#i guess it's a cultural thing? doesn't mean i like the way it sounds

[e-adlirez]

Just looked on the older books for refs of Thea and

Boi Curse of the Cheese Pyramid is insane

It literally starts with G heading to work on time at 9, but William comes in like "BOI YOU'RE SPENDING TOO MUCH MONEY ON THE GAZETTE YOU HAVE TO CUT DOWN THE BUDGET" (Imagine this screamed directly into Geronimo's ear)

Obviously William's definition of "cut down the budget" is this

TW: Spoilers for Curse of the Cheese Pyramid, William behavior, do not click on if you don't want a spike in blood pressure

If you choose to turn away now, the following fume was just an intermission for finding this picture lmao

He pawned over everything (and I mean EVERYTHING) in Geronimo's office, from his desk to his armchair to his carpet to his book collection to his art collection, and replaced it all with a single plastic chair and desk ("All you need in an office is a desk and chair!")

He fired ALL THE STAFF and decided that only family members will be working for the paper (because family members don't need to be paid as much probably (if at all) when working for a family business-- they all share their finances with each other, anyway maybe (it's not clear what their salaries are gonna be (wanna bet G is paid minimum wage while Thea is paid 50% of the Gazette's monthly expenses after this clean sweep))). The only person spared from the firing spree was Shif T. Paws, the Gazette's sales manager, who apparently offered to work there for free.

He delegates all the work of the Gazette to four people-- G does all the office work (taking calls, building maintenance, writing, editing, printing, clientele stuff), Thea does all the interviews and field work stuff, Trap does all the cooking, and Benjamin is "William's personal assistant". Lord knows what that last position means for little Benji. (Okay reading ahead Benjamin seems fine, but he does say that William is "a bit pushy".)

He sends G out on a work holiday thing and he overworks the crap out of everyone, to the point where even Thea is sick of William's senile old-fashioned ass, and it seems that the Gazette was also going downhill because of this mouse furry ripoff Daniel Dancer. (To give a preview of what he did in the working perspective, he basically had Trap work seven days a week)

He was planning to have staff give use old newspaper instead of toilet paper (T&B expenses), make a 30-second time mechanism for the restrooms (to maximize manpower efficiency and possible humiliation for anyone going number 2), and was considering cutting all electricity to the building and just have staff work on typewriters "just like the old days".

This man's senile ass--

[senblades]

I've had a realisation,

So, we all like to dunk on Akechi for having a stupid plan- which, well, yeah; but I think that a lot of people (whether they like Akechi's character or not) tend to miss the point:

That being, that the holes we all poke in his plan; "Why didn't he just kill Shido at the start?" "There's no way he'd live/be free after that," "His plan to ruin Shido's reputation would never work," are actually far more revealing as to Akechi's priorities, than they are of him just being 'stupid'.

For starters, "there's no way he'd live/be free after that." -as a fandom I think we've all already come to the conclusion that Akechi's regard for his own life is spotty at best. I wouldn't necessarily say that he wants to die by the time of the third semester, which really just adds to the tragedy of the whole situation, but I digress. Point is, the kid needs therapy, moving on.

"His plan to ruin Shido's reputation would never work," Ah, now this is where I think some cultural differences start to come in to play- I won't say much, since I'm relatively uninformed, but by the sounds of it, revealing that Shido has an illegitemate child is actually the kind of thing that would make a lot of people raise their eyebrows. And, more importantly, the kind of thing that would really throw his "easy election win" into some serious jeapordy. (AND, it's never exactly stated that "revealing himself as an illegitemate child" was Akechi's tactic to ruin Shido- more of a "hey, Shido, guess who it was that ruined you, you piece of shit?"- which, well, more on that mindset later)

Next, "Why didn't he just kill Shido from the start?" This is where I think a lot of people get tripped up. To my memory, there is not a single point in the engine room where Akechi says that killing Shido is the cornerstone of his plan (localisation differences notwithstanding. I'm sure someone will come yell at me (/lh) if this is the case). Now, to be fair, Akechi in the engine room is really just him giving a very desperate powerpoint while he sharpens his sword- so I don't doubt that he's skimming over a couple points. But, you'd think that Akechi would remember to mention that if that really was his main goal.

Okay, so Akechi doesn't want to kill Shido. Cool, follow-up question, "Why didn't he just give Shido a pshychotic breakdown from the start?" That's the kind of thing that would have ruined Shido's reputation, too, right? And, it would have been before he would have had the means to try and cover it up. Well, finally, I can get to my point:

Akechi needs Shido's disgrace to be loud, because he needs everyone else to care, too. Akechi's revenge isnt just against the man who left him and his mother for dead, but also against the society that continued to leave him for dead, again and again; the society that only lauded him as something special if he slapped some pretty wallpaper over the past he had absolutely no control over.

Looking at it like this does a lot of things:

First, it really amps up the whole "the PT's justice and Akechi's justice foil each other". Akechi's revenge is also a vehichle for revolution, since it is, in essence: "Look! Look at the man who you lauded as a saviour! Look at me, the man who brought him down. Aren't we both disgusting, in your eyes? Take a look at yourselves. Aren't we all the same?"

That leads pretty nicely into Akechi as a pawn for Yaldabaoth, too. Akechi wants to make sure he and Shido go out with a bang, and leave a shitshow in their wake. That's prime God of Control real estate! It's also prime "metaphor for Ruin" real estate; you get the point.

And, finally, an interesting point comes from all of this. That being, that, well- the only reason that Akechi's plan wasn't going to work, is that he placed too much stock in the idea that Shido has any concept of loyalty or gratitude. Shido, as we all know, is an absolute piece of shit- and still, Akechi had believed that maybe, just maybe, his father would feel bad for being terrible to his son.

(I'm not going to go on too big of a tangent, but that is an interesting insight into Akechi's idea of Justice, and into what his personas might represent. Contradiction, as ever, is the name of the game, and Akechi simultaneously believes that there's no way to get anywhere in life without force and violence, and that there is also a fundemantal truth of what is good and fair within human hearts)

The message of this, I'm pretty sure, is not: "Akechi failed because of that lingering belief in humanity" (wouldn't that be one hell of a heel-turn lmao), but rather: "Akechi, with his distorted (ha) priorities, was never going to be happy in any quest for vengeance, even if his plan succeeded entirely"

tl;dr, Akechi needs therapy. Wait- Maruki, no! Not that kind of therapy!

[yamujiburo]

Some of this might sound intentionally hostile in text and I apologize.

I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.

I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.

Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.

What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?

Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.

What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.

I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.

What the fuck got her there tho.

Anyways I've been watching a lot of Bojack Horseman lately -

I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.

I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.

I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.

This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.

From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.

I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!

I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is

[pubbamoon]

Venus signs and your music taste

Hey! Hope you're doing well. This is going to be the first (and maybe last, haha) post about astrology, 'cause I've been into that thing for five years, I guess. Since I'm interested in music, my first astrology observation will be about how someone's Venus sign can affect someone's music taste. It's also a Friday, a Venus-ruled day. So, let's go!? This is based on the tropical/western astrology. Take it as it resonates and leave what doesn't.

Venus in Aries: Oh well, that's the wild one! People with this Venus may love listening to kind of music which makes them confident, or you should use the music this way. Aries naturally rules over the 1st house of self and personality, so you guys with Aries Venus might listen to the song/music which resonates to your character or describes your life path. On the other hand, you may love energetic and bold type of music that can move you, something like EDM or Dance music!? Venus is in detriment in Aries, which is not a good sign in default. That means you might love type of music that is not well perceived by the music critics. You may also love rap/hip-hop music as well.

Venus in Taurus: Venus is in domicile in Taurus, which means that Venus is in own sing since it naturally rules over Taurus sign (and the 2nd house as well). This is a great sign for Venus to be in, music literally runs in your blood (take it as it resonates). You may love the type of music that grounds you and makes you peaceful. You can also prefer quality over quantity and listen to the songs that has some value or quality. Overall, you might love listening to music that is perceived as normal, stable or even predictable. Taurus is an earth sign, after all. Venus in Gemini: This sign rules the 3rd house of communication, words and self-expression, so you might prefer the lyrics when it comes to music. It doesn't have to be the case with all of you with Gemini Venus, but it can be (lol, what was that?). You may love to listen to the music that is relatable to you and your life circumstances. Your favorite artists could be singer-songwriters, who put their own lyrics first and who express themself freely. You can also listen to the different kind of music, since Gemini is the mutable sign, represented by the twins, which makes Gemini a dual sign. Your music taste is really versatile with this placement.

Venus in Cancer: You may love emotional type of music that gives you some kind of comfort. Cancer rules the 4th house of comfort and emotions, which makes sense. Moon is the natural ruler of Cancer and is associated with the homeland, which means that when it comes to music, you might listen to traditional or even patriarchal type of music that is related to you birth land/country or you love listening to the songs where your homeland is celebrated. Your favorite music genre could be folk, country or any other music genre that relates to your culture. Finally, you may love music that sounds familiar or nostalgic and this could mean listening to the retro music from the older times.

Venus in Leo: Similar with the Aries Venus, you may love listening to the music that boosts your confidence. Since Leo rules over the 5th house of creativity and hobbies, you don't like to be told what to listen to and don't rely on trends. You might also like romantic type of music, 'cause 5th house is associated with romance and short-term relationships. Your music playlist could be filled with a lot of shiny and bright songs that give you joy.

Venus in Virgo: I can sense that you are so picky while choosing the songs for playlists or while listening to the music in general. You may seek for perfection in every part of the song, the perfect lyrics, perfect instrumentals, perfect production etc. I feel like you always read the reviews written by music critics before choosing to listening anything, 'cause you're all so skeptical and suspicious. Venus is debilitated/in fall in Virgo, which means that Virgo is the worst sign possible for Venus. This basically correlates everything that I said about this placement.

Venus in Libra: Another domiciled position for Venus, which is great. Libra is a people-oriented sign and it rules over the 7th house of partnerships, marriage and long-term relationships, so you may love listening to songs with this type of themes. You might also like love songs or collaborations. It can be hard sometimes to choose what's your favorite artist, 'cause it seems to me that you may like both or every artist the same way, which makes sense since Libra is all about balancing things in our life.

Venus in Scorpio: First of all, it feels that you're pretty passionate about music. Second of all, you may like intense, dark type of music and your favorite artist is likely who can express raw emotions. You possibly hide your music playlist on Spotify (or on any other platforms) because of shame or you just don't want people to see you music taste. The themes of songs you may like to hear in songs are mostly breakups, criminal, transformations etc. You may listen to music to heal your wounds too. You may also feel like you rise like a Phoenix when you listen to the music.

Venus in Sagittarius: This placement tells me that you may possibly like optimistic type of music which is made for parties. The songs you listen to might be translucent or airy which make you want to dance or jump. The songs you like could also have deep meaning, since Sagittarius and 9th house are associated with philosophies, knowledge and wisdom. You may like music with a good atmosphere or which can make you feel good. This is such a funny and adventurous placement, love that.

Venus in Capricorn: It seems to me that you might have a serious approach when it comes to music. You may like quality, elegant, or even classical music (this won't apply for everyone). You don't mind when a particular song lasts more than five minutes, you even like to listen to long songs, 'cause Saturn represents longevity. By saying that, you like to listen to the music that ages like fine wine. Maybe you like to read reviews before listening to song or album. I have this placement in my tropical natal chart and I check the reviews out before listening to the whole body of work, haha lol.

Venus in Aquarius: Hmm, I think there's two sides of this placement. The first ones with this placement love to listen to experimental and eccentric type of music. When it comes to music, they like to stand out from the crowd and listen to something what is considered weird by societal norms. Aquarius sign always reminds me of the hippie culture from the 1960s. The second ones having this placements are one of the basic people out there, they listen to something that everyone listens to and they don't mind following the trends. Mind you that Aquarius rules the 11th house of the collective, masses of people, so it's not unusual for Aquarius Venus people to listen to something that is mainstream.

Venus in Pisces: Venus is exalted in Pisces, which means that Venus functions well here. Pisces rules over the 12th house of foreign culture, something hidden, and it's also associated with oceans. This tells me that you may like more listening to the music that comes from the different land or culture than yours. You can use music to heal yourself or to process your deep emotions. Similar with Scorpio Venus, you may also hide your music playlist from everyone else, 'cause you value privacy when it comes to the thing you love. This placement can indicate great taste of music or listening to the bunch of artists who aren't mainstream or who express their emotions.

That is everything I have to write. Hope you like this observation of mine. Make sure to care about yourself and do something you love to do. It's Friday, the Venus-ruled day after all.

Best regards,

Paky McGee

[dropthedemiurge]

Love for Love's Sake | Things you didn't notice (probably)

Finally, I am watching a good K-BL and can enjoy multi-layered meanings within language, culture and translated subs altogether (unlike with Thai series where I need to learn a new language again xD)

So I'll be pointing out some fun things that I noticed for fellow foreign viewers =) Beware of a long post!

Disclaimer: I'm not fluent in Korean, but I've been learning and using it for years + lived and studied in Korea for a while so I'm offering my perspective and knowledge but it might not be the Ultimate Truth

Episode 1

«I prefer lonely supporting characters instead of happy protagonists. Cha Yeowoon is still unhappy. ... - Where are you going? - To see my main (최애). I mean, Cha Yeowoon.»

The word Tae Myungha used to described Cha Yeowoon, as I heard, was actually 최애 (choe-ae). It's a slang that can be translated as "my favourite" and typically is used for K-pop group members, meaning "my bias" (think One True Pairing but One True Person instead). Then, as his fellow classmate gets confused, hearing such word referring to a popular student in their school, Tae Myungha changes to "I mean, Cha Yeowoon", and it works because the word and the name sound similar.

Myungha uses this word because in the intro he stated that Yeowoon is his favourite character in the book out of all. So basically, his first reaction was "- Where are you going? - I'm gonna run to find my blorbo<3", which is so admirable. I'd also get obsessed with making happy my fav side character that was treated unfairly by creators :D

«Kids like chocolate, right? ... (Yeowoon grabs an icecream, Myungha grabs the same, adding with surprise:) Didn't see that coming. Bi-Bi-Big (비비빅)? You eat like an old man.»

What surprised Myungha there? That Yeowoon chose this icecream->

It's a traditional icecream that is made out of red beans. This taste is usually associated with older people (because typically kids like sweet things and older people like less sweet/bland tastes), also red beans or read bean paste is used in many traditional desserts in Korea. Yeah, who would've thought that a high schooler would choose this icecream out of all options?

Later, Myungha gets the message "You can compare Bi-Bi-Big to big Ba-Bum-Bar (another icecream with "old man taste" from chestnuts), why the hell would you eat it?" and gets confused as the message seems missent. I am confused as well, because Myungha wasn't the one choosing this icecream and Yeowoon wasn't typing in his phone. Considering that the phone number is unknown, I can guess that it might be a commentary from the book's author who's watching Myungha playing his story game? Let's figure it out in the next episodes!

«- You eat like an old man. - Do you play sports? - No. - Weird. You're a whiner like I've always heard. - Kids these days have no manners.»

My quick translation->

«- You eat like an old man. - Sunbae, do you play sports? - No. - Strange. You sound like one of those older jerks (꼰대). - Kids these days have no manners.»

More on the differences between Tae Myungha and Cha Yeowoon:

Myungha tried to poke Yeowoon about his "old man tastes", and Yeowoon called him out for his conservative/stereotypical thinking.

Yeowoon keeps calling Myungha sunbae (because he knows MH's a senior in their school so he must be polite), and Myungha REALLY TALKS LIKE AN OLD MAN to him ("Kids these days" in the subs does translate this style of speech correctly! I'm glad). We all know he's much older before he was thrown into high school times (~25-30yo?), but his words and intonations really make you feel like he's 50-60yo or something xD

Yeowoon doesn't like this at all, though, so he calls Myungha a sort of derogatory term 꼰대 (kkondae), which is used to described old conservative people who are set in their ways and keep nagging and scolding young people for not behaving properly. And, as a runner, he implies that there are senior sportsmen that are hazing or nagging younger sportsmen like this as well, that's who Myungha reminds him of. No wonder the affection stats fell down in the minus zone so hard!

There you go, guys, these are my comments on the first episode of Love for Love's sake! It is filmed so well, I like the idea, and I really enjoyed it (if this one gets really popular just like Semantic Error, we might get more BLs about gamers or gamedevs and I WILL LOVE IT I am so here for it, hehe)

Stay tuned for more as I watch next episodes :]

[55sturn]

✮ BACK TO YOU

pairings: chris sturniolo x fem!oc, reader x unnamed male!oc, chris sturniolo x fem!reader

summary: in which no matter where they are in life, chris and y/n find their way back to one another, despite knowing that it never really works, until day he gives in and stops fighting what he knows is meant to be.

warnings: swearing, angst (a whole lot of it), verbal arguments, chris and y/n are toxic, implications of chris cheating, fluff if you squint, suggestive implications.

THIRD PERSON POV

in every culture and every religion, there is some sort of evidence of soulmates existing. the person your soul is forever tied to, setting you up for heartbreak along the journey looking for that one person. love is at the root of the structure of every belief system. the person that has been so perfectly tailored to your heart and soul, meant to love you in the ways you spend your life searching for.

look up: invisible string by taylor swift, for a beautiful depiction of a soulmate inspired love song.

the only issue with having a soulmate, is that nine out of ten times, you don't know who your soulmate is. which often leads to you spend hours upon hours and years upon years searching for them, inevitably experiencing various stages and forms of heartbreak in hopes that once you do find your soulmate, your forever person, they are able to heal and fix you.

but in chris and y/n's love story, them healing each other wasn't always the case. they were the fairytale from hell, they were a wrongful depiction of soulmates, two souls tethered together by an invisible red string that who, instead of loving each other, had a tendency to tears each other's hearts into millions of pieces each time they tried to love one another.

they were two souls so delicately similar that it caused them nothing but pain and frustration. they loved one another in the wrong ways, but they were determined to make it work, albeit at the wrong times.

PRESENT TIME

chris sighed as he felt his phone vibrate in his pocket, with a quick roll of his eyes, he fished the thin device out of his pocket, knowing full well who was texting him as he made his rounds through the crowd of friends and acquaintances at the party he attended.

groaning, her named flashed again in his notifications, he hovered his thumb over the text before pressing down, begrudgingly opening the conversation he had wished hadn't started, despite deep down wanting her to reach out to him.

IMESSAGE TEXTS BETWEEN CHRIS AND Y/N

Y/N: guess u forgot to tell me that u and ur new bitch of the week would be here🤣

CHRIS: don't start tonight y/n

Y/N: i'm just shocked is all, didn’t think she’d fuck with these ppl just by looking at her

CHRIS: "she" has a name, y/n

CHRIS: it’s gianna

Y/N: you act like i give a fuck

Y/N: it’s nice to see you tho

CHRIS: please y/n, aren’t you tired of this shit?

CHRIS: you and i don't work, we literally never fucking do

CHRIS: and i really like this girl

Y/N: if you genuinely mean that, why are you spending so much time explaining it to me? sounds like you’re just tryna convince yourself that you feel that way.

Y/N: but if it’s real, then i'm happy for you, it's just weird that you and i aren't here together.

chris rolled his eyes at her second to last text, the way she could see right through like he was made of glass, even through a text, was something he’d never be able to understand. or run away from. there was never any sense in him even trying to lie to her, she could read him like a book. and chris was her favourite book, she would read that book ten times over in one sitting if she could.

but chris willed up all the self control he had in his entire being to not seek out the girl he's loved since he was a tiny boy in middle school. he told himself that it was done for good. that's the thing with playground love, it doesn't always last for ever and ever and chris was finally starting to accept that.

he pocketed his phone and forced himself to look for gianna, his eyes briefly meeting y/n's as she spoke to some random influencer, the smile on her face not reaching her eyes as she focused on the boy in front of her. he soon spotted the girl he arrived with, her hand flirtatiously resting on vinnie's bicep as he spoke to her. with a less than enthusiastic scoff, he downed the rest of the drink in his cup and turned around, walking in the opposite direction toward the girl he called home.

once he was in earshot, he smirked to himself as she pawned her cup off onto the poor boy fighting for a chance with her in front of him. once she waved him off with a bittersweet smile, she turned back to chris. she tutted playfully as he rolled his eyes, her hand reaching up toward the back of his neck, pulling him flush against the front of her body.

"what happened to "i really like her"?" she chuckled, her arms wrapping around his neck as his hands fell to her waist, pulling her into a hug, his lips meeting her jaw as he sighed.

"vinnie got to her and she was all over him." he spoke against her skin as her nails gently scraped against his scalp, bringing him down from his emotional high as his shoulders slumped in her arms.

"wanna get out of here? go for a walk?"

"nah, m'tired and just wanna go to bed, you crashing at mine?"

"of course." she spoke, her hand slipping into his as they walked toward the door, nick and matt meeting them there soon after chris texted them, neither of them surprised to find chris leaving with y/n instead of his girlfriend.

"i'm so happy you're here y/n, chris is a different man when you're not around." nick snorted, climbing into the seat behind matt as y/n sat behind chris, his hand slipping between the two front seats as her fingers threaded through his again.

"i'm glad to be back for however long chris needs me to be." she whispered, her words cutting deep into chris' heart, knowing that she wouldn't be around permanently, their dynamic and ways of communicating only allowing them to be together for a short period of time. they’d spend most their days tangled in chris’ sheets, professing their undying love for one another, knowing very well their time would be ending once again, and that it’d end soon.

they found that while they loved each other so deeply, they showed it in all the wrong ways. instead of gentle and soft spoken words, their love for one another was reminded in the clashing of teeth and tongues during heavy make-outs, and wandering hands with their nails digging into the soft flesh they roamed.

their rekindled romance was once again called off when chris' girlfriend, gianna, had come back into his life a week later, apologizing for her behaviour and explaining that she had been a fan of vinnie's for a long time and the fan girl in her caused her to make questionable decisions.

with a meek smile and a backhanded comment about chris’ infidelity, y/n packed her bags and moved out of chris' room sadly bidding matt and nick a brief "see you later", which left them sighing as they were no stranger to watching y/n move in and out of the house a couple times every few months.

it wasn't long before chris had found himself missing the girl that knew him inside and out, that knew his heart like the back of her hand. a month after gianna came back, spewing excuses upon excuses, chris had broken up with her, claiming that his heart would forever belong to someone else and he couldn't bear to put her through the pain of not loving her the way she deserved to be.

chris knew that he should take this grace period and be alone instead of running back to the girl he always did, but he knew she was it for him, no matter what. he didn't understand why they couldn't love each other properly. he always looked at it in a way where they had too much love for one another and they just didn't know what to do with it.

he tossed and turned in his bed, his thoughts unrelenting and holding his ability to sleep hostage as his phone read 3:32 in the morning. groaning he unlocked his phone, his thumbs maneuvering their way to her conversation from muscle memory at this point before typing out a quick couple messages.

IMESSAGE TEXTS BETWEEN CHRIS AND Y/N

CHRIS: y/n come home

CHRIS: please

CHRIS: i cant sleep without you

CHRIS: i love you in a way that makes it hard to love anybody else

CHRIS: you are like a drug that i cant go without, you're deadass my soulmate bruh and i'm done denying that. you are the only person i want. the only that actually knows who i am, inside and out. the only person that can make me feel good the way you do. i want you. no more fighting it. we’re meant to be.

Y/N: i'll be there in 10.

every time y/n fell back into chris’ arms, it felt devastating and bittersweet. this time, it felt right. it felt like they had finally found solid ground and that the had found the way they were meant to be together. there was definitely some uncertainty about the longevity of their relationship overall, but they learned over time that they need to communicate. whether they stayed together or not for the final time, there was no doubt that they would always be intertwined in each other’s hearts.

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[hg-aneh]

Hi! I absolutely love all of your art and I’ve been fallowing you for awhile! There’s been some rumors that you ship Muriel x crowley?? Which I guess is an odd paring but nothing terrible wrong with, I was just curious if you do ship them.

Thank you for all your wonderful art <3

okay, i want to preface this by saying that I've already been harassed over this to the point of being called a lowkey pedophile and having every little move of mine scrutinized and misconstrued to sickening extents (this harassment spilled over to my partner too, and it was horrible)

so all anyone would do by doing this again would be repeating history, among other things that have to do with fucking up my already frail mental state

now.

onto the meat

yes, I ship it

no, I do not see Muriel as a child, kid, teenager, or anything of the sort and I find it personally distasteful to think of doing so because infantilizing autistic traits rubs me the wrong way (p e r s o n a l l y)

you can do it if you want to, I have worse things to worry about than a random person on the internet thinking something of a fictional character, just don't try to push your headcanon onto me just because you perceive it that way or because it's a popular dynamic that you find fun

adding onto this, i want to add that i will never and i mean fucking NEVER post anything related to that ship outside of the very specific private Xitter account i created for it

(and my personal facebook, on a friends only setting)

any Muriel & Crowley content outside of that account is all platonic and bla bla you get the gist. I can separate things, what a talent.

Now, I'm being overly paranoid and explaining myself to exhaustion over this for a very good reason and it's because last time someone found out about it ((yes we're going full circle to the beginning of this little bible)) they treated it as some sort of GOTCHA moment about me being a pedo ((and if you didn't know this already: I fucking despise children with my whole being, I'd rather be forcefed alligator shit for my whole life than be with one of those creatures for a single day))

It got to the point of that person making extremely hurtful videos about me and their little friend group comprised of goober eating toddlers joining in on the "Hater" train or whatever the hell that new cultural trend is called, as well

It was hell, that whole experience fucked me up BAD and i feel silly for saying this but it was genuinely traumatic! So- I apologize if I'm sounding confrontational here, anon, but like, this is the type of thing you have to do to keep yourself safe now, it's gone to that point and I'm in hysterics now because what the fuck

Lastly, I'd like to say this one other thing

Muriel is played by an adult actress, they are canonically the same age as Aziraphale and Crowley and are also an eldritch creature just like them

The fact that they're nice and bubbly and happen to have autistic traits doesn't suddenly make them a fetus. I have friends with the same personality type as them and I feel like it'd be dumb to treat them like zygotes knowing they're adults with body hair and debt

Again, if you see them as one, I'm literally no one to judge, I'm 1.49, you're better off taking judgement from a stupid lone penguin in the saharan desert.

But don't fuck with others for thinking otherwise, it's not a moral issue to disagree with a headcanon, please. 🥲

[pikahlua]

I hope this will be short.

I guess this line is the fandom drama of the chapter?

I understand a lot of you are really passionate about the accuracy of the English translation. I just want to encourage you to try to engage with the official translation in good faith.

Ojama shimasu literally means "I am disturbing you/I will get in your way." It's often spoken as a greeting where the "apology" is implied (hence the brackets in my translation), but as usual context is everything in Japanese. Izuku is saying this line in defiance of Tomura's wishes. It basically comes across as Izuku plugging his fingers in his ears.

Me personally? If I were the official translator, I'd have strongly considered translating the line as "I'm coming in whether you like it or not."

The purpose in my pointing out the "common greeting" nature of this line was to demonstrate Izuku's sassiness. This is Izuku doing his "meddling where you don't technically have to" thing. The level of formality in Izuku's speech doesn't necessarily translate to actual politeness (check out @bakuhatsufallinlove's excellent post on that here).

Does "You will let me in," mean the exact same thing? Technically no, but it's the sentiment that counts. From an official translator's point of view, "You will let me in," is shorter, punchier, fits in the speech bubble a lot easier, and still conveys the general idea of what's happening in the scene.

I don't know. I wanted to talk about this because I guess a lot of people are concerned about Izuku's characterization and how it reflects on Japanese culture and how the official translation may be misrepresenting Japanese culture to the English-reading audience, and I just...can I ask that everyone take a step back a minute? Horikoshi isn't writing his story for an English-reading audience. He's not considering at all how any of this sounds to English speakers. That's the translator's job, not just to translate what is said but to translate that into the context of who is reading it. Localization is not a dirty word--it's an important aspect of translation. And the notion that Izuku is being polite and respectful here as a Japanese person is just such a...take. Izuku is being hella rude here lol. Japan itself, not just the MHA Japan but REAL WORLD Japan, notoriously has a bystander problem where people will ignore others who are being harassed because they don't wanna get involved. They won't step in to help nor will they even testify as a witness against others for fear of what it means to speak out and break from the pack. Izuku is quite obviously Horikoshi's direct answer to that phenomenon. He's meant to be an example of the morally correct thing to do, which is to be "rude" in these cases.

So I mean, sure, we can talk about what is lost in translation by the line, "You will let me in." But to me what's lost may just be grammatical and pedantic (like the passive voice that switches the onus of action onto Tomura instead of Izuku and what that may do to the focus on Izuku's rise to action here). In any case, it's not a BAD translation that changes Izuku's perceived politeness, just one that may prompt new discussion--and I don't think that's a bad thing.

[la-pheacienne]

I wish there was a way to actually convey in english the transition between the plural and the singular verbs used by Javert depending on who he's speaking to. In french (and in my own native language, greek) we have this thing where, if we are addressing someone important, or even someone we respect, we have to address them as if they're mutliple people? Idk how to explain this in english. In english we just have "you", but in french we have two words for "you": "vous" (plural of "you") et "tu" (singular of "you"). But in greek culture we don't care about this that much and it is very common to talk to the waiter for example or to a stranger who is your age, in a normal way, not addressing them as if they're multiple people. And this doesn't necessarily mean you disrespect them or that you consider them inferior to you, it's just a sign of friendliness and familiarity.

But in France oh boy this is such a no no. If you address a stranger without respecting this formality it is so so deeply impolite. It's the equivalent of calling your Professor "bro". You just don't do it. However, if a state officer does it it's not just impolite, it's extremely offensive, it's perceived as an actual attack, which it is. It's saying "you are inferior, a second class citizen, and I will treat you as such and the state will treat you as such". And guess what, it still happens, but it happens almost exclusively to homeless people, immigrants or just non white people, mainly arabs and black people. These groups of people are often being addressed by the police for example as "one person" (singular of you) and not in plural, and it may sound ridiculous a to someone who is not familiar with that formality but here, it is an insidious but very real way of asserting authority over marginalized citizens while stripping them of their value and humanity.

And yeah Javert of course is extreeeemely polite to Valjean when he thinks he's Madeleine, because he's the Mayor, so he's a superior, so he addresses him using the plural form and of course he uses the singular form when talking to Fantine and of course he switches to singular form when he talks to Valjean later, once he discovers his real identity. This small detail really conveys how Javert treats Fantine and Valjean like actual flies that he can just squash with his boot. Also it should be noted that while Javert has started addressing Valjean in singular form, Valjean still continues to respect the formality, addressing him in plural. Perfect depiction of class hierarchy.

[asshole-rebel-psycho]

The older I get the more I realize these things about dating.

I have been trying to have deep connections and stimulating conversations for some time.

This doesn't seem to work. Especially on dating apps for I guess obvious reasons.

But as an observant, shy, lonely and somewhat intelligent person ( who happens to be gay) I have unfortunately never found love or relationships myself.. I have only seen it through other people

It's pretty apparent that dating is for simple people. I don't mean this in an arrogant way but a majority of individuals seem to not take the question asking part of dating seriously. Idk if this is due to them not being attracted, busy, simple minded or a more narcissistic culture but it is apparent to me that the closer these people are to my location, the less they are willing to learn more about me.

I wonder why that is? 🤔 I've had plenty of engaging online, non dating app conversations with people all over the world.

So part of me thinks that this is due to our new emotionless, soulless culture. Because this problem only exists when I engage with potential matches that can turn into reality.

The need for connection is still there. Fear is holding us back.

Why are people so afraid of reality? What are they running from? Themselves? Other people? Is the world in such a bad place right now that we feel like if we make a connection we know it will probably end up broken like the society we live in? 💔

The more I observe dating and other people's love lives the more it is apparent to me that deep, intellectual, stimulating conversations are not a part of the game AT ALL.

( take it as a grain of salt but from my observations dating goes like this)

One, attraction is the 1# thing! Because if you don't have it there is no fuel to get anything going. The car won't even get out of the lot. Especially off apps.

Secondly, the man usually takes action by getting the girl on the date as fast as possible..he has to woo her by showing her a fun, spontaneous, adventurous, humorous, and flirtatious time.

It is usually filled with banter, funny nostalgic stories, flirting and none of that would even matter if the two ( especially the man who usually carries the convo) was not attracted.

You can seriously make anything work with mutual sexual attraction. I've seen two plain and boring people talk for hours about nothing but because they had those saucer eyes for eachother it just worked! They definitely don't talk about work or deep concepts.

So the man drains his ( or if hes in his 20s) his daddy's resources on the girl to have a "fun" time..meanwhile his sexual motivation is keeping it going because she obviously has many other options.

The girl then looks pretty and vets if he is worthy for a LTR.

If so, she gets brought into this new, advantageous, silly, successful man's life and uses him as a tool to get away from her boring and domesticated life. She uses him for fun, community, hobbies and eventually family.

She uses his resources as a way to post on tiktok, fb and ig to show off to all of her friends " look at the amazing, good looking and successful guy I am able to get" mostly to show status as a woman and to make her friends jealous..because they were mean to her in the past.

None of her *connection* to her man has pretty much anything to do with conversation. ( sounds harsh I know but hear me out)

If you doubt this why do men and women immediately separate at Christmas parties and work events?

Have you ever observed a straight guy talking to a straight girl before? At any age?

It's usually a girl talking with her friends about things that doesn't interest him and his eyes roll over astrology and the girl eye rolling about video games or sports banter. Exc...

It's pretty obvious how for 95% of the population..male and female worlds have NOTHING to do with eachother. And want NOTHING to do with eachother except for what each gender lacks...

Emotional support from the woman and financial stability from the man. What binds them is sex and what keeps them together is family.

This is why my nerdy lesbian ass has such a hard time with dating. Lol

In the typical female way I am relying too much on talking, not much action. And in a very unfair lesbian way I can't seem to find my opposite.

I am trying to find an intellectual match when I should just be finding my feminine opposite. I'm treating dating like lunch dates with friends, Like men discussing politics on the Titanic while smoking cigars.

Unless I want to talk to a mirror long conversation isn't the way to go.

Because it never was to begin with. This is the code I finally cracked. Lol 😆

I'll leave the cerebral banter and philosophical insights to the lonely, individualistic writer side of me..the side of many great minds in history...But even a great writer will drop his work like a hot potato as soon as he finds a woman he is undeniably in love with. 🥰

My point is to find my opposite not my reflection. And my opposite might surprise me with what they can give or know...even if it's not deep or extremely interesting to me. This goes for any gender. Love doesn't work that way.

[thewertsearch]

AG: Tavros, you give confidence a 8ad name. I gave you all the chances in the world to earn it, to earn REAL confidence, and you failed.

Pictured: Vriska giving Tavros 'a chance to earn real confidence'.

AG: You couldn't even do the one little thing I asked you to! The one thing that would have made you man up once and for all.

'Man up' is a funny idiom for a troll to use. We've occasionally seen trolls fall into human gender stereotypes, but it's quite rare, and always sticks out like a sore thumb.

There's an interesting conversation to be had about troll genders. With a reproductive cycle so different to ours, their gender framework will inevitably be different as well. Yes, there are male and female trolls - but what do male and female actually mean to a troll?

On Earth, your assigned gender carries cultural baggage which simply wouldn't exist on Alternia. Assigned gender plays no role in reproduction, nor does it influence household division of labor, since trolls don't have households.

Gender aside, do trolls have a concept of masculine and feminine? Beyond a few stray idioms, the only evidence I can find is their clothing styles. We haven't seen any male trolls rocking a skirt - not yet, at least.

tl;dr: 'Man up' is a cultural can of worms. I think that was probably unintentional, though, and I think we're supposed to interpret that line as if a human spoke it. Vriska's calling Tavros a wimp, which is business as usual.

AG: So instead you flew away and cried, and decided to sleep away your sorrow for the rest of the adventure.

Tavros already alluded to this incident during his conversation with Jade. I guessed that Vriska would be involved, but that was a bit of a no-brainer.

Vriska's trying to frame Tavros as pathetic, but it sounds like he actually put his foot down, flat-out refusing to participate in whatever she had planned. Much like the FLARP incident, this sounds like a victory for Tavros, even if she's convinced him otherwise.

AG: Do you have any idea how sick that made me? Everything a8out you makes me sick.

He rejects your advice. He rejects your advances. His lusus cared for him. He was allowed to be kind, and accepts kindness from others. He doesn't care about winning, but he never lets you win. No matter how much you torment him, he refuses to get any stronger, which means your mindset might be wrong.

'Sick' would be an understatement.

AG: Your plan to control her lusus really wasn't a 8ad idea! AG: And using your a8ility to "save her life" (lol) was a pretty good way to test how effective your powers are across sessions. [...] AG: Practicing your a8ilities is important, so when it comes down to using them for something that really matters, you know you're ready for prime time. AG: I know this first hand. AG: I got lots and lots and LOTS of practice with your little guinea pig friend. ::::D

So that's why Jade was constantly napping? That can't have been good for her brain.

AG: The catch is it's not going to work! [...] AG: You couldn't sic the guardian on Noir even if you were inclined. Not even if I were to MAKE you inclined! :::;)

Like I said before, it's really Vriska who can control First Guardians.

AG: 8ecause you are dealing with a pro here. I already thought of that. AG: I thought of everything! AG: The guardian is not going to attack the agents who engineered him in the first place. AG: Or who I should say were "encouraged" (lol) to engineer him.

Why the fuck would you do this?

When Vriska prototyped Bec, she explained that the event was mandated by the Alpha Timeline, so she didn't make anything worse by causing it. I don't agree with her argument, but I do understand her logic.

This is different. Up until now, there has been no evidence that Bec can't harm Agents. Vriska had no prophecy to fulfil, and no reason to believe that this was required to preserve the timeline. Yes, now we know it's baked into the timeline, but only because Vriska wanted it.

Having Bec help with Jack was a really good idea, and removing the option to do so helps no one. Where's the benefit?

AT: wHY WOULD YOU DO THAT, AG: Tavros, at this point it should 8e o8vious. AG: I am the unseen hand 8ehind every major event in their session, and to some extent, their whole lives. AG: At least those events not happening 8y the volition of their own natural incompetence! AG: Don't you think this is how it should 8e? Shouldn't the greatest player leave her fingerprints on every step of the rise to power of her ultim8 nemesis?

I know Vriska likes to feel in control, but this is ridiculous.

Inserting yourself into Alpha loops is one thing, but nerfing Bec when you don't have to is straight-up sabotage. Couldn't she just stick to micromanaging John's outfits?

AG: I have every angle covered already. The human session is on full Serket lockdown. Any effort you make to disrupt my plans will 8e laugha8le, just like everything you have ever done in your life. AG: The only thing left to do now is prepare to kill Jack myself, and save everyone's ungrateful asses.

Oh my god, I think I've cracked it.

Vriska thinks she's the only one with the right to kill Jack.

She describes him as her ultimate nemesis, which reeks of main character syndrome. Bec isn't important enough to kill Jack, so she eliminated him as an option. It has to be her, the most powerful Player, who's gained all the levels, because that is how these things are done.

It's not just ego, either - there's a deeper motivation at play. If Vriska doesn't beat Jack, she doesn't win - and if she doesn't win, then what was all that abuse were all those challenges for? What was the point?

In Vriska's head, Jack needs to be her nemesis. She needs to be destined to kill him - because if she is, then everything she went through was justified. She'll have secured her position as the most powerful Player of all, and she'll never have to be jealous of anyone again - least of all that wimp with his sweet little fairy lusus. They're all weak, and she's strong.

If she doesn't kill Jack, she's a loser.

And losers may as well be dead.

[waltwhitmansbeard]

3, 8, or 10 with dorym please? Whichever sparks your creativity more!

8. letting them collapse against your chest the second they make it through the door after a hellish day i didn't know which ask meme you were referring to so i guessed lol. setting this in a hypothetical post-c3

Zephrah makes Dorian nervous. It's not the people—every person he's met here has been the nicest person he's ever met in his life, and they've all gone out of their way to make him feel at home. It's not the culture, either, which is much quieter and more peaceful than the Silken Squall, just the way Dorian likes it. It's not not the rift to the Elemental Plane, but he's pretty sure that the Ashari have that covered, so he's not too worried.

It's Orym. He's a hero of them realm, a Very Important Person, not just to the Voice of the Tempest, but to all of Exandria. So is Dorian, who is technically—not technically, Orym would say, you're a big damn hero—but here, it's all Orym, all the time. And Dorian is not complaining; it's about time the world gave Orym his flowers, and besides, despite being a performer, Dorian's never reveled in the attention of others.

But all eyes being on Orym means that Dorian's actions reflect on him, and he's terrified of fucking things up for him. Orym has a big position with the Tempest Blades now—Dorian's definitely been told what it is, and he definitely can't remember—and the last thing Dorian wants to do is embarrass him or make the other Blades wonder where he found this blue dork he brought hom.

So mostly he stays home, the little cottage Orym once shared with Will and now shares with Dorian. There are echoes of Will all over the home—his winter clothes in storage, his training sword leaning against the fireplace, his aftershave beneath the bathroom sink—and Dorian is still figuring out how to settle in without erasing his memory. He's learned a lot about Will through the things he left behind, and he's bummed that he's never going to get to meet him. He's pretty sure they would have gotten along.

Like now, when the door to the cottage swings open and a haggard, exhausted Orym limps in, his Sentinel Shield dragging behind him. Dorian leaps off the sofa, where he had been noodling on his lute, a love song he now feels more qualified to sing. "Orym! Is everything okay? You look..." Better to let that though trail off than sound like a dick.

Instead of answering, Orym crashes headfirst into Dorian, who drops to his knees to hug him properly. He can feel every tense muscle in Orym's back loosen as he sighs into Dorian's chest. Dorian cups the back of his head, the other hand splayed across his back to keep him close. "Oh boy, you've had a day, haven't you?"

Orym tips his head to the side just enough to murmur, "I've been through worse, but gods, it doesn't feel like it."

Dorian presses a kiss to the top of Orym's head. "I'm sorry." Then he says something so wholly out of character that he catches himself by surprise. "Need me to crack some skulls?"

Orym stiffens, and Dorian could kick himself. Crack some skulls? Dorian has never said such a thing in his life, and now he's freaked Orym out, because he's a moron who doesn't know what he's doing—

Orym snorts out a laugh, straightening up to smile wryly at Dorian. "Y'know, Will used to say the exact same thing to me, whenever I was cranky."

Oh. "I...didn't know that."

"It's nice to hear it again." Orym kisses his cheek. "I think I'll take a rain check on the skull-cracking. Want to join me for a bath?"

Dorian's face instantly goes hot at the suggestion and warmth in Orym's voice. "Um, yeah, of course. You go run the water, I'll grab us some wine."

"Sounds good." And Orym kisses him again, on the lips this time, tired but smiling. As he trudges off toward the bathroom, Dorian stands and walks shell-shocked to the kitchen. Pulling wine glasses down from their cabinet, he finds himself thinking of Will—or maybe to Will, as if he were praying. Thanks for showing me what to say.

"You comin'?" comes the call from the bathroom.

"On my way!" Dorian pops the cork on a bottle of red, breathes in the fragrant bouquet. I just want to take care of him. I think we both know how much he deserves it. He heads toward the sound of running water, and he swears for a moment he feels a strong, broad hand rest on his shoulder. Dorian smiles, and he thinks that maybe he'll be able to do right by Orym after all.

[thanakite]

You know, Shuro says to Laios that he subtly gave hints that he didn't like him that anyone else would have picked up, but I don't necessarily know that, that is true

Laios is presented to looked and act like a "Westerner" while Shuro is set up to look and act the way people from countries like Japan would

If you read through the Fandom page for Dungeon Meshi on Shuro it actually talks a great deal about how this interaction between them mirrors what happens when people from countries like Japan interact with Westerners where Japanese people are subtle about that kind of stuff and don't say it outright, while Westerners tend to be more straight forward and thus don't pick up on these things, it even specifies that this had been a thing with the entire group in the past where if they didn't pick up on his hinting he just went along with what they ended up doing

With that in mind, I truly wonder how many members of the group fully picked up on how Shuro felt about Laios

Like, yes, they might have picked up some stuff (Such as when we are shown Laios deciding to join him and Falin for dinner when it is fairly clear that Shuro at least wanted it to be a date (I'd be unsurprised if Falin failed to realize his intention here too as while she seems to be better than Laios at picking up social stuff, she doesn't seem to be MUCH better than him at it)) but really we are shown a fair amount of Shuro and Laios being alone and talking together, plus they were in the same group and fought together, which to most Westerners would generally mean that they were at least friends

My guess is that what Shuro thought was subtle things Laios should have picked up on, were more than likely things much more specific to his culture that were completely missed not only by Laios but by the group as a whole (I mean, I can't imagine the group would have just allowed his resentment over this to fester in such a way if they had realized the extent of it, especially Chilchuck who is super aware of how relationships within a group affect its dynamic)

I don't think any of this is helped by Shuro's own immaturity. Yes, to the group he appears to have it together and to be a fairly dependable guy, but to his retainers, they all seem to act like he's more of a brash kid, and knowing that he grew up a noble of some sort that would only add to it, as he was likely isolated from regular people his age growing up. A more mature person likely would have either realized their tactic wasn't working and changed course or would have found some other way of dealing with the situation, especially since he proposed to Falin, Laios's sister, meaning he would have had to interact EVEN MORE with Laios in the future, there's no way Laios or Falin would have let him just take her away to the east never to see each other again (not even getting into the issue of the fact that he apparently proposed to her without even dating first)

So yeah, Shuro blames Laios for not picking up on his subtle social cues, but it sounds like everyone in the group failed to do so at least some of the time, not just Laios, and so really this is more on him than on Laios

[watarfallar]

Shoving these down your throats

Mumbo: Did you bring Lizzie? Cleo, gesturing to Etho: No, but I brought the next best thing. Mumbo: Etho? The next best thing would be Gem. Etho: I would be offended, but Gem is freakishly strong.

artyn: You're just jealous. All my friends tell me I remind them of Gem. The Squad: *screaming* Skizz: They look like Gem? Are you out of your fucking MIND? Scar: Gem, sweetie, I am SO sorry. I am SO SORRY that an ugly-ass bitch like this would even say that. Oh my god. Skizz: Gem? Gem? Gem? You know who you fucking look like? You fucking look like BigB!

Tango: Hey, how did my phone break? Lizzie: You were drunk yesterday. Tango: And? Skizz: You threw it. Tango: Why? Scott: You turned on airplane mode and kept screaming “FLY DAMN YOU!” Tango: And why didn’t you stop me?! Ren: We were busy laughing our asses off.

Bdubs: Hey, can we stay in your dorm tonight? Mumbo: Why? Bdubs: Impulse fiddled with an ouija board and cursed ours. BigB: Jimmy doesn't know how to banish spirits, so they just throw salt at them and yell "DOES THIS LOOK LIKE A HOTEL TO YOU?!"

Grian: What's the scariest horror movie you've ever watched? Pearl: IT. Scott: Annabelle. Jimmy: Paranormal Activity. Joel: High School Musical. All throughout high school I was scared that everyone was gonna randomly get up and start singing and dancing, and I would be the only one who doesn't know the words.

Etho: You know what? Etho: When I join this friend group I thought you guys would be dealing with my bullshit. *Scott, Skizz and Grian continue screaming about mold water* Etho:Not the other way around. Impulse: I dunno, sounds like you need to drink the mold water.

Impulse: How do I ask someone out? Jimmy: Roses are red, violets are blue, guess what, my bed has room for two. Impulse: No! BigB: Twinkle twinkle little star, we can do it in a car. Impulse: Stop! Joel: Row, row, row your boat gently down the stream, merrily, merrily, merrily, merrily I can make you scream. Impulse: I feel like the last one is verging dangerously into serial killer territory.

Martyn: When I see really attractive people like Scar, I just laugh because I know if we lived in the Aztec culture, they'd be sacrificed for their beauty. Jimmy: I mean, that's one way to cope with not being attractive. Impulse: Works for me.

Tango: What's the most efficient way to burn calories? Skizz: Exercise more! Scott: Set yourself on fire. Jimmy: There are two kinds of people.

Bdubs, writing in a letter: "I'm going to kick.. your... ass." Bdubs: THERE. Now send it. Joel: Dude, your handwriting's terrible, are you sure you want to- Bdubs: JUST DO IT! later Etho: So what does it say? Lizzie, reading the letter: They say they're going to "lick my...." Etho: Lizzie: Etho: Gross-

Ren: Why did you kidnap Etho!?!?! Pearl: Ah- um- well- the reason for that is, uhh... Joel: Sometimes, we must work together towards a common goal. Ren: NOT TO KIDNAP PEOPLE!

Tango: Subs are so fun to play with. All you have to do is hint at what you might do, back them into a corner with a look, or grab their wrist in a certain way and they're a wide-eyed mess. Scar: What the fuck kind of Subway are you going to? Ren: Substitute teachers deal with so much shit. Skizz: Guys.

Gem: It’s Christmas! Are you all in a Christmas mood?! Jimmy: Merry crisis. Ren: Jingle bells, jingle bells, single all the way. Scott: Hoe hoe hoe. Gem: Guys, please.

Mumbo: How would you guys deal with a toxic friend? Gem: Tell them how you really feel. Pearl: Slowly distance yourself from them. Lizzie: Engage in a 1v1 sword battle and if they lose they have to stop being toxic or pay the price. Mumbo, being handed a sword: …well heck.

Bdubs, filling out legal paperwork: Were you guys born AMAB or AFAB? Tango: Bold of you to assume I was born at all. Cleo: I personally was created in a lab. Jimmy: I just straight up spawned lol.

Gem: Is the plural of milf/dilf milfs/dilfs or milves/dilves? Impulse: Milfs. Grian: Milf/dilf is an acronym, you can't change the spelling to milves/dilves. Gem: Wait, they're acronyms? What do they stand for??? Tango: Mom in late forties, dad in late fourties. Tango: I learned that from the movie called M.I.L.F that I saw the trailer of in theaters probably 5 to 7 years ago. Grian: Mom/dad I'd Love to Fuck. Gem: WAIT, WHAT THE FUCK— Gem: I NEVER REALIZED IT WAS ACTUALLY HORNY! Tango: Oh, is it not mom in late fouries? Impulse: What? No! It isn't! Tango: THE MOVIE TRAILER LIED TO ME! Grian: Tango... Tango: THIS IS WHY I DIDN'T THINK CALLING PEOPLE MILFS WAS ALL THAT BAD BECAUSE IT STOOD FOR SOMETHING HARMLESS IT JUST HAD A SLIGHTLY SEXUAL CONNOTATION! Grian: I am entirely unsurprised that this is coming from you. Tango: GEM, DOES IT MAKE SENSE WHY I CALLED THE DIARY OF A WIMPY KID MOM A MILF NOW BECAUSE I THOUGHT IT WAS LITERALLY JUST A DESCRIPTOR WITH FUNNY CONNOTATION! Gem: The word milf has been ruined for me. Impulse: THAT'S ITS DEFINITION, IT CAN'T BE RUINED THAT'S WHAT IT MEANS! Grian: Y'all are dumbasses.

Martyn: Why are you smiling? Jimmy: What? I can’t just be happy? Cleo: Ren tripped and fell in the parking lot.

Tango: A stake to the heart won't kill a vampire if their tits are big enough. Ren: Yeah, you just catch it. Impulse: Nah nah nah, deflects it. Stake? Just bounces right off. Done. Back to doing hot girl shit. Scar: Then I just use a spear instead. Tango: You are trying so hard to kill a vampire with big bazongas, and for what? Why would you do that to the ecosystem?

Scott: I have a question. BigB: Shoot. Scott: Is the S or C in scent silent? Martyn: Fuck you, I’m going to be thinking about this all day. BigB: Okay well, cent is pronounced the same way as scent so I’m gonna say the S is silent. Scott: Okay, but sent is also spelled the same way. Martyn: Google says that the C was added in the late seventeenth century, so I guess the S is silent. Lizzie: Plot twist, both the S and the C are silent and the E actually makes the sss sound. Martyn: Lizzie is not allowed to talk anymore.

Skizz: I didn’t know that air fryers are a real thing. Used to think that they were made up by the internet as a funny joke and that their purpose was to “fry air”. Impulse: WAIT, BUT IT FRIES THE AIR TO FRY THE FOOD?? Skizz: I DIDN’T KNOW IT WAS A KITCHEN APPLIANCE, MY FIRST ASSUMPTION WAS SOMETHING AKIN TO AN AIR CONDITIONER! Scott: IT’S NOT LIKE AN AIR CONDITIONER???? Scar: You guys clearly don’t own an air fryer.

*The gang when they drop food on the floor* Etho: Aw man. *Throws it away* Ren: Five second rule! Grian: Foolish germs, thinking they can stop me!? *Eats it off the floor* Tango: *Sobs on the floor*

Tango: I’m gonna die alone. Bdubs: Tango, you’re not gonna die alone. Tango: Jimmy, was my safety net, okay? They got married and now I have to get a snake. Etho: Uh-huh. Why is that? Tango: If I’m gonna be an old lonely person, I’m gonna need a thing, you know? A hook. Like that guy in the subway who eats his own face. Tango: So I figured I’ll be “Crazy Man With A Snake”, you know? Crazy snake man. Tango: Then I’ll get more snakes, call them my babies. Kids won’t walk past my place, they will run! RUN AWAY FROM CRAZY SNAKE MAN!

[jullbnt]

Hi, sorry if this is a bit rude. 😅 I guess that I was just wondering. How would Jabul Waters, Zora Cove, & Crossflows Plaza be named in French?

I'm trying to give Jabul Waters an interesting name that works to go with my hc & I came up with "Jabuleaux." And Google Translate tells me that Crossflows Plaza would be Place des Flux Croisés. And, I'm seeing that Anse is the term to refer to a cove &, if that's true, then would Zora Cove be Zoranse? At the same time, somewhere else, it said that Anse actually means beach.

And, I believe that a town by a swamp would have cher, quier, bren, brin, or Hor- in it?

I'm sorry if this is weird... 😅

Hi! Don't worry it's not rude or weird at all! I offered to help and I'm happy to do so :D

Did you check the official French translations? I had a surprisingly hard time finding the French version of the map online so here's a screenshot I took myself:

Jabul Waters = Eaux de Jabule (this one only appears when I zoom out)

Zora Cove = Baie Zora

Crossflows Plaza = Place de l'Estuaire

In case you didn't know the Zelda Wiki often lists names for places or characters in various languages in the "Nomenclature" section of its pages. It's very helpful especially if you're searching for the original Japanese names. If we look at at the different names for Crossflows Plaza we can see that a literal translation from Japanese would be something like "Exchanging Place". I checked the Jisho dictionary and it seems to be an accurate translation, though "Place for Cultural Exchanges" would be more meaningful.

It's not exactly a good name in English so it makes sense that the localization team would come up with something like Crossflows Plaza instead, which in my opinion does a very good job of stating that this is both the place where the river meets the sea and where the two Zora tribes traditionally meet each other.

Other European languages all settled for variations of "Estuary Plaza" ("Place de l'Estuaire" in French), which is fine but looses the "cultural exchanges" aspect of both the original name and the English translation.

I've been trying to come up with a French translation of "Crossflows Plaza" but it's not that easy. To me "Place des Flots Croisés" or "Place Flots-Croisés" would sound better than "Place des Flux Croisés", but I still find it a bit weird ("flot" meaning flow, tide or stream). "La Croisée des Flots" is another option if you agree to get rid of Plaza/Place (it means "the intersection/junction of streams"), but I don't think it works very well as a name.

You could also mix words to create a name the same way it was done in English, something like "Place Croiseaux" (croiser/cross + eau/waters). If any of my French speaking followers is feeling inspired, please share your ideas! :)

(I just thought of "Place Cruciflot" and found it too funny not to mention 😆 maybe it sounds too much like crucifix)

In French we also have the word "confluence" that has the exact same meaning as it does in English: either the meeting of two rivers or a gathering of some kind. So to me the most obvious translation would be something like "Place des Confluences" or maybe "Place Confluence", as it would preserve the dual meaning, but it's not very fancy or creative. Maybe we could simply change the spelling to something like Place Konfluans, the same way "Village Côtier" (Seaside Village) is spelled "Village Kothié" (Seesyde Village). But it doesn't look like a French word anymore so I'm not sure that's something you'd like.

As for Jabuleaux, it can work but I prefer the official translation "Eaux de Jabule". Same thing for Zoranse, we would say "Anse Zora" or "Anse des Zora". The official French translation is "Baie Zora" (Zora Bay), which I think is more appropriate given the size of the sea inlet (in my understanding an anse/cove is a small baie/bay and isn't very deep). I think maybe it should have been bay in English as well instead of cove, but I might be wrong! Also I believe "anse" isn't used as often as "baie" and might be confusing for most people, so I would go with "Baie Zora".

I'm not sure where you found this information about swamps and town names? I didn't find anything to confirm it but I might not have looked in the right places.

French towns are often ancient and their names can derive from other languages such as Celtic, Occitan, Flemish, or regional dialects, so that's a very difficult question and I'm not sure I can give you a satisfying answer ^^

I still did a little search and found an Old French word for swamp, "palud" or "palu", that still appears in some town names such as La Palud-sur-Verdon, Saint-Pierre-la-Palud, Lapalud, etc. (today we say "marais" or "marécage"). You might be right about "bren", it could be something like muddy in Gallic.

There's also "vign" or "mign" (from Celtic), as in Mignéville or Lévignac, or l'Île de Migneaux on the Seine river (this one's in my city!).

Near where I grew up is a town named Hazebrouck, it literally means "hare swamp" (brouck/broek = swamp in Flemish). For a bit more French flavor you could maybe use -broucq or -breucq instead of -brouck.

I think the vast majority of French people have no clue about all of that (I didn't except for the last one and it's more Flemish than French), so I'd say don't oversweat it ;)

And that's all! I hope you'll find this helpful ^^

[myinnerartist]

*Kicks Down Door*

it's me, ya boi, Load.

And I have some things to say.

But i want to mention @-thevyladsafespace for their post;

^^^ this one ^^^

Where they asked what the inspiration(s) was for the boys' outfits. Having a few guesses of their outfits being inspired by chinese/japanese fashion or dnd/generic fantasy style of fashion.

And, in my opinion, yes!

But... also no.

Lemme explain, But first;

I want to talk about their Daemos outfits. And my thoughts/opinions on the...

Starting with their Daemos Outfits;

And starting with

Noi;

who i actually i think his outfit fits Japanese Inspiration the most!

(Before i explain, i want to say i am not from japan or have visited, nor am i an expert, but i have watched MANY videos about japanese culture from LetsaskShogo on youtube! I highly recommend checking him out. He goes into everything about japan, its history, its culture, its fashion, Noh thearte, tea ceremonies, everything!) (Japanese culture is a special interest of mine, ahah)

His left side of his shirt is over his right side, which japanese traditional kimono style of clothing MUST have! (Wearing the left over right is a MUST in their culture, for only the dead or non-living wear the RIGHT side over the LEFT. It therefore symbolizes death.)

The closest reference for his shirt i can find rn is this one; (which if i remember right are called dogi!)

Additionally,

Useing this image as reference;

His pants are very similar to a style/type of Hakama pants (unfortunately, i have forgotten the name of them. I think a name for them was Karusan, but i may be wrong!!)

Image reference of the pants im talking about;

(They were worn by 'samurai' or otherwise japanese soldiers as a better alternative to hakama due to the pants better ease of movement and more suitability armor.)

Other than that though, he doesn't wear anything else that is SIMILAR to traditional japanese fashion.

Onto my opinions and thoughts about his design;

I love Noi's design the most. He is the most well designed out of the boys'. If i were to change his design, i would keep most of it.

He's an 8/10 for me.

Deducted points because WHY? WHY WITH HIS ARM. Omg. no... No. No!! his design literally would've been perfectly okay IF HIS ARM. WASNT-

give him his sleeve back pls... why was it taken away? What crimes did it commit?? Was color contrast against the armor wanted so badly ThEy TOOK AWAY HIS SLEEVE?? That's worse!! That's worse than just leaving his sleeve alone 😭😭😭

In fact, it would look BETTER if the sleeve was kept unyoinked!!

I apologize for how harsh i may sound. But i can't. I just can't.

Moving onto

Pierce;

My second favorite character~

I believe he is the second closest to having most Japanese inspiration.

With his utterly blue coat, that is the main point of interest in his design... that does look a lot like a kimono.

But i sure hope it isn't because the way he's wearing it makes me want to go

"DISHONER ON YOU!! DISHONOR ON YOUR COW!!"

- (mulan/mushu reference)

And that what he SHOULD be wearing would be similar to a Haori-jacket

Which what it looks like;

(The Haori is a traditional japanese hip or thigh length jacket that is typically worn over a kimono.)

His coat is, however, a Kimono's length. (Maybe even a little longer, actually, kimonos typically only reach the ankles. But the way he wears whatever he wears, could make it look longer than it should be or is.)

Additionally his sleeves and;

The absolute abomination his outfits back is. What the genuine *🐬 noise* happened.

The way his the back of the outfit is, it means that if he wears the unworn sleeve, the back will be SO DROOPED!! It would not be funny or sexy 😔

Here is a reference for how a kimono (though with longer/larger sleeves) with one sleeve not being worn would look;

(i am so sorry, but idk who the artist is and can not find them. Googling bee-com led to (i think) a bitcoin website, and katahada nugi was just for information for samurai armor.) (If anyone knows it would be very appreciated!)

*sigh*

Moving onto my thoughts and opinions on Pierce's design;

Pierce's deisgn is... rather simple. Other than the pattern on his pants.

... tbh i dont really know what else to say. It's simple, basic, the coat, arm-brace, and patten on his pants are the only points of interest in his design. (Other than his tattoo but we'll talk about it later.)

I'd rate him 3/10.

There's... Something. Theres a something... But it's not executed well (or at all) in his design. His (disaster of a coat that deducted points) coat and that something, is his saving grace of a few points.

.

.

.

And i WANT TO CONTINUE THIS in the same post and I PROMISE YOU, i am going somewhere i do i do i just,

In order to continue i NEED the photo space, what do i mean? i mean THERES A PHOTO LIMIT OF 10 ON POSTS!!! TUMBLR WHY 10??? 10??? 10 PHOTOS ONLY???

***insert image of a depressed man bent over in a blue school chair meme***

.

.

.

But i hope you stay tuned and to see you in part 2!! (And most likely part 3... oh boy. Im so sorry)

Again, i promise im going somewhere with this i just need time to cook and get the foundations down first. AND THE PHOTO SPAc-