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undyingskies · 4 years ago

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Best Friend’s Brother

request: yes, “Hi, how are you? I've a request: y / n is one of Charlie's older brother friends and lives with Owen and Char ', because she is a writer for JATP. One day Owen and Charlie are live, Y / N's doing the dishes. Owen jokes that Y / N has to use a chair to put the dishes away (she is about 5'1). Y/N hasn't seen them and continues to sing and dance to musicals (heather, mamma mia, rhps, hamilton, location), doing the dishe. Charlie has heartfelt eyes for her. You decide what's next. Thank you! <3”

A/N: This was really fun to write, I hope you enjoy!

Warning: None

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Everyone thought you were crazy for moving in with two boys. Why in the world would a single 20 something year old want to move in with two 20 something year old guys. But you loved it, you really did.

The thing here is your best friend was one of your roommates older brother. Michael Gillespie was the one and only best friend in question, when he found out that both you and Charlie would be working on the same show, he thought it was a no brainer to offer up the idea of you two living together. Neither of you really minded the idea, it was just up to Owen to say it was alright.

At first you thought maybe it would be weird, but Michael was right, it was better to be living with someone you knew than be alone in a different city. You and Charlie were the same age, Michael was older. He was your best friend but more often than not he acted like an older brother and truthfully, he felt better sending you off to a new city with Charlie than you alone.

Living with the boys had proved to be more fun than you ever thought it would. You were a writer on the show and the boys were the stars, so your hours were a little different from each other’s. That still gave you the time and space to yourself and that’s really all you could ask for.

This week was the first week in about two months that you had off, well everyone had off. After countless days and sleepless nights for the whole cast and crew they decided a week off would do no harm.

This was your third day off and the freezing Canada streets were not calling you or the boys. You were staying locked up in your apartment with the heat on blast. The boys decided to just hang around and go live to talk to fans. You decided it was time to clean, you did laundry, vacuumed your room and living room, and your last task was the pile of dishing that has accumulated in the sink.

You had your hair pulled up in a low bun to keep it out of your face, you had your workout shorts on that were covered by the large oversized shirt you stole from one of the boys, and fuzzy socks hugged your feet to keep them warm. You had your music blasting; you were in your element.

Your dance moves and music had caught the attention of the fans, you didn’t know but you were in the background of the live. Comments started flooding in about you.

Owen chuckles as he reads through them. “Can Y/N reach the dishes it looks like she’s hopping up to get them done?” He reads out. This one gets a laugh out of both Owen and Charlie.

“She actually has to use a step stool, we love our tiny but might Y/N, a full 5”1.” Owen laughs, Charlie shakes his head.

“Is she listening to musicals?” Another comment asks.

“Yes, she is. She’s a theatre nut, I think this is what the third musical of the morning?” Charlie answers back.

He was right, it was the third. You started off with Heathers, then moved onto Location, and now you were finishing Mama Mia. You weren’t quite done with your playlists of musicals though. The starting cords of Alexander Hamilton came through your speaker. A loud squeal escapes you.

Since Hamilton came out on Disney+ a few months ago the hype for it came back again. You and Owen were constantly listening to it and competing on who could learn the raps faster.

“The ten-dollar founding father without a father, got a lot farther by working a lot harder, by being a lot smarter.” You rap along with Anthony Ramos, turning from the sink to face the boys. Owen already on his feet facing you getting ready to rap the next lines.

“By being a self starter, by fourteen, they placed him in charge of a trading charter.” Owen raps as you make your way into the living room. The two of you facing each other getting ready for your rap battle.

Charlie laughed at the sight in front of him, this was a lot more common than people thought. It happened at least once a week.

The fans were loving it and were going crazy over the constant switch of you rapping then Owen rapping. Charlie just watching being content, his eyes never really leaving your short figure. He loved the sight of you in your element like this, the brightest smile on your face. He also didn’t miss the fact that you were wearing his shirt. He had wondered where it went.

Don’t think the fans didn’t notice the look on Charlie’s face as he watched the two of you and how it never left you.

“What’s your name man? Alexander Hamilton.” Both you and Owen yell together at the last line, falling into a fit of laughter.

“That was good guys, the fans loved your show.” Charlie tells the both of you. Owen plops down on the couch next to him laughing. You smile and throw your arms over Charlie’s shoulders leaning over him to look at the screen.

You didn’t catch it but a blush made its way onto Charlie’s cheeks at your actions and contact.

“You’re welcome you guys, I aim to please.” You laugh out, responding to the comments. “Now I am off to finish the dishes.” You say with a wave and then you’re off again.

Charlie and Owen sit silently for a few seconds reading over the comments. That’s when all of them came flooding in talking about the way Charlie looked at, the blush on his cheeks when you touched him, and the speculations of him liking you.

Owen laughs at points one out. “Look dude.” He says. The comment read, “Charlie looked like a deer in headlights looking at Y/N, while also being the epitome of the heart eyes emoji.” Charlie blushes at the comment.

“Well she’s not wrong.” Owen laughs.

“Shut up dude.” Charlie says shoving him away. He wasn’t ready to spill the beans about his feelings for his brothers best friend.

Owen just shrugs it off. The rest of the live was spent with Charlie avoiding any and all comments or questions about you and Owen trying his best to switch topics knowing his best friend was getting a little embarrassed.

You finish the dishes and make your way over to the couch. You immediately land next to Charlie, resting your back on his side like he’s the back of the couch. He throws his arm around you, pulling you closer.

“You guys down to order some food, I’m hungry.” You ask them. The boys agree and go to say their goodbyes to the fans, ending the live.

“So what are you thinking?” Owen asks you.

“Mmmm maybe pizza?” You say thinking out loud.

“Sounds good to me.” Owen says, Charlie agreeing. “I can make the call to order it.” You tell the boys, getting up to walk out of the room to make the call.

“You know you should tell her.” Owen says looking at Charlie, as he watches you walk out of the room.

Charlie let’s out a sigh and shakes her head. “I don’t think I can, I don’t want to ruin the friendship we have or the one she has with my brother.” He confesses.

“Okay first of all you have to be blind if you don’t think she likes you back. Second of all your brother knows how you feel about her you idiot, if the fans noticed almost immediately, your brother for sure knows.” Owen says. “Besides he told me! He pushed the two of you to live together in hopes it would get one of you to confess your feelings for each other.”

Charlie is shocked at Owens words. He didn’t really know how to wrap his head around his confession. If his brother says you like him than it is a chance it’s true, but then again, he could just be messing with him it is his brother after all.

“I don’t know, I wouldn’t know how to tell her.” Charlie gets out before you come walking back into the room, shutting them both up.

“Tell who what?” You asks, plopping down again next to Charlie.

“Oh nothing.” Charlie says trying to brush the topic away. Owen rolls his eyes. “I’m going to go take a shower while we wait for the pizza.” He says, leaving the two of you alone. When he leaves, he whispers to Charlie, “Tell her.”

Charlie just shoots him a dirty look. You notice their littler interaction but don’t question it, you’ve learned that at times it’s the best thing to do.

The two of you just sit in silence with Owen going. You not really paying attention and just scrolling through your phone and Charlie just lost in his thoughts and conflicting feelings about telling you.

He was thinking he might as well, if Owen says his brother already knows and they both swear you like him back, then why not go for it? Plus after that live with all the fans there’s no way you won’t see some of their comments. He thinks now is the time, just go for it.

Next thing you know a hand is slapping your phone out of your hands and the body to which you were leaning on has moved and you’ve fallen flat on your back.

“Charlie what the hell?” You ask him. You weren’t ready for any of that. You push yourself up, lock your phone and push it to the side. You turn to face the now distressed boy.

“We need to talk.” That’s all he says and then he is on his feet pacing.

“Okay, talk about what?” You ask, while watching Charlie strut back and forth.

You let him walk back and forth for a couple minutes, letting the silence take over the two of you before you probe him for an answer again.

“Charlie? Talk about what?” You ask again. “Just...Just give me a second okay?” He says in a stern way that makes you sit back in the couch and give him a nod of approval.

It takes him a few more struts and silence before he stops right in front of you and faces you. That is when he bursts with his confession.

“I like you Y/N, I like you okay! I have for a while and I just think you should know that.” He says exasperated. His arms fall to his sides and the two of you just stare at one another.

The silence and his confession sitting on top of you like a cloud. Charlie was now nervous and scared at your reaction, while you were just stunned.

You never even thought you had a chance with Charlie. He was your best friends brother, you never thought in a million years Charlie would ever think of you the way you thought about him. You’re lost in your thoughts but the song My Best Friends Brother by Victoria Justice starts to play in your head, causing you to giggle.

“Alright I know my confession was out of the blue but you don’t have to laugh at me.” Charlie says feeling sad and getting ready to walk away.

“No, Charlie, stop! I’m not...I’m not laughing at you” You say through your giggles. You stand up and grab his wrist not letting him turn away from you.

“I’m sorry Charlie, it’s just, you know that song? The one that goes, my best friends brother is the one for me. It just it started playing in my head and I couldn’t help myself.” You tell him, a little embarrassed at your own confession.

“That’s what you think about in this moment? Really Y/N? A song?” He asks. Then realization hits him. “Wait my best friends brother is the one for me?” He asks, stepping a little closer to you. Your chests now touching.

You bite your lip and nod your head yes. You let him wrap his arms around your waist to pull the two of you flush together.

“I don’t know if you noticed, but I’ve liked you for a while now.” You confess. A large smile adorns both of your faces.

That’s when it happens. His lips met yours, finally. You let yourself melt into his kiss, loving the feeling. The two of you lost in the moment until you hear,

“Finally!” Owen yells, breaking the two of you apart. The both of you smiling and blushing.

“Also pizza is here and now Michael owes me 20 bucks so thank you for that!” Owen smiles and walks into the kitchen, with the pizza in hand.

“I guess Owen and Michael knew this was coming.” You say while looking up at Charlie smiling.

“I guess so.” He says before pressing his lips against yours for the second time. This time the two of you pull apart at the sound of your phones buzzing in sync.

Both of you check your phone, it’s a text from Michael that reads.

“As much as I am glad that one of you grew some balls to tell each other that you liked them, could you have at least done it a week later?? I was so close to winning that bet.”

You both laugh. Only Michael and Owen would make a bet about this. Charlie grabs your hand and leads you into the kitchen so the three of you could enjoy the warm pizza.

Charlie sits beside you, with a hand on your thigh. Not ready to let you go yet since he just got you. You smile and laugh with Charlie and Owen; thinking you are so lucky to have the two of them. Turns out your best friends brother really is the one for you.

#charlie gillespie #charlie gillespie imagine #charlie x reader #charlie gillespie x oc #charlie gillespie x reader #charliegillespieimagine #charliegillespieimagines #charlie gillespie fic #charlie gillespie fanfiction #charlie gillespie fluff #julie and the phantoms #julieandthephantomsimagine #jatp

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suunnysyde · 4 years ago

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Haikyuu x reader headcannons

Guess what mamas 🙄

I died, decided to write Haikyuu headcannons for when they’re dating you, and voila! Bon appetite.

I made these for what?? Nothing, so I decided better get some use out of it.

* I tried to not make it too biased on anything, for example not many milk mentions for Kageyama or video games for Kenma. I slipped a few times oops.

Content under tag cause its a long one lmao

•❅──────✧❅✦❅✧──────❅•

[ GIRLS ]

- You and Alisa dress each other up.

- Alisa would take you shopping for your dates with Lev ( or her )

- You hype Yachi up when she feels down.

- You play volleyball with Kiyoko sometimes, that’s partly why she got good.

- Yachi probably has a lower than normal immune system so you’re taking her of her a lot, think of it as a way of giving back to her.

- Kiyoko prepares the most extravagant dates for you, if you ask why she merely says “only the best for my lover.”

•❅──────✧❅✦❅✧──────❅•

[ KARASUNO ]

- Kageyama would file your nails while you talk if he sees you picking on them.

- Hinata would go to school with his nails painted because his sister painted them. On that note, Hinata would paint your nails if you needed help on your non-dominant hand.

- Tsukishima and Akaashi would grab your hand when they’re nervous and squeeze it gently.

- Asahi likes it when you play with his hair.

- Dates with Yamaguchi would either be ordering take-out and binging anime or just cuddling and sleeping.

- Nishinoya would teach you ‘Rolling Thunder’ if you asked.

- Nishinoya also really likes it when you play with his hair.

- You and Tsukishima have study dates at a cafe and eat strawberry shortcake.

- Sometimes Sugawara goes to your house to cook for you. Or you both cook together and then share it to the team as a treat.

- Daichi would take you out to a carnival and win whatever you want for you.

- Nishinoya’s grandfather adores you, and always asks how you are. And scolds Nishinoya in front of you sometimes, saying how he should treat you right.

- Tsukishima would make playlists with songs that remind him of you.

- You let Yamaguchi explain volleyball shenanigans so he remembers them.

- Kageyama *loves* getting hugs from you, but doesn’t start them in fear you don’t want to reciprocate the hug.

- If you play volleyball you practice spiking with Hinata so he can practice receiving.

- You and Asahi go to movie drive ins and cuddle in the backseat.

- If you do something to Asahi’s hair, like a hairstyle, he would wear it around without taking it off. Nishinoya comments on his hair saying how he’s lucky to have a girl like you.

- The pretty setter squad ( specifically Kageyama, Kenma, Akaashi and Oikawa ) are all really observant so if you have some random cut they’ll and you don’t notice they’ll put a bandaid on you.

- Daichi keeps a note on his phone on things you like and don’t like plus things you’ve said.

- Tsukishima let’s you wear his glasses when you two are alone, he enjoys seeing you happy. Even if he doesn’t admit it.

- If you have freckles Hinata would count them and draw constellations on your face. ( bonus: he kisses each individual freckle )

- Kageyama tries to braid your hair, he’ll probably just tangle it though.

•❅──────✧❅✦❅✧──────❅•

[ NEKOMA ]

- Kenma knows how to braid hair pretty well, so he would often practice on you, if you have short hair small braids.

- Kenma also likes to rest his head near your neck, it feels like you’re somehow protecting him from the outside world.

- Kuroo takes you on beach dates during summer vacation.

- You and Kuroo would throw insults at each other to see who gets mad first, loser normally buys food. On that note if you’re close to breaking and you’ve lost twice in a row he’ll call quits.

- The pretty setter squad ( specifically Kageyama, Kenma, Akaashi and Oikawa ) are all really observant so if you have some random cut they’ll and you don’t notice they’ll put a bandaid on you.

- Kenma would name his starter Pokémon after you, since he keeps his starter till the end. ( bonus: uses a lot of potions on you so you don’t faint )

- Kenma gets you stuffed animals when he goes to the arcade.

- Yaku treats your wounds if you trip and scrape your knee. ( carries first aid kit for his wounds )

- Alisa would take you shopping for your dates with Lev ( or her )

•❅──────✧❅✦❅✧──────❅•

[ FUKŪRODANI ]

- Tsukishima and Akaashi would grab your hand when they’re nervous and squeeze it gently.

- Bokuto often calls you at 3am to ask you to go with him to a supermarket or to tell you he’s outside your house.

- Akaashi would help you study for your exams, he can quickly grasp any subject’s basics.

- Akaashi would read you what he’s reading at the moment, or a resumen of what’s happening.

- TW: SWEAR // Kenma is shit at 8ball so he tends so ignore your 8ball advances.

- The pretty setter squad ( specifically Kageyama, Kenma, Akaashi and Oikawa ) are all really observant so if you have some random cut they’ll and you don’t notice they’ll put a bandaid on you.

- You and Bokuto dance in the rain even if Akaashi advises against it because you two always get sick afterwards.

- Bokuto loves PDA and showing you off in general ( “HEY GUYS! LOOK AT MY BEAUTIFUL LOVER!” )

•❅──────✧❅✦❅✧──────❅•

[ AOBA JOHSAI ]

- Iwaizumi does work out dates ( pls his muscles )

- You and Oikawa would watch crappy movies and judge them. Especially sappy romance movies, though he jokes about going on cheesy dates with you.

- The pretty setter squad ( specifically Kageyama, Kenma, Akaashi and Oikawa ) are all really observant so if you have some random cut they’ll and you don’t notice they’ll put a bandaid on you.

- Oikawa would ask you to make him lunches as he adores your cooking.

- Iwaizumi makes you lunches, pretty good cook.

- If any of his fangirl do anything to you Oikawa will not hesitate to scold them, he won’t leave your side afterwards for a week.

•❅──────✧❅✦❅✧──────❅•

[ SHIRATORIZAWA ]

- Tendo and Futakuchi would start prank wars with you.

- Tendo once joked about committing arson with you. ( once, for now )

- Tendo brought you to an abandoned building with pizza and you both ate pizza at the rooftop before stargazing.

- Tendo has joked frequently about stealing a stop sign though, it’s on his bucket list on things to do with you.

- //TIMESKIP Tendo makes you chocolate for when you’re on your period ( if you like chocolate )

- Ushijima *never* gets sick. Bacteria are scared of him.

- Tendō always talks to you about the latest manga and encourages you to read it with him.

•❅──────✧❅✦❅✧──────❅•

[ JOHENZI and ITACHIYAMA ]

- Terushima once brought you out to a laser tag date, it got intense. He lost. No mercy.

- Terushima’s music taste changes every month so every month he makes you a playlist of the songs he likes most.

- Sakusa likes it both when he plays with your hair and when you play with his, although he won’t admit the latter.

•❅──────✧❅✦❅✧──────❅•

[ DATEKO ( DATE TECH ) ]

- Tendo and Futakuchi would start prank wars with you.

- You and Aone go to petting zoos as dates.

❅──────✧❅✦❅✧──────❅•

OUTRO

now, now, wait. Before you go. If you made it this far lmao, allow me to serenade you, with Haikyuu Chants

TW: all caps

( idk if I had to mark that but I know someone who hates all caps so ye )

AOBA JOHSAI, AOBA JOHSAI ( OH! )

OOOOH SEIJOH

NEKOMA NEKOMA, NEKO NEKO, NEKO MA

SHIIIIIRATORIZAWA ( dun dun ) SHIIIIIRATORIZAWA

GO GO LETS GO, LETS GO DATEKO

NOHEBI NOHEBI NOHEBI * smt in japanese * HA CHI CHI CHI

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recluseraven · 2 years ago

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STEOTW

Gotta write down my thoughts cause I can't help myself.

This whole album has got amazing choruses, so there's gonna be some repetitive thoughts so just be prepared for that.

Meltdown: BLEGH! GO! DOOMSLAYER AND ALIEN NOISES, I LOVE IT😭 Chorus is amazing. Good starter song, got me HYPE AS FUCK. On tonight's series finale, WE"RE ALL GONNA FUCKING DIE. Breakdown goes HARD

Sign Of Life: BARE YOUR SOUL. Yeah, I bared my soul alright. The sung "sign of life" lyric seriously sounds like a Breaking Benjamin song (which is an awesome thing!). Chris's voice is otherworldly.

Werewolf: BRUH, there is a reason this song is the band's favorite. Definitely worth the hype. So goth, very synth. The glitchy "werewolf"...chef's kiss. The high note in "head"...dude. And the REFERENCE TO SOMEBODY"S WATCHING ME BY ROCKWELL?!?!?!? I was SHOOK.AND THE FIUCKIN GUITAR SOLO????? JD PLZ, IT WAS TOO SEXY

Porcelain: Dudes...this song made me cry. I could hear the pain in Chris's voice. AND THE LYRICS, COME ON. Honestly, this might be my one of my top favorite of the album. It's so good and gives me so many feels. Sounds like it could be in a Tim Burton movie, like Edward Scissorhands, that's the vibe.

Slaughterhouse: Alright, yeah, we been knew that this song fucks. It's heavy, it's political, everything we could ever need in an angry metal song. Bryan was such a good choice for this song, his voice fits the lyrics so damn well. And the second breakdown after we thought the song might've been over??? Christ almighty, musical geniuses, I tell ya.

Masterpiece: The song that made me cry before Porcelain, especially seeing Chris cry in the MV. The song is literally a masterpiece. Kinda hit it on the nose there boys😂

Cause Of Death: Love the intro, the little xylophone type noises leading into the guitar. Awesome. This is another song that made me tear up, the lyrics are kinda painful lmao. Like a more restrained, softer, more emotional Puppets. Chris really be hitting those high notes this album, huh? And RICKY DUDE, I"M IN LOVE WITH HIS VOCALS. I was so happy to hear him in another song

We Become The Night: Oh man, this song is fuckin' wacky😂 It's so fun. The melody, my god. It's like a Nightmare Before Christmas song or something. Very Tim Burton esque. And it says the additional vocals are by Tom Hane, but it sounds like Justin to me lmao. Oh well, I can pretend

Burned At Both Ends II: Kinda wish it sounded more like the first song, but I'm happy with what I got. I definitely felt the little Infamous vibes there though. Again with the high notes Chris??? And the yells?? Jesus, seriously his vocals are the best they've ever been on this album

BFBTG: Corpse Nation: LOVE LOVE LOVE. I loved the first song on Disguise, but THIS? The creepy intro with the same radio announcer?? Just what I hoped. Again, the beginning sounds like Justin!!! To me at least, I really hope it is. This song is amazing regardless, absolutely love the creepy vibes. And the zombie noises...pleeeeease. Research this, motherfucker! BLEGH😂😂 Damnation now, fuck you.

Cyberhex: Perfect song to release as the first single. Just, yeah. Amazing. Hype as fuck. The Doom vibes really fit with the album theme and it really works in this song. And the opera vocals??? So fuckin' good. If you look up "perfection" in the dictionary this song pops up

Red, White, & Boom: CALEBBBBB, PRECIOUS BOYYYYY. Honestly, I thought he'd be in the song more kinda like how Bryan was. This song really screamed 'Murica, but like, in a mocking way. And like We Become The Night, this song is fuckin wacky dude😂 Chris borderline just talking in the verses, just amazing lmao. And then the smacking chorus to counterbalance. BUT, bringing back the lyrics from AMERICA??? Yas, that was amazing and I was so happy

Scoring The End Of The World: Some people were disappointed that the song didn't go hard cause Mick was featured, but like?? Who cares if the song was heavy or not, it's a fuckin amazing song. I could still hear Mick's influence without the CHONK. Again, Ricky's vocals...so good. I love when he sings. Amazing, just amazing. Everything's amazing.

All in all, the album was a work of perfection. 10 outta 10. No, fuck that. 100 out of 10. Now if you'll excuse me, I'll be listening to it on repeat until my ears bleed

#motionless in white #scoring the end of the world

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tarantulas4davey · 3 years ago

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HELLO BESTIE I am currently having Ralbert Brainrot and you're the best person go come to for this, obviously,, so PLEASE share! I would like to hear about ufc albert or youtuber race, or dancing partners!! I love them smm

HI YES HELLO USING THIS AS AN EXCUSE TO WRITE UFC FIGHTER AL PART 2 THANKS BABES

i just witnessed a literal crime and i’m Feeling The Rage (boxing judges at mma events can catch these hands) so here is. my brain on anger.

also the first half of this is pretty fight-talk heavy but the second half is more al/ralbert central so message me/send me an ask if i don’t explain something well enough <3

here is the ask i sent to @we-are-inevitable (thanks jac i’m in love with you mwah) and here is part 1 for this au if you haven’t read that one yet !!

also,,,,, this is fairly obvious. but trigger warning for violence/physical fighting, as well as blood. (it’s a rough gig y’all fjdhdb) oh and swearing but that’s pretty much just me LMAO

here i am, bein mad and writing ralbert. therapy time with chandler ig

OK SO

this is after his debut. duh. continuation

i think he’s probably 5 fights in with 5 wins. he’s been running people through, especially with four full camps after a short notice start, and he’s never even seen a decision in the ufc

let’s just say the hype train is moving FAST and it’s moving LOUD

everyone has to have those people that watch their fights just to see them lose, on top of the majority male fan base that have to have a little bit of toxic masculinity and homophobia in there

so there’s A LOT of people that are waiting for him and his hype train to get derailed. but there’s also a fair amount of fans, so you win some you lose some (the way i would die to see this be a real fighter pls)

now albert’s not always the most confident guy, and he’s never been cocky, but none of this shit gets to him. he’s got his coaches, he’s got his friends and he’s got race behind him. he knows he’s got the skills, and he’s got his support system, so who gives a shit what a bunch of cowards on the internet have to say?

and then they put him against someone known for his grappling and stamina. and the “it’s a wrap for dasilva!” bandwagon starts. it happens every time a rising striker and early knockout artist fights a well known grappler with any semblance of later round power (even if al has a background in wrestling and has gone 5 rounds and won outside of the ufc. it’s a bandwagon for a reason)

and it’s not Upsetting, it’s not really getting into his head in any way that’ll make him do worse, but it’s kinda pissing him off. which is bad for his opponent

the last person on earth you want to be fighting is an annoyed albert dasilva who thinks he has something to prove

he works his ass off in camp, and the press tour is a self-assured albert vs. a loudmouth who thinks he’s hot shit cause a few people on twitter think he’ll sweep

and, to be completely honest? it’s starting to look that way 2 rounds in.

it’s a 5 round fight, co-main event on a big card, and so far all al’s opponent has done is pinned him to the cage and kept him there. a few strikes worth anything - at least enough make al’s cheek bleed, no takedowns, which would at least give him some activity, and so submission attempts, so he can’t even gain any ground that way. he’s just- Stuck. and if THIS is how he loses, he’s gonna be pissed

the bell for the second round sounds, and you can actually see al’s chest heaving on camera as he walks to his corner - not because he’s tired or out of breath, but because he’s MAD, and fuck if he’s not going to do something about it

not only that, but he can not only see race and jack standing up by the cage - plus race’s expression, which is slightly annoyed and super anxious, which hurts his chest to think about - but he can hear them too

jack is yelling profanities, as per usual. he doesn’t that regardless of how the fight is going, but it’s less encouraging when you’re the one losing.

race though,,,, race isn’t really yelling, he’s more talking to himself than anything, but he’s close enough to cage and al knows him well enough to figure out what he’s saying. and if the muttered almost-prayers while he paces back and forth weren’t enough, the shiny gold engagement ring on race’s hand definitely is

round 3,,,, let’s just say it goes a little differently than the first 2 had gone.

he opens with a spinning back kick, of all fucking things, and that truly sets the pace

he’s the taller guy by a few inches, like usual, which makes his arms longer. the only reason crushing his against the cage worked is cause the guy he’s fighting cuts weight like a wrestler, so he’s easily got 20 pounds on albert come fight night

but once he finds his rhythm and starts throwing, he starts connecting too. he manages to stay out of range of his opponent and stay his comfortable distance to start t-ing off

this isn’t a one punch power ending. this isn’t a beautiful head kick, or a giant knee, or even just a clean right hook.

this is albert, who’s arms are starting to feel the 3rd round a little bit, hitting this guy with everything he has cause he refuses to lose this fight.

i mean- everyone watched him get up at the start of the round with a set jaw and a scary determined glint in his eye. he’s not a person you fuck with, and he’s definitely not a person you publicly ridicule before being locked in a cage to fight with

the guy he’s fighting is absolutely battered, but he manages to survive until round 4. the first of the championship rounds, something al’s never seen in a ufc fight before, and it feels like the arena is holding its breath

so when al comes out and does the same thing as round 3 to better results - fight ending results - everyone’s a little shocked, honestly

the commentary team’s in disbelief, cause albert is NOT a slow starter, regardless of what this fight would tell you, and the fact he managed a win at all, let alone such a phenomenal one, is fucking astounding

he gets his hand raised, obviously, but the really interesting part is the post fight interview

“albert, man, what changed between round 2 and 3? what second gear did you find?”

“bro, i just— it was pissing me off, honestly. i don’t come in here to get pinned down for 25 minutes. and, y’know, my team gave me good advice. i had all the pieces, straight from the jump, someone just had to force me to put them in place…”

and then he looks over at race, who gives al one of those half grin, half smirks and winks at him, and al just chuckles to himself and finishes answering the question

“the thing that really forced my hand is race. i won’t get cheesy on you, but watching someone who loves and supports you through everything panic cause he’s scared for you - it’s a big motivator. everyone would figure out a lot more of my motivations if they went and watched race’s expressions back instead of whatever the hell i’m doing in here. he’s always been the brains, i’m just the brawn.”

and that’s a better answer than anyone was expecting, plus he’s just had the fight of a lifetime that’s probably earned him a title shot, so he’s done soon after that and gets to have his little in-cage celebration

he hugs his team and jack, who razzes him a little bit as per usual, and makes some dumb quip about going over tapes later like he’s a coach. and then comes race

he hugs him, all tender and cute and also very sweaty cause That’s How It Works, and the camera’s focused on him, so they can tell they’re whispering back and forth. but there’s no mics on them, so what’s said is missed entirely on the audience, but it’s their usual cheesy, in love mess

“congrats, baby. i’m proud of you.”

“oh please. it was 90% you anyway. i meant what i said, it wasn’t just for the cameras.”

“i know that. i’m gonna have to get you back somehow for telling everyone to go back and watch my awful anxious expression. i’ll think of something.”

“i’m sure you will, sweetheart.”

and then al does that awful, adorable lil nose bump thing, and then kisses race. and then jack covers his eyes and whines until they stop like the actual 12 year old boy he is inside

and then they leave the octagon, race and al holding hands, and al throws his arm over jack’s shoulder and shoves his head down and pushes him, cause even though he was just in a literal cage match he’s still a roughhousing teenager at heart

and he’s got interviews and press shit that separates him from his people, and he’s gotta slide that bulletproof mask back down over all the happy and in love shit he’s feeling so he can not smile like an idiot on camera constantly

but every once in awhile he’ll catch jack giving him the finger and laugh before returning it below view of the camera

or he’ll catch race’s eye from where he’s standing behind all the studio lights and do a little wave under the camera and return the wink from earlier, and the unbothered fighter facade will crack a little bit

but he’s not completely convinced that’s such a bad thing

GOD THIS POST IS SO MUCH LONGER THEN I MEANT IT TO BE IM SORRY

but Yeah. Them.

i love this au a helleva lot more than i should but that’s Fine cause i’ve got thoughts for days on it

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dailytomlinson · 4 years ago

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A bathroom figures significantly in the origin stories of at least two classic One Direction songs. The first will be familiar to any fan: Songwriter and producer Savan Kotecha was sitting on the toilet in a London hotel room, when he heard his wife say, “I feel so ugly today.” The words that popped into his head would shape the chorus of One Direction’s unforgettable 2011 debut, “What Makes You Beautiful.”

The second takes place a few years later. Another hotel room in England — this one in Manchester — where songwriters and producers Julian Bunetta and John Ryan were throwing back Cucumber Collins cocktails and tinkering with a beat. Liam Payne was there, too. At one point, Liam got up to use the bathroom and when he re-emerged, he was singing a melody. They taped it immediately. Most of it was mumbled — a temporary placeholder — but there was one phrase: “Better than words…” A few hours later, on the bus to another city, another show — Bunetta and Ryan can’t remember where — Payne asked, maybe having a laugh, what if the rest of the song was just lyrics from other songs?

“Songs in general, you’re just sort of waiting for an idea to bonk you on the head,” Ryan says from a Los Angeles studio with Bunetta. “And if you’re sort of winking at it, laughing at it — we were probably joking, what if [the next line was] ‘More than a feeling’? Well, that would actually be tight!”

“Better Than Words,” closed One Direction’s third album, Midnight Memories. It was never a single, but became a fan-favorite live show staple. It’s a mid-tempo headbanger that captures the essence of what One Direction is, and always was: One of the great rock and roll bands of the 21st century.

July 23rd marks One Direction’s 10th anniversary, the day Simon Cowell told Harry Styles, Niall Horan, Zayn Malik, Liam Payne and Louis Tomlinson that they would progress on The X Factor as a group. Between that date and their last live performance (so far, one can hope) on December 31st, 2015, they released five albums, toured the world four times — twice playing stadiums — and left a trove of Top 10 hits for a devoted global fan base that came to life at the moment social media was re-defining the contours of fandom.

It’d been a decade since the heyday of ‘N Sync and Backstreet Boys, and the churn of generations demanded a new boy band. One Direction’s songs were great and their charisma and chemistry undeniable, but what made them stick was a sound unlike anything else in pop — rooted in guitar rock at a time when that couldn’t have been more passé.

Kotecha, who met 1D on The X Factor and shepherded them through their first few years, is a devoted student of boy band history. He first witnessed their power back in the Eighties when New Kids on the Block helped his older sister through her teens. The common thread linking all great boy bands, from New Kids to BSB, he says, is, “When they’d break, they’d come out of nowhere, sounding like nothing that’s on the radio.”

In 2010, Kotecha remembers, “everybody was doing this sort of Rihanna dance pop.” But that just wasn’t a sound One Direction could pull off (the Wanted only did it once); and famously, they didn’t even dance. Instead, the reference points for 1D went all the way back to the source of contemporary boy bands.

“Me and Simon would talk about how [One Direction] was Beatles-esque, Monkees-esque,” Kotecha continues. “They had such big personalities. I felt like a kid again when I was around them. And I felt like the only music you could really do that with is fun, pop-y guitar songs. It would come out of left field and become something owned by the fans.”

“The guitar riff had to be so simple that my friend’s 15-year-old daughter could play it and put a cover to YouTube,” says Carl Falk

To craft that sound on 1D’s first two albums, Up All Night and Take Me Home, Kotecha worked mostly with Swedish songwriters-producers Carl Falk and Rami Yacoub. They’d all studied at the Max Martin/Cheiron Studios school of pop craftsmanship, and Falk says they were confident they could crack the boy band code once more with songs that recalled BSB and ‘N Sync, but replaced the dated synths and pianos with guitars.

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The greatest thing popular music can do is make someone else think, “I can do that,” and One Direction’s music was designed with that intent. “The guitar riff had to be so simple that my friend’s 15-year-old daughter could play it and put a cover to YouTube,” Falk says. “If you listen to ‘What Makes You Beautiful’ or ‘One Thing,’ they have two-finger guitar riffs that everyone who can play a bit of guitar can learn. That was all on purpose.”

One Direction famously finished third on The X Factor, but Cowell immediately signed them to his label, Syco Music. They’d gone through one round of artist development boot camp on the show, and another followed on an X Factor live tour in spring 2011. They’d developed an onstage confidence, but the studio presented a new challenge. “We had to create who should do what in One Direction,” Falk says. To solve the puzzle the band’s five voices presented, they chose the kitchen sink method and everyone tried everything.

“They were searching for themselves,” Falk adds. “It was like, Harry, let’s just record him; he’s not afraid of anything. Liam’s the perfect song starter, and then you put Zayn on top with this high falsetto. Louis found his voice when we did ‘Change Your Mind.’ It was a long trial for everyone to find their strengths and weaknesses, but that was also the fun part.” Falk also gave Niall some of his first real guitar lessons; there’s video of them performing “One Thing” together, still blessedly up on YouTube.

“What Makes You Beautiful” was released September 11th, 2011 in the U.K. and debuted at Number One on the singles chart there — though the video had dropped a month prior. While One Direction’s immediate success in the U.K. and other parts of Europe wasn’t guaranteed, the home field odds were favorable. European markets have historically been kinder to boy bands than the U.S.; ‘N Sync and Backstreet Boys found huge success abroad before they conquered home. To that end, neither Kotecha nor Falk were sure 1D would break in the U.S. Falk even says of conceiving the band’s sound, “We didn’t want it to sound too American, because this was not meant — for us, at least — to work in America. This was gonna work in the U.K. and maybe outside the U.K.”

Stoking anticipation for “What Makes You Beautiful” by releasing the video on YouTube before the single dropped, preceded the strategy Columbia Records (the band’s U.S. label) adopted for Up All Night. Between its November 2011 arrival in the U.K. and its U.S. release in March 2012, Columbia eschewed traditional radio strategies and built hype on social media. One Direction had been extremely online since their X Factor days, engaging with fans and spending their downtime making silly videos to share. One goofy tune, made with Kotecha, called “Vas Happenin’ Boys?” was an early viral hit.

“They instinctively had this — and it might just be a generational thing — they just knew how to speak to their fans,” Kotecha says. “And they did that by being themselves. That was a unique thing about these boys: When the cameras turned on, they didn’t change who they were.”

Social media was flooded with One Direction contests and petitions to bring the band to fans’ towns. Radio stations were inundated with calls to play “What Makes You Beautiful” long before it was even available. When it did finally arrive, Kotecha (who was in Sweden at the time) remembers staying up all night to watch it climb the iTunes chart with each refresh.

Take Me Home, was recorded primarily in Stockholm and London during and after their first world tour. The success of Up All Night had attracted an array of top songwriting talent — Ed Sheeran even penned two hopeless romantic sad lad tunes, “Little Things” and “Over Again” — but Kotecha, Falk and Yacoub grabbed the reins, collaborating on six of the album’s 13 tracks. In charting their course, Kotecha returned to his boy band history: “My theory was, you give them a similar sound on album two, and album three is when you start moving on.”

Still, there was the inherent pressure of the second album to contend with. The label wanted a “What Makes You Beautiful, Part 2,” and evidence that the 1D phenomenon wasn’t slowing down appeared outside the window of the Stockholm studio: so many fans, the street had to be shut down. Kotecha even remembers seeing police officers with missing person photos, combing through the girls camped outside, looking for teens to return to their parents.

At this pivotal moment, One Direction made it clear that they wanted a greater say in their artistic future. Kotecha admits he was wary at first, but the band was determined. To help manage the workload, Kotecha had brought in two young songwriters, Kristoffer Fogelmark and Albin Nedler, who’d arrived with a handful of ideas, including a chorus for a booming power ballad called “Last First Kiss.”

“We thought, while we’re busy recording vocals, whoever’s not busy can go write songs with these two guys, and then we’ll help shape them as much as we can,” Kotecha says. “And to our pleasant surprise, the songs were pretty damn good.”

At this pivotal moment, too, songwriters Julian Bunetta and John Ryan also met the band. Friends from the Berklee College of Music, Bunetta and Ryan had moved out to L.A. and cut a few tracks, but still had no hits to their name. They entered the Syco orbit after scoring work on the U.S. version of The X Factor, and were asked if they wanted to try writing a song for Take Me Home. “I was like, yeah definitely,” Bunetta says. “They sold five million albums? Hell yeah, I want to make some money.”

Working with Jamie Scott, who’d written two songs on Up All Night (“More Than This” and “Stole My Heart”), Bunetta and Ryan wrote “C’mon, C’mon” — a blinding hit of young love that rips down a dance pop speedway through a comically oversized wall of Marshall stacks. It earned them a trip to London. Bunetta admits to thinking the whole 1D thing was “a quick little fad” ahead of their first meeting with the band, but their charms were overwhelming. Everyone hit it off immediately.

“Niall showed me his ass,” Bunetta remembers of the day they recorded, “They Don’t Know About Us,” one of five songs they produced for Take Me Home (two are on the deluxe edition). “The first vocal take, he went in to sing, did a take, I was looking down at the computer screen and was like, ‘On this line, can you sing it this way?’ And I looked over and he was mooning me. I was like, ‘I love this guy!’”

Take Me Home dropped November 9th, just nine days short of Up All Night’s first anniversary. With only seven weeks left in 2012, it became the fourth best-selling album of the year globally, moving 4.4 million copies, per the IFPI; it fell short of Adele’s 21, Taylor Swift’s Red and 1D’s own Up All Night, which had several extra months to sell 4.5 million copies.

Kotecha, Falk and Yacoub’s tracks anchored the album. Songs like “Kiss You,” “Heart Attack” and “Live While We’re Young” were pristine pop rock that One Direction delivered with full delirium, vulnerability and possibility — the essence of the teen — in voices increasingly capable of navigating all the little nuances of that spectrum. And the songs 1D helped write (“Last First Kiss,” “Back for You” and “Summer Love”) remain among the LP’s best.

“You saw that they caught the bug and were really good at it,” Kotecha says of their songwriting. “And moving forward, you got the impression that that was the way for them.”

Like clockwork, the wheels began to churn for album three right after Take Me Home dropped. But unlike those first two records, carving out dedicated studio time for LP3 was going to be difficult — on February 23rd, 2013, One Direction would launch a world tour in London, the first of 123 concerts they’d play that year. They’d have to write and record on the road, and for Kotecha and Falk — both of whom had just had kids — that just wasn’t possible.

But it was also time for a creative shift. Even Kotecha knew that from his boy band history: album three is, after all, when you start moving on. One Direction was ready, too. Kotecha credits Louis, the oldest member of the group, for “shepherding them into adulthood, away from the very pop-y stuff of the first two albums. He was leading the charge to make sure that they had a more mature sound. And at the time, being in it, it was a little difficult for me, Rami and Carl to grasp — but hindsight, that was the right thing to do.”

“For three years, this was our schedule,” Bunetta says. “We did X Factor October, November, December. Took off January. February, flew to London. We’d gather ideas with the band, come up with sounds, hang out. Then back to L.A. for March, produce some stuff, then go out on the road with them in April. Get vocals, write a song or two, come back for May, work on the vocals, and produce the songs we wrote on the road. Back to London in June-ish. Back here for July, produce it up. Go back on tour in August, get last bits of vocals, mix in September, back to X Factor in October, album out in November, January off, start it all over again.”

That cycle began in early 2013 when Bunetta and Ryan flew to London for a session that lasted just over a week, but yielded the bulk of Midnight Memories. With songwriters Jamie Scott, Wayne Hector and Ed Drewett they wrote “Best Song Ever” and “You and I,” and, with One Direction, “Diana” and “Midnight Memories.” Bunetta and Ryan’s initial rapport with the band strengthened — they were a few years older, but as Bunetta jokes, “We act like we’re 19 all the time anyway.” Years ago, Bunetta posted an audio clip documenting the creation of “Midnight Memories” — the place-holder chorus was a full-throated, perfectly harmonized, “I love KFC!”

For the most part, Bunetta, Ryan and 1D doubled down on the rock sound their predecessors had forged, but there was one outlier from that week. A stunning bit of post-Mumford festival folk buoyed by a new kind of lyrical and vocal maturity called “Story of My Life.”

“This was a make or break moment for them,” Bunetta says. “They needed to grow up, or they were gonna go away — and they wanted to grow up. To get to the level they got to, you need more than just your fan base. That song extended far beyond their fan base and made people really pay attention.”

Production on Midnight Memories continued on the road, where, like so many bands before them, One Direction unlocked a new dimension to their music. Tour engineer Alex Oriet made it possible, Ryan says, building makeshift vocal booths in hotel rooms by flipping beds up against the walls. Writing and recording was crammed in whenever — 20 minutes before a show, or right after another two-hour performance.

“It preserved the excitement of the moment,” Bunetta says. “We were just there, doing it, marinating in it at all times. You’re capturing moments instead of trying to recreate them. A lot of times we’d write a song, sing it in the hotel, produce it, then fly back out to have them re-sing it — and so many times the demo vocals were better. They hadn’t memorized it yet. They were still in the mood. There was a performance there that you couldn’t recreate.”

Midnight Memories arrived, per usual, in November 2013. And, per usual, it was a smash. The following year, 1D brought their songs to the environment they always deserved — stadiums around the world — and amid the biggest shows of their career, they worked on their aptly-titled fourth album Four. The 123 concerts 1D had played the year before had strengthened their combined vocal prowess in a way that opened up an array of new possibilities.

“We could use their voices on Four to make something sound more exciting and bigger, rather than having to add too many guitars, synths or drums,” Ryan says.

“They were so much more dynamic and subtle, too,” Bunetta adds. “I don’t think they could’ve pulled off a song like ‘Night Changes’ two albums prior; or the nuance to sing soft and emotionally on ‘Fireproof.’ It takes a lot of experience to deliver a restrained vocal that way.”

“A lot of the songs were double,” Bunetta says, “like somebody might be singing about their girlfriend, but there was another meaning that applied to the group as well.”

Musically, Four was 1D’s most expansive album yet — from the sky-high piano rock of “Steal My Girl” to the tender, tasteful groove of “Fireproof” — and it had the emotional range to match. Now in their early twenties, songs like “Where Do Broken Hearts Go,” “No Control,” “Fool’s Gold” and “Clouds” redrew the dramas and euphorias of adolescence with the new weight, wit and wanton winks of impending adulthood. One Direction wasn’t growing up normally in any sense of the word, but they were becoming songwriters capable of drawing out the most relatable elements from their extraordinary circumstances — like on “Change Your Ticket,” where the turbulent love affairs of young jet-setters are distilled to the universal pang of a long goodbye. There were real relationships inspiring these stories, but now that One Direction was four years into being the biggest band on the planet, it was natural that the relationships within the band would make it into the music as well.

“I think that on Four,” Bunetta says with a slight pause, “there were some tensions going on. A lot of the songs were double — like somebody might be singing about their girlfriend, but there was another meaning that applied to the group as well.”

He continues: “It’s tough going through that age, having to spread your wings with so many eyeballs on you, so much money and no break. It was tough for them to carve out their individual manhood, space and point of view, while learning how to communicate with each other. Even more than relationship things that were going on, that was the bigger blanket that was in there every day, seeping into the songs.”

Bunetta remembers Zayn playing him “Pillowtalk” and a few other songs for the first time through a three a.m. fog of cigarette smoke in a hotel room in Japan.

“Fucking amazing,” he says. “They were fucking awesome. I know creatively he wasn’t getting what he needed from the way that the albums were being made on the road. He wanted to lock himself in the studio and take his time, be methodical. And that just wasn’t possible.”

A month or so later, and 16 shows into One Direction’s “On the Road Again” tour, Zayn left the band. Bunetta and Ryan agree it wasn’t out of the blue: “He was frustrated and wanted to do things outside of the band,” Bunetta says. “It’s a lot for a young kid, all those shows. We’d been with them for a bunch of years at this point — it was a matter of when. You just hoped that it would wait until the last album.”

Still, Bunetta compares the loss to having a finger lopped off, and he acknowledges that Harry, Niall, Liam and Louis struggled to find their bearings as One Direction continued with their stadium tour and next album, Made in the A.M. Just as band tensions bubbled beneath the songs on Four, Zayn’s departure left an imprint on Made in the A.M. Not with any overt malice, but a song like “Drag Me Down,” Bunetta says, reflects the effort to bounce back. Even Niall pushing his voice to the limits of his range on that song wouldn’t have been necessary if Zayn and his trusty falsetto were available.

But Made in the A.M. wasn’t beholden to this shake-up. Bunetta and Ryan cite “Olivia” as a defining track, one that captures just how far One Direction had come as songwriters: They’d written it in 45 minutes, after wasting a whole day trying to write something far worse.

“When you start as a songwriter, you write a bunch of shitty songs, you get better and you keep getting better,” Ryan says. “But then you can get finicky and you’re like, ‘Maybe I have to get smart with this lyric.’ By Made in the A.M. … they were coming into their own in the sense of picking up a guitar, messing around and feeling something, rather than being like, ‘How do I put this puzzle together?’”

After Zayn’s departure, Bunetta and Ryan said it became clear that Made in the A.M. would be One Direction’s last album before some break of indeterminate length. The album boasts the palpable tug of the end, but to One Direction’s credit, that finality is balanced by a strong sense of forever. It’s literally the last sentiment they leave their fans on album-closer “History,” singing, “Baby don’t you know, baby don’t you know/We can live forever.”

In a way, Made in the A.M. is about One Direction as an entity. Not one that belonged to the group, but to everyone they spent five years making music for. Four years since their hiatus and 10 years since their formation, the fans remain One Direction’s defining legacy. Even as all five members have settled into solo careers, Ryan notes that baseless rumors of any kind of reunion — even a meager Zoom call — can still set the internet on fire. The old songs remain potent, too: Carl Falk says his nine-year-old son has taken to making TikToks to 1D tracks.

“Most of them weren’t necessarily musicians before this happened, but they loved music, and they found a love of creating, writing and playing,” Kotecha says

There are plenty of metrics to quantify One Direction’s reach, success and influence. The hard numbers — album sales and concert stubs — are staggering on their own, but the ineffable is always more fun. One Direction was such a good band that a fan, half-jokingly, but then kinda seriously, started a GoFundMe to buy out their contract and grant them full artistic freedom. One Direction was such a good band that songwriters like Kotecha and Falk — who would go on to make hits with Ariana Grande, the Weeknd and Nicki Minaj — still think about the songs they could’ve made with them. One Direction was such a good band that Mitski covered “Fireproof.”

But maybe it all comes down to the most ineffable thing of all: Chance. Kotecha compares success on talent shows like The X Factor to waking up one morning and being super cut — but now, to keep that figure, you have to work out at a 10, without having done the gradual work to reach that level. That’s the downfall for so many acts, but One Direction was not only able, but willing, to put in the work.

“They’re one of the only acts from those types of shows that managed to do it for such a long time,” Kotecha says. “Five years is a long time for a massive pop star to go nonstop. I know it was tiring, but they were fantastic sports about it. They appreciated and understood the opportunity they had — and, as you can see, they haven’t really stopped since. Most of them weren’t necessarily musicians before this happened, but they loved music, and they found a love of creating, writing and playing. To have these boys — that had been sort of randomly picked — to also have that? It will never be repeated.”

#rolling stone #ROLLING STONE SAID ROCK BAN SO ITS A ROCK B AND PERIDOT #220720 #10years1d #one direction

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caffeinated-croissant · 3 years ago

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Musical Milestones

In honor of @writersmonth 's final Pride prompt : Write a story about a milestone, I present you a band au featuring Piper, Percy and Jason.

Percy Jackson’s three greatest loves are: Piper McLean, Jason Grace and music. Piper McLean is the omniromantic, asexual love of his life. Jason Grace is the Demiromantic pansexual love of his life. The three are in an amazing relationship with each other and music.

In their band, they all sing but constantly switch between a guitar and two other instruments. Percy is taken with “his” drums and piano; Piper has a lovely talent for the violin and drums; while Jason primarily sticks to the piano and violin.

Percy was not expecting the most amazing news to come from the call he picked up, with their manager, Frank. Maybe he had expected it as a social call, or another small venue, not what Frank had ended up sharing instead.

“I’ve got huge news for Coastal Lights, so go get the other two,” Frank didn’t even wait for a greeting.

“Hello to you too, Frank.”

“Nope, none of that, go get Jason and Piper cause this is huge.”

“Boooo, you’re no fun Zhang.” Percy started moving out of the kitchen after he set up a timer for the oven.

“Percy, why are you always like this?”

“Cause I’m a drama queen, according to Piper and Jason anyway.” He moved into the bedroom where Piper was tuning Jason’s ukulele. All instruments in their apartments were never solely owned after entering the relationship, neither were their clothes for that matter.

“You really are blueberry,” Piper looked up from her work with a questioning tilt to her head.

Percy pouted, “I see it’s pick on Percy day already.” He made a small gesture to follow him as he left for the living room.

“Starshine, It’s always pick on Percy day.” Jason barely looked up from his book.

“Fine, maybe I won’t bring you back any of my mom’s cookies the next time I visit her.” Percy sat down next to Jason laying his head on Jason’s shoulder. Jason looked affronted at the cruel statement.

“We’ll just steal from the stash you’ll end up bringing back.” Piper told him as she snuggled into Percy’s otherside.

“Percy put me on speaker.” Frank Zhang had a high patience for his friends, but he was not going to deal with this trouple's petty antics, when he had important news.

Jason set down his book, knowing their manager wasn’t normally like this unless he had band news.

“You're broadcasting in 3...2...1, you’re now live.” There was a reason Piper and Jason, among his other friends, called him a drama queen.

“I managed to book you three a spot at the “Day For Night” music festival in Nashville, North Carolina.”

Those words did not register for a good 10 seconds before it did click and the Coastal Light’s apartment went up in cheers.

The “Day for Night” music festival was huge. The stage was gigantic. The crowds were massive. And managing to get in as a little band like they were was a ridiculously huge deal.

The festival was mostly all outside and was literally never quite. Throughout the festival stood multiple little kiosks selling something. Some did characters, some sold records of older bands, while a vast majority of the rest sold merchandise of all different types of artists who have passed through these types of festivals. Besides the normal people who bought tickets and stuff, there were also speakers methodically placed around so it was loud enough for everyone to hear but soft enough to escape.

Percy, Piper and Jason knew they were gonna blow up in the music industry. They knew that when they were first recording their own songs on youtube. Maybe they weren’t the best back then but dam they had an audience. From that point on they knew they’d be big but now, right before they went on stage it was cemented. This was the show where a lot of their favorite artists blew up and now it was their turn.

In their first three songs the trio easily switched from instrument to instrument in a musical chairs type way (except there were no losers). They played a cover of “Riptide” originally by Vance Joy as a starter. A cover of “Tear in My Heart” originally by Twenty Øne PilØts easily followed. Their last cover was “How Far We’ve Come” originally by Matchbox Twenty. Their next three songs were originals off of their album Chaos in Control. Their last song was a special that had never been recorded, it was called “Broadway Fevers”.

That one scene in “Clouds” was surprisingly accurate for Piper when she heard “Broadway Fever” being announced as the next song on the radio. She was driving to Percy’s mother’s house, with Jason in the passenger’s seat next to her and Percy in the back seat.

“Oh my god, oh my god -” She shoved Jason’s shoulder not taking her eyes off the road - “Beanie? Blueberry? Did you guys hear that?” She shoved Jason’s shoulder again before getting a small glance at Percy, who was already half asleep - hearing Piper's singing didn’t help either.

Jason turned to the back seat, “Should we wake him up?”

“Yes! He shouldn’t miss this!” Piper was vibrating in her seat. Their song was on the radio and this might’ve just been the best feeling in the world, although she’d easily trade it for her boys in a heartbeat.

Percy could be slow to wake up, but he could still detect the general vibe of the people around him from the get go. “Why are we listening to our song on youtube?” That didn’t mean he always connected the dots immediately.

“Try the radio instead,” Jason was less vibraty but he was definitely still hyped under his mellow patience.

“Wha..?”

“We’re on the radio!” Piper was still vibrating and she would not calm down until at least a few days later, and even then she was giddy but at that point they were all giddy.

#band au #alternate universe #pjo/ hoo #percy jackson #piper mclean #jason grace #piper x jason #piper x percy #jason x percy #jason x piper x percy #Pipjasper #pjo #hoo #frank zhang #music festival

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stylesnews · 4 years ago

Link

“The guitar riff had to be so simple that my friend’s 15-year-old daughter could play it and put a cover to YouTube,” says Carl Falk

The Best Face Masks For Running and CyclingHere’s how to stay covered up while on your bike, on a jog, or for your next workout outdoorsAd By Rolling Stone See More

“You saw that they caught the bug and were really good at it,” Kotecha says of their songwriting. “And moving forward, you got the impression that that was the way for them.”

“We could use their voices on Four to make something sound more exciting and bigger, rather than having to add too many guitars, synths or drums,” Ryan says.

“A lot of the songs were double,” Bunetta says, “like somebody might be singing about their girlfriend, but there was another meaning that applied to the group as well.”

Bunetta remembers Zayn playing him “Pillowtalk” and a few other songs for the first time through a three a.m. fog of cigarette smoke in a hotel room in Japan.

“Most of them weren’t necessarily musicians before this happened, but they loved music, and they found a love of creating, writing and playing,” Kotecha says

#rollingstone #july20 #10years1d

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twilightofthe · 3 years ago

Note

so what animes have you seen already?

Oh boy! Not many tbh, I only really started watching it last winter when my roommate asked if I wanted to give it a try! I haven’t watched anything from any studio that did Visions (yet), but I wanna soon!

Animes I HAVE seen, in order:

Fullmetal Alchemist: Brotherhood — Aight so when roomie suggested we watch an anime, a friend who had seen a lot of them recommended this one to watch first as it was a good “starter anime”, and y’all idk if it’s just because it’s the first one I watched but I’ve still gotta call it my favorite one because y’all it’s SO FUCKING GOOD. Like that’s understatement of the century but I don’t have time to write an essay on why it’s so good lol just trust me it’s GOOD. 11/10s on EVERYTHING about it. Plot, characters, setting, everything. My one sadness is that I would not be good at writing fic for it lol.

Demon Slayer — YouTube AMVs and seeing it pop up on Netflix had us start this one next and y’all it’s probably the prettiest anime I’ve seen like ever, like the art style is chef’s kiss. Amazing story and AWESOME characters too, very good, 10/10 would recommend. I think I could write a decent fic for it if a plot ever came to me.

The Great Pretender — The only non-action/fight anime on the list, roomie and I tried it out because we figured we should see something different? It was on Netflix so we looked. It was good, clever writing, good characters got a little bit weird in the second season, particularly at the end, but overall it’s a decent watch. I could write fic for the shipping aspect but again, no plot ideas because the plot is fuckin weird.

Akame Ga Kill — Roommate had seen this before, recommended it to me. The characters were decent, setting was interesting! Pretty art style too, but I was like, verrrrry critical of the plot throughout the entire singular season lol, so take that as you will. Actually no yeah plot was kinda wack. My fave character deserved better tho.

Castlevania — Okay okay I know I know not an anime, but it’s a similar artstyle. (Also I think the game it’s based off of is a Japanese game?) Actually watched the first two seasons a while ago, but then watched the third and fourth with roommate. Y’all it’s REALLY good, literally everyone in the damn show is fucking hot and I’m jealous, I ship the throuple HARD hard. I think I could maybe write a decent fic for it if, again, I had any plot motivation lol

Trese — Again, cheating because not anime, but this one is still non-Western (Filipino) media and it’s glorious. I’ve never seen an episode of Supernatural but I feel that this show is like, what Supernatural wishes it could be. Another gorgeous artstyle and I’m so gay for the MC and the first season left me with so many questions so I really hope it gets another one! I gotta get around to reading the webcomic

D.Gray-Man — Okay this one is entirely the fault of @jasontoddiefor who got back into it and promptly dragged everyone he knew down with him, and I am so very glad he did because this is a fantastic— and I’d argue relatively underrated —series. Artstyle is gorgeous (certain characters be very hot), the character arcs are brilliant, I love all the characters, and the worldbuilding is so friggin creative, like I’d put it up there as another one of my faves. I actually did write a fic for this, but publishing a fic in an unfamiliar fandom is terrifying and bad for my anxiety and it’s gonna take me like five more years to work up the courage to do it again lol.

Sword Art Online — Currently watching right now with roommate. I heard some not very good things about it, but my roommate wanted to give it a try so I sat down and watched with them. Sure enough it’s been a case of half the time I’m flailing over the nice animation and how creative the worldbuilding is and the charm and potential all the characters have……………….. and then the other half of the time I’m banging my head against the wall repeatedly because it pulled some seriously stinky bullshit lol. So yeah watch it’s promising but also Suffer in not the good way.

Fire Force — Also currently watching! On my own this time, roommate already watched and recommended. This one is VERY good, like I am super into the plot and the setting and everything to do with the universe. Still getting into the characters and it’s taking a bit more time? So the watch is going slower than usual, but that’s alright! The entire premise makes up for it.

So that’s all the anime I’ve seen! I’ve also seen 2.5 Studio Ghibli movies and they are all JUST as good as people say they are (Kiki’s Delivery Service, Howl’s Moving Castle, and bits and pieces of Princess Mononoke) 1000/10 recommend.

You didn’t ask about the manga I’ve read but I’ll list them anyway! For the record I’m not a huge manga reader because my eyes find it hard to see the illustrations when everything is in different shades of black and white, it makes action scenes in particular really difficult to read, which is a problem when you usually like action plots

Demon Slayer — The anime isn’t complete yet and after the movie I wanted to know MORE so I hunted down the manga and binged it all. Y’ALL GOTTA READ IT IT’S STILL SO FUCKIN GOOD AND I’D DIE FOR SO MANY CHARACTERS I’M IN LOVE WITH SO MANY

D.Gray-Man — Same thing as Demon Slayer, the anime isn’t complete yet and neither is the manga BUT so I read the rest of what’s been written. Hoo hoo HOO I hope they animate more of it because the plots coming up are brilliant and I want it

My Hero Academia — Look, EVERYONE is yelling about this one and it trends like once a week and like five irl friends love it so I figured there was too much anime out but I had to know so I’d just skim the manga just to figure out what the fuck the hype was. It’s good, lol, I totally get the hype now, the strength is in the worldbuilding and a whole handful of extremely interesting yet surprisingly simple character types that work to drive the plot forward. There is so much potential here and I could definitely write fic for this but I am not touching that fandom with a ten foot pole and that’s coming from a Star Wars fan 😂

Yona of the Dawn — Currently reading this!!!! Ok so there’s a season of an anime out for this, I walked in to see my other roommate watching what was probably one of the horniest scenes in it. I was immediately like “👀👀👀👀 shit fuck that’s hot do these heteros have rights????” I was about to plop my ass down and start watching but roommate was like “oh there’s only one season and it’s unfinished and I know you don’t like unfinished stuff” so I promptly got my ass up and googled the manga so I could see more. Y’all it is GOOD, if you love the dramatic romances from Star Wars this is RIGHT up your alley and dare I say better, the plot is lovely, the characters are great, and I am SO MAD there’s only one anime season. I’d absolutely write fic for this if I was more confident, I have so many polyship ideas!!!!!!

#SORRY FOR RAMBLING Y’ALL #next anime i wanna watch is jujutsu kaisen i’ve heard so many good things about it!!!!!!#or maybe promare cuz i wanna support the visions studios!#so yeah i’m an anime newb y’all can judge me on my tastes if you agree or not or give recs!#morai musings #not star wars #long post

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popculturebuffet · 4 years ago

Text

Ducktales: Woo-oo! Review! or From the Top

Hello all you happy people! And to those of you just joining this blog, welcome I review ducks, other animated shows and comics... and today’s review is special for me. For a number of reasons. For starters it’s a reminder how far i’ve come. See I always wanted to be a reviewer, ever since high school when a friend showed me a certain online reviewer whose now dead to me, and opened me up to a world of much better reviewers who i’m still fans of to this day, and ones who came after them , and after that and so on and so on. I so badly wanted a community to belong to I struggled to be a youtube reviewer but frankly lacked the talent or self confidence back then to try, so my attempts over the decade were a series of stops and starts. Of me starting to find my niche writing only to stop because I hated myself so much, and still struggle with that, i’d tell myself I could never do it, I wasn’t good enough, I wasn’t funny enough and no one cared. I kept shutting myself down AGAIN AND AGAIN, for far too long.

But that all changed a year ago next month: I’d long been a fan of the Ducktales Reboot. I was caustiously optimistic when it was announced. The optimism came from a deep abiding love of scrooge as a character despite not having dove into his comics that deep, I didn’t have an easy way at the time, thanks to life and times and what comics I had read, and was excited to see a fresh reboot closer to the comics with my eternal boy Donald Duck back in the main character. The caution.. came from the fact that at the time we’d gotten a string of bad to medicore reboots: Teen Titans GO, Powerpuff Girl, and Ben 10 which started pretty meh but has turned into alirght from some of the later episodes I saw. I wanted to be hyped to all hell but I had no proof this wasn’t going to be another dumbed down reboot. Then comic con came, the first teaser poster dropped, and my skepticism died.

It was perfect: a barksian art style with it’s own twists! Donald full on display! And best of all the triplets FINALLY had not only unique outfits but personalities! I’ve long went on in my reviews about how much that annoyed me and while it worked for the barks comics ever since then it’s just felt like a waste to have three characters there.. and not even the SLIGHTEST difference.

My anticipation only grew with the full trailer, the promo posters as more and more info showed how good this series would be, how unique it’d be, and how much tw as taking what made the comics great, giving us a better distalation of that while still being very much it’s own beast. And once this episode dropped.. that faith was unfounded. Woo-oo! is without hyperbole, one of the best pilots i’ve seen, one that introduced the entire main cast perfectly, gets the series tone and mission statment out just right and in general set the stage for one of the best shows of the 2010′s (and 2020′s, even if it only lasted a year and some change). Wheras Teen Titans GO actively tried to take a dump on it’s source material, they thankfully have stopped that but it dosent’ make those early years any less grating, Ducktales was a breath of fresh air that honored the past while making i’ts own future. I tried talking about it but it was all in other failed attempts at reviewing: solo podcasts, my breif second video review career.. stuff no one rightly cared about and I just couldn’t get the hang of.

So this is where we loop back to last year: I decided to finally try and cover it one more time, not realizing this would be my last chance as it came out anyway, and since I was doing text reviews but my output had slid in the new year, I decided to review Season 3 as it came out. If it bottomed out I could always stop.... and I just never did. I kept going, eventually finding new fans, a patreon (The other one’s an old friend of mine), and not only got paid doing what I love.. but found some peace. I reviewed other shows as they came out, covered things i’d wanted to cover for years like life and times, scott pilgrim and x-men,. I covered other shows as they came out, found people willing to talk over my opinions and found my niche at long last.

So that’s why the long speech folks: After almost a year of reviewing i’m properly covering the start of something that made me happier than I had been in a long time and gave me hope during one of the worst periods of ALL our lives. Something i’ve wanted to cover since I finally got started last year, and something truly amazing. So i’d be honored if you’d join me under the cut as I talk about the genesis of one of the best series Disney has ever put out.

Behind the Scenes Stuff: Most details I could find were sparse. it took going back to the first month the show came out and looking at a LOT of unrelated questions to finally find out Frank and Matt outright pitched the show. This dosen’t suprise me as both are huge ducktales fans with Matt having drawn his own duck comics as a kid and Frank taking it an extra mile having sang the theme song in his first grade talent show, worked it into his vows and got his first daughter’s first word to be “Woo-oo”. It’s very clear this show as a labor of love for them something they dreamed of Disney made possible.

Otherwise I don’t have much on the genisis of the show: It was in the earliest ideas going to be a revivial but Frank and Matt both decided against it , deciding it’d be unfair to expect kids from 30 years after the original to know the source material, and instead just starting it over outright, which was the right call especailly with Alan Young’s passing.

Design wise I found quite a bit of concept art thanks to one website, and it’s incredibly intresting. This is why i’ve really gotten into art books: I like seeing this early stuff what characters used to be, figuring out or outright hearing from the creators mouths why they changed it that sort of thing.

Starting off we have some early designs for Donald, with him wearing the sailor suit as a kid but his Quackshot outfit as an adult, something I honestly wish they’d kept but get why they changed it: The iconic sailor suit both helps contrast him with della and fits his reluctance to adventure in season 1 more. I still wish that they worked the Quackshot outfit in somewhere, but they worked in so damn much, it’s hard to complain> Though I probably will make a list of “things I wished they’d worked” in at some point and i’d be lying inf I siad my mind wasn’t currently turning the gears to figure out how to work this into a fanfic. Oohhh maybe as Dewey’s outfit as an adult but blue, obviously.

Next we have Donald settled more into his final apperance as well as the boy’s first outfits. As you can tell from both of these the show originally went more with the classic art style before getting the one we’re familiar with now, one I love by the way and was made to combine a classic cartoon style with the visual of the comics. Donald originally had his classic outfit before they transitioned to the more barks style one, a good call.

The interesting bit though is obviously the boys original outfits which i’m honestly bummed didn’t make it for Huey and Louie, not so much Dewey minus the visor. I do get the changes though: The hoodie Dewey had fit WAY beter on Louie, and the lumberjack shirt didn’t quite fit the nerdier huey. Still look nice. Dewey’s is okay, but only the visor is something I really gregret them removing same with louie’s fedora. It would’ve been neat ot keep the hat thing, but have each hat be unique. Likely they simplified things to make animation easier and simply removed the hats for some reason, but it’s nice ot see these more detailed original drafts and it is VERY interesting to find that differentiating the triplets was something planned from the earliest concept art. Though given Matt and Frank said in interviews they wanted a more natural family feel, it’s not a huge surprise.

Scrooge like everyone BUT the boys thus far, naturally also had his original outfit at first, but like he ended up doing in the series rotated a bit, if not as much in the final product. We also see a protoype for his final design, the old coat but with a jacket over it in the last image. I also notice Donald seemed a lot more like his old comics self in the concept art with quackshot!donald.

Like everyone else, Webby and Launchapd were originally their 87 deisgns, though Launchpad’s slightly diffrent jacket and green scarf were changed from the start. Webby is the closest to her 87 design, and as shown in the previous Lena concept art from my “Spies Like Us and Dime after Dime” double feature, she still had her new personality. More on that in a bit.

Finally we have Flintheart, whose design is a bit diffrent from 87: He was a chub from day one it appears, though they’d exagerate it, and his beard was a bit longer at first like his other incarnations.

Beakly is largely unchanged form 87, only given a coat, which would gradually be mofidied, much liekt he boys into her current outfit.

As you can tell Beakly, Webby and Launchpad were all there from day one as they wanted them from the original ducktales just updated.

Production wise they wanted to go handrawn, chose the style they did to have something close to the comics that felt classicly aniamteda t the same time, I feel they succeeded and wanted a show that felt like the original. I do think this show has it’s own feel but it does feel ducktales. I badly hope for an artbook at some point though as this show probably hada LOT more intresting concept art. Seriously Disney I will PAY YOU to look at your neat art. Please.

So they created a fully formed world and put the characters in it, wanting it to feel like the world had existed before and had throughly been explored and letting our young heroes be the watson to Donald and Scrooge’s holmes.

Finally Della was indeed part of the initial pitch and a core idea from day one as every family has secrets and Della felt like one that had been lurking around the fringes of the story for 80 years. The rest of the production stuff i’ll weave in as we go but first one last stop, the STELLAR voice cast, none of whom outsideo f Tony i’ve talked about before sooooo...

The All Star Cast

The casting was outstanding here, with Matt admitting the cast brought a LOT to the characters, especially Ben Schwartz whose taken on Dewey was so unique and intresting they actually rewrote some of his dialouge for the pilot to fit this version better. This is far and away one of the best casts in western animation, most coming from comedy backgrounds and one or two coming from a voice acting background, but all bringing their absolute best. And since our main 8 are all in the pilot let’s run them down along with Keith Ferguson shall we?

Playing everyone’s faviorite billionare scotsman and one of the very few to ever do so, we have David Fucking Tennant. David was their “First and only choice” and for good reason: David is a talented actor with a MASSIVE amount of stage, tv and audio drama credits. His biggest and best known role is playing the 10th Doctor on Doctor Who, which while not my faviorite (That’d be matt smith, as he’s both the one I came in on and hte one who got me hooked) he’s still VERY close second and damn talented and I need to watch more of his tenure. Outside of that just to condense it to his ongoing roles on stuff and bigger roles: Filmwise he’s had starring roles in the Fright Night remake, You, Me and Him, Fish Without Bicycles and Bad Samartains, and is set to do a voice for the upcoming Loud House Movie, which excites me to no end.

TV wise where most of his roles have been he got his first big starring role on the Telly with the BBC Mini series Taking Over the Asylum in the late 90′s. He’d go on to make a career out of doing mini’s for a while, also taking part in He Knew He Was Right, The Quatermass Experiment Remake, Casanova, Secret Smile.. and Blackpool. I saved Blackpool for last before we move into the Who era as if you’ve never heard of it.. it’s REALY fucking weird. It’s a jukebox musical about a man who wants to make Blackpool, a real city, into the new vegas and Tennat plays a cop investigating a case around the guy and also trying to get with his wife because they used to date and because our lead is philandering jackass. That’s already kinda nuts.. but then you get to the fact the songs are sung OVER the original songs instead of making a new version of them. It’s surreal to be sure but if you can find it it’s worth it for the handful of good numbers and how weird it looks and you can find clips of the songs on youtube if your intrested. Here’s a starter.

youtube

Your also welcome. He’d go on to play Detective Alec Hardy in Broadchurch to critical aclaim as well as be a part of it’s short lived american remake, would play the Fugitoid in tmnt 2007, Kilgrave in Jessica Jones, one of his few post who roles i’ve seen or heard besides Scrooge and easily some of his best work he NAILS that purple bastard perfectly, would make his own show Staged about a fictional version of himself putting on a Stage play that’s still ongoing, and is currently , along with Ducktales as it wraps up, the voice of Lord Commander on Final Space, with the character returning this season judging by the trailers to fan delight and terror. He’s a VERY talented actor and voice actor and I do hope he goes on to do more and more voice work in years to come as, with his background in radio, he was born for it.

He was also born for this roll, playing Scrooge perfectly and easily matching Alan Young in quality, not a small feat and i’ts VERY obvious why he was their one and only choice.

Next up is another legend, Tony Anselmo who we’ve talked about before when I covered legend of the Three Cablleros: He’s been Donald’s voice since shortly before Ducktales, hasn’t done much else but given he’s THE voice for the character and this show let him show off one hell of a range with teh voice, he dosen’t really need other credits. The man is a treasure and I fear loosing him one day and fear for whoever replaces him as they have a LOT to live up to.

Getting into the triplets, we’re going by age so starting off we have Huey, voiced by Danny Pudi. Like most of this cast aside from Toks Ogladyve and Beck Bennet (Who I probably HAD seen on SNL but didn’t really know or look out for him on there till after Ducktales), I not only knew Danny but was a huge fan of his going in. This is due to his breakout role on the glorious sitcom Community, which sadly only had a handful of i’ts cast show up on this show. I mean you got Lin Manuel Miranda I’m sure Donald Glover would’ve said yes too. He grew up with Ducktales. Regardless his role as meta guy Abed was easily the best of the cast on that show, with Glover as troy a very close second and the two working at their best as a duo. Outside of that he’s had a few roles being a regular on Powerless, which I forgot existed and currently on Mythic Quest: Raven’s Banquet, and shockingly hasn’t done a ton of voice work. And given his performance as huey was one of the best parts of this show he REALLY, REALLY SHOULD. Please Danny. He’s also a loving husband, father and surprisingly a marathon runner. Never would’ve guessed.

Next up is SNL Alumn of 9 years, Bobby Monynihan. Bobby is naturally best known for that, my faviorite role of his being Ass Dan. That’s right bitch you know he’s going to live fore..

ASS DAN 1981-2021

He’ll be back. Outside of SNL he’s done a bunch of minor roles. He’s currently on the tragically mediocre sitcom Mr. Mayor, and voiced Panda on We Bare Bears. Hopefully he keeps up the good work as he deserves better than he’s gotten and Ducktales proves it.

Finally for the triplets we have a rising star in voice acting, Ben Schrwartz. At the time Ducktales launched, I was a fan of his from his roll on parks and Rec as Jen Ralphio, aka older scummier Dewey.

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Outside of his historic recurring role here he played a main role on House of Lies, a show I need to go back to, and has done other live action rolls but has REALLY hit his stride in voice acting. He started with voicing Randy Cunningham in Randy Cunningham 9th grade ninja and since then has hit the ground running: He was Rutabega on Bojack, Josh on Bob’s Burgers, and went on to complete the trifecta of blue nostalgic characters after voicing dewey by voicing Leo in Rise of the TMNT (and having one of the most unique and intresting versions of the character to play) and reprised the roll for the upcoming film. And of course he hit it HUGE by playing Sonic in the suprsingly fantastic Sonic the Hedgehog movie, and will do so again for the sequel and might even take up the roll for the games now Roger Craig Smith has retired. We shall see. Point is this guy’s at the top of his game and Dewey is part of that. Like with his brothers I can’t picture anyone else playing him.

Rounding out the kids is Webby, played by the wonderous Kate Micucci. Kate is a lovely talented woman who mostly showed up in smaller parts, was part of the musical duo garfunkel and oates which even got their own tv show, and is currently a fairly prolific voice actor with this being her best known roll. I also had a bit of a crush on her once can you tell? Regardless besides absolutely nailing it as Webby she’s voiced Julie Kane in the crimnally short and even more crimnally not on Disney+ Motorcity, “Irma” in the 2012 TMNT cartoon, and the fact that “Irma” is in quotes should tell you how big a waste I felt it was having her NOT actually be Irma, despite Kate’s massive talent, the fact that Irma hadn’t been in anything since the 87 cartoon, and the fact that for added “Fuck you audience points” her krang form was voiced by Gilbert Godfried, who I love but whose casting feels like they wanted to make the twist as grating as possible. Good job there.

Anyways her second biggest voice gig was as Sadie on Steven Universe, which took WAY too long to show off her absolutely tremendous singing voice. She started voicing Velma Dinkley in the mid-2010′s and has since, voiced Milo’s sister Sarah on Milo Murphy’s Law, Dr. Fox on Unikitty, and most recently voiced a sentient present on close enough who did this.

So yeah quite the career and like Ben she probably has a long and storied career in Voice Acting ahead.

Next up is Beck Bennet as everyone’s friend Launchpad where he excels. He’s best known as a castmember on SNL outside of this, and shockingly hasn’t done a ton of voice work. The only other time i’ve caught him is in the same season of Close Enough as Luc, aka dude-bro satan. But like eveyrone else here who hasn’t done a lot of voice work so far or has been more selective I defintely hope he keeps going with it as he’s amazing. He and Ben will be co-starring on MODOK in May so i’m excited for that.

Last up for the main cast is Beakly, voiced by Toks Olagundoye, who I hadn’t heard of before this show and hasn’t done a lot outside of the two season sitcom the neighbors, the aliens one not the really terrible looking one, and a stint on Castle, but like everyone here deserves much more and if Beakly is any indication, really should stick with voice acting.

Last up is Keith Ferguson as only he could as FLINTHEART GLOMGOLD, whose a staple in the voice acting community ever since 2000, and has had a TON of roles some of which I was unaware with him. Given Frank worked with him on Wonder Over Yonder, where he voiced Lord Hater to perfection, the two clearly have a close working relationship. He also has a close working relationship with Wonder creator Craig McCracken and has worked on all of his post-powerpuff girls show, voicing Bloo as his first major role, something I never would’ve guessed, and currently voicing Papa G on Kid Cosmic.

Outside of Craig and Frank, he played both Karate Kid and Nemisis Kid on Legion of Super Heroes (Which really needs to come to HBO Max), Deputy Durland on Gravity Falls, and Thunderbolt Ross on Avengers Earth’s Mighteist Heroes. He’s damn good and deserves the world for Glomgold alone and i’m glad Craig rung him up again as so far through my watch of Kid Cosmic he’s great.

So with our cast in place, our past in place and you all likely ready to get on with it already let’s dive into the episode:

THE EPISODE: Part one Woo-Ooo!

We begin with a shot of a seagull flying overseagulls, a nice way to establish how this world works and how it bends expectations. They’d have to wait till season 3 to get a duck next to ducks but given that gag is one of the best of the series, it was worth it.

Inside a house boat we meet Donald, Huey and Louie and get a sense of their personalities: Donald is panicked trying to get to a job interview and insists the boys wear life vests, showing his overprotectiveness and responsibility exclusive to this version. Louie stresses that Donald wear a suit instead of his normal clothes to properly impress the interviewer, showing his skill at people reading and manipulation, and Huey is making a nice, if messy, breakfast with a heartwarming message showing his heart and dedication. After finding out said Babysitter was sent to the wrong address, the boys TRY to hustle him out to stay alone.. only for Dewey to blow the scheme by starting the boat too early, letting Donald know he’s been had. Huey’s attempt to lie about it is of course the classic “Who’s Dewey?” Dewey’s caught wiring the boat and Donald throws them in the car, with Donald livid and the boys upset as their chafing at his constant overprotectiveness.

Both sides aren’t wrong. tThe boys DID do something reckless, putting an old woman in the desert and risking their home just to go on a joyride. What they did was wrong.. but the boys AREN’T wrong for getting annoyed that he won’t let them DO anything and overly hovering over them when they CAN handle themselves as we’ll see. WE now know why: he lost their mother and his sister to her and scrooge’s recklesness. While he got therapy for his anger it’s clear he never properly got help about Della, and thus overcompensates by trying to keep what he has left of her alive. He means well.. but to them it comes off as him being manically overprotective with no good reason. They get into trouble because it’s the only way to DO anything away from him. He’s trying so hard not to loose them he almost has by the time hte series starts, and it’s telling that when they get context in Last Crash, they appricate him more from then on. They do love him, but their frustration is understandable even if what their doing is pretty damn stupid. But their also 10 and Donald’s the grown adult in therapy who should’ve dealt with this or tried to at least by now.

So with no other options Donald sets a course for McDuck manor which excites the boys who have heard of Scrooge McDuck and his exploits, each rattling off something they heard him do that fits their personality (Dewey picks him fighting a stone monster, Huey picks him uncovering a hoax and Louie picks his swimming in money. ) As Donald tries to get them to simmer down, they wonder what he’s up to

He’s up toooo.. depression. He’s in a room with his board, watching them with utter hate and sadness as they talk about cutting the invention and aviation departments. This scene plays ENTIRELY differently after the final two episodes of the season. Before it still plays well as Scrooge clearly resenting being stuck in a boring board meeting, having lost everything that made him him and just having lost his passion for life. Now? It plays as a man utterly disdainful of the men who made him give up on his daughter. While as far as he knows they did it to save his employees from his company collapsing, we know better now... and seriously where IS the rest of the board they just vanished after the Season 3 premiere.

I don’t mind only one being fleshed out, unlike the triplets we only NEED the one I mind that they just never explained it and still haven’t. Hopefully the finale will.

But back on the plot, it now plays as Scooge just full of hatred for them, knowing they had to do what they did, even if they weren’t emebzlling but still hating them and himself. He’s likely not even paying attention anymore because he just dosen’t CARE: he has all the money int he world.. and it couldn’t bring him his daughter back. As he sadly puts the coins he was fiddling with back and says see you tommorow he can’t even close the vault without a struggle. As we’ll see later the strength never left, it’s not like he stopped execrising.. but he has nothing left to fight for. Nothing left to care about. He could adventure agian so far.. but without Della or Donald, as we’d learn two seasons later the reason he enjoyed it again... what’s the point? He has nothing left except his money.

This is also a nice parallel to the final Chapter of LIfe and Times. I always felt the first half of woo-ooo was a spiritual adaptation of chapter 12 of that: Scrooge meets the boys for the first time and with their help, and Donalds in the story< Webby and Launchpad here, he regains his passion and more importantly his family after driving them away> The how is very different: he did in life and times due to sinking to his lowest point morally, then cruelly dismissing his family when they tried to welcome him home and bury the hatchet despite what he’d done. Here.. he made a HORRIBLE mistake, one that wasn’t entirely on him but still cost him everything and spent the decade instead of stewing or making more money trying desperately to undo it. The end result is the same, a dried out husk of a man with nothing left to loose and no will to gain anything.

This husk has launchpad though whose introduced as his driver and while good with subs and planes.. isn’t great on the road. After that though Donald pulls up hoping to drop the kids off before Scrooge arrives. Naturally this being a cartoon and Donald having tempted fate with that Scrooge shows up telling him to jettison that Jallopy at once. And finding out who it is, apart from asking how Donald is and Donald doing the same, dosen’t sway him. The boys however freak out after finding out Scrooge is Donald’s and there uncle, with my faivriote bit of that being Dewey exiting the car via a window and rolling across the roof back in. Amazing bit of animation. Wish I had a gif of that.

Donald makes the situation plane and angry and asks “Can you do that without LOOSING THEM”. And scrooge is so painfully disarmed by his reminder of his past mistakes and the fact his surrogate son still resents him, that he agrees before realizing “Shit I have to watch children now don’t I” as Donald drives off. As you probably guessed, this is another scene that plays differently in hindsight, if not by much: It still plays as two men too stubborn and bitter to reconcile.. but now we know the why behind both their rages it feels even sadder. They both lost the person they cared about most but as it sadly happens in real life both have dug in their heels to reconcile, both feeling their right when neither completely is. While Donald was right to be upset at scrooge and della for what happened, and is mostly taking it out on scrooge because he’s the one left... he’s held onto his anger for 10 years instead of going to help when he’s unemployed, living in a dilapidated houseboat and trying ot raise three children alone and could’ve used what help scrooge would give. Scrooge is right to be upset that Donald is just selectively ignoring everything he’s done to save Della, but is too stubborn and prideful to apologize for what he DID do wrong and feels that’s enough to make up for it when , while it is enough that donald should forgive him, still dosen’t mean he dosen’t have a lot to apologize for. Both are just too angry and too much alike, as much as it woudln’t seem so, to settle with each other and see too much of what they lost.

So the kids follow Scrooge.. who forgets to open the door, and Beakly lets them in. It’s a nice subtle bit. After some silence, Bentina TRIES to get her old friend and now employer to talk to them, but he naturally refuses and they do the talking, asking tons of questions.. and Dewey ends the conversation by accidently pressing the “imply he USED to be something rather than is something right now “ button

So Scrooge throws them in the twins old room, and Beakly gives them some marbles. You will give them b ack they will be counted. But another subtle touch I missed the first time is there... her sad look. She clearly doesn’t want to do this, but she has to play this carefully or else he might get mad and fire her on the spur of the moment. He’d obviously hire her back, where else is he going to get an ex spy who will both clean for him AND be his bodyguard and security. It’s a very small pool. Mostly because Beakly probably killed most of the other people who’d of fit that description during her spy days.

Scrooge meanwhile is still rattled by Dewey’s statment, wondering if he really is a “used to be” instead of a “never left”. The fire is starting to spark again.. he just needs more kindling. And more kin.

Meanwhile Louie and Huey marvel at Dewey’s “Brilliant’ breakout plan: hit the door knob with the sack of marbles til lit breaks. To be fair, they’ve known dewey as long as they’ve been alive and even by season 3 after he’s taken several levels in badass and cunning.. he still crashed a plane because his brother well-meaningly called him basic, and thought being nearly sacrificed the most times was an accomplishment. This is the best he could do and you all know it. It also works, so they can’t fault him for that... though he’s quickly kidnapped as are they. They wake up after the commerical break in a room with pure darkness, hung from the celing with a mystery person asking who they are and who they work for before Louie calls out for “uncle scrooge”... so she claps the lights back on and..

Well close. But it is Webby, who cuts them down, fangirls over meeting the nephews and asks who the evil triplet is. They all point to Louie who shrugs it off. I mean it was funny enough the first time but at this point I know he’s running several fradulent charites, almost all scamming his uncle. He’s earned that title. Webby puts them on the big board and then when asked they find out she’s Webby, her granny Beakly is housekeeper. She then asks the big questons “Are we friends now?” “If we say yes will you let us live?” “Ha good one new best friend”

She then explains she dosen’t get to leave or anything even eat a hamburger. The boys are moved by this and Louie asks what she does for fun. She leads them to the vents and while Huey and Louie are a bit relcutant, Dewey naturally goes first pointing out it’s better than the marble room. They agree and are on their way.

Okay unpinning that pin, the crew conciously updated Webby and Beakly as neither really had a lot of purpose in the original. It was also to conciously add more actiony females to the main family lineup, as both creators, both being fathers, preferred someone their daughters could look up to and would enjoy watching. Not someone perfect but someone intresting instead of someone who often got Kidnapped and whose main charactrisitcs were “Sweet and GIRL STEROTYPE” So cleverly they KEPT her being girly, having a skirt, liking ponies. .but also gave her all the training and skill of one Cassandra Cain, a sheltered background and an adorable personality that kept the sweetness but added her probably having killed a man at some point. It worked as Webby is one of the best parts of the show.

Likewise Beakly was upgraded from fuddy duddy housekeeper, to badass former secret agent whose also a housekeeper, and bodyguard and confidant to scrooge. Demonstrated by her talk with him as he tries to put on his diving suit and go after the jewel of atlantis, having spotted the signs to go after it in the paper.. and wanting to prove a child wrong. Beakly points out the flaws in this, and tries to get him to connect to his family. Having lost hers, it’s easy to see why.. though the how’s a mystery.. for now i’m guess. We’ll see in the finale. But she’s Scrooge’s concisence and the one who can easiest reign him in, to the point two episodes directly have our heroes have to NOT call her or else the plot was end, but have that worked into the plot so it works. She’s the calm in his storm and hte one person he needs more than anyone else even if he dosen’t always realize it. He calls family “nothing but trouble” just as Dewey passes overhead.

So naturally as Webby shows off Scrooge’s old treasures in a mysterious room, while the other Siblings are rightfully impressed, Dewey dismisses it as “fake” because he’s being a little shit, and they agree after seeing Donald, not knowing his reputation. The cutaway to him struggling with a stapler does not help> it’s only when Webby accidnetly uneleashes Captain Peghook, a vengeful ghost after scrooge, who gets his hand on a ghostly sword do they realize this time the monsters are real. Huey also accidently wakes up Manny, the headless manhorse!

Things somehow get WORSE as Scrooge finds them.. but is in no state to argue and as our heroes duck and Huey tries to divise a plan.. Scrooge get’s his spark back once agian.. it’s starting to become an ember now... and he charges in despite Dewey’s cries of “No come back your old!”. It then gets VERY badass Scrooge: Oi! Beastie! What's it gonna take to shuffle you off to the afterlife? Captain Peg-Hook: The head of Scrooge McDuck! Scrooge: [cracks his neck, flips his cane around to wield like a sword] Would you settle for his hat?

Now that is how you show how badass Scrooge is in a few lines and gestures. HE proceeds to take both out, as they’ve now teamed up, easily, tricking peghook into cutting off the head of a statue of him in the area, throwinng it at him and finsihing the ghosts buisnesss (”I should’ve been more specifiiiicccccc”) and then giving Manny the head, earning him a loyal employee for life. So our days saved, the kids have faith.. and Scrooge is still pissed. He also reveals this isn’t a treasure room but the garage in what’s easily the best gag of the first half, possibly the whole special but one iconic moment is very close in that one. Webby concedes what about the stack of old magazines or the hose or.. okay he’s probably right. He berates them only for the kids to fire back, pointing out he threw them in a room, they just wanted to spend time with him... but it’s only Dewey throwing his words back in his face that pisses him off. Scrooge bellows at them to get out, clearly having internalized everything with donald into rage and trying to justify pushing eveyrone away instead of working at it... but this dosen’t have time to actually work, nor would Beakly actually throw three children out on the curb, as he hits a mystic gong.. the third time it’s been hit. And after realizing it’s already been hit twice Scrooge is faced with Pixu, the gold hutning dragon! And guess who has a giant bin of it wanting to snack on? Scrooge naturally climbs on the thing and the kids naturally want to follow, with Webby getting her first development by proudly announcing “I’m going to eat a hamburger” then explains the metaphor. They just need a pilto.. and as Launchpad has been saying but I forgot to add in “I’m a pilot”

So we get a GORGEOUS bit of Scrooge riding the dragon over the city, getting banged up as he does before finally being thrown off.. only for the kids to catch him with the planes help and try and come up with a plan. Scrooge overcomes his anger at them not staying put, especailly since Webby brings up the right weakness: as a wise man once said...

So they need some.. like say the Medusa Gauntlet Scrooge had in the garage.. that Louie naturally stole. Huey and Webby eyeroll him but they have what they need.. and Huey brought the hose and quickly comes up with a plan, tying scrooge in, and swinging him to Pixu. The kids hold on tight, Dewey calls his family awesome and our heroes win the day as Scrooge turns the dragon to stone, slips and falls.. and then GRACEFULLY dives into hte bin, showing off his diving skills and his badassery. The day is saved, the gauntlet and the dragon go in the bin for safe keeping and Scrooge calls the kids trouble.. and chuckles fondly. “Curse me kilts how i’ve missed trouble”

He’s impressed: Huey’s quick thinking, Louie’s pickpocketing, Dewey’s drive, and Webby’s magical knowledge all saved them. For once. .he’s happy again. And for the second time in life it took his family to remind him why he does this and show him the true fun of adventure: Getting to share it with those he love. And he finally has people to love again. He has family back, kids who look up to him and want to learn from him again, a REASON to adventure. Money and treasure and eveyrthig couldn’t bring della back.. but he at least sees now that whiel they certianly couldn’t.. they can bring him closely with what he has left. She’s gone, for now.. but she left behind three great kids who could use a mentor and Beakly brought him a fourth. And he just found out he has a pilot. The ember.. is now a raging flame. Scrooge is back. Because i’ts not the money or the glory.. it’s the thrill of it, the discovery.. and the family that makes adventuring worth while and he’s learned that lesson again. So he calls Beakly to clear his schedule.. forgetting she you know PUT A FUCKING PIN INTHE WALL the last time he asked her to play scretary and the onlyr eason she dind’t drive over the choke him to death, is that she’s probably happy he’s back on track.

Back at the interview Donald is stapled to the wall and gets the job.. not as an accountant mind but his employer needs a sailor.. and his employer is FLINTHEART GLOMGOLD. Oh boy.

Part 2: Escape To/From Atlantis First the last bit of background I saved: Originally, Fenton and Gyro were supposed to show up here, starting a gag of Fenton showing up but not being named until “Beware the B.U.D.D.Y. System!”, setting up the sub. But the crew decided this took too much away from the focus on the duck family. The not naming him gag was also dropped, and I have two reasons why: Their given reason, which is it’d take up too much time and a logistical reason: While they gave a heartfelt pitch to Lin-Manuel Miranda, as frank wanted a strong Latino superhero to combat the lack of them on film, Frank and Matt probably thought they woudln’t get such a huge name or at least prepared for it.. and were delightfully suprised when Lin happily and tearfully agreed. So they likely scrapped it so they could properly promote the biggest name in their voice cast. Honestly it was for the best and they still go to do the idea with Drake in “The Duck Knight Returns!”, where it worked much better than it probably would have with Fenton.

We open with the Glomgold Industries Employee Training Video! Encourging IP Theft, making things cheaper and general scumbaggery, and claming your the world’s most beloved scottish billionare. IN short the perfect introduction to everyone’s favorite insane, fake-scottish, scheming, egotistical , short sighted billionaire. As i’ve made transparent before, I fucking love the reboot version of Glomgold and he’s easily one of my favorite parts of the reboot. They clearly needded to find a new place for Glomgold in the grand scheme of things as the show was more about globetrotting adventure and family and less about getting contracts or bets about whose bigger money and more about family. While they DID do a classic bet storyline with season 2, it’s clear the old glomgold was just a bit too stiff to properly fit into this new zanier and deeper universe.

So they instead remolded him as a half insane, knockoff scrooge, someone who PURPOSFULLY modeled himself after the guy to try and one up him, and instead of being a fairly low pitched schemer, was a bombastic idiot whose schemes were half baked, whose name was on everything he made, and whose only thing bigger than scrooge was his glorious ego. In short he was perfect for this series and perfect to show up way more often as a bumbling thorn in Scrooge’s side.. but one who COULD be effective in the right circumstances, as to not make him completely pointless. Keith was likewise the only person I could see in the roll now as with Hater he had a history of playing bombastic, egosticial morons, and made Glomgold into the enjoyable ball of ego, bombs, sharks and shouting we know and love. Some people didn’t take to this version after a while... I’m not one of those. I loved him here, I love him now, and he’s every bit as good in season 3 as he was at the start. He’s also wearing a kilt mcduck A KILT. A bit that’st STILL funny four years and 70 some episodes later.

So we meet Gabby McStabberson and the Smashnikovs as they and Donald file in, though Donald is busy wrapping up a call with Scrooge, who assures them he has a low key day planned.. while in the sub getting ready to go to atlantis. And nearly drowning when Dewey tells Launchpad to dive while he and Scrooge are still up top. Cue credits.

So on the sub we get our setup for the two main plots for the episode: While the main thrust of everything is Scrooge taking them to Atlantis, each leads to a diffrent plot. Louie talks to Donald and lies entirely about their day, worrying Webby.. who then reveals she just didn’t tell Beakly she took off or where she was going and encourages her to call and lie. To save time, i’m going to cover this subplot now minus the conclusion as it’s pretty simple and this review is already a day behind. Louie wants her to lie so she dosen’t worry, which is oddly sweet.. still a bit greasy, but it’s clear he means well and it shows in his own way the boy cares about Donald: Sure he’ll lie to the guy, and set up a fradulent charity to scam him.. but he also knows not to worry his dad-uncle and kows Donald is better off thinking their safe than knowing the truth. Granted it also prevents consequences for Louie.. but he’s not playing here here. He gets nothing out of Beakly not knowing the truth or helping some girl he just met, he’s just being NICE in his own twisty way. It’s a nice show of his depths: While louie will lie, cheat and steal Eddie Gurrero style, he does have a caring side underneath hit. He can read people well and while he primarily uses it to manipulate people, we’ll see time and time again that he can use it for good too and to help those he cares about. He’s nothing but supportive the whole plot, and even when he says “you can’t back that up” it’s more worrying about her and having a bit of crack than actually being a dick.

So Webby tries lying, but is about as good as Huey is at it, saying “I’m at a friends house nothing, then makes up a clearly fake name, then says their only talking in swedish for a grandpa. Launchpad DOES help, but only by accident and snake venom. We’ll get to that. As I said this wasn’t the most complex plot.

The main plot is our focus episode for dewey. In theory each of the kids was supposed to have one in the first five episodes: Dewey here, Webby in Daytrip of Doom, Louie in Great Dime Chase and Huey in Impossible Summit of Mt. Nevverest!. Given the last one was horribly delayed, he instead got Terror of the Terra Firmians, which in hindsight wasn’t the best spotlight episode for him. But it’s a good system; Introduce them all in the first half of the pilot then slowly focus on each one. So now Idoloizing Scrooge, Dewey is desperate to be his sidekick and be seen as an equal and is in deep denial as scrooge instead has them all buckle up for a 17 hour ride and when Dewey questions the route, which skips the direct path.. but is clearly marked with monsters, Scrooge just snaps at him and shuts him down and disapoints the boy who only wants to prove himself to Scrooge.

Naturally though, telling someone with that kind of need for attention and validation to wait goes poorly as he redirects the map while Launchapd is distracted.. and we find out WHY the trip is 17 hours as the direct route nearly gets them killed by mer-ducks, krakens and some sort of storm elemental. Dewey is bummed it didn’t work and annoyed to realize he’s just lumping them all together like Huey pointed out earlier. Huey is also delightful here, having brought travel bingo and sea shanties, clearly used to trips with his other uncle. And adorably taking after him.

But Dewey’s deversion has done more than make him even MORE determined to prove himself to Scrooge whose just trying to NOT loose the son of the daughter he lost...

The Merducks have taken up residence in the bathroom, so they have to make a pitstop. Scrooge, CLEARLY forgetting how to take a trip with children, wasn’t prepared for this but they find a frieghter and make a stop. Naturally it’s GLOMGOLD’S freighter, where his sub took off from, and he and his minons including Donald find Scrooge using the bathroom.. and the boys to Donald’s rage. Unfortunately saying ‘I’ll kill him” to a raging sociopath who takes that as a sign to kill ALL of them, isn’t a smart move.

So while Donald tries to plan to keep his family alive, said family arrives in Atlantis with a great bit of Scrooge trying to give a big speech only for them to see it first and ooh and ah. They touch down in the city.. which is flip turned upside down. Scrooge notes hti is odd but is able to read the hieroglypchs even upside downa nd notes there’s tones of deadly traps and that they shoudl stay back and..

Huey: Dewey ran in as soon as you said traps.

So while Scrooge tries to prevent dewey loosing his head, Donald prevents launchpad loosing his and makes up an excuse about “if their dead now we can’t tourture them later” to cover his ass. Glomgold is impressed. Dewey is Dewcipointed that the traps are upside down, though he does trigger some snakes that get launchpad. He’s fine just delirious. And possibly slowly dying but the fact he’s lived this long is a miracle. Maybe that’s why he’s missing for most of season 3 part 2, the snake venom caught up to him and drake and fenton need to find the cure. Anyways the rest of the party stays behind while Scrooge chases after Dewey, who naturally runs ahead AGAIN.

Donald ducks out to use the bathroom, as Dewey tries the old dance through the laser grid routine.. but forgets the part where your supposed to actually avoid it, leaving it to an unseen Donald to stop the fire traps from barbqueing his boy. IT’s a really awesome sequence that shows off Donald’s still got it even if he dosen’t want it. Scrooge naturally works smarter not harder and simply ziplines above like a badass and berates Dewey when he tells him he took “The easy way”

“Why would you want to take the hard way?” The argument that’s been brewing all episode bubbles up and once again both sides have a point: Scrooge rightfully points out Dewey’s being reckless, has no experince and needs to listen to Scrooge and learn something. Dewey claps back that Scrooge isn’t TEACHING them, just teling them to get behind him while he does things instead of trying to actively mentor them. He outright told them he was going to teach them so while Dewey’s been a wee bit overbearing, he’s right in being disappointed that Scrooge instead just wants them to be safe. I see it as his subconscious acting up: He wants and needs the kids along and is right ot keep them safe.. but is too scared to properly mentor them after what happened to Della and is just trying not to loose anybody. His methods have been right, to keep them safe.. he’s just been so determined to save them, he can’t properly TEACH them so he won’t have to forever or explain WHY. And given the First Adventure shows that while protective he did eventually let Della and Donald pull their weight.. but here he lost so much between adventures.. he just can’e bear loosing them. Dewey also rightfully points out he just lumps them together which in any other version wouldn’t be an issue, until the reboot I had no idea which one was which here? They have distinct outfits and personalities and you had 17 hours to actually get to know them. Probably less given the shortcut but still, several hours at a minimum. It’s things like this that make the series work: while there’s plenty of internal conflicts, at their best their nuanced ones, where if one character is clearly in the wrong they have a reason, and if both are right both are also a bit wrong, versus the original where it’d be scrooge or the boys grabbing the asshole ball at times (Not always mind you but when they did it was insufferable.

However they don’t have time to argue as the bridge goes out and Glomgold finds donald.. and another way around as a result and gets to the treasure first. Scrooge notices they have donald but once again Dewey charges in

“Unhand my uncle” “No” “Okay wasn’t prepared for that”

Naturally both sides are a bit livid, Donald for dragging his boys into danger after being part of the reason his sister is on the moon right now, and Scrooge for working with one of his greatest eneimies.. though Scrooge has less ground to stand on because as Donald points out “I can’t keep track of ALL of your sworn enemies” I mean he has lived like .. 200 years. That’s a long enemies list and Glomgold, while the most persistent, isn’t exactly the most dangerous they probably encountered. Given the guy’s an artist with Bombs and Sharks that does say a lot about how badass Scrooge is.. and how incompitent glomgold usually is. He’s just having an on day today I guess.

Glomgold naturally holds Donald hostage, takes what is suppsidley the jewel and leaves them to drown to death, hitting a wall to let it start leaking. HIs minons run into the rest of the heroes and a fight breaks out while naturally Donald, after even more naturally getting his ass stuck in a hole, literally, rails out at Scrooge for doing this telling him “I knew I couldn’t trust you and” “This is the spear of selene all over again”

Scrooge’s only response is “I was not responsible for the Spear of Selene!”

Dude you still paid for the rocket. While Della shoulders most of the blame, SHE choose to take an untested rocket, SHE choose not to come back during the turbulence YOU still built it and hid it from donald and didn’t make sure she couldn’t just take off in it. Your both to blame. And as I mentioned earlier to the least extent but still an extent, so was Donald telling his grown, adult sister whose as stubborn as she is what she could and couldn’t do. He had the right idea and was the only person trying to be an adult here in this situation.. but he still took the wrong approach with stopping her. Still he got far more ground to stand on than Scrooge, who also took his nephews out. Dewey stops both by pointing out that while yes Scrooge took them on an adventure he’s been doing NTOHING but keeping him safe and most of it was his fault which disarms donald a bit. Though Dewey is quickly distracted.. but for once by an obersvation: the gem glowing above thaem that glowed when they entered... and since the city got flipped turned upside down.. THAT’S the real jewel. Dewey asks Donald ot let it flood so they can get it and begs his uncle to trust him despite his doubts which he does. They get it and everyone’s okay and even more when they reunite with the others they find they’ve handily beaten them. To me this is where donalds walls go down a bit: he realizes he’s been smothering the kids, and that while he may hate his uncle for good reason... he’s not going to make the same mistake with them and while he lied.. Don probably realized if Scrooge had been honest Donald would never have let them go. He can trust him.. and he can trust his kids will be alright without him.

So Glomgold naturally leaves his minions to die, but our heroes manage to make it to the sub, and Gabby asks if they can bum a ride. Not wanting to do any murders they agree. On the surface Glomgold is showing off his jewel, only for Scrooge to upstage him second’s later with the real jewel, and point out his is “nice but defintly cursed”... and right on cue Glomgold gets dragged off with an octopus and let’s off his first “Curse you mcduck!”. Scrooge offers clean water and power thorugh it, for a price because of course he does, and has offically made his grand comeback.

We get back to Webby’s subplot, as she’s confronted by Beakly.. who naturally being a former spy easily figured it out immieditely but is only upset her grandaughter lied to her. And even at that she dosen’t raise her voice or anything about the matter, knowing it’d only make her feel worse and getting that her grandaughter needs to see the world and that much like donald, she walled her up to prevent loosing what little she had left. And since being with Scrooge is safe as with her, she can go with him anytime just tell her first kay? They hug. Awwww.

Donald likewise apologizes, admitting that whatever has passed, he misjudged his uncle here and while not forgiving him yet, is at least willing to let him back into his life and into the boys.. on holidays and stuff at least. But fate forces his hand.. or rather his 10 year old nephew-son having left the engine on and neither having turned it off, meaning his boat goes boom and is in no liveable condition. But Scrooge has the space in his heart and mansion for them.

So as we close the kids help move the artifacts all around the house instead of just the garage while Launchapd drops the boat. While clearing out Dewey notices the painting from earlier.. and finds part of it was flipped over...

“Mom?!”

Now keep in mind, while nowadays Della’s inclusion in the show is one of the most famous and treasured parts of the show.. back then this was a fucking shock. Disney never really cared about the boys mother and outside of one comics story never really went into what happened. So the fact she was not only an actual important part of the plot but we’d find out was a HUGE wham moment and left my jaw dropped after seeing the episode. Like I would with the finales I had read no spoilers and had no idea this was coming but damn was it a huge and welcome suprise and how far they’d take it and how much they’d flesh her out was an even bigger one. Easily one of the best big reveals i’ve ever seen. The only better one I can think of from this series itself... is the end of season 2. But that’s for another time.

Final Thoughts on Woo-Ooo!:

This two parter/hour long special.. is still one of the episodes best and easily one of the best pilots. It does slow down a bit in pacing in the second half, but otherwise is just an immaculate , beautiful pilot movie that introduces and fleshes out all 8 main characters, maybe Launchpad the least but enough to still work, gives us some big mysteries to work out, and even throws in Glomgold’s first apperance. It sets the tone, reverent and adventuerous but also with it’s own weird and wacky sense of humor and world building, and universe perfectly. I .. don’t have much else to say really it’s just THAT good and really worth checking out. If you somehow haven’t seen it go watch it and if you haven’t seen it in a while might be worth a rewatch before the finale. The absolutely perfect start to an amazing ride.

Next on the Della Arc: Dewey and Webby try to figure out where Della is while Louie learns a valuable life lesson and pisses off a killer robot along the way.

Next on the Blog: Amphibia Season 2 is back!

Until then if you liked this review follow for more and if you could please support me on patreon. Even a buck a month helps and juicy stretch goals give you na incentive to contirbute. We’re 5 bucks away from 20 dollars a month which means a review of super ducktales and a Darkwing Duck review EVERY. MONTH. So contribute now! Until the next rainbow it’s been a pleasure.

#ducktales #wooooo #woo-ooo #scrooge mcduck #webby vanderquack #donald duck #dewey duck #louie duck #huey duck #bentina beakley #launchpad mcquack #flintheart glomgold #della duck #disney channel #disney xd #disney plus #ducks

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williamaltman · 4 years ago

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Luke/Alex Rant

Negativity Alert.

So, ugh, the whole Luke/Alex being exes thing actually brings me so much pain, and it’s like no one understands me :(

I’m actually gonna start with the part that’s gonna make people hate me, which is probably not the best idea when looking for sympathy/empathy/understanding, but oh well, it just makes the most sense to me to write it like that... Thanks for those who bear with me.

First of all... It’s not really canon. I mean, maybe it could be. Maybe they could make it in s2. But I’m tired of people saying it’s straight up confirmed, putting it on wikis and everything. Owen and Charlie were just chatting, joking around and having fun with the fans on live, they weren’t being completely serious.

They clearly like to support fan theories, headcanons, ships. Yet on actual serious interviews they have never mentioned that. They have even talked about how Flynn/Reggie was supposed to be a thing, but not that. Not once did it come up when talking about LGBT representation on the show either(why would they not say Luke isn’t straight?).

I understand having a headcanon and feeling validated when the actors support it but it seems like most people legit can’t tell the difference between that and actual officially canon things? It seems like people either think this is actually written in the show(which we don’t have any evidence of) or that the actors have the authority to decide what’s canon just like the writers/showrunners/directors, which... It’s just not true?

Now, why it actually upsets me.

Well, just for starters... IT’S SO SAD??? I really don’t get what joy people get into characters being broken up??? And I mean, the fact that they stayed friends and are still fine with each other is nice I guess, and I see why that could be appreciated... But at the same time the one thing that made people get this idea was when they held hands in episode 2 when they got scared... With the idea being that Luke instinctively went to Alex to cope, and then Alex said “Let’s not” as in “Let’s not make it weird, we’re not together anymore”.

Which is so freaking sad??? The idea that they used to be each other’s emotional support and now even though they’re friends they can never really be that close anymore? Which, means that things are NOT just completely fine like ~UwU happy exes~??? Same for the also popular "evidence" that Luke supposedly looked sad when he realized Alex liked Willie.

And so, we go to the fact that... They’re clearly not happening “again". Willex and Juke/Palina are the ships. I see most people who are into this saying they’re into the current ships anyway and want for them to thrive and for Luke/Alex to stay only in the past. Which, I mean... I KINDA get, liking ships in the past but wanting them to move on. But that makes more sense to me when it’s something that it’s actually in the thing, not something that’s not shown and you’re pushing to happen only to add heartbreak that didn’t need to be there.

EVEN THEN, pushing that aside and understanding liking this idea of them in the past... Why need for that to be canon then??? If it’s all about the fanfics and fanarts and aesthetics and somewhat suggestive moments to relate to that but nothing actually substantial on the show... Then why push for more than that and open the door for people to get invested and want for them to get back together, when for you nothing’s gonna change either way? It’s so counter-productive.

And if you actually want for them to get back together... Well the idea that the creators of a show targeted at teenage girls would take away the main het ship for a gay one even though there’s already a canon gay ship that doesn’t interfere with anything is ridiculous. So again, keeping it as a headcanon and maybe reading fics where they get a happy ending instead of pushing it as canon it’s the best idea possible too.

Ok, I didn’t mean for this post to be so argumentative and combatitive. I meant for it to be more about my feelings really. But now that I feel like I’ve actually brought good arguments to my stance, there’s that feeling that actually exposing my real emotional reason to think like that is gonna “ruin it” and just invalidate everything... But well, I guess that’s too bad, and if anyone’s taking this seriously at all, which most likely isn’t the case, I again ask you to cut me some slack and not just think everything I said is dumb as hell because of what comes later? Like let’s be real here, we’re all coming from some kind of emotional place here, right? Even getting so attached to fictional characters at all.

So, the thing is, I WOULD LOVE LUKEALEX SO MUCH. The possible dynamic and/or tropes/archetypes that they could have would be literally my weakness. It’s already my weakness. In fact what I might consider my very first serious ship already has it. And god, did I suffer for that, and in the end I don’t even know if the results were worthy and if I’m even sure of what they were.

And that ship was actually a wlw one. A mlm one(I’m a gay guy) makes it 10x worse(the fact that Luke is like totally the kind of character I’m attracted to and Charlie is also like, perfect, doesn’t help either). It would make me invested in a way that would probably already be too much if they were together, but them being exes just absoutely DESTROYS ME. Like on a visceral level.

And the fact that the idea is most of the time that Luke was the one who was there for Alex when he came out. And that maybe Luke was his first love. And now that's gone. It absolutely kills me. It’s so so so tragic.

Like, I actually read a fic like this. Before this whole thing became so popular and Owen/Charlie said anything about it. And it destroyed me. I bawled my eyes out for like an hour. As well-written and touching as it was, it wasn’t worthy, it was definetely not worth suffering so much like a month after reading it.

So it’s just so painful that for most people this is just a cute little thing that doesn’t affect them at all while it truly hurts me so much :/

So yeah, this is my rant. It should probably have been two separate posts, one talking about how I don’t think it’s really canon and one why i don’t want to... Cause as I said, I feel like no one is gonna take me seriously while if I ended it on the arguing part it would lend more credence to it. And I do think people desparately need to take a step back in regards to how they’re considering this 100% confirmed canon(or even anything besides a little teasing).

But I had to vent I guess. Please be kind enough not to come here fight me. Edit: I didn’t mention this at first cause it’s kind of not the main reason and not relevant to LukeAlex specifically, but: I value canon MLM ships A LOT, and watching the show I loved Willex so much and saw nothing between Luke and Alex, so I do 100% want to focus on the canon ship instead of going down this route of hyping up a crackship(that wouldn’t be a crackship if the exes thing was made canon, and might not even classify a crackship even now, but still). I’m not trying to make a point about how people who ship LukeAlex are evil (because, in a way, I do too!), and I definetly don’t want to throw the racism card, but yeah. Just a little extra point to make.

#Anti LaLex #Anti Luke x Alex #Anti LukeAlex #Anti Lulex #LukeAlex #Luke x Alex #Alex x Luke #Anti Alex x Luke #I mean not really #but I guess I have to tag it like that #Luke Patterson #Alex #Julie and the Phantoms #JATP #Rant #Vent #Long Post

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hlupdate · 4 years ago

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The second takes place a few years later: Another hotel room in England — this one in Manchester — where songwriters and producers Julian Bunetta and John Ryan were throwing back Cucumber Collins cocktails and tinkering with a beat. Liam Payne was there, too. At one point, Payne got up to use the bathroom, and when he re-emerged, he was singing a melody. They taped it immediately. Most of it was mumbled — a temporary placeholder — but there was one phrase: “Better than words …” A few hours later, on the bus to another city, another show — Bunetta and Ryan can’t remember where — Payne asked, maybe having a laugh, “What if the rest of the song was just lyrics from other songs?”

“Songs in general, you’re just sort of waiting for an idea to bonk you on the head,” Ryan says from a Los Angeles studio, with Bunetta. “And if you’re sort of winking at it, laughing at it — we were probably joking, ‘What if [the next line was] “More than a feeling”? Well, that would actually be tight!’”

“Better Than Words,” closed One Direction’s third album, Midnight Memories. It was never a single, but became a fan-favorite live-show staple. It’s a midtempo headbanger that captures the essence of what One Direction is, and always was: One of the great rock & roll bands of the 21st century.

July 23rd marks One Direction’s 10th anniversary, the day Simon Cowell told Harry Styles, Niall Horan, Zayn Malik, Liam Payne, and Louis Tomlinson that they would progress on The X Factor as a group. Between that date and their last live performance (so far, one can hope) on December 31st, 2015, they released five albums, toured the world four times — twice playing stadiums — and left a trove of Top 10 hits for a devoted global fan base that came to life at the moment social media was redefining the contours of fandom.

It’d been a decade since the heyday of ‘NSync and Backstreet Boys, and the churn of generations demanded a new boy band. One Direction’s songs were great and their charisma and chemistry undeniable, but what made them stick was a sound unlike anything else in pop — rooted in guitar rock at a time when that couldn’t have been more passé.

Kotecha, who met 1D on The X Factor and shepherded them through their first few years, is a devoted student of the history of boy bands. He first witnessed their power back in the Eighties, when New Kids on the Block helped his older sister through her teens. The common thread linking all great boy bands, from New Kids to BSB, he says, is, “When they’d break, they’d come out of nowhere, sounding like nothing that’s on the radio.”

In 2010, Kotecha remembers, “everybody was doing this sort of Rihanna dance pop.” But that just wasn’t a sound One Direction could pull off (the Wanted did it only once); and famously, they didn’t even dance. Instead, the reference points for 1D went all the way back to the source of contemporary boy bands.

“Me and Simon would talk about how [One Direction] was Beatlesque, Monkees-esque,” Kotecha continues. “They had such big personalities. I felt like a kid again when I was around them. And I felt like the only music you could really do that with is fun, poppy guitar songs. It would come out of left field and become something owned by the fans.”

To craft that sound on 1D’s first two albums, Up All Night and Take Me Home, Kotecha worked mostly with Swedish songwriters-producers Carl Falk and Rami Yacoub. They’d all studied at the Max Martin/Cheiron Studios school of pop craftsmanship, and Falk says they were confident they could crack the boy-band code once more with songs that recalled BSB and ‘NSync, but replaced the dated synths and pianos with guitars.

“You saw that they caught the bug and were really good at it,” Kotecha says of their songwriting. “And moving forward, you got the impression that that was the way for them.”

“We could use their voices on Four to make something sound more exciting and bigger, rather than having to add too many guitars, synths or drums,” Ryan says.

Bunetta remembers Zayn playing him “Pillowtalk” and a few other songs for the first time through a three a.m. fog of cigarette smoke in a hotel room in Japan.

#harry styles #louis tomlinson #one direction #1d ten #220720

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