#i got a lot of qs about that

[bethanysmiled]

The Immaculate Birth of Fortune

[cent-scratchnsniff]

More sketchy employee profile images. Mostly made to be able to replace the picrew I had in the template I made since I can draw. I did end up just putting it as back and white though but the color is just nice to have. I'm STILL trying to tweak the template since it is very finicky and there is an example of what it looks down below if you're interested. It is a lot. It will happen. I am just not the quickest

There are typos and inconsistencies I missed but in general it should be fine...

[arolesbianism]

they make a Jackie duplicant and her stress reaction is all of them at once and her overjoyed reaction is also every stress reaction at once because I think if this women felt an ounce of legitimate happiness again shed immediately self destruct herself into the ground

[darqx]

Snakes on a post

Another particularly long answer dump since i, once again, have a backlog of things to potentially answer |D

❗️For commonly asked qs please see my BTD FAQ

Got jumpscared with my own old art for a hot minute there LAUGHS.

(For those wondering, the naga doodle from here was attached to the ask)

That is every other Royal that exists in the Nether and also at least some of the demons that challenged him for his Royal title lol.

Believe me, no one was or is more surprised then me XD;

So, the thing about where Rire's ichor manifests is that it kinda exists and doesn't exist at the same time. Meaning that his upper back is where the manifestation point is anchored, BUT it can still manifest with a bit of space in between it and his back hence why it will manifest over his clothes and not through them.

So if you touch where the manifestation point is sans the ichor, than you are just straight up touching his back. With the ichor, he still gets sensory input from the tentacles to his back but it's a lot more soft and muted esp the further away it gets from him. As you've seen implied though, he would feel a very sharp pain if a great deal of damage was done to the ichor where it clusters at the manifestation point, since he'd DEF be feeling that straight in his back lol.

He is definitely a top and the only way he would bottom for anybody is if they somehow forced him to.

Ah i knew i'd answered this a long time ago [finally found it]! Holy crosses (those that have been blessed) can also burn him but they would need to be in contact with him the entire time. Being a Royal he also has more of a tolerance to these than normal demons.

Well, unless said person actually has the undeniable ability to make good on their words, Rire would just stand there rather genially with that little smile he sometimes has and let them finish.

And then he might use them as reverse suggestions for dealing with said person (why would you give him any ideas!!?)

both

In BTD canon it is quite possible that they actually haven't in person. But we are using creative license here haha.

Rire heals a lot faster than a human. Cain is not my character so I don't know how his stacks up.

I've grouped these asks cos they kind of have similar answers - 360° (jk sorry sorry to the second q that is just a very common spelling mistake and I couldn't resist XD; )

Now, even though we mashed all the characs together in BTD, they all actually come from different storylines and so their canons outside the "BTD canon" may differ. This tends to bleed in. With this in mind:

The rules of Rire's canon (eg the concept of Battle Royales and how to become a Royal) don't apply to Cain. Anyway, they don't live in the same place either.

Cain is canonically the oldest and most OP character in BTD lol so yes he is stronger than Rire - you might've noticed, but Rire is never in the same drawing as Cain voluntarily. I play with this along with the "natural weakness" aspect - which I've also referred to as scissors-paper-rock rules XD Basically; demons beat humans, angels beat demons (purely because demons have weakness against holiness).

It would (be insane) but I hope you are not looking at me to fulfil this :d

Not really

His coronation day is a public holiday in his sector so yes XD

Aww thank you very much for your interest! ≧(´▽｀)≦ It's really cool that some of you guys want to actually fund such a thing - I'd have thought you'd have enough of him killing you in BTD1 XD Unfortunately, I have no plans for a Rire game at the moment as I'm working on a webcomic which looks like it will take up all my free time (that being said, he will be in the webcomic at some point).

Nope! Although i can kinda see why you might think that lol.

Whatever that one is where he doesn't particularly care what someone else identifies as. It really makes no difference to him or how he will act.

There are viruses in the Nether that if contracted could potentially kill you, yes. Part of being a Royal is becoming a lot more robust than normal Demons though. As for if/when Rire dies, I dunno maybe either in a Battle Royale somewhere thousands of years down the line or by old age (which is rare for a Royal but not impossible if you play your cards right).

If you are asking if he has a heat/rut of some sort, he does not |D

[notedchampagne]

What would be any of your characters most embarrassing memories? Something that makes them physically cringe and shrivel up into nothing kinda memory

I have many

So i needed to ask

after sienna and her ex broke up she still went to their band hangout after her classes out of instinct. very awkward moment where she didnt know if she should go or not

dixie went to a lot of sexy parties in shis 20s. during one of them she felt awkward just sitting there, asked if she was allowed to leave, and got some scathing side eyes from interrupting a couples very intimate time together

raes most embarrassing memory was when she got her period in the middle of school and had to go to the nurses office. everyone else forgot about this day but she never got over it

micahs most embarrassing memory was last week when she asked a girl if she wanted to go home with her and got rejected

thanks for asking qs :) sienna & dixie + micah & rae tags

[visualtaehyun]

P'Den held a space on twt last week wherein he answered questions about the four shows he's currently involved in - Zomvivor, The Next Prince, Khemjira and Love Upon A Time - and shared stories from on set of the different shows, about the actors, about his work in general as well as his methods etc. Since I've kinda become a Domundi girlie and follow P'Den on twt, I thought I'd share what he talked about on here ✌

Disclaimer: not a native Thai speaker, still learning 🙏

He spoke Thai most of the time so I'm mostly translating here but some questions were answered in English and then summarized in Thai so those parts I tried to consolidate to a degree. This entire post is not a 1:1 transcription or translation but I tried to stick as close to his word choices as possible, while still writing from a third person perspective. Oh, and I also sorted everything into four parts according to which show he's talking about instead of following the space chronologically.

Cheers, have fun, and do feel free to ask me any follow-up questions!

(Full post under the cut for length.)

To keep things concise (oh the irony after that previous sentence 🤡), the four shows will be abbreviated as ZVV, TNP, KJR and LUAT from here on out.

🧟‍♂️ "Spoiler about SanNon please, Kru🤣" (San and Non are Zee and Nunew's characters)

He likes seeing people's guesses from the teaser and that there's been a bunch of people who got close to what actually happens in the script. Are we gonna see them fight? ZVV is about raw human instinct coming to light when faced with disaster. The disaster or monster is a representation of a crisis or of problems within society. ZVV is set at a university so, once there's a zombie outbreak, how do the students deal with the problem?

🧟‍♂️ "On the set of ZVV, were there actual ghosts?"

ZVV was filmed mostly on a university campus, though there are some scenes outside of that setting. [In comparison to the set of KJR] they didn't really have any ghost encounters on set. But people were still afraid sometimes because they often filmed at night. For example, they shot in a library that was closed for renovation so there hadn't been any people in there forever. Or sometimes they shot on campus at night and had to turn off all the lights to set up the lighting. The only ghost encounters where when he'd run into some the extras in the restrooms, especially when he'd be lost in thought, after the extras were already in full zombie makeup. In that case, he'd be screaming sometimes.

🧟‍♂️ Talking about workshops

Lots of animal exercises where everyone would get assigned a different animal, observe that animal's behavior, and then play as that animal. Some human behaviors are already associated with animals, like 'mischievous like a monkey' or 'furious like a tiger'. Taking those animalistic sides into ZVV made the actors open up to their own instincts.

🧟‍♂️ "Were there any challenges in filming ZVV? Like anything you'd say was hard to film?"

There was one scene, one sequence really with many small scenes, that took 3 Qs to film! It was a big scene with effects, action, filming with special equipment, rain that had to bet set up. Plus the amount of actors being almost the entire label, maybe 60-70 people in the scene in total. And Aof and Kla wanted it to be perfect as it's one of the major scenes in the show. It was tiring for the actors, too, of course. But they did it and can be really proud of the final product.

🧟‍♂️ "Development of ZeeNew's acting from ZVV to TNP"

He says they were already good to begin with, ZVV just required a bit of adjustment for them since P'Den is one for realism. Not just them but all the actors had to train 'physical' with Om and Fuang - using one's body, combat scenes, letting one's body respond to emotions, movement. His part was more focused on the script and the character's inner works. ZVV was also intentionally filmed like a movie, making the acting choices really authentic in those situations. Many times, he wouldn't give the actors any choices beforehand, unlike during filming a series usually goes, where he'd go over the blocking, choreography, cues etc. Instead they explained the situation the characters were in, told the actors where the camera(s) was/were, and how far they could go in terms of blocking - but the rest was left up to the actors to go free and explore their own choices. So for Zee and New, at the very beginning, they were used to being given choices or having choices thought-out ahead of time. But once they met with P'Den, he tried to have them be in the present moment as much as possible and make choices according to what their characters feel at the time. He could tell they weren't used to it, but used to getting more input, so he met them halfway at first, giving them some help but still encouraging them to find and explore by themselves. Once they started TNP, they were much more used to his method and developed to be actors that are more free. They'd still ask for his feedback on their own choices sometimes, even though P'Den says they already thought like their characters and understood them well.

🧟‍♂️ Air date

Coming in the 4th quarter of 2025, as announced. He implied again that it will be aired on Netflix. It's still in editing, considering the CG, but almost done. We'll see the Domundi boys in roles that they don't usually get to play or are a departure from previous ones, like getting to do action and dramatic scenes for some that routinely play comedic roles or trying out comedic scenes for those that come from drama. There are many flavors in this series.

👑 "Does TNP still have any surprises, wow moments, stuff to leave us stunned, something that fans would never see coming? Like something we'd never expect to see lol"

So many! TNP is just The Most in his life so far. Everyone's using every skill they have and still learning new things for the show. There are scenes from the novel and new scenes, there are many grand scenes and special situations. The actors had to learn horse riding, fencing, ballroom dancing. There are many surprises that weren't in the pilot and characters that haven't been introduced yet.

👑 "First impression after working with P'Zee and Nong Nunew ☺️ Thank you, Kru Den, for being so passionate about TNP!"

He first met ZNN for ZVV and is happy to have met them. From an outsider's perspective they look utterly perfect, he had no clue what their real selves would be like. Zee seemed mature and prudent and Nunew's the miracle child who can do anything. Once he got to know them though, both of them still seem really young. They have so much enthusiasm for work, ask a lot of questions, want their work to turn out well, are down to earth and easy to talk to. They're really lovely Nongs to him but really all of Domundi's actors that he's worked with are lovely. He's never felt troubled when working with any of them because they all take their responsibilities seriously. ZeeNew work so much, he sees that they're working every day, yet they always do their homework. He never has to tell them which scenes precede and follow the scene they're currently filming, never has to tell them what their character is doing or feeling. He only has to help remind them of certain points or suggesting choices and then lets them play, sometimes letting them suggest choices themselves for him to decide which one would be most fitting, especially for difficult scenes. For New, that would be scenes where he has to cry right from the start of a scene. Playing music or talking about his character's feelings gets him there. Similarly for Zee, talking about what his character's been through gets him there. He's really happy to be working with this label's kids.

👑 Talking about workshops

The emphasis was on interpreting the script and finding the private moments of the characters and what they're like in those moments, what they think, want, are lacking. When they're with other people, what mask do they need to wear, who do they need to appear to be? TNP is about personas we need to portray in the world. It's Khanin's journey of suddenly finding himself to be a prince who needs to compete in the tradition of fencing, so he has to conduct himself differently depending on the individual. What is he like with his friends, with Charan, when faced with the public? Same goes for the other characters. They also improvised situations that aren't in the script, like filling in the parentheses to understand the course of events.

👑 "If you had to choose three words to describe the first episode of TNP Series, which ones would you use?👀"

Emotional. Roller. Coaster.

The first episode is always the establishing one, the one that explains what a given series is gonna feel like. So of course the different flavors we'll see in the entire 14 episodes of TNP, are all gonna be there in the first EP. No need to be afraid that the first EP's gonna be plastered in exposition. We're getting all the flavors right off the bat. Whatever we assume must be in TNP, we'll get in appetizer format in EP 1. All crew members that got to watch it, and P'Aof too, said that EP 1 has the vibe of a foreign production, kinda like Heartstopper, kinda like Red, White & Royal Blue, kinda like Bridgerton. There are gonna be lots of emotions, twists and turns, a bit of romance, a bit of comedy, a bit of drama, action, royalty. It's an introductory episode with its own depth and style.

👑 More than one person asked about Itthi, a beloved character in the novels

P'Den asked P'Aof for permission earlier to address this. About Itt - TNP has a script advisor, Kru Aumm, who's a talented screenwriter known for Analog Squad, for example, and has worked as a script advisor for Netflix Thailand and GDH. P'Den has worked with her before. Though P'Den is the acting coach for TNP and thus has nothing to do with the script but he knows that Kru Aumm advised about Itt and Wetid. In order not to have the cast size get too big and because these characters have really similar functions (in the story), she advised to merge them into one person, who would serve both Wetid and Itt's purposes. This was also done to tighten up the script. Of course they didn't want to cut too much from the plot that would make the main plot go down. So both characters have been combined into one character, Wetid, that is played by Most Witsarut. His acting skills are great, he's a Directing and Acting graduate as well and P'Den already knew and has worked with him before. As Wetid he'll be fierce and Charan's helper in lots of instances related to the main plot. P'Den saw questions about Itt come up again and again, some people thinking we'd just have to wait to see him in the series, so he asked P'Aof if he may announce that there's no Itthi in the series but that he's been merged into one character with Wetid.

👑 Someone asked about the photo of ZNN napping and cuddling on set of TNP that P'Den shared on twt

It's obvious that, once they need to change scenes, different people would disperse all over the place to get dressed, get their hair and make-up done, and read their own scripts. But these two get together - helping each other memorizing lines, rehearsing by themselves so it'll be faster and easier once they're on set, playing with each other like we've seen in photos. If there's time to rest, they'll play around together, teasing each other back and forth. If they're tired, they'll hug or sit on each other's lap. Sometimes, if they're too lazy to walk onto the set, they'll carry each other onto set. You'd think P'Den would be used to it by now but he still isn't. There's always something new to observe. Most of the time, it's probably New trying to annoy Zee, Zee teasing him back, New acting sulky and then Zee making it up to him. And then they're cuddling (while lying down). It would go something like that. They play with, comfort, and take care of each other all the time. If New gets tired, Zee would get to him even before a crew member. Sometimes New gets water or tissues, for example, even before the crew could (for Zee). Sometimes they fight, just like any other people who are close to each other - same as P'Den and his boyfriend [legally wedded, actually 🙂‍↕️] sometimes tease each other or fight with each other for some spice in their relationship [his words, not mine 🤣 sounds familiar to zonzons, too, no?], and then hug it out, comfort each other, and call it a day.

(ZeeNuNew) are very professional. At first, he felt a lot of pressure to be working with them because they're already very successful and famous and he was afraid that he wouldn't get up to par with them. P'Den isn't the type of person who feels like he needs to prove himself, he just always does his job the best he can. So he studied the script and scenes extensively, prepared his own timeline for all the scenes and situations, in terms of how the relationships change and the characters grow and develop, so he'd have his own documents to refer back to when he's coaching them or when they have any questions.

The crew is amazing, too, everybody remembers the timeline of the story and helps with the continuity of acting, emotions, hair & make-up etc. Since everybody does their jobs to the best of their abilities and with lots of passion, he hopes that'll prove itself. Nothing is perfect, of course, like there still might be oversights or mistakes but everyone's trying really hard because they know we've been waiting for this for three years. P'Den understands (the frustration) because he himself is also a fan who's had to wait years for things he's a fan of. But they're all really trying to get it right for us.

👑 About the script + final words

There were lots of script adjustments from the novels, both to tighten up the plot and make it more intense as well as to add stuff to make it more fun. There are more scenes to show Khun Charan's and Khanin's skills, in terms of sports disciplines, action scenes, drama. But there's still lots of cute scenes like in the novels. Kru Aumm's team, from Netflix, was coordinating with the script writer all the time to make several instances more condensed while retaining Khanin and Charan's character growth without leaving anyone behind. We are definitely getting the issue of the royal houses vying (for the throne), family issues, issues related to trauma, some political issues that are gonna make it more modern to current day audiences that P'Den thinks we'll enjoy debating and analyzing for sure, various symbols [unsure if he means literal emblems and such or symbolism], beautiful luxurious costumes and locations with hidden meanings that we'll also likely enjoy analyzing.

👻 "Kru Den, which scene in KJR do you think has been the most difficult? Have you encountered a lot of obstacles while filming? I saw that during the latest Q it was raining too ㅜㅜ"

Filming's been going pretty smoothly since it's dry season, the weather's pretty cool, and there's barely any rain. If it is hot, there's always fans, AC units, cooling wipes on set. On Domundi sets there's never a need to worry about the well-being of the crew and actors. Three meals a day, another two that are snacks, and tasty beverages! [lmao] It's just been recently that nature's interfering, like the rain during the previous Q. Which scene does he think was the most difficult? There's been one day where he said it was the biggest and most tiring day since the start of filming, in terms of filming technique, the number of people in the scene, the difficulty and intensity of the scene. People can probably guess what scene it is since there aren't that many scenes in the novel with that large a number of people and that're this brutal.

👻 "For KJR, could you spoil if there's gonna be more exciting things from now on, be it about the cast, scenes or anything else? After announcing the casting of Granny Si, there haven't been any more surprises to get excited about. Could you maybe spoil a little bit more? 😣"

There's so much still! There are still many characters from the novel that haven't been announced so there's still many actors to get wowed by once the series is on air.

👻 Talking about workshops

A lot of improvisation exercises to find the relationships, backgrounds, connection to the past etc. until they could speak and think like their characters.

👻 "KengNamping, TleFirstOne, how is their acting to you, Kru Den?"

It's good he met them ever since the pilot so he got to know everyone's strong points and what they'd still needed to work on.

Keng, for example, comes from movies so he struggled a bit at first with the way series are filmed, since you have a lot of cuts and angles and need to keep playing them the same way to keep the continuity. Whereas in a movie you'd be more free in your acting. He got used to it after the pilot and the workshops. Keng's role doesn't allow him to express a lot. Paran isn't the type of person to show what he's feeling outwardly or immediately. He has a maturity and circumspection to him, a feeling of keeping everything, all his feelings, tucked away in a drawer. For him to outwardly show something, it has to be notable. So Keng's challenge is that he can't feel and express things in one layer, he has to keep it to himself and select how much he'll show. For example, other characters might shout at each other but Por Kru wouldn't do that. He uses his gaze, his deep piercing voice, but wouldn't yell loudly. But Keng does it really well, a little goes a long way. And Keng has a great sense of give-and-receive with his scene partner. Sometimes just seeing him sit with a scene partner, like Mae Nok Noi (the actress who plays Granny Si), just the two of them, there's no need to even be speaking and it's already just right.

Namping is like P'Den, personality-wise. It's like he has two modes: Playful all the time but once he walks onto the set, he's calm, concentrating, ready for rehearsal and blocking, remembers his lines right from the get go. He doesn't hold his script when he enters the set - none of the actors P'Den is working with do, actually. Everyone memorizes their lines at home and did their homework on the ride to work or in the dressing room so once they're on the set, everyone's quiet and ready for blocking, rehearsal, and filming. Namping is that way - in the dressing room he's still playing around but as soon as they're preparing to film, it's on! Cut, moving the camera - and he's back to his cheerful self. P'Den has never seen Namping be exhausted in the almost 20 Qs so far, he's always full of energy which gives the people around him more energy, too.

Tle is detail-oriented, always the first one to get on set, very diligent, open towards different choices. The role of Charnvit isn't easy. It has a nerdiness that's approachable, instead of completely absorbed in one field of interest. He's critical and believes in cause and effect and it's this rationality of his that helps the group. Tle executes that well. Tle also doesn't really play around once he's on set - worlds apart from First!

First is mischievous but once he has to focus, he is really determined. He'll suddenly turn into a school boy, gaze fixed on P'Den and always asking so many questions. People like to ask if Tle and First aren't just playing themselves but Jettana (FirstOne's role) actually has so many dimensions. First can do them all, be it serious parts, dramatic, loving his friends, fun, funny, action, mischievous etc. and not all of them are First's real self 100%.

👻 "Which of the locations for KJR do you think is the scariest, Kru Den?"

Yesterday's! (Q19)

👻 "P'Den, about KJR, would it be any differences about Khemjira's character between series and its book? Because Khem is too easy to cry in its book kaa."

Yes, there will be some differences. When it's understandable that Khem is emotional, sensitive, and feels like crying then he will be crying in the series. But they're not going for a weak Khem. It's good and touching in the novel because you get to feel with the character. When reading you connect via the words and your own imagination. But once it becomes visual on-screen, he thinks people don't like to see the main character cry that much without doing anything for themselves or others. So in the series Khem's gonna be a little tougher. He'll still be sensitive, emotional, naïve, reserved but he will try to survive, just like the title. He'll try to persevere and do things for himself and his friends more.

There are gonna be some side-stories to showcase Paran's ability in dealing with ghosts and supernatural beings in the village, his relationship with the people in the village, and beliefs around shamans. And also side-stories to showcase Khem's strong mind and will and his ability to survive - if he managed to survive 20 years of his life, without his mother, seeing ghosts all the time, enduring all that, then he must be a strong person, not a crybaby. What he will be crying about would be personal and because of his feelings for the other characters. Of course Khem won't turn into the Daughter of the Village Chief [a wild child tomboy female character] but he will be a bit stronger than in the novel.

👻 Final words

They're still going strong with filming. As he said before, there have been some additions and changes to the script so it's still intense but can be shot more realistically. There's interference with beliefs, the principle of karma and the wheel of dharma, saving each other, saving oneself, taking a life to survive in any way, surviving like you're the only one to survive or surviving like we help each other to go on. The message is gonna be concentrated on cases of wiping out ghosts and meeting villagers who can make us come to terms with something. Which is in line with P'Aof wanting to make series not just for entertainment purposes but also to discuss and bring up various issues.

Since the show is 12 episodes long, some parts of the special chapters are going to be mixed into the series as well as side-stories and events from past lives. We're going to see a lot of culture, history, and a thrilling romantic story.

⏳ "P'Kim shared that the scarf scene was improvised, now I wonder how often the boys improvised the scenes?Another one is the part where PhopKhun being intimate, was the awkwardness a deliberation or was it coz JJ was too shy?"

He isn't very keen on improvisation since every scene has to connect to the scene before and after, they can't allow all improvisations to make the cut since the emotions and relationships have to be consistent and some scenes require an agreed-upon sequence, like combat scenes. If there are improvised moments that were kept in the pilot it's because they discussed whether the actors' instincts during filming fit the scene, in which case he let it pass, or not, in which case they'd discuss if it could be adjusted in a fitting way. They mostly just follow the script as is standard practice, these kinds of instinctive choices can make the scene stand out and fit each actors' interpretations of their character. So it's about 90% following the script direction but actors are also free to add their own interpretations and encouraged to be in the moment.

The awkwardness between Phop and Nakhun was indeed deliberate. Some of the choices are of course JJ's, like the facial expressions, but it was scripted to be this way, it's not because JJ was actually too shy or anything. There are gonna be parts where Nakhun becomes more daring but since the pilot takes place at the very beginning of the story, Nakhun gets shy a lot with Phop.

⏳ "Tell us about LUAT please"

Regarding workshop, it's a lot about language. It's like acting in a Shakespeare piece because we're trying to speak an obsolete language. So the kids had to translate their scripts into modern day language and then they'd act out the scenes with modern language first, in order for them to understand the characters' feelings and wants within a given scene. All four understood their characters and scripts, everyone just had their own things to work on, e.g. Nong Tte speaks too fast sometimes, Net doesn't always enunciate clearly. Some things are habitual and just part of their speech patterns, so they'd be difficult to change within the 2 months they had between workshops and filming the pilot. Learning to speak a 2nd or 3rd language accurately and precisely takes time. The LUAT actors are gonna be working with a speech therapist/vocal coach soon.

⏳ "For LUAT, was there any scene that was hard for the crew or the actors?"

Since this was a pilot, they had 2 Qs of time to film it. And during Q1 they had to move (between?) 2 locations so they were tight on time for actual filming. The kids got very little chance to play several takes since they had to keep going. So for the pilot they rehearsed extensively beforehand, ever since the workshop, every single scene. What we see in the pilot, most if not all of it was shot in under three takes. Among those three takes, none of them were bad either, but they were different choices, in the sense of being less or more, or different options for editing later.

What was hard for the crew was the scene of them sitting and drinking together, half-way into the NC scene, on the terrace. It took almost an hour to set up the lighting because they hardly used any electrical lighting, it was mostly practical lighting, lighting up candles and lamps. Meaning the candles had to continue, they had to change them out after every cut, and the oil lamps had to continue, the fire had to be consistent. And the actions and feelings between the characters were difficult as well. It was almost half past midnight at the time so everyone was tired. He remembers this scene requiring a lot of time and effort.

Another difficult one was the lantern-floating scene. A Krathong will just follow the flow of water but they needed it to be in front of the camera to get a nice shot of the pretty candle light on the lotus pond. So an art team crew member on a rowboat had to keep rounding up the Krathongs in front of the camera. It had such a cute vibe, actually, seeing them row back and forth to collect the Krathongs. It was late at night then, too, the other Q's night. Since this was an outdoor scene in a waterfront pavilion without lights or electricity, the light had to be completely set up, which also took a lot of time for the crew. As for the actors, it was an intimate moment wherein the characters finally know their feelings but Klao still feels like there might come a day he won't be here anymore - both in the sense that someone might mean Klao harm and come to hurt him as well as in the sense that he might just warp back to the present at any moment. There's a bittersweetness to it that dampens the romance but doesn't make it sad either so the actors had to find the balance.

⏳ P'Den couldn't find the question anymore but it was: "For LUAT, I'd like to know about Tte's development and him working together with P'Kim - how is it?"

(La)Tte surprised P'Den with how little he speaks, like, he's really silent. He seems like a hard-to-approach manly man, at least from P'Den's perspective as a queer. But he's actually really lovely and diligent and P'Den only just found out that he went to law school. He also takes down every single word P'Den says! Whether it's serious or joking or whatever, he takes notes on everything, as if he's sitting in a lecture hall. Those lines that are an almost-rap at the beginning (of the pilot), where he says so much, were the first lines during workshop. He's really hard-working - during break on-set, P'Den would turn around and see Tte with his script jotting stuff down endlessly. He feels the pressure on him since the last pilot, he's read the comments and knows what he needs to work on so he's really trying to improve at all times. P'Den sees his determination.

As for Tte's chemistry with Kim - they like teasing each other. Tte likes teasing Kim and sometimes Kim will tease him back. For example, when they were shooting the present-day scenes. P'Den saw Tte teasing Kim a lot so that Kim would actually feel annoyed like Nong Pun. Which would come back around once they shot the past scenes. It's one kind of relationship that's really fun, where the Nong messes with/teases the Phi and the Phi gets all huffy.

Kim also surprised him. P'Den knew already what he was capable of but he delivered since the very first take. There's no nervousness because of the camera at all. It's like he's fully prepared. He's a new actor who's done his homework well so there's almost no need to coach him, it's just about helping him in making acting choices. Kim was really sensitive, emotional, about the pouring water part to the point it became another key scene that everyone was talking about. That came from Kim, the credit is almost entirely his for that. He found that (in him) himself.

⏳ "For LUAT, is that one important event still gonna happen?🥹🥹 and are Mae Wanna and Khun Pim part of the script?"

They're currently having script meetings for LUAT. They got a script writer who's previously written period pieces, like Royal Doctor, Thong Ek: The Herbal Master and Ruk Laek Pop. The fact that LUAT is a period piece is pretty straightforward but there might need to be adjustments in the way the story is told because, reading the novel, there is a lot of Nakhun just going about his daily life at times and lots of descriptions of characters' feelings. So they need to add the situations and actions of the characters in order for the audience to get the picture. And they can't just have the characters describe every circumstance in a voiceover or directly tell the audience. They might need to be expanded into situations (small scenes).

But that one really important event is definitely going to be there, otherwise it would become a different story, it wouldn't be LUAT anymore. Therefore, whatever is key to the story - finding his identity, trying to find out where the previous Klao disappeared to and what's going on, disguising himself to get into the opium house and the brothel, adjusting to life in the Ayutthaya period, slowly falling in love with P'Phop, gradually revealing how they could've been close before - all of that has to be there.

As for if Mae Wanna and Khun Pim are going to be in the script, they are catalysts in the relationship of P'Phop and Nakhun. They have their function, they make us see that P'Phop really doesn't care for anyone else aside from Nakhun, no matter if in the past or in this life. And that also makes Nakhun more confident in this man. So P'Den thinks the series script has to have them but he can't say how minor or big their parts are going to be since they're still in talks about the script.

⏳ Final words

More script meetings coming up! P'Den directed the pilot and is also going to be directing the full series. Next up, he'll be sending the kids to clinical speech training with a vocal coach who's a colleague of his at Chulalongkorn University from the faculty of Arts and who got his degree in the US. They'll be learning how to enunciate and pronounce ancient Thai speech more clearly and comfortably. As for the script, they'll try to keep the important or key parts as they are but the way of telling the story might be different, to make it a more modern interpretation, at a time where there are countless period pieces, to make this BL period piece stand out. It won't be just a comedy, that's for sure, it will still have its drama, suspense and thrill. P'Den says he likes series with many different flavors so he'll try to make it as well-rounded as possible.

---

Unrelated to any show but very interesting nonetheless:

"what brought you/inspired you into the world of acting, writing, and directing? how is teaching it like?"

A few more notes: 1) There was a question about what Ar Ning (the actor who plays the King in TNP) is like - I axed it cause I figured most folks on here have no clue who he is anyway 🥴 2) I've read the novels to KJR and TNP but not to LUAT, so I had no way of verifying my choice of name romanizations and my translations for some of the plot details in the question about Mae Wanna, Khun Pim, and the script. Apologies if I've made any mistakes 🙏 3) There were also some shorter questions about learning Thai, several instances of him speaking Spanish (which I can vaguely follow from having learned other Romance languages before but would never actually be able to translate), and some pointless questions I didn't include like "Is NuNew gonna sing an OST for TNP?" which- Duh.

[firstkanaphans]

wandee goodday anon reporting back, i enjoyed it so very much. loved the characters, loved the dynamics, wanted to punch dr ter in the nose a few times. i loved that there wasn't a episode 11 of doom?? and how generally light and colourful the show is, both in mood and visually especially as i watched never let me go (phuwin's kissing is my enemy but that's off topic) just before lmao, the contrast was something else.

i also was delighted to have a side couple that a) was established from the start and b) only had drama totally unrelated to their relationship and stayed wholesome and loving each other the whole time, cher bestest boyfriend/brother in law/son in law/gym manager 💕💕.

the whole one night stand to fwb to fake dating thing in 2.5 episodes was hilarious and so was the fake dating to swimming in denial for about the whole rest of the show taking about one or two episodes, thank god yak got clarity soon enough because i would've tried to punch him too but he ended up having the patience of an angel. i was highly entertained that being seen in a same sex relationship as a public figure was a problem for him that lasted a whole 5 minutes too.

dee is the loveliest bean and i love a character who stands their ground when the person who rejected them just magically realises their feelings when a new love interest appears, like how many times was ter basically told to get lost ffs.

oh right i also love a forgiving parents for things that are actually forgivable moment because i've had enough of the shittiest parents of the decade in drama-land crying over their faults for a minute and the kids are like yknow what it's okay i don't mind about the trauma you gave me anymore ✌️🤪

had fun spotting a few places from other shows (golf's gay café, vivi's place in love sea -love what they did to it btw, dee's place might be one of my favourite fiction apartments-, boston's pace) and had even more fun laughing at emi's hair extensions, who did that to my girl?? and that ~american~ champion whatshisname's thick ass french accent.

all in all, 10/10 show, greatinn are wonderful together, might rewatch in the future, can't wait for the memoir of rati heartbreak (i was already looking forward to it bc of actual plot reasons but now that i've seen the guys in it can act good and kiss pretty, it's all bonus points).

I'm so glad you liked it! Sorry it took so long for me to respond to this. I was actually in the process of re-watching Wandee Goodday myself and wanted to finish it before I answered this ask. It's such a good show and stands up very well even on a rewatch.

Since you watched after the fact, you avoided most of the fandom drama, but when I tell you people hated this show and yet continued watching week after week just to shit on it. It was one of my more bizarre fandom experiences for sure. Like I get why there was drama surrounding Only Friends. I don't get why there were such a visceral reaction to a cute little romcom.

The highlights for me were the incorporation of casual sex into the narrative in a way I felt was realistic and, of course, OyeiCher who still have my whole heart. Emi's extensions were an absolute travesty.

One thing I did notice on my rewatch which I missed the first time through is that Yak often switches his polite particle to "ka" when talking to Dee, which is very soft and flirtatious. The reason it stood out to me is that I've noticed Great does this with Inn too and I wonder if it was his choice to change the dialogue rather than something that was in the script?

Memoir of Rati only has 2 or 3 Qs left, so I'm hoping we will get it by June. I have a lot of faith in this screenwriter and am very excited to see GreatInn again because I miss them terribly 😭

[eardefenders]

Sherlock & Co - Mailbag Episode 4 Transcript

00:00-00:29 *Intro Music*

00:28 John: Hello there, Mister Flatmate.

00:31 Sherlock (Resigned): What is it and why have you got your laptop?

00:34 John: It’s that time! My fine fellow-

00:34 Sherlock: For goodness sake. *sounds of him moving on furniture*

00:36 John: Oi, where you going?

00:38 Sherlock: I’m getting my cushion.

00:39 John: Your cushion?

00:40 Sherlock: Yes. Here. This one.

00:42 John: That- that’s Mariana’s.

00:45 Sherlock: Ah, it’s mine.

00:46 John: I know it’s her’s. I bought it for her for Christmas.

00:50 Sherlock: Are you sure?

00:51 John: Yes, because you don’t support Real Sociedad and she does.

00:56 Sherlock: *pause* I could.

00:57 John: Yeah, you could, but you don’t. Ok- *gibbers* It doesn’t matter. Just sit on the bloody cushion. Fine. Qs! And indeed As! Here we go. Uh, ahem, mm, just a disclaimer here, to the patrons. Um. I’m old. Uh, I’m thirty-four. If-if I see a question in the Discord, I-I just ask it. Uh, if it’s in the wrong order or i-if I’ve missed some out. It’s-it’s probably just me not seeing it. So, y’know. Right-o! Uh-Ooo! Off to a flyer here! Milque asks, “Favorite tube line?”

01:29 Sherlock: Victoria.

01:30 Yeah, Victoria. Yeah, yeah. Generally, most Londoners will give that answer. Umm, y’know clean trains, not too many stops, and some big stations on there. Y’know King’s Cross, Euston, Oxford Circus, um Victoria, obviously. Um, some other lines worth mention: Bakerloo brings a certain vibe. B-bit of a sort of kooky, deranged, but pleasant elderly uncle that doesn’t wash kind of vibe. Uh, central line is possibly the most hated, ah, especially during the summer. Um, Piccadilly gets a lot of people headed to Heathrow, so it comes with a lot of baggage. Hah! Literally clambering over suitcases on that one. The Elizabeth line is amazing, but seems to be closed or delayed most of the time. Um, so thanks for listening to TubeCast!

02:20 John: Heh, right. Next question! SaraHawke722 asks, “How do you both know Stamford?” Stamo! The Stamster! I think therefore I Stam. Heh, uh, I-I added those bits. They didn’t say that. Uh, right. Sherlock you go first.

02:36 Sherlock: I met him at St. Bart’s.

02:39 John: That’s uh Saint Bartholemew’s Hospital in London

02:42 Sherlock: I know.

02:43 John: Yes, I know, I’m just telling the listener.

02:45 Sherlock: *pause* Right… I met him at St. Bart’s. There was a study on skin grafting that he was undertaking. I initially made a number of enquiries about the study, he then hired me to work with him on it. Then after that he wanted me on other projects that I didn’t find that interesting, but *with emphasis* he did let me use the lab.

03:03 John: Great, uh ok, um, I met Stamo in Freshes week at University. Um, the University of London. W-which is kind of affiliated with UCL and King’s College London.

03:15 Sherlock: By kind of affiliated, you mean it’s for their underachieving undergrads.

03:19 John: Uh, sorry mate, what University did you go to, exactly? *silence* Yeah, right, thought so. Uh, by the way, um, few of our American listeners have mentioned that you and Victor went to college together. College in the UK is sixteen to eighteen, generally speaking. Um, but, sorry Sherlock, posh lads will sometimes call boarding school a ‘college’. Uhh, I d-I don’t know why. They also call their private boarding schools ‘public schools’. So, yeah, I know. Weird lot. Uh, anyway, yeah, met Stamo at University of London in Freshes week, we both liked football. He’s a Villa fan, Aston Villa that is. We, we kinda were, uh, both out of our depth a little bit with medical degree life, so y’know maybe stuck together. Which. Which was stupid really as you should probably attach yourself to some smartarse, but hey! Y’know! Live and learn! Uh, he started to do well at Uni. Um, he went on to y’know big-big private practice and cosmetic surgery for the most part. And I got shot at for a living, so. Yeah. Listen in school, kids. Listen in school. Uh, WeirdScience asks “Do you believe in ghosts?”

04:32 Sherlock: No. Do you?

04:33 John: Uh, no. No, no. Joff asks “Sorry to be intrusive doctor, but did you suffer any hearing loss during your army days?” Pardon? *wheezing laugh* Ha, uhh no. No, seriously, I did. Um, I burst an ear drum, twice, um, actually, in Afghanistan. I-in my right ear. Uh, thought it was fine, but then after Ukraine when I was getting a full body M.O.T. as it were, there were signs of hearing loss. Um, yeah, but I’ve been lucky I think. I hope it doesn’t get worse as I’ve built my career in audio now. So. Yeah-yeah, but uh a little. A little bit. Um, JellyBaby says, “Dogs or Cats, podboys?”

05:18 Sherlock: I prefer vermin.

05:19 John: Hm. I uh prefer dogs, through and through. Yeah. Um, y’know I like a cat, but they don’t get me. Dogs get me. Ain’t that right, Arch? Heh. Uh, don’t know where he is actually. He’s probably downstairs with Mariana. Catonk asks, “What’s your favorite musical?” We-well it won’t be ‘Cats’! Hahaha! Ahh, Sherlock, your favorite musical?

05:43 Sherlock: What’s the one with the man?

05:46 John: The. The one with the man. Um. Right. You’ve just described the entirety of art and media there.

05:54 Sherlock: He has a piano and he lives in a cave.

05:57 John: Piano in a cave?

05:59 Sherlock: There’s a girl he loves. He-he-he’s got half a face.

06:01 John: Ohh! Phantom of the Opera.

06:04 Sherlock: Yes! I thought that one was okay.

06:07: Great. Yeah, no, it’s a good’un, it’s a good’un. Good answer, I like Phantom. I like Les Mis. I know that’s a boring answer, but some incredible songs in that. Uhhh, yeah. Question via email here from Sartori, “Did you feel bad for Violet Caruthers, because I did.” Um, well yeah, I did. Um. She, uh- I-I-I don’t know how to put it, really-

06:34 Sherlock (interjecting): Had given up control of her life.

06:36 John: Yeah, it was- I don’t know- confidence shot to shit? Th-th-the truest sort of victim I think I’ve ever seen, really. She just, uh, she couldn’t grasp the wheel on her own life. Like Sherlock says. Was that why you were reluctant on that case, Sherlock?

06:55 Sherlock: Very much so. Men had muscled in and filled the gaps she had created from her own insecurity. I didn’t wish to be yet another imposing presence.

07:05 John: But we were.

07:07 Sherlock: We were. And what good did it do?

07:10 John: Saved a bloke’s life?

07:11 Sherlock: Mm, we didn’t pull the trigger but we may as well have. And we set the process in motion.

07:18 John: Welllll… right. Yeah. Okay, didn’t think this q and a session would get so deep. Um. But, yeah, t-that, uh… Welcome to True Crime! *awkward huff laugh* Yeah, we don’t always run off or cycle off into the sunset. Um. Yeah. Uh, okay. Mush-Pit asks, “How many languages do you know?”

07:47 Sherlock: Many.

07:48 John: Great.Uh, why?

07:50 Sherlock: When I was young, I often fooled myself into thinking perhaps it was my grasp of language that was the reason that I didn’t quite fit in. So, I decided to try a number of other languages to see if they worked as a better and more effective means of communication. I wondered whether the nuance and subtle signals of the English language were what was holding me back from social environments. So, I attempted other languages.

08:14 John: Right, and how did that go?

08:15 Sherlock: It’s the same. It would appear it’s nothing to do with language.

08:20 John: Yeah, I’m inclined to agree with you there. I’m rubbish with languages. Ha, it never sticks for some reason. Um, hole in my brain I think. Mariana is also a dab hand at the old languages. She cracked open a bit of Russian the other day. I nearly ducked for cover! * laughs at his own joke* Uh, *clears through* RangerPip asks, “Have you seen any of the fan content Sherlock?”

08:42 Sherlock: Yes, because you keep showing me. And sticking things on the fridge.

08:46 John: Uh, yeah because they’re cool. They’re really good mate! Just-just you wait until I show you the presentation.

08:52 Sherlock: The what?

08:53 John: Nothing. Right question via email from Unbelted, “Does the fingerprint in your logo make an ‘S’ and is that deliberate?” Yes, um is the answer to that. My idea, thanks. Uh, Jones asks, “What’s our spice tolerance?” So, um, right. Okay, yeah. I can go really spicy for Indian. Uh, I can hit the searing temperatures of the Madras and the Vindaloo no problem. Lot of Brits can actually. But I tell you what, Indonesian and Thai spicing I feel. Geez, whew, that is-is a whole different realm of spice. Um…phew. S-sherlock?

09:32 Sherlock: I like the sensation.

09:35 John. Yep, uh. Anything else to add?

09:39 Sherlock: It depends on my emotional connection to the food.

09:42 John: Of course, of course. Well, a-a-as mentioned in Gloria Scott, Sherlock will only eat certain foods if he’s in the right mood. The mood for food, heh. Uh, right-o. Few general questions asking how pancake day went. Uh, yep. No dramas. Went well. Went ‘flipping’ great. Eh? Hehe. Uh, yeah, uh oo! Questions and comments. A lot from North American Podpals, uh, about me describing a woman as ‘tasty’. Um. So, ‘tasty’ is a Carol Watson word. Uh. T-t-the sort she would use for young, handsome men that she flirts with when she can. Um, don’t know what the American equivalent would be? Um? Yeah, you know, what’s a lame word used to describe someone as good looking? Y’know what would an elderly woman use basically…get in touch! Right, another question here. Uh, by the way, when I started this whole question and answer thing, Goalhanger and I thought this would be a great way to field questions about cases. Um. Y’know about the people we meet, about the nature of the crimes we’ve dealt with, uh to fill in possible knowledge gaps, and impart little gems of information that expose the murky nature of crime. Um. Which takes us to this question from Saphhster, “John, what are your thoughts on ranch dressing?” *long pause* I mean, yeah. I like it. I like it, it’s good stuff. Um, Sherlock is nodding. Uh, it’s audio mate. Great. Thanks for your contribution. Uh, Tonky asks, “Does Sherlock have any tattoos?” Apart from my face on his bum. Heh, that’s a joke. That’s a joke, don’t write in. Sherlock, tattoos?

11:26 Sherlock: A spiral on my hip.

11:28 John: What?! Alright, well let’s see! Get it out. *sound of clothes being moved/removed* Oh, well that’s rubbish.

11:34 Sherlock: I know.

11:35 John: Why’d you get that done?

11:36 Sherlock: I-it’s scarring from falling out of bed. I had it filled in because it looked like a spiral.

11:42 John: Okay. Sarah Hawke again with a question, “What is your advice about dealing with a noisy flatmate? Would love both your takes on this lol. I’m at Uni and have a noisy and slightly annoying flatmate. Somehow I’ve agreed to live with them next year as well.” Um, okay Sara Hawke, w-

12:03 Sherlock (cutting John off): Try to tune them out as best you can. Bring in other elements to distract you from their noisiness.

12:09 John (cutting Sherlock off): Sorry, what are you doing?

12:10 Sherlock: Answering wonky-blonk’s question.

12:12 John: It’s not ‘Wonky-Blonk’, it’s Sarah Hawke. Who’s Wonky-Blonk?

12:15 Sherlock: They’re all called that.

12:17 John: Look, I live with a noisy flatmate, alright, it’s clearly directed at me.

12:20 Sherlock: They said both of us.

12:21 John: Yeah, but they added a ‘lol’, okay. That means they recognize the irony of you being asked.

12:26 Sherlock: Why?

12:27 John: Because you initiate a fucking marching band at three am every night.  Ssssake. Uh, yeah, Sarah Hawke, I would say get some earbuds. Play music. Uh, white noise is good. Um, oh, I l-looked into this. You can get quite cool soundproofing panels on Amazon. Um, they don’t look awful and they do kind of work. Sometimes. Uh, yeah, right, anyway. That’s it. Thanks for the ‘Qs’, hope you liked the ‘As’ and we will see you soon. He’s wav-He’s waving. It’s. It’s audio m- For god’s sake-

13:00-13:30 *Outro Music Plays*

[tojisun]

hi sun! I sent another ask but it never really got to you because of my shitty internet and if it did I’m sorry for repeating it,,, 😿🙏

but in that other ask I said that the nun!reader x Simon story has so much angst potential!!! my brain dumb so i didn’t really understand if it was one sided? But I couldn’t stop thinking about reader slowly getting feelings for Simon and feeling incredibly bad for that, distancing herself and stuff, yeah…

anyways I love you tysm for what you write

hi!! im so sorry if it happened to be sent and i havent replied, ive been bouncing around sm ideas that i havent had time to answer reqs/qs! thank you so much for your patience and thank you so much for the luv 🥹🫶🏼

ur absolutely right!! nun!reader x simon has a lot of angst potential <33 it’s one of the many reasons why i love it so much

and it is one-sided, yes.

all of the story is told in simon’s pov so we see the way he sees her and the way he longs for her. i do apologize for the confusion because i’ve written about two fics of simon actively hallucinating the reader liking him back which might’ve led to the assumption that the reader actually does, but no she doesn’t!

one of the things that makes the series so special to me is that it is a tragedy; it will never have a happy ending nor any semblance of a hopeful ending (i.e. ambiguous ending but one that hints that the reader likes simon back). it will all end with simon chasing pieces of her through prayers and gospels and sunday masses.

i have toyed with the idea though, and it is so similar to your own—

cw: religious themes of course, f!reader

the idea of the reader whose devotion for the lord runs deep; before loving herself, before loving her family, it’s always him. but then simon comes.

simon who’s broken and hurt and angry; whose eyes are always clouded with fear, so vast she feels it rattling her own bones. simon who seeks for her voice and her touch and her prayers on his times of need, and who is she not to help this lost lamb find his way back to the lord?

well, she stumbles along the way. she finds herself trapped, her mind pushing past the walls of her fortitude. she finds her eyes straying, glossing over the wooden cross to flit to simon’s… body.

he is big. he is scarred and battle-worn. he is beautiful.

he is almost…divine.

she is shaken awake by the warping guilt that engulfed her and she throws out excuses before leaving him there, in the chapel, before locking herself in her room to pray.

her hands are trembling as she goes over her rosary once, twice, three times—

(hail mary, full of grace…

she thinks of his thick arms crossing over his sturdy chest. she thinks of the way he tipped his head down, his eyes meeting hers.

the lord is with thee…

she thinks of how his scarred jaw trembled. how his crooked nose flared.

blessed art thou amongst women…

she thinks of his plea, “i need your help.”

and blessed is the fruit of thy womb, jesus…

she thinks of his desperation, “help me repent.”)

—but it is all futile. not even her prayers can banish simon from her thoughts. from her desires.

she cries that night, begging for forgiveness. begging that the lord grant mercy to her, for she have made the grave error of falling in love. she muddled her duties with her desires, so how could she help simon find the lord? how could she help simon find peace?

she asks for a relocation, and not even the head priest could deter her decision. it is granted to her ten days later. she couldn’t even say goodbye to simon because he away for a mission in latvia.

so instead, she leaves this chapel with one last prayer for him; with one last glance at the altar where her beloved had asked her for a dance, under the watchful eye of the lord. she tries her best not to weep for what is lost.

because she knows she has ruined it all.

.

simon finds her. he will always find her.

[reflections-in-a-critical-eye]

What really stood out for me in Jimin's Production diary was the amount of footage that showed the actual worked involved in producing in album. I think it's quite different from the usual documentaries or Memories DVD BigHit is usually releasing. The in-house footage tends to have a lot of filler and my usual complaint was always that I don't see enough of the actual work that gets done, be it people in the recording studio or learning choreographies edited in a way that shows an evolution.

In Jimin's case, choosing to focus on how is an album being made, almost from beginning to an end is a decision that fortunately, highlighted what is important for a music fan. Yes, I enjoy the fun and the shenanigans like everyone else, but taking this route made me discover in depth Jimin's way of working with music which I don't think it's something that gets talked about that often, as opposed to his dancing skills, beauty and personality, all elements praised and part of his identity.

To me, that entire period looked like a music camp. I know that other people got involved because we have seen the credits, but having a group of only 4 people meeting regularly, brainstorming ideas and seeing how well they worked together was a sight to see. What were they called? The Smeraldo Garden Marching Band? It is amazing to see such synergy and it shows in the final product. For a first album that dealt with more personal themes, choosing this path was truly one of the best decisions Jimin made.

Going back to Jimin and music making, despite hearing and reading about how he came up before with melodies for BTS songs, it didn't really prepare me to see the actual process. There's definitely talent there that I'm glad that it's not ignored. I loved the parts in which the producers were always ready to record any sounds Jimin was coming up because they sensed the potential for it to be transformed into a melody.

P.S. I have a couple of asks about the doc and I'll share some other thoughts through that. If anyone has other qs, you can send them. I'm also interested in what people think of it. I'll focus on that today and I'll tag my posts with Jimin's Production Diary.

[friedthoughts]

F1 - 2025 Japanese Grand Prix - Thursday Press Conference - Charles Leclerc Answers Transcript

(I have noted this down based on the press conference video. FIA also posted their own transcript here but they tend to simplify the drivers' answers so I always watch the actual video. Photos by Clive Rose/Getty Images.)

Qs from F1/Tom Clarkson:

Q: Charles, let's come to you now. Can we wind it back to China, first of all... And the double disqualification, first of all, was very uncharacteristic of Ferrari. How confident are you that the team has put that behind it and that it won’t happen again here at Suzuka?

CL: I’m confident because obviously whenever you do mistakes, you learn from them, and especially when they are costing that much. Obviously, everybody is playing with the limit and trying to be as close as possible to it but to have both cars underneath it was a big pain and we didn’t need that. I mean, at the end of the day, it’s been a very difficult first part of the season. I mean, the first two races were difficult, the pace was not exactly where we expected it to be, and yeah, to lose even more points than we already did with that, it hurts the team a lot. I’m confident that we’ve learned from it. Obviously, whenever these kind of events happen we try and understand and analyse where did that go wrong and change a little bit the process of that. It was a multitude of things adding up, which makes that the margin we had took was not big enough.

Q: As you say, it’s been a difficult start to the season for Ferrari. You say it was disappointing. Just how difficult is it to extract performance from this car?

CL: Uhm (big exhale). I mean it’s as difficult as always. It’s always tricky to extract the maximum out of the car. I don’t think that it is any more difficult on a season like this; it’s just that the performance, compared to McLaren more specifically, is just not good enough. So it's not about how hard it is to extract the maximum performance out of the car, it’s just that there's not enough performance in the car for now. But little step by little step, I’m sure and confident that we can close that gap, starting from this weekend hopefully.

Q: We saw a big step from Melbourne to China. Are you expecting another step forward here?

CL: We saw a big step on Saturday – I think, I mean the Sprint race with Lewis especially. On Sunday, I think it was back to normal. So, yeah, I expect us to be more or less in line with where we were in China on Sunday and in Melbourne.

Qs from the floor:

Q: Craig Slater, Sky Sports. Second question for you Charles. Given how the team did last year, Charles, the hope was a challenge for both championships this year. Given the start you've made, is there a worry at Ferrari that that might not be a realistic ambition?

CL: Not yet. I think if we go back to last year, if we look the first few races, I think the situation in terms of performance was quite a bit worse than where we are now. We kind of expected Red Bull to dominate the whole season, and obviously by taking the points that were available at the beginning of the season with the performance that we had, we ended up the season actually fighting for the championship, which was way above our expectations starting the year. There’s definitely not this feeling within the team at the moment. However, there's definitely the feeling that we haven’t maximized what we could have for these first two races, and this is frustrating. But yeah, it doesn’t mean we cannot recover. We are aware that the season is still very long. And as I said earlier, small steps after small steps. We can still have an amazing season.

Below Qs got cut off from the uploaded video in F1TV but was part of the FIA transcript:

Q: (Jon Noble – The Race) Charles, from the outside Ferrari’s pace seems hard to explain. In Melbourne, up until Q2 it seemed to be up there, then fell away. In China, the Sprint seemed good, then fell away. Is there an explanation? Narrow set-up window? Ride height sensitivity? Tyres? Fuel load?

CL: I won’t go into very specific details. I think we’re starting to understand the car and have some ideas where we’re lacking. In Australia, it was well understood. In China, Lewis did an outstanding job on Friday – maybe some drivers didn’t put everything together in qualifying and he managed to do that and managed to outperform the car a bit. Then tyre degradation being a big thing. When you start in front, everything comes to you a bit more. But I think Lewis made a difference on Friday and Saturday, which in the second qualifying – everyone was more up to pace – we saw more of the real pace of the car. I think, very similar to last year, we have a good car in terms of race pace, but we couldn’t really show it until now. Whenever you start in the middle of the pack, degradation is worse, and you can’t really show your real pace. That’s what happened a bit on Sunday in China. So I think the pace is still as good as what we saw Saturday with Lewis. However, we can’t use it if we don’t have better qualifying pace. So if I take a step back that’s where we need to improve – qualifying. It was the case last year, and this year it seems even more so.

Q: (Fred Ferret – L’Equipe) Charles, do you have an explanation of your pace on Sunday in the race, and is it related to the broken front wing?

CL: I can assure you it’s never a good thing to have a broken front wing, so it’s not something I want to target for the rest of the year. There were some interesting things we looked at to understand where the performance was coming from. I believe the performance was really strong in terms of race pace. I made some changes already on Saturday – it was strong, especially at the end of the stint considering I was in traffic. Then we made some changes and took a step forward for Sunday’s race. So I think the overall pace was very strong. I believe it would have been stronger with a full front wing, but by changing the tools and adapting the driving, it didn’t have as much influence as we thought. But it’s still faster to have a full front wing.

[woebegonepod]

Howdy Mr. Woebegone! I'm relistening to S14 and I got Qs. Skinner knows Ty Betteridge. And Nobody. And Eagle. And has a calculator. And knows about WOE.BEGONE. And was spying on Old Man.

Who the h*ck is this guy? They seem like they have their fingers in a h*ck of a lot of pots.

yeah they do

[scummy-writes]

The hurricane went by me, but ended up going through and hitting where my family and friends live. My family is fine despite some issues in town, however the town they live in mainly just got hit on the side. But my best friend, who I've known since we were children, lost their home and car. They lost everything that they didnt bring when they evacuated.

Obviously, I am preoccupied trying to help them out, but realistically all the roads near them got damaged and I can't GO there and help them, and it will likely be Weeks until I can.

They have food and water and they're in a safe place with their polycule. So instead I'm focused on building up some stuff for them for when this calms down a bit, like homegoods and similar. I'm hoping FEMA will help them too, even if its limited.

All of this to say that I am stressed. Understandably so, I hope!!!!! I don't know what this will mean for writing, honestly writing is a stress reliever despite how I talk about it, but I may just be too busy for a little bit. Or, when I have downtime I'll go insane and write a lot.

I want to like. Apologize in advance if I seem Very Fucking Odd in the upcoming weeks, like sounding frazzled or sporadic posting or really odd fanfics/writing quality decrease/etc. At the end of the day its my blog so like, i'll post whatever, but like. Still. I'm not very worried about writing stuff moreso than accidentally misreading tone more often than usual.

I may end up uh. Stopping the @ikemen-daily-questions too? Unless i hit some sorta zen moment and write out a buncha new qs and fill up the queue for a while. Idk im not thinking too hard about it right now.

Edit: gonna queue this to post a few times

[flowersforthemachines]

I just wanna say, your Rook OC Ghilasara is SO beautiful and I LOVE the detail that she has an incomplete vallaslin--which was the first thing that caught my eye!

OKAY OKAY to get to the point: I browsed through Ghilasara's backstory tidbits and I had some questions about the story behind her vallaslin. TBH, I'm most curious about that because I don't see a lot of DA elf OCs with that idea!

My Qs: Since a warden gave her the vallaslin and died before they got to finish it, [1] did she ever think of completing the tattoo later on or just left it like that (and why)? [2] What was their relationship with said warden? Also, [3] how did it go when it came to choosing her vallaslin (did she take some time until she ultimately decided to go with Elgar'nan's design or just simply went, "oh, yeah my mum had this tattoo too")?

Apologies if some of these have been answered before; I might've missed some when browsing Ghilasara's codex. Have a lovely day!!

ASDLAKHSDLKjsd (< keymash of awe) someone liked my baby... And you even read the codices... I wouldn't be lying if I said reading this ask made me tear up <3

I'm hiding everything else under the read more for length! (I hope you don't mind that it's lengthy. One of my running problems is that I can never keep things concise).

To quickly provide context for your questions, here's a fragment I wrote for the Ghilasara wiki (for which I finished the backstory section, but everything else seems so daunting I haven't touched it in weeks):

Among the wardens who served in Ansburg alongside Ghilasara was Velanna — a Dalish elf who presented the opportunity for Ghilasara to reconnect with her mother’s culture, which she regretted showing little interest in when she was a child. She began to study elven language and culture under Velanna’s guidance, eventually going as far as to request a vallaslin of her own, matching her mother’s. Velanna agreed on condition that the vallaslin would be applied in parts — upper first, then left, and finally right — each marking a milestone in Ghilasara’s education, which she accepted.  Ghilasara proceeded to earn two parts of her vallaslin before a sudden shriek attack during a routine patrol took Velanna’s life alongside all other Wardens accompanying them at the time.

So, the answers would be:

I headcanon that Bellara and/or Davrin would offer to help Ghilasara with completing her vallaslin (or take her to someone who can) upon hearing the story of why it's unfinished. However, she'd turn them down since it's something she associates deeply with Velanna's teachings and thinks she must "earn", and there's no way for her to know if she reached the final milestone that would lead to the completion of her vallaslin.

What Velanna intended as the final level of her education was the Dalish keeper magic. So, technically, she still wouldn't qualify (even if she didn't know that was the thing Velanna had in mind for her).

Plus, just like the scar she got, it's a way to remember her past, and how she got where she is right now (not like she would forget it anyway, but she's weird like that).

2. I envision them as having a mentor-mentee kind of relationship (BIG fan of giving Ghilasara mentors just to have them die in front of her eyes <3).

Even if Velanna never got to become a Keeper, she still dedicated a lot of her time to studying elven culture, and I think she would appreciate the chance to take another elf under her wing, pass all that knowledge on. I imagine the first time Ghilasara's desire to study came up, she would also be nervous about it, in a sort of an endearingly earnest way that would get Velanna to agree :)

Plus, they both come pre-installed with anger issues. A great connecting point! Velanna would probably mellow out with the passage of time a bit, but she would still be a relatively harsh teacher, if only to push Ghilasara to her full potential. Not to the point of cruel, though, and she would genuinely care about her student, as Ghilasara would for her.

3. I headcanon that a part of the whole "you'll get your vallaslin in parts" bit was about Velanna giving Ghilasara time to think about whether she actually wants to have a face tattoo (something that will be the first thing most people see when they look at her right until the end of her life), and if she wants that specific one. So Ghilasara would get more context on all Elven gods before even the first part of the vallaslin is applied.

Even given all the time in the world to think, Ghilasara would still pick Elgar'nan because there is no other tattoo she could connect with better. Elgar'nan is a god of vengeance among other things, and Ghilasara is vengence-y and unforgiving. In traditional Dalish culture (as we knew it before the reveals of DAI and DAVG), most gods would represent softer virtues that she wouldn't be able to associate herself with.

But, in a hypothetical situation where her mother had, I don't know, a Sylaise vallaslin, she would still go for that one specifically because she wants to connect to her family in some tangible way.

Something like that!

And a lovely day to you as well <3 Ghilasara's vallaslin is one of my favourite things about her (alongside her scar), so thank you so much for giving me an opportunity to talk about it at length <3

[darqx]

Got an evil eye

In which there’s a small Demon!Rire Angel!Rire comparison.

❗️For commonly asked qs please see my BTD FAQ

😇 The lore of Angel!Rire is essentially:

Possibly rogue angel that kills people under word of God.

Word of God being debatable because his criteria for killing people changes a lot - (eg: might kill a bad person cos they’re “bad”, similarly will kill a good person to get them to heaven faster, similarly will just “mercy” kill whoever because humans are a plague to themselves and others etc) - EITHER WAY no one seems to be stopping him.

Also debatable is whether he believes in his justifications for his actions or if he’s just doing it for fun and purposely smoke-screening that fact.

I have described their main similarity before as deception since they both seem viable (as a normal human / normal angel) at first. Their main personality difference is that their modus operandi is flipped - Demon!Rire will often see how long he can con someone, but will eventually reveal his true nature and will match what he says with it. Angel!Rire is more blunt and will reveal his true nature almost immediately, but will continue saying things in complete antithesis to that reveal thus masking the reality of his intentions.

I do know what OCTs are! But I probably would never join one due to lack of time. They seem to be very large commitments and i’d be better off trying to find that time to do BP :V

There is no set location for BTD (considering that me, Gato and EP all come from diff countries LOL)...other than maybe “Earth” and “some city/town place that predominately speaks English”.

This is, actually, one of the more popular questions I get asked over time about Rire XD; Which makes me think I need to update my FAQ to include it. Anyway in my FAQ i put it like this:

CAN RIRE FEEL LOVE? I don’t know if you could classify what he feels as “love” in the same definition we are used to…

And from other answers to similar qs:

IF he becomes fond of someone for whatever reason, he will probably become more possessive. His methodology might not change so much, but there would be more aftercare (cos if you want someone to last longer...)

I never go any more in depth when answering these kinda qs even though i’m sure people would like me to XD

At first I was going to say “I don’t know Depeche Mode”, but when i looked them up on Youtube i saw “Just can’t get enough” and was like OH I KNOW THESE SONGS.

As for Rire it’s not super in line with his usual, but I don’t think he’d mind the music!

He’s gotten used to moving between different climates quickly so it doesn’t really affect him as much.

You would not be the first so go for it if you want lol.

[sparklingcid3r]

when paul and darry fully part ways, how often do they think of each other? how do u think darry felt being apart of the greasers fully now (esp bc darry canonically did want tb a greaser anyways) and watching paul become best friends w bob? sry tht was a lot of qs it was just train of thought.

Nah ur all good i fuck heavy w this🙏

If SE Hinton told me she was going to write a short story about anything of my choosing, I would pick Darry’s time in high school with Paul. I need to see the build-up and fall-out of their relationship. Pony literally says that there was no question of if Darry despised Paul—he hated that man. And Paul hated Darry too. I need to know why, it’s like a part of my soul is missing.

And it’s because of that obvious hatred that they live in each other’s heads rent fucking free👏 ESPECIALLY immediately following the breakup. Darry was way more free of Paul than Paul of Darry since Darry definitely had a shit ton on his mind yk with the whole dead parents+new guardian thing on his plate, meanwhile Paul literally had one less thing to do in Darry’s absence (which was hanging out w Darry) so brother had time to let it LINGER.

They aren’t constantly about to sneeze w how much space they take up in each other’s heads though, but I just know they’re constantly dealing with seeing mundane things and being brought back to when they were still close. Darry will be eating a bowl of peanuts and remember the way he used to throw them into Paul’s mouth when they went to the bar together with some of the football team. Paul will be at the gas station and smell the gasoline and remember the hours they spent in Paul’s garage just hanging out, just horsing round, doing what they’ve always done (🏳️‍🌈🤷‍♀️)

And Darry’s literally got a physical possession of Paul’s still in the house, you mean he didn’t burn that shit immediately?? I know what you are👁️👁️

That all being said, as a twenty-year-old who is freshly over Paul, he thinks it’s fucking hilarious seeing the way Paul tried to replace him. Nobody’s replacing Darry and to him, it’s just proof that their time meant something, enough that Paul’s immediately filling over the gap he left behind. Darry never liked Bob, though, but as far as he’s concerned, him and Paul are perfect for each other. Darry’s got his gang for life and he knows they’re better than whatever the hell Paul’s trying cook up on the West Side.

I’m not convinced Darry is entirely happy being a full-time greaser, but he’s at least subconsciously glad he doesn’t need to keep a foot in the door anymore. He’s got his place, he’s got his people, and they’re good people, so he’s content to make do with what he’s got.