#i had so much fun watching this series! will probably rewatch some more

[books-are-my-life-stuff]

Finished Series, Spring-Summer 2024: Time Patrol Bon (T・P BON)

"Namihira Bon. Just as my name implies, I've always been average at everything. But I'm actually a Time Patrol agent. I neither particularly stand out, nor am I disliked. I'm not in any clubs, I don't have any special interests either. But then, an unexpected encounter led me to become a Time Patrol agent. I had a senior agent, I had my first job, I was recognized as an official agent, and I got a junior. As a team, we went to different times and did lots of Time Patrol missions. Being a Time Patrol agent taught me one thing. Around historically important events, there are always ordinary people whose names we don't even know. They live their ordinary lives, laughing and crying. History is built by many people who don't stand out. I came to love my job as a Time Patrol agent, helping people whose names aren't widely known. Now, I can proudly say... Being ordinary is cool.

[that-ari-blogger]

Something... new? (Moment of Truth)

Here is a question. In a story about repetition, where the central threat is the cycle happening again, where the very concept of the narrative is that trauma and abuse echo in on themselves… how do you tell an interesting story?

Like, on a general level, stories are about change, so something that is, by its nature, formulaic, would probably be inconducive to storytelling. Right?

She-Ra and the Princesses of Power disagrees with this premise in a weird way. The third season of the series has been questioning the formula in increasingly outlandish way. The first episode gave the same story but with a twist at the end, the second dissected the formula itself by examining the foundation it is built on, and the third flipped the direction of the spiral for a time.

Moment Of Truth features, overwhelmingly, some of the most skill on display that the series will have at all. This isn’t a fan favourite episode, but it is genuinely incredible craft.

However, it is important to understand that this episode doesn’t do anything new. Every moment in this episode, bar the last two minutes, has happened before in the series.

All Moment Of Truth does to iterate on the formula, is take events of consequence, and place them immediately after one another. This episode messes with internal context, and it causes the tipping point of the series.

Let me explain.

SPOILERS AHEAD: (She-Ra and the Princesses of Power)

One thing that I thought was interesting, upon rewatching this episode, is how few and far between the jokes are.

The series has a very distinct sense of humour and uses it in an extremely specific way. This is essentially a story about abuse, trauma, and war, which are objectively pretty heavy things. But it is also aimed at younger audiences, so it cushions each of its heavy blows with a joke.

This is why the character of Madam Razz is the most important character in the series. Her kookiness combined with her wisdom allows her to discuss some truly confronting and uncomfortable topics with grace and good nature. The humour is what makes this show approachable.

This is also why Aabria Iyengar’s style of game mastering for TTRPGs is so fascinating to watch. And, though I can’t verify that she is fun to play with since I have never played at her table (@quiddie please), her fellow cast members in Dimension 20 and Critical Role seem like they are having a good time. Essentially, she balances out heaviness with entertainment, effectively artificially shifting up the Garfunkel threshold of the players she is GMing for.

For context to the absolute mess that was that last paragraph. The phrase “Garfunkel threshold” is used by an English teacher that I had a few years ago and literally nobody else. It refers to the area of emotion where a person is out of their comfort zone, but not truly uncomfortable. Fun scary, essentially.

Back to She-Ra. Moment of Truth doesn’t waste time with jokes unless it really needs it. This episode runs at a breakneck pace, and only stops to give you breath at the last moment.

As a result, the jokes that this episode tells are really funny. Although, if they were told in a vacuum, they probably wouldn’t be. For example:

“You won't try to escape if I just pop out for a quick sec, will you?” “Uh... No?” “Okay, great, really appreciate it.”

This is iconic in the fandom, and for good reason. This is one of my two favourite jokes in the series. The other is also in this episode, weirdly enough.

But… it’s not that funny of a moment.

If you heard this conversation in any other episode of this show, maybe if Adora had been captured for a one-off episode like Catra was halfway through season two, this joke would maybe get a smirk, but not much more.

So why does it work?

One word: Context. This episode stresses you out like few other episodes of television can do, and a few seconds before this joke, it successfully makes you think that Entrapta will try to hurt Adora.

Instead, you get a moment to hold in the tension, then a piece of humour that is utterly incongruous with the tone of the episode so far, and you have to laugh.

This is the same premise behind the humour in Alien, directed by Ridley Scott and written by Dan O’Bannon. That film has some incredible one liners that allow the audience to breathe and excise some catharsis in what a pretty gritty plot would otherwise be.

The perfect example of what I’m talking about here isn’t actually that much of a joke. It’s literally half a second that abrasively interposes itself into the break in and forces it to stumble. But the build up gives it so much levity.

The scene is off the back of Glimmer’s teleportation and the tension of Angella trying to stop it, followed by the constant stress of how easily Shadow Weaver is playing Glimmer like a chess piece. Mermista makes a quiet comment on the décor, a moment of levity that Shadow Weaver deliberately undercuts. Then we loose Perfuma to a fight we can’t see, the uncertainty of which is more stressful than knowing definitively that she has been killed.

Then the gang runs into Lonnie and Rogelio, two formidable foes, but two foes they have outnumbered. Stress rises, then the music cuts out for barely a moment as Lonnie flicks the alarm lever that is right next to her

It’s not a joke, it’s a character making an eminently sensible decision in contrast to the entirety of the rest of the cast. But the musical cue pauses the tension of the scene for just enough time for you to give a brief laugh, then the scene resumes in earnest, and continues at its previous pace. It isn’t a lot, but it’s enough to keep the story fun.

Basically, the show is made up of seriousness and humour, and those are held together by a single piece of Velcro, and that is working overtime to a truly extraordinary degree.

Except, that isn’t true. She-Ra and the Princesses of Power doesn’t treat humour and earnestness as separate at all, they run together and punctuate each other.

The other main thing that this episode does is a perspective twist. Moment Of Truth is all about context, and so the events play through the views of unusual characters.

Case and point, Glimmer and co. have gone rogue to do their own thing countless times in this series, and every time they get back, Angella chastises them.

However, this is the first time we have witnessed Angella’s reaction to Glimmer’s disappearance, and we get a sense of desperation from her.

Angella doesn’t have to speak her thoughts out loud to let the audience know what is happening. She sees Glimmer has gone and immediately realises that she has gone rogue again, so she checks Shadow Weaver’s quarters, because she knows what her daughter will do in this situation.

Meanwhile, the shots of Glimmer are from Shadow Weaver’s perspective. Almost as if Shadow Weaver is positioning herself as a replacement mother figure for Angella.

I could comment on the animation of this scene, but my analysis there is very much limited to “oooh pretty”. Which is fine, but nothing anybody hasn’t said before.

So, instead, spoilers for the season three finale (skip to the next paragraph if you’re avoiding those), this is the last time Angella sees Glimmer, and she is powerless to stop her. Angella is a character riddled with guilt, and this will come up later when I discuss the finale.

Back to the episode at hand, a significant chunk of this episode is as told by Shadow Weaver, so we get the full breakdown of how terrifyingly competent she is at her designated skillset. Shadow Weaver is a manipulative character, and so she is playing chess with the plot of the entire series in a way that only one other character comes close to matching, and I’m going to start my discussion of that by discussing her powers.

Magic is a facet of narrative literalism, where a metaphor within a story becomes tangible. For example, Glimmer is impulsive, so she teleports around, jumping to conclusions without taking the time to walk. She is also stubborn, so her powers make her uncontainable.

Shadow Weaver, meanwhile, is a parasite. She has magical talent of her own, but in this episode, all she does is leach off Glimmer’s power to further her own ends.

In a series about freedom of autonomy, Shadow Weaver exists in contrast to Hordack. Where these characters focus on the freedom aspect to contain and confine their enemies, Shadow Weaver twists her victim’s autonomy and takes control of them in a way that is insidious and very realistic. She is like Light Hope, which is interesting.

That parasitic nature actually reflects into Shadow Weaver’s manipulative technique, as she never targets someone who is, for lack of a better term, strong. This is difficult to explain: Glimmer needs something, and Shadow Weaver positions herself as the answer. She finds someone who is at their lowest point, and makes them dependant on herself.

This is, fun fact, why Perfuma, Mermista, and Frosta are seemingly immune to her influence. I’m grasping at straws here for Frosta’s characterisation because she gets about two lines in the entire episode, but I’m onto something with Perfuma and Mermista.

Perfuma is a paragon hero who does not compromise in her beliefs. This causes trouble in the series, as is the nature of this story, but it means that in the several instances Shadow Weaver tries to get under her skin, Perfuma brushes it off. Perfuma considers what Shadow Weaver has to say, but keeps in mind at all times that she is an abuser and therefore not to be trusted.

Mermista, meanwhile, is the best character in the series and you cannot change my mind. In seriousness, Mermista is detached and cold, a strength which, like Perfuma’s ethics, causes conflict at other points in the series. However here, it means that we have a character who does not take Shadow Weaver seriously at all, meaning that her grandiose pontificating is meaningless. Mermista sees Shadow Weaver for what she is, a prisoner scabbling for scraps of power from someone else, and she sees an easy rout to stopping that.

Anyway, the interrogation scene.

There is a spotlight on Glimmer and Bow here. They are on a stage, and Shadow Weaver sits on a couch, watching them. They are performing for her. She is in control.

“You are smart, you want to stop the Horde, and you know I'm the only one who can help you do that. I must admit, I thought it would take you longer to speak with me.”

Shadow Weaver is easing Glimmer into thinking she has control. She compliments her, casually offering her own services as help to the princess. But she also positions herself as lower than Glimmer. The last line implies that she is surprised and that Glimmer has the upper hand, letting her into a false sense of security.

“His machine is complete? And they have Adora? We must hurry. If Hordak has the opportunity to open a portal, he will do so immediately. The Alliance will never get there in time – but perhaps...”

She is surprised again, apparently. Shadow Weaver has taken care to position herself as omnipotent, that’s why the compliment to Glimmer being unexpected is there.

Effectively, if the smart guy is outsmarted, they are on the back foot. If the smart guy is surprised, they are in danger.

So, Shadow Weaver emphasises the danger of the situation, stressing that the alliance’s inability to help. But wait… it just happened to occur to her, just now, that Glimmer might be able to fix this. She wasn’t planning this at all, it was spontaneous, and a piece of knowledge she doesn’t think would work.

Needless to say, I think Shadow Weaver is talking utter bollocks about this. For my evidence, I propose the following questions: If Shadow Weaver didn’t know about Adora’s capture, how does she know about the rebellion’s plans? Is it possible she is pulling facts out of her backside to further her own ends?

“I can make you stronger. I'm still the only sorceress who has ever been able to tap into a runestone. If you allow me to access your connection to the Moonstone, I can enhance your powers. You could teleport us all the way there.”

Here is Shadow Weaver’s gambit. She can solve the problem for Glimmer, she can give Glimmer the assistance she needs. It’s a Faustian bargain, and she doesn’t mention at all what she gains from this deal, that’s just something that slips her mind.

Of course, she could be doing this out of the goodness of her heart, kindness isn’t transactional, but this is Shadow Weaver we are talking about. Shadow Weaver exists on conditional affection and saw fit to make demands as a prisoner of war. I don’t think Shadow Weaver is the type of person to offer aid for nothing.

“I want to destroy Hordak.”

This is Shadow Weaver’s stated motivation, she says it again later on in the episode, and it is mainly used to distract Glimmer and give her a “an enemy of my enemy is my friend” type of bargain. But I’d like to examine this motivation a little bit, because I think she is lying about this as well.

In the end fight of the episode, Shadow Weaver casts two spells, both of which could have been aimed at Hordack, but neither are. Instead, she destroys the room, and she targets Catra. Shadow Weaver is a parasite, and a liar.

Which leads into Catra’s descent into madness, something that is told entirely from everyone else’s perspective. Until the end, but we will get there.

Shadow Weaver physically abuses a child in this scene. That is objectively what this is. The fact that this is magical is the only thing that let the writers get this through censorship. But I want to be clear here, this is not simply punishing misbehaviour, this is not tough love, this is not building strength. Shadow Weaver physically abuses a child in this scene.

This is a mirror of the scene in Promise, to the point where the spell is the same, and it is notable that it would have been easier to just zap Catra and leave her there, but Shadow Weaver decides to torture her.

And this scene is viewed from Glimmer’s perspective, showing her the true monster that she is aligned with, but also the power that Shadow Weaver exhibits. This is the deal Glimmer made, summed up, agency for complacency. Glimmer has to make herself ok, at least partially, with this side of Shadow Weaver, which makes her complicit in what is, again, the physical abuse of a child.

We have seen this scene before, but here it is through a different lens, and that changes how we read it, and keeps it interesting.

It is also notable that Bow is the one who stops Shadow Weaver and pulls Glimmer back. Which is interesting.

Bow is Shadow Weaver’s antithesis. Angella is too, but Bow is her main equal opposite. Bow is kind, uncomplicatedly so, and he is the final character who remains immune to Shadow Weaver’s tricks.

Although Bow stays above Shadow Weaver by playing the same game as her, just more fairly. Bow is a tactician, and a damn good one at that. He isn’t as good as Shadow Weaver, nobody is, but he is easily the second best in the series by a long shot.

But Bow plays fair, at all times. He lets people know what their roles are, he communicates, and he relies on other people as much as they rely on him. His relationships are mutual, where Shadow Weavers are parasitic.

Bow exists on trust.

Speaking of which, when Catra betrays Entrapta, the scene is shot from Scorpia’s point of view, and we again see her utter powerlessness to stop the situation. This is the cycle of abuse in full effect. Catra was denied her own agency, and so the way she tries to reclaim it is by removing others of theirs. Scorpia can’t do anything as her friend is carried away to a death sentence.

The final scene, however, is from Adora’s perspective. We see Catra’s world fall apart around her, quite literally, and we see Adora watch her oldest friend descend into madness. Once again, the watcher is powerless, as Catra continues the cycle of abuse.

You understand that Catra has nothing left to lose, and while you don’t agree with her decision, you can see why she did it, which is important. Reason and justification are not the same, but they do both make analysis easier, which I am grateful for.

This sets up the next episodes and Catra’s characterisation there. Catra doesn’t care about her own safety or the continued existence of the world itself, she just wants to feel better by exhibiting some kind of control over the people she perceives to have hurt her.

Which also sets up my diagnoses of Catra, and I’m not sure how the fandom will react to this, but I think Catra is the villain here.

Catra, in this episode, and in the next few episodes, is abusive, manipulative, and controlling. Essentially, she fits all three of the parameters for evil that the series has established.

Yes, she has a reason for her actions, but she isn’t morally grey anymore, she is choosing to burn the world down out of spite. Cool motive, still murder. Catra is the villain.

But is she irredeemable? I would argue “no”.

Spoilers for the rest of the series, but I can’t really explain why Catra’s redemption is possible to me other than the fact that she was redeemed, and it worked for me.

I don’t believe in good and bad people; I believe in actions. Sure, there are people who do unconditionally horrible things, a lot, but I would argue that the best way to redeem oneself is to stop doing those things and get better.

It’s as if morality is a quality you have to work at, with enough practice, you can improve.

And I think Catra’s redemption is so well executed, specifically because of the fact she is villainous here. If she hadn’t hit rock bottom and then sunk even further, her climb wouldn’t be nearly as compelling, at least to me.

Micah's memory casts a shadow over Angella as she makes her decisions, colouring her argument with her daughter. I wonder if there is some symbolism there.

Final Thoughts

The reason that Moment of Truth isn’t as popular as Promise or Save The Cat, is that it isn’t spectacular, it’s just impressive. By which I mean, the shot composition of this episode is stellar, but I can’t exactly point out every Dutch angle or perspective warp, or how many emotions Entrapta goes through in a single close up.

Also, the pacing of this episode actually slows down, rather than gaining momentum. It increases in tension, but the scenes get longer and more drawn out. We are reaching the event horizon, essentially, and time is getting wibbly wobbly. But that isn’t exactly something that wows an audience.

So if I was to recommend this episode, I would point to the teleportation scene, or the fight between Catra and Shadow Weaver. Both of which look cool, but don’t hold up by themselves when contrasted with other episodes in this series.

Basically, Moment Of Truth is competent, but in a way, its playing things safe on a majour scale, which is unfortunate. This episode deserves more love.

Anyway, next week, I will be looking at Remember, and taking narrative literalism to its extreme. So stick around if that interests you.

Previous - Next

[freudyou]

"Make it look like a freak lighting accident"

It’s been years since I’ve revisited Due South, but the @ds30below event sparked my interest again, and I decided to watch a few episodes with my bud @flownwrong  to celebrate. We watched three episodes that stuck in my mind the most over the years after being absent from the show for so long: Bird in the Hand, Eclipse, and The Ladies’ Man, and I found all three to be a very rewarding rewatch, even though my memory of the rest of the series is a bit hazy.

Bird in the Hand: 

When we started our mini marathon, I didn’t realize that this was the only ep of the three where Fraser’s dad plays a role, and I forgot how solid Pinsent was at pulling comic relief duty. The scene where he popped up demanding that Fraser murder Gerard immediately after Gerard was droning on about how Robert’s dogged nobility was his ultimate downfall had me rolling, as did the bit where he—probably correctly— asserted that Ray would shoot Gerard for him if Fraser really asked him to (aww). One thing in particular about his character  that struck me while watching this episode were the moments where he actually interacted with the environment around him in a way that impacted people other than Fraser by implanting the idea to retreat in McFadden’s mind and having Gerard attempt to grab his hand while dangling in the air. In my memory, it was a lot more ambiguous whether Robert was actually a spirit or a figment of Fraser’s imagination, so that ended up being kind of a fun twist for me. 

Since the other two episodes we watched were very Ray K centric, I’m glad we did one that had a focus on Fraser’s emotional state. The scene where he confronted Robert about stubbornly refusing help in life and  said “I never loved anyone as much as I love you” while Robert was still trying to find ways to derail the conversation is a fan favorite for a reason; it’s a rare, intensely vulnerable moment for Fraser and I really enjoyed the way that Paul Gross pulled back from it a little. In another show with another character, it’s easy to imagine a scene like this being a more blatant, emotional showstopper, with the neglected son saying this in a fit of tearful anger that’s meant to make his father rear back in surprise. Instead, Paul Gross delivers the line in an understated way that’s almost more like puzzled frustration, as if Fraser is trying to piece something together about himself instead, which I thought was a really nice touch to the scene that made it feel very Fraser. I also love the cunning way that Fraser brought it back around just a few minutes later by weaponizing male emotional repression in order to freak out everyone else in the room and gain the upper hand (as well as have an opportunity to annoy Ghost Dad by calling him short) while also delivering some genuine truths: Gerard really did break his heart. 

Last but certainly not least, I adore how Ray kept trying to take care of Fraser throughout the episode in his own grumpy, special way. Sure, trying to orchestrate some Fraser-on-Gerard police brutality didn’t end up being the most well received suggestion, but it’s sweet that he acted extra vengeful to make up for Fraser’s dutiful restraint. I also forgot that the “Mentally Deficient” sticker gag and the tape recorder conversation were both in this episode. The Bickering Married Couple vibes between them were always such a classic part of the show, so it was nice to see that on display. 

Bird in the Hand really held up strongly against my fond memories of it, and I was a little surprised at how easy it was to slide back into this world and be immersed in it after being away for so long. Sometimes I guess you actually can go back home again.  

[pbjelly90]

I’m rewatching/rereading or checking out for the first time a lot of Sherlock media lately and after seeing the teaser for Knives Out 3, it’s got me thinking about fictional detective characters. I haven’t thought this through completely, but I was trying to decide how I’d rank my favorites throughout various mystery and crime media.

Of course I’m also happy to hear anyone else’s plugs for their favorites I’ve overlooked or not seen before too, so share if you’ve got ‘em and you happen to see this! Would love to see more female led detective stories and queer detective stories.

I’m thinking off the top of my head that my top 15 or so list goes something like this (might end up making this a top 20 or more as I keep adding to it lol) -

1. Sherlock Holmes - This is pretty obvious given the very few things I’ve posted about and my reblogs. The detective that truly got me into mystery stories about 20 years ago. I started reading a collection of the original stories I came across at a Borders bookstore and got hooked from there. I think Watson is what really sold me on Holmes, he humanizes him, givens him more of an emotional anchor. I also have always appreciated how flawed he is. Some genius characters are over the top, but he’s always had some genuine struggles like his drug use. And in the books he even admits Mycroft is better than him at deduction, just lazier with the legwork. My current favorite incarnations may be the original from the books and the Yuumori version, but credit due to the BBC version because I was obsessed the first two seasons in. I love that he’s in the public domain so we can get so many creative takes on him and his world and stories. I’ve been to the Holmes museum at 221 B Baker Street in London (an address they made just for the museum) and seen the statue of him honoring Sir Arthur Conan Doyle in Edinburgh. One of my top favorite fictional characters of all time. If you mention he’s in something, chances are, I’m gonna read/watch it.

2. Harry Dresden - Should probably be no surprise that as a fantasy and mystery fan, I’m a big fan of novels that started off as private detective stories with a wizard on the case. The series gets away from its detective roots later on in favor of bigger plots, but I always enjoyed seeing Harry mix workmanlike detective methods with practical magic. He’s no genius, but he’s clever and willing to mix it up sometimes to see what shakes out. I’d like to think Marcone is the closest thing to his version of a Moriarty, his criminal counterpart. There’s a grudging respect of sorts there even if they dislike the other’s methods. I love Harry and his stories so much I went to Chicago years back just to geek out at some spots from the books (and see Sue!) so he definitely deserves a spot on this list.

3. Ron Kamonohashi - This is a very close race between him and Benoit Blanc, but Ron wins out. He’s got a Watson like character with Toto, which I always appreciate (let Benoit’s hubby come along sometime?) and he’s very Sherlock coded with his little quirks (black sugar syrup is his drug lol) and dependence on mysteries for mental stimulation. Also his dynamic with the police. I enjoy his relationship with Blue and the characters from the academy very much. And I’m very curious to see how the Moriarty connection plays out. He’s just such a silly and I wish the manga was out in physical form in English, I love him and he’s my blorbo. He feels like Sherlock from an Ace Attorney game even more than Herlock Sholmes from The Great Ace Attorney did. This anime feels very much made for me like Yuumori feels. Also his cat is adorable. 💕

4. Benoit Blanc - I enjoy him so dang much. I’d love to see a book adaptation of Knives Out but I wonder how much of how charm is how well Daniel Craig plays him and how much fun you can tell he’s having. Love his relationship with his hubby, his accent, his dress sense, and how he just stumbles into these intricate mysteries with crazy rich folks (and helps support the women who’ve been wronged by them so they can take matters into their own hands to set things right.) I’m delighted they’re continuing to make these movies. I’d take a graphic novel too if not traditional books.

5. Shawn Spencer - Had to bump everyone down this list, how could I forget about Shawn from Psych? He’s definitely more on the strong personality end for detectives, quirky, more interested in romance, and much more extroverted than many examples. I love his friendship with Gus and also his relationship with his father always gave him more depth. Seeing how his father trained him up from a young age, sometimes at great personal cost between them, was an interesting spin on how a genius detective gained their special skills. Also the show is just so dang fun and silly. As a person, I’d probably find Shawn a bit annoying IRL, but I greatly enjoy his misadventures with Gus to rein him in. Lassie is totally his Lestrade. And Shawn’s last name is a Robert B Parker reference to Spenser, isn’t it?

6. Sam Vimes (and the rest of the Watch) - Vimes only doesn’t score higher here because somehow he feels like more of a cop or protector than detective? His emphasis has never been completely about just unraveling mysteries but more focused on defending Ankh Morpork, especially the common people, and delivering justice. Jingo, Night Watch and Thud are three of my all time favorite books of his, with Night Watch as one of my favorite books of all time. Feet of Clay is probably his main detective turn in my memory, as the later books see him have to take on more of a diplomatic role with different responsibilities. Angua and Cheery get a shoutout here as also being highly competent members of the Watch. Carrot has his moments too. Vimes and the rest of the Watch are notable on this list as the some of the very few ranked who are part of actual law enforcement and not some sort of private consulting detective. The Discworld books and the Watch books in particular were formative reading for me back in my teenage years and further cemented my interest in crime stories (and caring curmudgeon characters like Vimes.) Hugh Laurie would play a great Vimes.

7. Amy Santiago & Rosa Diaz (Brooklyn 99 Squad) - The only other official members of law enforcement on this list so far. Jake gets most of the focus and cases, and similar to Shawn Spencer, I enjoy him as a character even if he’d probably be annoying IRL. Love Terry and Holt as the two leaders and mentors of the squad. But my biggest shoutout here is to Amy and Rosa, I would adore a spinoff with them as the Sleuth Sisters solving cases together. Two skilled, nuanced Latina detectives with their own distinctive, non-stereotypical personalities and an awesome friendship? Yes please. They’re what carries this squad way up the list, even if the cases in this show aren’t usually as complex as some of the others, with the focus more on comedy.

8. Hercule Poirot - Been years since I last read the novels, but I’ve always enjoyed him as a little fussy looking Belgian fellow that folks underestimate. He’s got a different approach from Holmes. He likes a dramatic ending reveal. He always seems like he knows a joke others don’t, has a twinkle in his eye. I devoured a lot of the Agatha Christie stories back in the day, and Poirot’s personality maybe isn’t as strong on the page as Holmes, but I feel that’s more to give the reader a chance to feel like they’re the detective figuring it out alongside him. It’s almost like reading along with a silent protagonist at times in a video game. Part of this is due to the fact that Poirot novels never have one consistent narrator, which allows Christie to do some creative things with the narrator and have them take different roles in the story, but it also means we never really have a POV character who understands and describes Poirot on the same level as Watson does for Holmes (at least not that I remember? Apparently Arthur Hastings is in 7 novels at least but I guess he did not make as much of an impression on me. He appears to be more prominent in the David Suchet TV show.)

9. Conan Edogawa - I never finished Case Closed / Detective Conan because it’s crazy long, but it’s a very nostalgic show for me and I very much enjoyed the many episodes I watched back in the day. Conan is a genius, probably to an over the top degree, but his difficulties in working around being stuck as a kid helped add some stakes and obstacles in his stories and felt very relatable as a younger person interested in mysteries growing up. I wonder if they’d ever consider doing a reboot series someday with much fewer episodes, so we’d get a conclusion without needing to watch over 1,000 episodes.

10. Enola Holmes - A little Mary Sueish and teenage wish fulfillmenty, but dangit she’s fun. Essentially a younger teenaged Sherlock with a touch more people skills? Fighting back against the misogyny of her time period. I have a feeling if she came out back when I was a teen and first reading Holmes, I’d be obsessed. I’m curious to check out her books, I don’t mind if they’re more YA oriented if the mysteries are solid.

11. Ranpo Edogawa (and the whole armed detective agency from BSD) - I love and enjoy Ranpo and he very much has spoiled little brat energy. Fukuzawa as his dad figure brings me much joy. However, I also find him and most characters from Bungo to be over the top geniuses, to the point where they no longer feel very grounded as human. Sherlock often feels still believable to me, that someone could specialize to his degree and be that effective, but the BSD characters have always felt supernaturally competent. But with that aside, they’re also often very fun. Given that Ranpo doesn’t have any other superpowers, unlike other geniuses like Dazai or Fyodor, I can allow “ultra deduction” to be his. But Atsushi and Kunkida feel way more grounded and they’re the heart of this group. Love Yosano and Kenji too. Fukuzawa is my favorite but does little detective work usually, leaving that up to the team. I would have enjoyed seeing Aya and Bram be a detective team within the ADA. 😢

12. Nancy Drew - I read these so long ago but these books definitely contributed to my interest in detective stories growing up. I don’t remember many distinctive traits of Nancy now, but I have to give her credit for nostalgia and sparking my interest in mysteries back then. Has there been a modern day update of these?

13. Spenser - Got into these novels by Robert B. Parker at some point back in my twenties, as they were always mentioned in early blurbs for The Dresden Files as a point of comparison, Spenser crossed with Merlin. Very pulpy detective stories, a lot like the Maltese Falcon. Not the most feminist, got plenty of film noir type tropes, but the mysteries were compelling. I can’t say Spenser was necessarily likable, but he had the workman like detective style you find in Dresden that I appreciated. Not a genius like Holmes, he truly had to stir things up sometimes, make a lot more mistakes, and in general do extra legwork. Wouldn’t mind seeing someone update him for modern day somehow.

14. Anita Blake - Does she count here? I’ve found a sad lack of female detectives, maybe that’s because I’ve largely read older stories in the genre? She, like Dresden, started off more detective (and huntress) and since then has changed. Unlike Dresden however, I gave up on Anita’s series around book 10. I enjoyed her early on although she definitely had some viewpoints I did not agree with, I enjoyed the St Louis setting and urban fantasy elements. I think the Sookie Stackhouse mysteries are in a similar area of the country, also with vampires? Maybe I’ll give those a try.

A tie below perhaps for number 15?

Adrian Monk - I’ve only watched a few episodes of Monk, never got super into it, but he gives me Poirot vibes with how fastidious he is. Eventually I’ll try watching a bit more of this.

Miss Marple - Curious to see how these books compare to Poirot. I started one ages ago but didn’t finish it, got sidetracked. I’ve seen now someone has written a book with characters based on Holmes, Marple and Poe? (Interesting that it’s not Dupin.) Curious to see how that’s handled since Marple I don’t believe is public domain? Some Poirot is, but not her yet to my knowledge.

Auguste Dupin - Read The Purloined Letter, but not the other stories yet that I recall. I don’t remember Dupin himself having any traits that particularly stuck with me, but he is the proto fictional detective so I have to give credit there.

Sam Spade - Similar to Dupin, Sam Spade sets up the proto tropes for his genre of detective story, the more film noir type story. But otherwise he wasn’t super memorable to me, perhaps because he only had the one. Spenser takes a lot of inspiration from him.

Philip Marlowe - Ditto for the above. Read The Big Sleep, can’t recall if there were more that I read? But he helped establish the genre.

Nero Wolfe - I think I have read one of these, but I'll be honest, I don't remember it very well. Probably due to give this series another shot.

—

Honorable mentions: For characters that are not technically detectives by title, but still solve mysteries, or aren’t the lead in their respective stories -

Richard Ranasinghe de Vulpian - I first picked up volume one of the Jeweler Richard light novels because the boys on the cover are pretty, but I bought it because it was described as having mystery elements online and that the two leads would work through cases together. It’s shifted some in focus since then, but Richard is certainly like a detective for jewel related matters. He’s a bit of a Holmes figure, brilliant with specialized knowledge, clever, good at reading people, British, and Seigi is like his warm hearted Watson, good in a fight, deeply loyal. Yet another reason why I love these boys.

Maomao from Apothecary Diaries - Technically not a detective, but she does so much investigating and I love her. Her work sometimes even extends to non-medical cases, she truly has a lot of knowledge but it feels believable with her fixation on medicines / poisons and her upbringing, particularly with her adoptive dad’s mentorship and training. Love hearing her infodump on plants in particular.

All the Ace Attorney lead characters do so much investigating. I recently saw a post that said Phoenix is more of a skilled investigator rather than a lawyer, and they are not wrong. Herlock Sholmes is very silly and I need to finish GAA to really properly judge him, but I’ve seen him invent more than I’ve seen him deduce. I love Ema Skye and would love to see her get her own investigations game, really enjoy seeing her geek out over forensics and working cases once she lands her dream job. Gumshoe is precious but not the best at his job.

Jack Reacher technically doesn’t have a job anymore? But he was an MP and does investigate nearly as much as he fights. I read a fair number of his books when I wanted to learn how to write fight scenes better, and learned some other helpful details while following this series too, particularly about firearms. I like the new Amazon tv adaptation of these stories so far too. Reacher has earned a shoutout here on this list.

The first two Paper Mario games have at least one detective chapter, usually a very silly take on Agatha Christie like tropes, and I enjoy them very much. Give me a full detective spinoff in the Paper Mario world please. Detective Peach from Princess Peach Showtime maybe? Daisy as her Watson? I liked her cases but they were short and the mechanics got a little repetitive, gameplay-wise.

Also in video games, Professor Layton is technically an archaeologist and professor, but he certainly ends up solving quite a few mysteries. I haven't finished all of his games because I'm actually quite crap at a lot of kinds of puzzles, but I enjoy him very much.

House, MD - for a much harsher take on a Holmes like figure, with his own Watson in an actual practicing doctor, Dr Wilson. Ties back into Holmes inspiration coming from a real world medical doctor, Dr. Joseph Bell. I was really into this show for a few years, but House could be so acerbic at times I stopped caring for it as much. Especially when he would be a dick to Cuddy.

Neal Caffrey from White Collar does a lot of investigating and would be a clever detective type in another show, but here as a CI he gives me more Arsene Lupin gentleman thief vibes.

The leads from Cowboy Bebop do have to do a lot of tracking down criminals and investigating, but as bounty hunters, they’re generally after folks who have already been identified as major suspects or convicted, so they don’t quite fall under the umbrella of detectives. Still I love this show and it also added to my interest in crime stories and influenced my writing since I was a teen.

Spy characters in crime stories like James Bond, Twilight / Loid, etc - these guys do some investigation as well, but this is like a whole additional category on its own. Big fan of this genre typically as well, had someone recommend Alex Rider for a YA take on the genre.

I’ll probably continue adding to this post as I think of more fictional detectives to ramble about. 😆

[thatgirlwithasquid]

twomp week : day 7

NOSTALGIC MEDIA CROSSOVER TIME!!! I have been so looking forward to this prompt. as I first put it on the list I knew that I’d be doing the first one of these, but upon sitting down to draw it I decided to do some more for the fun of it which is why im so late lmao

so, here’s Argos and Mr Plant drawn in my best approximation of the artstyles of shows I grew up on. all of these meant so much to me at one point or another and I still hold so much fondness for them :)

Monster High

I cannot hazard a guess at how many times I watched Monster High growing up. I adored the webseries so much even though the episodes were only, what, two minutes long? and I watched pretty much all those original movies. you will never catch me watching the remakes cause you cannot improve on perfection.

anyway wouldn’t it be fun to see these guys at Monster High? I think Argos would thrive there. Mr Plant would probably murder so many of them for being overly friendly though. I also find the idea of him being Venus’ cousin or something so funny for no real reason.

Winx Club

it is an unfortunate truth that the guys in winx club just did not look as good. the girls all had their stunning fairy designs and each went through so many iterations of their powers and designs as they reached new levels and the specialists were just… the specialists. but i still had to draw Argos and Mr Plant in their style cause I was BESOTTED with this show for so so long.

I was so dedicated to watching this series that I woke up early on school mornings and annoyed my parents into letting me eat my soggy coco pops sitting on the sofa so that I could watch the episodes when they came on the telly. it was definitely worth it <3

X-Men

the abrupt shift from pretty cartoons aimed at preteen girls to X-Men is kinda funny to me but I was also in love with this series too. I’d watch it before bed most nights and I just loved it so much. I wanted to be Jubilee so badly (looking back on it now, as I am currently rewatching the series, uh… girlie was not having the best time but I just wanted to be around the X-Men who I adored and idolised) and had the BIGGEST crushes on Gambit, Storm and Wolverine (in that order). I’ve been saying Spiderman is my favourite superhero for years but I may have to change my mind to Wolverine looking back on things…

but yeah. Argos and Mr Plant. I can see them as mutants. I know the low-hanging fruit for Argos’ abilities is enhanced vision cause of all his eyes but I’m actually thinking he gives people visions or dreams (that can become obsessive) like the dream plant. as for Mr Plant, I am gonna be boring and just say plant-based powers cause it feels right for him.

[stitching-in-time]

Voyager rewatch s3 ep6: Remember

I love B'Elanna episodes, and this is one of her best. There's so much good material for B'Elanna here, and Roxann Dawson gives a fantastically nuanced and hearfelt performance, playing both her and the character of Korenna in this one.

This is probably one of the best episodes of the whole series in terms of directly, confrontationally taking on a relevant social issue, in the way that the original series did in the 60s. The absolutely terrifying thing about it is how much more revelant it's gotten since it first aired, and it just shows how important Star Trek is in terms of saying things that no other show would talk about, or would even be allowed to talk about, in today's political climate.

It starts off nice and normal, with some aliens, the Enarans, visiting Voyager and helping them make some improvements in engineering. B'Elanna is working with two of the scientists, who have been there for a few days, and who she has a good rapport with. We get a little scene with B'Elanna being Harry's wingman with the younger scientist, who likes him (B'Elanna and Harry are such cute bffs!!! I love it!!!) and then B'Elanna goes back to her quarters, where she goes to sleep and has a very racy dream, and has to be woken up from it the next morning because she missed the start of her duty shift. She then tells her other bff Chakotay all about her racy dream, and he's all like 'get it girl, I won't telll anybody you were late for work because of your sex dream, I got you fam.' (Because on Star Trek, people just tell their friends about their sex dreams, or the sexy candle ghosts they inherit, whatever. Nobody has any boundaries on a starship, I guess! lol)

But she keeps having the dreams, and in them she seems to be experiencing someone else's life. Eventually the dreams break through when she's awake, and when she collapses in the corridor, they realize their telepathic alien visitors must be behind it somehow, but they deny intentionally doing anything.

Meanwhile, the dreams go from being fun and romantic to more and more serious. Korenna, the woman whose life B'Elanna is experiencing, is torn between her lover, who comes from a culture outside her society's mainstream, and her father, who's part of the ruling class that oppresses her lovers people. We learn the love affair is clandestine because his people are subject to curfews, and ID checkpoints, and forced deportations. Korenna starts out sweet and innocent and sympathetic to his people, but as he tells her more of what's really going on, she doesn't want to believe that her father could be involved in something so terrible. Her father uses every manipulation tactic to justify his actions, and preys on his daughter's fears to win her over to his side. It's an absolutely devastating scene. Watching her descent into radicalization is horrifying and tragic, and all too familar a sight in our real world of alt-right conspiracy theories- chillingly, the things her father says are the same right-wing talking points we see today on the news.

B'Elanna eventually learns the memories belong to Jora Mirell, the older scientist she was working with, who regretted what she'd done, and wanted someone who would care and understand to know what her society had tried so hard to scrub from their history. When she dies, B'Elanna interupts the farewell party for the Enarans, and confronts their leader for the cover up of the genocide his people perpetrated. He denies and makes excuses, the other Enarans don't want to believe it, and the Voyager crew looks uncomfortable, and suggests that she shouldn't say it in the middle of the party. But B'Elanna's not anywhere in the vicinity of fucking around, and she says it all right there, where everyone can hear it.

Later, Captain Janeway tells B'Elanna she believes her, but that Voyager can't interfere with another society, and they must let the Enarans go, and leave them to do what they will, even if it means burying the knowledge again. B'Elanna is still distraught and outraged that no one will acknowledge what happened, and that no justice will be done. But Janeway tells her to go talk to the younger scientist she worked with before she leaves. B'Elanna does, and appeals to her to open her mind and think about what she told them. The Enaran woman agrees to telepathically link with B'Elanna so she can experience Jora Mirell's memories and see what happened for herself. The last shot is of her in the first memory, in Korenna's place, just like B'Elanna was. We're left with the hope that now that someone on their planet had the courage to look the truth in the eye, maybe their society can acknowlege it, and change for the better.

This whole story just hits so hard in light of current events. Are there Israeli parents, right now, telling their children the same things the father in this episode told his daughter, to justify their govenment's genocide against the Palestinians? Somewhere, on some news network, right now, I guarantee there's a right-wing pundit making the same speech the father makes in the town square in this episode, telling his followers how immigrants, or trans people, are dangerous, and undermining our society, and must be controlled or exterminated, for our safety. It's happened so many times in the US, and around the world, and then they say it was for the best, or that it didn't happen at all, so that when they do it again, they can claim that they would never, that it could never happen, don't be ridiculous, we're not evil, what we're doing is right, and for your own good. It makes me want to scream with rage, and I teared up watching B'Elanna march into that party full of complacent people, and speak truth to power, and force them to confront their own complicity in the evil system they benefit from. B'Elanna was and is such an important character to me, because here was a female character who was allowed to express her rage, and the audience was allowed, and even encouraged (some of the time at least), to sympathize with her. I hate when they try to write off her anger as being 'just Klingon things lol' because that is absolutely not what it is, at all. It's the anger of someone who's been marginalized, who's seen injustice, and won't fucking stand for it anymore, anywhere. Who knows everyone deserves better, and will fucking fight for it, whenever, wherever. I love that this episode lets us see that, and that in this story, her outrage is what drives the first steps for these people to start down the path to healing and change. The Enarans are telepathic, so Korenna choosing B'Elanna to relive her experiences wasn't just because she was there. She must have felt that B'Elanna was the person who would feel it the most deeply and fight hardest for what was right.

This episode makes me sad and angry, but it's supposed to. In a country where people are trying to ban teaching our history in our schools, an episode like this is more important than ever. Maybe in some state where schools aren't allowed to teach children about slavery, or the holocaust, or the genocide of Native Americans, or any queer history, maybe some kid will see this Star Trek episode, because their conservative parents think it's just a show about spaceships. And maybe this story will stick with them when their parents try to tell them that it's okay to hate one group of people or another. Maybe they'll hear their parents echoing a villain's words, and they'll start to consider that maybe their parents are wrong. And maybe they'll start to think critically enough to resist the poison of bigotry and break free one day. All it takes is one person to start questioning, and that's how things start to change.

I'm sure there's someone out there who doesn't like this episode, who could find plot holes, or something to criticize, but not me. That's not what's important to me here. This story is what Star Trek is about, at it's core. It's anti-fascist, anti-racist, it's about challenging and dismantling systems of oppression. Since 1966, it's been there to say something hopeful for all us who believe humanity can do better, and I'm profoundly grateful to have it.

Tl;dr: A hard-hitting episode that explores how easily even good people can become indoctrinated to bigoted, xenophobic ideas, and which shows us how even one person standing up and looking it in the eye can make a difference. Absolutely top notch, essential Star Trek viewing.

[ducktracy]

How would you rank the entries in the Hunting Trilogy (aka Rabbit Season, Duck Season) from favorite to least favorite?

ALRIGHT, i just rewatched the entire trilogy to properly answer this! so, prepare for rambling HAHA. but as it stands now, i would personally rank them:

Rabbit Seasoning

Rabbit Fire

Duck, Rabbit, Duck!

BUT. if i were ranking on which i think are the BEST in a more objective standpoint? then:

Rabbit Seasoning

Duck, Rabbit, Duck!

Rabbit Fire

i've expressed this grievance before, but i, like probably most other people, grew up when the landscape surrounding LT was Chuck Jones Chuck Jones Chuck Jones. the hunting trilogy is the main association of the series to many. for good reason! all of the shorts are fantastic. it's amazing that Chuck was able to keep such a streak going as long as he did with the trilogy--especially since all 3 shorts are so reliant on being extensions of each other and utilizing the same formula. that novelty can get old REALLY fast (exhibit A, at least in my personal opinion: the Pepe cartoons), so it's sort of amazing that all three are as sharp and have defining characteristics against one another

however, i've definitely become victim to the Jones saturation of the 90s-00s, and the hunting trilogy has been one of the biggest offenders. i don't go out of my way to watch the trilogy often for this reason, and i haven't entirely been able to shake myself OF that oversaturation like i have with other Jones shorts of the era. which stinks! i'm very frustrated by this

NEVERTHELESS! Rabbit Seasoning is tops for me and is probably my favorite Bugs and Daffy period, next to Beanstalk Bunny. i think it has the greatest balance of what makes the hunting trilogy so successful and memorable. snappy wordplay that happily indulges in Mike Maltese's writing credit--"STILL LURKING ABOUT" i think pops into my head the most. really nice balance of funny and REVEALING facial expressions, Daffy getting his beak blown off unfortunately gets old for me very quickly but i feel this short is more reliant on finding other avenues that reach a similar goal in comedy. the lipsmack Daffy does to the camera after seeing Elmer fall for Bugs made me laugh really really hard the first time i gave this one a chance again in recent years

likewise, Bugs' introduction in that one is something i really appreciate. i'm not sure how purposeful this was (but i certainly feel it had to be), but Bugs humoring Elmer at the very beginning is a direct mirror to his introduction and subsequent banter in A Wild Hare. Carl Stalling even uses the same music cue, which is an original music cue!! i feel that's not only an endearing callback to the roots of both characters, but likewise establishes just how much progress has been made since then AND seems to even be poking fun at the original scene itself.

i also think that the drawings are sharpest in it, they feel the most solid and confident and tight. Duck, Rabbit, Duck is visually solid for the most part, but i think can get a bit melty in some spots--and i know i may be in the minority for thinking this, but there are some frames in Rabbit Fire that are just plain ugly to me i'm sorryyyyyyyyyyyyyyyy!!

BUT, moving on a bit. i personally enjoy and get more out of Rabbit Fire, but i think Duck, Rabbit, Duck! is the funnier cartoon and more structurally sound. Fire has some understandable growing pains, including some odd jump cuts and a lack of hook-ups, whereas DRD has the benefit of getting the formula down. with that said, i feel DRD is much more dependent on formula, and i tend to enjoy cartoons that are a little more freeform--all of the hunting trilogy shorts are heavily character based, but i really enjoy the prevalence of character acting in Fire.

copy and pasting something i literally just sent to someone else: i was just thinking about the disguise bit in Rabbit Fire, Mel doing the characters imitating each other is so crazy good, but i also like how with Daffy's impression of Bugs, you still feel some of those Daffy-isms present. he doesn't entirely commit to the bit as faithfully as Bugs in WHAT he actually says. and i think that's an amazing attention to detail in character acting; Daffy's impulses just can't help but bleed through everything he does

i feel DRD doesn't have that same sort of intimacy? if that makes sense? but, at the same time, it doesn't need to--Fire was the first formal Bugs and Daffy outing, so it makes sense for there to be a heavier presence on figuring out how they play against each other vs DRD being the final effort in the trilogy, all the fat has been cut, now it's just time for gags gags gags. DRD likewise has the benefit of really snappy, fetching dialogue ("I'M A FIDDLER CRAB")... but Fire appeals to my sensibilities more. i also like that it's the short that gives Bugs the most to do--he still has a little bit of his scrappiness, and that's always always always a point of favorability to me.

i still feel like i have so much more to say on this and yet i also can't think of much else to say! i feel i have more to justify but don't know what that is LOL. BUT YEAH, Rabbit Seasoning indisputably takes the cake for me. it's easily the short of the trilogy i revisit most and is actually one i feel an active desire to watch every now and then. i think it has the best balance of everything and is egalitarian in where it pulls its comedy from--it's not all from the faces, not all from the acting, not all from the situation, there's a really solid balance of all

and the "wait til you get home" bit is just one of my favorite endings to a Chuck Jones short period. flawless execution. i deeply love Carl Stalling's gently climactic crescendo in the music and the abstraction of the gunfire caricatured with color cards through the house's windows.

that, and this just cracks me up

[bloominglegumes]

I love your art so much,, it makes me want to get into the transformers fandom!! ;-; ;-; where do I start though .. its intimidating

aw thank you so much!! and yeah,, i totally get how there's so much in transformers when you first look at it ;v;

the g1 cartoon from 1984 is a great place to get started if you want to get to know the original characters and setup, since pretty much everything after has taken some amount of inspiration from it! it's an incredibly 80s-feeling show, and i think it's good if you enjoy some lighthearted fun and a massive cast of silly characters !

or if you want something that has a more focused/serious tone, i think Transformers Prime from 2010 is probably one of the more beloved tf series to date, in terms of its writing, the depth of its characters and relationships, production quality and visuals,, and like.impact on fandom maybe,, definitely has huge rewatchability for me :)

personally, i was obsessed with the 2007 Transformers Animated cartoon when i was younger, so i've always had a soft spot for it ^-^ it took a very different direction from other tf stories and i think it's kept itself a nice little legacy for that, for its newer setting and design style especially, and i think it's a fun watch on its own if you've never seen anything else from transformers!

i hope if you do decide to check out transformers that you enjoy it!! these three are all family-friendly animated series that are relatively easy to find, i'm pretty sure they're all available in full somewhere under the official transformers youtube channel :)

though of course, if something else catches your eye, i say just go for it!! have fun :D

[poomphuripan]

Do you have any show recommendations for this weekend? Or anything catches your attention for the next couple months? My stand in has been raising the bar so much, none of the currently aired shows are worth watching T.T 4 minutes seems alright but they have like 8 episodes only, I’m so afraid to get hopes up

hi nonnie (❁´◡`❁)

fridays are so dull without my stand-in i know, also saturday too when wandee gooday ends this week (┬┬﹏┬┬). but there are some very good series about to start soon and currently airing... perhaps you can give these a try?

Century Of Love - magical realism, action, romance, comedy

Synopsis: San is faithfully devoted to his love. He has spent his life waiting for his lost beloved, Wat, to reincarnate from her death a century ago. But when the darkness of the night looms, he will be forcibly afflicted by the power of the five shades stone. If he fails to find Wat within this century's time window, he will inevitably succumb to a tragic death for eternity. The final year of the century is about to end before the stone's power turns into his eternal curse. He meets Vee, a frivolous, charming adonis who seems connected to his life. San is appalled by Vee at first sight, but this unrelated boy is actually his beloved Wat, whom he has been anticipating for almost a century.

my thoughts so far: it's really fun, quite fast paced (understandably since there's only 10 eps and there are 2 eps airing each week), the chemistry is fantastic, as expected of daouoffroad.

Meet You At The Blossom - wuxia, romance

Synopsis: Jin Xiao Bao, the son of the wealthiest man in the Jiangnan region, falls in love with icy, white-clothed beauty Huai En due to an unexpected meeting. This young woman he sees as his future wife, however, seems to have aroused a lot of enmity. When he comes to the rescue of an injured Huai En, who's tainted by an aphrodisiac, the true identity of this beauty is revealed.

my thoughts so far: i haven't caught up with the latest ep but first two eps have been fun. it's adapted from the debut novel of shui qian cheng who wrote professional body double aka my stand in novel so you can see similar traits of her typical scum ml in huai en. the actors are probably rookie so the acting leaves much to be desired and a lot of room for improvement in that aspect but supporting it anyway since it's the first uncensored wuxia bl freed from censorship limbo.

Currently these two are the only "pure" BL series i'm watching because most of the time i just end up rewatching series i already know and love. I'm always on a casual Nadao/GDH rewatch, so if you haven't seen these before, I highly recommend them, not QL but they're fun nonetheless.

Great Men Academy - magical realism, unicorn hijinks, body transformation, queer

Synopsis: Love has always been a fan of the popular guy Vier of the famous Great Men Academy but has never had the chance to meet him. One day, she sees the mystical unicorn rumored to fulfill wishes and wished for her love for Vier to get a chance. Unfortunately the unicorn interpreted her wishes in a different way and Love wakes up to find herself… as a guy?

my thoughts: i have watched this series more than 20 times in full, and lost count of the times i've casually rewatched certain eps. it's just super wholesome and TANGMO BEST BOY! watch this for tangmo best boi, you shall not be let down by scene stealer tangmo and his 5 minutes screentime.

Bad Genius The Series - academic rivalry, heist, thriller, drama

Synopsis: Lin, a genius high school student who makes money by cheating tests, receives a new task that leads her to set foot on Sydney, Australia. In order to complete the millions-Baht task, Lin and her classmates have to finish the international STIC (SAT) exam and deliver the answers back to her friends in Thailand before the exam takes place once again in her home country.

my thoughts: if someone asked me what is the most perfect thai series i've ever watched, i would choose this series in a heart beat. bad genius the series is one of the rarest case where i genuinely believe a series remake has outdone its film predecessor (worth noting that one same studio produced both). it's got the perfect amount of angst and tension and cinematography style that i adore. if you want a breath of fresh air, i HIGHLY recommend this series for a change from all the other ql series airing.

ps: if you can't find official links to watch the two series above, don't feel bad about watching them in unofficial/grey websites because the original platform they were on shut down 2 years ago ಥ_ಥ they're literally my hidden gems but i don't want to gatekeep them any longer

for upcoming series, i'm thinking of starting The Trainee and I Saw You In My Dream and 4 Minutes. But I usually try to take breaks in-between series I have huge hyperfixation on like I Feel You Linger In The Air or My Stand-In like right now and I just rewatch low stake series I already love like Lovely Writer or some series I mentioned above.

i'm really sorry if this isn't much help because you're talking to someone who rarely watch new series unless they get a random urge and motivation to sit through a 30+ eps lakorn just for one actor. but i hope you found a motivation to watch one of the series i recommended above if you've been thinking about any of them (´▽`ʃ♡ƪ)

[pitter-patt-art]

Ace Attorney AU August oops-august-has-been-over-for-a-week Update!!

Hiiiii well okay first and most importantly of all! Happy investigations collection day everyone!!!! My copy is supposed to arrive by 10pm although I'm not sure I'll be playing it right away, but, hey, once it arrives I'll have in my possession at least one physical copy of every game in the series (2 for aai1, woohoo)!!! *Coughs* uh except all of the OG Trilogy which instead I own like 2 times over digitally (3 in T&T's case, thanks Wii) lmao. Ah well.

NOW the actual post. Yeah it's not August anymore but I've been recuperating or w/e so shhh, better late than never!

Overall I wrote over 50k words (actually in August itself) and posted 5 fics (with many more in progress), which is honestly just, wild???? That is so cool. Apparently the way to overcome writer's block is just overcommit to a month-long prompt list, who knew!

Here is my post about the first 17 days/AUs! And over here's my Ao3 series for these! Below the cut I'll wrap up the last 14 days of AUs, some thoughts, etc!

I am setting the goal for myself to actually finish writing these before the end of the year even if they're not technically "AU-gust" qualified anymore by the time I get to them sooo ...wish me luck!! In the meantime I am proud of myself for (tbh completely unnecessarily and to my detriment lmao) coming up with actually a full 31 solid AUs based on the prompts that I feel inspired by.

This post is gonna be a bit more rambly than the last one because I definitely did more of my writing last month the first 2 weeks rather than the last 2, but nevertheless--

Onto the remaining AUs!

18 - Space Travel

So, I actually started a draft at the airport before my vacation where I got wayyyy too sidetracked getting detailed about this one and thus ended up not being able to finish the post before takeoff lmao. I'm not sure whether it's annoying or interesting to include all of that here, but it's my post so fuck it, here's August 21st patt to tell you aaall about it so I don't have to: The Martian AU (I've only seen the movie and not read the book but i *did* literally just re-watch it because this thought crossed my mind lol. (Hello! It's future me popping in to say: fun fact, rewatching this movie literally ended up being the reason I knew a bar trivia answer last week lmao. Huzzah for the powers of Ace Attorney refreshing my movie quote knowledge.) Be glad this one occurred to me because my first inclination was to lean into the dark past of my vld phase (I'm super joking I had a lot of fun with it before the last few seasons haha sorry idk what to tell you friends) and see how much I'd retained if i tried to make that work but the martian sounded more fun in the end). Apparently my Thing™ is a) poisoning Phoenix and b) putting Apollo in an insane situation in which he's completely on his own--which all things considered is probably far meaner lol. I think Phoenix is to blame for creating his own problem here for choosing to eat the stupid necklace but I fully blame Capcom for all the BS Apollo has gone through after AA4 (bc...the stuff IN that game is. coincidentally also Phoenix's blame to claim. lol). That said I'm part of the problem teehee. Apollo can be Some Guy from the real world who gets isekai'ed and he can also be Mark Watney :P (sorry bud I love you but you have just the Worst case of unavoidable main character syndrome). ((Which is QUITE funny actually because I'll never get over Capcom calling 4,5,6 the """"Apollo Justice Trilogy"""" (it's really not and it's frankly insulting they're trying to say it is.) Like he's. Y’know. The main character in exactly one of those games...... so.)) What was I talking about? Lmao oh yeah so Apollo is left on Mars (not sure he actually has much in the way of Botanist™ vibes but the indomitable, never-say-die, highly sarcastic vibes.... ye haha that's my boy right there). Omg wait sorry I'm writing this and realizing this whole thing actually fits the 18th AND yesterday's (the 20th) prompt as well. Whoops.

Clay as the captain (let him do something, says I)

Trucy as I think the pilot ONLY because I am literally constantly on the lookout to make a Wright Flying Brothers joke, sorry

Klavier aaaas. Uh. So the German astronaut in the film is the chemist and navigator and I know Klav's not necessarily supposed to be actually German canonically but there IS something funny about it

Athena as the flight surgeon and EVA specialist (for a couple reasons but mostly so she can be a doctor lol. I imagine she also can be there for psych stuff too, like, it's a long ass space voyage, that does shit to your brain)

Kay as the SysOp and reactor tech, tbh mostly because for some reason i really have a thing for hacker/programmer Kay, i guess?

Ema I want to be there also lol so that would be exceeding the actual number of OG astronauts but eh it's my AU. The rest of these I'm just directly comparing to a crew member from the martian but I think some of the titles and tasks could be redistributed a little to allow an extra person as a treat for me.

Originally i kind of wanted Sebastian (....SIGH. or...Eustace. (I fear even though it's AAIC release day today, I truly may die on this hill forever, falling on my sword of devotion and gratitude to the fan translation team... That said, while I think Eustace is, like, a Deeply Fine name, I have to say that Excelsius is a fucking knockout name lmfao, that one took me out. Anyway, ahem: "I wanted Seb/Eustace...")) to be there too but I think that's getting into too many cooks territory just specifically bc I'd have too many voices to play with lmfao. So instead I think he's the operator who works the satellite and realizes Apollo is alive, I think he'd fit that well. NOT THAT that needs to be. Included. In the AU. I have...so much self control.

Anyway I have too many thoughts about it, it's a problem, ironically I think I would prefer to focus on the crew and not Apollo himself, so that would at least make it more than just a rehashing of the movie/book. (Or, the movie at least. Does the book spend more time with them? I should read the book.) ...I did, Of Course, also came up with a funny, pseudo-future-science-y way to do a Sibling Reveal in this one, so there's that, too, haha. OKAY AND, SCENE. Snatching my mic back from myself. I'm actually so devoted to the Martian AU now hahaha, I really didn't think I'd let that happen to myself but here we are... You'll see in a bit, but I for-better-or-worse do truly have an extended universe going on for it now, eheh... (Help.)

19 - Spies

Franmaya?? Franziska POV??? Here's the deal: I cannot BELIEVE I got this many days into the month and STILL hadn't come up with a franmaya-centric AU, it's terrible. Also I need a Maya POV if I want to hit my self-set, self-indulgent goal of having POV of every "main" character I can (did I exactly accomplish this no but that's perfectly fine obviously haha it was just a side achievement I had my eye on). So to that end, I ended up with something here that I'm not COMPLETELY sure I won't end up changing when I sit down to actually work on it, but in short: semi The Princess Bride vibes but with spies instead of pirates! Or uh! So um okay full disclosure lol I got all excited about an AU of this kind and then like an hour into daydreaming it into existence I realized I was heavily relying on / leaning into ASSASSIN territory rather than SPY. Which are notably different things. (Wait lol should I blame Spy x Family?? Totally Endo-sensei's fault and not at all mine, boom, take that.) ...And not to go even harder into sxf territory, whoops, but my idea was something along the lines of like, since Kurain School Channeling changes spirit mediums' appearance entirely, I was going to have Maya be something of an expert in disguise, and Franziska I was almost more or less going to let retain her actual position of international prosecutor with Interpol, although perhaps I'd lean more into a James Bond-esque intelligence agency sort of thing than what we see them do in-game, I'm not sure. Maya gets "killed" for real in 2-4 except she actually just becomes an international assassin(?) apprentice. Does this make sense? Probably not lol. But is it a little funny and a little sad? Yes, yes it is, and that's always my sweet spot as a writer. The only problem with this premise is I can't stop myself from considering what Phoenix would do / be doing in the background, because the problem with Maya "dying"-only-being-secretly-alive leaves at least twofold problems in justifying why Nick hasn't gone full conspiracy theory board stop-at-nothing-to-find-her, in that a) If she's not dead, Pearl can't channel her, and knowing Pearl I have to imagine that would be her first move to try tbh, and b) even if that weren't an issue, if the police were never able to track down Maya's body at all, I fully believe Nick would still throw himself at the problem until he's able to find answers irregardless, so. This ain't about him though!! So we'll just all have to deal with knowing he's taking reaaally really bad care of himself while he single-mindedly tries to figure out what's going on ahaha...ha. He's most absolutely the drowning child in the facebook post meme. Don't worry about him.

20 - Crossover/Fusion

Soooo. Okay. First may I say, I'm not the most crossover-fic-y person in the world neither as a reader nor writer. HOWEVER. Unfortunately. My one undying weakness has proven to be Ace Attorney x Legally Blonde (and more specifically Legally Blonde the Musical, the best version, though I do love Reese Witherspoon's performance ofc it's iconic but the musical is just MWAH ugh. One of my all-time favorite musicals and definitely the one I've listened to the most esp the past couple years hahaha.) The problem is, I've joked about so many slight variations / one very Long Intensive specific AA/LBtM crossover AU ideas, that trying to limit myself to a one-shot I could conceivably finish within a day proved too much for my decision paralysis and I didn't end up writing any of them lmao. Alas. Mostly, I just think it would be funny to see the characters interact in something of a vacuum just for fun, the problem is just that I happen to be uniquely terrible at not thinking through a Crack AU until I can, ahem, "crack" it, so to speak, to make it actually justifiably function. So in theory all I want to write for this day is some combination of like, Elle and Phoenix interacting and Miles and Emmett interacting, or the four of them having a conversation that goes something like "omg wait me too!! i also went from a creative undergrad degree directly into law to chase after some guy!! what are the odds teehee" while Emmett and Miles watch in horror, and also alternatively Emmett and Phoenix mostly bemusedly watching Elle and Miles geek out over like, fancy ass high class (pink) clothing like "uh yeah i have no idea what any of those words mean. she bought me this suit and i honestly wouldn't even be able to find the store again. oh no way he bought you yours too?? man, wild." Etc. (If anyone's interested in really watching me suffer and spiral: my longer and more intensive idea for an AU with them is to have them be tackling parallel cases where either of them (Elle and Phoenix) has specific knowledge that is helpful to defending the others' client, and they get like place-swapped through dimensional shenanigans somehow also related to the cases. And Phoenix has to abide by, like, nominally-accurate US trial law (I know he wouldn't really be licensed shhhh) -- by which I mean Emmett is sitting as his co-council and exercising the most restraint possible to keep from bashing his head into the table every two seconds. And Elle has to abide by guilty-until-proven-innocent Japanifornia trial law ("wait WHAT omg what do you MEAN the prosecution can just, like, not submit their evidence before the trial???? wait what do you MEAN we should just TAKE THAT that is EVIDENCE AT A CRIME SCENE--"). On the bright side, Elle gets to experience being one of the most normally-dressed people in a courtroom and not at all being looked down upon for her general vibes and wardrobe (like tell me she wouldn't fit right in in the ace attorney universe and seem completely ordinary), and Phoenix gets to experience a real jury (take that jurist system trial that Capcom would like to never ever talk about again) and also the judge going "so, Prospective Juror No. 103, do you understand that the defense in this criminal trial does not need to say a single word in order to be doing their job? the burden of proof lies entirely on the prosecution the entire time and the defense and defendant could choose to remain silent every day of trial and that would be completely within their rights, do you understand that? are you okay with that?" etc etc, shout out to my jury service a couple month ago and the kinds of questions a real life California judge asks jurors that would seriously blow the minds of every single character in Ace Attorney lmfao can you imagine? Anyway.) So yeah idk. Also something something, spirit mediums and the whole Greek Chorus bit from the musical... "School Spirit"... much to think about in crack AU land hahaha.)

21 - Absurd Tragedy

To be honest with you, this is the entire series lmao, so much so that I had trouble even thinking of an AU to be "alternate" in any way here, hahaha. What I sort-of landed on and have vague outline notes about in my doc is (not to make another excellent-musical-adaptation-of-an-already-top-tier-movie-which-is-itself-a-highly-unfaithful-adaptation-of-a-fairly-obscure-book reference) a Shrek the Musical "I Think I Got You Beat"-style debate about whose canonical absurd tragic circumstances are the worst, lmfao. Granted, this then turned into a "wait what if I use said argument as an absurd way in which to make Apollo and Trucy have a siblings realization completely on their own, which both compounds the fact they've both already lived such tragedy to begin with but also could touch on Phoenix knowing about it and not telling them about it", and uhhhhh lmfao a debate specifically between them is OBVIOUSLY not the romantic flirting banter of the song between Shrek and Fiona lmfao but like still, the general premise, just in a sibling bickering coat of paint instead. Also was toying with it being an Athena POV just to sell home / for the additional absurdity of the experience of "you've gone over to your friend's house to hang out and suddenly they're obnoxiously arguing with their sibling and their parents are nowhere to be seen and you're not exactly sure what you're supposed to do with yourself except awkwardly wait for them to be done" lmfao. Which I've most absolutely experienced from both ends multiple times hahaha. The alternative option for this prompt is just for me to write an excessively long essay debating and attempting to personally rank the main cast's level of absurd tragedy compared to each other, lol.

22 - Orphan

I wrote 324 words (slash one physical lined page in my actual notebook) of this while I was on vacation, lol. AU where Miles invites Phoenix to go watch one of Gregory's trials (or Phoenix invites himself, or Gregory invites him while Miles tries to hold the landline phone away from him, lol) and I mean of course the trial he goes to is The Trial (like, Jeffre... AW CRAP wait I don't actually know what Jeff Master's or Kate Hall's official names are lmfao uhhh. Well you know what don't worry about that. Happy AAIC day once again..? Lol. Anyway, the concluding day of Gregory's last trial, obviously, ignore the defendant's name.) Like, basically, here's my thought. AU where Phoenix is also there, and not only does that mean he knows what happened to Miles and Gregory but also, like, it's Phoenix. Tell me even at 9 he wouldn't be insisting on taking care of the poor kid who just lost everything and has nowhere in the world to go. Tell me he's not like, begging his parents they need to help him, lol. I think really this is just sort of an AU to explore one of my several personal headcanons for what Phoenix's parents are like, because I've spent a lot of time on a different version of them (coughs for the last AU on this list...coughs) but I also have a version of them which I find fun / funny where they're like, kinda hippy-dippy and like very hands-off (tbh almost all of my hc's about the Greater Wrights is they're very hands off, just in different ways) but in more of a "we want our child to experience the beauty and wonder of the world on his own time and not influence him or set rigid standards to conform to" kind of philosophy. Anyway my point is they like adopt/foster Miles somehow before Manfred can actually get his hands on him (he's still too busy dealing with the fresh bullet wound I guess?) This is just a gen au of course, not only because they're 9 lol but also the logistics of being adoptive/foster siblings gets weird quick lmao, but mostly I just find it interesting to think about what might have happened if Miles was in an environment where people paid more attention and cared more (and weren't explicitly influencing and manipulating him to exasperate the problem on purpose), because I have to imagine examining his nightmares a little more closely a little more quickly might have led someone (say, Phoenix who was also there in this AU) to find something slightly off about it or like start putting pieces together quicker, idk. I, uh, I'm not gonna lie to you, I don't actually remember how I intended to end this one hahaha ;; I started it but I was on vacation and neglected to outline / summarize the rest of my ideas the day of, so I guess I'll just have to see where my mind takes me when I get back to it.

23 - Musician

So my FIRST thought for this day was to use it as an excuse to finish my First Ever Ace Attorney Fic, which has been in WIP stasis for...uh.... 6. Years. i--SIX????? Shit. lmfao. yeah uh. I guess I created the first version of the doc (on my OneNote, god) back in 2018. So. Yeah. Hm. Omfg. This fic has partially existed since before Phoenix Disbarment Day. That is so. Wow. Damn. Y'all we're so close to aa4 time (2026) what the hell??? Ahem. Pianist Phoenix. That's. My point lmao. I know the original thing that sparked me loving this concept was actually some tumblr post I saw apparently a LONG long time ago, hahaha, and I know there's no way I'll find it with tumblr's abysmal search function, but just know it was not a completely original idea of mine when I say i fucking LOVE the headcanon that, you know what actually Phoenix CAN play the piano, he just chooses to do it as shittily as possible because that's kind of what he's like post-disbarment and he'd absolutely get a kick out of fucking with people like that even if they have no way to know they're being fucked with. It's like, he's no virtuoso or anything, but he can passably play the piano! He's just being an ass on purpose! It kills me every time lol. I won't say I think that's necessarily true in canon so ofc it's not like an end-all-be-all hc for me or anything but it's just sooooo funny to me that I like to break it out any time I possibly can. Look me in the eyes and tell me he wouldn't. Honestly, look me in the eyes and tell me if he actually put his mind to it in any meaningful way he wouldn't be able to get decent quickly regardless, considering the fact he became an accomplished lawyer on more-or-less a total whim. This to say: that was my intention, to finish this fic I've had brewing that was about Phoenix actually being able to play the piano and hiding it for a really long time but eventually being found out by Miles by chance. Except then I sat down on the plane and started writing a Pearl POV instead? In which she finds out about more or less the same exact concept but from Iris--also by chance, but less actually catching him playing and more being asked, "Oh, does he still play? He was always good at that." And then bc it's Pearl (Pearl I love you), of COURSE she goes and confronts him about it. Pearl might be the single most confrontational character in these games tbh which is SO FUNNY to me. Like I'm kind of exaggerating obviously but also am I? I know she has psyche-locks you have to break through multiple times throughout the series but stiiiill. Everyone else is so repressed and weird about anything remotely vulnerable, I stg. Props to Maya for making sure Pearl turned out pretty okay I guess, lmao. Anyhow yeah that's sort of the AU I ended up with. Pearl POV where she and Iris know they're sisters (don't get me started on this I have so many thoughts about the amount of information I'm positive Maya and Pearl are NEVER given skjflj) and Pearl visits Iris in prison regularly and on one such visit maybe she mentions Nick's job at Borscht and Iris makes a totally innocuous comment to the effect that Pearl learns he actually knows how to play the piano and she goes to get mad at him about it because he's definitely been pretending he can't and Pearl's pretty sure he's told neither Maya nor Trucy the truth and that cannot be left to stand.

24 - Pretend Hate

Okay, this exists in a similar realm to the Orphan prompt, except instead of Phoenix being there for the trial or the Wrights taking Miles in before Manfred can, it's more just AU where Miles doesn't actually cut all contact and he and Phoenix successfully end up exchanging correspondence (in semi-secret) during the time they're separated (i.e. they remain friends and close during the 15 years they're separated in canon). "Semi-secret" because they--esp Miles--somehow hide who exactly it is they're talking / writing to all the time but don't necessarily hide the fact they are doing that. Like, a fake cultural / language exchange program or something? I feel like there could be a world where Manfred really doesn't give a shit what Miles is up to as long as he's being molded into "someone Gregory Edgeworth would hate" (I don't think he would lol but that's another AU) and becoming a model von Karma protege prosecutor and such. He obviously goes to lengths to cut Miles off from everything he's familiar with in that he takes him to Germany, but I've always thought it's way more on Miles feeling guilty and blaming himself and thinking he's unworthy / pushing people away being the reason why they never talked before aa1 despite Phoenix's "attempts to contact him," whatever those may be specifically. And, yeah, I've watched that one episode of the anime but tbh I don't really use anime canon for almost anything besides maybe some of the fun visuals, haha, so I'm kind of disregarding that anyway. ANYWAY. My point is. The "pretend hate" part is that--sometime over the course of exchanging correspondence, Phoenix starts thinking something's weird and gets it in his head to "investigate" himself, since he's still in LA / has access to the scene of the crime and stuff, and then as a combo of him just plugging away at it until he has enough (circumstantial) evidence to be like "Miles I think you're wrong about this" and also a younger, slightly less repressed, slightly less in Manfred's pocket Miles actually being somehow willing to consider alternatives a little--they're able to put their heads together and eventually come to the (correct) conclusion ahead of time, before the 15-year statute of limitations, that it was almost certainly Manfred who did it. And then they work together to figure out how they can possibly PROVE that but they haven't thought of anything foolproof by the time aa1 events start rolling around (or at the very least, the 5-years-ago sections of aa3? It might make more sense if it's as soon as Miles returns to Japanifornia, and also I think Phoenix has way less reason to fall for Dahlia/Iris so hard if Miles is around and *coughs* available lmfao. Anyhow). So, in the hopes it'll keep Manfred from getting suspicious of Miles, they publicly pretend to hate each other, putting on a show of more of the canon attitude Miles esp. has before 1-4, but behind the scenes they're actually working together trying to think of a way they can definitely get a conviction to stick that Manfred won't be able to worm out of. And that's the AU! Idk, in terms of additional thoughts, I couldn't decide what to do / what would happen to Mia in this AU either, which doesn't super matter but did give me pause. So she might live, idk, depends the exact timeline. I do also think a scene where--Dahlia still hits on Phoenix in the reading room/courthouse library but he's like, actively there waiting for one of Miles' trials to conclude for a covert meeting, so when Miles gets there and is like "What are you messing with over there?" Phoenix is like "Oh, hey, check out this weird bottle some girl just gave me because apparently she fell in love at first sight, haha, isn't that so funny--" and then Miles recognizes it from the Fawles trial and they catch Dahlia earlier or something, idk. Or alternatively Phoenix was AT that trial so HE recognizes it. Or maybe it's funniest if he was there but doesn't recognize it until Miles does lmao, this is not the point of this AU but I can't stop myself from considering this part of it.

25 - Scientists

So THIS is the day I sort of alluded to earlier, many many words of post ago, where I got so invested in my The Martian AU that I started accidentally worldbuilding about it. What I've started and have about 400 words of (slash one notebook page, again from the plane after my vacation), is like, AU where it's NASA instead of law and I can make Phoenix go "What, like it's hard?" only it's about literally rocket science this time hahaha. Basically for this fic I just thought, well what if Phoenix just shows up as a flight tech or engineer or something (idk I don't really know that much about real life astronautics) as Miles is preparing for some space mission or something and he's just like WHAT are YOU doing HERE. I know I know I made Apollo literally be the titular martian and yes he ALSO has a (or tbh probably has a WORSE) canonical debilitating fear of heights, so, shhh, but I do like the idea that Phoenix is like, oh, who, me? In the flying metal death trap? No fucking thank you, I will be down here watching and talking directly to you through a headset or something. You cannot escape me however i can at least escape the building I'm in. No interest in seeing the Earth from above, thanks. Actually iirc Miles also doesn't love heights but meh whatever I'm fairly certain Phoenix talks about it the earliest in the series so there you go. Anyway, this would all be a mission prior to whatever mission it is that Apollo & Co. go on to Mars for the first part of the AU, so I guess you could consider it a prequel? And probably a fairly shippy one. I have other reasons for which it's fun for me if wrightworth is at least together if not outright married before the events of the "The Martian" part of the AU, so this one would be, like, about how exactly that went down.

26 - Victorian Era

Okay, once again, this just. IS. Literally. Dai Gyakuten Saiban / The Great Ace Attorney. Lol. That said, I've always loved the fanart I've seen of like Ryuunosuke and Phoenix (and respective Co.'s) interacting, or like, one or the other ending up in the other time period somehow, so I thought it'd probably be fun to try my hat at that. I feel like I've neglected the tgaa characters anyway, considering I actually somehow managed to reference PLvPW already, which is obviously significantly more of a spinoff and also just largely non-canonical, lmao. Also tgaa is just SO GOOD, augh. I'd love to have the multi-witness cross examinations from both of those games back sometime again, and I had so much fun with the jury in tgaa too, excellent mechanic. What was I talking about? So, I never completely decided on a concrete direction to take this, but even before AU-gust had started I'd already been toying with the idea of an AU where maybe Maya or Pearl channels a character from tgaa specifically because some documentary or special or something comes out talking about the real-life Herlock Sholmes (as opposed to the Totally Fictional "Sherlock Holmes" who Phoenix references in that one trilogy line, because I really think that's the funniest possible explanation for the discrepancy) and they're arguing over how that cannot possibly be a real person and no one was named that and etc etc and then to prove once and for all one way or the other Hurley is channeled and also for bonus joke content "recognizes" Phoenix at first (idk pretend his eyesight got worse in his older age, I know Phoenix and Ryuunosuke look, tbh, less alike than Ryuu and Apollo do, lmao, but again that's another AU) and then I get to play with Phoenix's mom's maiden name is Naruhodou and his middle name is Ryuuichi or such to that effect, because that is also a favorite headcanon of mine (not in small part because I can project my own life onto him by making him half-Japanese from SoCal, lol). So that's an idea I'd had that was already decently fleshed out and the ONLY problem is that if I'm having characters actually be channeled then there's a very real limiting factor of how many spirit mediums exist, and also that means Maya and/or Pearl don't get to interact with them, which for the sake of not overwriting would be good but for the sake of my love of a chaotic group conversation would be bad. But, uh, hopefully I do manage to hold myself to a less broad cast of characters, ideally, instead of bringing a bunch of them over to the other time period to see how they'd deal with that and interact en masse. Ha. Haha.

27. Younger / De-Aged

So here's another AU I'd already had idle thoughts about before AU-gust had even started! I...will get into this later, TRUST I will, lmfao, but I do have an extremely involved AU already in which Time Travel of the "regression" type is involved, i.e., they have their memories of the "future" but are thrown back into the past including their own younger bodies however-many-years-ago. So I've got that type of thing covered, I promise I do, haha. And additionally, I've actually already written them "younger" for my colorless AU way back on day 2, so I did think perhaps I'd just continue that one and say it was for this prompt (a smart person thing to do. this is the objectively correct option). On the other hand. I find pre-DL6 Phoenix and Miles reacting to how their lives actually turned out in the end HILARIOUS. Tell me it's not funny. And tell me it's not, like, some sort of depressing-yet-ultimately-hopeful for the older/current them to look at their child selves and be like Kid, Oh, You're Going To Go Through Some Shit, but also reflect on how they did make it and things turned out okay and life goes on etc etc. My problem with this kind of thing is that it's hard to come up with a justification for and that's not a problem in itself but it is a problem in me not knowing how i'm going to end a fic, which often gets me decision-paralysis-ed into not being able to start it in the first place, which did in fact happen to me here, haha. I think ideally I'd just do a quick "wait, was that a dream?" kind of thing where they (Miles and Nick) have a short conversation with themselves, but... Uh-oh, what, did you think that was all I had? You clearly don't know me at all. OTHER au option where young Phoenix is in the future/present and rather than himself and Miles it's the Wright Anything Agency who like, idk, find him roaming the streets of LA (fun fact! I actually came up with this AU one day while I was quite literally roaming the streets of LA myself at like 3am-ish. Do with that what you will). He is of course wearing a hat or beanie or something at first because come on, that's way more fun, and no matter how much Trucy, Apollo, and Athena are like "hm idk something about this kid seems familiar" I just don't think my first thought upon seeing some vaguely familiar kid alone on the street would be, like, "Oh, that's obviously a child version of my father/coworker/boss!" So. I'm not really sure that one has an end point either, though, so the same problem still stands, haha. The bad, someone get a spray bottle to spritz me, option of this is, obviously, to combine the two, so it's like the WAA find him first and then are like UHHHHH we need an adult (never mind actual adult-age-ness between them) and somehow end up getting Miles there too, but idk. I... should not. Overcomplicate. I shouldn't. Even, even if...august is over...so theoretically there's no longer any sort of On-Time component since it's late either way........ definitely not.

28 - Caretaker

Here are my exact notes / entire doc for this day. Ahem. And I quote: i brought up the lighthouse keeper thing but i dont know where that would be going exactly maybe this is a thing i could do franmaya for??? since i still havent gotten there? actually lol that as a lighthouse thing is funny. ghost romance? my three tropes rattle End quote. Anyway, shout-out to my friend hailstorm for being the one there to brainstorm "lighthouse keeper" with at the self-same bar trivia that I mentioned previously, lmao. I actually think that was even the same exact day as the The Martian quote was a relevant answer to a question. So yeah, even though I already kind of have franmaya planned for the spies day, that's both kind of sort of a darker AU overall and--WELP well, okay, so, i do, you know, recognize maybe a ghost romance isn't, uh, necessarily the fluffiest kind of AU lmao. Don't mind that. My point is, I love the vibes of a lighthouse keeper AU, and I generally like ghost romance as a trope, so that does feel like a viable option. Honestly, I kind of separately wanted an excuse to practice writing miego also, so maybe the Feys are just all chillin' in this lighthouse for...Some Reason, and that's side-plot relevant somehow, idk. I know Franziska and Godot exist in the same place for a minute in 3-5, but I honestly can't really remember them interacting? I think she'd fucking HATE him though lmfao. He'd think she's funny but I actually think she'd be too reactive for his most preferred teasing/fucking-with-people dynamics, haha. Regardless, if he is there at all, it's a very minor B plot, I think, 'cause this ain't about him, lol.

29 - Forced into Hiding

Achtung, baby, 2566 words of this are written! Lol. So uh, yeah. In short, AU where Klavier gets hounded by fans on the street while he's also having just a bad personal day, and the closest and best place he can think to hide from them is at the WAA. I, um, actually hadn't realized I'd written quite this much of this, haha, it was supposed to be short and fairly silly but then it turned into Klavier having a little bit of a panic attack maybe and getting consoled by Apollo, sure, of course, but then also having to deal with and experience some amount of closure / reach some kind of understanding with the Wrights, also. It's kind of part Klav character study, kind of part complaint against freaking Capcom for neglecting him (boo, I love him, stop ignoring him, or, yknow, worse, whatever the heck turnabout academy was supposed to do for him, which honestly almost felt like a step back to be quite honest). Okay, also, taking a slightly closer look at what I've already written, the REASON I'd thought I'd written way less than this is definitely because he hasn't even GOTTEN to the Agency yet, never mind spoken with any of its members, lmao. That would do it. In any case, I like the idea of Klavier having a bit of a vulnerable moment, and I also like the idea of him and Phoenix actually, like, talking for real, instead of, once again, whatever Turnabout Academy and DD was meant to tell me, which seems to be less than nothing. I kind of like the fact that it gave him a law mentor? I mean, she was very dead, but I have a very meaningful Use for her in later-to-be-announced-AUs-I-keep-teasing, haha. I of course considered other people and times when people in AA might be forced into hiding, but this felt like a silly but also meaningful way to do that without it just being an exploration of Miles and his not-suicide note (which wasn't exactly "forced" anyhow, he did that all on his own) or like, Zak Gramarye (who also completely did that to himself but w/e). Making it about Klavier completely escapes the bounds of canon, because canon is a weenie about talking about any of his actual feelings EVER, so screw you Capcom, I'm doing it for you. Don't worry about it. Trucy commiserating with him about still Loving someone, perhaps the very closest person biologically related to you you've ever known and depended on in your life, who not only did you very big harm personally but explicitly used you in a very real and participatory way to perpetuate the harm elsewhere and all the complexities about Feelings For And About Them Therein, and Phoenix somehow having enough self-awareness to recognize that shutting down completely and isolating yourself away doesn't actually do you any good even when you're at your lowest, and recognizing that Klavier doesn't exactly have a "Trucy" to be a focal point to draw him out of that, and that therefore he needs to be a bit more open to his peers. (Insert joke about "Well, I'm really definitely not suggesting you go adopt an entire child, that's really probably, uh, not the way to go, actually, but, you know. Everyone needs people, that just makes us human." Etc.)

30 - The Beginning of the World

So, hm, as it turns out, I got extremely sidetracked this day thinking about the next day on the docket. Whoops! Unfortunately this ultimately means my ideas for this day as of now are relatively uninspired: I had the thought that I could explore the beginning of Troupe Gramarye, which is its own sort of world, or else, maybe something about the beginning of the series itself but from the somewhat unconventional POV of a one Mr. Larry Butz. Yes, that's a bit self-serving in that it lends toward trying to complete a list of "main, recurring characters' POVs" that I've had as a sidequest all month, but, still. That said, just exploring actual canon through Larry's POV isn't exactly what I'd classify as an "AU" necessarily, so I feel like something would need to be different here. Okay, wait--not to draw inspiration a dang week late to the party, BUT. Now that I'm typing this up, I'm thinking, okay, maybe, what if. The "Beginning" of the series, technically speaking, is basically the fact that Phoenix gets put on (class) trial for stealing Miles' lunch money--which notably only happened because Larry himself picked it up when it fell on the floor. So, perhaps, what about an AU where he doesn't do that? I mean, I guess it would just turn the entire world of AA into something of a terrible series of tragedies with no real closure about them, lol, rip, but it could possibly be interesting? I dunno! (And, yes, I know DL-6 itself is more or less the basis of the series, if we're being ticky-tacky, but Phoenix wouldn't have been involved without meeting Miles, and that somewhat necessitates the class trial, and without him none of canon would get resolved, so. I will say, I do love going back to the earliest points to see how and how much you can make canon deviate or stay the same--reasonably speaking--via minor tweaks and butterfly effect and all that, so this could be interesting, although I once again must say I think it really just means a bunch of innocent people, Miles included, are going to be put away and possibly executed over murders that weren't their faults, lol. Hm. Much to consider.)

31 - Two(+) of the Above:

Beginning of the World + Younger/De-Aged + Canon Divergence (+ Feat. Jokers: Guardian, Everybody Lives)

With all of this, the ONLY prompts I've actually missed on this list become Animagus which I swapped for the Wings joker, and the last joker of the four, Thriller, which was never exactly a priority of mine because I'm not sure I'd write that sort of thing particularly well, so! Wild! Completionists everywhere almost rejoice, haha. SOOOOO. For the eagle-eyed readers out there, I'll bet you're just dying to know what this one AU I've been teasing all post could Possibly be to warrant such a build-up, right? (...Right?) The answer is the at-ow! (Phonetically, lol. I've been calling it that instead of out loud saying all the letters in AATTAU out loud every time.) My friend Ben can attest to the fact that this behemoth AU (her word which I'm stealing) has been in the works for, uhhhh... months?

MONTHS. AHAHA. Ha. That. Sure says March! It sure does! And it is not lying. Lmfao. (Ignore the time, I was working overnight then--my beloved work schedule whomst I miss dearly--so that's a perfectly reasonable discord-ing hour for March-me.) Also, once again, I'm choosing to blame Ben for my extensive AU problems, she sent me a very cute time loop AA fic that utterly destroyed my entire mind because it got the mere idea of "Time-based AU" caught in my endless void-idea-hole. So. Here's the real rub. The literal reason I started doing this AU-gust challenge in the freaking first place was that I was absolutely Desperate to find a way to overcome my writer's block. And one of the (admittedly many) reasons I wanted to do this was because I have been ITCHING to write this stupid behemoth AU for real. I have a massive outline doc already, I have a whole slew of scenes planned, I have lots of character archage, I have sooo many things I want to say and explore about them all you have No Idea. It's extremely self-indulgent and absolutely my personal magnum opus for all my very specific favorite AA headcanons and ideas and thoughts. And obviously, it worked! I did indeed overcome my writer's block! And I had so much fun doing it!! And I'll admit, from the very beginning, I had been eyeing that "Everybody Lives" joker prompt, because...that's it! That's basically the point of the AATTAU (Ace Attorney Time Travel Alternate Universe, if that wasn't clear, haha). I don't want to let myself get TOO into it, because Oh Boy, I sure will! If you let me! Haha. But basically the premise is EXACTLY what I stated in that very first discord message I could find about it. Maybe not so much "time travel" technically speaking than it is "gaining memories of everything that happened in canon right as the DL-6 earthquake happens", so it's more regression than actual time travel since they're in their own younger bodies and everything, but still. It's basically my excuse to treat canon like it did happen and YET allow for everybody to survive and for the very fun cocktail of traumas and joys that come from remembering what happened but having the chance for something different (and all the effort that goes into making something different happen in the first place).

Now, as far as AU-gust goes. I was obviously not about to even pretend I could remotely start this during August itself or justify connecting any of it to the series and the prompts I'd already written for it, lol, but I also couldn't get the idea out of my head, so I got it in my head I really wanted to end the month with SOMETHING that somehow tied into my AATTAU, if only to motivate myself to actually get on it and start writing out instead of solely outlining everything that's been in the works all these months. So to that end, I saw the "Everybody Lives" and the "Beginning of the World" prompts, and an idea came to me. I'd been dancing around the justification aspect of this AU for most of the time I've had it because let's be honest, it's just a very self-indulgent idea and it does not NEED "justification" to serve the purpose I want it to serve and be what I want it to be. But the AU-gust prompts gave me some actual inspiration and an Idea as to a way to solidify my unnecessary "justification" but in a way that it doesn't need to be directly part of the final product of the AATTAU (like, I could make it a separate one-shot and either just link it to and from the AATTAU fic itself, or if it all ends up being a series, then I could just include it in the series but it wouldn't be necessary to read to understand what's going on. And so, I present! The Ami Fey one-shot special I came up with just to fit these prompts :3 ...And by "i present" i mean, uh, I wrote 4k words of it on the 31st and didn't even come close to what I wanted to cover, because I suck at being concise. Lmfao. (Shocker.) Basically, I used Ami Fey as a semi-self-insert kind of godlike figure to reason out a semi-plausible way to make the concept I want to explore happen, happen. And I had a lot of fun, but I do still have a bunch to finish, but either way, I'm very pleased to have a (somewhat silly but ultimately fun for me) reasoning as to the gears ticking behind the scenes of my idea! To be somewhat less vague, the whole AU is predicated on the idea that, Phoenix and/or Miles (who remember from the beginning / from December 28th, 2001) meeting the other characters at-or-after the time they originally met in canon are able to recall their memories of the "original" (i.e. canon) timeline. I've used some magatama shenanigans to have some fun with this, and I'm now using Ami Fey and magatama shenanigans to explain how and why this is A Thing, even if it isn't necessarily the objectively most logically sound argument I've ever made. It's still a good one, in my book, and more importantly I like it, so that's all that really matters.

To briefly explain the "two" (by which I mean 5?) of the "above" I'm using here:

Beginning of the World: This fic specifically would show the beginning of the "world" of this AU specifically! Woohoo! Go Ami Fey, creating a whole new set of problems for our beloved little Guys to go through, hahaha. I think I may have based her character a little too much on Maya mischievousness, but, oh well. Let's just say that's where she gets it from.

Younger/De-Aged: As I've already kind of expressed, the premise of this AU is mostly just them being their own younger selves except they also have the memories of all of canon (and maybe a year or two after the fact, I need to confirm a couple dates).

Canon Divergence: I feel like this is decently self-explanatory, but then again maybe it's a bit cheesy to include this here, since it basically diverges from nearly the first major event of canon (DL-6), but that's not the only time things go almost-canonically but diverge a bit in some way, so I think it really does fit here.

Guardian: This one is a bit multi-fold. It somewhat refers to the way I'm making Gregory Edgeworth the de facto guardian (as in, legal guardian) of mostly everyone I possibly can because I love him and he would be great at it. But also, guardian in that, Mr. Savior Complex Phoenix Wright himself has literally all of the information at his disposal to try to "save" the potential Happy Lives of literally every person he loves, and, well. He does a pretty good job about it; not without cost, haha, but I feel like I can definitely call him a "guardian" of others in this AU. And, as for specifically the one-shot Ami fic, she is essentially the guardian of the entire Fey lineage, in this AU at least, so that also totally fits and is most immediately relevant.

Everybody Lives: I think this one is pretty self-explanatory at this point, lol. But for the one-shot: Ami is essentially trying to secure an "everybody lives" scenario, even if it hasn't been achieved yet, so it's more an aspiration at that point, but ultimately it is indeed successful. Now, "living" does not mean, like, "totally healthy" (mentally or physically), so there's lots more to it, but in short, yes, they live.

And......that's basically a wrap on that!

I mean, it isn't actually at all, since I still have to finish 26/31 fics, lmfao, but as far as the idea generation stage goes, and the use of the AU-gust prompts, that's what's up in my world! Somewhere out there maybe there's an AU of my actual real life where i finished more of these on time, but i'm still pretty pumped by all the work that's already been made on making so many AA fics a reality for me. I've come a long way since starting that first AA fic in 2018...!!

I still have all the aforementioned 26 fics to finish obviously, and I also have AU continuations planned for at the very least, day 2's colorless prompt and day 3's dark academia prompt (let alone day 31's, lol, but that's its own monster entirely), but I'm optimistic!

Thankfully I actually finished using nano to word track for me before they, you know, doubled down on AI and called everyone "abelist" (???) for not supporting it, which, uh. Well. But for my own posterity and if anyone's curious, here's what my word counts looked like throughout the month of AU-gust--admittedly including some planning and outlining:

It ended up being 51,377 words total in August on these AU prompts alone!

I feel like I wanted to say something poignant and meaningful at the end here, but it's almost 9:30 and I work at 4am tomorrow, so I'm going to go ahead and wrap this post up here, haha. If you read all of this, thank you very much for joining me on my little journey!

Once again, here is the Ao3 series where I'll post anything more that gets done, so if you'd like to see how any of these AUs turn out, feel free to keep an eye on that!

And here is the previous post with the 1st half+ of the AUs if you missed it and are interested now!

My copy arrived literally as I was writing this up so I've spent the last several prompts of this post listening to the AAIC soundtrack in the music collection, and, oh man, it's seriously so surreal this exists??? I might be an old fogey who has and will for an indeterminate amount of time continue to have trouble letting go of the fan translation names I've lived with for the past decade or whatever, but it's seriously so awesome the entire series is finally available internationally!! Let's hope for my sake AA7 doesn't come out before I finish any of my AATTAU, because that would really throw a bit of a wrench in my decision-making process, lol.

Bye for now!

[madisonrooney]

no one probably cares but. i wanna stress how big of a deal it is for me that im rewatching chunks of hannah montana, even if not the full series and even if out of order. not so much in the sense that it does bring up a lot of trauma (tho there is that...BUT i am pretty deliberately avoiding season 4 for that reason) but in the sense that like.

yknow that meme thats like "im going to create rules for myself that are so unnecessary" bc thats very much me. idk if its an autism thing but i do that so much. so basically when i need background noise i make myself watch whatevers on live tv and if there arent any shows i like on, i put on a dvd. could i just put on a dvd or streaming just if i felt like it or preferred it to whats on tv? sure, but my thing is ive been doing this for so long that if i change it now, that shows i couldve changed it ages ago and have lost so many opportunities to watch whatever i wanted. so to me it makes more sense to keep it this way. its stupid idk.

but leading up to and since d23, i like. physically could not stop myself from watching some hannah montana like i HAD to. i had been revisiting clips and eventually i was just like i am holding back serotonin from myself i just need to give in. and i did and man the RUSH it has given me.

im not entirely sure what my point is in posting this...ive wanted to for a few days but now im forgetting why lmao. tho im p sure its just that when i say "ive been rewatching some hm" its not as common of an occurence as you might think and just shows the deep state of brainrot im at rn, and im fucking loving it!!!!! not only have i spent so long struggling to hyperfixate on anything, but there were def periods over the last 15 years where i felt like i was forcing hm onto myself. not to say i didnt love it all throughout, but sometimes i would push it on myself when i was having an off day or more in the mood for a different hyperfixation. to come back to it so NATURALLY and PURELY and STRONGLY and GENUINELY!!!!! it feels so good!!!! and its just like...idk super heartwarming to me.

and i guess my other point is that i need to remind myself that there are easy things i can do to make myself happy that i prevent myself from doing for literally no reason so i need to work on that but at least this is a step in the right direction. like how i would force myself to catch up on the instagram stories of literally everyone i follow for hours and it would feel like a chore, when i could be doing something fun, especially with my few free hours on a work day. thankfully ive gotten myself out of that habit too but im sure there are some more walls i can knock down.

[hwaightme]

Your fan, Jongho (part 1)

(part 2) (your fan ml)

⚽pairing: jongho x footballer!gn!reader ⚽summary: a bulletpoint-style drabble of what it would be like to have jongho stanning you. part two here ⚽wordcount: 1.4k ⚽warnings/tags: unedited, jongho falling fast, you are a football prodigy, hongjoong lowkey is a wingman, jongho hiding feelings, sports, football, cute romance, overall wholesome vibes (lmk if anything isn't here) ⚽a/n: thank you so much for all the support and kindness <3 here is a bit of a brainwave I had, which may or may not turn into a series for all members (think "Your fan, _____)~

An avid football fan, he was proud to know the names of any new players who were making the rounds as rising stars

While casually viewing highlights of the team that won the national championship not long ago, he took note of you.

Bright-eyed and bushy-tailed, you were a fresh face on the field for him.

Recently you took the sports world by storm, having qualified for major championships an really moving up in the ranks to become a renowned forward.

Jongho, along with many of your team's fans, could not help but be captivated by you.

For him, it was your perseverance that did it. And the way the uniform looked on you but that is BESIDES THE POINT

He would never say that. Only hard work, professionalism and... oh no did he have a celebrity crush?

Was this how ATINY felt????

He was in a blur while he went down the YouTube spiral, starting by watching one of your most recent post-match interviews, and never quite finishing his deep dive because there were always more videos to watch.

Probably nobody would ever know that he was indifferent to you; as in, he was more than watching you and your team play.

He was cheering YOU on, knowing the training you did and the tough challenges you overcame. Cheering YOU on because he knew unlike any other what it was like to have the world scrutinizing you.

Cheering YOU on because that was what his heart felt inclined to do. Jongho had a separate football account, and even though he did not really interact with other fans, it gave him exactly what he wanted - the ability to live out his fanboy dreams, be it football overall or to learn more about you.

Actually went to see the matches you have been announced to play in, if time allowed.

Though either way he knew he would enjoy it because, well, he likes the sport, if you weren't playing since first half-time he hated to admit but he'd pay a little less attention.

This man had learned your club's songs and fanchants, hands down. Easy as pie.

Okay so he was still a tiny bit in denial about having a full-blown crush on you because "why would he experience any sort of affection towards someone he has never met"

Almost got caught by the other members when he was smiling proudly at his phone screen, rewatching an advertisement you recently starred in, kind of in the fashion: "look at my bias go, they are so amazing I cannot believe that I have the opportunity to watch!!!!!"

But he was prepared - so he quickly switched to some ATINY edit from one of their shows as soon as he saw someone attempting to creep up behind him; deception 100

Then came the fateful day, one during which his heart actually flip-flopped, did a spin and soared like his high notes.

A video interview with you for a magazine had been released, and for some reason or other ATEEZ kept on being bombarded with it on twitter. It got to the point where even the totally ‘football indifferent’ members were curious.

The next few minutes were excruciating for Jongho – squeezed between San and Yeosang, the group gathered around to check what the fuss was about, or whether it was just ATINY going a tad... enthusiastic after the comeback, for fun.

The adrenaline rush that accompanied trying not to reveal his excitement was eating Jongho from the inside. You were literally going into depth about your childhood dreams and motivations, how you trained and what you were hoping for in the future.

So far so… normal? Only Jongho was hyped (even though he had a poker face on)

BUT THEN

The interview moved in a musical direction. The magazine enjoyed presenting what celebrities listen to in their free time or when going about their day, so they always asked what the top tracks of their interviewees were.

And you being the legend you are, after thinking about “what song has been playing on repeat recently when you are in the gym?”, said “Well, Guerrilla by ATEEZ is fantastic. I have been listening to that quite a bit.”

It was at this moment all members lost their minds

Woop-wooping, screaming and hollering, they were punching each other’s shoulders

You, an internationally sought-after player, rising star in football, completely unrelated their world just so happened to listen to their music?

Jongho was on cloud nine

But seeing as you were continuing to talk, aggressively shushed at the rest of his members

“The power and passion in their music in general is unreal. Like take this song. That high note, on ‘flashing light’, going into the chorus… makes me run double-speed.”

“Have you been to their concerts?”

“Not yet, unfortunately, but hopefully stars will align.” And that was that. Jongho was offered congratulatory pats on the back for having his part be mentioned. No wonder ATINY were spamming their social media accounts.

Jongho waited until everyone is back to chaotic neutral to slink away into his dorm room and rewatch the video again. And again. A gummy smile not leaving his face.

That was when he got a thousand lightbulbs flashing above his head – rushing, he asked his manager if it was okay for ATEEZ to follow you on social media, talking some nonsense about ‘possibly adding more popularity and going with the trend’… the details did not matter, he got what he wanted and was really giddy about it.

Soon enough, your official account was also following them back. (the crowd goes wild)

If only he could see you, in the backseat of a car with your agent, squealing in excitement when you saw THE notification pop up. You shook the living daylights out of them, continuously pointing at your screen and repeating “OHMYGOSHOHMYGOSHOHMYGOSH DO YOU SEE WHO IS FOLLOWING ME ATEEZ IS FOLLOWING ME OHMYGOSHICANNOTHOWISTHISREAL”

Unbeknownst to you, your agent was already liaising with the right people at KQ to potentially arrange an informal meeting – yes, you were lucky you had them working with you. You down-played just how much you listened to ATEEZ while preparing for matches but could not help mentioning your respect for the idols.

It worked out well because suddenly ticket sales for your next match went up? And generally, publicity was looking good? Agents were not mad at all.

Fast-forward a couple of weeks, and after a brilliant match with you scoring the winning goal on the 91st minute, you had the chance to meet your number one fan.

Jongho had no idea how he was fortunate enough to have this arranged for him – apparently he was almost not allowed to go, with some staff stating that Hongjoong should be the one to do the networking, but Hongjoong, being the captain, and having caught on that Jongho was a lot more ‘involved’ with your activities than anybody else, demanded the maknae to represent ATEEZ.

The man was over the moon when greeting you in person for the first time. Though you did not have much time to talk, nor could you dive into anything that would reveal your mutual pining seeing as you had whole armies of staff floating around you, photographers and videographers around every corners… both of you had a great time.

You felt as though he understood you without any extensive explanations needed. Not only was he knowledgeable about the sport, but he was just… so attentive and gentlemanly.

As more people were leaving the stadium and the changing rooms, finally you had a moment of quiet to yourselves. And in that exact moment, Jongho sharply inhaled and produced, seemingly OUT OF NOWHERE, the most recent ATEEZ album.

He was not sure whether to gift you the album or a Lightiny, but chose the former to be less ‘imposing’ and risking to force fandomship upon you or something. Pretty much went full rumination-station, which was quite unlike him.

Either way you would have been incredibly grateful and would have displayed the present on one of your shelves. The fact that someone you admired and who you felt admired you was thoughtful enough to bring anything made you soft.

Grinning wide, you wished each other success for the future and hoped to meet again soon.

Which was MUCH sooner than you would have imagined. Since once you got home and opened the album, a neatly folded piece of paper fell out with a cute note from Jongho and his personal number.

Now that is a clean goal.

a/n: thank you for reading! Here is part 2

[bonearenaofmyskull]

Hey! Curious if you're currently into any great shows. If so, mind sharing your recommendations? Always on the lookout for some good TV suggestions!

I imagine you've seen everything I have. I spend more time gaming. Not into anything great at the moment, but I can dig deep and see if I can remember what shows I've watched since Hannibal aired and give my opinions. I binge TV series with my mom who is in her 80's and has Parkinson's and macular degeneration and can't really do activities or read anymore, so I rewatched some old ones with her here largely to torture her with them, so they'll be in here also.

S-Tier (Winners)

My Brilliant Friend. Probably the best thing I've watched since Hannibal. If S4 is out I haven't seen it yet, no spoilers.

Better Call Saul. Possibly tied with My Beautiful Friend. Better than Breaking Bad. Much better ending. So good, no complaints. Nailed the ending. Did I mention the ending?

A-Tier (Runners-up)

Black Sails: God, there were some parts of this that were so gratuitous and tedious, especially early on, and I hated Eleanor Guthrie and not in the kind of way that means good things for a show. Some of the dialogue was just really on the nose too. This sounds like a lot of complaints, but the things it did well, it did SO WELL that it really does make up for the negatives. The acting was sooooo good and the Flint and Silver dynamic was AMAZING and the show looked great, and over all that, it really had something thoughtful to say, and that stays with you when it's over.

Stranger Things: Some parts of this show hit better than others, but I'm squarely in the bullseye of the target audience and get the vast majority of the references and nostalgia, and I love David Harbour. I appreciate their exploration of various types of horror, attempting a new style each season, and I like the charm and humor and cheese, and it's a show that knows its voice and its tone and commits fully to those things. It's trying to be a fun show and it is, and it wants to deal with real fears and real grief, and it does.

The Handmaid's Tale: Speaking of shows that are committed to their tone, this one definitely is that. It's too heavy and relentless for most people, I think, but I don't mind that at all. Parts of it do drag, but it has a lot of the same qualities (for good or bad) as Black Sails: great acting, powerful character dynamics, the things that it does well it does so well it makes up for the shortcomings, imo.

Breaking Bad: Famous show, not much to say here. Rewatched it recently and don't think it's as good as Better Call Saul, so I put it here.

B-Tier (Can't complain but will anyway)

Good Omens: Can't get into it, can't find anything particularly wrong with it. I'm into the ship. I guffaw out loud while watching it yet am thoroughly bored most of the time. Love Michael Sheen and David Tennant on screen together. I know the show can't be that all the time but I wish it was. Aziraphale ftw. I feel like people missed the point of the ending of the last season.

Mad Men: Show could give Seinfeld a run for its money in terms of being about nothing, but definitely had its charm. Watched it with my mom so her nostalgia and appreciation for how historically authentic it felt went a long way. Good performances. God, it could be boring sometimes though.

Vikings: This one was a lot like Black Sails for me. They had a bit of a struggle for a season or two but once going, they really got going. Many great acting performances and characters. Loved Ecbert and Ivar especially. Didn't have Toby Stephens and Luke Arnold, so you know...can't quite make that tier. And didn't have as much to say, or didn't say it as well, and it doesn't stay with you.

C-Tier (Can complain and will, but were good enough to stick with)

LOST

The X-Files

His Dark Materials

Downton Abbey

BBC Sherlock

Game of Thrones (I think most people have misdiagnosed this show's problems, but it sure did have them)

D-Tier (Tried but could NOT, though many people will like these...they were just Not For Me)

Bridgerton

Dark

The Good Place

The Gilded Age

Outlander

The Crown

Outer Range (what even the fuck with this show)

I tried to think of more shows I've watched in this time, but this about sums it up. But here are a couple YouTube channels I really like:

Beau of the Fifth Column

Bistro Huddy

[thesoftboiledegg]

Overall, Full Meta Jackrick was decent. I liked it. It's not a personal favorite, but I won't mind it when I eventually rewatch the series. I just had the same problem with this episode that I did with the previous installment, Never Ricking Morty: it's not bad, but it's just...there? Meta episodes don't go anywhere because they CAN'T go anywhere. They're just twenty minutes of "Check it out, we're characters in a TV show!"

Still, I think this episode did a decent job of leaning into the meta without ruining the show. I was a little worried that Morty would realize that he's in a TV show and the entire universe would fall apart as he and Rick deconstruct everything, and then we'd have to act like nothing happened in the next episode. Luckily, Full Meta Jackrick didn't push the show's boundaries too far.

But yeah, I thought this episode was a little...pointless? It avoided cliches for the most part, but it also didn't say anything new. It wasn't a groundbreaking deconstruction of Rick and Morty or TV shows as a whole. It was just another take on the "Rick knows that he's in a TV show" concept, which isn't necessarily a bad thing, but it left me going "What was the point of that?"

The episode looked like it might have an anti-capitalist message with the Rick plushies, but that didn't really go anywhere, either. However, that might be a good thing--a preachy statement would've weighed down the episode even if I agree with it.

Full Meta Jackrick had a little more substance than Never Ricking Morty because at least we watched "our" Rick and Morty go on an adventure. I enjoyed watching an episode with just the two of them again. Their dynamic is brilliant--EVERYTHING that Rick and Morty do together is entertaining.

The first half of season six was great, but the episodes felt a little "off" because Morty didn't have much to do in most of them. Now, he's finally stepping back into the protagonist role.

Bringing back Story Lord (and Jesus) and writing a follow-up to Never Ricking Morty in general is a little gutsy and unexpected, which I can respect. Did anyone think that we'd ever hear anything about that train again? Never Ricking Morty isn't particularly loved or reviled--it's just an experimental episode that we probably would've forgotten about if it didn't foreshadow the season five Birdrick reveal.

For me, Full Meta Jackrick is a slightly better version of Never Ricking Morty because it's canon and has a more cohesive storyline. Full Meta Jackrick, like all of season six, also has great callbacks to the first couple of seasons. They never feel pandering or like they're trying to trigger your nostalgia--instead, they poke fun at the series itself and show you that the writers really care about this universe.

I also thought that this might've been the funniest episode of the season. Gotta be honest, guys--I normally roll my eyes when people say "Rick and Morty isn't funny anymore blah blah," but season six is the first season where I'm like "Yeah, the jokes haven't been great." But this episode had a lot of funny lines.

We did get some great character moments with Rick and Morty. Rick's still Rick: he's lazy, crabby, selfish and rude. But he's gentler with Morty, too. He treats him like a person and partner (in crime) instead of hoarsely shouting at him. He looks out for him and gives him his lab coat when they're freezing--boy, THAT'S been a fandom staple for nearly a decade.

This might be a stretch, but the scene in the garage caught my attention, too. Rick gently turns on Morty's goggles for him--you know, like an actual grandfather--instead of telling him to do it and then yelling that he's too slow or whatever.

This is seriously the fanservice season. Rick in a suit and tie yet again, Rick draping his lab coat over a shivering Morty, Rick tearing off his clothes to reveal that he's jacked underneath (I guess he's still working on those abs? lol.) The new writers' influence is so blatant, and I don't think most of us are complaining.

And we saw Rick's favorite thing yet again: crystals. 💎✨ (Well, ore.) Someone needs to give him $100 and cut him loose in a New Age store for a couple of hours.

I also want to note how much I love Justin Roiland's voice acting. Rick's voice is so complex and reflects his character development brilliantly. I hate how people dismiss Justin Roiland as a shouty guy who burps and yells into the microphone. Honestly, I don't hear Justin Roiland at all when Rick speaks--I just hear Rick.

Overall, Full Meta Jackrick was a decent return to the show after the six-week break. Those "Rick is a nihilist" YouTube videos need to go away forever because this episode's theme could have been "Nothing matters, we're just cartoon characters, blah blah," but it wasn't. Instead, Rick tells Morty that his life matters, and he looks at the audience as he says it.

[fang-revives]

Syb's 2023 MOTY List!

I had a lot of fun doing this roundup last year! Though it feels like a patchier year than 2022 for great wrestling, there were still a few real standouts that blew my socks clean off. Here's my top 5 recs!

Jay White NJPW Departure Series (Wrestle Kingdom 17 IWGP Heavyweight Belt 04.01.20203, Loser Leaves Japan Match vs. Hikuleo 11.02.2023, Loser Leaves NJPW Match vs. Eddie Kingston 18.02.2023) 

It was so hard to pick a single match from this series so I chose not to. The sequence of these really tells a complete story I was fully glued to in real-time. The IWGP WK match I slept on a little bit because everyone was buzzing over Omega vs. Ospreay, but  I have to say when I finally watched it, it has wormed its way into my brain and has not stopped chewing. The Hikuleo match broke me a little for the last offered too-sweet. And if you forced me to pick a match of the three to recommend, it would be Eddie vs. Jay. There’s something special about Eddie being the man with so much integrity, so much love for puroresu, that he almost made me believe Jay would fight for New Japan and win. I’ll close this by saying it felt really graceful that Jay got to put an endpoint on his time in New Japan, and tell a little story with it. I’m not sure most wrestlers get the chance for whatever reason when their contract ends, but this felt like a beautiful Shakespearean tragedy, and a great way to end a killer run in NJPW.

Yota Tsuji vs. Ren Narita (G1 Climax 33, 18.07.2023) 

The most memorable G1 Climax match for me by a long shot. Physical, deranged, so many gorgeous spots (that I will miss dearly from Narita specifically as he heads off to do…whatever it is that you can call House of Torture spots). I rewatched this three times. I loved the tie booking for the Reiwa Three Muskateers, it made A-block super fun. I was really hopeful after Tsuji’s backstage comments that they’d make a story out of Narita shedding Shibata’s shadow…alas for the booking that wasn’t. 

Saki Akai Retirement Match (Tag match with Yukio Sakaguchi & Hideki Okatani, vs. Kazusada Higuchi & Naomichi Marufuji & Miyu Yamashita, 12.11.2023) 

There is so much to miss about Saki Akai. Although I honestly and sincerely wish more wrestlers would retire younger and let their bodies rest (or at least do a soft retirement and then come back to do bullshit) – god, I’m going to miss her. She’s been a mainstay on the DDT roster for as long as I’ve been watching and before, and carries the intergender work with unparalleled grace. This match was booked as a unique treat for me; who had an Eruption moment back when Sakaguchi and Higuchi had their singles match, and who loves both Marufuji and Yamashita. 

Swerve Strickland vs. Hangman Page Texas Deathmatch (AEW Full Gear 18.11.2023) 

TOXIC!!! YAOI!!! DEATHMATCH!! INSANE!!! This match probably would have made it on the list for the “stapling my son’s drawing and then drinking the blood from the wound” spot alone, good god. If people didn’t believe Swerve was a mega-star before this match, they surely do now. Match that made me dissolve into monkey noises, and easily my favourite AEW match this year. 

Mask vs. Mask 5-Way Cage Survival (Dragon Kid vs Shun Skywalker vs Strong Machine J vs Ultimo Dragon vs Diamante, 02.07.2023)

Dragongate is honestly a promotion I’d love to have the time and attention span to carve out some more space for. Luckily I do have puro friends who are willing to catch me up on the dynamics so I can swing by for banger matches like these. And wow, holy shit, this was a cagematch for the age. Pulling on the drama of Dragon Kid who promised the survival of his older mentor Ultimo Dragon – leading into the personal beef of Strong Machine J and Diamante, and crystallizing to another horrible moment from one of wrestling’s best working heels right now, Shun Skywalker. This match had it all!

Honorable Mentions

Eddie Kingston vs. Claudio Castagnoli (AEW Grand Slam 2023, 20.09.2023) 

Jun Kasai & El Desperado vs. Masashi Takeda & Rina Yamashita Thumbtack Board & Razor Cross Board Alpha Death (Pro Wrestling FREEDOMS, 11.08.2023) 

Hiromu Takahashi vs. Kazuki Hirata"Let's Have Fun!!" What Will Happen!? Fun Death Match (DDT Ultimate Party 2023, 12.11.2023)

[bunbunbillion]

THE BUNBUNBILLION Q1 2024 MEDIA THREAD EXTRAVAGANZA

i've been recording everything i consume for the past few months to do a media thread at the end of every quarter. and now april is over... so its time to talk about stuff!! forever!!!!!!

01/13 - Homestuck (Re-Read)

I finished re-reading Homestuck for the... 4th? 5th time? I've lost count. It's a good way to start the year though. This time around I read it with my girlfriend, who you should give all of your money too (@yinkybaginky), and it was very fun to see someones reaction to it for the first time. She knew literally nothing about Homestuck, not even what a Vriska Serket was. A truly great experience, especially thanks in part to the Unofficial Homestuck Collection. I'll probably have more to see about Homestuck in depth on a later date, so I won't bog down this post with that. It's my favorite piece of media ever, and that's all there is really to say on the matter.

01/24-01/25 - The Trolls Movies

I've been surrounded by gay people who love Trolls for the past like 5 years so I finally decided to give them a watch on a whim with my girlfriend, after catching some of the first movie in a streamers server.

They were fun! I really don't think I have much to say on them. They're kids movies, sure, but they're also just very visually great and made me go "yeah you know what some of those old pop songs WERE pretty good". I think when it came to stories I liked the first one the most just because I liked the Bergen's a lot, I thought their whole world was very well designed and all that. Don't have the most care for Branch, and Poppy is OK as a protagonist, but otherwise I had more fun with the other characters. Creature design is absolutely excellent and is what stood out to me the most of anything, though. The animation in the 3rd movie is also top notch, I really do want to see the series continue. If they do, I like the third movies approach of finding a niche to make "the thing" for the whole movie, it's a fun way of doing stuff.

We thought this shot was really funny.

1/20 - Guillermo Del Toro's Pinocchio

I was gonna watch this when it came out awhiiile ago, but just put it off forever. I saw Jacob Geller had uploaded a new video about Pinocchio, which talked about the movie and was like. Man. I wanna watch that video. Guess I'll go watch this entire movie. So I hopped into VC with Netflix on and just watched it.

It was Fucking Good!!!!!!!!!!! Every good thing you've heard about the movie is absolutely true. Do yourself a favor and just watch it. That being said, I also don't have too much to say about it! It's been a few months and it hasn't totally stuck around in my head, but that just means I get to rewatch it sometime, and I can look forward to that. It mostly made me want to watch more stop motion movies.

If I were to highlight anything, its that I love to make the movie all about death. Pinocchio as a story seems to constantly get turned into this thing all about freedom and living and how great life is and all that, but this movie completely nailed that yea. Pinocchio works so much better as a movie about death. A puppet living on a blessing against the laws of nature being used as a vessel to explore acceptance of death. It's really great.

the demons are such baddies btw

01/29 - Earthbound USA

Not the game, but the documentary put together by Jazzy Benson through Fangamer. It was absolutely fantastic. Easily my favorite game documentary I've ever watched... Because it's not really about the game.

To put into words, because I imagine 90% of people reading (not including the people I watched it with) haven't seen it or even heard of it, Earthbound USA is a documentary about specifically starmen.net and Earthbounds western fanbase.

The doc highlights basically every aspect of Earthbound in the west. They talk to the people who translated the game, who made the marketing campaign, the fans who bought the game day one, the translator of the MOTHER 3 fan translation, they talk about Earthbound Zero, about the virtual console releases, the quest to get MOTHER 3 officially localized and every single defeat that came with it, I mean Shigesato Itoi is just here too. It's everything you could ask for all combined with home videos from the early 2000s, an outstanding soundtrack that gives me goosebumps from Robbie Benson, it's just... So good.

I bought the DVD for the movie and streamed that to my friends, which you can get here on Fangamer, whenever they plan on restocking it at least. Or, you can watch it on streaming services listed on their website! If your a MOTHER fan, I'd say this is like, essential viewing. It may as well be official with how good it is.

01/29 - A Brief Retrospective of The Simpsons' Golden Age

I finished this the same day. I recorded this mostly as a joke, but hey if your insane and have watched every single Simpsons episode like me and want whats basically a Simpsons Summary Podcast, I recommend this 11-hour video.

02/06 - MOTHER

A week later I couldn't get Earthbound USA out of my head, so I decided to finally sit down and go where no MOTHER fan has gone before. To the first game in the series.

It was really really good. Like, man, I don't know why I slept on it so long just because it was an NES RPG. Ok, I mean, I know why I did, it's because it's a NES RPG, but still.

This game really highlights everything that went into its two sequels to make them so good, and has so many little unique novelties about it that make it just so so memorable. The music, the writing, the places you go, it's just... So, so good. I still think the best way to get into MOTHER is to start with Earthbound, just due to how approachable it is, but if you like it and/or MOTHER 3, do not sleep on MOTHER/Earthbound Beginnings. It's just so good.

Probably use an emulator with rewind or save-states though.

i'll be fine with not hearing magicants music anymore though

02/17 - Yakuza Kiwami 2

I started this game probably years ago, and never got that far. Yakuza 0 is definitely one of my favorite games ever, and I was kind of mixed on Yakuza Kiwami, but I was enjoying the start of Kiwami 2 for sure.

How did I feel by the end?

I mean it's not BAD, per say, it's just... Not very good, either. The gameplay never really felt like it evolved much, the writing really felt like it never picked up and just kept ADDING stuff, but at least the side quests were probably the absolute best the series has given me so far. That definitely saved it for me, but man the story. It just wasn't very good.

I had a lot more thoughts after playing it, but I think think in the end it just comes down to;

Ryuji did not get nearly enough time to shine to be an impactful villian

The bastard cop was a character I was given no reason to care for, and the focus put on him did not feel earned in any way

Kiryu really did not feel that involved with everything going on

Sayama did not get nearly enough agency in this story

As for the twists, I didn't like how many there were at first, but I think by the end there were just so many twists I was like. Yeah nvm this is so fucking stupid it owns. So good on them for that!

I don't think I'll ever replay the main story for this game, but I will absolutely come back to those side quests, they're so good I don't want to spoil a single one. I am also really enjoying Yakuza 3 so far, so that's a we might just be back regardless.

the selfie feature is really funny. you really feel like your some 40 year old dad.

02/22 - Pokemon Scarlet and Violet: The Hidden Treasures of Area Zero - Epilogue

I have a lot of thoughts on Pokemon Scarlet & Violet. I am a HUGE Pokemon freak, like omega huge freak levels of such. I will claw and bite tooth and nail defending Sword and Shield any fucking day of the week. I think Scarlet and Violet are like, painfully mid games in such a disheartening way. I still enjoyed a lot of it, but man it's so held back by... everything, really.

And the DLC fixed I'd say about none of it. In fact, I'd go as far to say the 2 DLC stories only highlight and strengthen every single problem scarvi has as a game and it disheartens me, so, so so much. Unlike the Sword and Shield epilogues, which expanded upon the best parts of the game and experimented with brand new formats as prep for the next generation, scarvi kinda just does. Nothing. It's more Scarlet and Violet, slime grease and all.

Kitakami is... Ok, I guess? It's an exceptionally uninteresting region with absolutely no landmarks that stand out in my mind. The story in it is pretty subpar, it's a really annoying kind of "player has no control over a misunderstanding" narrative in a really obnoxious way and by god I'll say it I never really get a reason to care about Kieran. He's not bad by any means, I mean he's just a kid, but really I don't feel like I'd ever call him a friend. The story with the Loyal Three and Ogrepon is really cute though, I do love that they completely flipped the story of Momotaro on its head in such a fun and unique way.

Blueberry Academy I was looking forward to much more, thinking that while Kitakami was really rushed and pretty bad, it must mean more resources were just put towards the second DLC. I was pretty wrong, it was basically just as under baked... But also still better, regardless. They introduce a lot of characters you won't really remember with this DLC, and it feels weird because it feels like there SHOULD be more to these characters, but it's all confined to a pretty short campaign.

The story is pretty ok, and I like what they did with Kieran here, but the second you beat him in the champion fight the story like, immediately halts the breaks and everything stops mattering. I really thought Drayton might've been set up as an interesting antagonist, someone subtly bullying Kieran and egging on how he is, but in the end he's just a well meaning friend who's just eccentric. All the other trainers basically disappear as well, and Kieran reverts back to how he was before all this for the most part. Then the story with Terapagos has to happen, and you get the return to Area Zero, except with your new friends you've barely built bonds with and Briar instead.

Similar to Drayton, I thought Briar might've been getting set up to be a bit fucked up. She's pretty obsessed with Area Zero and proving that Heath was right, and that feels like obvious easy set up for a villain right? Obsession is kind of the text book villain motive, especially in a series like Pokemon. But, no, like Drayton, Briar is actually exactly as she seems, and there's nothing underneath.

Unfortunetly, Area Zero itself was also not as interesting on revisit. I imagine it was the far lower budget, but it ends up mostly just being a very basic crystal-cave environment, without that really fascinating hollow-earth vibe Area Zero has in the base game. You're also mostly just traveling alone going on fetch quests to beat mini-boss Pokemon to open up gates, so that feeling of traveling an unknown place with friends is also completely lost. In the end, Terapagos isn't much of a character at all, like Ogrepon (or Miraidon/Koraidon) are, and is just kinda There. I'm sure the anime is doing a lot more with them, given they're a main character, but man they are NOTHING in this game and it's really disappointing with how incredibly hyped up they are.

In the end though, the thing I really came out loving with the second DLC was something I didn't actually know about until after finishing the epilogue, which was the brief interaction with the Professor in Kitakami once you have Terapagos. I won't spoil it, I'd recommend going to the crystal lake in Kitakami with Terapagos in your party to see it, but it was a moment where I was really like... Damn. This story really could've been something special.

NOW WITH ALL THAT OUT OF THE WAY, it was the Epilogue that I beat this year, which acts both as a bonus to the DLC, and a Mythical Pokemon event similar to ones from the DS games. And, I gotta say.

It's easily the best thing in the entire DLC, bar none.

Despite just being a revisit to Kitakami, the Epilogue is not only better written then both of the DLC chapters, but actually shows that promise for future games like the SWSH DLC did years ago. I had a smile on my face basically the entire time.

First off, hanging out with the three friends again after they basically disappear once you beat the game is so incredibly refreshing. Just having them over to your house is the first time in a Pokemon game I've actually felt that like... Oh, I'm a kid hanging out with my friends, kind of feeling. That original inspiration the Pokemon series had was just completely captured with that, and I love it, and it continues through the entire DLC. On top of that, the DLC does a lot of very small things with its cutscenes that I felt were really missing from the main game that actually completely caught me off guard. Seamless transition between overworld cutscenes, cinematic cutscenes, and battles mainly. It feels like Pokemon games have always struggled with taking you out of the story for loading screens or transitions or letting the player wander off or something. It's hard to immerse, but with this DLC just through the most simple methods they really catch you off guard with the cutscene framing and battle starts in a way I absolutely adore, especially since your with your friends who can actually Talk for you too. Helps that all of the writing is just really funny too, I had such a good time.

Overall, I think this is where I want the Pokemon series to go. The segment of Area Zero where you travel with all your friends already stood out to a lot of people, but didn't have the most writing to back it up. Similarly, this DLC has all of the writing, but it can feel like you aren't actually traveling with your friends, as they don't follow you. I think having a Pokemon game where you travel directly with other people in a bit of a party is the way to go with expanding on Pokemon as a series, and this DLC combined with base scarvi really proves How it can work. It makes me so excited to see where we can go from here, and I can only hope they learned from all these mistakes.

wow i had a fucking lot to say about scarlet and violet dlc and i didnt even mention this thing. whatever.

02/26 - Splatoon 3: Side Order

Funny story, I actually beat Splatoon 3 on a friends copy, but on my own switch, so when this DLC came out I ended up buying an entire new copy of Splatoon 3, with DLC, and an already completed save file. So was the DLC worth 80 bucks? I mean, no, not at all, but it was extremely good!!

It came out while I was out of town with my girlfriend, so we had a lot of fun playing it together, and I think it's just overall a genius idea for a Splatoon mode. It makes me like, viscerally crave an even bigger Splatoon roguelike, but I'm also like an extreme roguelike freak. The story was super cute (my big "I <3 PEARLINA" shirt notwithstanding) and basically everything it introduces is great. I haven't actually beaten the Agent 8 locker yet, because I'm Bad At Splatoon </3, but I everything else was just so good.

im actually extremely biased, btw

02/27 - Ponyo (Rewatch)

I rewatched Ponyo with my girlfriend while I was over for the first time since I was a wee little amoeba. It was so fucking cute!!!! I really do love Ghibli movies a lot. I don't think there's a lot I can say about Ponyo, per say, at least not as much as other Ghibli movies I love like Spirited Away (my fave movie evarr), but I think this movie combined with like. Finding Nemo, Animal Jam, and going to the Houston Aquarium combined are probably why I love marine biology so much now.

02/29 - Death Note

The anime, to be specific, for the first time. Yeah, I can see why this became such a big thing with fujoshis. I get it, I understand now. I'm sorry L, I didn't know your game.

Death Note is overall both an anime of its time, and an absolute classic you should be watching. It's engaging, it's dramatic, it's funny, and there's so many points where your just like "damn are they gonna bone" about the two characters the authors 100% had no intention to be seen in that way.

It's only real problems come from the authors also having no fucking clue what to do with women in the story, and making pretty annoyingly shallow characters that get sidelined really hard. The final arc is also a bit head scratching, but it makes for good drama, so I can't really complain, even if I remember a lot less of it. Great show, great ending. Where's my Misa & Rem yuri manga series.

he really is just fucking jeff the killer huh

02/29 - Promare

Watched this with my girlfriend on a whim, cus we wanted to watch a movie together. I've been a very lowkey TRIGGER studios fan since I was a kid, watching Kill la Kill when I was way too young to be watching shows that crazy boobed, but it did definitely contribute to my transgender-ness, so you can't fault it there (you can fault it for a lot of other things though). No matter what though, when TRIGGER just randomly came out with a full feature length movie released in theaters, I was pretty interested. Which is why I didn't watch it for years.

After watching it though? Yea, that was really fun. It's not much in the way of story, very basic Minority Allegory story I think, but it's all to make way for extremely crazy action scenes and homages to all their favorite mecha anime, which like, yea props they did a great job. Character design is extremely fun, environments are super colorful, animation is what you'd expect from TRIGGER (good), and there's a lot of man tits this time around. I recommend it!

03/04 - 2001: A Space Odyssey

I'll be so fucking honest I watched this on my phone on a plane ride and I don't fucking know anything that happened. I think it was good?? I think it made sense??? I really wanted to fall asleep but I really wanted to watch the movie. It felt like it was simultaneously 4 hours long and 30 minutes. I think I should probably watch it again. I don't know why I chose to watch it on a plane. But hey, I did!

watching this shit while half awake on a dark plane felt like i was in another fucking dimension. what the hell happened

03/08 - Fortnite Chapter 5: Season 1

Hey Fortnite, I play that game! Sometimes.

I've been pretty consistently "playing" Fortnite since Chapter 2: Season 5, and I do really like the game. I love the gameplay, I love all the stupid crossovers, I loved the story, it was just a really fun time!

Well, up until like half way through Chapter 3 at least. The problem with Fortnite is that, no matter what, in the end of the day, it's still owned by Epic Games, and that means at some point, shits gonna get sloppy. I won't go over my whole history with how I feel Fortnites been on a decline since Chapter 3, but I can at least say i was pretty fucking checked out most of Chapter 4. I really didn't like it.

So, coming back on for Chapter 5? Oh shit this game is actually fun I forgot. Played a shit ton that season, actually finished the main battle pass for once, had so much fun with all the new things they added, it really feels like Fortnites back.

Oh... and there's that LEGO mode... and that rockband mode... and there's racing I guess... I didn't really touch them much but they're neat... They were pushing those modes pretty hard, I hope this isn't a sign of something to come... I'm sure they'll keep up the momentum for the next season right? Battle Royale is totally back, right?

i ended up staying up till like the last day grinding in creative to get this emote. im so glad i can make perfect cell do the bird is the word dance now.

03/12 - King of Crusher

I beat this game over on my twitch, you can catch me live playing obscure games every so often each month!! Check it out and give me money! I said mostly everything I wanted to say about it on stream, but this game was just a really fascinating little art project that was both really frustrating and really funny to play. I really wanna find more little gems like this to play, it's so ODD but fun.

03/15 - Animal Crossing (Movie)

Watched this movie as apart of a movie night with my groupchat and it was adorables so cutes! I don't think there's really anything I COULD say about this movie, but it does really make me wish Nintendo was more willing to make more stuff like it. Just a really well animated fun anime movie that's not trying to be this big thing.

the ending caught me completely off fucking guard though

03/17 - Unpacking

Similar to Animal Crossing, I don't really have a lot to say about this game besides so cutes! The story told through the environment was super adorable and I really do think back to this game a lot in a very emotional way.

That being said, I wish it was a tad longer for how expensive it was, as great as the art was lol

If you can find it on sale though, go play it!!

i was playing with my girlfriend and we ended up interpreting the main character as really hating her boyfriend. my fucking Pig of a husband wont let me put my posters on the wall. my Pigly husband. i need to Kill my Meat Pig of a Husband.

03/17 - Pizza Tower (The Noise Update)

In complete tonal contrast to Unpacking, I beat the Noise Update in Pizza Tower right after. It was, like Pizza Tower, really good, but not without its flaws.

In the time since I've played Pizza Tower, I've reflected a lot on what I love about the game and what I honestly don't care much for. I've been playing demos since the very first public one, and I've loved watching it evolve, but if there's one bit of context I've gotten that shapes how I look at the game, it's that the games creator has a really big issue with having a lot of ideas for stuff, and not really thinking about how they fit in together.

Pizza Tower is like, a REALLY good game, don't get me wrong. The movement is borderline perfect, the level design is consistently fun and flows well, the graphics are unmatched in how expressive they are, the music is some of my fave from the entire medium, but if there's one thing really holding back Pizza Tower it's that lack of focus, and I think you can boil that down to the core game design of levels.

Pizza Tower is easy to compare to Wario Land, given that's its primary inspiration, but I think it's much more akin to Sonic, which is also a major inspiration for it. The problem is, it definitely tries to apply Wario Lands brand of "wario can be anything" to sonics "levels can be anything". Sonic levels are all about super quick flashy levels you can blast through, each one having a gimmick unique to the level that you learn, master, and then use throughout the multiple zones. On the other end, Wario Land presents you with these large winding interior-like levels that you slowly (or somewhat quickly in the case of entries like WL4), navigate and solve puzzles throughout for treasure, with your main solution typically landing on how Wario himself can be controlled using various gimmicks unique to him. Your presented a gimmick, and then you remember that gimmick for the future so you can use it to solve a future puzzle. In many ways, these two games can almost feel like the opposite kind of game, only linked by being sidescrolling platformers where you can bust through walls. Pizza Tower, despite that, tries to be both, and in many ways succeeds, but cant avoid the problems that inherently comes with trying to be these two very polar ends.

Basically, I just feel theres a lot of really forgettable levels and an overall problem with gimmicks getting absolutely no chance to be explored so you can never really be rewarded in basic play for mastering a gimmick, other then replaying a level multiple times. I think less gimmicks but more places to use the same ones would be really great.

Talking about the Noise update specifically, it was just a fun retake on the main game, and made for a fun replay after not playing Pizza Tower for about a year since release. I find it really fascinating how even after changing how the entire game controls, the levels still work with minimal changes. I'm looking forward to see if they decide to change it any more in the future, and I hope whatever comes after Pizza Tower can be a much more focused experience.

03/17 - Hiveswap Act 1 (Replay)

See; Homestuck Reread. Been here a billion times, here to show my girl this time. I'll probably scream about this one later. <3

03/20 - Rescue Shot

See; King of Crusher. Another stream game! This one I liked even more, though I Really wish I had a lightgun (or could fix the mouse controls on my emulator). Incredibly adorable game with insanely good music, check out the VOD if your interested!

03/25 - Super Mario Bros. (1993)

I feel like in recent time, people have been hyping up this movie as like, secretly a really good film that people only hate because it's not a Mario movie. I'll be real, after watching it for the first time, I don't see it at all, I think this is just an incredibly funny bad movie.

Beyond not being Mario, which really doesn't matter at all, it kind of just felt like a fever dream of a script. Things kept HAPPENING there wasn't a single second to break I felt like I was in a nightmare hell dimension being blasted with insane plot beats and I couldn't keep track of anything. Without the Mario branding this would be like 10x LESS comprehensible, but good lord.

Maybe this is like, an arthouse film, and I need to watch it 12 more times and be high at least half those times, but idk I think it might actually be bad guys. Big Bertha a baddie though.

03/29 - The Croods

Another movie night with friends, we got the PRIVILEGE of watching The Croods. I saw it once when I was a kid, but I didn't really remember anything about it other then there was a character named Grug.

I now realize that the reason I remember this character is because this movie literally lied and he's the main character. It really tries to set up that the conventionally attractive main teenage girl is the protagonist but no this movie is 100% about Grug and it's so fucking Particular. Why pretend it's not about him when he becomes our sole point of view for half the film? Why pretend its about the teenage girl when she basically doesn't have any dialogue for the last 25% of the movie? What is this movie trying to say, politically? This movies a thinker. I think its a bigger thinker then 2001, honestly.

04/12 - Police Story

The first Jackie Chan movie I've ever seen and damn what a fucking good one to start with. Insanely entertaining, incredibly funny, and just a really great film! I don't think I have much else to say about it other then gush about each and every scene and how well made it is, but it really makes me wish we could get movies like this more. Just a practical effect wonderland where the main guy is just having fun with people on set. It's great.

hes kind of a babygirl

04/13 - Con Air

Actually the first time I've seen this movie, surprisingly, given my attachment to the media that has essentially co-opted this film. It wasn't good, like at all, but it was very very entertaining with friends. I didn't expect it to get so much into like, weird racism stuff?? Characters just keep appearing and getting named it's so fucking weird. What was the deal with Steve Buscemi's character, I feel like scenes were cut or something. Nick Cage was incredibly funny as the lead. It's the thing you watch with friends on 4/13, what else can I say.

why did he do this

04/19 - The Princess Bride

Honestly, I thought this one was a rewatch when we put it on in the GC, but I think I just remembered watching clips of it or seeing half of it on TV as a kid, so I'll just consider this a first time watch. It's really good! Just a fun simple movie full of extremely witty jokes. It's kind of like watching a Simpsons episode for the first time and getting to a part where they say something and you go "oh i've heard this quoted like a fucking million times, i get it now". If you haven't seen this movie, whattarya doin, go watch it!

i feel like were it not for andre being basically irreplaceable we would have a netflix reboot about these three right now. maybe that does exist already.

04/21 - PokeRogue

Half this thread is Pokemon and as I already said, I'm a roguelike freak. This game is like crack for me. That being said it's just alright. I think I'll be willing to judge it more once it's more finished and not just Pokemon in the most barebones form imaginable, coding wise. It's the basis for an extremely addicting game, and I plan on sinking even more hours into it soon. Extra points for using PMD music as well <3

im only just now finding out the rival is gendered. hey cunts let me play as a girl and get the girl rival or you hate me ok?

04/22 - The Mask (2023)

Now you may be wondering, The Mask? The movie from ten TRILLION years ago staring the homunculi known only as Jim Carrey? You'd be a fool to assume this. I am talking instead about Connor O' Malley's current best work, THAT The Mask.

There's not much I want to say about it, because I just think it's good, but if there's one thing I can say it's that Joker (2019) should be fucking embarrassed in how hard it was stood up by this short film.

Content warning for pretty heavy themes and a lot of crass jokes.

04/23 - Sonic the Hedgehog (2020) & Sonic the Hedgehog 2 (2022) (Rewatch)

In preparation for the Knuckles show (which I still haven't finished), I decided it'd be nice to rewatch these two films for the first time. I haven't seen the first one since I watched it for the first time before Sonic 2, and I haven't seen Sonic 2 since I saw it at an early screening. What do I think of them now in retrospect?

Yeah, not very good films. Very fun! But damn, yea wow, I think with enough time to look back on them, there's a lot I really don't care for in them, and I'm not just talking about the human scenes.

I've been having a lot of conversations about adaptations lately, so I'll mostly summarize my thoughts here. In making an adaptation, your one mission in my eyes is maintaining what made the original loved. Not good, because that's not really a quantifiable thing. Not faithfully, because I feel you can make a good adaptation without being faithful. All you need to truly keep is the Reason people came to that piece of media originally, in my eyes. Whether that means going as hard as you can with something like The Last of Us, which essentially 1 to 1 recreates an entire video game, or be much more out there like with One Piece (Netflix), which essentially tells the same story but with wildly different circumstance and aesthetic.

The Sonic movies, in my eyes, simply don't capture that. In the first movie alone, Sonic and Eggman are essentially our only ties to the games, which is fine as long as they can nail them right, right? And, as many before me have really pointed out, no they don't really at all. Sonic isn't really like Sonic at all, he's a much younger, innocent, and hyperactive "version" of the character, and I say version in quotations because I don't really feel like with those adjectives removed he'd be all that similar to Sonic still. This is basically a new character, and that's fine, but I'd be hard pressed to say it captures what brought people to Sonic. Similarly, Eggman is very much not really similar to any iteration to Eggman at all (except maybe AoSTH?) A lot of people love Jim Carrey Eggman, and I totally get why, but man he really has never clicked with me. I think I like canon Eggman too much to let go, it's over for me.

But I'm sure anyone who's been around Sonic long enough has heard a trillion complaints about the first movie. In rewatching the second movie, I found that it moved way faster then I remembered, and just had way less.. character? Tails is so incredibly shoehorned in, which is a common complaint, but it really felt like at times Sonic was too?

In Sonic games, Sonic isn't exactly a character we put ourselves in the shoes of. Sonic is like this cool older brother we're just along with for the ride. If anything we insert ourselves (as kids) in Tails' shoes. Sonic doesn't really have an internal monologue, nor does he really tend to need a big shonen arc to overcome in his games. He's very much this vessel to explore other characters, to see how people respond to his brash and cocky personality. In that way, Sonic works really well, but can struggle really hard when he's placed all alone. He needs people to not only bounce off of, but to do the emotional side of the story in his stead. With the Sonic movies, we get this very very diffrent form of Sonic being put into this scenarios the canon Sonic wouldn't typiclaly find himself in, and see how he acts. It can work for original stories, because it's basically an original character, but that's the struggle with Sonic 2, and I worry Sonic 3 as well. They aren't fully original stories. Sonic 2 is a loose adaptation of Sonic 3 in most ways, with Knuckles being the true second character, and Tails being mostly to the side. Knuckles acts basically perfectly, like yea that's Knuckles, no notes there outside of maybe not taking his heritage seriously enough, but that's him. So how do you write this movie sonic into this adaptation with a Knuckles whos playing it basically straight like the games? Well... I mean, you kind of just... You, don't, really? Sonic is really just There sometimes, to say quips and to move the story forward. With exception to the scene where he's having a feeling jam with Knux, which I like, Sonic is very much Just There, and it feels really odd. In the games, this works because of his aforementioned status as this guy your along with for the ride, a dude whos too cool to even be the protagonist, but Sonic Movie Sonic IS the protagonist. He's meek and still learning and is far from the asshole we know in the games and comics, but implanted into a games storyline, he just doesn't have much he can do. He can't be that too cool guy that let's his friends do the talking, because he's already been set up as this superhero esque main guy who needs to learn a lesson by the end of the film, or overcome some kind of arc. It's just all odd in retrospect, and I really wonder how they're gonna tackle it in Sonic 3, especially without all the characters that make Sonic Adventure 2s gears go.

i also couldnt stop staring at his teeth in the movie. i really dont like the teeth idk why im just now noticing them.

04/25 - Pseudoregalia

Knocked this game off my backlog and I'm really happy I did! Beat the game with all the time trials done and I really do love it. I want to call it the perfect length, but really I think it was just a bit too short and I hope we can get more content in the future, I'm definitely itching for more levels and maybe even more time trials.

I can't think of much else to say about the game. I don't think I picked up on the story much at all, I'll probably have to ask my girlfriend about it sometime, but it's not exactly a big part of the game. The music was absolutely fantastic, and I adore all of the costumes for the main character. I like her design, for many obvious reasons.

For further criticism besides length though, combat feels pretty useless. There's really no point in the game where I ever feel like I have to or even SHOULD fight, and the final boss ends up losing a lot of impact because of it. Enemies just become a hazard in navigating the world in a way that isn't particularly fun. Similarly, there were a few upgrades that had maybe one use ever and I don't even know why they're there. I think this game could benefit a lot from playing even harder into it's all too obvious inspirations and just getting a bunch of RPG mechanics and more RPG inspired elements in here. Give me Symphony of the Bunny-Cat-Goatgirl, full on.

I also watched madagascar 2 with friends, but i don't even feel like counting it. watch this fucked up compressed video instead.

THAT'S IT FOR Q1 2024!! I'm really trying to look at a lot this year, and I hope to have EVEN MORE TO TALK ABOUT in 4 months! maybe ill do it even earlier because damn this was a fucking lot to write. If you read this far thank you, I'll be sending you a giant mettalic muscular butler sir in the mail as thanks.