#i have all of the other fics written

[asofthesea]

I need some help. What AU should I write for tvdu femslash week for posie?

[poorly-drawn-mdzs]

Get Souped!

[sluttyten]

I was working on a new fic that I was really looking forward to, but in light of recent revelations, I'm gonna be taking a step back I think

also i removed him from the member masterlist and all of his fics, excluding things like YIMA and the poly series which I'm considering re-editing to get rid of him

[abdy-18]

Just a random question: [Redacted] had the Twilight eyes from before the war as a result of the parenting his dad used to have on him or is it a look he got once the war took away everything he loved?

At first I interpreted that he got his eyes after seeing the horrors of war, but come to think of it, even when Twilight was a little child he didn't live in complete “peace”, he had to listen to his parents argue quite often and his father was violent with him.

Also, most of the skills that make him a good spy were not learned in any training. He was born that way, naturally very intelligent with great logical thinking and a great ability to perform.It is a pity that his father never realized his talent.

[cryptocism]

will never get over the fact that you dropped the best fic I'd ever read and that's the only thing you've written.

You should try making a novel

i am dabbling in other writing stuff actually...... potentially another fic about the blonde clone boy but who knows if itll manifest into anything, we shall see!

[hauntingofhouses]

"why would you ship mizu and taigen together they're sooooo toxic ugh taigen is AWFUL and mizu should be with ME instead!!!"

of course they're toxic they're both deranged and terrible and that's why they're perfect for each other.

cuz like omg you think mizu would treat you well? mizu would abandon you. look at how she left ringo multiple times. ringo who treats her so well and is nothing but patient and caring and loyal. if you are insecure she will laugh at you because she has no social tact. look at how mikio said "it's a stupid dream" talking about his ambitions of regaining his honour and mizu straight up chuckles and tells him he's right because it IS a stupid dream. and at this point their relationship was cordial and she was even warming up to him!

like. arguably, taigen would be a better romantic partner (per the ideals of his time and culture of course), or at least he would be on paper. cuz i mean as a husband, as he is now, i think he'd be awful. but i'm talking about if you and him were dating or courting or just seeing each other romantically, he would be good to you. like we saw how he behaved with akemi and he was nothing but sweet and gentle. the very reason akemi wanted to marry him so bad was because she KNOWS without a doubt that he respects women and would treat her well. "oh but he cheated on her with the prostitutes while celebrating his engagement!" yeah but per the norms of the time and place, it was not considered cheating and akemi (as well as any wife or romantic partner of that period) would not have minded or even cared.

and yes taigen IS an asshole and he IS obnoxious but come on. so is mizu, if she is allowed to act like herself around you. mizu will tease you and mock you and challenge you and even poke at your insecurities (see:her goading mikio on even though he clearly did not view her teasing as light-hearted banter and took it all very personally). she would tell you to your face if she thinks you're being annoying (see:mizu rolling her eyes and telling akemi to straight up just "shut up" when she'd believed mizu had killed taigen).

mizu is not merely a hot and talented badass with a sword and the insane hyperfocus on her desire for revenge which literally drives her to withstand like, extreme amounts of damage and survive it. mizu is also flawed and the show does a good job at showcasing this, and showing us that she's not merely a victim but also a multilayered person. we see throughout that mizu is blunt and sarcastic and prideful.

oh what's that? oh right, very similar to taigen, who is also hot and talented with a sword and with insane hyperfocus on his desire to duel mizu and regain his honour. taigen who is also flawed (though, arguably, more so) as he is blunt and sarcastic and prideful.

the only thing that sets mizu and taigen apart is the fact that taigen is a man and is not mixed race, which thus affects their positions in society and how people perceive them. these are external factors. taigen being a boy who is not blue-eyed allowed him to easily mingle with the other kids in the village, all of whom were similarly fed the same prejudiced values which led them to gang up against mizu and bully her.

but take all that away. strip them down to the bare essentials. suddenly it's like they are the same person copy and pasted.

and that's what makes them even more interesting. yes absolutely they would be toxic. whatever souls are made of, mizu's and taigen's are the same (derogatory). and we literally see them fight all the time!!!! but the thing is they are both deranged when it comes to this.

do you get me. they both literally get turned on by sparring. mizu's whole spar with mikio was her way of flirting. just look at how she smirked at him and said "unsheathe it" like it's clear that this is an innuendo of not just unsheathing his weapon but also what's in his pants. then during the chopsticks fight with taigen in the snow, despite mizu literally being injured and taigen trying to attack her, mizu gets attracted to him. meanwhile taigen got a boner after wrestling with her in the forge.

taigen goes around saying he wants to kill mizu to regain his honour but he still literally risks life and limb for her constantly. mizu gives ringo stomach ulcers by going around flinging herself into near-death situations 24/7. she ups and leaves her beloved swordfather with barely a goodbye twice to pursue her batshit far-fetched quest for revenge (against people she doesn't even KNOW btw because she literally starts off with practically No Leads and not even knowing the NAMES of the white men who are her maybe-fathers).

these bitches are crazy and you know what good for them. that shit needs to be contained and quarantined though and that's why in that sense they would be good together.

i want to put them both in a jar and shake it very hard and see what happens. personally i think they will argue and insult each other while working perfectly in sync with each other to break out of the jar and then proceed to kill me and make out sloppy style over my dead body while they're both covered in blood.

like that's it that's the dynamic. send post.

[stunie]

it’s so easy to forget that you can literally write whatever you want

[hylianane]

Zoro demanding that Luffy not allow Usopp back on the ship seems to be a much more divisive topic than I originally thought. Looking at yknow, so many different sides, I think I understand how his words can feel cruel when you take into account how much Usopp grew in Enies Lobby and how much he pushed himself to the very limit trying to make things right. but then of course I have my own take away and. honestly this next bit might sound even crueler towards Usopp at first. I just don’t think that this was about Usopp at all. Or at least not in Zoro’s eyes.

His focus was on the way Luffy still needed to grow as a reliable Captain than on what Usopp needed to do as a crew mate. Luffy needed to reinforce his authority before moving on. He was formally challenged, and in Zoro’s eyes this couldn’t go unaddressed and untalked about- and let me pause here to reiterate that even though I’m arguing in this moment he was disregarding Usopp’s personal growth (as many ppl criticize him for) it’s not because he respects him less than Luffy or god forbid loves him less than Luffy- because as much as the Strawhats tend to disregard traditional rules of authority on their ship, Luffy is their Captain. And that means he’s holding their dreams in his hands. Someone challenging his authority is big, even if Luffy doesn’t want it to be, because how could he expect the Strawhats to continue to rely on him for leadership? When he’s willing to bury the hatchet without him and Usopp having even spoken to each other properly without a mask in between them.

“We’re not kids playing pirates” isn’t Zoro trying to say ‘Usopp’s actions towards Luffy were childish’ like many people think, it’s ‘you need to resolve this issue like an adult’. And though everyone’s allowed to read this moment differently, I really hope the ones who read it the same way I do don’t still think Zoro was in the wrong for asking Luffy to stand his ground properly. 

[rosetterer]

If you're going to be mad that a canon ship has 1000+ fics when HenRen also has that amount but spread out over several years, then you should be furious that a non-canon m/m ship has 25k+ fics... you know, if this REALLY was about caring about the way that people write for lesbian couples compared to gay couples...

Just like some of y'all all of a sudden care about the female love interests

And just like you all of a sudden care about racism

But... it's not really about all that, now is it?

[seiwas]

HI MY BELOVED ANGEL!!! i am sending u mattsun + campfire as well as kisses n hugs <33

SAINTTT hello 🥺 thank you for sending a prompty!! 🥹 idt i've ever written mattsun fully before so this is something new!

help me get back into the writing groove! send me a character + any word and i'll write a short blurb about it!

contains: exes, stranded-y situation, feelings are complicated, some expletives

mattsun + campfire

"i told you we should've brought the spare—"

"yeah, let me go back in time for a sec and do just that."

"asshole."

lesson #1: nothing good ever happens when you're stuck in a car with your ex on the way to somewhere remote.

you blame iwaizumi for this one. who the fuck chooses to spend their birthday weekend in the fucking wilderness?

(okay, you don't actually think it's so bad. to be fair, he did plan this a year ago. and it did sound like a good idea. then. at the time. anywhere with the boys was always guaranteed fun―at least, until you and matsukawa broke up.)

"can you pass me the flashlight?" he points at the backpack behind you. when you hand it over, your fingers brush over his as he takes it away from you.

and you hate it, because―

lesson #2: you should never be alone with your ex when you still have feelings for them.

you'd agreed to take two cars to the camping spot: iwaizumi's with oikawa and hanamaki and matsukawa's with you. there was no way you'd fit in one, and hanamaki ultimately decided to ride with iwaizumi because, "you and mattsun have shit to sort out," he'd said.

with night setting and the two-hour headstart they managed to get ahead of you, the best thing you and matsukawa can do is to set up camp temporarily and wait for them to come back for you come sunrise.

you sigh.

leaves crack underneath your feet as you maneuver around your camping space. the light from matsukawa's flashlight tells you where he is, just a bit deeper in the forestry as he looks for wood to help set up the fire.

you unload the car in the meantime, bringing out some snacks and sleeping bags while waiting.

matsukawa eventually comes back with arms full of wood, and you help in whatever way you can, clearing the space and fetching more twigs when needed.

the entire car ride here had been quiet, so it's not surprising that this entire process has been equally as silent. until―

"did you already pull out your tent?" he asks, half of his body disappearing into the trunk of the car.

"huh?" you go closer, "i only brought out the sleeping bags."

then he sighs, ducking out from the trunk with a hand on his hip, "we only have one tent."

"what?"

"makki must have gotten yours with his when he decided to move cars."

his hand runs through his hair, a habit you know well. it lights up all sorts of weird feelings in your tummy

you don't know how to feel―

"i can sleep in the car."

―but you know that you definitely don't want him to do that. all things considered, you were friends first. and you've both been trying to be friends again since the breakup. you wouldn't want to cause him discomfort like that.

so, with a deep breath, you say, "it's okay, we can just share."

"are you sure?" he stares at you.

you nod.

after setting up the tent, you eat a few energy bars and clean up from the day's events. the campfire provides ample enough heat, but with how fast the flames are burning, you're doubtful it'll last the two of you the entire night.

it’s much later on, past midnight, that your doubts are proven right when you and matsukawa are cramped together in a tent made for one. it started to get cold a few minutes ago, and you've found yourself inching closer and closer to the warmth you’ve gotten used to laying against for the past two years.

he's only pretending to be asleep, you know that much, too. the rise and fall of his chest is hardly there; you can see it, how he's holding his breath being this close to you.

"issei," you whisper.

he opens his eyes, eyelids lifting lazily as he meets your stare. the vibration of his hum reverberates to you.

"it's cold."

for a moment, your stomach drops at the thought that he could ignore you; how it would make perfect sense for him to. you broke up with him after all, and he doesn't owe you anything, much less favors as intimate as this one.

but he closes the already dwindling gap between you, wrapping an arm around your waist as he pulls you closer. it's near, far too near for exes to be―noses touching and all.

"warmer?" his voice comes out hoarser through the whisper.

you nod, your head shifting up and down—which, truly, is where you ultimately fuck up. you feel it, a little chapped but still pliant against your lips.

in your carelessness, you accidentally brush your lips against his, the sensation alone surprising you enough to inch your head back as you mutter your apologies.

"sorry? really?" he asks, eyes half-lidded still as he chuckles.

his question settles into the small space you're in.

your vision trails from his eyes, down to the slope of his nose, until it lands on his lips again. a little split like you've always known, but still your favorite. still the only lips you want against yours.

when you lean in again, you know you're fucked, because―

lesson #3: the number one rule is that exes shouldn't kiss each other anymore.

[hella1975]

im so sick of reading ooc dabihawks fics make them try and kill each other fr i have a GUN

[anghraine]

Okay, breaking my principles hiatus again for another fanfic rant despite my profound frustration w/ Tumblr currently:

I have another post and conversation on DW about this, but while pretty much my entire dash has zero patience with the overtly contemptuous Hot Fanfic Takes, I do pretty often see takes on Fanfiction's Limitations As A Form that are phrased more gently and/or academically but which rely on the same assumptions and make the same mistakes.

IMO even the gentlest, and/or most earnest, and/or most eruditely theorized takes on fanfiction as a form still suffer from one basic problem: the formal argument does not work.

I have never once seen a take on fanfiction as a form that could provide a coherent formal definition of what fanfiction is and what it is not (formal as in "related to its form" not as in "proper" or "stuffy"). Every argument I have ever seen on the strengths/weaknesses of fanfiction as a form vs original fiction relies to some extent on this lack of clarity.

Hence the inevitable "what about Shakespeare/Ovid/Wide Sargasso Sea/modern takes on ancient religious narratives/retold fairy tales/adaptation/expanded universes/etc" responses. The assumptions and assertions about fanfiction as a form in these arguments pretty much always should apply to other things based on the defining formal qualities of fanfic in these arguments ("fanfiction is fundamentally X because it re-purposes pre-existing characters and stories rather than inventing new ones" "fanfiction is fundamentally Y because it's often serialized" etc).

Yet the framing of the argument virtually always makes it clear that the generalizations about fanfic are not being applied to Real Literature. Nor can this argument account for original fics produced within a fandom context such as AO3 that are basically indistinguishable from fanfic in every way apart from lacking a canon source.

At the end of the day, I do not think fanfic is "the way it is" because of any fundamental formal qualities—after all, it shares these qualities with vast swaths of other human literature and art over thousands of years that most people would never consider fanfic. My view is that an argument about fanfic based purely on form must also apply to "non-fanfic" works that share the formal qualities brought up in the argument (these arguments never actually apply their theories to anything other than fanfic, though).

Alternately, the formal argument could provide a definition of fanfic (a formal one, not one based on judgment of merit or morality) that excludes these other kinds of works and genres. In that case, the argument would actually apply only to fanfic (as defined). But I have never seen this happen, either.

So ultimately, I think the whole formal argument about fanfic is unsalvageably flawed in practice.

Realistically, fanfiction is not the way it is because of something fundamentally derived from writing characters/settings etc you didn't originate (or serialization as some new-fangled form, lmao). Fanfiction as a category is an intrinsically modern concept resulting largely from similarly modern concepts of intellectual property and auteurship (legally and culturally) that have been so extremely normalized in many English-language media spaces (at the least) that many people do not realize these concepts are context-dependent and not universal truths.

Fanfic does not look like it does (or exist as a discrete category at all) without specifically modern legal practices (and assumptions about law that may or may not be true, like with many authorial & corporate attempts to use the possibility of legal threats to dictate terms of engagement w/ media to fandom, the Marion Zimmer Bradley myth, etc).

Fanfic does not look like it does without the broader fandom cultures and trends around it. It does not look like it does without the massive popularity of various romance genres and some very popular SF/F. It does not look like it does without any number of other social and cultural forces that are also extremely modern in the grand scheme of things.

The formal argument is just so completely ahistorical and obliviously presentist in its assumptions about art and generally incoherent that, sure, it's nicer when people present it politely, but it's still wrong.

[dukeofthomas]

"Angry robin" "violent robin" "misbehaving robin" shut up and accept my alternative; spunky Robin. Determined and head strong, can out-stubborn the Batman, has a strong moral-backbone and does what he thinks is right regardless of what anybody else says, Robin. Jason who was sassy and quippy and made crude jokes with a smile on his face. Jason who hid in Bruce's cape and whispered gossip to him. Jason who, if Bruce refused him something, could keep bothering endlessly until Bruce caved. And also dramatic Jason. If Bruce tells him no, it becomes a whole theatrical show; a monologue, a narration, embellishments, and falling onto the floor in his grief upon the fact his cruel father has denied him once again.

(Jason who has suffered through abuse and homelessness and poverty and starvation, who is the Fight out of Fight or Flight, who's built up defenses and walls and when pushed and triggered responds with the thing that's always protected him; anger. He's sweet and kind and funny, and when he sees a pimp hitting a prostitute he gets furious and responds with violence.)

[littlespidermonkey]

I think in the universe where the Cullens aren't in Forks, Bella Swan takes a while to come out of her shell, but when she does, she's witty and passionate and smart as a whip, even if she's still quiet and reserved. She sits with Jessica Stanley, who demands the best of everyone, and tells her friends about her boyfriend down on the rez, who is sweet and caring and funny and good with his hands, who works for everything he's ever had.

After class, during a sleepover, Bella whispers to tell Angie and Jess about the night after prom, even though her father, loving and careless, worries about her only a normal amount and loves Jacob Black like his own. When she gets into Dartmouth--all by herself, through study sessions in garages and with Jessica and in Angela's house--she chooses to go to Stanford instead. She misses the heat and light on her skin, even after falling in love with the rain. Jessica comes with her; Angela and Eric go to U of Washington in Seattle instead, for education and journalism respectively.

Bella makes sure to call every week and then one day she drives down to Seattle and her boyfriend, warm like the sun she loves and at least twice as reliable, becomes her fiancé. The ring isn't especially big or ornate or pricey, but the way she smiles could trick anyone into thinking that it was. All of her friends, new and old, are waiting at the small party afterwards, and Bella laughs the entire time. The engagement cake--chocolate, her favourite--is sweet and moist against her tongue.

She moves back to Forks once she gets her masters in information sciences and becomes the town's librarian. She gets married a month before the move, barefoot in the surf and her old prom dress, both her parents weeping with joy and Billy Black beaming damn near as bright as his son, Sue Clearwater holding his hand.

She raises her kids --both beautiful children, blessed with Jake's thick, long hair--with Angela and Eric's and takes them down to Los Angeles to visit their auntie Jess and her husband Quil, who lavishes them with gifts from her career as a top surgeon. She jokes about having to support Quil's career as an environmental lawyer and displays each and every one of his wins alongside her diplomas. When William Black II decides he wants to be a doctor too, she writes him a shining letter of recommendation to her alma mater. Sarah, who has always been the spitting image of her father, joins and eventually takes over Jacob's mechanic shop.

On occasion, Bella fights with Jacob, even though he's the love of her life. Despite this, she is never afraid of him, and he never stops her from doing what she wants. Instead, he goes out and works on his cars and comes back in an hour later with slightly greasy hands and a bouquet of flowers from Emily Young's little garden, planted to celebrate her cousin Leah Uley's wedding. Bella makes him muffins, recipe courtesy of Sue and missing bites courtesy of Seth, Colin, Sarah, Will, and Claire, with raspberries, not blueberries, just how Jake likes them. They make up, and they make changes, and they go on.

Eventually, both slower and quicker than she realizes, Bella gets old. She lives in fear of losing herself, of losing her husband and her children, like her grandmother had. But she remembers her grandkids to the very end, even gets to meet her first great-grandchild a week before it happens. Her heart gives out before her brain does, too weak and too slow.

It was too full of love, the letter from Jacob says. Sarah reads it. Her father passed a day after his wife--simply too heartbroken to live without her. Much of the town of Forks and hordes of family attend their funeral, remembering a life well lived.

It is an unremarkable life, in the grand scheme of things. She does not live to be a thousand; she is no great beast, with speed like the wind and strength; she does not discover her powers or lead a great defiance. Bella Black, happy and human and surrounded by love, could never imagine wanting anything else.

[hopelessfandomfreak]

what if….I were to write a multi chapter agathario fic….and actually see it through??

[robbie-lee-zombie]

mini ficlet I got inspired to do ( @fluffymary )

When the gang of smiling critters have a sleepover, you better believe they go big or go home.

Kickin was the first to pass out after the movie, hanging halfway off the couch at the start, but eventually slumped to the floor at an odd angle and still hadn't stirred. Crafty and Bearhug aren't far behind as they both yawn, drifting off on the far left of the couch, holding onto one another. Hoppy, Bubba and Piggy were huddled in their own pile on the other end, looking uncomfortable to anyone else but snoring all the while.

What about our final two?

One of our sweet little friends was having a horrible dream. Horrible enough to leave him panting when he awoke, checking around the living room frantically for any monsters that might still be lurking in the dark. Dogday knew he was being silly, but it still got to him, he just knew something was coming for him! Something waiting to come out and grab him, something to steal him away and no one would ever find him again-

"Hey, hey, it's okay. Look at me. Just keep your eyes on me, okay, pup?"

One, a night owl, someone who sleeps in the day because he guards the night. He protects his family, his friends, while they're vulnerable, so they have nothing to fear. Right now, his closest friend - his partner - had something to fear. Catnap couldn't have that.

"I couldn't run away- it hurt so much, Catnap-"

"Shh, shshh I know sunspot, you don't have to explain. I'm here. You're safe here."

A few beats of silence pass. Then, Catnap got an idea.

"I got it." Catnap lifts Dogday's chin to look him in the eyes more clearly. Smiling, sweetly, he whispers. "You want to hear a lullaby?"

Immediately Dogday's face starts to feel hot and he's pulling on his right ear, twirling and picking at the fur in a nervous fidget. His tail starts thumping behind him. "You- What if- You don't have to, I'll be-" Dogday whines a little. Embarrassed. Excited. Eager.

"Let me try that again."

Dogday's sputtering was immediately halted by Catnap's purring. He could feel it in his touch, in his paws any time he held Dogday's cheeks in his hands, it was a soft rumbling under the skin. It was soothing. "May I sing you a lullaby, sweet pup?"

Dogday willed his tail to stop wagging for a moment to respond seriously. He nodded. "Yes. Please."

Their positions are shifted to have Dogday leaning on Catnap's chest, slouching comfortably in case he were to fall asleep sooner than anticipated, which Cat had already dubbed in his mind would be no time at all. Dogday's tail wags without his permission, but neither of them mention it.

Catnap's claws make quick work of Dogday's ears, scratching at the base. Enough to tickle, enough to squirm and smile so wide Dogday's cheeks start to hurt, but not enough to laugh. Meanwhile, Catnap's tail traces along each of Dogday's toes that are tucked under the blankets. "Twinkle Twinkle Little Star~"

Dogday knew what lullaby this was. It's kept between them purely for Dogday's dignity and from dying of embarrassment. Not because they'd tickle the life out of him.

"How I wonder what you are~"

But because of how well it works. Plus, Catnap isn't the first one to go around bragging about his own singing voice as it is, he'd never hear the end of it.

"Up above the world so high, like a diamond in the sky~"

"Wahahait!!"

"Dogday, you made me mess up the song, now I'll have to start over..."

"No! Nonononohoho don't stahahart over, please-" "Well, maybe I won't have to start over... If you can tell me where my tail left off?"

"Y-Your tahahail?"

"Yes, giggle pup, I need to know where my tail was on the last verse, so I can pick up where it left off. I can't recall..."

As Catnap whispers aloud, his tail sweeps up and down Dogday's soles. Dogday throws his head side to side, trying his best to keep his giggling to a minimum, but the faster that appendage swipes, the more restless Dogday gets.

"Was it along your soles, those bright suns on your feet? While we said "Up above the world" or was it-" His tail switches to sliding between his toes. "Between your poor little toes, as we said "Like a diamond in the sky"?"

Catnap knows this. Catnap loves this.

Dogday could hardly pay attention as Catnap's tail was sawing between his toes. Before he was even aware of his own actions, Dogday was squeezing one of Catnap's hands in his own, bracing himself on whatever willpower he had to not fight Catnap's attack. The other hand was frantic, pawing at the ground, his own torso in a self hug, hiding his face, he couldn't decide what made it better worse.

"Dihihiamond!! You were on diamohohohond!!!"

"Ah, that's right! Thank you so much, my little tickle pup, I knew I could count on you~"

As much as the lullaby felt like it droned on for hours, it really was helping. It was quiet enough between the two of them that this moment never had to be seen by anyone else, it was a special time that let them hold onto one another, to laugh away the nightmares. Catnap's song was eventually interjected with his red smoke - with Dogday's consent being the agreement to the lullaby in the first place, they established that ages ago.

That's what really knocks Dogday out, but Catnap likes to wait as long as he can to use it, just to savor in Dogday's bright smile and pink face just a little while longer.

"A pretty orange and pink sunrise, just for me alone."

As the sun rises in the windows through the curtains, Catnap finally falls asleep.