#i get what john was feeling back then
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ringosmistress · 8 months ago
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sammygender · 5 months ago
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i’ve never been as angry on behalf of a character as i am for sam winchester
#currently thinking about season four and five. absolutely fuckibg mental#the world literally reshapes itself around him to prove him wrong#its all framed as God. Sam was so stupid and selfish and reckless for drinking demon blood. He just liked the power of it and he chose a#DEMON over DEAN.#but. that’s not the story they tell in s4.#like even aside from every single other complexity. Sam is literally right. he has ZERO WAY of knowing that killing lilith is the final seal#AND DEAN DOESNT KNOW TJAT EITHER. like sam is literally right he can kill lilith and he does kill lilith. dean wants lilith dead just as#much. sam’s cardinal sin is disobeying dean and then the world flips around on him and plot twist sam and dean were both wrong all along and#killing lilith is what will bring back lucifer :)#but. it’s not framed like that either. it’s framed like SAM BROUGHT BACK LUCIFER BY KILLING LILITH WHILE HIGH ON DEMON BLOOD#dean you wanted to kill lilith too?????????#but. doesn’t matter dean despite being mostly motivated by jealous anger is retroactively proven to be Right#and sam is retroactively proven to be Wrong. he is bad#i just. jesus. sam’s not evil ever. he’s hardly even that fucking morally grey#and he still thinks there’s something wrong with him that he’s a freak that he’s inherently evil and needs to be purified#why?? cause of something fucked up that happened to him when he was a baby#and because he’s disobeyed his father and his brother and been angry at awful things that have happened to him#makes me feel fucking insane actually#no wonder narrative frames sam as evil no wonder he’s inherently marked as Bad by the forces in supernatural like even on a meta level#in supernatural gods just another shitty father. embodiment of the familial patriarch. and from sam’s very first moment on the show he’s in#opposition to that he’s ran away from john and he argues with dean. therefore he is evil#i don’t think my words r really making sense right now but. fucking hell#and sam is so swamped in guilt all of season five and he just fucking accepts that everything bad is his fault#and he gets tortured in the cage to save the fucking world and it’s STILL not enough. not to appease his own guilt and not to appease deans#anger at him. dean is still throwing his perceived violations back at him in like season nine!!#and whenever he tries to get out it’s treated as yet another Sin. narrative acts like sam thinking dean was dead and having a life outside#of hunting is The Worst Thing He Ever Did#worst sin sam ever commits in the eyes of the show is disobedience. Absolutely awful actually#spn#sam winchester
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snikt111 · 6 months ago
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hi hi hi hi I found out about Hal Jordan TODAY and am going so autistic over him it’s insane can you please give me a rundown on what his deal is I think you’re the Tumblr Green Lantern guy
omg hi, insane compliment btw, tysm! i'm glad to give you a rundown!! also definitely check out @katmaatui for more hal info, red is SUPER knowledgable abt him. @rillette, @catboyollie, @halcarols, @starsapphire and @yellowcorps (along with so many others that i cant think to tag off the top of my head) have some great hal takes too! (edited the post just to tag more ppl)
apologies if this is a bit rushed/messy, i'm doing this while i smelt stone in minecraft LMAO
that being said... i think this will be a long one, so more below the cut :3
(cw for light mentions of pedophilia, abuse, canon typical violence)
okay, so hal jordan is the first human green lantern of the GREEN LANTERN CORPS. it's important to note that there was technically a human green lantern before him (alan scott, originally from earth two/the justice society, but integrated into main DC canon after crisis), but his power comes from a different source- which is a whole different ballpark that would take ages to explain, lol, so i'll move on from that.
hal was originally introduced in a showcase issue in 1959, but ended up getting a solo run in the mid 60s because of his showcase issues doing well. he's been a test pilot, middle brother, compassionate, rule follower (although being surprisingly liberal for the time) with an interesting relationship with star sapphire carol ferris since those first appearances. for the first 20 odd years of his appearances we had no information on his parents, but we got a lot from other family members, such as uncle titus, cousin hal jr (aka airwave), younger brother jim jordan and older brother jack jordan. through the 60s and 70s those members of his family were developed along with him; with the audience learning that jim's wife sue thought jim was green lantern, rather than hal, and hal himself training his cousin, hal jr.
the most known version of how hal got the ring in the first place is probably based off of geoff john's rewrite in the mid 00s, reiterating the original story of abin sur crashing onto earth and dying, leaving hal with his ring to be trained by sinestro and the rest of the glc, while also changing miniscule details that had been developed in emerald dawn 1 & 2 (which was released in the 90s, more on that later). the main premise of abin sur's crash has stayed the same, but the story around hal's current life, job, family and stability keep changing. for instance, the original comic with abin sur in showcase only showed hal getting the ring, the guardians choosing him. the first rewrite i can think of was emerald dawn volume 1, published in 1989 and continued in emerald dawn v2 (1991). here we get the classic hal watches his father die in a plane crash with carol ferris beside him as a pre adolescent, and some of the biggest implications of the mistreatment from his father. we also get introduced to hal, despite his stick to the rules, straight edge attitude, making some serious mistakes and putting people in danger and even death- with the implication of alcohol abuse. the audience HAS known hal used to be in the air force since sometime in the late 60s or early 70s (sorry, i don't remember the exact issue!), but emerald dawn shows us that hal's moved on from the air force and into test piloting, and that his mother keeps having to bail him out for making mistakes. emerald dawn vol 1 shows the abin sur moment, followed by fights that cost hal's friends life, and is followed up by sinestro training hal in emerald dawn vol 2, where we get to see the iconic scenes of hal finding out about sinestro and his... dictatorship.
along with that; how the guardians and rings are treated and hal and the glc's perception of them is vastly changed over time. in the early days of gl in the 60s, the guardians were really never to be seen. hal was repeatedly summoned to them and then had his memory almost fully wiped- only leaving a vague notion of his orders. the guardian's called hal to them at seemingly the worst times, ending up with him almost getting injured, getting in trouble at work, and even ending up jobless and homeless. the chaos of being a green lantern has been around the WHOLE time, but originally, the green lanterns didnt really... fight it. the guardian's were their masters (and even father figures, to hal) and not to be questioned. the rings in the 60s were also much more powerful, despite the yellow weakness (the yellow weakness is the notion that from about the 60s to the mid 90s the green lantern rings were completely unable to be used against anything yellow). time travel, phasing, teleporting, etc were all very viable and common things- as well as forceful shapeshifting, invisibility, mind control, mind reading, etc etc. these days, writers have dampened these powers down to mostly shooting light and constructs.
okay, it's parallax time. the emerald twilight arc from the mid 90s wasn't an arc that was as thoroughly planned out over a long period of time as it probably should have been. a lot of fans at the time (and even now) hated what happened there, and claimed it ruined hal's character entirely. i can understand why! but, at it's core, the parallax arc is a story about a broken man pushed to the limit, fully grieving his home and family (originally, he lost his brother jim in the destruction of coast city, along with a lot of other family members) and being goddamn fed up with how his "masters" treated him and the rest of the corps. the so called "perfect lantern" (no, he wasn't that much of a rebel, despite what johns wants you to think) snapped and essentially tried to gain as much power as he could to bring back coast city. when the guardians stripped him of his powers so he couldn't, hal became enraged and took down every lantern in his path, just to get to the guardians and that power. long story short, he kills the guardians and absorbs all the energy from the central power battery on oa, becoming parallax- essentially a god. this marks the start of zero hour, an event made by dc to restructure and reset; giving the comics a new generation of heroes. hal destroys the world and remakes it, but is ultimately taken down by kyle rayner, the new green lantern, with the help of the jla, jsa and associates. there are a few more run ins with parallax after this, before kyle convinces parallax/hal that he can make up for all of this by reigniting the sun after it went out- aka killing himself. hal does it, is stuck in limbo for awhile and then becomes the spectre to continue to make up for the horrible things he did as parallax. the spectre is the spirit of god's wrath and vengeance, a weapon used to drag sinners to their very own, self made hells, and scare the shit out of people. the spectre, from it's very first appearance, is a ghost like spirit that takes on a host, and is primarily described using christian terms and is used in a very... christian ideology. HOWEVER, the spectre 2001 confirms that hal is jewish (jewish mom, catholic dad) and that belief system, plus his personality as a whole, literally makes him change the spirit of vengeance into the spirit of redemption, for at least as long as they are bonded. the whole parallax to spectre arc is about grief, pain, cycles of abuse and terror, redemption and guilt. it is NOT about a fear bug that possess hal. (im so serious though, the spectre 2001 is one of the best comics ive ever read. amazing. changed my world view) but... geoff johns changed all of it, decanonized the spectre, and ruined the legacy of parallax and hal's growth as a person by releasing green lantern: rebirth in 2004/2005. this retcons hal's breakdown and journey through grief into him BEING POSSESSED BY AN ENTITY CONTROLLED BY SINESTRO THAT FULLY CHANGES PREVIOUS GREEN LANTERN CANON AND IMPLICATIONS. also, fucks up the importance of kyle becoming ion, but whatever. geoff johns writes hal (and even more so, carol) so very wrong, and change their stories so vastly in ways that go against the stories very meanings.
SIGH.
now... time to get started on some rougher stuff. hal jordan misconceptions. i'm saving that arc for last.
- hal jordan wasn't much of a rule breaker or rebel until the 70s/80s, where he BEGAN (very slowly, mind you) to be radicalized by oliver queen during denny o'neil's green lantern/green arrow. hal was painted as more of a conservative during this period (which, admittedly, kind of goes against previous canon... he's always been relatively central to liberal, not to any extremes like ollie though, lol) but gets more and more understanding of how power structures work and how lower classes are mistreated during this time- which ends up opening his eyes a bit to how shitty the guardians are. (this is helped by the guardians literally just. leaving. the green lanterns and kind of disbanding them so they can go fuck the zamarons, lmao). geoff johns tried to change this narrative into making hal a very... maverick-from-top-gun type of character, who punched his way out of the military (when, in reality, the original story during emerald knights in the late 90s was that hal had been framed for stealing a jet and was dishonorably discharged, which he took the punishment for because he knew someone had to) and hits on women constantly and gets ladies and allat (which, funnily enough hal was awful at getting carol to like him for a long time, since carol fell for green lantern rather than hal. not to mention the awkwardness of carol's proposals or hal's many, many failed relationships). hal has always been insecure and lowkey boyfailure, he is NOT a top gun maverick tom cruise sorta guy! fuck you jeremy adams!
- hes not that much of an idiot asshole. hal can be a real dick, he's had that going for him since the beginning, but he isn't what you read in batfam fics. he's not stupid and shouldn't be the laughingstock of the justice league. i assume this idea started from the obsession with batfam and the fact that the jla has quite the history of ignoring hal and his issues (as well as. all of their issues. theyre not so great at work life balance), but it's gone too far. hal isn't making fun of the robins and pissing bruce off bc of that. hal isnt fooling around on the job 24/7 (he takes being a gl and pilot VERY seriously, although he does enjoy some danger and high stakes) or slacking off to get girls. again. not top gun maverick.
- hal has not been a creep since the beginnings. hal was not weird with carol in the 60s. things were weird between them, yeah, but that's based off circumstance and the craziness of star sapphire and green lantern. he was NOT being horribly sleazy! i hate that i even need to say this, but i see this take too much not to
- going off of what was said above, lets discuss the arisia arc. if you want to be a real hal fan, this is unfortunately something you need to know about. in action comics, after crisis and the guardians left to go fuck the zamarons, most of the green lanterns fell apart and seperated. a small group went to earth- led by hal and consisting of hal, john stewart, katma tui, kilowog, salaakk, ch'p and arisia rrab. (also sometimes guy gardner, but that's complicated) previously to this arc, hal treated 14 year old arisia like a beloved little sister, welcoming her and leading her into the corps just like everyone else. things started to change once the timeline gets closer and closer to crisis, where arisia starts showing that she has a crush on hal (who is roughly 30s at this point). any advances made by arisia are shut down by hal at the beginning, because she's a child. now, it's unfortunately a common thing to just call hal a "pedophile" because of what happens in this arc- but it really isn't that simple. still weird and icky, but definitely not to the degree of which some fans like to act like it is- esp to attack hal fans for, which is... an odd choice regarding how many fucked up things every character (esp male characters) did back in the day. arisia ends up using her power ring to artifically age herself up, making her body AND MIND into that of a young adult (the comic makes this very clear). once this happens... hal stops rejecting her. they get together, they kiss. the only person in the group of green latnerns who actually has an issue with it is john (salaakk is meh about it, but he just doesn't like human-esque romance no matter what), and katma even directly encourages their relationship. kilowog ends up crushing on arisia as well, and guy gardner hits on her repeatedly throughout the whole period. eventually, hal and arisia break up, but this legacy (thank so much englehart, for wrtiting this. /sarc) is a big controversy among the comics crowd. "is hal jordan a predator?" personally, and i know a lot of friends/mutuals/other gl fans choose to erase the arisia arc entirely (versus how canon ended up retconning it to be 14 earth years is equal to that of an adult and she didn't really get super ages up, or whatever) and go with the familial relationship between hal and her. that's my preferred version! i know red (@katmaatui) has explored that version as well as an alternate version where the arisia arc did happen, and how it affects arisia in particular, which is really depressing but super interesting. anyway, it's complicated and weird and nuanced, but that whole occurence doesn't mean hal's a bad character or person (cause yk. retcons) and it's certainly not bad to like his character. (definitely ignore any guy gardner fans who try to bitch about this arc. cough cough. guy was ALSO into her and hit on her repeatedly. smfh) most people who bring this up to demonize fans didn't even read the arc, and don't know the nuance or the other weird shit that happens in it. (hal is not a horse, sigh)
OVERALL NOTES!
hal jordan is a super complicated character with an extensive history spanning from the 60s to his worse written appearances in modern age. it's okay to like any version of the character, but it is important to note the changes that have been made, the storylines butchered and lost, and more. he has quite the legacy, and he's particularly interesting as from a moral standpoint. hal's a real sweetie though, when it gets down to it! he's neurodivergent coded (imo at least.. his dad very much gets onto him for being disrtracted, hes kinda shit at social interaction (and then amazing at it the other half of the time) etc etc. "spacecase") and his dad is an abusive asshole, who he desperately doesnt want to be like but thinks he NEEDS to be like!
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elliebell77 · 2 months ago
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sorry i havent been posting i think im burnt out rn
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unordinary-diary · 3 months ago
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Blyke and John: Parallel Characters
I’ve written multiple entries about this,
[x] [x] [x]
But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.
‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.
Firstly, this scene:
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ch. 121
This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.
“If someone hit your best friend, would you let it slide?”
That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.
John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.
But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.
They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.
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I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.
Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:
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(ch. 80)
As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.
Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.
Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.
Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.
Another thing I noticed in Episode 80 is this:
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Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.
In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.
This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.
But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.
They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.
I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)
A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).
It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?
The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.
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(138, 153, 206, & 211)
In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.
For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.
As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.
In the Rowden amusement park, John does start to realize how similar they are:
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(249)
Additionally, I want to draw your attention to the parallels between this scene:
Blyke and John’s argument in chapter 249
(which the image limit won’t let me add, scroll until you see red hair.)
And this scene:
Argument in ch. 121 (it’s at the beginning)
Two sides of the same coin.
Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.
#unordinary#I had another point that i had to cut#because it was about the john slaps remi scene#and how like blyke knew he wasn’t gonna miss and hit john by accident but john doesn’t necessarily know that#and that john assumes the worst (blyke was aiming for his head) bc he’s mad#and blyke also assumes the worst (that john hit remi for no reason). But when i was looking for screenshots to back it up#and i was looking for the one panel where john referred to blyke as “that idiotic redhead who tried to blow my brains out”#as proof of john assuming the worst#But then i found it and it doesn’t even say what i thought it said#it says “THREATENED to blow my brains out”#Smh john didn’t even assume the worst. He knew it was jyst a threatening shot even thogh he was mad#And then my whole thing kinda falls apart because blyke assuming the worst is actually just the logical conclusion since he can’t read mind#Like how was he gonna know john was having trauma issues#Yargh okay so i think i cut all the parts that don’t really make sense but it’s late so this is a low quality proofread#Gonna be honest this is NOT structured very well#Theres more to be said about john hating other people for the same reasons he hates himself#and I didn’t quite hit it#but it’s lateeeeeee#something about how Blyke is so similar to john but lacks most of what John hates about himself so John projects his insecurities—#back onto him anyway#Something about in ch 249 when he says something something “because I couldn’t cope with the fact that you guys weren’t actually bad people#Yeah idk im too tired to get into it#blyke unordinary#john unordinary#oh also has something to do with when john says “i may have deserved those classes but they sure as hell don’t” about keon#i think that’s significant#analysis#i have a bad feeling that someone in my notes is gonna purposely misinterpret my “goody two shoes” blyke statement ngl#”did you say that blyke is perfect and john is evil”#like something like that
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puhpandas · 18 days ago
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as someone who isnt super excited for sotm for certain reasons I am really glad that like. it's clear that since ruin theyve been setting up for carnival and sotm IS carnival. so now that carnival is finally coming out, afterwards theyll be moving on to other plotlines since the main villain stuff is sorted out
I'm just rlly happy to finally see a clear direction for how the story is gonna be playing out with like "okay these games were leading up to this so after this will be open possibilites" instead of like. absolutely no info about each upcoming game and being left guessing before it releases and just having to wait and see what's in it and if anything you're looking forward to will be in it
it feels like they have a plan and a solid direction for what they're trying to do and after carnival releases thatll be all that buildup coming to fruition. & we already know from the Scott interview that theres another release 'beyond sotm' that's 'super exciting' so maybe thatll be focusing on another big currently untouched (which is basically all of them) plotline, or even the big campaign game that dawko has been calling security breach 2
#even if i dislike how theyve been handling this whole mimic cassies dad factory mapbot bonnie bully stuff#the past like 2 releases 3 after sotm#after watching johns theory video it really does feel like stuff was more purposeful with thought put into it when u plug in cassies dad#even if the plot of him being behind mxes and trapping mimic is pushing other more important characters aside#its probably what happened and accepting that makes the story at least seem more thought out#it did make me feel better about it bc like. it at least feels like theyre cooking#like what theyre working on DOES have a direction and a plan and it isnt just random stuff like how it felt when hw2 came out#i might still think that the stuff theyve been doing the past few releases is boring af and uninteresting#compared to earlier concepts like focusing on vanny and the possession aspects and sentient glamrocks#(we could see more of it with freddy if theyd let him come back ever)#but like. at least it has thought put into it and feels like theyre actually trying to set shit up for something#like sotm is an ORIGIN#the tagline was 'sometimes you have to understand the past to see the future'#at the end of the day sotm is a setup for a campaign thatll take place in present day anf#even if its taking ten thousand years to get there im excited for it#aka its taken a long time to tell this story setup of cassies dad and mimic and shit and it might be boring for some people#(me)#but at the end of the day its meant to be setup explaining the past of why mimic exists (even if that's already in tbe books)#so after we 'understand' it we can get back to present day#and focus on its current victims vanessa gregory cassie etc#cassies dad is 100% dead if hw2s protag is him so he woukdnt be relevant anymore. just another character thing to serve cassie#im just saying like after sotm its wide open for getting back to the plot#and i think its actually right to say that bc like all of this has been setup. if hw2 protag is cassies dad its a prequel to ruin#so rn ruin is the most recent game in the timeline. meaning the next game that takes place in current tjme will focus on the current mains#Gregory cassie vanessa#sorry for fnaf plot posting again ive been thinking about it a lot the past few days#thought id balance some negative ive posted with a positive since im feeling better about it myself :)#one day we're gonna be so back and its gonna be great#its just gonna be a long annoying wait lmao#thoughts
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buddietommys · 9 days ago
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"Why not?"
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"I wish you were a girl."
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#hughlander#at first i thought of hughie saying the first quote but the more i thought about it the more it made sense for it to be john HEAR ME OUT..#he was obviously trained to only enjoy the whole “american dream” so ofc that picture perfect look for him would be a woman next to him#while he himself is a piece of shit and cares only about his image he also just doesnt give a shit#(based on his behavior l8r on in the show) he also just doesnt care what anyone has to say especially since in his eyes he is THE strongest#no one can say anything to him and hes untouchable..which is why his odd obsession with hughie will prove to be zero issue#and while he tries to make a connection with hughie in his own overly possesive way hughie holds himself firm with his actions#(lowkey where things gets ooc oh well idc) homelander does try and make SOME sort of attempt in picking at his brain anf at hughie as to#figure out WHY he even is interested in “that loser” and in doing so he eventually finds that hughie for whatever stupid reason#notices that he GENUINELY does care about people and that its not some front like he really does and TRY to see some good in people#so john opens up slightly to him about what people at vought did to him as a kid and its those moments where homelander tries to make it-#light buy hughie looks at him and i mean really /looks/ at him and says “jesus thats fucked Im sorry” and john is absolutely dumbfounded#like so dumbfounded and the god honest yet short comment in regards to him opening up about his past#essentially john starts to feel what he always imagined what “feelings” are supposed to be and after a long time of him and hughie oddly#finding some sort of “middle ground” he tries to pull a move in a moment of odd peace amongst the two and hughie jerks back#john is so confused and i mean REALLY confused#he thought he read all those “signals” right based on the romantic films he was forced to watch why is hughie acting like this?#he doesnt want to even think about what this pain in his chest is and all he can ask is “why not?”
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good-beanswrites · 7 months ago
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A drabble for an anon asking about the prisoners watching their music videos! This is focused on specifically Mikoto’s initial shock at seeing MeMe for the first time, but just know that Double comes with a whole new set of shocks as he truly listens to John for the first time ;-;
Mikoto was no criminal. 
He didn’t know how to break into locked rooms, or hack into complex prison security systems. He figured there was no way in hell he’d be able to see these so-called incriminating videos that the Warden was recording, and had resolved himself to an eternity of wondering what they could be. He was shocked when he didn’t need to do a single thing to gain access to them – Es simply adjusted the computer monitor and told him he could hit play when (and if) he wished. Then they left the room.
“A-are you sure?” he called, but they were already gone.
Mikoto blinked at the screen. It showed a stretched version of his apartment couch, near his bathroom wall, broken to reveal sky above. He thought he could spot his tarot cards at the bottom of the frame. Had Milgram broken into his home to film this? 
He scoffed, and hit play.
Distorted guitar started up. He flinched as his own face appeared for a moment – looking directly into the camera and making a wild expression he would never have made if someone was recording. His body tensed up more as he heard his own voice start to sing lyrics he’d never spoken before in his life. He wasn’t even a good singer, and here he was sounding like a professional. 
There were plenty of ways to accomplish all of this, of course. Software could mimic one’s voice, making him say anything these crazy reality hosts wanted. A team could easily add some digital effects to a stunt double and match his appearance perfectly. Knowing that didn’t make the experience any less unsettling.
He watched himself commit a nasty murder. He watched himself return home bloodied. But it was all ridiculous. How could Milgram even claim that this was him? He’d never raised a hand to anyone in his life. Were the other prisoners’ videos as outlandish as this one?
But then, a switch. 
The song shifted to a new melody. He appeared to wake up from his couch, and suddenly Mikoto got the sense that this was him.
He was struck with how familiar this new segment sounded. It simultaneously felt like a favorite song he must have played on loop not too long ago, and one that he’d never heard before. As it played, each new note and lyric felt right on the tip of his tongue. 
It ended as quickly as it began. The song returned to the heavy-metal-murder aesthetic it had started with, and once again he felt like he was watching a cheap copy of himself onscreen. He watched another murder, a shower scene (had the warden seen all that? How embarrassing…) and then he turned to his bathroom mirror.
At the same time as his musical counterpart, Mikoto leapt backwards in horror. 
His eyes remained glued to the screen. His hand flew up to grab the lower half of his face. It was fake, he told himself. AI and CGI and all that. It was fake. It had to be. 
Something deep inside of him said “no. That’s real. That’s me.”
Something else deep inside of him echoed the sentiment.
The video was less than four minutes of music, but by the end he was panting and tugging at his hair as if he’d endured hours of prison torture. He burst out of the room. He sucked in breath after breath. The melodies still played in his mind, lines repeating in his memory as he tried to put as much distance between himself and that little television screen.
He found the others in the common room. They gave him a knowing look, but somehow he knew his experience had been very different from their own. Es approached him.
They studied his expression for a moment. Thankfully, they didn’t ask anything stupid, like “how did it go?” or “what did you think?” 
Instead, they just told him, “if you ever want to watch it again, just let me know, I can get it set up for you.”
He would want to see it again. Of course, it would be better, then. He would take a moment to calm down. He’d watch it later and everything would be okay. He’d have a clearer mind. He’d pick out all the little camera tricks they used to make it. He’d be sure it was a fake, and laugh about how ridiculous he was being now. 
Of course. Of course. 
He nodded to Es, unable to produce any words. Es left him.
The rules in this prison never made any sense, but in this case, he was grateful. He wouldn’t need to figure out any snooping or hacking to get access to the video again. After all, he was no criminal.
… he wasn’t, was he?
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gayghostrights · 30 days ago
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thinking about one sided blind faith again
#But like specifically in the context of aro Arthur in a QPR with John#And oscar is gutted because not only does Arthur not reciprocate his feelings he also doesn’t even trust him enough to tell him the truth#Because queer platonic wasn’t a word then so it would just be Arthur insisting he and John are friends#And maybe he’s repressed enough to also insist he’s straight#And he’s saying these things while being unnaturally close to John (so in sync and anticipating each others needs) and how is Oscar going#To complete with the closeness of someone who shared a body with Arthur?#Someone who shares his bed and brought him back from the edge and who just gets him ways Oscar thinks he never will#And to top it off Arthur is saying that their closeness isn’t out of the ordinary which feels like a slap in the face#Because if that was how he treated his friends wouldn’t he be holding Oscar’s hand under the diner table#wouldn’t he be bringing Oscar to his bed.#Wouldn’t he be talking to Oscar in that same affectionate tone#And Oscar internalizes it as both his own shortcoming because if he believes him that he and John are friends and not anything else and#That’s just how Arthur treats his friends then why isn’t he treating Oscar the same way he treats john#OR it means that Arthur is lying to him. That he doesn’t trust him enough to tell him who is he is and that he’s not a safe enough person#To come out to#And worst of all it means he doesn’t see (for lack of a better word…) Oscar or the way Oscar is breaking his back to be what Arthur needs.#It means Arthur doesn’t see how in love with him Oscar is because if he did see it then he would know to trust him with that side of himsel#But really!!! Arthur and John just have their weird little thing going on and Arthur doesn’t experience romantic attraction but the words#Don’t exist yet#Anyway#I’m normal#Blind faith#my beloved doomed ship#I want to make Oscar suffer <3 and I want Arthur to feel guilty about it
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crashingmeteorz · 6 months ago
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podlock john watson w/ his cringe fail personality bein poor as shit but spending all his money on little treats, defending his chubby poorly-behaved dog, getting distracted staring at pretty women, being completely obsessed w/ sherlock holmes…he’s just like me fr
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bigcats-birds-and-books · 7 months ago
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Books of 2024: THE KAIJU PRESERVATION SOCIETY by John Scalzi.
I picked this up when he and Martha Wells were talking about WITCH KING at one of my local bookstores last summer partially because I felt bad shoving a stack of things for her to sign at her with nothing for him, sitting right next to her, after he'd been so delightful to listen to too, but! It is finally time! I need something funny and ridiculous and light, and I have it on good authority that this'll work.
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thestarsarecool · 2 years ago
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TOP POP MERGER: LENNON & ONO, INC.
Beatle John and his girl friend join forces — and POW!
By Betty Rollin, Published in Look Magazine March 18th, 1969
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wispythreads · 8 months ago
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I don't trust North we disagree on literally almost everything why does me attempting to still be a civil human being with the basics of decency lock Markus and her into a romance what the heck
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this is a tiny pet peeve but i think its kinda odd that people seem to like. forget, or maybe just neglect to take into account, that yellow, for whatever reason (whether he's an alt universe john or a fresh piece of this universe's KIY that kayne went and ripped off) has ALSO been trapped in the dark world prior to being with arthur and has exactly as many Feelings about it. this is a very load bearing character trait imo
#the nemesis speaks#mv liveblog#malevolent spoilers#standard ''fandom hermit'' disclaimer most of my perception of common hc/characterization here is just osmosis from fics ive read#this is why i lean way more towards the ''alt timeline john'' idea than anything else#bc how does it work otherwise. did kayne grab a new piece of the king and then. stick it in the dark world to finish cooking?#i mean i wouldn't put it past him i guess it just seems like a needless logistical investment on his part#anyway more to the point. in terms of personality/character i think both of them are several layers removed from the king atp#and it's BECAUSE of the dark world. BECAUSE they went through this process of being helpless and fighting for their lives#that's why yellow is Like That. this is why he bites.#you think the king would be that goddamn defensive and scared and easily cowed by threats?? fuck no. hes better than that#relatedly i think ppl overestimate how much yellow actually remembers of being the king#and correspondingly underestimate how much the persona really is just a mask he grabbed at to defend himself from arthur#''ok you're saying that i am this thing and you hate and fear it so i'll become it and then you'll stop snapping that fucking whip at me''#like cmon. you make a guy feel so fucking lost and small and helpless and then tell him that he used to be a fucking GOD#what is he supposed to do besides lean into that idea in hopes of getting any of that power back to defend himself with??#yellow my poor lil meow meow... my sad wet cat who refuses to admit he is wet or sad...#anyway i'll stop doing character analysis in the tags now
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nov1963 · 4 months ago
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Kinda wild in M(III)'s world, S*l would have been here and questioned for this............ I didn't even put two and two together until now.....wild times....
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thoughts-of-the-unheard · 2 years ago
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i like to think about george and lucy doing cases together as they lock lockwood in the house to force him to heal after being shot (and falling down the catafelque hole and battling a bunch of ghosts and fighting off a load of thugs)
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