#i have my criticisms of the ending and the story overall

[kbookblurbs]

Wind and Truth - Brandon Sanderson (Stormlight Archive #5)

4/5 - midseason-finale ass book; he needs to scrap this editor; this book simply never ends

MAJOR SPOILERS BELOW!! LIKE FIRST LINE!!!

We finally come to the end of the first arc of the Stormlight Archives and they are going to need a new name. Before we dive in, I want to clarify that I did enjoy this book! I think it tackled a series of very hard-to-conclude plotlines in a relatively good way, and I think it sets Sanderson up for success in the latter half of this series. With that said, I'll be splitting this review into four parts:

Kaladin, Szeth, & therapy speak

The Spiritual Realm plot

Azir

Book mechanics

Kaladin, Szeth, & Therapy Speak

Now first of all, anyone who's read anything I've written knows I love Kaladin - he's one of my favorite characters of all time and his journey through depression is one of my favorite parts of this series. That said. I find the whole timeline of this healing to be highly suspect, and his attempts at therapizing embarrassing at best and deeply annoying at worst. What context is there for him to go from literally attempting suicide in the last book to semi-competent therapist in no time at all? Need I remind Sanderson myself that there is no time skip between the end of RoW and WaT?

The language is also just bafflingly modern in a way that nothing in this series has been before, but we'll get to more on that later.

The flip side of this criticism is that Szeth's plotline was easily my favorite of the book. His completed arc might rise to rivaling Kaladin's (thus far) in terms of how much I enjoyed it. His backstory is so tragic (slay for the almost successful military coup though?) and I truly believed he wasn't going to make it through the book until the very last page. His moments with his father, in the past and present, brought me to tears more than once.

The Spiritual Realm Plot

This whole plotline took too long and frankly, it was boring. Watching Shallan slay her demons for the umpteenth time and deal with Formless again and kill her mother again was, and this may be controversial, not a very interesting plot point to me. She's done all this before. I feel that this book, as a whole, gave diminishing returns on her pagetime to character development ratio. I also don't feel that Shallan, with all her everything else, needed a Herald as a mother as another twist, but maybe that will be more relevant in the future. For that reason, and that reason only, I'll bite my tongue on criticizing it unnecessarily

While it was nice to see Renarin and Rlain get together, I have to admit that Renarin's POV didn't add much for me. I think Sanderson could have written the entire plotline for these two from Rlain's perspective and it would've been far more interesting since he is, in my opinion, the more interesting character between the two of them. Renarin's POV does not reveal anything that isn't already clear from other POVs.

I also just wanted more of Ba-Ado-Mishram. She was haunting the story but not present. I understand that's likely for later plot reasons, but it did make this section drag. Dalinar contributed to that but  we don't have time to get into that right now. I was happy he died though (long overdue, in my opinion).

Azir

Adolin #1 character of all time? The only one to save their assigned city and did it with 0 Radiants and the power of friendships? Nobody is doing it like him.

I loved the founding of the Unoathed and, particularly, Yanagawn's development. I'm really hoping that Yanagawn becomes a more important character in next major arc, since he was so sweet here.

I did not love that we spent probably 25% of the book in Azir fighting battles. Contrary to the opinion of Sanderson many fantasy authors, there is an upper limit on how many battles you can include before I get tired of reading them. There's only so many ways you can swing a sword or block a pike etc etc before I'm bored.

Book Mechanics

Overall, I find this concluding book to be much weaker than the other 4 in the series. Whereas it had seemed that the pacing was improving in Oathbreaker and Rhythm of War, here we were back to all over the place. While I liked that he split the plot into each day leading up to the contest, the timeline genuinely made no sense.

Beyond that, this entire book was filled with oddly YA-style prose that has never appeared in the Stormlight Archive until now. I think whoever edited this book must be different from the other four because, in my opinion, it was much too modern, not as tight, and frankly, not as good. And I know this might be controversial, but I did not think Maya calling Adolin a slut was funny. Why would she even use that word? Whore or prostitute would've been acceptable because they've been referenced here before but I found that example and others like it to be jarring.

Conclusion

I liked this book, but it's by a longshot my least favorite in the series. It was too long and frankly, some of the characters didn't even sound like themselves. I know that Sanderson can do better than this, but it leaves me a little wary for the next arc.

There's lots here I didn't cover (Jasnah my beloved, Sigzil! I'm in mourning) but this was already quite long. DMs / ask box are always open if you'd like to chat more.

[zelinked]

i’ve been really drawing out my playthrough of totk and putting off the final battle… finally just went and did it… it was so much better than the botw final battle

[usernamesuggestionsarefunny]

My avatar tla hot take ACTUALLY UNPOPULAR and not just minority opinion is that Azula is a terrible addition to the series. On her own? Oh, her character was great, complex, etc. She is a queen, a great diva, wonderful villain, interesting, deserved a great redemption too (She is 14! A baby!) etc. She just would have suited a magic girl show, a horror movie (in the typical scary, powerful little girl fashion), or a darker, more mature show with more characters like her, meaning child prodigies, better.

Combined with the rest of the atlab story? Kinda makes me laugh. She is such a ridiculous addition that makes it obvious this is a kids’ show. When I first watched the show, Zuko's father and the fact he had branded him was such a serious “oh shit” moment. Like, that is a father whose expectations are truly ridiculously high. It was scary. I mean who could meet them?

Zuko, whether a villain or an anti-hero, was a special, unique character the first few episodes because he was intimately acquainted with the scary main villain in a way no one was.

Then comes Azula. Come at me to debunk me (I may not even try to argue because this is such a weird opinion in the fandom, for real I haven't heard it) but she feels like a writer self-insert. Not a little kid’s writer self-insert, mind you, she feels like a well-written, dark, and complex self-insert or oc written by a talented fic writer in her 30s with years of experience that may become an original writer someday, but an oc nonetheless.

Azula feels like “oh, Zuko could never live up to his evil father’s ideals? Oh here comes my oc Azula, despite being 2 years younger she is soo much better at firebending and does everything better, even being evil, she is the main villain’s golden child and sidekick! And the sister of the main antagonist who interacts with him constantly!” (oh isn't that so cool?) “oh shit wait she needs flaws otherwise she is a villain Sue, let's see.… perfectionism! Perfect flaw! and at the very end after needing a 2 against 1 setting to be defeated she has a mental breakdown, perfect!”

“But gifted children and prodigies exist!!” you may say. Yesss I knowww. She is both too dark of a concept and too corny for atla. I see the flaws and contradictions in the ~vibes~ Azula gives me, thank you anyway. But regardless of rationally being aware of this, the reveal that this powerful character that comes to replace Zuko in causing the gaang trouble (Because let's face it, the beginning of Zuko's redemption arc and needing an even bigger bad to replace him and shock the viewers by how much more dangerous/powerful they are is the whole reason for Azula’s existence) is his 14-year-old LITTLE sister is so… dorky and laughable for me personally. And not only because of her gender in case you come to attack me from that angle. Zuko's prodigy little brother would perhaps have been an even worse and more ridiculous big bad replacement (Girls being shorter is understandable, but with a little brother we would visually see how much Zuko would be able to beat him if this weren't a kids’ show with magic, it would be even harder to suspend my disbelief to). Like, I am sure the reasons I hate the concept are the very same reasons some others love it, but you are telling me that the one capable of fulfilling the evil child burner father's expectations is… simply some rando younger child? It is not that Ozai was a freak who wanted the impossible, it is just that Zuko wasn't it. It is corny, it is dumb. It is so obviously meant for kids. Thanks, I hate it.

Azula also combines in a very weird and bizarre way with Zuko's tragic origin story (Also it is just another source of angst that is completely unnecessary, that distracts from what his father did to him and never living up to his expectations or being too compassionate for his own good, now there is a little sibling in the way being better than him at everything). Call me crazy, but Zuko as an only child, or at least a child without crazy op YOUNGER siblings would have had a MUCH more interesting relationship with his father. Perhaps an even ANGSTIER and more complex relationship where his approval is just within reach but also not quite there. Where it seems conceivable and yet out of reach. Where Ozai is the type of abuser who gives him praise when he does something right just to tear him down mercilessly when he doesn't.

What Zuko has in canon with Ozai and Azula is also interesting, painful, and angsty, but it is “never be able to be this other random younger child who happens to be a prodigy so what is even the point of trying when dad always reminds me of how meh I am compared to her” instead of “never be able to be like my father who is putting all his hopes and that of his empire on me, who at times seems to care so much”. That last one is much more compelling for me personally for a character that ends up being the opposite of his father and learns being like him is not a good thing, it also gives Zuko a good, believable reason to keep trying to please his father: there is actually a chance, there is no one there who has already won the race. Oh my, his search for the Avatar would have made so much more sense without Azula why does Azuka exist in this universe whyy 😭

Don't get me wrong, the sibling rivalry and abusers putting children against each other, having a golden child and a scapegoat, is realistic in many families, but from a storytelling perspective I find it VERY whatever, MEH. Like, the moment Ozai burns Zuko would have been a much greater instance of utter betrayal and shock if Ozai actually acted at times like he had some hope in his son instead of being constantly comparing him to his sister. Now everytime I am made aware of what Ozai did to Zuko I am like “duh” what were you expecting, Zuko, baby? It is still evil as fuck, but no longer shocking or a wtf moment, it is just the boring, edgy and predictable culmination of Ozai already having a “better” child he prefers to succeed him, a total overkill, and in fact, knowing Ozai, he should have done so earlier or straight up had Zuko killed, it makes no sense he is still alive when Azula is a much better successor from his perspective. It means nothing and Zuko should of fing course be traumatized and emotionally and physically distraught by the damage done to him by his own father, but he should not longer logically be that shocked or struck dumb. From a fictional, storytelling perspective, for me personally, the moment loses a tiny bit of its power, at least from the betrayal-someone-who-should-care-for-you—hurting-you—instead aspect.

If I had been there to write the ~big worse bad before Ozai~ meant to replace Zuko as he begins his journey of redemption, I would have chosen something much more serious (I get “abused child soldier” is serious, duh, I just mean serious in a way that makes me fear for the gaang being faced not with a peer but with someone bigger and much more experienced, and not just distract myself with how horrible it is that a “father” makes a 14-year-old girl into a soldier for an invading army). I would have chosen an equally or even more powerful, ADULT, right-hand man (or woman) of Ozai. If it really had to be a sibling of Zuko, it would have been a brother or sister 5 years OLDER, and that is AT THE VERY LEAST, perhaps the son or daughter of a minor wife or concubine (To fix the issue of why they are not the heir and why Zuko could be jealous of their much better skills while at the same time still having a good reason to keep trying to earn their father's approval, which is that there is still time to learn and improve as the younger party, this could have also made Ursa more sympathetic since the “evil” sibling is no longer a child of hers that she emotionally neglected). This could also give the character depth in the sense that they hate the fact they have no claim to the throne despite being older and “better”. They could still care for Zuko while having a love hate relationship with them, a sibling rivalry, Ozai turning them against each other, same as Azula, without taking away from Zuko's interesting relationship with Ozai (I just want his urge to overpower his better sibling to come from a place of his father actually expecting him to do it and be mad he doesn't instead of just Ozai putting all his hopes on the other sibling and Zuko for some plot related reasons still wanting his father's impossible approval despite never being able to earn it because Azula is there, better at a younger age, is that too much to ask? Like at this point Zuko should be smart enough to see that firebending skills are inborn and related to ~fantasy-version-of-genetics~, he should logically have seen it is not his fault and stopped trying to be Ozai or Azula MUCH earlier).

So in summary, believe it or not, I like Azula. I like the whole child prodigy golden child psychologically groomed and abused by evil father angle and I would love a redemption arc for her. I just don't like her AS an atla character. I feel like she does a disservice to Zuko by even existing due to how complex and interesting yet overpowered she is, actually. She ruins his motivations imo. Ironically enough, Zuko does not do a disservice to her, he makes her more interesting because he is a warning of what could happen to her if she is not perfect, he makes her vulnerable. But here is the deal, this would work better if she was the protagonist.

Edit: I just realized it is not just Azula who does a disservice to Zuko's story, it is the whole “Ozai straight up hated the little fucker since birth and tried to kill him before as a child therefore what he did to him was not a consequence of Zuko being compassionate as fuck, Ozai might as well have been looking for an excuse”. It just cheapens it immensely.

Zuko caring for those soldiers still counts just as much (of fucking course), but it would have been more poignant story-wise for his suffering to have also be a direct consequence of his first signs of goodness + his father being an abuser pshyco and not just the latter + Ozai always hated him because Zuko is the good guy and his father’s empire is evil so we need a way to make the children see Zuko is good and not like the rest from the beginning in a painfully simple way by making Ozai inherently hate him or smt because abusers “loving” their children in fucked up ways is too complicated

[kashilascorner]

Oh ok. I get now why a lot of people didn't vibe with the ending.

All and all: excellent manga, overall very good final act, too rushed final 2-3 chapters but weak and honestly mediocre epilogue, which makes the high of the ending kind of leave a bitter taste. I think Noda had a good steed and suddenly he had to finish and had to rush all. So the ending in the sense of the final arc was good but the ending proper (final couple chapters) + epilogue......... Not so much

[meejijis]

ah yes today is the day where one of my most hated manga moments of all time gets animated and I’m already just salty just thinking about it

[comicaurora]

A bit of a strange question, but if there were any of your videos you were to "remake" today for any reason (ex: you feel like you misrepresented the original text or spread misinformation), which would it be and why? None of them is a perfectly valid answer

Again: bit of a strange question, but I've been thinking about my own creations and how I could have done so much better with some of them, but I also know that is a sign of my growth and constantly chasing "what if I did this instead" isn't always healthy for nurturing a creative mindset, and I was wondering what your opinion might be as a Creator of Things with a bit more experience than I

There's been a few trope talks where I've thought later of other angles I could've explored that might warrant sequels or part 2s, but I don't dislike any of the summaries enough to justify a rework.

I always find "I could've done this better if I made it now" to be a bit of a fallacy. I'm only better at making things now because I made all those earlier things. If I knew everything I'd learn from making a project before I started the project, it wouldn't come out the same.

I think when it comes to the "rework remake perfect" instinct, it helps to zero in on what the impulse is really grounded in. In my experience, more often than not, it's not actually about making the art better, except incidentally. It's usually about showing that you are better. It's demonstrating your competence and your higher standards and your skills, and more importantly it's overwriting the proof that you were once less than perfect. If people look at your old work and think that's all you're capable of, they'll be judging you poorly!

If that's the motivator, it's a very unhelpful one. You can't control for being harshly or incorrectly judged. It's a fruitless effort to stave off potentially upsetting outdated criticism, and it's not even going to work. Fear of critique is an unreliable and untrustworthy motivator.

If it really is about making the art itself better, perfecting your magnum opus with your newly leveled-up skills, that's a little more solid. But from where I'm standing, it's always better to use those skills to make something new instead of polishing something old. The older, unpolished work has already acquired its audience that finds it appealing for reasons that might never occur to you. Trying to bury or overwrite it just deprives that audience of the thing they like, and maybe makes them feel bad for having liked it in the first place. Also, usually when you look back on the older work, you'll conclude that the problem is everything and it'll need to be torn down and started from scratch. I know when I revisited the first three chapters of the comic, when I let my critic brain spin up, it wasn't shading or lineart I wanted to fix - it was panel composition, overall pacing, the entire structure of the chapters as a whole. I would've had to make them all over again to be happy with them, and they wouldn't be the same story by the end.

I've been thinking a lot about the Discworld through this lens lately. It ended up over 40 books long, but everyone agrees that the first two are not what you should start with, because they're the worst ones. They're entirely parodic, purely referential of at-the-time major fantasy series, and borderline mean-spirited in places. If you haven't read Fafhrd and the Gray Mouser and Dragonriders of Pern, you're not gonna understand like a full 50% of The Colour Of Magic.

It's clear that when he started in on them, Pratchett was entirely focused on taking the piss out of a genre he found mostly shallow and unimpressive. But the Discworld wouldn't leave his head, and everything he made fun of he clearly eventually found himself overthinking. He'd make little one-off jokes in the early books about Dwarves having no women and a hundred words for gold, and then twenty books later he'd have a Dwarf gender revolution make waves across the Disc, and then he'd write Thud!, a book that delves deeper into the nuances of Dwarf societal structure than Tolkien ever did.

If you look for them, there are continuity errors everywhere in Discworld. In his introductory book, Carrot defused a dwarf bar full of rowdy brawlers by guilting them all into writing to their poor lonely mothers back home. Shortly thereafter, Carrot will be outraged at the mere concept of an openly female dwarf. Pratchett even eventually wrote Thief of Time, a book that loosely explains that the Disc makes no sense because history has been broken and put back together incorrectly twice, and therefore any continuity errors are because of that.

He's the writer. He could've gone back and fixed it, edited the reprints to be less disruptively discontinuous with the later books. Instead he continuously moved forward and allowed the world he made to grow without cutting it off from its roots. And because he didn't bury his older, far worse work, we have the privilege of following the Disc's evolution from the very start, and seeing how this shallow, stock fantasy world parody became something incredibly rich and complex without ever pretending like its early installments never happened.

Anyway, that's why I think it's better to move forward. You make more good stuff that way.

[vynegar]

finished chapter 7 of the main story!! also slowly going through the eve of departure so i’ll finally be caught up on the main story, for the first time ever basically xDDD exciting!! looking forward to being able to play ch 8 as it releases (probably in about a month or two?)

[butchvamp]

okay i've played a bit more and i have a lot of thoughts about Taash and the way gender is being handled overall in this game...

first i will say the positives which is that i do really appreciate the attempt at incorporating trans characters both in the world as companions and allowing us to make those options in the cc. and as someone who also writes dark fantasy stories with trans characters i do understand how difficult it can be to incorporate these identities into a world that doesn't necessarily have the same language as we do; but overall the way they've approached this feels very... i've seen some people call it unpolished but i actually feel the opposite. it's almost clinical (therapy-speak in general has been a main criticism of this game) and it's way too polished, in my opinion, which is what makes it so jarring to see.

there has been a trans character established in game previously, there is already a precedent for these identities to exist in this world, and they have never used this language before. the way Iron Bull talked about Krem felt far more realistic and integrated into the world of Thedas comparatively. was it perfect? no, of course not, but i chafe at the idea that it needs to be perfect, anyways. this is another problem the game has; past characters have had their flaws completely ironed out (Isabela is now a paragon of friendship and returns cultural artifacts instead of looting them, Dorian has multiple codex entries wallowing about how he used to defend slavery, the Crows have suddenly become a big found family-- on and on and on) and while i have my criticisms of some of these flaws (Dorian's pro-slavery rant in inqusition still makes my eyes roll) i dislike the way they're handling these changes and just expecting us to ignore all of the lore and worldbuilding from previous games. and all of this "political correctness" only for the game to still be so racist.

which brings me back to Taash.... Taash is very strange character, lacking agency around both their gender and their culture. they are simply a mouthpiece for the writer. while yes, it should always be made undeniable that your character is trans or gay or xyz, Taash really does only exist to be nonbinary. and to be clear, a nonbinary character like them could be very interesting, if their writing wasnt so... white. we know that the Qun has different ideas about gender than Rivain (and elsewhere) and this could have been a very interesting exploration of that; however, it is obvious that the Qun (and Taash's mother) are meant to be depicted negatively, and ultimately it ends with the player (not Taash) choosing between their two cultures. their gender is clearly far more important to the writer and the only facet of their identity they seemed willing to explore, which makes me question why even make this character qunari to begin with...

Neve and Rook are also the two that spur Taash into exploring their gender. this, on the surface, is not a problem for me. i'm playing as a trans Rook and while the dialogue was again very overpolished and clunky i found it kind of endearing. but the way Neve is used as this "foil" for Taash really rubbed me the wrong way. this assumption that Neve has no complicated feelings about her gender or being a woman (which i highly doubt considering the world she lives in & how misogynistic it is) and the implication from Taash that she only dresses the way she does for her mother/other people (which Neve doesn't even get to challenge) is extremely narrow-minded. Taash is the Only character that acknowledges gender; so far, even when flirting with other characters, it's only been Taash that i've been allowed to specify with that my rook is trans, despite Taash already knowing that from our previous conversation (i hope that this changes once i lock in with a specific character so feel free to correct me if it does).

but no one else really seems to have an opinion except that Neve drags Taash around to meet Maevaris, and we get the very goofy note that's just a list of modern gender identities and their definitions. i do partly sympathize with the writers here; again i've had to find a way to incorporate lgbt identities in my own writing and it can be difficult depending on your audience. i understand wanting to be very clear and concise. but this is... just goofy. and this desperation to be so correct around gender while simultaneously writing such an offensively racist narrative is really frustrating.

there's also an inconsistency that comes from this with Taash's character-- they are portrayed as this rough but awkward character that is bossed around by their mother, they are bashful with flirting early on and are almost child-like in comparison to the other characters. and then suddenly you get a scene with them where they very directly ask if you want to have sex and suddenly pin you against the wall. this scene was so jarring to me i referred to it as a jumpscare because WHERE has this character been this entire time? i want to see more of this, more of this character who takes what they want and knows exactly who they are (which they even say multiple times when you first meet them... but then need Neve and Rook to hold their hand about it?)

i do really like Taash, i like the idea of them, of this very self-assured and almost cocky character who is also a little silly, this person who is so sure of who they are but has to deal with their mother undermining them while also navigating a culture they feel disconnected from, and i also like that the player can help them through it... but the execution is awful, shallow, and racist. the idea that someone can only choose One culture is so offensive and also a laughable conclusion when compared to their coming out as nonbinary. the writer clearly understands that people don't exist within these little boxes when it comes to gender, but can't wrap their head around it when it comes to someone's culture-- which is also a very important part of a person's identity and often contributes directly to their gender and how they feel about it. all of these different characters have different experiences, come from different places, Davrin and Bellara are Dalish and even have differing opinions on what that means for themselves, but the game doesn't touch on any of it. all we get is a lecture from the writer that is completely removed from the world it's presented in.

i wish i could understand what it was this character was meant to convey. i stand by saying that it doesn't need to be perfect; i know there are people that had problems with Krem in inquisition, but at least Krem was his own person. Taash doesn't even get that here... i harp a lot about character agency when i give writing advice on my other blog but it really is so so so important for marginalized characters-- both gay, trans, and especially characters of color-- to have their own agency around their identities that is completely separate from the player & player choice, that allows them to exist as their own person within the world you've created, and i think Taash's character and story is an unfortunate example of exactly what not to do.

[izzyizumi]

Note: -This video’s embed may randomly not display at times, Showing like it’s “down”, but it’s not at this time! {It usually happens late at night[s] or seemingly when Tumblr and/or Vimeo is experiencing very high traffic} If that happens, please consider watching the Direct link here!

[Please regard my Rules BEFORE Interacting!!] (Positive/Respectful comments are OK!)

Digimon Adventure 02 ~ A.M.V. {Anime Music Video} Title: “Kocchi wo Muite” {“Look This Way”} Sung by: Yukana Nogami Music © CLAMP / Kodansha (Originally from: Cardcaptor Sakura) Featuring Duo/Ship/O.T.P: + {Daikari} / {DaiHika} (with equal Hikari<->Daisuke P.O.V’s, though leaning a bit more in Hikari->Daisuke focus) [+Bonus Ken, 02 Chosen as Support; Taichi & Hikari as Platonic/Familial/Supporting each Other]; {KenDai(+Miya)Hika can be read in; However, the main focus of this one is Daikari specifically, with KenDaiHika as side Poly!}

Summary:

“Although you show COURAGE, YOU’VE{?} got it Backwards A {maiden}[?]’s Heart is {fragile} and Trying…”

“Throughout all of the {xxxx} WE’RE Invincible”–

Digimon Adventure 02 © Toei Animation A.M.V. by Me No $$$ is being made off this Fanwork

Notes: - The 1st minute took about 45 min; 2nd part made took about just over 2hr’s; The 3rd+4th parts from interlude on took 35~ min each, Altogether, it’s already taken 3~4+ hr’s. - This is my 08/02 Focus work, for August 2nd anniversary of Adventures timeline! (by August 2nd, Vamdemon’s invasion of Odaiba had Begun) Daisuke, who was initially captured inside the same center as Odaiba convention center Vamdemon kept Tailmon trapped in; just might have come across a Certain Person (or two) Near this and the following exact Day{s}… (Alluding to Daisuke’s official Drama CD audio Track from “Digimon Adventure 02: Spring 2003”!) - This A.M.V. is overall a Standalone work. (It is not directly involved with my other work); However, it can be considered a work For the storyline that’s a precursor to Repeat-verse, which came before that story was conceived!) Therefore, it can be watched as a Standalone! - I reused a part of an older edit for the earliest Tri P.V.; (for timing placements) it had an old subtitle on, but I’ll remove that for the finished version! - (There is a moment of Hurricane Touchdown!Taichi for Timing) {As it works for my fan-‘verse, I left it in, with a bonus by end!} However, the work is overall/near-wholly 02-focused (so far)! - There is a small amount of out-of-context scenes, However, they’re meant to overall parallel the lyric{s} on-screen. - There is a single Tri spoiler from Kyousei; involving the character of “Homeostasis”, that (mind)-possesses Hikari briefly in Adventure Ep. 45 previously. {“Gennai” [Tri] can also be seen for some short seconds} - Major handful of “The Beginning” sequel spoilers by ending; However, it’s all actually immediately Pre-Final battle. (The Digimon in final battle can be seen Clearly, +Rui)

{I have not yet re-written the Daikari storyline involved with the past ficverse of mine in full; So please take this work as a sort of preview to it!} The ending lines and following sequences especially hint/allude a little more to my ficverse’s potential turnouts; but it can be viewed/read as semi or even fully canon compliant too!

(Further lyric{s} under ‘read more’!)

Keep reading

[literaryvein-reblogs]

Writing Notes: Character Development

Rick Riordan's Writing Tips

Rick Riordan:

Character development is paramount for me. I firmly believe that plot and character development must occur simultaneously. Plot cannot be left to chance. Neither can characters be automatons who carry out actions envisioned in the author's master plan. Below are some things I try to keep in mind when developing my characters:

RICK RIORDAN'S TOP 5 TIPS ON CHARACTER

Define a character first through action, second through dialog and description, never through explanation.

A character should be primarily defined by the choices he makes, and the actions he takes.

How does he respond to violence?

How does he respond to love?

Secondly, a character must be vividly but deftly describe through his speech, and through the initial view you give the reader.

Never stop to explain who a character is when we can watch him in action and decide for ourselves.

Be impressionist rather than realistic.

Describe characters as Dickens did – with a single deft stroke.

A laundry list of physical traits is realistic, but it is neither memorable nor compelling.

A jarring metaphor for the character, or a focus on one mannerism or physical trait, can be very compelling.

Example: She was a human tornado.

Do not be afraid to use real people as models, but do not be constricted by your models.

It is very natural to use parts of ourselves or the people we know when creating characters.

Do not be afraid to do this because someone might get mad at you.

At the same time, let your character develop.

Do not force them to do what the real-life model would do.

Characters seldom end up exactly like the real people they are based on.

The reader does not have to be told everything you know about the character.

It may be critically important to you that your character has blue eyes, or went to Texas A&M.

But if these details have no part in the story, the reader will not care.

Leave them in your subconscious.

If you are having trouble figuring out a character, fill out a character profile, or do some journaling in that character's voice.

Your character must act, not simply be acted upon.

We care about characters because we are interested in the choices they make.

We want to boo the villain, cheer the hero, and cry with frustration when the tragic figure makes the wrong move.

A character who does not act, but simply receives information and is acted upon by outside forces, is not a character who will compel the reader.

Remember, plot is what the characters do next.

If the characters do not create the plot, the plot is hollow.

Here's a character profile worksheet I sometimes fill out if I'm having trouble understanding a particular character I've created:

Character Profile

Name:

Height:

Age in story:

Birthplace:

Hair color, length, style:

Race/nationality:

Regional influences:

Accent: (include voice, style of speech, slang, signature phrases or words)

Religion:

Marital status:

Scars or other notable physical attributes:

Handicaps: (emotional, physical, mental)

Athletic? Inactive? Overall health?

Style of dress:

Favorite colors:

How does the character feel about his/her appearance?

Brothers/sisters:

Relationship with parents:

Memories about childhood:

Educational background: (street smart? Formal? Does he/she read?)

Work experience:

Occupation:

Where does the character live now? Describe home (emotional atmosphere as well as physical)

Neat or messy?

Sexual preferences/morals/activities:

Women friends/men friends:

Pets?

Enemies? Why?

Basic nature:

Personality traits (shy, outgoing, domineering, doormat, honest, kind, sense of humor):

Strongest trait:

Weakest trait:

What does the character fear?

What is the character proud of?

What is the character ashamed of?

Outlook on life (optimistic, pessimistic, cynic, idealist)

Ambitions:

Politics:

How does the character see himself/herself?

How is the character seen by others?

Do you like this person? Why or why not?

Will readers like or dislike?

Most important thing to know about this character:

Present problem:

How it will get worse:

What is the character's goal in the story?

What traits will help/hurt the character in achieving this goal?

What makes the character different from similar characters?

Why will readers remember this character vividly?

Source ⚜ Writing Notes & References

[bucketbueckers]

I'D RATHER PRETEND

CHAPTER SIX

tags: @angryflowerwitch @avvwritesstufff @melpthatsme @rebecca-woso @bueckersg1rl @l0verl4ne @clouded-whispers @dolliest-thena @katemartinlvr @numberonepartyanth3m @glamourdaya @pbbucks @unadulteratedcyclepaper @paiges-1vur thelightknight21 wc: 18.3k notes: masterlist (sorry, nothing funny today, this chapter and last nights game actually destroyed me) but holy word count who cooked here 😹 i fear the last half of this chap is kinda rushed but writer's block was going crazy and i truthfully only had plans for like THREE (3) specific scenes...if you can't tell, planning, pacing, and the timeline are my biggest opps 😾 but i'm grown so i do what i want!! also, smut warning! if it's not your thing, it's at the very end and you can skip over it without missing anything super important. i'm not a smut writer, i just work here, but i put pen to paper and it just came out (no pun intended) 🤷‍♀️ sorry for making this as long as the chapter itself, but as always, lmk what you think and i hope you enjoy 🫶

‘The Hard Launch Heard Around the World’

For college basketball fans, Christmas has come early this year. On June 21st, Paige Bueckers and Tess Kennedy’s long-awaited hard launch was finally shared to Instagram after a month and a half of speculation, fan theories, and less than subtle interactions online. Kennedy shared a collection of pictures with the caption “here’s to tess kennedy’s worst kept secret. thank you for coming into my life when you did.” Many of the comments consisted of undecipherable keyboard smashes, such as one commenter’s “TESS AND PAIGE? AJSFKFJKDSJK”, but overall, Kennedy’s comment section was full of congratulations, support, and praise.

Bueckers, similarly, shared a collection of photos, although her caption was a lyric from Frank Ocean’s “Sierra Leone.” If you have been following Kennedy’s journey thus far, you may remember that the first ever soft-launch photo she posted to her story included another lyric from this song. Bueckers’s caption, reading “And her pink skies will keep me warm,” is seen as a call-back to that moment, with many fans accepting this as the confirmation that Bueckers and Kennedy have been seeing each other all along.

Their hard-launch precedes their Bose endorsement. The two of them starred in a commercial showcasing Bose’s newest product, where they became known as Mrs. and Mrs. Bose. Some critics noted how specific the timing was, arguing that their hard-launch was just a stunt to further promotion for Bose’s product, although supporters rallied in defense. Commenters noted that Bueckers and Kennedy spent most of their time this offseason in different states – this Bose ad was the first time they were able to be in person together, so they surmised that it was just the optimal time to announce it. Another fan also pointed out that their history speaks for itself.

Regardless of the timing, one thing is for certain – Bueckers and Kennedy are the next “it” couple. Their influence is beginning to spread outside of the sports world, and many people believe that their openness is going to be pivotal in breaking barriers and promoting acceptance for queer athletes. 

-Penelope Lancaster, Bleacher Report

JULY 2023

The months after their hard-launch go about as well as anyone could have expected. Once Tess and Paige made it back to Brooklyn and Minnesota respectively, things were…nice. They finished June out strong, in near constant contact and on FaceTime. Tess kept her feelings close to her chest. She knew there was no way Paige was into her in that way. She wasn’t the type to be tied down, and Tess had to respect that – even if she was one for commitment, Tess doesn’t think that she’d be her first choice.

All she can think about is their agreement. Paige had so confidently said that she could do casual. She wasn’t the one who caught feelings. And as far as Tess is concerned, she isn’t sure if her reputation is worth how complicated her life has become. She’s not the one to pretend to be someone she’s not; not the one to pretend to feel a way (or not feel a way about something). Her relationship with Paige used to be something that brought her great comfort, but now she can’t help but feel like she’s ruined something perfectly fine by allowing her feelings to get the best of her. Now, she’s not telling a story to the public or selling a ruse. Bree was right – she is lying to Paige, and that’s the worst part of it all. Paige doesn’t deserve her dishonesty, nor her inability to keep things strictly business as she’d once promised.

So, June was okay. They talked, Tess spiraled, but this is her life now. Tess would eventually have to learn to keep her feelings at bay.

Then July hit.

July was like a blessing in disguise, the perfect opportunity for Tess to work on herself and hopefully get rid of her lingering feelings for Paige. She could get over her. It’s not a big deal. So what if Paige was the first person she’d ever felt romantically for? Tess is new to all of this – she can’t honestly know perfectly what liking someone felt like. The denial wasn’t particularly effective, but if Tess keeps speaking it into existence, then it has to come true, right?

July was when summer practices started back up. Paige flew back to Storrs the first week. Tess was supposed to fly back to Columbia, but given her injury and the fact she wouldn’t be able to contribute much to practices, Coach Staley gave her the all-clear to stay in Brooklyn and soak up as much PT with Terri as she could. Craig was qualified, although the both of them knew Terri had a different approach to rehab than Craig did. 

Paige gets busy almost immediately. She’s fresh off an injury and her role on the team has shifted due to other’s injuries, so she’s swept up into an incredible amount of extra practice, film watching, and learning a different part of the game. Tess gets…the complete opposite of busy. She still does PT three times a week, meets with Yvette, but with Paige gone, all of her free time becomes free again, and she doesn't even know what to do with herself. Fortnite, as stupid as it sounds, makes her think of Paige. Her feelings are still too fresh and the mere thought of the game reminds her of the countless hours she and Paige wasted away on it, laughing, flirting, and celebrating their wins. It’s not a break-up, but it feels oddly like one. Tess used to be stronger than this. That was the worst part.

With Paige’s time being occupied by things out of her control, Tess uses it to her advantage. She tries to get over her, spaces out her responses when Paige does get the time to speak. With her knee in better shape, she tries out yoga. Tess can’t quite master the idea of clearing her mind. Paige’s name echoes like a mantra in her brain, the image of her blue eyes blinding. No matter how hard she tries, all Tess can think about is the pressure of Paige’s lips on hers, the way she’d guided her jaw just how she liked, the weight of her hand on her and the way she was able to feel exactly how she made Tess’s heart race.

She’s so fucked.

It hurts, Tess has to admit. Covering up lies with even more lies. She’s not completely sure what happened to turn her into someone who couldn’t tell the truth. It hurts even more to know that she’s not just hurting herself, but she’s hurting Paige, too, who’s not even at fault for any of this.

Hey I got a couple hours free tonight Facetime? I miss you

[Delivered: 4:32pm]

Are you okay?

[Read: 7:53pm]

sorry, busy tn idk if i can

It’s cool Do you know when you’ll be free?

idk got a lot going on

Okay Call me when you can

[Delivered: 7:54pm]

Tess feels like she’s going to throw up.

AUGUST 2023

Paige doesn’t give up, but Tess can tell she’s losing patience and hope.

She gets a two week break after the end of summer practices, then she and her teammates are heading overseas for their Europe tour. They’re playing a couple of exhibition games. Back in June, Paige had been so excited to send her pictures and tell her all about it, but they’re a day into their trip and she hasn’t heard a word from Paige. It’s for the best. Paige needs to lock in for her games. She can’t get caught up in Tess again.

Tess ends up tuning in for one game. She can’t help herself, even though she ends up turning it off after halftime. There’s a noticeable difference in the way Paige is playing. Tess knows it’s because of her. She’s a little more sluggish, sloppy in her passes, missing a lot more than she usually did. Bueckers, first exhibition game since her ACL injury, the commentator noted. She’s not quite warm yet, but we all know she’ll be on fire once the season starts. Tess knows better than that. It’s her fault.

Still, Paige tries.

You busy?

[Delivered, 5:43pm]

Zagreb is beautiful [3 Attachments] Text me when you can

[Delivered: 6:38pm]

[Read: 9:01pm]

sorry. just got free

It’s okay FT? Can’t sleep

i can’t, have to be up early tomorrow you should get some rest. it’s late

I don’t care I miss you I feel like we never talk anymore Did I do something? Whatever it is I’ll fix it I promise

you didn’t do anything just got a lot going on

Me too

[Read: 9:03pm]

Okay cool 😂 Let me know when you’re not too busy for me Goodnight Tess

[Read: 9:04pm]

SEPTEMBER 2023

July and August were busts – no matter what she did, she wasn’t able to keep her mind off of Paige. Distancing herself wasn’t very effective, but she shouldn’t expect results after two months, right? Maybe she just needed a little more time.

Paige texts her once in September.

I just wanted to say I’m sorry for whatever I did. I’m sorry if I made you uncomfortable or if there was something I said that hurt you. I meant it when I said you didn’t have to be scared with me. I still mean it. If there’s anything at all I can do or say to make you believe that, please let me know. I don’t like arguing or how we left things and I hate feeling like I’m not fighting hard enough for you. I shouldn’t expect you to drop everything to talk to me. You’re busy and you have a lot going on. Saying what I said was unfair. I’m sorry. But I miss you. Please let me know how I can fix us. I don’t care what it takes. I’ll fly out if I have to, just please don’t shut me out

[Delivered: 2:48am]

OCTOBER 2023

Paige gives up in October. It brings Tess more anguish than she was accounting for.

On the 20th, Tess texts her happy birthday. Paige doesn’t bother reading it. Paige doesn’t post anything for her birthday, either.

Tess wonders if she fucked them up for good.

Maybe it’s better this way.

NOVEMBER 2023

Ghosting Paige wasn’t the right decision at all.

A little obvious in hindsight, but at least Tess can say she tried. Five months apart didn’t magically fix Tess’s problem. It made it worse. She still feels the same for Paige, if not stronger, but affection becomes a difficult pill to swallow when it’s poisoned with guilt and shame. After her injury, she should have learned that pushing people away does more harm than good. Paige didn’t deserve that, but maybe this is who Tess Kennedy is – someone who’s blind to what’s in front of her, someone who leaves when it gets hard, someone who avoids her problems entirely, someone who treats the people she loves like disposable objects. Maybe it was better for Paige to find that out early on before their contract expired and Paige wanted to continue being her friend.

On the 17th, Tess’s birthday, she gets a lifeline.

Happy birthday

Paige’s text is like a knife to the gut. Tess twists the blade herself when she notes the lack of excitement, the lack of emojis. Her message is bland, more like an afterthought, and Tess can’t even be mad – she deserves it. She debates leaving it on delivered, much like Paige had left her message on delivered, if only to spare her from this constant back and forth cycle of will-they won’t-they. But her fingers move faster than her brain does.

thank you

[Delivered: 11:11am]

[Read: 11:11am]

And much to her surprise, Paige responds.

My mom wants to know if you’re still coming for Thanksgiving She bought you an ugly sweater to wear for family photos

There’s a lot of things Tess can say to that. Family photos is enough to make her chest tighten, her stomach roil with anxiety, her throat constrict. It takes everything in her to not break out into sobs, but she bites her lip hard enough to draw blood as she types out her message.

you want me there after these last five months?

Tess doesn’t think that was the right thing to say. Paige types for a long while.

I want what’s best for the story My parents think we’re together We need to keep up appearances

Tess would have preferred it if Paige just left her on read. Delivered. She would have understood if Paige just blocked her all together. She would have preferred if Paige had texted her at any other day, because it’s her birthday, damn it; she’s turning 22 and she’s sitting in her bed crying because this is all she and Paige are, anymore – a story, an appearance to keep up for the sake of their images. But it’s her fault, isn’t it?

i’ll be there

Okay 👍

Tess thinks that’s the end of their conversation until she gets an email. It’s an airline ticket, a roundtrip – she’d be flying out the 22nd and leaving Minnesota early on the 25th. They’re first class. Tess feels like she could throw up again.

you didn’t have to buy my tickets

I promised I would I don’t like breaking my promises

Tess has no retort for that. She sends Paige a half-hearted thank you, not expecting a response, and powers off her phone.

NOVEMBER 22, 2023

Tess spends the entire plane ride nauseous as hell. She dreads her reunion with Paige, knowing that seeing each other will only hurt them more. She’s not even sure if fixing them is possible, but she knows she’ll have to give it a shot. She gets four days with Paige. That should be enough to smooth things over. A part of her knows Paige won’t bend as easily as Kamilla, Bree, and her parents did. Paige was so understanding, but she didn’t take any of Tess’s bullshit. Tess might be making amends until Christmas, if they last that long.

She finishes off the rest of the ginger ale she’d asked the flight attendant for. It does little to soothe the nausea. Guilt usually isn’t something that can be cured with a drink, alcoholic or otherwise. Guilt is one of the things you can’t run away from, even for someone as good at running away as Tess is.

The seatbelt light flicks on as the plane begins its descent onto the Minnesotan soil. Tess’s anxiety returns tenfold. It feels as though time is moving slowly. The plane lands. It idles for a moment, then everyone is standing and reaching for their carry-on. Tess has hers in hand and is walking down the aisle as soon as they click open. It doesn’t take her long to locate her suitcase at baggage claim. Then, she’s back in the crowd, eyes scanning the airport for any sign of Paige. There wasn’t a message on her phone, but she was holding out a little bit of hope.

Instead of Paige, she spots a tall man holding a sign with her name written on it. Tess’s heart all but falls out of her ass as she walks towards him. The realization that Paige didn’t come to pick her up shouldn’t hurt her as much as it does. She should have expected as much. But seeing it brings on a fresh wave of pain that she just wasn’t ready for. The man recognizes her, lowering the sign with a beaming smile, and he reaches out for a hearty handshake. “Hey Tess! I’m Bob, Paige’s dad. It’s so good to finally meet you.”

Tess shakes his hand, smiling at him, and hoping that it’s convincing enough. “Likewise, Mr. Bueckers,” she says. Her voice doesn’t falter, but she can tell she’s about to crash out. She takes a deep breath as Paige’s dad waves his hand.

“Bob is fine,” he corrects her. “C’mon – my truck’s this way. Paige went out to pick up some last minute things for you. She should be back at the house by the time we get there.”

Tess hides her grimace. She’s not fully confident that Paige actually did that, but she’s not going to voice that thought to her dad. The simplest truth of the matter is that Paige just didn’t want to pick her up. Tess can’t blame her.

Once they’re loaded up, Bob makes small talk that Tess tries her best to contribute to. He doesn’t seem to think anything’s wrong, so Tess surmises she must be doing a pretty good job. As he speaks, her mind keeps drifting back to Paige, feeling a guilt and shame so strong that she’s unsure if she’ll be able to feel anything remotely positive ever again. How do you hurt Paige Bueckers? Her heart is made of solid gold, but perhaps the issue is her heart is a few sizes too big for her body. Her heart is bigger than Tess herself; Paige gave her everything, no strings attached, and Tess crushed it into small pieces and stomped it out.

That thought alone makes her nauseous all over again. She was so worried that Paige would hurt her, not the other way around. Life has a funny way of biting you in the ass. Tess wonders how socially acceptable it would be to jump out of your fake girlfriend’s dad’s moving vehicle and leave yourself for roadkill. She determines that it’s probably not very acceptable, so she tries her best to get her shit together while she still can.

The Bueckers’ live in a quaint little townhouse, two-storied and a light beige in color. Bob pulls into the driveway next to two SUV Jeeps – one black and one red. He grins at her, nudging her shoulder. “Paige’s home. You excited?”

Tess almost laughs in disbelief. “Yeah,” she lies. “Haven’t seen her in a while.”

“Well, let’s not keep her waiting.”

Tess will admit she sounds like a broken record, but she genuinely thinks she’s about to throw up all over the Bueckers’ driveway. She adjusts her backpack over her shoulder and pulls her suitcase out of Bob’s truck bed, glances at the door, and takes a deep breath as she follows the older man inside.

Inside, it’s warm and cozy. Tess can distinctly make out the smell of cinnamon and nutmeg. Bob calls out for his wife, who calls back with a cheerful, “In the kitchen!” Paige’s step mom is a tall woman, wearing a festive pair of leggings and an apron over her shirt. She slides off her oven mitts, having just pulled out a pie.

“This is Tess,” Bob states. “Tess, this is my wife, Moe.”

In lieu of a handshake, Moe pulls her in for a gentle hug. “So nice to finally meet you,” she says genuinely. “Paige talks about you all the time.”

Tess’s heart falls out of her ass and she chuckles worriedly, giving the older woman a squeeze. “Good things, I hope.”

“Nothing but,” Moe confirms. “It’s like y’all been together forever. Tess this, Tess that. It’s kind of sickening.”

At Moe’s brutal honesty, Tess laughs, the first genuine one in almost five months. It wasn’t even that funny, but Tess is so far off the deep end that anything helps. “My mom would say the same about me,” she says.

Moe lights up with laughter of her own, grinning widely at Tess. “Alright, I’m sure you’re tired from your trip here. Paige is upstairs. She can help you get settled in. We don’t have a guest room, so you’ll have to bunk with her. No funny business, okay?”

Tess smiles to hide the way her heart stops. She’s shared a room with Paige before. Granted, they had two separate beds, but the room sharing is not an issue. The issue is in how Paige will probably suffocate her with a pillow once night falls. “No funny business,” she agrees, and with one last smile, Moe directs her to the stairs and informs her that Paige’s room is the first on the left.

Tess takes a deep breath before she heads upstairs. She’s been through worse. She tore her ACL, underwent surgery, and crashed out so bad she almost killed herself. She doesn’t bother reminding herself she’s been crashing out for the past five months and she’s in no better shape, but that’s not the point. She can handle Paige. She can say she’s sorry. She knocks on Paige’s door and she hears some shuffling inside before the door opens, and after five months, she comes face to face with Paige once more.

The shift in Paige’s demeanor is noticeably different. Her jaw is tight, her blue eyes unusually dull. Even her body language is far more reserved. She leans against the doorframe, one hand on the doorknob, and her mouth pulls into a natural frown. “Hey,” she says, surprising Tess. Her words lack any bite, but it hurts because her words lack much of anything. If the both of them were five months younger, Tess is sure that Paige would have pulled her into a hug by now, probably whispered an excited, “Hey, ma,” or pressed an affectionate, “Missed you,” into her shoulder.

But they’re five months too late, and all Tess can do is wince as she responds with a quiet, “Hi.”

Paige glances at her, her eyes dismissive and disappointed. She sighs, taking a step back and allowing Tess inside. “You can just leave your stuff over there,” she says, pointing next to her desk where a space has been cleared. Tess does as she instructs, depositing her suitcase and throwing her backpack haphazardly on top. Wordlessly, Paige crawls back into bed, sitting so close to the edge that there’s more bed than girl, which is usually a difficult task for a six foot athlete.

“Is this what we’re doing?” Tess asks softly, her fingers shaking, and she knows she has no business asking Paige that when she was the one who fucked them up.

Paige scoffs, looking up at her again. Her gaze hardens, her lip curling into an unfamiliar scowl. “You had five months to figure that out,” she says harshly. “Don’t ask me shit now.”

Tess laughs weakly, shoving her hands in her pockets. “Okay,” she concedes.

“Something funny?” Paige asks.

Tess averts her eyes. “...No,” she says after a beat. Paige hums, an annoyed noise deep in the back of her throat.

Tess isn’t sure what to do. She’s standing in the middle of Paige’s childhood bedroom, feeling like every bit the fool she undoubtedly looks like. She can’t sit next to Paige, not when she can feel the anger radiating off her in quiet waves. She can’t go back downstairs with Drew and Paige’s parents. They’d ask why they weren’t together, and Tess isn’t sure how much more lying she can take. Paige glances back up from her phone, scanning Tess’s features, and she stands with a huff. “You take the bed,” she says. “I’m gonna get stuff to sleep on the floor.”

“You don’t–”

“Stop,” Paige says instantly, her voice breaking. Tess shuts her mouth, staring at Paige, and she looks agonized. Her eyes are glassy, face pinched, and Tess feels like a jackass all over again. “Just…stop, okay? Stop arguing. I’m gonna get a blanket and the air mattress and I’m gonna sleep on the fuckin’ floor ‘cause I can’t share a bed with you tonight and pretend like everything’s okay. It’ll probably be another five months before I get an apology from you, but that’s okay, right?” She laughs humorlessly, turning on her heel, walking backwards to the door. “S’okay. I guess I was stupid to think anything else. I was right. Tess Kennedy’s too fuckin’ afraid to get close, and when she’s scared, she goes back to what she’s used to. And apparently that’s bein’ an asshole to everyone around her. You don’t get to do that shit with me. Not today.”

Paige slams the door behind her, and all Tess can do is stare at where she stood in disbelief.

Dinner that night is a torrid affair.

Bob and Moe seem to sense that something’s off with Tess and Paige. Out of politeness, they don’t mention anything, but Drew seems none the wiser to the tension at the table. He rambles excitedly about Thanksgiving dinner tomorrow and how excited he is for Christmas. Tess tries to listen to him, she truly does, but she can’t focus on anything but the argument that she and Paige had. Honestly, a better descriptor is just Paige yelling at her and Tess taking it, but that’s neither here nor there.

Tess barely has an appetite, but she shovels her food in her mouth anyways, not wanting to be rude. Paige hasn’t said a single word to her since Moe came upstairs to fetch them for dinner. Even then, Paige hadn’t so much as looked at her. The worst part about it is that Tess understands why. Paige is genuinely a better person than she is. If someone treated her like Tess treated her, Tess would have made it everyone else’s problem immediately. If they thought her post-injury crash out was bad, then they’d be unprepared for the post-ghost crash out.

Bob distracts her from her racing thoughts as he clears her throat. “So, Tess…” She looks up, resembling a deer caught in headlights. “How’s physical therapy going? I saw you rehabbed with a WNBA team. That’s really exciting!”

“Oh,” she says, pushing around a piece of chicken on her plate. “Um, it was really good. Felt like I progressed a lot with Terri. I work with the team trainer now since I’m back in Columbia. He gets the job done, but I do miss the Liberty, you know?” She chuckles softy, willing her nerves to dissipate.

“I bet,” Bob agrees. “When do you get to play again?”

“I should be cleared by March,” she says hopefully. “Just in time for the last March Madness games. Provided we get invited or win the SEC championship. LSU is really strong, so…gotta take it game by game.”

“Smart,” Moe states. “Never count your eggs before they hatch, right?”

Tess nods. The table falls into a tense silence, only the sound of forks scraping against plates filling the room. Paige suddenly huffs. She stands up with her plate, her chair making an awful noise against the floor as she pushes it back under the table. “I needa take a shower,” she says, not waiting for a response. She walks into the kitchen to clear off her plate, walking back through the dining room with a frustrated expression on her face as she rushes upstairs.

Bob and Moe share a concerned glance. It’s Drew who breaks the silence when he asks, “What crawled up her butt and died?” Moe is quick to reprimand him, although it seems like her heart’s not really in it.

Tess clears her throat and stands, too. “Um, dinner was delicious, Moe, thank you. I should uh…probably go check on her.” Moe thanks her quietly. Tess washes her plate quickly, placing it in the strainer to dry off, and she heads upstairs after Paige.

Paige’s door is wide open and Tess walks in cautiously. The blonde rifles through her drawers, pulling a pair of shorts and a tank top out. She’s still pissed. Never in the seven months that Tess has known her has she ever seen Paige be this angry. When Paige turns, seeing Tess behind her, she clenches her jaw and walks out wordlessly. Tess feels her heart drop as she listens to the bathroom door close.

Her chest tightens. She feels like she could cry even though it would do nothing for her. Paige is the only one with the right to be upset. Instead, Tess takes a deep breath, burying her face in her hands for a few, calming moments before she moves to her suitcase and pulls out sleepwear. She scrolls on her phone while she waits for Paige to get out of the shower, and when she finally does, Tess averts her eyes as she stands. Paige doesn’t say anything to her as Tess makes her way into the bathroom.

The water is scalding hot. It makes Tess feel a little more centered, but it does little to wash away the grief and the shame. She tries not to think about it as she cleans herself quickly. She dries off, redresses herself, and when she walks back into Paige’s room, she’s already curled up on the air mattress and is scrolling through her phone. Tess glances at her, frowning, and shoves her dirty laundry into a separate compartment in her suitcase before sliding into Paige’s bed.

Her pillow smells like her. Tess wouldn’t expect anything else, but it makes her feel closer to Paige despite the literal and metaphorical distance between them. Her purple comforter is soft. When Tess looks around, she notes the various posters of NBA greats – Kyrie, Lebron. Diana Taurasi and Sue Bird are also there. Basketball is Paige’s life, her entire reason for breathing. When they lost to South Carolina in the NCAA tournament, Paige was distraught, obviously. But that anger and sadness only pales to what Tess observes in her now as she tries to pretend she can’t hear the way Tess breathes next to her.

Tess takes a deep breath, staring up at the ceiling. “Paige,” she says into the darkness of the room.

Paige doesn’t respond. For a brief moment, Tess wonders if she fell asleep, but she knows better. Paige is breathing too fast to be asleep, coming in uneven bursts. Then, Tess thinks she’s just ignoring her. Then, Paige surprises her. “What do you want, Tess?” she asks, her voice breaking.

“I’m sorry,” Tess says without hesitation.

She hears Paige laugh, but there’s no enjoyment in it. “Are you?”

“I am,” she says. They’re both quiet for a moment. She hears Paige sniffle and her heart breaks all over again. “I mean it. I’m sorry, Paige, I’m so fucking sorry. I shouldn’t have treated you like that. I shouldn’t have pushed you away when all you’ve done was care for me. I’m sorry for making you apologize when you’ve done nothing wrong. This is all on me and I could sit here and apologize for the rest of my life and it would never be enough.”

Paige shifts on the air mattress. Tess cocks her head, glancing down, and Paige is already staring at her. The moonlight streaming through her windows reflects off of her. Tess could paint her face by memory. She knows exactly what she looks like, where every single freckle or blemish or crease exists. She knows the exact shade of her eyes, the degree at which her nose upturns slightly, the way her nostrils flare when she’s annoyed. Tess could describe Paige Bueckers in such great detail that a blind person could recreate her visage. Until now, Tess has never seen Paige this way. Her lips are pulled in a constant frown, her jaw tight, her eyes a few shades grayer. Tess never wants to see Paige look this desolate, let alone because of her.

“Sorry doesn’t fix anything,” Paige says after a few agonizing moments. Tess deflates. “Sorry doesn’t fix the five months I spent losin’ my mind, wondering what I did wrong.” She studies Tess’s face once more, her lips pursing and her gaze hardening. Paige pulls her blanket up to her chin, flipping on her opposite side, putting her back to Tess.

“How do I fix us?” Tess asks, her voice nearly a broken whisper.

Paige lies unmoving on the air mattress. Tess should know better than to expect a response. But when Paige admits, “I don’t know,” Tess thinks she would have preferred the silence.

NOVEMBER 23, 2023

Thanksgiving is a terrible holiday.

Conceptually and historically, it leaves a lot to be desired, though she can understand how many American families would enjoy getting together in one place, eating a huge dinner, and watching sports. It’s supposed to be a day where everyone can come together and rejoice, tell each other what they’re thankful for and all that sappy shit, but Tess never bought into it. Many of her teammates would complain about going home for Thanksgiving and having to listen to an uncle or two rant about women or politics or whatever the fuck – it always ruined the mood. Tess never thought that those uncomfortable Thanksgivings would be something she had to be subjected to.

When she wakes up in the morning, Paige isn’t in her room. When she goes to the bathroom to splash some water on her face and do her morning routine, Paige isn’t there, either. And when Tess walks downstairs into a flurry of early morning chaos – Moe and Bob rushing around the kitchen and preparing dinner, Drew tidying up the living room – Paige isn’t there either.

“Morning, Tess!” Bob greets happily, grinning at her from where he’s cheffing up the turkey. She returns his greeting, though it’s a little half-hearted. “Paige went for a run. She should be back soon.”

“You guys need a hand?” she asks instead, wanting to be useful. Moe and Bob have welcomed her into their home. The last thing she wants to do is be an ungrateful guest, especially when their daughter hates her guts. Tess is going to make an honest effort to get back into Paige’s good graces. Even if she never forgives her, she’s going to make it up to her. That much she could promise.

“If you could help Drew clean the living room, that’d be great,” Moe says. “There’s too many people in the kitchen right now.” She shoots Bob a knowing glance and he laughs, raising his hands defensively.

Tess smirks wryly and makes her way into the living room where Drew is dutifully dusting off the coffee table. He wastes no time before he puts her to work, directing her to the vacuum cleaner (Tess just gets the impression he didn’t want to vacuum), and together, they get the living room all cleaned up for the guests. They tackle the dining room next. Drew and Tess return to the living room once they finish, sitting on the count and awaiting Moe’s next instructions. Soon, Paige returns from her run – Tess knows she no longer has the right, but she can’t help but look at Paige as she walks in. She’s dressed in a pair of athletic shorts and a tank top. It’s unfair how pretty she is, shiny with sweat and flushed. Tess has to avert her eyes. Paige only greets her parents before rushing upstairs. Tess hears the shower click on.

“What’s wrong with you and Paigey?” Drew whispers to her.

Tess glances at him, a somber smile on her face. “I messed up and hurt her feelings,” she tells him honestly. “She’s pretty upset with me.”

Drew looks at her curiously. “Why’d you do that?”

His blunt question makes Tess chuckle. That’s a question she’s been asking herself, too. “I like her a lot,” she admits, the first time she’s ever said those words out loud. It feels like a weight is lifted off her shoulders, though she’s still crushed under everything else. “I like her a lot and it makes me do stupid stuff.”

“Mom says you should never hurt the people you love,” Drew says smartly.

“She’s right.”

“Did you say sorry? And did you bring her a cookie? Cookies always help.”

“Do they?”

Drew nods, humming as he turns on the TV. He scrolls through the channels until he settles on some cartoon Tess has never heard of. “Paigey likes cookies,” he states. “Chocolate chip ones. They’re her favorites. She always says you can’t be sad when you’re eating a cookie.”

At that, Tess can’t help but laugh. “That does sound like something she’d say,” she concedes. The taps on the armrest of the couch mindlessly, thinking. She turns to Drew. “Do you think your mom would let us bake her some? Right now?”

Drew turns off the TV without another word, standing as he calls, “Mom!” Tess stands to follow him, sighing. She did not expect him to move so fast. The kitchen is much cleaner than it was earlier – Bob went outside to put the turkey on the smoker and Moe remained, preparing the roux for the mac and cheese. Moe hums as Drew walks in. “Can me and Tess bake some cookies right now?” Moe looks as though she’s about to protest, but Drew beats her to the chase. “For Paigey. She’s sad.”

Moe softens, looking over at Tess, who flushes under her stare. She hopes her face looks as apologetic as she feels. Moe sighs. “Yes, make it quick. I’ll need the oven soon.”

Drew pumps his fist in the air as he rifles through the cabinets, looking for the ingredients. Tess lets him take the lead on most of that as she leans against the counter. She feels Moe’s eyes on her again, and she turns her head, meeting her gaze. “Everything okay?” Moe asks knowingly, her voice quiet.

Tess smiles sadly. “I hope they will be,” she says. Moe raises a brow, clearly expecting more, and Tess swallows. “She’s not happy with me. I hurt her, and honestly, I’d be pissed at me, too.” She picks a loose thread on her shirt. “I’m gonna make it up to her. I just…” Tess sighs. “She’s my first…girlfriend. My first anything, really – I don’t know what I’m doing. But she makes me want to try and that’s scary. I’ve never felt this way for anyone before.”

Moe is silent for a moment, thinking about her next words. “You’re beating yourself up pretty bad,” she notes. Tess almost laughs because she truly has no idea. “I’m not gonna lecture you. But, you know, Paige is my kid. No matter how old she is. She has so much love to give. Don’t take advantage of that. One day, she’s not going to wait around.”

Tess nods. “I know,” she says. She opens her mouth, trying to find more to say, but her words fail her. Moe gives her another knowing look, her lips curling into a smile. Drew returns with flour, sugar, and all of the other supplies and he and Tess immediately get to work. He’s a little messy with the flour and definitely steals most of the chocolate chips, but he’s a joy to spend time with. Drew reminds Tess so much of Paige – that thought alone makes her queasy again. She has to tell herself that they’ll be okay. Delusion and manifestation are a thin line, right? Paige isn’t the kind of girl to hold onto grudges, even if she should.

Once the cookies are out of the oven, Drew helps her select the best looking ones to take to Paige. He salutes her like she’s going off to war and Tess can’t help but laugh at him, feeling strangely like she is about to walk across a field of landmines. She takes a deep, stabilizing breath before she walks up the stairs, plate of cookies in hand. She knocks on Paige’s door and opens it as soon as she hears Paige call out, “Come in!”

Paige is reclining on her bed, phone in hand and freshly showered. She looks up as Tess walks in with a meek smile, holding out the plate. “Are those…?”

Tess exhales deeply, taking Paige’s curiosity as a sign to move closer. “Yeah. Me and Drew made them. He said you can’t be sad when you’re eating a cookie.” That’s enough to make Paige crack the slightest of smiles. Tess gives her the plate, explaining, “They’re fresh out, so–” but Paige is already reaching for the one on top, dropping it with a yelp of pain. They stare at each other as Paige sucks on her finger before they break out into laughter. It’s slightly awkward, but it’s relieving, and the situation isn’t funny at all but everything has sucked for five months so it’s all just stupid. “Sorry. I promise I’m not trying to kill you.”

Paige chuckles again, resting the plate on her lap and letting the cookies cool off. She shuts off her phone, glancing back up at Tess. Her expression is guarded, like she still doesn’t fully trust Tess, but there’s a new openness to her.

“Can we–”

“Do you–”

They both speak at the same time and Tess laughs as Paige scratches the back of her neck. “Come sit?” Paige requests softly. Tess studies her features, the earnestness in her eyes, and she nods shyly as she rounds the bed to sit on Paige’s left side. She makes sure to leave a bit of space in between them, unsure of where their boundaries lay after all this time. “You first?”

Tess nods again, taking in a deep, shuddering breath. “I know you said sorry doesn’t fix anything, but I want to try, if you’ll hear me out?” Paige stares at her for a long while before tilting her head, giving her the all-clear. Paige reaches for a cookie again, checking the heat, before lifting it to her mouth and humming at the flavor. “I was spiraling again,” Tess says slowly, once she’s found the words. “Overthinking every single thing. I was confused. There was so much going on in my head and it was awful because there’s nothing anyone can do about it. I know the solution to it – it’s too risky, and I can’t lose everything I have. Not again. I shouldn’t have shut you out, but isolating myself is the only way I know how to deal with my shit. I thought I was protecting myself, protecting you, but I only made it worse.”

Paige doesn’t say anything, still chewing, and Tess keeps rambling. “I’m so sorry. Sorry doesn’t even begin to cover it. I hurt you and I keep hurting you and I don’t – I don’t know why or how but I just do and you don’t deserve that, Paige. I don’t think I’ll ever forgive myself for this, but if you never forgive me, I wouldn’t even be able to be mad about it.” Tess laughs humorlessly. “Whatever it takes, I’ll make it up to you, that much I can promise. Just…please, give me another chance?”

Paige gazes at her, her eyes wide and seeking. Tess has to fight every instinct to turn away, to break eye contact, but she needs Paige to know that she’s serious. Finally, Paige relents, a sort of somber half-smile quirking on her lips. “I’on like being mad at you,” she admits. “Arguing. Ignoring you. But…I just –  we agreed to communicate. You promised me that you wouldn’t do this by yourself. I’m upset you broke that promise and our agreement, but I understand why you did it. Just wish you hadn’t ‘cause we coulda fixed whatever it was. Easily. I woulda made time for you; shit, I did make time for you, and you threw it back in my face. That shit hurt.”

“I know,” Tess whispers. “I would feel the same way, too. You have every right to be upset with me. I’d be mad if you weren’t mad at me.”

That makes Paige laugh. It’s full, from the belly, and all of the tension in the room disappears. Paige is quiet for a moment before she speaks again. “I’on know about forgiveness right now,” she says honestly. “We gotta work towards that. But I don’t wanna be mad anymore.”

“That’s good enough for me,” Tess says softly. Paige smiles at her, her knuckles brushing her hand, the touch electrifying. The relief is nearly overwhelming. Things aren’t back to normal, but they’re as close to normal as they’ve been in five months, and that’s all Tess can really ask for. She then remembers where they are and exhales deeply. “I, uh, I think Moe might need a hand in the kitchen.”

Paige refocuses. She clears her throat. “Yeah. Okay.” They both stand, Paige holding onto the plate of cookies, but before they can leave the room, Tess stops her with a hand to her wrist.

“Thank you,” she says quietly, her throat bobbing. “For hearing me out.”

Paige’s smile grows, turning into something tender despite the reservation in her eyes. “Of course.” Then, Tess can almost feel the shift in the air as Paige’s eyes flash with mischievousness. “Just don’t do that shit again or you can go spend Thanksgiving with the Ionescus.”

“Paige Madison!”

After their much needed conversation, the energy in the house almost immediately changes. Tess feels like her breathing comes a little easier since she doesn’t have to walk on eggshells around Paige. When they made it back downstairs, Moe instantly put them to work in the kitchen. Both Moe and Paige pretended to not see Drew and Tess’s excited handshake to celebrate the fact that the cookies worked. Tess and Paige sat side by side as they peeled the potatoes for the mashed potatoes, quietly catching up on all of the things they’d missed over the last five months. Tess thought that revisiting those memories would hurt a little more, but being honest with Paige helped a lot. They’re working on moving past this, and while Tess does have much to atone for, she fully intends to put in the work to earn back Paige’s trust.

As soon as the potatoes are peeled and ready, there’s a knock at the front door. Moe leaves to get it and returns with a family of four in tow. Tess doesn’t recognize them, but when Paige goes in to hug each of them, she assumes it must be her mom’s side.

“Tess, this is my mom, Amy, and my step-dad Brian,” Paige states, some lingering fondness in her tone. Tess grins as she shakes their hands, greeting them. “And these idiots are Lauren and Ryan.” Immediately, Lauren and Ryan start talking over each other as they drag Paige, but the taller blonde struggles to hide her amusement as they squabble. “Guys, this is Tess.”

“Your girlfriend,” Ryan drawls, cooing dramatically. Lauren snickers.

Paige, to her credit, doesn’t react much, but a light flush settles on her cheeks as she smiles at them. “Yes, my girlfriend,” she says. “Where’s yours?”

Lauren hisses, murmuring ouch under her breath, while Ryan rolls his eyes and Tess giggles. “Not fair. You guys U-Hauled.”

“I actually specifically told her I’d do anything but U-Haul,” Tess cuts in. Paige scoffs, but grins. “It’s nice to meet you both.” 

Moe then kicks the four of them out of her kitchen and Paige drags them into the living room where Drew is watching TV. Everyone disperses, settling in on the couch or the futon. Tess hardly has the time to make a decision before Paige takes a seat in an armchair, pulling Tess haphazardly into her lap. Her siblings don’t pay any attention to them as they argue over the remote, trying to set up the Playstation. Tess glances at Paige with an amused look, though also slightly confused. She’d thought she would have needed to grovel a little more before Paige would want to be close to her, but she’s not going to look a gift horse in the mouth.

“Problem?” Paige asks nonchalantly, adjusting Tess so she sits a little more comfortably.

“Nope,” she says. She ignores the slight crack in her voice, but Paige doesn’t have the same plan to. Paige grins smugly and Tess rolls her eyes. “You’re insufferable.” Paige merely pinches her hip in response. Once Paige’s siblings have the Playstation set up, the five of them take turns split-screening Fortnite, integrating Tess almost seamlessly into their dynamic. While two play, the other three chat and play cards. Paige declared early on that Monopoly was firmly off the table, not wanting to sit through Lauren and Ryan’s inevitable argument when one or the other went bankrupt.

Tess settles in easily with Paige and her siblings. She finds herself smiling more than she thought she would, pressed against Paige’s body, and maybe she’ll admit that Thanksgiving isn’t so bad when you have good company. She feels lighter than she has in five months and she couldn’t think of any way today could get any better.

Paige’s hand rests low on Tess’s waist, splaying across her stomach as she pulls her in closer, chin hooked over her shoulder and grinning at the sight of all of her siblings together. Tentatively, Tess rests her hand over Paige’s, relaxing when Paige gives her a gentle squeeze. “You happy?” Tess asks softly, tilting her head so Paige can hear her. She can feel the smile that Paige presses into her neck.

Paige’s voice is muffled against her skin, but she shivers at the way it reverberates through her entire body. “Yeah. I am,” she admits, her tone full of affection. Her grip tightens on Tess ever so slightly. “I missed you.”

Tess’s throat bobs with emotion, feeling her chest tighten. “I missed you, too,” she says honestly. And when Paige’s lips brush against her skin, almost imperceptibly, Tess gets the feeling that they’re a lot closer to being okay than she’d thought.

Thanksgiving dinner that night goes a lot better than the night before. The chatter is lively, food is passed around, and they all link hands in prayer before digging in. Everything is delicious. Tess would have gone for seconds if she wasn’t trying to save space for pie. Even after their plates are cleared and Tess has to unbutton her jeans just so she can sit comfortably, the nine of them remain at the table, sharing stories and jokes. Paige’s hand finds her knee under the table, almost unconsciously, and Tess’s subsequent smile is real. She should be alarmed by how well she assimilates into Paige’s family, by how well she plays the part of girlfriend. She should be alarmed by the fact she’s not pretending at all, that this is just the soft, simpering idiot that Paige turns her into with the simplest of smiles.

When everything is said and done that night, Tess is crawling back into Paige’s bed, the smell of her shampoo and perfume still fresh on the sheets. The air mattress has been lying untouched since the night before. Tess is struck with the realization that she doesn't want Paige sleeping on the floor tonight, but she can’t think too much about that because Paige is walking back into her room, her hair damp over her shoulder as she squeezes the excess water out with a towel. They share a soft smile. Tess still thinks that Paige is the prettiest woman she’s ever laid eyes on.

“So,” Tess begins hesitantly, folding her hands over her stomach as she reclines back on the bed. Paige hums, urging her to continue, running her brush through her hair. “I heard through the grapevine that there’s a Thanksgiving tradition where you tell your friends and family what you’re thankful for.”

“Yeah?” Paige asks, an inquisitive noise building in the back of her throat.

“Mhm,” Tess responds, glancing at Paige, who meets her eyes through the mirror on the wall. Her lips quirk up into a smile. “Am I allowed to say I’m thankful for you?”

“Depends,” Paige teases. She leaves her hairbrush on her dresser and takes a seat at the foot of her bed, pulling on a pair of socks to ward off the late-November Minnesotan chill. “Do you mean it?”

“I do,” Tess says, completely honest. Paige’s eyes scan her features for any hint of a falsehood. Finding nothing but earnestness, her smile grows, an almost bashful flush settling on her cheeks. “I’m serious. I know I’ve been a jerk–”

“Not the word I’d use–”

“Shh,” Tess laughs. Paige raises her hands in defense. “But I’m glad you’re here, that you’re in my life. You didn’t save me, but you made it easier to want to save myself. I don’t make it easy for you, but… I don’t know – you take care of me. I just hope I can repay the favor one day.”

“S’not transactional,” Paige states. “Don’t need you to ‘repay’ me. Just want you to be happy.”

“I am.”

Paige smiles at her, a lone dimple popping out, and Tess truly can’t help the way her heart beats a little faster. “Good.”

There’s something about the way Paige lingers, her gaze expressive. “Paige,” Tess says, almost nervously. She hums, leaning back slightly, awaiting her question. Tess clears her throat. “Don’t sleep on that fucking air mattress.”

Paige’s eyes are bright, alert, searching Tess’s expression for any sign of a sike! moment. “Are you sure?” she asks, her voice barely a whisper. “Don’t wanna–”

“Paige,” Tess says again. “Please?”

And then Paige is nodding, a smile overtaking her features again. She crawls gingerly over Tess’s legs, slipping under the purple comforter next to her. They’re both on their backs, nearly elbow to elbow, and the space between them feels electric. Sure, they shared a room on their Bose trip, but they remained in their separate beds. This is the closest they’ve been in five months, and Tess is certain that every cell in her body is simultaneously combusting.

“Tess,” Paige says.

“Yes, Paige?”

“Am I allowed to say I’m thankful for you too?” she murmurs.

Tess’s chest loosens. “Depends.” She cranes her neck to glance at Paige, but the blonde is already staring at her, her gaze dark and beseeching. “Do you mean it?”

Instead of a verbal response, Paige moves, one hand holding herself up and the other cupping Tess’s jaw, kissing her with a soft intensity that pulls the breath directly from her lungs. Tess sighs, tangling her fingers in Paige’s hair, letting Paige guide her as she liked for better access. Paige pulls back, her nose brushing against Tess’s cheek as she presses her lips to the slope of her jaw, the spot under her ear that makes her shiver, the base of her throat, her pulse point. Tess can feel Paige’s smirk as she lingers, her lips sweeping across her skin. “Your heart’s beating really fast,” she murmurs.

Tess scoffs, blushing fiercely. “I wonder why,” she retorts.

“I think I got a few ideas,” Paige says smugly.

“Think less,” Tess says breathlessly, pulling Paige back to her lips, halting whatever stupid comment she was about to make. Paige grins insufferably, her kiss long and slow. Tess feels herself sinking deeper and deeper into the mattress, consumed by all things Paige Bueckers; the scent of her perfume, the silk of her pillowcase, the warmth of her hand on her skin, the push and pull of her lips.

When they finally pull apart, Paige’s lips ghost across her temple as she murmurs, “Happy Thanksgiving, baby.”

The nickname does little to slow the beating of her heart. Tess doesn’t care. “Happy Thanksgiving, Paige.”

DECEMBER 2023

are you still interested in christmas-ing with the kennedys?

Wouldn’t miss it for the world

okay let me email you the tickets

[Paige loved “let me email you the tickets”] You gonna pick me up from the airport?

i could be persuaded

Say less [1 Attachment]

that’s a picture of dunkin donuts

It is Which is what I will buy for you if you pick me up from the airport

you drive a hard bargain 🤔 can you upsell? 

I mean Coffee, a bacon egg & cheese, and Paige Bueckers in your passenger seat Are you not convinced?

not really

Bruh Tess PLEASE do not make me take an Uber

you are such a baby 😭 don’t worry i’ll be there with a sign that says “welcome back from jail”

As long as you’re there I don’t care what’s on the sign

ok smooth oh also so what are your thoughts on spending like a day with my family then we go into the city for like the new year’s eve stuff in times square

Alone? 🫦

oh my god ok so you can actually walk from the airport

I’m kidding I’d be down for that Whatever you want

[Tess loved “Whatever you want”] sounds good see you soon

Can’t wait 🫶

DECEMBER 29, 2023

Tess is nervous.

She isn’t exactly sure why. She’s been in this situation time and time again, waiting at the airport for someone to pick her up or waiting to pick someone else up. It’s extremely busy, an unfortunate repercussion of the fact that it was that limitless space between Christmas and New Year’s where time didn’t exactly exist and people were flying in and out of New York constantly. Perhaps the difference is just because it’s her picking up Paige when it’s usually the other way around. One of the themes she’s begun to notice is that simply doing things with Paige just makes them feel different. She can’t exactly explain it, but Paige has this way of helping her see and experience things through a new lens.

The bustle of the airport makes her stand on edge. She’s never been a huge fan of the crowds, the constant noise, which is probably a strange thing to say as an athlete. She’s usually able to lock in and drown it out, but she’s anxious for other reasons. Paige will be walking through those gates in a few short minutes. Tess is excited to see her – that’s not the issue. She’s dreading the fact that as soon as she and Paige reunite, half of the airport will want to shove their phones in their faces. Again, the lack of fan privacy is probably something she should be used to, although she’d spend her life arguing that the lack of autonomy and respect isn’t something that should be normalized.

But that’s neither here nor there. The PA overhead clicks on. Tess can barely hear the robotic voice over the noise of the crowd as it announces the landing of Paige’s flight. Just a little longer, Tess reminds herself, then we can go home. The time seems to pass slowly, but soon enough, Tess can see a new crowd forming, emerging from the gate, and she feels her heart beat just a little faster at the implication.

Paige stands tall in the crowd, her blonde hair sticking out like a beacon. She’s dressed in an all black Nike tracksuit with the Husky logo emblazoned on the chest, although she holds a hoodie close to her chest as if she’d gotten hot on the plane but prepared well for the New York chill. Tess makes her way through the crowd in Paige’s direction. It doesn’t take long for Paige to find her, a beaming smile growing on her face, and Paige falls into her with evident relief.

Tess will never get tired of the way Paige hugs her. She melts completely, her body enveloping hers, her head always falling close to her neck. Paige’s body is firm, tangible, and Tess sighs at the weight and pressure of their embrace. “Merry Christmas, ma,” Paige murmurs in her ear, squeezing her tight.

“Merry Christmas, Paige,” Tess responds. “And Happy New Year’s, I guess.”

Paige’s shoulders shake with laughter as she pulls back, dropping an affectionate kiss to Tess’s forehead before intertwining their fingers. “It ain’t New Year’s yet,” she says.

“Close enough?”

“Nah.” Paige shakes her head, looking all too mischievous. “S’not New Year’s until I get my kiss at midnight.”

Tess rolls her eyes, but a flush settles over her cheeks. “You’re incorrigible.”

“C’mon – look at you!” Paige gestures with her free hand as she leads the two of them over to baggage claim. “I’m not a monster, I’m just a man with needs,” she sings, terribly off-key, which amuses Tess.

“Alright, Daniel Caesar,” she goads, smirking. “Let’s get you out of here before people charge you with aural assault.”

Paige suddenly looks affronted, blue eyes wide and indignant. “Oral?” she asks, wrinkling her nose.

Tess sighs, shaking her head. “No, baby, aural. A-U-R-A-L. As in hearing.”

Paige scoffs. “Jus’ say that, then.” Then, her head snaps back quickly, glancing at Tess with mock-offense. “Wait, that wasn’t nice!” Finally, her suitcase rolls around and she hauls it off the conveyor with ease.

Tess snickers, patting Paige on the shoulder. “Remember what I told you? I gotta keep your ego at a reasonable level.” With their hands still linked, Tess leads them through the crowded airport quickly, eager to get home and away from all of these people.

“My girl so mean,” Paige huffs dramatically. “Nothin’ wrong with my ego. You’re just a D1 hater.”

Tess smiles. “Are you finished?”

“No!”

Paige rambles the entire drive back to Tess’s house, but she at least stays true to her promise and buys Tess brunch at Dunkin – not that Tess expected anything less from her. In the short eight months they’ve been friends, Paige has proven herself to be very intentional in her words and actions. She doesn’t make a habit of saying things she doesn’t mean. Excluding their banter or when they’re teasing one another, Paige is unfathomably genuine. Promises and intent are incredibly important to her; Tess found that out the hard way back in November, but she’s keen on keeping that an isolated incident.

When Tess parks on the curb behind her parents’ car, she cuts the engine, but makes no effort to get out. Paige glances at her with a concerned expression, her thumb brushing against her knuckles gently. “So, my parents might be…a lot,” she says hurriedly, meeting Paige’s eyes. “Just let me know if it gets overwhelming or something, okay?”

Paige smiles reassuringly at her. “Don’t worry, ma. We got this in the bag.”

Tess returns the smile, though it’s a little weaker. “I’m serious. My dad likes you but you might get the shovel talk.”

“I’m serious, too.” Paige lifts their hands, pressing her lips to Tess’s palm. There’s no use hiding the infectious blush, so she just tries to not look as down bad as she feels. “I can handle it.”

Tess sighs, conceding, and she collects her belongings and leads Paige into her house. Her parents are sitting in the living room watching a movie when they walk in. Almost instantly, they turn to stare down Paige, who, to her credit, doesn’t falter, instead offering a polite smile.

“Hey, guys,” Tess says awkwardly. “This is Paige. Paige, these are my parents, Alessandra and Mateo.”

Her parents stand to shake her hand. “Great to finally meet you both,” Paige says charismatically, not wincing under her father’s handshake, which earns her a gleam of silent approval. Point, Paige. Her parents echo the sentiment, flashing relaxed smiles, and Tess finally chills out.

“Are you both staying for dinner? I know you have other plans this weekend,” her mom asks.

“Yes, mamma,” Tess replies with a smile. “We’re heading into the city tomorrow afternoon and I’ll be back on Monday after I drop her off at the airport.”

Her parents share a glance, as if silently communicating with one another. Their apparent telepathic capabilities always terrified Tess growing up. That fear comes back tenfold when the both of them glance at Paige, curiosity in their gaze as they soak her in. Paige, admirably, stands strong, a calm seriousness in her expression. She doesn’t even react when Tess subconsciously tightens her grip on her hand. While it feels like they stand there for hours, the staredown only lasts a few seconds before her parents relent. “I’m making bolognese tonight,” her mom states, the tension in the room dissolving.

At that, Tess relaxes again, and flashes a quiet smile at her parents. “We’ll be in my room,” she says. “Paige is jet-lagged after her flight.” None of them comment on the fact that Paige only travelled across one time zone, but her parents smile kindly and return to their movie as Tess drags Paige down the hallway, flushing. “Oh my God. That was the most nerve wracking thing ever.”

“I’ve never dissociated so hard in my life,” Paige confesses. “Did I do okay? Can they smell fear?”

Tess laughs, pulling Paige inside her room and shutting the door. “Christ, Paige – they’re Italians, not fucking sharks.” Paige rolls her eyes, depositing her bags close to the door and kicking off her shoes. She wraps her arms around Tess from behind, rocking them side-to-side, and Tess can’t help her smile as Paige sighs with relief. “Good job, though. She asked if you were staying for dinner.” Tess spins in Paige’s embrace, wrapping her arms around her neck and kissing her in celebration.

“Is that good?” Paige asks, her cheeks turning red.

“Very,” Tess confirms. “Just don’t wear jeans. She cooks enough for a small army and she’ll make you eat dessert, too.”

Paige nods seriously, like impressing her parents is an important task to her. “I’ll lock in,” she vows, her lips brushing against Tess��s jaw. “They’re gonna like me more than they like you.”

And at that, Tess shoves Paige away from her, scoffing indignantly while the blonde dissolves into laughter. “Jerk,” Tess grumbles. She makes her way to her bed, climbing in and turning the TV on. “Grey’s?” she asks Paige hopefully, as if the blonde would ever say no to Grey’s Anatomy, and Paige nods as she crawls in next to Tess, slinging an arm over her waist and resting her head on her chest.

They make it through an episode and a half before Paige falls asleep, lulled into slumber by the drag of Tess’s fingertips against her scalp. Tess knows she’s been working hard this season, spending extra time in the gym and training because she’s shouldering so much more for her team. She’s on court for nearly 40 minutes a game and although she’d never admit it, Tess knows that it’s taxing.

Tess wouldn’t admit it, either; she knows this arrangement is temporary, but she could get used to this – laying in bed with Paige while the blonde naps, comfortable in the knowledge that out of all of the people in her life, Tess is the one person she knows she can go to and not be expected to be Paige Bueckers all the time. She’s not expected to shoulder all of the responsibility, not expected to be the tough one – she can just be. The fact that Tess can provide that kind of comfort and security for her means more to her than she’d ever expected.

Paige shifts in her sleep, her arm tightening around Tess’s waist subconsciously, and Tess allows herself a gentle smile. It’s temporary, but she’s going to enjoy it for as long as it lasts.

Dinner was surprisingly nice that night. True to Tess’s word, her mom did make a shit ton of food, but Paige was a willing victim as she went back for seconds and had room for a slice of tiramisu. The chatter was lively and Paige integrated so well with her family. They asked about her childhood, her dreams, and her dad even dragged her into a lengthy conversation about football and the Superbowl. For an Italian raised man, her father was far too interested in American football, but Tess can’t find it in herself to mind too much when Paige’s hand finds her knee under the table as she listens intently. The smile on her face is bright, endeared. When Tess catches her mother’s gaze from across the table, noting the silent approval and her own fondness, she realizes that there’s just something so right about her and Paige.

They gather around the Christmas tree after dinner. Tess and her parents had already opened most of their gifts when Tess’s cousins came around on Christmas day, but her parents had surprised them both with gifts for Paige. Paige wasn’t expecting it, but the childlike wonder on her face was priceless, and Tess really couldn’t have been all too shocked by the fact that she fell just a little harder for Paige as she opened her presents. It was nothing major; a few pieces of workout apparel, a sneaky South Carolina hoodie that they all laughed at as Paige stared at it in mock-disgust (Tess knew she’d wear it), and a gift card for an upscale restaurant in the city that she and Paige planned to take full advantage of.

And then Paige surprised her parents with gifts of their own, which was incredibly fucked up, because how was Tess supposed to go back to normal when Paige is buying her parents Christmas presents and they’re not even dating for real? Paige gives her father a beautiful watch and her mother a gorgeous necklace. Judging by the way they sparkle, they must both cost a fortune, and Paige tells them she already tore up the receipts so there’s absolutely no take-backsies.

Tess hugs her parents goodnight, although they also pull Paige in for one when she tries to shake their hands again. Her parents both whisper their firm approval and Tess can’t help the way her chest tightens. They tell her that they really like Paige – that makes Tess laugh weakly because they aren’t the only ones. She really likes Paige, too, and that’s slowly becoming her biggest problem right now.

After they both shower, Paige rifles through her bag, searching for something, and when she turns around, she presents Tess with a small, gift-wrapped box. “Paige,” Tess grumbles, not expecting a gift from her, but the Cheshire grin on her face makes her resolve weaken.

“C’mon,” Paige goads. “D’you really think I wouldn’t get you sum’?” Tess rolls her eyes, but she opens the drawer on her nightstand and pulls out a gift wrapped box, too. Paige’s smile grows. They exchange their gifts, and after much argument, Paige convinces Tess to open hers first. She takes the wrapping apart gingerly, her eyes widening at the Tiffany & Co logo. “Don’t freak,” Paige says gently, which does little to hide the fact that Tess is freaking.

“Paige–”

“Open it, ma.”

Swallowing thickly, Tess does, and tucked into the cushion of the box is a small, yet glimmering, bracelet charm. She picks it up gingerly, her breath catching. “I struggled for a really long time to find the perfect one,” Paige admits in a whisper. Tess glances up at her, watching a slow smile spread across her face. “Had to get it custom made. It’s the Gampel court. I know – why would you wanna walk around with the enemy court on your wrist, whatever, but flip it over.” Tess flips it, and on the back, February 8, 2021, is engraved. “This was the first game we’d played against each other. The first time I met you in person, the first time I shook your hand. And honestly, I didn’t think we could beat you. I didn’t think I could beat you. You made it really fucking hard.” That draws a teary laugh from Tess, but Paige keeps going, a smile on her face. “As we played, it became less about, I’on know, beating you and more about impressing you. Win or lose, I was just really fucking grateful I got to share the court with you. I learned so much from your game and you made me a better player, whether you realized it or not. I was scared to reach out to you – you’d always been sort of untouchable, I didn’t think you’d wanna be my friend, especially since we’re on different teams. But here we are now.”

“Here we are,” Tess agrees, her lip quivering. “I don’t know how I’m supposed to out-do that,” she jokes.

Paige rolls her eyes, dimples popping out. “Lemme put it on you?” she requests. Tess nods, handing over the charm, and with overwhelming gentleness, Paige clasps the charm to her bracelet, giving her hand a squeeze once it’s safely secured.

“Thank you,” Tess says, her voice barely a whisper. She meets Paige’s eyes. Her expression shines with adoration, fondness, the blue of her gaze disarming. “It’s beautiful.”

Paige smiles at her, vulnerable and tender. “Of course,” she says.

Tess gestures to the wrapped box in Paige’s hand and she opens it gingerly. Inside the box is a thumb ring. The band is extremely thin, gold in color, and isn’t perfectly straight. It resembles the stem of a rose which leads into the petals with two miniscule leaves jutting out on either side. Paige stares at the ring in a reverent sort of awe. “So, we have this Italian saying: se son rose, fioriranno. ‘If they are roses, they will bloom.’ It essentially means that things take time to develop. You have to have faith that the roses will bloom – that you will bloom. It reminded me of both of us – our ACLs, that in time, they won’t weigh us down.” Paige glances back up, meeting Tess’s eyes. “It reminded me of you. I know this year hasn’t been easy for you so far, for your team, but in time, you’ll find that success you’ve been working your entire career for.”

Paige smiles even though her eyes water and her bottom lip quivers. “Tess… I’on know what to say.”

“Well, that’s a first,” Tess jokes, and the both of them dissolve into laughter. At Paige’s insistence, Tess slides the ring onto her thumb. Paige stares at it for a while, a dopey expression on her face, but Tess can tell she loves it. “Merry Christmas, P.”

Paige’s smile grows. She leans in, softly pressing her lips to Tess’s, her arm curling around her waist and dragging her closer until she’s nearly in her lap. Tess places her hands over Paige’s shoulders for stabilization, content to let Paige take the lead, but it’s not long before Paige is withdrawing to ghost her lips across Tess’s cheek, murmuring into her ear, “Merry Christmas, baby.”

DECEMBER 30, 2023

The first few hours of the morning are spent watching cheesy Hallmark movies, much to Paige’s chagrin. She thinks they’re too corny, but Tess argues they’re a holiday staple. Paige eventually gives in after Tess makes her a mug of hot chocolate with extra whipped cream, although that doesn’t save her from Paige’s endless commentary.

“The acting is so bad,” Paige says, her tone disgusted. She stretches out a little more on the couch, her leg brushing against Tess’s. “Why does she move her head so much? Why does she keep blinking?”

“Paige,” Tess says, fond exasperation clear in her tone. “It’s not supposed to be good.”

“Well, it’s bothering me,” she whines. “Moving your eyebrows so much doesn’t make you look cool. It makes you look ridiculous.”

“You are such a baby,” Tess gripes. She lifts Paige’s left arm, tucking herself flush against her side. Paige gives her shoulder a gentle squeeze as she pulls her in a little tighter. “If you think about it, they’re just like us.”

At that, Paige raises her brows, huffing out something akin to unconvinced laughter. “Yeah? How so?”

Tess smiles at her coyly. “They got paired up together for the mural contest. Now they have to work together if they want to win.” She presses her fingertips together, separating them as she makes an explosion noise. Paige snorts. “I don’t think we’d be on Hallmark, though. Not PG enough. You curse like a sailor.”

“Me?” Paige asks. “Have you heard yourself?”

“You’re really gonna sit here and blame me for sh – stuff?” Paige gives her a knowing look, a smirk growing on her face. Tess juts her lip out in a pout that’s clearly not working on Paige. “It’s Christmas and you’re being mean to me?”

“It is not Christmas –”

Tess sighs dramatically, cutting her off. “Christmas,” she whines.

Paige rolls her eyes good naturedly, brushing her lips across Tess’s temple and shutting her up. They finish the movie, along with two others before it’s time for them to make the arduous, thirty minute journey into the city (traffic was a bitch). Paige called dibs on driving, which Tess wasn’t happy about considering that it was her car, but as soon as she thought about driving through the city traffic, she changed her mind.

Tess booked them a suite in a hotel called Tempo by Hilton, mostly due to its proximity to the New Year’s Eve ball drop location. After they checked in, they planned on heading out to dinner and then lounging around for the rest of the evening. They weren’t doing much on the 31st either, their only real plan being the ball drop. They agreed they weren’t going to fill up an entire itinerary. New Year’s in New York was just supposed to be a weekend vacation away from their families and the city would be crowded enough that they’d be away from the media, too. It was difficult to find much to do since Tess was not a fan of the New York nightlife. December marked eight months of sobriety – it wasn’t a lot, but it was a source of pride for her. She had no interest in going back on that even if the urges were long gone by now.

They got ready for dinner together, although Paige was absolutely no help at all. She was dressed in a multicolored striped sweater, baggy white jeans and a pair of matching shoes; her hair was styled down in loose waves. Tess jokingly told her that she looked like an art teacher and Paige rolled her eyes so hard that she had to lay down because it made her head hurt.

“Paige, I don’t know what to wear,” Tess complains. 

“Sum’ warm,” she says unhelpfully, not looking up.

“I want to wear a dress.”

“Then wear one?”

“It’ll be cold!”

“Bring a sweater.”

“And ruin the fit?” Tess grumbles.

Paige laughs, much to Tess’s chagrin. “You can pull anything off,” she says.

“It’s probably not even that cold,” Tess muses, glancing down at the dress she packed. It’s a simple black one that cuts off just below her thighs with thin straps at the top. “We’ll be inside for the most part, right?”

Paige shifts, holding her head up with her hand as she stares at Tess with amusement. “Wear the dress. Bring a sweater. Or don’t. I can give you mine and we can be all cute and shit.”

“You just want me wearing your clothes,” Tess says under her breath, but Paige hears it.

“Damn,” she deadpans. “Caught me.”

Tess wears the dress. She doesn’t bring a sweater. The restaurant was warm enough that she didn’t need one, although she’s certain that Paige deliberately took them the long way back to their hotel so she’d cave and ask Paige for her sweater. Her suspicions are proved true when Paige forces them to take what feels like a million photos, but Tess just feels endlessly endeared by her, so she entertains it.

“I like you in this,” Paige comments nonchalantly once they make it back to the hotel room. She toys with the frayed edges of the multicolored sweater mindlessly, glancing up to smile at Tess coyly.

“I know,” she says, taking her jewelry out and unpinning her hair. Paige lingers behind her, watching as she works. “You’re so down bad. It’s sickening.”

“Sorry,” Paige lies. Tess shakes her head with an amused smile. “Look in the mirror and get back to me. Who wouldn’t be?”

They watch an episode or two of Grey’s before bed that night, although Tess falls asleep after the first thirty minutes. The weight of Paige’s body against hers was too calming, the scent of her perfume in the air, the drag of her fingertips across her back. Despite doing nothing but lounging around, traveling, and going to dinner, Tess was exhausted. Paige could be partially to blame for that – she makes Tess feel safe, like she doesn’t have to worry about keeping all of her walls up. She has a comforting energy that could make anyone relax and lose all of their worries.

But maybe she’s a little too effective at that. If Tess had managed to stay awake longer, then maybe she would have heard the dial tone, the sound of another person picking up, and Paige’s whispered confession of, “Aubrey, I might be in love.”

But she didn’t hear it – and Paige may never say it again.

Things are fine the morning after, although Tess would have no reason to expect them to not be. She wakes up before Paige does (not a surprise), although they shifted at some point during the night. While Tess fell asleep with her head on Paige’s chest, she woke up on her side with Paige’s right arm slung protectively over her waist and the blonde’s face pressed into the back of her neck. Her breathing was gentle, fanning against her skin, sending shivers down Tess’s spine when she was coherent enough to realize just how close they were.

She slides out of Paige’s arms, careful to not wake her, and stretches as she walks into the bathroom to begin her morning routine. She’s in the middle of brushing her teeth when Paige finally wakes up, padding into the bathroom and wiping the exhaustion out of her eyes. “Mornin’,” she says, voice thick with sleep. She presses a quick, chaste kiss to Tess’s cheek before she reaches for her own toothbrush and gets to work.

“Morning, Paigey,” Tess says, though her words are muffled around the toothbrush in her mouth. Paige shoots her an amused glance while Tess tries not to stare at her too obviously. She’s dressed in a pair of black basketball shorts and a matching Nike sports bra, although her shorts hang low on her waist, revealing the waistband of her boxers. There’s not even a safe region for Tess to look at. The muscles in her shoulders are freakishly defined, the veins in her hands protrude slightly, her expression is soft and mellowed out, and her hair is down in bedridden waves. Tess needs to be taken out back and shot between the eyes. This is getting out of hand.

“Sum’ you wanna say?” Paige asks around the foam in her mouth. Tess flushes immediately, much to Paige’s endless enjoyment.

“Nope!” she says as she spits out her toothpaste. “Nothing at all.”

Paige catches her around the waist when she tries to leave, attempting to put space between them. Tess’s breath hitches as Paige pulls her flush against her, her hands resting on her bare stomach. Wordlessly, Paige bites down on her toothbrush, using her free hand to wipe away a smudge of toothpaste off Tess’s bottom lip. Paige’s subsequent smile is all too smug and she has to shove her away before she says something pathetic like naming the 2023 WNBA draft class by pick order.

She can hear Paige’s light laughter from the bathroom as she returns to the main room. When Paige finishes up in the bathroom, she doesn’t mention how she flustered Tess, although she does put a shirt on (much to Tess’s simultaneous relief and disappointment) and picks up the phone to order room service for them. The food arrives quickly, an assortment of meats, pastries, and other delicacies. Paige insists on making Tess’s plate for her – the princess treatment getting is ridiculous, but who is she to complain? – and the photo of Paige that she captures, messy bun and oversized t-shirt on, is good enough that Tess considers gatekeeping it, but she ultimately posts it anyway because the people deserve to know that UConn’s basketball star is doing this for her and not for them.

Paige reposts it with the eye rolling emoji and the princess emoji, which makes Tess laugh.

They talk all throughout breakfast, easy conversations and jokes, and they lounge around in the hotel room until it’s time to get ready for the ball drop. Tess, once again, struggles with what to wear, but when Paige comes out of the bathroom wearing a hot pink, long-sleeved Nike sweater with black baggy cargos and rummages through Tess’s suitcase, Tess really can’t be all too surprised when the outfit Paige selected matches her’s.

“You could be a little less obvious,” Tess suggests as she does her hair in the mirror.

Paige only smiles, taking in Tess’s outfit. Paige has dressed her in a pink tube top and black high-waisted pants with a matching coat. “Nah,” she says after a minute of shameless ogling. “I did my big one.”

Tess rolls her eyes. She would never admit it to the blonde, but she and Paige look good.

The walk to Times Square flies passes quickly. They spend it hand-in-hand with Paige expertly navigating them through the busy New York foot traffic as Tess takes countless pictures of the city decorated for New Year’s. She gets plenty of photos of Paige, too, the easy smile on her face, her side profile illuminated by the city lights. Tess knows very well by now that Paige is extremely attractive – that wasn’t a secret to anyone. She was magnetic and Tess has been stuck in her orbit from the first time they met, not in the conference room, but when they played each other in 2021. It takes her a long time to realize her feelings. She keeps them under tight lock and key, knowing that her goal and purpose is to play basketball. She never had the time for anything else, but when Paige finds her gaze, squeezing their intertwined hands, Tess thinks that maybe she could make time if Paige decided to stay in her life permanently.

Paige isn’t magnetic because of her looks. It definitely helps, and while that physical attraction will never leave, Tess has come to find she’s attracted to Paige for other reasons. She likes Paige’s kindness, her candor, her irresistible charm. She likes that Paige keeps her accountable, that she stands ten toes down on her beliefs. Tess is drawn to the way Paige cares for those around her, the way she gives everything her all. She likes her humor, her faith, her compassion. There isn’t a single thing Tess hates about her, but there’s an infinite amount of things that Tess loves about Paige Bueckers.

Love.

Tess loves Paige Bueckers.

That realization, while incredibly sudden, doesn’t surprise Tess as much as it probably should. If anything, it’s freeing – there’s a reason, an explanation to the way she’s been feeling for so long. It should scare her, but it doesn’t. Maybe it’s because it hasn’t set in yet, the panic. Tess panicked when she realized she had feelings for Paige in the first place. But maybe it’s because she’s older now, arguably wiser. She’s learned that she can’t run from her feelings. She has to embrace them for what they are. She’s in love with Paige. It should scare her because Paige was her first “relationship,” first kiss, and now, first love. It should scare her but it doesn’t and that’s just what it is.

It should scare her because now, rule four is officially broken. There’s no arguing against it or calling it by any other name. She dapped Paige up in a campus coffee shop and promised her that she wouldn’t fall in love with her. In fairness, a Notes app contract and a handshake isn’t really legally binding. But at the end of the day, Tess doesn’t care and that’s probably the scary part. She’s in love. It’s unsurprising, undaunting, and looking back, inevitable. 

“You good?” Paige asks, drawing Tess from her thoughts. “You got really quiet.”

Tess thinks about her answer. Is she okay? She’s here, in New York City with Paige Bueckers, the woman she’s in love with, and they’re about to watch the New Year’s Eve ball drop. She’s three months away from being able to play basketball again, a year away from declaring for the WNBA draft. She is literally on the cusp of achieving all of her dreams, of having everything she’s ever wanted. So, she smiles at Paige, shifting closer into her personal space as they walk, and she’s honest when she responds, “Yeah. I’m good.” The smile that Paige gives her is bright, full of fondness, and so disarming that Tess truly wonders how she went so long trying to convince herself that she couldn’t fall in love with her. Paige just makes it so easy. And when she pulls Tess tighter into her side, whispering a joke into her ear, part of Tess hopes that Paige could find it within her to love her back. Another part of her notices the clear adoration in Paige’s eyes, the way she tightens her grip on her hand, and she thinks that maybe Paige Bueckers being in love with Tess Kennedy isn’t such a long shot.

Paige finds them a secluded spot in Times Square, decently far away from the larger portion of the inebriated crowd. The wind is frosty, nipping at her nose and fingers, but Pagie’s body is so warm. She wraps both arms around Paige’s waist, laying her head on her chest, and the blonde runs her fingers up and down her back in a soothing motion. She’s not scared to be in love, but it’s overwhelming in the best way possible. Her heart feels like it’s about to burst at the seams, that the only way she could get this energy out is if she cried from the rooftops.

Right now, there’s literally nowhere else she’d rather be. She has room in her heart for both basketball and Paige – her two first loves. For her, that’s enough.

“D’you have any New Year’s resolutions?” Paige asks once the clock hits 11:50. 

Tess hums, pausing to truly give it some thought. “I think I’m going to try to do more next year,” she admits in a soft whisper. “Do more things, meet new people, take more risks. This year really taught me I can’t just rely on the same thing. Take more drives into to paint, you know?”

Paige smiles at her, immediately catching onto her reference. “No more three-point shooting for you,” she teases. “I wanna see you out-hustle Kamilla for some rebounds.”

Tess laughs. “I don’t know about that,” she says wryly. “What about you? Any resolutions?”

Paige’s hand is warm on her back, still brushing her fingers against her spine. She’s quiet as she thinks. She stares directly into Tess’s eyes when she responds, her eyes blue and beseeching. “I wanna try to build something permanent,” she confesses, her throat bobbing with nerves. “Legacies. My future.” Paige hesitates before her next words. “...Relationships.”

“Yeah?” Tess asks. Paige nods, a flush on her cheeks, though Tess can’t tell if it’s from the December chill or embarrassment. “Sounds admirable. But if anyone can do it, you can.”

Paige’s smile is solemn, although Tess doesn’t pick up on it, shifting her attention to the clock. 11:53. The two of them sit in silence for the next few minutes, swaying side to side to the beat of far-away music, the murmur of the distant crowd. Tess allows herself to get lost in the fantasy of a new year, one where she and Paige aren’t just pretending. Tess stopped pretending a long time ago. Part of her wonders if Paige did, too. She finds it hard to believe that Paige would be so committed to keeping up appearances in private. You could excuse the amount of time they spent together. Friends do that. But friends don’t kiss. They don’t fall asleep with each other, or cuddle, or call each other “baby” like Paige does with an enamored drawl. The signs are all there, but what if they were all lies? She doesn’t want to get her hopes up, even if part of her feels like there’s something more.

Tess has never been one for resolutions. They’re tacky and no one ever upholds them, but she thinks she’s going to uphold hers this year. She’s going to confess to Paige – eventually. Definitely not during the tournament season, not when Paige has so much on her shoulders already. But one day she will. That’s a promise she’s going to uphold.

She checks the clock again. 11:59. When she glances up, Paige is already staring at her. Coyly, she asks, “Ready to ring in the New Year’s?”

Tess chuckles, tightening her arms around Paige’s waist. “Are you?”

“Been ready ever since you picked me up at the airport,” she retorts, a grin growing on her face. “D’you remember what I said? S’not New Year’s until I get my midnight kiss?”

Tess hums as if contemplating something. “I don’t recall that,” she murmurs, her gaze locking onto Paige’s.

“No?” She shakes her head as Paige draws her in closer. Their noses brush. Paige’s eyes are soft, but there’s an emotion swirling in them that Tess just can’t place no matter how long she searches for the answer. “Is there anything I can do to jog your memory?”

The crowd roars, although Tess doesn’t pay them any attention.

10…

9…

8…

“I’m sure there’s something,” Tess concedes.

7…

6…

Paige smiles at her, her hands firm on her back. “Something?” she drawls.

5…

4…

“Paige.”

“Yeah?”

3…

2…

“Please stop talking.”

1!

And she does, pulling Tess even closer and capturing her lips with a gentle urgency. Tess grins against her, reaching up to tangle her fingers in Paige’s loose hair, though Paige grows annoyed at Tess’s inability to be serious. One of her hands finds Tess’s jaw, taking control and guiding their kiss. Her hands are freezing but they feel like a soothing balm against the heat building in Tess’s cheeks.

Paige pulls away for air, her breath coming out in shallow bursts that forms clouds of steam in the air, but she doesn't stay away for too long. She’s swooping back in and kissing Tess with a renewed vigor, like there’s something she’s trying to communicate. Her lips are greedy, insistent, drawing out every single noise building in the back of Tess’s throat. She’s never kissed like this before – technically, Paige is the only person that Tess has kissed, but there’s something that’s earth-shatteringly new about this interaction. Paige kisses her with want, with desire, like she couldn’t bear it if she didn’t have Tess in her arms at all times. And honestly, given how Tess eagerly responds, trying her best to put as little space between her and Paige as possible, Tess isn’t sure if she herself could bear it if she and Paige weren’t near each other.

Her entire nervous system is alight with activity, neurons firing on all cylinders. Call her delusional, or stupid, or whatever, but Paige has awoken a part of her that has laid dormant for 22 years. It’s like part of Tess was waiting for Paige to come into her life, that she wasn’t fully living until she felt what it was like to love Paige Bueckers. Now that she knows, Tess can’t imagine living a life where she doesn’t love Paige Bueckers, where she doesn’t get to look at Paige like she’s hung the very stars in the sky, where she doesn’t get to wake up everyday and wonder how Paige will piss her off this time. It’s just them, it’s how they work, it’s how Tess wants them to work forever and ever and ever.

“Paige,” Tess gasps, almost breathlessly, pushing the blonde away from her with a hand to her chest. Paige looks almost annoyed at the interruption until she takes in the hazy look in Tess’s eyes. “Hotel?” Tess asks, and Paige nods her head so vigorously, coming back to her senses. She reaches for Tess’s hand and shoves their way through the crowd back towards their hotel.

The walk back feels like it takes ages. The elevator ride isn’t any better. Tess is nearly shaking with anticipation and Paige fumbles with the keycard, cursing under her breath. Finally, she opens it, ushering Tess inside with unseen urgency and shuts the door quickly behind them, locking it.

Tess hardly has the time to react before Paige is on her again, one hand at the base of her throat and the other around her waist. Despite her haste, she carefully walks the two of them backwards until the back of Tess’s knees hit the bed and Paige lowers her down gently, cognizant of her leg. Paige pulls back, her eyes clouded with want but she finds some clarity when she looks at Tess again. “Off?” she requests, her voice hoarse, tugging lightly at Tess’s coat. Tess nods, but Paige is shaking her head. “Words, Tess. None of that shit.”

“Off, Paige, please,” she says hastily, leaving her pride at the door. Paige rewards her with a deep kiss to her lips as she reaches for Tess’s coat, pulling it off her shoulders and throwing it somewhere behind her. She stands to kick off her shoes and Tess almost misses the contact until Paige sinks to her knees, reaching to undo her heels. The sight of Paige on her knees, staring up at her in near reverence sends a shockwave of desire straight to Tess’s core. Once her heels are off, she reaches for Paige, pulling her up and on top of her, connecting their lips once more.

“Fuck,” Paige murmurs, dipping down to press her lips to Tess’s jaw. Tess tangles her fingers in Paige’s hair, pulling the hair tie out, allowing the blonde waves to spill over her shoulders as Paige drags wet kisses across the slope of Tess’s collarbones. She nips at her skin, soothing the bite with a pass of her tongue, and Tess can’t help the moan that rips from her throat when Paige’s hands press against her ribs. “So pretty, baby, you have no idea.”

“Says you,” Tess says breathlessly, which draws a laugh from Paige. She pulls back far enough, hooking her fingers under the hem of Tess’s top. Paige meets her eyes, the question evident in her blown-out eyes, and Tess nods rapidly as she says, “Take it off, please.”

Her top comes off quickly and Paige groans, her eyes zoning in on her bare breasts. “So polite,” she murmurs, sliding her hands to her chest. She glances back up for consent, and once she has it, she brushes her thumbs across her nipples, drawing a whimper from Tess. “This what I needa do to get you to be nice?” Her tone is warm despite the insinuation in her tone.

“Stop teasing,” Tess grumbles, and who is Paige to deny her? She leans down, littering wet kisses across her chest, encircling her mouth around a nipple as her hand gives equal attention to the other one. Tess slides her fingers through Paige’s hair for leverage, pulling slightly, and moaning when Paige’s subsequent groan reverberates throughout her body. Her back arches off of the bed, trying to lessen the space between them. Paige pulls back, staring at Tess with a reverent smile like she’s the eighth wonder of the world. Then she’s dipping back down, lavishing her other breast with attention, and Tess feels so high-strung that she could float away from the slightest touch.

When Paige moves down her body, sucking hickeys near her ribs, Tess reaches for Paige’s sweater. Wordlessly, Paige raises her arms, allowing Tess to pull her it off. Her mouth goes dry at the sight of Paige’s abs, firm and rigid and inviting.

“All quiet now, huh?” Paige goads.

“Paige–”

Paige shushes her, pressing their lips together again, swallowing the needy sounds ripping from Tess’s throat as her hands explore. They’re warm, leaving blazing paths of desire across her body, dipping down to grip her thighs. “Gonna get you right,” she promises, leaving Tess’s lips, traveling down to her neck where she sucks a mark into her skin. “Jus’ need you to be patient.”

“Don’t want patient,” Tess says, gasping when Paige bites her shoulder. “Want you.”

“You got me,” Paige reassures. “Always, baby, you got me.” Her fingers hook into the waistband of her pants, looking back up to Tess for approval.

“Please,” she begs. “Fuck, Paige, please.”

With almost agonizing slowness, Paige pulls her pants down her legs, still cognizant of her knee. Her eyes widen at the sight of Tess splayed out under her, her breath catching. “Fuck, Tess,” she murmurs in disbelief. Tess finds it hard to be insecure when Paige is looking at her like this. “All for me?”

“For you,” Tess says, her chest heaving.

Paige smiles smugly, whispering, “Yeah, it is,” before she leans down, pressing her lips to Tess’s full thighs, gripping her hips. She spreads her legs, fitting her body in the space she’s created, trailing kisses towards her knee, where the surgery scar remains. Tess’s breath catches in her throat when Paige kisses her knee, her fingers brushing gently over her skin. “Every inch of you is so fuckin’ beautiful,” she whispers in awe. “God, Tess. How are you real?”

For that, Tess has no answer. She reaches for Paige’s hand, intertwining their fingers as she pulls the blonde back to her lips. They’re locked together for a few moments before Tess feels the brush of Paige’s pant leg against her skin. “You’re wearing too many clothes,” she whines.

“Sorry, baby,” Paige whispers against her lips. She kisses her once more, a lingering press before pulling away, pulling her pants off with a quickness. She’s left in a black sports bra and a pair of boxers. 

She settles in again, her lips finding Tess’s navel, pressing wet kisses to her skin. “Paige,” Tess begs again. “Please touch me.”

“Where d’you need me?” she asks, glancing back up to meet Tess’s eyes. She wonders if she looks as destroyed as she feels. Paige hasn’t even done anything, but all of her senses are on overdrive. She reaches for Paige’s hand, guiding it to the apex of her thighs, resting it over her underwear. If she were wearing a lighter color, she’d be concerned about her arousal seeping through the material.

“Off, Paige, please,” Tess requests.

Paige obliges, stripping her fully. Her eyes soak her in, a groan building at the back of her throat at the sight of Tess spread open and exposed for her. Her hands linger on her thighs as Paige returns to Tess’s lips, kissing her deeply once more. “You want me?” she asks, their noses brushing. “We can stop if you want, don’t gotta do nothin’ you’ont want, Tess, I swear it.”

Tess shakes her head, pulling Paige back in. She’s never been more sure of anything else in her life. “Want you,” she affirms, her voice breathless. Paige pulls back again; her pupils are blown out and the desire is evident, but she searches Tess’s eyes for any hint of a falsehood. When she finds none, she presses one last kiss to her lips, trailing down her body again until she reaches her cunt. Her breath is warm against her and Tess shivers.

Paige reaches for one of her hands, intertwining their fingers. With the other, she spreads her legs once more, getting comfortable and finally, she dips down fully to drag her tongue slowly along the length of her slit. She groans, the vibrations making Tess crazy, and it takes everything in her to not lose her mind as her back arches. Paige uses her free arm to press down on her hips, keeping her rooted as she licks and sucks, her tongue all over her. And when Paige finds her clit, wrapping her lips around it and sending waves of white-hot pleasure throughout her body, Tess whines so loudly that she can feel the noise in her throat. “Paige, fuck,” she gasps, one of her hands twining in Paige’s hair, tugging her closer and closer to her.

Paige is vocal in general, but the noises she makes against Tess’s cunt are intoxicating in the best way. Her head spins as Paige laps her up, gathering her slick on her tongue and drinking her up like a woman starved. She travels lower, her nose brushing against Tess’s clit as her tongue circles her entrance, and Tess feels like some part of her has died and gone to heaven. The pleasure is immeasurable, white spots blotting at the edges of her vision.

Then Paige’s arm is leaving her hips, her fingers trailing down, brushing across her folds. She presses her lips to Tess’s thigh, smearing the wetness as her thumb rubs slow, intentional circles on her clit. “So pretty like this,” Paige murmurs, her voice thick, sounding like she’s drunk off of her taste. Her fingers dip down and she slowly pushes one inside of her, letting Tess get used to the stretch as she tips her head back in wordless euphoria. “That’s it, baby, you got it.” Her finger starts moving, curling upwards, dragging across a spot that makes Tess writhe.

Tess releases Paige’s hair, one arm slinging over her face, unable to fully process the pleasure. Paige stops suddenly, making a disapproving noise against the inside of her thigh as she nips at her skin. “Eyes on me,” she says firmly, “or I’ll stop.”

Tess whimpers, but does as Paige says. She’s rewarded with a blinding smile, the shine of her slick on Paige’s cheeks evident with the way the moonlight streams through the room. Paige prods at her entrance with a second finger. It’s a tighter squeeze, but Tess just sucks her in. “There we go,” Paige whines, breathless with want. “Jus’ like that, fuck.” Both of her fingers are working her in tandem, curling upwards, and Tess feels boneless.

With every push and pull of her fingers, every time her fingertips brush against the spongy part inside of her, Tess feels the pleasure mounting and she starts babbling, begging for Paige to give her what she needs, to finally give her some relief after being so high-strung for what feels like ages. Paige is all too content to give it to her, her head dipping down once more to wrap her lips around her clit. Paige is vocal against her cunt, moans of her own high-pitched and whiny, talking her through it with incoherent rambles. Her mouth and her fingers work her in tandem. Paige leads her higher and higher to her peak, and after one final well-timed brush, the pleasure crests and Tess’s orgasm washes through her.

Paige hums against her, pleased, working her through it until the aftershock tremors subside. Only when Tess gasps, far too overstimulated, does Paige slowly drag her fingers out, pressing one last kiss to her thighs. Tess sighs, sagging into the bed. Paige glances at her, her expression hazy and filled with undeniable smugness, fondness, and a lingering concern. “You good?” she asks, her voice rough.

At that, Tess can’t help but laugh, gazing up at Paige through hooded lids. “You just gave me the best head of my life and that’s what you have to say?” she asks weakly.

Paige rolls her eyes, rubbing her thigh gently with her clean hand. “I’on know what you want from me. You wanna high-five or sum’? Buy a cake to celebrate?”

“Jesus Christ,” Tess says, amused and somehow endeared. “I can’t believe this is who I just had sex with.”

Paige snorts. “I don’t remember you doin’ much of anything.”

Tess flushes. “First of all,” she begins, still a little breathless, “rude. Second of all… should I?”

“Nah,” Paige says, her entire demeanor shifting. “Uh, you don’t gotta worry about that.”

Tess stares at her long and hard, not quite understanding. It’s not until she notes the flush on Paige’s chest, the sweat beading at her temples, the way her boxers stick to her body that she finally understands. “Oh my God,” she says, much to Paige’s chagrin. “You–”

“Chill!” Paige exclaims, embarrassed. “You were makin’ all these noises. I couldn’t help it.”

They stare at each other for a few beats before they both dissolve into exhausted giggles. Tess feels slightly delirious, although part of her can’t believe she just did this with Paige. She doesn’t regret it. She doesn’t think she ever could.

“We should probably clean up,” Paige suggests.

Tess hums, stretching. “Give me like ten minutes,” she says. “I can’t feel my legs.”

Paige laughs smugly. “Yeah?”

Tess shakes her head, amused. “Shut up.”

“Alright,” she concedes, hooking one arm around Tess’s back and the other under her knees. Tess yelps in surprise as Paige lifts her easily, walking them both to the bathroom. “I’m tired. And your ass is not makin’ it ten more minutes.”

“You’re an asshole!” Tess exclaims as Paige turns on the shower, adjusting the heat. “But true.” With one last smile, Paige helps her into the shower and they wash up together. It feels so incredibly domestic, but Tess isn’t complaining. She’s not going to allow her brain to ruin this night for them, not when everything leading up to it has been nothing short of perfect.

They’re well past sleepy when they finally make it out of the shower, redressing in sleep attire. Paige checks out the blankets, getting rid of the soiled ones and grabbing fresh ones from the closet. Soon, she and Tess are collapsing into bed, seconds away from passing out entirely, but Paige reaches for her instantly. She curls into her body, her arm wrapping around Tess’s middle. She brushes her lips against her temple. “Happy New Year’s, Tess,” she whispers, her tone fond.

Tess can only muster an exhausted smile, squeezing her hand as she whispers back, “Happy New Year’s, Paige.”

[a-driftamongopenstars]

alright, i finally finished Dragon Age the Veilguard.

tldr; 3/10. I didn't like it.

If you enjoyed the game and would rather keep enjoying it, please don't click the read more section as what follows is rather critical.

I can finally sit down with my thoughts and put them together in a more cohesive structured review, touching on most things that I wanted to address. I'll start with positives and then focus on the negatives.

Warning, this is VERY long.

Overall, I had a neutral to negative impression of DatV, which got worse by the end of the game. It had some good moments, but they were entirely unexplored and underutilized, suffering from bad writing. While the game itself is rather pretty, it didn't outweigh the dialogues, the stories and the lore butchering that took place.

1. Environment and visuals. 8/10.

I think Veilguard is a very beautiful game. I enjoyed exploring the corners of this new world, the little bits of environment design and storytelling that it had. It felt magical, certain locations were mesmerizing! I couldn't stop staring at the valley where you go to with Harding, the carcass of a titan.

2. Combat. 9/10.

I love flashy combat, I enjoy hack and slash, so until the very end of the game I was having most fun in combat. Yes there was repetitiveness but I tried to combat (hehe) it with changing my abilities and weapons every now and then. I liked combos and I liked timed parries. Enemy tactics got a bit boring by the end, but a few enemies still surprised me and challenged me.

.... That's where positives end. Now on to the negatives.

1. Characters. 2/10.

I don't understand what happened. Almost all the characters in this game were tuned down to a two-dimensional personality, "good" and "bad" - and absolutely no nuance. This happened not only to the villains, but to the different NPCs and even our companions. Their interests got narrowed down to single points of interest (Lucanis and coffee being a prime example to me), their motivations got watered down.

This is not what I expect from a Bioware game. I want to be challenged, I want to dislike characters or approve of their choices. I like characters who are messy and complex and don't always have their shit together.

I like villains who may have other reasons for their choices, other than "ba ha ha, I am so evil and I will do evil things". Where is Alexius who sold himself to the Elder one, just so he could save his beloved son? Where is Samson, forsaken by the Chantry and turned to red lyrium with his addiction? Where is Calpernia, misguided in her choices, just to free the slaves of Tevinter?

Where are the slaves of Tevinter anyway?? That's another topic.

2. Rook. 4/10.

On one hand, I liked playing Rook. They were stoic but with a humorous side, ready to get the job done, compassionate to other people.

The problem is that it's the only Rook you can really play. The protagonist is set in their ways and their dialogues and there is very little to roleplay. Rook really does feel like a gentle manager, trying to get everyone to play along nicely, while providing therapy every now and then, and is excluded from the majority of friendly interactions with other people. That awkward glance everyone gives you after their banter is embarrassing. The way you can third wheel people, the way the game actively offers you to leave a couple of animated conversations between other people - why even include those? Why not make Rook a part of the 'team'?

I did like Rook's dynamic with Solas. They got to see a different side of him, one that's not presented heavily in Inquisition. But like everything else, it felt surface level and underexplored.

3. Story arc. 2/10.

I am left unsatisfied with the story. The pacing threw me off so much nearly every quest, it was hard to stay on track. From "we need to solve this NOW" to "actually, let's all slow down and deal with our problems", the plot's priorities were all over the place. We kept hearing about the gods and their destructive oppression, but we saw surprisingly little of it. Yes, there was the Blight, yes there were Venatori and the Antaam, but they felt more like a video game fodder and dressing rather than a part of the story.

Not to mention that all of those things made little sense to me. Why would the gods align with aforementioned factions? Why would the aforementioned factions align with the elven gods? In-game explanation was not enough for me, it did not make sense. Not with the established lore in the previous games.

I also did not enjoy the ending. While the idea of Solas binding himself to the Veil is good and does make sense, what was suggested as the good ending (inviting Mythal to deal with Solas essentially) actually left me feeling awful. I sent a man, full of regrets and self-loathing, on a lonely journey to figure himself out. That... did not sit right with me at all. Neither did the fact that Northern Thedas, supposedly the point of the gods' attack, gets to live and flourish, while Southern Thedas is dying of starvation and blight. That is UNHINGED to me.

4. Music. 1/10.

There was no music. I remember one track. It was not memorable whatsoever and I can't believe they hired Hans Zimmer to do exactly nothing. Just wow.

5. Lore. ???/10.

And here is the worst offender. What was done with Dragon Age lore is unacceptable. I was doing a head-in-hands every five minutes. This was a slap in the face of so many fans who enjoyed the three prior games and delved into deep, interesting lore of various races, countries, cultures and religions. Veilguard showed a big middle finger to all that.

Everyone has already touched upon the sanitization of different factions. From the suddenly slaveless Tevinter to found family Antivan Crows, everything has been scrubbed clean and made sweet and palatable and "good".

The Dalish clans have been removed from existence as we know them. The Antaam left the Qun? Don't even get me started on that. The Chantry has no influence in this game? Really? The Chantry? The biggest religion in Thedas? The one that we know has heavy presence in the Anderfels, the Black Divine in Tevinter? That Chantry?

I think it really hit me how disrespectful the game is during the quest of saving the Dalish elves, where apparently Elgar'nan's Venatori, uplifted to be his servants and chosen people, were trying to sacrifice them. It's a gross and oddly telling idea that the ancient Elven god turned to a faction of racist mages to sacrifice elven people. I actually can't believe I'm writing this. Just how much are you going to shaft these people? Mindboggling.

There is a lot more I have to say on this specific topic, and I probably will later, but the idea is this.

6. Romances. 2/10.

Whoever said this is a game with romance lied so hard. So hard. The romance was atrocious. From the badly written flirting to the lack of romantic scenes (I romanced Davrin), to the poorly timed and awkward 'final' romance moment... It was atrocious. I felt no connection between Rook and Davrin beyond what game was telling me. My actual companions got more screen time with their romances than me and my LI.

Damn, even Evka and Antoine, my single most beloved NPCs in this game, had more romance going on that my Rook.

---

All in all, Veilguard was a massive let down. After having enjoyed the first 3 games many times over, with multiple playthroughs, I was so excited to see how the story of the Inquisition, of the elves, would end. When I saw the first trailer for VG, I knew I would never get to see it. When I played the game, I was left with disappointment and disdain.

I'm glad there are people who enjoyed this game, genuinely. I'm sure there's something to find for anyone, but it was not for me. Nor was it for many other people. It was a let down. I feel like I'll never get the conclusion I wanted - so I'll have to write my own I guess.

I have more thoughts on this game that I might be sharing, but for now this is the review I wanted to write. Thanks for reading!

[corseque]

On the scale of 1 (Rise of Skywalker) to 10 (Shadowbringer/Endwalker), where would you place Veilguard?

critical post

I’ve burst into enraged tears like 5 times since I finished it, which is not nearly even close to as many times as Rise of Skywalker, but still 5 times too many. Just the shallowness of the writing, the obviousness, the incredible frustration at the simplicity, the ignoring so much of my favorite character in order to make a stupidly simple plot work, the horrendous time I had trying to ignore Rook’s annoying stupid fuckass pov while just trying to self-insert myself into the end of my favorite fictional character of all time’s story after waiting 10 years. I screamed in frustration that I had to hear the painfully obvious commentary these brand newcomer characters who I did not give a shit about, explaining to me like a toddler how I should feel about revelations I have been writing about for 10 years, especially when what they were saying was stupid as fuck. I cried at the thought of so many cutscenes and so much effort went into stories I found very forgettable and went nowhere, while they were able to only scrounge up like 10 total animated shots reuniting Solas and Lavellan. I mourn that I could not make any decisions in a BioWare game. I mourn Solas’ story so much, and probably will for years. I will never get over the way they talked down to him and never listened to him for even a second, lest they actually have to write a branching path into their game. I hate that the theme was regret but Rook regrets nothing ever so (shrugs) regret doesn’t affect them or mean anything to them. I mourn the loss of the voice and point of view of his people, the ones he was fighting for, the ones who are alive. I mourn that it turns out that he’s just a stupid feral dog who is 100% wrong about everything always and he always has been from the beginning of time. I cried that the game said the answer was that Solas should NOT try to help his people and they never even discussed it as a philosophical question or the ethics of it or anything, or playing as a character so dense they never once even wondered if accidentally freeing the gods killed more people overall than the veil coming down would have. (We avoided this question like the plague, lest we feel less like purely Good Heroes who could talk down to the gods with righteous fury). I mourn that I’m never going to know what would have happened without the Veil. I feel so stupid for thinking that elves or spirits as factions would appear in any capacity with lines and perspectives in this game. I’m so angry at how safe and smoothed over everything in the setting is, and how it felt like the main characters never struggled with anything and have nothing to say. I can’t believe Dragon Age is so shallow and unsatisfying and head-empty. I mourn that the story of Dragon Age is Over to me and I will never play another game.

I’ve also cried a few times at the completely separated and individual imagery and music in the last scene. I’ve cried that my favorite character didn’t die in any world after 10 years of being at death’s door. I’ve cried at the thought of him being a little worm spirit, and that I was right about him the whole time. I cried when activating Felassan’s crystal in the final fight and seeing all the buffs. I cried when I turned the page and realized the default inquisitor was exactly the same as my personal Lavellan, down to hair style, eye color, hair color, vallaslin removed. I cried when I realized Solas thought he should have died as a spirit rather than be born. I cried that the main story Dragon Age has been telling the whole time has been about the reconciliation and freeing of my favorite fictional character. I cried that Solas and Lavellan got married in the end, when I genuinely wasn’t expecting either of them to even be alive. They’re both still alive and in love in every single world. I can’t wrap my head around that.

I have no idea where to put it. It’s a few high highs but some intolerably low fucking lows. It could have been so much worse but the bar is on the fucking floor. I go back and forth between moderate enjoyment to just being so angry. It could have been so much more and I do not know who to bite for it.

I have no idea.

[elizabethminkel]

hi i read your article on fanfiction culture changing and it reminded me of a comment i got on a fic in 2023. (i was going to say this year/recently but then i checked and wow time moves fast) it was phrased like i wasn't ever going to see it. which is weird bc there were only 2 other comments both of which i'd responded to. it was written almost to an audience that did not include me. idk what that says about the "culture" but i enjoyed your article!

Aw <3 thank you so much! (If anyone hasn't read it yet, this is in reference to "The Endless Appetite for Fanfiction.")

That's super interesting, and definitely relates to this broader ~thing~ imo. My first thought is about the (significant?) rise in people putting fic reviews on Goodreads. That's definitely part of the overall context collapse—and deeply annoys me!!—but it does make me think about the concrit conversation, and how fandom post-LJ has largely shut down critical discussion of fic, which was not a rarity back in the day. (I'm not opening that can of worms now lol.) Like, I have sympathy for the Discord fic book clubs, because you should be allowed to say whatever you want about a fic in private! But I feel like that needs to be just one component, especially if you have a lot of positive things to say about a work.

Funnily, I got a comment somewhat recently that felt, at least in one bit, like it was addressed more to the world than to me. It was a really nice comment! But I showed it to a friend in my confusion (and then just replied like it hadn't struck me as odd). I've also received comments in the last few years on older stories in which the commenter acts like I've long departed from my fandom—when I've published new works as recently as a few weeks prior, and post on my (linked from my AO3 profile) tumblr daily. Which seems related, too—like, me, the fan, is still right there, very easy to see?

I do think there's something to be said about depersonalization across social media, and the way people collapse "content creators" with their "content" (to be clear, I'm not calling fic writers or fic either of these things, but part of this whole situation is that a lot of readers are thinking of them that way). Like, the creator economy is structured to encourage people do that, even. And of course there's great commentary here on tumblr dot com and elsewhere about how people talk to strangers in ways they'd never dare to in real life. I mean, the digital disconnect led to plenty of...issues...back in the day, even when fandom and fanfic weren't as bifurcated as right now.

Anyway, I think this is all swirling together...and like, it's not great! (Haha this is like how I ended the article. "This sucks! ¯\_(ツ)_/¯") But thanks again for your message—this topic has so many interesting, if depressing, facets!!

[dalishious]

(I can’t believe I finished this so fast… I basically blacked out and then it was done lol… Anyway, please remember that this is all just my personal opinion, and if you feel differently, that’s fine!)

Dragon Age: The Veilguard Review

Objectively speaking, Dragon Age: The Veilguard is a fun game that the average player is going to enjoy, especially if that average player is coming in without any prior knowledge to the Dragon Age franchise. I believe this is a good jumping-in spot for people who are curious about the world of Thedas. But in contrast, I have seen a lot of criticism from other hard-core fans that I largely agree with. However, it just so happens that most of the criticism I have is not enough to prevent me from overall enjoying the game. That is to say, for pretty much everything I did not like, there was also something I thought was great… Unfortunately, that makes it a little difficult to give a review. So, I’m going to do my best to keep things as clear and concise as possible by splitting up the “good” and the “bad” aspects of DATV.

The Positive

The best thing to come out of DATV is the new cast of characters that make up your companions and supporting associates. While I do think that some of them could have benefitted from more development time to flesh things out further, just judging what we ended up with, is mostly great. I especially found Emmrich and Bellara to be stand-out examples of strong personalities to grasp onto, whose personal stories really touched me in an emotional way.

DATV also has fun with some returning characters. For example, now that Solas is no longer hiding his identity, we get to see a character that both believably honours his part in Inquisition, while also providing a new, refreshing side to him. There are also a number of characters introduced in Dragon Age: Tevinter Nights that appear in the game, like my personal favourites Teia and Viago, who are an absolute delight to interact with!

I think the three act structure is good, albeit with act three being quite short. There are a few sequences that are an absolutely phenomenal mixture of storytelling and engaging gameplay, like all of Weisshaupt! I also really enjoyed stepping out of the main story every once and a while, and into Solas’s backstory through the Crossroads memories – what ended up being extra special about these is how they mirror Rook’s struggle so well, by the end. They are a nice touch.

The locations are beautifully constructed with smooth interactions of climbing, zip-lining, and essentially parkouring your way around, making them fun to explore! They also came with such distinct flavours and character in themselves that influenced a sense of truly experiencing different parts of Thedas, with different cultures.

The mechanic of building up strength with the different factions, and that actually having a huge impact with the ultimate showdown in the end of the game, makes side quests feel far less inconsequential than in Dragon Age: Inquisition by comparison. That, and they number far less.

I like that the story mode actually feels like a story mode; there were only a couple instances where I really had to worry about death, and even then, I was able to just toggle off the death with the customizable gameplay mechanics and continue on.

Finally, it would be remiss not to say that the character creator for DATV is the best BioWare has ever put out. I’d go as far as saying it’s one of the best in any RPG I’ve ever personally experienced. From the flexibility in morphing a character’s head and body between custom shapes, to the little details like sclera colour, vitiligo, and top surgery scars, makes it a shining example of what RPG’s should strive for. (My only critique here is that it would have been nice to have more skin colours.)

The Neutral

I hated the combat for pretty much the entire first act of the game. I found it too hard to keep up with, and too much like Mass Effect bullshit. I can’t say that it’s completely grown on me yet, but I don’t hate it anymore. It’s fine. So, I’m giving this a special little spot before I get into what I didn’t like all the way to the end.

The Negative

As mentioned above, I do think that there is more that could be done with some of the characters to really achieve their full potential. Davrin and Lucanis—while to be clear I still really enjoy as they are—come to mind first, in terms of those who would have benefited from more development time. Most of Davrin’s screen time just revolves around Assan rather than Davrin himself, and Lucanis is so restrained that it takes a while to really crack him open. Both of these characters have intentional personalities that make them harder to get to know, I understand that, but I feel that it would have been all the more rewarding to have more time dedicated to their company after earning their trust and possibly endearment. Instead, it feels like their romance and friendship with Rook are only half-complete, and then rushed to finish.

There are some companion interactions that are just… cringe. There is no other word for it. Now, this is nothing new for BioWare games, but I feel like the “pulling a Bharv” scene for example, was hitting an entirely new low. (If someone misgendered me and then just started doing push-ups instead of just saying “hey sorry about that, I’ll try to do better” I’d be annoyed, not satisfied.) I also felt like most of the temporary rivalries between companions were artificial in nature, rather than organically part of their characters that actually served a purpose. We already knew Emmrich likes books and Harding likes nature; we did not need a whole cutscene with them bickering about camping. (The exception to this is Davrin and Lucanis, who genuinely had room to grow as people out of their multiple confrontations, not just a one-off scene.)

The music in DATV is, for the most part, forgettable and bland. There is one piece that really stands out, and that’s “Where the Dead Must Go”, which is a real banger. I am not a fan of Hans Zimmer’s OST otherwise; I think it is phoned in, just like most of his work. I deeply wish BioWare would have just stuck with Trevor Morris. The best parts musically in this game are just Morris’s work re-used from Dragon Age: Inquisition.

There are certain parts of disjointedness that separates DATV from the past games that are just… bizarre. This is especially the case when it comes to elven lore. For example, Bellara saying she is afraid that elves will be harshly judged for the Evanrus, or Harding saying that elves are “thriving”… as if modern elves are not deeply persecuted across most of Thedas. It made me question more than once if there just was not time in development to do a proper canon-compliancy check with everything, perhaps?

I want finish this part by bringing up again that the biggest flaw in DATV is that it feels very corporate. To repeat what I said in this post: It is as if a computer ran through the game’s script and got rid of anything with “too much” political substance, in an overcorrection to be “safe”. But now that the edges have been so smoothed down to make a block into a ball, it can no longer support anything.

Conclusion

It’s easy to see a lot of creativity went into the creation of this game… but it is also easy to make assumptions on how that creativity was constrained by development hell and corporate oversight. In the end though, Dragon Age: The Veilguard succeeded in being an overall good time, one that I will no doubt be putting just as many countless hours into as the previous installments in the franchise. 7/10.

[pikahlua]

Okay, here's my MHA criticism.

Everyone has their own personal hangups about the MHA ending, but mine is not about the ending itself. The epilogue doesn't feel rushed to me--the entire final act does, ever since the PLW ending.

But I can't say that the issue is actually rushed writing. There was a change in the writing, and it came with pros and cons. Ever since this change, a lot of people felt a lack of Izuku's introspection, but I still see his introspection all over the place. It's just not compelling introspection, and it's the natural consequence of this writing change.

The thing that changes is the way Horikoshi depicts character interaction and reflection.

To cap off the story's themes, Horikoshi chooses to focus on select emotional beats involving specific characters as short, finite set pieces. Some of them work great, like Katsuki's apology. But what is lost in this process are the other emotional beats Horikoshi doesn't spend time on, such as Izuku's quick, comical, emotionally dissonant reunion with All Might back at UA after going vigilante. The set pieces Horikoshi chooses to focus on at Tomura's end are two moments, one between All For One and Yoichi, and the other between Izuku and Tomura. But what is lost in this case is the strangely off-screened encounter between Nana's and Tomura's vestiges, and we're just given the fact that Nana preserved Tomura's sense of self as an offhand remark. This is a recurring theme where Horikoshi lands the set pieces he has likely visualized for years but that somehow don't have the same impact as the emotional scenes from earlier in the story. The details that build up to these moments are lacking, and it's because the characters don't interact as they should.

Horikoshi has overall messages he wants to focus on, such as the unity in everyone coming together inspired by Izuku at the end. But he places so much focus on his entire cast of characters at large to achieve this theme that the story becomes unbalanced. We as readers have read about his characters over the years, and we've grown especially attached to some of them. Even if there are minor characters we may enjoy, if Horikoshi is doing his job as a writer, the majority of us should be here for the main characters. If Horikoshi wants to feature every single one of his characters in the final arc, then he has to do so with balance. The main characters should be given more emotional weight than the side characters.

Hanta Sero can have his cool moment no problem, but why does it come so late into Izuku's final battle??? It makes no sense emotionally for it to be there. At this stage in the story, we would expect any other major character to fill this role. Hell, Iida is sitting right there with not much going on for his character this arc.

And the same emotional underwhelm goes for so many other moments. Why is the primary character screaming in agony over Katsuki's death Neito Monoma??? Aizawa is right there, and all we get from him is a horrified face but no reaction otherwise. He fades to the background immediately. Izuku's reaction to Katsuki's death is built up so much and yet not nearly enough time or weight is devoted to the actual moment when it happens. Compared to such iconic reactions to death in the shounen genre that came before it such as Goku's super saiyan transformation in response to the death of his best friend Krillin, Izuku's reaction to Katsuki's death is utterly forgettable.

The issue is not that Horikoshi gave Sero and Monoma these moments. It's that he either weighted or timed them and many others like them poorly. No one reading MHA wonders what wisdom Sero would have to offer at the end or what sort of reaction Monoma would have to Katsuki's death--or rather, they don't wonder these things more than they wonder about the main characters themselves. Main characters are the characters we're SUPPOSED to care about. If you give Sero and Monoma big moments like what they got, then the main characters have to have even bigger moments following in order to still be impactful. But we don't get that. We get the set pieces, but we don't get any of the logical character interaction and reflection these set pieces beg for. If I have to choose between Izuku's reaction to Katsuki's death and Monoma's, I want Horikoshi to spend all his time and effort on Izuku's every time. It's nice to see how main characters interact with side characters and to hear those side characters' perspectives but NOT at the cost of the main characters interacting and sharing their perspectives. Horikoshi makes too much space for his side characters, and so we lose the detail that could have gone into important moments between the main characters. The overall story remains coherent and complete, but it also leaves something to be desired for the characters themselves. As a result, I find myself both given closure and longing for a more robust, impactful resolution for the main characters.

tl;dr Horikoshi gave too much to his side characters and not enough to his main characters, which particularly affected the interactions between the characters we all care most about