#i have fun trying to understand my rambles

[purpleleavesday]

This comic tried to kill me I think but I am VICTORIOUS so here's Susahao. For the greater good.

Thoughts and rambling under the cut!

THIS COMIC WANTED ME DEAD I SWEAR EJSJESJWJQJQ. Took me arounddddd a week ish and every time I tried to work on it I was assailed by pain or illness </3 BUT I PREVAILED!!

Pushing my artist rei agenda because I can

Rei's design for Sholmes is like a cross between how Holmes is often depicted and sholmes. He's older than sholmes and his hair is darker. And Wilson is pretty much just Yujin, but without the gray in his hair

The names Susato guesses should be the Japanese names of Athena, mia, and trucy! Not actually trying to mean anything with that just thought it would be fun

Anyways yeag <3 Susato Mikotoba I love you lots and lots but you are DENSE. Rei tried to be subtle which unfortunately will not work with susato. You need to be as subtle as a semi truck or she wil Not understand she will Never understand

Feel like I have more to say but I am so so tired so I'll add it tomorrow if it's important

[biteinsane]

Hope you like FMA spoilers cause you getting them cause I have a slight rant that people dont talk about when they state FMA and this post seems to hit a point that does not get said.

TLDR: its about the scarifies you are willing to take to be "normal" again. You know, a normal plot point

One of the first animes people go to for this statement is FMA and yes you 100% should cause look Ed needs a prosthetic, he needs two. He needs them for his work. This world is filled with a type of magic. A science. Its one the main things about this whole story, the alchemy, EQUAL EXCHANGE and he fucked up so him and his brother suffered for it.

Getting their bodies back to how they use to be is one of the main goals of FMA, they want to be "normal" again but they can't because it is forbidden. So Ed joins the military to get access to books and papers that being a citizen would not give him access to.

This information is so forbidden, its written in code and I dont mean zodiac code, I mean recipes. Its made to look like a normal recipe just hidden in the back of a closet library by the creator mind you, so no one can use the information.

Why is it forbidden? Human Sacrifices. The Brothers find out the only way to get their bodies back is to make the Philosophers Stone with human sacrifices.

(but I'm not gonna go more on that we are skipping ahead, I can do a whole essay on this if I tried)

Because of plot reasons, Roy Mustang is thrown into this mix and forced to make similar scarifies that the elrics made and loses his eyesight. (I could go into a whole thing about how he was only forced because he didn't do when they thought he would.)

In the end, Ed and Al would not take the stone. Once they learned the power, they couldn't bare the thought that people had to die for them to have their bodies back, these are children who were living years like this to the point that Al wasn't so sure if he was even who he thought he was. They dont want others to hurt because of their mistakes.

But Mustang, He's older, he saw death first hand. Had a hand in it even, many times would not hesitate. Murdered Lust with so much hatred and almost got to Envy with that same fury. He pushed his way to the top of the military. He lived in slums, he knew what people did when they have the power to hurt others

And when he was given the choice to gain his sight back, he took it.

Just because there is a magic that could fix everything does not mean its right. Does not mean it should. Everything is an exchange.

Be creative if you are so worried about being out of "setting" like fucking hell, this is why people decorate their stuff, you're just boring.

I dont wake up every morning wishing I had magic so I can see without glasses, I want magic so I can teleport. Priorities!

This really pissed me off in twitter recently. Disabled people belong in every type of setting. If we aren't there, your worldbuilding sucks.

[sualne]

having a normal one with poems again.

[elvencantation]

i feel like i get literal psychic damage when i think about capitalism too long

[plusvanity]

Standard Norwegian: Jeg kommer fra Bergen

People from Bergen: Eg komme fra Bæææææærgen

[iraprince]

Hiii, i love your stuff and kinda from a distance really look up at you for, in my perception, being able to express yourself without giving a fuck. Thats sick dude, Im so so afraid, of absolutely everything, its nice to think like i might grow into someone less apologetic of my existence. Nice to see people just being yknow

hey, thank you, this is really really nice. the secret that is probably not a secret is that i am also deeply afraid a lot of the time lmao -- but less than i used to be, and in ways that feel less stifling and self-suffocating, if that makes sense.

like, it used to be "i'm scared that if i express myself the way i want to, everyone will find me obnoxious, so let's just sand those edges down to be safe" -- now my fears are more like "now that i'm expressing myself in a way that feels natural and real, i'm afraid that it's all stupid/vapid/not worthwhile or meaningful" (<- specifically abt my art) or "i'm happy that i talk and act the way i want to now, but what if it makes me impossible to befriend," etc etc etc. which still feels bad and puts me in a funk a lot of the time but at least it's a fear that comes After/in reaction to doing stuff, rather than a fear that STOPS me from doing stuff, you know? like, it's evolved into a kind of fear that's less in my way.

anyway. i believe you'll experience something like this, because wanting to grow is the first step of growing. the fact that u hope or wish for something different means you're already on your way. to fewer fucks!! or at least distributing the fucks u give in a way that serves u better

[spotaus]

Hey i am back with a thought.

I know we already mentioned like. The future future plans concerning kids in the New Age storyline.

I was thinking. Who would carry/get the kid in the couples? (Yes this implies mpreg. If this aint your thing no worries you can just ignore everything else :3 )

As you mentioned before. Nightmare and error would most likely adopt.

Between dream and blue i think blue would end up carrying the kid. Dream would feel too locked up and locked down if he had to take it easy. Also. Let this man pamper Blue. He deserves that.

Ccino and Killer. Ccino wouldnt want kids for a LONG time and even just the idea would be slow going. But killer has his soul situation (is that also a situation in this story?) And he is a knight being out and about. Ccino is safely at home and would be the safer option. But they would need a long time before ccino would feel comfortable with the idea.

Horror and Crop. Crop. Hands down. Horror with his work and Crop has help on the farm. But i doubt thwy would get a kid because they have along distance relationship.

Cross and Lust it depends on who wants it more. I can see both being the one who does it mostly because i can see pros and cons for both sides.

Reaper, Geno and Dust. Only one option. Reaper. Dust doesnt have a healthy enough soul and that with his spell around it? No way he can carry a kid. Geno meanwhile only has a soulshard so he isnt healthy enough to carry a kid either. Leaving only Reaper as an option.

Okay that was it. :D

Haha! Omg I keep forgetting this is smth I can think about! Usually it's not my scene so it might not cone up much in-stiry but it IS how I picture the cast having kids in this one, so!!! We're diving in!!

Like u said, those boys are adopting hehe-

With Dream and Blue it's a bit hard, because I think that Dream would be really really worried about Blue the entire time. Like, terrified his magic would accidentally trigger the whole Twin thing. But, ultimately, yeah, probably Blue! Dream *would* get too restless, and Blue rlly does deserve to be pampered hehe- (I just think Blue would have to really really talk Dream into it. Dream does NOT want to be like his mother anymore.)

Killer and Ccino... let's go with a yes on Killer's soul situation, so Ccino would be their only option. But, like you said, it would be ages before they even thought about discussing the idea, let alone actually having a kid.

Ohhh yeah. I see Horror and Crop as the ones least likely to have kids (as u said, long Distance relationship, but also they just have to much on their plates? They're practical guys and focus on their work and existing families first. Plus, someone has to be the cool uncles to their nieces and nephews!) But definitely Crop. Especially because Horror is pretty low on natural magic as-is and even though his soul is healthy, his body might not even be able to form a firm ecto, let alone anything safe to harbor a forming soul. (Unlike Ccino, Horror was born that way, and the injury didn't help lmao-)

Cross and Lust? I think they'd both regularly get baby fever, but neither of then would be ready to settle down for a *while* in that way, so I think they'd push off the question until years later. Then when it comes up, they 'fight' over it. Insisting that they should carry- I think they'd end up choosing Cross though! As much as Lust seems like the more convenient option, as he's not a knight, Cross is just built different and insists that if anything goes wrong he wants to be the one it happens to. Which, ofc, leads to him doing training whilst in the early stages until someone (probably Killer or Dust) notices he's a little off and then Cross admits he's got a soulling. He did not expect to immediately get horrified looks (because they were fighting someone with a lil guy inside them, not because he has a lil guy) or to immediately get ushered out of training and to his room because??? Idiot??? What were you thinking??? Cross is the worst at staying off his duties, but his brother's have him covered, thank god-

And yep, put perfectly! Reaper is so genuinely the only option! It leads to some odd interactions, since Reaper can't exactly stop being King, but he manages shockingly well and has Geno there to help him (and probably later on Dust, since Night isn't about to leave Dust out of that due to work-) And. I like to think these three in particular have multiple kids perhaps, Kane and then another, and it's kinda a running joke that Reaper's the one hauling them around lmao- (Also very convenient! Because Reaper is the one with death magic in his soul, the kids are effectively immune to it! They were made from that stuff basically, so ofc they're fine!)

[ghostoffuturespast]

Honestly, getting real tired carrying and supporting other folks around here when most of them aren't returning the favor...

[finalgirlminamurray]

remember when halloween 2018 (or as i like to call it, halloween h40) came out and people were making those flowchart-style diagrams explaining the various halloween timelines? i like when people try to do that for the texas chainsaw massacre series because it is a fool's errand. you cannot divide that series into distinct specific continuities because there aren't any. there's a good argument to be made that every single film in that series takes place in its own completely separate timeline because it so often does not bother to meaningfully connect them beyond the single recurring character of leatherface.

i've mentioned before that tcm2 is my favorite sequel and the only one i actually like and will accept as a canon sequel to the original film, and part of that is because despite the complete 180 in tone it does, it's the only one that bothers at all to be a sequel. i think it's the only one that makes sense as a continuation of the first movie - the only glaring continuity errors are confined to the opening scroll text, which you can take or leave as part of the films' canon. (by this i mean the first movie's opening implies that the sawyers' crimes were discovered after sally's escape, while the second film explicitly says no evidence was found. also it retcons sally's last name to be "hardesty-enright" instead of just making lefty's last name also hardesty, for whatever reason.) there's one newly introduced member of the family but you can infer why he wasn't there in the first movie, and the one who isn't there this time has a good reason to be absent (he's died.) one of the main characters in this movie is a relative of the first film's final girl and his involvement in the plot is explicitly connected to what happened to his niece and nephew. the events of the first movie clearly happened in this universe. low bar, i know.

this could be attributed to this being the only sequel also directed by tobe hooper, although the original film's screenwriter did not return, and him having more of a vested interest in continuing the story of his own work. most of the original film's cast did not return for this one (can't say i blame them), but they work with that pretty well. i do think the film ends in a way that pretty decisively puts the brakes on any possible continuation from there, which could be attributed to hooper not really wanting to do a sequel in the first place and trying not to get asked back for another one. (i agree this was not a film that should ever have had sequels, much less become a full-on franchise. but you can tell that upon having to do it they were just like fuck it, let's have fun. hence the tone.) not that that stopped the studios from valiantly trying again and again to profit off of this title.

which might explain why the later sequels are so particularly weird. they don't really have a lot to go off of, i guess. i think part of the problem is that this is one of the few slasher films where the villain is actually a group of people, not a single recurring killer or identity various killers take up. they do have a silent, masked slasher who can be played by whichever new stunt guy you get for each film, but what about the rest of the family? it's always felt important to me that there isn't anyone outside of this isolated little unit in the first movie, but sequels keep inventing totally new characters out of nowhere with no explanation as to where they've been in previous installments. doesn't matter - we're in a new continuity now. tcm3 does not logically follow in any real way from tcm2 or tcm1. it's not a sequel despite the number in the title. it's a reboot.

(i've kind of come around on tcm4 aka tcm: the next generation. i used to think it was the worst sequel but now i think i get what it's trying to do a little better, although it is a pretty stupid movie in a lot of ways. some people have described tcm2 as a deliberate parody of the first film but i think that applies way better to the next generation, seeing how it follows a lot of the same plot beats but done in a more outlandish and parodic way. also, hey: same screenwriter as the original, returning this time as director.)

then the remake made a shit ton of money and kickstarted a new direction for 2000s horror (great. thanks for that.) and got a prequel that also actually made sense as existing in the same continuity as the film it was a prequel to. (again it probably really helped that they were able to get most of the cast back. no need to invent new family members when you still have all the same people playing them.) then in 2013 we got a sequel that promised to Finally be a Direct sequel to the original movie and...it made no sense as one. they try to pick up right where the original left off but right away there are once again a whole bunch of new characters who definitely weren't there in the first movie suddenly appearing in the house, including a baby whose existence is crucial to the plot.

(i'm sure everyone knows about the bizarre timeline decisions of this one, namely the main character ostensibly having been born in the same year as the events of tcm1 but only being about 18 years old during the main events of texas chainsaw 3d, despite it seeming to take place in the modern day. however there is an explanation for that! originally the film was supposed to take place in the early 90s when a character born in 1973 would have been that age, but studio meddling forced them to reshoot it to be 2013. you might notice that any mention or depiction of the exact year the opening scene takes place seems conveniently obscured in this film, implying that it is yet another alternate timeline where the events of tcm1 occurred sometime in the 1990s. this also serves as further demonstration that 1. studio executives are the dumbest people alive, and 2. people really don't care that much about the first movie. more on that later.)

leatherface 2017 is an attempt at a prequel that also makes little to no sense as a backstory for its titular character; i wouldn't be surprised if it started out as an original screenplay that got retrofitted into a tcm movie. there are no new sawyer relatives invented for this film (i don't think), but it does seem strangely insistent on keeping its leatherface away from the family for as much of the film as possible, making it feel especially like it didn't actually want to be a tcm movie. (the twist of the titular character's identity is clearly meant primarily to be surprising and not to make sense, but i can only say: there's no way that the original film's leatherface grew up apart from his birth family for that long and also used to be a "normal"-by-neurotypical-standards, verbal kid. different continuity.)

then in 2022 we get yet another attempt at No Guys Seriously For Real, This is a Direct Sequel to the First Movie, and i should have known things weren't looking good when it was announced this was actually getting dumped on netflix in february but my expectations plummeted to rock bottom when that teaser came out that thought the most relevant part of the movie to sell to people was a "canceled" joke. jesus. tcm:tng i'm sorry, this is the clear worst sequel. (if it was just that one dumb joke it might not be, but there's so much more that's awful in this movie - whatever.) anyway continuity-wise i guess this isn't completely disconnected, there is clear acknowledgement that the events of the first movie happened, but it's really not relevant to the main plot at all, when you get right down to it. pro tip: if a slasher sequel advertises the return of the original film's final girl, she will most likely not be in the film for more than five minutes. there's some implied backstory about leatherface running away to this neighboring town and being taken in by the lady who runs the orphanage, but honestly this could easily be yet another different continuity where leatherface is the adopted son of a kindly old lady (who still has a confederate flag in her window, jfc, i think this is the first time that imagery has ever been used in this series and it's associated with a character who's supposed to be sympathetic??) who was keeping a lid on his murderous tendencies before she died. points for effort i guess but i don't think it deserves much.

i really don't know why this series in particular is like this. most horror franchises will have their movies clearly follow each other and exist within the same continuity, sometimes with a reboot or two if they've gone on long enough (see: halloween having at least three different timelines, but all clearly branching from the same source.) if it's supposed to be an anthology series, they'll just...say that. i've heard it said that this series works best when viewed as variations on a theme, like the original film's events are an urban legend of sorts being told and retold around the campfire and every version is different because everyone remembers it differently or makes up their own. i do like that and think it makes the franchise make more sense but i know most people watching these movies aren't thinking about it like that, they're thinking of them all as sequels to the same movie, with the remake and its prequel being the only ones clearly existing in their own separate continuity.

it's a little sad to see how no one making official movies in the series seems to really care that much about the ostensible source material. maybe i'm biased because it's the film my brain latched onto the hardest when i started really getting into horror, but i think this movie is so interesting and there's so much there to explore with the little we're given about these characters and their dynamics and what they do and why they do it, and even if you can't really dive into all that in a movie you could at least use what's already there for your sequel and most of them just...don't. like they don't seem to have watched the original movie even before writing a sequel to it, just going off their own vague memories about that one scary movie about a guy with a human skin mask and a chainsaw. i know i shouldn't be expecting any more from a slasher franchise on its 9th installment but...whatever. it is what it is. this was never supposed to be a franchise in the first place. at least i can shout into the void about my thoughts and feelings on here.

(i think i read somewhere that the filmmakers were actually forbidden from referencing cannibalism in the script for texas chainsaw 3d and if that's true...oh boy. talk about missing the point. if you feel like something significant is missing in the later films in this series that's probably part of it.)

[tianshiisdead]

im happy my post is garnering discussion but honestly i wasnt around for 2018-2021 fandom on tumblr and i was mainly talking about how its kind of silly to get mad at people for portraying colonizer countries as mean, or calling it demonization and stuff. like its okay not to like personally portraying ur fav characters as mean or part of the state, but getting irritated at the fact that it exists or is popular imo kind of misses the fact that this… is the state and nation personification fandom. and its hard to say its not canon when canon did once portray the characters in uniform and at times involved in their state activities… like the early strips discussing western imperialism in china is literally ‘china being bullied by the allies’ ‘france wanting to grope china’ ‘china being treated like a maid’ etc etc like they were very much. the state LOL also china and japan’s canon relationship, as much as I have my issues with it, has an entire thing about china being stabbed by japan… i do feel like hetalia started out as a history nerd’s history exploration that blended humour with ‘what i find cute’ with satire etc etc, which inevitably involves illustrating the personifications as vessels of state and culture, and although the modern strips have deviated quite a bit… well, different people will approach this series for different reasons, right? Whether its serious or comedic content showing the characters as mean or imperialist or unpleasant, it’s not something that deviates too far from canon (if we take all canon eras into consideration) nor is it surprising given how history laden the topic is.

[spinnysocks]

might be a little quiet for a bit, i'm alright! but i need to work on improving my mental health in the long run so that's what i'm doing :]

[sskk-manifesto]

Finally got around to watching ep 11 (´；ω；｀)

[neoncherryblossom]

New Fic Idea I've had rattling in my brain for actual months:

Post Collector, Alador begins reconciling with all his old friends. And it goes mostly okay except for Darius, because he refuses to talk to him. Unlike everyone else, him and Darius' fallout was a lot more personal than 'we stopped talking one day' and he's kinda horrified of even trying to repair that bridge.

So he does the next best thing that comes to mind.

"So here's the plan. I want you to tell me how he's changed since high school, what he likes and how I can make him... open up to me."

"You want me to what?"

(He decides to go to Eberwolf, the only person Darius consistently talks to that didn't go with them to school.

All the shenanigans you think can happen, will happen. And Darius will be very confused on the sidelines as Eber tries to explain to this chronic over thinker that just talking to Darius will probably be enough of a starting point to kickstart a friendship, not whatever this '35 step plan to get Darius to not think I'm a spineless coward!' plan Alador has got going on.)

[cetoddle]

i do like writing in second person. but i hate trying to get other people’s opinions on it because they either don’t actually understand what i mean or try to make it about h*mestuck

[actual-corpse]

Watching Avatar the Last Airbender...

Politely reminded of the time people wanted my head because I said that ATLA ruined storytelling because some people can't fucking think critically of media before trying to tell you what's so good about it.

I LOVE AtLA! Adore it! But like.... A majority of people watched Zuko switch sides and said, "Damn... What if we redeemed ALL the villains?" Without realizing Zuko wasn't a true villain in need of redemption.

But... The Redemption Game isn't truly JUST the fault of AtLA... There was a shift in the Moral of the Story. Idk how to explain it bc I'm half asleep, but like...

[itsalwaysdark]

like i wouldnt mind like. Not having new linear games post 5 its judt that sims 4 wasnt even supposed to Be The Sims 4 it was a last minute pivot and the base code is so outdated and was broken On launch so like. i just wish we could have the final actual sims game be like. one that was always intented to be a major sims release AND be intended to be so long term . yk