#i get so tired while doing linearts or painting stuff

[imavikingo]

[iliveforyouilongforyouvesuvia]

Vesuvia Weekly: Fashion Intervention

~ here's another sketch of an afternoon with my fandom self-insert :P ~

1.8k words

One of the best parts about being the type of person to prefer sitting in corners is needing to worry less about my appearance.

One of the worst parts about being the type of person who doesn't worry much about appearance is having six friends who definitely do.

The part I don't understand is when my fashion sense got so horrifically bad that said six friends actually banded together to stage an intervention. In the marketplace. While I'm writing. With Selasi, that delightful baker, enabling them.

"Ah-ah-ah, don't try to resist! You're a fine young man, my friend, but we all have our weaknesses. Appearances are easy to fix!"

My neck is going to start hurting if I keep having to look up like this. Julian is gesturing enthusiastically, his coat billowing in the breeze as he gets caught up in his monologue on self-improvement. Do I point out the irony, or -

"He doesn't look that bad, he just needs some more ... smrthrgnh." The last word of Asra's sentence is muffled by a mouthful of bread. My bread. Why is he eating my snack?

"Why are your clothes so shapeless anyways? Show off a little something! You should do like I do and get everything tailored. Work that figure!" Lucio takes a few heeled steps and then spins, striking a pose to show off his suit. Muriel frowns.

"It's okay if you don't want to show off." Thank you. "But maybe you could ... pay attention to patterns." I take it back.

"Yeah, what's up the funky looking skeleton? There's no way the fabric it's painted on is going to last longer than a few washes."

"It's merch, Portia." She huffs at my defense and plops down across from me, brushing my parchment out of the way. "I like it because of the pattern, the quality is just ... unfortunate, sometimes."

"I believe we've made our intentions clear." Nadia sails into the discussion and gives me a no-nonsense look. "It would be remiss of us to allow our friend to sit in a public space with so little care for his appearance. Especially when he is one of Vesuvia's aspiring authors."

I try a pleading look, but the only person who starts to look remotely guilty is Julian. Portia's elbow to his ribs makes quick work of that.

"I have shi- I mean, I have stuff to write. And to get done. If you want to look through my wardrobe and help me put together outfits later, we can, but I don't want to leave my corner right now."

"I cannot say this response is unexpected," the Countess gives me a sly but friendly smile, "so I've prepared something for you in advance. When the time comes to return it to me, I expect you to do so with a cleared schedule and an open mind to fresh aesthetics." She holds out her hand, an intricate set of silver chains dripping from her fingers. "From my personal collection - I expect it will suit you nicely."

I sigh. The sooner I accept, the sooner I can go back to not being scrutinized by six pairs of frustratingly kind eyes. "Thank you. I'll take very good care of it."

Nadia moves the jewelry out of the way as I reach for it. "I desire something in exchange."

"What ... what something?"

"I'd like your sweater, please."

"My hoodie? But it's so comfy!"

Her eyelids droop in poorly concealed annoyance. "Your 'hoodie' is in a severe state of disrepair. I can see the threads poking out from the seams, young man, I don't care to see my prized jewelry hidden under such a tired item."

"... okay." I squirm out of my hoodie, handing over the pile of fabric in exchange for the chains. The short sleeves of my undershirt leave my arms exposed, something that I thought I did more often, except -

"You have tattoos?!" Portia's reaching across the table, snatching up my wrist to get a closer look at the slowly growing sleeve. "That's so cool! I've heard that they can really hurt."

"That's a familiar symbol," Asra eyes the lineart on my upper arm where its stretched across the table in front of them. "What do the other ones mean?"

"There's one on your neck, too!" Lucio sounds almost scandalized. "Let me see it!" Before I know it, my freshly exposed neck and arms are being closely examined while a few more sharp eyes focus in on the hints of ink peeking out on my shoulders and chest. This is why I wear hoodies.

Muriel's quick to notice my discomfort when the attention shifts to my neckline and bound chest. "My turn," he grumbles, dropping a navy blue scarf around my collar.

"Thanks."

"Don't mention it. Now give me the second hoodie."

It's hard not to scowl, but I untie the backup hoodie's sleeves from my waist and hand it over. Dang it. "Here."

"You look chilly, my mentally decaying friend!" Good lord, when is Julian going to stop ribbing me over my pen name?

"It's brainrot." He doesn't falter.

"Allow me to rectify your situation! I guarantee you this trusty cloak will protect you from the fiercest of storms." He pulls the massive, dramatic coat from his shoulders in a rehearsed sweep and twirls it to fall behind me. He keeps the armholes open with an excited grin until I push my hands through them.

"This is ..."

"Warm? Comfortable? Touching?"

"Huge." I can barely hold back my laugh. "There's no way even your arms come out the other end of these sleeves! ... but thanks, I'm definitely not cold any more."

"I'll help you roll them up," Portia chirps. Her nimble fingers make quick work of the endless fabric, and I can see my ink stained hands again in no time. "Now give me your socks."

Oh no. My boots are sitting next to the pile of cushions, my socked feet tucked under me for maximum comfort. It's not the stink I'm worried about - for all my poor fashion sense, I never miss my daily shower, or laundry day - but to say that I walk gently would be a blatant lie. I briefly size up the determined look on her face before sighing and shucking them off under the table. "... remember, you asked for this."

Hey jaw drops. "Please tell me you have at least one pair of socks that don't have holes in them."

I shrug. "As long as I can still wear them ..."

"No!" She slams her hand on the table, rattling the now-empty bread bowl sitting in front of a shameless snack thief. "These aren't socks anymore, they're practically cobwebs! I'm knitting at least five more of these."

She shoves a pair of knit orange socks into my hands, lovingly covered with Pepi's cat hair and decorated with little blue bows. "Put these on, I'm burning the rags you gave me."

We both know my pout is just for show. It's not my usual style to wear anything that isn't black (or very, very dark grey), but the bright orange gift is supremely comfortable when I put it on.

"My turn," Asra begins with an innocent smile.

"Where's my bread?"

The dimples deepen. "Give me your head covering, and I'll tell you."

"My beanie?"

"Is that what it's called?" He holds out his hand, taking a closer look at the shabby knit fabric when I pass it to him. "I don't see why, there aren't any beanlike qualities about it. Ooh, unless they're invisible beans ..."

Nadia's sharp cough sets them back on track. "Wear this instead, until we can find a better replacement." Oh god, tell me it's not -

It is. It's his iconic wide brimmed hat, complete with the oversized neon rainbow feather nodding from the band. I don't have time to protest before they're plopping it onto my head and wobbling it into place with a laugh. "Now you're unnoticeable." I highly doubt that. "As to your bread, Selasi's been asked to bring you some of the next hot batch. Can you forgive me?"

Nothing about a smile as smug as his says "guilty", but to be fair, I was never upset. I nod. "So ... can I go back to writing now?"

"What about me?!" I glance from Lucio's outraged pout to the rest of the group. I'm fairly certain that, even if he was invited to the planning for this, he didn't follow through on deciding which offending article of clothing he wanted to replace. "You didn't tell me I had to bring something!"

Portia rolls her eyes. "Well maybe if you had listened when I was talking to you, then you would've known." I don't miss the quiet smile lurking in the corners of Muriel's face as Lucio turns bright red and sputters.

"Well joke's on you, 'cause I'm going to give him something anyways!" He starts taking a hasty inventory of his outfit. "Yeah, that's right! I'm gonna give him ... I'm gonna give himmmmm ... this!"

He unfastens his smallest medal and leans over the table, poking the pin of it through the thick leather of Julian's jacket, disregarding the whimper of protest from the doctor behind him. "It's supposed to be airtight, to keep out the bad humors ..."

"There!" The ex-count grins down at me proudly. "Now your outfit isn't boring. You can give that back to me when you have a better look."

"Thanks," I tell him, and I mean it after noticing the way he glances forlornly at the new empty spot on his sash. "I'll make sure it gets back to you."

"We should go now." Muriel's already half-turned away. "... I'm still not sure this worked."

Asra steps back to his friend, surveying my new look from a distance. "Maybe this will motivate him to let us fix his look sooner."

"It looks better with my medal on it," Lucio announces proudly. Portia lays a firm hand on his shoulder and starts heading away, dragging him with her.

"You'll look better once you make time for us, promise!"

"You should be somewhat protected from the elements, at least." Julian eyes his cuffed coat critically. "If you fasten it correctly, it's airtight, humors proof, water tight, blood proof, pus proof -"

"We'll leave you in peace." Nadia smiles again, amusement dancing in her eyes every time she looks at me. "I suggest you prioritize finishing this project soon."

The six disappear back into the crowd. I lean back against the stone wall behind me, Asra's hat knocking forward over my eyes and giving me a moment of peace. Sure, I may have looked shabby before in my all black-and-grey, well worn clothes, but now -

I'm startled out of my blissful shuteye by a surprised choke. Selasi's standing by my table, a fresh bowl of spiced rolls in one hand and the other clapped over his mouth. "Would you - would you like a mirror, my friend?"

I hold out my hand for the rolls, mentally taking it as a consolation prize for what I've just been lovingly wrangled into.

"Oh, don't think I'm not aware that you let this happen, Selasi."

[genericpuff]

Alright, update on the tablet situation, I do NOT have good news but there are some silver linings.

First off, thank you all so much for your patience. That one week I took off to relax seemed to be an invitation for the universe to fuck with my shit because my tablet literally chose the worst time to get on my nerves ( This is totally not something I'm gonna bring up with my therapist as proof that I'm not allowed to rest /s) I've tried just about everything to get it working again, I got a replacement 3-in-1 cable and even that didn't do anything, so I've ordered in a new pen, but that's not due to show up for another week or two.

However, I do not want to wait a week or two on the off chance that a new pen even solves the problem.

So the GOOD NEWS in all this is that I do still have my iPad. It wasn't setup with Clip Studio Paint because I own a perpetual license for my PC, but seeing as how now I can't use it on my PC (at least not with my tablet pen) I've gone ahead and setup the mobile version on my tablet, thankfully I got a discount because I already own a perpetual license but it's still gonna cost me $10/month so that's yet another subscription to slap on the 'ole credit card.

Now that does mean I have to go through the painstaking efforts of moving everything from my PC onto my tablet, but thankfully that issue is easily solved with cloud backups and transferring. Really all I need to be able to do is draw, I can still do speech bubbles and text input and texture overlays and all that post-production stuff on my PC, but anything that requires actual drawing I'm gonna be using my iPad for. So please, don't mind if you notice some weird little art differences between Episode 30 and 29, I'm adjusting to a new workflow! It shouldn't be too bad because I'll still be using the exact same brushes and textures and all that fun stuff that I do on my PC, it just comes with the adjustment of drawing primarily on iPad, which I don't normally do (I usually only draw on my iPad for tattooing and that's in Procreate which I still suck at using outside of lineart LMAO)

This is a very stressful situation that I'm hoping will only be temporary until I get that new tablet pen, and if THAT doesn't solve the issue, then I'm gonna have to start shopping for a new tablet entirely, and that's not something I can do immediately because I'm already starting to struggle financially due to the slow season creeping in at work and I'm still paying off that new PC I put down on layaway (which I'm regretting already). All that said, if you want to help a pal out, please consider tossing a dollar or two at me on my Ko-Fi, it's all gonna go towards a new drawing tablet if I need it (and if the pen solves the issue, then you'll be helping me stay afloat so I can keep bringing you guys the good shit LOL)

What's wild is that in all my Google searching, I found a thread from two months ago with literally the EXACT same issue, under the exact same conditions, in which OP's tablet pen unexpectedly stopped registering with their Huion Kamvas 22 Plus that they had owned for two years. According to them, it did start working again, after resetting the PC and re-installing the driver over and over again, but I've already done that myself a ton of times and I'm tired of being let down and that doesn't seem like a "real" solution beyond luck, so I'm gonna take a break from doing that while I get my iPad set up. I have the sneaking suspicion this might have to do with some recent Windows updates that just rolled out, my PC had definitely gone through a couple leading up to the malfunction. This wouldn't be the first time Microsoft has fucked with my tablet functionality so I literally wouldn't be surprised if it was something like that. Either that, or the '2' in Kamvas 22 stands for "will only last for 2 years before stopping entirely" LOL

Anyways, that's all for now. Thank you all so much for your patience and understanding through all this. While I don't want to have to reduce the quality or frequency of what I put out for you guys due to technical issues, I also don't want the comic to stop entirely, so if this turns into one of those desperate situations where I'm delivering you guys episodes of Rekindled drawn on a Nintendo DS, so be it. I'm not gonna let this beat me.

[diminuel]

Hello! Your recent Dean art (which I love!) has me wondering this about your art process... Do you have a similar process when you are drawing digital vs traditional media? How similar or different does it feel for you to make art in one medium or another? I wonder this a lot about digital art, as I've never tried it before. And your style is so recognizable in both! I love it a lot! Also, please don't feel pressure to answer this if you are busy or tired, I know you have many things going on right now. Thanks for being a lovely presence on my dash, either way! :)

Hello hello!

Thank you! :D

It has always felt significantly different in a way. Back in the day - when I first made this blog - I still drew all my "elaborate" art by hand and then lined and/ or coloured the artwork digitally. Part of that was that I simply didn't feel all that confident in my digital art skills. I think until about 2010 or 2011 I drew almost exclusively in pencil on printer paper.

Now it has shifted in a way that I think of traditional drawing as "special", probably also because some years back my parents gifted watercolour paints and paper, which aren’t cheap at all. I used to draw enough that they could gift me new paper every birthday, though I have stopped doing it eventually - mostly because I drew watercolour stuff for the advent calendar and it added another layer of pressure - not just to draw well so as not to waste expensive things but also to draw fast, bundled with the frustration of not being able to take good pictures because it was usually dark once I was done and everything looked bad as a consequence X3

I'm trying to think of it as "for fun" now again, though I still do it rarely. Why I don’t draw with pencil on paper anymore (the inexpensive way of drawing!) I’m not sure. I never went to bed without a folder and some printer paper on my knees from teenage years to about my mid twenties. Odd how things change. (The art wasn’t good, but it didn’t have to be, because I wasn’t going to show it to anyone. I feel I put pressure on myself to produce art that could be shown online. If I am concerned with drawing something that is good that means I can’t just doodle bad things for the fun and practice.)

As to the process - it tends to start the same: look for references (though I don't always draw with references. If I'm doing a portrait though I like to have one). The thing with me is that while art can turn out looking good, I'm not particularly skilled at accuracy. I can correct and edit more easily digitally. You can overlay your reference on your art and see exactly where you were off and then fix it. That I don't have a simple undo tool for pencil drawing can at time be frustrating, because you have to erase the whole eye just because you drew it too high up etc.

And then comes lineart... I think there's a lot more tool user error in traditional art than in digital art for me. You can see how messy my art is. I often slip with the liner probably because it can sense my fear. X3 I also get impatient with the watercolour and don’t wait for things to dry, so everything blends together and Dean ends up with green make up around his eyes >w<;;

But it’s still fun and I love being able to survey my creations like a dragon with her hoard of little doodles!

[egg-node]

4, 7, 14 for the art asks?

hi! hello! :D ask meme

4. Fav character/subject that's a bitch to draw

everything is so hard to draw all the time...... (with a few exceptions). easiest answer is any of my characters that i have yet to design. because uhhhhhhhhhhhhhhhhhhhhhhh <- character design kills them. humans are cool, but their faces are hard to render. robots are cool, but they can have Ten Million bits that i will inevitably forget about/get tired of adding while rendering. armor my beloved <3 <- does not understand how light refracts off it. i do my best though :^)

7. A medium of art you don't work in but appreciate

i'm basically Only Digital nowadays. but! people who can watercolors are wizards. the layering + you Will see the mark you just laid down in the final piece, so better get it right. but it looks so nice. wah!! i also do love oil paintings, especially when it's Thick and the paint rises out of the canvas, yknow?

on the Digital side: people who can lineart. it's been two ish years since i last did a large piece with lineart. i am solely sketch -> slap colors -> render for ten years nowadays

14. Any favorite motifs

big fan of eyes! transistor's art has a lot of them. it's a big fave. i don't know if this counts as a /motif/ but when the artist picks flowers to add because of their meanings. that's the good stuff

[flowerbloom-arts]

A rather unneeded apology, don't you think?

Progress shots and thought process below the cut (warning, it gets heavy on pshycological analytical nonsense and spoilers for Exploits of Moominpappa/'s Memoirs, and it's really long):

Ah yes, Muddler angst, something that should be one too many yet you can't quite get enough of it-

So it all started with this little metaphor from this post I made a while back and I thought "Hmm... I should really make a follow-up for that!" so I did, and here it is.

This was originally gonna be a lineless painting but then when I started to do that I thought about how much of a drag it would be and scrapped that for my regular style but with cooler shading and coloring. I'm happy with it, it's been a while since I've done a full illustration and I'm proud that I managed to make this in like... (Checks timer on my drawing app) 2 hours and 25 minutes? Huh.

Anyway, this whole illustration is more or less just a metaphor going on in Muddler's head when he's cracked under stress, it's the "boat floating on your own personal ocean" metaphor like the post I linked above, it is indeed a constantly raging sea of stress and change and mental/lifestyle instability that's going on in Muddler's head and he's on a houseboat floating on it trying to balance and protect itself from the tides. It's always rocking back and forth but it's been doing that all the time for so long that it barely registers for him anymore, so he's living in this unnerving calm where the calm is not serenity perse but a lack of terror, yet, sometimes that raging sea manages to break through a window or two and flood the place as a good reminder that he isn't immune, he can and will drown for as long as things are like this.

The sea isn't a place of good memories for Muddler in either version of the book, like, the sea is so big that it's general emptiness on the horizon tickles his eyes. Before that he painted the boat red and got it all over himself and then painted his tin with the leftover paint, needless to say he had a rather traumatic night where the paint never dried and it got all over his food and bed and whiskers which drove him insane (or plume crazy I should say). He also had a rough time in his tin while packing for the riverboat and being swept away by the flood caused by Edward the Booble, he said his nerves (and his button collection) were all unsorted after the rest of the crew managed to get the tin on board. Then other stuff happens- an awful Hemulen Aunt boarding the ship (he literally wished death upon her, a rather extreme gesture especially for Muddler), the Hemulen Aunt being taken away by the Niblings (and the ensuing guilt he felt when he felt that it was his fault since he wished for her to be eaten), a rough and sticky night, being the first to realise the boat was setting off to sea unintentionally in the middle of the night, having to sit through a gale in which he got very sick- and that's just stuff that happened on the boat! He also had to suffer the likes of the revenge of the forgotten bones! The Ghost painted Muddler's tin and he cried about it, thinking it's a warning sign that he'll never marry! And he's the only one who was legitimately terrified of the Ghost, imagine being one of like, a 4 person friend group and being the only one scared of a real scary thing that directly affected you in one of the worst ways possible- vandalism of your own home. And don't even get me started on the fact that he lost his parents during spring cleaning and still believes they're alive.

With that being said, I believe we all understand that Muddler has been through alot, he had a revelation that adventures cause nothing but trouble for the poor guy in the middle of the book. And seeing how he cried at the idea of never getting married, we can presume he just wants a normal life after that. Thankfully, Fuzzy provided that through marriage and kids, even though they lost one of them by accident.

Now with this in mind, I have implemented a few elements from the book into the illustration. I've also followed some color-coding rules I've made up for myself;

Blue=Safety and comfort (Hodgkins is his uncle and is canonically blue-colored for the most part, not to mention that his Maxwell House Coffee tin is blue aswell, both are sources of safety for Muddler)

Green=Protection (Joxter is usually depicted in a green dress/hat, he stood up for Muddler atleast twice in the book and we can presume these weren't the only times he does it. Joxter is rather confident in his abilities despite being lazy and Muddler would rather admire that)

Yellow=Achievement/accomplishment (nothing much here, just uhh... Gold is yellow-ish and gold usually means you've accomplished something)

Red=Stress/general negativity (This is mostly coming from the red paint incident)

I've also added some small references and details. I've avoided using the ruler tool on my lineart to give it less solid feel to the backround and everything, showing how it's not supposed to be a full representation of reality, the pictures being faceless also adds to that. I drew an interpretation of the Muddler and Fuzzy wedding photo found in the moomin theme park, the gold medal on Hodgkins' portrait says "you helped" and it's supposed to be the medal that Hodgkins said Muddler deserved for helping him figure out the propeller (accidentally) in the Exploits version and I like to think he has that thought always in the back of his mind as one of the few times he's felt genuinely useful since he got so happy from it. Oh! And the picture almost completely hidden by the curtains is a portrait of his father and that's Joxter at the bottom looking like he's peeking over the curtain when really he's not. The curtains are green because they protect him from the red outside world, the suit and yellow dead flowers being darkly colored are supposed to represent a sense of meaninglessness or general distain, the red liquid is supposed to be red paint, not blood aaaaaaand the window is a slight shade of blue with a screen overlay.

"Apologies for being weak-minded" is supposed to be a rather insincere but tired quote from Muddler, he doesn't really want to apologise for cracking under pressure and having a literal breakdown but he feels like he has to because I think he just feels like a nuisance alot of the time and being so negatively emotional just makes things worse, so he has to come up with an apology rather than tell the person he's talking to the reason why he broke down, and belittling his own feelings by calling himself weak-minded. He knows himself to be "too" sensitive.

Anyway, that was too long a ramble. Just know that I'm not trying to take myself too seriously here, it's a silly amount of thought put into this but eh, I enjoyed it, and I thought you might want to read about it and if you made this far; thank you.

[the5021project]

Project 1 - Image (Re)selection

I originally picked a random image from my documents for the first of the 50 projects on December 30th, but the image that I chose is technically difficult to credit and locate an original location for. It was posted by the original artist to an old blog that has since been scrubbed of its images that were saved there, and unfortunately the blog entry reveals there would have been images from other artists as well. I’m almost positive of the artist, and he’s prolific enough that I could easily pick something else of his to be safe... but I liked the image that I picked, and I would much rather spend some time tracking down something similar to it or maybe even emailing the artist about the scenario. Thats a lot of work to do that isn’t being spent on the art part of this project, so for now I’m just picking something else and putting it on a waiting list.

I’m a little relieved to not being doing a perspective heavy interior environment lineart though! :D

Instead, I picked...

 ��Fatigue” by John Brosio 

(unfortunately I cannot link directly to the exact painting. It’s currently 36/87, the octopus on the house. Go look through his gallery, though! Wonderful stuff)

SO, here’s what I’m thinking about this first project right now:

This is oil on canvas, which is definitely not feasible for me. I definitely could not do this with my acrylics or tiny canvases but this makes me want to try. I have a painting i’ve wanted to paint over for a while and this seems like a good time to do that... BUT that might just have to be something I follow up with for a later project. There’s nothing here that digital cant do.  I’ll save physical media for where digital fails.

This isn’t anything TOO complicated. 

The subject matter is all out of my comfort zone, but none of it to an extreme degree. I don’t have to worry about linework or extreme perspective here.

I think light, color, and mood are the keys here and that’s not too tough a challenge. 

I’m excited about drawing some houses and creatures! Which is good. I need to do some studies. 

There’s an orderliness to this that makes it easier for me to get a result I’ll like, and enough negative space that I can focus my efforts on the important bits, which makes doing this in a week a lot easier. 

All in all, I think this is WAY closer to my comfort zone than the original image I picked to start with, and I don’t think thats a bad thing at all. It means I can focus my efforts a bit more instead of learning many different things at once. 

What I’m thinking about for my version:

I’ll definitely be keeping the evening lighting on this. I think the mood of this would be lost without it.

This style of house is a very specific type of Americana, but... it’s not really all that familiar to me. I’m more used to older two story 1900s houses that have seen a lot of renovation over the years, but I’m not sure how much switching to that sort of house would change the composition. I think that style of house would ruin the composition here, so it’s something i’ll have to think about. 

I guess this means I actually have to do thumbnails and think about my composition like a real artist. Painful...

I was going to change from an octopus to some other nice creature, originally. Brosio’s work contains a lot of that sort of thing and I love it... but I think there are some factors to consider:

The fact that the door is blocked to the house by the creature is very important thematically. You can imagine, if the man’s path wasn’t entirely blocked by the creature, he would simply continue with his day and go inside, maybe not noticing the creature at all. The fact that he cannot rest due to being presented with this inconvenience is key to the piece. Whatever the creature is, it has to be something that can do that.

This is especially difficult to do if its a 2 story house.

The otherworldliness of an octopus is important. This guy might know how to handle a giant ferret, for example. But how do you convince a giant octopus to unblock your entryway? We just don’t know.

The creature cannot be aggressive for the tone of this. The creature must be something which simply does not care.

I think the creature also needs to be intelligent and reactive, however. 

I think if it was just a giant worm you could nudge it away. But an octopus can be suctioned to the house.

I can’t identify so much with the man here. The businessman coming home from work to 1950s suburbia is definitely a strong, culturally embedded image, and I think it makes it easier to distance from him and enjoy a bit of his misfortunes. However, I think a very tired college student coming back to see a creature in the way is extremely funny and relatable to me, so I’ll probably consider that change. 

However, I’m not sure if the added complexity to establish that will be good for the composition. 

I think a gray hoodie that says “[LOCATION NAME] U” and a backpack might be enough to establish character archetype

but its not as striking as a plain black suit.

Anyway, I don’t think these projects will ALL get breakdowns like this, and I expect Maybe one person to actually read any of them, but being able to do an analysis if I want was a big appeal of starting a side blog for this. It really helps me to read and write when I’d looking at coding and programming projects, and I like to hear people’s reasoning in other fields too, so I thought a part of this as a learning project would be to write these myself.

[b4kuch1n]

hi your art style is amazing??!?!?! like holy shit??!!??!??!?!?! Your usage of sharp angular lines and pencil shading is fantastic!!! If you don't mind me asking, do you have any tips for art and sketching? (Also I'm sorry if I used too many ?'s and !'s but I'm just,, really excited rn)

!! thank you very much!! I’m really glad you like the way I do lineart haha,, 

about tips; honestly I’m. not incredibly mindful of how my art comes to be, so I usually have nothing for questions like this one,, I have some speedpaints up on my Youtube channel (that I will hopefully update soon if I remember to actually record the stuff I do) if you wanna check out my process!! otherwise I just did like. a few small sketches separately while actively look at them djskh and here’s what I got out of that:

- at least in your own time, it’s better to get it done than to get it perfect. I literally just tell myself repeatedly “leave it to when you do lineart” while I sketch, and then when lineart comes I have literally forgotten about all of my expectations. that might just be my brain at work but also like. in general I think your art will outlive your first idea of it. tldr Just Do It™

- if you want a small ink piece to look pro you just gotta be mindful of where the light source it, be vaguely aware of the shapes that make up your figure, and black the shit out of the side opposite to the light source. I genuinely did that so many times, like sketching the general shape, doing a quick outline, then paint bucketing the whole thing. nobody knows whether you have a specific plan for that black mass or not. sometimes not even you. magic

- you know why I do a lot of straight lines and angular shapes now? it’s because I got tired of drawing the same curve over and over trying to get it correct to the sketch. you can’t fuck up a curve if it’s made of smaller straight lines. and it has the bonus of making curves pop when you do use them! so fuck it why not

- the way I’ve been breaking down the blackout ink side of the recent pieces, or the transition space between, is honestly purely decided by instinct. but I guess that means that I go with the things I find interesting or fun to look at? I love triangles/fragment-like shapes in art, so I just put a lot of them in. if you like something small that you’ve seen someone do in their art, I think you should put that in your art too. 

- flipping your canvas definitely helps. blacking out the whole shape you have going on also helps. especially if you want a gesture your character does to be clear. 

- if there’s a shape you have a hard time drawing, the best way to do it is to develop a mildly unhealthy obsession with it and never stop focusing a bit too hard on it in every piece you do. thats me with shoes. every time I watch gokaiger I spend the whole opening staring at their boots. you just gotta condition yourself into practicing. even better if you can skip the conditioning part

- before you start a piece you have the intention to finish, it’s good to open a small canvas and just do squiggles and parallel lines and quick circles. like just expel all the shaky hand juice outta you before you start. I’ve been doing warmup like that before commissions recently and it definitely helps immensely

and that’s it for the time being I think!! I hope any of that is of help to you at all,, and thank you again for the really nice ask!!

[comicteaparty]

February 12th-February 18th, 2020 Reader Favorites Archive

The archive for the Reader Favorites chat that occurred from February 12th, 2020 to February 18th, 2020.  The chat focused on the following question:

When applicable, what about a creator’s art might convince you to check out their comic?

carcarchu

I like a wide range of art styles so it's hard to pinpoint specifics but if an artist is able to draw very attractive looking characters (recognizable character designs, outfits that don't look like they came out of 2004 gap catalogue, characters that can still be recognized even when they change their hair style) then i find that very appealing. beyond that how well an artist can integrate the characters with the actual space they exist in is something i find very important as well. a bunch of floating heads can only carry a series so far. if the artist can make the characters feel like they properly exist in the space i think it can really elevate the series although in practice this is something very difficult to do.

Deo101 [Millennium]

For me, honestly some art styles are very inspiring to me and that will sometimes get me to read just because I want to see the art more and learn from it. Things like textures, colors, character design... It can draw me in just by exciting me as a learning opportunity

chalcara

For me art‘s the hook and story the line. Come for the art, stay for the story, you know?

Funnily I‘m looking less for pretty art and more for good visual story telling. I want the art to show whats going on without having to rely on dialogue.

Cronaj (Whispers of the Past)

I'm honestly very picky about art styles when it comes to comics, and that's a personal issue It has some to do with art styles being attractive to me, but honestly, the most important aspects of a creator's style to me are (1) consistency of style and anatomy, (2) level of completion, and (3) clear communication of what's happening. When it comes to whether or not I check out the comic initially, the main things that come into play with the promotional materials, covers, and/or thumbnails are contrast of the image and cleanness of the rendering. Of course, obviously, my personal tastes play into it. (I tend to like semi-realistic styles, sort of anime-ish but with a twist, or painted styles that may resemble concept art.) But honestly, probably more important than grabbing me initially to begin reading is readership retention. And that's where the 3 qualities I look for come into play: (1) Consistency of style and anatomy: This is probably the most important part for me as a reader. If I can't tell who is who because the characters change appearance from panel to panel, I'm ducking out, because that affects the clarity of storytelling. I also cringe everytime I see a particularly egregious anatomy error. I know what people look like. I see them every day. If I feel pain from looking at an artist's work, I'm not sticking around. (To be fair, everyone makes some kind of anatomy mistakes, but really it's if the anatomy mistakes are really awful to me and aren't as a result of a deliberate style CHOICE. Keyword, C H O I C E.) (2) Level of completion: This really just means that if it looks like the artist rushed through the panels or they were being lazy, I feel like their comic isn't worth my time. I mean, if an artist themselves doesn't care about their work, why should I?(edited)

. (3) Clear communication of what's happening: Once again clarity of storytelling is absolutely essential. If the composition of a large portion of the panels don't clearly show the actions of the characters, I can't follow the story. Aaaaaand as a bonus: Please, please, for the love of all powers that be, please, make your fonts legible. If I can't read the comic without squinting because your text is too tiny or hard to read, I'm not going to try. I have bad eyesight as it is. Take pity on your readers. I'm not going to suffer for your work. I have dropped far too many comics to count because the creator didn't care enough to make sure that the font was legible. And this applies to both desktop view, mobile view, scrolling format, and page to page format. Just.... Make your fonts big and clear.(edited)

sssfrs (JOE IS DEAD)

That's interesting to think about how recognizable characters are when their hair style changes. I might try to use that as a character building exercise

Deo101 [Millennium]

Solid excercise: can you tell them all apart when they're bald and naked?

Cronaj (Whispers of the Past)

OoooooooOOOOOOOOOOHHHH

I

Might partake that challenge

Deo101 [Millennium]

Also it's really fun to draw characters in all sorts of hair and clothes so idk what id do if I couldn't tell them apart when doing that!!! That's like 40% of my art!

Cronaj (Whispers of the Past)

This just convinces me more and more to do AU art

Deo101 [Millennium]

Yeah aus are another 20% of what i draw LOL

Look im drawing the comic most of the time so I wish to partake in non canon things the rest

carcarchu

@sssfrs (JOE IS DEAD) i've read series before where the character gets a hair cut / dyes it and i'm like WHO ARE YOU? IS THIS A NEW CHARACTER?

Deo101 [Millennium]

Oh another good excercise is drawing your Characters in many different styles and seeing if they remain unique when not in yours.

Cronaj (Whispers of the Past)

I want to do all of this

This is stuff I hardly ever have time for

So I am extra attracted to it

Also, there IS a time later in the comic where a certain character's hair gets partially burned off

And then he cuts it pretty short to get rid of the singed edges

And I feel like his hair is like 80% of his character design

So I'm just a little scared about that

Deo101 [Millennium]

Also, @Cronaj (Whispers of the Past) , I am unsure what you mean by "readership retention" with something that makes you interested in a comic, could you explain?(edited)

Cronaj (Whispers of the Past)

By readership retention, I mean aspects of the art that decide whether I'll continue reading past the first few pages

(obviously story comes into play as well, but I won't pretend that the art in the first few pages of a comic don't contribute)

Deo101 [Millennium]

Oh okay, I thought you meant like how many readers have unfollowed or something

Cronaj (Whispers of the Past)

Nah

More like, "oh cool! Your cover and blurb seem interesting. Lemme check out the comic!"

And then after reading the first few pages/chapter:

"ah... Not for me." Or "Nice, I'll keep reading!"

Deo101 [Millennium]

Gotcha

Capitania do Azar

Ohh I don't feel like dissing particular artsyle choices, but I know a few aren't for me. I'm no big fan of ultra realistic, hyper detailed stuff you usually see in super hero comics (other genres pick that style too sometimes and I still don't really appreciate). I particularly like artstyles that are distinct and recognizable, I have a hard time with stuff from different authors that just looks... Like a carbon copy (sometimes, the style being referenced is waaay too obvious and that is always a big no for me) Good use of color is key. Give me some good values too. I want colors to make sense and I am very tired of pink. I also appreciate consistency. If you give me artwork with a more paintery style but then the comic is cellshaded, that might tip me off. But not necessarily (tho I appreciate inner consistency inside the comic itself). Rushed stuff, like mentioned above, is also not a good look, but only insofar as it distracts me from what's happening in the story. Consistency is a very important word here, because I love seeing a common line that is able to take in all the differences that are necessary in character design and backgrounds, but also make me believe that they all could live in the same world.

Oh! And also: if the artstyle involves using lineart, I am really fond of sharp, clear lines with weight variation

sagaholmgaard

I'm curious about what you guys mean with consistency- do you guys not like if an artist's art style changes over the several years it might take to make a finished webcomic? Is it that it peeves you when the backgrounds are done in, say, a painterly style while the characters are done with lineart? Is it when the artists makes ordinary illustration work in a completely different style from their comic pages? (This is genuine curiosity I hope no one's feeling attacked rn ^^)

carcarchu

i personally really like seeing an artist's skills improve and evolve over the many years it takes to draw a series

even at the expense of a more "consistent" final product

sagaholmgaard

Yeah me too, it's one thing i really like about webcomics

chalcara

Can‘t talk about the others, but I get thrown off when one page is sprite comic, the next painterly, third cell-shaded without having a in-story-reasons for those style changes, like flashbacks or pov-changes. But more commonly, the issue’s the classic „comic‘s usually coloured, but oops, this time you only get the pencils because I had no time to update“. If that happens too often and/or doesn‘t get fixed for the archive I just lose investment in the comic.

Art evolution is natural, both in webcomic and published work with a dedicated artist.

Ah, that‘s another source of inconsistency - people switching colourists or even artists around. Once in a while is fine, but if it happens every month or so, I tend to get annoyed by it. It‘s actually why I killed my first webcomic twenty years ago; it was a collaberation and life kept getting in the way forcing me to switch colourists every five pages or so.

carcarchu

oh actually i have read a webcomic where they changed artist's 18 chapters in. i really fell in love with the magical and dark tone of the original artist and was engrossed in the world that they set up. they had a painterly style and it really set the atmosphere of the entire series but then the new artist had a super clean and cutesy art style and the sudden tonal shift really threw me off. in the long run the new artist was actually extremely consistent and better at actually releasing long chapters and very good quality chapters and the writing actually improved too because of it but it was never able to recapture what it was that i really loved about the original art style. also the new artist changed the character designs a little so the heroine was no longer even recognizable as the same person

since it was relatively early in the series i definitely would have preferred if they just got the new artist to actually redraw the first 18 chapters in the new style just so the change wouldnt be so incredibly jarring

chalcara

Any harsh breaks like that will cause some people to break away from the comic, I found. I dumped one of my favourite-for-years comic because the creator got bored by their main character and completely sidelined her in favour of a group of minor characters I had absolutely no interest in.

Didn‘t mean the comic got worse - by all accounts its still beloved by quite a sizable audience - it just wasn‘t for me anymore.

sagaholmgaard

Ahh that I can relate to. I get super attached to the main character and usually have a hard time getting into any spinoffs with the rest of the cast, even if I want to (and im a hypocrite because i also want to make spinoffs for ever side character in my own comic LOL) i guess if the style changed a LOT from page to page that would throw me off too. that feels like the artist is trying to experiment, maybe making sort comedic comic strips would be more acceptable then? Every style would at least be contained to one strip at least

DanitheCarutor

That's... actually a really good question. I don't really go for a specific aesthetic. Sometimes what's going on in the thumbnail attracts me, or it could be the use of color, the style, a character design. I'll check out a comic with just about any art style. I guess maybe if I have an idea of what the creator is going for with their art? Like, the art may have a lot of kinks, but maybe being able to tell what style they're trying to go for makes me want to check out their work? Honestly, I don't have a really strong art bias, as long as the comic is readable I'll go for almost anything. Maybe I won't check something out if the style looks extremely uninspired... like if it were the most generic, based off Japanese cartoons, style ever then I might give it a pass. But even then I do sometimes check it out anyway, so I really don't know! This question is surprisingly hard to answer! To give my last quip about last week's topic, since I don't want to derail the current one. I feel the creator's personal life is no one's business. I understand if they're a legit bad person, but digging into a creator's life to see if they qualify to be supported is... I dunno. This mindset makes me feel that if someone who liked my work ever tried to get to know me, they would be doing it solely to see if I'm good enough for them, which feels really invasive and predatory. I fully understand most people can't just enjoy something, that's how the world is, it just kinda sucks sometimes. The world kind sucks sometimes. Alright! I'm doing with giving my final thoughts on that subject.(edited)

Deo101 [Millennium]

The question is specifically about what draws you to art, rather than what turns you away so if you don't want to rag on any art styles that's not what it was asking for I think! Though yes it's very closely related (and it's not bad to say what you don't like)

Eilidh (Lady Changeling)

I definitely am more likely to read a comic that has a distinctive style - no particular style preferences, really. Interesting use of colour/value is definitely a bonus. But as long as it's engaging and the composition is good/readable, I don't really mind whether the art is "good" or not.

DanitheCarutor

@Deo101 [Millennium] I wasn't trying to rag on anything. I couldn't specify what about someone's art would draw me to their comic, it was easier to the one thing that might not, but I still said that I may be drawn in regardless. Sorry if I came off like a douchebag, totally not my intention. <_<'

Deo101 [Millennium]

No I know, someone earlier said "I don't feel like dissi g particular styles" I'll be honest I was typing my post as you were and so I didn't even read yours til after I said something(edited)

Just kind of a general thing! Feels like it went to what turns us away instead of what draws us in so just kinda a reminder of the op

sagaholmgaard

Readability is definitely important for me to want to continue following a comic, but what about the art that makes me want to read something...? I definitely have a preference toward cartoony styles overall. A solid character design will make me wanna check out a comic. If the main character has a recognizable silhouette and interesting shape language. I also love really bold lineart, especially if it's used to create shadow and contrast. Interesting color schemes too. I think how the background is drawn can really make me want to read something as well. I know BGs aren't people's favorite thing to draw but to me if the setting looks very well though out and designed, that definitely motivates me to check something out. And awe-inspiring sceneries are always hella cool! I read a lot of things outside of my artistic preferences though, but I think these are the things that might make me pick something up based only on the art itself.

keii4ii

I think I tend to find more appeal in certain compositions, which is a more subtle aspect of style. I am a major sucker for evocative use of backshots/ not-showing-the-(whole)-face, for one thing. Compositions that make full use of the three dimensional space around the figure(s) is another (this doesn't necessarily mean putting a lot of stuff around the character; you can have a mostly empty space and still make it feel very 3D).

(I hope both of those things show in my own works... I just love those things soooo much )

Deo101 [Millennium]

Oh I LOVE when a panel like... Cuts a face. Something about it makes me lose my mind every time

DanitheCarutor

@Deo101 [Millennium] Ooh! Lol sorry about that! I was so caught up with off computer stuff that I didn't notice anything else typing while I was. I haven't read the whole conversation yet, but I can see how it would turn to that. "What draws you in" is a hard topic to stay on. At least I imagine it would be since it's hard for me to talk about.

Ah! I admit I really like shots focused on scale, specifically ones were you can feel how tiny the MC is compared to what the camera is focused on. Does that make sense? Like the panel shows this ginormous thing, and it has the MC in it to show how massive it really is. That's awesome when done right.

Deo101 [Millennium]

Tiny little person. Yes. Very good

DanitheCarutor

Tiny people in giant worlds are the best!

keii4ii

I love those too!

DanitheCarutor

Oh, also this isn't a webcomic, but I've been interested in reading Vinland Saga after seeing this page on Twitter.(edited)

Something about extremely hideous expressions on semi-realistic faces jives with me.

FeatherNotes(Krispy)

What draws me in easiest is the design aspect of characters, environment and the webcomic title! It's a bit of a turn off when the title doesn't look polished. That's one of the main draws for me is an intriguingly designed logo with a catchy name that follows through their chosen aesthetic. I've seen many comics that stand apart from the title image they chose and it's a bit jarring to see! Great examples of wonderful execution of these aesthetics are BlackOut City, O'Sarilho, Sink Your HookTeeth and Shadrunners(obvs there are many more) I have to agree with @sagaholmgaard about backgrounds! There are quite a few creators who avoid them and stick to simple colours and gradients that just dont keep me in the comic- though my fave genres include a lot of world building, so BGs in a romance may not be emphasized as much. Lastly, dynamic character design!! I love a wonderfully crafted cast that allows me to read the characters easily no matter what setting or outfit they're in. Also it's really random but i do love an artist who can draw really good shoes?? That is always a draw in for me (edited)

Capitania do Azar

Oh I meant it in the way that if you spend a lot of time experimenting with different styles and techniques, you'll never be good at any of them. Style and approach changing over time is, imo, inevitable and good :) @sagaholmgaard(edited)

@@FeatherNotes(Krispy) I constantly think my logo looks like crap next to other webcomics', so thank you (edited)

DanitheCarutor

Oh god, @FeatherNotes(Krispy). Titles and logos are legit my weakest point, that part of the comic creation process is the worst! I have this cosmic-horror/fantasy comic I've been developing since 2005, and it took me till just last year to come up with a decent title. It'll probably take another 14 years to come up with a passable logo. Lmao!

FeatherNotes(Krispy)

It is really hard! Because that image/logo and name represents the body of work so firmly, its also got to stand strong with what it's representing and stand up to other titles too! Basically, i like to think of something that will help generate top results when i search on google for the title, which to me helps it stand on its own on the web, and sound catchy enough for pitches in person! I don't want to steer the convo away too much from the prompt, but there is definitely more to discuss about titles and their chosen aesthetics

varethane

@DanitheCarutor have you read Golden Kamuy? If you love hilariously hideous expressions in manga, it seems like it may be your jam lol

(it's also set in a specific historical period and contains a lot of really interesting material about the time/place it takes place in)

Also I feel like I have never, even one time in my life, come up with a good title for anything-- both Chirault and Wychwood are placeholder titles that I used just to kinda name the story for myself, which I initially intended to change when something better came along, and then nothing ever did

LadyLazuli (Phantomarine)

I know I'm generally drawn into a comic if it's just... generally a visual feast? And it doesn't even have to be a beautiful feast - just... a feast! A super intriguing artstyle, beautiful or not, is something for my brain to pick apart and enjoy. Detailed backgrounds, intricate costumes, fascinating presentation/layout... all the way to crazy expressions and fun asides, and even some gory or scary bits to make me go EEK. Basically, if I'm reading it, and my hand is twitching with the prospect of drawing fan art, then I'm in for good.

DanitheCarutor

@FeatherNotes(Krispy) Urg that is such a nightmare! And there are only so many different styles you can do for a logo, and so many variations of words, it's like how there aren't any truly original stories anymore. I got lucky with the title for my current comic, it's the most generic thing ever, but fits in a tongue-in-cheek way. @varethane I've never heard of it, but the face compilations I'm seeing are intriguing! Man, I love stupid facial expressions.

Capitania do Azar

@varethane golden kamuy, I see you are a fellow of taste as well

varethane

(I love it so much)

Capitania do Azar

@DanitheCarutor oh idk about the "only so many things you can do with logos", I've seen amazing things in this world, if there's a limit I'm not seeing it

varethane

(I can always tell exactly when I was binging it because there's a big chunk of my phone's photo gallery that's all screencaps of Asirpa making dumb faces)

Capitania do Azar

@varethane guys shooting each other in the woods? I'm always in for that

DanitheCarutor

@Capitania do Azar Lol I guess? I can't see how you can have an infinite number of designs for writing, while still trying to keep it vaguely readable. But I really don't like lettering, so my imagination is hardcore lacking in that department.

Capitania do Azar

Lettering and logo design are their own fields of expertise, it's ok

meek

Hmm I'm similar to a lot of previous responses where I can't pinpoint a specific style or trend of art work that draws me in because the styles of comics I read differ incredibly. That being said, there are some things that I do look for to keep me coming back: 1) Consistency of style/anatomy: unless there's a specific reason for the general art style to change (not including semi-deformed or chibi versions of characters), I appreciate characters staying proportionate or just otherwise consistent throughout the comic. And art evolution isn't something that's at odds with consistency, it can actually help that by making characters more distinct and easier to distinguish from each other. 2) Potential for art evolution: Almost the opposite of the previous point lmao but if I find a new comic and I see the latest page is of a much higher skill level than the first page, I'm immediately hooked. I want to see the journey. And I want to see how far that journey goes, even past the point where the art "gets good". There's at least one comic that I can think of where once it hit the style that it wanted to, the art has stayed consistent for the past several years but so much so it's almost plateaued and become stagnant. It's still good art, by all means! But I want to see it grow and evolve more. 3) Good panel/speech layout: Okay it's not quite art in the same sense but someone else mentioned this above and I think it's important too? There are so many comics I can think of that I couldn't read or I dropped off at a point because reading was a chore, either because of giant or unsightly speech bubbles, tiny or ill-fitting font, a combination of the two, etc. Sure, graphic design and layout is a skillset completely different from pure illustration, but it's one worth knowing because otherwise you could do a disservice to your art and your story.

Cronaj (Whispers of the Past)

@meek Seriously, the text is so important to me, and I consider it a large part of page layout and design

meek

Agreed!! It's something that bothers me with printed comics all the time. I've tried to read so many "classic" graphic novels and I just.. I can't get past the giant text boxes with small font with miniscule kerning and ESPECIALLY if they then add color to it. Please, keep in mind your readers with reading difficulties But to turn this into a positive One of my favorite things that also helps make a comic feel more personal is when the creator turns their handwriting into a font or otherwise have FUN with the speech bubbles

Cronaj (Whispers of the Past)

YES. As someone with bad eyesight, typography is one of my favorite aspects of finishing a comic page.

Deo101 [Millennium]

It also is super important for me with ADHD, reading is hard enough as is! so bubble layout and clarity can really bring the whole thing together and elevate a comic

Eightfish (Puppeteer)

I tried that but got the feedback that my text is hard to read and the way i format my speech bubbles is distracting (: But some people have said they really like it so ¯\_(ツ)_/¯ Though I do think I could have done better with the font. I have good eyesight and bad handwriting do I think i have a much easier time reading weird text than many. Since you guys care so much about text, would you mind taking a quick glance at my comic and telling me how readable it is? It'd be nice getting feedback from random people as opposed to only my readers who felt strongly enough to leave a comment unprompted

meek

Oh man I have this specific panel in mind from some early 2006 Avengers comic of like.. what not to do Basically it was a bright yellow text box with this white/light blue font. It was just. It was a nightmare to read Oh sure!! Definitely send me a link

Cronaj (Whispers of the Past)

Yep! Send me a link too! I'd love to help you out

I also have a good typography book to recommend if you're interested. I can drop it into #art_resources(edited)

Eightfish (Puppeteer)

Here is link: https://www.webtoons.comen/challenge/puppeteer/list?title_no=290620

Thanks for taking the time to give me critique!

Cronaj (Whispers of the Past)

The link's not working, but I can probably find it on Webtoon

Eightfish (Puppeteer)

And I think i dould find a typography book interesting, so yes please do send the link

Sorry, i think the link is missing a slash

Did we both delete the link

Deo101 [Millennium]

did we both delete a

yah

i got it

Eightfish (Puppeteer)

Lol

Deo101 [Millennium]

https://www.webtoons.com/en/challenge/puppeteer/list?title_no=290620

Eightfish (Puppeteer)

Thanks

Cronaj (Whispers of the Past)

I found it

(The font is a bit small on mobile, but the font is fine?)

Eightfish (Puppeteer)

Wait can we move to shop talk?

FeatherNotes(Krispy)

(maybe we can have this discussion on shop talk channel? )

Cronaj (Whispers of the Past)

Sure

FeatherNotes(Krispy)

OH LOL

DanitheCarutor

@Capitania do Azar Oh god, they so are! I envy anyone who enjoys that craft, I'm a lot better than I was, but lettering is still so hard. ;v; At least the fancy stuff is hard, regular speechbubble lettering is easy as long as my hand cooperates.

Cronaj (Whispers of the Past)

There's a book I had to read for a web design course I took, and it is seriously a life saver

It put text in a whole new perspective

DanitheCarutor

I do all my lettering traditionally, but maybe that book would be helpful, I legit hate doing it no matter what medium I use. (sorry for continuing to derail the channel.)

Capitania do Azar

@DanitheCarutor i used a website that converts handwriting to fonts + font forge for tweaks to get personalised fonts

DanitheCarutor

I used to type bubbles out, and I've thought about it for my current comic but I mix up words and letters really bad, and I forget to add words entirely while typing. It wouldn't be so bad if my brain saw the mistakes while rereading everything, although sometimes it takes a couple days or another set of eyes for me to actually see them. When I write the bubbles in with a pen I make a lot less mistakes since it takes more effort to write out each letter, also my brain can keep better track of the ones I do make. I feel like that's an excuse that makes no sense.

Deo101 [Millennium]

no it totally makes sense

snuffysam (Super Galaxy Knights)

I can't say I'm ever especially drawn in by art? Besides the sense of "it looks like a lighthearted action story and I like lighthearted action stories", not much catches my eye. Though, I will drop a comic if I'm put off by the art. Like I can forgive if some things look janky at the start of the comic, but if that jankiness doesn't improve over time, I'll drop the comic. I'll also drop the comic if the character designs are bad (i.e. indistinguishable from each other, or in rare cases just too gross to look at). But again, I can't exactly say "good character designs draw me into the comic" because a lot of comic banners/thumbnails don't really show off full character designs.

chalcara

Varied bodytypes are catnip for me. And I like comics with expressive characters over comics that limit expressiveness to keep the characters pretty.

Eightfish (Puppeteer)

Oh, definitely agree with that second part. Comics where it looks like everyone has had a ton of Botox is a huge pet peeve of mine

Like, eyebrows are not the only part of the face that can move.

Do more

renieplayerone

Yeah i agree with the janky art thought. I think it helps me follow through the jank if i see that the later pages, the artist has shown growth, and i dont want to force anyone into a "gotta redraw it" loop if thats not something they want (of course everyone has their reasons and theyre also valid af) Ill tend to be more forgiving about the jank if i know its someones first webcomic or first comic in general, because you cant learn how to make comics without actually sitting down and making the dang thing. So yeah, the jank can be a double edged sword(edited)

What super draws me in is comics with a great sense of color. While i love anything vibrant, if the softer watercolors are done well, they're chefs kiss. Prime example of that is Stand Still Stay Silent

mariah (rainy day dreams)

I've been thinking about this question all week and I think I finally boiled my answer down to something short, sweet, and to the point. It's gotta be some kind of spooky and some kind of cute I have a pretty broad range of art styles I like and I definitely also read stuff that doesn't fall under those categories, but I think my favorite stories or artists are some blend of those two things. I don't really have a preference between color and greyscale. Like I definitely love a good color feast comic, but if you know how to use your grey tones or even just black and white well it's just as good for me. Maybe that's also just me trying to justify being mostly a greyscale artist to myself TuT

FeatherNotes(Krispy)

@mariah (rainy day dreams) devils candy would def be up your alley then!

mariah (rainy day dreams)

Devil's candy v good

renieplayerone

Devils Candy is amazing

mariah (rainy day dreams)

I love to combination of cute monsters and action also.

DanitheCarutor

@renieplayerone I'm not sure if it fits totally with your preference, but if you're looking for watercolor Lost Honey is gorgeous! https://www.losthoney.com/

mariah (rainy day dreams)

Lost Honey is another great comic great to look at, really interesting world

DanitheCarutor

It's one of my faves! ;v; There is another comic that was half watercolor half digital that I used to love reading (if I remember right pages set in the current time were digital, and backstory stuff was in watercolor.), but it has been discontinued for years now. It was called Toilet Genie/D00R, a comic about a genie who was locked in a public toilet and was awakened by a pug that got thrown out by her owners. It was so pretty, with such an interesting style!

mariah (rainy day dreams)

Oh wow I haven't thought about that comic in 5 years! X'D I didn't read much of it, because I don't think there was much of it available at the time, but yeah, that one was also very pretty (edited)

renieplayerone

Oh those colors are really pretty!!

DanitheCarutor

Right? Lost Honey is total eye candy. @mariah (rainy day dreams) Yeah, it's sad the creator never got to finish it. I think about it every so often since it's one of the extremely rare (semi)watercolor webcomics out there.

Also I'm extra attached to traditional mediums since I work in a traditional medium myself.

mariah (rainy day dreams)

Same. Got that ink wash/watercolor bias.

Eilidh (Lady Changeling)

My current comic is marker shaded but I so want to do something with ink wash after this one...

DanitheCarutor

Yeah, right now I'm working with color pencils since they're cheap but I want to give gouache or acrylic a try for my next project, depending on which story I do.

Kabocha

Hm, the question is... a lil' challenging to answer. I think in a lot of cases, the art isn't necessarily what gets me, but when it does -- Sometimes it's when someone uses a resource I like/made and I can go "OOOH! I know that thing you used!" Screentones are another one that gets my attention pretty quick. Sparkles... And probably effective spot color use. As much as I enjoy many full color webcomics, there are many that get tiring to try to read for one reason or another (usually it's either a font or a saturation issue - too many similarly saturated colors near one another gets tiring to read). Also, soft coloring. Oooh, just... when the art feels like it ought to be printed on those soft-touch covers... Yeah, that gets my attention. ...and watercolor/inkwash, too. ... okay that's a lot of things that grab my attention, but tl;dr: oh hey look at all that cool stuff that people can do!

mariah (rainy day dreams)

That was part of what was so hard for me thinking about this question cuz really, a lot of things get my attention X') and the more I thought about it the more I was like "I like when a comic is like X, but oh also Y is great and I do really enjoy Z as well!" I just ... like so many things. But I think that's better than being really picky. I've meet some folks that are super picky about art and basically only like one style and I'm just like... you're missing out on so many amazing things!

Kabocha

Right? And heck, even in some comics where the style would normally be unappealing (to me), there's just something about the art and the aesthetic that clicks to make it all work together for that project.(edited)

I do think, though, that there's always going to be a special place in my heart for greyscale or screentoned comics. There's just something about art that knows how to effectively make use of shading and contrast to make their work... well, work for me.

kayotics

Art is probably the first thing that draws me in to read a comic. The top, top tier thing that gets me to pay attention to a comic is really strong inks. I love inking, and unusual inking styles. To those who know me, that's probably incredibly unsurprising. I also love really angular styles. Some other stuff I gravitate towards: cartoony styles, expressive faces, and kind of ugly characters. I enjoy seeing characters that might be described as plain or are drawn in a bit of an ugly way. The last thing that draws me in? Hands. If an art style pays attention to hands, then I'm all for it.

mariah (rainy day dreams)

Does a comic have characters with big, crooked, toothy grins? I'm down for the count X'D https://media.tenor.com/images/618576ebcc4f6d2a12438624be77c54f/tenor.gif

varethane

oh hey, did someone mention webcomics done in ink wash/marker?

Chirault was that!

1367 pages of..... ink with greyscale marker..........

FeatherNotes(Krispy)

honestly blows me away that you toned it traditionally like, all of GJS is inked trad, but to ink AND tone in marker is just.....damn

sssfrs (JOE IS DEAD)

I love ugly characters

RebelVampire

When it comes to art, I'd say there are about four factors that will draw me in. First, readability. Can I visually follow wtf is going on in the comic? I have no interest in the visuals if I can't understand what action characters are taking. So the first point is always for if that is true. Second, character distinguishability. Can I tell one character from another? I am notoriously bad even in real life at being able to tell people apart, so when reading for fun, it's super important to me that I don't have to put a lot of effort into telling characters apart (exceptions for identical twins, of course). Third, personal appeal. Do I think the art is pretty or cute? Like, obviously this is subjective so I can't really put into words why I'd find one style appealing and the other not. But ya know, I like stuff I think is pretty to look at. Fourth, backgrounds. If a creator puts a lot of effort into their background scenery, I'm very sold on it. I love beautiful backgrounds, and the effort put into them give me an overall better impression of the comic as a whole. Since it takes some real passion to take care with backgrounds. All this being said, I'm not much of a stickler for art. If a comic is well-written enough, they can fail all these points and I'll still read it. This is just a list of what aspects have to be in the art for it to draw me in.

Eightfish (Puppeteer)

My points are pretty much the same as Rebel's, with the addition of a few things: I adore comics with dramatic facial expressions and consistently excellent anatomy. Also, if the art style is unique? If I feel like I've never seen someone draw that way before? That's ++. So good. I've read comics where I thought the art was good but the story was mediocre, but I've never read a comic where the art met all my points (and Rebel's), where it made me go, "holy fuck," audibly, and then had the story disappoint. Comics where the art made me go "holy fuck" audibly: Excecutioner's Academy: The art is so pointy and colorful and detailed and weird. It's full of personality and life and so are the characters. Warning: hiatus comic ): https://tapas.io/series/Ex-Ac Ava's Demon: You guys know about Ava's Demon, right? With original music and animations ending every chapter, this might be the most effortful comic I've ever seen. https://www.avasdemon.com/pages.php#2611 Sfeer Theory: Everyone looks so different from each other, it's fantastic. Some characters are not conventionally beautiful, yet they're still so appealing. And backgrounds! And a thought-out and unique magic system! https://sfeertheory.com/comic/01-00/ Electric Bones: Backgrounds! Banter! http://electricbonescomic.com/index.php/comic/page-001/ I also loved Prague Race, but unfortunately it was cancelled ):

If anyone else has recommendations for comics with amazing art, I'd love to hear them!

Cap’n Lee (Flowerlark Studios)

For me, it just has to be an art style I like to attract my attention. I generally like realistic art, stylised art, or pretty much any style that hasn’t been done to death (like generic anime art; much as I love manga, I’m really tired of the over-saturation of bland and soulless anime-inspired art). Pretty much anything unique and well executed will grab my attention. I especially like greyscale and limited palettes.(edited)

And just to clarify, I do like anime-style art when it has expression and/or skill behind it; just not when it looks generic and manufactured. Overall, though, it’s the writing that’s ultimately the most important thing to me in a comic, so I’ll enjoy comics for their writing even if I’m not a fan of the art.

[momestuck]

Let’s read Hiveswap Friendsim - volume 15!

Just to clear up a misconception - this is Hiveswap Friendsim, not to be confused with Hiveswap proper, which is a point and click adventure game spinoff of Homestuck, of which so far only one volume has been released. So Friendsim is basically a spinoff of a spinoff!

The characters in Friendsim are apparently set to feature in Hiveswap volume 2, although the actual events of Friendsim may not have happened exactly as portrayed. It’s impressionistic, or something.

I suspect this explanation may be more confusing than clarifying.

This volume is called Of Creatives, Conventional and Otherwise.

Charun looks like some kinda gardener, and Wanshi evidently has a book (the title of which seems to be ‘DIARY [of a] CULLABLE WIGGLER’).

Charun

Charun is by Kieran Miranda, who previously wrote Azdaja (the DBZ guy) and Stelsa (Tyzias’s gf with the pink coat).

The protag begins this arc by questioning their entire character trait!

They’re having a day in due to depression.

Unfortunately, we can’t sleep for long. Someone is crawling about in our ceiling!

...or not in our ceiling, but in the edge of our room, anyway. We poke our head out of some kind of telescope- or camera-hole. And meet...

This person! Pizzicato strings (hey I know some music words). This piece is actually by Toby Fox, of Undertale fame, who also did music for Tegiri, Lynera and Galekh. Huh.

The protagonist grumpily asks if they’re here to move in or something, and Charun says some words at last.

It turns out they were here to take this strange lens thing. But now they’re stuck.

The narration uses ‘they’ pronouns, which we haven’t seen since Cirava, so that’s nice :)

Their quirk is speaking very slowly, with lots of pauses, marked by ‘..’ - just two dots - on either side.

Apparently the reason they want it is ..............................art.

We get our first choice. Interesting or weird? I’m inclined to be nice. Let’s say interesting. Kind of damning with faint praise there though, I guess.

Charun picks up on our like... noncommittal use of ‘interesting’. They say...

And that’s pretty much shot our chances of friendship.

Well, let’s be more engaged. Sounds weird, ya weirdo, etc.? Engaged.

‘Haha.. yeah..’ is about what we get for that.

There’s a dig at the format.

Instead, our choice is...

Mmmm.

Let’s go with... two dots?

They’re apparently too tired to lug this lens back down the tower. We get another set of options (guessing .. vs .... was a fakeout)

Let’s carry it! I want to see what they do with it.

We make our way out, and get the long shot of our watchtower again.

Charun, it turns out, lives in a cave just down the road from our watchtower. We get a very detailed background.

Back to back, the difference between this background - lineart, cel-shaded - and the previous one - painted, kind of impressionistic - is striking.

Notably, there seems to be a troll back there, looking out from over a pile of stuff. Also is that like... bug thingy Charun’s lusus?

Charun inquires as to our opinion of their art. We flounder.

Charun calls us on having no idea what we’re talking about. But this prompts the protag to decide this would be a great time to learn how to make art.

We get some wisdom... “All art.. is dicking around..” True words.

But apparently we’re overthinking it. Our second attempt...

Soon enough, they decide to join in. We collaborate...

I’ve seen that episode of The Get Down.

Our results seem to be worth it.

The narrator celebrates.

I’m actually kind of put in mind of some words by Porpentine here.

Build the shittiest thing possible. Build out of trash because all i have is trash. Trash materials, trash bodies, trash brain syndrome. Build in the gaps between storms of chronic pain. Build inside the storms.

And this masterpiece created...

Well I guess we go for a joyride? That seems entirely unrelated to what happened in the episode, but what do you know.

So now let’s propose finding some more portable trash, I guess. Which is another colourful background...

Apparently the background artist for this episode is Phil Gibson. This is a river which is accumulating a pile of rubbish on the bank.

After extracting a promise not to share this secret location, we get to work.

They get us to install instaGram.. uh...

PincerSpam. We check out their aesthetic...

Apparently they’re friends with Cirava. That’s cool :)

At that point, we stumble on some familiar faces in a cave. Awkward segue, but what ho.

What sort of lethal shenanigans are these two up to today? Apparently their quarry is expected to be somewhere in this dump. Uh-oh... hope it’s not our new dear friend Charun.

Charun, meanwhile, has found some kind of gadget with a satellite dish. The protag figures it probably belongs to whoever Azdaja and Konyyl are tracking, and Charun asks us to distract them while they run away with it. Before we can refuse, they’re off.

And that’s that. Meanwhile, Azdaja and Konyyl seem to be tending blackromwards so... yeah. That’s a thing.

Wanshi

Now for a very small troll. Wanshi is written by Lalo Hunt, who wrote Tagora, Tyzias and Galekh. Really likes to write the nerds, huh.

We decide to spontaneously pop down to the library.

The narrator makes the same observation as me about the shelves...

It turns out this shoe is on a troll, hiding inside this shelf to read ‘Scribblejournal of a Cullable Wiggler’. Guess they changed ‘Diary’ to ‘Scribblejournal’ during production at some point.

Wanshi’s theme has soft piano music. It’s titled ‘idk man you name it i’m tired’. Oh, that James Roach and his wacky song names!

We decide to butt in on her reading.

On realising how young Wanshi is, the protagonist muses that they’ve managed to befriend a few other kids, and we get a very interesting bit of narration...

So our protagonist dreams about the failure branches? Given the connection between dreams, death and the Furthest Ring, that fits.

Since she’s a Jadeblood, she’d likely know Bronya, right. I’m very curious about this brain room. Let’s go there first.

Her quirk, apart from the little bookending []s, is capital Ws and lowercase everything else. She’s five and a half sweeps old, which is almost the age of the Homestuck cast when we first encounter them (so she’s about 12 in human terms).

We wonder why she’s wandering outside the caverns. She explains...

We make our way to the brain room. She asks us what a ‘brain’ is - because of course Trolls say ‘thinkpan’.

Considering that there’s no reason for Alternian and English to be the same, I kind of half suspect Doc Scratch has just been fucking with us all this time.

Unfortunately, we can’t enter the thinkpan room, and there’s a scary looking guard there. So we move on. Apparently the reason she was escaping was to go to ‘beastcon’.

Oh god have we found a troll furry.

Apparently she writes ‘soldier purrbeasts’ fanfic. Hmm... not sure what that is. It could be this series of YA books?

We hear what the Jades have been saying about us.

Aww.

I’m not sure what it is we know, except for occasionally being able to give out fairly good relationship advice, but who knows? Our reputation precedes us.

She asks us to take her to the con.

I want to see this con. We make a hurried escape from the library as the guard approaches.

Of course the anime nerds would go.

We head off, guided by Gorgle Maps, and Wanshi excitedly observes the world outside the brooding caverns.

Alas, on the way to the con, we find a dead troll.

For once, we’re with someone who isn’t utterly desensitised to brutal violence.

Indeed...

Indeed.

She shakes it off relatively soon, and we reach the con.

Honestly I’m not exactly sure what this is a parody of, if anything specific. ‘Anime con and renaissance faire’ indeed.

Apparently the attractions include cholerbear riding and a... ‘coslay competition’. Which is entirely different, we soon learn, to ‘cosplay’. We consider calling Bronya to pick her up, when...

a rampaging bear interrupts the conversation.

Whoops. Not exactly a place for kids. We throw her in a bush and... grab a katana? That’s just lying around? Yeah good luck with that...

We fucking stab a bear with a katana to protect a small child we met less than an hour ago. Alternia must be getting to us.

Unfortunately, sheer guts doesn’t save us. We get crushed under the bear.

That’s one way to go out, huh. Well, I guess Wanshi learned way more about death than she bargained on.

OK, side branches. First, asking if Bronya is around instead of taking her to see the brain room.

Snitches get stitches.

Well, the kind you get from running, anyhow. Wanshi’s out.

OK, now to actually befriend her and survive the process. We’ll pretend to take her to the con instead of actually going.

The narrator tries to figure out how to refuse her request.

We narrowly escape from the guard - which Wanshi terms ‘bonding hijinks’ - and take her on a roundabout route home. She gets to enjoy the sights.

The protag is so endeared that they decide to take her to see their crashed spaceship. This reminds them that Vikare exists and they haven’t texted in ages.

I guess Vikare isn’t just forgettable to the readers!

Anyway, after pocketing a few of the remaining bits, Wanshi asks us to get a move on to get her to the con.

So we fess up.

She’s not pleased.

We have a slump. There’s an allusion to that ‘bitch of an Earth’ line that didn’t quite make it from ‘popular Tumblr post’ to ‘meme’.

Though she’s still pissed, she appreciates our honesty. Some Social Commentary...

At that point, we get some texts from Tegiri and Polypa, respectively telling us to come to the con and stay far away. Seems the whole cholerbear incident does happen in both branches this time.

This, at least, cheers Wanshi up a bit.

Anyway, though she didn’t get the chance to make friends at the con, she’s got us. We get invited to RP with her...

...as cats.

She’d get on well with Nepeta, huh.

We learn a little about Soldier Purrbeasts.

So...

Warriors is a series of novels  published by HarperCollins.

It is written by authors Kate Cary, Cherith Baldry, and Tui Sutherland, with the plot developed by editor Victoria Holmes, who collectively use the pseudonym Erin Hunter. The series follows the adventures of four, later five, clans of wild cats—ThunderClan, ShadowClan, WindClan, RiverClan, and SkyClan, who will not be introduced into the territories until "A Vision of Shadows" —in their forest and lake homes, who look up to StarClan, the spirits of their warriors ancestors, who guide the four clans. They also follow the warrior code, a set of rules established in order to keep the clans as civil factions.

...sounds like I was write to guess it was a parody of this franchise?

The narrator kind of struggles to get it.

But with some prodding from Wanshi, we purple up our prose and find our way to suitably overblown dialogue. Even if it’s ‘not really a starcaste approach’.

Eventually, we get back to the Jade caverns, and find Lynera at a full five knives.

Luckily, our presence calms her down somewhat - as low as two knives! But before we can leave them to sort things out, Wanshi has a gift...

That says ‘Soldiers’. So yeah, definitely a parody of Warriors. These books were first released around 2003, roughly contemporary with books like Mortal Engines, The Edge Chronicles, Artemis Fowl, Alex Rider, and Maximum Ride. Given that, I’m honestly surprised I never read them! Maybe it was more of an American thing.

And like that, we’ve made a friend. uwu

We’re in the endgame now. Expecting I’ll finish this... probably not tomorrow, but likely Friday.

[askguyslikeus]

oh shit yall send lots of questions hoo nelly answering almost all of them under the cut ,,, im gunan try and answer more technical ones first then fun ones and ones about the mod later so u dont gotta scroll all the way to the bottom for the good deets

Hi! I'm still kinda new to the blog and I was wondering what are the 'do and do-not' kind question I should do? Because im sure theres always that one ask thats just Innapropiated, like that one of Michael 'taking advantage og high Jeremy' that was just not cool.  i got this ask a lot so ill be clear with yall. im just not a big angst fan? so sending michael asks about his anxiety nonstop and about how he had a panic attack in the bathroom over and over again wasnt that fun. usually if it pertains the musical though you should be find sending an ask about it? but sometimes i get asks that are like “jeremy ur nothing and how does it feel knowing u fucked everything up” like homie how i think its feels? how u think hes gunna react to that? i made this blog to negate a lot of negativity in my own life so i can promise u im going to be answering asks mostly positive always forever. that being said tho i sometimes get asks pertaining to a few things that ive dealt with in the past and these topics make me very very uncomfortable. dont send asks about these topics please. this is the no no list

-self harm, cancer, suicide, rape, parent death, car accidents, sudden death.

What was your inspiration for this blog? hoo boy well,,, ultimately i thought of them rooming together and got emotional and made a huge list of headcanons and was like ,,, why not run an askblog for a bit ill just abandon it after three asks lets have some fun. but somehow im still here and i got sucked in by the complexity of michael and jeremy. i know that sounds kinda silly but just, as someone who is dealing with a lot of similar things, like dependency issues and abandonment issues and depression and anxiety, having these fun functioning character to explore was such a gift for me. i believe honestly thats why im still here and doing this. being able to try and portray a healthy relationship and a healthy way of coping and growing has helped me a lot this past month and given me an outlet i didnt have before. TBH THO the main reason i made this blog if imma be real with u guys id because i didnt like the treatment of a lot of these issues in the fandom. it made me very upset to see depression used as an plot device and michaels dependency issues treated as romantic so i wanted to make a blog that had little to no angst. ANYWAYS somehow im still here ,,, gvrkjvrnkjfd sorry i rambled

honestly I just wanna say first that I love his blog and your art and you're so cool and kind!! a question would be (I'm not sure if you've answered this before or not) but is there like an on going story here, or is it mostly just answering questions with the characters set in this universe? (if that makes sense I'm sorry!) thank you, you're super awesome! ❤️  djrnjg first off thank u so much aaaa,, ive kind of answered this before but its ok its been a while since then! but um i do kinda have a story but how howdy i sure am dragging my feet. the story isn a hUGE OVERARCHING EPIC OF WOE AND THIS PERSON IS UPSET AND THIS PERSON IS MAD AT THIS PERSON its just michael and jeremy getting together. i have a plan and ive talked to a few people on how i want it to happen but ive gained like ,,,, 6,000 followers since then and im kinda nervous BUT ILL DO MY BEST but also please understand that i do this for fun for myself and if i dont get to it im so so so sorry woops

i know this has been said before but i'm really really happy w how you're handling so many aspects of their characters. i.e. michael being trans, michael and jeremy's anxiety, michael's dependency issues, and other stuff i'm too tired to think of. you made the characters have even more depth than they did in the play and i'm rly grateful for the way you're dealing w my favorite boys. (also your richjake is suuuper adorable) ahhhhhh thank u so much? i talked a bit about this on my main but im really glad people are happy with my decision on this blog because im suPER SUPER NERvous anytime i post an ask dealing with these things. (ask hachi or nate i always message them like freaking out and send them my scripts and asks and wait for them to tell me its ok before i post it omg) also like i talked about before i love,,, having these fun stoner gamer boys to explore these issues with. im honestly shocked by how many people also deal with dependency issues because when i first listened to the musical i was so overwhlemed by the song michael int he bathroom because i had never heard someone basically write “dependency issue: the song” and it felt so so so good to realize i wasnt alone in this pit of despair i fall into so easily aha. but im!! glad everyone is ok with this wild ride im on right now (also thank u so much i struggle writing rich and jake but i get so emotional cause they would TOTES call each other babe)

how come you just use sketch form for most of your drawing (sketches and uses sketch for the final result)? im ,,, not really sure what this is asking but i thnk its along the lines of why do i only sketch my answers?? and i do that because dude do u see how often i post and how lONG some of them are. i made this blog for fun and i love doing comics but i hate lineart and coloring and if i tried to churn out finished pics for every post id defs have given up a few asks in,, shrugs

I want to say I love your little comics they're so funny! How long does it take you to make a comic? Are any of them based on your experiences? Ok have a nice day!  thank you! i love my little comics too! it usually takes me anywhere from an hour to five hours if im dragging my ass or talking on discord while im drawing. it can be kinda exhausting but since i took my break ive also been like, starting long comics one day and finishing them another day which, before i would do it all in one sitting then post it hahha. AS FOR EXPERIENCE the first half of the lifeguard comic was based on real life! we were stuck stoned up there for like an hour or two? but we didnt have anyone to help us but we got down eventually!! the wendys comic is also something i did because man!! i need to compliment food workers if they do a good job!! ummmmm just like jenna i also have a friend that said HAHA BYE and moved to cali and she is also lIVING IT UP and doing really well for herself and shes very independent and shes very inspiring to me! hmm i think thats it besides i used to have movie nights with my dad all the time too except we would watch my fave animated movies and sometimes lord of the rings cause my dad loved that

What kinds of things can we NOT ask ? What kinds of things do you WANT us to ask ? i covered the what not to ask in the first question so!!! um if my askbox is open and u want to respond to previous asks ive answered for the boys that would be so so so rad. sometimes im done with a certain ask and i have nothing to add but sometimes ive got more to say but am looking for an opportunity! that being said it made me really happy that i got a lot of asks about pj? shes not going to the main focus of any more asks but!!! i was nervous to introduce her and im glad u guys like her shes fun to write. but overall just general asks i can make a big ol fun story out of so!! dont worry too much about what to ask, if its something ud ask a real person and not like “lol what if ur dad died” ur gunna be fine probably

Hi! Not a question but your blog is so sweet and refreshing! I actually really appreciate that you refuse angst, that stuff tends to rub me the wrong way in fandoms... Keep taking good care of these boys ! gggg thank u!!! it means a lot to me that a lot of people are backing me up on this! i mean if u are an angst fan there are a lot of askblogs that explore that!! so its not in short supply bmc askblog fandoms got something for everyone

Which drawing program do you use?? i use paint tool sai and my tablet is a cintiq !!

this isn't really related to the faq but that bakunawa boy reference was great I LOVE THAT FIC MAN!!! the line was originally a little diff in that ask but i changed it cause ,,,, i could,,,,

an art style question. how do you keep the design of characters consistent from frame to frame? my characters they look a lil different every time I draw em (or a lot different) and it tends to disrupt the flow of my comics/animations ohh boy hoo wee props for doing animations im too scared to give that a whirl but!! it helps that i draw all the panels for an ask on one canvas! so if my next panel is going to be the same character in the same spot just in a diff pose i keep the lower layer on just at low opacity so i can use it as a ref! that helps me a lot!

Sorry if I'm nosy or rude, but are you reflecting Micheal Anxiety, Panic attacks and depence? iii think this is asking if i reflect my own issues onto them boys? and if so then yes i do. i dont place any of my own personality or anything on the boys but i do use them as a way to help me learn how to cope with my own shit and i try to deal with their issues in the healthiest way possible while also keeping in mind they are flawed individuals aaa

what are your pronouns??? and maybe your main blog??  im a cis girl so she/her is good! and my main is squigglegigs! also that being said IF YOU SEE THE USERNAME SQUIGGLEGIGS ANYWHERE JUST?? ASSUME ITS ME?? i have a twitter and an instagram and my tumblr account 

((Hello mod will Michael and Jeremy eventually someday get together. I love them.)) if all goes according to plan yes! if i get overwhelmed and stop having fun on this blog then no! sorry thems the breaks but! i do want them to get together so HOPEFULLY

going off on that confrience on pornogrefy for birds, Im geussing jeremy has played Hatoful Boyfriend. am I wrong? well it wasnt intended as that ref and i dont know anything about hatoful boyfriend but i can see jerm finding it and playing it so, sure homie! the pornography for birds thing is a my brother my brother and me reference! i love that show and them boys so give it a scope!

I'm crying bcuz Michael said he's in love with Jeremy and it's beautiful yeah that boy is DEEP IN love with his bro bro

Any advice for running an ask blog?? (Ps i love this blog keep it up) personally whats worked for me so far is doing just sketches for art. honestly ive been able to work so much more and post so much more often while also trying to work on my expressions and poses! also taking my own experiences and shaping them to fit the characters has been SO MUCH FUN. th most important thing tho is,,, dont overwork urself dude. if ur having a fun time it shows. if ur just forcing urself to churn out material and its not fun? like shit we doing this for free dont push urself? idk idk overall being looser with my art and writing the dialogue before hand has been the most helpful for me for this askblog! ive run a bunch before including @ask-maz and ive run that sporadically for ,, three or four years? its so funny cause u can see my art style juMP AROUND SO MUCH but i love that blog and i only update it like every other month or so but?? i still like doing it and no on likes those posts but it makes me smile so ANYWAYS

~ok from here on its mostly just me replying to nice messages or people asking me personal questions that dont pertain to askguyslikeus so!!~

I just wanted to say I really really love your blog and just your art in general!! Keep up the good work and hope you're having fun! thank u!!! i am having fun and im glad u enjoy it!!

What other musicals do you like? :0  i really like heathers A LOT. i also like doctor horrible i know thats not technically a musical but i just relistened to it and im emotional. i like dear evan hansen but it makes me really sad so i can only take it in moderation! ummm rent? chicago?? music man? now im just naming musicals i was in rip. being in a musical fandom is a new thing to me? i was really into heathers last year but didnt really interract with the fandom at SO THIS IS SUPER NEW?? ive never been into a musical as much as im into bmc and heathers tho

tell us a little bit about urself!! u seem v cool i am squigs or fork!! im 24 and work fulltime as a barista at starbucks! i get high on the beach with my friend gwen a lot and drink wayy to many slushies, my tv shows are brooklyn nine nine and bobs burgers right now! i table at conventions sometimes and sell my art as merch and whatnot and i cosplay as a hobby as well. im pretty boring but i draw a lot and always carry my big sketchbook with me and im pretty sure its given me back issues BUT OH WELL HAHA also i am very not cool THE TRUTH COMES OUT

Who do you most relate to from bmc and why? like ,,, a mix of michael and christine with a sprinkle of jeremy i guess ahaha i relate to michaels dependency issues and overarching positive attitude and love of music, i relate to christines bright disposition and the need to not stick to one set thing? like she loves theater cause she can be sO MANY PEOPLE and like same homie thats why i cosplay. and jeremys need to be likes while also ability to put himself out there is very relatable. i also identify strongly with his dad issues idk idk whats good

Also -- just thank you for how you handled all the panic attack and anxiety attack asks. I used to deal with anxiety attacks multiple times a day and it just was really nice that it was positive and not them having one. Thank you, sincerely. ahhhhhh ur so welcome i,,, have anxiety and it sucks and i deal with panic attacks like everyday at work so i dont really wanna come home and draw someone having one i guess? im glad its helping other people too tho!

Dude- I love your art? Actually so much? It's... I love it. The whole sketch-ish way your art style is, and the way you color, and the expressions! I'm so glad I found your work - you've given me so much inspiration. Keep doin what you're doin and I hope you have a good day! AHHHHHHHHHHHHHH ANytime any one compliments my expressions i die cause i legit made this blog to help with that as well ,,, like dam

im lvoe ur art style b o i :0 !!!!!!

Mod, I love you so much I love you you have my soul and my love and my eternal gratitude thank you and I love you (This is the guy who was excited about PJ on your ig live stream a while ago and I love you) !!!!!!!!! im so happy u like my content omg and that u like pj im so glad!! shes a good bean

I just wanna say... I'm crying over that post about Michael and his anxiety? cuz I know how it can feel that you're only your flaws and weaknesses, but Michael just tells that to screw off in the most wonderful way and I'm?? thank you so much for that post, I bookmarked it for future times when I can't look past my depression... honestly, that post made my day (along with every other post on this blog), thank you for being such a lovely part of this fandom ,,,, im,,,, im scared of a lot of this fandom tbh but if i can be something good that come out of it and my love of these boys and desire to show them functioning together in a healthy way can help other people its so much more than i ever thought id ever be able to do. i am blown away everyday by the support ive been given on this blog and i might be crying right now because i never thought id be able to touch other people like this and i just. im really glad yall are here with me for all this.

(To the mod: You are a beautiful person that I highly respect. I love this blog and what you set out to do. thanks for giving something that makes me smile and gives me something to look forward to everyday, keep up the good work! ❤ ) hey im still crying from the previous ask aaaaa im honestly so emotional

what are ur true feelings for wendy's??? i fucking love wendys man thats some top tier fast food right there

what fast food restaurant do you think has the best nuggets WENDYS HANDS DOWN

do you have a favorite movie? paranorman makes me very nostalgic and ive seen it like eighty times and used to watch it with my dad a lot and i love it

I would just like you to know that your Wendy's comic prompted me to pull the same thing with a bakery in the town I'm visiting and the baker got so excited and happy, so thank you for making that comic because I made that woman's day. GOOD GOOD GOOD GOOD GOOD I LOVE WHEN PEOPLE COMPLIMENT ME WHEN IM WORKING DUDE LIKE IM SO GLAD IT MADE U DO THIS!!! IM SMILING REALLY BIG!!

chocolate milk or strawberry milk? or plain? woops i hate milk im so sorry

do u love michael mell with all of ur heart, mod?  i really truly do man what a fucking good ass character

hi squigs i love you! i love your content too and i hope u have a good day pal :>  WHAT A SWEET BEAN!!! THANK YOU?? OMG

I'm just saying that recent ask you did with Michael really hit me hard because I really related to it and I started crying because it made me realize that I've been pining my self worth on everything my anxiety causes and I'm so much more than that. Thank you, so much for that I really needed it because I'm in a really bad place right now. <3 -for the mod i legit cry everytime i get asks or dms like this cause once again the idea that im helping other people is so ovwehelming i love you??? i let myself just be”depressed” for ahwile and by that i mean i just,, let my sadness consume me and i was scared of getting better cause the sadness was all i knew for so long and just. its so easy to think u are ur illness but you are so much more. soooo much more man.

I relate A Lot to Michael so the way you portray him in the blog is really good, and I think it's really awesome you refuse to like?? do terrible stuff and answer bad questions just bc people wanna see that. You run this blog really well 👌  AHHHH THis is the biggest compliment thank u so much ,,, i get real anxious bout this blog soemtiems but then yall send me sweet things like this and its worth it man

Hey mod, just know you're a really cool person. Thanks for running this blog in the first place. Keep doing the great work.  thank you!!!! for ur support!!!! 

not really a question!! i just wanted to say your posts on this blog always brighten my day and you're really an incredible artist and person, keep rockin on my dude!! *clutching my heart* the fuck this is so sweet

1 .I just wanted to say your blog is really awesome! It's very lovely. I also like how you made michael trans and like handled it? (just with how all the characters treat him and stuff its v nice). Your art is super duper! Thanks for running this awesome blog! 2. Hey! This isn't a question but I wanted to say that I appreciate michael being trans!! As a trans boy it's just rly awesome to see something like that casually thrown into an ask blog without making it a huge weird deal :D immm,,, i kinda really love the idea of michael being trans cause a lot of my trans male friends are actually pretty confident in their skin and michael is a very confident character? and u rarely see that with trans representation and its so refreshing to see it portrayed well. im trying to do that here but again if! i do anything wrong let me know!

how did you first get into art? (also i really love your blog, it's amazing!) ive been drawing as long as i remember! ive got mad adhd and wasnt diagnosed until late in ym life so i would just draw nonstop in my classes ahaha i used to read the sunday comics a lot and they really inspired me to try and make comics of my own too!! (and omg thank u) 

someone also asked me if i went to church or was religious but tumblr ate the ask but i used to go to church a lot as a kid but im currently not religious at all aaa

ok holy shit that was a lot but thanks again to everyone i legit cry a lot about how supportive u all are thank u so much aaaa

[get-something-to-write]

Prompt from bullet anon(?): “ Prompt 152 for your favorite Hamilton ship? ”-          “ Stop texting me weird stuff so late at night. “

( what a relatable prompt )

A/N: I wouldn’t say this is my absolute favorite ( that title belongs to Marliza! ), but is my guilty pleasure ship. Heh.( BWAHAHA I IS A REBEL ) Maria’s texting name is Angelica’s contact name for Maria and vice versa, to show how much those suckers are in love.

Maria: 19, freelance artist who quit college, basically what you’d expect a full time artist to do on Tumblr

Angelica: 22, majoring in PoliSci and Journalism, interns under George Washington

3rd POV omniscient 

Warnings: nothing, at least this time, except for poor editing ( I'm too cheap for a beta :P)

Ping! Ping!

Angelica stared at her phone, watching text notifications blink across her screen in a rapid succession. She was waiting for a makeup tutorial on YouTube to load already, so she tapped on the notifications to see what Maria Lewis was sending her.

Maria <3: so ive been working on some art commissions

Maria <3: and this weird thing came to me

Maria <3: if mammals have hair and create milk

Maria <3: therefore

Maria <3: that means that the coconut in my kitchen

Maria <3: is a mammal

Maria <3: u get it right?

Even without any presence nearby to react to such a thing, Angelica let out an exasperated sigh and glared at her dimly-lit screen. Of course Maria was sending her weird shit at 1 am in the morning, because what sane person would? Although, she was heads-over-heels for the artistic girl, so she only half-joked about being irritated by the texting.

Angel the Angelic: y the heck r u sending me this

Angel the Angelic: also that’s not how it works

Angel the Angelic: besides, its super l8

Angel the Angelic: get to sleep so u can wake up 4 ur job

Maria <3: nah I don't have work today

Angel the Angelic: ugh can’t ur commissions wait 4 morning

Maria <3: it is an unspoken rule to never interrupt a writer or artist at work ;)

Angel the Angelic: k fine, but I'm sleeping now

Maria <3: gn then, or good morning actually

Angel the Angelic: please go to sleep

Angelica Schuyler barged into the living room of Maria Lewis’s apartment, with the latter wearing only underwear and an oversized hoodie. It hardly affected the taller woman much, since she was commonly seen in her apartment. After all, Angelica did have the spare keys.

However usual it was to have her in Maria’s place, Maria herself was becoming redder by the second as she was being caught wearing, well, not much. By her undying crush, Angelica Schuyler.

“ Stop texting me weird stuff so late at night, “ she said, plopping down on the couch after a day of working at her journalism/political science internship.

“ Eh, benefits of being a decent artist and not having to go through college. “

“ I don’t really get how you don’t stress out about not having a major. Lucky you, I suppose. “

“ College isn’t for everyone Angelica. “ Maria brought out some chai tea and granola bars that the older woman apparently was addicted to. Angelica studied Maria, making a show of flashing her eyes up and down. Feeling very numb inside from running around doing errands for the higher-ups all day, she spaced out and glared at the ceiling, attempting to count the amount of times the fan was spinning to distract herself from the fatigue and Maria’s body leaning on her side.

“ Hello? Ang? You want a bar or not? I’m gonna eat it if you don't want one...” Maria chuckled. Registering her words, she became a little crimson at the cute nickname and her teasing voice.

“ Oh no, you wouldn’t dare do that.”

“ Oh yes I would, just to spite you.” Growling, Angelica pounced on Maria, struggling to steal the beloved granola bar from her hand. She snickered, throwing the snack across the living room. During the process, Lewis had been pinned to the couch and was blushing furiously, although Angelica mistakened it for raucous laughter.

The normally serious woman sitting on Maria’s knees had crossed her arms, looking perpetually annoyed.

“ Ugh, now I have to get it. Thanks a lot Maria Lewis. “

“ You are very welcome my lady. “

Huffing, Angelica awkwardly scrambled off the younger girl to snatch the granola bar. She gazed at Maria’s face, which was red as a tomato. It was easy for her to read most people, but she was always confused by Maria

Maria was a fairly good actress, able to mask her emotions if needed, but never did around Angelica. Perhaps there was a chance that they mutually loved each other after all.

“ Well, while you enjoy your snack, I'll go back to working on my stuff. And tell me when you leave, ‘kay?” Angelica merely nodded, chewing through the granola bar while flipping through all the assignments from class. There was also a minor article from her internship, but it wasn't much. She contemplated staying over at Maria’s, since she was feeling too lazy to go to her shared apartment with her siblings.

After finishing her bar ( and went to the kitchen for more ), she was curious about what Maria was creating this time around. Angelica always loved looking at people's hard work, especially Maria’s. She was always quite amazed by the younger girl’s art.

“ Hey Maria! Uh, may I see what you are doing?” Angelica hollered, somewhat politely.

“ Actually, I'm just putting on some pants. Kind of indecent to not be wearing some when there's someone in your home, ya know?” Huh, that's pretty strange. She's been acting weirder and weirder, why would she refer to me as a stranger in the apartment?

“ Well, I would like to see what you’re drawing or painting or whatever. “

“ Eh, I’m the lineart pieces right now. And, you can come in now.”

Angelica stepped inside the only bedroom in the apartment, smiling to herself as she viewed the minimalist room, with the exception of the art desk that contained  an organized clutter of cabinets labeled with the specific kinds of supplies. There were two watercolors drying on the wall, and the desk itself contained some sketched papers and few of what Maria was currently working on.

The drawing tablet and laptop were sitting on her bed because of the little space on her work area. Angelica wanted to aid her artistic friend more, maybe upgrade the apartment or endorse her art so she could have better luxuries. Angelica knew better than to ask so; Maria Lewis was a proud girl and was used to striking it out on her own.

She placed her arms gently on Maria’s shoulders, loosely hugging her neck as Angelica perched her chin on her head. Her hair was oh-so-soft. She twirled a strand with her fingers, absentmindedly playing the curly hair as she peered at Maria’s hand sketching out a majestic griffin. 

Angelica sniffed her hair, taking in the intoxicating scent. She didn't notice how Maria had stopped drawing and stared deeply into the paper.

“ Hey Angelica? You're kinda distracting me a little, uh, are you sniffing my hair?” No response, solely because Angelica had leaned her body weight against Maria and was slowly drifting out of consciousness. 

Angelica mumbled something, most likely about the younger girl to continue drawing, but Maria was having none of that. If the Angelica Schuyler was tired from staying up real late and doing her college stuff, she would push her into the closest bed. Okay maybe that sounded weird.

The Schuyler observed Maria as the artist sighed, swept her papers and pencils aside and considerately made sure Angelica didn’t stumble onto the floor as Lewis stood up from her swivel chair. Maria gently dragged her over to her mess of blankets and pillows.

“ Honestly, you should take a nap. Or stay over for the night, you can't go anywhere if you’re gonna fall asleep standing up. Actually, whether you like it or not you’re sleeping over for the night. I’ll text your sisters. You’re probably asleep by now, I should stop rambling to myself.” Angelica was truly unconscious by now, surely. Maria half-ran to her living room to snag her phone.

During that time, Angelica had internally realized where her body was laying and  the simple smell of someone she recognized and loved dearly. She snapped her eyes open, mildly confused that she wasn't gazing over Maria’s shoulders.

She was actually relaxing in bed, Maria’s bed for the matter. A thin blanket covering most of her body. Its scent consisted of lavender and ink, an odd combination but nonetheless pleasing to Angelica’s nose.

Angelica squawked a little as Maria strolled back into the room and they stared each other awkwardly as she inched towards Angelica. The silence was practically sexual tension to any outsider had there been one there.

“ Would you want to sleep with me?” Angelica blurted out before cringing to herself. Way to creep out one of your best friends, Angelica.

The other looked just as surprised. Maria looked down at the floor as she slowly slipped into bed. In another impulsive movement, Angelica grabbed her arm and swiftly pulled her down, instinctively shifting around so Maria was comfortably settled on her side while facing her.

Both of them were glowing crimson, mere inches apart. Angelica was quite perplexed as to why she was feeling so ruffled by this. It wasn’t as if they had never made contact before. But those has been innocent hugs and cuddles during group sleepovers, perhaps watching sappy or horror movies.

Maria flipped over, desperate to not stare into those curious brown eyes. Her thoughts glazed over how it was impossible that the wonderful and confident Angelica Schuyler could possibly love her back. She nearly dismissed this situation as a thing that Angelica did when she was fatigued when a pair of arms warmly hugged her sides.

Holy shit is she actually cuddling me in my bed? What the hell is happening? Maria’’s face grew even redder, and had not gone unnoticed by Angelica who had very keen senses. Angelica used one hand to turn Maria’s head over.

“ Goodnight, and I love you too.” Coming to a decision that Maria indeed liked her back, based on her reactions, prompted Angelica to duck her head under Maria’s chin and lightly kissed her neck, her tongue poking through her teeth.

She smiled at Maria’s shock and sudden gasp before cuddling her even tighter, limbs wrapping Maria like a pillow. Angelica felt the tension on her fall before Maria calmed down, even pressing herself against Angelica a bit. Eventually, they peacefully slept fro the rest of the day and night.

For once, neither of them regretted staying up past one.

Hey there! This, as usual, got out of hand and I did not expect myself tone writing so much for this one. Hope you enjoyed this, leave a note or two, and send me requests! Rules on are on my bio. 

( you can find my fanfics under the crimson-writer tag )

[escentia]

Hacking a Cheap Wacom Tablet

When I received my Intuos5 in 2012, I expected it to turn me into a drawing grand master with all the cool extra functions it had.

I was a bit disappointed to find out that it drew exactly like my old Bamboo, except the pen was nicer to hold. Since then, I’ve tried not to throw more money at Wacom than I absolutely have to. 

I’m currently using a medium Wacom ONE, which is Wacom’s cheapest tablet. The pressure sensitivity is great, and it draws perfectly well. However, it’s less comfortable to use compared to my previous Wacom tablets. Since I do use the tablet for hours every day I decided to do a bit of DIY!

1)     Changing the nib

The Wacom tablet pen comes with the default plastic nib which works but I like the other nibs better.

I found that the white-tipped flex nibs are nice for smooth, worn out tablet surfaces. I used them a lot last year when I did digital painting.

 Nowadays, I spend a lot of time sketching and doing detailed lineart on the computer. I find the grey felt tips more suited for this task, for they provide a more pencil-like texture.

The nibs used to be marketed as only compatible with professional range tablets. Honestly, though, they work with any cheap Wacom tablet! I’ve tried these nibs on my old Bamboo Pen and Intuos Draw and they fit just fine.

2)     Protecting the surface with Bristol Board

Ever since I started working on my comic in 2015, I spend around 3 hours using my tablet every day. I managed to create a smooth shiny bald patch on this tablet in a month.

 I couldn’t find any good surface protectors on the internet so I experimented with different types of papers.

So far, my favourite is the Bristol Board. It has an extremely fine paper texture that comes pretty close to the original surface texture of the tablet.

This stuff is virtually indestructible. I’ve been using this sheet of Bristol board for 3 months and it’s as good as new. A pad of 20 sheets is going to last for 20 years probably.

I’ve also found myself replacing nibs less often since using Bristol board, another plus.

And the best part is that my favourite stickers show up well on the white background (❀╹◡╹)

3)     Making a grip with air-dry clay

From the previous photos, you’ve probably noticed that my pen looks really funky. That large black lump on the pen is a grip made out of clay

I flattened the clay into a sheet, wrapped the pen in it, moulded it in my hand and waited for it to dry.

A day later I had a pen that fitted perfectly in my hand! This modification has made it a lot easier to control my pen, plus I’ve stopped getting hand strain after hours of drawing.

With this modification it’s impossible to access the side switches, which I don’t use anyway. Also, I have no idea how to remove the grip because it has hardened in place. Hopefully I won’t ever need to remove it… If I do I might have to soak the whole pen in hot water which might destroy all the inner mechanisms... _(:3 」∠ )_

While it’s the best thing I’ve done to my tablet so far I can’t wholeheartedly recommend it, since I don’t know how well it’ll hold up in a few years.

Well, that’s all. Hopefully someone with a cheap tablet will also find this useful!

[EDIT - November 2017]

It’s been 8 months since I made these modifications and they’re still holding up pretty well! 

I’ve replaced the bristol board a couple of times because my grimy hands smudged them and they didn’t look nice any more :( But their surface lasts for ages -- I don’t think I’ve scratched any of them, even with hours of drawing every day.

A couple weeks ago I cut the old pen grip off with scissors and made a new  one.  The old grip was in pretty good condition when I removed it... I just wanted to make a prettier one haha.  The ergonomic grip does wonders for my poor tired hand and I don’t think I can draw without one any more _(:3 」∠ )_ 

[hyperfox09]

Send me a sketch or lineart and I’ll paint it!! (Digitally)

I’m bored and I’m tired of trying to draw stuff myself, I just wanna paint. So send me something and I’ll let you know if I decide to paint it or not! I’ll take up to like, five or six of these which ought to be enough, but just in case there’s more than that and I can’t use everyone’s that’s why. You don’t have to pay me or anything, I don’t have a paypal or something to do that with anyway. 

If you want to send me something, just submit it to me or reblog this post with it. Feel free to reblog this post just to spread it around too by the way. I’m not begging you to or something, as this is not a commission thing, but It would be really cool to get some strangers in on this if you know what I mean!

Rules

NO NSFW PLEASE! I will do kisses and cuddles, but not much more. I’m fourteen. If you think something is inappropriate for my age group, It probably is and please don’t send it. I’ve lost enough innocence to this site already.

It’s ok to send me fanart, but tell me what it is. I will obviously not be in every fandom there is, so if you do want to send me something just give me the name and stuff and I’ll look it up if I decide to paint it.

I’m totally cool with you telling me how to do stuff! If you want something done some way, tell me! I’ll try my best to comply. You can also ask me to change something if it’s not how you pictured it. The lineart is done by you, so you deserve a chance to see it painted the way you imagined it!

Feel free to post your pic on other sites and stuff, just give me a bit of credit and I’m totally cool. Again, it’s your art too. You can post it where you want to. I would like a little credit though. It’s nice to be seen. :)

DON’T STEAL ANY ART IF IT ISN’T YOURS! The above rule is for those who created the linearts or sketches only! No art thieving! You have been warned!

If you want to send me something you didn’t draw, that’s cool, but I want permission from the artist who did. Seriously, I would feel so bad if someone’s art was used without permission!

No shame! If you want to send in something you think is bad, don't worry I don’t judge, and I will not let anyone else ether! If you look up at the ones I did myself, you can see that I’m not that great at line art and stuff myself. I’m decent, (-ish) but really I can only sketch enough to get to the point where I can paint over it. And just barely at that point! So don’t worry. I appreciate every drawing that comes in. One less sketch for me right?

Just generally use common sense with this. If something seems like it would be against the rules, don't do it. Just common sense bro.

It may take me a bit to paint your thing, depending on how busy I get, so if I take a while that’s what happened.

Feel free to request updates on how it’s going.