#i get that with such similar colors its confusing

[caffeinatedopossum]

Suddenly realizing I've had seizures before :0 but this was just the first one where someone who knew what it was was there to witness it (my girlfriend)

That's so cool and definitely not terrifying /s

[worldlxvlys]

Can you write a fic based on Wednesdays video and we notice he not wearing underwear and it’s visible -don’t know how to explain it well🫣

distracted

chris sturniolo x reader

warnings: smutttt, p in v, cream pie, unprotected sex, fantasizing, choking, oral (male receiving), handjob, degradation

a/n: @sophssturn also requested something very similar but my dumbass accidentally deleted the request 😭

hope you enjoy !!

i swear i wasn’t looking on purpose.

ok, that’s a straight lie.

but it’s almost as though he wanted me to look, he knew exactly what he was doing.

he wore those grey sweats, which he knew made me go crazy.

and to top it off, he decided not to wear any underwear ? what a slut.

he knew good and damn well that he was too big to be walking around without any boxers on.

and to do it while he was filming ? when he knew there was nothing i could say or do about it ? yeah, he knew exactly what he was doing.

i was sitting behind the camera, watching as he cooked burgers for everyone.

every time he moved just a little too quickly, his dick would press against his light-colored sweatpants, the outline of his bulge showing.

of course i was aware of how big he was, but that didn’t mean the entire internet need to know too.

as i continued to stare at him, my eyes scanned over his entire body, imagining him in a completely different scenario.

instead of his wrists flicking with every flip of a burger, they were straining against a restraint, and i was watching him squirm desperately under me.

his pretty mouth was being suffocated under the weight of my body, while my aching heat was shoved in his face.

instead of the oil from the cooked meat dripping down his hands, it was a layer of my arousal decorating his long fingers.

when he threw his head back, moaning at the taste of the hamburger, i imagined him moaning my name while i bounced on his-

“helloooo? did you hear me?” chris asked, pulling me back to reality.

“oh, sorry. i was distracted” i answered, now realizing that everything was cleaned up, and matt and nick had already went off to do whatever.

in front of me sat a hamburger, placed perfectly between two buns on a plate.

“distracted by what?” he asked as he watched me take a bite of the food.

i took a minute to finish chewing before answering, “what do you think?” i deadpanned, watching as he looked at me in confusion.

“you seriously don’t know?” i asked, continuing to eat the burger.

when i finished, he pointed to my mouth, “you have a little..” he trailed off as he collected a bit of juice that dribbled down my lips from the meat.

before he could do anything else, i grabbed his finger, looking up at him as i licked the small bit of liquid from his finger.

he stared at me with his mouth hanging open slightly, before i let go of his hand.

“ tastes good” i spoke to him, making him whine in response.

i reached forward, palming him through his sweats, making him moan out in surprise.

“tell me, what did you think was gonna happen?” i asked as my hand made its way into his sweatpants.

“i- fuck, i don’t know” his head fell back as he whispered, hands gripping my waist.

“yes, you do chris. you did it for a reason, what is it ?” i asked as i left a light kiss to the shell of his ear.

i didn’t get an answer as i began to stroke his length.

i squeezed his base lightly, making him groan in response.

“answer me or i’ll make you cum in your pants out here like the dirty slut you are”

“shit” he breathed out raggedly, attempting to compose himself, “i wanted you to fuck me”

“you could’ve just asked baby”

“but i-“ he shuddered the feeling of my hands continuously squeezing him, “i need it rougher”

at those words, i pulled my hand from his pants, “say fucking less” i spoke as i grabbed his hand, pulling him to his room.

when we got there, i closed and locked the door behind us, before pushing him into it roughly.

“talk to me chris. tell me what you want” i spoke.

“ i told you already, i-” i brought my hand to his throat, squeezing it slightly.

“excuse me?” i asked him, eyebrows raised.

his eyes widened slightly, his gaze dropping to my lips. “try that again” i told him.

“i need you to fuck me” he whispered. “louder” i spoke.

“need you to fuck me” he spoke, his voice slightly raised.

“louder”

“they’re gonna hear-” he started before i cut him off, “i don’t really give a fuck. you wanna act like a little bitch in heat ? i’ll treat you like one, say it louder”

“please, please fuck me. need you to fuck me so bad” he spoke up, whining desperately.

“was that so hard?” i asked, tilting my head to the side.

i slid my hand up to grab his jaw, pulling his face toward mine into a heated kiss.

my hands wove into his hair, harshly tugging on his brown locks while his found their way around my waist.

i swallowed his moans as my lips danced along his greedily.

i ran my hands down his clothed chest, letting my fingertips toy with the hem of his shirt.

he took the hint, pulling away for a second to pull his shirt off, before his lips found their way back to mine.

my hands explored the new skin, running along his chest before stopping at his waistband.

i teasingly rubbed his stomach, fingers brushing the waistband but never moving past it.

he pulled away to speak, his mouth slightly open, “don’t tease”

i raised my eyebrows at him, grabbing him by his arm and guiding him to sit on the bed.

“maybe if you weren’t walking around without any underwear on, i’d listen to you” i spoke as i sunk down to my knees in front of him.

his eyes widened slightly as i left a kiss to his clothed dick.

he looked down at me with hooded eyes, watching as i slowly pulled his sweatpants down.

his hard dick slapped his stomach, pre-cum dripping onto his abs.

chris’s breathing sped up in anticipation, his hands clutching the sheets underneath him.

i placed my hands on his thighs, keeping them pulled apart while i leaned forward, collecting his arousal with my tongue.

i started at his stomach, licking at the small beads of arousal, before swirling my tongue around his tip.

“fuck” he breathed out, his head instantly flying back.

“talk to me, baby. you feeling good ?” i asked him.

CHRIS’S POV

“yes, feels so good” i whispered, brows furrowing as she teased me.

she brought the palm of her hand to my tip, rubbing me in quick, circular motions.

my hips jerked up at the feeling, my mind growing fuzzy at the amount of pleasure that coursed through me.

“you think you deserve to cum ?” she asked, looking up at me through her lashes.

she pulled her hand off of me suddenly, deciding to tease me more.

my mouth hung open, but i was unable to form any words as my mind was consumed with her.

her hands, running up my thighs, but always stopping just before her fingers could graze my dick.

her face, glaring up at me with that look in her eyes that told me i was going to be gone by the end of tonight.

her lips, so plump, curved to fit around my dick perfectly.

“please, i need your mouth” i whined as she moved her face closer to me, her breath tickling my painfully hard cock.

“yeah? well i need you to learn how to listen” she spoke, moving away from me.

if there was one thing she loved to do, it was tease me. she wanted to push me to my limits until i lost it.

and she knew exactly how to get me there.

“ok, ok, i’m sorry. please, please, i need your mouth so bad”

ignoring my pleas, she pulled her shirt over her head.

“you never answered my question earlier, chris” she spoke.

her words went in one ear and out the other, however, when i saw what she was wearing underneath her clothes.

“fuck” i groaned out at the site of the black lace that adorned her skin.

the bra had a low cut, her tits sitting perfectly in the cups.

the bottom left little to the imagination, the lips of her pussy hugging the small string of fabric that barely covered it.

“do you deserve to cum?” she repeated her question from earlier, tilting her head at me.

“yes” i spoke quickly, desperate to have her in any way i could.

“i don’t know, you didn’t answer me the first time” she spoke, moving to straddle my waist.

“guess i’ll take that as a no” she spoke as my hands found their was to her hips.

“cum before i tell you and i swear to god i’ll edge you until you start crying” she spoke firmly as she lined herself up with my dick.

“f-fuck” i groaned at the feeling of her pussy sucking up my sensitive tip.

i held her close to me while she continued to take me inch by inch, until her hips met mine.

when i bottomed out, we both let out moans of content.

she began to roll her hips into mine slowly, before bouncing on my cock.

i watched as her covered tits bounced in my face with every one of her harsh movements on top of me.

i squeezed her hips tightly, needing something to grab onto as she found her rhythm.

her tight pussy continued to squeeze me, each pull of her hips pushing me deeper and deeper into a euphoric state.

“g-god, feels so good” i groaned out, watching her eyes light up at the praise.

“yeah?” she asked, grabbing my jaw to pull my face closer to hers.

“fuck yes, you’re so good to me baby” i spoke against her lips.

she ground her hips down against mine as she pressed a fervent kiss to my lips, her fingers finding their way back to my hair.

when i pulled away, i left kisses on her neck, making my way down to her boobs.

“so beautiful” i whispered up to her.

“hmm, so sweet to me” she spoke, “but i’m still not letting you cum” she pushed my chest, making me fall back onto the bed.

she laid her hands on my chest, using it as leverage to increase her speed on top of me.

“you look so good on top of me like this” i groaned out.

i was barely holding it together, something about the way she took control made me lose my mind.

“i’m so close” i whined as the sounds of our skin slapping against each other’s filled the room.

“well that sucks for you then, huh ?” she asked as she brought her hand to my throat, lightly choking me.

my eyes rolled into the back of my head at the action, my fingers digging into her thighs.

“i- please, i need it, need it so bad” i struggled to form a logical sentence as she leaned back, placing her hands on my thighs.

“oh my g-god” i moaned, desperately trying to hold back my orgasm.

“wait until i tell you” she spoke, moving my head to look at her.

i glanced down to where our bodies met, getting lost in the way her glistening pussy engulfed my dick.

i could’ve came from the sight alone.

“please, please, please” i repeated the word like it was a chant, knowing i wouldn’t be able to hold off for much longer.

“i’m almost there, baby. so close, just hold on a little bit longer for me”

my head flew back when she clenched around me, eliciting a loud moan from me.

“fuck, let go for me chris. let it all out” she moaned as she continued to clench around me.

i sat up to close the distance between us, wrapping my arms around her waist to hold her close to me.

my legs began to shake, my abdominal muscles tightening as i was hit with a shockwave of pleasure.

my hips bucked up into her, making her moan while i shot my load into her weeping hole.

“fuck chris, right there ! right there” she cried out as i unintentionally thrusted into her, my cock buried as deep as it could go inside of her.

she let out one last moan as i felt her release all over me, my dick coated in her pleasure.

my body went limp underneath her, letting her take control as she worked us through our highs.

once we both calmed down, she lifted herself off of me slowly, before making her way to my bathroom.

when she returned, she held two towels in either hand; one wet and one dry.

she gently rubbed the wet towel against my skin, cleaning up the sticky substance that resided from our previous orgasms.

“are you ok my love? did i hurt you?” she asked me while she continued to clean me up.

she took the second towel, drying my wet skin while i answered, “no baby. i’m ok” i smiled lightly at her.

“good” she answered before finishing up, and doing the same for herself.

she discarded the towels in the hamper before coming back over to me.

“wanna take a shower?” she asked as her hands found their way to my waist, rubbing light circles into it.

“yeah” i spoke as i went to stand up, immediately halting my movements when it felt like my legs were going to give out.

“what’s wrong?” she asked, noticing the way i quickly sat back down.

“my legs are…” i trailed off, searching for a word that wouldn’t make the effect she had on me so obvious.

i didn’t need to feed her ego any more than i already had.

it was no use, though, as she picked up on what was happening.

“you can’t walk ?” she asked, a smug grin growing on her face.

“shut up” i spoke, shaking my head at her.

“awww, it’s ok baby, i’ll take care of you” she spoke, pressing a kiss to my forehead.

she went to help me up before pausing, “want me to pick you up?” she teased.

🦢🦢🦢🦢

masterlist

tag list: @lustfulslxt @flowerxbunnie @sturnssx @mattslolita @its-jennarose @bernardsleftbootycheek @queen161718 @cupidsword @imwetforyourmom @nickmillersn1gf @mattsneezing @chrisstankyleg @sturniolobltch @bethsturn @bernardenjoyer @mbbsgf @rac00ns-are-c00l4 @ssturniolo @blueeyedbesson @sturniolowhore @readerakayourname @defnotayonna @urmom2bitch @rootbeerworshiper @starsturniolo @hearts4chriss @theyluv-meee @carolinalikesthings @chrisstopherfilmed @sstvrnioloo @littlebookworm803 @nicksdrpepper @chrisloyalgf @robins-scoop @fandomhopped @chr1sgirl4life @bbglmfao @55sturn @sturniolololover @meg-sturniolo @vanteguccir @ineedchriscock @junnniiieee07 @breeloveschris @evieolo @riasturns @sturnssmuts @nicksmainbitch @luverboychris

[erwinsvow]

bitchy!reader being jealous at a party when she sees rafe talking to some girl and then finding out its a girl he has either slept with in the past or shes been all over him since before they were toghether. Reader makes a scene calling her out for being all over her man

yess but bitchy reader is a menace, she doesnt care abt any girls but she'll be soo mean to rafe abt it😭😭 this has to be pre-dating bc she would never let rafe disrespect her like that & he knows not to

when you catch rafe's eyes again, you feel a familiar sense of self-satisfaction course through your veins. of course he's looking—he should be surprised he can even look away.

you always look great, but today is something special, a pretty strapless dress decorating your body, something similar to the color of rafe's eyes. so, like always, it's no wonder he can't look away.

but you can't let the bastard think he's got you thinking about how often he is looking at you. it's all very confusing, so you don't glance back, trying to stay engrossed in your conversation with your friends. a few drinks and thirty minutes later, your eyes travel back to rafe.

and though he is still looking at you, there's some other girl in front of him, talking to him. the girl you recognize, someone who used to frequent tannyhill. on more than one occasion she's wandered down the kitchen when you and sarah are making waffles and sipping overpriced coffee. when you'd seen her, she'd been in rafe's clothes.

you hadn't cared much then, treated her the same you'd treat anyone. even now, with the girl in front of him trying to capture his attention and the idiot's eyes still on you, you feel the same—mildly annoyed at her, beyond irritated at him.

he thinks he can make you jealous. it's even cute that he's trying. this time you do stare back at rafe, a little annoyed at yourself for thinking about how cute he looks today. you like him in blue, you like that he's matching you.

"why are you staring at my brother?" sarah questions, and you smile in his direction.

"get your shit straight, sarah. he's staring at me." you wave at rafe, smiling sweetly before looking away. you don't have to see his face to know how it fell at your reaction.

"ugh. now he's coming over here. i'm not sticking around for this." you direct your smile at sarah.

"who asked you to stay?" she rolls her eyes at you.

"match made in heaven," she mutters, walking away in the other direction. when rafe approaches you, you stay seated on the couch, sipping your drink and observing your nails. they're baby blue—and you wonder how you'd come to that decision in the salon yesterday. of course, you know the answer.

"what the hell was that?" rafe barks, and you resist the eyeroll for as long as you can. last time he said if you rolled them at him again, he'd slap them out of your head, and though you want to test his theory, you'd prefer it in the privacy of his bedroom.

"just saying hi, rafe. you know i've met that poor girl before, at tannyhill. i'm surprised you even let her sleep over, you seem like the type-"

"can you shut up about her? what the hell was-"

"you already said that. and why would i shut up? you're the one yapping away to her. you know, you must be great in bed."

"excuse me?"

"i mean, you treat a girl that shitty and she's still willing to speak to you? she must remember something good. but knowing you it can't be for the conversation."

"..thanks?"

"you're welcome." you glance up at him again, but your eyes track back to the girl watching the two of you, the one he left behind to come talk to you. "i know you're a dick but don't be a dick. go finish talking to her. it's rude."

"i don't wanna talk to her."

"well, you're not talking to me."

"d'you have to make everything so fuckin' hard?"

"you're the one trying to make me jealous by talking to some poor girl! did you think i'd appreciate that?"

"why can't you just get jealous like you're supposed to?"

"you are such a jackass. maybe if you acted, like, a normal person-"

"oh, you're one to fuckin' talk. normal person my ass. you cuss me out every chance you get-"

"stop engaging in behavior that gets you cussed out then."

"shut up."

"you shut up!"

you both stare at each other for a moment.

"you wanna come to tannyhill with me?"

"yeah. let's go."

[linkspooky]

JASON TODD VS. DABI: WHY NOT ME?

"You haven't been here long but you've seen him, right? The batman. The batman. He lives in darkness, to find the helpless and bring them into the light. So I have to wonder...why couldn't he do it for me?" The Boy Wonder: Issue #2

This is the story of the boy who didn't get saved. The story of a boy who really ought to have been saved. Of course, every victim deserves to be saved, but this boy was the son of a superhero. Can a hero who saves everyone, but fails to save his own son really be called a hero? As for the son, how does it feel to watch his father save complete strangers but let him fall to the wayside?

Jason Todd and Dabi are two characters with similar backstories and motives (so similar it's possible Dabi is outright based on Jason Todd) which are worthy of comparison. These are two tragic arcs which explore the conflict between a hero's responsibility to act as a father, and their responsibility to save people. As I said they are tragic because in both cases the hero fails, as a father, and a hero. However, I'm comparing the two because Jason Todd's story is a well written tragedy, and Toya's story is not.

If you were to write a story of my life, it would surely be a tragedy.

Aristotle's Poetics is the first attempt to define what Tragedy is, not as a story where sad things happen but a specific story structure. He outlines not only what makes tragedy, tragedy, but also what makes a good tragedy.

The Plot, then, is the first principle, and, as it were, the soul of a tragedy: Character holds the second place. A similar fact is seen in painting. The most beautiful colours, laid on confusedly, will not give as much pleasure as the chalk outline of a portrait. Thus Tragedy is the imitation of an action, and of the agents mainly with a view to the action.

I use this quote because the painting metaphor is a great way of explaining what I'm getting at, you can have a painting with the most wonderful colors, you can have a story with really good ideas like the Todoroki family plotline but if you don't use those colors correctly all you're going to end up with is a bad painting.

In poetics Aristotle clearly defines a tight well-structured plot as the first priority for effective tragedy, character as second.

Again, a beautiful object, whether it be a living organism or any whole composed of parts, must not only have an orderly arrangement of parts, but must also be of a certain magnitude; for beauty depends on magnitude and order. Hence a very small animal organism cannot be beautiful; for the view of it is confused, the object being seen in an almost imperceptible moment of time. Nor, again, can one of vast size be beautiful; for as the eye cannot take it all in at once, the unity and sense of the whole is lost for the spectator; as for instance if there were one a thousand miles long

To make sure you understand, it's vital in tragedy for all the pieces to fit together. Tragedy is a specific story format. Good tragedy uses the parts of a story well, but bad tragedy is sloppy and poorly put together. In tragedy, the whole has to be greater than the sum of its parts. The Todoroki Family are all good characters out of context, but the story could have enhanced their characters but detracted from them due to how poorly it is told. The fact that a lot of MHA fans are in love with the Todoroki family out of the context of the story, but also have constant complaints for how Horikoshi handles their plotlines is, in my opinion, very telling.

What Aristotle goes on to posit is the best tragedies do not come about by accident, but rather by the direct actions of the characters.

But again, Tragedy is an imitation not only of a complete action, but of events inspiring fear or pity. Such an effect is best produced when the events come on us by surprise; and the effect is heightened when, at the same time, they follow as cause and effect. The tragic wonder will thee be greater than if they happened of themselves or by accident; for even coincidences are most striking when they have an air of design. 

Therefore Tragedies require consequentialism, like Newton's Third Law, every action will have an equal and opposite reaction. To simplify a good tragedy arises from the consequences of the character's actions (or inaction). The most basic form is that the hero of the story will have a tragic flaw that they fail to improve upon in time and then leads to their destruction. In essence, tragedy is where the hero fails. Not only does the hero fail, but the hero loses, and that irreversible loss is what defines tragedy. Medea slays her own children, Oedipus rips his own eyes off and deserts his kingdom, Creon Antigone is buried alive and Creon's son, her fiancee, commits suicide.

These events share two things in common, they are irreversible (hence why they feel like good endings), and two they evoke catharsis. Aristotle defines the goal of tragedy to evoke terror and pity. We feel alongside these heroes, Medea was abandoned by the husband Jason who she left her home and slaughtered her own brother for, Oedipus did all of his crimes unwittingly and is a victim of fate, Antigone was doing the right thing by burying her brother so his soul could pass on to the afterlife.

There's all different sorts of tragedies, Hamliet explores more here. I'd say UTRH and Hellish Todoroki Family are tragedies centered around grief.

Tragedy works on extreme emotions, and extreme hard-hitting consequences to the hero's failures. The worst thing a tragedy can be is boring.

The Tragic Hero

Now that I'm done lecturing you let's actually talk about both My Hero Academia and Batman like I promised. Both of these stories don't actually feature the central victim as their protagonist, and that is a feature not a flaw.

Rather, the story we are being told is that of a tragic hero, failing to save a tragic victim because of their own personal flaws.

These flaws are called (hamartia) or "error in judgement". A hero, being called a hero of a story is often unaware of his flaws which is central to what makes them unable to fix those flaws in time. That flaw can later lead to a moral failing, such as Othello's jealousy, initially jealousy is an understandable emotion, but then it leads to him trusting Iago over his own wife and killing his wife in a rage.

Most importantly, the hero’s suffering and its far-reaching reverberations are far out of proportion to his flaw.

Let's begin with talking of the heroes and their flaws, Batman and Endeavor. My main reason for comparing these two is in these specific stories they have the same flaw, inability to move past their personal guilt towards their son, and the same conflict the duty of a father versus the duty of a hero.

However, Batman functions as a tragic hero, and Enji does not. The summary of their conflict is right here in these two panels.

A parent is required to place their children above everything else, because they are the ones responsible for bringing that child into the world. Bruce Wayne made the decision to adopt Jason. Enji made the decision to have children, however with Enji you have the added insidious motivation of he only wanted to make designer babies and just didn't care for the ones who didn't turn out right.

Bruce attempts to do both, to act as a father for Jason and also a crime fighter as batman but he can't do both. This comes to a head in Death of the Family when Jason is having serious trouble because of his lack of a strong parental figure, and Bruce knowing that Jason is in trouble chooses still to go off and fight crime instead of staying with him. The choice to place crimefighting over the child they chose to take responsibility for has the unintended consequence of getting that child killed.

Whereas Enji makes the same choice over and over again, ignoring Toya's clear troubles at the fact his father no longer spends time with him and choosing to run away to the world of heroes because he doesn't want to face the fact that his actions are severely hurting his son. Bruce's motivations are more sympathetic admittedly he wasn't actively practicing eugenics, but the choice is the same and the consequences are the same.

Both Bruce and Enji are forced to bear witness to the deaths of their children when they are not there, specifically because they made a choice to be a hero instead of staying by their child's side. A situation directly caused by their choice to be a hero over a father, and a situation that would have been avoided if they had stayed with their child in their time of need. Jason runs off when Batman tells him to stay and gets kidnapped by the Joker, if Enji had been on Sekoto peak that day Toya would never have accidentally lost control of his fire.

This is just the backstory however, the main event that kickstart this plot is the unexpected return from the dead of both Jason and Dabi. Each story follows the same plot beats. A new villain appears to challenge Endeavor / Batman. The villain reveals themselves as their dead son. Both Endeavor / Batman are given a chance to try reaching out to their sons, but they choose not to.

Then even though they are given a second chance with a miracle of a dead son coming back to them, they choose the exact same thing they chose before, being a hero and because of that the tragedy repeats itself. For both of them they are unable to save their son again, and the son goes through a second death. History repeats itself, the lesson isn't learned.

Their fatal flaw is their guilt. This is a story about grief and mourning after all, a son who is died, buried, but never grieved properly, never mourned, an open wound on the father suddenly coming back. The inability of each to process their grief blinds them from seeing the fact the son has come back, and they have a second chance.

Toya has internalized he is a failure, because Enji literally called him that. Jason believes that Batman thinks he is a failure. In both cases the father is the one who failed, Bruce at least acknowledges this but cannot communicate it in any way shape or form.

This guilt and responsibility both Enji and Bruce feel causes them to self-sabotage. They no longer have the confidence they are in the right (they no longer feel like heroes because they have failed to be heroes to their own son).

You can also add the layer of complication that since both men chose to be heroes in the past, they do not know how to handle the situation as a father now that they're being challenged to step up as one. Unfortunately, they are not the fathers that stepped up.

The reason their grief becomes a flaw is because they put their grief over their victims. . Each man is aware too much of their own failure, and while they should feel guilty they make the classic mistake of placing their own guilt over the feelings of the victim. The guilt they feel for causing the death and the genuine grief of losing a son is given priority over Jason and Dabi who you know... actually died.

An overwhelming grief and guilt is understandable because grief is a messy and human emotion, losing a child is an unimaginable tragedy that should never be inflicted on anyone.

Yet at the same time both Dabi and Jason are grieving to. This paradox that Batman only thinks of his own grief at losing a son and never stops to think about how Jason must feel leads to one of the best lines in Under the Red Hood.

"The father had lost a son, and now the son had lost a father."

Batman's guilt is so strong over being the cause of Jason's suffering, that the suffering of the victim himself is ignored. To be fair to My Hero Academia, the Todorokis say a similar line to Enji.

However, this is where I begin to get into the difference between ideas and execution. Tragedies are stories of actions and logical consequences, every action has an equal and opposite reaction in Under the Red Hood. Batman is punished for the choices he makes, the choices he doesn't make, and the choices he fails to make in time.

The Todoroki plotline features almost none of its character making any choices of substance, and because of that the plotline says the right things over and over again, but it all comes off as tell don't show.

I'm going to quote @codenamesazanka's post right here a couple of times because they describe the complete failure of the Todoroki plotline to show us a reason why we should be feeling things for the characters artfully.

We've heard Enji say this before - I'm sorry, I intend to atone. It's indeed the right thing to say, it's exactly what he should be saying and acting. Natsuo is declaring no contact - That's fine, I'm sorry, I accept this as part of my atonement and will continue. Touya calls him a coward - That's fine, I'm sorry, I accept this as part of my atonement and will continue. The public hates him - That's fine, I'm sorry, I accept this as part of my atonement and will continue. But you can only hear this so many times before you want to snap and beat the character, the story, the writing over the head with Enji's wheelchair. Why is that? He's behaving exactly as he should, and yet...

The reason why it fails to evoke strong feelings is because of what we'd called "narrative dissonance." The actions of Bruce and Enji are the same, they both neglect to do anything, make any real attempts to reach out to their victims because they're paralyzed by guilt.

However, we are told that they have entirely different arcs. Bruce's arc is a tragic fall. He's failing as a hero. While we are being told that Enji is experiencing an arc of atonement. Enji is supposed to be improving himself, and Bruce is supposed to be experiencing negative character development but they both do the exact same thing in story. Bruce neglects Jason, we are told by the story, by the characters in the story that Bruce is failing Jason. Enji does nothing in time to actually atone for Toya or try to help him, yet, we are told again, and again, and again, and again, and again, and again that Enji is atoning with nothing substantive to show us this is the case.

To show what I meant instead of telling this scene is in chapter 252.

This scene is the ending point in chapter in chapter #426.

It's just him repeating the exact same sentiment and yet in a more than 150+ chapter gap, Enji never made any action to show he was now placing his family first. Enji didn't say anything to Dabi when he revealed himself as Toya. Enji didn't look for Toya in the months before the final war arc. Enji literally appeared on live TV in a broadcast that Toya was watching and said the very selfish "Watch Me" atone for the crime of creating Toya instead of literally talking about Toya or too Toya. Well, that would have rocked the boat too much... THAT IS LITERALLY THE POINT. Enji had to somehow break from tradition or make some significant sacrifice onscreen to his social standing to show that he's willing to put his family first. Enji decides to go along with Hawks decision to not face Toya head on, making the decision to be the hero for the final time which directly causes Toya to get up after Shoto brings him down non-lethally and make one last attempt to suicide bomb for his father's inaction.

Bruce does nothing for a long time in Under the Red Hood. He ignores his initial instinct that Jason came back and instead makes a long investigation on whether or not someone can come back from the dead in order to distract himself. When Jason takes the mask off, Batman already knew but was pretending otherwise because he didn't want to face the reality.

Even when Jason takes his mask off, Bruce still takes on the "I need to investigate this" angle even though Jason calls him out that deep down he already knows it's the truth. This of course foreshadows Bruce's underlying flaw, he doesn't want to face Jason head on because he feels too much grief about what happened to Jason and his guilt is more important than Jason's own grief. Just as the father has lost the son, the son has lost the father.

What follows is several chapters of Batman fighting crime as usual and making no attempts to directly search for Jason. They cross paths a few times but when they do Bruce doesn't follow. In fact, Bruce only shows up when Jason sends Bruce a sample of the joker's hair and Bruce knows that the Joker has kidnapped him out of Arkham. Bruce almost lets Jason get killed by Black Mask because he doesn't know whether to stop Jason or save him yet again, and then they have their final showdown where Jason has kidnapped the joker to demand Bruce kill him, and Bruce finally attempts to talk him down.

Out of context it sounds like I'm describing the same plotline, to the point where if you haven't read either, it looks like I'm complaining baselessly. Why is one hero doing nothing until it's too late good, and the other bad? The difference is of course context, or rather framing. Bruce's actions are called out by the people around him (Dick, Jason, Alfred) as him handling the situation wrong. Whereas both Enji's internal monologue and other characters say that he is doing his best to atone for his actions and deserves a chance, but the events we are shown in story are the exact opposite.

Here's another example to SHOW my point. Here's Dabi with my special, hardcover edition of under the Red Hood.

I reread the entirety of the fourteen chapter plotline and the majority of internal narrations come from characters outside of Bruce observing his behavior and commenting on how differently he's acting. Jason's backstory for instance is told by Alfred, not Bruce. Dick Grayson the first Robin comments on Batman's odd behavior. The rest are the third person narrator. Bruce has four instances of internal monologues spanning a few pages each in a 378 page story. (Alfred has the most internal monologues and he's presented as a more trustworthy unbiased narrator than Bruce, to get us to question Bruce's actions).

"Information travels on many routes, sometimes it comes predictably like the tides. You just need to know where to stand and meet it. Other times it's elusive and you have to root through the garbage to find it. In the last few years I've come to rely on Barbara Gordon, Oracle, we all did. Utilizing every form of surveillance equipment she has been the eyes and ear [...] but those days are over. I can't rely on anyone anymore. [...] and tonight it's also about the company I keep. It's different with him [night wing] out here. I think about when he was younger, when I was younger, it was different, simpler and I miss it. I miss those days, for that it's hard to be around him.

This first internal monologue is a case of unreliable narrator, because as soon as finishing it Dick Grayson / Nightwing shows up, offers Batman his help and while Bruce at first refuses it the two of them are forced to work together to fight Amazo. What does this show us? Bruce is not alone, but Bruce actively acts like he's alone ignoring the feelings of the other people around him. It exhibits a flaw of Bruce and the bad headspace he is in mentally (if I remember correctly Stephanie Brown recently died in the comics while this storyline was being published. It establishes Bruce's improper coping mechanism with grief, and how he is going about it the incorrect way.

Bruce says I work alone, and then Bruce says it's easier working with Dick, I miss it, but I can't go back to those days. It's bruce's contradictory thinking patterns in the same chapter that stop him. it's bruce's fault he cannot connect to Dick, and he is actively mourning the past because his relationship with Dick has changed.

Now the final part of the monologue in that chapter.

He's quick. Not just fast, agile. He's not thinking about his next move, he's just making it. He's been trained well. And there's something about him. Something familiar. There was something interesting about before he cut the line, before it had been taught. That had to have been practiced. Either that or just plain dumb luck. No it's not luck.

This is the first hint that Bruce already suspects it's Jason from early on but is in denial about it. This unreliable narrator trope also gives an agency to Bruce's decision, he is actively choosing to ignore the possibility that it's Jason because it doesn't want it to be.

Whereas, a lot of Endeavor's plot takes away any agency from him. For example, he doesn't even know that Dabi is Toya, because if he had the sneaking suspicion and ignored it like Batman did that might have made him look bad. We can't have the main character in a tragedy looking bad now can we?

The second monologue is more denial.

That device is from Kord industries. I should know. Ordered it special from them. How can he have it? No more dead ends. No more questions. No more guessing. Tonight I find out what is passing for the truth.

Reading between the lines this is outright confirmation Batman already knows.

The third is a brief reflection in his feelings for Jason.

The armor has to be light enough to fit but strong enough to protect. But sometimes a great many times, it's not strong enough. It wans't strong enough for Barbara who has to fight from her chair. It wasn't strong enough for Stephanie, other dear soldier enough dear grave. And it wasn't enough for Jason. Willful Jason. Who ignored the danger. Who spat at risk. Who was never frightened enough. I've always wondered... always... was he scared at the end? Was he praying I'd come save him? And in those last moments when he knew that I wouldn't. Did he hate me for it?

This monologue directly shows without stating it outright, Bruce is prioritizing his feelings of grief and failure mixing them in with his genuine grief over the loss of a son. it's selfish of him, but grief is a selfish emotion.

Here's the thing Bruce is allowed to be selfish and to not have the correct reaction to his grief, because the whole story is centered on Bruce being unable to get his shit together in time, and this picture into his emotions is an explanation as to why. Bruce is afraid of being hated by Jason. Jason of course has every right to hate him for failing as a father, but still I think not wanting to be hated to a person you loved so much and feel genuinely sorry over what you let happen to them is an understandable reaction.

Meanwhile we have Enji saying repeatedly all the right things in his monologue, the selfless, I don't need to be forgiven, it's okay if they hate me, I just need to atone but he never actually does anything. There's no explanation for why he isn't doing anything either, so that narrative dissonance. We're shown why Bruce doesn't act in time, he's internally a mess to be frank. We are not shown why Enji doesn't act in time because his internal monologue tells us again and again he's committed to atoning and he understands what the right thing to do is.

As Codenamesanzanka says:

Enji is still saying all the right things, but the story isn't giving him the opportunity to actually do the right things. To have his new actions matter. I have no doubt about his sincerity in his mantra, but without the 'show', it's hollow. Similarly, "Let's talk" is actually kinda bullshit too, because it's so vague. This is less about Enji, and more about the writing, how it set up this scene. "Let's talk" or "I want to talk" or any of that variation is repeated 6 times, without anything more or specific added.

There's an excess of repetition of Enji saying he wants to atone, he's ready to atone, without any of that materializing in the story.

As @class1akids says in this reaction post:

It also feels also super-hollow to say he's sheltering the family from the fallout, after they've just talked about how Fuyumi lost her job (and got a new one through the connections she herself built). How is he going to do that?

The fourth because I don't want to write it down, it's just Batman monologueing on how his partnership with Jason is still good and explaining the technical details of his fight with count Vertigo. It's in chapter 10 if you must look it up.

So four monologues total. Two monologues establish indirectly that Batman knows that Red Hood is Jason and doesn't want to face him. The third monologue establishes why he doesn't want to face him, he's afraid of being hated. The monologue is in line with Bruce's actions in the story, Bruce investigates several ways of reviving from the dead instead of looking for Jason.

The character's reactions around Bruce are also talking about how he's not acting like himself. Especially Alfred's who speaks of Bruce's indecision, on whether to put a stop to or save Jason.

"It is curious. He is lost in thought. It is not like him to spend vast stretches of time immobile, where his mind is gripped in the solitary process of deduction. This is quite different. He is hesitating. At a loss for what to do. I believe it is about Jason. And whether or not to stop him or save him."

This is illustrated in two scenes later where Jason spends a long time simply watching when Jason is fighting enemies, first in a fight against Captain Nazi, and second Black Mask. Jason even gives a direct callout of that behavior.

Jason: What the hell took you so long? Couldn't decide if you wanted to let me live. Batman: Shut up and fight.

Observed by Alfred Bruce is completely stalling and can't choose, observed by Jason Bruce can't decide whether to let Jason live or not. Bruce hesitates twice. We know why. We see it in action. It's called out as flawed behavior.

Now let's cover all the tell that don't show that is Endeavor's many monologues.

Pro Hero Arc:

I have to safeguard the future for them. That's the job for whoever's on top. What about the lives I cut short? Just demanding forgiveness isn't enough, it's too late for that. At this point I need to atone there's no other route.

Hellish Todoroki Family 1:

I'm trying to make ammends going forward. It might be too late. but I fall asleep every night thinking about it. Lately it's been the same dream. The wife and the kids looking happy at the dinner table. But I'm never there with them. It might be too late but I fall asleep every night thinking about what I can do for my family. I wish you could be here too, Toya. It's always the same dream. My whole family's there but not me. If I really care how they feel [I'll remain here].

I'm not going to read 200 chapters so I'm just going to ballpark it based on memory. Here we go.

Dabi's Dance:

My eldest, Toya didn't harbor frost within him. He didn't have a way to overcome the inescapable downside of overheating but I nevertheless sought to raise the boy as a hero. [...] Because Toya had more potential than me I placed my ambitions on his shoulders. I thought it could be you. You could have been the one to reach my eternal goal. My frustration... My envy... The ugliness in my heart... you could have been the one to smash it all to dust.

Plot twist this is the only monologue I like. It's different from all the others, and it's the only one where Enji is being emotionally honest. He put the emotional burden of his own emotional insecurities on an eight year old child, and expected to live vicariously through him and when Toya failed to live up to those expectations he just abandoned him. It alligns what we have been shown so far, Enji is not acting like a reptentant man here who realizes the harm he's done to Toya and only thinks of Toya as an extension of himself and his own regrets.

The Fight Against AFO:

My mistakes took the form as Toya leading to many stolen futures. The past never dies. Rage, resentment and even penace wound together toward the future. And the future is a path for the young. A path with so many branching choices. That's why I must win this. [I'll keep paying my penance. I'll win today and keep my eyes on Toya.]

When Enji decides to double Suicide with Toya:

I take full responsibility. I swore to bear the burden and live my life atoning for it all. However, you've been watching me all this time. While I couldn't be there to watch you. You were someone I especially needed to do right by. No I can't let you meet your end alone, but I won't let anyone else get caught up in our tragedy.

Hellish Todoroki Family Final:

I came to talk about what's to come. I'm retiring as a hero. That was my initial plan even before the war started, but now I can't even walk on my own. The hero endeavor burned to death. Your flames were really stronger than mine. [...] You're right. You know everything about me, Toya. After all you were always watching me. And you wanted me to do the same for you, but I didn't. Not matter what anyone says your heat does come from my hellflame. From now on I'll come everyday, so let's talk. It's too late now, so let's talk. [...] You're free to hate me. Anything is fine really, so throw it all at me.

This one is spoken dialogue but it's still a four-page long monologue. Every one of Enji's monologues with one exceptionsays the same thing: I'm sorry, I'll spend the rest of my life atoning for my actions.

We're repeatedly told Enji is atoning but he acts like Batman. Then, his actions should be framed as Batman, not atoning but avoiding any responsibility.

As observed by Class1akids when we were discussing the update:

Everyone else faces an uphill struggle with their lives, but we should all feel sorry for Enji atoning and being in hell. I hate Hori's compulsion to over-write his abusers and over-explain their atonement. He does this with Bakugou too but with Enji it's more irritating. It was so much more enjoyable when he just wrote the thing but didn't point at them and say -> look, they are atoning. Aren't they soooo cool??

Enji's internal monologues and the other characters frame him as some sort of martyr, while on the other hand it's clear by both Batman's actions and Alfred's observations he's not acting like his usual self. In fact, this is an interpretation of Under the Red Hood that I love from the writers of the video game Arkham Knight that does a less tragic retelling of Under the Red Hood:

Batman doesn't fight victims. He saves them.

Therefore if Batman is fighting Jason, a victim, he's not acting like Batman. I'm also fine with Arkham Knight being an Under the Red Hood retelling because it's a different story. Comics do this all the time, different universe versions, popular storylines adapted into different mediums. It also works as a commentary on the original story, by showing what Batman could have done to lead to a more positive outcome it makes Batman's choices in Under the Red Hood worse and more tragic because he could have saved Jason, there was still a chance.

So here we have two flawed tragic heroes who are meant to be both pitied and condemned for their actions. One of them is all pity with no condemnation. The other is both pity and condemnation, Batman is grieving, but also he's failing his responsibility towards Jason. Therefore one protagonist works, the other fails utterly.

I'm not saying abusers don't deserve redemption. I'm not saying Enji should have died in order to atone. I'm not saying that the underlying problem with the arc is that they decided to make Enji sympathetic and a focus of the arc. The most important problem is the breaking of one of the fundamental rules of storytelling: Show, Don't Tell.

The Tragic Villain

Not only does The Hellish Todoroki Family plotline fail to make Enji a compelling protagonist, it also fails it's biggest victim. Now, these are both stories that end with the hero failing to save their victim. So if both of these stories have the same ending, why am I saying it failed Dabi, but not Jason?

Well, let me explain.

Dabi and Jason are both villains turned victims. The stories themselves are about this ambiguity. How much should the be held responsible for their own choices? If they are actively harming innocent people, then shouldn't they be stopped? Should they be automatically be forgiven just because of the pain and grief they've suffered, even if they've been causing it to others?

Both characters are also reflective of their fathers because they are too being selfish in their grief, they want their grief acknowledged and so are violently lashing out.

Jason and Dabi both make plays at being vigilantes at first, Dabi wants to inherit Stains will, and Jason Todd wants to be a better bat-man by taking control of the drug trade in Gotham and cutting crime down by executing gang heads. However, neither of them are being honest with this and it's shown through their actions, both of them abandon their original plans.

In the final showdown all Toya cares about is facing Enji on the battlefield, and when he's on the brink of death his mind erodes to the point where all he can do is scream for Enji's attention while his flames get hotter and hotter.

Let's take about Jason first and how his narrative treats him a whole lot better and more sympathetically, with more humanity than Batman. Jason is still held responsible for his choices, he is criticized by Bruce for murdering gang leaders and passing it off as justice. He's also blatantly shown to be a hypocrite. My favorite scene from Red Hood: Lost Days, the official UTRH prequel.

"I want to kill the joker in a cool way. Just sniping the Joker from a rooftop isn't dramatic enough for me."

This scene, and the final scene of UTRH underlines Jason isn't executing criminals because he believes it's the right thing to do, or because of his stated motivation that killing the joker would prevent more future victims.

Instead his every action is to set up a scenario where he makes a selfish demand of Bruce. He wants Bruce to prove to him that he would choose him over being a hero, by setting up his final scenario. Him, the Joker, and Batman. Jason will shoot the Joker. Bruce has a gun. He can either choose to let Jason kill the Joker, or kill Jason to stop him, either way it makes it clear what Bruce's priorities are.

The underlying reason for this is similiar to Bruce. Just like Bruce, Jason is deeply afraid that Batman doesn't love him. That he thinks of him as a failure. (This is Toya's main reason too).

He also interprets Bruce's failure to avenge him to mean that Bruce didn't even care enough to mourn him. If Bruce loved him enough, he'd choose him over the joker, but he's so afraid that Bruce doesn't love him enough that he's going to force Bruce to choose.

Along the way he's also going to behead several crimelords in order to put an exclamation point on that point.

The way Jason completely unravels in the confrontation shows this insecurity, he begins with monologueing about how batman should totally kill people, until his fear that he wasn't important enough, and his grief at losing his father is revealed.

Batman: I know I failed you, but I tried to save you. I'm trying to save you now. Jason: Is that what what you think this is about? Your letting me die. I don't know what clouds your judgement worse, your guilt or your antiquated sense of morality. Bruce, I forgive you for not saving me. Jason: But why on god's green earth is he still alive? Ignoring what he's done in the past. Blindly, stupidly disregarding the whole graveyards he's filled with people. The friend's he's killed. I thought killing me - that I'd be the last person you ever let him hurt. Jason: If it had been you that he beat to a bloody mess. If it had been you he left in agony. If he had taken you from this world. I would have done nothing but search the planet for this pathetic pile of evil, this death worshipping garbage, and sent him off to hell.

Direct statement, it's irresponsible of Bruce to let Joker live after killing Jason and should have put him down to prevent future victims. Reading between the lines, Batman not taking revenge for Jason is a sign that he didn't love him enough, Jason loves Batman more because he would have taken revenge.

As the confrontation continues and Jason's mental spiral worsens, to the point where he can't keep up his pretense of self-righteousness.

Jason: I'm not talking about killing cobblepot, or scarecrow, or riddled, or dent. Jason: I'm talking about him. Just him. And doing it because...he took me away from you.

The father had lost the son, and now the son had lost the father.

Jason's revenge is just a cover, for his grief at losing Bruce. I think this also shows a really positive aspect of Jason's character to humanize him instead of condemning him for his actions to ignore or even justify the suffering he endured: Jason really loves Bruce.

I mean how meaningful is the statement: "Bruce, I forgive you for not saving me."

Bruce has been afraid to hear the whole time that Jason hates him, that he won't forgive him, but Jason loves him deeply. In fact his love is almost equal to his rage because Jason is a deeply emotional person, and these little details make him human and not just like a plot obstacle that Bruce has to face. A metaphor for his past failures.

Dabi is drawn as a crying boy who wants comfort, Jason is shown to be a crying boy who wants comfort through both dialogue and action without us directly needing to be told. It's a heartbreaking line and doing it because he took me away from you and it lands perfectly because the narrative wants us to just look at Jason's grief. It doesn't add an asterisk* even though he was in pain, he's done unforgivable things that can't be justified to undercut Jason's suffering.

In fact that might be another underlying problem with The Hellish Todoroki Family, the narrative tries too hard to make you feel a certain way instead of just presenting things as they are to make you come to your own conclusion. UTRH doesn't support Jason's revenge based serial killing of villains. It doesn't say he's justified to cut off the heads of mobsters. However, it doesn't excessively state "Well, I'm really sorry what happened to you but what you've done can't be forgiven" so we don't have to challenge ourselves to feel too much empathy for Jason's suffering.

Meanwhile even when Toya tries to express his rightful anger and grief, we're always met with someone shutting him down and saying well yeah, but you're wrong, involving innocent people is unforgivable.

As said by @stillness-in-green in the replies to this post:

I think so much harm (in-universe, but the state of the Twitter fandom makes me think the messages are pretty toxic irl, too) comes out of portraying the Heroes as needing to weigh in on the *morality* of the Villains' actions before they gauge "saving" them, when that is not a thing that glorified cops have any business thinking they have the right to do. Demanding repentance before the rehab is so bizarre.

You can say someone's actions are wrong without using it as a factor to consider whether or not their suffering as a human being should be acknowledged, and like I said there's multiple instances of people just yelling at Toya how immoral he is instead of addressing the elephant in the room.

You're wrong, you're wrong, you're wrong, you're wrong.

(Okay, I understand that some people have interpreted this as a show of Honnae and Tatamae, the Todoroki's who are a very repressed household are finally talking about their feelings even if those feelings are selfish and ugly).

(I'm not criticizing Shoto for saying that the people he killed were his own choice necessarily, Shoto is a character who's actions need to be read more deeply than his words he was dedicated to bringing Dabi down without him burning himself any further start to finished. My criticism lies in the fact that Hori uses Shoto as a mouth piece because he thinks we need to be reminded that murder is bad).

However, even acknowledging that time and place man, time and place. They couldn't have done that in the aftermath, when Toya isn't burning to death?

Hey buddy, you're being selfish.

Toya: AHHHHHHHHHHHHHHH I'M MELTING, I'M MELTING.

This is I feel the underlying problem with the way the arc is written, not because the Todorokis are a very traditional Japanese family and there are cultural reasons they express their emotions differently, I'll give a caveat to that it's a nuance I might not understand.

However, I am arguing the actual problem is tell don't show. Horikoshi thinks that we as an audience need to be told multiple times that murder is bad, and we cannot be trusted to interpret that on our own.

Under the Red Hood shows both sides of Batman and Jason's debate, and let's us just come to the conclusion that Jason is in the wrong because revenge isn't justice. Horikoshi reaches no shit sherlock levels of telling us that we're not supposed to approve of Dabi's murders.

it's also a matter of giving Dabi narrative space to express his feelings, like every time Dabi tries to talk he is continually shut down (Shoto does engage Dabi talk to him and listen to why he didn't come back though I'll give him that) and it seems to be to push forward this weird idea that you shouldn't sympathize with the pain Dabi has endured or the ways he's dehumanized unless he does something to prove he deserves to be treated like a human being first.

Jason gets to monologue and make an entire argument, and his argument also shows the depths of his love for Bruce and what a deeply feeling person he is, and how those feelings being hurt and twisted could logically lead to his lashing out.

Compare this to Dabi who doesn't get a final monologue, but is instead reduced to a completely mindless state where he just cries out for his dad's attention. He doesn't get to make his argument.

Jason and Dabi both choose to blow themselves up, but Jason gets enough character agency to show this is a deliberate choice he's making even if it's the wrong one. He retains his character agency and ability to make decisions until the end of the narrative.

Jason's also you know physically crying. The end result of the narrative is about wrong choices that both Bruce and Jason make together, and then suffer the consequences together. Bruce watches the same failure play out again and he isn't able to save Jason, Jason doesn't get what he wants, he doesn't get revenge and he doesn't get to reunite with his father. It's tragic for both of them, and brought about by decisions both of them made.

Whereas yes Dabi makes a lot of bad decisions leading up to the last war arc, but in the end his final fate is up to a choice Enji made to not face Toya in the final battle.

However, while the final consequence of the battle is brought about more by Enji's decisions than Toya's, it's Toya who endures all the suffering and punishment. It's Toya who is in an iron coffin, and doomed to slowly and agonizingly die with all of his skin burnt off unable to move. Toya doesn't even get agency after the arc is over. Enji still has a wheelchair, Enji can still move around, Enji's still fucking rich, he's not in prison for his actions, he as Rei wheeling him around.

Toya's agency and choices are all taken from him, presumably to serve the plot purpose of making Enji save him to finish off his arc, and then ENJI DOESN'T EVEN SAVE HIM.

Also I think it's important to mention, Bruce's tragic ending is brought about by him attempting to save both, trying to save the joker and Jason with the same action. Whereas Enji's tragic ending is brought about by Enji NOT LIFTING A FUCKING FINGER TO HELP. Yet, it's Dabi who has the lion's share of suffering, and is sentenced to this horrific state of being skinless in an iron coffin and only being able to be awake a few minutes a day with no choice but to waste away.

Bruce is also immediately called out for his actions, by the Joker of all people, you handled this all wrong, it's your fault. Bruce is right to not kill the joker, killing the Joker would not have solved any of Jason's problems, but the fact that he put off facing Jason for so long, and his inability to communicate that he loves Jason is what leads to Jason thinking that the only way to prove Bruce loves him is to force him to choose. It's because Bruce has utterly failed to show him in any other way that he is loved.

Joker: Oh my god, I love it! You manage to find a way to win, and everyone still loses. I'm going to be the one who gets what he wants tonight, badda bing, badda boom."

I'd also like to add that a lot of agency in Enji's actions are taken away too, to make him look more blameless. It's not Enji's fault that he didn't say anything to Dabi during Dabi's dance, he passed out because he had a punctured lung. It's not Enji's fault that he spent a month protecting Deku instead of searching for Toya, he had to protect innocent people. It's not Enji's fault that he didn't go immediately to face Toya in the final war arc Hawks told him not to.

It's not Enji's fault that he made Shoto and Toya fight like Pokemon instead of cleaning up his own mess, and also he feels really sorry for it and as soon as he's done punching the bad guy he'll look after Toya he promises.

Enji does get called out for this behavior but it falls flat because it only comes from the villain AFO, and Toya himself. As I stated above too, the ending is more influenced by Enji's actions not Toya's (because Toya's agency is stripped away until he's mindless) but Toya is the one who has to die while Enji gets to live and atone.

That is the real sticking point for The Hellish Todoroki Family, the way it ends.

Themes Are For Eight Graders

The underlying problem with the whole arc and why The Hellish Todoroki Family fails as a tragedy, is because it wasn't written to be a tragedy.

The above quote is from an interview with the writers of the widely hated Game of Thrones Season 8, which took a sudden tragic turn for Dany's character, gave her an incredibly dehumanizing ending of being put down like a rabid dog by her own lover, an ending that was neither foreshadowed nor did it match with anything written before.

In this meta here by @hamliet it goes far more into depth that Game of Thrones isn't a tragedy, but a piece of Romantic fiction (not a love story, Romanticism is a genre of big emotions, the beauty of life, larger than life ideas hence why it fits well with fantasy genre, it can be sad but it doesn't follow tragic structure).

Dany is a romantic heroine, a deconstruction of the idea of the classic warrior princess trope, and you know a colonizer, but she's not meant to be written as an inherently bad person. There are people who say that Dany was going to die in the original books. I'm one of those people. Me. However, context and framing matters, Dany for all her colonizing ways does genuinely want to do the right thing, so it's likely she'd die a heroic death as a reflection of her selfless intentions (and intentions do matter for fictional characters) whereas in the show she's put down as a villain.

Now watch me I'm going to coin a term for future literary critics to use: Narrative Gaslighting.

Narrative gaslighting is different then Show Don't Tell, where an author has just failed to properly show what they're trying to tell you in the story. Narrative Gaslighting is when a narrative deliberately tries to mislead you, straight up lies to you, or just insists things that did not happen totally happened guys. Much like real gaslighting, Narrative Gaslighting makes you feel stupid for interpreting things a certain way and insists you were wrong all along.

Narrative gaslighting is when Tyrian gives a speech that everyone should have suspected Dany when she burned slavers alive that she was secretly evil and would one day turn on them.

Like, no.

Dany is flawed because she is a foreigner, interfering with the politics of a different country that she does not understand in order to gain enough resources and men to return to her home country and invade that country to exercise her right as a Targeryn to uphold the divine right of kings.

Game of Thrones doesn't mention any of that shit that's in alignment with the previous actions in the story, it's just insisting the very ableist notion that Dany was insane all along and her violence towards other people is the result of her mental illness.

(Also before anyone says, so if she's a colonizer than how can she have good intentions, everyone is Bad in Game of Thrones, they're all waging war to vie for a throne, monarchy is bad guys. IDK how to tell you that Game of Thrones has gray on gray on gray on gray morality).

(Also this aside ties into the hangup of MHA and most popular fandom culture on Twitter, that Dany's moral failings somehow disqualify her from her humanity. In spite of the fact that on top of all of that she's a rape victim, and like, Dany's only on that continent in the first place because she was sold as a bride.)

But here's the same weird subtext that Horikoshi's writing of Dabi. The fact that Dabi was continually victimized and denied human dignity does not need to be addressed, because he did the bad things and didn't atone properly enough for it first.

In essence this random post on the gunnerkrigg court forums I found on the same day the chapter came out, displaying apollo's gift of prophecy.

"When someone is persecuted, it's important to inform everyone about their flaws. That way you don't have to feel anything about all the times that they were denied human dignity."

So, Dany is not written as a tragic hero but a romantic one, we as an audience are both meant to acknowledge her flaws and sympathize with her, not demonize her in an ableist way for being insane, and even if Dany is meant to die the tragic way she dies does not match up with all of the narrative foreshadowing that was built before that.

Like, for instance a lot of POC after the show ended kept telling everyone that Dany's actions in a foreign country were seriously problematic, and not only did the audience not listen but the showwiters didn't acknowledge it with the same subtlety as the books. So those people especially were able to pick up Dany's character flaws, and when the show finally acknowledged them it's not even in the way that critiques of the show were pointing out Dany's flaws it was just "she was insane all along." Not like taking time to go "no matter what the intention, interfering with the politics of a foreign country is wrong."

The problem with the Todoroki arc is essentially the same, down to the ableism (because outsiders continually call Dabi either a maniac or insane Demon without even giving credence to his grievances about hero society he's just reduced to an insane fringe element of society, and Dabi himself is reduced to a completely mindless, childish, insane screaming state where he can't make active decisions).

The Todoroki Arc is not set up to us as a tragic one. The ending is pretty clearly telegraphed to the whole audience. People are not wrong for thinking that Toya's ending would be either rehabilitation like Rei with the eventual hope of being welcomed home, or some kind of house arrest where he still gets to be with his family.

Everyone happy at the Dinner table and Enji not sitting with them.

"I wish you could be here, Toya."

"We all have to go stop, Toya."

"In that case, I'll make him sit down for a bowl with me."

Even Shoto's efforts to take down Toya non-lethally are rendered completely pointless, because Toya gets back up again and then burns himself alive (completely by his own choice so no one has to feel bad that they failed).

The story sets up the expectation that Toya is going to be brought home and sit down for a meal with his family. Then it makes you feel stupid for going in an entirely different direction. It was always going to end this way didn't you know The Todorokis are a tragedy?

Well, I just spent a very long section of this thesis statement illustrating that if it's supposed to be a tragedy, then it's still not written well.

It's a written as a romantic story of a family healing, and the villain getting saved, only for the villain not to be saved and the story to just keep on going like not getting saved isn't a huge failure. This is something that should permanently destroy the main characters, that they got the chance to repeat Sekoto peak and be there this time and they all utterly failed. I feel bad for Shoto most of all because he did everything right, and he still loses his brother, but does the story show that?

The problem is the story is blatantly lying to you about the fact that Toya was somehow saved, even though he LITERALLY LOOKS LIKE HELLRAISER. To quote Codenamesanzanka again:

But I feel the story couldn't give us that because it will remind the reader and everyone just how much Touya will be missing. In-story, talking any more will overburden Touya's heart - and how apt is that metaphor? So let's talk about how we'll talk, but that's all that's allowed here for this scene. Else we'll see how unfair it is that Touya has to be confined to this room, he isn't with his family and they have to come to this prison just to tell him about their day, and soon he will be gone. Details make it real, and it would've exposed the lie that Touya was saved in an actual way. The story knows it too - "this extra time Shouto gave us." This is all 'extra', and not the core. [...] If the story was sincere that this is a case of "it's simply too late" - as it should be!!! imo, to really drive in the clear point that they failed, they did not get the save they wanted, because that's the truth - the tone of the chapter isn't tragic enough for that. The tone is going for 'Making Peace With This'. We've skipped the stages of grief and all we have is acceptance. The characters have accepted this, and so must the readers as well.

Therefore it's narrative gaslighting, the story is making us doubt our perceptions and trying instead to manipulate us to feel a certain way. We don't have to question the unfairness of Toya's fate, because look at all the people he's hurt, and look how Enji is atoning and taking responsibility.

The story builds up the idea that Enji will choose Toya. That he will choose being a father over being a hero. Enji doesn't do that, and it's Toya who suffers the horrific, painful consequences while Enji gets off mostly scott free. Mind you it's also ableist to suggest that being in a wheelchair is some sort of life-ending consequence like he's fine. The story even goes out of its way to say how avoidable this ending could have been if Enji or Rei or someone lifted a single finger to give Toya the acknowledgement he wanted, and then gives it a "Too little, Too Late" conclusion but doesn't acknowledge that this is where it's ending and instead tells us that Enji has successfully atoned.

"Everyone's watching me. So this is what it's like. If it was such a simple thing, then why not sooner?"

If it was going to turn out this way Toya should have just died here, not because death would somehow be a mercy compared to life in prison, but because the Todoroki Family doesn't deserve to get to pat themselves on the back. If they let Sekoto Peak happen a second time, then they should have to deal with the consequences of that.

It would be consistent is my point. This is written as a "Too Little, Too Late" kind of ending, but we don't get the emotional response from the Todorokis that they've let Toya die a second time.

On the other hand, UTRH has the exact same tragic ending but it doesn't make me angry because it's honest about it. The Todorokis let Sekoto peak happen a second time. Batman let Death in the Family happen a second time, but look at how even the narration and comic panels of the story acknowledge it.

"Fate is a funny thing. It swells up like a raging current and we are forced to travel. It provides us no exit. No deviation. It drops us in a bottomless ocean and compels us. We either swim, or drown, and sometimes as we struggle against the tide, a great truth arises."

One ends with Enji meaninglessly stating that he'll spend the rest of his life atoning for Toya and watching over him (which I guess will be like two months tops) for the fifth time. The other ends with Batman being lectured by the Joker of all people of how he chose wrong and being forced to watch once again as a warehouse blows up, and he's completely helpless to save Jason.

UTRH ends with the message that Batman sucks, Enji's atonement arc ends with Natsuo calling him cool for atoning and UTRH makes me like Batman way more as a character. Whereas at this point I feel nothing from the Todoroki Family, except for a disgust for the way that Toya not only has to die, but has to die a slow, gruesome death while the rest of his family walks away with the small comfort of "oh at least we'll get to say what we need to say before Toya passes."

Especially with the fact that Toya's greatest fear was that when he died, he died meaninglessly because his family never grieved him and all moved on with their life. I guess we don't have to analyze how gross the underlying message that criminals don't deserve to be sympathized with because themes are for eighth graders.

EPILOGUE

The post is finished but apparently everyone expects me to cover every single possible angle even in posts this long.

You didn't address the cultural aspect. Under the Red Hood is a western story, and Todoroki Family is based on eastern concepts.

The post isn't about that. The post is long enough I can't cover every single topic. Here's someone who covered that topic thoroughly. This one discusses more about the nuances of collectivism.

Also, since the Todoroki Family obviously copied Under the Red Hood's homework, it warrants a comparison. Especially since it seems to critically misunderstand what made the original work.

Which is a valid form of Literary Criticism, as Ursula K Le Guinn once said:

 It doesn’t occur to the novice that a genre is a genre because it has a field and focus of its own; its appropriate and particular tools, rules, and techniques for handling the material; its traditions; and its experienced, appreciative readers—that it is, in fact, a literature. Ignoring all this, our novice is just about to reinvent the wheel, the space ship, the space alien, and the mad scientist, with cries of innocent wonder. The cries will not be echoed by the readers. Readers familiar with that genre have met the space ship, the alien, and the mad scientist before. They know more about them than the writer does.

The Todorkis aren't all to blame for Toya. Natsu, Fuyumi and Shoto are innocent:

You're right. It's just easier to refer them as the Todorokis then specifying "Enji and Rei" each time.

You didn't mention Shoto once in this post:

I have no cricism for Shoto's role in all this. In fact I think he's the best written part. I praise it here.

Shoto is a good boy, and he deserved to spend more time with his brother. The fact he won't be able to sit down and have dinner of him, is the greatest tragedy of them all.

[t3ag3rs]

i loved your bakugo headcanons omg, the joy i feel when someone writes for characters and actually includes their canonical personalities lol idk if you write for any other characters, if you don't then you can just ignore this, but if you do then could you write similar relationship headcanons for Kirishima or Shinso? :3

hi! im so glad you enjoyed my Bakugou headcannons! I hope this kirishima one fits to your liking! sending lots of love <33

i definitely think kirishima first ends up seeing you talking to mina on a random day. you and her are just talking about dance when you two are suddenly interrupted by the outgoing redhead inquiring about who you are.

he suddenly realizes that you had went to junior high with them but had never really hung out with the popular group due to having a close circle of friends- one of whom is mina.

"actually? I never saw you..!" he chuckled rubbing his neck with a slight blush, you just wave it off with a quick smile, "nah dont worry bout it.."

well fuck... now at least kirishima knows what exactly he likes the most about you. your gut wrenching, heart pumping, adorable ass smile.

would immediately try and get mina to help him out with you in every. single. way.

"mina, whats her favorite color? And chocolate? To add to that thought- flowers as well. god mina I sound desperate!"

poor baby is so whipped for you he actually cant even manage to hide it in front of you.

kirishimas the type of person to rant to his friends about you with absolutely no knowledge about his surroundings. so much so that he doesnt realize you can hear him occasionally..

do you mind? of course not! its not like you dont have a small- okay fine. major thing for the red head as well...

"kiriiiii..!" groans mina, "stop obsessing over her and just confess goddamnt!" she exclaims frustrated while throwing her hands in the air.

"tell who what?" you grin overhearing their conversation.

you look at the two confused before mina starts, "you see y/n, kirishima here has a-" until you see a hand slapped over her mouth.

"nothing!" grins kirishima quickly. you nod slowly before you see mina side eyeing him with a knowing glance. "fine.." sighs kirishima dropping his hands.

"as i was saying.. our little man over here has a fat crush on you" she says nonchalantly, shrugging her shoulders. you immediately break out a shit eating grin, "oh- yeah i kinda know.. he isnt very good at hiding things..." you chuckle.

"why didnt you say anything!" whines kirishima, "you couldve saved me so much time and effort!" completely forgetting that you hadnt given an answer to his confession.

"because i thought it was cute.." you admit with slightly flushed cheeks. you look away to avoid making eye contact before you feel kirishimas hands wrapping around your torso.

"so you like me back then right? please say that means you like me back.." he exclaims happily into your neck.

you just smile and wrap your arms back around him to give him his answer.

[shegatsby]

i'm aching for feyd rautha x fremen reader!!! perhaps soulmate situation where feyd has dreams about reader and is UTTERLY OBSESSED (please i yearn) ((im so normal about feyd rautha)) also pls drink water and its no rush :))

A/n; HIIIII! This is my first Feyd-Rautha fanfic so go easy on me. Thank you so much for this request, not me giggling and blushing as i was writing this. English isn't my first language so I'm so sorry for any typos.

Words; 5.315K (wow i out did myself lol)

Warnings; War, killing, abduction

He was running, he could feel the rain on his face but he kept running. Moist sand and wet mélange filled his nostrils, the damp sand stuck to his heavy boots, the sound they made was similar to walking on the fresh snow. He never thought he could smell things in his dreams, ‘’Find me.’’  A woman’s soft voice echoed in his ears, ‘’I dare you.’’ And there she was, standing in her stillsuit, hair long and wet, over the years her face was getting more and more clear. Before Feyd could reach and grab her he woke up. He was sweating and he wasn’t in Arrakis, he was in Giedi Prime, House Harkonnen. He could feel the cold satin of his sheets, ‘’Who are you?’’ he whispered into thin air, nothing moved or made a sound. His room was dark, as usual. He rose to his feet and walked to the large glass, his side of the castle over looked the volcanic wasteland that was Giedi Prime, heavly industrialized, low photosynthesis. Harkonnen’s kept the original forests but other than that everything was stone and building.

Feyd-Rautha was a rational man when it comes to these things, however, he kept having these dreams since he was a child. In his dreams he was either in his home planet or Arrakis, he wasn’t alone. The girl in his dreams had always been distant, over the years the girl kept coming closer and closer. Last few months he could see her face clearly. She was a beauty, none of his concubines could match it. Sometimes they would sit in silence or he would chase her… he was going to lose his mind. He needed answers to these dreams, with the arrival of Reverend Mother Helen Mohiam he hoped to get those answers he was looking for. He ordered his men to keep the Reverend Mother at greeting room, when he got ready he left his chambers in a hasty manner. He was a man of action and he didn’t like waiting or making his guest wait, he had a reputation to keep.

Reverend Mother was seated at one of the metal chairs, covered in black clothing, she fitted the room, the castle of Harkonnen was mostly black and grey, servants and soldiers had to wear the same colors as well.

At first Reverend Mother had to test him to see if he was human or not, he followed her instructions and put his hand in a box, he had to endure the pain which was something he got used to and he even enjoyed getting hurt but this was something else. He could feel his hand burn and freeze at the same time, visions ran at a fast speed in his mind’s eyes. He was eager to prove himself so he didn’t flinch, he could feel sweat running down his face, Reverend Mother didn’t not react at all.

‘’You have passed the test.’’ She announced in a flat tone but he knew she was impressed.

‘’My turn.’’  He said which confused the old woman, he was kneeling for this test so he bolted to his feet and took a step back. Hands clasped at his back, he seemed intimidating in his black tunic and pants. His boots made him look much taller than others and he was already a tall man.

‘’What do you know about dreams?’’

‘’Tell me yours and I shall reveal the truth.’’ His eyes searched her face, which was difficult to see through her thin scarf, ‘’I-‘’ he started, ‘’I see.. her.’’ He was hesitant. Reverend Mother noticed the way he said ‘’her’’ this woman must be of importance. ‘’Go on.’’ Old age made her curious for gossip and she thought she was about hear the juiciest one, she didn’t know she was going to discover something larger. Larger than anyone on this Universe.

‘’I’m usually in Arrakis, it rains, and I see her. She speaks to me. She wants me to find her in the desert. I believe she is a Fremen.’’ He shortly explains, Reverend Mother leaned in, ‘’What does he say exactly?’’ Feyd felt naked before this old witch. ‘’ ‘Find me.’ She says, I could hear her in my mind. She wants us to unite.’’ There was a silence, his patience running thin, was he going insaner than usual or these dreams meant something?

‘’Arrakis… rain.. a girl…’’ he heard Reverend Mother whisper to herself, ‘’How long have you been having these dreams?’’ she asked, she was the one who suppose to give answers to him and yet she was questioning him. ‘’Since my childhood.’’ And with that Reverend Mother quickly stood up, which was quicker than expected, considering her age. ‘’I must speak to your uncle Baron Vladimir. Wait us here.’’ He had no choice now, the Pandora’s box was opened. He would rather fight in the arena than waiting here. He was pacing in the large room that had black marble floors, his boots made distinctive sound son the cold floor, his head turned to the doors of the room when they were opened by the servants, his uncle came floating, next to him Reverend Mother followed, Baron was ear to ear smiling, ‘’Hearing these news on your name day is nothing but fate.’’ The old man announced, it was true. Today was Feyd-Rautha’s name day and a ceremony was waiting for him later. ‘’Congratulations, Reverend Mother here says you’ll be the one who raise Harkonnen to its glory.’’ He said with his raspy voice, he seemed joyful even, well, a joy that fit him, cold and calculating. Feyd’s snake like neck moved in questioning, ‘’What about Rabban?’’ his brother Rabban was in Arrakis, ruling in the name of Baron Vladimir Harkonnen, mostly failing him and their family. ‘’He will be reassigned.’’ In their family this meant that it was his last chance, or he would be killed.

‘’Enjoy Arrakis.’’ A cunning smile made him look even more terrifying. He left them alone, Feyd was confused but also the idea of controlling spice made his body electric. ‘’To fulfill your destiny you have to find that Fremen and to secure your place you have to join your house with their kind. They shall be easier to control. I’m sure she is waiting for you to claim her.’’ Reverend Mother was testing the waters, she watched Feyd-Rautha’s expression change into predator mode after she spoke. Now it was a hunt for him and she knew that he won’t stop until he fulfilled his mission.

Feyd knew what Reverend Mother meant but to join with the barbarians?! His house’s reputation could be at stake. He was a psychotic killer but he had rules. He will not tolerate anything that might humiliate his family name. he didn’t want to think further about this so he found himself marching to the arena. After the games he was suppose to have his ceremony and be shipped to Arrakis, his new home.

His ‘’ascending’’ to the title of ‘’Na-Baron’’ was well organized. Rabban lost his rank so it was his time to shine, bring glory and fame to his name and his house. Among the loud cries and applauses Baron Vladimir held his nephew’s face in his sweaty palms and whispered into his ears, ‘’Do not fail me son.’’ It wasn’t coming from affection, it was a threat. He knew his missions;

‘’Control Rabban,

Take over the spice production and multiply the income,

Fulfill what Reverend Mother said.’’

First two were easy…

That night he was shipped to Arrakis with an army and his most loyaly men. As soon as he landed he had one thing in mind, ‘’make Rabban pay for his foolishness’’, ‘’My Na-Baron,’’ servants greeted him outside the castle of Arrakis, hot sun hit his face, he could smell the mélange. ‘’Lord Rabban is waiting for you.’’ As she walked to the Coordination Chambers he watched servants bow in fear and respect. He liked what he saw. Without waiting for servants to open the door for him he barged in. ‘’Rabban!’’ he yelled in animalistic anger. No one noticed the was Rabban flinched but him. ‘’You have humiliated our house,’’ he took a step towards him, ‘’you have humiliated me.’’ And another step. ‘’Kiss my foot.’’ He said cautiously, waiting for Rabban’s reaction and since none came Feyd pushed Rabban to the floor, ‘’Kiss or die.’’ Rabban  had no choice but to give in.

Following days were easy. Fremens didn’t know the change in command so first attack was successful. Spice production was slow but promising. Other houses started to send gifts and letters to him to gain his favor. ‘’He who controls the spice controls the entire galaxy.’’ his uncle used to say to him as a child and he was right.

Weeks passed and every time he launched an attack he was also at the front with his men. Main reason was his thirst for blood and gore, however a side of him was looking for something or rather someone. Ever since his arrival his dreams became more frequent and vivid.

The girl kept saying ‘’You’re close.’’

She must be near he could feel it, but among thousands of Fremen girls how was he suppose to find her?

Whenever they attacked he ordered his men to gather Fremen girls who were close to his age, after capturing them he would look at their faces and try to find her but his research was in vain, or so he thought.

Months passed, he was growing restless and Fremen knew how to fight. Disputes were bringing imbalance to the realm. He was refusing to sleep due to the fact that you were in his dreams and he was making plans, growing tactics to find you.  Also he didn’t have much time since the Padishah Emperor Shaddam sent him a letter;

‘’Find what you are looking for and bring stability.’’

It was a direct order otherwise he knew that Padishah Emperor would sent his soldiers, Sardaukars to take over what he had established so far.

After that letter his attacks grew more persistent.

‘’Na-Baron, Prisoners are here.’’ Without changing his blood dripping battle suit he marched to the room where the prisoners were kept. They were all on their knees, hands tied behind their backs. ‘’How many?’’ he asked to his general, removing his leather gloves, ‘’20 my Na-Baron.’’

Sleepless night had a toll on him, he was more on the edge than usual. It was going to be almost a year since he came to Arrakis. Fighting with Fremens put the spice production at risk and he couldn’t have that. ‘’I am looking for someone.’’ He began, Fremens knew by now that he was looking for a girl, old Fremens believed that it was a part of a prophecy long forgotten, most of the young ones thought it was a Benne Gesserit tactic to control them.

‘’Eyes up!’’ he yelled, and they looked up to meet his vicious gaze, at the corner one of the girls looked up and immediately lowered her gaze. ‘’You!’’ he pointed to the girl, ‘’Bring her to me.’’ He ordered and two of his men dragged her to him. His pale hand held her face to look deeply but it was false alarm, it wasn’t her. ‘’Why did she move her eyes though?’’ he thought. She seemed like she was holding something… information? Maybe.

‘’It seems like you know me.’’ He said quietly, ‘’I don’t know you.’’ He northerner accent filled his ears. Her voice was shaking and her fear gave it away, ‘’Ohh,’’ Feyd-Rautha loved to see fear in people’s eyes. ‘’You and I, we’re going to have a talk.’’ He moved his head slightly to the left and his men took the girl to a questioning room. Others moved in their places with an uneasy manner.

Feyd didn’t want to waste no time so he followed his men to the room. Inside the castle was kept at a mild temperature, outside was hell. He never thought he could get used to the heat but he adapted.

Feyd watched his men chain the girl to a metal chair and also watched the scared girl observe the room. Brown walls and floors were covered in blood, there were human parts here and there. ‘’What are you going to do to me?’’ she asked trying to stay calm. He wasn’t in the mood for torture since he just came from a battle, ‘’Nothing if you aid and abet. You might even have a luxurious life for your family in the city.’’ Rich Fremens lived in the city. He was actually being honest, she could tell. ‘’Tell me what do you know.’’ If one looked closer it could be seen that he was tired, after all he was human and human beings had their limits. ‘’Promise you won’t hurt her.’’

With the mention of you, his posture got straighter, ‘’I don’t intend to.’’

‘’And promise you let those women go to their homes.’’ Feyd felt generous today, ‘’Set them free.’’ He ordered which shocked his men, ‘’But my Na-Baron,’’ his solider’s sentence cut short since Feyd cut his throat. ‘’You heard me.’’ He warned his other soldiers. ‘’Now,’’ he looked at her, ‘’your turn.’’

The girl seemed cautious. ‘’I… I think I know who you’re looking for.’’ She started, ‘’I have a friend, since childhood. She keeps telling me her dreams of a man.. description fits you perfectly.’’ She finished as if an invisible burden lifted off of her shoulders. ‘’She is a respected soldier’s daughter, they live in a secluded cave, well guarded. It won’t be easy.’’ Feyd smiled in anticipation,

‘’I don’t want easy.’’

The girl gave the exact coordinates, as he was leaving he stopped in his tracks, ‘’What’s her name?’’

‘’Y/N.’’

He rested during the day, he wanted to attack to their Sietch when its late night. ‘’Y/N…’’ he whispered like praying to Gods. ‘’A beautiful name for a beautiful girl.’’

The sietch was in deep desert but his men were perfectly prepared. He positioned his men at the exists and entrances of the sietch.

They blasted the stone walls which were doors, Fremen knew how to be one with the desert. Fremen were ambushed, they didn’t expect the attack but they were brave, sietch was big with multiple floors. Since Y/N was a well respected soldier’s daughter she must be upstairs with other higher ranks. He moved past everyone, climbing the stone stairs, screams were music to his ears. He pushed and kicked everyone who was on his way. Upstairs the rooms had thin green curtains that were see-through. He didn’t bother with crying children and their mothers, his one and only mission was to find Y/N and leave with her. As he was walking carefully on the long hall which had rooms on his left and right he felt a presence at his back. His blade crashed with another. The woman was in her stillsuit just like others, her face and hair covered with a dirty beige scarf, only eyes could be seen. ‘’Move out of my way girl and you will live.’’ When the girl heard his voice he noticed the hand she was holding the blade go soft for a split second but gained strength once again.

Feyd’s suit was specifically designed for him, head to toe he was dipped in jet black, a mask covering his face yet his eyes were there like dark diamonds. Shining with thirst. She didn’t say anything and made her move. She was passionate, it didn’t go unnoticed by him, maybe she had a thirst for blood just like him. Feyd stepped back and her crysknife licked the air. ‘’I gave you chance.’’ Feyd said before he launched at her, he was swift but the girl answered every stroke. ‘’You are good…’’ he was out of breath, her stance was weak, ‘’but not that good.’’ And they danced. Feyd made her trip, Fremen girl wasn’t even making a sound while attacking, she was like the desert, silent. Her moves made him think of swans, elegant yet bold. Feyd could feel that tonight he was going to satisfy his need for blood. 

Fremen girl threw sand to his face to get advantage because she was unstable, ‘’Unfair.’’ She heard him say. He rubbed his eyes and had to remove his mask. She saw him under the orange glowglobe, her knife dropped and ran to the opposite direction.

Feyd-Rautha wasn’t a stupid man. This action of hers gave her true identity. Like a predator he began the chase, it was thrilling. It wasn’t easy to spot her among Fremens who wear the same colored suits but it made the chase more fun. Something in him told him to go to the nearest exit and he did.

He had fewer men outside since most of the action was inside the sietch, the sand was covered in blood and his man laying stiff on the ground. One of his men lost his weapon, maybe she took it?

He closed his eyes to listen to the desert, he could hear swift motions, he followed where the sound coming from, there were large rocks to his left and he moved. Someone jumped at him behind the rocks, he fell to the ground, smell of spice made him a bit dizzy but he composed himself quickly. Two small hands grabbed his throat, sitting on top of him. She was screaming in ecstasy, maybe she never killed someone and she thought this was going to be her first. Feyd thought it was cute that she thinks she could kill him. With all of his strength he moved to his side dragging her along with him. Now she was laying on the ground, with one of his hand he pinned her hands above her head, he didn’t forget to give all of his weight to make her stay put, her legs wrapped around his waist. With his other hand he found his knife and cut her scarf. Her pure face revealed under Arrakis’s two glowing moons. His animalistic smile grew, ‘’Found you.’’ She was struggling to get away, like an animal trapped in a cage. ‘’Sleep tight.’’ And he injected a sedative, in seconds her shiny eyes closed.

Arrakis has woken up to a new day, a new era one might say. Na-Baron was energetic, he woke up to a letter from Reverend Mother; ‘’Now that you got what you came for it won’t be hard to continue.’’

It was a simple message for an ordinary man’s eyes yet Feyd-Rautha wasn’t an ordinary man. It meant that ‘’Bring stability by uniting his house with the Fremens.’’ Last night’s events showed that he needed much time to break her to his liking. He had so many questions to ask her…

After a really long time Feyd had a boyish excitement. He was having his breakfast eagerly in his bed chambers when his door knocked and his Mentat walked in. ‘’How is she?’’ he asked eating his beef. ‘’My Na-Baron, she is creating chaos. Unstable.’’ He chuckled, sucked the juice off of his thumb, ‘’Take me to her.’’

She was kept in a guest room, probably biggest room she had ever had the luxury of staying, his Mentat went in first and Na-Baron heard the immediate screams from her, he also heard some metal clinging and barged in. She was chained at the end of the room, her hands and neck. ‘’What is the meaning of this?!’’ he yelled to his Mentat, ‘’Why is my bride chained to a wall?!’’ he could feel the rage in his veins. ‘’My Na-Baron, she is aggressive and killed a servant. We had no choice.’’

‘’Leave us.’’

When the door closed a thick silence occupied the room. She was standing in her stillsuit, hair a mess, and anger in her pretty eyes, eyes that were so familiar to him. He slowly approached, watched her move to the opposite direction, as he got close he could see the red marks on her wrists and neck. He came to a stop at a white line on the floor, his Mentat must have painted it.

‘’I’m not going to hurt you little dove.’’ His voice was calm which puzzled her, he was yelling at his Mentat seconds ago. His raspy tone which was inherited in his bloodline made her take a step back. ‘’Are you hungry?’’ she was shocked at his questioning. She only nodded, ‘’If you promise to not attack my servants they will bathe you and give you clean clothes, later you can have a fulfilling meal.’’ He tilted his head, his sharp jaw pointed like a blade, ‘’How does that sound?’’ Feyd could tell that she was tired and strangers made her uneasy, Fremens were a close-knit community, didn’t like strangers but they weren’t strangers, they haven’t been for a long time. Even though she didn’t let her guard down he could feel that she was less tense. ‘’I will be back.’’

After an hour or so Feyd was informed that she didn’t attack anyone, let the maids bathe her and dress her. Now she was eating, perfect timing.

Feyd-Rautha checked himself on the mirror, he had sleeveless black tunic and black pants, black boots. As usual. He left his chambers to visit her.

He opened the guest room door to see her eating, two maids waiting at her back. Y/N stopped eating when she saw her. She had a dark purple dress, showing her elegant shoulders, as he cautiously approached she smelled like a garden of roses, her hair brushed and braided. ‘’Leave us.’’ His eyes never leaving her. As the maids were leaving he didn’t forget to press the button on his chest, he had an invisible shield. Just in case.

‘’Please,’’ he said ‘’continue.’’ He sat next to her, grabbed an apple from the fruit basket. In the menu there was red wine, cooked fish and fruit. ‘’I’ve chosen the menu for you, is it to your liking?’’ she took a sip from her wine to clean her throat, half of the fish was eaten already. ‘’What is this?’’ she pointed at the fish, this was the first time Feyd heard her in real life. He had a victorious smile which Y/N found it odd. ‘’Fish. Have you ever seen a live one before?’’

‘’No.’’

‘’They live in the sea, lakes, rivers…’’ he stood up to move close to the wall to wall window, ‘’Imagine this desert filled with water. In that water animals like fish lives.’’ He turned to see her reaction, her eyes shone interest, ‘’I’m going to take you to planets that have sea.’’ He was speaking more to himself.

‘’What do you want?’’ she asked harshly, ‘’I want you.’’

Fremens were up front about their thoughts and feelings but seeing an outsider being that way shocked her. ‘’We have the same dreams since childhood. Am I mistaken?’’ he had to be sure. She nodded, ‘’Don’t you think this is.. fate?’’ yes, she was having the same dreams of him, last night when she saw his face her body was in fight or flight and she choose flight. All she wanted to do right now get the knife from the table and jab it to his pale neck, she thought nothing was stopping her so slowly her left hand went to the table, Feyd’s back was turn but he had pointy ears. She jumped from her seat to his back, like a monkey but an invisible energy was pushing the knife from his neck. Feyd’s laughter echoed in the room and with one move he pulled her from his back and made her stand in front of him, holding her hands behind her back, now they were glued. This was the first time they were this close without war gear, he could feel her breasts pressing his chest, up close she noticed how smooth his arms were, and how masculine he was. ‘’I didn’t expect the least from you.’’ He said smiling, he was mad, that’s for sure. She lost her temper.

‘’You murdered my kin! You killed my family, my friends! I would rather die!’’ the fire in her eyes intrigued him. Her eyes were getting blurry, she was fighting to escape but his grip was strong.

‘’If they gave me the spice willingly none of this would happen.’’ He said with a serious tone, ‘’Let go of me!’’ she screamed, ‘’I would rather be eaten by Shai Hulud than be your bride!’’ she was crying now, her vision was blurry and Feyd let her go. Y/N’s tired arms which held bruises from last night hitting his chest, ‘’I have no one-‘’ she was having an attack, ‘’because of you-‘’ Feyd felt a lump in his throat, it was strange to him, he never thought he would feel sadness but here he was. He achieved everything he ever wanted but why did he have a bitter taste in his mouth?

She was shaking violently, Feyd held her, the reality of the situation hit her like a sand storm. People that she called family were gone by the hands of this man who was holding her so delicately…

These hands that were brushing her hair committed atrocities…

Months of hiding and fighting made her fall to her knees, she lost to the outsider.

‘’You have me now.’’ She heard the Na-Baron say, ‘’Shh,’’ she felt his plump lips on her hair, ‘’you have me little dove.’’ Her body gave in and she fainted.

‘’It was a seizure due to stress my Na-Baron.’’ Feyd-Rautha was by her side, she was sleeping, when Mentat left he found himself holding her hand and climbing to bed. ‘’What if this doesn’t work out?’’

The pressure of keeping his family name at its glory kicked in. Feyd lived his life to be the perfect Harkonnen, could he loose it all?

Reverend Mother was suppose to come to Arrakis in a few days to see Y/N and question her, they only had few days to get to know each other. What would happen if Reverend Mother didn’t see Y/N as a right match for their breeding program? But the dreams… element of fate.. it was too much for him. He let his body relax next to Y/N’s, still holding her hand he fell asleep.

Y/N felt a presence next to her and her eyes opened immediately. It was night, and a glowglobe lit the room dimly, the night was silent. To her left she saw him, sleeping peacefully, her hand in his, she wondered how could someone commit murder day and night and then sleep like this. No care in the world, she thought, how wrong she was.

At first she thought her dreams to be simple imagination of children, later in life the dreams grew frequent. In her dreams she kept seeing him holding her hand and leading her to new planets, the first person she told about these dreams was her father who took her to an old lady, after having a mélange session the old woman started to scream ‘’So it’s written!’’ there was an old prophecy long forgotten, a Fremen girl was going to marry an outsider which would bring stability. For years her people had fought, hid in the shadows, she never believed the prophecy and moved on but her father and her close friend and that old woman believed religiously. She turned to observe him. He looked so pure she didn’t want to believe that this man was the man she fought back at home. ‘’Like what you see?’’ his raspy voice had amusement. She didn’t move or said nothing. He opened her blue eyes, his hand gently went up to trace the outlines of her face, ‘’Give me a chance to introduce myself.’’ And he kissed her hand, together they fallen asleep again.

The next morning they had breakfast in silence, ‘’I want to show you something today.’’ He announced and he took her to the garden inside the castle. Years ago his ancestors built a garden inside that well kept and full of flowers from different planets. Y/N had never seen these before, she read about plants because she was interested in them but seeing them in real life was something else. She found herself smelling every flower, Feyd noticed the huge smile on her face, they sat among the flowers, neither of them dared to utter a word. She closed her eyes and inhaled deeply, she was in awe of this place and Feyd was in awe of her. She looked divine in her orange dress, she looked positively care free.

All day they didn’t speak a word to each other, Feyd gave some orders, other than that he intend to keep the silence. In silence there was no rejection, no fighting. They had dinner together, and he watched her take off her clothes wear her night gown and lay on the bed. They were in his bed chambers so he also changed and went to bed. There was a space between them which Feyd didn’t like. He was discovering new things about himself such as desire to have physical contact. Her back was turned to him, he came close and hugged her from behind, she didn’t move.

The days that followed were the same. Slowly Feyd started to give her information about his life here and there, she listened intently but her heart was with the desert. So many times Feyd caught her staring out the window, Y/N also made comments to things he said or shared memories of her past. She had to make a decision but she wasn’t in hurry since the Harkonnen’s and Fremens stopped fighting since she was captured. That night she felt the cold side of the bed and woke up, Feyd was gone, yes they slept in the same bed for days but nothing happened. She rose to her feet and fell on her knees, the castle was under attack. Sirens could be heard everywhere. Out the window she saw Fremens attack the castle, she found a knife from Feyd’s closet and left the room. The halls were packed with Harkonnen soldiers, marching outside to meet the attack and they had heavy machines, also their numbers higher than Fremens. She had to find him and put an end to this.

Bare foot she was running, they all seemed the same, pale skin and black suits. When Y/N saw his Mentat she ran to him, ‘’Where is he?!’’ she yelled, it was chaos, chaose everywhere. ‘’My lady you shouldn’t be outside.’’ She didn’t care, ‘’Where is he?!’’ she demanded. ‘’At the entrance, greeting the Fremens.’’ And she ran. Mentat was right he was fighting and killing her kin, he was a skilled killing machine.  ‘’FEYD!’’ she screamed at the top of her lungs. Fremens that knew her stopped in their tracks, shocked to see her in a luxurious night gown, they were here to collect her. ‘’FEYD!’’ the Fremen he was fighting stopped when he saw her and it made Feyd stop too, among dust and falling men he turned to face her. He was covered in blood, holding knives in both of his hands, he slashed open the Fremen’s throat and walked to her. She could feel her blood run cold.

‘’How could you?!’’ she attacked, Feyd immediately held her hand that was holding the knife, her knife dropped.

‘’Mary me!’’ he screamed, ‘’Mary me and I’ll stop the war.’’

Y/N looked around, watching her people fall to the sand and lose it was too much to bear, it was high time someone put an end to this and if it was her then she had to fulfill her destiny.

She said nothing but held his face and kissed his plump lips.

[distantdarlings]

BACK TO YOUR ROOM // t. nott

RATING: R / 2.6K WORDS

Theodore Nott x Fem Reader Insert

+ SUMMARY - *Requested, based on this* After heading down to a Slytherin party, you decide to tease Theo a bit.

+ WARNING - SMUT! Fingering, masturbation, language, jealousy, degradation, Dom!Theo, brat!reader, Theo is a little rough, implied drug usage, not fully proof-read (lmk if I missed any)

+ MUSIC (listened to while writing) -

OHMAMI - Chase Atlantic

- - -

The music overhead pounded throughout the common room with a force like no other. Every beat sent a vibration through your chest like a knife. The very ground beneath your feet shook with excitement.

The air was full of laughter and sweat and lust, all three of which were beginning to rub off on you. A smile crept onto your lips as you weaved through grinding, dancing figures. Perhaps it was the mixture of winter break starting today and the excellent energy that always surrounded a Slytherin house party, but you felt like you were on top of the world.

You took a sip of the scorching liquid in your cup, allowing it to sear its way down your throat with no regard for how you were going to feel in the morning. None of that mattered at the moment, though. What mattered was that you found your friends and started dancing as soon as possible.

“Hey! Over here!” Over the volume of the music, you hear a single voice call out. You turned in its direction, finding that it belonged to Pansy Parkinson. Speak of the Devil. You laughed and moved your way through the crowd to find your friends circled around towards the corner. The windows looking out through the Black Lake were pitched into the darkness with only the reflection of colorful lights and dancing students printed on them.

Mattheo, Enzo, Pansy, and Theo stood in the friend group, each with a cup of something in their hands. Mattheo looked bored, if not half-asleep, with a cup held loosely between his fingers and something else gripped in his other hand, something that you couldn’t see. He leaned up against one of the stone walls, with his head tilted back against it. Enzo stood next to him with a similar look on his face, only a dorky smile had printed itself on his lips. He wore a simple white button-up with the first three buttons separated. He looked handsome. Pansy was wearing her signature black tube top with a dainty choker. She looked absolutely wonderful.

“Pansy, you look incredible,” you laughed, looking at her full outfit.

“Thank you,” she giggled, returning your compliment. If you had a galleon for every time Pansy Parkinson showed up to a party, looking twelve times better than everyone, you’d be as rich as the Minister of Magic. And that was the complete truth.

“You look good.” A low rumble of your name had you glancing up. Theo’s eyes were locked on yours, ever so dark and wanting. A small flush crawled up your neck under his gaze. He wore a black tee shirt that framed every part of him perfectly. Must he always look so fucking good? You refrained from rolling your eyes.

“As do you, Theo,” you smirked. “I’d say that shirt fits you in all the right places. If I weren’t already taken, I’d ask if you wanted to dance.”

You were not taken. By anyone. And everyone knew that, as well. But everyone also knew that, as you started to drink, you had a particular knack for teasing anyone you could. With the slight possibility, you might take it too far. At your words, Theo’s smile dropped.

“Taken?” Pansy gasped. “By who?” She stared at you with wide, curious eyes, her hands pressed over her mouth in disbelief.

“I’m not sure. I haven’t decided yet,” you said, pretending to place a finger to your lips in a thinking motion. Pansy looked confused for a moment before realizing that you just wanted to get a rise out of Theo. She hid a smirk before turning back to the group.

“I think I’ll pick…Mattheo.”

At the sound of the name, the dark boy jumped up and found your eyes. His eyes were slanted drowsily and reddened beneath his eyelids. A lazy smile appeared on his lips. He wasn’t just tired, you realized.

“Yeah, baby? You pick me?” he teased, his head leaning back against the wall behind him while his eyes devoured you. The feeling that shot through your body was not one of an innocent nature.

“Mmhmm, you wanna dance with me?” you asked, twirling a strand of your hair around your finger. Out of the corner of your eye, you could see Theo’s fingers tightening dangerously around his half-empty cup, the thin plastic crumpling within his strength. You watched as Mattheo seemed to glance over to Theo before nodding his head and grabbing your hand.

You smiled proudly as Mattheo began to lead you toward the dancing bodies all around. Theo’s eyes found yours again, only this time his were flaming with fury. You sent a teasing wink his way before shooting him a small wave goodbye. If he wanted you, he’d better come and get you.

Mattheo’s hand slid around your back, positioning itself dangerously close to your ass, as he led you closer to your destination. His natural dominance in any situation had you blushing a bit. You’d always had a bit of a thing for Mattheo, second, of course, to Theo. Nonetheless, you’d found yourself throwing your arms around his neck once you were out in the middle of the common room. Swaying bodies surrounded the two of you and allowed you to blend in with them.

Mattheo’s hands fell to your waist, his strong fingers guiding your hips to the beat of the music and his confident smirk easing you into a new plane of lust. You felt as if you were the envy of the night as Mattheo Riddle claimed your body as his own in front of everyone.

When he spun you around and pressed his head right beside yours, lips whispering filthy things, you’d nearly forgotten about poor Theo. The same dark-haired boy coaxed you through everything, his body exuding rhythm and sex. Your head laid back against his shoulder, your lips parting in a sweated pant. Mattheo’s lips touched your neck ever so gently as he traced his words against your skin. That was the final straw for Theo.

“Mattheo, come on, man!” You heard a voice shout right next to the two of you. Your eyes shot open, and you pulled away from Mattheo slightly. Theo stood before you.

“What is it? Don’t worry about it,” Mattheo slurred. He threw a nonchalant hand at the other boy before returning a hand to your waist. You heard your name.

“Let’s go.”

“What? No! I’m having fun with Matty,” you protested. Theo’s nose contorted awkwardly.

“‘Matty?’ What, are the two of you in love now or something?” Theo demanded, fuming. You rolled your eyes.

“I’m just having a little fun, baby,” you whined, your fingers crawling their way up backward to tuck themselves into Mattheo’s dark curls. You could practically see Theo’s jaw clench at the motion. Fuck, this was so much fun. An evil smirk spread across your lips.

“Why do I have to stop? Do you wanna have a little fun with me?” you asked. His confidence faltered slightly. “Do you wanna take me back up to your room?”

You finally separated yourself from Mattheo and sauntered over to where Theo stood, his demeanor faltering. You walked around him slowly, your fingertips brushing his lower back and the exposed flesh on the rear of his neck. You watched smugly as chills appeared across his skin. A smirk played on his lips, the feeling more exhilarating than you’d felt in a long time.

“Baby, you wanna take me back to your room?” you purred against his ear, your lips caressing his jawline. “You wanna fuck me?”

At the last line, he sighed deeply and his jaw clenched tightly. In a second, he’d grabbed your wrist and started dragging you back through the crowd. You glanced back and saw Mattheo already in the same position with another girl, working passionate kisses down her exposed shoulders. You rolled your eyes at how quickly he’d moved on in his situation.

Theo wound you through sweating bodies, tables filled with punch (possibly spiked), and finally, up the stairs to the boys’ dormitories. His pace was rapid and rough, his jaw ticking every few moments, and his grip on your hand never relenting.

Once you finally reached his dorm, he’d pulled you roughly through, locked the doors with a quick swish of his wand, and placed a powerful silencing charm across the whole room. It was deathly quiet, with just you and Theo claiming the space.

“You think that’s funny, huh?” Theo growled, shoving you roughly onto his bed. As you lay against the mattress, arms spread out behind you, he stood over you. His eyes were blazing with anger, his breaths coming out in sharp pants. You thought this might be the angriest you’d ever seen him. “You think it’s funny to make me look stupid in front of everyone?”

“I don’t think I was the one making you look stupid, but—” Before you could get the rest of your sentence out, Theo’s hand closed roughly against your throat, stifling the words before they ever reached your tongue. Your eyes glanced up at his pathetically; the breath stuck halfway between your lungs and mouth.

“What was that?” he growled lowly, his voice reminiscent of a threatening tiger. Unable to form words, you shook your head gently. Nothing.

“Not so confident now?” he asked, his eyes teasing and mean. Annoyed, you rolled your eyes at his stupid jealousy. You raised an eyebrow at him mockingly, testing him, trying him even though you knew he was going to get beyond angry.

He chuckled menacingly, an evil smirk printed on his lips. His hand remained tightened around your throat, his grip unyielding. His eyes darkened significantly, their irises holding something sinister beneath them.

“You’re fucking done, little girl.”

It no longer felt like a threat, but a promise. You had to admit. A small gulp did slide down your throat. He was angry but it was nothing you couldn’t handle.

“Turn around—put your ass up,” he commanded, finally relinquishing his hold on your throat. As inconspicuous as possible, you let out an exhale of deep relief.

You turned yourself around and, on all hands and knees, pressed your chest into the mattress, letting your hips curve into the air. You felt his hands survey the expanse of your hips, his skin warm and biting. You moaned gently against his touch.

“You want me, sweetheart?” he whispered. Just as a gentle nod passed your head, a swift slap came down across your ass. You concealed a yelp by harshly biting down onto your bottom lip.

“You’ll get me when I please,” he mocked. “You’re not going to be rewarded for acting the way you did back there.”

You refrained from rolling your eyes yet again at his ridiculous behavior. Theo suffered from a type of illness known as “thinks-way-too-highly-of-himself-itis.” It’s a very real disease and millions deal with it around the world. Thank Merlin he had you to keep him in check. You smirked to yourself at your thoughts, knowing he’d be even more pissed if he were a Legilimens.

“Any time today would be nice,” you teased, pushing your hips roughly against his front. As you brushed against his core, you could hear him suck in a breath. His hands found your hips once again, rolling himself against you.

“You’re such a fucking brat,” he spoke through gritted teeth. His fingers traced up the length of your spine as he grinded himself against you. Not wanting to give him the pleasure, you pressed your face into your arm to conceal any breaths or moans. You didn’t want him to feel as though he’d bested you in any way. You were winning this.

“You like it when I do what I want like this, baby?” He cooed, slipping a sly hand between your legs where the tight dress ended. The tips of his fingers barely grazed you, his breath shuddering at the realization that you wore no bottoms. “Fuck, you’re bad.”

“Only for you, Teddy,” you breathed, grinding yourself against his hand. With every action you took against his dominance, you could practically feel his knees weakening.

“I’m gonna claim every fucking inch of this body,” he groaned. Behind you, you could hear him practically ripping his jeans apart, belt slashing against your skin in the process.

Once his jeans and briefs were dropped around his knees, he hiked the tight material of your dress over your hips and trailed two fingers up your core from the bottom to the top. The slow, languorous movement pooled your slick on his hand and around your entrance. When he felt the amount would suffice, he slowly pushed his fingers into you.

You moaned aloud at the sensation, your hands gripping into the sheets. His free hand splayed across your ass, working you back and forth on his fingers. He groaned at the visual, loving the way you melted onto him, no matter how much you fought and teased.

Before long, you were rocking your hips back onto his fingers with no help from him. He dropped his free hand and watched the show, amused over your want. No matter what he did, your hips never ceased, inching you closer to your orgasm. You were embarrassed at how little it took for Theo to push you toward your finish, but you were too close to care. All you wanted now was the end of your pleasure, despite how damaging it would be to your pride.

“That’s it, baby—fuck yourself on my fingers,” he whispered. “You’re so fucking pathetic.” His voice was a mean, soothing melody. It painted every inch of your brain and echoed in your ears.

“‘M close, Teddy,” you whined, increasing the pace of your hips. Nothing was going to pull you from him. Not even Merlin, himself, would be able to separate you from the god standing behind you, mocking you like a peasant.

“Such a good girl, such a good girl…,” he moaned, his voice cracking a bit. A brief glance behind you told you that he had wrapped his free hand behind himself and had begun to fuck it. You moaned at the visual, knowing that, as much as he picked on you, he’d prolong his pleasure in order for you to reach yours first.

A knot formed in your stomach that built and built and built until you were finishing around his fingers and crying out beneath the weight of it. Theo moaned as he came to his end as well, his pleasure spurting over your back.

As the two of you came down from your highs and your knees weakened, you collapsed against the bed. He laid beside you, a lazy smile on his lips, and a hand raising to push your sweaty hair from your face.

“How was that?” he chuckled breathlessly.

“I’d say it was alright,” you replied. You could feel beads of sweat slipping past your nose and over your reddened cheeks. The party below still thumped loudly.

“Do you want to go back to the party? See if Mattheo can do any better?” he asked, mostly joking. You could see the flash of jealousy in his eyes.

“Hmm, maybe I will,” you said, shrugging. He rolled his eyes at you, refraining from smiling at your teasing nature.

You rolled over and pressed your back against him. He wrapped his arms around your abdomen and buried his face between your shoulder and neck. You could feel him take a deep inhale of your scent and tighten his body around yours.

“I think I’ll stay up here with you,” you sighed. He chuckled a bit. “Until you fall asleep…then I’ll go see what Mattheo is up to.”

You imagined the look on his face as a loud laugh left you, echoing through his dorm.

*Tag List: @mypolicemanharryyy, @angelfrombeneth, @clairesjointshurt, @bunbunbl0gs, @acornacreacure, @niktwazny303, @thestarlithideout, @sarahskakskskskajakwwnwjw, @yhiiil (if you would like to be added to the tag list for any future works, please comment on this post, dm me, or send me a message in my inbox. Thanks!*

[ventingv]

Can I request a continuation for Neuvilette and Zhongli interacting with their eggs. When it's time for the eggs to hatch

Wish u have a great day

(⁠ ⁠╹⁠▽⁠╹⁠ ⁠)🍪♥️

(b^_^)b

Zhongli

When the time comes for the egg to hatch you can bet your savings that he’ll be there.

The egg hatching happens in noon when both you and Zhongli are having lunch in the bedroom and talking to one another (or you just listening to Zhongli soothing voice) when all of a sudden you hear a cracking noise.

The both of you look over to see a small crack in the egg which gives you a small panic attack thinking that the egg broke before hearing a small chirping noise from it.

Instantly Zhongli is kneeling down to the nest looking over the egg, a deep rumbling yet soothing sound coming from his throat.

The hatchling still in the egg would chirp loader as more cracks form on the egg.

Just as you came to join him a large crack would appear and a small head would poke out of the egg with their shell still on the top of the hatchlings head and still chirping.

You would probably want to help your child come out of the egg completely before Zhongli gently stops you and told you it’s fine as your child knows how to get out.

When the hatching finally comes out they are as long as your arm and are a similar color to Zhongli Dragon form with a small number differences in some places.

It’s when you see it raises the hatchling head and you see them sniffing the air you would see that their eyes are shut and ask Zhongli if the hatching is ok which he would tell you they are it’s just that geo dragon newborns eyes are born shut and are slightly deaf till they reach a certain age, till then the hatchling will be only able to sense through scent and touch.

He would then gently place his hand in front of the hatchling who would sniff him before climbing up his arm clumsily before he would gently take them and shift them into his arms there they could rest against his chest and feel the beating of his heart.

It would be a beautiful sight for you to see Zhongli as smiled gently at the hatchling.

“Welcome to the world, little one.”

Neuvillette

Unlike their birth the eggs hatching is easier this time due to Neuvillette refusal to leave you and the eggs unsupervised.

It’s during the night when you as leaning against his shoulder in the living room while he’s reading over a case when you look over to check on the eggs resting in a much better made nest then the makeshift one from when they were born that you notice it.

There was a small crack on one of the eggs.

You kept staring at it for a while before another crack popped up on the egg.

You would then start nudging Neuvillette while keeping an eye on the eggs till he looked over to you with confusion till you pointed at the eggs.

It was only then that he noticed that just like you one of the eggs were hatching.

It’s only when the both of you notice the others rocking side by side that realization that they were all hatching.

The both of you would be by the nest, The case paperwork tossed somewhere on the floor as the both of you focused on the hatching.

The first hatchling to hatch would poke their head out before getting scared at the sight of two large figures and instantly going back in the egg.

Neuvillette would be confused about what to do before letting instincts take over and start humming lightly in a inhuman way.

It would gently encourage the hatchling to come out of the egg as the realized the large figures were its parents and would come out before coming over with some wariness before gently being picked up by Neuvillette who gently hold them against his chest while still humming.

Looking over the hatching you would note that they were the size of your hand and were covered in fur instead of scales on its body which confused you but you decided to put it off for later as the other eggs hatch and the hatchlings wanted to get to the parent humming.

It’s later on when you talk with Neuvillette sitting on the couch with the hatchings resting on his chest that he tells you hydro dragon newborns are born with fur to keep themselves warm and that the fur is dense enough to prevent the hatchlings from following their hydro dragon parents under the water when they are out hunting. When the hatchlings grow older they will either lose the fur completely or having some of it still there but no longer dense enough to be unable to dive underwater.

After that one of the hatchlings would make a small noise which draws his attention to them and give a smile to them will eyes filled with love.

“Rest easy now, there’s nothing to fear while I’m here.”

[dira333]

perhaps kirishima with the hugs prompt dira teehee ?? if m’ first !! >//<

Rate my hugs - Kirishima x Reader

Inspiration 1 and 2

“Get ready with me while I rate my partner’s hugs.” You announce, patting your face with the makeup sponge.

Across the room, Eijiro’s ears perk up like he’s turned into a dog.

“Number one, getting hugged while in Hero Costume. 7 out of 10. While the free abs are an absolute bonus, the weird stuff on his shoulders is always in the way.”

“Baby?” You hear him whine a little confused, but you bite your lip and keep talking, now applying Concealer.

“Number two, getting hugged after a grueling work shift. 7 out of 10. I absolutely love holding him safe in my hands after he defeated god knows how many villains or got cats down from trees, but some of these villains stink. And sadly, my boo smells just like them after he fought them.”

“Baby, is that true?” Eijirou’s moved closer now, peering up at you from your shared bed.

“Shh,” you tell him, “I’m filming a video.”

“Oh, sorry.” 

You send him a smile that he reciprocates.

He crashed on the bed right after showering, his still-damp hair down, his features soft. It’s your favorite look on him, but you haven’t been able to get that through his thick head. Yet.

“Number three, getting hugged right before we go on a date,” you send him a cheeky wink. “7 out of 10.”

Eijirou gasps. “7? Babe! I always put on the good cologne before-”

“Shhh,” you can’t stop the giggle that escapes you this time. “I’m sorry Babe, but you always make your hair extra spiky when we go out. Last time you poked me in the head.”

“It was an accident!” 

“I know,” you can’t help chuckling. “I know. But you have to agree that the 7 is valid.”

“Fine,” he huffs, laying back down.

You still catch his mumbled “I thought I was a good hugger.”

“Number four, getting hugged right out of the shower.” 

You fall quiet as you focus on getting your brows right, pretending not to notice the intensity of Eijirou’s stare. He’s invested.

“10 out of 10.”

“WHAT?” He’s sitting up now, staring at you. “That gets a 10 out of 10?”

“Yeah,” you turn to look at him properly, grinning with only one brow done. “You know why?”

“Why?”

“Because you’re so cute with your hair down, all relaxed and soft and cuddly. That’s my favorite you.”

A red blush works its way onto his cheeks and he flops back onto the bed, face down.

“You’re killing me.”

You giggle as you turn back. “I don’t see you complaining.”

-

You hum under your breath as you apply a new color to your nails, the dark red looking eerily similar to Eijirou’s hero costume. He’s probably going to notice, blushing when he does and you can’t wait.

Movement behind you catches you off-guard. The next moment you’re pulled from your chair, strong arms curling around you as you squeal.

“NOOOO! You’re still dripping, Eiji!”

“Don’t care!” He blows a raspberry against your neck. “You said it was 10 out of 10.”

“I take it back,” you try, but your own body betrays you, curling into his embrace. His hair might be dripping water everywhere, but his body is warm and his hold makes you feel safe.

Eijirou snickers, knowing too well what’s going on.

“Getting to hug you any place, any time,” he mumbles into your ear. “10 out of 10.”

[holygroundsound]

A BRIEF EXPLANATION OF ALL THE BUTTONS ON TUMBLR MOBILE FOR MY TWITTER REFUGES :)

i know a lot of fellow former twitter users are a bit confused by this app, so here’s some hopefully helpful tips!

this is what you should see at the bottom of the screen when making a new post

the first button (Aa) lets you change the size of your font into a bigger heading or subheading, or even make your text a cursive or times new roman type font

it also lets you make these bulleted lists! to use it, just tap multiple times until you get the setting you want

tap this button to add links, then just type the site name in the box and hit return. for example: http://heresalink.com

these are where you can add gifs, pictures, and music! for pictures, just tap the icon and select what you want, then you can press and drag to move it around or drag to the trashcan to delete

gifs are very similar to twitter - type in what you want and scroll through the options

GIF by taylorsnationblog

music is also similar. type the song you want and tap on it. podcasts also work!

this button is for polls! tap and add your silly little answers. the duration can be a day or a week

this button lets you make a “cut” in your posts which is basically a “read more” button. got a long post you don’t want cluttering up everyone’s dashes? click here!

lastly, this button lets you set content warnings! specifically this is for “mature content”, but when you click mature you can specify whether its due to drugs/alcohol, violence, or sexual content

this can be helpful to clue people in to potential triggers but PLEASE ALWAYS TAG YOUR SPECIFIC TRIGGERS ANYWAYS.

Other Helpful Tips

“highlight” your text by pressing and selecting like normal to unlock a bunch of cool formatting options including bold, strikethrough, and colors

hitting the three dots next to the post button lets you access a bunch of post settings like queuing posts, scheduling posts, saving drafts, making posts private (PLEASE NOTE: you cannot unprivate posts after, but you can share the link), and choosing who can reblog & who can pay to promote your content

CONGRATS you’re now ready to make better posts like a tumblr pro

[qkopi]

Heeeeeeeeeeeeeeeeeeeeeeey!! hey hey hey! hi! How are you? doing fine?? hope so!

I got a request! Can you do e42 miles fic where on the first day of school, like from the get go, he spotted a girl who loves purple? I mean LOVES purple. Cause its my favorite color! And since the main color for the prowler is purple and green. You do how you want it! Love your link story! thx!

I PURPLE YOU

════════════════════════

════════════════════════

pairings: prowler! miles x fem! reader

cw: none

summary: miles notices the girl who sits beside him is always wearing purple. will you get notice him though?

a/n: none

════════════════════════

when miles was going towards his seat, he noticed you the purple bow attached to the back of your head as it was an accessory for your hair.

at first, it was just a quick glance, nothing more.

though it did remind him of his suit, so he started to notice you a bit more.

the next day he saw you wore purple brooch that accessorized your uniform.

the day after that, he saw you wear a purple clip on the side of your head.

“goddamn, this girl obsessed with purple or what?” miles said it in his thoughts as he chuckled.

you must really like purple.

everytime he took a look at you, his eyes would always search something that was purple.

he’d see a purple bracelet.

purple air jordan’s.

a purple headband.

this one time, he had to squint since you were wearing purple earrings but your hair was in the way.

the next day, miles saw you wearing a necklace with the shade of purple that was really similar to his suit.

“i like your necklace,” miles said out of nowhere, not sparing you a glance.

“thank you! a friend got it for me as a gift. ” was all you said as you went back doing the assignment.

meanwhile miles was secretly blushing and smiling that he got to courage to even say that to you.

the day after that, miles was confused.

when he sat next to you, you didn’t even wear anything purple. no earrings, no bracelets, no nothing.

and when class began to end, you packed up and stuff and started to leave the classroom. without even knowing, your purple ring fell out of your bag as you left.

thankfully, miles took notice of it.

when he picked up the ring, he saw a purple gem on it. miles let out a breath he didn’t even know he was holding as he went to catch up to you.

“hold up!” he grabbed your shoulder softly, making you confused and turn around.

“this fell outta your bag.” miles showed you his hand, your ring on top of it.

“oh my god, thank you! i’ve been looking for it all morning and i was so mad when i wasn’t wearing purple at all today.” you tried to take your ring but before you could get your hands away from his, miles held it.

“miles.” was all he said.

“y/n.” you smiled up at him as he gave you a smile back.

™︎ qkopi | tumblr

[flowwsblog]

You’re so warm—

a/n; I’m new to the community soo please don’t be too harsh on me 😭😭 (But I need the feedback anyways). Also this fic is going to be pretty long for my first, (it being in two parts lol) but enjoy!!

Timothee!Willy wonka x f!Reader

Summary: in which reader has trouble falling asleep and runs into a certain someone. What could happen?

Warnings: pure fluff 😊

You had been working at the ‘laundry covered prison’- as you and noodle had called it- for a couple years now.

You had gotten there same as everyone, looking for a cheepy place to stay in this economy; and failed to read the fine print. So there was obviously something suspicious going on.

Worse led to worse as Mrs. Scrubbit had enslaved you (which is how you saw it) and forced you to do laundry work. Along with all the other fellow workers/people trapped in the dusty basement.

You befriended each one of them as time went by, not having any other choice. But being the second youngest one there; noodle was the first one you immediately grew close too.

And one day while scrubbing some old laundry, you heard a yell. Well everyone did.

Everyone’s attention shot towards the clothing shute, where a lanky, frightened looking young man had been thrown down.

____________

Ever since that day, your life couldn’t have been more interesting. The man, whose name you learned was Willy Wonka, was the most amazing human you had ever met. He was a magician, chocolatier, and humungous dreamer. What better man to sweep you off your feet?

But welcoming a handsome new guest meant bunking with someone else. Mrs. Scrubbit did not want the fuss of fixing up a new bedroom, leading to Mr. Wonka inhabiting your old room.

You loved noodle, she was like a little sister to you, so you did not complain in the slightest to sharing a room with her.

_____________

One night, you couldn’t sleep. You grabbed a thin blanket and wrapped it around your lightly trembling body. You made sure noodle was wrapped sorta-snug in the worn out bed before descending from the room.

Your thin loafers tapped the cold wooden floor lightly, wandering down the hall to the bathroom. As you walked by a certain door, your steps faltered, but soon continuing its journey to the wash room.

You and wonka has become close friends, similar to the friendship of yours and noodles, but being closer age wise made things different. You hadn’t talked to a boy your age since grade school, so having a male presence now made you exceedingly nervous.

Upon becoming comfortable with Willy, his presence had started to take a toll on you. Butterflies erupting when he would get particularly close. Or breath faltering when he would just, be in the room? You were confused. Maybe it was his shiny, chocolate colored curls or his full green eyes that lured you towards him. But whatever it was, you were hooked.

You closed the door and turned on the light, eyes squinting from the brightness; your handing coming up to shield them.

You turned on the sink and splashed water on your face. The water being cold not helping. You just wiped your face and turned off the light; heading out. This trip definitely helped.

As you opened the door you see another door opening. Expecting noodle’s small body to come out and ask why you left. Instead you get a taller, handsomer is that a word, man leaving his room. Rubbing his eyes softly.

You sigh, ‘What great timing!’, You think sarcastically to yourself. You carefully approach him and smile.

“Hi y/n” he hums with a sleepy smile. Which makes your stomach flutter. “What ya’ doin up so late?”

“Oh nothing, I can’t sleep. And you?” You turn to face him, studying his defined cheekbones and messy curls. Beautifully misplaced from sleep.

“Hm, I heard something and thought it was the little orange man coming to steal my chocolate again. But I’m glad it was you.” Your face grew 10 shades of pink at the comment. God, if he knew how he made you feel you would be in such trouble, or worse, jail. You’re glad it was dark or else he would’ve seen your embarrassing reaction. You smiled nonetheless. “Thank you Mr. Wonka”

He smiled at the name, knowing he prefers being called Willy.

“Well I’m gonna get going to my room, it’s cold out here.” You let out a half hearted chuckle and turned to leave, wanting him to stop you so badly. “Good night wil-“

He grabbed your arm gently, as if he was broken from a trance. “Wait y/n.”

You turned your head, letting out a breath you didn’t even know you were holding. “Yes?”

_______________

a/n; that’s part 1 guys 🙏🏼🙏🏼

I already have an idea in which part 2 will be posted so stay tuned! It’ll be soon :) 👐 thank you for reading!! Don’t forget to leave notes💞

[luveternals]

pairing: none (because I don't know who to put since is 5am) rating: mature, MDNI. cw: a bad man tries to do bad things to a minor (or failed attempted SA), don't worry you save the day and there are no details. reader isn't human. incubi (or demons feeding on desire). a/n: I don't know what vibes the warnings give you but it's probably not that bad. probably. It 5am and I slept 3 hours, it's proof read, but I'm out of touch with the world. oh and yeah, this blog isn't dead :) heads up, i'm not gonna be active like at the start. what a surprise! i'd spend my life writing cringe in here if I could, but I need money. ~ ~ ~

It's past midnight, when you find yourself standing deep in the alley; the scent is so strong, you can smell it out here. You breath in and swallow the thick taste of sweet and spice that invades all your senses. Your tail twitches behind you, sharp and lethal, then slaps the floor, showing your growing tension. You step forward and shove back the sudden urge to slam the door open. The scent is stronger now, reaching deep inside your core and promesing a delicious meal.

It makes your skin crawl.

You stab your claws into the door handle and twist your hand, separating the cheap metal from the old wood with a single, smooth flick of your wirst.

The moment you push the door open, it creaks and your stomach growls. Hot desire and sweet arousal dominate the room latching deep into your hunger and pulling you closer, saliva pulling into your mouth. It tempts you to follow your instincts, to let your nature guide your will.

Disgusting.

There's a bang against a wall, on the floor above you, then someone groans. And your body moves before your brain can register the action. You rush up the stairs and bursts in the room at the end of the hallway. The scent is at its strongest here, and you see red.

There, deep in the room, a man stares at you from where he's hunched over a boy. You hiss at the sight and, with only a few quick strides, tear him away from the boy. You throw him across the room and onto the floor and bares your teeth at him. "You dare touch what's mine?" you growl.

He scrambles back, eyes wide in fear. The color has drained from his face, arousal and delight turned into terror and confusion. There's blood dripping on the floor under him. A similar, smaller stain dripping from your claws.

"Get lost! I see you again and I will make you choke on the very joke you have between your legs."

The filth stumbles onto his feet and runs out the door without a single word, pale and sweaty. When you know him rush down the stairs and you hope to hear him trip and fall and never get up.

You almost follow to make true of your threat, when a shaky breath from behind you catches your attention.

Your mind clears in an instant and the moment you whip around a thin body crashes into your chest, arms flying around your large body.

"I've got you," you whisper gently. You arms circle around the boy's frail form to pull him closer.

"I didn't mean to," the boy whimpers as he clings onto you.

"He's gone," you tell him as you caress his back with careful strokes.

"I'm sorry," he sobs, "I didn't… I-I…"

"Hush, little one. I know," you pull away, just enough so you can cup his face with your hand, "it's okay, I know."

He lean against your touch, tears wetting your hand.

"Let's go home. Shall we?" you lean down and kiss his forehead.

The boy nods and, finally, finally, the two of you leave that hell of a place.

The boy is silent for most of the trip back, holding onto your arm for dear life. You arrive home and the boy climbs in your bed and you only wrap your arms around him and pull him in a tight hug without protest.

From that night on, you don't let him out of your sight. The boy goes on with his days as normally as he can, but his struggle to keep in control is as clear as day.

One morning, you find him hugging tightly at his pillow, squirming against it. He whimpers and humps against the pillow, eyes shining in shame when he notices he's not alone. He scrambles away and hides his face onto the pillow, when you step in his room and sit at the edge of his bed.

"I'm sorry," he sobs, "I'm sorry, I didn't mean to."

You lean over the bed and reach for him to place a gentle hand on the top of his head. The boy flinched at the touch but doesn't pull away, "no, little one. This is who you are, now," you say, "come here," you add and pat your leg.

The boy shifts and rubs the back of his hands over his eyes, wiping away the tears. He blinks up at you as you lifts him up and set him on your lap. The boy leans against your chest and rest his head under your chin.

You hug him for a short moment, before you feel him shift restlessly. You stroke his hair and plant a kiss on the side of his head, "lay back in your bed," you whispers, "don't fight it. I'll come back in a bit to check on you."

The other shakes his head and grips on the front of your clothes, "I don't w-want to."

"The more you fight against it, the worst it'll get. Are you sure?"

A single sob slips out of his lips and he barely nods his head, "stay."

You try to shift but the other clings onto him with an iron grip. You coo at him and stroke his head, then move again to lay down on the bed, with the boy on your chest.

He squirms and trembles against you as they lay there, until his body just gives up and he falls asleep, exhausted.

You cuddle him close, his small body pressed firmly against your chest. His body still has a long way before it stops developing, and you fear he might not get through it.

As an incubus yourself, you knows how overwhelming and dangerous the hunger can be, and you can only imagine how it is for him. You were born a demon while he has only just been turned into one against his will. He already lived his life as a simple human and now he's going through his first hunger. Being a teenager doesn't help, the boy's hormones are unstable. You can only guess how his body was affected by it all.

He nuzzles his face against your chest in his slumber, a small whine coming out of his parted lips. You watches him sleep, stroking your knuckles over the boy's soft cheek, and think. You know you will have to teach him how to feed on people's lust eventually, but you also knows the other won't take it well. The boy is a child with a naive and innocent heart, and the thought of hurting or using people for his needs scares him to no end.

The following days go on quietly. His hormones seem to settle and he is able to keep them at bay, for most of the time. You help him through the night, when his hunger grows stronger. You don't do anything, but hold him close against his chest, cooing at him and stroking his back. But this, at least, seems to help.

Incubi feed only on human energy so the arousal of another demons doesn't affect them. But, the boy is not a pure-blooded, and this makes things different. He's not as tempting as any other pure human, but you make sure to feed yourself full before getting anywhere close to him, especially at night.

In the worse of the hunger, he would just hump a little against you. It shows you he has better control than you first imagine, so you simply stare at the ceiling, enduring it for him. Because this is worse for him than it is for you. It awkward and it makes you sink in thed stomach, neither of you has the strength to face it — it's not the kind of relationship there is between the two of you — but it helps and you're not going to starve him. Human food helps until a certain point.

During the day, the two of you travel with your heads bowed as you hunt down for the monster that ruined this poor boy's life. You have to keep away from the crowd, hiding in the woods or creeping through the dingy alleys. You can see the frown on his face as you stir him away at the sound of people. It doesn't say, but it hurts him, you know. You an see it in the way he subtly throws a glance over his shoulder, feel it in the way his feet's stutter when you guide him away from the voices. The loneliness that emanates from him tastes raw and bitter and the desire him in sickening sweet.

You slip a hand around his shoulders as you gently pull him over to turn the corner, away from the people, away from the world.

Incubi don't hunt solely in the night, some people can't contain themselves even in the brightest hour. You don't want another innocent person to turn into a lust hungry leech because of him. You don't think the teen could survive the guilt.

× × ×

You tie a cloak around your neck but stop in the mid of adjusting the hood at the sight of your tiny companion.

"Get ready, child. It's time for us to leave," you say and pull the hood over your head.

"Okay," his soft tone has your full attention on him.

You sit next to him on the bed and place a gentle hand on top of his head, "I know this is more than overwhelming, but we need to be strong if we want to put an end to it."

"I can't do this," the boy whisper with a broken whimper, hands going up to wipe at his eyes.

"We will. I'm here to help you," you say, petting his head, "we'll find them and put an end to this all."

When he looks up at you, you are met with bright green eyes staring up at you. You have to look away for a moment, the sight somehow too overwhelming. When you turn back to him again, his gaze has only gotten more intense and you cup his face in your hands. "I will burn the world for you if I have to"

The smile that spreads across his lips is small and cautious and yet, but the hope that shines in his eyes makes his expression the spit image of the irritating grin his father flashed you the moment your growl meant for him was out of irritation and not of hatred.

You can almost hear his words ringing in your memories, "I know you care about me, pet."

You take the cloak that hangs from the back of the chair and pull it over the child's shoulder. You tie it around his neck and give him the tiniest smile, "remember what I told you the day after the accident?"

The child sighs but nods.

"Think of this as a great adventure. We'll stop the bad guys from doing this to other people. We'll save the kingdom, much like your father, did all those years ago."

"He was a hero."

"Yes," you can't help but huff a chuckle. "the stories that you hear about him are not just fairy tales. I was there during the Great War."

"You fought in the war?" the boy blinks.

You give him a distracted him and stand. Your mind rushes with a memories of those days. It was a dark year for the kingdom. It was the end a painful millenia for you. Your freedom came with a price. Your eyes fall onto the distracted and fidgety figure sitting on the bed.

"Hey, uncle," he says when he notices your eyes on him.

"Again with the uncle?" you sigh, exasperated.

"When will you show me it?"

You pause and look at him with an unreadable expression, "no."

"I'm not a child anymore and— and—"

"You're not a monster," you say, with a firm tone, tired of this conversation again, but ready to defend him from his self deprecating mind, again and again and again.

"Neither are you!" he shouts, only to sink in himself, eyes wide with horror at his own outburst. He drops his gaze onto the floor. "Neither are you…" he repeats softly, his voice no louder than an hesitant whisper. "I don't— I've never… I just want to see the real you."

His words render you speechless, but the moment the silence stretches for a minute too long, you turn to hide your money pouch inside the internal pocket of your cloak. "No."

He drops the topic as he always does. He's quiet, pensive and slightly pouty, but follows you out without protest.

You fetch your horse from the stable build on the side of the small tavern where you slept the night before and have him climb on it as soon as your out the gates.

A soul is like a compass for an incubus, the moment it makes a wish desire sparks inside it and a demon like you can latch to it and never let go. This is what made you dangerous during the war, what had people seek you and repel you in equal desperation. When an incubus is free to roam the lands no place is safe to hide.

Unless you can control yourself.

It's a rare skill, but it exists and you grit your teeth when you scent the air. The lead you've been following is faint either from distance of lack of strength. You're loosing them.

"Are you okay, uncle?" the boy asks and reaches as hand to grab the fabric covering your shoulder.

"Again with the uncle?" you ask, but it's soft and you reach up to give his knee a reassuring squeeze. "This way."

You lead his horse westward, the rising sun shining at your backs.

~ ~ ~ comment, reblog and/or follow. this blog feeds off feedback, don't just like or it'll die again!

[hobiebrownismygod]

Why Spiderman-India/Pavitr Prabhakar is one of the best examples of Indian representation I've seen in a long time

Mumbattan

Lets talk about Earth-50101, Mumbattan, Pavitr's home dimension. Mumbattan is displayed as a beautiful, colorful dimension with lots of traffic, lots of people, and lots of culture. When we see Gwen, Miles and Pav swinging through Mumbattan, we see people wearing saris, people driving scootys, Indian-style billboards and even temples in the surroundings. This is an extremely accurate depiction of large Indian cities.

Mumbattan on the left, Mumbai on the right

See how similar these look?

Now compare this to how Hollywood's Slumdog Millionaire movie depicts India.

Every single movie depicting India made by Hollywood portrays India as a country full of slums and dirty people. I have never seen Hollywood portray India as the beautiful, culture-filled country it is, and I have never seen one of the many beautiful temples, or the advanced cities represented in western media until now. Slumdog Millionaire is a fantastic movie, but India isn't only made up of slums.

Hollywood tends to romanticize struggle and when depicting India, makes it seem like a very depressing country. Yes, there are slums in India. Yes, there are people struggling in India. But that doesn't mean that India isn't beautiful. It doesn't mean India is behind. Mumbattan is the first depiction of India I've seen that I feel portrays the beauty and culture of India well. It is a fantastic representation.

2. Pavitr's personality

One of the most recent and most popular Indian representation series right now is the show, Never Have I Ever. In my opinion, this show is terrible. The main character, Devi Vishwakumar, is the stereotype of all stereotypes and doesn't accurately portray most Desi girls. She is rude, selfish, and extremely narcissistic. Her entire personality is being Indian and I find that extremely hard to watch. They make fun of her by addressing stereotypes like an excess of body hair, fashion, and even accents but instead of shutting down these stereotypes, they amplified them by making fun of them.

In western media, Indians are either portrayed as IT workers, scammers, grocery store owners, or nerdy, try-hard teenagers. Every show with an Indian teenager in it portrays them as cheap, unhygienic or unattractive which I, as an Indian, find extremely offensive.

Pavitr is portrayed as an optimistic Indian teenager who's smart and strong, without bragging about it, proud of being Indian without making it his whole personality and genuinely funny. He isn't portrayed as some skinny, nerdy guy with glasses. In fact, he's literally shown flexing his muscles, and performing well in class without going overboard about it. He's so full of culture, I can't even begin to explain it because I'll never stop. His suit, his mask, his webs, the way he moves, the way he fights, its all beautiful and I could watch for days on end without getting bored.

We were finally served an attractive, funny Indian character who isn't a walking stereotype, who loves and embraces his culture and just seems like an awesome guy to be around. Seeing him on screen made me feel so proud, of my religion and my culture. I hope Hollywood takes notes on this and continues providing the media with proper Indian representation and strong Indian role models for characters!

This article explains everything I said a little better, because I know my writing style can be confusing sometimes. It really goes into depth on how impactful it is on Indians to see this kind of representation for the first time in western media and how important this is.

He's so pretty <3 I'm so proud that I look like him

Might go even more in-depth eventually, I just really wanted to get this off my chest because I love him so much 😭

[brainlessrot]

Penguin Pebbling

Involves collecting and giving small objects, like pebbles, as gifts to people you care about.

because i do penguin pebbling very often and i wanted to indulge myself a lil bit 🤭

also sorry for disapearing for like... 5 months!!! requests are now open again <3

Characters ;; All of the students (grim included)

Contents ;; could be seen as either platonic or romantic (except ortho's and grim's!), GN!reader, no beta read‼️around 1200 words total, 50~ words per character

Riddle ;; i think he would see it as weird and although he would keep it he doesn't think it to be sentimental, for him its just some random rock you randomly gave him, may give you some trinkets (no rocks :( ) as payback (prolly roses or rose themed stuff)

Trey ;; he wouldn't understand why you chose to give him a... rock? probably put it in some drawer in his room and forgot about it unless you explain why

Cater ;; doesn't understand but will keep the rock in his bedside table, may understand that its a sentimental gift from you and if its pretty enough he will post a pic of it!!!

Ace ;; throws it away. Nah but hes similar to trey, confused abt why would you give him?? a rock you found somewhere on the floor?? would prolly make fun of you if you told him why (but the way his face lowkey matches his hair is proof that hes gettin flustered)

Deuce ;; HE GETS YOU!!! will absolubtely cherish the lil rock AND give you some in return, you two may start a rock gifting competition to see which one of you gives the prettiest one to the other

Leona ;; "...what is this". will throw it away (this time fr) unless you specifically tell him its a sentimental gift, then he will throw it in a drawer and forgets abt it (man does NOT care abt a rock sorry :/) but if you are especially close to him and the rock is pretty he may send it back to his brother for it to be made into some jewelry... but DO NOT mention it if he wears it

Ruggie ;; if its pretty enough he will display it in his room, if not, he still puts it carefully in a box with other trinkets, may also find you one for yourself (my man gets it!!) and may even give you some dandelions he was saving for a quick snack if he finds you while out (doing Leona's work) walking

Jack ;; super confused but lowkey touched, will put it with his (many) cactai, if you do it multiple times, he will start giving you some he found on a run that he thought you would like

Azul ;; if he likes you hes giggling and kicking his feet, will put it in his desk at the VIP room, no matter if its just a broken brick or a cute crystal you found, the tweels make fun of him for this

Jade ;; probably has gifted you some by himself that he found on his lil mountain treks, may put whatever you give him in one of his terrariums as decor

Floyd ;; loves it a normal (crazy) amount, cherishes the rock SO much, probably gives it a small hat and face and brings it around the school, will loose it and demand you find another one for him... he might throw it at you to get your attention

Kalim ;; definition of !!!!YIPPIEEE!!! puts it on his bedside table and stares at it while giggling before going to sleep, beware, you will find boxes of gemstones (not the cheap ones!!!) in front of your room at any moment now

Jamil ;; may try to hide it but he finds it cute, covers his face before accepting the rock, leaves it on his desk for when he goes back to his room to give him a small boost in mood, doesn't reciprocate the rock giving but isn't against receiving more from you

Vil ;; what. what the hell is this. unless its throughly clean and has some interesting colors/design/it's pretty he will throw it away woops, doesn't understand the appeal but if youre sad he threw it away hell ask you for "the prettiest rock for him, the prettiest person you've seen"

Rook ;; now youre inexplicably finding rocks EVERYWHERE, your pillow is lumpy? rock! you wanted cereals for breakfast? filled with rocks! went to put on your socks? why is there a rock?! he may even throw them at you from afar!! (believe him he didn't actually think it through he just wanted to surprise you)

Epel ;; kinda gets you!! may not reciprocate the rock giving at first (he prefers personally carving you some apples as a gift) but will if you explain to him the sentimentality behind it!! will save any rock you give him and maybe even send one back to his meemaw if he deems it cool enough

Idia ;; Doesn't really?? get it at first?? but when he was (forced to be) outside he saw a cool rock on the sidewalk and went "oh hey they would like this one!... Oh damn." a light bulb went off of his head at that moment, he wont really give you any rock bc he simply doesn't go outside, but will put the rocks you give him between his idol merch and figurines

Ortho ;; the epitome of just there for the vibes, doesn't understand jackshit of why youre doing it but if youre happy he's happy!! will test the rocks to see what compound or kind they are and tell you funfacts about them

Malleus ;; OH LORDDDDD hes kneeling down and holding his chest the moment you open up your hand and present him with the rock, A GIFT??? FOR HIM?? FROM YOUUU???? hes a very shinnies boy so be prepared to find anything gold anywhere in your dorm/room, he actually gets you from the start and is so happy, like straight up giddy, cackling in his room as he makes a small altar for the rock (half joking)

Lillia ;; also very giggly and understands the act of gifting rocks as a show of friendship (or more) will also leave small trinkets on your way (some of them are hundreds of years old... be careful)

Silver ;; hes used to small animals also giving him offerings and trinkets, so he understands the sentimentality behind the little rock, will also give you some shinny stone he found while resting in the forest, look it has the shape of a chipmunk!!

Sebek ;; he doesn't understand, he doesn't care. nah but seriously he really doesn't get why even if you explain it to him, no "it reminded me of you", "i though you would like it", "its pretty tho!!"s will make him understand, but please do ignore how close he set it to his Malleus' altar

Grim ;; acts like he doesn't want it and might even throw it away in your face, but the moment you turn around hes running back and searching desperately for it, he wont ask for any but if you give him more he aint complaining, hes like the

+"do you like it?

-"no"

+"then ill take it"

-"BACK OFF, NO WAY!"

[biibini]

Its okay if you dont wanna do this but i really wanna know what you think mizu would do when reader gets her period

modern!mizu x reader gets her period (request)

tags: period, cuddling, fluff, kissing, modern au, modern mizu, mizu being best girl

a/n: ok midterms r coming up so soon HAHAHAHAH (im so nervous)

modern!mizu would def have the supplies

but i’d feel like she’d carry the lighter, smaller pads

but on most days, mizu would be a tampon used

to ur surprise, she typically uses panty liners for the majority of her period

and even if she does get a heavy period, she can handle it on most days

(yeah im fucking jealous i wish that was me)

like perfect silky hair and thin pads???

mizu my girl

hand those genes over

anyways

she would have aspirin and a hot pack on hand if u need it

when she was growing up, they used to be super heavy but now they've become lighter

if ur a heavy flow typa gal,

oh lord its extra packs for mizu to buy

at first, she would be rlly confused at the sizing and the number of flaps/extensions the pads would have

and what specific color to buy

(iykyk my heavy flow girls will know)

but she doesnt mind, u need them

as long as her girl is covered and safe and sound

if ur a tampon girl, mizu would double check to make sure she got ur brand when she goes shopping

modern!mizu would notice ur cycles, especially the week beforehand when ur rlly moody

whether its u being acting more impatient or upset than usual

she checks and makes sure that she has the necessities at hand

if she doesnt, she’ll say she’s just gonna run some errands

technically its not a lie

she does go to the closest convenience store

but the errands in question: pads/tampons and something sweet

(personally im a chocolate sweets girlie)

she’ll get u a lil sweet treat that’ll last u for a week or two

modern!mizu would also pour an extra cup of tea for u before bed

she just wants u to be as comfortable as u can be during ur period

and if u guys are cuddling and watching something before bed

she’ll make sure to keep u comfortable

“Mizu, pleaseeee. Just one more episode?”, you plead. You guys had just finished the second to last episode of the show. Sure, you felt a little tired. But the thought of moving and crawling off of Mizu’s chest didn’t outweigh the comfort of the couch.

Mizu sighs.

“You always do this and then you end up falling asleep.”, Mizu states as she grabs the remote control.

“Not necessarily-“, you rebute. Technically, she wasn’t wrong with your history of falling asleep. But not this time.

“Mmhmm. Right…”, she responds, a little sass in her tone.

You pout. “Please. I promise, I’ll stay up.”

You place your warm cup of tea aside, allowing you to wrap your arms around Mizu’s neck. You feel the heat of her neck against your forearms.

“Besides, it’s the final episode.”, you smile. You look at Mizu for sign of defeat.

“Ok fineeee,” she clicks on the next episode button, “Stay awake now. I’m not summarizing it this time.”

You plant a kiss on her cheek, pulling her closer to your body. She places her mug next to yours and letting her arms wrap around your body. You feel the warmth of her hands press against your body, almost burning from the hot tea.

“I promise I won’t.”, you assure as you sit back against Mizu’s chest again. You feel Mizu’s arms relax and allow you to prep yourself before watching the finale.

Mizu smiles as she felt your body lay back on hers. Your weight alongside the blanket you’re sharing relaxes her. You feel her arms gently wrap around you again as you hear the intro to the episode play.

Her hands start to drag along your sides to your stomach. You feel her burning palm place itself on the top of your lower stomach. Its presence shared a similarity to a heat pad.

You hum in response. While her right hand is busy drawing attention to your lower stomach, you feel her other hand wrap around you and pull you closer. You feel her lips lightly graze your shoulder.

“Mizu, it feels good but-”, you say as her right hand starts to gently massage your stomach.

Fuck. That feels so nice.

You hold back a groan. “Not here, hon.”, you say as you nod your head towards Ringo’s bedroom door.

“I know, don’t worry.”, Mizu responds as she places a soft kiss near your neck. “I just want you to feel comfortable now. You’re on your period, right?”

You nod in response.

“So c’mere. I’ll keep you nice and warm.”

modern!mizu would put ur towel in the dryer while u shower

ik its oddly specific

but i feel like she would make sure to make u feel warm in any way possible

with or without heat pad

same concept applies for the blanket

shes always so thankful her and ringo got an apartment with an in-unit washer dryer

when ur washing up, she’ll typically be doing some light studying with some tea before bed

a break inbetween would be the pop the towel in the dryer

next break is swapping out the towel for the blanket

final break is bringing back the blanket right before u get into bed

its a strange strategy but it helps her stay focused and paces herself while synonymously taking care of u

modern!mizu would make sure she’s wrapping her arms around ur lower stomach when ur cuddling at night

the heating pad gets annoying to sleep with

especially if u tend to toss and turn at night

but having her hands warm u helps u relax at night

when ur trying to sleep, she’ll gently caress and massage ur stomach to help release any tension

at first, u thought it wouldnt have an effect on u

but the more she did it, the more relieved u felt at night

mizu would also feel relaxed knowing that u r relaxed as well

when she heard ur snores, she knows shes done a job well done