#i hate this trend so much
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itsmahblebaby · 25 days ago
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Being in a bookstore yesterday had me realize something. Way way way way too fucking many books lack proper synopses on the back, nowadays. It’s just screaming about how so many other people loved the book, and so you will, too! What’s the story about? Who cares - buy it! Other people would buy it! What’s wrong, why aren’t you buying it?
Now, the synopsis is actually present - it’s on the inside of the book. But these were just random books I picked up off the horror shelf, and all by different authors I didn’t know the names of. If this is an isolated incident, I got unlucky. But it’s still an issue.
I’m sure some people love it, but for me? Get that shit away from here. If you’re going to make me look at random people I don’t care about the opinion of when I’m trying to learn what your book is about, I’m going to assume you don’t want me seeing it because it’s not very good. Why else would you hide it?
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mariniacipher · 1 year ago
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if i have to hear the term “girl math” one more time i wilL TEAR SOMEONE’S HEAD OFF
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virtualtyrant69 · 11 months ago
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anakin skywalker 🤝 coriolanus snow
people forgiving them for their actions because they're hot
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trans-androgyne · 3 months ago
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Over the past month or so there have been more people using the term transandrophobia while saying shit about how trans women are male socialized or whatever the fuck and I’m gonna have some kind of fucking breakdown. It was bad enough being accused of that shit and always having to apologize for other random transmascs when there weren’t people like that in the tags, but now I don’t even know what to do, it’s just something else that’s gonna be used against me. Can I sleep for 30 years and see if the trans community is okay again by then
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bixels · 7 months ago
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This Twitter MLP human redesign drama is a mess, leave me the fuck out of it.
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sunflowervolum-6 · 9 months ago
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Yeah
The fuck is this-
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vantisanjo · 2 months ago
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blueskittlesart · 3 months ago
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*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?
tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.
#i really do have a love-hate relationship with this timeline#because it's FASCINATING lore. genuinely. and i think it carries over the themes of certain games REALLY well#but i also think it's indicative of a trend in loz's writing that has REALLY annoyed me for a long time#which is this intense need to cling to oot#and on a certain level i get it. that was your most successful game probably ever. and it was an AMAZING game.#and i think there's definitely some corporate profit maximization tied up in this too--oot was an insane commercial success therefore you'r#not allowed to make new games we need you to just remake oot forever and ever#and that really annoys me because it makes certain games feel disjointed at best and barely-coherent at worst.#i think the best zelda games on the market are the ones where the devs were allowed to really push what they were working with#oot. majora. botw. hell i'd even put minish cap in there#these are games that don't quite follow what was the standard zelda gameplay at their time of release. they were experimental in some way#whether that be with graphics or puzzle mechanics or open-world or the gameplay premise in its entirety. there's something NEW there#and because the devs of those games were given that level of freedom the gameplay really enforces the narrative. everything feels complete#and designed to work together. as opposed to gameplay that feels disjointed or fights against story beats. you know??#so I think that the willingness to allow botw and totk to exist independently from the timeline is good at the very least from a developmen#standpoint because it implies a willingness to. stop making shitty oot remakes and let developers do something interesting.#and yes i do very much fear that the next 20 years of zelda will be shitty BOTW remakes now#in which botw link appears and undergoes the most insane character assassination youve ever seen in your life#but im trying to be optimistic here. if botw/totk can exist outside the timeline then we may no longer be stuck in the remake death loop#and i'm taking eow as a good sign (so far) that we're out of the death loop!! because that game looks NOTHING like botw or oot.#fingers crossed!!#anyway sorry for the game dev rant but tldr timeline good except when it's bad#asks#zelda analysis
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bawbawbridgie · 9 days ago
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i lied. put your clothes back on. let’s talk about why cursed child is so overly hated and criticised but is actually one of the most beautiful, raw and complex pieces of work in the harry potter franchise.
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picklesinabottle-art · 4 months ago
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wow another one who could've guessed
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elliesgaymachete · 4 months ago
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I think Game of Thrones damaged collective expectations for television media and is the reason for the decline of full length low budget seasons.
We all know HBO is high budget cable even before, but Game of Thrones was arguably the first time one of their shows became so massively, globally successful. People who had never consumed fantasy media in their lives were watching Game of Thrones. It became mainstream culture rather than nerd culture so your coworkers weren’t going to make fun of you for liking it. In fact, your coworkers probably watched it too.
Before this the only TV shows that achieved anywhere close to this level of popularity (and even then were not nearly as popular as Game of Thrones) were network shows, usually TV comedies. These were low budget and had full seasons! Things like HIMYM, Big Bang Theory, The Office. You either watched them or knew multiple people who watched them. Sometimes TV dramas also reached this level of popularity—Shondaland shows to name a few. Grey’s Anatomy, Scandal, How to Get Away with Murder. Even if you didn’t watch them, you had heard of them. These were also network shows. Low budgets, 22 episodes. Not to mention network television is FREE so it has the potential to reach a much wider audience than cable.
But Game of Thrones exploded into common popularity. Even people who didn’t watch much television watched Game of Thrones. And you know what they had because it’s an HBO show? Insanely high budgets and 10 episode seasons. They were basically making ten short movies released as TV seasons. There’s nothing inherently wrong with that itself, it worked well for Game of Thrones. The problem is how its affected television production since then. Sure shorter seasons and miniseries have existed before, but it feels like they’ve been in an upward trend ever since Game of Thrones
Every studio with a streaming service wants to create the next mega popular phenomenon like Game of Thrones so they copy the formula. Big budget, shorter seasons. Quality over quantity. But in doing so they neglected the main format television has used for quite a while. Network seasons are fewer and far between with smaller budgets and shorter seasons so they can invest more in the high budget shows. And a few of them were good, but somewhere along the way, they lost sight of the quality part and throw microbudgets at shows for six episode runs and are surprised when no one gets invested after only six episodes when we used to get 22 episodes and since no one’s watching anyway they just cancel it without giving the show a chance to find its legs. If it happens to get a lucky with a second season but there’s not EXPONENTIAL growth in viewership? Cancelled. Why is no one watching tv anymore? Why does no one want to pay for our streaming service that releases maybe one show you like every other year? Why why why they ask when they ruined a perfectly good formula and make things less and less accessible
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rainofthetwilight · 3 months ago
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wow !
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vroomvroomthings · 3 months ago
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British Commentators when Max won with a big gap: Oh wow, this is awful for the sport. Can't believe the monstrosity Newey has created. Newey surely made that car fast. It's amazing how good Newey is. The RB19 must be illegal. This is bad for the sport.
British commentators when a British driver wins by a big gap: What a heroic drive did X-driver pull off. Can't believe how good X-driver is. X-Driver's skills are unmatched. This is exactly what the sports need. X-Driver surely taught Max Verstappen something.
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atthebell · 9 months ago
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@ everyone saying bagi doesn't consider cellbit her brother anymore/doesn't care about him.... how does it feel to completely misunderstand her character
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swedenis-h · 23 days ago
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You believe me like a god.
I betray You like a Man.
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lilaccatholic · 5 months ago
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Probably SUCH an unpopular opinion except in my little corner of the world, but BOY would Bridgerton so be my thing if it weren't for all the sex scenes
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