#i have no idea how to explain these things to anyone in my community

[tpwk-formula1]

Biggest Fan Pt 1 - CL16

Requested by @nina-or-anna-or-nora "Heyy!! 💕 I saw you were asking some requests so I have one for an Smau!! (If you want to do it ofc) I was thinking about the reader being kinda like Sabrina or Olivia (a performer) and then Charles being like her biggest fan🤭just a super cute fluffy thing and he goes to every show he can or posts her and stuff🥹"

AN - Had so much fun writing this SMAU for you! Don't be afraid to send in requests that aren't apart of the Pizza Menu! I love Sabrina but I'm not a die hard fan so I have no idea how many outfit changes she has or the order she performs so if it's a little messed up I apologize! Also LMK if you wanna see me do this with more drivers and make it a little series of the drivers being head over heels for their girl friend!

Summary: Just Charles being in love with Y/N... and basically everyone in the F1 community!

Charles insta stories over the fall break

Twitter

Charles instagram

Liked by landonorris, youruser, carlossainz, and 2,090,513 others

charlesleclerc We're ready for you Austin ft. Y/N and all the fan gifted hats that will make an appearance this weekend tagged carlossainz and youruser

user5 I love how he makes a post for work and still finds a way to get Y/N in there

user6 your honor... it's them. It's always them!

youruser I'm ready to be back in my home soil!

user7 I constantly forget our girl is from the US charlesleclerc you mean MY girl user8 Charles will never learn to share charlesleclerc not when it comes to MY Y/N youruser alright calm it down you charlesleclerc yes maam

user9 I hate feeling single but I do love you guys!

carlossainz Will I ever get a post with just us?

user10 Carlos... they're a package deal user11 If I don't expect anything less, you shouldn't either youruser damn... catching strays carlossainz Y/N I thought we were friends!

load more comments

Your insta story

user12 how does it feel to be living my dream

carlossainz he's been smiling at his phone for 10 minutes because you posted him

youruser I love knowing he loves me as much as I love him

user13 his eyes

charlesleclerc that's one lucky man

youruser he really is!

user14 I love the way you guys love each other

landonorris you guys disgust me with how cute you are together

youruser you wish this was you huh? landonorris I miss when you were to shy to interact with us... kinda a meanie youruser you'll learn to survive

Twitter

your Instagram

Liked by charlesleclerc, yourbff, oliviarodrigo, and 3,092,172 others

youruser Thanks for the warm welcome home... see you in a few weeks for Vegas!

Look for a surprise tomorrow around noon YeeHaw time!

charlesleclerc Ooooo I wanna know the surprise

user18 I can't believe I have notifications on and Charles is still here before me

charlesleclerc you snooze you lose! gotta be quicker than that! youruser love you need to be a bit nicer! user18 no this is on me... I should know no matter how much I love you Charles just loves you that much more! user19 I'm sobbing at this! Charles is so unhinged when it comes to Y/N

landonorris Can I also know the surprise

charlesleclerc NO!

user20 YeeHaw time is SENDING me! For anyone confused she's talking about CST

user21 THANK YOU! It makes so much sense now that you've explained but as a non F1 Y/N fan I didn't realize she was in Texas haha

user22 I love their height difference. I forget just how SMALL Y/N is.

Your Insta Story

charlesleclerc I can't wait to watch you!!

user23 HOLY SHIT! I can't fucking wait!

user24 omg! I'm so excited for this!!

landonorris: I hope you have a ticket saved with my name on it!

youruser: I do including the rest of the grid... spread the word pleaseeee

user25: Oh to be in the US rn to experience this concert! I just know it's gonna be amazing

Twitter

Charles Insta story during the show

Max's Insta story during the show

Youruser: Max! hahaha you had me cracking up in the first slide... then tearing up through laughter in the second. Thank you so much for finding time in your title fight to support!

maxverstappen1: I wouldn't have missed it! Had to see what all the hype was about. Please invite me again

Grid Members Stories (Lando, Carlos, Oscar, Yuki, Liam, Franco)

[arrowheadedbitch]

Overview of the things I've decided are canon for my son of zeus au so far (hopefully I don't forget any):

The gods are dicks. They arent *always* dicks, but I don't want to sugarcoat them from their original myths, they do bad shit and often

Denki is favored by Apollo, Dionysus, and Hermes the most, Persephone also likes him pretty well

Zeus is Zeus, meaning who knows when he'll decide he loves his son or hates his son or just genuinely doesn't care, he's such a little hypocrite bitch ain't he

Quirks are the exact same as they are in canon, the presence of the Greek gods didn't affect that at all, the gods have nothing to do with quirks and while they still are probably banging like rabbits they aren't really that active in Japan so no, no one else at UA is a demigod

Zeus slept with Kaminari's mom because he was intrigued by a mortal with a power in his domain (electricity) that didn't come from him

Since Kaminari's powers come from both his quirk and his dad, there's some complexities to them

Kamimari was born with lightning powers but they worked differently before his quirk actually manifested (I'm toying with the idea that his quirk manifested while being smiled by Zeus with lightning? I haven't decided if I like that or not yet)

Kaminari doesn't want other people knowing he's a demigod for classic hero story reasons but also because 1. Greek gods being real is a secret and he ain't about to be the one that spilled it 2. It'd be really complicated and annoying to explain and let's be real, at least one person would come out of that thinking he went crazy

Athena doesn't like him because, well, dunceface, duh. She does appreciate his strategic abilities though

Ares also doesn't like him because he doesn't like killing people, Ares and Athena hate that they dislike the same kid so much that they'd consider changing their tune about him on just that alone

In junior high he went on a big quest, I haven't decided on any details of it, but it involved a lot of fighting way to strong people while way too young as most quests do, this is also how he got into Apollo, Hermes, Dio, and Persephone's (and by extention Hades since he loves Persephone enough to deal with anyone she likes) good graces, the quest was likely given by Zeus and likely involved Hera trying to kill him

He's not really surrounded by people in the ancient greek community, it's not like he has a camp half blood and even if he did he'd skip it to go to UA training anyway, but he is pretty well known in those circles post big quest

I'm toying with the idea that he failed his first quest and thus had to go on a redemption quest

Kaminari doesn't like being serious, but despite what his classmates and teachers think, he CAN do serious, how else would he be such a big shot in the Greek community?

Imma be real, there was probably some kind of war that Kaminari had to lead an army in or something. I'm sorry, child soldier stories just have so many layers to dissect it's not my fault that they're compelling in a way

My point is, serious Kaminari is like war general levels serious, but not even LOA attacks are bad enough to bring out serious kaminari, are you kidding, did you gloss over the part about god war? He's having a little trouble taking literally any threat at UA seriously and he'll have trouble taking almost every threat as a pro hero seriously, it's not his fault junior high set the bar way too high on what situations are serious!

One of Kaminari's demigod powers, as the son of Zeus, is that he can't take fall damage. No matter how high up he falls from, he will never ever get worse than a few scrapes

Pissing him off really badly makes the sky get stormy, I'm talking immediate clear skies to nothing but gray clouds moving in and you can't even SEE the sky anymore, also possibly rain, he doesn't do it often but he can and he'd probably be able to control it if he were to practice his demigod powers along with his quirk but we all know he ain't gonna do that any time soon

He can sword fight, he hopes this never comes up

He has to keep reminding Dionysus about the legal drinking age, Dionysus thinks it's stupid and therefore never listens, they have argued about it multiple times

Apollo and Kaminari play chess together on occasion

Hermes at one point gave Kami a special knife when he decided he liked him enough to give him a gift, it's a magic thief's blade which is just a dagger that cannot be found on his person no matter what you do. Pat him down? You won't feel it. Scan him? It didn't show. Metal detector? It didn't beep at all. But he can pull it out whenever. He won't but he does *have* it just in case. I'm also deciding if making it not be able to leave him would be too much. I don't want it to feel like a riptide ripoff, I'm thinking maybe it sprouts wings and flies to him?

Yes, I've just decided, the Thief's Knife will fly to him if left behind and can squeeze into any crack no matter how small to get to him

I'm shinkami trash so you KNOW shinkami is about to be canon in this au

In either 2A or 3A, Kaminari tells Shinsou his secret about the gods being real and him being Zeus' son, he spends a great amount of time explaining all the details to Shin and answering his questions, it's a lot

What can I say? Shinsou is gus confidant, he was gonna have to tell him at some point 🤷🏻‍♀️💅

He doesnt tell anyone else, but obv they've got to eventually find out somehow, what you think I'd just let it be lame?? Even after they find out, he won't tell them anything he doesn't have to, waits until it comes up to explain things, it's just too complicated he doesn't want to go through all that AGAIN and with twenty people this time

Oh and before you ask, I'm gonna say no on the flying thing. I know it could be a power of a Zeus kid, I know it could be cool, but no. No he cannot fly.

I can't think of anything else right now but I can't wait to wake up in a cold sweat tonight and realise what i forgot

Also, I'm gonna go ahead and tag @iys-cloud since I know iys really likes this au :]

[velvetvexations]

If you want to argue about that specific post, that I had the restraint to not engage with on your own blog, I need you to acknowledge

Sure.

how you trolled the #transmisogyny tag, as you often do,

It's a social media website.

did not show me the same restraint!

I wouldn't call not engaging with the post that sparked your OP here to be "restraint." It is, again, a social media website and everything I post except a vent once in a blue moon is meant to be engaged with.

You came onto my post to, best I can guess, imagine the post I was referring to, imagine that I read it wrong, and present the "correct" reading of that imagined post.

And I turned out to be correct. I'll now explain the correct reading of the actual post.

I'm pretty sure that what I said lines up with what the anon said in the post. I am open to the idea that I'm wrong, and I'd welcome anyone who isn't you to talk to me about it and whether or not anon has an incomplete picture of what transmisogyny is.

Anon was arguing against strict definitions of TMA/TME because of how hard these things are to define. In that sentence, they were asking a hypothetical question about a trans woman - does she suffer transmisogyny if she has not yet suffered anything directly relating to her transition? In context, it's pretty clear the answer is "yes." The point they're making is that transmisogyny is more than seeing an AMAB person in a dress and yelling a slur at them. Transmisogyny takes many forms, often invisible, insidious, and affecting people you wouldn't know it to be affecting.

I thought this section of the reply was going to take longer, honestly.

it is an educated guess that you believed my post was in communication with your discussions of male/female socialization

The general discourse but not involving me specifically lol.

last time we did a diskhorse, You did something pretty interesting! Did you know that you did this? because it sends a specific message!

Yeah, I honestly didn't handle that very well. I didn't intend anything I said to ask you to or imply you should divulge your trauma but I did aggressively insist you were talking about something you insisted you were not talking about and interrogating you about if you were really thinking of cis people doing that. I'm very frustrated with critique deflection and though I tried to play it both ways by acknowledging you personally may have gone through an example of an accusation of critique deflection being bullshit, it was very poor of me to treat the situation the way I did. I did not do you right there and I regret it. Trans women often have claims of transmisogyny unfairly dismissed and in this case I was way too aggro about what I assumed the post was about, and my attempts to be diplomatic were disingenuous and insufficient.

They are really showing their whole ass when someone who thinks they are not tme also thinks that transmisogyny only affects transfems after they come out.

[severmyneck]

being the failchild of refugees/immigrants is like. so disheartening lol the shit my parents went thru and i am just in this first world nation like T-T boohoo i have depression and anxiety i cant do anything waaaah like. grow up. Fuck

[themthistles]

i think that while micro labels can seem useful and affirming ultimately they're isolating and kind of an obstacle to your understanding of self. that's because you can never find a word specific enough. there will never be a label or two labels or even ten, twenty of them to perfectly capture and describe all of your thoughts, feelings, experiences, preferences, needs, interests, identities, etc. because you learn more and more about yourself every day and then you change and your wants and needs change with you. having to hop between labels, fearing that you don't 'fit' into a label anymore (both in your own and others eyes), worrying how soon your current label will wear out, questioning if you'll ever fully fit a single one. all that causes a lot of uncertainty and anxiety which could be avoided by just picking a more general thing and molding it according to what it means to YOU. because words will always mean different things to different people, you will never be understood immediately and maybe never completely by anyone but yourself and that's fine

[myownprivatcidaho]

thoseve yall who were here a year ago might remember that a year ago He was liking tweets like "idk how people can cheat when im in love im obsessed😍" and "the honeymoon stage rlly doesnt die if youre with the right person🥰" and he was liking stuff like that up till recently now shit like this is in his likes something is BROKEN in him

[knaveofmogadore]

Kfkdks

[certaimromance]

𝜗𝜚 Cherry Picking.

Spencer Reid x Fem!reader

Summary: After your first night with Spencer, you wake up and see that he's left you two dollars and a thank-you note on your bedside table.

Words: 2,3k.

TW: lots of mentions and references to sex, but nothing completely explicit. the reader is quite dramatic and has little faith in men (literally me, sorry). SO MUCH chaos and lack of communication but happy ending. english isn't my first language (sorry for my mistakes, be kind please).

Note: This idea just came to me out of the blue, and I have to say that Sex and the City has had a bit of an influence. I love the chaos, the conversations between friends, and Spencer being the best man in the world (I'm picturing him kind of like in his season four version).

♡ Enjoy! ♡

Saturday afternoon

“Two dollars?!”

Penelope's and JJ's simultaneous exclamations and surprised faces when you finished speaking were pretty much to be expected. They noticed a change in your expression and took a moment to compose themselves, as did the rest of the people in the room, who glanced curiously at your table from time to time. It was certainly a fascinating sight, three women having an animated conversation about their lives over milkshakes as if they were drinks, especially considering that one of them was pregnant and her belly looked like it was about to explode.

You didn't blame anyone for reacting that way, especially not your friends. You were still pretty shocked by what happened, especially by how thoughtless the man you'd developed feelings for and worked closely with over the past few years was. It was a unsettling to find a tip on your nightstand after one of the most memorable nights you'd ever had. You still remembered the excitement you felt when you went to Spencer's apartment yesterday to watch a movie as part of your fourth or fifth date. He seemed nervous when you started kissing more intensely, and the couch wasn't the best setting. The sensation of your body on his bed and his lips on your skin was incredible.

It was a good memory, extremely good if you took away the embarrassment of waking up the next day in his empty bed with money waiting for you, as if you had performed a service.

“Maybe there was a misunderstanding and the money was left on the table by mistake.” Jennifer spoke again in a reassuring tone after turning the matter over. “Spencer can be a little clumsy sometimes.”

You pressed your lips together in a thin line as you listened to her attempt to provide an explanation for his actions. But given their friendship, this was to be expected.

“And he was in a hurry to catch his plane and go to his mother.” Garcia added with a forced smile, trying to lift your spirits. “It all makes sense.”

Yes, it was understandable that he was leaving in a hurry because he had to catch a flight to spend his weekend off with his mother. That didn't worry you, but there was something else that was curious.

“How do you explain the thank-you note?” You asked, taking out the paper and the two dollars you'd pulled out to show them as proof from your purse.

“It was a thank you for hanging out with him, a sweet gesture.” JJ said, taking a sip of her milkshake and patting her belly.

It seemed more like a sour gesture to you, that you had been left with your dignity on the floor. As you left his apartment, you didn't know whether to cry or laugh because it sounded like a bad joke that the only man you thought was decent and for whom you allowed yourself to have feelings would do such a thing.

“My love life is going downhill.” You said.

Just then, the restaurant door opens and Emily appears. After greeting her and apologizing for her late arrival, she asks about the cause of your apparent distress. As a profiler, she was astute enough to know something was wrong just by looking at you.

“What's wrong, honey?” She started talking as soon as she sat down next to you and took a quick look at the table. “Those milkshakes look good, I want one.”

“Spencer thinks I'm a prostitute.” You spoke up without thinking, which surprised Emily and caused her to briefly lose her grip on the menu.

There was a long, awkward silence.

Perhaps you were too direct in saying something that you had been trying to ignore for your own mental health.

“Just a heads-up, we've got a baby in the room. No need to say that word!” Penelope was the first to speak, gently covering JJ's belly with her hands. “He can hear you.”

At that moment, Reid and his comments about pregnancy data at every stage came to mind. You felt a little uncomfortable because you knew it was a little unrealistic to focus on the positives at a time like this.

“Oh, I'm so sorry, baby.” You looked regretfully at your friends and spoke to Jennifer's belly, giving it a gentle caress. “Don't listen.”

“I need context, please.” Emily said confusedly, trying to understand what was going on and why you had said what you had said.

You let out a deep breath, preparing yourself to recount the story once more.

“Okay, Spencer and I made...milkshakes. Very good milkshakes, really good if you know what I mean.” You tried to explain slowly, watching your words and your friends' expressions. “I woke up when he was leaving, he gave me a kiss on my forehead and said to keep sleeping, that he had to catch his flight.”

“That's sweet, but weird to know.” Emily commented quizzically, looking at the menu intently again. “What's the part...you know?”

“Oh, when he thought I was-” You stop yourself as you see how JJ looks at you. “A pie maker.”

You could tell from their expressions that they were about to laugh at your attempts to keep the conversation friendly.

“I woke up hours later to find two dollars on the nightstand with a thank-you note.” You finished the story. “To him, I'm worth two fu...sugary dollars.”

Prentiss stared at you for several seconds, waiting for me to tell her it was a joke. Only when that didn't happen did she speak. “That sounds weird and awful, but I don't think he would do something like that on purpose. Especially you, he really likes you.”

“He likes me enough to give me two dollars.”

When you finished speaking, you experienced a moment of discomfort in your stomach as your own words took effect. You were surprised to find that on a deeper level, what had happened was causing you more pain than you had anticipated.

“That doesn't sound like Reid at all. I've known him for years, and he's not that kind of man.” Penelope said with a frown, trying to reassure you. “I'm sure it's a mix-up.”

You were looking for the same thing and hoping it was just a misunderstanding, but your previous bad experiences made you think otherwise. You'd met enough men to know that they could always be worse. What was different now was that you really liked this particular man. You really longed for him to be different from everyone else.

However, things weren't always as you'd hoped. You'd invested a lot of hope in making your fairy tale come true, and it was starting to take its toll.

“Have you had a chance to speak with him?” JJ inquired.

“He's with his mother, I won't bother him.” You replied with a strange simplicity that made your friends suspicious. “I'm fine, I've calmed down.” You added as you saw their worried faces.

“I love you, but sometimes you scare me.” Emily said, watching you drink from your smoothie as if it contained a painkiller. “It's not okay to pretend that everything's fine.”

“It's understandable to feel a bit discouraged about this. Things may seem challenging at the moment, but I believe things will improve when you discuss this with him.” Jennifer's hand gently touched yours, offering a comforting gesture.

“I'm sure everything will be fine. You have our support if you need it.” Penelope joined in with the motivational words and gave you a reassuring smile.

You took the last sip of your milkshake and leaned back in your seat for a moment before replying. “I'm fine, girls. I don't plan to lose my head over a man, I promised myself.”

They looked at you with some skepticism, but you didn't flinch. You were confident that if you were mentally prepared not to be defeated, or at least not to look defeated, you would be well prepared for the day of the meeting.

You weren't going to lose your mind over this.

Monday morning

You were definitely losing your mind, and no cup of tea or internet video that promised to do so had been able to relax you one bit. You had been cooped up in the office you shared with Penelope for several minutes, pacing in your chair while everyone in the conference room waited for information about a new case and your presence. The mere thought of having to face Reid again was making you feel pretty uneasy.

All weekend, you had been trying to reassure yourself that you were doing well, that you were not hurt or affected by what happened, that it was just one more disappointment to add to the long list you had written since you were a teenager, and that it was normal for someone with your luck. You were not a princess, you were not going to meet a prince, and you were old enough to know that.

But being in the same building as your prince turned toad was not as easy as you had hoped. You prayed that your presence would not be necessary and that the jet would soon take off to take them all away, especially him.

A few sudden knocks on the door startled you. You automatically thought it was your boss coming to scold you for being late, and your blood froze.

“I apologize for the delay, Hotch. I assure...” You spoke promptly as soon as the door opened and a male figure appeared.

But obviously, it wasn't him.

“Oh, sorry, I'm not Hotch. But hey, how are you?” Spencer smiled at you and walked toward you, looking a little nervous.

“Fine.” You replied dryly, getting up from your seat to grab your tablet and some folders to carry into the conference room.

In your mind, you had planned to make a scene as soon as you saw him and make it clear that you didn't cost just two dollars. But after thinking about it a lot, the fear of losing your job over it was greater. And now it was a mixture of that reasoning with your feeling of paralysis at actually having him in front of you.

“I...I missed you over the weekend.” He stopped you before you could walk away, gently holding your hand. The feeling alone made you stop and look at him angrily. “I thought about you a lot, too much, and I bought you something.” He let go of your hand to pull a small box out of his pocket.

“How dare you?” You blurt out, taking a step back.

He looked a little uncomfortable and seemed to be in pain. “I'm sorry if I overstepped. I didn't mean to impose. Did I cross a line? I'm so sorry, I just thought-”

“What? That you could embarrass me even more? Didn't I already go through enough?”

That's when you took out two dollars from your purse and gave it to him.

“Could I ask why this is?” Spencer was still frowning and looked just as hurt as you.

His apparent lack of understanding of the situation made you much angrier. You had thought he was probably the smartest man you had ever met in your entire life, but suddenly, in your eyes, he was an idiot.

“I'm refunding your payment, Reid.” You replied firmly, without hiding your frustration.

The confusion on his face seemed to multiply as he tried to understand. “What are you talking about? I gave you your money back.”

You tilted your head slightly to one side.

“Saturday morning, I left on the nightstand the two dollars you lent me a week ago when we bought coffee. You know I don't like being in debt.” Spencer began to explain calmly, taking a moment to gather his thoughts and present the facts in a clear and concise manner.

Oh, you do remember lending him money at some point, or rather, inviting him for coffee that he said he'd pay you back. That day when his hair was perfect in the wind, when he smiled at you and told you some interesting facts about coffee beans.

“I mentioned it when I said goodbye, but you looked so tired that I left you a thank you note in case you forgot.” He went on to explain. “A lot of studies say that you wake up to full strength at least 20 to 30 minutes after you actually open your eyes. And you still had them closed when I said goodbye.”

“Oh.”

“Oh?”

“I...I thought you-” You fell silent as you saw the stunned look on his face. You didn't want to look crazy, so you quickly added. “I just thought wrong.”

“I'm sorry, I don't understand.” He said, a little embarrassed. “Did I do something wrong?”

“Oh, no, I just...did you bring me a gift?” You changed the subject, taking the box he had previously offered you. Inside was a necklace with a cherry blossom charm.

“Your computer wallpaper is a picture of cherry blossoms. And I saw this necklace in a store when I was walking with my mom, and I thought you might like it. But it's okay if you don't want it-” He spoke fast until you interrupted him.

“I love it, thank you.” You smiled at him and took the necklace out of the box. “Could you help me with this?”

With some trepidation and uncertainty still present, Spencer positioned himself behind you with the jewel in his hands, carefully brushed your hair aside and fastened the necklace around your neck. The sensation of his fingers brushing against your skin made you feel a slight shiver.

“Thanks.” You said as you turned around to face him. You gave him a hug, though you were a little unsure.

He returned your embrace, feeling a sense of relief that things between you were okay. “You don't have to thank me.”

“It's not about the gift. It's just a way to say thanks for being you.”

Perhaps he was your prince after all.

[hollowwhisperings]

I will remind the Fandom that Nie Huaisang very pointedly made it a point to never wear a saber (in public), to Loudly Complain when forced to, & that he did not go around "Swordless" in an Active Warzone.

Wei Wuxian, in contrast, spent most of his life wearing a sword & that, as First Disciple of the Yumeng Jiang, teaching swordforms was part of his job.

In xianxia settings, it is generally assumed that, by default of being cultivators, a Cultivator is always "Armed". At public events, cultivators give each other the "courtesy" of showing where that weapon is and, in turn, their hosts do not ask them to set said weapons aside.

So if Wei Wuxian, Famous Prodigy of the Jiang Sect & Current Military Powerhouse, is Not Visibly Armed? It means he is Non-Visibly Armed.

Wuxian Tried to Follow Courtesy via wearing his dizi in his sword's place: while sound in principle, this fails because no one believes a dizi is Wei Wuxian's "real" weapon.

This paranoia is then "justified" via WWX taking a Tiger Seal of all things out, mid-battle, from his robes and using that as his Weapon.

Of course Rule Abiders like Jiang Wanyin, Nie Mingjue & Jin Zixuan Challenge Wei Wuxian's breaching protocol by Not Wearing His Sword: if WWX is not openly wearing a sword, he is Actively Concealing his Weapon(s) and that, if challenged, he won't be using a sword. Given that they were in 1) an active warzone and then 2) the politically tense state of "we were just at war" (where WWX kept Pulling Random New Objects of Mass Destruction seemingly out of nowhere)? People want the "comfort" of seeing WWX wearing a sword: they know he's Dangerous but if he's wearing a sword, they can believe that he'll go for his sword first (and not, say, a stamp containing the souls of the damned to destroy them all).

Consider Madam Yu & Zidian: Yu-Furen wears a sword and is Pointedly Open about her Ring doubling as a Spiritual Whip. That said whip in ring-form "flashed" according to her Mood was, I suspect, Purposeful: it declared that Zidian was a secondary weapon, one she was just as willing to use as her sword.

While classism is a Genuine Theme within MDZS, Wei Wuxian's not following protocol as "First Disciple of Yumeng Jiang, Founder of [necromancy] & One-Man Army" by Not Showing His [Weapons] Openly was dangerous: Nie Huaisang "frivolous second son" & "lifelong noncombatant" was, in contrast, just "an embarassment" to everyone around him.

That WWX's detractors defaulted to [classism] was more reflective of the Nature Of His Wrongdoing than of his being "lowborn" (though that plays a part): WWX's breaching etiquette "proves" he lacks Respect for his Elders (held responsible for teaching Etiquette) &/or that his Elders are Not Respectable.

That second part is the Greater Slight, not really to WWX's Dead Parents but to Yumeng Jiang.

More specifically, WWX's going around with [concealed weapons] & sans his sword is an insult to: Jiang Fengmian & Yu-Furen, his foster-parents & formative teachers in sword cultivation; Lan Qiren, renowned master of Ettiquette & WWX's last known teacher... and Shijie (though only WWX & Jiang Wanyin really consider her as such).

Classism comes in but WWX's suddenly not wearing his sword anymore, during & after a war he actively fought in, has Much Higher Stakes than NHS going without a saber in public his entire life, a Known & Ridiculed "Non-Combatant". NHS worked very, very consistently to make himself as non-threatening as possible: WWX was terrifying when he was just a "genius" showing up Young Masters in public. Since the War & WWX's sword being nowhere in sight, a dizi "mockingly" in its place, it was Assumed that WWX was going around Secretly Armed with the Tiger Seal, something small enough for him to use at anytime with no one the wiser until it was too late.

I like how Nie Huaisang straight up refuses to cultivate and carry a sword and no one has anything to say about that because he’s a sect heir but when Wei Wuxian, son of a servant, does it suddenly it’s a problem.

[creatingblackcharacters]

“The bulging eyes and the twisted mouth” - Violence, Violent Imagery & Black Horror

TRIGGER WARNING: mentions of death, violence, blood, hate crimes, antiblackness, police violence, rape

Note! I am going to be speaking from a Black American point of view, as my identity informs my experience. That said, antiblackness itself is international. The idea of my Blackness as a threat, as a source of fear and violence to repress and to destroy, is something every Black person in the world that has ever dealt with white supremacy has experienced.

There are two things, I think, that are important to note as we start this conversation.

One: there is a long history of violence towards Black bodies that is due to our dehumanization. People do not care for the killing of a mouse in the way they care about a human. But if you think the people you are dealing with are not people, but animals- more particularly, pests, something distasteful- then you will be able to rationalize treating them as such.

Two: even though we live in a time period where that overt belief of Blackness as inhuman is less likely, we must recognize that there are centuries of belief behind this concept; centuries of arguments and actions that cement in our minds that a certain amount of violence towards Blackness is normal. That subconscious belief you may hold is steeped in centuries of effort to convince you of it without even questioning it. And because of this very real re-enforcement of desensitization, naturally another place this will manifest itself is in how we tell and comprehend stories.

There are also three points I'm about to make first- not the only three that can ever be made, but the ones that stand out the most to me when we talk about violence with Black characters:

One: Your Black readers may experience that scene you wrote differently than you meant anyone to, just because our history may change our perspective on what’s happening.

Two: The idea that Black characters and people deserve the pain they are experiencing.

Three: The disbelief or dismissal of the pain of Black characters and people.

You Better Start Believing In Ghost Stories- You’re In One

I don’t need to tell Black viewers scary fairytales of sadists, body snatchers and noncoincidental disappearances, cannibals, monsters appearing in the night, and dystopian, unjust systems that bury people alive- real life suffices! We recognize the symbolism because we’ve seen real demons.

Some real examples of familiar, terrifying stories that feel like drama, but are real experiences:

12 Years a Slave: “This is no fiction, no exaggeration. If I have failed in anything, it has been in presenting to the reader too prominently the bright side of the picture. I doubt not hundreds have been as unfortunate as myself; that hundreds of free citizens have been kidnapped and sold into slavery, and are at this moment wearing out their lives on plantations in Texas and Louisiana.” – Solomon Northup

When They See Us: I can’t get myself to watch When They See Us, because I learned about the actual trial of the Central Park Five- now the Exonerated Five- in my undergrad program. Five teen Black and brown boys, subjected to racist and cruel policing and vilification in the media- from Donald Trump calling for their deaths in the newspaper, to being imprisoned under what the Clintons deemed a generation of “superpredators” during a “tough on crime” administration. And as audacious as it is to say, as Solomon Northup explained, they were fortunate. The average Black person funneled into the prison system doesn’t get the opportunity to make it back out redeemed or exonerated, because the system is designed to capture and keep them there regardless of their innocence or guilt. Their lives are irreparably changed; they are forever trapped.

Jasper, Texas: Learning about the vicious, gruesome murder of James Byrd Jr, was horrific- and that was just the movie. No matter how “community comes together” everyone tells that story, the reality is that there are people who will beat you, drag you chained down a gravel road for three miles as your body shreds away until you are decapitated, and leave your mangled body in front of a Black church to send a message… Because you’re Black and they hate you. To date I am scared when I’m walking and I see trucks passing me, and don’t let them have the American or the Confederate flag on them. Even Ahmaud Arbery, all he was doing was jogging in his hometown, and white men from out of town decided he should be murdered for that.

Do you want to know what all of these men and boys, from 1841 to 2020, had in common? What they did to warrant what happened to them? Being outside while Black. Some might call it “wrong place wrong time”, but the reality is that there is no “right place”. Sonya Massey, Breonna Taylor- murdered inside their home. Where else can you be, if the danger has every right to barge inside? There is no “safe”.

It is already Frightening to live while Black- not because being Black is inherently frightening, but because our society has made it horrific to do so. But that leads into my next point:

“They Shouldn’t Have Resisted”

Think of all the videos of assaulted and murdered Black people from police violence. If you can stomach going into the comments- which I don’t, anymore- you’ll see this classic comment of hate in the thousands, twisting your stomach into knots:

“if they obeyed the officer, if they didn’t resist, this wouldn’t have happened”

Another way our punitive society normalizes itself is via the idea of respectability politics; the idea that “if you are Good, if you do what you are Supposed to do, you will not be hurt- I will not have to hurt you”. Therefore, if my people are always suffering violence, it must be because we are Bad. And in a society that is already less gracious to Black people, that is more likely to think we are less human, that we are innately bad and must earn the right to be exceptional… the use of excessive violence towards me must be the natural outcome. “If your people weren’t more likely to be criminals, there wouldn’t be the need to be suspicious of you”- that is the way our society has taught us to frame these interactions, placing the blame for our own victimization on us.

Sidebar: I would highly suggest reading The New Jim Crow, written in 2010 by Michelle Alexander, to see how this mentality helps tie into large scale criminalization and mass incarceration, and how the cycle is purposely perpetuated.

You have to constantly be aware of how you look, walk and talk- and even then, that won’t be enough to save you if the time comes. The turning point for me, personally, was the murder of Sandra Bland. If she could be educated, beautiful, a beacon of her community, be everything a “Good” Black person is supposed to be… and still be murdered via police violence, they can kill any of us. And that’s a very terrifying thought- that anything at any point can be the reason for your death, and it will be validated because someone thinks you shouldn’t have “been that way”. And that way has far less to do with what you did, than it does who you are. Being “that way” is Black.

My point is, if this belief is so normalized in real life about violence on Black bodies- that somehow, we must have done something to deserve this- what makes you think that this belief does not affect how you comprehend Black people suffering in stories?

Hippocratic Oath

Human experimentation? Vivisection? Organ stealing? Begging for medicine? Dramatically bleeding out? Not trusting just anyone to see that you are hurt, because they might take advantage? All very real fears. The idea that pain is normal for Black people is especially rampant in the healthcare field, where ideas like our melanin making our skin thick enough to feel less pain (no), an overblown fear of ‘drug misuse’, and believing we are overexaggerating our pain makes many Black people being unwilling to trust the healthcare system. And it comes down to this thought:

If you think that I feel less pain, you will allow me to suffer long before you believe that I am in pain.

I was psychologically spiraling I was in so much pain after my wisdom teeth removal, and my surgeon was more concerned about “addiction to the medication”. Only because Hot Chocolate’s mom is a nurse, did I get an effective medicine schedule. My mother ended up with jaw rot because her surgeon outright claimed that she didn’t believe that she was in more than the ‘healing’ pain after her wisdom teeth were removed. She also has a gigantic, macabre (and awesome fr) scar on her stomach from a c-section she received after four days of labor attempting to have me… all because she was too poor and too Black to afford better doctors who wouldn’t have dismissed her struggles to push.

As a major example of dismissed Black pain: let’s discuss the mortality rate of Black women during childbirth, as well as the likelihood of our children to die. When we say “they will let you bleed to death”, we mean it.

“Black women have the highest maternal mortality rate in the United States — 69.9 per 100,000 live births for 2021, almost three times the rate for white women, according to the Centers for Disease Control and Prevention. Black babies are more likely to die, and also far more likely to be born prematurely, setting the stage for health issues that could follow them through their lives.”

Even gynecology roots in dismissal (and taking brutal advantage of) Black women's pain:

“The history of this particular medical branch … it begins on a slave farm in Alabama,” Owens said. “The advancement of obstetrics and gynecology had such an intimate relationship with slavery, and was literally built on the wounds of Black women.” Reproductive surgeries that were experimental at the time, like cesarean sections, were commonly performed on enslaved Black women. Physicians like the once-heralded J. Marion Sims, an Alabama doctor many call the “father of gynecology,” performed torturous surgical experiments on enslaved Black women in the 1840s without anesthesia. And well after the abolition of slavery, hospitals performed unnecessary hysterectomies on Black women, and eugenics programs sterilized them.”

If you think Black characters are not in pain, or that they’re overexaggerating, you’re more likely to be okay with them suffering more in comparison to those whose pain you take more seriously- to those you believe.

What’s My Point?

My point is that whatever terrifying scene you think you’re writing, whatever violent whump scenario you think you’re about to put your Black characters through, there’s a chance it has probably happened and was treated as nonimportant (damn shame, right?) And when those terrifying scenes are both written and read, the way their suffering will be felt depends on how much you as a reader care, how much you believe they are suffering.

There’s a joke amongst readers of color that many dystopian tales are tales of “what happened if white people experienced things that the rest of us have already been put through?” Think concepts like alien invasion and mass eradication of the existing population- you may think of that as an action flick, meanwhile peoples globally have suffered colonization for centuries. The Handmaid’s Tale- forced birthing and raising of “someone else’s” children, always subject to sexual harassment by the Master while subject to hate from the Mistress- that’s just being a Mammy.

There’s nothing wrong with having Black characters be violent or deal with violence, especially in a story where every character is going through shit. That is not the problem! What I am trying to tell you, though, is to be aware that certain violent imagery is going to evoke familiarity in Black viewers. And if I as a Black viewer see my very real traumas treated as entertainment fodder- or worse, dismissed- by the narrative and other viewers, I will probably not want to consume that piece of media anymore. I will also question the intentions and the beliefs of the people who treat said traumas so callously. Now, if that’s not something you care about, that’s on you! But for people who do care, it is something we need to make sure we are catching before we do it.

“So I just can’t write anything?!”

Stop that. There are plenty of examples of stories containing horror and violence with Black characters. There’s an entire genre of us telling our own stories, using the same violence as symbolism. I’m not telling you “no” (least not always). I’m telling you to take some consideration when you write the things that you do. There’s nothing wrong about writing your Black characters being violent or experiencing violence. But there is a difference between making it narratively relevant, and thoughtlessly using them as a “spook”, a stereotypical scary Black person, or a punching bag, especially in a way that may invoke certain trauma.

The Black Guy Dies First

The joke is that we never survive these horror movies because we either wouldn’t be there to begin with, or because we would make better decisions and the narrative can’t have that. But the reality is just that a lot of writers find Black characters- Black people- expendable in comparison to their white counterparts, and it shows. More of a “here, damn” sort of character, not worth investment and easy to shrug off. The book itself I haven’t read, just because it’s pretty new, but I’m looking forward to doing so. But from the summaries, it goes into horror media history and how Black characters have fared in these stories, as well as how that connects to the society those characters were written in. I.e., a thorough version of this lesson.

Instead, I wrote an entire list of questions you could possibly ask yourself involving violence or villainy involving a Black character. Feel free to print it and put it on your wall where you write if you have to! I cannot stress enough that asking yourself questions like these are good both for your creation and just… being less antiblack in general when you consume media.

Black Horror/Black Thriller

We, too, have turned our violent experiences into stories. I continue to highly suggest watching our films and reading our stories to see how we convey our fear, our terror, our violence and our pain. There are plenty of stories that work- Get Out, The Angry Black Girl and her Monster, Candyman, Lovecraft Country (the show) and Nanny are some examples. There’s even a blog by the co-writer of The Black Guy Dies First who runs BlackHorrorMovies where he reviews horror movies from throughout the decades.

Desiree Evans has a great essay, We Need Black Horror More Than Ever, that gets into why this genre is so creative and effective, that I think says what I have to say better than I could.

“Even before Peele, Black horror had a rich literary lineage going back to the folklore of Africa and its Diaspora. Stories of haints, witches, curses, and magic of all kinds can be found in the folktales collected by author and anthropologist Zora Neale Hurston and in the folktales retold by acclaimed children’s book author Virginia Hamilton. One of my earliest childhood literary memories is being entranced by Hamilton’s The House of Dies Drear and Patricia McKissack’s children’s book classic The Dark-Thirty: Southern Tales of the Supernatural, both examples of the ways Black authors have tapped into Black history along with our rich ghostlore.” “Black horror can be clever and subversive, allowing Black writers to move against racist tropes, to reconfigure who stands at the center of a story, and to shift the focus from the dominant narrative to that which is hidden, submerged. To ask: what happens when the group that was Othered, gets to tell their side of the story?”

For on the nose simplicity, I’m going to use hood classic Tales From The Hood (1994) as an example of how violence can be integrated into Black horror tales. Tales From The Hood is like… The Twilight Zone by Black people. Messages discussing issues in our community, done through a mystical twist. Free on Tubi! If you want to stop here before some spoilers, it’s an hour and a half. A great time!

In the first story, a Black political activist is murdered by the cops. The scene is reflective of the real-world efforts to discredit and even murder activists speaking out against police violence, as well as the types of things done to criminalize Black citizens for capture. The song Strange Fruit plays in the background, to drive the point home that this is a lynching.

The second story deals with a Black little boy experiencing abuse in the home, drawing a green monster to show his teacher why he’s covered in wounds and is lashing out at school.

The fourth story is about a gangbanger who undergoes “behavioral modification” to be released from prison early. Think of the classic scene from A Clockwork Orange. He must watch as imagery of the Klan and of happy whites lynching Black bodies (real-life pictures and video, mind you!) play into his mind alongside gang violence.

Isn’t Violence Stereotypical or antiblack?

That last story from Tales From The Hood leads into a good point. It can be! But it does not have to be! Violence is a human experience. By suggesting we don’t experience it or commit it, you would be denying everything I’ve just spoken about. We don’t have to be racist to write our Black characters in violent situations. We also don’t have to comprehend those situations through a racist lens.

Even experiences that seem “stereotypical” do not have to be comprehended that way. I get a LOT of questions about if something is stereotypical, and my response is always that it depends on the writing!!! You could give me a harmless prompt and it becomes the most racist story ever once you leave my inbox. But you could give me a “stereotypical” prompt and it be genuine writing.

Let’s take the movie Juice for example. Juice in my honest to God opinion becomes a thriller about halfway in. On its surface, Juice looks like bad Black boys shooting and cursing and doing things they aren’t supposed to be doing! Incredibly stereotypical- violent young thugs. You might think, “you shouldn’t write something like this- you’re telling everyone this is what your community is like”. First- there’s that respectability politics again! Just because something is not a “respectable” story does not mean it doesn’t need to be told!

But if we’re actually paying attention, what we’re looking at is four young boys dealing with their environment in different ways. All four of them originally stick together to feel power amongst their brotherhood as they all act tough and discover their own identities. They are not perfect, but they are still kids. In this environment, to be tough, to be strong, you do the things that they are doing. You run from cops, you steal from stores, you mess with all the girls and talk shit and wave weapons. That’s what makes you “big”. That’s what gives you the “juice”- and the “juice” can make you untouchable.

I want to focus particularly on Bishop, yes, played by Tupac. Bishop, the antagonist of Juice, is particularly powerless, angry, and scared of the world around him. He puts on a big front of bravado, yelling, cursing, and talking big because he’s tired of being afraid, and he doesn’t know how to deal with it otherwise. So when he gets access to a gun- to power- he quickly spirals out of control. His response to his fear is to wave around a tool that makes him feel stronger, that stops the things that scare him from scaring him.

Now, that is not a unique tale! That is a tale that any race could write about, particularly young white men with gun violence! If you ever cared for Fairuza Balk’s character in The Craft, it is a similar fall from grace. But because it is on a young, Black man in the hood, audiences are less likely to empathize with Bishop. And granted, Bishop is unhinged! But many a white character has been, and is not shoved into a stereotype that white people cannot escape from!

Now would I be comfortable if a nonblack person attempted to write a narrative like Juice? Yes, because I’d worry about the tendency to lose the messaging and just fall into stereotype outright. But it can be done! The story can be told!

“But if Black violence bad, why rap?”

The short answer:

“In order for me to write poetry that isn’t political, I must listen to the birds, and in order to hear the birds, the warplanes must be silent.”

Marwhan Makhoul, Palestinian Poet

First, rap is not “only violence and misogyny”. Step your understanding of the genre up; there are plenty of options outside of the mainstream that don’t discuss those things. Second, every genre of music has mainstream popular songs about vice and sin. The idea that Black rappers have to be held to a higher standard is yet another example of how we are seen as inherently bad and must prove ourselves good. We could speak about nothing but drugs and alcohol and 1) there would still be white artists who do the very same and 2) we would still deserve to be treated like humans.

That said, many- not all- rappers rap about violence for the same reason Billy Joel wrote We Didn’t Start the Fire, the same reason Homer first spoke The Iliad- because they have something to say about it! They stand in a long tradition of people using poetry and rhythm to tell stories. Rap is an art of storytelling!

Rap is often used as an expression of frustration and righteous anger against a system built to keep us trapped within it. I’m not allowed to be angry? Why wouldn’t I be angry? Anger is a protective emotion, often when one feels helpless. Young Black people also began to reclaim and glorify the violence they lived in within their music, to take pride in their survival and in their success in a world that otherwise wanted them to fail. If I think the world fights against me no matter what I do, I’d rather live in pride than in shame with a bent head. Is it right? Maybe, maybe not. But if you don’t want them to rap about violence, why not alleviate the things leading to the violence in their environment?

Whether you choose to listen to their words, because the delivery scares you- and trust, angry Black men scared the music industry and society- doesn’t make the story any less valid!

Conclusion

I am going to drop a classic by Slick Rick called Children’s Story. I think listening to it- and I mean genuinely listening- summarizes what I’ve said here about how Black creators can tell stories, even violent ones, and how even the delivery through Blackness can change how you perceive them. Please take the time to listen before continuing.

I’ve been alive for 28 years and have known this song my whole life, and it just hit me tonight: not once is the kid in this story identified as Black! My perception of this story was completely altered by my own experiences, who told the story, and how it was told.

That’s what I’m trying to tell you. You can tell stories of violence that involve Black characters. I love and adore a good hurt/comfort myself! But you need to be cognizant of your audience and how they’ll perceive the story you’re telling, and that includes the types of imagery you include. It’s not effective catharsis via hurt/comfort for the audience if your Black readers are being completely left out of the comfort. “I wrote this for myself” that’s cool, but… if you wrote racism for yourself, and you’re willing to admit that to yourself, that’s on you. I’d like to think that’s not your intention! You can write these stories of woe and pain without mistreating your Black characters- but that requires knowing and acknowledging when and how you’re doing that!

@afropiscesism makes a solid point in this post: our horror stories are not just fairytales full of amorphous boogiemen meant to teach lessons. Racial violence is very real, very alive, and we cannot act like the things we write can be dismissed outright as “oh well it’s not real”. Sure, those characters aren’t real. But the way you feel about Black bodies and violence is, and often it can slip into your writing as a pattern without you even realizing it. Be willing to get uncomfortable and check yourself on this as you write, as well as noticing it in other works!

If you’re constantly thinking “I would never do this”, you’ll never stop yourself when you inevitably do! If you know what violent imagery can be evoked, you can utilize it or avoid it altogether- but only if you’re willing to get honest about it. You might not intend to do any of this, but it doesn’t matter if you don’t change the pattern, because as always, it’s the thought that counts, but the action that delivers!

[keferon]

Eh okay so. My brain is absolutely cooked so you will probably just have to ignore the linguistic fuckups

Jazz and Prowl learning to communicate because language barrier is a thing >:D

Previous part

Jazz sometimes thinks that somewhere along his career path he lost the bar separating normal from...well...everything else.

After all he's seen, heard about, and done, he's not sure exactly how to measure what's weird and what's normal. He has..the general idea.

His own. And it's so convoluted and fucked up that he'd rather jump into a volcano than try to explain it to anyone else. Jazz thinks the little colorful aliens around him are weird as hell. He thinks they sound weird, he thinks they look weird, and he thinks he must be going crazy.

And then this big black and white robot catches his eye and Jazz's first thought is not "what the fuck??"

His first thought is

"Thank God! Someone's normal!"

Whoever this guy is, he sounds like he knows what he's doing. And most importantly, he looks just like Jazz. Well, not exactly. But close enough. After all, Jazz knows that his organization wasn't the only mech maker on the entire planet. Other countries were making Mechs too, and Jazz hadn't seen even half of them.

But he can recognize a giant robot when he sees one, okay?

The thought that another mech could be an alien doesn't even enter his mind.

So used to the constant presence of huge piloted robots around him, he looks at this one and clings to its appearance as something familiar and easily explainable. His brain says, we know how this works. There's a robot and inside the robot there's another person. It's the way it's always been. The sky is blue, the grass is green and the robots are human-piloted. It's that simple.

The guy takes him to the far corner of the room and says something. Jazz…doesn't understand..

The mech's face contorts in a surprisingly believable display of concentration. How...who built this robot? How could they make it frown?

He hears something else being said to him but again can't understand a word. Why won't this pilot get out of the mech to talk to him? Jazz doesn't have his communication frequency but surely they could at least shake hands. There must be some reason. Maybe something wrong with the air? Is it dangerous to be outside? This guy should know better, he's been here longer than Jazz, it seems.

(Damn it, whose idea was it to make a mech with a face, it's so distracting)

He rushes to activate the external speakers, because he and this guy obviously speak different languages, but it never hurts to try, right?

"So uh, I don't think you can understand English?"

Mech frowns again, trying to pick up on something familiar in a language that's apparently new to him. But finds nothing. Jazz lowers his horns sadly.

Oh well. Fuck. As if being stuck in an unknown place with unknown creatures wasn't enough, he can't even talk to anyone! How is he supposed to get out of here? Which way should he even go?

The mech waves his hand to get his attention and then pulls out a tablet and a stylus from..where ?

Jazz somehow manages to overlook the fact that the tablet is made to fit the mech's size. His head is still feels a bit…off..after that portal thingie.

"Charades it is then."

____________________

An hour and a half later, Jazz finds himself staring intensely at the screen in front of him with a surprisingly neatly drawn chart on it.

"So uh. Motion."

The other guy nods and starts drawing a walking mech. Then something that looks like a very unusual car. Then a submarine. Jazz gets a little lost looking at how skillful he is with the stylus.

Honestly, he's a good artist!

The guy points to the sketch of a walking mech and says

" Motion."

Then points to the drawing of a car driving and the columns of the chart.

"Motion-rotation" he points to the car again.

That must mean "driving" huh? Jazz nods understandingly.

Mech moves his finger to the submarine.

"Motion-Water."

Ah, it must mean swimming. Jazz nods once more, feeling like a wind-up dummy repeating the same motion a dozen times.

The mech makes a quiet humming noise and then points to the chart

"Motion. Sky."

And then gives Jazz the stylus?

Uh, what is he... Oh, he wants Jazz to figure out what it means.

"Motion" and "sky," right?

Jazz takes the stylus? Pencil? Thingie.. and very carefully draws out a crooked scribble of something only remotely resembling an airplane. The mech arches an eyebrow and looks like he wants to laugh.

Jazz shrugs awkwardly and tries to add windows to the airplane, but ends up making it look more like a severely fucked up caterpillar.

Mech snorts.

Jazz kicks him in the leg.

The airplane begs for a merciful death.

Jazz didn't really expect to get into a language class but he has to admit that whatever language he's learning now is a surprisingly easy one. It only took the other dude half an hour to show him the basic concept and from there it became a game of associations.

There were simple definitions. Like size, quantity, speed, emotion and so on.

There were signs that automatically turned the whole sentence into a question or a statement.

There were modifiers that Jazz defined in his head as positive and negative.

Positive speed - fast.

Positive size - large.

Positive direction - forward.

Positive time - future.

There were also basic words for senses, emotions and whatnot, also with modifiers.

Mouth-positive - to speak

Brain-positive - to think, but negative-brain-do-positive - to learn.

Huh.

And it's so neatly organized that Jazz wondered if this language was designed specifically to be easy to learn.

Let's see....

Mouth - positive, effort - negative.

"Easy to speak."

The guy nods contentedly and starts talking back, while pointing to the appropriate columns of the chart to make it easier for Jazz to understand.

"Creation-positive. Purpose. Person-negative-knowledge. memory-positive-effort-negative."

Jazz frowns, concentrating on his finger.

Oh. Created. For those who don't know it. Easy to learn.

He was right. The whole thing is waaaay too awkward to write poetry but learning it is a delight.

Jazz leans over the chart.

All right, well, let's see.

“Name. You. Question?”

The other guy smiles and pokes at the chart

"Me.Motion-sound-negative.Negative-eyes-positive-someone."

Walk quietly. searching?… Sneaking?

Oh, it's not "to sneak" it's "to prowl"

"Prowl" nods affirmatively. Jazz smiles at him and looks at the chart again. Okay. How to say “music”?..

“word-knowledge-negative.”

He stops to make a gesture with his hands, as if playing an invisible piano while humming a tune.

Prowl nods

“Sound-positive-positive-hearing.”

Jazz chuckles

“A whole two positives eh? Okay then. Uh. You don't look like you listen to jazz....so..”

“Me. Name. Sound-positive-positive-listening.”

Prowl raises his eyebrows. (Jazz is jealous, he wishes he had eyebrows too.)

“You're a musician?"

Jazz quickly shakes his head while simultaneously muting the outside speakers to a barely audible level and turning on one of the songs on his playlist.

Prowl twitches in surprise when he hears the melody.

Jazz waits for the intro to finish playing and then points to himself

“Creation-negative..uh..Sound-positive-positive-hearing. Jazz. This...”

He pats himself lightly on the chest.

"..is me. Jazz."

Prowl straightens up slightly

“Oh, you're not a musician, you're the music.”

Jazz nods cheerfully

“Yes yes!”

“Jaaz?”

“No no. Jazz.”

“Ah. Jazz?”

“That's right.”

Prowl draws a portal on the screen.

“You teleported here. What happened?”

Jazz hangs back, trying to construct an answer in his head. Good thing Prowl seems to have infinite patience

“So, I uh. What was 'fight'? Movement-pain-positive? I fought these things...”

He takes the tablet from Prowl and draws a crooked blot with a bunch of tentacles on it. Then thinks for a bit and adds big teeth and a lot of eyes. He's not really sure how to draw those eyes properly, so he just scatters them randomly around the monster area.

Prowl doesn't seem to be that amused by Jazz's drawings anymore, in fact, he suddenly becomes very somber.

“Quintessons.”

He pokes at the monster

“Name-Quintessons. Number-question.”

How many?

Jazz scratches the back of his head

“So uh...a lot?....number-positive-positive-positive-positive-positi...you get the idea.”

To be convincing, he dramatically spreads his arms out to the sides depicting something very large.

Prowl looks alarmed.

And unconvinced.

“How did you survive?”

Jazz laughs pretentiously

“Ask them how they survived.”

Prowl makes the “you can't be serious” face. Jazz isn't quite sure what exactly is confusing him. Mechs are designed to kill Quintessons, aren't they? Judging by his movements, this pilot must be damn good at controlling his mech, and that kind of guys usually fight on the front lines.

He decides to put that thought aside for later. There are more important things right now, like...oh shit, where is he even going??

Jazz leans over the chart again

“Uh. Right. Question-we-move-up-place” Man, how to specify... “Knowledge-negative?”

Prowl, linguistic gods bless him, understands him and starts gesturing over the chart in response

Okay. Ah. I-move-up. Planet-creation-positive.

'I'm heading home' or 'my home planet'.”

Jazz instantly perks up.

“Oh that's great, I'm pretty sure I'm supposed to go there too.”

Prowl is speaking in a language he's unfamiliar with, so he's definitely from another country, but hey, who cares as long as it's on Earth, right? He just needs to get there and he'll find his own way from there.

He watches the space debris flicker by outside the window. Even the stars are unfamiliar, Jazz can't find any constellations he knows.

One of the little purple creatures says something and Prowl steps aside to chat with them. Jazz leans back and settles into a more or less stable position. Then does the same thing, but with his real, human body. Hell, his head still feels really fucking weird after that teleportation.

He opens the comm channel and just listens to the static for a couple minutes in the faint hope that the engineering department will find a way to contact him.

Nothing.

He sighs.

“1061 on the com. In case there's any way you can hear me...ah shit. You guys won't believe what happened...”

[roosterforme]

Yours Truly, Bradley Bradshaw Part 21 | Rooster x Reader

Summary: Bradley is learning firsthand just how lonely a deployment can be when he's gotten used to talking to you all the time. You are more than happy to record your daily adventures for him, including your steamy ones.

Warnings: Fluff, angst, masturbation, adult language, romantic Bradley, 18+

Length: 3700 words

Pairing: Bradley "Rooster" Bradshaw x Female teacher!Reader

Check out my masterlist for more! Yours Truly, Bradley Bradshaw masterlist

Your original plan to commute to work from your apartment in Mira Mesa went out the window after the box from Bradley arrived. Suddenly his place seemed cozier now that there were tidy rows of envelopes from him covering the table in the living room. You sipped a mug of coffee and looked at all of them, selecting the one that said Open me with your class.

"Whatever you say, Bradley," you murmured with a smile, tucking it into your tote bag for work. You missed your kids almost as much as you missed him, but at least you'd finally get to see them today. You just hoped there was something upbeat in the note, because you were going to have to inform them that he'd be gone until Career Day. Or maybe longer.

Opening the note that was meant for you and your class before digging into all the others just felt right. Really, he was a faithful pen pal to all nineteen of you, even if his current letters were pre-written. As you drove to work, you wondered how long it would take your students to ask about Bradley. Turns out, it didn't take too long at all.

You were standing behind your desk, getting hugs from some of the kids as they got reacquainted with each other and the classroom for the first time in almost two weeks when Jayden asked, "What did you get Lieutenant Bradshaw for Christmas?"

Images of lingerie danced in your head as you cleared your throat. "Stationery," you replied. "So he can write us letters while he's deployed."

"He's deployed?" asked Nia, face lighting up. "With Marty?"

"Can we do another drawing contest with him?" shouted Oliver, already getting colored pencils out of his desk.

"Will you ask if he's allowed to take a video while he's flying this time?" Violet asked calmly.

"Actually," you replied, walking slowly to the front of the room with a single envelope in your hands, "we can't do any of those things. He's not allowed to communicate with anyone who isn't on the aircraft carrier this time around. If he writes to us, he'll have to save the letters until he returns."

Everyone stared blankly at you. 

Jackie raised her hand. When you pointed to her, she said, "But we're not like random people. We're students of aviation. We're his pen pals."

"Yeah!" came a chorus of voices, and you were half tempted to write up a petition to the Navy for all of them to sign.

You had to clap your hands and wait for them to clap in response after they all quieted down again. "I have a note that he wants me to open with you. Should we do that now?"

After literally everyone agreed that was a good idea, you opened it and found a handwritten link to a YouTube video followed by a short note that you read out loud.

"Greetings, Fourth Graders,

By the time you read this, it will be January, and I'll be on an aircraft carrier in the Atlantic Ocean for a seven week deployment. I'm sure your lovely teacher has explained that sending and receiving letters is sadly not a possibility for me right now. I'm going to need you to keep track of all your questions about aviation until I get back for Career Day next month. I'll bring some of my friends along, and we can answer them for you then. Sound good?

Make sure you listen to your teacher, and I'll see you all in February.

Yours Truly,

Lieutenant Bradshaw"

You looked up from the notecard and added, "He also included a link to a YouTube video. Should we check it out now?"

It was actually amazing how quietly they all sat in anticipation while you set up your projector and typed out the link. When you turned out the lights, you had to grab onto the edge of your desk as Bradley's face and voice filled your classroom, even though he wasn't actually there. The twenty minute video began with him sitting on his living room couch in his worn out jeans and the Top Gun shirt you wore to bed last night, and you realized he must have filmed this on Christmas Eve when you were out with Natasha.

"Hi, everyone," said video Bradley as he waved to his phone camera. "I thought I would try my hand at a little lesson on aviation so your teacher could get a break. Make sure you take notes. There will be a quiz the next time I see you."

All of your students were watching him with rapt attention and pencils poised over their notebooks. Bradley kept them engaged and entertained while you fell even more in love.

-----------------------------

"What the fuck?" Bradley groaned as he sank down into an empty spot on one of the long benches in the mess hall. The spaghetti looked like mush, but his stomach was growling so aggressively, he decided to take a bite anyway. It tasted just as bad as it looked, and he grimaced as he started to shovel it into his mouth anyway.

What he wouldn't give for dinner at Salvatore's. Mouthwatering pasta. Expensive as hell wine. You in a short little dress with his hands all over your thighs. Maybe Bronco parking lot sex.

Instead he got another USS Gerald R. Ford meal which was barely edible, and a view of a very hairy Atlantic Fleet aviator with the call sign Curly. Fantastic. Even the garlic bread was so stale it was hard to chew, but if he didn't eat, he would start losing weight. And if he started losing weight, it would make working out harder, which would suck, because going to the gym was his main source of entertainment.

Other than writing letters he couldn't send.

"Are you gonna finish that?" Curly asked, pointing at the roll Bradley only bit the corner of.

"It's all yours, man," he replied, watching the other aviator pick it up and crunch on it with a smile. 

Bradley picked up his tray with the intention of heading to his bunk to change into gym clothes, but when he got there, he collapsed onto the twin sized bed instead. It was clear that he'd only been brought along for this deployment to fly one very specific mission, because as a whole, the Atlantic Fleet pilots were young and green. But as a result of the current political climate, he had internet access completely taken away from him, and he was stuck here for five more weeks with nothing to keep him sane. He didn't even have Marty this time around. Just the pretty stationery set you gave him and the holiday cards from your students.

So he would do what he always did now. He would write. To all nineteen of you. But mostly to you. He realized, like he always did, that this was probably the most boring shit that anyone would ever read. How many times could you really read about your boyfriend telling you that he loved you and missed you. It wasn't like he was writing elegant poetry here.

Gorgeous, I miss you so much. You'd cry if you saw the spaghetti I had to eat for dinner. First thing I'm doing when I get home (besides you) is driving us to Salvatore's, and I won't stop eating until I pass out. The Atlantic Fleet food makes the Pacific Fleet cabbage rolls seem like a delicacy, and the US fucking Navy can quote me on that. 

I love you. I wish you knew I was coming back to you instead of Norfolk. I wish I could ask you to use the credit card in my sock drawer to fully stock the refrigerator before I get home. The only things I want to do for three solid days after I arrive back in San Diego are eat, sleep, and fuck my girlfriend.

Definitely not poetry. "Was my writing this shitty last time around?" he murmured to himself with a laugh. It couldn't have been if you kept responding to him for the duration of that deployment. Just thinking about your letters, both professional and personal, made him ache right now. Your emails and your sassy selfies and the sunset photos were things he didn't even know he had been taking for granted.

One letter from you now would have made everything so much better. With a deep sigh, Bradley changed to head to the gym.

------------------------------

Time passed slowly. Packing up and moving boxes of your things from Mira Mesa to Coronado helped, but you were a little too nervous to unpack too much other than the necessities. You didn't even want to think about that right now. All you wanted to do was plan your next visit to the wine bar with Natasha so you felt a little less lonely. 

As you hung the framed blueprint of the Super Hornet Bradley gave you in the living room, you realized he would have to be lonelier than you were. At least you had Jayden's tales of Vanessa the dog to make you laugh during the work day. And you went out to dinner with some of your friends you hadn't seen recently. And you had a never ending text thread with Natasha now. 

There was a pretty good chance Bradley didn't know anyone on this deployment, and you wondered if he was spending a lot of time in the gym. What you wouldn't give for a gym selfie. You collapsed onto the couch and scrolled through the images of your boyfriend that you had saved to your phone.

"God," you moaned. He was so hot. Especially in front of a sunset. Especially with your lipgloss smudged on his cheek. Especially when he was looking at you in his arms instead of at the camera. "Fuck."

When someone knocked on the door, you nearly fell off the couch. Your eyes caught on the envelopes from Bradley that you hadn't yet opened lined up on the coffee table as you walked across the room. The last time you had an unexpected visitor, it was Natasha. The time before that, it was Vanessa. You didn't know who to expect, but you squared your shoulders and pulled the door open with an abundance of attitude only to find a slightly hunched over older woman standing there.

"Oh!" you said, immediately softening your stance. "What can I do for you?"

She looked from you to the Bronco in the driveway and then back again. "Is Bradley home?"

"No, he's not," you told her, unsure about how much information to give. "Is there something you need?"

She eyed you carefully. "Are you his girlfriend? The teacher he fell in love with?" This stranger knew who you were. When you gave her a concerned look and took a step away from her, she said, "I'm Edith. I live next door. Sometimes Bradley helps me with yard work and repairs around my property." She smiled and added, "He only lets me pay him in piano lessons."

"Edith!" You told her your name with a smile. You knew exactly who she was, because the first time Bradley wrote to you about getting piano lessons from his retired neighbor, you fell halfway in love with him on the spot. "Right, of course! Bradley is actually deployed for a few more weeks." She looked immediately dejected, so you asked, "Did you need help with something?"

"I don't want to bother you with it," she said immediately.

"Please," you replied, already reaching for your shoes. "I'm so bored without Bradley around. I would absolutely love a distraction, Edith."

She wrung her hands and then held them up. "Well, I can't change my light bulbs, because my arthritis is bad this time of year when it gets chilly out. And my back patio is so dark at night, I can't see anything."

"Say no more," you told her, joining her on the porch and closing the door behind you.

It only took you a few minutes to change the exterior light bulbs and rearrange her patio furniture. Then you cocked your head to the side and asked, "Is something beeping?"

Edith sighed. "My smoke detector needs new batteries."

"I'm on it."

She led you inside the sliding glass door, into her kitchen where the beeping was annoying enough that you didn't know how this woman could have slept in the house unless her hearing was starting to slip. Edith told you where you could find a step ladder and new batteries, and once you finished that chore, she started digging around in her purse, pulling out five dollars.

"Thank you for your help," she said, trying to hand it to you as you walked past the piano with the step ladder.

"I am absolutely not accepting your money, Edith. This was the most entertaining part of my day. As long as your arthritis allows it, you can pay Bradley in extra piano lessons when he returns." 

The idea of Norfolk suddenly made you feel anxious, but Edith smiled. "Oh, he's an advanced student. He mostly just plays from memory. I only point out when he's flat instead of sharp."

You weren't sure how long it had been since Bradley checked in with her, but as long as he was allowed to come back to San Diego, you'd make sure he did it more often. "I'll send him over as soon as he gets back."

Edith smiled knowingly. "Something tells me he's not going to want to leave your side right when he gets back. But maybe after a day or two, you could send him over?"

"I'll do that," you told her with a chuckle.

After you walked back across the yard and let yourself inside, you kicked off your shoes and decided to treat yourself with one of Bradley's notes. You'd been trying to ration them, but they were all so tempting. The ones you had already opened were stacked up on the kitchen counter where you could easily find them to read them again and again. You took a few seconds to decide which one felt right, and you settled on Open me when you need a laugh.

Inside the envelope, you found no note at all. There was just one photo, and when you pulled it out, you burst into laughter. Natasha was right; twenty-two year old Bradley was endearingly skinny and mustache-less. He still wore that same grin today, but he really grew into his frame. You marveled over how fresh his scars looked in the picture, deciding to hang it up in the bedroom for now. 

And when you woke up on Sunday, the photo was the first thing you saw.

You reached for your phone thinking you could text Bradley before tossing it aside in frustration. You were frustrated in every way. Mentally and emotionally, but also physically. You missed sleeping next to him most nights. You missed his warmth and the way he kissed you. His strong body and attentive hands.

When you tried to burrow down under the covers in just his sweatshirt to go back to sleep, your skin felt like it was charged. Like there was an undercurrent of need that nothing would soothe except for Bradley.

Open me when you're in bed

That's what one of the envelopes said. You bit your lip before burying your face in Bradley's pillow and moaning. The need was still there, more palpable by the second. You had about an hour before Natasha was supposed to pick you up for brunch and the wine bar; it was the perfect time to read that note.

You ran down the hallway to the coffee table, grabbed the envelope, and took it straight back to bed. Your curiosity had been gnawing away at your mind over what could be in the note meant for the quiet solitude of the bedroom, and now was your chance to find out as you slipped back under the covers.

Gorgeous,

You better be in our bed right now. Maybe you just got home from work. Maybe you're still waking up for the day. Maybe you're ready to fall asleep soon, but you just need something to take the edge off. It doesn't matter, as long as you're thinking about me and my hands all over your body. I hope you're ready to read about how I would take care of you right now.... in an abundance of detail.

You moaned as you looked around the room, wide-eyed like someone was going to catch on to what he had written to you. Desire flared inside you as you squeezed your thighs together and took a few deep breaths before continuing to read.

You're beautiful inside and out. It's no surprise that you really get me going. One thought about the soft swell of your ass or the way you taste when you cum is enough to get me seriously hard. Jerking off while thinking about you is fantastic, but nothing compares to the real thing. Next time I see you, we're taking our time to get reacquainted, but right now, if I could have you, it would be fast and dirty.

"Oh god," you groaned, closing your eyes as you pushed his sweatshirt up, letting cool air meet your warm skin. Then your hand slid down to the apex of your thighs, and you weren't at all surprised to find you were wet.

You look sinful in that bed. I just know it. I wouldn't be able to keep my hands off you. My lips would find your breasts before sampling my way down your belly to that soaking wet pussy. When I say every inch of your body is Gorgeous, I mean it. You've got such a tight, pretty little pussy, and I would love to tease you until you're so worked up, you're practically crying. Just my mouth and fingers until you're begging for my cock, Gorgeous. Go ahead. Beg for it.

"Bradley," you moaned softly, a complete mess for your boyfriend even when he wasn't with you.

Good girl. Now touch yourself just how I'd touch you. Rub yourself just right. Use two of those fingers to warm yourself up and then dip them down inside that perfect pussy. So fucking tight, you drive me insane when I can't be with you. I'd be right above you, singing your praises, telling you how much I love you, and pumping my fingers in and out of that pussy while you whine and beg.

This note was absolutely lethal. You were already close. Sweat beaded on your brow as you stroked your fingers along your clit before pumping them inside you. His name was never far from your lips as you kept reading.

You taste so fucking sweet. I'd run my tongue everywhere until you couldn't stand it. I would eat your pussy until you cum in my mouth. I'd keep going until I couldn't handle how badly I needed you. Then I'd fuck you so hard and fast, you'd have tears in your eyes, voice ragged as my body slapped against yours. Tits bouncing as I bottomed out, holding you in place as I came inside you. And then I would let you know that I'm yours.

I'm all yours, Gorgeous. You absolutely own me.

You were panting, grinding the heel of your hand against your clit as you came. Bradley's note fell from your fingers as your back arched off the bed, and you grabbed the sheet as you cried out. You could hear something familiar mingling with your own voice, but it took you a second to realize your phone was ringing as you writhed around in bed, heart pounding fast from your orgasm. You rolled onto your belly and grabbed your phone as you sucked air into your lungs.

Natasha Trace

Shit. Shit. You tried to get your breathing under control as you answered her call, but you even sounded strange to your own ears as you said, "Hello?"

There was a pause before Natasha asked, "I'm leaving now, and I might stop for a fancy coffee on my way to get you. Do you want something?"

"Sure!" you replied, trying your best to sound casual, but pretty sure you were failing.

"I'll be there soon."

You dropped your phone and reached for the journal instead to let Bradley know just how hard you came for him before you got dressed for the day. 

-----------------------------

"Bradshaw!"

It felt like an almost foreign concept for Bradley to hear his name now. Essentially nobody spoke to him outside of his mandatory meetings, and he'd spent so little time in a cockpit over the last few weeks, he spun around in surprise when someone called him.

Of course it was Admiral Walker. Bradley wasn't sure if he was being punished for what Cyclone had done, but he was hardly given any flight tasks to work on. But now that his deployment was starting to wind down, he realized the danger he was going to be flying into for his mission was much more than he originally anticipated.

"Admiral Walker, Sir?" he replied, saluting his superior officer. He wasn't looking to ruffle any more feathers here as long as it meant he'd be going home to you before too long. He felt sick with longing, missing you so much, especially at night, that he hurt until he was finally able to fall asleep. And then he'd wake up to the same choking feeling all over again the following day.

The older man examined him closely for a few beats before saying, "The weather looks ideal for tomorrow. You're team leader. Be ready to go at first light."

"Yes, Sir," he replied, because there was really nothing else to say. The sooner he got this over with, the sooner he could return home to his house in Coronado where you lived now. Where you were waiting for him. He just needed to get through this safely.

--------------------------------

I hate how isolated he feels. He's not thriving. He's not even eating well. He needs a hug. Gorgeous is enjoying the box of letters even is she is missing him terribly. I think I'll send him home soon. Thanks @beyondthesefourwalls

PART 22

@hotch-meeeeeuppppp

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[screams-of-the-damned84]

(flops on stage) i now present to you my very silly swap au,,,

essentially jasper is now the co-leader of the society who was bitten by a werewolf and is trying to hide it, jekyll is the uni student who got kicked out due to his experiments and then picked up off the streets, etc. jasper and rachel can’t communicate and jekyll and lanyon are living the world’s weirdest horror romcom you’ve ever seen. more info under cut hehe (feat. bad explanations and doodles)

in simpler terms, jekyll and lanyon swap narrative positions (?? is that the right term) with jasper and rachel respectively. (lanyons and rachels swap doesn’t technically work as well as Jekyll’s and jaspers does but shhhhh). Frankenstein becomes the mad scientist that attacks the society and moreau becomes jaspers idol.

longer explanation but WARNING!! it is 3am when i am typing this and i am terrible at explaining. it may be slightly incomprehensible.

so like jasper and rachel founded the society after jasper publishes his research and gets semi famous. two years before current events jasper is out on a research venture and gets bitten by a werewolf. he doesn’t want to scare rachel or the lodgers so he keeps it a secret (to his own detriment). flash forward to now and jasper gets a call to investigate a “creature” terrorizing the streets of london only to find hyde.

before jasper can process the dumpster man he is looking at hyde transforms back into jekyll. jekyll explains that while trying to prove his theory of spiritual alchemy at his university he may or may not have split his own soul. and got kicked out. and is now living on the streets.

jasper, not really knowing what else to do and kinda relating to the poor guy, takes him back to the society. he introduces his co-leader rachel, who pretty much keeps this entire thing up and running. (rachel and jekyll still become friends but she especially takes to hyde. that little brother shaped hole in her heart is still very much present!) then theres the lodgers (idk how they all swap) and then there’s lanyon, a university student at the society because it was mandatory for one of his courses. he is not enjoying it and would very much rather be breaking boy’s hearts back at school. lucky for him tho, there’s jekyll!

this goes about as well as you would expect. lanyon then spends the rest of his stay at the society trying to understand (and woo) the conundrum that is jekyll and hyde. it’s very fluffy and they learn to communicate like jasper and rachel in canon (yippee!)

unfortunately for jasper and rachel, they have been playing the “just friends” game for the last decade. im having a bit of trouble trying to flesh out swap rachel so i don’t really know if she’s in a lavender marriage like canon lanyon is or is estranged/divorced or just single but whatever the case is she likes jasper but thinks he just sees her as a friend while jasper is madly in love with her and is too scared to tell her. this problem has only worsened since jasper got bitten. everyone else tho is aware of how they feel about each other and are stuck witnessing their tortuously long slow burn.

(hyde and lanyon at some point probably come up with a scheme to try and get them to confess. it goes horribly wrong.)

so yeah. this au has been floating around in my head ever since i read the comic for the first time. it mainly came to be because of how well jasper and jekyll parallel each other and because i wanted to draw stupid fluff and older jasper lol.

if anyone has any ideas/questions/etc TELL ME!!!!! this is just a rough idea if you have a better concept go for it awhdvgevd

[genderkoolaid]

yeah, but you do mean 'loveless' like 'romanceless' right? Just cause you're not interested in a romantic partnership, and you're never attracted to anyone romantically, that doesn't mean you can't love your family and your friends. Am I understanding wrong? I feel like it's a widely accepted concept that 'love' isn't just romantic, it's about caring about someone, no matter if they're your family or platonic friend or your pet.

No, "loveless" means love-less. Another anon also asked me to explain as well so:

"Lovelessness" in the aro context comes from the essay I Am Not Voldemort by K.A Cook. The essay confronts normative ideas on love, its inherent positivity and what it means to not love. From the introduction, which brings up the question of non-romantic love:

This June, I saw an increasing number of positivity and support posts for the aromantic and a-spec communities discussing the amatonormativity of “everyone falls in love”. I agree: the idea that romantic love is something everyone experiences, and is therefore a marker of human worth, needs deconstruction. Unfortunately, a majority of these posts are replacing the shackles of amatonormativity with restrictive lines like “everyone loves, just not always romantically”, referencing the importance of loving friends, QPPs, family members and pets. Sometimes it moves away from people to encompass love for hobbies, experiences, occupations and ourselves. The what and how tends to vary from post to post, but the idea that we do and must love someone or something, and this love redeems us as human and renders us undeserving of hatred, is being pushed to the point where I don’t feel safe or welcome in my own aromantic community. Even in the posts meant to be challenging the more obvious amatonormativity, it is presumed that aros must, in some way, love. I’ve spent weeks watching my a-spec and aro communities throw neurodiverse and survivor aros under the bus in order to do what the aromantic community oft accuses alloromantic aces of doing: using their ability to love as a defence of their humanity. Because I love, they say, I also don’t deserve to be a target of hatred, aggression and abuse. But what if I don’t love? What if love itself has been the mechanism of the hatred and violence I have endured? Why am I, an aro, neurodiverse survivor of abuse and bullying, still acceptable collateral damage?

The author criticizes the idea of "true love" that is incapable of harm. Ze questions why we construct love in that way, and how it ignores and simplifies the experiences of victims of abuse ("It’s comforting to think that a love that wounds isn’t real love, but it denies the complexity of experience and feeling had by survivors. It denies the complexity of experience and feeling that makes it harder for us to identify abuse and escape its claws. It denies the validity of survivors who look at love and feel an honest doubt about its worth, as a word or a concept, in our own interactions and experiences.") Ze talks about being forced to say "I love you" to transphobic, abusive parents whose feelings of love was the justification for their abuse.

The core of what "loveless" as an concept is about is summed up in this quote:

There is no substantial difference between saying “I’m human because I fall in love”, “I’m human because I love my friends” and “I’m human because I love calligraphy”. All three statements make human worth contingent on certain behaviours, feelings and experiences. Expanding the definition of what kinds of love make us human does nothing but save some aros from abuse and antagonism … while telling survivor and neurodiverse aros, who are more likely to have complex relationships to love as a concept or are unable to perform it in ways recognised by others, that we’re still not worthy.

Lovelessness is against any kind of statement which quantifies humanity (and implicitly, human worth) in the ability to feel or act or experience certain things. Humans are human by virtue of being human, and nothing else. And, it is socially constructed! "Love" has no natural definition! Some people are not comfortable using "love" to describe positive feelings and relationships, and some people do not feel those positive feelings in general. And those people deserve the right to define their own experiences and their own relationship to the social construct of love.

In essence, lovelessness is both a personal as well as (in my opinion) a political identity, born from aro and mad experiences that challenges not just amatonormativity but all ideas that associate personhood and worth with the ability to feel certain things.

& as a note, there is also the term "lovequeer" which describes using the term "love" in ways which contradict mainstream understandings of what it means to love, and which kinds of love are considered worthwhile.

[five-thousand-loaves-of-bread]

my frustration with “going nonverbal/nonspeaking” (as a fully nonverbal person)

transcript: my frustration with “going nonverbal/nonspeaking” (as a fully nonverbal person)

this written for instagram because of this post. but thought tumblr may like it too. “you” means general you, no one specific.

the instagram post and this on wordpress

this disclaimer is for instagram but also for anyone new to this discussion:

in full honestly, don’t know how to write this. am tired, language and complex ideas too much at time of writing, and general exhaust at having to argue same thing over and over again and justify own existence. tired of being minority within minority, wish there are others to do these work for me so i don’t have to do it all by self, singlehandedly advocate for everyone (not to mention problem with that—i can’t speak for everyone).

so honestly, if you don’t have anything nice to say, especially if you speaking (yes, even if you lose speech. include you), just don't say anything at all. move on.

online actually autistic community (AAut) dominated by white, lower support needs. level 1, speaking, late diagnosed, high masking autistics. find people like you is great, what not great is you treat your very narrow community as “voice of all autistic” and your experience as ultimate autistic experience. i write plenty about that, many more elaborate than this, if you not familiar with this concept.

many people in this community experience times when cannot speak, sometimes because overwhelm, shutdown, dissociate, or anxiety (situational mutism), but do not struggle with act of speaking rest of time (some struggle with speech all the time but still can speak - more on that later). the community call “going nonverbal/nonspeaking,” or even “when i am nonverbal nonspeaking” (not talking about those nonverbal as child and verbal now older), after clinical term “nonverbal” (nonverbal autism) and term coined by apraxic nonspeaking autistics “nonspeaking.”

both of which talk about it as an “all the time” experience.

when i search nonverbal or nonspeaking because i want community too, want see people like me too, two category i see: 1) parents of nonverbal nonspeaking children, whom can’t relate to because age, who can’t write own experience because their age and developmental ability. and 2) overwhelming amount of speaking autistic talk about going nonverbal going nonspeaking.

and the very very few fully nonverbal nonspeaking voices. drowned out. cannot find anyone.

nonverbal used to be term to describe us, people who can’t speak or cannot functionally speak beyond few words. medical term, alright, so some of us don’t like. so some of us reject that and create term all of our own, called nonspeaking. created by nonspeaking autistics with severe apraxia and brain body disconnect, describe their own experience of able to think in words able to spell out words (with great dedication and work and support), just cannot do that with mouth. their term. they create.

and you take it? without knowing context? without reading anything by those same nonspeaking coiners?

when is last time you purposely seek out nonverbal nonspeaking voices? when is last time you accidentally came across us? can you name any nonverbal nonspeaking advocate that talk about their experiences? one? two? three? a BIPOC person, a (specifically) Black person? a Black woman? a trans person? a physically disabled person? a person not from western world?

same narrative over and over. “i can speak for nonverbal autistic i understand their experience because i am autistic i can’t talk sometimes” no you cannot. as someone who was able to speak when young who lose speech (”go nonverbal”) but now have no speech to lose because full time nonverbal. no the experience not the same. not comparable. you gain it back. i don’t. you can explain with mouth words what happen when you get out. i can’t, i only have AAC. countless nonverbal nonspeaking people without AAC or sign cannot, at all. you never experience daily small and big struggle of casually being nonverbal all the time.

your experience of lose speech unique from my nonverbal. but if you so insist to compare and equate, you only guest to my experience, my daily life.

“when i go nonverbal and no one understand so have to force to speak” i cannot force words out. know you don’t mean to say this, and not saying you at fault for this, but nevertheless accidental perpetuate and reinforce idea that anyone who don’t speak can just be forced to speak if try hard enough. but often not how it works. and this exact harmful rhetoric devoid and delays nonverbal nonspeaking people given access to AAC, because “need try to force words out first, AAC unnatural so last resort.”

this may be new concept for you. new concept to instagram, to tiktok. to other places. it may seem i only one with this problem, “i once saw a nonspeaking person’s account and they don’t have problem.”

yeah, because we are not monolith. some nonverbal nonspeaking people don’t care. some nonverbal nonspeaking people may even welcome “go nonverbal nonspeaking” or “when i am nonverbal nonspeaking.”

but don’t be fooled into believe i only one. have many nonverbal/nonspeaking and/or higher support needs friends on tumblr, who talk about this who have been saying this for years. *years*. years before i joined. i am not creator, i only bring message here, because many of us are too high support needs too disabled to do anything else. many of us only stay on our small corner of tumblr because it most peaceful, because at least some listen, because least hostile, because need to defend our experience against our own community the least. (but it happens less doesn’t mean it doesn’t happen, we still exhausted.) many of us only stay on our small corner of tumblr because that all we can handle, or because we not allowed or shouldn’t be on other social media because age or abilities or both.

i cannot handle conflict i do not do well and i shouldn’t be here. but if not me, who else? if i don’t do it, who else is going to?

some nonverbal nonspeaking people and parents of them may question, why you start debate about useless term when so many nonverbal nonspeaking people don’t even have access to communicate, real problems. to that i say i do those work too. and to that i say this is real problem too, because am autistic so online actually autistic community should also be my space too but it not. but it hostile. because am lonely because seeing yourself so crucial because don’t know anyone in person like me don’t have any friends in person like me, so i go online to find people like me and i cannot because no own term to search and what used to be term many people without similar experience insist they understand and can speak for me because they say we have similar experience. because this aloneness and the unique difficulty from being full time nonverbal and the struggle of future and the unique mistreatment from both outside but also inside community have drove me over edge many times and it is presence and knowing their presence of my tumblr nonverbal nonspeaking / higher support needs friends that gave me hope to stay. because so many people don’t listen and instead speak over. terminology only a symptom of problem. address roots, sure, but part of address roots is address symptoms.

‘well nonverbal people are never around” maybe it because you don’t make it welcome for us to join.

“fully nonverbal rare anyway” estimated 30% of us nonverbal nonspeaking, which this statistic probably only count those nonverbal since birth. even more are minimally speaking or without full functional communication, abilities limited to requests. sure, 30% still not majority. but significant amount never the less. speaking lower support needs autistic without intellectual disability not majority anyway too but your experience still deserve heard. ours too.

“see less nonverbal people because they don't have ability to communicate and use social media” yes, many nonverbal nonspeaking people not given access to communication (like AAC), forced to live in silence (because body language communication not enough alone!). silence from birth to teenage years, to adulthood, even until they die. some cannot understand social media or AAC because intellectual disability or cognitive ability. some not allowed on there because safety, some not allowed on because presumed incompetent and abused. all true. do you advocate for them too? or is it just talking point against me, pretend you care?

but not all of us, we exist. some of us thankfully supportive parents all along, parents given resources, us given resources, so we access to AAC since beginning. some of us became nonverbal later in life (which not same experience as those early in life, i acknowledge). some of us after years of forced silence, finally given access to AAC and can now communicate and advocate! some of us on social media - do you listen?

but you see none of us in your community anyway. maybe one token person.

you can go nonverbal. i cannot go verbal. see difference? you can come close to my experience, but i never will have (future) ability to go to yours.

it frustrate that have to specify am nonverbal **all the time** when write this, because if don’t do that will be assumed otherwise. frustrate that when in neurodivergent space stranger see me AAC they assume i can speak because they only know part time users (know part time users frustrate too because people assume they cannot speak and get surprised when they do. me being assumed automatic part time is not fault of part time AAC users.)

even been told am privileged to be nonverbal nonspeaking, privilege over speaking autistic who lose speech because in their mind it mean i get all support i need i get all recognition get all the representation. which. couldn’t be farther from truth.

all that. is fraction of reason i frustrate at “going nonverbal nonspeaking” and “when i was nonverbal nonspeaking.”

so many other words. lose speech. intermittent speech.

just want have own sub community where can find people similar experience.

[letters-to-lgbt-kids]

My dear lgbt+ kids,

I feel like advice on loneliness comes in only three flavors:

"It's all mindset, learn to embrace being alone and you'll never feel lonely!"

"Your head is lying to you, you have friends and they love you!"

"Here's a list of places you can go to hang out with people and make new friends!"

Those are usually well-meant and I'm sure there are situations where they do help someone feel better - but they're definitely not universally applicable.

The first one is even plain wrong: connection is a basic human need. You can't just "change your mindset" and turn that off, the same way you can't turn off your need for food or air or mental stimulation. Humans are group animals. We absolutely need social interactions to stay healthy and sane. It is true that some people do not need a large number of friends and are happiest with just one or two close friends, and it is also true that some people prefer to fulfill their social needs in other ways than what's traditionally defined as friendship - but that's not something you can (or should) try to train yourself to do, that's just natural differences and preferences!

The only thing you could "train" yourself to do would be to learn to ignore your social needs and bury them deep down under layers of denial... and you don't need me to explain to you why that's a very unhealthy idea. It's sad enough that so many people have to do that to not lose their minds in loneliness, we certainly don't need to celebrate an unhealthy coping skill as a "superior mindset".

The other two at least get a bit closer to the truth: the solution for your unmet need is not to kill the need, but to fulfill it... but that's easier said than done, isn't it?

After all, "Don't worry, your friends love you!" doesn't help if you have no friends. Loneliness is not always "all in your head": Maybe you moved to a new place and don't know anyone there. Or you cut off contact with all your friends after a big fight. Or you grew up neurodivergent (or got mentally ill at a young age) and had no chance to learn how to make friends at the age most kids do, and by now you have been friendless for so long you don't even know where to start.

Same with "just go to a bar and talk to some new people" or "Take a pottery class and you'll meet some interesting people there" - that's not factually wrong, but also not helpful if the reason you feel lonely is that you struggle to make friends (or even struggle to just talk to people). Which can also be part of neurodivergence or mental illness, or just be a part of your personality (shyness), or be a result of isolating circumstances (like having spent a lot of time in a closed environment, for example a long hospital stay, and now feeling unsure how to connect with people outside of that environment). 

And those are just a few of the many, many possible explanations why someone may be lonely that require a more individualized approach - which is why we can’t solve loneliness with any one-size-fits-all solution.

That may be a somewhat disappointing-sounding conclusion in a letter on loneliness, so let me also tell you: hope and support are always within reach, even if it might take some time and patience to find them. The key is to remember that your feelings are valid and that you're not alone in your struggle.

First, recognize that admitting that you feel lonely, and wanting to take action based on that feeling, is a sign of strength, not weakness. You’re pretty insightful for recognizing your loneliness and super brave for wanting to reach out!

Secondly, be kind to yourself and allow yourself to take small steps. Small, actually manageable steps are crucial in any healing journey! If it’s not an option to just go to the bar or that pottery class, then it’s okay to start somewhere else. Maybe a therapist, a support group, or even online communities can be valuable “training sessions” for social connections. Even reaching out to one single person can make a significant difference over time. Your journey to finding companionship and connection might be different from someone else’s, but that doesn't make it any less valid (or achievable!).

Lastly, do consider embracing new activities that you may enjoy - but not just for the sake of meeting others. It’s important to nurture your own happiness and well-being when you’re feeling lonely. Those can be activities you can try out alone and even at home, for now! Anything that enriches your life is good. Long down the road, maybe it will lead to opportunities to connect with others, but even if it doesn’t: it’s important to incorporate new experiences into your life.

While there isn't a universal solution to loneliness, I truly believe there is a path forward for everyone. It's all about finding what works for you.

With all my love,

Your Tumblr Dad