#i hate most of his faces so much

[xxplastic-cubexx]

chat if i may speak

[c-hrona]

Pietà

[ophanstears]

🍀

I know that Clover's gender is up to interpretation (the devs DID say so themselves) but I still feel weird when people make them exclusively male or female LOL Like it's TECHNICALLY fine??? but it leaves a bad taste in my mouth.

more in tags as usual because I am a yapper. i am so sorry for having strong opinions about gender and representation. i am usually more fun than this 🥲🥲🥲🥲

[chirpsythismorning]

Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?

This will be a long post, so you might want to strap in or save it for later.

In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.

In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.

Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.

Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.

What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.

First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...

But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.

All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.

But then there's a shift.

Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--

Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?

But then suddenly this shift continues, going in a direction he probably didn't expect.

I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).

It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.

EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.

As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.

And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.

I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?

This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."

Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.

Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.

Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.

While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.

For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.

For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.

Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?

In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.

Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.

What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.

Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.

Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).

If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.

We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...

It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.

And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.

With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.

Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?

Yeah me and Jonathan are confused too.

Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!

And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.

Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.

Or who knows, maybe Mike could still be a little bit gay too...

But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.

But then Mike just has to surprise him one last time.

For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.

Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.

From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'

But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?

And then it hits him.

Mike is reminding him a little too much of another Wheeler right now...

Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.

And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.

And now it's like all those little moments are starting to add up to Jonathan.

Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.

I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.

As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.

This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.

Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.

Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.

Spoiler: They were not ready.

PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...

[necrotic-nephilim]

I am always thinking TimJay thoughts related to the fact that they have matching scars from getting their throats slit, and not only that, but Jason slit Tim's throat first in an attempt to threaten Bruce, where Tim was nothing more than a pawn for Jason to use to emotionally manipulate Bruce.

batman (1940) #618

And then, just a little while later when Jason is trying to confront Bruce and do his whole dramatic moment with Joker in UTRH, and Bruce slits Jason's throat to stop Jason from killing the Joker.

batman (1940) #650

It makes me so Unwell. They have literal matching scars. When do you think Jason realizes it? When do you think, while running his fingers over the scar he has to always remind himself that Bruce was willing to jeopardize Jason's own life just to save the Joker, Jason realized it was the same scar *he* gave Tim? And does it click for him too, that he and Tim are a lot alike? Being used as pawns in Bruce's game? And for the first time he maybe understands Tim Drake, just another kid trying to get Bruce's attention and approval? And Jason did to Tim exactly what Bruce did to Jason? And that's part of what spurns on Jason's obsession with Tim, trying to "save" Tim from Bruce's ideology?

When they finally get together does it make Jason even more possessive? He put that mark on Tim and now he has his own to match. It's the closest to being understood and loved he's ever felt when Tim runs his fingers over Jason's scar at the same time Jason touches Tim's. Mirrors of each other, in a fun, fucked up little way.

[dollypopup]

hm. idk, maybe the reason Luke Newton isn't announcing new projects or posting any Bridgerton content is because some of you demons treated him like hot trash instead of a creative that you wanted more work from and he decided fuck it, this isn't worth the stress. you know, like a lot of creatives who get mistreated do?

like this is a man who went from couch surfing in a friend's house and bartending to make ends meet, deciding that the Bridgerton audition was the last one he'd do before he quit, to suddenly being recognized on the street because that last audition propelled him to star in a global show where fans who have zero media comprehension blamed him for his character's actions and literally stalked him at any hotel he happens to stay at. he went from being a dude doing musical theatre and shopping at thrift stores and recording random songs with friends and posting silly memes on Twitter to being harassed on his only social media page and his friends insulted and his partners bullied by his supposed 'fans' and anything he posts being so microanalyzed that he can't do a damn thing without someone coming out the woodwork screaming about how he's the WORST and won't he think of the FANS!?

like damn he can't have a girlfriend without being harassed, he can't travel without being harassed, he can't like or not like social media posts without being harassed, he can't post a fucking MEME without being harassed, he can't take a vacation or cut his hair or hold someone's hand or just live his life without being blamed for some bullshit or another. but yeah, okay, 'when will Luke Newton come back?' as if it isn't your fault he's AWOL now

[shalpilot]

lucid

[mephoj]

nickel and balloon would be so much more interesting if people explored the way nickel became everything awful that balloon used to be but so much worse ironically all in the name of "protecting" everyone from that history repeating. and not softboy tsundere yaoi or whatever is going on in those tags rn

[jester-step]

just girly things: reading batman: dark victory and feeling nauseous every time harvey dent gets mentioned 🌸🥰💕

[musclesandhammering]

Having a finale episode that’s more focused on hyping up an annoying side character than the person the series is actually named after, oh I’m getting Loki season 1 flashbacks 😭

[steakout-05]

medic tf2 doodles?!?!?? in this economy!???!?!? (art from yesterday)

most gentle and sweet middle aged german man in the whole entire world smile vs planning to swap all of your organs with a series of interconnected frogs smile

a doodle i did of Medic and Archimedes.... he looks too round in this drawing, not smug and evil enough..... also Mitzi from the RAE appearance :D

i LOVE the voicelines Medic has with Haunted Archimedes, he's not disturbed or even slightly put off by the fact that his zombified dove is 1. talking and 2. has a violent and constant craving for brains. he's just like. being a slightly irritated pet owner about it. he's just like "ugh yes archimedes vants all zhe brains doesn't he. now shut up". also i think this is the most on-model medic drawing i've ever done wtf

[perenlop]

havent seen this take in a while thankfully but it popped up in my head and i wanna post this anyways. i think everyone who talks about how siffrin “got off too easy” at the end of isat and his friends should have abandoned him should go read warrior cats if they want an example of a character using their trauma as their god-given jailbreak card to treat their family and peers (a good amount of whom who were completely innocent) like dogshit, and who faces zero consequences from the narrative for it (and in fact bends over to blame their peers). like read all the shit jayfeather does while the narrative sobs over how tragic but awesome and quirky he is and then look me in the eye and tell me siffrin’s ending was poorly written.

[kacievvbbbb]

While I love Jack and do think Alexander Calvert did a truly amazing job playing him and the fact he looks a little like Misha is adorabel.

but I do think that we were robbed from how astronomical the following seasons could have been if Jack was a girl.

[vasito-de-leche]

okay I read your analysis on Forget Me Not and I'm in tears now thank you. (No but really thank you, it's such a touching piece.) Can you PLEASE for salvation of our fans souls write anything to like,,, give him hope? Forget Me Not x reader but it doesn't have to be actually all-out with hugs and kisses. We may,,,,,,,, just show him a new hobby? Any hobby of your choosing or idk play an instrument together. Just to give him something else to focus on, to channel at least part of his energy from self-destructive activities to something less hurtful. I'd personally like to bandage his (not actually wounded but still) hands as if they were bleeding. Something of the kind. Sorry for mistakes writing is incredibly inconvenient cuz tears aaa.

;R1999 FORGET ME NOT - "hands, fingers, scales"

Forget Me Not x Reader. 2.3k words. self-harm implied You've befriended Forget Me Not the same one befriends a rabid, beaten, old dog. And while he's much too busy fighting his inner demons, you're more worried about stopping these "pernicious habits" of his. A casual afternoon trying to make sure he's taking care of himself turns into something deeper.

thank you so much for the ask, nonnie!!

I got a little carried away with this request because thinking about how fucking insufferable and confusing FMN has to be just to indulge in HAND HOLDING and GETTING A FUCKING HOBBY made me so deranged and feral as if hes not fucking TOUCHSTARVED lmfao. this guy's love language is straight up worshipping, mf is not subtle about it

either way, hope you like it! here's the lil preview!

Sometimes, Forget Me Not understands the reason men and women kneel at the pew to worship and pray.

Devotion is something arcanists and humans share, whether honest or not. He's witnessed the rich and the poor, the pure and the depraved, and every binary that rules this world - all of them begging, pleading and praying at the end of their lives, casting away the pride they've held on for so long for the chance of salvation. Once stripped down to their core, there is nothing to do but hope God has enough love in His heart to look their way. 

And sometimes, Forget Me Not prays that you’ll find someone else - anyone but him - to fill the role of devotee.

The gentleness in your eyes whenever you look at him is enough to bring him to his knees, and Forget Me Not doesn't know what to do with himself but to worship and pray. Praying that you'll continue to look at him for a little longer, silently begging for your attention until you finally tire of him. Do you think yourself holy enough to replace the vitriol in his veins?

He does.

On good days, he even hopes that you can save him.

You never asked him to become your one and only believer, of course. You're not even aware of the space you take in his mind, nor the conflicting images he keeps conjuring of you at night, he's certain of this. Otherwise, you wouldn't be here, holding his hands and inspecting them for any injuries. This role is one of the many self-imposed tragedies in his life.

Your thumbs knead and massage his palm, as if you could soothe the pain away, and yet you refrain from pressing down hard. He's at your mercy, why hesitate? What do you see that he cannot?

Something is bothering you. It's obvious in the way you touch him, like you're afraid of hurting him, as if you were the one with a body count between the two. Every so often, your movements come to a halt and you both sit in silence, until you return to your ministrations, filling the nothingness with your sighing and humming.

All he needs is to look up, right at your face, to know everything he wants to know - but he's too much of a coward for that. Instead, light grey eyes follow your index finger as it slides under the cuffs of his shirt. You trace over the bone of his wrist and continue upwards.

He can't tear his eyes away.

Normally, Forget Me Not wouldn't mind. There is an addictive thrill to witnessing the shock of anyone who dares get so close and personal, but he feels himself shrink when you brush against his scales and recoil away on instinct. That's when he raises his head and finds your eyes in the dimly lit staff room.

That expression on your face - surely, you were regretting every choice that led you to him. By now, you might've surely realized that there is nothing for you to salvage in this shipwreck he calls a life. All attempts to check on him were surely a façade for whatever ulterior motives you continued to withhold from him. He's stubborn, believing that he can read you like an open book, but now he's just as lost as you are. When he opens his mouth to speak, you beat him to it and he grows a little restless at your words.

"Sorry, sorry! Did I, uh, hurt you? Dumb question, you would've definitely told me if that were the case. Anyway, it looks like you're okay! I don't know why I was so worried, actually."

His silence prompts you to continue, and all Forget Me Not can focus on is the absence of your warmth.

You raise a hand to gesture dismissively at your behaviour, brush it off to ease your embarrassment, that much he understands - though it's painful to watch you fumble like that, to deny what he hides under his clothes. Forget Me Not thinks of filling the space between your fingers with his own, just to drag you back to that quiet, albeit suffocating, moment of peace. Instead of doing that, he retreats and places both hands neatly on his lap.

"Thanks for indulging me and, yeah uh, again - sorry about that? It just caught me off guard. I should've been more careful."

But you were never careful with his space or his rules, plunging in and out of his life and leaving him to figure out where he stood in his game of push and pull. Why were you being careful now?

"It's nothing, I understand," he lies. Everything you do means the world to him and he doesn't even understand why. "It cannot hurt to know what sort of things the person pouring your drinks might be hiding under their sleeves."

The word "hypocrite" lingers at the tip of his tongue, threatening to spill out with as much venom as he can muster, but it stays lodged behind his teeth because he knows he's even worse: Forget Me Not prays that you'll stay with him, while also opening the door right out his life for you. As much as he wants to, he has no right of calling you out.

He's not used to receiving apologies and so he chooses not to think too hard on yours - though he's dreamed countless of times for the perfect situation in which he finally rips out one apology after another from the throats of those who wronged him, this one feels different. Undeserved, even.

His heart, that wretched lump in his chest, finally settles down and he prepares to end this interaction to save you the awkwardness of addressing his "deformities". But then you go and surprise him once more.

"Come on, I already told you..." You sigh and he inhales in tandem, but you're much too busy rolling your eyes to notice. "That whole thing you do, when you start scratching or, like, picking at your hand? You've been doing it more lately. It had me worried you might've been doing, I don't know - something."

Forget Me Not's eyes widen in surprise. The audacity to notice such things about him? And to put them on display without a warning? What else did you find out?

Part of him wants him to embrace his nature and scare you away, but that's the side of him that's been slowly losing this battle of attrition in his heart - you're a bad influence for him, after all. The other part... Well, it's still trying to sort itself out.

He settles for slowly undoing the buttons on his sleeve. It only takes a moment to roll up the fine fabric to his elbow, knowing you're staring right at him, through him maybe. The expression on his face is one of indifference, one he fights to maintain - this is the most vulnerable he's felt in decades.

That unsightly pattern begins exactly where his sleeves usually end, coiling around his forearm not unlike a snake and traveling upwards. The scales are dark, an iridescent black that reminds him of an oil spill in the middle of the ocean, and the ones at the edges fade away into lighter hues until they mix with the pale, sickly tone of his skin. He knows the sort of beauty he holds, one that can only be admired at a distance, turning into a grotesque imitation of a man when up close.

Forget Me Not presents himself to you and, with his free hand, gets ready to pluck one of the scales off.

"Wait, don't do that-!"

Seizing his arm and holding it close to your chest, you deprive him of the catharsis that comes with this level of self-mutilation. He knows you're connecting the dots, feeling the scattered, empty spaces from all the times you saw him pick himself apart and more. Your fingers brush against his bare skin looking for said spaces, counting them in your head, mourning their loss.

Some scales are in the process of regrowing like unwanted parasites, and he wishes he could feel anything at all just to be closer to you.

"God, what is wrong with you?! What was the point of that?"

Something compels him to laugh (perhaps it's your heartbeat reaching out to him loud and clear through your clothes, he feels it faintly) it comes across as sinister and condescending, the only way he knows how to express joy. Like he's making fun of your concern.

"Apologies," Forget Me Not begins to say, readjusting his glasses. The way you try to keep his own arm out of his reach doesn't go unnoticed. It's such a petty, childish gesture that makes his grin widen and your frown deepen. "I was under the impression you found this little oddity distasteful. There's no need to worry - they will return in a few days, they always do."

"Still, don't do that. It's not funny. It must...hurt a lot."

"Ah, but it doesn't. If else, I'd compare it to being pricked by a very small needle."

"You're just going to find something to nitpick and contradict everything I say, aren't you?" It's the least he can do to repay all the headaches you've given him, and for forgiving his transgressions too easily.

An intrusive thought makes itself known from the depths of his mind - would you forgive him just as readily if he were to kill someone in front of you? If he showed you just how destructive his arcane skills could be when given free reign? Where would you draw the line? And how much could he continue to push his luck before he lost you?

Before Forget Me Not realizes it, you've loosened your grip on his arm and returned to that previous moment of suffocating peace - the only difference is that you've gone from being deep in thought to troubled and miserable, one hair away from darting out the room and refusing to speak to him. At this, his pinky finger wraps around yours and neither of you mention it.

"Can't you... I don't know, do something else?"

"I could be doing my job, but alas, you're keeping me prisoner here." He says, like he's not delighted to be given your undivided attention. There are no complaints when you step on his foot with a huff, he deserved that one.

"I'm talking about the scales thing! You could wear gloves. If it happens when you get distracted then, I could hang around to make sure you stop in time." A pause, and then the sound of your voice becomes unsure and so very small. "Maybe if we covered them with bandages...? But that could be annoying. Band aids? No, no - too unprofessional. It would ruin the whole aesthetic you're going for."

You continue to trail off, coming up with many different ideas and solutions to a problem he caused. He doesn't understand why you'd even bother in the first place. For you to reciprocate the attention he gives you, to care about him? That's the hardest pill Forget Me Not has ever swallowed - it's something he twirls around with his tongue, as if deciding whether to poison himself with bliss or spit it out and continue latching on to his doubts and insecurities.

Outside, in front of everyone at The Walden, he's the one leading the crowd and talking for hours on end, commanding their attention and manipulating the flow of every conversation.

Behind closed doors, all he does is listen to every nonsensical thought, unnecessary opinion and strange anecdote you throw at him.

"...No, that won't work either." Absentmindedly, you fix and button his sleeve back into place.

You've grown used to his silence the same way you've adapted and grown used to his flaws.

"I mean, it worked on me - getting a little slap on the wrist whenever I started biting my nails, but..." Without even thinking, you rub circles with your thumb across his knuckles.

You might as well be the stupidest angel in heaven.

"Why don't you just get a hobby? That's good enough, right? It's been so long since I've heard you play piano, the one by the stage." And just like that, you're on your feet attempting to drag him outside for a demonstration. "You could teach me! That way, we get to do something fun and I get to keep an eye on you."

Forget Me Not knows he has nothing to offer to this world, but when his saint looks at him with such hope, he cannot refuse. The path to recovery seems almost doable when you bump your shoulder into his, challenging him to play the hardest song he knows.

The stars in your eyes whenever you recognize all the songs he plays becomes intoxicating, more so than the sweet, sweet revenge he's yearned for since he spiraled into decadence.

Some days, his patrons join with their own singing or humming, and he forgets that he hates each and every one of them for as long as his fingers dance across the keys - a momentary reprieve from the constant stream of negativity. It doesn't take long for his body to remember his training and soon, he's improvising.

A melody for gloomy, rainy days. A whimsical tune here and there for celebrations.

A song for you and himself - the first one he teaches you and the only one he plays in private, when he's all alone with nothing but his thoughts. Solitude has gone from a noose wrapped around his neck to the perfect time to compose and hone this long forgotten passion. For the first time in forever, he doesn't dread the silence of an empty room, the endless wait between his shifts at The Walden - not when he can simply fill them with more and more music.

And so, Forget Me Not plays, hoping that you'll continue to cheer him on. Hoping that this tiny spark you've ignited in him can truly become his salvation.

[svampira]

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yOu'Re gOiNg fOr a LiTeR? | "Habs react to Quebec Maple facts", 10.22.24