#i get that people aren’t on here constantly and obviously timelines can get a bit jumbled

[spiritpraiseandbeautifulhumanity]

AHEM, just letting myself rant a bit to get it off my chest because I am tired of people misinterpreting us and also just completely ignoring or missing the details right in front of them in the canon. Sister and me are literally the only ones who are correct about ourselves because I mean for one we are literally the actual Shingujis from V3 and not just fans or kins or anything else, but also just because no one can seem to understand us for who we are even when it’s very obviously presented in the game. Anyways, first of all I don’t get constantly misgendered just for people to say “oh he actually *is* a girl” if you headcanon that sort of thing for your own personal comfort that’s fine though, but I’m not interested in seeing a lot of that when I’m actually a trans man. The ones who are awful though are those who treat their headcanon as if it’s canon and act like I am really a girl, like no I didn’t/don’t go through my life being a feminine guy just for people to treat me like that means I must be a girl or identify as one in some way. Also, I partly consider myself agender as well so it can be uncomfortable when people are like “he’s male and/or female” like please don’t bring biological sex into gender, yes I’m afab but I don’t identify as a sex, I’m just a man who happens to be way more feminine than most typical men are and am not a girl in any way. And then on the topic of sexuality so many people seem to think I’m asexual or at least somewhere on that spectrum…and here’s where the game itself comes into play. Like you can literally tell from the game just how false that is because I am shown to be sexual and romantic, just because I’m a loyal romantic partner doesn’t mean I don’t feel attraction in general. Also, it’s heavily implied that I am canonically pansexual with how I view all humanity as beautiful, plus the fact I wouldn’t mind who I’d have as a partner(as proven by the love suite which although isn’t canon in the sense that it doesn’t physically happen, it is canon in that it is an actual fantasy each of the V3 cast has and thus is canon by way of being in character). Even without the game backing it up I am indeed pansexual/panromantic. It’s just weird to me when people see someone who will be openly sexual at times and even going on a rant about their relationship and see that as thinking it means they don’t feel attraction like that or that I’m repulsed by sex and/or romance when I’m literally shown to feel such strong attractions. It’d be like going up to an incredibly loyal husband and being like “oh you must not feel romantic/sexual attraction because you aren’t feeling that way towards anyone else.” Like no? That’s not how it works, they just love their spouse and aren’t a cheater. Same with me even if my circumstances are more strange, even if I do feel those attractions to others I’m not going to actively pursue those feelings without my partner first being 100% okay with it since I am heavily devoted to them as their partner. Also, one last thing is like people treating the false backstory stuff that like would never be possible as if they actually happened, which I don’t blame them for that because it can be confusing especially with the way the ending is so they just treat it as if it was real…but certain obvious things such as being a serial killer or an assassin should obviously make one go “oh yeah that was definitely fake.” But I can understand people treating smaller false details or ones they wouldn’t even think about as not being true such as the idea that I traveled around doing fieldwork. Which I never did because it wouldn’t have been possible in the timeline from when I entered Danganronpa, plus being a minor complicates being able to do so as well. I literally entered as a pale teen who wanted to be there for a specific purpose. I’ll get more into that when I end up posting my whole canon backstory and what truly happened and the parts that were just stuff Team Danganronpa made up, but yeah.

[karla-the-elemental-dreamer]

2024 NYE Q and A: Dream Guides - Jak

I don't know where to begin as 2023 has been a strange year. I remember looking so forward to it at the start, and it's just spiralled into something unbelievable. Like there have been no shortage of good moments and growth opportunities, but has been overshadowed by chaos, tiring and exhausting days, and the world constantly throwing hands at each other with a continuing amount of immaturity and animosity towards our brothers and sisters.

I have marked the end of each year as a time to reflect and let my honesty be shared regardless of what anyone else thinks, so that for the following year, my bucket is emptied and I can start again. Please excuse me as I write from a very emotionally exhausted state. Each of the boys will be sharing some thoughts on the year 2023, and on this page, it's Jak's turn.

Please give each boy a chance as each of them provide a different flavour and may have some discrete messages for those who are still on the path of unity and love, and the hopeful outlook for a better and brighter world. Including some personal stories from the boys if they have anything major to share.

------------------------------------

QUESTIONS:

How do you feel 2023 has been overall

What positive experiences have you had in 2023?

What challenges have you faced in 2023?

What challenges do you believe your dreamer has faced in 2023?

What is one memory that stands out to you in your dream guide duties?

Is there another person you’d like to recognise for their contribution to 2023?

Do you have any final thoughts in the lead up to 2024?

------------------------------------

ANSWERS:

(1) Jak: "I want to erase 2023 off the charts… It has been THAT painful, for both me and her. Do you see these bags under my eyes? And you thought Riku had big ones. These aren’t from being punched in the face by a person or a Krimzon guard, it’s all the collateral damage I’ve received from the year itself. Can you wake me up when we’re finally at the New Earth?”.

---

(2) Jak: "Look when it comes to positive things about the year, it’s Karla all the way. All the trouble she’s gone to, to keep me here and hanging on when she’s just about to fall down that cliff herself; bless her soul. I’ve been a Grinch for most of this year, but then I heard there was a Christmas movie about that guy, and I didn’t want to have the lead role. So I’ve gotten into a bit of craft with her this month and it’s actually alright. There were also a few times where I had some chats with her brother, so I’ve got to give a kudos to that as well”.

---

(3) Jak: "As much of the cocky person that I am, I’m actually a bit embarrassed to be writing this one. Riku and Terra have been talking a lot about Karla being hurt by all the people out there on the internet, but I’ve actually probably multiplied that load by at least double. Being an ISTP, I obviously have a certain protocol with how I act and how I do things… But I’ve actually taken that too far and in reaching a climax, I see myself acting like a wild animal. Like I’ve just been this horrible person towards Karla, which is something she never deserved.

How’s this you might ask? While there have been weeks or even months where I’ve said to myself that I can’t do this anymore, or that she’s being too annoying or demanding, so I just slink back to Haven City and don’t want to have anything to do with anyone. I remember this time where Terra went with Karla’s parents on their little, I guess, honeymoon, so Riku and I were staying home with Karla and her brother. I… I don’t know how to outline this next bit. She just wanted us to all have fun at the beach on one of those days, and I sorta wrecked that by not being there.

There have been a lot of things that I’ve misconstrued in 2023, like in Karla saying that my friends won’t make it through the timeline split, and instead of analysing the situation and seeing it for what it is, I just lose it and get all angry. And now when I look back, she never meant that they couldn’t come; just that she noticed I didn’t gel with them at a soul level, so that they needed to do a lot of work to be able to get to maybe more of a level where most of Kingdom Hearts is at.

In summary, I just got very tired… And oh! There was a point at which Karla’s brother lost his job, and that was a very hard time for me also. Like I was responsible for seeing him through his last days, and so when everything was over, I just lost faith, and things got worse with me from there. 2023 has been a year of me being caught up in the past and I guess coming to the realisation that I had to come to terms with it and work out where I should actually be. And in the whole process, I hurt others and ended up hurting myself too. Like you might know of Dark Jak from the games, that was sort of my year, but in a bit of a different sense”.

---

(4) Jak: "Oh she’s just been constantly pounded this year from everything. Like I said in Question 2, this year, more than anything, has just proven to be a shining example of what an amazing person she actually is, after everything she’s had to put up with and witness, including my shit antics. In-fact I wish I stuck around more to intervene when people would upset her or just be plain mean and spiteful towards her or about her. But then there’s a reason as to why I haven’t shown myself aside from my own problems. You guys think she’s putting out hateful content from the fifty measly words that Riku and Terra say in her defence as to how she feels in life? As a rowdy and no bullshit ISTP, you’d be seeing the gates of hell at your front door. Question 3 sorta outlines the rest of what she’s been through, and then also the etheric attacks and interferences which Riku and Terra have outlined more of”.

---

(5) Jak: "To be honest, I don’t think this should even exist as Question 5 because I don’t have anything, and neither does Riku apparently. I’ve been away that much or just been trying to avoid responsibilities, which in truth has actually been a loving home and a break away from my tyrannical past and origins. Maybe I’ll have something to report back next year if I’m lucky”.

---

(6) Jak: "Well there’s this guy from neither of our worlds called 18-Volt. How do I know about him? Well I’ve never met him until about a few weeks ago when I got this strange letter at Freedom HQ telling me how much of a fraud and a bullshit artist I was. As much as I wanted to find the guy in his sleep, something just hit me and it’s like I would have said the same thing if my dreamer was being abandoned by someone she cares about or who should be there for her; like he was using righteous anger. By the end of the letter, I was at the table, with my friends surrounding me, shitting myself to discover that a past dream guide had taken an interest in what was obviously a very big cesspit that I had created, spanning all the way to Diamond City in Warioware. And so I’m like ‘Jak, you done goofed’.

He said he wanted to meet me, so in the next day or two, we met up at the port. The guy who looked like a big frog, wearing some crazy glasses, started running his mouth at me about the terrible things I did, but he slowed down after a while, and his demeanour was rather passionate and friendly. He’s an ESFP like Tess. So as we spoke, as much as I don’t like sharing my own stories, he got to the heart of the matter, and like he was putting me through an X-ray machine of some sort. I had to admit by then that I had been awful towards Karla for most of the year, and there was no denying that. Especially due to the fact that 18-Volt said he actually wanted to support me if he could and be a buddy to get me back on the right path. That’s when I noticed that 18-Volt had actually come back after a long period of absence, which is where Riku took over.

I was amazed to find out that 18-Volt was watching Karla and her developing timeline this whole time. And that he actually had the strength to learn from his mistakes and come back years later, even if just to a helping role. And it’s like if he could bounce back after such a failure, then I could too. Like sometimes we get so caught up in ourselves and our own wants that we forget the bigger picture that we push away everything else. So 18-Volt returned a few more times and we continued to get to know each other. Eventually, I worked out that the mess was way too big for just a guy like him to help clean up, and also at the time, Karla’s teddy staff had also now showed up in Haven City to quote on quote, clean out the evil filth in it. It’s like in fear of losing me for good, she deployed over half the team to keep my world anchored to the ascending timeline fork.

Then I decided to go and knock on Karla’s door to check on her and see the state she was in. There’s this cute name she’d always called me; Jaky. But she couldn’t even utter my name when I came back. Everything was all over the place, so I went back to Haven, and I asked one of the guards [teddies] there to allow me to have therapy, which is something an ISTP apparently never does, so for the love of everyone, I broke the wall and decided enough was enough, and that it was time to open up and expel the demons from my life. I now see the new or substitute admin of the group, Josephine, twice a week for two hours each session, and it’s been pretty good. Once again I’m giving the recognition to 18-Volt here because if it wasn’t for that oh so scary letter, I wouldn’t be where I am now, and looking back at how much I’ve taken for granted and how much love Karla truly deserves”.

---

(7) Jak: " It’s been a bit bittersweet doing this Q and A, because I’m not sure if some of you remember Karla being so excited for 2023, and that it was going to be her year. Like we’ve said in the past, you can’t just shut yourself down and not be honest to anyone about how you went, whether it’s good or bad. So it’s like Karla has survived this year, but as it comes to a close, she’s giving what’s only a true reflection of what happened, with us sort of speaking it out though. The common theme being that we all expect better things from 2024, and that it isn’t just another slather of muck.

Like Terra said, it’s hard to keep a balance between those who hurt you and wish to see you dead or just non-existent, compared to those who just don’t know you or are the friendly faces amongst the army of metalheads. So again, please forgive her for the experiences that she’s had and the way in which she’s had to deal with them. It’s like how can you light others’ candles if yours never gets lit? Which is the same for me I guess. Well… Have a Merry Christmas and a Happy New Year. She might just post some art to finish the days off, but yeah, who knows what’s in store for 2024”.

------------------------------------

SUMMARY:

The internet and it’s networks may be a dead avenue, and the exhaustion of rising global tension has hit hard. But Karla’s immediate life has seen generous health, love and abundance. Any achievements of Karla’s have been acknowledged in private, because in the greater scheme of things, they have been only very small in the year of 2023.

[waka-chan-out]

<3

[humanwheatleyslefttoenail]

why do you ship chell and glados if glados is basically her mom

Okay this is actually a pretty common misconception in the fandom that unfortunately a lot of people have taken as canon, but I’m feeling nice so I’ll answer your question.

Basically, anon is referencing a theory from around 2012 that Caroline is Chell’s mom. The evidence for the theory is as follows:

- The turret opera calls Chell “bambina”, which means “little girl” in Italian

- Chell’s name can be found on a Bring Your Daughter To Work Day science project

- GLaDOS references the possibility of Chell being adopted multiple times

- GLaDOS is significantly nicer to Chell after discovering she’s Caroline 

And, anon, you’re right, it does sound like a pretty good argument at first glance. The problem is that a lot of these points don’t actually hold up to scrutiny.

For example, although “bambina” literally translates to “little girl,” it’s often used in the same way “baby girl” is used in English - it can mean child, but contextually it’s usually a flirtatious term. (Source: Cambridge Dictionary)

For Chell’s science project, it doesn’t work as evidence for the theory because GLaDOS killed the scientists around 1998-ish, when Caroline had presumably been uploaded several years earlier and Cave was already dead. Also, Chell’s in her 20′s, and since we know from Lab Rat/Portal 2 that people don’t age in stasis, and that Doug put Chell at the top of the test subject list only weeks after the takeover, Chell was 28 at the time of the takeover. The science project is really only an Easter egg and doesn’t actually fit into the canon timeline let alone prove anything about Caroline and Cave. 

GLaDOS talking about Chell being adopted is a pretty strong point, I’ll admit, but also it’s important to remember that maybe half of what GLaDOS says is true. And even if we take what she says at face value, she also says there’s a man and a woman in stasis with Chell’s last name, which could not have been Cave and Caroline because they were already dead at that point. And the official book Final Hours Of Portal 2 confirms Cave and Caroline were not married and could not have shared the same name anyway. It was also the 50′s, an an unmarried couple of two likely famous people having a child would’ve been scandalous, and yet we see no hint of something like this affecting their company. 

Also, although GLaDOS is nicer to Chell after the Caroline reveal, that’s not necessarily indicative of a mother-daughter relationship, and neither is any of their interactions. It’s just. GLaDOS being friendlier. 

Finally, when this theory was made (and let’s be honest - it still is happening) Chell was constantly whitewashed to hell and back. 

Chell is Japanese-Brazilian, and Cave and Caroline are white, so it would be a near impossibility for her to be their biological child (and insisting otherwise is kinda. just. whitewashing). And although people will cry “adoption!”, based on what I’ve previously proven, that’s pretty much impossible. This theory that somehow she’s Cave and Caroline’s daughter erases an important part of her identity. [Disclaimer, I am white, but this is what I’ve heard from around the fandom]

With all that said, the idea that she’s the daughter of Cave and Caroline really doesn’t hold weight when you really analyze the canon. It’s surface level analysis that doesn’t hold up. And honestly? The idea kinda cheapens the story. It’s much more powerful that GLaDOS learns to care about Chell and becomes kinder than just. Oh, she remembered she’s related to Chell. 

But to actually answer your ask. 

Why do I ship them?

Well, they aren’t mother and daughter, I think that’s pretty obvious now. But if you actually look at a lot of subtext in Portal 2, without the lens of the mother theory, it’s actually pretty romantic! 

I know that sounds ridiculous, but bear with me!

Now - it’s totally okay if you don’t ship them. I get it. Their interactions in Portal 1 and the first half of Portal 2 are toxic if not outright well. Y’know. Murderous. I completely understand why that turns people off from shipping them, and ultimately, shipping is a personal thing. To each his own. 

But before you judge me, let me present my case.

Exhibit A: Portal 

Portal is kinda gay. No, really. Chell and GLaDOS are enemies in this game, but the entire focus is on their relationship (good or not) and the power struggle between them. They are opposites, two sides of the same coin, different representations of opposite ideologies. People have analyzed Portal as a relationship metaphor, or as a metaphor about women’s role in society - either way, the heart of Portal is the complicated dynamic between Chell and GLaDOS. 

That’s not necessarily enough to code a romance, but a lot of popular (and especially popular queer ones) ships begin with opposite ideologies, symbolic powers colliding. Portal cements their relationship as a toxic one, something on the verge of falling apart and hurting both parties in the end. The ending image, of Chell and GLaDOS side by side after the battle, reinforces the symbolic parallels between the two. 

The companion cube is also pretty symbolically important to this interpretation. It’s literally a representation of someone’s heart, and you are told to protect it and preserve it under GLaDOS’ orders, and then you have to destroy it regardless of how you actually feel about doing that. You are destroying GLaDOS’ heart, so to speak. 

There’s also the ending song, Still Alive. The lyrics speak for themselves.

They hint that GLaDOS’ feelings about Chell are more complicated than they may appear (if she’s not being sarcastic...) and she literally talks about Chell breaking her heart (also, think back to the companion cube. Yeah.). The entire song is structurally similar to many a breakup number, with the laments of “I’m glad it happened, but also leave.” 

At the end, we also see that the long promised cake GLaDOS was supposedly lying about was real the whole time. Before Portal 2 came out, it was mostly interpreted as a stinger ending (along with the nicer lyrics of Still Alive) to make you question GLaDOS’ true motives and intentions.

She actually did have a real cake waiting for you. (Side note - not really evidence, but in Argentina, “torta” means cake in Spanish. It’s also a slang term for lesbians. So. Do with that what you will). The cake is what GLaDOS offers you to lull you into the sense that she cares about you, so discovering that “the cake is a lie” wakes you up to the realization that she doesn’t. Except then the idea is subverted one last time, at the very end, showing that the cake is real and at least some of what she said she meant. 

You also see the companion cube. You know, GLaDOS’ symbolic heart?

Now, okay, you might be thinking I’m extrapolating a bit too much. And you might be right. But Portal is not the only game in the series, and if you’re asking me about Cave and Caroline you obviously know about Portal 2.

Exhibit B: Portal 2

If you thought Portal was gay, Portal 2 turns that up to 11.

Even before GLaDOS wakes up, you’re treated to some visual subtext. A few of Rattmann’s drawings representing the events of Portal 2 focus a lot on the relationship between GLaDOS and Chell, with more of the cake symbolism.

In this, you can see a face layered on top of GLaDOS. This could be foreshadowing about Caroline, and likely is, but also resembles his other drawing of Chell. It insists that Chell is a part of GLaDOS, or reinforces parallels between Chell and Caroline, hinting at something either way. 

In this picture, we also see Chell standing on top of GLaDOS, in the same position where the overlay of the feminine face was, again referencing the parallel. It also presents them as opposites, fundamental parts of the same thing and both connected to the same basis, but on opposing sides. 

When GLaDOS wakes up, she returns to her antagonistic role, but there are more hints to something deeper just like in Portal. 

Here, in her awakening lines, she references Chell not unlike an estranged ex. Also worth noting that GLaDOS is pretty much the personification of testing (in a sense, she is testing since she can control all of Aperture like an extension of her body), and insinuates that Chell loves to test. And that she reciprocates that feeling.

In test chamber 10, she says this:

It’s supposed to be threatening, but it does read as almost... sentimental. 

There’s also another chamber with companion cubes in Portal 2. I already talked about their symbolism in Portal, and the same pretty much applies to them here. However, GLaDOS says something interesting about them during this level:

Once again, meant to be intimidating, ends up coming off as “well, GLaDOS, why were you going to give Chell a heart shaped representation of yourself that says ‘I love you?’” And you might think I’m stretching the GLaDOS’ heart metaphor thing a little far here, and I might agree, if the companion cubes didn’t literally sing Cara Mia for you. 

Cara Mia is the turret opera from the end of the game, which is all about how much GLaDOS cares about Chell. More on that later. But the companion cubes play a song called Love as A Construct, and when you get close to them, they sing a specific part of the song that has the tune of Cara Mia. These things literally exist to sing about GLaDOS’ feelings. 

Which makes this line a lot more. For lack of a better term. Tsundere-ish.

Then, right before the escape, she starts talking about the confetti from her fake surprise. 

I really don’t have to explain this one. What else does GLaDOS consider an inconvenience but might miss anyway? Or, more aptly, who else?

Then, during the escape, she teases a (fake) final test chamber in front of you, and forms the panels in the shape of a heart. No, really. 

Up to this point, a lot of the points I’ve presented are interspersed with a fair amount of antagonization on GLaDOS’ behalf, more Foe Yay than anything actually hinting at something deeper than GLaDOS being conflicted about whether she loves or hates Chell. But things really ramp up after Wheatley’s betrayal, when the two of them are forced to team up. (I should also note here that “enemies to lovers” is a pretty classic queer romance trope.)

Here, GLaDOS is put on an equal level with Chell and they have to rely on each other if they want to survive. For the rest of the singleplayer campaign, GLaDOS becomes a lot nicer and even friendly to Chell. There comes a point where she starts referring to Chell as a teammate, calling them “we.” She begins to consider them one unit, two opposites unified. Here’s what she says after the lemon rant:

You can not only see her using we, but actively talking about how her and Chell are going to fight Wheatley together. There’s also that last line - “let’s explode with some dignity.” GLaDOS has fully accepted the very likely possibility that she and Chell might die together. That she might die on the same level, and the same team as Chell. And she seems... surprisingly okay with that, as long as she and Chell go together. 

It’s during the Old Aperture levels that Chell and GLaDOS also discover that they have a lot in common. This is the part of the game where GLaDOS figures out she’s Caroline, that she’s human. Or, that she’s like Chell. And Chell discovers (from what we can tell anyway) that Caroline is kind, that she’s funny and smart and so many of these things she never noticed about GLaDOS before. Now also with the knowledge she is fighting alongside another human being. 

You can also draw parallels between Chell and Caroline, both intelligent women ultimately betrayed by their seemingly innocuous male friends before being trapped in Aperture and forced to team up with one another in a way that will free both of them. We see that really, GLaDOS isn’t that different from Chell - she too has been imprisoned in this place against her will, but in a completely different way. Once again, the idea of two sides of the same coin applies here. 

I’ve written another meta about this before, but I also think the whole idea of repressing a part of your identity and hating it, before bonding with another woman and then realizing that it’s okay to be like her and to be on her side. It’s okay to be yourself and meeting her is what helps you discover this new part of yourself. Is kinda inherently gay. GLaDOS’ discovery of her own humanity just fits so well into a queer realization narrative, to me at least.

Then, Chell and GLaDOS escape Old Aperture and have to get through Wheatley’s tests. 

Here, GLaDOS isn’t just begrudgingly on Chell’s team. She’s actively helpful. She wants to help Chell solve tests, defends her from Wheatley’s insults, and makes jokes to lighten the mood. Things that can really only be explained by her caring about Chell, especially the part about the insults. See below.

After the two escape Wheatley’s testing track, right before the boss fight GLaDOS has a few other things to say.

GLaDOS is not going to betray Chell, because of some kind of conscience. But she could easily ignore that back in her body, and yet? Here she’s deciding not to, and for no good reason. She didn’t have to say that to Chell, but she did, because she cares and she wants Chell to live.

And then, moments before the fight:

The final lines imply that GLaDOS does not think of Chell as an enemy anymore, and that it doesn’t matter what Chell thinks because they are in this together and they are getting revenge together. It’s pretty heartwarming to be honest, to know that even in a fight that will almost certainly kill you, she is there rooting for you and caring about you, even if you don’t feel the same way about her. It no longer matters to GLaDOS whether you even reciprocate - you staying alive, you making it through is enough for her.

So Chell fights Wheatley and sends him into space, all well and good, and at this point, GLaDOS has the option to kill Chell. But not only does she not, she actively saves Chell, and holds her hand in the process. If you don’t believe me:

And not only that, but when Chell goes unconscious from her injuries, GLaDOS sits and waits for her to wake up. It’s also implied that GLaDOS carries her to the elevator, since it’s where she wakes up but not where she passed out. In the scene where Chell blacks out, you can also hear the part of Love As A Construct that sounds like Cara Mia. Yeah. Yeah.

If you think that this cannot possibly get any gayer, you are wrong again, because then GLaDOS makes her final speech. Which is really just a love confession, let’s be honest.

The “surge of emotion?” Do you mean love, GLaDOS? And the idea of GLaDOS considering Chell her best friend, despite everything these two have done to each other? The idea that GLaDOS, out of all people, forgives someone?

Except this isn’t even Chell’s final send-off. GLaDOS writes her an entire opera of turrets, that sing a literal love song. (Note what I said earlier about the use of the word “bambina”).

It really can’t get any more obvious than that. “My (affectionate romantic term here), my dear, I adore you.” How. Is. That. Heterosexual. In. Any. Way.

So Chell goes to the surface, set free by GLaDOS (think of the saying “if you love something, set it free), and you think that’s the end. Until GLaDOS gives you a companion cube so you aren’t alone on the journey, and from the burn marks, you know it’s your first companion cube. Her original heart, her first gift to you, a piece of her that she wants you to carry with you to remind you that she does care about you after everything. It also gives the lyrics to Still Alive a much more genuine meaning. 

Portal 2 ends, and then the ending song, another GLaDOS number plays. Just like Still Alive, Want You Gone is structurally a break up song and very obviously about GLaDOS missing Chell and “counting on” (read: caring about/loving) Chell’s tendencies and quirks. 

She’s accepted Chell completely, and yet also given Chell the one thing she wants most. Only wanting Chell gone can mean GLaDOS not wanting Chell in her life anymore, but can also mean she wants to give Chell the freedom she’s wanted for so, so long. It’s the best thing she can give.

In the co-op campaign, GLaDOS also references still caring about Chell.

And that’s the end of the Portal series. Except. Brace yourself. Despite the games being over, there is STILL more subtext somehow. It gets. Even gayer.

Exhibit C: Supplemental Evidence

Valve has made a lot of extra/cut content for the Portal series, and I’ll be looking at some of it below.

This official valentine from Valve shows GLaDOS offering a romantic partner cake, which as we’ve established before, is very symbolic of GLaDOS’ feelings about and/or relationship with Chell. 

There’s a lot of other concept art and official art that emphasizes their relationship too. See below.

There’s also some cut GLaDOS lines that are even gayer than the source material and again, sound like confessions or references to a breakup:

The idea of “discovering things about someone”... how much more obvious can it get?

The developers have even confirmed a lot of my commentary on Chell and GLaDOS’ relationship in The Final Hours Of Portal 2. See these quotes from the book/this post:

The devs literally describe it as a romance. They use terms like “cheating,” they wanted to write a romantic duet, JoCo purposefully wrote the endings like love songs. It is literally, blatantly said by the creators of the game that their relationship is interpreted romantically. By the creators of the game. 

And if Word of God confirmation isn’t enough for you, have a song written for a cut alternate ending by GLaDOS’ voice actress, Ellen McClain. The song is literally nothing but GLaDOS talking about caring about Chell, about not wanting her to die/leave GLaDOS alone, about wanting to bake a cake with Chell, about waiting for Chell to wake her up. It’s so genuinely sweet and sad, and really, really romantic in the most heartwrenching way possible. 

JoCo also came back for the Portal levels in Lego Dimensions, writing one final breakup song for GLaDOS to sing about Chell. It comes off as GLaDOS not wanting to admit she misses Chell even though she obviously does, trying to replace their relationship but failing, and even explicitly forgiving Chell/wanting her to come back.

Also, the “finally I understand,” as if only now GLaDOS understands just how deep her feelings for Chell are... What else can I say?

In Lego Dimensions, GLaDOS also outright rejects anyone who isn’t Chell.

In Conclusion:

Why do I ship Chell and GLaDOS? 

Well, ultimately, it doesn’t matter whether I ship them. 

Because I think it’s glaringly obvious Portal does.

[roonilwazlibimagines]

What are some of your scenarios to fall asleep to? 👀

Ahhhh I’m glad you asked !! Also please feel free to share some of yours they can be specific or vague idc I’m in desperate need

I will be going into heavy detail because I can’t help myself I’m sorry and I will put in both normal ones and Harry Potter ones

Also this is just like one big ramble I’m sorry I got too excited I literally turned into that Tik tok sound where it’s like ‘you’re asking me about my theories? I’ve waited years for someone to ask me about my theories’

Update - I think I’m just going to keep updating this as well when I think of new ones because I keep forgetting some

My most recent one is a royalty one where they’re like royalty but in their really prestigious and royal school they were academic rivals and did not get along and after school they like try to go their separate ways until a couple years later their parents force them into an arranged marriage for like the good of the country or whatever I don’t really care!! You can take it wherever you want from there but in case you were interested in mine he fell for her first and kinda gave up on the enemies thing pretty early on but she still made it clear he wasn’t her favourite person and she despised the situation and there is still constant teasing until she meets his sister or friend or whoever who says that they can’t believe how happy he is with them and she feels so bad because she thinks he deserves better and ends up being much meaner to him because she’s an idiot who can’t express her emotions and he gets angry at her because she’s being super mean after they were just starting to get along and they have a big argument and are forced to talk about their feelings and then I can never decide whether they actually like each other when they get married, I feel like either way is fun

I have a thing for royalty so my other one is literally just princess x stable boy and you can honestly take that wherever you want but I will tell you where I took it for some ✨inspiration✨ so I don’t have my drivers license and get really bad driving anxiety so I self projected and made her terrified of riding horses right (I’m so smart I know) and he is like trying to help her ride the horse and feel comfortable and like obviously they end up in love but I created drama because she sneaks out to his birthday party (!!) but his friends don’t like her because they just think she’ll be a snob but he obviously defends her but like it’s a perfect opportunity for a bit of an innocent princess as well

My personal favourite is the two co stars falling in love and like thinking about doing all those stupid interviews from like buzzfeed and all that and I personally love the trying foods from different places thing (like making them try fairy bread - because I’m from Australia and we aren’t that cultured and being mad when they don’t like it because it is my favourite food) and it’s great because i can make the guy any actor I am currently obsessed with 😭 but also like the red carpet opportunities and interviews and fan reactions and it’s very fun also this keeps my brain very busy because I like making it as realistic as possible and figuring out the actors timeline so I can match the story up with it, it’s always really intense, also if you want inspiration for what moving they’re staring in I always go for the live action version of tangled even if I don’t look anything like rapunzel

Another fun one is where one of them is in a band and you have a friend who is dating one of the other members but you don’t like the band and you’re not shy in letting the other members know that and it turns into an enemies to lovers thing but I haven’t really developed it because halfway through I ended up changing it with the fact that they befriend one of the members and like fall for them but the band member like ‘gets around’ and it makes them jealous until they drunkingly confess it made them jealous this one’s a bit of a mess and is tipping into a 2012 wattpad story but it was how I got back into my 5sos phase two years ago because I felt icky about them but I’m still a slut for Calum 😭

Another one I love is moving abroad to study or whatever (idk I just always need a reason to be in America/Uk because there’s no one here in australia) and you make friends with someone who turns out to be related to someone really famous (insert whoever you want) and you meet them and you think they’re the hottest person you’ve ever seen and you get drunk to gain confidence to talk to them and you’re like unashamedly flirting with them and they think it’s cute and you’re funny but the whole little plot twist is that you don’t know they’re famous (famous people love that, trust me, I have about 10 wattpad stories in my library that can prove this) !! And the don’t believe you don’t know they’re famous !! Anyways I took it in a sugar daddy direction but each to their own!

Specifically for Harry Potter though, you ask?

Currently I am obsessed with Regulus Black and for about the past two weeks I’ve been obsessed with the idea of James potter sibling x regulus black enemies to lovers story and then about a week ago I found an actually good wattpad story about it?!?! (I have recommended it here with warnings but I really encourage you to read it if you’re not a minor) but you can also do your own version because I am still doing my own version and will continue to do my own version tonight even if I am obsessed with the wattpad one !! Currently I am up to post Hogwarts and her and regulus are trying to defeat Voldemort and regulus tells her that Peter is going to betray James and so ofc she tells James but James is like ‘how to do you even know this??’ And he is so afraid and gets angry at her and it’s really dramatic and she tells him she’s dating regulus and then he gets super mad at her because she’s dating like one of the most well known and loyal death eaters (even if regulus is sneakily trying to destroy Voldemort) and because he didn’t tell her and it’s very dramatic

My favourite Sirius black idea is also a James potters sibling one, but I never have any good ideas for it and just end up self projecting so if anyone has any ideas, I am begging you, please tell me !!!

My other Sirius black one is one I’ve been working on for like the last 4 years of my life and I probably should write it but who knows, but basically it’s a 10 things I hate about you x Harry Potter story where reader is about a year or so older than the marauders and she is like Kat Stratford (for people who haven’t watched it the best way to describe her is just an angry early 2000s feminist who is like anti dating and fun (kinda)) but she is Lily Evans sister!! And so Lily gets fed up of James constantly asking her out and makes an offhand comment that she’ll date him when her sister goes on a date with someone and James is like really?!? And Lily is like ‘sure’ because she knows her sister will never date anyone at Hogwarts so James tells the marauders and Remus is like ‘if anyone can take her on a date, it’s Sirius’ and Sirius is like ‘no, I’m stupid but not that stupid’ and James is like ‘please I’ll pay you’ and Sirius is easily bribed so he tries to get her to go on a date with him and like she doesn’t until she does and then finds out he only did it because James paid him but then they fall in love? Basically just 10 things I hate about you lol

My next one is with Draco Malfoy and all it is is that reader comes from a pure blood family and they’ve known each other since they were babies and it’s like basically destined they get married but she gets like really upset when he gets the mark which makes for a good cuddling and crying scene and like idk people are probably more creative than me but I just like reimagining scenes from hp but with this new character so like Poa when she gets angry at him about buckbeak or the bathroom scene (maybe she duels Harry?) and she’s so upset about Draco and comforts him, or helping him in sixth year and comforting him or the quidditch scene in the fifth book (weird note, but I’ve always headcannoned that my original character finds out about dumbledores army but doesn’t say anything and like the da knows she knows but she doesn’t tell Draco or maybe Draco finds out and gets angry at her?)

My other one is another Draco malfoy one where James and Lily live and she’s Harry’s younger sister (and Voldemort isn’t a thing) but like there’s still stereotypes and beliefs and such and like it’s obviously enemies to lovers and maybe they get prefect duties together ? (I am a sucker for this trope in Harry Potter) but then when they do date they try to hide it but Harry finds out but doesn’t say anything until they get into a fight at home and he is like ‘well at least I’m not fucking Draco malfoy behind everyone’s back) (in my head they aren’t fucking because they’re still in Hogwarts but you get the idea) and James and Lily are just like ‘WHAT?!’ Like idk I just think it’s funny imagining James and Lily finding out their kid is dating Draco and Lucius and narcissus finding out Draco is dating a potter - so many possibilities!

Update 6.10.21

I also have one for Charlie Weasley !! And basically you’re friends with the twins and like you go your whole Hogwarts life with the biggest crush on Charlie but like he low key doesn’t even know who you are and you want to become a healer and then after Hogwarts there is a position in Romania and you take it because you know Charlie’s there and at first he is like hmmm I think I know you and you explain you’re friends with the twins and obviously he falls in love with you I also took it in a nsfw direction where it’s like major innocence kink because Charlie is just such a dom to me and he like teaches you everything but he makes sure you’re happy and safe and it’s not really like serious sex you’re both just having fun and he kinda introduces you to dom/sub dynamics but you can do whatever is most comfortable

[beelspillowpet]

A Lesson in Love - A “Character Analysis” on Asmodeus

I had to come for the tracks, wigs, and weaves of bitches when Pomade dropped because I saw people talking shit about my boy. This was a milestone “project” or “reward” I guess?

I hit 400 followers today while I was out running errands!!! Thank you guys SO SO MUCH for the love and support! I can’t WAIT to produce more content for everyone!!!

Below the cut there WILL BE talk of season 3, as well as some talk of chapter 16. There’s a healthy amount of theorizing on his personality as well, I hope you don’t mind! This came out more like a plea to get people to change their minds about how Asmo really is, rather than a comprehensive essay of sorts. So here we go!

There’s something we apparently still need to talk about in this fanbase. The unrealistic idea of Asmodeus being a sex freak, and an unreliable person in general despite there being little proof of it. We need to set a few things straight about Asmo moving forward.

December 25th rolled around and Asmo’s audio drama and song were released. I take it everyone enjoyed both parts, as well as I did. My timeline both on twitter and tumblr were filled with Asmodeus content, as well as the other brothers and such. But I mostly got Asmo content. However, in peeks and cracks, if I looked hard enough, I still saw people who absolutely loathed Asmo or who were indifferent to him. Keep in mind; I think it’s okay. You don’t have to like everyone.

I’ve only joined the fanbase in September, but even I could tell some of these takes were old fashioned. I downloaded the game on October 17th, a very important anniversary for me, while I 

was still in bed in the morning. I blazed through the entire story of season 1 and now I am stuck in season 2, specifically in Chapter 24. I obviously don’t have every card of Asmodeus with his Devilgrams, but I have been analyzing his character over the past few days for this.

So needless to say, I have a considerable amount of information on him, as well as personal thoughts that may help some learn to love him. Or at the very least, from spreading a negative idea of him around as if it were true. Enough that should help clear his name, so to speak.

Let’s look at his title; Avatar of Lust. Now naturally the thoughts that come to your head are sex and other sexual bits. So I can understand how some people would come to the conclusion that he’s just a sex freak. But if you look under the surface of his title, like I’m sure you’ve had to for your own personal favorites (*cough* Lucifer, Belphie, and Satan ESPECIALLY) you would discover that Asmodeus is more than just about sex. In fact, sex takes up very little of his pass time, if you were to believe it!

In recent chapters, as I’ve been told, Asmodeus doesn’t really get around much anyways:

Granted, this was said while in Celestia, but I imagine not much has changed for him since his fall, as well as his brothers.

Not really comfortable being with just anyone, huh…? Sounds like someone who doesn’t have sex so warily often as you’d think!

Being lustful can come in many shapes and forms. It can be merely in appearance, which Asmo is not afraid of doing. He’s very comfortable about skinship and it’s very apparent in how he dresses and acts that he wants you to adore his body. To worship it! Maybe not sexually, but aesthetically! Being lustful can mean just thinking about sex or sexual scenarios often, which if you take a peek at Asmo’s chat’s either with you or his brothers, is very apparent too.

Personally, I believe that people would assume he is not good in a relationship because he would have a “cheating problem”. I don’t think Asmo is a monster, just like I don’t think any of the brothers are monsters. They may be demons (technically fallen angels) now but they used to be angels too. Their falling out with their Father doesn’t mean they’ve completely abandoned morality, it was a rebellion for Lilith’s right to live. Not for them to sin as they pleased. For all we know they might have been fine in Heaven otherwise! (with the exception of Lucifer.)

A monster knows right from wrong and chooses evil anyways. An ignorant person doesn’t know right from wrong. Asmodeus is not a monster, nor is he ignorant.

When Asmo genuinely loves you, I think he would take steps to calm down that side of him, if it were to exist. Lust is fairly limited, but it is a part of love to some extent. LOVE is vastly different. Love has many languages, and they aren’t all spoken either. For me, personally, I found that Lucifer’s love language can be either very direct, or roundabout so as to not let it go to your head, for an example. Asmo is just far more direct about his care for you.

I feel as though Asmo gets a lot of crap constantly for his presumed nature and because we don’t get to see much else of him at first, especially in season 1, his impression on us sort of stays. With most of the fanbase either somewhat new to the game or somewhere lost in the sea of the difficulty curve that is season 2, we can only assume based on what we’ve seen, and what others have headcanoned about him.

Let’s break and talk about Satan for a moment; this is going somewhere.

I’m led to believe that Satan can control his sin fairly well. He’s easy to get irritated, sure, but he isn’t as much of a walking ball of rage as I suspected. I would argue that, aside from Leviathan, Satan can handle his sin the best out of the brothers. But again, we’re forgetting about Asmo. The Avatar of “Lust”. Like I’ve shown before, he doesn’t really sleep around a lot, according to anon.

At worst, Asmo being flirty is through text and he’s not actively trying to sleep with you. It can be interpreted that way, but for me personally, it comes down to having a friend that is very up close and in your personal space.

(I myself am one of these types of people. Having ADHD, my social cues are always sort of off, and I’ve struggled with coping with it for years. With my best friend, we have seen each other naked countless times and have slept in the same bed as well. We were never romantic with each other. We were just very comfortable being close and personal with each other.)

I’d like to point out also that Asmo isn’t even there for most of season 1 too. Which can give you the idea that maybe he just was out sleeping around a lot, but to me he probably just went out partying a lot. You don’t get known that fast for sleeping around. Maybe in 5,000 years, sure, but I’d imagine being a party boy, as his Devilgram “Guided by Desire” suggests.

So the idea that Asmo isn’t in the house a lot because he’s out having sex all the time isn’t true is it? He’s probably just out partying, which can LEAD to sex with someone sure, but again, Asmo doesn’t feel comfortable doing that, now does he?

I feel like of all the boys, Asmo is the one who radiates with everyone else the most. Most people will never realize how surreal it is that Asmo is faking it until he makes it. He doesn’t always think he’s beautiful, or that he’s worth all the love he’s striving and straining to get. Something that is extremely relatable for a lot of people with self-worth issues. Asmo is just like that, but instead being sarcastic and self-deprecating, he simply works to make himself look as beautiful as possible, so that in his eyes, his beauty matches the affection he gets.

Which is why, when he falls in love with you, it’s strange. You are constantly telling him he’s nice and pretty, but you aren’t lusting after him. You’re just being nice. It may just be me, but when people are overly nice just for the sake of being nice, I’m very attracted to that. That is Asmo, to some extent. The fact that he reflects the insecurities and habits of others so clearly may make others uncomfortable, but that brutal honesty veiled behind insecurity is what a lot of people with self-image issues deal with.

Now for me to share my favorite personal idea for Asmo that completely changed how I saw him in season 1 onwards; Asmodeus is an empath. Now let me explain:

First, what is an Empath?

The term empath comes from empathy, which is the ability to understand the experiences and feelings of others outside of your own perspective. Seems simple, right? Everyone can do this to some extent. However, what makes you an empath is the fact that empaths genuinely feel the same pain as you do. So much so your experience becomes a very personal part of their own. They are capable of being able to feel other people’s emotions without them speaking, or even showing signs of it through their body language.

This would explain, for me personally, why there’s so little of him in season 1. The intensity of what goes on in the house, his sensitive soft-spoken mannerisms, the only time he truly gets mad is when he’s childishly arguing with Mammon? Asmo is afraid of true conflict, he’s afraid of violence and negative emotions. Let’s face it; everyone is indifferent or hates you at the start of the game.

While this changes fairly quickly, all the intense feelings come to a head in chapter 16. All those negative emotions swirling around, of course Asmo isn’t going to want to be in the house when it’s that intense. The attic didn’t just disappear completely, too. Belphie was still in the attic hating humans. That negative emotion could be affecting Asmo and he didn’t know why, so he could have been out of the house more.

Where Asmo can feel the emotions of others, it may mostly be the negative ones because they fill him with anxiety and panic if it persists. Which can be helpful in making him so urgent to want to make others smile and feel better, right?

Imagine being intimate with Asmodeus, and suddenly you aren’t in the mood for it anymore but don’t want to make things awkward. He could pick up on it in an instant and wouldn’t get mad because he understands how you feel completely.

Now to close this out about something that genuinely hurts me; Asmodeus is a narcissist.

I mean, the wiki says that he is, but personally? No, no he isn’t. Since when is loving yourself a bad thing? Sure he may go a bit far sometimes, but people with self-image issues need to go a little harder than the rest to make sure they're getting the love they need.

(Talking about myself AGAIN, but I do this a lot. At random, I will look up in my own mirror in front of my desk that I sit in front of all day and tell myself I am a cute bitch. I am VERY VERY cute and anyone would be lucky to have someone as drop dead gorgeous as myself. I say that a few times a day. In reality, I am very insecure about my looks. I do believe I’m cute, but sometimes it’s hard to say it. Which is why I force myself. Why wouldn’t Asmo do the same?)

Talking yourself up to be as beautiful as a sex god is no easy task, but Asmo isn’t the Avatar of “Lust” for no reason. When an insecure girl talks up her beauty, it’s her being strong and independent. When Asmo does it, its narcissism… it doesn’t really seem fair, now does it? Maybe he’s just an insecure person who needs to tell himself ALL THE TIME that he’s beautiful. That if he stares at his reflection long enough, he may see it too.

(Also, Simeon literally calls him out on being insecure. Insecure people tend to try and overcompensate where they feel they’re lacking.)

”Asmodeus is hinted to be insecure and seeking for love and attention. When Simeon was asked about what he thought of Asmodeus, he says that Asmodeus is still trying to fulfill the role of the angel he used to be; an angel that was adored and loved by many. Asmodeus laughs at Simeon's remark and brushes it off by saying that he is only jealous.” - A section from said Asmodeus Wiki.

People can choose to love or hate Asmo, obviously. Making things up about his character without having anything but speculation and having that dictate how he acts is plain silly. This entire “essay” if you can call it that, comes from the heart. I love Asmo as a character, and in the beginning he did make me uncomfortable, I didn’t like him that much. But I learned to look past that and figure out why he acts the way he does. Something didn’t sit right with me about him for a while, and it was that air of insecurity that I didn’t see at first.

All I can really ask for, is giving Asmo another chance as a character. He’s not as wild and wacky as Mammon, or as cool and sexy as Lucifer, or as edgy and precious as Belphie, but he matters in this story too. He fell from grace with his brothers for Lilith. Give him another chance, and let him show you that he is the Avatar of Love.

[kinatalks]

Let’s talk about DiaLuci.

Look, this isn’t a judgement call. This is merely a flat out explanation and something that should be recognized. There will be a few S2-3 spoilers, but it’s mainly vague, not going into details.

Be aware: This covers sensitive topics regarding the ship, toxic behaviors, abusive relationships, and the angel event.

Firstly, if you support DiaLuci, good for you! I’m not here to shame someone for their ships. But this fandom has a habit of attacking others who aren’t so fond of this ship. Someone can like Diavolo, and not support Dialuci. You can support Lucifer, and not like Dialuci. Or hell, you could dislike either/or both characters and fucking love the ship! No matter which character or ship you like or dislike, you are completely valid.

But this is a post, about the issues with the ship that I personally see, and why it should be more outspoken.

Now lets get to the point of the subject, shall we?

I fairly like Diavolo. He’s charming, joyous, and someone who would be the star of a party. Someone cheerful and bright. However, the way that this fandom persecutes anyone who doesn’t like Diavolo or feels uncomfortable around him is not ok.

In my opinion, Diavolo has shown signs of immature and insensitive behavior. I.e. the way he treats others like toys. Yes, he cares about them, but often doesn’t consider their feelings in things he considers ‘mere pranks.’ This may be because Barbatos constantly assures him that the future will be fine, since Barbatos can manipulate and choose timelines.

He wants the best for the people around him, but doesn’t exactly take criticism or resistance to his advances kindly. “Well duh, he’s a ruler!” So? Yes, he’s a ruler, but that doesn’t mean he should be inconsiderate about others around him. The fact that he disregards others opinions unless it fits his agenda, is a sign of his childishness.

Which means, that over time, Diavolo doesn’t hold much regard to his actions, as Barbatos is always there to catch him. Now that doesn’t mean he constantly is reckless. When it comes to official Devildom matters, Diavolo is an apt ruler, who makes decisions for the Devildom’s best interests.

The problem is, no one has told Diavolo about his less than savory behavior. Because they fear him, and fear the punishments he could inflict upon them. So I can’t really say that he’s a completely bad character.

He wants Lucifer to be his equal, and acknowledge the fact that Diavolo sees him as an equal. Diavolo’s lonely, and it’s explicitly stated as so. He envies the closeness the brothers have. So, he goes about it in the only way he knows how. Which we’ll get to a bit later.

As for Lucifer, I can’t deny I’m quite fond of him. He does his best to overcome his pride for MC, and gradually (in S2-3), he becomes more open with his feelings. Yes, he’s a deeply flawed character, but he’s not a complete villain. The world simply isn’t as black and white as some would like it to be.

Yes, his relationship with some of his brothers is toxic. The way he treats Mammon at times is unacceptable, and possibly abusive in my opinion. The fact that he acts cold and distant to his brothers at times isn’t ok. But one thing I’ve seen others overlook, is that Lucifer is the Avatar of Pride. Does this excuse his actions? No. Does it explain some of his habits? Yes.

Don’t get me wrong, he still has a lot to work on. But he’s getting there, and actively trying to get better.

Now for the ship.

You do not need to like a ship, just because a character from that ship is constantly seen with the partner. Like I’ve said above, you can hate or love Diavolo or Lucifer, and dislike/like the ship.

As for the oath, I won’t delve too deep into this, as it would take essays upon essays worth of information. But we all know that, Diavolo had given Lucifer an ultimatum. Save Lilith, at the cost of Lucifer’s unquestionable loyalty.

Which as we’ve seen, Lucifer had agreed to the terms. And so, he is now Diavolo’s most trusted advisor, his right hand man.

Even though Diavolo says or implies that he sees Lucifer as an equal. He doesn’t always seem to show it. The power imbalance in between both characters is evident, throughout the plot of the story. If Lucifer denies Diavolo’s advances, Diavolo will continue. Why?

Well, you could argue that his behavior is due to him being royalty. Which is true, he’s royalty, and has never been told no. Barbatos has always been there, fixing his mess, so why would he need to worry?

Diavolo praises Lucifer, in a manner that is clearly uncomfortable to the latter. It’s evident that Lucifer despises being praised for his beauty, and just his looks. I’ve seen blogs see it as ‘just a joke’ or ‘being playful’. But time and time again, Lucifer has denied these advances, very obviously disliking the attention and focus on his looks.

But Diavolo continues, and in his defense, you could say, ‘because Lucifer doesn’t say that he’s uncomfortable!’. It’s very obvious that Lucifer isn’t an equal to Diavolo, no matter how much the latter insists he is. We’ve seen Diavolo brush off other’s discomfort at his actions, and we’ve seen him continue.

Diavolo is not evil. This is quite clear, even though he may be suspicious to some. However, his relationship tactics and methods of relationships have toxic, and quite possibly abusive effects.

For example. The angel event.

We all know, that the bangles controlled the 7 avatars, turning them all into angels. Their outfits, and minds, were taken over. The brothers, (excluding Satan.) had gone through traumatic events in these outfits, that’s for sure.

The celestial war, and losing Lilith, all were incredibly traumatizing events forever affecting their mindsets from that day forward. The bangles attempted to brain wash them, and we can see it when Satan states that he doesn’t feel like himself, that he felt calm.

But you might think, “But being calm is great! Isn’t that what he always wantd?’. Not quite.. All Satan had known before was wrath, and being calm completely took away an important part of him. Even though Satan had always resented his wrath, his sin, he had felt like a part of himself was miserable without it. He wasn’t himself, and felt as if he were being forced to be calm, something he loathes.

In all of the brothers, we can see that they are clearly distressed, and may come out of this situation traumatized. 

Lucifer is no exception. We saw how visibly upset he was, the fact that the snow-white wings on his back gave him a constant reminder of the war and Lilith, throughout the entire ordeal.

What was Diavolo doing this entire time? He was being provided entertainment, and reveled the sight before him. He enjoyed seeing the brothers in their angelic uniforms, where they had fought with tooth and nail for their sister, and who knows what else. He enjoyed the fact that the brothers were having angelic ideals forced inside their heads.

And when someone speaks up against him? He’s passive aggressive about it, until the person opposing him gives up, begs for forgiveness, or embarrasses themselves.

While criticism of any of the characters is deemed valid and peachy in this fandom. I haven’t seen any criticism of Diavolo that wasn’t met with backlash and intense hounding. Lucifer, Satan, Belphegor, have all been criticized, but has the majority really deemed those opinions as invalid? No. We can all see why those arguments are valid, and people have their own reasons.

Hell, we’ve all seen people Lucifer left and right. And you know what? They’re completely valid! Some people may have triggers/squicks in regards to his behavior, and it’s completely understandable.

But the moment someone criticized Diavolo, we see fighting and targeting. The person who speaks up gets pushed down and insulted, until they either give up, or agree. If you like Diavolo, good for you, you’re valid! If you don’t, you’re completely valid!

Now back to the ship. Apologies for getting off topic, but oftentimes, when Diavolo and Lucifer are mentioned separately, they’re roped together.

Abusive/toxic relationships aren’t always one where the abusive/toxic partner is an outright terrible person. Oftentimes, they come with charm, a dazzling smile, and friends that would fight tooth and nail for them.

Diavolo has Lucifer in an....uncomfortable position to say the least. In power dynamics, that is. Lucifer is constantly embarrassed publicly and privately by compliments, and Diavolo knows this. He’s demeaned by the oath, and as for work, Diavolo often adds to it, just for fun. I.e, leaving the Devildom to come to the human world, leaving his responsibilities behind.

“But he’s lonely!” Yes, and? He is lonely, yes, but there is a time and place for fun, and time and place for work. He is going to become a King, and if he puts all this responsibility and stress on Lucifer, it simply isn’t right.

They have their good moments, but that absolutely does not make up for the state of the relationship as a whole. Just because someone has their good moments, doesn’t mean you accept and forgive them. That’s like saying that someone who physically abuses their S/O, is a good partner because they occasionally make them dinner. It simply isn’t correct.

Majority of the time, Diavolo is fine with Lucifer being reduced to a pretty face and belittled. In public, which very clearly hurts Lucifer’s pride and reputation.

Many people can resonate with some of these behaviors, having seen them in their past.

So please. Tag your works as DiaLuci for others uncomfortable with it, stop attacking others who dislike the ship, and for fucks sake, enough with hating people who dislike a character and/or ship.

[shihalyfie]

Takeru’s character song “Focus”

I alluded to this in a prior post (and, to be a bit honest about it, was a little concerned about how it would be received), but I had some friends ask about what I meant about this, so I decided to go more into detail with it! This is also partially in light of the occasion of the Best Partner albums also becoming a topic of interest again, so it feels like a good time as ever!

02 was a pretty prolific time for merchandising and side material as far as the franchise goes, and one of the many things that came out of it was the “Best Partner” series of character song albums (a whole 36 songs for all 12 Adventure and 02 kids plus their partners!). Of these, Takeru’s song “Focus” has been a particular topic of interest for many in the fanbase to its suspiciously loaded language and the fact that, well...it comes off as a romantic song, which is very unusual in a series that infamously didn’t touch on the topic of romance very much in terms of the actual series. Speculation has constantly abounded on what it’s supposed to imply, why it’s written this way, and what it could possibly mean...

But if you look at it closely? It’s probably not meant to be romantic, and it most likely refers to Patamon.

One thing that I do need to point out is context. Many who have been cynical about the song’s alleged romantic implications have generally put forth the idea that the music department was technically separate from the anime staff, so it’s possible that the music staff wanted to bait or provoke fanservice without much connection from the anime production. It is, undoubtedly, true that the music department isn’t necessarily fully tied in with the anime department, and has been fully willing to indulge in questionably-canon silliness (while 02′s Christmas Fantasy is certainly in-character, its placement in actual canon timeline has to be finagled with because of what we know about 02′s actual Christmas, and Tamers’s Christmas Illusion is far more comedic than the series itself actually permits), and, exacerbating this further is the fact that Hikari has her own extremely romantically loaded song, Reflection, which is often submitted as evidence that Focus must be made in the same vein, but tends to omit the fact that the album it comes from (Girls Festival) needs to be taken with a very heavy grain of salt given that it’s a notorious fanservice album that deliberately plays up the “maiden-like” characteristics of all of the girls involved for the sake of, ah, a certain subsection of the audience. (It was also made in 2002, long after 02′s production had ended.)

The notable thing about the Best Partner albums is that all of the material on it is extremely in-character, and this is especially notable because the song lyrics are significantly more obviously relevant to each character in 02 and their relationship with their partner than even the original Adventure character songs were (with said Adventure character songs often toeing into rather vague glosses that are only tangentially relevant to each character, and Mimi’s song on there pretty blatantly being an AiM single shoved onto the album for the sake of being called a Mimi song). Moreover, Focus isn’t just written by some random lyricist they grabbed for it, but regular Digimon lyricist Yamada Hiroshi himself, who was very involved in the anime production in terms of writing 02′s inserts Break up! and Beat Hit!, and, considering everything this series is about, you’d imagine he’d probably have been given some kind of details about what to do with Takeru’s representative song. It would be quite strange if, for some reason, Takeru’s song were the only one to go really off the rails about shipping bait instead of being, well, actually about his character arc. 

I should emphasize that the fact that this song is so commonly read as romantic persists in Japan as well, so whether it was via mishap or not, undeniably, the way the lyrics are phrased definitely make the romantic reading a very reasonable one to pull. The language in the song is extremely “loaded”, and, if it weren’t for the unique circumstances I’m about to describe, most reasonable people can’t really be blamed for taking it this way. However, I will say that all of the most common English translations of various parts of the songs have tended to assume the romantic interpretation as well, and have thus followed up with it by definitively translating it in ways that make it near impossible to read otherwise. So what I’m saying here is that I don’t think it was unreasonable for people to have taken the romantic interpretation, and I don’t particularly intend to blame or criticize the translators who handled this song for also taking it this way, but I also want to make clear that this is not the only way to read the song, and that there’s a very high possibility that this wasn’t the case to begin with.

(Also, since I mentioned Yamada Hiroshi earlier: it’s actually not all that uncommon for him to use heavily-loaded language like this in songs he’s written for the series -- refer to Beat Hit! -- it’s just that people haven’t traditionally taken them as shipping because the context and identity of the songs’ topic matters were so obvious that there wasn’t much need to do speculation about it.)

Let’s take a look into all of the parts of the song that have been traditionally taken as romantic:

"We were together since we were little”

One thing that’s interesting about how this line is phrased in Japanese is that it doesn’t actually specify who was little. And, obviously, if you’re talking about a relationship between humans, you’d think that childhood friends would grow up together, so you’d default to “we”...but, actually, the Japanese text doesn’t rule out the possibility of reading this as “since I was little”. Which means that, yes, Patamon isn’t out of the ruling here -- because, indeed, they met when Takeru was young.

In fact, this actually is a line that arguably should rule out anyone else, especially including the most common speculated topic for this song, Hikari -- because he and Hikari weren’t actually that close during Adventure, and their time “together” was relatively short compared to the rest of the adventure. Remember that the Adventure kids weren’t very close to each other after the events of the series, and Hikari and Takeru didn’t keep close contact between Adventure and 02 -- contrast Patamon being close to Takeru during the entirety of the series, and, bar their periods of disconnect between Adventure and 02, you could say that he’s been the closest to Takeru since this time, especially since Yamato hadn’t been able to be as present for him as he’d wanted.

"Running, rolling around, and always laughing"

Again, this is a line that practically excludes nearly anyone else from consideration. Nobody ever did this with Takeru in Adventure but Patamon, especially since Takeru was trying to present himself as a well-behaved kid in the presence of his elders, and it’s entirely possible he wouldn’t have been willing to do this with anyone else but the outwardly childish Patamon. It definitely would not have been Hikari, who was arguably even more reserved than him during this time.

“It would have been better if I hadn’t realized”/“I have a lot of things I want to tell you, but I can’t really say it”/“I can’t ask that”

Sentiments like “I can’t admit it”, or difficulty with accepting one’s own feelings, is usually associated with developing romantic feelings for another person and being touchy about admitting them, but the thing is that this is intended to be a representative character song, and Takeru is actually abysmally bad at admitting anything in general. And yes, that includes not being able to be straightforward with Patamon himself about parsing his trauma over his death.

Takeru was never able to have a straightforward conversation with even Patamon about the whole issue, because of his nasty habit of never opening up about his problems and never being honest about them. That’s why Iori had to be the one to take matters into his own hands and go out of his way to understand Takeru, because Takeru sure as hell wasn’t going to be able to work through this on his own, or even with Patamon.

“I can’t get you off my mind”

This one’s actually a stock phrase in Japanese that can refer to “being interested” in someone (romantically), but can also refer to something just not really being able to leave your head in general (from being bothered by it, or being very worried). So yes, this could mean anything from a romantic fixation...to simply being constantly worried and concerned about one’s welfare.

“You were always crying”

As far as people around Takeru’s periphery who apparently cried a lot goes, there aren’t a lot! The description doesn’t seem to fit Hikari much, either (she had her moments, but it’s not the kind of thing you’d imagine this kind of extreme descriptor for). Hm, but there is someone who might fit that description...

Certainly, enough that Takeru would remember.

(By the way, Patamon gets sent on the verge of tears in the middle of his own solo song...)

"The door that I couldn't reach that day, no matter how far I stretched out"

Very important part here: that day. There was a very important “day” that seems to be on Takeru’s mind here. What’s repeatedly referred to in 02 as one of the most traumatic and impactful days of Takeru’s life?

Incidentally, Takeru and Patamon’s duet song for this album also just so happens to use “opening door” imagery...

“You’re now standing in the light”

That use of “light” is usually submitted as evidence that it’s referring to Hikari via a pun on her name, but, well, “light” does happen to just mean “light”, after all (and it’s used in many contexts that don’t necessarily have to refer to Hikari in 02 itself). And, well...

Pretty apt description there, no?

"We were always being protected"

It could refer to Hikari, or anyone else Takeru was with during Adventure, but remember that Patamon was always the slowest to evolve (especially given the many circumstances that happened with him in Adventure that kept him unable to actively join the fight effectively for a very, very long time), and Takeru himself also had a pretty nasty complex about holding everyone back.

So, in conclusion...

Despite how loaded the language is, in the end, it’s probably meant to be a song about Takeru handling his trauma regarding Patamon very poorly at the time of 02. Which is, well, what his character arc in 02 was about, so it tracks, doesn’t it?

Bear in mind that, again, this is basically “one readable interpretation of it”, which I also personally happen to back very strongly because I think the evidence simply tracks too much given context -- the details described in the song rule out almost every other candidate that would be relevant to Takeru’s character arc, also happen to describe the events of Adventure too well, and certainly would track much better with everything else in this particular album series mostly being relevant to everyone’s character as reflected in 02. Song lyrics are song lyrics, and interpretation might be in the eyes of the beholder...but, you know, food for thought.

[winterhawk-olympic-bang]

How To Edit Your Writing

Guest Poster: Chronicwhimsy

Here is our final Writer Workshop post, written by Chronicwhimsy. Have a read and then head over to the Discord Server where we have a channel for you to take part in a discussion based on the post, with chances to share your own ideas too.

Editing: a drive-by guide

Hi, my name is Claire, and I’m an editor.

(Hi Claire)

I’ve been asked to give a quick guide on tips for editing your stories, as I’ve been a beta/editor for various fanfic writers over the years. I’m a professional editor, working for a publishing house in the UK, and I offer independent freelance editing too, via my website. I’ll be on the Discord server answering questions this evening, but I’m also happy to chat to people either through my website or even if you wanted to drop me a line on tumblr.

The key thing to remember about editing is that the end goal is to make your story the best it can be, and make sure your initial idea comes across as clearly and purely as you first imagined it. It’s about ensuring that the lines of communication between you and your reader are 100% open.

To do that, you need to have finished your story, because you can’t fix something that doesn’t exist.

Then you edit.

What now?

So, you’ve finished your Winterhawk Olympic Bang Fic, and you’re wondering what to do next?

The very first, and most important thing you should do? Celebrate. I mean congratulate the hell out of yourself, pat yourself on the back, and have some cake. Finishing stories is hard. Getting through a first draft is one of the trickiest parts of writing, so you should be proud of yourself, and proud of your story.

Because in a short while, editing is going to make you hate both.

I mean that in the nicest possible way of course, but you absolutely are going to be thoroughly sick of this whole thing by the time you’re done, and you’re going to question everything you’ve ever written. You’re going to get a close-up view of all your narrative bad habits which will make you think you’ve never had any skill at all, and you’re going to re-read your work so many times that it’ll feel trite, old, uninspired. This is normal and it is your brain lying to you. If you remember nothing else, remember that!

“The writing itself is no big deal. The editing, and even more than that, the self-doubt, is excruciatingly impossible.” Jonathan Safran Foer

Don’t lose faith! Editors and editing exist for a reason, no first draft is perfect. You’ve done something amazing in finishing, and now you’re going to make it incredible.

Before You Start - Take a Break

You know the phrase “can’t see the wood for the trees”? It could just as easily be “can’t see the story for the words.” It’s never recommended to go straight into editing as soon as you finish writing, and part of the reason for that is because you’re too deep in the story to be able to assess it objectively, or to catch things that are missed out because you know they’re there, but the reader wouldn’t.

“Once it's done, put it away until you can read it with new eyes. When you're ready, pick it up and read it, as if you've never read it before.” Neil Gaiman

Most writers and editors advocate putting a story away for a month or so before returning to edit, so you’re looking at it with fresh eyes. Obviously, with a Big Bang (or other fic event) this sort of time is usually at a premium! Try and make as much space as you can while still leaving yourself time to edit.

If you really don’t have any time, one trick that can help is changing your location. If you write in your room, can you relocate to your kitchen? Or a café (if you can safely)? Could you print it out? (Printing Top Tip: if you do print it, try and do it double-spaced - this makes it easier on the eyes, and gives you room to make notes. Also, serif fonts can often be easier to read than sans serif fonts, as it gives stronger distinctions between different letters.)

The Filter System

I like to think of the editing process as a series of different filters which, when used one after the other, produce a finely-sieved finished product. Each filter stage has slightly smaller holes than the one before it, as you look increasingly closely at your work.

Filter 1: Structural editing

Does the story make sense? Is the pace okay? Do all the scenes work where they are, or would they be better elsewhere? Do some scenes need to be there at all? Is the characterisation consistent? Does anyone change names halfway through? Did you forget what time of year it was set halfway through?

Filter 2: Line editing

Is this phrase as tight as it could be? Have you repeated yourself anywhere? Does this sentence add anything or does it throw the pace off? Have you gone overboard with adjectives and similes? Have you been too sparse with them?

Filter 3: Copy editing

Is your style consistent? Did you start writing in present tense and switch to past tense? Could this scene transition be snappier? Are there any bits that you want to tidy up? Have you left any half-finished sentences because you got distracted before you could end it?

Filter 4: Proofreading

Is everything spelled correctly? Have you caught all the strange grammar mistakes?

Some of these things might be picked up by your beta reader if you have one. Different beta readers have different styles, and also they will work based on their relationship with you and what you prefer. Some may stick to proofreading and consistency-checking, others may be more confident to dive right in and look at structure, pacing and characterisation. Some may work through the process with you as you write, others may only look at the story when it’s complete so they can get a full overview. There is no right or wrong answer, and having a conversation with your beta about your respective styles at the start can help you work better together!

Filter 1 - Structural Editing

For this stage, you want to read your whole story through from start to finish, and resist the urge to tweak anything to begin with! You will want a way of making notes as you go through because as you do, you’ll make yourself a cheat-sheet to help you with your line edit. Things to keep track of:

Character name spellings

Character ages

Character relationships (drawing a relationship web can be very helpful to visualise this!)

The time span of the story - the date it starts, the date it ends.

As a subset of this, I find it can be very helpful to set up a spreadsheet with a timeline of what happens in the story, and who is involved. Doing this both chronologically for the characters and in order of how it happens in the story can help you keep track of what characters know when, and also when the readers find out certain information. You might have one of these from when you were planning your story (as detailed in Sara Holmes’ workshop). If you’ve kept it up to date with changes to the plot and structure as you’ve written, this will be super helpful.

At this stage, you’re looking to see if everything works as a consistent story. You want to check to see if it feels like it’s the right pace, or if there are bits where it drags or rushes through the action. Why is this? Are there scenes which aren’t adding anything to the progress? Could they just be referred to in passing, or removed entirely without impacting the story? Are there other scenes which need to be added to provide more detail and growth? Is there anything that you as a writer know that is essential to the story, but you forgot to actually put in the text?

“Crafty writers...don't allow Exposition to form Lumps. They break up the information, grind it fine, and make it into bricks to build the story with.” Ursula K. Le Guin

You’re also looking to see if the characters feel true to themselves all the way through. Do the relationships spark? Do they sound like themselves? Can you hear them in your head?

Some people recommend doing several structural edits, with a different focus each time. One pass to look at the pacing, one pass to look at the characters, one to look at the story arc. You’ll work out what floats your boat, but you will be re-reading this story a lot of times before you’re done editing - which is why it’s very important to write what you love and want to read! You’ll go through many stages of hating this story before you let it go, and that will be even harder if it wasn’t something you enjoyed in the first place.

Filter 2 - Line Editing

So you remember I told you to make all those notes during your structural edit? Here’s where you’re going to use them. Now’s the time to go through your story line by line and check that the details in your cheat sheet are correct all the way through the story. I’ve written a novel that I initially set in November, but by the time I finished it, I’d decided it was taking place in early May. I had to go back and fix all the dates and weather descriptions to make sure the action hadn’t actually been yeeted forward six months spontaneously in the middle of a conversation.

Arguably, the line edit will be the most painful part of editing. At this stage, you will be taking a fine-tooth comb to everything you have written, examining it to within an inch of its life, and casting judgement. You’re going to find every stylistic tic you have (for me, everyone is constantly quirking their eyebrows and smirking like they’ve got cramp in their facial muscles), and you’re going to get rid of them (a person only has so many eyebrows, and they can only quirk so far). Now is the time to kill your darlings - don’t hang on to anything unless you feel it’s really doing a job to further the story and the characters.

“Kill your darlings, kill your darlings, even when it breaks your egocentric little scribbler's heart, kill your darlings.” Stephen King

If you have ever worried about the unbearable sensation of being Known, the line edit is where you will experience that with every word, and you’ll be doing it to yourself. This is when the doubts will really start to creep in and you will maybe feel like everything you write is unoriginal, derivative trash and unfit for human eyes.

Here I’ll reiterate what I said above:

This is a normal feeling, everyone experiences it when editing. E V E R Y O N E.

It’s a lie. No-one else will ever read your story in this state, no-one else will ever read your story this closely. Of course it feels obvious and uninspired to you - you wrote it. It’s your idea, and you’ve read it several times, it holds no surprises for you. (I may be projecting my feelings from every time I’ve edited something here, but…)

You’ll also be catching any ELEPHANTS or whatever your mammal of choice for placeholder text is that you’ve stationed throughout the story as a flag for you to come back and add in a name, or a food, or a song title later. You know, the things you decided were a problem for Future!You. I have bad news, the future is now.

Top Tip: if you have changed someone’s name halfway through, DON’T for the love of Mike, just do a straight find and replace to correct it. Because that’s when you suddenly find out how many other words actually contain names (Mark became Bill? That’s great, until your characters are going to the superBillet to buy groceries). Some word processing programmes have a “whole word” option which is your friend, otherwise ensure to put spaces either side of the word when you search. If you don’t, you’ve just made another horrible job for yourself...

Filter 3 - Copy Editing

Once you’ve made it out the other side of the Line Edit (and given yourself a nice treat to congratulate yourself because that stage is HARD), we get onto copy editing. This is basically the set-dressing stage. You’ve built the house, you’ve decorated the room, and now you’re just making sure every bit of furniture is in the right place for optimal feng shui.

Here’s where you go through and go, do I really need a dash here, or could I just use a comma? Could I use fewer commas? Could I go in and move all of @kangofu_cb’s commas around because I’m the sort of person who will come into your house and change how you hang your toilet paper or where you keep your ketchup.

Now is the time to be as picky as possible, like you’re an interior designer for the most demanding client in the world and the ornament must be exactly equidistant from both ends of the mantlepiece and facing precisely south-west. Things that may have just survived your line edit will be measured again, and if they’re found wanting, then they get binned.

“Substitute ‘damn’ every time you’re inclined to write ‘very’; your editor will delete it and the writing will be just as it should be.” Mark Twain

Another thing you might like to do here is check that all your features and things are correct. Did you make a wild claim about the lifecycle of salamanders, or the average price of corn and then never go back to verify this? Take a second to just do that now. It may be that you decide it’s not a problem (I received one copy edit note saying that an idiom used in a book wasn’t recorded until 200 years later, and I made the editorial decision that no-one would care), but for bigger things you may want to make sure you’re accurate.

If you google it (as I just did, to make sure I was definitely giving you the right information), copy editing is often conflated with line editing, and that’s because in reality a lot of the elements of copy editing actually wouldn’t usually be done by the author, and are probably irrelevant to fanfic. The copy editor is responsible for ensuring the book has a consistent grammatical style in line with the preferences of the publisher (em-dash or en-dash, curly quote marks or straight ones, how you deal with acronyms, what needs to be italicised, etc. etc.), which isn’t necessarily required for fanfic. In reality, for fanfic I’d use this stage as a second, lighter line-edit to see where things can be tightened up in phrasing, as well as perhaps a preliminary proofread where you start to mark up any spelling errors.

Filter 4 - Proofreading

By this stage, you’ll be exhausted, and sick to death of the blasted thing. But the end is in sight! Now you’re onto the proofread. This is another close read, where you go through and check for spelling errors, typos, missing full stops, strange formatting stuff (which probably will be less of an issue as AO3 basically makes everything uniform anyway).

Before you even start this, change your font.

We’ve all been there, thought we’d caught every spelling error, every weird typo, only to spot six immediately after posting. That’s because after a certain point our brain becomes used to the font we’ve written in, and will automatically correct things that aren’t right. AO3 has its own unique formatting - colour, spacing, font - and the minute your fic appears on there in this new format you brain wakes up and is like “oh shit, yeah, that’s not how it should be.”

By changing the font before you proofread, you preempt this step.

Another thing to remember: it’s unlikely you will ever catch every mistake. Published books regularly go out with a smattering of typographical errors throughout the text - how many first editions of books are valuable because of misspellings that slipped through the net? You’re only human.

“Connie's other job was proof-editing which she did very badly. Transferring the author's corrections to a clean sheet of proofs was something Connie was unable to do without missing an average of three corrections a page, or transcribing newly inserted material all wrong... she put angry authors' letters about the mutilation of their books under the cushion of her chair to deal with later.” Muriel Spark, A Far Cry from Kensington

Often, spelling errors and things you would look for in a proofread are things that a beta reader will pick up as they go, as they’re the easiest things to spot, but it’s also worth looking over yourself for anything your beta might have missed.

Whether you decide to follow any or all of these steps, always do the proofread last.There is no point carefully spellchecking a chapter you are then going to delete, or proofreading the whole thing, but adding loads of new paragraphs later that either don’t get looked at or mean you end up having to proofread twice. That’s the only hard and fast rule when it comes to editing, and it will save you a lot of unnecessary work!

FREEDOM

And then, finally, unbelievably - you’re done. Your literary child is ready to leave the nest. Resist the urge to keep re-reading and tweaking. Instead, click “publish” and give yourself a nice little treat. You’ve earned it.

Miscellany and Disclaimers

These editing stages are ones that would be applied to a published novel. An author would probably do this several times - once on their own to get it ready for submission, then perhaps again with their agent, but the really heavy work would be done with their editor. The structural edit would be done under the advice of an agent or editor where the author looks at their comments, rejigs things accordingly, and lather, rinse, repeat until everyone’s happy. The editor would undertake the line edit, and the author would decide what they wanted to keep or change. The copy edit and proofread would be done in-house or sent to freelancers, with queries and changes wafted past the author for clarification or approval.

Self-published authors will often hire freelancers to help at various stages to get feedback and advice.

Very rarely would an author go from draft to final published piece by doing all their editing alone. Because it’s hard fucking work, and because your brain will get exhausted.

In light of that, you need to remember:

You’ve written a fanfic

The editorial standards of fanfic are significantly less stringent than published books

Editing by yourself is really hard work that many people are often paid to do for published books

No-one is paying you for your fanfic

Fanfic is supposed to be fun

Some published authors will edit and rewrite and edit and rewrite again and again. At a panel I attended, Joanne Harris said that if she didn’t rewrite her work at least five times she was being too easy on herself, while Joe Hill said he usually aimed for three rewrites - Joe edited as he went along, going over the previous day’s pages before continuing, where Joanne completed her manuscripts before editing. Elizabeth May has talked about her stages of drafting, starting with her Trash Draft, then her Clean Draft, and then rewriting and editing after that.

These are people who are writing professionally, getting paid for their work, and so the time they put in has monetary results. If you want to write original fiction, their advice is extremely valuable.

For fanfiction, it’s a large time investment for something you’re doing as a hobby for free. If I’m strictly honest, I’m fairly lax with my fanfiction editing. I do structural discussions and tweaks with my beta reader as I write, and then a spell check. I’m also aware that my fanfics aren’t narratively complex, nor do they seem as polished, rich and deep as some of the other works out there. That’s fine by me. You simply need to find the level you’re happy at, where you can still feel proud of your work but you’re enjoying the experience.

In the end - it’s all for fun!

Resources:

Online

Curtis Brown Creative: An Editor’s Guide to Editing Your Novel

Joanne Harris: Ten Tweets About Editing

Joanne Harris: Writing Resources

NerdsLikeMe: Beta Reading vs Proofreading vs Editing

Books

Stephen King - On Writing: A Memoir of the Craft

Ursula K. Le Guin - Steering the Craft: Exercises and Discussions on Story Writing for the Lone Navigator or the Mutinous Crew

[comradesummers]

Top 5 books or anything I should read

Hi, thanks for asking!

I’m an English major, so I can’t remember the last time I read a book that wasn’t for class. But I’ll try to recall what it was like to read books solely for pleasure. Also, I’m not going to be ranking the books because I don’t want to and I’m going to have 6 books instead of 5 because I feel like it. (Fair warning: I could write a lengthy content warning for every single one of these books, so if you’re worried about that sort of thing, I do recommend you look them up before you read them. You’re also welcome to ask me about it.)

Catch 22 by Joseph Heller

So this book was extremely written by a white guy in the 60′s. It’s the kind of novel that galaxy brain dudebros are constantly recommending to their girlfriends. But given that I put a David Foster Wallace book on this list, I might just have to accept that I’m a galaxy brain dudebro at heart.

Anyway, this novel is a brilliant deconstruction of the absurdity and tragedy of war and capitalism. It’s hilarious, clever and heartbreaking. I think a lot of authors do the non-chronological timelilne thing just to seem more interesting than they actually are, but in Catch-22, the non-linear timeline is used perfectly. The narrative works on an emotional level (even if it’s a bit confusing on the linear level) so that a lot of plot points that are initially presented as funny and absurd become such emotional gut punches later. For a book that’s known for being so clever and above it all, it is also unabashedly emotional and Heller truly cares about his characters in a way that very few satirists do. It’s a book that will make you laugh and cry and care a whole lot more than you were expecting to.

The Ocean at the End of the Lane by Neil Gaiman

So this is kind of a weird one for me. It’s really short, more like a novella than a novel, which isn’t usually my thing. Also, the characters aren’t really characters, they’re archetypes (which is done on purpose, because that’s how a lot of short stories work, but I know that’s a turn-off for some people). I’m also not a huge horror fan and this is one of Gaiman’s more horror-y outings. So why do I love it so much? Well, it’s basically Childhood Trauma, the book, and it does that really really well. Like, through it’s archetypes and its horror tropes and its general use of shorthand, it captures this really specific atmosphere of nostalgia and fear. It’s like one short but perfectly constructed dose of pain and catharsis and it achieves that through restraint. It’s a brilliant little piece and I love it a whole lot.

Beloved by Toni Morrison

So, if it’s not clear by now, I love me some good emotional storytelling and there’s no genre more beholden to emotion than the gothic novel. And, with all due respect (and love) to the Bronte sisters, Beloved is the best gothic novel of all time. I’m honestly struggling to explain why it’s so good. Partially because everyone already knows its good. I mean, it’s a classic for a reason. But partially because talking about this book and its contents is really difficult. This is the saddest book I’ve ever read. There’s no other book that destroyed me quite as much as this one. I’ll probably never reread it because it was so hard to get through the first time. Morrison’s prose truly takes you to the depths of the pain of her characters. It presents the horrors of slavery mostly through the trauma of the aftermath and it does so with such care and brilliance. This book is truly a masterpiece and if anything on this list is required reading, especially for my fellow clueless white people, it’s this one.

Brief Interviews With Hideous Men by David Foster Wallace

I was considering leaving this one off the list, just because I was embarassed to admit that I’m the kind of person who likes David Foster Wallace. I mean, I might as well start vaping and mansplaining while I’m at it. But I decided to be honest instead, so here we are.

Anyway, I was never able to get through DFW’s headier stuff. Like I really did try to read Infinite Jest, but I could not get through it. But Brief Interviews is a short story collection, which is great, because if DFW gets too far up his own ass in one of the stories, you can just skip to another one. And to be honest, I do think there are some shitty stories in this one (wtf is that Tri-Stan shit David?). But the ones that work? Holy shit do they work. I’m not even remotely kidding when I say that The Depressed Person is what finally convinced me to go to therapy. Like I read it and I realized that if I related to the character that much, I really did need help. It’s such a good story and if you don’t want to read the whole book, at least read that one. Personally, I think it’s the best thing DFW has ever written. And the interviews themselves are almost as brilliant. Like, I know that DFW is most well known for his post-modern experimental style and his weird obsession with tennis, but honestly, I think he’s at his best when he writes character studies. He’s really good at creating uniquely shitty human beings and then truly getting to the core of why they are that way. And Brief Interviews is the crowning achievement of that.

Go Tell It on the Mountain by James Baldwin

So James Baldwin is a genius, obviously, and there are plently of novels of his I could have chosen for this list. I went with this one because I love books that follow multiple generations of one family, and this book is easily the best version of that that I’ve ever read. It’s a novel about the cycle of abuse, religion, racism, segregation, poverty, police brutality, coming-of-age and sexuality. And even though the book is pretty short, it covers all of these themes brilliantly and thoughtfully and with such love and care. It’s also semi-autobiographical, which is probably why it feels so personal and gut-wrenching. Objectively, it’s probably the best book on this list. It truly is a masterpiece from beginning to end. Also, no offense to Umberto Eco, but it has the best religion based hallucination/vision from God (depending on how you choose to read the scene) scene in any book ever.

The Amazing Adventures of Kavalier and Clay by Michael Chabon

So I know I said I wouldn’t rank anything, but this is probably my favorite book ever. The best way I can think to convey my love for it is to tell you that I’ve associated it with an unrelated song (The Only Living Boy in New York) and there are few things I care about more in the world than making sure that that song will be used in one particular scene in the inevitable TV adaptation, even though I know that’s never going to happen because it would be a completely anachronistic song choice.

It’s hard for me to describe why I love this book so much. Part of it comes down to a really specific personal connection. My grandpa, like Joe, escaped the Holocaust and went to New York and had a really close relationship with a distant cousin of his because the Nazis had killed most of his extended family. So yeah, as a Jew, this book hits pretty hard. But also, as is probably pretty apparent by now, I love pretentious prose that uses way too many big words. I also love emotional and thematic stortytelling and oh boy does this book have that in spades. And the character work is so gorgeous and I care about these people’s relationships so much and the comic book sequences recapture the feeling of golden age comic books so perfectly and god I love it so fucking much.

[incoherentbabblings]

can i get a long post about why tim/steph worked out when tim/ari, tim/zo and tim/cassie didn't?

To be honest, I really struggled with this one because...well, so here’s the thing. Tim and Steph didn’t work out. That is, if you are saying 2011 is the end of that timeline with those specific iterations of those characters, Tim and Stephanie as a couple failed. Fairly spectacularly really. Like, you can make an argument that people died because of it even. Twice if you count the very end of Robin with all the crap with Ulysses. 

There are things which they got right that the others didn’t, sure. And you can say Convergence was the genuine last time we saw those iterations of those characters, in which case, yes, they got there in the end. And though I would like to think that the two would have reunited in the end, their respective solo runs do not end with them as a couple. Tim doesn’t even really get a mention in Steph’s final issue, and vice versa. Like, they focus on the main thematic points of their series - Tim and his relationship with his fathers, Stephanie and justifying her existence as a vigilante. Don’t get me wrong they matter deeply to each other and they probably do still love each other...they just have more important things on their mind when the other is not in the room.

But even so, between 2004 and 2015 (or 2016 if you count Rebirth instead of Convergence), Tim and Stephanie were not a couple. And one of the reason they failed was the same as for Arianna, Zoanne, Tam etc., didn’t work out. (Cassie is kind of it’s own ballpark). Tim could not keep his girlfriends in the loop. Either as Robin or as Tim Drake. There are other things that made them flatline, and I think at the end of the day what made Tim’s relationship with Steph fail was a little different, but that’s the jist. For the long and short of it:

Ari/Zo: Largely Tim’s fault. Too secretive about Robin.

Tam: Entirely Tim’s fault. Too secretive about both Tim and Red Robin.

Steph: Equally at fault. She trusted Bruce over Tim. Tim didn’t trust her enough period.

Cassie: Equally at fault. Grief is not a good reason for a rebound.

Lynx: Boy was just horny.

So, for Ariana, it was genuinely just because they were too young. They were fourteen when they split up. Ariana said it was because they were getting too serious at too young an age; Tim because he was tired of lying to her about Robin and also the will they/won’t they of Tim and Steph had been rolling on for fifty plus issues and Steph was just a more interesting character than Ari and was the preferred option by the readers so hey. There you go. End of. Tim cheated on her with Steph repeatedly, emotionally and smooching. Ari cheated because she felt ignored and left behind by Tim. He fell asleep in the car as she was telling him. Also Ari was insecure, because she was fourteen and every fourteen year old is insecure, so she did things like dye her hair (because Tim was staring at Steph at funeral not because he was gobsmacked by her beauty or anything it was less of a ‘holy shit she’s so pretty and blond’ and more of a ‘holy shit if she sees me my secret identity is blown’) or try to keep Tim’s attention on her by sleeping together. Which, again, they were fourteen. So in many ways, she was right in her reasoning. There was a lot going on there for people barely starting adolescence, but Tim’s general emotional and physical absence made their problems seem huge and overwhelming, when really, it was just because they were fourteen. Everything is such a big deal when you’re fourteen.

It’s kind of a similar thing with Zo. Now, I don’t know if it was intentional, but it’s sometimes said that your next partner after a big breakup is often the complete opposite of your previous. Zo comes from a nice middle class background with parents who are still together and are very loving. She is very school orientated and in fact tutored Tim. She is also (bless her) very boring. Which is arguably what Tim wanted. He’s still trying to convince himself that there’s a Tim Drake life worth living. However, same issues as Ari arise. Emotional and physical absence. Only this time it’s both the pressure or Robin plus the lovely trauma of dead family and friends. He can’t keep up with Tim Drake anymore. He falls asleep on a rollercoaster and can’t tell Zo why. He cheats on her with Steph (again emotionally and smooching). He breaks up with her over the phone. He kinda gets a bit grabby and manhandle-ly at points, physically lifting and carting her around when they are having an argument and she does not want to listen. Tim is... not good to Zo. At all. 

Ari and Zo fail as relationships because they only know Tim Drake, except who Tim Drake is... is Robin. So they aren’t really in a relationship with Tim as a whole, so inevitably they both crumble.

The reason Cassie didn’t work out was just because they were out of their minds with grief. The cult arc and the cloning was bad. Like it was just a bad storyline. Rebounds like that (which timeline wise was occurring at the same time Tim was taking an interest in Zo) were bound to fail. Cassie deserves better!!!!!!!!!! Stupid goddamn writers.

Tam is tricky. Because she, like Steph, actually gets the privilege of knowing about Tim and Red Robin. She does it ‘backwards’, so her issue is having the realisation that yeah Red Robin is really cool but Tim Drake is a mess. And he still lies to her. There’s a few times where she has moments of realisation of how messed up Tim Drake is by the time she meets him. Her leaving is explicitly because that cool person who saved her from the LoA is also the kind of person to lie and throw people under the bus if it serves the greater good (what Tim thinks is the greater good). And she wants no part in that. It’s emotionally taxing to say the least. Also Tim cheats on her with Lynx. Constantly. And Steph, less constantly. He deserved that slap to be honest.

So we’re left with Steph. Steph also does things backwards, meeting Robin first. However, she gets moments with Tim (kind of) before she knows who Tim actually is. So she gets to go to the cinema with him. She gets her birthing classes with him. She gets the evenings sat at her kitchen table chatting about school. She gets him before the absolute shit show that was 2004/5 for Tim Drake. She is more patient than the other girls, either owing to a general lack of self esteem (hence being more willing to put up with long unexplained absences' than the others) or just by nature. At the same time she’s also more likely to tell Tim to belt up when he’s being mopey or secretive or whatever. Tim to be fair makes it pretty clear the ground rules of the relationship - she can’t be in all aspects of his life. Managing expectations and all that.

This fails. Obviously. Bruce is Bruce and uses Stephanie repeatedly to manipulate Tim. And she trusts Bruce. Repeatedly. For reasons. Bad writing. Low self esteem. Desire for approval making her throw out common sense. 

But, here’s why maybe Tim and Steph would one day work again. It’s a minor thing I know, but Tim falls asleep on his girlfriends a lot, as I have shown above. What is Steph’s reaction when he does so?

Sweet dreams then, honey...

She knows him. So she is able to put the pieces together. Zo and Ari were not given that opportunity, so it could be said they couldn’t ever love Tim because they didn’t know him. Tam didn’t even like who Tim was when they broke up. Cassie never really stopped loving Conner. Steph pretty much consistently remained in love with Tim, and vice versa, even after their relationship imploded. It’s a lot easier to forgive your significant other for things like falling asleep over the phone when you know there’s a high chance they were probably out all last night working a case you know? 

Stephanie had the sheer determination (stupidity) to stay around Tim until brick by brick (hoho) she was allowed behind those walls into all aspects of his life (unlike Zo and Ari), and she loved all aspects of Tim, regardless of how... disagreeable those aspects or actions were (Tam).

Flipping over to Tim’s feelings towards the girls... Steph won over Ari because he enjoyed sharing his night life with someone who understood. She was wittier, sharper, and less insecure than Ari. Steph won over Zo because of the omg you’re not dead factor and by this point she was a presence in both Tim and Robin’s lives so was just around him more often. And again, bless her, Zo was kinda dull, especially in comparison to Steph.

Steph didn’t win over Cassie or Tam as such but Tim did make a move on her whilst dating Tam. The problems that had ruined their relationship at the end of the Robin run had been proven moot after she’d shown how much she’d matured. So it’s possible in Tim’s mind, just for that split second on the roof, he thought things could go back to the way they were. Only for Steph to remind him that one of the reasons she had grown so much was because of his absence. And then he had the lovely reminder that Tam existed via engagement announcement.

Finally Lynx... well. He just wanted to bonk there to be honest. Which is fine. If he wasn’t seeing Tam at the same time. 

#TimDrakeStopCheatingOnYourCivilianGirlfriendsChallenge

[ma-lark-ey]

~ Glenn dissection ~

this is genuinely not a post to start some kind of discourse, I just wanted to dissect gGenn close a little bit because i think the choices in today’s episodes are very interesting and i wanna dissect how I think they were the right ones. 

in summary; Lark is having a little special interest moment and wants to info dump sorry not sorry. 

My opinion on Glenn is fairly neutral, much like Henry. I don’t think he’s a terrible parent, but he’s also by no means a good parent. I do see some child neglect in his narrative, but he’s by no means ‘abusing’ Nicolas. 

So, I’ve been thinking about these two a lot over the past few days. Like, a lot a lot. They.... They’re a complex pair to digest

As Freddie and Anthony said in the latest episode of Talking Dads, people don’t like accepting characters who are good people and bad parents. Because if someone’s a good person, then they’re a good parent, or bad person equals a bad parent. Vice verse shit. 

Now, Glenn was ruled as a good person. And, I won’t say Glenn is a ‘bad person,’ but I also won’t say he’s a good person. Again, he’s a grey area. he’s a grey character. he’s a mediocre person. 

Glenn, at his core, is an immature person. A broken man who refuses to acknowledge he’s broken, and that gets increasingly clear with each time he talks about Morgan, or is asked about Morgan. There’s an unresolved grief there, and who knows if he’ll ever resolve it. He avoids those kinds of emotions (’harshing his vibe’) 

I think, narratively, the only option that would’ve made sense would have been to give up Nick. 

there are three core things we have to think about here. 

- Player; how would this decision affect Freddie? How do his personal desires for Glenn play into this? 

- Narrative; what decision makes the most compelling narrative? What furthers the story in the most dramatic way? 

- Character; What decision would the character make in this sitation? Why would they choose this? 

These are all things that are constantly needed ot be brought into topic when it comes to these kinds of major plot points. The only other instance I can think of for this in DnDads was the chimera and Grant. 

I’ll start at the top. 

1. PLAYER; The most intense part of a narrative is the player’s decisions in said narrative. As a dungeon master, I’ve watched my players choose some baffling things for their characters (such as, a typically laid back background player taking the lead in a mystery to try and assist our younger player) and these players own wants and desires in the storyline play a major role in these things. In this case; Freddie didn’t want to kill off Glenn. And that is absolutely valid and understandable and by no means wrong of him. He’s played this character for two years (or coming up on it) and that’s huge. That’s a lot of time for him to become attached and fall in love with this character he’s made. It’s completely normal, acceptable, and welcome for players to fall absolutely in love with the character they play. These players, over the course of their campaigns, become a way the players bond with each other. It’s no secret that Freddie feels very attached to Glenn, to the point there’s jokes there’s little to no line between them during episodes. He didn’t want to end a character he held so near and dear, and if anyone faults him for that; a personal fuck you to you, good tiz. 

A content creator is going to love the characters in the content they produce, and shaming them for wanting to hold onto those characters as long as possible is absolutely absurd. If Scott Cawthon can keep making FNaF games six years later, and no one insults him about it, Freddie Wong can choose the timeline where Glenn stays alive. 

2. NARRATIVE; in crafting a narrative, you want to choose the option that will cause the most conflict and interesting plots to follow. While, killing off Glenn would have provided us with a very interesting arc where they go to hell to rescue Glenn and go into this weird Entourage-style campaign; it’d be repetive. We just had an episode or two where the gang had to go save Glenn, and while we currently do have to save Glenn again, it’s very different this time. It’s not ‘Glenn got sent to a hell dimension’ it’s ‘let’s pull a jailbreak’ and yeah, I’m not to excited about another ‘go save glenn’ arc right after Deck Picks, I AM excited for Jimmy Wong and this new character of his, I’m vibrating with excitement. 

Choosing to give Nick up makes narrative sense, whether it was a ‘good dad’ decision or not. It made sense. It provided more conflict for the party, because now there’s a new guy in the party and Nick doesn’t remmebr who Glenn even is, it provides a very interesting new character arc (i.e, Glenn building a cool uncle type relationship with Glenn, and befriending Nick’s new dad.) No, Glenn giving up Nick was not some big heoric deed as some people are portraying it, but it’s more selfless than dying just so your kid can become an orphan and mourn your memory. That would’ve been the shitty option, I’m sorry, but it would’ve been. Especially given Freddie, nor Glenn, thought they owuld be able to bring Glenn back this itme. 

3. CHARACTER; I feel that this is a very telling decision for Glenn and wanting to better himself. I’m gonna focus on the topic of Glenn seeing Nick as his last tie to Morgan. 

We know Glenn is very stuck on Morgan, to the point of being stuck at the same maturity he was when Moran was born. He’s stuck there, trying to keep her memory alive. Because, Morgan was all he had and he lost her. And that sucks. When your partner dies, it feels like everything in the world is absolutely gone and there’s nothing you can do to get them back and that everything you ever were is gone. So, of course he would latch everything he had of Morgan onto Nick. It makes such logical sense. His wife has died, y’all. Unexpectedly. Suddenly. In a horrific way. But, here he has this little kid who is a physical manifestation of their love and commitment to each other. Obviously, he’s gonna latch onto that child and hold them close, see them as their last tie to Morgan. Because Nick is his last tie to Morgan. A child inherits parts of both their parents, and I’m sure there are things Nick does that Glenn sees nothing but Morgan in. 

Glenn wanted to keep Nick. He loves that kid so much. (Freddie’s first reaction upon meeting Nick in episode one is “Guys, I love my kid!” and that transfers into Glenn’s love language, encouraging Nick even if it’s in a very bad way.) But, I feel., and this is strictly me looking into his character, he realizes he needs to let go. He realizes he needs to let himself grow, and that him and Nick aren’t healthy and that he’s becoming Bill. And he let’s go. 

This also plays into how the Close family is known to live hard and long, (YOLO mentality) and so, clearly he won’t take the death option. Not happening. 

TL;DR Glenn choosing to give Nick up shows a major character growth in unhealthy attachment and admitting fault, and Freddie also is totally justified in choosing option to give up an NPC his player character is attached to instead of just killing off the character he’s clearly very attached to. 

[phoebehalliwell]

Also i remember that you did an essay on nextgen relationship to witchcraft ??

i would like an mini essay on how each next gen tap to their other half (whitelighter and cupid) ?🥰

[this is where i’d put the link to the next gen’s relationship to witchcraft IF I COULD FIND IT] rip lmao but yeah!! bc basically everyone in the next gen is a halfling so i feel like there’s really like A Lot here like witchlighters are already just like hella rare and then pj parker and peyton are very possibly the first cupitches to exist ever y’know what i bet i can find? my mini essay on cupids & whitelighters yeah boi so i think the primary distinction between whitelighters and cupids comes down to like. head vs heart. and i know whitelighters are like innately good people who want to help others through good deeds blah blah blah but there is an inherent Logic to the process. whereas cupids are just a lot more fuck around/find out. it’s the same thing with orbing vs. beaming orbing you think of a place and you’re there beaming you feel a place. if pj and melinda were to swap bodies neither of them would be able to teleport. so i think the way that they were raised/trained also impacts that a lot so let’s go chronological order and start with wyatt

so, full disclaimer here, i am going off my own writings here as there are some blanks left in canon (i.e. who has what powers) also i made leo a whitelighter again bc like. a) i wanted to b) melinda’s a witchlighter which would be objectively fucking weird if leo was not a whitelighter ik the comics had this whole think about ~latent whitelighter dna~ but like girl what. and then also c) and i’ve talked about paige and motherhood before but i really don’t think paige wants to whitelighter for her kids bc she doesn’t want to be viewed as like,, as business associate to them bc that’s weird it’s one thing for your brother in law to be your whitelighter it’s a whole new can of worms for your mom to be your whitelighter. on top of that paige is still a charmed one and a witch so like. she definitely does not have the time to be the entire halliwell family’s whitelighter. but leo’s right there just give him healing and orbing hell he loves being a whitelighter just reinstate him. like come on. amirite lads? it doesn’t matter if i’m right or not this is my story and i’m sticking 2 it. okay let’s rock n roll

wyatt powers are projection, orbing, orb shield, healing, telekinesis, telekinetic orbing and he is a half split mother’s a witch father’s a whitelighter. i mean i think wyatt was really definitely as like The Witchlighter like at magic school all that like yes paige is a witchlighter but paige did not go to magic school and grow up around a bunch of little witches i think teleportation powers are Insanely Rare for anyone who’s not a halfling so the fact that wyatt can just. orb. he can heal. like this is Insane. but unlike a dency type situation where like these powers are so rare they basically have to be self taught i think there are a good amount of whitelighters at magic school who can teach him how to master his skills there’s also paige and leo so like. he’s pretty much covered. that and the whole whitelighter thing just really does come naturally to him like he was doing all this batshit crazy stuff from the womb like he healed piper from the brink of death at like age two. wyatt’s whitelighter powers are a fuckin breeze. i also think wyatt sort of id’s a little more as a whitelighter than a witch just bc chris is like so witchy wyatt feels like okay i must be more whitelighter by default. like chris will go out demon hunting and wyatt just like. doesn’t really want to do that so wyatt think’s it’s because he’s just more of a whitelighter more of a pacifist by nature. it’s not really it’s more just like chris is fuckin crazy but it doesn’t really matter. i also think that since wyatt is one of the only people with healing when the cousins are in trouble they almost always go to him, which only sort of adds to the Whitelighter element. i also don’t think wyatt has had any charges yet bc like. he’s really young he’s like 22. but i think he definitely will i think that’s something he would want to have. i think the elders also have some slight reservations about giving him charges bc like. very high probability he will fall in love with them.

chris powers are telekinesis, telekinetic orbing, orbing. does not feel very whitelighter at all. i mean for starters, wyatt’s totally Stacked with whitelighter powers that he just seemed to immediately have mastery over chris not so much. and it’s also like. everyone in the family Expected wyatt to have healing and then literally no one expected that of chris. like he tried he read about it all that and whenever he would try the sisters would just be like it’s okay hey you know not everyone has healing healing it’s big like not everyone can master it paige couldn’t heal til she was like 30 it’s nbd so chris is like yeah :| okay :| but it kind of bothers him how it’s like. his family just knew he wouldn’t be able to do that. and beyond that i think chris really does have this desire to prove himself in the craft to prove he’s a strong, talented, capable witch (which he is) and that’s really where he directs his focus. the power he hones the most it telekinesis. orbing and tlk orbing kinda of take a back seat simply bc they just aren’t as strong of combative powers (however, paige let him in on the insider secret that you can orb hearts of demons so that’s p fuckin cool. leo like Freaked out when paige told him this because he’s just a kid!! he doesn’t need to be hearing all of that!!! and paige is like yeah, just a kid who fights demons, leo. he’s seen worse and chris just looks at leo like yeah i mean i have and leo’s like cool gonna go have another parenting crisis). basically while chris knows he is a witchlighter he very much does not feel like one. he identifies as a witch. full stop. (side note he does not know he was the time traveller who came back to fix the timeline and if he found out and found out that he convincingly posed as a whitelighter and people actually believed him i think he’d lose it laughing)

melinda powers are empathy, orbing, telekinesis, telekinetic orbing. i think melinda views her Main Power as empathy, i think melinda considers herself to be more of a pacifist. again, this is kind of in relation to chris, so it’s like considering yourself to be short bc your brother’s 6′5″, but like. melinda is short. and she is more of a pacifist. i think given her empathy which is technically a whitelighter power tho it is much power likely she inherited the power from her aunt phoebe, she’s not really like. a fighter or a powerhouse or anything i think she also inherited piper’s want of a normal life. in my writings melinda is actually a nursing student i mean she’s a freshman in college but like. she wants to be like a nurse or a doctor she hasn’t entirely figured out how that would work with her like. Witch Schedule. but she kind of doesn’t care?? like she has a full family of charmed ones. they can save the day by magical means; she can save them by mortal ones. she also just like as a fun fact with her empathy powers can diagnose things really well because she can just like. feel what other people are feeling. so yes i think she’s really more whitelighter than witch i think if people ever saw her out and about with her whitelighter (i gave her a new whitelighter that isn’t leo in canon explanation is the elders are kind of worried the halliwells are getting a bit too cliquey little bit too much of a feedback loop there and they don’t really have the best relationship to the elders so like. now that one of them has kind of broken off into her own path they’re like okay can we give her a new whitelighter. just to kind of make sure they don’t all hate us. out of canon explanation i think it’s more fun for melinda to have a whitelighter her age instead of constantly dragging her dad to davis). i also think melinda is the most likely out of any of the next gen to receive a charge, but again, this is like, way out bc she’d like. 18. i also think she would keep her whitelighter on speed dial bc i think she’d be Super Nervous about fucking shit up like so bad for the first couple while. like eventually she’d get the hang of it and be confident and capable in herself and her abilities but for the first bit she’d be like. so so so anxious like s1 piper need to have everything be perfect when it most definitely is not.

tamora powers are molecular combustion, healing, invisibility, psychic link with kat. so. tamora’s technically like only 1/4 whitelighter as neither of her parents are whitelighters, her maternal grandfather is a whitelighter and that’s it. so that’s why both her and kat are a little less whitelightery that the rest of the next gen tamora can’t even orb. which was like genuinely a shock as literally every other witchlighter in the family can orb, but she just straight up cannot. she can heal, though, and is the only one beside wyatt with that capability, so her whitelighteryness is still there. she just can’t orb. and then while molecular combustion as a power obviously came from piper, healing, invisibility, and even her psychic link with her twin are all very whitelighter-y. (side note, it is specifically the whitelighter part of the twins that give them this link just like how all whitelighters are linked to their charges, them being twins just like. amplifies it. it also allows kat to always be able to orb tamora to her side and sometimes orb her other places without ever seeing her but that bit still doesn’t work that great. so while part of it is a Twin Thing, it’s also a whitelighter thing, which is why like warren and sheridan do not share a psychic link. note pt.2 the girls powers were bound when they were kids bc they had i mean like p dangerous powers at least tam did but as established by the fact that paige could always orb despite having her powers bound, their whitelighter abilities were always active. kat could always orb, tamora could always heal, their psychic abilities stayed active.) and like, because of this it’s the same though i’m just leaving the parenthesis before i forget, tamora for the longest time had no offensive power the only thing she could do was heal. she was also kind of like the coward to kat’s fearlessness or even just like henry’s popularity. she’s the shyest out any of her siblings, a lot more reserved, she has anxiety, blah blah blah. so she never felt very witchy. she had her whitelighter power and her cowardice. and kat was off running around having a wild time and henry was reading about the most terrifying demons known to man shit that have clawed their way out of the underbelly of the earth and tam’s just like. like no?? stop??? oh my god??? and then around age 14 when the girls entered high school they unbound their powers and started to train them and tamora just really only felt more uncomfortable in her own skin bc like. molecular combustion, man. and piper would teach her like how to use her powers like okay you just really really angry and you throw out your hands like BAM and she blows up a chair and turns to tamora with that cute lil grin on her face like okay now you try and tamora just feels so out of place man. like her aunt piper is this fuckin powerhouse and this power is like. it’s just too much for her like she always somehow felt like there was some cosmic swap some mistake in the grand design where she and kat got mixed up somehow and she should have freezing and kat who’s bold and fun and brave and strong should be able to blow things up. because this isn’t her. this is too much for her, it’s too loud it’s too. strong. that being said, she’s always had a knack for it, which she doesn’t realize bc like. it’s a very rare power. but she was able to gain mastery over it faster than piper did in her day. so piper knows it’s not a cosmic mix up. she knows this is the power tamora was meant to have, and some day she’ll grow into it. it’ll just take time. but yeah. witchcraft is not so much tamora’s speed she doesn’t like. necessarily identify more with her whitelighter half (or fourth but whatever) but she does just. like she likes those powers more she feels more comfortable with them. i think if she were to body swap with kat she’d be perfectly fine at orbing too. in regards to charges she is Also 18 so again long way out i think she would be open to the idea but it would necessarily be something she’d like really really Want to do i think like her whole dynamic with peyton would really be her jumping off point for whitelightering but if she got someone who was a lot more just like. into making bad decisions i don’t think tam has the backbone yet to tell them off. 

kat powers are molecular immobilization, orbing, omnilingualism, psychic link with kat. absolutely no on the whitelighter front. yeah she can orb and is omnilingual doesn’t even register those as whitelighter powers. considers herself a witch through and through. is not wise, is impulsive, is reckless, is a witch. would never take a charge. if she did, she’d go on all their adventures with them bc that’s just the type of person she is. doesn’t to the vague, gentle guiding of a whitelighter she is not vague. she is also very close with chris bc they have such similar ideologies. but yeah. she’s not a whitelighter.

pj powers are levitation, astral projection, beaming, sensing love we have exited whitelighter territory and entered cupid territory i think pj very much identifies as Cupid-Witch i think she is Thee hyphenate i think she wholeheartedly embraces both parts of her craft as the eldest of her charmed ones set she does feel the need to like Set a Good Example she measures out all her potions ingredients perfectly and mastered spell writing from an early age she treats the craft with respect. she doesn’t necessarily treat the cupid practice with respect that’s not quite the right word there’s no dignity it’s all fun. bc love is fun!! her and parker have a running betting pool on various relationships in school. melinda would sometimes put down money, now that peyton goes to school with them she’ll also place bets. henry jr also does this despite having zero magical abilities to sense anything he thinks that makes it more fun. but yeah. pj views herself as cupid. she loves giving relationships the little Push they need to blossom. people think it’s because she has an advice columnist for a mom and they like trust her bc like. she’s nice and her dad’s a relationship therapist her mom’s an advice columnist and almost everyone has at least one friend that pj has had a hand in their relationship so if she sets something up they’ll trust her. the school newspaper suggested that she actually start an advice column or a matchmaking thing but she turned it down bc like. she doesn’t do remote, y’know. her cupid powers are very personal, she needs to see it irl all the move parts before she makes a judgement call. but yes. very cupid. loves saying it, too. people are like wow you’re so good at relationships she’s like yeah i’m basically cupid lmao. parker boos every time she makes that joke.

parker powers are premonition, beaming, sensing love. so parker definitely considers herself a cupitch not just a witch but she doesn’t go as far pj just bc that’s not like her mo. pj does have a slightly higher eq than parker a bit more of a gentle touch they stay neck in neck in their betting pool because of parker’s premonition power however pj knows her sister can see the future and frequently engages to change the circumstances. parker does meddle as much as her sister. and like yeah parker is p witchy she does focus a lot on combat she did turn her cupid ring into an athame bc like. fuck yeah. but she isn’t like chris or kat where she’s like I Am A Witch Full Stop she really does see herself as a cupid she had yet to like. Set Up a relationship like pj does but she doesn’t consider herself any less cupid for that she is a cupid that is who she is. she’d just like. a tiny violent one. 

peyton powers are telekinesis, beaming, sensing love. again kind of like parker where she still very much identifies as half cupid she just doesn’t do mayn cupid things. i mean she’s also like 14 so like give it time but yeah pj was ten and putting couples together on the playground like it was wild. and it’s not like parker where she doesn’t have the eq to do it like parker just straight up doesn’t know what to say to steer to people together she’d just be like hey u to r in love with each other so. have at it. like baby peyton could probably get it right in the very subtle classic cupid manner she’s just too shy. like she could not imagine just walking up to someone and talking to them lmao. especially not about love. and since the girls aren’t full cupid they don’t have temporal manipulation they can’t move through time nor can they slow it down to speak to people’s subconscious but if she could that’s what peyton would do. bc she does love love in the very true cupid sense she just like. like talking to people?? aaaaaa amirite lads.

[highladyluck]

Here, have 4.5 pages of rambly Tuon meta. I wrote this to try to get a handle on Tuon’s character, and to develop the theoretical framework for a redemption arc for her. I’m hoping posting this doesn’t cut my motivation to actually write it...

Who is Tuon? Tuon Athaem Kore Paendrag, High Lady, Daughter of the Nine Moons; now the Empress of Seanchan (at least on the westlands side), Fortuona Athaem Kore Paendrag. To borrow some phrasing and framing from @websandwhiskers: She’s the pinnacle of Seanchan culture and an extremely functional tool of the state; responsible (both personally and institutionally) for psychologically and physically torturing people and enslaving them; she also has some compelling moral and personal qualities that she and the state have not yet managed to quash, which kind of makes it all worse, ethically speaking. She’s a villain whom the original narrative neither sufficiently condemns nor sufficiently redeems, married to one of the Big Damn Heroes in a match that’s both very odd couple and very complementary.

She respects people who stand up to her, as long as they aren't 'disrespectful' in the process- and the 'disrespect' is very situational, she'll accept things in private or in non-court settings that she can't let slide in court without losing face and therefore power. She cares very much about the legitimacy of authority, because it correlates positively with stability and is ingrained in her self-image, but she has an autocrat’s idea of what is legitimate. She assumes you know your own self-worth in relation to hers and are prepared to both display it and back it up. She has also internalized that other people's challenges of her are opportunities for her to prove her strength and fitness to rule, and she probably low-key seeks to provoke reactions now as validation/training, for herself and others.

She has rigid moral standards within the context she was raised in, and punishes herself first for perceived failure because if she does it first, perhaps she can avoid someone else doing it, with deadlier results. She has never been allowed to be less than perfect by her culture's standards- she can be (and has been) odd, but she cannot be flawed- and possibly expends all of her natural empathy on others instead of herself, because she can't afford that kind of indulgence herself, but she knows she owes it to lesser beings?

And as @websandwhiskers pointed out, she does have a lot of empathy within allowable contexts, and I think she is willing to push the envelope compared to her peers as long as she/the empire isn't directly threatened. That's what the kiss after Mat let the poisonous snake go was about. The snake was poisonous but not attacking, and not likely to attack unless someone escalated the situation, and Mat deescalated it. No harm, no foul. Mat responded to a fraught situation both logically and mercifully, in the way she imagined she would have if she had been in his shoes and known he same facts he did, and she rewarded him.

She’s competent and charismatic; I hesitate to say that she inspires loyalty in underlings because honestly with the damane it’s brainwashing (eurgh). But Selucia and Karede are both really into her, personally, even when there are societal inducements not to play favorites. Mat is loyal to her, though honestly Mat is loyal to like... anyone he’s responsible for, so maybe it’s more relevant to say that Mat genuinely likes her; at least, he likes the person he thinks he can coax out of her, and in terms of the persona she has more typically, I think he responds well to her competency and self-possession. The ability to project those things is probably a big part of what goes into charisma.

She thinks that the people who oppose her just don't have all the facts. She doesn't like to admit she's changed her mind; it looks like weakness; she's fine identifying it in others but not herself. Ideally she would pretend things have always been the way she now knows they are, and if she can't, she goes for the "Yes [fact], but [here's what I've decided is now germane to the argument at hand]." redefinition of the problem. She always thinks she’s right, though she does tend to leave some space between when she’s decided something and when she promulgates the decision, to allow for opposing arguments.

I think the original relationship Tuon has with omens is that she uses them to look for external justification from the universe for decisions she's already made. (I mostly like Sanderson's Tuon POVs, but I also I think Sanderson sometimes used omens as a 'make Tuon do OOC things for the plot' card.) Tuon's running dialogue with omens also shows that she's always observing the world and interpreting her effect on it and its effect on her. She loses her composure with omens when they are more concrete and less subject to her control (via interpretation), as with Lidya's fortune.

It makes sense that she's super controlling. It was how she was raised, and aside from having loyal/brainwashed companions (who are, themselves, a form of distributed control), being controlling is obviously the only thing that makes her feel safe. It's still interesting how it extends into a dialogue with the Pattern itself. Like Mat, she wants to survive and she wants to go her own way, and also like Mat she's caught up in the Pattern a little more tightly than others. I think she and Mat have both subconsciously decided that the only way to deal with what the universe wants you to do, when the universe is that powerful, is to say "Fine, I didn't really want to do that other thing anyway, let's learn how this path works and play to win."

She knows she makes bad decisions when angry, and I think in general she distrusts strong emotions, or at least tries to hold them at arms' length so they don't form part of her judgment. She's very very good at compartmentalizing, but as a result sometimes emotional stuff will come up and blindside her a little because she doesn't prioritize it or see it as a natural part of her decision-making. I think her emotions do influence her, usually subconsciously, but she's obviously a Thinking type. (Mat is also a compartmentalizer, but more somatic/emotionally focused; he's got his feelings directly wired into his body and together they make decisions that his brain then evaluates a second later, with running commentary that he never expresses to anyone else. They are both comedically un-self-aware, although Tuon is even less self-aware than Mat is, since at least on some level Mat knows he's been repeatedly traumatized even if he tries to pretend he isn't, while Tuon still thinks that her childhood was completely fine.)

Within the original narrative, I think her POVs are always a bit mysterious and her actions are always a little surprising. What’s impressive about that is that this is basically *always* true no matter what setting she’s in and what she’s doing. When you’re in her head you see her thought process ticking away, but RJ and Sanderson both have her constantly withholding important contextual details in her POVs, like Lidya’s prophecy (the hints are there and come out in bits and pieces, but she doesn’t reveal everything and slot it into context until 2 books later). Like with reading Mat, you’re aware that she obviously has reasons for what she’s doing and you even see her decision-making process, but because you’re missing the details, she remains opaque even though you’re in her head. (Mat’s decision-making process is more clear to the reader, but somewhat opaque to himself and definitely opaque to those around him.)

Meanwhile the things Tuon does share via narration or via action are always kind of buck-wild for the reader because her entire deal is such a culture shock. She’s obviously surprising Mat & co, but what’s weird is that she also seems to be constantly surprising her fellow Seanchan. Her scenes with her peers are usually punctuated with shocked murmuring in the background. They have trouble anticipating her, both because she keeps her cards close to her chest, and I also think because she’s a slightly different person from the one who lived her entire life in a cloistered murdersphere in Seanchan, and if she wasn’t a different person after leaving home, she’s definitely one after her kidnapping. But I think she is a fundamentally different person after leaving home, because of the structural parallels she has with Mat.

In Mat’s first POV chapter, he wakes up in Tar Valon with partial amnesia and a much stronger sense of self-preservation than he had before. As everybodyhatesrand points out (crediting but not tagging them since I feel like they wouldn’t appreciate being tagged in Tuon apologia), we have never been in pre-dagger!Mat’s head. We have never been in dagger!Mat’s head. Everyone in the books, throughout the books, is like “At least Mat’s still the same!” and yeah, he does do and say more or less the same things before and after the dagger. But we had to take it on faith that his personality is more or less intact pre- and post-dagger because we, the readers, only know post-dagger!Mat’s inner monologues. The Mat we inhabit in book 3? He’s been broken. The continuity between his old life and his new life has been disrupted (and will continue to be disrupted, including with an actual literal timeline reboot!) He immediately starts off to fix himself, others, and then eventually the world, so it’s motivating, but the hits really just keep coming...

Like Mat, Tuon’s first POV only appears after she’s left the traumatic environment that shaped her. We don’t know what travelling across the sea did to her sense of self (and we can’t really know since we don’t have that in-Seanchan-baseline), though we do know she’s changed after travelling with Mat (aside from catching feelings, I think she learned that the Seanchan are not always in possession of all the facts), and we know what becoming Empress did to her (she doubled down on duty and lost a lot of personal flexibility). I think there are major structural parallels between Mat and Tuon’s POVs because they’re both broken people who try their very best to act as if they are not broken. In Tuon’s case I think she just doesn’t know how broken she is. In Mat’s case, he knows, but he’s doing a weird balancing act of integrating lessons learned (healing!) while also, like, frantically trying to ignore or drown out the emotional cost of trauma (not healing!)

By the end of the series I think Tuon knows, but is not letting herself actually think, that being made damane is a) a real possibility for her, specifically, and b) that it is not, in fact, something she would willingly choose for herself even to serve the empire. I think this is different from the more intellectual disgust of the idea of herself channeling; that's abstract, and she imagines there's an actual choice for the person with the spark between channeling and not channeling, or possibly that there's an actual choice between learning to channel vs not learning to channel if you have the spark inborn. (We know that the actual choice if you have the spark is 'learn to channel properly or die'.) Tuon's out there like "If I were a marath'damane I would simply choose not to channel. RIP to marath'damane but I'm different".

She's never been a marath'damane in the sense of someone who started channeling involuntarily, and isn't interested in imagining herself as one, at least not when confronted by someone who is succeeding in making her angry. So even if you made her choose, as a theoretical marath'damane, between dying and learning to channel properly, I think she'd consider 'learning to channel properly' as 'becoming a murderer' and therefore the choice would be between dying and becoming a murderer. There's a clear argument to be made in that idiom that the marath'damane is 'becoming a murderer' in self-defense, which would have a different moral tenor (manslaughter vs murder). But Tuon strikes me as the type to say in an argument (and probably believe) that "The end result is the same & I would die before compromising my principles.”

I think in the confrontation with Egwene she probably internally justified not putting the collar on because there was a Seanchan audience and because the taunt came from an escaped damane, even though the actual reason was fear that it would work. She’s letting the circumstances invalidate the argument so she doesn’t have to think about it. I think if she were to let herself think about the authentic emotional response- and she probably has, I feel like she does a postmortem on all of her public discomposure- she would consciously know that her instinct was that it would work on her, and furthermore she would know that she does not want to be damane, even if the Empire would require her to be.

If she followed out the chain of reasoning, she’d know that if she were a damane, if she were actually leashed, she would be forced to channel. She’d know because she’s taken great pleasure in training and breaking damane, and she knows how to get damane to channel and how to break them. Therefore, if she were damane, she would know that she would need to be broken, and she knows how she would go about breaking herself. She probably thinks that her last act of free will would be to suicide if she possibly could. But I think that what she’s AFRAID OF is that she would actually convince herself that being the very best damane is all she wants out of life. And that's the scary, universe-ending thought she's avoiding the consequences of, because a) it’s about breaking herself (as Cadsuane points out, no one can easily think about breaking themselves) and b) the fact that she would need to be broken and that she doesn’t like the idea is a sign that she’s not the perfect avatar of the Empire that she thinks she should be.

I think becoming damane has been added- in the bare abstract- to her mental list of the price of failure. It's a very fundamental loss of control and identity, where all she has is resignation and brainwashing that- best case scenario- she does to herself. She's scared of it in a way she was not before, now that it's been made personal. Like Mat, she's going to shove that down deep and ignore the bad scary implications as long as she can, up until the point that they actually disable her or otherwise bleed out into her intellectual or physical world in ways that aren't as ignorable.

But while Tuon thinks she would die before compromising her principles, and even more secretly is extremely afraid that she *wouldn't*, I also think that like Mat, if it came down to it she would transform herself radically to survive *as herself*.

She’d realize that she has other principles, more human ones, underlying her socially acceptable and externally imposed principles of enforcing hierarchy and maintaining personal integrity. (Parallels to dagger!Mat being exorcised?) I think her basic motivations are that she should survive, that she should retain as much control/power over her own fate as possible, and that she should make decisions from a place of empathy rather than anger or fear. I think she would also realize that she does in fact value some principles over others. She would redefine the meaning of ‘personal integrity’ to separate it from what the state wants.

If she knew what was really driving her socially acceptable principles, and that there was a difference between what she really, fundamentally wanted & what she had been told to want, with encouragement she could prioritize the organic, primal ones and apply those to the external world. If she is a person, then everyone else is a person, and she should want for them what she wants for herself. I think she might get to the point of realizing there is an alternative path (of what looks like selfishness) but I don't think she's going to let herself be selfish (in this healing, positive way) without external prompting/confirmation, so this is probably where friends, positive role models, and finally omens come in.

[thewhitefluffyhat]

Thoughts on Karin’s Magical Girl Story

Another collection of thoughts and reactions, plus analyzing some small changes the NA translation made (similar to the translation comparison I did for Alina’s MGS a while back).

Starting off with not a change, but an interesting note: Karin and Alina’s club situation is rather strange.  Alina is the “outsider” from the Art Club, while Karin is part of the Manga Club.  The classroom they share, though, doesn’t appear to be the main space for either club.  I’d initially assumed that it was the room originally used for the Manga Club, but once Arc 2 updates these backgrounds...

It turns out this actually is an art classroom!  I guess the school just has two?

First major change: Just like in Alina’s MGS, they removed direct references to Karin and Alina’s ages.  The reference to Karin’s age at the start of the Magical Halloween Theater event was also changed.

(In JP here, Alina was said to have won a lot of different awards “for a 16 year old,” while Karin stated her age as 14 in the MHT event.)

Again, unsure of why the change, but it could be in order to fix the continuity issues. Because good lord, that continuity is snarled...

I think the order that makes the most sense is Karin MGS > Alina MGS > Magius forms > one year passes > MHT > Main Story Ch5 > Holy Alina’s MGS.  In theory, then Karin should be 13 and Alina should be 15 in their Magical Girl Stories and then 14 and 16 in the present, but as mentioned that’s contradicted by the start of Karin’s MGS in the original Japanese.

There’s also the weirdness around when/how Karin learned Alina was a magical girl, since Karin seems aware of it in MHT, yet it’s unclear if she knows in Holy Alina’s MGS.

… Anyway, stuff like this is why I gave up on constructing a coherent timeline for Magia Record.  There’s just too many continuity tangles.  ¯\_(ツ)_/¯

References to Karin being in her second year in middle school and the third years leaving – also changed.  Probably because it’s both an uncommon way to refer to grades in English, and also, once again, another continuity issue.  (If the third years left, why is Alina still there in one years’ time if she’s at least one grade ahead of Karin?)

Another change: some specifics in why Karin and Alina are in the same classroom together.  In JP, it’s not specified who made the deal to let Alina use the room.  If anything it seems like Karin is the one making a deal directly with Alina.

Which actually makes far more sense all around – why does “the school” care that Alina is giving informal lessons to some random kid?

And it makes more sense from Alina’s perspective too, in that it explains why she tolerates Karin constantly bothering her – putting up with Karin is explicitly the price she’s paying to Karin for using the space.

Oh boy, this.  Karin having this mindset is why it took me so long to really ship AliKari.  Because the dark undertone to “if only I improve, then surely Alina will treat me better” is that Karin is blaming herself when Alina is cruel to her.  And that can very easily slide into an abusive relationship - if you don’t consider it one already.

Alina treating Karin decently should not be dependent on Karin’s art skill.  Or anything else, for that matter.  Full stop.

(Tangent time, including some Arc 2 spoilers)

What ultimately made me come around to AliKari is some of the early Arc 2 stuff, where Karin starts thinking the reason Alina disappeared is because Alina is mad at Karin for not improving.  Karin’s explanation is spectacularly wrong, so I’m now more trusting that the game is implying that Karin’s mindset is going to change. That she’ll stop believing she’s at fault for Alina’s actions - and hopefully stand up to Alina too while she’s at it.

The other half of the equation is Alina, who as far as I can tell, is genuinely not interested in bullying Karin.  She certainly has every opportunity to do so – especially given how her teacher punishes Karin for Alina’s behavior – but Alina never takes advantage of it.  So while she is overly harsh and blunt about expressing her opinions to Karin, I don’t get the sense there is any manipulation underlying it.  Indeed, very unusually for Alina, we also never see her enjoying or fantasizing about Karin’s pain or distress.  She really, truly, just wants Karin to get better at art already!

Obviously, for any kind of relationship between the two to work, they would both need to undergo significant character development.  But that’s the draw of AliKari – while other characters have stagnated (sigh, RikaRen), Alina and Karin are still some of the most dynamic characters in the game. And in general, the direction has been that despite starting out in a bad place (like Karin’s mindset above), they’re growing to become very positive influences on each other.

(End tangent)

Enjoying the extra cliches thrown in here and there, and in general how they translated Karin’s dramatics by adding additional cheesy and on-theme descriptions.  Stuff like “dark and dreary night” or “cauldron of trouble” aren’t in the original Japanese, but they’re wonderfully in-character – honestly probably an improvement over the original!

Not a change, but more reminding myself that I really need to read Kamikaze Kaitou Jeanne.  I’m like 97% sure that’s what’s being referenced here – the plot description and even the comments Karin makes about “Phantom Thief Kirin” In her later Magic unlock quotes are all a very close match.

Interestingly enough, I’ve heard KKJ mentioned as an earlier dark magical girl series that Madoka Magica rips off.  So it’s quite interesting to see it referenced again back in a PMMM property – I wonder which part of the creative team was responsible for this detail?

Hm, so, the subject and detail of Karin and Alina’s conversation in the middle differs between translations.  In JP, the subject is vague, so the fan translation has Alina going off on an extended metaphor comparing the history of art to the protagonist of Karin’s manga.  Meanwhile, in NA she just makes vague comments comparing her own growth as an artist.  

I think I prefer the former - Alina usually doesn’t like talking about herself, but she sure loves to ramble about art history.

The translation I can find for the metaphor Karin’s grandmother uses here in JP renders it “barely able to keep a business going” - so did Karin’s grandmother possibly own a business herself?  That’s a bit more interesting than just “struggled to make ends meet.”

Speaking of Karin’s grandmother, I really like her as a character.  Her relationship with Karin is really sweet - I mean, how often do you see a teenage girl and an older woman being fans of something together?  It happens in real life plenty of times, but it’s so rare to see this kind of interaction represented in fiction.

And it’s nice to see an example of mental illness being treated as just that – an illness.  I especially like that there’s consent to the cure – Grandma outright says she wishes to be cured, rather than Karin deciding as such on her own.  (As Karin is often wont to do…)

This is a fun illustration of how Alina has a very strong internal logic to her, but she’s really terrible at communicating it to other people.

Karin, naturally, takes Alina’s comment here as an exceptionally mean thing to say – it sounds like Alina is callously implying the thing Karin worked so hard on was so bad it wasn’t even worth Alina’s time to destroy, so she’s making Karin suffer even more in having to destroy it herself.

And the way Alina elaborates makes it quite clear that yes, she did mean to call Karin’s work garbage.  This isn’t Alina having difficulty with Japanese or English.

But while Alina’s sense of taste can be quite sadistic, I don’t think that’s what she was aiming for here.  Remember that Alina believes that “only the artist themselves has the right to destroy their work.”  So this is actually Alina acknowledging Karin’s work as art, and therefore only Karin has the right to rip it up.

And why rip it up?  Because whenever Alina finds her own work unsatisfactory, she destroys it.  Hence Alina’s question at the end of this little back-and-forth:

If Karin doesn’t want to rip up her manga, then according to Alina’s logic, that means she must be happy and satisfied with it.  But even Alina can tell that Karin is still unsatisfied and lying to herself, hence Alina’s frustration and confusion at Karin not destroying her work.

Another timeline note: Alina doesn’t lie, and even if she did, she doesn’t have a ring here.  So I think it’s pretty settled that Karin’s MGS takes place before Alina learned about magical girls.

Oh huh. In NA, Alina thinks she’ll be the one in trouble if Karin isn’t ready.  In the fan translation I’m used to, it seems like Alina is saying she’d just be mad herself… but I think NA has it right here.  (In the original JP, Alina is using the passive form of “get angry” without a subject.)

Both work, but the impression NA gives with both this change and the earlier one is that someone at the school is basically putting Alina in charge of supervising Karin.  Which… what the hell, Sakae Academy?

Going back a bit, Alina’s advice and its effect on Karin is interesting.  One of Karin’s flaws really is that she makes excuses for herself and only half-commits, so Alina pushing her to think about what she truly wants and work hard to get it was genuinely what Karin needed to hear at the time.

However, Alina is also an obsessive perfectionist that tends to push herself to very clearly unhealthy levels…

So it’s rather fitting that on following Alina’s advice, Karin ends up pushing herself into doing something very dangerous: insisting on fighting a witch alone even though Kaede tries to get her to retreat.  Karin is so determined she’s risking her life to fulfill her goal – something Alina would no doubt approve of.  But also a great illustration of why Alina and her advice is flawed too.

Which, come to think of it, is part of why Karin and Alina’s MGS actually form a nice pair of complementary short stories.  If you read them in chronological(?) / original JP release order, you first get to see how Alina helps Karin to grow as a person, and if you think hard about it, you can kind of see foreshadowing for Alina’s own issues.  Then in Alina’s MGS, you get confirmation of that foreshadowing about Alina, and furthermore, the payoff to Karin’s development with her now being the one to give Alina some hard-hitting advice.

[snowdice]

Finding the Time to Study Fic 2 [Day 33]

Here is my starting post for today’s study break stories session. See this post for more details and feel free to send me asks to keep me going! It’s been a lot of fun so far! I will reblog this post with the story as I write them today. I’ll be constantly looking for ideas of times and places for Janus to have missions, so feel free to send in any you can think of at any point!

If you are a new follower or just don’t want all of these posts clogging your dash, please feel free to block the tag “study break stories” as all posts and voting about it will go there. You can still see the finished product of the story even if you are blocking that tag as I will not tag the edited chapters with “study break stories” but with the tag “folds in paper.” See edited chapters below. None edited chapters are under the cut.

My Masterpost Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11

I also have a playlist on youtube (because Spotify didn’t have one of the songs I wanted). It’s short, and not really for serious listening, but I had fun with it.

Alright, here we go again!

Chapter 12

There was something off about his readings. Clearly the time distortion was starting to pull at this place with the way the weather was flickering between storming and sunny, but he still couldn’t quite pinpoint the exact location of the source of it. He could, however, get that it must be somewhere on this side of the river more into the downtown area, so that’s the way he was walking, Pat close on his heels.

“What’s your name, by the way?” he asked.

Janus shot him a glare. “Elvis Presley,” he said.

Pat frowned, clearly knowing who that was. “There’s no reason to be mean.”

 “You did it to me first.”

“…Introduced myself as a famous musician?” he asked. Janus didn’t respond, and after a moment, Pat laughed lightly. “You really don’t understand time travel, do you?”

“Oh, yeah,” Janus said. “Name the three types of time distortions.”

“Just because I don’t know the names of things doesn’t mean I don’t understand them.” He stuck out his tongue. Janus was dealing with an actual toddler. “Unlike you who has a bunch of fancy words, but just caused a time loop.”

Janus scoffed. “I did not just cause a time loop.”

“Maybe not a big one,” Pat agreed, “but you did.”

 Janus raised an eyebrow. “I’ve never introduced myself to you with a musician’s name, but now you’ve told me that I will. So, at some point in the future I will have to, thereby making you think to say that now. Time loop.”

“That’s not… that doesn’t count.”

“Does too,” Pat claimed. “Like I have said once before and you may or may not have heard me say before, anything you do to me to get back at me for something I haven’t done yet, just causes whatever that is to happen in the first place.”

“But you’re still going to do it.”

 “Then take it up with future me. I haven’t done anything to you.” Then he paused and sighed. “…Which I guess means you’ve done nothing to me.” He seemed to mull this concept over for a long moment. “Well you were a bit crabby about me not knowing what a time distortion was, but I can forgive you for that.”

“And I’m supposed to forgive you?”

“Like I said,” Pat said. “I haven’t done anything yet.”

“You also haven’t done anything to endear yourself to me either,” Janus grumbled.

“Hmm,” Pat said. “Fine.” He pulled something out of his pocket. “You’re obviously not having much luck finding whatever you’re looking for. Tell me what it is and I’ll help.”

Janus squinted at what was in his hand. “Is that… an iPhone 5?”

“No!” he said. “It’s super-secret time travel tech disguised as an iPhone 5!”

“We’re in 2027,” Janus said. “Not a great disguise. Those things have been obsolete for a decade.”

“Well I’ll keep in mind to have my tech disguised as phones from the right year next time,” Pat said, sticking out his tongue. “Now what are we looking for?”

“If my timepiece can’t find it, I’m certain yours can’t.”

 Pat rolled his eyes and tapped on the device’s screen a couple of times. “I’m going to guess it’s that,” he said proudly.

Janus leaned over to look at the screen. “Are you using google maps?” he sputtered.

“It integrates time relevant data like traffic conditions and local weather warnings with time travel technology,” Pat explained. “Something seems to be going on in a museum a couple of blocks that way.”

“I…” Janus said. That was actually a really good idea, usually unnecessary with scouts observing that data beforehand, and Janus wasn’t sure how good the accuracy would be considering whatever was taking it into account was automated, but still a good idea. “Well, I guess since we have no other leads, we can check it out.”

 Pat looked far too proud for having only used a piece of tech that hadn’t even been confirmed as accurate. “Then, let’s go,” he said right as a chilly wind started to pick up and a couple of snowflakes began to fall around them. “Before that gets worse…”

Janus let Pat lead with his iPhone. Janus’s timepiece still wasn’t picking up a clear signal for some reason, but it seemed to point in the same general direction as Pat’s. Strangely though, as they got closer to their destination, the signal started to get fuzzier. Pat’s tech seemed unaffected leading them closer to the museum.

 When they got to the Musée Fabre museum, Janus stopped. “What?” Pat asked. He was shivering slightly in the cold and holding his arms around himself.

“My timepiece stopped working completely,” he said.

“I’m assuming that’s weird?” Pat said.

“It is,” Janus confirmed, turning to squint at him suspiciously. “How do I know you’re not the one doing it?”

“If I was doing it, wouldn’t I have just knocked it out from the get go?” Pat questioned.

Janus pursed his lips. “I don’t know,” he said. “Would you have? Maybe it’s a trick.”

Pat’s eyes narrowed a bit on him. “Think what you want, but I’m freezing. Come in with me if you want.”

 He dithered from a few moments before following Pat inside. Pat had already struck up a conversation with the woman charging admission into art museum. She was looking at him, her brow knit as he spoke. Janus nudged him away from her getting a confused glance from him in return. He shot a smile at the woman.

“Two adult passes for the museum and the Hotel Sabatier d’Espevran, please,” he said, placing down 14 euro.

“Ah,” she said, still looking at Pat oddly. “Yes sir.” She gave them the passes and Janus quickly shuffled Pat away.

“What is wrong with your French?” he hissed once they were out of earshot.

 “What?” he asked, bewildered.

“You sound like you’re reading Le Comte de Monte-Cristo. No one talks like that anymore.”

“I’m a little rusty,” Pat defended himself.

“Two centuries?” Janus asked. Pat stuck his tongue out like a child once again. “Is that your only way to respond to legitimate criticism?”

“What does it even matter anyway? No one ever expects time travel, at least not for something so silly.”

“It’s not silly,” Janus said. “It’s a legitimate issue. The wrong person who’s watched too much science fiction notices and you’re putting the timeline at risk. Not to mention if there are other time travelers around that aren’t as nice as me.”

 “Are there a lot of time travelers around?” Pat asked, sounding intrigued.

“There are plenty, both legal and not.”

“Huh,” he said, “but what are the chances we’ll run into another one?”

“Considering the time distortion? There could be many. Opportunists wanting to capitalize off the chaos, people trying to stop it, like me, and not to mention the person who caused it.”

“Wait, someone made it happen?” Pat asked.

“These things don’t just happen naturally.”

“Huh. So, something like this has to be caused by a person?”

“Yes,” Janus said. “…Why?”

Pat smiled. “No reason. I think we should head upstairs. Whatever I’m picking up says it’s around here, but I don’t see anything. Maybe it’s a floor or two above us.”

“Which is why it’s ridiculous to use Google Maps.”

 “Would you rather use yours?” he asked sweetly.

“I’m still not convinced it’s not your doing,” Janus growled. “Why does your tech still work when mine doesn’t?”

“Probably the same reason the ring did,” he muttered.

“What?”

“What?”

“You may be the most aggravating being in the universe.”

Pat glanced at him with a bit of a smirk. “I can’t tell you,” he said. “It would be a much bigger risk to the timeline than me speaking in French from the 1830s. But, I’m pretty sure the reason mine still works is just a software difference.”

“What the hell do you mean a software difference?”

 Pat opened his mouth, doubtlessly to supply him with yet another frustratingly cheeky and unhelpful answer. Yet, Pat did not have a chance to do so as, just as Janus stepped onto the second floor of the museum, the ground started to violently shake. Janus tried to turn to catch Pat as the other man’s foot slipped on the last step, but he couldn’t do so in time. Pat fell onto his hands and knees, sliding back a few steps and smacking his face into the stairs hard once and then a couple of times more after that as he slid.

 Chapter 13

The room stopped shaking after a moment. “Ow,” Pat said. He seemed a bit stunned but was still moving at least. He carefully maneuvered himself into a seating position. “Ouch. Owie.” He reached up to poke his own nose. “Ow!” Janus slapped his hand away when he got there. A bit of blood was already trickling from his nose and there was a small cut over his eye, but it wasn’t bleeding too much.

Janus pushed him so he was leaning slightly forward and produced a pack of time appropriate tissues from his pocket. He pulled one out of the package and offered it to him.

 He took it and pressed it up against his nose to try to stop the bleeding. He seemed mostly alright though Janus imagined he’d have plenty of bruises down the line. The power in the museum flickered and Janus looked up. Now that he was listening, he could hear people panicking in and out of the museum.

“We should probably get off of the stairs,” he suggested.

“Yeah,” Pat agreed. Janus helped him to his feet, and they climbed back up the steps. Janus looked around and found an employees only sign a few feet away. Usually he’d not risk that as it could get him into trouble he didn’t want to be in, but considering the earthquake that had just happened, he could probably play it off as panic.

 He ushered Pat into a small room and found a chair and table. He had Pat sit in the chair and pulled out another one of the tissues to dab at the blood coming from the cut over his eyes. “Here,” he said. “Hold that there. I’m going to go see if there are any bandages about.”

Pat took the tissue with the hand not already holding one to his nose. “Thanks,” he said.

Janus nodded and got to his feet. The lights flickered once again but didn’t stay off for now. He didn’t know how long that would last.

 He couldn’t see anything that might hold bandages in this room, but there was a second door. “I’ll be right back,” he told Pat, exiting through it.

The lights flickered once more as the door closed behind him and he cursed. When they came back up Janus’s eyes immediately fell on a man. They both froze.

“Remus!” Janus hissed the second their eyes met. “What are you doing here?”

Remus blinked at him for a moment. “Hi. Janus,” he said. “I… come to France for… tea sometimes?”

“There isn’t any tea back here.”

“So, there isn’t…” he said. There was a moment of silence. “Uh, so I actually cannot talk to you right now.”

 “What do you mean?” Janus asked. Remus grimaced in a way Janus had never seen from him before. It immediately set off alarm bells in Janus’s head. “Oh my god,” Janus said. “Oh my god. You’re not from the same time as me.”

“Oh, you have no idea,” Remus mumbled.

“Holy shit, you’re looping?!”

“It’s… not looping if I wasn’t here the first time.”

“Remus, we spend more than 12 hours a day together most of the time. The only thing worse than this is if I looped back to this time myself.”

“…Yeah. Anyway, I need to leave now.”

“Please do.”

 He turned to go, but then stopped. “Oh, and,” he reached into his pocket and tossed something at Janus. Janus caught it.

It was Band-Aids.

“Oh, shit,” Janus spat at the clear use of foreknowledge. “I hate this. I hate you. I’m going to kill you the next time you see me.”

“Sure, Jan.”

“Go.”

He did, slipping into the next room while Janus took a deep breath and then turned back to the door behind him. He schooled his face before Pat looked up. “I found some Band-Aids.”

Pat nodded and Janus came over to squat next to him.

 Janus opened the box and Pat looked down. His eyes lit up with sudden joy so intense that Janus felt like he’d just gotten a punch to the gut. “Kitty Band-Aids!” he exclaimed. Janus bothered to actually look at the design on the container, only to note the cartoon cats on the front. Pat was almost vibrating off his seat. “Look they’re all so cute!” He grabbed the container from him to inspect the different designs printed on the back with glee even as a bit of blood was still trickling from his nose.

Janus took the box back gently and guided the wad of bloody Kleenexes back to his nose.

 “Which would you like?” Janus asked.

“Oh, they are all so cute,” Pat cooed. “Um, how about that one!” he pointed. “Or that one! Or that one!”

“Pat you only have one cut.”

“But they’re all so cute!” Pat said, tongue tucking into his cheek. He contemplated the box again. “Let’s do the black one,” he finally settled on.

Janus selected one of the Band-Aids with a black cat wrapped around a pink ball of yarn and staring back at them with wide green eyes. The think looked like it had partaken in one two many doses of catnip, but Janus didn’t mention that.

 Instead, he just carefully unstuck the backing from the Band-Aid and motioned for Pat to remove the tissue from his forehead. He smiled at Janus as he drew back.

Janus cleared his throat. “How’s the nose.”

“It’s slowing down,” Pat replied. “Thanks.”

“No problem,” Janus replied. They met eyes for a second before Pat looked away back at the box of Band-Aids.

“Oh,” Pat said. “There’s a grey one. I didn’t notice.” He pointed to it. “I should have used that one.”

“Do you like grey cats?” Janus asked.

“I like all kitties,” he said, “but one of my roommates loves grey cats. He had one when he was a kid and thinks of them as good omens. Seeing one always brightens up his day.”

“A friend of mine has a grey cat,” Janus said. “She’s much more tolerable than him.”

Pat laughed a bit. “Don’t be mean,” he said.

“Oh, he deserves it, don’t worry.” Janus considered him for a moment. “Here,” he said, pulling out one of the Band-Aids with the grey cat on it. It did, actually, look a lot like Diesel Fuel.

“But I don’t…”

Janus just shrugged and stuck it on his cheek where there was no wound. Pat giggled and touched it with a finger. Janus stood back up.

“Can I have another tissue?” Pat asked.

“Sure.” Janus handed a tissue over to him and he crumpled up the bloody ones in his hand.

“I think I’m good to keep going,” Pat said, putting the new tissue under his nose. “The nose will stop soon.”

 Pat got out his iPhone and directed him back out of the room. They checked the second floor and didn’t find anything and so went to the third floor. The second they arrived in the room that Pat’s phone was directing them too, Janus knew that it must be right. There was a strange, distorted whirling sound and the entire room was shaking slightly like they were standing next to a railroad track.

“I’m guessing this is it,” Pat said.

Janus nodded and looked over his shoulder at the screen. They both cautiously walked towards where the little dot was on the phone.

 “Is that it?” Pat asked, pointing at a small device on the center column in the room. Janus reached forward to flip the switch on it. The whirling stopped and the room settled. Janus’s time piece vibrated as it came back online. They waited for a few moments. “I assumed… time distortions would be more…”

“They are,” Janus said. “This one is artificial.”

“What does that mean?”

“It’s a simulation,” Janus said. “It causes similar symptoms to a time distortion, but it’s not actually fracturing time at all.”

“That’s good, isn’t it?” Pat asked.

“I don’t know,” Janus said. He took the piece of tech of the wall and carefully stored it in his pocket, “but someone’s trying to get our attention.”

 Chapter 14

Janus didn’t feel comfortable leaving France 2027 just yet, still weirded out by the strange turn of events. So, he and Pat ended up sticking around for a couple of hours. They looked through the art museum for a bit, but Janus was having trouble focusing on the pieces, and Pat eventually suggested they get some air. Janus agreed considering the museum would close for the night soon anyway.

They wandered around the downtown for a bit. The people seemed to jump back from the strange weather and earthquake that afternoon rather quickly, and there were plenty still about to blend into.

 Pat was snapping photos every so often like a tourist which Janus shook his head at but allowed because even with the outdated phone it almost made them blend in even more. It also might stop any questions about Pat’s weird way of speaking French. They could just say he was an overeager tourist who watched too many old movies.

“Ooo!” Pat said. “We should get crepes.”

“Why?”

“You can’t go to France and not eat crepes.”

“I assure you, you can,” Janus said dryly.

Pat shot a pout at him and the next thing he knew he was in a small crepe shop.

 For Janus, choosing something was easy. He just ordered the first thing he found on the menu which seemed to be a standard one with ham and eggs. Pat on the other hand seemed to be struggling greatly, and Janus had to gently push him to the side to let some other customers order first.

“What should I get!?” Pat asked. “They all look so good! I could do strawberry preserves or maple syrup or just sugar!”

“Or you could get one that is actually food,” Janus suggested mildly. “I don’t think you need any more sugar judging by how you are acting.”

Pat rolled his eyes. “You sound like Lo.”

 Janus made a note of the name ‘Lo’ even though it surely was a nickname.

“But, since you’re insisting, I’ll get something healthy. I’ll have the strawberry one. That’s a fruit!”

“It comes with a cream cheese filling,” Janus pointed out.

“And it’s fruit!”

Janus shook his head and stepped up to the counter. “One ham and cheese and one strawberry preserve, please,” he said to the cashier as he was not allowing Pat to order in French and accidently say something stupid. He forked over some euros.

“You don’t have to pay for me,” Pat protested when he saw that.

Janus glanced back at him. “I was afraid you’d try to pay in francs,” he said dryly.

 It looked like Pat was about to stick his tongue out at him, remembered that Janus had criticized him for that earlier, and then just scrunched up his face in displeasure as though that was any less childish.

They waited for their crepes to be finished and then went to eat them outside near a water fountain.

“I can pay you back for the crepe,” Pat said after they sat down. “I do actually have euros.”

Janus waved him off. “It wasn’t that expensive.”

Pat hummed. “Well, in that case. I insist on paying for a wish for you.” Janus raised an eyebrow. “In the fountain!” Pat clarified.

 Pat set aside his crepe to dig in his pocket for a couple of coins. “Here!” he said handing one over.

Janus glanced over at the fountain. “No.”

“Oh, come on,” Pat beseeched. “You have to want something. I’ll even throw it in for you, but you have to make a wish first!”

“No.”

“Please!”

Janus sighed. “Fine.” He popped the rest of his crepe in his mouth. “I wish for a crepe,” he said after swallowing.

“You just had a crepe, silly.”

“But I liked it, so I want another one.”

“We can go back and get you another crepe.”

“Ah, but I’m not hungry anymore.”

Pat crossed his arms. “You’re just being difficult on purpose.”

 “Not me,” Janus said putting hand over his heart. “I would never do something like that.”

 Pat glared at him, but then snatched the coin out of his hand. “Fine!” he said. “One crepe wish coming right up.” He hopped up with the two coins and darted over to the water fountain. Janus turned to watch him go but then happened to catch sight of something out of the corner of his eyes.

Pat’s phone.

He didn’t pause in his movement, completing the turn, but as he watched Pat close his eyes, presumably to focus on his own wish, Janus snuck a hand out and grabbed the phone without looking. He slipped it into his own pocket.

 Pat came back over after throwing both coins in the fountain and didn’t even seem to notice that his phone was missing, picking up his crepe to take another bite. Just to make sure, though Janus decided to distract him. “What do you think of your crepe?” Janus asked.

“I like it! It’s sweet, but not too sweet. There was a crepe place across the street from my apartment in college, but they always put a bit too much sugar in the dough, I think. I’d still eat them, but these are much better.”

Janus nodded and kept up the light conversation until Pat was finished.

21088

“Well,” he said then, getting to his feet. “It seems that nothing else is going to happen regarding the time distortion. I should be getting back.”

Pat hummed. “I should too. It’s movie night!”

“I probably should arrest you,” Janus noted.

“In the middle of all of these people?” Pat asked mildly.

“Touché,” Janus said.

Pat gasped and pointed at him. “Pun!” he said. Janus blinked at him. “Because we’re in France! That’s French!”

“…Goodbye Pat,” Janus said, turning to walk away from him.

“Goodbye… wait I still don’t know your name!”

Janus stopped to look back at him for a moment. “Like I said,” he replied. “Elvis.”

“Fine,” Pat said. “Au revoir, mon chéri.”

“You never stop, do you?” Janus asked.

Pat giggled. “Considering I don’t know what you mean, I imagine I’m just getting started.”

Janus actually left then, walking off towards the alley he’d first arrived in. In some ways, the mission had been a bust, but in others it had gone very well.

He felt for the weight of the phone in his pocket before pulling up the display screen on his timepiece to go back to the TPI.

It had gone very well indeed.

 Chapter 15

The first thing Janus had done when he’d returned to the TPI was hand over the timebomb to Khalid who sent it to forensics. Within the hour, forensics got back to them that it was the same timebomb as 2999 and that it had never exploded, but simply been diffused. Which meant, blessings on blessings, everyone got to go home that night.

 Not that Janus went home, no, he ended up falling asleep on his desk somewhere between 3 and 4am, but at least he wasn’t sharing his space with anyone. He’d been trying to hack the cell phone all night to see if it had anything he could use, but he honestly had no idea what he was doing. All it seemed he could do was play some annoying song over and over again about never giving someone up. At around 2am, he’d finally broken and sent off an email, though, he’d continued to try to mess with it after that.

 He got woken up by Lena coming into the office at 7am, and noticed he already had an email response asking when Janus wanted to come in.

“Now?” he sent back.

“…Do you sleep?” was the immediate response. “And yes.”

His wrist buzzed as an appointment in 5 seconds downloaded to his timepiece. He selected the coordinates and landed at Cultural Outreach. The receptionist blinked up at him and then back down at the screen on his desk. “Oh!” he said. “I didn’t see this appointment. I think Professor Eran is in his office.”

He didn’t stand to escort Janus this time, so Janus went ahead and went down the hall to Virgil’s office himself.

 He knocked on the door and while he was waiting for Virgil to open it, the infernal contraption once again started to play the same stupid song.

“I didn’t even touch you!” he spat, getting it out and tapping on the screen.

“Jonas Brothers dude again?” Virgil asked causally upon opening the door.

Janus shoved it at him. “Make it stop.”

Virgil took it and fiddled with it for a few moments before it stopped with the song. “Oh my gosh,” he said scrolling through something on the screen.

“What.”

“What maniac sets a custom alarm for every 30-60 minutes for a week that just plays ‘Never Gonna Give You Up’? Oh, and one ‘It’s Not Unusual’ on Saturday. He’s mixing memes at an alarming rate.”

 “Can you. Just. Make it not happen. Anymore?”

Virgil smirked at him. “Maybe.” He turned around to go back into his office.

“Virgil,” Janus growled following him in.

Virgil just laughed. “What do you want to know about it?” he asked. “Just a fair warning… the song means he… likely was aware someone would steal it.”

“Of course, he was,” Janus groaned.

“But I’m sure we can still get something out of it.” Virgil started tapping at the screen again. “Okay, let’s see. It’s an iPhone 5, and someone jailbroke it.”

“What does that mean?”

“Tampered with it so they could install non-company approved software,” Virgil explained.

“Well I figured that since he was using Google Maps to track time distortions,” Janus grumbled.

 “I think I have something,” Virgil said to himself while digging through his desk. “Ah ha!” He held up some sort of cord. “This will let me hook it up to my integrator.” He slotted the cord into the bottom of the iPhone and then crawled under his desk to fiddle around with some other things. “There we go,” Virgil said popping back up. “It might take a few minutes. Running the program any faster might overheat the phone.”

Janus nodded and sat back to wait. Virgil grabbed the phone and started to play around with it a bit even as it uploaded all of its information to his computer.

“Weird,” Virgil said after a moment.

“What?” Janus asked, sitting up straighter.

“There are exactly two contacts. Fewer than I’d anticipate for a regular phone from the 2010s. More than I would expect from one clearly not being used as a phone.

 Virgil glanced to the side, and it must have finished the download because he unhooked it from the computer. “I have a 21st century phone network adapter,” Virgil said. “It transfers call back to whatever date the phone says. Do you want to try calling one?”

“It’s worth a shot,” Janus replied.

Virgil dug back into his desk for a small device that he plugged into the same port he’d plugged the earlier cord. “Okay, which contact do you want to try first?” he asked. “One has ‘Ro’ with a crown, red heart, and a gold star emoji. The other has “Lo” with a book, blue heart, and Milky Way emoji.”

 “He mentioned a Lo,” Janus said. “So, try him first.”

Virgil nodded. “I’ll put it on speaker.” He pressed some buttons before setting the phone on the desk between them.

The phone rang three times before with a bit of a crackle, it was answered. “Salutations,” a voice said, voice sounding a bit scratchy as though he had only just gotten up.

Virgil motioned with his head for Janus to speak. “Are you ‘Lo’?” he asked.

The man hummed. “To some people.”

Janus… didn’t quite know what to say to that, or even what questions he should ask.

“I’m assuming you’re the man that stole my associate’s phone.”

 “Your associate?” Janus fished.

The man made an amused hum. “I believe you were calling him ‘Pat’ on your last adventure.” Janus could hear something being placed down on the other end of the phone. Before Janus could respond, he heard what sounded like an old keyboard being typed on. “Now,” Lo said. “I have to admit, I am surprised you were willing to oblige me so thoroughly by plugging the phone into your system. Let’s see…”

The screen on Virgil’s lit up bright blue all of a sudden. “…shit,” said Virgil.

“Well,” Lo said, “it seems you were clever enough not to plug it into the TPI system, which is disappointing, but…”

 There was more clicking on the other end. “Hmm, interesting music tastes for the 4000s,” he said.

“I’m an anthropologist,” Virgil spoke up.

“Ah, yes, I can see that,” Lo replied. “Virgil Eran, senior professor at Silver Mountain University, a vetted member of the Cultural Outreach program, and searched the phrase ‘How to eat sushi without making a cultural blunder and making everyone hate you and losing your job because what kind of shit anthropologist doesn’t know how to eat raw fish right’ which you then shortened to ‘How to eat sushi’ and proceeded to search 52 times in the last 48 hours.”

 Virgil went a bit scarlet around the ears. “Dude, did you really have to out me like that?” he hissed at the phone.

“My apologies,” Lo responded. “From my personal experience, don’t dip the rice parts in soy sauce, and don’t add too much wasabi. Overall, most people will be understanding of mistakes, and you will certainly not be fired or ostracized for handling food incorrectly. As long as you are not acting intentionally disrespectful, and I image you will not be considering your clear anxiety over whatever outing you are planning to attend, you will be fine.”

“Okay,” Virgil said. “Good point, but counterpoint, what if you’re wrong and everyone hates me forever?”

 “Is it the lunch meeting today at 11:30am?” Lo asked, “because I can see that a Professor Boris Laden has attended the event multiple years in a row. Considering he is a philosophy instructor, has no Japanese heritage that I can see, and I have found a photo of last year’s event wherein he has placed his chopsticks vertically in his rice, and he has yet to be fired or ostracized, I would postulate that your fears are unfounded.”

“Yeah but… okay, I really don’t have an argument for that one, except maybe I’m a piece of shit and everyone is looking for a reason to hate me.”

“Considering your many impressive accolades in your field, I would argue that ‘a piece of shit’ is not a good descriptor of you. Not to mention the fact that you are often a highly requested member for different committees in your department and outside of it.”

“Oh, but is that because people like me or because I’m an anxious mess and make sure events go off without a hitch?”

“From experience, disorder with people you enjoy the company of is far more tolerable than order with people you do not. Which explains my current living situation and the lack of finished dishes in my sink. Therefore, I would assume the former.”

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“A lot of assumptions,” Virgil commented, but he was smiling slightly.

“Assumptions based on data,” Lo argued back lightly.

“You really came in here, hacked into my computer and smacked my anxiety in the face, huh?”

“Glad to have helped.”

“Y-”

“Are the two of you finished?” Janus interrupted, finally getting sick of the two of them.

“Not nearly,” Lo said. “I have gained access to an entire network of a very large university and will be sorting through the data for a long time.”

“Ugh, right,” Virgil groaned, “and you got access through my integrator.”

“I doubt they’ll be able to trace it back to you if you don’t tell them.”

“Nice try,” Virgil said dryly, “but not likely. I’m telling them about you immediately so they can work to kick you out.”

Lo laughed. “Fair enough, but I’ve already gotten plenty of information at this point. Including the fact that you work with the TPI and scheduled an appointment with an Agent Janus Picani this morning set to start a few minutes before this phone call. So, hello Janus.”

“Bastard,” Janus shot back.

“And goodbye Professor Eran. It was a pleasure.” He hung up.

Virgil sighed and ran his hand through his hair. “This is going to be fun to explain to both of our bosses.”

  Arc II What We Do to Each Other

Chapter 16:

As it would turn out, Janus and Virgil did not get in trouble for hooking up the old phone to Virgil’s integrator, mostly because it wasn’t really a mistake on their part. The phone cleared all virus checks that the tech people both from the university and the TPI ran on it. The phone should have been clean and should not have caused an issue.

In fact, they were still trying to pin down the code on the general university server. They could tell that something was mucking about on the system but what or how was a mystery. This also meant that there was no telling what information had been compromised and considering how many things Silver Mountain had its hands in, that was… a bit worrying.

 Another worrying thing was there was suddenly more activity of late at the TPI. There were more time distortions popping up every day. Usually they would be few and far in between. There had been 3 total recorded the year before, but over 12 in the last week. Some of them were fake like the one Janus had investigated, but some of them were real. It painted a distressing picture and also was a drain on their resources. Khalid was actually looking to advertise positions to hire new recruits which was something she rarely did as she liked to keep appointments to the TPI in house.

 They’d even loosed the number of field agents needed for each mission and Janus and Remus had been splitting up just to get everything done. Today, he and Remus had thankfully only two missions scheduled for the day.

“Are we going together or separate today?” Janus asked Remus.

“Think they’ll burn me at the stake for being a witch if I go alone to either of them?” Remus asked.

“I don’t know. Probably. I think we’re getting a bit late into the 1700s for that in Cuba, but I have no idea about Mesopotamia.”

“Let’s just go together. I did not like almost drowning yesterday because I was the only stranger in town when the weather was going wonky.”

“Surely it isn’t because you opened your mouth. Ever.” Janus said dryly.

“How was I supposed to know he was the local clergyman’s son?”

 Janus rolled his eyes. “On second thought,” he said, pushing a button on his desk to choose Cuba as he next mission, and standing up. “I don’t want you coming with me.” Yet, he did not protest when Remus also signed up for the Cuba mission and he waited for him by the office door before going to talk to Rhi.

Rhi was a bit frazzled when which meant quite a bit as she was usually incredibly put together. Remus didn’t even seem inclined to tease her today.

“Okay,” she said once they’d closed the door behind them. She flipped through some documents on her desk. “Picani and Clockson. Camaguey Cuba 1755. Do you know Cuba?”

 “Uh,” Janus said. “Yeah?”

“Like you’re reading the things, right? I don’t have to babysit you, right? You got it? The Seven Year War was happening, but it won’t affect you much as it hasn’t really hit Cuba. It’s the middle of the Camaguey Carnival. Everyone will be everywhere and there will be chaos so as long as you don’t really fuck up you should be fine. Um…apparent races.” She looked up at them and studied them each for a moment as thought looking at them for the first time despite having known them for years. “It’ll work. Go to costuming.”

“Shouldn’t we…” Janus said, “sign things?”

 “…Yep,” she said, fiddling with her desktop and then sending documents over to their side to sign.

Janus and Remus both did before sending them back.

“Great. Good.” She stood and grabbed some things from behind her. “You can go.” She sat back down as they took their things and Janus noticed a message pop up on her desk. She looked up at Remus looking exhausted. “What?” she asked.

“Just open it,” Remus said.

Rhi tapped it and a photo opened.

“I got her a new mouse toy!” Remus said happily as Rhi looked at the picture of Diesel Fuel attacking a cloth mouse.

“That is… appreciated Agent Clockson,” Rhi said. “Now get out.”

 They did, leaving to get their costumes on and checked. Costuming was just as busy and frazzled as Rhi had been and they actually had to wait for decon because there’d been a mix up with the agents leaving before them. They landed in Cuba without issue. Janus could already hear the festival in full swing outside the small building they’d were in. Remy was standing there with a very not time appropriate mug of coffee.

“Sue me,” Remy said when Janus raised an eyebrow at it. “Please just… get in and out without causing trouble. Seriously. I don’t want to have to deal with that on top of everything else.”

 “We’ll do our best,” Janus assured.

Remy pulled his sunglasses down to look at him. He looked exhausted. “God please do more than your best.”

Janus nodded tightly. “We’ll be in and out,” he said, already glancing at his timepiece. It had been disguised as a golden bracelet which made it a bit harder to actually use, but wrist watches wouldn’t be invented for more than a century, so they’d have to make do. “The time distortion, if that’s what it is, should be in the middle of town. Let’s go.”

He and Remus exited the building onto the packed city street.

 Janus was immediately bombarded with all types of sights, sounds, and smells. There were many colorful articles of clothing and costumes as people went every which way along the street talking to other members of their community, playing instruments, and dancing. There was the sound of people speaking Spanish, still mostly almost pure Castilian Spanish with perhaps a bit of influence from Taino as the Haitian revolution had yet to push the Creole language over to Cuba. People must have been hard at work cooking different dishes for the carnival as many different spices wafted through the air. It was sticky hot considering it was the middle of June in the tropics and Janus was immediately sweating despite the temperature appropriate clothing he’d been outfitted with.

 He glanced around their immediate area, just scoping out the crowds. His eyes were immediately drawn to one person near them.

“Oh, you’ve got to be kidding me,” he said out loud when he saw Pat. Remus looked in the direction Janus was.

Even if Janus didn’t recognize him the moment he laid eyes on him, he probably still would have ended up staring as he was the only person in the area who clearly did not know how to do the dance he was attempting.

Remus snorted and Janus shook his head in secondhand embarrassment. “Well, would you look whose boyfriend’s here,” he said to Janus. Make that firsthand embarrassment. “Has anyone told him the Mambo wasn’t invented until the 1900s and also that’s not how you do it?”

 Chapter 17

Pat stopped dancing the moment he saw Janus approaching him, but he still bobbed cheerfully ( and unrhythmically) to the music. “Hi Janus,” he said pleasantly.

“You just have to rub it in, huh?”

There was a flash of confusion across his face, but then he smiled. “Well, I know where in our relationship you are. How was France?”

“You’re a bastard.”

“You stole the phone,” he laughed.

“You stole the bomb,” Janus countered, “and you wanted me to steal the phone. You booby trapped it.”

“No,” Pat correct, putting a finger up. “We have security on my phone because in high school I once forgot it in the school locker room and long story short, the three of us ended up in a lake. So, then Lo made sure I always had some sort of tracker on it. When I started time traveling, he updated it and when I met you we updated it again in case there was ever an opportunity like that. Lo calls it using our weaknesses to our advantage.”

 “He’s a bastard too,” Janus growled.

Pat just laughed.

“Is someone talking about me?” Remus asked, stepping over to them. Janus rolled his eyes.

“Oh,” Pat said, blinking at Janus’s partner for a moment. “Remus.” He hesitated slightly. “How are you doing?”

“Me?” Remus asked. “Uh, I’m doing good. A little stressed out with work, but fine.”

“Good,” Pat said with just a little too much heartfulness to it.

“What?” Janus asked, eyes narrowed at Pat. “What is that?”

“What is what?” Pat asked. He met Janus’s eyes briefly and it made panic surge up Janus’s spine because the look Pat was sending him wasn’t one that said he was playing dumb. It was a warning.

 Oh, Janus did not like this. That look told Janus Pat had some foreknowledge that he absolutely could not tell Janus about without messing up the timeline spectacularly. This was why this mess the two of them were mixed up in was so bad, but it seemed Janus did not have much of a choice when it came to Pat.

Despite how bad of an idea he knew it was, he still wanted to push, because whatever Pat was hiding could be very, very bad and it had to do with Remus. There were so many reasons Pat could be acting like that around Remus, but the worst ones were definitely the ones on his mind. Death, injury, illness. They were all possible especially in their line of work and especially with how time was being screwed with right now. And Pat knew. He knew exactly what the answer was, and oh did Janus want to push.

Experience knowing what worse things could come out of having foreknowledge made Janus bite his tongue.

 “So, what are you two doing here,” Pat asked, and Janus unhappily let him change the subject.

“Oh, like you don’t know,” Janus replied.

“I don’t know,” Pat said innocently.

“There’s another time distortion,” Janus said, “and while you didn’t know what it was the last time I saw you, I’m pretty sure you do now.”

“Oh, I didn’t know there was a time distortion here. I can help you if you like,” he offered sweetly.

“Oh, yeah, sure. Then why are you here?”

“I wanted to see if I could find the Flying Dutchman,” Pat told him.

“And so you went to Camaguey?”

“Uh huh.”

“One of the farthest places from the ocean in Cuba?”

 “Is it?”

“I don’t trust you.”

Pat just shrugged. “Well, if you don’t want my help finding the time distortion, I’ll just be on my way then.”

“Wait,” he said when Pat went to turn away. Pat paused. Janus turned to Remus. “Remus, do you think he’s bullshitting me so I let him wander off and do whatever the hell he’s doing, or do you think he’s bullshitting me into letting him come with us.”

“Hmm,” Remus said, looking Pat up and down. Janus could immediately tell he wasn’t going to get any helpful answer. “Well, if we’re going with the how much do I get to see his, admittedly very sexy, ass criteria.” Janus pinched the bridge of his nose. “Letting him leave now means instant gratification and a nice full image when he turns away. However, letting him go with us means many more opportunities to get a glimpse, but they’d probably just be glimpses. So, yeah that’s a tough call.”

“You didn’t even bother to give me an actual hidden suggestion with that bullshit,” Janus groaned. He glanced at Pat only to see him hiding his very red face in his hands. Janus blinked. “Oh,” he said. “You got him, Remus.” Janus was surprised. He’d expected a bit more tenacity for someone with Pat’s personality. Of course, Janus was used to Remus, so that perhaps had some effect. Pat made a muffled distressed sound behind his hands and Janus raised an eyebrow. “You really got him.”

Pat flapped one hand around while still using the other to completely hide his face. “It’s just. His face. Saying that. Is weird.”

 Janus could not say that he didn’t feel a slight spark of joy at seeing Pat flustered. After all, Pat’s weapon of choice had often been flirting with Janus in the past. However, he still smacked Remus on the shoulder when it looked like he was about to continue with something likely far more inappropriate. “We are here for a reason,” he reminded. He turned to consider Pat and squinted at him. “You’re coming with us, I’ve decided. I don’t want to let you out of my sights. Don’t,” he said empathically turning to Remus as the man opened his mouth once more.

 Pat had mostly recovered, though his cheeks were just a bit pink still. “Yeah,” he said. “I’ll go with you. Where do we start?”

Janus glanced at his timepiece. “It’s not showing up on our trackers yet.”

“It messed with your tracker last time,” Pat pointed out.

“I know,” Janus said. “Which means it could be another fake one or whatever is causing it hasn’t started yet. If things start going wrong, but it still doesn’t show on our radar, it’s almost certainly a fake one, but some of the fake ones haven’t blocked our technology.”

“Here, I can check,” Pat said.

“Please don’t pull out an iPhone,” Janus begged.

 Pat stuck out his tongue at him, and then smiled. He reached for the bracelet on his wrist and twisted it back and forth a few times before pressing his palms together. He glanced around them quickly to make sure no one around them was watching and then peeled apart his palms like he was miming reading a book.

“What the fuck is that, and how do I get one?” Remus asked immediately. It was innocuous, whatever it was. If someone from this time caught a glimpse of the display, they’d likely assume it was a trick of the light, but staring right at it, Janus could tell it was a map of the surrounding areas with a softly glowing blue light marking their current location. Janus could see no screen or origin of a hologram. It looked like the image was drawn onto the man’s palms, but as he watched, the image shifted to zoom out.

 “There doesn’t seem to be anything major yet,” Pat said wiggling his fingers a bit. The display changed slightly to some sort of colorful overlay Janus did not understand. Pat hummed. “Did you two come from that building recently?” he asked nodding at it.

“Yes,” Janus replied. “How do you know?”

“There’s sometimes a slight temperature change when people time travel,” Pat explained. “I can read it on here.” He tilted his head. “There also seems to be a big enough temperature change in a church a few blocks away that could indicate time travel. Want to check it out?”

“We might as well,” Janus agreed.

“And if it’s nothing, we can get drunk on the communion wine!”

“He’s going to get immediately struck by lightning,” Janus said.

 Chapter 18

“If we see anyone,” Janus said as they entered the church. “You keep your mouth shut. Do you understand me? Remus, do you understand me?”

Remus immediately turned to Pat. “You know, I didn’t grow up Catholic,” he said to Pat who looked at him in confusion. “So the first time I ever entered a Catholic church, you can’t blame me for being a little confused about the whole cabinet thing with a wall between them. After all, everyone was singing about glory to god and what not. So I…”

Janus slapped him. “This is why you were almost burned at the stake yesterday.”

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“Excuse you,” Remus said, putting his hand over his heart. “I was almost drowned.”

“You were almost drowned?” Pat asked, his voice seeming legitimately distressed.

Remus shrugged a smile on his face that caused a Pavlovian migraine to start up behind Janus’s eyes. “It’s one of the hazards of the jobs, and really it would have all been worth it if I’d actually gotten to drown in that man’s…”

“We’re in a church!” Janus cut him off switching from Spanish to Swahili in the hopes that no random passersby would be able to understand him in this time and place. “Don’t talk about lewd sex things. Don’t talk about sex at all. It’s a Catholic church!”

  Remus continued to speak in Spanish with no regard for anything. “But not talking about lewd sex things takes away 3/4ths of my personality,” he pouted.

“More like 9/10th,” Janus grumbled, “and the other 1/10th is just normal stupid.”

“Hey, you shouldn’t be mean,” Pat scolded, in fucking English for some reason, “but Remus, honey, you probably shouldn’t be saying things like that right now.”

“No, no, he has a point,” Remus said switching to English.

“He’s my partner, I have the right to call him stupid,” Janus insisted.

“And I love you too!” Remus said in Greek because he was really, truly, stupid.

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Pat looked between the two, but then seemed to accept it, dropping the concerned expression for a slightly amused one. “If you say so.”

“Can I… help you?” A voice asked. All three of them whipped around to see a young boy looking at them and seeming very confused. Which was fair considering that to his ears, they’d just been speaking nonsense.

“We’re here to pray!” Remus claimed, then he turned to wink at Pat and said under his breath in Swahili, “to that ass.” Pat went immediately bright red again, which was doubtlessly Remus’s aim. Janus subtlety stepped on his foot while smiling at the boy.

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“Oh,” the boy said. “Okay.” Thankfully, he didn’t seem interested in questioning the random strangers in front of him further. “I’m going to go back to the celebration now.”

Janus smiled at him. “Have fun,” he said. He waited for the boy to leave through the front door before slapping Remus on the back of the head.

“Ow!” he whined sounding far too pained for how hard Janus had actually hit him.

Janus rolled his eyes. “Let’s just start investigating,” he said.

“Sure, sure, you never let me have any fun,” Remus said, pulling up his wrist and spinning the golden bracelets on his arm. “Hmm…” he said.