[context: ask sent on april 14th, soon after I posted my Canines web weaving]

Don’t worry, I loved getting your ask and didn’t read in any hostility! I didn’t want to reply before finishing my party masterpost-analysis (🤡 man it’s been too many months) but Kuro fans are begging for scraps and clamoring for Kuro meta and content everywhere I look including my askbox and man. Man yeah I should throw a bone you guys’ way at least in the meantime. The thing though you see is, one does not simply talk about Kuro without trying to cover every ground and every single piece of info we get. I’ll end up repeating myself a lot on this in my longer upcoming post but that’s just how analysis tends to be, so flash Kuro segment focusing on the Mickbell-Kuro dynamic

In a way I talk less about Kuro because compared to Mickbell his situation feels more straightforward to me somehow, the abused is usually the one who gets empathized with and liked more over the abuser so I don’t feel the same need to explore and explain. But… Kuro is not only generally hard to read but has so many layers. Kuro is both a self-effacing follower who’s communicative but polite & behaved and somewhat stoic, making it hard to gauge how much he’s voicing himself or even repressing, and functionally devoid of the ability to speak most of the time. He emotes in doglike ways but mostly because, lacking words universal body langue and cues like growling are the only way he can emote and communicate, not unlike how tone of voice is what’s important when talking to say, a pet dog. Kuro’s extra where he talks with Kabru is truly the Kuro bible, without it we’d have a much kess clear vision of how he lives his situation with Mickbell. And… It’s whiplash inducing and disconcerting when we see then that Kuro has everything rationalized, that Mickbell is still an angel in his mind and this is normal, just a guy who’s a little insecure that he must bend every which way for if needed.

Mickbell & Kuro’s relationship is fascinating because they each have a totally different view of the relationship. Mickbell thinks he holds the reigns, he’s the employer, the master, he’s manipulating Kuro consciously to some degree and withholds things like salary or permission to talk with others from him, and he thinks this is how he gets Kuro to not leave him. Kuro has seen through the matrix and pinpointed Mickbell’s insecurities and has decided he must do everything in his power to never make him anxious or upset and be his emotional support, EXCEPT that hilariously he seems to genuinely think Mickbell is a kid. He’s 22. Like, tallman equivalent of 27. Kuro is 18. Kuro has chosen to stay consciously and keeps choosing to stay because he wants to, because he’s chosen to devote himself to Mickbell’s wellbeing. In Kuro’s eyes, before being employer and employee, Kuro is the guardian and protector of this sensitive kid that he must follow and protect at all costs. What everyone is seeing as wage slavery doesn’t even register to Kuro because he’s never really thinking about the money, he dgaf. Kuro could choose to snap Mickbell in half with his jaw at any second and is more emotionally mature than Mickbell, but otherwise the power imbalance both financially and manipulation wise and using whatever he can to keep Kuro where he wants him is 100% tipping the scale towards Mickbell.

The amount of miscommunication they have for being each other’s most important person + person they spend most time with is insane, but tbh I think part of it is that Mickbell is terrified of what would happen when Kuro becomes fluent in common. Not only because Kuro would have the whole world of opportunities open up to him then (and in Mickbell’s mind, who would pick him over the world?), but because then the relationship would inevitably shift, Mickbell would lose some of that power imbalance, he would have to do more listening and both of them would have to learn to know each other better, and rectify wrong assumptions. It’d remind Mickbell that Kuro is truly his own person with a lot of thoughts and it’d make him feel less safe in being able to keep the relationship secure…

This all is why I’m less into mickuro in general, because unless Kuro puts his foot down one day for both their sakes, the status quo would just… Keep going, on and on. Canon supports this too, since Kuro’s profile in the complete adventurer’s bible in the post-canon blurb mentions very pointedly he’s still being worked for peanuts by Mickbell. Kuro being able to speak fully would make it a bit healthier I think like I talked, but Kuro would still be complacent to Mickbell’s unhealthy obsessive needs and man… Man……. Mickbell feels safe only when taking and Kuro wants nothing more than to give, if that makes sense, and that might be a shaky decent enough way to live for them but it also is far from healthy the way it is. I also don’t think getting that house he wants would fix Mickbell. Could even be a huge breakoff point if Kuro mentions his dreams is travelling around.

So yes I definitely agree with your assessment of Kuro being coddling and overly abiding. Both of them are very protective of each other like you said, the difference being that Kuro is selfless and even self-sacrificing with it meanwhile Mickbell is more selfish and possessive. (Although his overcontrolling nature does to some degree come from a protective place. Which would especially if he sees Kuro as helpless because of his language barrier or the way they met. But moments that go towards this is him being worried for Kuro after the chimera fight, after being stung by an aquatic monster in a monster tidbit, Mickbell often mentioning being worried the union or Kabru will steal Kuro away in a borderline trafficking undertone. Beyond just the care he shows him on the regular like washing and brushing him for hours ofc. Mickbell is not uncaring, his worrying and insecurities just bring his worst instincts out of him. Ehem Mickbell tangent over, my apologies.)

I know Kuro also being possessive is a common reading, but I don’t think I really agree 🤔 The support for this is the way he frowns at Mickbell being on Inutade’s shoulders, but I think that and the other hostile over Mickbell behavior he shows fall more in live with being protective. From Kuro’s perspective, Mickbell (the kid who must be protected who might fall and break his neck at any moment or something) is now on the shoulders of this very tall stranger he just witnessed pull off a sneak attack Laios’ party with ease, not something considered particularly honorable or trustworthy, and now she’s handling Kuro’s most precious thing in the world? Yeah better watch them like a hawk. Also remember, this is on top of his language barrier meaning he hasn’t had the same opportunity as others to converse with them and understand what they’ve been saying and thus form bonds outside of "my party trusts you for now so I’ll follow their lead." He also explicitely distrusts Izutsumi. I’ll also say though, I don’t think it’s an exaggeration to say Kuro doesn’t know what to do with himself when he’s not looking after Mickbell, there’s the secret studies sure, but his whole life is always centered on him otherwise, so I can definitely imagine this being out of a restless feeling as well, though if that qualifies as possessiveness depends on the behavior it causes imo.

Other times where he growls or such is also defensive in nature. If anything, Kuro unlike Mickbell with him seems very alright with Mickbell making friends with the party and forming relationships outside of him. This does go in line with his "Mickbell is just a sensitive young lad I must do my best to protect until he feels safer and better, I want him to be happy and healthy" mentality. Near the end, we even see Kuro encouraging Mickbell to go towards other half-foots and implicitly join the half-foot union, the very same that Mickbell has told him would take Kuro away from Mickbell. So if it’s for Mickbell’s sake, even if Kuro might feel afraid of change or losing him to some degree (I don’t think he feels threatened bc he doesn’t think Mick would leave him), Kuro is even willing to endanger his situation/relationship/status quo with Mickbell.

Kuro is peak guardian angel……… 🥺😭

You’re also right Kuro is very maladjusted, with his past it feels very unsurprising Kuro would end up like this. Having a language barrier alone is extremely isolating: not being able to really communicate with others is his default with or without Mickbell, so it isn’t innately alarming or anormal to him, even when someone actively tries to make it harder for him. This is of course without mentioning the experience of being taken away from your homeland suddenly, and brougth against your will to a country you know nothing of and have no resources or knowledge to live in. Who knows how long he’s been in a cage— and as we see the living conditions were awful, similar to Izutsumi’s when she was part of a freak show. He was visibly starved and food was all the payment he could have wished for and that + following this guy who got him out of his chains were all the motivations he needed. And this makes sense for the overprotectiveness on both ends, Mickbell is all too aware of how particularly vulnerable kobolds are as targets and Kuro’s second interaction was mauling a guy who was trying to hurt Mickbell. Mickbell did "hire" Kuro as a bodyguard first and foremost, after all. Mickbell was scared of Kuro at first, echoing how he reminds Kuro during canon that his snarling is scary and not to do it. Even at first, the professional aspect to their relationship is a very shaky facade, it’s always been more like mutual aid that evolved into life partnership. Kuro was used to being alone, Kuro was used to having nothing and being starved and beaten, Kuro was used to having everyone dismiss him as a beast that’s not worth even trying to talk to, so of course Mickbell seems heavensent.

Man. The fandom has been so scary esp with the anime wave, Mickbell discourse is something I never expected would be so divisive 😭 Sometimes I hear things about Kuro like "he’s too smart to be abused" which is not only as a broad statement untrue but also harmful and vile. Abuse is complicated!!! You are bending over backwards to justify literal Mother Gothel behavior!!! No one is telling you you can’t sob over Mickbell and want mickbell & kuro fluff oh my god let’s just not normalize well known abuse tactics such as isolating them and controlling their finances and social circle.

Ok fun last ending note, it’s also interesting to note their dreams for the future and directly contridactory. When they have some money saved up, Mickbell wants to settle down with a house with Kuro, and Kuro wants to travel the world with Mickbell. Ohh to be a guy who’s been denied ressources all your life and has lived in constant danger who now wants nothing more than to have the ideal of a stable peaceful life, vs being a guy who’s been kidnapped and traded around and denied your freedom for so long who wants to see the world you’ve always been kept away from…. They’re each other’s world but they’re not a place they can live in, not sustainably not while thriving…….

Ahh, mickuro, mickuro, the ouroboros of codependence…

[spacedlexi]

Do you have any tips on writing characters accurately you'd like to share? You did such a good job writing Clem and Vi in your fic.

aaw thank you so much 😭😭

i treat characters like little walking science experiments 💀 you gotta put that guy under a microscope and ask "why are you like this"

so. understanding a characters motivation is huge. and that typically requires understanding a character on a deep core level. what are their fears? their desires? what experiences have they had that have shaped them into who they are? and who is that person now? and you need to be able to ask these questions objectively, try to remove personal opinion. again we're studying them under a microscope here

ok so you understand their motivations. but how do they Talk? how do they express themselves? how do the jumbled thoughts in their brains come out through the filter in their mouths? do they even have a filter? are they withdrawn? confident? are they putting up shields to protect themselves? if so what are they protecting underneath? (ties into understanding motivation). since we're in fanwork territory we're in luck that someone else has already written them a voice for us! listen to what they say and how they say it. what words do they use? do they talk carefully or do they hesitate and stutter? do they only stutter under certain circumstances?

how do they react to the situations around them? what is their threshold for Bullshit? do they try to be kind? are they looking to instigate? what are they willing to do to get what they want?

basically: motivations + expression = guy

if you can understand these aspects of a character you can drop them into any situation you want. when im writing a character i try to get into their mindset and just let things flow. which basically amounts to me talking to myself. sometimes you might need to feel out different reactions because characters are complex! and as a writer there is still something you need them to express in the moment for the sake of the story. its about balancing what you Need them to do and how theyre actually going to do it, and sometimes this balance may take you to interesting places :)

i also frequently revisit the source text. ive got a transcript tab open that ive never closed because its very helpful when it comes to reminding myself how characters talk and act. the hardest part is looking past your own biases and Really trying to get into a characters headspace. theyre written out for you already, you just gotta do your best to understand who they Are

[twentyfivemiceinatrenchcoat]

sometimes i remember that gojo wanted to tell geto “we’ll meet again, right?” just before he died but forced himself not to knowing it would have cursed him and then i start thinking about how kind and thoughtful gojo is as a character and how he hasn’t been able to lean on another human being since geto defected and then i want to . Scream

[good-beanswrites]

A little something featuring Fuuta and Es after talking about their criminal lack of interaction in fanworks with @waivyjellyfish ! You had such awesome ideas (a few of which I'm still bouncing around in my head to post at some point,) but this one ended up taking over my brain -- I hope you enjoy 😅 Attempting to answer the widely-debated question:

“Oi, why didn’t you hit me?”

Es looked up from their paperwork.

“Prisoner number three. Most people are glad when they’re not struck.”

“Well, I’m not.” 

Es usually left the door open at this hour, in case anyone had any last-minute complaints before curfew. No one usually took them up on the offer. They figured that if there was any prisoner they could count on to complain, it would be Fuuta marching through their door.

“You hit all the other guys. You even hit some of the girls that were giving you trouble. So what? You think I’m too weak? You think I can’t take it?” Fuuta spread his arms. “I can, so show me what you’ve got!”

Es sighed. They put down their pen. They folded their gloved hands together, resting their chin on top. “Fuuta, I’m not going to hit you.”

“Why not?”

“As of right now, I have no reason to. If you’re referring to the interrogations…”

They reflected on the first one they'd shared with him. To be fair, the thought had crossed their mind. It would have been satisfying to give this rowdy prisoner a taste of his own medicine – striking him after such a dramatic charge at them. But Es was always good at reading people. It didn’t take them long to understand Fuuta was the type to lash out first and ask questions later. In fact, that was likely what had landed him in Milgram in the first place. 

Although Es knew they weren’t here to do any reformation, they wanted to try to show these prisoners where they’d gone wrong. So, they resolved to act as the bigger person. They’d prove that senseless violence was just that. By keeping their composure, they’d show Fuuta just how childish he was being. 

That wasn’t my only reason. I guess that's true, my actions weren’t all purely righteous. I still spent the entire time looking for ways to make him squirm… But it wasn’t all cruelty. I really did want to understand. I wanted to help. That counts for something, right?

Es never struck the prisoners out of anger, or as a petty show of power. It was a way to force the prisoner to mind their ego. When they’d gotten a bit too full of themselves, a bit too comfortable with the awful deed they’d committed, Es’ blow encouraged them to feel a bit more humility and guilt. 

By the time the second trial arrived, Fuuta oozed guilt. 

The moment Es entered the interrogation room, it was clear that he needed no lesson in humility. He hugged his arms to his chest. His remaining eye darted around the room in thinly-veiled hysteria. His voice trembled when he spoke. It didn’t require any people-reading skills to hear the remorse that underlaid all of his accusations and threats.

Hitting the others felt like giving a dog a tap on the nose after breaking a rule. Meanwhile, Fuuta snapped and snarled like a stray who’d been kicked time and time again.

Of course, he could never know any of this. Any way Es phrased it, Fuuta would misunderstand it as pity.

Well, wasn’t it? I thought he looked like a kicked puppy – that sounds a lot like pity. No, it was out of respect. Does that mean I didn’t respect the prisoners I did hit? No. I respected them too. Then, what’s the difference?

Fuuta was still staring at them, asking the very same question. What’s the difference?

“Each of Milgram’s prisoners is unique.” 

They were met with an unimpressed glare.

Es chose their words carefully. “Each one responds best to a variety of treatments. Some need attention to be comfortable, while others need time. Some need validation in order to confess. Others, a bit of debate does the trick. Some need a show of force. You –” remind me too much of myself  “– require something else. I’ve learned to change my approach depending on the person I’m dealing with.”

Fuuta’s features flashed with confusion, then shame, then his usual mask of anger. “Tch. How pathetic.”

“Excuse me?”

“So you just change your personality when it’s convenient? You put up fake smiles and fake attitude? Have some balls and just be yourself.”

Es was caught by surprise. “... I am. Those are all pieces of myself. I choose to bring out different parts when it would be most helpful.” 

“Sounds manipulative as hell to me.” 

It makes sense he doesn’t understand. He’s a very clear-cut person, with every aspect of his personality lining up in a way that makes sense. I find that predictability fun. Or, is it something that I envy? Could it be both?

They had no time to dwell on it, as Fuuta was struck with an idea. “Though, if you can do it on command, why don’t you give me the ‘you’ that wants to hit someone?” 

He spread his arms once more, hands gesturing to his chest. Es pretended not to notice him wince. They remained in their seat. 

“What are you waiting for? Hit me!” 

“I will not.”

“You just said you can change your personality on a whim, so let’s see it!” 

“That is not what I said.”

His good eye began to look frenzied. He raised his voice. “You scared? The big bad warden of Milgram, nothing but a big coward!”

“Stop this. You’re acting childish.”

“No! You’re treating me childishly! Let me see the Es that kicked Shidou! The one that slapped Kazui! Treat me like you treated them!”

“I hit them because they said something stupid. They deserved it.”

“Are you fucking kidding? I deserve it too! I deserve it! Come on!”

At the last word, his voice broke. He stumbled to his knees. He let his head drop. He sucked in strained breath after strained breath. Shidou would surely give him a lecture about getting so worked up with his injuries. 

Es finally stood.

They made their way around the desk. They knelt on the floor in front of him. 

“Why?” he wheezed. “Tell me…”

“Fuuta.” 

Should I just go ahead and do it, just to make him happy? No, I want to talk it out. But what do even I say? I'll tell him that I care. I can’t. None of the prisoners understand that I care. Why? Why is it so hard for them to see? I’m trying my best, why can’t they see? 

Es extended their hand carefully. They didn’t know what they hoped to accomplish, but in that moment their thoughts were too loud and conflicting. They needed to do something.

Fuuta saw the gentle intention, and immediately raised his own hand to strike. It froze midair, though whether it was from Milgram’s restrictions or his own hesitation, Es would never know.

Neither of their gestures connected.

Footsteps. Then Yuno’s voice, hesitantly from the doorway. “We heard shouting, is everything alright in here?”

Es retracted their hand.  A beat. Fuuta dropped his, too. 

“Yuno. Yes, we’re fine. Fuuta was just heading to bed. I’m going to walk him to his cell.”

“I can handle myself.”

“I said, I’m going to walk him to his cell.” 

Es stood, nodding to Yuno. When she’d gone, they turned their attention back to the prisoner crumpled on the ground. They made an effort to quiet their ever-racing thoughts. 

“Listen. I know you can handle yourself. I’m not doing this because I think you’re weak. You’re strong. Don’t think for a moment that I don’t see that.”

They held out their arm to help him up. He didn’t move.

“Sometimes you are a bit too strong, if you ask me. I mean, picking fights with your prison warden, really?” They clicked their tongue. “You should be grateful for a superior that gives you second chances.”

At last, Fuuta  took their hand. He avoided meeting their eyes, but his voice had softened considerably from his rant. “The only thing you give me is a headache.”

Es offered a dry smile as they pulled him to his feet. “The feeling is mutual.”